=========================================================================

Date:         Sat, 24 May 1997 18:21:28 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Lies, Money, and VIdeotape

In-Reply-To:  <199705250034.RAA10619@denmark.it.earthlink.net> from "Gerald

              Nicosia" at May 24, 97 05:34:11 pm

 

Gerald Nicosia writes:

> Attila Gyensis writes:

> 

>         "...the financial assistance that I have received from Mr. Sampas

> amounts to a grand total (let me check my calculator) $0, nada, zero, nulla,

> nothing, zip."

> 

>         May I suggest, Mr. Gyensis, that you are being a little coy in the

> matter of advertisements that have magically appeared in your magazine,

> DHARMA BEAT?

>         In the short 3-year history of DHARMA BEAT, you have received

> numerous full-page ads from Viking/Penguin, Mr. Sampas's publisher.  Your

> fall 1995 issue even had TWO full-page ads from Viking.  You received a

> half-page ad from Rykodisc for a record that was produced by Jim Sampas.

> You received a full-page ad for BIG SKY MIND, the Buddhist Beat collection

> with which Mr. John Sampas was intimately connected (the editor states: "A

> special debt of gratitude is owed to John Sampas, the Literary Executor of

 

...

 

The fact that you would speak like this to Attila Gyenis proves to me

what you're doing wrong.

 

I've hung out with Attila a few times, and he is one of the sweetest,

gentlest most philosophical and non-greedy people I've ever met.

Furthermore, the one time I discussed you and your activities

with him (a few months ago over some beers after he and I

attended the play "Kerouac" together) he was taking your side,

and telling me about some of your good points.  You've gone and

turned another friend into an enemy!  As you did with me.

Your tactics are all WRONG.  This is NOT the way you solve

problems.  Stop bullying people around.  You could better

serve your own cause with more peaceful tactics.

 

Recently at a LaGuardia Airport taxi stand, I saw a great sign:

"BE POLITE!  IT'S NICE TO BE IMPORTANT, BUT IT"S MORE IMPORTANT

TO BE NICE".  Please, Gerry Nicosia, start going with the flow

a little more.  Estate battles happen.  The world survives.

Let's talk about something else.  Maybe, to get us off on

a different topic, you could tell us about the Vietnam book

you're writing.  I'd really like to hear about it.  When do

you expect it will be published?

 

------------------------------------------------------

           Levi Asher = brooklyn@netcom.com

 

   Literary Kicks: http://www.charm.net/~brooklyn/

            (the beat literature web site)

 

 Queensboro Ballads: http://www.levity.com/brooklyn/

             (my fantasy folk-rock album)

 

          ###################################

 

          "Tie yourself to a tree with roots"

                    -- Bob Dylan

-----------------------------------------------------

=========================================================================

Date:         Sat, 24 May 1997 21:34:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rod Anstee <Nastees@AOL.COM>

Subject:      Re: Law suits

 

In a message dated 97-05-24 20:43:44 EDT, you write:

 

>he will be held accountable for whatever he says here that is damaging to my

professional reputation.

>        Thank you.

>        Yours truly, Gerald Nicosia

 

'Seems to me that you should consider suing yourself, too, Gerry.

=========================================================================

Date:         Sat, 24 May 1997 21:45:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Jim Carroll & Richard Hell

 

In a message dated 97-05-23 16:23:28 EDT, you write:

 

<< We are always seeking suggestions of suitable artists to promote...

 Any and all suggestions from the admirable minds of Beat-L would be

appreciated.

  >>

Charles Plymell

 

Pam

=========================================================================

Date:         Sat, 24 May 1997 21:53:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         chatfield residence <chatfield@VOYAGER.NET>

Subject:      hello

 

hi, my name is amy jean, and i am new on this list. i have joined because i

am doing a research project on jack kerouac and i thought that many of the

people on this list would be knowledgeable in that area. My question for

research is, "How did Jack kerouac influence, and how was he influenced by,

the "beat generation"?"

if a few kind people have any ideas on what books would be helpful to me,

or if anyone has any answers to that question themselves, please e-mail me

at

chatfield@voyager.net

i would not like to tie up the list with things that most people would find

annoying, especially because i am new here. : )

thanks.

--amy jean

 

 

 

 

"hold me down, catching my throat, make me pray, say, love's confined."

-r.e.m.

=========================================================================

Date:         Sat, 24 May 1997 22:48:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: hello

 

Hi Amy Jean,

 

        Have you yet had a chance to search the web for references on this

question? I actually mad emy way to the list as a result of searching for

refs to Slim Gaillard, which led me to Jack Kerouac and on to the Beat list.

If you're interested and if you can use it I can send you a Netscape browser

bookmark list with many of the relevant sites.Start  with list member Levi

Asher's Lierary Kicks site at

 

http://www.charm.net/~brooklyn/LitKicks.html

 

        The short reply to your question, which others will ably expand on

is that Kerouac, Allen Ginsberg, and William Burroughs - the core of the

Beat generation writers - were very taken with a guy named Huncke, a small

time crook, junkie, man about town, and occasional writer. He talked

regularly about being and feeling Beat.

 

        They added it to their vocabulary and their friend John Clellon

Holmes (author of "Go") talked to Jack Kerouac about being beat and some of

this material appeared in "Go".

 

        It was Jack who first talked about the Beat Generation and Holmes

credited him with that. first conversations were about 1947; "Go was

published in 1952 ;the New York Times published a short piece about Beat

after Gilbert Milstein, an editor there, noticed the reference to the Beat

Generation in "Go" and asked Holmes to supply an article. [much of this is

from Dennis McNally's  "Desolate Angel: Jack Kerouac and the Beat Generation".

 

                ************

So your question might need to be rethought, since some might argue that

Jack and a small circle of friends WERE the Beat Generation.... "How did

Jack kerouac influence, and how was he influenced by, the "beat generation"?"

 

 

        Antoine

 

        Would also recommend folowing web site:

 

http://www.halcyon.com/colinp/beats.htm

        The Beat Generation Archives

 

        And

 

http://enterzone.berkeley.edu/ez/e2/articles/digaman.html

        How Beat Happened by Steve Silberman

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Sat, 24 May 1997 22:51:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: hello again

 

Hi again Amy Jean....

 

        And one more, the John Clellon Holmes article This is the Beat

Generation for the New York Times! available at:

 

http://www.charm.net/~brooklyn/Texts/ThisIsBeatGen.html

 

        Antoine

 

 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Sat, 24 May 1997 19:55:16 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Memory Babe Archive

 

Dear Friends on the Beat-List:            May 24, 1997

 

        I feel it necessary to correct some very misleading information that

Phil Chaput has posted on the Beat-List concerning the MEMORY BABE archive.

He would have you think that the archive has never been closed.  For all

intents and purposes, it IS closed, and has been ever since Mr. Sampas went

over there to complain about open access in June, 1995.

        It is important that I warn you all, lest you waste your time and

money traveling to Lowell, Massachusetts to make use of this unique and

irreplaceable collection.

        HERE'S WHAT YOU'LL BE TOLD WHEN YOU ARRIVE:

        You cannot make full use of this collection unless you get

permission from the 300 people Gerald Nicosia interviewed.  Never mind that

100 of these people are now dead.  You must get permission from the dead

people's heirs.

        Where do you start?  The university, I was told, has the addresses

of FIVE of these people.

        Does that sound like a daunting task?  It is more than daunting--it

is AWESOME!  I, who created this collection, could not now find all 300

people and their heirs.  It is IMPOSSIBLE.

        Never mind, of course, that all these people consented to be

interviewed for a major biography, knowing full well EVERYTHING THEY SAID

WAS BEING TAPED AND WOULD BE AVAILABLE FOR USE IN MY BOOK.

        What about the 2,000 xerox Kerouac letters?  You can't use those

either, without John Sampas's permission, and he has been known to make

getting his permission a quite difficult process.  (Ask Steve Turner, who

wrote ANGELHEADED HIPSTER, if you don't believe me.)

        Well, you may say, MR. SAMPAS HAS EVERY RIGHT TO KEEP PEOPLE FROM

READING THOSE 2,000 xerox Kerouac letters.  No, he doesn't.

        Tomorrow, if I choose, I can read every Kerouac letter at Columbia

University, Stanford University, Bancroft Library (Berkeley), Reed College,

the Newberry Library, and the Humanities Research Center at the University

of Texas, Austin--WITHOUT MR. SAMPAS'S PERMISSION!!!

        Surprised?  Mr. Sampas has even phoned the University of Texas and

Bancroft Library in Berkeley, to insist that scholars could not see their

Kerouac letters without his permission.

        You know what Texas and Bancroft told Mr. Sampas?  Sorry, sir, YOU

DO NOT HAVE THAT RIGHT.

        If these libraries are breaking the law by showing Kerouac letters

to scholars, why hasn't Mr. Sampas taken them to court???

        It is only because the University of Massachusetts, Lowell, has bent

to Mr. Sampas's will (I might say willfulness) that the MEMORY BABE

collection is closed to the public.

        For all of you who care about the importance of this collection,

please know that I AM TAKING LEGAL ACTION to free the MEMORY BABE archive,

and your support could be very helpful.

        In the meantime, better think twice before packing your bags for a

scholarly trip to Lowell.  Better call librarian Martha Mayo first, and

better have your 300 signed permissions in hand.

        Sorry, but that's the way it is-- Gerry Nicosia

=========================================================================

Date:         Sat, 24 May 1997 20:02:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Law suits

 

At 09:34 PM 5/24/97 -0400, you wrote:

>In a message dated 97-05-24 20:43:44 EDT, you write:

> 

>>he will be held accountable for whatever he says here that is damaging to my

>professional reputation.

>>        Thank you.

>>        Yours truly, Gerald Nicosia

> 

>'Seems to me that you should consider suing yourself, too, Gerry.

> 

> 

 

C'mon, Rod, you can do better than that.  We expect something REALLY NASTY

from you.  Dennis Rodman wouldn't even roll his eyeballs at that one.

        Best, Gerry

=========================================================================

Date:         Sat, 24 May 1997 20:23:13 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Lies, Money, and VIdeotape

 

>I've hung out with Attila a few times, and he is one of the sweetest,

>gentlest most philosophical and non-greedy people I've ever met.

>Furthermore, the one time I discussed you and your activities

>with him (a few months ago over some beers after he and I

>attended the play "Kerouac" together) he was taking your side,

>and telling me about some of your good points.  You've gone and

>turned another friend into an enemy!  As you did with me.

>Your tactics are all WRONG.  This is NOT the way you solve

>problems.  Stop bullying people around.  You could better

>serve your own cause with more peaceful tactics.

>------------------------------------------------------

>           Levi Asher = brooklyn@netcom.com

> 

>   Literary Kicks: http://www.charm.net/~brooklyn/

>            (the beat literature web site)

> 

> Queensboro Ballads: http://www.levity.com/brooklyn/

>             (my fantasy folk-rock album)

> 

>          ###################################

> 

>          "Tie yourself to a tree with roots"

>                    -- Bob Dylan

>-----------------------------------------------------

> 

Levi,      5/24/97

 

        Bentz Kirby commented about what a "weird scene" it is on the

Beat-List, and one of the weirdest things is how people here keep calling up

down, green red, and enemies friends.

        A few nights ago, Attila Gyensis told (lied) to the Beat-L readers

that I had spent years "demanding" to be invited to Lowell by Lowell

Celebrates Kerouac! (a committee he is or has been a member of).  The truth

is, I have never so much as written Lowell Celebrates Kerouac! a single

letter, or even called them on the phone.

        Yet, Mr. Gyensis is supposed to be "taking my side."

        You were supposed to be my "friend," and you falsely embarrass me

here on the Beat-List, claiming I arbitrarily forced you to pull Jan's

PARROT FEVER from your website (as if I were on some kind of power trip a la

Rod Anstee), when I had already explained to you, in writing, in detail,

that I was being legally constrained by Jan's heirs from letting you publish

the piece (even on the internet) for nothing.

        Now I don't expect Mr. Gyensis is getting rich off John Sampas.

When I dropped his name a few posts ago, it was because so much intense

scrutiny of my and Jan's finances has been posted on this net by people like

Anstee and Chaput.  So I wanted to turn the tables for a moment, just so

those on the other side would know what it feels like to be asked questions

about every penny you ever earned or were helped to earn.

        When Mr. Gyensis makes false (and essentially damaging) accusations

about me, I have to wonder what his motives are, and I would have to be a

fool to think that Mr. Sampas has not been helpful to him in publishing his

magazine.

        The bottom line, here, Levi, is not that I'm a mean or vicious

person (ask the 60 ladies over at my mom's nursing home, whom I visit every

day).  The bottom line is that I'm tired of an onslaught of vicious,

personal attacks on me--which have all arisen because certain people don't

want to answer the really important questions about what Mr. Sampas is doing

with Jack Kerouac's archive.  And I want those people to know that I don't

lie down and play dead at the first shove.  I shove back.  And if you shove

harder, I shove harder.

        I'm ready to lower the intensity of this debate any time the other

side is.  Or perhaps more to the point, I'm ready to play clean--without the

Rodman-like kicks, elbows, and body-blocks--as soon as the other side shows

me the same courtesy.

        It's them you should be lecturing, not me.

        Best always, Gerry Nicosia

=========================================================================

Date:         Sat, 24 May 1997 22:27:00 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Law suits

 

Gerald Nicosia wrote:

> 

> At 09:34 PM 5/24/97 -0400, you wrote:

> >In a message dated 97-05-24 20:43:44 EDT, you write:

> >

> >>he will be held accountable for whatever he says here that is damaging to my

> >professional reputation.

> >>        Thank you.

> >>        Yours truly, Gerald Nicosia

> >

> >'Seems to me that you should consider suing yourself, too, Gerry.

> >

> >

> 

> C'mon, Rod, you can do better than that.  We expect something REALLY NASTY

> from you.  Dennis Rodman wouldn't even roll his eyeballs at that one.

>         Best, Gerry

 

What's with all the Rodman-bashing???

=========================================================================

Date:         Sat, 24 May 1997 20:36:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: hello

 

At 09:53 PM 5/24/97 -0400, you wrote:

>hi, my name is amy jean, and i am new on this list. i have joined because i

>am doing a research project on jack kerouac and i thought that many of the

>people on this list would be knowledgeable in that area. My question for

>research is, "How did Jack kerouac influence, and how was he influenced by,

>the "beat generation"?"

>if a few kind people have any ideas on what books would be helpful to me,

>or if anyone has any answers to that question themselves, please e-mail me

>at

>chatfield@voyager.net

>i would not like to tie up the list with things that most people would find

>annoying, especially because i am new here. : )

>thanks.

>--amy jean

> 

> 

> 

> 

>"hold me down, catching my throat, make me pray, say, love's confined."

>-r.e.m.

> 

Dear Amy Jean--    May 24, 1997

 

        Thanks for giving me the chance to show I don't think about literary

estates and lawsuits all my waking hours (my little daughter Wu Ji would

never allow that).

        Read my biography of Jack Kerouac, MEMORY BABE (from University of

California Press), or if you're not into 800-page books, read a shorter

version of things by Steven Turner called ANGELHEADED HIPSTER (Viking); read

John Clellon Holmes' NOTHING MORE TO DECLARE (reissued, I believe, from U.

of Arkansas Press); read John Tytell's NAKED ANGELS; get ahold of the

catalogue to the Whitney Museum Show: BEAT CULTURE AND THE NEW AMERICA (you

can order it from the Whitney Museum Book Shop in New York City); and maybe

try listening to HOWLS RAPS & ROARS, on record, CD, or tape from Fantasy

Records in Berkeley.  Better yet, if you are near California, visit City

Lights Bookstore, the poetry and Beat room upstairs, see if you can have

coffee with the owner, poet Lawrence Ferlinghetti, and sit in Kerouac's

corner in Vesuvio's bar next door, where many of the old Beat poets still

hang out, like Jack Micheline, Howard Hart, Eugene Ruggles, and Marty Matz.

Beat was a very large community, of which only a small iceberg tip ever got

famous; it was supportive, compassionate, open toward life, and in constant

pursuit of joy and new experience--and Kerouac led the way.

        Best always, Gerry Nicosia

=========================================================================

Date:         Sat, 24 May 1997 20:45:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Law suits

 

At 10:27 PM 5/24/97 -0500, you wrote:

>Gerald Nicosia wrote:

>> 

>> At 09:34 PM 5/24/97 -0400, you wrote:

>> >In a message dated 97-05-24 20:43:44 EDT, you write:

>> >

>> >>he will be held accountable for whatever he says here that is damaging

to my

>> >professional reputation.

>> >>        Thank you.

>> >>        Yours truly, Gerald Nicosia

>> >

>> >'Seems to me that you should consider suing yourself, too, Gerry.

>> >

>> >

>> 

>> C'mon, Rod, you can do better than that.  We expect something REALLY NASTY

>> from you.  Dennis Rodman wouldn't even roll his eyeballs at that one.

>>         Best, Gerry

> 

>What's with all the Rodman-bashing???

> 

Hey, Dave,

 

        I LIKE Dennis Rodman.  Why was that a bash?

        Best, Gerry

=========================================================================

Date:         Sat, 24 May 1997 20:51:55 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Gargolye magazine

 

At 01:29 PM 5/24/97 EST, you wrote:

>This may be repeat information as I think I lost some mail during a recent

>thunderstorm here in the outback So excuse me if this is old news but the

>latest issue of Gargoyle Magazine, number 39/40, has an excerpt of Joan Haverty

>Kerouac's autobiography in it (this would be Jan's mother). Give it a look

>should you spy a copy.

> 

>One more thing, any fans of Larry Eigner out there? Re-reading some of his work

>as he died a few months ago, I was happy to have my memory re-freshed to what a

>fine poet he was. Sorry he had to die for me to look at his work again...but if

>you get a chance, give Larry a read. Adios to a great poet.

> 

>dave B.

> 

Dave,        May 24, 1997

 

        I believe Jack Foley, who was a close friend of Eigner's, did a

memorial show for him on Foley's radio program (I forget the name) on

KPFA-FM radio in Berkeley.  If you call the station, they can probably sell

you a copy of the show, if you're interested.

        Best, Gerry Nicosia

=========================================================================

Date:         Sat, 24 May 1997 20:58:31 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Lies, Money, and VIdeotape

In-Reply-To:  <199705250121.SAA23363@netcom.netcom.com>

 

On Sat, 24 May 1997, Levi Asher wrote:

> Your tactics are all WRONG.  This is NOT the way you solve

> problems.  Stop bullying people around.  You could better

> serve your own cause with more peaceful tactics.

> 

>  Please, Gerry Nicosia, start going with the flow

> a little more.  Estate battles happen.  The world survives.

> Let's talk about something else.  Maybe, to get us off on

> a different topic, you could tell us about the Vietnam book

> you're writing.  I'd really like to hear about it.  When do

> you expect it will be published?

 

 

levi and friends: "start going with the flow"???? bullshit. that's the

rap weasels the world over use. it's a cop-out. it's the kind of thing

that's said when people are sitting on the lawn, way far out there away

from passion and the "real" world, if you will. there is no question that i

wish the

whole estate battle could be solved with a magic swing of a wand, but

it aint gonna happen that way.  none of any waterheaded zen crap will

zone-out a long (and necessary) airing of the two sides' positions. don't

zero in on nicosia as the "bad" guy. levi, you say some very wise things

a lot of the time--and you have a boffo web site--but quit the whining

about nicosia.  if you hate the back and forth poison re: the estate

battle, why not get on anstee and chaput, too??? the couple of times i've

read posts reZ: the estate thing, you've been on nicosia's case. perhaps

i am being a bit simplistic here, but ....

 

we should be (and i am) glad nicosia is rapping on the list--about

anything he wants. if we can think lisa rabey's rap on cocksucking is

okay for the list, why whip out the cattleprods when nicosia et al go

back and forth on the estate thing?

 

i like reading about the battle.

let's let the camps have it out.

it's much more interesting than all the geek posts from people wondering

whether george bush, george clooney, kesey, socks the cat, and bozo the

clown, etc. are beat or not.

 

 

let the voices roll. keep yer fingers on the delete key. and keep yer

heads open. after all, this is advertised as a "forum", right?

 

regards,

steve

 

 

Steve R. Smith

Graduate Teaching Assistant

Department of English

Portland State University

Box 751 Portland, OR 97207

503-725-3556

=========================================================================

Date:         Sun, 25 May 1997 00:06:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julie Hulvey <JHulvey@AOL.COM>

Subject:      Re: hello

 

In a message dated 97-05-24 21:49:37 EDT, chatfield@VOYAGER.NET (chatfield

residence) writes:

 

<< i would not like to tie up the list with things that most people would

find

 annoying, especially because i am new here. : )

 thanks. >>

 

Dear amy jean -

 

what a refreshing and considerate attitude. you are setting a good example.

others who consider themselves Kerouac experts could learn from your gentle

thoughtfulness. Talking about the beats is why we're here, most of us, so you

could never annoy us with that.

 

In response to your question: sometimes the phrase "beat generation" refers

to the writers and other principals, and sometimes (perhaps less often) it is

used to indicate all the people of that generation. If you want to know how

Kerouac influenced the beat generation writers, you need to realize that he,

Allen Ginsberg and William Burroughs are the only ones whom everyone agrees

"belong" as beat writers. They were all friends and they influenced each

other.

 

It is sometimes thought that Kerouac had more influence on the following

generation - let's call them the hippies for nostalgia's sake! - than he did

on people of his own age group.

 

I concur with Antoine about the various resources available and would also

recommend

spending some time with the Jack Kerouac ROMnibus  CD-ROM if you can borrow

(or afford) one.

 

Good luck!

Jul

=========================================================================

Date:         Sun, 25 May 1997 00:44:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: a calm request-Lisa is right

 

>If you want to start a serious discussion about Jack, Phil, then answer me

>this.  Did you know Jack when your were a kid?  Tell us about it.  I'm sure

>others will be interested and it will allow you and me to talk about

>something where we aren't on opposite sides of the fence.

> 

> 

>Jerry Cimino

> 

>Thanks Jerry, I did meet Jack once although it is not much of a story and

it's kind of a sad one to me. It was around 1966 (I'm not sure of the exact

date) I was 13 or 14 years old and my father had picked up Jack and the two

of them were going to go into Boston for a night out on the town. My father

in his grand wisdom had thought it would be a memorable experience for me to

go with them, probably so I could get to know Jack and maybe he was thinking

that at some point in my life I would realize what an incredibly cool

experience it would have been. So anyway they drove up to where I was

hanging around at the time (a park in downtown Lowell) called Lucy Larcom

park. I was a long haired hippie at the time and my father lived in another

area of town than I did because my parents had divorced. That's why I hadn't

met Jack before because my father mostly went to his house and picked him up

because he didn't drive and my father also had a car. He had only been over

to my father's house a few times, although Jack had met my father's mother

my Memere and he also introduced his mother Gabrielle to my Memere. Memere

to Memere. So anyway he called me over to the car and introduced Jack to me.

He was sitting in the back of the car and I reached in and shook his hand

and said hello. My father then told me that they were going into Boston for

the night and he asked me if I wanted to go with him. Like a

fool-moron-jerk-idiot- I declined and told them politely thanks anyway but

I'd would rather just hang around the park. There was some kind of action

going on and at the time (I was probably going to score and get high or

something) I wasn't into Kerouac then. I just knew him as the famous Lowell

author and good friend of my dad's. My brother on the other hand was really

into Jack and had read every single book Jack had written. I realized later

that Jack had probably gotten into the back seat that night assuming I would

go with them and maybe it was kind of an insult but then again maybe it was

just so Jack could be more comfortable. What I remember of him that night is

that he already had a good head start on his night out. In other words he

was already starting to get pretty drunk and I could tell. He also looked

fat to me at the time and red faced. Looking back I wouldn't now think he

was fat but that's what I thought of him at the time. I guess I was

expecting something else. So that's about it the only other time was about 2

or 3 years later in 69 when they buried him. I was going to St. Joseph's

High School at the time which is just down the street from St. Jean the

Baptist church where they had the funeral mass for Jack. I skipped out of

class and walked down the street and stood in the doorway of Voyer's florist

shop. I knew Joe Voyer he was a pretty cool guy (he also knew Jack and my

dad) and let me hang out or hide out while I watched my father as a

pallbearer carry Jack's body into the church. The night I didn't go with

them Jack and my dad went over and asked my brother Tony if he wanted to go

with them and of course he jumped at the chance. He had the most memorable

experience of his life. He really loved Jack. He got to drill Jack with all

kinds of questions like "what was your favorite drug?" things only a teen

would ask. I have been trying to get him to write a story about it for a

long time. He promises me now he will do it soon. He lives in California.

Jack did mention me in one of his letters when he asked my dad " ...have you

found your boy yet..." I had ran away from home for a while at 14 and had

started my own "on the road" trip. Stella had also sent a Christmas card in

1968 asking my dad "Have you found Philip?" I still have that card and

letter and I cherish them. To this day I regret not having gone with my dad

and Jack that night. So that's how I got to know and love Jack Kerouac.

Thanks for asking and listening. Phil

 

I was wondering if anyone else on the list might have a story to tell about

meeting Jack or any of the beats. Might be an interesting thread.

=========================================================================

Date:         Sat, 24 May 1997 22:01:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: a calm request-Lisa is right

 

... The night I didn't go with

>them Jack and my dad went over and asked my brother Tony if he wanted to go

>with them and of course he jumped at the chance. He had the most memorable

>experience of his life. He really loved Jack. He got to drill Jack with all

>kinds of questions like "what was your favorite drug?" things only a teen

>would ask. I have been trying to get him to write a story about it for a

>long time. He promises me now he will do it soon. He lives in California.

>Jack did mention me in one of his letters when he asked my dad " ...have you

>found your boy yet..." I had ran away from home for a while at 14 and had

>started my own "on the road" trip. Stella had also sent a Christmas card in

>1968 asking my dad "Have you found Philip?" I still have that card and

>letter and I cherish them. To this day I regret not having gone with my dad

>and Jack that night. So that's how I got to know and love Jack Kerouac.

>Thanks for asking and listening. Phil

> 

>I was wondering if anyone else on the list might have a story to tell about

>meeting Jack or any of the beats. Might be an interesting thread.

> 

 

Phil,       May 24, 1997

        I remember sitting in your dad's kitchen, and Tony telling me that

same story.  I think I even put it on tape.

        Thanks for your memories.

        Best, Gerry Nicosia

=========================================================================

Date:         Sun, 25 May 1997 01:01:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Bush

 

Well, Steve, I think that Barbara Bush is beat, George is pure skull and

cross bones.

 

Peace,

 

Hillary, no,  Bill yes,

 

Snoopy yes, Socks the Cat no

 

me, yes, my wife, no

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 01:09:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: hello

 

Gerald Nicosia wrote:

 

> At 09:53 PM 5/24/97 -0400, you wrote:

> >hi, my name is amy jean, and i am new on this list. i have joined

> because i

> >am doing a research project on jack kerouac and i thought that many

> of the

> >people on this list would be knowledgeable in that area. My question

> for

> >research is, "How did Jack kerouac influence, and how was he

> influenced by,

> >the "beat generation"?"

> >if a few kind people have any ideas on what books would be helpful to

> me,

> >or if anyone has any answers to that question themselves, please

> e-mail me

> >at

> >chatfield@voyager.net

> >i would not like to tie up the list with things that most people

> would find

> >annoying, especially because i am new here. : )

> >thanks.

> >--amy jean

> >

> >

> >

> >

> >"hold me down, catching my throat, make me pray, say, love's

> confined."

> >-r.e.m.

> >

> Dear Amy Jean--    May 24, 1997

> 

>         Thanks for giving me the chance to show I don't think about

> literary

> estates and lawsuits all my waking hours (my little daughter Wu Ji

> would

> never allow that).

>         Read my biography of Jack Kerouac, MEMORY BABE (from

> University of

> California Press), or if you're not into 800-page books, read a

> shorter

> version of things by Steven Turner called ANGELHEADED HIPSTER

> (Viking); read

> John Clellon Holmes' NOTHING MORE TO DECLARE (reissued, I believe,

> from U.

> of Arkansas Press); read John Tytell's NAKED ANGELS; get ahold of the

> catalogue to the Whitney Museum Show: BEAT CULTURE AND THE NEW AMERICA

> (you

> can order it from the Whitney Museum Book Shop in New York City); and

> maybe

> try listening to HOWLS RAPS & ROARS, on record, CD, or tape from

> Fantasy

> Records in Berkeley.  Better yet, if you are near California, visit

> City

> Lights Bookstore, the poetry and Beat room upstairs, see if you can

> have

> coffee with the owner, poet Lawrence Ferlinghetti, and sit in

> Kerouac's

> corner in Vesuvio's bar next door, where many of the old Beat poets

> still

> hang out, like Jack Micheline, Howard Hart, Eugene Ruggles, and Marty

> Matz.

> Beat was a very large community, of which only a small iceberg tip

> ever got

> famous; it was supportive, compassionate, open toward life, and in

> constant

> pursuit of joy and new experience--and Kerouac led the way.

>         Best always, Gerry Nicosia

 

 Amy Jean:

 

If you is interested in beat and Kerouac, what better and cooler thing

could there be than to post an question and get an answer from one of

the preeminent biographers of Kerouac.  Man, the www is the collective

unconscious.  Can you imagine the chat rooms with Neal, Jack, Allen,

Vidal, Snyder, Corson, and Rexroth ranting through the night.

 

Wow, like a holy vision, it lights up my night!!!!

 

You don't know how lucky you are.  And I am glad that I do know how

lucky I am to be here today.

 

Thanks Gerry, and you are just going to have to let the shit slid man.

Sometimes it works out better that way.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 01:14:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: a calm request-Lisa is right

 

Phil Chaput wrote:

 

> >If you want to start a serious discussion about Jack, Phil, then

> answer me

> >this.  Did you know Jack when your were a kid?  Tell us about it.

> I'm sure

> >others will be interested and it will allow you and me to talk about

> >something where we aren't on opposite sides of the fence.

> >

> >

> >Jerry Cimino

> >

> >Thanks Jerry, I did meet Jack once although it is not much of a story

> and

> it's kind of a sad one to me. It was around 1966 (I'm not sure of the

> exact

> date) I was 13 or 14 years old and my father had picked up Jack and

> the two

> of them were going to go into Boston for a night out on the town.

 

Thanks for the story.  As I just said when I came across Gerry's post to

the young inquirer, Man, this is a great place to be.  I do appreciate

it.

 

Peace,

 

PS,

 

Wasn't something written by Jack, or by a biographer about a kid from

Lowell being along on a trip?

 

Well, the best I can say is that Jack died on my 16th birthday. October

21.

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 01:19:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Philip Whalen

 

Question re: Philip Whalen:

 

        Can anyone tell me how much of Whalen's poetry is still in print and

from who?

 

        And, does anyone know where/in-what-book his poem "big, high song to

somebody" was published?

 

                Thanks,   Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Sun, 25 May 1997 01:19:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      ...your story Phil and Jack in Brooklyn

 

        That was great to read Phil. Thanks very much. Tell your brother

that you now have a bunch of salivating expectant readers waiting...and that

you won't give out his home address if he writes the damn story!  I can put

it in with this and the piece that you sent me by Nicosia about Jack and

your Dad on the road to Montreal. Thanks.

 

        Having grown up in Brooklyn - the Bedford-Stuyvesant/Flatbush/Park

Slope area - I'd appreciate it if anyone could tell me where in Brooklyn

Jack was staying with his aunt while he was going to Horace Mann.

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Sun, 25 May 1997 01:32:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: a calm request-Lisa is right

 

Gentlemen!  (Phil and Gerry)!

 

What a delight to get both of your posts back to back, one after another on

my email.  Nicosia sitting in Chaput Sr.'s kitchen talking to Phil's brother

about Jack.  All of us having been caught in the cross fire the last few

days, who'd have thought it! :^)

 

Gerry, what about you?  I don't think you ever met Jack in person, but I

could be mistaken.  And if not, what got you in to him in the first place.

 

Maybe we can put the war aside for a little while and talk about the man

himself.  And then if and when we start *debating* again maybe things will be

a little more diffused.  Whaddya say all?  It's a holiday weekend... even in

real shooting wars they usually stop firing on Christmas eve and Christmas

being a long way off maybe this is the next best thing!

 

 

Jerry Cimino

=========================================================================

Date:         Sun, 25 May 1997 01:38:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Tony's Story and Gerry's....

 

Gerry,

 

        Is there an easy way to tell whether you actually did tape Tony

telling that story?     ...and is it part of the holdings of your archive at

Lowell? Thanks Gerry.

 

        Thanks you also by the way for your kind offer of the signed copy of

"Memory Babe". A friend beat you to the punch in finding me a copy of an

earlier edition. The response to my request was amazing, because in rapid

succession I had e-mails from Derek Beaulieu, Jerry Cimino, and yourself and

a phone call! from Rod Anstee...all with offers of the book! So, at any

rate, it's on its way to me - and not a moment too soon. I'm heading into

the home stretch on McNally's book (after David Rhaesa blew by me at high

speed! - he had been about 40 pages back when we started tracking each

other's progress) and will need another Kerouac biography to keep going

with. Am now interested also in "Angel Headed Hipster" after seeing it

mentioned several times in recent posts. Still have the Arthur and Kit

Knoght, Gregory Stephenson, and Challis books waiting in the wings as backups.

 

        How did you come to do the "Memory Babe" bio? Did you arrive at it

from academia / teaching?

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Sun, 25 May 1997 02:05:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Law suits

In-Reply-To:  <BEAT-L%97052420300442@CUNYVM.CUNY.EDU>

 

>Gentle listmembers, I don't think Beat-l is the proper place to give or

>take legal depositions.  Let's leave any talk of lawsuits in the

>attorney's office where they belong or at least threaten each other

>privately.

 

However, if suits are filed, please inform the list.

 

j grant

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Sun, 25 May 1997 03:43:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cosmic Baseball Association <cosmic@CLARK.NET>

Subject:      Beat and Marriage

 

>Well, Steve, I think that Barbara Bush is beat, George is pure skull and

>cross bones.

-snip-

>me, yes, my wife, no

> 

>--

>Bentz

>bocelts@scsn.net

 

Is it possible to be beat and married?

 

Regards,

Andrew

cosmic@clark.net

=========================================================================

Date:         Sun, 25 May 1997 03:27:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Law suits

 

Gerald Nicosia wrote:

> 

> At 10:27 PM 5/24/97 -0500, you wrote:

> >Gerald Nicosia wrote:

> >>

> >> At 09:34 PM 5/24/97 -0400, you wrote:

> >> >In a message dated 97-05-24 20:43:44 EDT, you write:

> >> >

> >> >>he will be held accountable for whatever he says here that is damaging

> to my

> >> >professional reputation.

> >> >>        Thank you.

> >> >>        Yours truly, Gerald Nicosia

> >> >

> >> >'Seems to me that you should consider suing yourself, too, Gerry.

> >> >

> >> >

> >>

> >> C'mon, Rod, you can do better than that.  We expect something REALLY NASTY

> >> from you.  Dennis Rodman wouldn't even roll his eyeballs at that one.

> >>         Best, Gerry

> >

> >What's with all the Rodman-bashing???

> >

> Hey, Dave,

> 

>         I LIKE Dennis Rodman.  Why was that a bash?

>         Best, Gerry

 

i misread.  my foul.  i like Dennis too.

=========================================================================

Date:         Sun, 25 May 1997 03:43:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Tony's Story and Gerry's....

 

Antoine Maloney wrote:

> 

> Gerry,

> 

>         Is there an easy way to tell whether you actually did tape Tony

> telling that story?     ...and is it part of the holdings of your archive at

> Lowell? Thanks Gerry.

> 

>         Thanks you also by the way for your kind offer of the signed copy of

> "Memory Babe". A friend beat you to the punch in finding me a copy of an

> earlier edition. The response to my request was amazing, because in rapid

> succession I had e-mails from Derek Beaulieu, Jerry Cimino, and yourself and

> a phone call! from Rod Anstee...all with offers of the book! So, at any

> rate, it's on its way to me - and not a moment too soon. I'm heading into

> the home stretch on McNally's book (after David Rhaesa blew by me at high

> speed! - he had been about 40 pages back when we started tracking each

> other's progress) and will need another Kerouac biography to keep going

> with. Am now interested also in "Angel Headed Hipster" after seeing it

> mentioned several times in recent posts. Still have the Arthur and Kit

> Knoght, Gregory Stephenson, and Challis books waiting in the wings as backups.

> 

>         How did you come to do the "Memory Babe" bio? Did you arrive at it

> from academia / teaching?

> 

>                 Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

 

Right now I'm reading Memory Babe and Charter's Kerouac at the same

time.  very different styles both incredible.  I also checked you Dharma

Lion about Ginsberg but haven't really cracked it yet.  though three at

the same time might be fun.

 

david rhaesa

=========================================================================

Date:         Sun, 25 May 1997 05:13:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      A bright sunny day in May

 

Hey Mark,

 

I got the Kerouac Quarterly, thanks.

 

Hows it going. Still I haven't made it to  Portland but I'm enjoying my stay

here in Northern California. I might be back to New York for a week or so in

July but I don't know it I'll make it up north.

 

well, now I think that things will start to slowly start dying down. But it

has been an interesting ride. I personally think I got a little scholarship

out of this whole thing, since I learned a few new things.

 

later, Attila

 

=========================================================================

Date:         Sun, 25 May 1997 07:19:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      thanks, phil

In-Reply-To:  <2.2.32.19970525044430.006adf58@pop.tiac.net>

 

great story.

mc

=========================================================================

Date:         Sun, 25 May 1997 07:19:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beat and Marriage

In-Reply-To:  <199705250743.DAA00985@mail.clark.net>

 

andrew wrote

>Is it possible to be beat and married?

@@@@@@@@@

hey andrew, i dont have an answer for you, but have to thank you for

question, and upon digging through all things beat, ijust found and re-read

corso's  pome 'marriage'

too long for me to type out.  here are a few salient quotes:

 

should i get married? should i be good?

astound the girl next door

with my velvet suit and faustus hood?...

........

O God and the wedding! all her family and her friends

and only a handful of mine all scroungy and bearded

just waiting to get at the drinks and food

.........

o but what about love? i forget love

not that i am incapable of love

it's just that i see love as odd as wearing shoes--

i never wanted to marry a girl who was like my mother

and ingrid bergman was always impossible

and there's maybe a girl now but she's already married

and i dont like men and--

but there's bound to be somebody!

because what if i'm 60 years old and not married,

all alone in a furnished room with pee stains on my underwear

and everybody else is married! all the universt married but me!

=========================================================================

Date:         Sun, 25 May 1997 06:43:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Beat and Marriage

 

Marie Countryman wrote:

> 

> andrew wrote

> >Is it possible to be beat and married?

> @@@@@@@@@

> hey andrew, i dont have an answer for you, but have to thank you for

> question, and upon digging through all things beat, ijust found and re-read

> corso's  pome 'marriage'

> too long for me to type out.  here are a few salient quotes:

> 

> should i get married? should i be good?

> astound the girl next door

> with my velvet suit and faustus hood?...

> ........

> O God and the wedding! all her family and her friends

> and only a handful of mine all scroungy and bearded

> just waiting to get at the drinks and food

> .........

> o but what about love? i forget love

> not that i am incapable of love

> it's just that i see love as odd as wearing shoes--

> i never wanted to marry a girl who was like my mother

> and ingrid bergman was always impossible

> and there's maybe a girl now but she's already married

> and i dont like men and--

> but there's bound to be somebody!

> because what if i'm 60 years old and not married,

> all alone in a furnished room with pee stains on my underwear

> and everybody else is married! all the universt married but me!

 

 

I just read this one recently in some collection.  at times it made my

bone marrow jerk a bit the identifications were so compleat.

 

Another morning and another wonderful day started by the notes from

sweet marie.  a true breath of fresh air.

 

david rhaesa

=========================================================================

Date:         Sun, 25 May 1997 08:08:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Thanks for your support

 

In a message dated 97-05-24 20:35:06 EDT, Gerry Nicosia writes:

 

<<  In the short 3-year history of DHARMA BEAT, you have received

 numerous full-page ads from Viking/Penguin .....

         No other Kerouac publication ever got that kind of major advertising

>> 

 

Dear Mr. Nicosiais:

 

If your publisher is interested in placing a full page ad, please have them

contact me. I'll see if I can ok it with the proper authorities.

 

Best,

Attila Gyenis

Editor

DHARMA beat

=========================================================================

Date:         Sun, 25 May 1997 14:16:34 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nils-Oivind Haagensen <Nils-Oivind.Haagensen@LILI.UIB.NO>

In-Reply-To:  <"noralf.uib.646:25.05.97.04.02.54"@uib.no>

 

Tra un fiore colto e l'altro donato

l'inesprimibile vanita

 

Fiore doppio

nato in grembo alla madonna

della gioia

 

Between a flower gathered and the other given/ the inexpressible vanity/ /

Double flower/ born of the womb of our lady/ of joy

=========================================================================

Date:         Sun, 25 May 1997 09:25:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      You go JO

 

However, if suits are filed, please inform the list.

 

j grant

____________________________

 

Jo:

 

I don't know if you were just serious, or if you also were poking fun at

our love of the morbidity of it all, but to me, LOL.  And as an

attorney, yeah let me know too! ;-)

 

Peace

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 09:36:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Word games

 

I have always loved word games.  Even though I have always sucked at

crossword puzzles.  I always saw them like a haiku, and love Rexroths

One Hundred Poems from the Japanese and Snyders use of Japanese-Oriental

imagery.  Since someone else posted some cool stuff, I thought I would

risk the criticism of the beat world and post one of my little attempts

at irony things here.  Please excuse me.

 

Toxic Reins

 

The City and the Country

Are two places.

If my wife was not blind to Toxi-city,

My children could ride horses.

Like Bukowski.

 

May 25, 1997 9:34 AM

 

Since all the comments about Bukowski, I could not resist the allusion.

 

Peace,

 

Bentz

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 09:39:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Beat and Marriage

Comments: To: cosmic@clark.net

 

Cosmic Baseball Association wrote:

 

> >Well, Steve, I think that Barbara Bush is beat, George is pure skull

> and

> >cross bones.

> -snip-

> >me, yes, my wife, no

> >

> >--

> >Bentz

> >bocelts@scsn.net

> 

> Is it possible to be beat and married?

> 

> Regards,

> Andrew

> cosmic@clark.net

 

Andrew:

 

Is the CBA open?  I have not been able to get back in lately.  I was

trying to tell someone of your wonderful site and the the URL started

telling me that clark.net does not exist.

 

Thanks and oh yeah, probably it is a bumpy bumpy ride, because two beats

should not marry.  They would spin off into a morass of

ADD/hyperactivity.

 

Peace,

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 10:50:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Corso on Kerouac

 

As I prepare for my trip to San Francisco, I have pulled all my City

Lights Pocket Poets off the shelf and begun to read and re-read them.  I

want to drink a coffee with Lawrence, and I want to feel the grass in

the park that is the child of the grass that Jack felt.  So, I started

today with Elegiac Feelings American (for the dear memory of John

Kerouac) by Gregory Corso.  I think parts are worth repeating, Yo, Race,

this can't be Marie, but it could be absolutely sweet:

 

1.

 

How inseparable you and the America you saw yet was

    never there to see; you and America, like the

    tree and the ground, are one the same; yet how

    like a palm tree in the state of Oregon... dead

    ere it blossomed, like a snow polar loping the

    Miami--

How so that which you were and hoped to be, and the

    America not, the America you saw yet could

    not see

So like yet unlike the ground from which you stemmed;

    you stood upon America like a rootless

    flat-bottomed tree; to the squirrel there was no

    divorcement in its hop of ground to its climb of tree

 

......................

 

Was it not so much our finding America as it was America

    finding its voice in us; many spoke to America

    as though America by land-right was theirs by

    law-right legislatively acquired by materialistic

    coups of wealth and inheritance; like the citizen

    of society believes himself the owner of society.

    and what he makes of himself, he makes of

    America and thus when he speaks of America

    he speaks of himself, and quite often such a he

    is duly elected to represent what he represents...

    an infernal ego of an America

 

.........................

 

Alas Jack, seems I cannot requiem thee without

    requieming America, and that's one requiem

    I shall not presume, for as long as I live there'll

    be no requiems for me

 

................

 

Yours the eyes that saw, the heart that felt, the voice that

    sang and cried; and as long as America shall

    live, though ye old Kerouac body hath died,

    yet shall ye live... for indeed ours was a time

    of prophesy without death as a consequence...

    for indeed after us came the time of the assassins,

    and who'll doubt thy last words "After me...

    the deluge"

 

........................................

 

We came to announce the human spirit in the name of

    beauty and truth; and now this spirit cries out in

    nature's sake the horrnedous imbalance of all

    things natural... elusive nature caught! like a

    bird in hand, harnessed and engineered in the

    unevolutional ways of experiment and technique

 

What hope for the America so embodied in thee, O friend,

    when the very same alcohol that disembodied

    your brother redman of his America,

    disembodied ye-- A plot to grab their land, we

    know--yet what plot to grab the ungrabbable

    land of one's spirit? ....

 

............

 

[Then on to the end of Chapter 4 and this beautiful, tearful tribute to

John Kerouac and indictment of our country and world that still rings so

true with cloning, rain forest rape, genetic engineering, etc.  Thanks

Gregory]

 

....

 

And you were flashed upon the old and darkling day

    a Beat Christ-boy... bearing the gentle roundness of things

    insisting that the soul was not square

    And soon...behind thee

    there came a-following

    the children of flowers

 

By Gregory Corso, North Beach, San Francisco, 1969

 

This yet, brings tears to my eyes and chills to my whole body. What love

for Jack and his work, what truth of feelings spoken.  The honesty of

Jack's faults, that some would deny, what honesty about the treachery

that gave birth to this country, what passion for Jack's vision.  Can

there be any doubt as to the identity of Bob Dylan's Tambourine Man, no,

it is Jack Kerouac!  But, of course it is many others as well, but it is

Jack Kerouac, Tambourine Man to whom we all dance.  And yes the beats

were more, but without Jack, there were no more beats.

 

Hey! Mister Tambourine Man, play a song for me

I'm not sleepy and there is no place I'm going to.

Hey! Mister Tabourine Man, play a song for me,

In the jingle jangle morning I'll come following you.

 

Peace, and don't forget to pray for Ti Jean, because we are now he.

 

That's my church for the day!

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 11:07:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Beat and Marriage

 

Andrew:

Yes. 31 years.

Best,

Pamela Beach Plymell

=========================================================================

Date:         Sun, 25 May 1997 11:45:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Book info.

 

I have a book coming out June 4th, TWENTY DAYS ON ROUTE 20, a haibun

(condensed prose & haiku) account of a cross-country journey taken last

fall. If anyone's interested please E-mail me privately (don't think I

should take up any more list space than this for the book) and I'll E-mail

flyer/details.

 

Thanks,

Michael

=========================================================================

Date:         Sun, 25 May 1997 17:45:28 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Ungaretti.

In-Reply-To:  <Pine.SUN.3.96.970525141314.617A-100000@alfred.uib.no>

 

At 14.16 25/05/97 +0200, Nils-Oivind Haagensen wrote:

>Tra un fiore colto e l'altro donato

>l'inesprimibile vanita

> 

>Fiore doppio

>nato in grembo alla madonna

>della gioia

> 

>Between a flower gathered and the other given/ the inexpressible vanity/ /

>Double flower/ born of the womb of our lady/ of joy

> 

> 

Caro Nils-Oivind Haagensen, GRAZIE!,

grande citazione! UNGARETTI! il grande poeta italiano di questo

secolo, la poesia esattamente recita:

---------------------------------------------------------------

                                ETERNO

                        Tra un fiore colto e l'altro donato

                        l'inesprimibile nulla

 

--- Giuseppe Ungaretti, Ultime, Milano 1914-1915---------------

 

grazie e cari saluti e buona domenica da

Rinaldo Rasa.

 

 

 

NON GRIDATE PIU'        di Giuseppe Ungaretti, da "I Ricordi"

 

Cessate d'uccidere i morti,

Non gridate piu', non gridate

Se li volete ancora udire,

Se sperate di non perire.

 

Hanno l'impercettibile sussurro,

non fanno piu' rumore

Del crescere dell'erba,

Lieta dove passa l'uomo.

 

 

 

=========================================================================

Date:         Sun, 25 May 1997 08:59:33 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Beat and Marriage

In-Reply-To:  <3388411A.30565089@scsn.net> from "R. Bentz Kirby" at May 25,

              97 09:39:39 am

 

Bentz wrote:

> Thanks and oh yeah, probably it is a bumpy bumpy ride, because two beats

> should not marry.  They would spin off into a morass of ADD/hyperactivity.

 

I've been married seven years, and this has become a regular cycle by

now.  With some smart scheduling, we can make the hyperactivity wave

happen on weekends and the attention-deficit part on weekdays.  It

also helps me that my wife can't stand the Beats (keeps us balanced).

 

That Gregory Corso poem is the best, too ...

 

------------------------------------------------------

           Levi Asher = brooklyn@netcom.com

 

   Literary Kicks: http://www.charm.net/~brooklyn/

            (the beat literature web site)

 

 Queensboro Ballads: http://www.levity.com/brooklyn/

             (my fantasy folk-rock album)

 

          ###################################

 

          "Tie yourself to a tree with roots"

                    -- Bob Dylan

-----------------------------------------------------

=========================================================================

Date:         Sun, 25 May 1997 13:32:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Beat and Marriage

 

Levi,

 

My wife couldn't stand the beats either when we first got married.  I think

it's got to do with that "he's gonna run off and sow his wild oats leaving me

stuck at home alone" female thing.  Can't imagine why any woman would think

that about people like Neal Cassady?

 

Now she's involved in a business where she's talking beat everyday.  She

really focused in on the women writers, Hettie Jones, Joyce Johnson, Diane

DiPrima, Carolyn etc and it turned her around.  She especially enjoyed the

new Women & the BG recently released.

 

Jerry Cimino

=========================================================================

Date:         Sun, 25 May 1997 10:32:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Tony's Story and Gerry's....

 

>Gerry,

> 

>        Is there an easy way to tell whether you actually did tape Tony

>telling that story?     ...and is it part of the holdings of your archive at

>Lowell? Thanks Gerry.

> 

>                Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

 

Dear Antoine,    May 25, 1997

 

        Yes, I checked my 48 page catalogue of what I put on deposit at U

Mass, Lowell, and THERE WAS A TAPED INTERVIEW OF TONY CHAPUT INCLUDED IN THE

COLLECTION.  I'm sure that's the story.

        Now we'll need a signed letter from Tony in California to Martha

Mayo at the Special Collections, Mogan Center, U Mass, Lowell, 40 French

St., Lowell, Mass, telling Ms. Mayo's it's okay for people to listen to the

tape and to read the transcription.

        That's if the Chaput tape and transcription are not among the many

missing items from the collection.  And I'm also not 100% sure Ms. Mayo

won't come up with yet another excuse to keep Tony's interview off limits,

but it would be interesting if Tony sent in a permission letter to see if

people could actually get access to it.

        However, you see the difficulty of chipping one little stone free at

a time, from a wall (collection) that is built of thousands of stones.  I

need a legal action to free the entire collection at one time.

        I was getting my master's at U of I, Chicago, in 1972, when I was

prodded into reading Kerouac by my officemate (we were teaching assistants

together), a hip Jewish kid named John Simon from Harvard. Until then I'd

been forced to read all the academic standards of modern American fiction,

Roth, Bellow, Mailer, Updike, et al.  But on my own I had read Thoreau and

Whitman and Jack London, so I was tremendously receptive when I read the

first 5 pages of THE DHARMA BUMS and found all this spirituality,

compassion, and concern for the common, workingclass people.  You see, my

father was a socialist from Chicago, who had read most of Jack London when

young --he had even hitchhiked to California at the age of 17 in 1927 and

had told me many of his own "road tales" while I was growing up.  My father

also used to read to me from London's THE IRON HEEL, to teach me about the

oppression of the poor by the rich, so when I read Kerouac I knew

immediately I had found a brother soul.  (We'd both been raised ethnic

Catholic to boot, me Italian Catholic, Jack of course French Catholic.)

        Best, Gerry Nicosia

=========================================================================

Date:         Sun, 25 May 1997 10:43:17 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Thanks for your support

 

At 08:08 AM 5/25/97 -0400, you wrote:

>In a message dated 97-05-24 20:35:06 EDT, Gerry Nicosia writes:

> 

><<  In the short 3-year history of DHARMA BEAT, you have received

> numerous full-page ads from Viking/Penguin .....

>         No other Kerouac publication ever got that kind of major advertising

>>> 

> 

>Dear Mr. Nicosiais:

> 

>If your publisher is interested in placing a full page ad, please have them

>contact me. I'll see if I can ok it with the proper authorities.

> 

>Best,

>Attila Gyenis

>Editor

>DHARMA beat

> 

> 

Dear Attila,   May 25, 1997

 

        Levi says you're my friend, but you seem to have forgotten how to

spell my name.

        Since you're my friend, I was expecting at least the first ad for free.

        Thanks.

        Best, Gerry Nicosia

=========================================================================

Date:         Sun, 25 May 1997 12:58:33 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Garb for Holy Goof

 

Well in 15 minutes I'm off to my 29th commencement at this institute of

higher learning wearing my Master's Degree (in English!) garb, which looks

like the skin of a wet bat dangling from my arms, my legs sore from yam yum

in the 4th circle of hell, but yesterday my wife and I went to the Mall of

America Memorial Day 50% off plus 20% sale, and--get ready for this--bought

my first pair of grown-up pants in years (with cuffs!)--and a Gerry Garcia

tie (not on sale)!  I look great!  (You're only as old as you look!)  Good

enough for litigation, if not as good as Allen Ginsberg in white shirt and

tie reading HOWL! for the first time.  May the Great Speckled Bird be with

you all for the weekend. // Gratefully dead, John M.

=========================================================================

Date:         Sun, 25 May 1997 14:03:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Tony's Story and Gerry's....

 

What a fascinating storyline here.  And it's kind of ironic too.  We've

actually learned something kind of major through calm discussion.

 

Phil Chuput tells a story about his brother Tony.  It's a first person

account and we're all touched by it to one degree or another and others say

Tony ought to type it up and preserve it.  Phil says he's been after Tony to

do it for years and thinks he may do it soon.

 

Gerry Nicosia says he taped that same story directly from Tony's lips and in

fact the audio tape is sitting in Lowell in a collection that no one has

access to on an old tape that is probably rotting away.

 

Kind of makes you wonder how far honest dialogue and discourse can take us.

 

 

Jerry Cimino

=========================================================================

Date:         Sun, 25 May 1997 14:36:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Tony's Story and Gerry's....

 

        ....and me, Irish Catholic! In 1970 I and a friend hitched back and

forth across the United states and Canada. You can't do that without

developing a huge store of stories, so I can only imagine the kind of

stories your Dad had to tell. Did he ever talk about whether his Italianess

(word?) was recognized and what kinds of reactions he got? And what kinds of

travelling times must he have been talking about - no freeways and I guess

nothing like the long haul trucking that you have now...although we never

had any luck in having truckers stop to pick us up with all the regulations

they have to live under now.

 

        Chicago was one of the few major places that we never ended up in -

along with Los Angeles - and it wasn't until five or six years ago that I

got to the windy city for far too short a visit! At least got to fulfill my

dream of visiting the filed Museum.

 

        Was all your father's travelling on the road or did he ride the

rails as well? Was he going to California to work or just to go?

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Sun, 25 May 1997 14:42:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Lies, Money, and other non important matters.

 

In a message dated 97-05-24 23:54:09 EDT, Gerry Nicosia writes:

 

<< I would have to be a fool  >>

 

Dear Gerry,

 

If I thought that I have to respond to your charges, I would.

 

best, Attila

=========================================================================

Date:         Sun, 25 May 1997 15:04:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Garb for Holy Goof

In-Reply-To:  <l03020900afae3a217417@[141.224.144.84]>

 

may jerry send you numerous blessings, safe as he is in heaven with AG, JK

and the rest of the heavenly choir

mc

=========================================================================

Date:         Sun, 25 May 1997 14:36:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Thanks for your support

In-Reply-To:  <970525080803_371706416@emout11.mail.aol.com>

 

>In a message dated 97-05-24 20:35:06 EDT, Gerry Nicosia writes:

> 

><<  In the short 3-year history of DHARMA BEAT, you have received

> numerous full-page ads from Viking/Penguin .....

>         No other Kerouac publication ever got that kind of major advertising

>>> 

> 

>Dear Mr. Nicosiais:

> 

>If your publisher is interested in placing a full page ad, please have them

>contact me. I'll see if I can ok it with the proper authorities.

> 

>Best,

>Attila Gyenis

>Editor

>DHARMA beat

 

Am I missing something? "Nicosiais" rather than Nicosia?  Play on a word?

Perhaps miffed after an enlightening rundown on your ad sales?

 

Would have enjoyed a response that was a bit more substantial.

 

j grant

 

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Sun, 25 May 1997 16:31:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      the tragedy of it all (to nicosia, chaput et al.)

In-Reply-To:  <9704248645.AA864508671@Mail.ff.cc.mn.us>

 

hello fellows,

i do believe this may be the first direct response of mine regarding the

continuing shit storm.

so today i set down to scan _memory babe_ again,

 looking for the voice of gerald nicosia which has been missing in all of

the words written in this lengthy word war..

when

i came across the photo

of jan kerouac

taken in 1978,

her head held proudly,

hair riffling back in the breeze.

and i said out loud, all to myself,

'my god, this woman is a beauty!'

by which i meant you could see the beauty

in her eyes, the pain and the knowledge

gained at great cost,

as i gazed at her generously beautiful features

i thought, yes, she was her father's daughter.

and i wept.

for the pain of jack

which led,  in part, to the pain

inflicted on his daughter,

and how the estate wars

with the shrill fear in which

voices raised 'gainst one another here

--however amusing or informative to some.

sorry guys,

but i mostly feel sad over this whole emotional/legal mess...

may jan be dead and safe in heaven

mc

=========================================================================

Date:         Sun, 25 May 1997 16:45:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julie Hulvey <JHulvey@AOL.COM>

Subject:      Fwd: RE: Hello

 

---------------------

Forwarded message:

From:   chatfield@voyager.net (chatfield residence)

To:     jhulvey@aol.com

Date: 97-05-25 16:14:34 EDT

 

julie:

thank you for your answers to my question. i will check out the CD-ROM if i

can. it sounds like it would be cool, even if it doesn't help me with my

research paper.

if you get a chance, would you send a mail to the list saying how grateful

i am for everyone's suggestions? i have to unsub because of the volume of

mail. i can only check my mail once or twice a day, and i can't handle

having 60-70 messages to read. i just don't have the time.

i think this list is a great idea and if i have any questions i may be

re-joining, asking them, and then unsubbing, like the commitment ducker

that i am. :)

thanks for the ideas!

--amy jean

 

 

 

 

"hold me down, catching my throat, make me pray, say, love's confined."

-r.e.m.

=========================================================================

Date:         Sun, 25 May 1997 23:57:12 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      hipster talk

In-Reply-To:  <Pine.SUN.3.96.970525141314.617A-100000@alfred.uib.no>

 

\\

.clonkk\

\

        \\boff

blip\bleep

        \       bop

        beep\   \

clink\biff\

.

kerouac.

.       described

                .       the velocity life of the 20th century\\\

the not music .

                by john cage ../

                                caught the sound of the environment.

//.

clink\\

        beeep

        \\      bleep

        bop\\

bliiip\\\\

\\

\

yrs

rinaldo

 

-Rust Never Sleeps-

*

There's more the picture

Than meets the eye

*

(Neil Young & Jeff Blackburn)

=========================================================================

Date:         Sun, 25 May 1997 23:30:25 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      AH I

In-Reply-To:  <Pine.SUN.3.96.970525141314.617A-100000@alfred.uib.no>

 

        "There's just something about it which

        allows me to write a certain way, like an actual language style

        which happens to be inspired as much by the South as it by

        Shakespeare or The Bible or whatever. But it allows me to

        write in the first person, and I felt this way. And I write

        'Ah' instead of 'I'"

 

        Nick Cave.

=========================================================================

Date:         Sun, 25 May 1997 23:29:47 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      the twister haiku

In-Reply-To:  <Pine.SUN.3.96.970525141314.617A-100000@alfred.uib.no>

 

\\                      \\

        i \\\\

        have\

a \

        \\      life\

        but \

\       i \

can't \\        use \

        it\\

\\\             \\\

=========================================================================

Date:         Sun, 25 May 1997 18:08:01 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Memory Babe Archive

In-Reply-To:  Message of Sat, 24 May 1997 19:55:16 -0700 from

              <gnicosia@EARTHLINK.NET>

 

Gerry, how many of the 300 people you interviewed do you still have addresses f

or?  Why not write a form letter and try to get their permission to open their

letters and tapes now?  Maybe all of us at Beat-l could help you contact people

 who are hard to find?  We maight not locate everyone but we sure could make a

dent and open up a huge chunk of the archive.  Seems to me to be a better alter

native than another law suit.

=========================================================================

Date:         Sun, 25 May 1997 18:24:35 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Beat and Marriage

In-Reply-To:  Message of Sun, 25 May 1997 03:43:37 -0400 from <cosmic@CLARK.NET>

 

On Sun, 25 May 1997 03:43:37 -0400 Cosmic Baseball Association said:

>>Well, Steve, I think that Barbara Bush is beat, George is pure skull and

>>cross bones.

>-snip-

>>me, yes, my wife, no

>> 

>>--

>>Bentz

>>bocelts@scsn.net

> 

>Is it possible to be beat and married?

> 

>Regards,

>Andrew

>cosmic@clark.net

 

 Ask Gregory Corso!

=========================================================================

Date:         Sun, 25 May 1997 19:46:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Memory Babe Archive

 

Bill Gargan wrote:

 

> Gerry, how many of the 300 people you interviewed do you still have

> addresses f

> or?  Why not write a form letter and try to get their permission to

> open their

> letters and tapes now?  Maybe all of us at Beat-l could help you

> contact people

>  who are hard to find?  We maight not locate everyone but we sure

> could make a

> dent and open up a huge chunk of the archive.  Seems to me to be a

> better alter

> native than another law suit.

 

 Bill:

 

Is there a valid restriction.  The little bit that I read is that UMASS

at Lowell just has a school policy and it is not based upon law.  If

someone on the list is aware of any actual statutes that apply, I would

be interested.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 20:51:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: the tragedy of it all (to nicosia, chaput et al.)

 

Marie Countryman wrote:

> 

> hello fellows,

> i do believe this may be the first direct response of mine regarding the

> continuing shit storm.

> so today i set down to scan _memory babe_ again,

>  looking for the voice of gerald nicosia which has been missing in all of

> the words written in this lengthy word war..

> when

> i came across the photo

> of jan kerouac

> taken in 1978,

> her head held proudly,

> hair riffling back in the breeze.

> and i said out loud, all to myself,

> 'my god, this woman is a beauty!'

> by which i meant you could see the beauty

> in her eyes, the pain and the knowledge

> gained at great cost,

> as i gazed at her generously beautiful features

> i thought, yes, she was her father's daughter.

> and i wept.

> for the pain of jack

> which led,  in part, to the pain

> inflicted on his daughter,

> and how the estate wars

> with the shrill fear in which

> voices raised 'gainst one another here

> --however amusing or informative to some.

> sorry guys,

> but i mostly feel sad over this whole emotional/legal mess...

> may jan be dead and safe in heaven

> mc

 

 

I think you hit the nail on the head when you speak of all of the pain

involved in this family relationship, maybe in all family relationships.

 I have read all of the posts about the estate war since this whole thing

began on the list several weeks ago.  I think Mr. Nicosia speaks from a

very personal perspective of watching someone he cared greatly about die,

and then feeling that he must continue to try and carry out her wishes.

I think what he is trying to do for Jan is commendable.  I also think

that when you are feeling that kind of pain on a personal level and then

you have to battle several legal issues, emotions are bound to erupt.

But here on the list we are only hearing the same accusations over and

over.  Rarely is a new idea brought up.  Today, the talk about Jack

rather than the same old war was refreshing.  Maybe through conversations

about the words and people, the war can slip into the background.  I

think all of the people writing about the estate problems should count

backwards from 500 to 1 before responding to each others posts.  I, for

one, would like to hear more stories about Jack (and his daughter) from

people who knew them and were involved in their lives.

=========================================================================

Date:         Sun, 25 May 1997 23:56:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Lowell author-Jay Pendergast

 

May 25,1997

Lowell author and friend of Jack Kerouac, Jay Pendergast died unexpectedly

this afternoon. Jay had just written a story about Jack in Paul Maher's

premiere issue of the "Kerouac Quarterly" his painting that Jack had given

him personally what I called "Beatnik Jesus" was on the cover. He was an

educator that taught English, Irish and American Literature as well as

History, Writing and Anthropology courses. Jay held his Ph.D. in Irish

Literature and held his Masters degree in English Literature. He was an

author who had written two books about early Lowell "The Bend in the River"

and "Life along the Merrimack" he had also completed a book of photos of

Lowell and one of Dracut and was working on a second book of Lowell photos.

His first Lowell photo book had a wonderful picture of Jack Kerouac at an

early age performing in a play. Jay was also an archeologist and had

completed several archaeological excavations in Newfoundland, Ireland and

along the banks of the Merrimack River. Jay was a very close friend of mine

who loved Jack Kerouac and Lowell. This passage appeared in his first book.

 

If at night a man goes out to the woods surrounding Galloway, and stands on

a hill, he can see it all there before him in broad panorama: the river

coursing slowly in an arc, the mills with their long rows of windows all

aglow, the factory stacks rising higher than the church steeples. But he

knows that this is not the true Galloway. Something in the invisible

brooding landscape surrounding the town, something in the bright stars

nodding close to a hillside where the old cemetery sleeps, something in the

soft swishing treeleaves over the fields and stone walls tells him a

different story.

 

Jack Kerouac- The Town and the City

 

 

Here's one for you Jay, I'm going to miss you.

 

 

Ever see a tired

   ba by

Cryin to sleep

   in its mother's arms

Wailin all night long

   while the locamotive

Wails on back

A cry for a cry

In the smoke and the lamp

Of the hard ass night

 

That's how I

     fee-

           eel---

   That's how

            I fee---eel!

That's how

                 I feel---

What a deal!

Yes I'm goin ho

                o

                  ome

 

Jack Kerouac- Book of Blues-38th Chorus

=========================================================================

Date:         Sun, 25 May 1997 21:08:02 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Beat and Marriage

In-Reply-To:  <970525133225_453294080@emout12.mail.aol.com> from "Jerry Cimino"

              at May 25, 97 01:32:25 pm

 

Jerry Cimino wrote:

> My wife couldn't stand the beats either when we first got married.  I think

> it's got to do with that "he's gonna run off and sow his wild oats leaving me

> stuck at home alone" female thing.  Can't imagine why any woman would think

> that about people like Neal Cassady?

> 

> Now she's involved in a business where she's talking beat everyday.  She

> really focused in on the women writers, Hettie Jones, Joyce Johnson, Diane

> DiPrima, Carolyn etc and it turned her around.  She especially enjoyed the

> new Women & the BG recently released.

 

Mine is coming around bit by bit too.  She really likes listening

to "Kicks Joy Darkness" (that new Rykodisk CD) for instance, whereas

I was lukewarm.  But that's just because Patti Smith is on it, I

think ...

 

------------------------------------------------------

           Levi Asher = brooklyn@netcom.com

 

   Literary Kicks: http://www.charm.net/~brooklyn/

            (the beat literature web site)

 

 Queensboro Ballads: http://www.levity.com/brooklyn/

             (my fantasy folk-rock album)

 

          ###################################

 

          "Tie yourself to a tree with roots"

                    -- Bob Dylan

-----------------------------------------------------

=========================================================================

Date:         Sun, 25 May 1997 21:33:36 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Memory Babe Archive

 

At 06:08 PM 5/25/97 EDT, you wrote:

>Gerry, how many of the 300 people you interviewed do you still have addresses f

>or?  Why not write a form letter and try to get their permission to open their

>letters and tapes now?  Maybe all of us at Beat-l could help you contact people

> who are hard to find?  We maight not locate everyone but we sure could make a

>dent and open up a huge chunk of the archive.  Seems to me to be a better alter

>native than another law suit.

> 

> 

Bill,     May 25, 1997

 

        What you suggest is a lot easier said than done.  A large no. of the

people (after 20 years) are no longer where they were when I interviewed

them.  Of the 100 who are dead, I know the whereabouts of the heirs of only

a handful.

        Even with those that remain, if I get a letter to them, I can

guarantee you that 50% would not answer.  This is just standard with any

mailing.  A lot of people won't sign their name to anything, even if they

gave me an interview with full cooperation 20 years ago.

        What you must understand is that at any other library, these tapes

would be listenable to, as they are right now.

        There is also the matter that Lowell is refusing to duplicate the

tapes, to put them on fresh tape stock, and of course they won't digitalize

them.  So the tapes, if kept at Lowell, will be deteriorated too badly to

even listen to in another five to fifteen years (some tapes will last

longer, some are almost gone already).

        Then there is the matter of the 2,000 xeroxed Kerouac letters, which

also would be fully available at any other library.  Bancroft, Texas, etc.,

show Kerouac's letters every day to scholars without Sampas's permission,

despite his attempts at interference.

        And U Mass, Lowell, itself, made the MEMORY BABE archive fully

available to scholars till 1995, when Mr. Sampas brought his complaint to them.

        There is the further concern of materials disappearing every year

from the MEMORY BABE archive.

        In light of all that, I don't see that I have any choice but a lawsuit.

        If you have further thoughts, let me know.

        Best always, Gerry Nicosia

=========================================================================

Date:         Sun, 25 May 1997 21:35:47 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Lies, Money, and VIdeotape

In-Reply-To:  <Pine.PTX.3.91.970524203852.6190A-100000@odin.cc.pdx.edu> from

              "Steve Smith a.k.a. Whiskey Wordsmith" at May 24, 97 08:58:31 pm

 

Steve Smith wrote:

> levi and friends: "start going with the flow"???? bullshit. that's the

> rap weasels the world over use. it's a cop-out. it's the kind of thing

> that's said when people are sitting on the lawn, way far out there away

> from passion and the "real" world, if you will. there is no question that i

 

Hah, as if it were that easy to be away from passion and the real

world.  Show me the way to free myself of passion and the real world ...

That's why I do yoga -- if only I could succeed ...

 

> zero in on nicosia as the "bad" guy. levi, you say some very wise things

> a lot of the time--and you have a boffo web site--but quit the whining

> about nicosia.  if you hate the back and forth poison re: the estate

 

Thanks for the compliments, and okay, whatever.

 

> battle, why not get on anstee and chaput, too??? the couple of times i've

> read posts reZ: the estate thing, you've been on nicosia's case. perhaps

> i am being a bit simplistic here, but ....

 

Nicosia has an awesome reputation as a world-class scholar to uphold.

Obviously, I hold him to higher standards.  That's the way *I* show

my respect.  If I'm being too harsh, well, he said he was here to

answer questions, so I asked some!

 

> anything he wants. if we can think lisa rabey's rap on cocksucking is

> okay for the list, why whip out the cattleprods when nicosia et al go

> back and forth on the estate thing?

 

Cause it was funny!  Hey, if some of you were really enjoying this

battle, sorry for the interruption.  I didn't realize it was

such a thrilling match.  I remember an old line in a National

Lampoon article in the 70's, after David Bowie and Lou Reed were

photographed fist-fighting in a nightclub -- the writer of this

article claimed that he was there, and said that despite reports

of the fight being like Ali-vs.-Frazier, it was more like

watching "two old ladies patting out fires on each other's

bellies".  For whatever that image is worth ...

 

I'm outta here for the night ... happy Memorial Day

everybody.

 

------------------------------------------------------

           Levi Asher = brooklyn@netcom.com

 

   Literary Kicks: http://www.charm.net/~brooklyn/

            (the beat literature web site)

 

 Queensboro Ballads: http://www.levity.com/brooklyn/

             (my fantasy folk-rock album)

 

          ###################################

 

          "Tie yourself to a tree with roots"

                    -- Bob Dylan

-----------------------------------------------------

=========================================================================

Date:         Sun, 25 May 1997 21:50:27 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Who was that guy?

In-Reply-To:  <3385FBFD.B6F115E4@scsn.net> from "R. Bentz Kirby" at May 23,

              97 04:20:13 pm

 

Bentz wrote (a few days ago):

> Who was the guy who did a comic strip/book, Never Eat Anything Bigger

> Than Your Head?

 

B. Kliban.  Famous for drawing cartoons of cats.  Died a few years

ago.  Not sure if Beat or not, probably so.

 

------------------------------------------------------

           Levi Asher = brooklyn@netcom.com

 

   Literary Kicks: http://www.charm.net/~brooklyn/

            (the beat literature web site)

 

 Queensboro Ballads: http://www.levity.com/brooklyn/

             (my fantasy folk-rock album)

 

          ###################################

 

          "Tie yourself to a tree with roots"

                    -- Bob Dylan

-----------------------------------------------------

=========================================================================

Date:         Mon, 26 May 1997 00:51:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Memory Babe Archive

 

Gerry:

 

If the letters etc of Jack's were mailed, wouldn't the person who

received the letters have control of them.  Even though I am a lawyer, I

am a little confused by all of this and would like to get it straight.

If the letters were mailed, and then given to you and then to the

library, it seems to me that Sampas would have nothing to say about any

of this at all.  And, does anyone out there know if and how letters are

covered by copyright.  What gets them out of the control of someone and

into the right of fair use.

 

Just curious.

 

Peace,

 

Gerald Nicosia wrote:

 

> At 06:08 PM 5/25/97 EDT, you wrote:

> >Gerry, how many of the 300 people you interviewed do you still have

> addresses f

> >or?  Why not write a form letter and try to get their permission to

> open their

> >letters and tapes now?  Maybe all of us at Beat-l could help you

> contact people

> > who are hard to find?  We maight not locate everyone but we sure

> could make a

> >dent and open up a huge chunk of the archive.  Seems to me to be a

> better alter

> >native than another law suit.

> >

> >

> Bill,     May 25, 1997

> 

>         What you suggest is a lot easier said than done.  A large no.

> of the

> people (after 20 years) are no longer where they were when I

> interviewed

> them.  Of the 100 who are dead, I know the whereabouts of the heirs of

> only

> a handful.

>         Even with those that remain, if I get a letter to them, I can

> guarantee you that 50% would not answer.  This is just standard with

> any

> mailing.  A lot of people won't sign their name to anything, even if

> they

> gave me an interview with full cooperation 20 years ago.

>         What you must understand is that at any other library, these

> tapes

> would be listenable to, as they are right now.

>         There is also the matter that Lowell is refusing to duplicate

> the

> tapes, to put them on fresh tape stock, and of course they won't

> digitalize

> them.  So the tapes, if kept at Lowell, will be deteriorated too badly

> to

> even listen to in another five to fifteen years (some tapes will last

> longer, some are almost gone already).

>         Then there is the matter of the 2,000 xeroxed Kerouac letters,

> which

> also would be fully available at any other library.  Bancroft, Texas,

> etc.,

> show Kerouac's letters every day to scholars without Sampas's

> permission,

> despite his attempts at interference.

>         And U Mass, Lowell, itself, made the MEMORY BABE archive fully

> 

> available to scholars till 1995, when Mr. Sampas brought his complaint

> to them.

>         There is the further concern of materials disappearing every

> year

> from the MEMORY BABE archive.

>         In light of all that, I don't see that I have any choice but a

> lawsuit.

>         If you have further thoughts, let me know.

>         Best always, Gerry Nicosia

 

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 25 May 1997 22:06:39 -0700

Reply-To:     david@cyberwarecom.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David McClusky <david@CYBERWARECOM.COM>

Organization: CyberWare Communications (http://www.cyberwarecom.com)

Subject:      Beat Generation

 

Hello everyone!

 

I am new to this group (and the Beat Generation) and I hope to get a

little more educated on the subject.

 

Right now, I am working on a school essay on the Beat Generation and the

counter-culture movement of the '50s.  Specifically, I am exploring the

following questions-- What were the specific causes of this movement?

How can "On the Road" be seen as a critique of 1950s American society?

Does this critique have any validity?

 

To anyone that can help with these questions-- thanks alot!

 

 

                        David McClusky

=========================================================================

Date:         Mon, 26 May 1997 01:14:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         PAM <mapaul@PIPELINE.COM>

Subject:      Jay Pendergast

 

Jay was a historian in every way. Jay was a reader of Joyce. Jay was a

drinking buddy of Jack's. Jay supported and enthused my idea of a "Kerouac

Quarterly." I remember sitting with Jay sipping a beautiful blend of whiskey

as we discussed literature and art as the fires burned in his warm, cozy

house and the Merrimac River seeping in December in his backyard bobbing

with mallards. Jay told me that Kerouac had him play "Moon River about

thirty times" at Nicky's on the jukebox. Jay was the embodiment of what I

emulate to be...a reader, learner, writer, educator, and sincere friend. I

will miss him tremendously. On Friday...May 23rd he was happy that my first

issue of the Kerouac Quarterly was successful and that he wanted to

contribute more. He has contributed in more ways than one. His spirit, his

vigor, his sincere interest in what I was doing saw me through the

completion of my first publication.....your friend and fellow Lowellian,

Paul....

=========================================================================

Date:         Sun, 25 May 1997 21:13:29 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Tony's Story and Gerry's

 

                                                                May 25, 1997

Antoine Maloney writes:

 

        "I can only imagine the kind of stories your Dad had to tell.  Did

he ever talk about whether his Italianess (word?) was recognized and what

kinds of reactions he got? ...Was all your father's traveling on the road or

did he ride the rails as well?  Was he going to California to work or just

to go?"

 

Dear Antoine:

 

        My father left Chicago at age 17 because he wanted to be like Jack

London.  He mostly hitchhiked, rode the rails only a little, mostly because

he didn't like the danger of it (Kerouac was afraid of train wheels too,

you'll recall), and later took a tramp steamer from San Francisco to Los

Angeles--after cutting up to Spokane, Washington, to pick apples, where he

hung out with Sad Slim Smith who owned Sad Slim Smith's Super Service

Station, Spokane (true story).

        Ironically, he made this trip with his fast-talking, womanizing

buddy (sound familiar?), another Italian from Chicago named Steve Ferrara.

        Eventually the magnet of home pulled him back to Illinois, and he

returned to his widowed mother (sound even more familiar?).

        As for his being and speaking Italian, it served him well in North

Beach, San Francisco, which in 1927 was just an Italian fishermen's village

at the northern tip of San Francisco.  It gives me great satisfaction to

think of my dad, a young man of 17, walking Grant Avenue in North Beach 20

years before Kerouac got there.  Of course in those days there were no Beat

coffeehouses, no "finger-poppin' daddies" (a la Lord Buckley), just real

Italian bars and cafes and spaghetti houses.

        He left me a couple of photo albums filled with snapshots from those

days in San Francisco, North Beach, the Barbary coast, and the sand dunes of

the Sunset District, where he and his friend boarded in the house of a widow

named Mrs. Miller.

        My favorite story of his from those times was how, when he first got

to San Francisco, he was almost broke and desperately needed work.  He

applied for a busboy job at the States Cafe, a very popular restaurant

downtown.  It had 48 booths, each one named for a state of the union.  He

had pulled his old trick from Chicago, of tearing up the "Help Wanted" sign

before going inside, but they told him that he could only work there if he

owned an all-white busboy's uniform.  Knowing he couldn't afford to buy one,

he was about to leave down-hearted, when a little Chinese guy, about my

dad's height and weight, walked up and made him an offer.

        The Chinese guy said he an extra busboy's uniform.  It was dirty

now, but if my dad would have it cleaned and starched, he could wear it till

he earned enough money to buy his own.

        And that was how my dad got his first job in San Francisco.  They

paid him thirty silver dollars a month, and at the end of the month he

bought his own uniform and returned the Chinese guy's uniform cleaned and

starched.  And they remained good friends for the rest of his stay in San

Francisco.

        All of which has touched me in a special way, since in 1995, long

after my dad's death, I went to An Hui Province in China to adopt an orphan

girl named Wu Ji.  Considering the strange karmic connections in this world,

I sometimes wonder if maybe Wu Ji is a distant relative of that Chinese

busboy who helped my dad.

        By the way, you always end with a quote from Utah Phillips.  He's a

buddy of mine (he performed at the big benefit concert for Jan Kerouac in

1995), and we both had the same mentor: a one-armed Spanish Civil War

veteran from Chicago named Eddy Balchowsky, who played the meanest one-armed

piano you've ever heard.   Utah wrote a great song about him, after hearing

Eddy play Beethoven's MOONLIGHT SONATA one-handed.  The song starts: "One

Hand on the Keyboard, and Moonlight Fills the Room...."

        All for now.  Best always, Gerry Nicosia

=========================================================================

Date:         Sun, 25 May 1997 22:19:56 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: a calm request

 

..., it has nothing to do with

>his archieves, its a damn pissing contest/whose got the bigger balls and

>the rest of the nonsense. Its pure bullshit. Get off your ego trip and

>realize  THAT truth.

> 

> 

>Lisa M. Rabey

>Internet and Computer Consultant

>San Francisco, California

>http://the.art.of.sekurity.org/simunye

>**************************************

>General man-hating bitchy "i know more than you" chick.

> 

Dear Lisa,     May 25, 1997

 

        I am here on the Beat-List only because of the need to preserve Jack

Kerouac's archives.  It has turned into a pissing contest because that is

what Mr. Chaput and Mr. Anstee wanted it to become.  They have effectively

killed the discussion of what Sampas is doing with the archives and why, if

he really intends to put them into a library, he has not signed even a

statement of intention in 6 years.  They don't want me talking about things

like that, so they call me names and accuse me of various crimes, and then I

answer them back, etc. etc.

        Well here's my deal, Lisa, I'll just quite answering their bullshit

charges, and just keep posting the truth as I see it.  Maybe some day

someone from "the other side" will appear to argue this thing out

rationally, and give us some hard facts about what Mr. Sampas is doing and

plans to do--rather than just calling me names and saying what a bad person

I am.

        By the way, Paul Maher's list from the NY Public Library shows that

they do not own all the versions of even one Kerouac book (published or

unpublished).  A scholar who analyzes a work needs everything from the first

notes thru first second and third drafts, and then the galleys.  Kerouac

typed several versions of every published book.  The NY Public has acquired

only early notebook drafts of some individual books, and they have not even

one complete version of Kerouac's seven most important books: ON THE ROAD,

THE DHARMA BUMS, DR. SAX, VISIONS OF GERARD, VISIONS OF CODY, VANITY OF

DULUOZ, and DESOLATION ANGELS.

        This is what we should be talking about.

        Best, Gerry Nicosia

=========================================================================

Date:         Sun, 25 May 1997 22:24:56 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: a calm request

 

Dear Lisa,    May 25, 1997

 

        Excuse me, make that EIGHT of KEROUAC'S MOST IMPORTANT BOOKS that

the New York Public Library has NOT EVEN ONE COMPLETE DRAFT OF:

        I forgot to add: they don't have a scrap of THE SUBTERRANEANS either.

        Best, Gerry Nicosia

=========================================================================

Date:         Mon, 26 May 1997 05:50:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      meesters chaput & nicosia

In-Reply-To:  <199705260413.VAA25745@norway.it.earthlink.net>

 

really appreciated yr memories shared. .

mc

=========================================================================

Date:         Mon, 26 May 1997 12:02:46 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Frank O'Hara, a poetry.

In-Reply-To:  <Pine.SUN.3.96.970525141314.617A-100000@alfred.uib.no>

 

        "Why I Am Not A Painter"        by Frank O'Hara

 

        I am not a painter, I am a poet.

        Why? I think I would rather be

        a painter, but I am not. Well,

 

        for instance, Mike Goldberg

        is starting a painting. i drop

                in

        "Sit down and have a ddrink" he

        says. I drink; we drink. I look

        up. "You have SARDINES in it"

        "Yes, it needed sometime there"

        "Oh." I go and days go by

        and I drop in again. The painting

        is going on, and I go, and the

                days

        go by, I drop in. The painting is

        finished. "Where's SARDINES?"

        All that's left is just

        letters, "It was too much", Mike says.

 

        But me? One day I am thinking of

        a color: orange. I write a line

        about orange. Pretty soon it is a

        whole page of words, not lines.

        Then another page. There should

                be

        so much more, not of orange, of

        words, of how terrible orange is

        and life. Days go by. It is even

                in

        prose, I am a real poet. My poem

        is finished and I haven't

                mentioned

        orange yet. It's twelve poems, I

                call

        it ORANGES. And one day in a

                gallery

        I see Mike's painting, called

        SARDINES.

=========================================================================

Date:         Mon, 26 May 1997 05:33:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Beat and Marriage

 

Levi Asher wrote:

> 

> Jerry Cimino wrote:

> > My wife couldn't stand the beats either when we first got married.  I think

> > it's got to do with that "he's gonna run off and sow his wild oats leaving

 me

> > stuck at home alone" female thing.  Can't imagine why any woman would think

> > that about people like Neal Cassady?

> >

> > Now she's involved in a business where she's talking beat everyday.  She

> > really focused in on the women writers, Hettie Jones, Joyce Johnson, Diane

> > DiPrima, Carolyn etc and it turned her around.  She especially enjoyed the

> > new Women & the BG recently released.

> 

> Mine is coming around bit by bit too.  She really likes listening

> to "Kicks Joy Darkness" (that new Rykodisk CD) for instance, whereas

> I was lukewarm.  But that's just because Patti Smith is on it, I

> think ...

> 

> ------------------------------------------------------

>            Levi Asher = brooklyn@netcom.com

> 

>    Literary Kicks: http://www.charm.net/~brooklyn/

>             (the beat literature web site)

> 

>  Queensboro Ballads: http://www.levity.com/brooklyn/

>              (my fantasy folk-rock album)

> 

>           ###################################

> 

>           "Tie yourself to a tree with roots"

>                     -- Bob Dylan

> -----------------------------------------------------

 

Is Star Treak Beat?

=========================================================================

Date:         Mon, 26 May 1997 05:37:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Lies, Money, and VIdeotape

 

Levi Asher wrote:

> 

> Steve Smith wrote:

> > levi and friends: "start going with the flow"???? bullshit. that's the

> > rap weasels the world over use. it's a cop-out. it's the kind of thing

> > that's said when people are sitting on the lawn, way far out there away

> > from passion and the "real" world, if you will. there is no question that i

> 

> Hah, as if it were that easy to be away from passion and the real

> world.  Show me the way to free myself of passion and the real world ...

> That's why I do yoga -- if only I could succeed ...

> 

 

Moving to Kansas is a decent attempt too!

 

Hope everyone Remembers the right things on Memorial Day.

 

david rhaesa

=========================================================================

Date:         Mon, 26 May 1997 06:49:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         BeatRyder@AOL.COM

Subject:      Re: Lowell author-Jay Pendergast

 

In a message dated 97-05-26 00:01:30 EDT, you write:

 

> May 25,1997

>  Lowell author and friend of Jack Kerouac, Jay Pendergast died unexpectedly

>  this afternoon. Jay had just written a story about Jack in Paul Maher's

>  premiere issue of the "Kerouac Quarterly" his painting that Jack had given

>  him personally what I called "Beatnik Jesus" was on the cover. He was an

>  educator that taught English, Irish and American Literature as well as

>  History, Writing and Anthropology courses.

 

This is truly sad news, I took Jay's Speech Course last summer, and it had to

be one

of my best classes of all time.  We would listen Jay for whole class

sessions, telling

us about his time in Ireland, doing archaeological digs in the Merrimack

area, the

many famous people he has encountered in his amazing life - I remember

wanting to

rush out into my backyard and dig for bones!  He was one of the most

fascinating

people i've ever met.  Probably the greatest storyteller.  I'll always

remember, as long

as I live, how he encouraged me to write - enthusiastically explaining how

great it is,

just to write a book and have it published, and see people paying money to

read your

words - getting those small checks from the publisher, etc.  In fact, I

bought Jay's

book, "The Bend in the River" as a gift for my dad for father's day.   Jay

was truly an amazing man, and I'm very glad to have had the opportunity to

know him.

 

Jeff

 

=========================================================================

Date:         Mon, 26 May 1997 07:51:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Jerry Cimino's posts

 

Dear Beat List:

 

I just signed on to this list a few days ago, but it seems like a year

ago.  The range of emotions has soared and dipped me like I am the

finest of fighter jet plane on an evasive maneuver in the mountains.  I

have pulled from my shelf books that have lain dormant for years and

found within them joy and tears that I thought had long since left me.

To find that I am still in touch with them cuts both ways like a knife.

I hope that Ferlinghetti will be in the store to have coffee with me and

I will bask in the glow of a fire lit in me by Homer and fed by the

Legends of King Authur, the story of Ivanhoe (sp), Jason and the search

for the Fleece, the story of Jesus, Catch 22, Ferlinghetti, Corso,

Thomas Wolfe, Jack Kerouac, Gerry Nicosia, Allen Ginsburg, Bob Dylan,

Thoreau, Van Morrison, etc. etc. etc.   While I admired Ann's biography

of Kerouac and read it first, I wonder how any person can say that

Nicosia has written the best, or at least one of the two best

biographies of Kerouac.

 

I would say that it is the best, but will admit that others might prefer

Charter's because it is more flattering, but to me Memory Babe has the

most facts and the most Love in it.  Regardless, I am honored to be a

member of a list with Gerry Nicosia.  I have also seen messages going

back and forth between Levi Asher and Gerry.  I have looked at Levi's

site and find it to be a great web site.  One of the best.  But, Levi

has yet to answer Gerry's direct questions.  Why is that?

 

I have just read the first in a series of posts by Jerry Cimino about

the list and Gerry.  I tend to agree.  When I first signed on I asked

several questions that have gone unanswered.  One of those troubles me

greatly.

 

1.    In an email response to Gerry, someone asked an open question that

to me said in paraphrased terms:

 

What about Gerry Nicosia, isn't he a thief because he has sold

photocopies of Kerouac's letters for profit?

 

I responded to the list and to the poster, whose id I have forgotten,

what letters, where, to whom and how much.  I have not heard, nor has

this list heard yet what letters to whom and how much.

 

If one is not willing to stand behind such an accusation, or if one

lacks the facts to back it up, one should not accuse another, especially

a writer of the integrity of Nicosia of this behavior.

 

2.    There also was a statement by someone to this lists claiming that

Sampas has not sold off piece meal portions  of  Kerouac's works and

artifacts.  Does anyone actually know what Sampas has done.  I asked the

question and all I received was a chastisement that I should "do my

homework" or some such and stating that I needed to spell Sampas' name

right.  But have I received an answer to the question.  Who knows what

Sampas has done and what he has sold?  No, I have not seen any such

information forthcoming.

 

In short, why does Gerry Nicosia post facts and the others respond with

accusations and no facts.  I am down with Cimino's post.  I am off to

take my children to school, and will respond further in a few minutes

with other points about what I have seen.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 08:47:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Kerouac's baseball league

 

Just a thought, but on reading Levi Asher's page on Jack, was he the

sole member of the first fantasy baseball league?

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 08:53:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Star Trek is not beat

 

David,

 

Star Trek is not beat.  It is an extension of society.  It is more of a

world vision in which Orwell and others are wrong and big brother turns

out to be  nice guy after all.

 

Star Wars comes closer to beat, but at best it was maybe Hip or even

Hep.

 

To me, Space Balls (Mel Brooks?) was beat!  Or, that Outer Limitsor

Twilight Zone where the people got on the space ship and the man then

figures out that the book th aliens brought is a Cook Book.  That is

hip.  And maybe just maybe Beat and space would be say, The Day the

Earth Stood Still.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 08:55:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      correction

 

I said in my addled brain, but not in the message and hereby correct it

to state:

 

I wonder how any person can say that Nicosia has NOT written the best,

or at least one of the two best biographies of Kerouac.

 

The omission of three letters can affect the meaning.

 

I believe Gerry's is the best, because it is full of love and

tenderness, but does not avoid any difficult issues.  Others will see

Ann's as the best I am sure.  But, anyone else is merely a pretender and

does not approach those two.

 

So, does Ms Charters post here?  If not, does anyone know her?  Invite

her to join the list.  I get jazzed thinking about Charters and Nicosia

debating the beats and Kerouac.  But, remember Nicosia had the courage

to come here and is a blessing to us out of a Gone World.

 

I remember years ago a law professor speaking somewhat contemptuously of

his colleagues who did not publish.  I thought he was just jealous

because they had tenure and did not publish much (he had tenure too, but

worked much harder than they did).  I asked him why and he said that if

you are not willing to put your ideas into the public arena and have

them ripped to shreds by your colleagues, then you are intelletually

dishonest and are a coward as that is the way you learn.

 

Now, I am not saying that Ann Charters or John Sampas has to post their

ideas here.  What I am saying is that, regardless of the rest of it all,

Nicosia is a man of courage and conviction.  He may be looney as a nut

cake, fruit cake or whatever that device is, but he puts his ideas forth

and allows you do dissect him.  And from my experience on the net and

newsgroups, you will be dissected by idiots and genius.  He has cast

pearls, it is up to the list to ensure that he did not cast them before

swine.

 

He is courageous.  I have discouraged him because:

 

1.    He can't argue with people who do not state facts.

2.    If he has been slandered, then it is best to leave it to the

lawyers.  (Hey, I got a plug for me in here too!!! ;-))

3.    It must be very distracting to him to have to deal with bs, and he

needs to be about his life's work.

4.    I would rather not see him expose his soul on public, as I don't

know who this public is.

 

But, even though his obvious anger makes me feel that he is wasting his

effort on those who do not deserve it, I admire his candor and

willingness.  Are those who speak less than well up to the task to be so

honest and to expose themselves to the same criticism, are they willing

to be dissected in such detail?  Where are their facts?

 

I for one count us to be very rich for Gerry's presence here, would

welcome Ann aboard if she would join and say, if you are unwilling to

back up an attack on Gerry or a defense of Sampas without facts, then

keep it to yourself because Nicosia has stated facts.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 08:26:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Jerry Cimino's posts

 

RBK,

 

We're not always the best hosts when it comes to newcomers.  This thread

is not the only example of when that has happened.  The emotional level

though may explain why our hosting is particularly poor.

 

There is a range of emotions involved in this thread - not only those

concerning a hotly contested legal argument being discussed in a

non-legal environment - but also the emotions of grief involved in close

friendships on both sides of what has politely been referred to as a

"feud" and at times compared to a "war".

> 

> I just signed on to this list a few days ago, but it seems like a year

> ago.  The range of emotions has soared and dipped me like I am the

> finest of fighter jet plane on an evasive maneuver in the mountains.  I

> have pulled from my shelf books that have lain dormant for years and

> found within them joy and tears that I thought had long since left me.

> To find that I am still in touch with them cuts both ways like a knife.

> I hope that Ferlinghetti will be in the store to have coffee with me and

> I will bask in the glow of a fire lit in me by Homer and fed by the

> Legends of King Authur, the story of Ivanhoe (sp), Jason and the search

> for the Fleece, the story of Jesus, Catch 22, Ferlinghetti, Corso,

> Thomas Wolfe, Jack Kerouac, Gerry Nicosia, Allen Ginsburg, Bob Dylan,

> Thoreau, Van Morrison, etc. etc. etc.

 

It seems to me that these remembrances are wonderful feelings and

connections and fairly appropriate to a Memorial Day Celebration of

Beat-ism.  I find myself as a fairly newcomer to both the scene, the

list, and the literature - manically trying to read more and more and

more to get a better sense of the IT that runs through all of these

words.  But it is a smooth mania for me and one that I can enjoy quite

well.

 

While I admired Ann's biography

> of Kerouac and read it first, I wonder how any person can say that

> Nicosia has written the best, or at least one of the two best

> biographies of Kerouac.

 

I think they are both wonderful.  I'm reading them both right now along

with Dharma Lion about Ginsberg.  Charters' is a much more empathetic

style and Nicosia's a more detached one.  The two in combination is

something of a symphony for me.  I don't know why all the ratings need

be done at all.  The books say the same thing almost only they say

completely different things at the same time.  They are both wonderful

tributes to Kerouac.  As was McNally's which was a different style

altogether almost intimate anthropological in nature.  I'm looking

forward to others that have been mentioned as well.

> 

> I would say that it is the best, but will admit that others might prefer

> Charter's because it is more flattering, but to me Memory Babe has the

> most facts and the most Love in it.  Regardless, I am honored to be a

> member of a list with Gerry Nicosia.

 

He is a wonderful resource.  When he has time to discuss matters

off-estate, i find his insights beautiful to read.  I can't wait for the

Vietnam Vets book.  I'm certain that he will tell that story and its

many plots with incredible technique.

 

All that said, i have to admit that I'm somewhat tired of the estate

discussion.  It seems an important thread but not incredibly significant

to me.  None of the libraries under consideration are ones I will ever

be near - i doubt.  I doubt that I will ever return to the "scholarly

arena".  I respect the desire of scholars to desire an archive like the

one suggested for the NYPL, but it doesn't seem to be the only audience

for Kerowhackos around this beautiful land.

 

I have also seen messages going

> back and forth between Levi Asher and Gerry.  I have looked at Levi's

> site and find it to be a great web site.  One of the best.  But, Levi

> has yet to answer Gerry's direct questions.  Why is that?

 

Have to ask Levi.  I thought that some of the questions were answered

but the answers were unacceptable to Gerry and so it went ....

> 

> I have just read the first in a series of posts by Jerry Cimino about

> the list and Gerry.  I tend to agree.  When I first signed on I asked

> several questions that have gone unanswered.  One of those troubles me

> greatly.

> 

> 1.    In an email response to Gerry, someone asked an open question that

> to me said in paraphrased terms:

> 

> What about Gerry Nicosia, isn't he a thief because he has sold

> photocopies of Kerouac's letters for profit?

 

as i recall, the photocopy letter originally was a bad joke in the

middle of a post.  that's how i read it at least.  it has since blew up.

 

> 

> I responded to the list and to the poster, whose id I have forgotten,

> what letters, where, to whom and how much.  I have not heard, nor has

> this list heard yet what letters to whom and how much.

 

it would be letters in the Lowell archive as far as I can tell.  letters

associated with the Memory Babe biography.  i think that the price

sounded reasonable considering Gerry's expenses in working on the book.

> 

> If one is not willing to stand behind such an accusation, or if one

> lacks the facts to back it up, one should not accuse another, especially

> a writer of the integrity of Nicosia of this behavior.

 

i think it was a poor joke that wouldn't die.  but that's my failing

memory.

> 

> 2.    There also was a statement by someone to this lists claiming that

> Sampas has not sold off piece meal portions  of  Kerouac's works and

> artifacts.  Does anyone actually know what Sampas has done.  I asked the

> question and all I received was a chastisement that I should "do my

> homework" or some such and stating that I needed to spell Sampas' name

> right.  But have I received an answer to the question.  Who knows what

> Sampas has done and what he has sold?  No, I have not seen any such

> information forthcoming.

 

I've learned to have some difficulty with this part of the whole feud.

It seems that until the courts determine otherwise - which is uncertain

at best - that this stuff is Sampas' private property.  I don't think

he's accountable to any of us concerning what he does with his

property.  He could have a huge garage sale - like the Kennedy children

- but it doesn't sound as though that has happened.

 

> 

> In short, why does Gerry Nicosia post facts and the others respond with

> accusations and no facts.  I am down with Cimino's post.  I am off to

> take my children to school, and will respond further in a few minutes

> with other points about what I have seen.

 

My impression is that Gerry while an excellent scholar and writer is not

willing to see any grain of truth in anything in this besides his

viewpoint.  That is merely an impression.  My impression is that people

don't post anything worthwhile because, it won't be good enough for

Gerry if they do.  And when they do, there is often at least innuendo

that John Sampas is pulling their strings like puppets.

 

The dialogue in this thread has broken down from both sides and every

angle in-between.  My impression is it is a case of emotionally charged

true believers involved in a fairly messy and intricate legal action and

that the animosity will probably not end after the legal action or

actions are decided.  It will be one for the literary historians to

write about some day down the road.

 

I hope that i've filled in some of the details.  I am very hesitant to

do so for fear of being attacked for having provided misinformation.

These are what I've gathered from the thread, my impressions of the

thread, information as I recall it now, and i don't know that they

necessarily have any correspondence with the truth (whatever that is)...

 

david rhaesa

=========================================================================

Date:         Mon, 26 May 1997 08:31:30 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: correction

 

R. Bentz Kirby wrote:

> 

> I said in my addled brain, but not in the message and hereby correct it

> to state:

> 

> I wonder how any person can say that Nicosia has NOT written the best,

> or at least one of the two best biographies of Kerouac.

> 

> The omission of three letters can affect the meaning.

> 

 

As one of the most addled brains on the planet it was easy to read past

the addled-typo and understand the context.  i really don't think anyone

suggests Nicosia is not an incredible scholar.  When I read his

biography I say "Wow - how'd he find that out - in my head a lot".  In

the others, I say different words inside my head.  The symphony of

reading multiple biographies comes out with this chorus in my head.

Wow-Jack/Wow-Jack/beeeeeeeatttttttitiffffffic terrific WOW - Jack

 

david rhaesa

=========================================================================

Date:         Mon, 26 May 1997 09:33:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Gerry's Dad's story

 

Gerry,

 

        Thank you for the vivid post describing your dad's time in San

Francisco. It sounds like you did what too many of us neglect to do; really

quiz your Dad about his youth. Free advice to everyone on the list....ask

your mom and Dad and aunts and uncles and grandparents what their childhood,

adolescence, and coming of age was like; endlessly rewardimg as we can see!

 

        Was the aside about Lord Buckley a tip of the hat to my frequently

broadcast interest in the Lord, or did it just trip off your tongue? Any

evidence of Buckley intersecting with Kerouac or the others?  Charles

Plymell mentioned remembering Buckley from Los Angeles     ...days of the

old Crackerbox Palace. He was truly a hipster! I've read Kerouac's

description of seeing slim Gaillard, but have always been curious about any

awareness of Lord Buckley (especially given the close association with

Charlie Parker) and Harry 'the Hipster' Gibson ("Who Put the Benzedrine in

Mrs' Murpht's Ovaltine").

 

        Thanks again. Any idea who Navrotsky is or if I've spelt his name

correctly? The quotation as i heard it was attributed to them jointly. It's

a good one. Do you know Jo Grant? Is he / was he a labor organizer?

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Mon, 26 May 1997 09:37:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rod Anstee <Nastees@AOL.COM>

Subject:      Re: Memory Babe Archive

 

Gerry, I think you are on more solid ground with this issue than the other.

There are huge chunks of your archive that are irreplaceable -- especially

the tape recordings, which must be preserved at all costs, even if the actual

access/rights issue isn't sorted out for years to come. Preserve the tapes at

least!

 

 (ASIDE: I can, for example, see that someone who had granted you an

interview back in the mid-1970's, might now be a bit surprised/troubled to

discover that the entire interview was potentially now available in complete

form, either audio or transcript, to the public -- that is, I can realize

that one of your interviewees might not have forseen such an eventuality when

they originally granted the interview as part of helping you with your book.

I say, I can sort of SEE someone feeling that way, though I imagine most of

the interviewees don't care either way, and if asked would readily grant

permission. I am thinking of someone like Helen Weaver, for example, who

might very well be writing her own memoirs of her time with JK, and therefore

not feel comfortable -- I pick Helen W. just as an hypothetical example

though, you understand.)

 

The original letters, too, even in 1987 deserved extra special treatment, and

it's appalling to think that they have somehow been allowed to disappear into

the void. (See, we can/do agree on some things!)

 

The xeroxed letters, on the other hand, present a difficult problem --

entirely aside from any Sampas angle. In a way I am quite surprised, in

retrospect, that Martha Mayo agreed to purchase these in the first place,

knowing that many of them (originals) are the property of other libraries.

Just as an example, I have in front of me a xerox of part of an 8 April, 1952

letter from JK to AG. It's a xerox you must have sent to me, and it's covered

with margin notes in your hand -- interesting, in and of themselves, as

pointers to the eventual text in MEMORY BABE -- but stamped on one edge are

the following words:

 

          " THIS IS A PHOTOCOPY OF ORIGINAL MATERIALS IN THE COLUMBIA

UNIVERSITY LIBRARIES.

 

         This copy must be returned to Special Collections (801 Butler

Library) at the completion of the reader's use."

 

 

Whilst it's arguable, I guess, that you haven't, as yet, completed your use

of this material, I'm pretty sure this statement on the document was actually

put there to preclude you (anyone) from subsequently SELLING it, at some

later date, to another institution --no? It renders your sale of such

material to the library in Lowell in 1987 somewhat dodgy. I even wonder if

this wasn't one of the reasons that most other insitutions you apporached

were not interested? (I assume your archive included this material -- on p.

35 of the list you sent me years ago, it lists "266 pages of letters of JK to

Allen Ginsberg"-- and I assume that comparable letters, from other libraries

came with similar restrictions.)

 

I guess I'm just suggesting that, in some respects at least, some of the

content of your MB archive is rather problematical, legally speaking. Of

course this in no way excuses any mishandling of the remainder of the

archive, or any (alleged) Sampas interference in the running of the archive

viv-a-vis scholarly access.

 

Just a thought. CHEERS Rod

=========================================================================

Date:         Mon, 26 May 1997 09:35:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      David's post

 

David:

 

Thanks for the post.  I have reviewed most of the posts that I can find

on these issues and welcome receiving copies of older posts back channel

if anyone saved them.

 

On the issue of selling letters:

 

>From what you said, it was a "joke" that got turned around and out of

proportion.  I can see that happening and do not take issue with that.

But again, did Gerry sell photocopies to Umass at Lowell.  My impression

is that he sold his work and donated the rest as he had no right to sell

it.  If that is wrong, then I may be wrong, but in light of that

position, if I am correct noone may claim that Jerry sold Kerouac's

letters for gain.  He donated them.

 

On the archives, my concern is the lack of availability and deterioation

in the tapes.  That is a valid issue for us if we are to have free

information about Kerouac.

 

I am tired of draft talk on the Celtic list.  This thread is much

better.

 

Love you, mean it.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 09:44:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      David's Impressions

 

David,

 

        Thanks for your post summarizing your impressions of the estate

debate. It was excellent having neutral ground to test my own

recollections/impressions against.

 

        I'm hoping to get back quickly enough to the list to encourage Gerry

and the other comabattants to resist the temptation - great as it might be!

- to reply with "clarifications". I thinks id would help greatly to have

other "impressions' posted as well to see if we can't see the middle ground

that I'm sure exists - the "no man's land?"  Her's hoping!

 

        Thanks again.

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Mon, 26 May 1997 08:44:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Gerry's Dad's story

 

Antoine Maloney wrote:

> 

> Gerry,

> 

>         Thank you for the vivid post describing your dad's time in San

> Francisco. It sounds like you did what too many of us neglect to do; really

> quiz your Dad about his youth. Free advice to everyone on the list....ask

> your mom and Dad and aunts and uncles and grandparents what their childhood,

> adolescence, and coming of age was like; endlessly rewardimg as we can see!

> 

>         Was the aside about Lord Buckley a tip of the hat to my frequently

> broadcast interest in the Lord, or did it just trip off your tongue? Any

> evidence of Buckley intersecting with Kerouac or the others?  Charles

> Plymell mentioned remembering Buckley from Los Angeles     ...days of the

> old Crackerbox Palace. He was truly a hipster! I've read Kerouac's

> description of seeing slim Gaillard, but have always been curious about any

> awareness of Lord Buckley (especially given the close association with

> Charlie Parker) and Harry 'the Hipster' Gibson ("Who Put the Benzedrine in

> Mrs' Murpht's Ovaltine").

> 

>         Thanks again. Any idea who Navrotsky is or if I've spelt his name

> correctly? The quotation as i heard it was attributed to them jointly. It's

> a good one. Do you know Jo Grant? Is he / was he a labor organizer?

> 

>         Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

I just saw my Dad Saturday night for the first time in months.  If I'd

read Gerry's story before that Pop would have probably got a good

quizzing.  I know that he used to hitch from Detroit to Sterling Kansas

and back for college in the early 1950s.  The few times I asked him

about it years ago - it brought no stories - just "it's what i had to

do, it was the only way I could afford to go back and forth."  But I've

also heard tell that my Ma's family in Northeastern Kansas thought my

Dad was too wild - so I have a feeling that there are stories in there

somewhere to be dug out ... :)  My brother will be up from Arizona in a

couple weeks and we'll be at my Dad's for our step-sister's wedding.

Perhaps we can gang tackle him and tie him up and force the stories out

of him.  Or I can tell him that if he doesn't fess up, I'll start

creating my own legends which he might not like to well and maybe that

will bring it out of him.  To hear him talk it wasn't that much

different than walking down to a dime store or something.  Maybe by the

early 50s that was true.  I really don't know cuz if I was around in

some former incarnation, my memory is cloudy.

 

I loved Gerry's story too !!!!!  Made me think of my Dad more than Jack

or Gerry's Dad but sometimes that's the way those stories go.

 

take care all,

 

david rhaesa

=========================================================================

Date:         Mon, 26 May 1997 08:57:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: David's post

 

R. Bentz Kirby wrote:

> 

> David:

> 

> Thanks for the post.  I have reviewed most of the posts that I can find

> on these issues and welcome receiving copies of older posts back channel

> if anyone saved them.

> 

> On the issue of selling letters:

> 

> >From what you said, it was a "joke" that got turned around and out of

> proportion.  I can see that happening and do not take issue with that.

> But again, did Gerry sell photocopies to Umass at Lowell.  My impression

> is that he sold his work and donated the rest as he had no right to sell

> it.  If that is wrong, then I may be wrong, but in light of that

> position, if I am correct noone may claim that Jerry sold Kerouac's

> letters for gain.  He donated them.

 

i have no access to the formal agreements with Lowell U. to know whether

the package was divided between sale and donations.  while I know little

of this, i could understand sampas' concerns (a little) for letters

which are to be published in forthcoming collections.  but once again,

it seems that is something where all sense of proportion has been lost

and Jack's memory suffers for it.

> 

> On the archives, my concern is the lack of availability and deterioation

> in the tapes.  That is a valid issue for us if we are to have free

> information about Kerouac.

 

Well it pisses me off - what to do though?  Unless part of the

sale/donation agreement required the Library to make these upgrades it

doesn't seem they can be forced to do so.  I've never thought much of

letter campaigns, but perhaps a letter campaign on that specific issue

would be worthwhile.

 

I also think Bill Gargan's notion of helping in gaining the permission

slips (somehow they remind me of high school "hall passes") seems worth

trying.

 

> 

> I am tired of draft talk on the Celtic list.  This thread is much

> better.

 

This thread is full of rancor but that one is full of textbook cases of

delusional thought.  we must pick our poisons carefully .... )

 

I'm off to read another forty or so in Dharma Lion then back to Memory

Babe for around 75-100 pages.

 

Memorial Day

 

What do we remember on a

day

sanctified by the State

for remembrances?

 

Do we remember the soldiers

lost in foreign wars

and relatives we never

met?

Certainly, these are appropriate

remembrances.

 

But my notions of remembrance

are more twisted.

I remember the families

I created in

the Mental Hospitals

where all were

lonely

and all seemed to

breakdown

at Holiday after

Holiday.

 

I remember the

friends I've had

for years

who I never

met

in life

but know

deeply

in my

connection

and

identification

with their

words.

 

I put Skeletons

on the CD

player

and

I

sit back in

my rusty

recliner

and

attempt

to remember

scenes

from life

that seem

so far away

friends

from here

and there

scattered

victims of our own

insanities

and I

remember

most of all

that

God is Pooh Bear.

 

David Rhaesa

salina, Kansas

 

=========================================================================

Date:         Mon, 26 May 1997 10:29:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Post on archives

 

I have not read this entire post yet by Rod Antsee and can not address

the question about Columbia University but the post states this:

 

The xeroxed letters, on the other hand, present a difficult problem --

entirely aside from any Sampas angle. In a way I am quite surprised, in

retrospect, that Martha Mayo agreed to purchase these in the first

place,

knowing that many of them (originals) are the property of other

libraries.

Just as an example, I have in front of me a xerox of part of an 8 April,

1952

letter from JK to AG. It's a xerox you must have sent to me, and it's

covered

with margin notes in your hand -- interesting, in and of themselves, as

pointers to the eventual text in MEMORY BABE -- but stamped on one edge

are

the following words:

 

<snip>

 

Rod:

 

I just posted to the list, or backchanneled some one about this.  It is

my understanding that these "photocopies" were not "purchased" by

UMASS-Lowell.  They were donated because Gerry could not sell them and

the purchase price was substantially reduced.  So, if I am correct, we

should stop categorizing these letters as being purchased.

 

Gerry:

 

Can you comment on my position that the photocopied letters were not

sold and were donated?  Am I correct?  If not, please set me straight as

soon as possible.

 

Now, I will finish the post before sending and see if I have an idea on

the Columbia question.

 

>I even wonder if this wasn't one of the reasons that most other

insitutions you apporached

>were not interested?

 

Rod:

 

What is the factual basis for this statement?  I am informed and believe

that there are several preeiment universities that would accept Gerry's

archives as is and open them to the public and preserve the tapes.

Please post the source of your comments.  What universities have

expressed a lack of interest in Gerry's archives?  What is the name of

the librarian?  Do you have facts?   If there is such a University, has

it or its librarian had contact with the Sampas family?  Have they been

threatened by Sampas?  I am not willing to accept a conclusory statement

like this by you about a great biographer.  If you do not have facts to

back it up, you should not post things like this that could demean him

and his work.  I am not intending this as a flame, but I have asked you

and others repeartedly to give me facts please.  And I will continue to

search for them in your post.

 

Rod, you said:

 

>or any (alleged) Sampas interference in the running of the archive

>viv-a-vis scholarly access.

 

In an article I have from the Sun, by David Perry it is stated as either

facts or quotes from Martha Mayo:

 

I.

 

"But since a Connecticut woman called the Morgan Center 18 months ago to

request that the public not be allowed to hear her interview with

Nicosia, the tapes have sat two steel file cabinet drawers."

 

1.    Who is the woman and why did she call?  What did she say?  Does

she have the legal right to make this request?  If she gave an interview

and knew that it might be published, there is no reason that Gerry can't

just publish all of these tapes as is and in toto.  Then, no one can say

a thing about it.

 

Hey Gerry, what do you think about publishing all of the tapes.  Call it

Nicosia's Watergate Tapes?  Then it is out there and no one can say a

thing!  Just a thought.

 

II.

 

" University policy requires that taped interviews in its archives must

have the written permission of the subject, or heirs, to be made

public.  This rule also applies to transcriptions."

 

Again, if there is no law that requires this, then change the damn

policy or get the collection somewhere where this is not the policy.

 

III.

>From Mayo

 

"It was my understanding that permission was given.  It was implicit

that had been done between the author and the people interviewed.  But

people didn't know it would be placed in a public institution.  I never

asked him if it had been done, and he didn't lie to me or anything.  I

just ... believed it had been done."

 

The Connecticut caller --  whom Mayo declined to name -- "told me Gerry

had never gotten permission to include it," said Mayo, "or that the tape

would be available to the public ... . That's when we knew we had a

problem."

 

Mayo said two persons have since called to close off access to their

interviews.  She also declined to name them.

 

.....

 

Mayo said there's little interest in the collection,

 

......

Because the Kerouac estate controls the copyright to Kerouac's writing,

visitors to the Mogan Center may read the letters in the collection and

may make notes from them, but may not photocopy them without estate

permission.  Center director Mayo said Sampas approached her about two

years ago and told her of the copyright law.

 

"You can't go around copying people's letters without premission," said

Sampas.  "I don't want all those letters flying around.  They're all

copyrighted by the estate."

 

He's concerned that giving people free access to Kerouac's papers will

result in them appearing in "books and things--and that's ripping off

the estate.  Anybody who wants a copy of any of those letters needs my

permission.  That's standard procedure.

 

Now Rod, that is clear that Sampas has contacted the Lowell Mass library

and said that nobody may copy what, Jack's letters mailed to third

parties.  Does the estate own copyright to that?  I don't know, but I

intend to know real soon and when I have completed my research, I will

say that Sampas better own the rights to stop people from photocopying

these letters etc.  Else, he may have interfered in other's rights to

access without having the right to do so.

 

And give me a break here.  How can the head of a collection of a library

negotiate the purchase of a collection like this and not know if

permission has been granted to the author.  Funny, Nicosia can still

publish every word on every tape and yet, I can't hear them because of

the policy of the Lowell library?  Come on, I think we are being conned

here and I now intend to find out

 

Rod,

 

This article dated June 10, 1996 is just the library trying to make

Gerry out to be a bad guy.  Nowhere do they cite a law or anything that

substantiates a thing she says.  And she won't identify the persons.

Who are they?  Why not id them?  And what right of privacy do you have

to an interview that you gave in hopes that it would be published so all

the world could see that you knew Jack Kerouac?  Again, this is not

right.

 

As the bard said years ago in Hamlet:

 

There is something rotten in Denmark.

 

Again, I do appreciate the fact that you agree with Gerry on the

maintenace of the tapes, I believe you yield too easily on the issue of

copyright.  But if you are correct then we all should support the

removal of such obstacles.  If Sampas is wrong, then we all should tell

him to get out of others business.

 

Peace,

 

Gerry,

In addition to publishing all the tapes, and they be condensed to cd rom

so that the tapes can be sold with the book?

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 09:30:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Judith Kampfner <judith@WELL.COM>

Subject:      From Nick W-W re Letters

Comments: cc: nweir-w@nwu.edu

 

Borrowing my wife's e-mail as I'm not at work this Memorial Day...here's my

understanding re letters and libraries.

 

There are two very different issues at work here. One is copyright, the

other is the right to read material in a library. It is certainly true in

the US that copyright exists in letters and that you would need the

permission of both the sender and the recipient to use the letter in a

book, or to quote from it. The same would be true of audio interviews.

(this is not the case in, say, Germany, where we have our own dipute with

the Heidegger estate - if you think this one is nasty, believe me, you've

seen nothing. There the sender of the letter alone has copyright).

 

However, I don't think that's the real issue here, since we're talking

about access to reading the letters, not quoting them. Any library has a

right to restrict access to a valuable archive to bona-fide scholars or

whoever it wants, and once they have taken possession of an archive I guess

they can make their own rules. I think the permission business (them

claiming that in order to look at the letters you need permission clips) is

bogus though. But I will check next week with the Music Librarian here at

NU who can confirm this.

 

Gerry (if I may), I do think they're yanking your chain about the legality

of selling the letters to deflect you from your main point, and if I may

say so you do tend to jump at these distractions a bit easily. Most

libraries would welcome the oportunity to purchase a collection put

together for research purposes, and although you don't have copyright in

the pieces obviously, you have collected them and that in itself is a

bona-fide thing to sell. In the same way as a writer can claim copyright on

the selection and editing of a group of articles or essays even if they

don't have copyright in the actual articles.

 

I guess in your sale to UM Lowell you should have had them sign something

about open access and proper maintenance of the materials, both to stop

them deteriorating and stop them being stolen. It sounds from what you say

at best very sloppy and perhaps more suspicious than that - I'm very sorry

about it.

 

I will check up with the archive librarians here and report back. I hope

this doesn't confuse everyone even more.

 

And, Rinaldo, I don't think any of that Cage archive is on the web at all -

they're still working their way through it all. I will check up for you

though.

 

Nick W-W

 

Judith Kampfner

Midwest News and Features

3813 N. Alta Vista Terrace, Chicago IL 60613

ph 773 296 9590: fax 773 296 1692

=========================================================================

Date:         Mon, 26 May 1997 10:49:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Nick, uh, I mean Judith, uhh nick

 

Nick,

 

Thanks for the comment on the right to use a letter.  I am going to do

some research on that issue.  How does fair use affect this copyright

rule?  If you are correct, it may be that Sampas can prevent the library

from allowing copying for commercial reasons.  But as to copying by a

scholar, then, can that not be allowed under fair use?

 

Sampas can sue anyone that uses copyrighted material for commercial use

in violation of the copyright laws.  Publishers will not do that

anyway.  That is not a real concern.

 

What is a real concern is who stole materials from Lowell and what has

Lowell done to get the material back?

 

Just a thought.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 11:04:16 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: Bush

 

>Hillary, no,  Bill yes,

 

Bentz, you really consider Bill beat? I always considered him more

not-quite beat.

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Mon, 26 May 1997 11:29:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Peter Milo <cva38@PROLOG.NET>

Organization: Micron Electronics, Inc.

Subject:      Re: hello

 

Hi Amy

 

I'm sort of new on this list but the portable beat reader is a good

source on kerouac.  In their they have the piece he wrote called "The

essentials of spontanous prose" or something like that which might be

helpful to you

Peater

(really Peter but this is a more individual spelling)

=========================================================================

Date:         Mon, 26 May 1997 11:32:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Tears once again ....

 

Well, in something of a remembrance day ritual

i put on Lou Reed's Magic and Loss

and

screened through

slowly

slowly

slowly

the tribute page from

the Beat-L

at Literary Kicks.

 

Mayonaise Soda in my

water glass

kept me going

reading these words

once again

that i hadn't seen for

many

many months.

 

i was a babe to this list

when Allen died.

now the names connected

with the poems

and many

words of tribute

and Lou

somewhere deep in the

back of my brain ...

 

and then i got

to the first

post about

Allen's last phone call.

the line about how he always

cared about other folks feelings

so much

and the tears

streamed

down

from my eyes over my cheeks

and i could

hear Lou's music

of Eulogy

faintly in the

background...

the air conditioner

turns off

and the tears don't.

 

i slowly scroll

through the

rest of the page

 

type this note

 

and am heading outside

for a camel light

and some

sun.....

 

david rhaesa

salina kansas

=========================================================================

Date:         Mon, 26 May 1997 10:00:02 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Memory Babe Archive

 

>The xeroxed letters, on the other hand, present a difficult problem --

>entirely aside from any Sampas angle. In a way I am quite surprised, in

>retrospect, that Martha Mayo agreed to purchase these in the first place,

>knowing that many of them (originals) are the property of other libraries.

>Just as an example, I have in front of me a xerox of part of an 8 April, 1952

>letter from JK to AG. It's a xerox you must have sent to me, and it's covered

>with margin notes in your hand -- interesting, in and of themselves, as

>pointers to the eventual text in MEMORY BABE -- but stamped on one edge are

>the following words:

> 

>          " THIS IS A PHOTOCOPY OF ORIGINAL MATERIALS IN THE COLUMBIA

>UNIVERSITY LIBRARIES.

> 

>         This copy must be returned to Special Collections (801 Butler

>Library) at the completion of the reader's use."

> 

> 

>Whilst it's arguable, I guess, that you haven't, as yet, completed your use

>of this material, I'm pretty sure this statement on the document was actually

>put there to preclude you (anyone) from subsequently SELLING it, at some

>later date, to another institution --no? It renders your sale of such

>material to the library in Lowell in 1987 somewhat dodgy. I even wonder if

>this wasn't one of the reasons that most other insitutions you apporached

>were not interested? (I assume your archive included this material -- on p.

>35 of the list you sent me years ago, it lists "266 pages of letters of JK to

>Allen Ginsberg"--

 

Dear Rod,      May 26, 1997

 

        Boy, kiddo, you sure are trying to get back at me for revealing to

everyone on the Beat-List that you kaffee-klatsched with John Sampas and

bought up numerous pieces of the Kerouac archive for your own collection.

        Let's stop lying here, Rod.  I really am getting tired of it from

you guys.

        What I sent you was a complete list of MY RESEARCH MATERIALS.  It

was not a list of what I sold to U Mass, Lowell.  NONE OF THE XEROXES OF

KEROUAC'S LETTERS TO GINSBERG WERE SOLD TO U MASS, LOWELL.  IT WOULD HAVE

BEEN A VIOLATION OF MY AGREEMENT WITH COLUMBIA, AND I WAS WELL AWARE OF THAT.

        NONE OF THE XEROXES I SOLD TO LOWELL WERE THE PROPERTY OF OTHER

LIBRARIES.  GOT THAT?

        (I used "sold" not to mean "sold" as you would sell peanuts on the

corner, as Chaput implies, but "sold" meaning they were within the huge body

of the MEMORY BABE archive, which was transferred en bloc to U Mass, Lowell,

for the sum of $7,500.)

        It is also not true that "most other institutions I approached were

not interested."  All of them were, including Bancroft at Berkeley, but at

the time Lowell had the best offer--not just in terms of money, but in terms

of what APPEARED TO BE accessibility to Kerouac scholars.  I chose what

seemed the best university archive for my collection, and yes, money was a

part of the decision (just as money was a part of the decision for Ginsberg

in placing his collection at Stanford--you have a bone to pick with him

about that?).

        Let's also tell the Beat List folk, since we're outing everything

here, how you happened to get a copy of that letter of Kerouac to Ginsberg

which I xeroxed (legally) from Columbia.  You didn't send a private eye to

sleuth thru my collection.  I voluntarily sent it to you to HELP YOU WITH A

SCHOLARLY ESSAY YOU WERE WRITING on the censorship and poor editing of

Kerouac's SELECTED LETTERS by Ann Charters.  It was in the form of scholarly

assistance--which I have done for hundreds of other scholars on this planet,

FREE OF CHARGE.

        Why don't you guys ever bring up all the hundreds of hours of my

time I'VE DONATED TO THE SCHOLARLY COMMUNITY--ALL THE LETTERS AND PHONE

CALLS I'VE ANSWERED FROM YOUNG PEOPLE AND STUDENTS WITH QUESTIONS, ALL THE

SPEAKING GIGS I'VE DONE FOR FREE, ETC.--INSTEAD OF ALL THIS SHIT YOU KEEP

POSTING ABOUT HOW MERCENARY I AM?

        Moreover, you and Chaput keep dodging the main points I've been

making about Lowell's sudden arbitrary decision to close the archive (after

complaints from Sampas):

        1) Kerouac letters are freely available to be read, studied, and to

have notes taken on them at every other major library that holds them.

        2) Bancroft, Texas, and many other libraries have told me that they

would have no problem allowing access to the taped materials that were made

for use in my biography.  If someone like John Sampas objected loudly enough

to his particular tapes being heard, they might remove those particular

tapes from the collection (out of courtesy) and RETURN THEM TO ME.

        Lowell has not offered to return the complained-of tapes to me,

however.

        Moreover, Lowell does not have to worry about losing its investment.

Several major libraries have offered to reimburse Lowell for their costs, in

order to get the collection out of Lowell, but the university also refuses

to sell (divest itself of) the collection.

        I wonder how much fear of John Sampas has to do with that.

        I.e., Lowell will NOT:

        1) allow free access to the collection

        2) properly care for the tapes and other materials

        3) allow another library to buy them

 

YOU TELL ME WHAT IS GOING ON, MR. SMARTY PANTS ANSTEE.  Only this time,

check your facts before you open your mouth.

 

                                                                Best always,

 

                                                                Gerry Nicosia

=========================================================================

Date:         Mon, 26 May 1997 13:48:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      spontaneous sidewalk re-worked.

In-Reply-To:  <v03007800afae4406b877@[156.46.45.10]>

 

thinking about kerouac

or,

spontaneous sidewalk

 

 

what is it with me, lately?

i keep buying books.

                i'm poor

                        but would rather go hungry

                                than be hungry for words

i want to be a writer.

                i read lots of writers

                        lots of poetry

                                lots of prose

                                        lots of writers writing about writing

                                                and critics who write about

        them,

until i get  to feeling like the quaker oats man

                who is pictured on the label

                        holding another quaker box

                                                with a little

                                                        quaker man, holding,

                        you  know?

i mean, when does he ever eat the oatmeal?

i throw over my captors,

selfconsciouness and fear,

and break free

and up from the depths of my

inarticulate soul

the voices spoke to me of kerouac,

and

word sketches writ down in the moment.

 

now i stop all thought,

and, suddenly,

finally !

        i am left with IT!

                jack 's

                        spontaneous prose

                                writ in humble small  pad

                                         full of word sketches

                                novels

                        poetry

 

                prose

and

emboldened,

out i go, tiny pad in pocket

looking avidly for

the perfect

poetic moment

to capture in words,

a stupenousllyspontaenously

experience of IT

 

 and so, i go, casting

eyes to sky

and down to

earth

& cement.

 

i walk quite a bit,

and then further.

no epiphanies.

my pad begins to sweat.

 

i stop.

and then i look about.

i am standing

in the midst

of a cheery

hop scotch

scrawled in blue chalk.

 

i had my note pad ready

to capture it all,

a fine lot of  writing

        to be done in the moment,

                a frenzy of scribbling

                        of making it new,

until, quite suddenly,

despite  lingering winter chill

i stood enveloped in the warmth of

twilight  days

of summer.

mothers' voices on the breeze

giving last call for play

with

         just

                one

                         more

                                game

                of hop scotch,

        marbles, jumprope

kick the can ...  (allly ally outs in free.....

        voices called out

                        in my mind)

 

on a sunlit afternoon this spring

i stood in twilight summer haze

feeling once again

dirty hands and sticky faces,

bare feet on dewy grass...

                        touch

                                taste

                        sight

                sounds

        alive!

 

 i stood before the chalked outlines

scribbling furiously.

ithen dashed off

to read my pocket ful of

sketched

impressions,

literary

allusions,

and all things real with potency.

 

yes, i feel like a real poet now.

 

as i

sit down excitedly

to transcribe my notes

and  fashion a  pome.

i open my notebook :

no words at all,

only the sketch

of  hopscotch blocks,

blue chalk and all.

 

 

@mc/517/97

revised 5/26/97

=========================================================================

Date:         Mon, 26 May 1997 14:02:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Tony's Story and Gerry's

 

Gerry:

What a great story.  Karma indeed.

Pam Plymell

=========================================================================

Date:         Mon, 26 May 1997 14:11:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Gerry's reply

 

I have now read Gerry's reply.  I have a couple of follow up questions

and comments here.  First, it appears that I was wrong to assume that

the letters from Columbia were "donated" to Lowell.  Apparently, they

were not sold either.  They were not sent to Lowell by Gerry at all!

 

So, that leads to more questions for Rod Anstee:

 

Exactly what is your point here Rod, Why did you make a post to this

list designed to imply that Gerry had done something improper.   To

avoid confusion, you said:

 

Rod Anstee wrote:

 

> Gerry, I think you are on more solid ground with this issue than the

> other.

> There are huge chunks of your archive that are irreplaceable --

> especially

> the tape recordings, which must be preserved at all costs, even if the

> actual

> access/rights issue isn't sorted out for years to come. Preserve the

> tapes at

> least!

> 

>  (ASIDE: I can, for example, see that someone who had granted you an

> interview back in the mid-1970's, might now be a bit

> surprised/troubled to

> discover that the entire interview was potentially now available in

> complete

> form, either audio or transcript, to the public -- that is, I can

> realize

> that one of your interviewees might not have forseen such an

> eventuality when

> they originally granted the interview as part of helping you with your

> book.

> I say, I can sort of SEE someone feeling that way, though I imagine

> most of

> the interviewees don't care either way, and if asked would readily

> grant

> permission. I am thinking of someone like Helen Weaver, for example,

> who

> might very well be writing her own memoirs of her time with JK, and

> therefore

> not feel comfortable -- I pick Helen W. just as an hypothetical

> example

> though, you understand.)

> 

> The original letters, too, even in 1987 deserved extra special

> treatment, and

> it's appalling to think that they have somehow been allowed to

> disappear into

> the void. (See, we can/do agree on some things!)

> 

> The xeroxed letters, on the other hand, present a difficult problem --

> 

> entirely aside from any Sampas angle. In a way I am quite surprised,

> in

> retrospect, that Martha Mayo agreed to purchase these in the first

> place,

> knowing that many of them (originals) are the property of other

> libraries.

> Just as an example, I have in front of me a xerox of part of an 8

> April, 1952

> letter from JK to AG. It's a xerox you must have sent to me, and it's

> covered

> with margin notes in your hand -- interesting, in and of themselves,

> as

> pointers to the eventual text in MEMORY BABE -- but stamped on one

> edge are

> the following words:

> 

>           " THIS IS A PHOTOCOPY OF ORIGINAL MATERIALS IN THE COLUMBIA

> UNIVERSITY LIBRARIES.

> 

>          This copy must be returned to Special Collections (801 Butler

> 

> Library) at the completion of the reader's use."

> 

> Whilst it's arguable, I guess, that you haven't, as yet, completed

> your use

> of this material, I'm pretty sure this statement on the document was

> actually

> put there to preclude you (anyone) from subsequently SELLING it, at

> some

> later date, to another institution --no? It renders your sale of such

> material to the library in Lowell in 1987 somewhat dodgy. I even

> wonder if

> this wasn't one of the reasons that most other insitutions you

> apporached

> were not interested? (I assume your archive included this material --

> on p.

> 35 of the list you sent me years ago, it lists "266 pages of letters

> of JK to

> Allen Ginsberg"-- and I assume that comparable letters, from other

> libraries

> came with similar restrictions.)

> 

> I guess I'm just suggesting that, in some respects at least, some of

> the

> content of your MB archive is rather problematical, legally speaking.

> Of

> course this in no way excuses any mishandling of the remainder of the

> archive, or any (alleged) Sampas interference in the running of the

> archive

> viv-a-vis scholarly access.

> 

> Just a thought. CHEERS Rod

 

I.I am thinking of someone like Helen Weaver, for example, whomight very

well be writing her own memoirs of her time with JK, and therefore

not feel comfortable -- I pick Helen W. just as an hypothetical example

though, you understand.

 

Question:

 

Now Rod, Is Helen Weaver a real person?  Do you know her?  Where does

she live?  Has she ever called the library at Lowell to tell them not to

allow access to her tapes?  If she is a real person, why would you use

her name in a hypothetical?   It appears that if Helen Weaver is a real

person then you may in fact have knowledge of her intentions.  Why not

just say that Joan Doe may be writing a book?

 

II:

The xeroxed letters, on the other hand, present a difficult problem --

entirely aside from any Sampas angle. In a way I am quite surprised, in

retrospect, that Martha Mayo agreed to purchase these in the first

place,

knowing that many of them (originals) are the property of other

libraries.

Just as an example, I have in front of me a xerox of part of an 8 April,

1952

letter from JK to AG. It's a xerox you must have sent to me, and it's

covered

with margin notes in your hand -- interesting, in and of themselves, as

pointers to the eventual text in MEMORY BABE -- but stamped on one edge

are

the following words:

 

          " THIS IS A PHOTOCOPY OF ORIGINAL MATERIALS IN THE COLUMBIA

UNIVERSITY LIBRARIES.

 

         This copy must be returned to Special Collections (801 Butler

Library) at the completion of the reader's use."

 

Rod:

 

You have posted to this list two facts:

 

1.  That Martha Mayo purchased this letter despite the restrictions on

the face of the letter.

 

2.   That Gerry Nicosia sold it to the Library despite the restrictions

on the face of the letter.

 

Questioins:

 

This implys, no states, that they have both violated the law.  Is the

letter of which you speak in the collection at Lowell?  Does it have

Gerry's notes on it?  Was it sold to Lowell? If not, when will you post

your apology to both Martha Mayo and Gerry?  For your information, I am

printing out a copy of your post and mailing it to Martha Mayo and will

ask her to respond to me in  writing that I can reproduce and post here

to clarify this issue.  I will send her both of my posts as well.  I

will not send her Gerry's.  I will post the letter to the list when it

is written.  I don't have her address but assume that I can get it.

 

III.

 

Whilst it's arguable, I guess, that you haven't, as yet, completed your

use

of this material, I'm pretty sure this statement on the document was

actually

put there to preclude you (anyone) from subsequently SELLING it, at some

 

later date, to another institution --no? It renders your sale of such

material to the library in Lowell in 1987 somewhat dodgy.

 

Question:

 

Was this letter sold to Lowell?  Was the sale to Lowell in any way

whatsoever "dodgy" and if so, in what way and specifically please?

 

Rod you say a lot and yet, I see nothing but your conclusions without

any supporting facts.  It seems as if you are saying negative things

about Gerry but in a way that you can try to claim later that they were

"honest" mistakes and not intended to defame him.  But if your

conclusion that he sold the restricted materials to Lowell is not true,

then you have already, in my opinon defamed both he and Martha Mayo and

with what proof.  I await your public response.  I don't know if Gerry

sold them or not, but that is why I am writing Martha Mayo.

 

IV.

(I assume your archive included this material -- on p.

35 of the list you sent me years ago, it lists "266 pages of letters of

JK to

Allen Ginsberg"-- and I assume that comparable letters, from other

libraries

came with similar restrictions.)

 

Question:

 

Why would you make say this without knowing?  Now you have said that

Gerry has sold other restricted materials.  Man, what is going on in

your mind.  If you are wrong, this is terrible.  If you are right, why

don't you come right out and say, I have been to Lowell and reviewed the

collection, Gerry sold these letters from Columbia etc and they are

items 1,2,3 etc of the collection?  Where is the proof to back this up

man?

 

I know the internet is a great place to exchange ideas, but to make

these accusations and then say, well I assumed this, well you should not

do that.

 

Come forth with facts or leave this thread alone Rod.  It is not right

to accuse by innuendo.

 

And while we are on the subject, Rod, you admitted that the letter you

got was from Gerry.

>Just as an example, I have in front of me a xerox of part of an 8

April, 1952

>letter from JK to AG. It's a xerox you must have sent to me, and it's

covered

>with margin notes in your hand -- interesting, in and of themselves, as

 

>pointers to the eventual text in MEMORY BABE --

 

Why did Gerry send this to you?  Did you request his assistance?  Were

you working on a project?  Has Gerry ever answered any questions from

you?

 

If Gerry sent that to you in private correspondence, then I personally

can have no respect for you.  In the South we live by a code, and it may

be antiquated, but you never, never take something obtained in

friendship and use it against that friend.  That is as low as you can

get down here.  Maybe where you come from, that is ok, but not in my

book.  And by the way, I have done my homework and know where and how

you got it, so if you respond, then make sure it is truthful.

 

As I said, I am going to do the legal research and will report my

findings.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 11:20:15 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Post on Archives

 

                                        May 26, 1997 MEMORIAL DAY

 

This post is in response to the long post by Bentz Kirby:

 

Dear Bentz,

 

        It's Memorial Day, and I'd rather be finishing up my book on the

healing of Vietnam veterans, who are one of the greatest bunch of guys I've

ever known (they'd don't backbite and lie, they don't pretend to be your

friend when they're not, they have a great passion for justice, and they

call 'em like they see 'em).  But instead the bullshit's still flying here,

and so I've got to keep shoveling it.

        Mr. Anstee writes a very cool, calm, and collected post.  He's not a

hot-headed dago like I am.  But that doesn't mean there isn't a shitload of

malice behind what he writes.

        Mr. Anstee was taking whacks at me behind my back, calling me

"worse" than Sampas, before I even got on the Beat-List.  What is really

curious about this is that Mr. Anstee has written and acted, to my face, as

if he were my friend for the past 13 or so years (excuse me if I'm one or

two years off).  In return, I helped him on a whole variety of projects,

provided him with dozens of pieces of Beat and Kerouac memorabilia, etc.

        Where that malice came from, I don't know, other than perhaps Mr.

Anstee felt vulnerable in that he had revealed to me how much of Jack

Kerouac's archive he had bought for his own collection.  And now that I move

legally closer to recovering rights in Kerouac materials for the Kerouac

Estate, perhaps I seem like a threat to him--i.e., perhaps he fears if I win

in Florida, he will have to surrender the Kerouac items he has paid good

money for, because that would mean they were not legally John Sampas's to

have sold.

        In any case, let's answer some of your questions:

 

        1) "Does anyone actually know what Sampas has done [with regard to

selling off Kerouac items and artifacts]?  Yes, many people have testified

to this.  I have a seven-page list of witnesses and testimony, which I will

provide to you off-line, if you wish, since it may be needed for evidence in

court.  Certainly dealer Jeffrey Weinberg, who handled the archive for

Sampas from 1991-1993 and who is on the Beat-List, has not contested the

majority of my allegations [he only claimed the price of the raincoat was

less than $50,000].

        We keep hearing the myth that Sampas sold the Kerouac Archive to the

New York Public Library.  I plan to demolish that myth once for all later

today.  But let me just post one curious fact here.  Jeffrey Weinberg states

that he sold the manuscript of Kerouac's BOOK OF DREAMS (as agent for Mr.

Sampas) to a private collector.  I have every reason to believe him.

        As far as I'm concerned, Mr. Weinberg is one of the most honest

people on this list.  I say this, not because we are friends.  We have never

met.  And in fact, we've crossed swords with each other more than a few

times over the past 20 years (angry letters exchanged, angry phone calls).

        But Mr. Weinberg is an okay guy in my book.  Every time we have

talked on the phone, he has talked straight with me.  He has only revealed

the names of his customers who were willing to be revealed, but he has told

me of hundreds of items that were sold.

        Somehow, when all this controversy arose, the BOOK OF DREAMS

manuscript ended up in the New York Public Library--so that John Sampas

could use it as evidence that he has all along been selling stuff there, and

will someday sell everything there.

        But how did BOOK OF DREAMS get from the private collector Weinberg

sold it to (in his capacity as Sampas's agent) to the New York Public Library?

        Did Sampas go and buy it back from the collector and then resell it

to the NYPL?  Just a thought, one of the many mysteries that will not be

explained till Sampas openly reveals what he has done WITH EVERY SINGLE ITEM

OF JACK KEROUAC'S ARCHIVE.

 

2)  Did I donate part of my collection to U Mass, Lowell?  Well, that's a

moot point.  My archive was appraised at the time at $15,000--an amount no

library was then able to offer for it.  I might well have made that much

money selling my archive off piece by piece, but I chose not to do that, not

to destroy its scholarly value in that fashion.

        When U Mass, Lowell, said they could only come up with $7,500, I

agreed to that price, saying I would make the other half a donation.  I also

allowed the university to spread the payments out over three years, to make

it easier for them to acquire the archive.  However, we never actually drew

up donation papers.  And even if we had, since I was simply donating part of

the appraised value, it would be arbitrary to say which items were "donated"

and which were "sold."  But no xerox that was owned by another library was

included in the body of material that was finally transferred to U Mass, Lowell.

 

3)  "What is the factual basis for this statement [by Mr. Anstee, that most

other institutions I approached were not interested in the MEMORY BABE

archive]?"  There is no factual basis.  Every single library I talked

to--and there were many--wanted the archive, but several of them wanted it

for free, which I simply couldn't afford to do back in 1986.  Now, several

libraries have offered to pay Lowell good money to give up the

archive--since Lowell acts as if they have no use for it.  One library--I'm

not at liberty to say which--even told me they were "salivating" at the

prospect of getting it.

 

4) "Who is the woman [from Connecticut] and why did she call?"  We should

call her the No Name Woman, since librarian Martha Mayo refuses to name her.

I was first apprised of the fact that the MEMORY BABE archive was closed by

a post card in June, 1995, from scholar/writer/teacher Jim Jones. On the

post card, Mr. Jones wrote: "I just tried to look at the papers you donated

to the University of Lowell and the librarian in the Mogan Center told me

your collection is closed to the public until the lawsuit [Jan Kerouac vs.

the Sampases] is resolved."

        I called librarian Martha Mayo, and she told me "someone" had come

in to complain.  After much prodding, she finally confessed that the person

was John Sampas.  Only later, after I had made a big stink claiming John

Sampas did not have a legal right to close my collection, did Mayo change

her story--she has in fact changed it several times already--and claim there

was another caller, "the woman from Connecticut."  She has thus far declined

to name her.  Mr. Anstee speculates it is Helen Weaver--a writer and lover

of Kerouac's from Connecticut, but no, it is not Helen Weaver.  And it is

not Ann Charters, who lives in Storrs, because I didn't interview Ann on tape.

        Later still, Mayo claimed that several people had called.  But when

I pushed her on this point, last fall in Lowell, she came back to the story

that there were only two people, one of whom was John Sampas, and the other

was the No Name Woman from Connecticut.

 

5)      "What do you think about publishing all the tapes?"  It's a great

idea, esp. on CD-ROM, but we'd have to get them out of Lowell first, since I

didn't keep copies.  I was too poor at the time to copy 25,000 pieces of

paper and 300 tapes.  I have, however, published a few of the interviews in

literary magazines, and nobody ever claimed I didn't have the legal right to

do so.

 

6)      Ms. Mayo--she who cannot keep her stories straight--claims it was

her "understanding that permission was given."  First of all, I didn't

negotiate with Martha Mayo, I negotiated with Collections Acquisition

Librarian Dick Ross for a full year (he was above Mayo in the U Mass

hierarchy).  Ross and I had numerous conversations over the course of a

year, before the sale was made, and all my cards were out on the table about

the fact that there were no written permissions.  Writers who turn over

their literary collections to a university ALMOST NEVER have the kind of

permissions Mayo is talking about.  Ferlinghetti has put materials from

thousands of people into his City Lights Archive at Bancroft in Berkeley,

including 20 letters from a guy named Gerry Nicosia, and you can see all

that material tomorrow despite the fact that there is no written permission

to do so (nobody ever asked this Gerry Nicosia guy for his permission).

 

 

7)      "Does the estate own copyright to that [Kerouac's letters]?"  Yes,

the copyright of a letter reverts to the sender, while the physical property

is owned by the recipient.  That means John Sampas legally owns the

copyright to Kerouac's letters.  Does this give him the right to prevent

people from reading those letters if they are in a public institution?

ABSOLUTELY NOT.  Does it give him the right to prevent scholars from

photocopying those letters for personal use?  That is a moot point, an area

that is currently under debate.  Some lawyers will say, yes, xerox is a form

of publication, and Sampas lawfully controls publication.  Other lawyers

will say xerox of a single copy is not publication.  Different libraries

have different policies, and the policies are changing all the time.

        But at present there are a number of libraries I can walk into

tomorrow and xerox Kerouac letters, including Bancroft at Berkeley.  This

despite the fact that Sampas has called some of these libraries, including

Bancroft, to complain about such things.

 

8)  "If Sampas is wrong, then we all should tell him to get out of others

business."  Amen, and out of the business of trying to control and limit

Kerouac scholarship.

 

Best always, Gerry Nicosia

=========================================================================

Date:         Mon, 26 May 1997 14:25:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      to Kirby

 

Kirby - I took out the "and other arsonists" out of the title...i'm less

peeved now!

 

        You know, Kirby, in England they have a very fine legal concept of

distinguishimg the Solicitor, who establishes the case - tort, defense, etc.

- and he Barrister, who fights it in court withthe assistance at table of

the solicitor. It pisses me off to see you taking the role of Barrister with

regardto Rod's post and ladling on the vitriol and gasoline to really stoke

things up.

 

        The points made were made in a calm and reasoned way. I know that

Rod and Gerry are seen to be at odds, but if everyone from the two of them

to you and to me would just cool it and act nice, we could still discuss

things, throw light into the corners and - if not agree - at least stop

trying to hate each other and piss each other off...

 

        ..and I apologize for pissing you off, but try to be more neutral in

all this. it's not necessary to take sides. Cimino has said it often enough

that the idea should be to protect and open access to the archives. I swear

that after listening to all this stuff, I am going - at minimum - to visit

New York to see what's there...and maybe I'll go bug Mayo in Lowell!

 

        Having started with the legal eagle baloney (maloney?) I ask also

that all the talk of suits, counter-suits, fraud, malfeasance, theft, and

various other skullduggery be left off the list - unless of course it's

really juicy stuff, in which case Carry On!

 

        One final point in support of one of Rod's points; it's critical to

move quickly on any audio tape recordings in Gerry's or anyone elses's

archive that ar more than 15 years old. There is likely to already be

evidence of degradation and after 25 years you risk being left with tape hiss!

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Mon, 26 May 1997 14:37:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: to Kirby

 

Antoine Maloney wrote:

 

> Kirby - I took out the "and other arsonists" out of the title...i'm

> less

> peeved now!

> 

>         You know, Kirby, in England they have a very fine legal

> concept of

> distinguishimg the Solicitor, who establishes the case - tort,

> defense, etc.

> - and he Barrister, who fights it in court withthe assistance at table

> of

> the solicitor. It pisses me off to see you taking the role of

> Barrister with

> regardto Rod's post and ladling on the vitriol and gasoline to really

> stoke

> things up.

> 

>         The points made were made in a calm and reasoned way. I know

> that

> Rod and Gerry are seen to be at odds, but if everyone from the two of

> them

> to you and to me would just cool it and act nice, we could still

> discuss

> things, throw light into the corners and - if not agree - at least

> stop

> trying to hate each other and piss each other off...

> 

>         ..and I apologize for pissing you off, but try to be more

> neutral in

> all this. it's not necessary to take sides. Cimino has said it often

> enough

> that the idea should be to protect and open access to the archives. I

> swear

> that after listening to all this stuff, I am going - at minimum - to

> visit

> New York to see what's there...and maybe I'll go bug Mayo in Lowell!

> 

>         Having started with the legal eagle baloney (maloney?) I ask

> also

> that all the talk of suits, counter-suits, fraud, malfeasance, theft,

> and

> various other skullduggery be left off the list - unless of course

> it's

> really juicy stuff, in which case Carry On!

> 

>         One final point in support of one of Rod's points; it's

> critical to

> move quickly on any audio tape recordings in Gerry's or anyone elses's

> 

> archive that ar more than 15 years old. There is likely to already be

> evidence of degradation and after 25 years you risk being left with

> tape hiss!

> 

>         Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what

> to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

 Antoine:

 

Understand that I do not yet represent Gerry.  But, the way these posts

are coming is disturbing.  He is a great biographer and his work,

including interviews is in danger of being lost.  He does not need to

defend his work to accusations that are not backed by facts.

 

I am investigating assisting him on the Lowell matter and what can be

done to preserve the tapes.  That is all so far.

 

My point here was not to be threatening, but to make sure that people

understand that you just can not make posts like this that imply he has

done something wrong and has ilegally sold materials that were

restricted, unless you are right.

 

Why was the post just, hey the tapes need to be saved, lets do it.  The

rest could be done back channel.  Rod had Gerry's number, he can call,

write or backchannel.  We don't need people making statements like this

unless they are true and are substantiated.  I do not want to lose Gerry

from this list because of such stuff!!

 

Thanks and I will take your advice and see where it leads.  On the other

hand, I am not going to sit back and let others attack Gerry and leave

him out to twist.  Rod, stick to the good stuff, or what you know.

Thanks

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 14:49:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julie Hulvey <JHulvey@AOL.COM>

Subject:      Re: Frank O'Hara, a poetry.

 

Rinaldo:

 

I just borrowed  Frank O'Hara's Collected Poetry and plan on dipping into it

today.

Very likely I will find out why I am not a poet.

 

Julie

a painter who thinks she would rather be a poet, but she is not

=========================================================================

Date:         Mon, 26 May 1997 12:51:45 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: spontaneous sidewalk re-worked.

In-Reply-To:  <l03020903afaf35490ac4@[206.25.67.120]>

 

mc

i read a

lot (& his wife)

of authors writing about

the end of

        caps

        capitals

        capitalism

        captives

all they can

                see     seeing

&

critics

writing about

only

        themselves

& the end of

        their

        nose.

=========================================================================

Date:         Mon, 26 May 1997 11:59:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Gerry's reply

 

>Now Rod, Is Helen Weaver a real person?  Do you know her?  Where does

>she live?  Has she ever called the library at Lowell to tell them not to

>allow access to her tapes?  If she is a real person, why would you use

>her name in a hypothetical?   It appears that if Helen Weaver is a real

>person then you may in fact have knowledge of her intentions.  Why not

>just say that Joan Doe may be writing a book?

 

GOOD QUESTION, BENTZ.  HELEN WEAVER IS A FRIEND OF MINE, AND IT WAS NOT SHE

WHO CALLED U MASS, LOWELL TO COMPLAIN ABOUT HER TAPE BEING ACCESSIBLE.  I

HAVE HER ADDRESS AND CAN PROVIDE IT TO YOU OFFLINE, IF YOU NEED IT.  MR.

ANSTEE HERE WAS CLEARLY USING A SPECIFIC NAME OF A 'WOMAN IN CONNECTICUT' TO

GIVE MORE CREDIBILITY TO HIS ARGUMENT.

> 

>II:

>2.   That Gerry Nicosia sold it to the Library despite the restrictions

>on the face of the letter.

> 

>Questioins:

> 

>This implys, no states, that they have both violated the law.  Is the

>letter of which you speak in the collection at Lowell?  Does it have

>Gerry's notes on it?  Was it sold to Lowell? If not, when will you post

>your apology to both Martha Mayo and Gerry?  For your information, I am

>printing out a copy of your post and mailing it to Martha Mayo and will

>ask her to respond to me in  writing that I can reproduce and post here

>to clarify this issue.  I will send her both of my posts as well.  I

>will not send her Gerry's.  I will post the letter to the list when it

>is written.  I don't have her address but assume that I can get it.

> 

 

MARTHA MAYO IS SPECIAL COLLECTIONS LIBRARIAN AT U MASS, LOWELL, C/O THE

MOGAN CENTER, 40 FRENCH STREET, LOWELL MASSACHUSETTS 01854. SHE'S ALSO ON

THE INTERNET BUT I DON'T HAVE HER EMAIL ADDRESS.  SHE'S NOT TOO MUCH OF A

FAN OF GERALD NICOSIA, ESPECIALLY AFTER I FILED A POLICE REPORT REVEALING

THAT SHE HAD ALLOWED 60 RARE LETTERS TO BE STOLEN FROM THE MEMORY BABE

COLLECTION, BUT I ALSO EXPECT SHE WILL NOT PRETEND THE LETTERS ROD ALLUDES

TO ARE IN HER POSSESSION, WHEN I HAVE PROOF THEY ARE NOT.

 

 

 In the South we live by a code, and it may

>be antiquated, but you never, never take something obtained in

>friendship and use it against that friend.  That is as low as you can

>get down here.  Maybe where you come from, that is ok, but not in my

>book.  And by the way, I have done my homework and know where and how

>you got it, so if you respond, then make sure it is truthful.

> 

> 

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

> 

> 

 

        I live by the same code, and it has been one of the shocks of my

life during this whole Kerouac Vs. Sampas affair to find how many people I

have helped have stabbed me in the back, including Ann Charters.  And how

much of it seems to be connected to making money off of/with help from John

Sampas.

        In 1988, when the Kerouac Commemorative was dedicated in Lowell, the

Sampas family and their allies, who were running the ceremony and

festivities, chose to invite neither Jan Kerouac nor any of the Kerouac

biographers.  Brad Parker, who had an independent group (Lowell Corporation

for the Humanities, much at odds with the "official" Lowell Kerouac

Committee) invited me and provided money for me to come to Lowell to speak

during that celebration.  I told Brad Parker that he should also invite Ann

Charters, and he did.  That's how Ann got to Lowell, and got to meet John

Sampas.  Three years later, after Stella Sampas died and John took over, he

hired Ann to provide consultation regarding the Kerouac archives and to

begin a series of lucrative editing projects, which continues to this very day.

        However, in 1994, Ann Charters, who was one of the chairs of NYU's

Beat conference, did her best to see that I was not invited; and when I

finally did come (at Jan Kerouac's insistence) I was not given the airfare

and free room at the University Suites that all the other participants got

(including Charters herself and even Gregory Corso's children, who were not

actually participants but just there to lend moral support).  In 1995, when

NYU did a KEROUAC CONFERENCE, which listed Charters' name at the top of the

program, Ann claimed to me she knew nothing about the conference till a week

before the programs were sent out.  When I asked to be invited, I was

completely stonewalled, and when I showed up anyway and paid my $120 to get

in (as Jan herself had to do), I was removed by police for defending Jan

Kerouac's right to speak there.  When I asked Ann if she thought this was

right, she said, "I know nothing about it."

        Thanks a lot, Ann.

        Thanks a lot, Rod.

        Thanks a lot, Paul Maher, for my going to the Lowell District

Attorney to tell him you WERE MOST LIKELY NOT THE MEMORY BABE ARCHIVE THIEF,

after Martha Mayo claimed (without evidence) that you were.

        Et tu, Brutus?

        Still not giving up on friendship, Gerry Nicosia

=========================================================================

Date:         Mon, 26 May 1997 13:01:36 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Frank O'Hara, a poetry.

In-Reply-To:  <970526144924_-1866894138@emout17.mail.aol.com>

 

> 

> Julie

> a painter who thinks she would rather be a poet, but she is not

> 

julie

can understand that completely. trying to convince myself of many things

that i am (may be) not (or maybe just not yet, who knows?) - painter,

artist, printmaker, student, worker, drone, individual, poet, eternal

teahead of time (like proust?)

 challenge, isnt it?

yrs

derek

a pinocchio who thinks he would rather be a real boy, but he is not.

=========================================================================

Date:         Mon, 26 May 1997 15:46:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Gerry's reply

 

>        Thanks a lot, Paul Maher, for my going to the Lowell District

>Attorney to tell him you WERE MOST LIKELY NOT THE MEMORY BABE ARCHIVE THIEF,

>after Martha Mayo claimed (without evidence) that you were.

>        Et tu, Brutus?

> 

 

                          "Brutus hath rived my heart:

>A friend should bear his friend's infirmities,

 But Brutus makes mine greater than they are."

 

Gerry-

      Am I to be indentured to your servitude because you salvaged my

reputation in the face of the law? I neither sought nor earned your aid. I

never solicited your aid, endorsed your cause, nor have I ever even met you

face to face nor will I ever want to in the future. You are a scourge upon

serious Kerouac scholarship, you are a blight to academia, and you and your

unsophisticated ways will some day reap what you sow. Your insignificant

presence does not warrant any fear in my heart nor will it ever. I paid my

price for my CRIME and it in more ways than one changed my life for the

better. I am

REAL AND IN TOUCH WITH MY REALITY. Creative freedom has always been the

cornerstone of my existence and the mother of all my inventions. You, Mr.

Nicosia, play no part in this. You do not have a monopoly on Kerouac

scholarship. You create the vendettas that are employed against you and then

you use this as a forum for "us against them." Mr. Sampas, (if you insist

there are "sides" to this foolish drama)demonstrates maturity and

professionalism in his role as literary executor. You, on the other hand, do

not even demonstrate a level-handed approach to scholarship. You use Memory

Babe as your pulpit when a good amount of the material is plagued with gross

inaccuracies and poor

documentation. yes, my pen can indeed be as poisonous as yours but that is

not what I am about. You play no part in my daily but as a flea on an

elephant's ass. You are a fly on a mountain of shit. it's too bad you and

your devout followers (if you have any) missed Hale-Bopp..............last

on this....EVER. PAUL MAHER JR. THE GUY WHO STOLE BOOKS FROM MOGAN CENTER

LIBRARY BUT IS NOW THE SCAPEGOAT FOR GERRY NICOSIA'S WORTHLESS STOLEN

ARCHIVES....

=========================================================================

Date:         Mon, 26 May 1997 16:32:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Peter Milo <cva38@PROLOG.NET>

Organization: Micron Electronics, Inc.

Subject:      who is your dad? and letter to kerouac

 

Hi

I'm a lurker turning active now.  I have a quick question for phil who

is your dad is mentioned in any of Kerouac's books or any such thing?

It seems that a lot of people here have known each other for years

through families even.  I never met any of the beats but I was going to

try to meet Ginsburg and as luck has it the year I'm moving back to New

York he dies.

One more question a few months ago around febuary there was this site it

was one a narrative I forgot the author's name but it was called "letter

to kerouac" I liked a lot and I printed it out I lost that copy and the

site is off of the net so does any one know the author's email address

so I can get a copy?

thanks a lot

Peater

(really spelled Peter but this spelling is more individual)

 

=========================================================================

Date:         Mon, 26 May 1997 16:42:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Paul Maher

 

Paul, I gotta tell ya buddy, you're showing your true colors with that last

post of yours.  For a guy who three days ago said he'd had enough and even

sent a message saying "unsubscribe" you sure have a whole lot to say about

nothing.

 

Paul, some of us were hoping to keep the *debate* at a reasonable level

during the cease fire of the Memorial Day weekend.  Obviously you don't want

to do your part as evidenced by the general nastiness of your tone.

 "Scholar?"  Paul, I hardly think so given the level to which you have sunk

here.

 

Say something useful, Paul, instead of general namecalling!  I asked you a

week ago why you thought Gabrielle's signature was real as opposed to faked

since you're one of the few people on the list to have actually seen the

will.  Why can't you answer questions put to you?

 

Jerry Cimino

=========================================================================

Date:         Mon, 26 May 1997 16:53:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Clarification

 

I have received several back channel posts here.  First, I intend to

write Lowell and find out about the letters.  Not as a lawyer, but as a

fan.  Why?  Because there was a post here by Rod today that said that

Gerry sold restricted documents to UMass Lowell and that UMass Lowell

bought them.  I want to know the answer.  And if Gerry did that, then I

want to know should he have done that?  Was it legal?

 

If Rod has proof that it was done, then he should offer the proof.  Not

state what his assumption is.  This is not some comment on well, I think

Jimi Hendrix was high at such and such a festival.  And then finding out

he was not.  It was a direct statement that Gerry had done a thing that

was not right and in violation of a statemen printed on the document.

 

Now, since we can't look at the documents at Lowell, then we must do

what?  I don't know what else to do but write the woman and ask her if

Rod is correct.  Or Rod can answer on the list and give the information

that shows what he says is correct.  If he is not correct, then I want

to see it clarified.

 

Another thing, I am not Gerry's attorney.  I am not his agent.  If the

time comes that I enter into a contract with him to do any legal work, I

will inform the list and will not post on his matters on this list.  If

I were his attorney I would not be posting on this list.  All of what I

am doing is as a fan of Kerouac.  Now, if Rod is right, and there is no

explanation, I would not want to get involved.   But if Rod is wrong,

then it should be clarified.  I will post the letter tonight or tomorrow

when it is ready.

 

I have received other back channel mail with links to explain some

things to me, I will check it out.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 17:20:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rod Anstee <Nastees@AOL.COM>

Subject:      Re: "Purchased" versus "Donated"

 

I'm off out in a few minutes to coach soccer, but I wanted, if possible, to

nip this thread in the bud, albeit somewhat belatedly. It seems I used the

word "purchased" in regard to the 2000 xeroxed letters in the MB Archive,

when "donated' would have been a more appropriate word. I apologize for this

-- in my defense, I would say only that I don't think this distinction has

ever been made previously in regards to the contents of the MB Archive,  i.e.

between the "purchased" contents and the "donated" contents. In any event,

the statement I quoted from, that was stamped upon the 1952 JK to AG letter

 I mentioned earlier today, surely also precludes the subsequent "donating"

of such material, so the point I was trying to make still stands -- the

presence of this class of material in the MB archive creates a  problematical

situation for the administrating of the collection. Again, quite apart from

any Sampas pressure. I don't think that's an unfair statement, is it?

 

Just to makes things even more clear, as regards to my confusion. This is a

quotation from the covering letter (dated 12 February, 1987) you sent to me

with the list of what you earlier today referred to as your "research

archive."

You wrote:

 

"This CATALOGUE (emphasis mine) is privileged information, and I ask that you

not pass it around. Anyone interested should deal directly with me."

 

I guess I took "catalogue" to mean a list of items for sale.

 

Also, in the matter of your attempts to place the archive in other

institutions, in a later letter, dated 3 May, 1987 you further wrote:

 

"It looks like I might be selling the whole lot to Jeffrey Weinberg of

Sudbury Mass -- I would rather have sold it to an institution or library, but

NONE (emphasis yours, actually!) of them could come up with even five

thousand bucks (though U of Texas had just spent seventeen MILLION on some

weird collection -- ,...."

 

 

 

As for your help, down through the years, yes of course you have been an

invaluable help in my occasional scholarly forays -- I have certainly never

denied this, or even diminished its importance. I hereby thank you publicly,

if that is what is required -- I know, however, that I thanked you privately

every step of the way. You know that my quarrels with you in the past month

or so, focus specifically on the issue of the JK archive, and whether you

represent a Kerouacian's best friend in this regard, or whether your

continued involvment in this issue isn't actually counter-productive. That's

all. I believe the latter. I know many others disagree. That's fine.

 

Again, I apologize for using "purchased" instead of "donated" in my post

earlier today.  My point -- I thought a very mild one, actually -- still

stands though Gerry.

 

CHEERS, Rod

=========================================================================

Date:         Mon, 26 May 1997 14:27:15 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: to Kirby

 

R. Bentz Kirby wrote: . . .

> 

> I am investigating assisting him on the Lowell matter and what can be

> done to preserve the tapes.  That is all so far.

> 

> My point here was not to be threatening, but to make sure that people

> understand that you just can not make posts like this that imply he has

> done something wrong and has ilegally sold materials that were

> restricted, unless you are right.

> 

 

Mr. Kirby,

 

Like others I am somewhat confused by your role in this.  Are you

1--trying to catch up on this matter and come to your own independant

judgement?

2--acting as a current or potential attorney for Mr. Nicosia?

3--trying to improve our collective debating habits from the vantage

point of your legal profession?

 

I am not in your business so can't  provide an expert prospective, but

if you looking at a lawyer client relationship with Nicosia are you

using the list to

1 research your case?

2 argue that case, the way attorney's try to use the media outside

trials?

 

I'm stumped.  It seems to me that if I thought I would be working on

this I would keep my mouth shut and my powder dry for court.  It feels

like what you are doing is pouring gasoline on a situation that looked

over the weekend to be cooling.  Mr Nicosia and Mr. Chaput were actually

talking about memories of Kerouac.  Real improvement I thought.  No

we're back to yelling and name calling.

 

Are we supposed to watch our posts because you might drag us into court?

 

I welcome anyone into any of these discussions, but I certainly didn't

anticipate that we needed someone to constantly insert their legal

function into the discussion.  Nobody asked for a court appointed

arbitor.  I don't think anyone wants to come to this list accompanied by

their lawyers.  Let's get back to talking about the beats.  If you are

here to talk about the beats, fine, join in.  If you are here as a

lawyer for some party on the list, my own personal wish is that you

dissapear and let us get back to what we used to do

 

We sometimes used to have little spats on this list, but nothing like

this Estate nightmare.  If another member disagrees with me I have no

intention of suing them.  Enough already.  My recollection is that

Gerery Nicosia brought this fight to this list.  Some of us apparantly

love it, some of us are sick of it (count me in the latter group.) But

nobody else has brought his or her lawyer.

 

J Stauffer

=========================================================================

Date:         Mon, 26 May 1997 23:22:01 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      SAMPAS WHO? Re: a calm request

In-Reply-To:  <199705260519.WAA07591@sweden.it.earthlink.net>

 

At 22.19 25/05/97 -0700, Gerry wrote:

>..., it has nothing to do with

>>his archieves, its a damn pissing contest/whose got the bigger balls and

>>the rest of the nonsense. Its pure bullshit. Get off your ego trip and

>>realize  THAT truth.

>> 

>> 

>>Lisa M. Rabey

>Dear Lisa,     May 25, 1997

> 

>        I am here on the Beat-List only because of the need to preserve Jack

>Kerouac's archives.  It has turned into a pissing contest because that is

>what Mr. Chaput and Mr. Anstee wanted it to become.  They have effectively

>killed the discussion of what Sampas is doing with the archives and why, if

>he really intends to put them into a library, he has not signed even a

>statement of intention in 6 years.  They don't want me talking about things

>like that, so they call me names and accuse me of various crimes, and then I

>answer them back, etc. etc.

>        Well here's my deal, Lisa, I'll just quite answering their bullshit

>charges, and just keep posting the truth as I see it.  Maybe some day

>someone from "the other side" will appear to argue this thing out

>rationally, and give us some hard facts about what Mr. Sampas is doing and

>plans to do--rather than just calling me names and saying what a bad person

>I am.

>        By the way, Paul Maher's list from the NY Public Library shows that

>they do not own all the versions of even one Kerouac book (published or

>unpublished).  A scholar who analyzes a work needs everything from the first

>notes thru first second and third drafts, and then the galleys.  Kerouac

>typed several versions of every published book.  The NY Public has acquired

>only early notebook drafts of some individual books, and they have not even

>one complete version of Kerouac's seven most important books: ON THE ROAD,

>THE DHARMA BUMS, DR. SAX, VISIONS OF GERARD, VISIONS OF CODY, VANITY OF

>DULUOZ, and DESOLATION ANGELS.

>        This is what we should be talking about.

>        Best, Gerry Nicosia

> 

> 

i think that Gerry, il mio paesano Gerry, is right/

why i am writing about this matter? i have under my nose

the "Rolling Stone" issue 759 may 1,1997 pag.58 & by

pure coincidence there is an ad like this:

 

You haven't

heard Jack yet.

 

Kerouac

kicks joy darkness

 

with performances by

 

        Morfine

        Lydia Lunch

        Michael Stipe

        Steven Tyler

        Hunter S. Thompson

        Maggie Estep

        & the Spitters

        Richard Kewis

        Lawrence Ferlinghetti

                &Helium

        Jack Kerouac

        & Joe Strummer

        Allen Ginsberg

        Eddie Vedder,

        Campbell 2000

                & Sadie 7

        William Burroughs

        & tomandandy

        Juliana Hatfield

        John Cale

        Johnny Depp & Come

        Robert Hunter

        Lee Ranaldo

        & Dana Colley

        Anna Domino

        Rob Buck & Danny Chauvin

                as Hitchhiker

        Patti Smith

        with Thurston Moore

                & Lenny Kaye

        Warren Zevon

        & Michael Wolff

        Jim Carroll with

        Lee Ranaldo, Lenny Kaye

                & Anton Sanco

        Matt Dillon

        with Joey Altruda

        Inger Lorre & Jeff Buckley

        Eric Andersen

 

        In stores April 8th

 

        Produced by Jim Sampas

        Associate Producer: Lee Ranaldo

 

my question is Sampas mentioned above is

that Sampas who Nicosia is referring in his

posts? by way of this Sampas i immediatley got

a negative feedback (like a pavlov dog) to such

a work despite the excellent pedigree of performers

how much money is rolling out ?

the works of Jack Kerouac who

is universal maybe free to the people not (c)

or other e.g. can the pope damage the "Cappella

Sistina" ? he is the owner can the concil town of

Rome destroy the "Fontana di Trevi" ? he is the

owner BUT everyone know that this works of the

human mankind are really NOT owner of a single

person i hope,

 

i miei piu' cari saluti a tutti,

yrs Rinaldo Rasa.

* hi! guardate che scrivo dall'Italia, da un altro mondo! *

=========================================================================

Date:         Mon, 26 May 1997 17:37:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: "Purchased" versus "Donated"

 

You know, Rod, I for one am extremely uncomfortable that you're using private

letters between you and Nicosia to try to bolster some argument that doesn't

have a thing to do with THE KEROUAC ARCHIVES which is the main issue here.

 Bentz is right.  A person of honor would not do such a thing!

 

You know, Rod, Gerry Nicosia is the ONLY PERSON IN THE WORLD trying to do

anything about Kerouac's Archive.  As a person who says he cares about such

things I really don't see why you feel it is necessary to blast him publicly

every chance you get, often in some very shady ways.

 

 

Jerry Cimino

=========================================================================

Date:         Mon, 26 May 1997 14:46:35 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Post on Archives

 

                                        May 26, 1997

 

Paul Maher writes:

        "I was under the impression that it [the woman from Connecticut] was

Bernice Lemire."

 

        Nice try, Paul.  No, Bernice lives in Boston.  The reason her thesis

is not available is that someone stole it out of the Boston College archive.

Luckily I obtained a (legal) copy of it and put the copy in my archive.

Now, if only my archive were open, you could go over there and use it.

 

                           --  Gerry "blight to academia" Nicosia

=========================================================================

Date:         Mon, 26 May 1997 17:50:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Letter to Mayo

 

This is a multi-part message in MIME format.

--------------A826D122C50600B0BA35406D

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

This is the letter to Mayo.  I intend to mail it tomorrow.

 

I am doing this as a fan.

 

Peace,

 

If you have a better idea, let me know.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

--------------A826D122C50600B0BA35406D

Content-Type: text/plain; charset=us-ascii; name="mayoltr.txt"

Content-Transfer-Encoding: 7bit

Content-Disposition: inline; filename="mayoltr.txt"

 

 

May 26, 1997

 

 

 

 

Martha Mayo

Special Collections Librarian

University of Massachusetts, Lowell

The Mogan Center

40 French Street

Lowell, MA 01854

 

RE: Kerouac Letters from Columbia University Archives

Subject: Gerry Nicosia Archives

 

Dear Ms Mayo:

 

I am a long time fan of Jack Kerouac.  Some weeks ago, an Internet friend of

 mine suggested that I join the beat mail list.  I finally did and was quite

 surprised at what I found.  One of the main themes seems to be a Sampas vs

 Nicosia situation.  There are included as three posts from the Internet/www

 mail list, one from Rod Anstee and two of my replies.  These posts will likely

 mean little to you, as these things are out of context and more important to

 the ones involved.

 

However there is one thing that you can clarify.  Mr. Anstee says to Mr. Nicosia

 that "In a way I am quite surprised, in retrospect, that Martha Mayo agreed to

 purchase these in the first place, knowing that many of them (originals) are

 the property of other libraries."  He goes on to then state that Gerry Nicosia

 sold to your library a photocopy of a letter from Jack Kerouac to Allen

 Ginsberg dated April 8, 1952 even though it has the instructions on it that the

 copy is to be returned to Columbia University.

 

It is my understanding that we are not allowed to view the collection or hear

 the recordings deposited there.  Therefore, I am writing to you to inquire

 whether the items purchased by your library do in fact include this letter and

 other such items, that belong to other Universities and are marked in such a

 fashion.  If so, can you tell me what letters are so marked and whether or not

 the sale and purchase is in fact legal, illegal, questionable or what.

 

I am going to post a copy of this letter to the mail list.  If you do write in

 reply, please do so with the understanding that any reply will be posted as

 well.  And, if you will not reply, please tell me how I can confirm whether or

 not this is in fact true.

 

Thank you and with kind personal regards, I am

 

Sincerely,

 

 

 

Bentz Kirby

 

cc:     Beat-L@cunyvm.cuny.edu

 

 

--------------A826D122C50600B0BA35406D--

=========================================================================

Date:         Mon, 26 May 1997 15:15:50 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: "Purchased" versus "Donated"

 

....  In any event, the statement I quoted from, that was stamped upon the

1952 JK to AG letter

> I mentioned earlier today, surely also precludes the subsequent "donating"

>of such material, so the point I was trying to make still stands -- the

>presence of this class of material in the MB archive creates a  problematical

>situation for the administrating of the collection....

> 

>Also, in the matter of your attempts to place the archive in other

>institutions, in a later letter, dated 3 May, 1987 you further wrote:

> 

>"It looks like I might be selling the whole lot to Jeffrey Weinberg of

>Sudbury Mass -- I would rather have sold it to an institution or library, but

>NONE (emphasis yours, actually!) of them could come up with even five

>thousand bucks (though U of Texas had just spent seventeen MILLION on some

>weird collection -- ,...."

> 

>CHEERS, Rod

> 

Dear Rod,

 

        Have you no shame?  I just get done posting the fact that none of

the Kerouac to Ginsberg letters, legally xeroxed from Columbia, have found

their way into the MEMORY BABE archive at Lowell, and you turn around and

tell me again that it was illegal for me to sell or donate them to U Mass,

Lowell.

        I didn't SELL OR DONATE THEM TO LOWELL.  I DIDN'T PUT THEM IN LOWELL

AT ALL.  DO YOU FINALLY GET IT???  Or are you going to make five more posts

telling me I shouldn't have put them in Lowell?

        OK, now you start quoting my private letters to you.  I figured that

would come sooner or later.  I'm not going to match you by quoting yours.

        Let me just say, it was still a lie for you to say no one wanted my

archive.  In fact, every library I talked to wanted them; but in those days

nobody had much money to purchase them.

        In fact, I did not like the idea of selling the archive to Weinberg,

since he would give me no guarantee about keeping the archive together, SO I

WORKED HARD TO MAKE A LIBRARY DEAL HAPPEN.  I wrote and called Paul Marion

several times, to see if we could get U Mass Lowell to come up with a

modicum of money; and I gave Lowell unusually generous terms, letting them

spread the payments over three years, with no interest charged, in order to

make the deal possible.

        For shame, Rod!  Quit these attacks on me!  You know why you're

doing it, and everybody else knows too.  You want to set me on fire so

people stop asking what Sampas is doing with the Kerouac archive.

        CUT THE BULLSHIT!

                                                Best always, Gerry Nicosia

=========================================================================

Date:         Mon, 26 May 1997 18:20:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      second try,

 

The text file did not work, so I will try html.  Sorry to duplicate this

post.  Personally, I am tried of the whole thing and intend to drop my

end of thread.   I wait to see what Lowell says.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 17:35:08 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Litigation Theology

 

The problem with lawyers is not that they stink, it's that they come so

highly and peculiarly perfumed (& not, from the word GO, with Corso's

gasoline).

 

That's just MO(loch).

 

Thanks, but asking a lawyer to clarify his/her role in anything is like

asking the Devil in all his/her glory and/or God in all his/her mercy to

speak, given either's thousand tongues, some of them split, others twisted

around their own feet.

 

That's just my theory of Litigation Theology.

 

Rertospectively yrs.,

John M.

Be cool.  And if you cain't be cool, don't drool.

=========================================================================

Date:         Mon, 26 May 1997 18:36:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Litigation Theology

 

John Mitchell wrote:

 

> The problem with lawyers is not that they stink, it's that they come

> so

> highly and peculiarly perfumed (& not, from the word GO, with Corso's

> gasoline).

> 

> That's just MO(loch).

> 

> Thanks, but asking a lawyer to clarify his/her role in anything is

> like

> asking the Devil in all his/her glory and/or God in all his/her mercy

> to

> speak, given either's thousand tongues, some of them split, others

> twisted

> around their own feet.

> 

> That's just my theory of Litigation Theology.

> 

> Rertospectively yrs.,

> John M.

> Be cool.  And if you cain't be cool, don't drool.

 

 ROTFLMAO, even it is aimed at me.  Good post John.  By the way, were

you kin to John R.  ;-)

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 18:38:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Lawyers

 

I heard a Spanish proverb which I told my children yesterday:

 

It is better to be a mouse in the mouth of a cat, than a man in a

lawyer's hands.

 

So true, but yet, what about in the hands of a used car salesman, or a

vinyl siding salesman, or well, whatever.

 

First thing let's do, is kill all the lawyers.  Paraphrase of William

Shakespear.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 18:44:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      A Note to the Peacekeepers

 

Folks, I'm embarrassed for you.  How can you keep silent allowing Anstee as

well as Paul Maher to say the things they're saying about Nicosia?

 

It's one thing to want to see peace on the list.  That's fine if that's what

you really want, but these guys are tossing everything but the kitchen sink

at Nicosia and you sit silent! You should be flooding the list with notes to

Anstee telling him how off base he is to bring private correspondance in to

this!

 

Every person on this list is being party to keeping this thread alive by

allowing Anstee to get away unscathed with these ridiculous assertions.  I

think Gerry has done remarkably well in maintaining his cool especially in

light of Paul Maher's vitriolic posts.

 

Right is right, people, regardless of what you may think about Nicosia or

"his cause".

 

Inaction is as much of a statement as action is.

 

 

Jerry Cimino

=========================================================================

Date:         Mon, 26 May 1997 15:53:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Why We Shouldn't Study Kerouac

 

                                                        May 26, 1997

To all the good and friendly folks on the Beat-List:

        (the rest can kiss me ass)

        Has anyone noticed how, within a few weeks, the debate has been

switched from why we SHOULD be able to study Jack Kerouac (making his

archive of papers available at a library, etc.) to WHY WE SHOULDN'T BE ABLE

TO STUDY JACK KEROUAC?  No one has been popping at Sampas for selling off

hundreds of pieces of Jack Kerouac's unique literary archive.  Instead, they

have been popping at me for putting my own scholarly archive, the MEMORY

BABE archive, on deposit at U Mass, Lowell, to help people study Jack

Kerouac's life and works.

        I.e., I'm the bad guy because I tried to make my huge body of

scholarly research materials available to other writers and students.  The

very thing I am asking Sampas to do is now an evil thing.

        Have I walked thru the Looking Glass?  Is Rod Anstee the Mad Hatter?

Hey, what's going on here, folks?

        Is it an accident that we're now debating if Nicosia broke the law

by putting his archive in a library, instead of asking if Sampas has a moral

right to destroy the integrity of Jack Kerouac's archive?  I don't think

it's an accident--not by a long shot.  It's serving someone's purpose.

Doesn't take a genius to figure out whose.

        I used to think pro basketball was a hot sport till I got into the

business of trying to save the Kerouac Archive.  In the space of four weeks

here I've been accused of breaking the law by both Phil Chaput and Rod

Anstee--neither of whom has produced a shred of evidence to substantiate

their charges. Mr. Anstee has even had to INVENT EVIDENCE, claiming I sold

letters xeroxed from Columbia University (which could not legally be resold)

to Lowell, when I NEITHER SOLD NOR DONATED THOSE LETTERS TO LOWELL.  I NEVER

PUT THEM IN LOWELL AT ALL.  PERIOD.

        I have also been called every name in the book--the last set of

volleys comes from Paul Maher, Jr., another Sampas apologist,  whose claim

to fame is to have stolen fifty rare books on the raising of silk worms from

the Mogan Center, the same building leased by U Mass, Lowell, from which key

parts of the MEMORY BABE archive were also stolen.

        Mr. Chaput tells me to "fuck myself" (a pleasant experience

according to Lenny Bruce), and Mr. Maher calls me "a scourge upon serious

Kerouac scholarship" and "a blight to academia" and "a fly on a mountain of

shit."  Coming from those two, I guess I should figure I've been complimented.

        All these folks stand to gain something from Mr. Sampas.

        Maher needs material for his new Kerouac Quarterly, and from all

appearances, Sampas has been giving it to him.

        Anstee already purchased major items from the Kerouac Archive for

his private collection, which have gone up tremendously in value, and he

would doubtless like to purchase some more.  He would also like to keep me

from proving Gabrielle Kerouac's will a forgery, because that would force

him to surrender the Kerouac items he purchased at fairly steep

prices--since if the will was no good, then John Sampas would have sold

those things without a clear title to them.

        Chaput is connected with Lowell Celebrates Kerouac!--a committee

partly financed by John Sampas, and which, from what I hear, takes its

directions almost exclusively from Sampas.  Does Phil get paid for his work

for LCK!, or does he just get the percs of meeting famous people and getting

to act important?  I don't know, but you can bet he's getting something out

of posting information here that is spoon-fed to him by Sampas.

        Chaput got almost everything he put up here from Sampas, including

the figures from Jan Kerouac's income tax returns, which could only have

come from Sterling Lord, Mr. Sampas's and Ms. Kerouac's joint agent (unless

Sampas has a mole inside the IRS).  But CHAPUT WAS TOO COWARDLY TO ANSWER MY

QUESTION ABOUT THE SOURCE OF THOSE INCOME TAX RETURNS, BECAUSE IT EITHER

MEANT THAT MR. SAMPAS HAD GOTTEN THEM ILLEGALLY OR ELSE STERLING LORD

(SAMPAS'S AGENT) HAD BREACHED HIS FIDUCIARY DUTY TO JAN KEROUAC BY RELEASING

THEM.  C'mon, Phil, c'mon out of hiding.  Who gave you Jan's income tax

forms?  Mr. Sampas or Mr. Lord?  Which one of them is in trouble?

        What?  Your tongue tied for a change?

        Good folks, I'm really tired of all this bullshit.  I plan one more

post, later today, to expose the absolutely FALSE CLAIM that the Jack

Kerouac Archive is in the New York Public Library already.

        Then I'm taking off for a while.

        There are some good people here who can stick up for the

truth--Jerry Cimino, Joe Grant, and Bentz Kirby among others.  I need a

break to get back to my real work--writing books, and advocating for the

right to study Jack Kerouac's papers, in court, which is the only place such

advocacy will really count.

        By the way, I've been accused of hiring these folks as "mouthpieces"

for me.  I've never met either Grant or Kirby.  Jerry I met only twice, once

when he asked me to come down to his bookstore in Monterey to lecture about

Kerouac, and the other time for a few seconds in Washington Square Park in

New York, when I gave him a free ticket to the Beat Conference Town Hall

Concert.

        If they're supporting me, they're doing it from conscience, since I

sure don't have any money left (after 10 months of double litigation) to pay

them.

        Best always, Gerry Nicosia

=========================================================================

Date:         Mon, 26 May 1997 19:10:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: A Note to the Peacekeepers

 

At 06:44 PM 5/26/97 -0400, Jerry wrote:

 

>Inaction is as much of a statement as action is.

 

Hmm, I've been holding off from getting off this list

for a couple daze now, due to the lack of interesting

discussion (not saying the Estate/Archive thread isn't

interesting, just seems to be more hot air than anything

relevant).  Now, we are being accused of not speaking

up/sticking up enuff for members on this list.  I find this

quite interesting, considering I don't see any innocent

parties in this debate - why should I get "scolded" by

another list member for keeping my peace?  Chances 'r',

if we did open up, we'd get attacked, yelled at, faces

rubbed in shit, etc.  If I choose to not partake in this

insanity, please respect that decision.

 

>Every person on this list is being party to keeping

>this thread alive by allowing Anstee to get away unscathed

>with these ridiculous assertions.

 

Insects may sing -

But the Emmet in silence

Shows us his arse!

 

~Issa~

 

Hey Jerry, no hard feelings just my honest opinion.

 

Mike

=========================================================================

Date:         Mon, 26 May 1997 17:19:07 CDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <wlundburg@MAIL.FF.CC.MN.US>

Subject:      Re: To the Peacemakers...

 

Jerry wrote:

 

> 

>Folks, I'm embarrassed for you.  How can you keep silent allowing Anstee as

>well as Paul Maher to say the things they're saying about Nicosia?

> 

>It's one thing to want to see peace on the list.  That's fine if that's what

>you really want, but these guys are tossing everything but the kitchen sink

>at Nicosia and you sit silent! You should be flooding the list with notes to

>Anstee telling him how off base he is to bring private correspondance in to

>this!

> 

>Every person on this list is being party to keeping this thread alive by

>allowing Anstee to get away unscathed with these ridiculous assertions.  I

>think Gerry has done remarkably well in maintaining his cool especially in

>light of Paul Maher's vitriolic posts.

> 

>Right is right, people, regardless of what you may think about Nicosia or

>"his cause".

> 

>Inaction is as much of a statement as action is.

> 

 

 

Hello, Jerry!  Well, I'll tell you what: there's a reason I never post anything

to Rod Anstee.  I still remember the crap he threw at Ron Whitehead (not to

mention others).  He's a man with his own agenda, and he does what strikes his

fancy... whether anybody "puts up with it" or not.  Silence is not being party

to him.  So, since my inaction is a statement, let the statement be I won't be a

party to any of it, nor will I let someone like Anstee dictate any of my actions

or reactions.  As I posted in an open letter to Gerry Nicosia, I believe he's

made his point, and made it well.  The other guys are just making asses out of

themselves... my impression is that they like to make asses of themselves.

 

Why should I waste my time posting to them?  It won't change anything they do.

Only reasonable people listen to reasonable voices.

 

All the best, ---Wes

=========================================================================

Date:         Mon, 26 May 1997 19:47:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alfred Lewen <mapaul@PIPELINE.COM>

Subject:      Re: A Note to the Peacekeepers

 

At 06:44 PM 5/26/97 -0400, you wrote:

>Folks, I'm embarrassed for you.  How can you keep silent allowing Anstee as

>well as Paul Maher to say the things they're saying about Nicosia?

> 

>It's one thing to want to see peace on the list.  That's fine if that's what

>you really want, but these guys are tossing everything but the kitchen sink

>at Nicosia and you sit silent! You should be flooding the list with notes to

>Anstee telling him how off base he is to bring private correspondance in to

>this!

> 

>Every person on this list is being party to keeping this thread alive by

>allowing Anstee to get away unscathed with these ridiculous assertions.  I

>think Gerry has done remarkably well in maintaining his cool especially in

>light of Paul Maher's vitriolic posts.

> 

>Right is right, people, regardless of what you may think about Nicosia or

>"his cause".

> 

>Inaction is as much of a statement as action is.

> 

> 

>Jerry Cimino

> 

 

  Cimino, It is one post I made that was "vitriolic" in tone and that is

because I am sick of Nicosia bringing my name into things. I refuse to let

this happen. I, unlike you or anybody else seek no support for my cause. I

have no interest whatsoever in winning over anybody but when Nicosia drags

my name over and over I will be more than "vitriolic." It is none the less

deserving. You doubt my veracity? You don't even know John Sampas or the

strategy of his archival practices. Why do you have to take sides if that is

what we are supposed to do?

Why don't you try thanking me for placing an ad in my quarterly without pay?

Your posts won't win you any support, only a lost customer base.....

=========================================================================

Date:         Mon, 26 May 1997 19:32:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: A Note to the Peacekeepers

 

Mike, no hard feelings at all.  And I appreciate your honest opinion.  And

normally I'd say not speaking up and not taking a position is fine.  But when

people say things like what Maher said and when people assert things like

Anstee has done it is up to the rest of us to say "you've crossed the line".

 

I'm not asking you to stand up and say Nicosia is right, just that many of

his detractors are off base in what they're saying and the way they're saying

it.

 

Mike, If I were to say to you the things that have been said to Nicosia by

his "detractors" I would expect the good people on this list to call me to

task for it.

 

Right is right.  Nicosia may have alienated a lot of people with the tone of

many of his responses, but he does not deserve to be slammed the way he has

been.  He's presented us with facts.  All he's been met with is rancor and

unproved assertions.

 

Mike, I respectfully submit to you not taking a position when someone is

obviously being slandered is taking a position.

 

 

Jerry C

=========================================================================

Date:         Mon, 26 May 1997 20:00:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alfred Lewen <mapaul@PIPELINE.COM>

Subject:      Re: Why We Shouldn't Study Kerouac

 

>        I have also been called every name in the book--the last set of

>volleys comes from Paul Maher, Jr., another Sampas apologist,  whose claim

>to fame is to have stolen fifty rare books on the raising of silk worms from

>the Mogan Center, the same building leased by U Mass, Lowell, from which key

>parts of the MEMORY BABE archive were also stolen.

 

I never sought fame Mr. Nicosia for my actions. That is in your warped mind.

I am remorseful and embarrassed about the thefts I committed seven years

ago. Your pathetic attempt to embarrass me into a response is successful.

But again, you reap what you sow. Your such a stupid creature. You wonder

why no one likes you over here. Your under the pretense that if you come

from Lowell you are somehow connected. John Sampas did not contribute

anything to my newsletter. The piece in question was contributed by the late

Jay Pendergast (by the way a true defintion of a scholar unlike my subject

matter here). I, unlike you, had to go through the proper channels (i.e.

John Sampas) to acquire permission to publish.

 

 

> 

>        Maher needs material for his new Kerouac Quarterly, and from all

>appearances, Sampas has been giving it to him.

 

******I need nothing for my newsletter. I have enough material for the next

four issues all from several submissions worldwide. Again, you are wrong.

 

 

>        Good folks, I'm really tired of all this bullshit.  I plan one more

>post, later today, to expose the absolutely FALSE CLAIM that the Jack

>Kerouac Archive is in the New York Public Library already.

 

******Good luck proving that because my info was xeroxed from NYPL stationery.

 

>        Then I'm taking off for a while.

>        There are some good people here who can stick up for the

>truth--Jerry Cimino, Joe Grant, and Bentz Kirby among others.

 

********Ah yes, your loyal following, how long will it take before you burn

those bridges?

 

 I think I will have John Sampas autograph my copy of Memory Babe.....

 

> 

=========================================================================

Date:         Mon, 26 May 1997 19:57:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: To the Peacemakers...

 

Wes Lunburg wrote:

 

>Why should I waste my time posting to them.  It won't change anything they

do.

>Only reasonable people listen to reasonable voices.

 

 

Hi Wes,

 

Thanks for your candid response.

 

Wes, it's precisely *because* so many people are weighing the various

psoitions and gauging who is "right" and who is "wrong" that those of us who

know Rod would argue with a pineapple if it sat still long enough need to

make clear what is really going on.

 

Many people, especially if they're new to the list, read Rod's posts and

think "here is a serious person making a serious charge" and they see a

handful of people slugging it out and figure "each side is as bad as the

other only worse".  And when everyone keeps silent because no one wants to

"take a position" these insidious wars go on and on because people like Gerry

think no one is hearing them or believing them because no one is responding

at all.

 

I think if everybody on this list posted a note to Rod saying "Enough with

the ridiculous charges!  Show evidence or keep quiet" maybe he'd think twice.

 But what do we get instead?  "Let's not talk about it."  "This makes me

uncomfortable."  "Take your little wars off-list, boys".  And what is the

result of that?  Anstee has effectively silenced Nicosia which is exactly

what he wants.  And everyone of us on the list has helped him do it by not

challenging him.

 

That's why we should call him on the cheap shots and the non-issues.  Because

silence is a co-conspirator to the truth!

 

 

Jerry Cimino

=========================================================================

Date:         Mon, 26 May 1997 17:02:30 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Not ashamed

 

Jerry

 

I am getting tired of the theme that if we don't all rush to poor Mr.

Nicosia's defense we are sort of like silent good Germans.  You and

Nicosia seem to be in a minority that feel that this whole thing is a

one way street.  Go back and look through the thread, I will turn on my

machine and there are another seven or eight posts from GN. After days

of silence, not doubt getting tired of listening to Nicosia's paranoid

view of the world, eventually an Anastee, Chaput or Maher will respond,

(sometimes not very temperatly, but there have been some very

informative posts as well). Then GN will start again with his assertion

that everyone in the Kerouac world but himself is a weak, excuse-making

pawn of John Sampas, hiding their own self interest.  As far as I can

remember this list includes Allan Ginsberg, Ann Charters, most of the

people in Lowell and pretty much everyone else but Mr. Nicosia and

before her death Jan Kerouac.  Mr. Nicosia, of course, has no self

interest. Then you and Mr. Kirby wonder why not everyone is rushing to

poor Mr. Nicosia's defense.  Seems to me he does fine on his own.

 

There seem to me to be a few clear points

 

1.  All the principles in this war have a serious interest in and love

for Jacks work

 

2.  They see things differently

 

3  This thing will be settled in the courts and not here.

 

I am not ashamed of myself.  I think the list members have on the whole

been very  polite and deferential to Gerry.  We have begged for him to

contribute to real discussions of Kerouac, we have praised him for his

effort on Memory Babe.  But that doesn't mean we all are ready to join

his crusade or that we share his view of his opponents.  I will go back

to the good habit I lost of just deleting anything on this thread.  I

know that whatever happens you and Attorney-at Law Kirby, Esq will be on

hand to genuflect and hold Gerry's coat.  I don't think my mortal soul

is in danger on this count, and if somewhere in Lowell there is a bar

with a dartboard with GN's face on it, I would find it  pretty easy to

understand.  But if the kitchen sink comes into play I trust someone

will backchannel me so I won't miss it.

 

J Stauffer

=========================================================================

Date:         Mon, 26 May 1997 20:20:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alfred Lewen <mapaul@PIPELINE.COM>

Subject:      Re: Paul Maher

 

At 04:42 PM 5/26/97 -0400, you wrote:

>Paul, I gotta tell ya buddy, you're showing your true colors with that last

>post of yours.  For a guy who three days ago said he'd had enough and even

>sent a message saying "unsubscribe" you sure have a whole lot to say about

>nothing.

> 

>Paul, some of us were hoping to keep the *debate* at a reasonable level

>during the cease fire of the Memorial Day weekend.  Obviously you don't want

>to do your part as evidenced by the general nastiness of your tone.

> "Scholar?"  Paul, I hardly think so given the level to which you have sunk

>here.

 

****Whatever, your assessment of my scholarship matters nothing to me. I

hardly think that you are going to be on my Master's thesis committee.

> 

>Say something useful, Paul, instead of general namecalling!  I asked you a

>week ago why you thought Gabrielle's signature was real as opposed to faked

>since you're one of the few people on the list to have actually seen the

>will.  Why can't you answer questions put to you?

Because I am not required to.

 

I have seen the will yes. I have also seen many documents (contracts for

foreign publication rights etc. signed by Gabrielle Kerouac in the early

1970's)signed after the will which are almost 100% the same. The only slight

change is the way

the "c" at the end of Kerouac trails off. This is given to her invalid

state. On this alone I came to my conclusion. There were other documents

that sealed my decision that the will/forgery claim is a fraud. For

instance, what made the signature look funny to Ms. Jan Kerouac anyways?

What is so funny about the way an old woman who suffered a stroke signs her

name? Were they humoring her disability? I mean...my grandmother writes me

letters and the sig looks a little shaky but I have no reason to believe

it's "funny." You are all sorely misled and someday the shadiness of the

situation will brighten and the real "true colors" will be revealed. And by

the way I came back on the list to post about my friend Jay Pendergast's

death who knew Jack in the 1960's.. Don't flatter yourself thinking I wanted

to respond to you.  Signed vitriolicly, Paul...

 

>Jerry Cimino

> 

=========================================================================

Date:         Mon, 26 May 1997 17:07:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      New York Public Library (final post, this time I mean it)

 

To all the good and friendly folks on the Beat-List:

 

        My final post; I'm turning in my bullshit shovel.

        But I want to clear up this lingering myth--or more accurately,

cruel hoax--about the Kerouac Archive being in the New York Public Library.

        I work from the List printed by Paul Maher, which purports to be the

latest list of the New York Public Library's Kerouac holdings (I have a list

given me by NYPL librarian Rodney Phillips two years ago, which has only a

few less things on it).  Not much has changed in two years.

        Let's start by getting one thing straight: A COLLECTION IS NOT AN

ARCHIVE, and vice versa.

        The New York Public Library has a Kerouac/Beat collection, which

they have been building for years, by buying items from many different

people, including many dealers.

        Univ. of Texas, Austin, the Bancroft Library (Berkeley), and

Stanford, among others, also have Kerouac/Beat collections.

        Even Rod Anstee has a Kerouac/Beat collection.  From what I have

seen, having visited his house, Mr. Anstee's collection is bigger in sheer

bulk than the Kerouac collection at the New York Public Library.  Jan

Kerouac and I had a private session at the NYPL, had the whole Kerouac

collection thrust out on a desk before us, and it didn't take up much space.

        What are Jack Kerouac's ten most important published books?

        I'm a Kerouac biographer, so let me take a stab at this.  I

nominate, in no particular order:

        1) ON THE ROAD

        2) THE DHARMA BUMS

        3) DR. SAX

        4) THE SUBTERRANEANS

        5) VISIONS OF GERARD

        6) VISIONS OF CODY

        7) VANITY OF DULUOZ

        8) BIG SUR

        9) DESOLATION ANGELS

        10) MEXICO CITY BLUES

 

        What does the New York Public Library have of each of these?

        1) ON THE ROAD was typed on a long scroll of Japanese art paper.  It

was retyped several times, with major revisions.  It was worked over in

galleys.  THE NEW YORK PUBLIC LIBRARY OWNS NONE OF THIS MATERIAL, AND HAS

NEVER MADE ANY OF THIS MATERIAL AVAILABLE FOR STUDY.

        2) THE DHARMA BUMS was typed on a scroll of teletype paper, retyped

several times, reworked, and worked over extensively in galleys.  THE NEW

YORK PUBLIC LIBRARY OWNS NONE OF THIS MATERIAL, AND HAS NEVER MADE ANY OF

THIS MATERIAL AVAILABLE FOR STUDY.

        3) DR. SAX was written in pencil notebooks; it was typed up; it was

worked over editorially by Malcolm Cowley; there are presumably also galleys

for it.  THE NEW YORK PUBLIC LIBRARY OWNS NONE OF THIS MATERIAL, AND HAS

NEVER MADE ANY OF THIS MATERIAL AVAILABLE FOR STUDY.  They do list the

presence of some "notes for Dr. Sax" in their collection.

        4) THE SUBTERRANEANS WAS TYPED ON A ROLL OF TELETYPE PAPER, RETYPED

ON REGULAR PAGES (which Jeffrey Weinberg saw, and says they are

"crumbling"), and revised extensively in galleys to prevent libel suits from

Alene Lee (Mardou Fox).  THE NEW YORK PUBLIC LIBRARY OWNS NONE OF THIS

MATERIAL, AND HAS NEVER MADE ANY OF THIS MATERIAL AVAILABLE FOR STUDY.

        5) VISIONS OF GERARD WAS WRITTEN IN PENCIL NOTEBOOKS AND RETYPED ON

TO REGULAR PAGES.  I assume there were galleys but don't know about the

amount of revision.  Suspect less revision because Kerouac considered this a

"holy book."  THE NEW YORK PUBLIC LIBRARY OWNS NONE OF THIS MATERIAL, AND

HAS NEVER MADE ANY OF THIS MATERIAL AVAILABLE FOR STUDY.

        6) VISIONS OF CODY was written in pencil notebooks and also sections

of it were typed.  Some of it was drafted in letters Kerouac wrote to his

friends (like the letter to John Clellon Holmes which Mr. Anstee purchased

for his own collection).  It was retyped several times, as the work

underwent the editorial scrutiny of a number of people: Carl Solomon, Allen

Ginsberg, Malcolm Cowley, et al.  THE NEW YORK PUBLIC LIBRARY OWNS NONE OF

THIS MATERIAL, AND HAS NEVER MADE ANY OF THIS MATERIAL AVAILABLE FOR STUDY.

        7) VANITY OF DULUOZ was typed on a scroll of teletype paper and then

retyped on to regular pages.  Kerouac incorporated many of his earlier

unpublished writings and breastpocket notebook passages into the text.  I do

not know the extent of editorial changes.  One would assume there were, at

the very least, marked galley proofs.  THE NEW YORK PUBLIC LIBRARY OWNS NONE

OF THIS MATERIAL, AND HAS NEVER MADE ANY OF THIS MATERIAL AVAILABLE FOR STUDY.

        8) BIG SUR was typed on a scroll of teletype paper and then retyped

on to regular pages.  Kerouac used many breastpocket notebooks for material,

which he incorporated into the text.  I assume there were at least marked

galleys.  THE NEW YORK PUBLIC LIBRARY OWNS NONE OF THIS MATERIAL, AND HAS

NEVER MADE ANY OF THIS MATERIAL AVAILABLE FOR STUDY.

        9) DESOLATION ANGELS was both written in notebooks and typed over a

period of several years.  It was then retyped on to regular paper.  Extent

of editorial changes unknown.  One assumes marked galleys.  THE NEW YORK

PUBLIC LIBRARY HAS THE NOTEBOOKS TO SECTION 2, "PASSING THROUGH," WHICH IS

ONLY ABOUT ONE-THIRD OF THE ENTIRE TEXT.  IT HAS NO ORIGINAL MANUSCRIPT FOR

THE REMAINING TWO-THIRDS OF THE TEXT, AND NO RETYPED PAGES FOR ANY OF THE

TEXT.  NO GALLEYS.  THE PENCIL NOTEBOOKS FOR SECTION 2 ARE AVAILABLE FOR STUDY.

        10) MEXICO CITY BLUES was written in pencil notebooks and later

retyped.  There was doubtless more than one typescript, as this manuscript

circulated among many different writers in both California and New York.

There were certainly marked galleys, as this was a tough book to type-set

with lots of neologisms and weird typography.  THE NEW YORK PUBLIC LIBRARY

OWNS THE PENCIL NOTEBOOKS AND ONE TYPESCRIPT.  THEY DO NOT HAVE ALL THE

TYPESCRIPTS, AND THEY DO NOT HAVE THE GALLEYS.  THE NOTEBOOKS AND

TYPESCRIPTS THEY HAVE ARE AVAILABLE FOR STUDY.

 

        So, the New York Public Library lacks any paper trail for 8 of

Kerouac's 10 most important published books; it has a very incomplete paper

trail for the 9th book; and a somewhat better (but by no means complete)

paper trail for the 10th.  And if the MEXICO CITY BLUES manuscript is the

completest, it is rather curious to thank Mr. Sampas for it, since he was

preparing to sell it to a private collector (according to Jeffrey Weinberg)

and--though Weinberg is not completely sure--probably did sell it to a

private collector, before it was resold to the NYPL.

 

        WHAT ABOUT MAGGIE CASSIDY?  A FINE NOVEL, IF NOT AMONG THE GREATS.

THE NEW YORK PUBLIC LIBRARY HAS ONLY 45 pages in pencil, an UNUSED SECTION

OF MANUSCRIPT.  IT HAS NO PARTS OF THE ACTUAL MANUSCRIPT, NOR THE RETYPED

VERSION, NOR THE GALLEYS.

        The NEW YORK PUBLIC LIBRARY also has NO TRACE AT ALL OF MANY OF

KEROUAC'S VERY IMPORTANT UNPUBLISHED BOOKS: THE SEA IS MY BROTHER, AND THE

HIPPOS WERE BOILED IN THEIR TANKS!, MEMORY BABE, SECRET MULLINGS OF BILL,

VISIONS OF LUCIEN, AND AN UNTITLED NOVEL ABOUT NICKY'S BAR IN LOWELL, etc.

        IT HAS NO TRACE OFMANUSCRIPT FOR MANY OF KEROUAC'S IMPORTANT

ARTICLES: THE ORIGINS OF THE BEAT GENERATION; CITYCitycity; THE ESCAPADE

MAGAZINE PIECES, ETC.

        It has a lot of Kerouac's correspondence with the Sampas family and

a few other letters (MANY OF WHICH ARE XEROXED COPIES, ACCORDING TO THE LIST

LIBRARIAN RODNEY PHILLIPS GAVE ME), but almost none of Kerouac's

correspondence (carbon copies and drafts of his own letters, and letters

sent him) from the HUNDREDS OF IMPORTANT WRITERS AND ARTISTS WITH WHOM

KEROUAC CORRESPONDED.

        IT DOES NOT HAVE THE HUNDREDS OF FIVE-CENT BREAST-POCKET NOTEBOOKS

HE CARRIED IN HIS SHIRT EVERY DAY, TO "SKETCH" THE THINGS HE SAW AND HEARD

ON A DAILY BASIS, MOST OF WHICH NEVER FOUND THEIR WAY INTO ANY BOOK.

        IT HAS NONE OF HIS BOYHOOD SELF-PRINTED COMIC BOOKS AND NEWSPAPERS

AND OTHER JUVENILE WRITINGS.

        IT DOES NOT HAVE HIS SELF-CREATED HORSE RACE AND BASEBALL GAMES.

        IT HAS NONE OF HIS PHOTOGRAPHS.

        IT HAS NONE OF HIS MANY PAINTINGS AND DRAWINGS

        IT HAS NONE OF HIS PRIVATE SCRAPBOOKS OF NEWSPAPER CLIPPINGS,

CONCERNING HIS SPORTS HEROICS AND BOOK REVIEWS.

        IT HAS NONE OF HIS PERSONAL PAPERS, REPORT CARDS, JOB APPLICATIONS,

PASSPORTS, LAWSUIT PAPERS FOR CHILD SUPPORT, etc. etc.

        IT HAS NONE OF THE HUNDREDS OF HOURS OF TAPE RECORDINGS KEROUAC MADE.

        IT HAS NONE OF HIS PERSONAL BOOKS, HIS PRIVATE LIBRARY.

 

        You're going to tell me that the Jack Kerouac Archive is in the New

York Public Library???  Come again.

        Best always, Gerry Nicosia

=========================================================================

Date:         Tue, 27 May 1997 01:14:48 +0100

Reply-To:     or205@hermes.cam.ac.uk

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      uneducated & illinformed quasi-estate-post

 

after watching several hundred estate postings go rolling by under the

delete-key, I finally submit one myself. It's a slippery slope, they

say... :

 

first of all, I like this thread, slanging matches & all. If nothing else,

it's probably better that these things are thrashed out in public if

they're going to be thrashed out at all. Moving it offlist wouldn't really

be true. I'm not a car crash voyeur, but I like hearing what people have

to say... relevant, polite, politic, political, friendly, supportive,

abusive, warmongering, inane, whatever. I've learned a lot from all those

various varieties.

 

also, I'm tending towards the Gerry Nicosia side, albeit from a totally

uneducated point of view. It's easy to get tied into a role in this kind

of discussion... so there's Jerry & Gerry & misc. vs Rod & Phil & whoever

and it really seems to get personal very easily, out of nobody's intention

& everybody's fault. Case in point being Paul M... side-issues become the

main deal & it's like being there while two opposing tables of lairily

drunk folks tilt slowly but inexorably towards a fairly inefficient

fistfight.

 

M'self, I think terms like "Sampas apologist" are a little too out

there... I'm not sure that anyone knows anything much about the *other

side* (tones of impending doom intended to be slightly ironic, before I

get pulverised) & further, I think it's a little too easy to identify with

your opinions until (point comin up soon, wait for it...) BY THIS POINT,

*EVERYONE* IS IN THE POSITION OF THINKING THEY'RE DEFENDING THEMSELVES

AGAINST SOME DEEPLY PERSONAL ATTACK...

 

I'm not trying to sound like a selfstyled diplomat. Honest. I want

everyone to keep speaking their minds... because that's the only way

anything gets resolved, in the long run. The fact that it may take about

twenty years this way is a minus, but perhaps endurable. It's entertaining

when people majorly abuse others personally, but that probably slows

things down as well...

 

Anyway, this'll do for now. Seriously, I think Gerry Nicosia is an

inestimable addition to the list, & things might be more mellow if

*everyone* just stopped escalating things by getting personal... (of

course, if anybody so much as raises an eyebrow at *anything* I've said in

this post I'll find out where you live & have your fucking legs broken...)

 

(nb. that was a joke)

 

Well, whatever. Keep going, everyone.

 

Olly Ruff.

 

_______________________________________________________________________________

 

"Survival of the... *fittest* ? Was that the proper word ? Had Darwin ever

considered the idea of *temporary* unfitness ? Like "temporary insanity."

Could the Doctor have made room in his theory for a thing like LSD ?"

_______________________________________________________________________________

 

                           or205@hermes.cam.ac.uk

                              skink@imrryr.org

_______________________________________________________________________________

=========================================================================

Date:         Mon, 26 May 1997 17:18:11 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Musing

 

My archive is bigger than your archive

 

You show me your archive and I'll show you mine.

 

How may archivists does it take to screw in a lightbulb?

(apparently a lot, and even more if the lightbulb is xeroxed, and yet

more if there is a lawyer present)

=========================================================================

Date:         Mon, 26 May 1997 20:40:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alfred Lewen <mapaul@PIPELINE.COM>

Subject:      Re: New York Public Library (final post, this time I mean it)

 

Frpm what I gathered, I never purported to type up a list of the Kerouac

archives...it was a list of the things the Estate has either given as a gift

or sold to the NYPL. Nicosia what's your point? Are you saying if it isn't

there it's sold? What if he had it in safe deposit in Lowell? What business

of it is yours or anybody's? It belongs to the family in principle and

legally. Even I, who longs to see it as much as anybody else can understand

that. And there is nothing xeroxed in there. Once again you are wrong.

=========================================================================

Date:         Mon, 26 May 1997 20:35:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Paul Maher

 

At 08:20 PM 5/26/97 -0400, Paul Maher wrote:

 

>I have seen the will yes. I have also seen many documents

>(contracts for foreign publication rights etc. signed by

>Gabrielle Kerouac in the early 1970's)signed after the will

>which are almost 100% the same. The only slight change is the

>way the "c" at the end of Kerouac trails off. This is given to her

>invalid state. On this alone I came to my conclusion. There

>were other documents that sealed my decision that the

>will/forgery claim is a fraud. For instance, what made the

>signature look funny to Ms. Jan Kerouac anyways?

 

Paul,

 

Hmm, if you are not a specialist in forensic science how can

you make this judgement w/o any empirical data?  This

goes for Jan's challenge as well.  I'm not sure if anyone has

looked at said signature, but by backing up your claim with

questioning Jan's expertise on this matter, I believe you've

discredited your own theory.  What makes your theory hold

water?  Is it that Gabrielle Kerouac was in an "invalid state?"

Sounds like hearsay to me.  Show me the $ Paul!!

 

Mike

=========================================================================

Date:         Mon, 26 May 1997 20:38:33 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Nick, uh, I mean Judith, uhh nick

In-Reply-To:  Message of Mon, 26 May 1997 10:49:33 -0400 from <bocelts@SCSN.NET>

 

Doesn't the notion of "fair use" only apply to published sources?

=========================================================================

Date:         Mon, 26 May 1997 21:00:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Paul Maher

 

> 

>Hmm, if you are not a specialist in forensic science how can

>you make this judgement w/o any empirical data?  This

>goes for Jan's challenge as well.  I'm not sure if anyone has

>looked at said signature, but by backing up your claim with

>questioning Jan's expertise on this matter, I believe you've

>discredited your own theory.  What makes your theory hold

>water?  Is it that Gabrielle Kerouac was in an "invalid state?"

>Sounds like hearsay to me.  Show me the $ Paul!!

> 

 

>Mike, i had meant that the will being compared to G. Kerouac's hand writ

specimen before her stroke is hardly proof or evidence. I never once said

mine was expert testimony. i was asked so I answered and made an opinion.

Take it for what it is worth. P.

=========================================================================

Date:         Mon, 26 May 1997 17:47:27 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         She-Ra <jennie42@ASU.EDU>

Subject:      questions about Jack's death

 

While reading Dharma Bums yesterday a good question happened into my

mind... Does anyone think that one of the forces contributing to Jack's

alcoholism and death was the internal conflict between his Buddhist and

Catholic beliefs?  I get the feeling that in his old (not really, but

lack of better word) age he was turning against all that he had done with

his life (shown in his dislike for the pranksters and such).. perhaps he

was feeling guilty, thus drank to lose feelings of guilt, and purposely

(as in leaving los vegas) drank himself to death? a slow suicide?  I'm

just wondering, perhaps someone can help me out with this one?

 

jennie

 

****** jennie42@asu.edu ******

 

#28     There is no sin-

        I know perfectly well

        where I am

                       -Jack Kerouac

 

WE ARE SEARCHING

FOR RATIONAL REASONS

FOR BELIEVING

IN THE ABSURD

     -Harold Norse (from the poem "Believing in the Absurd")

---------------------------------------

=========================================================================

Date:         Mon, 26 May 1997 18:08:15 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: A Note to the Peacekeepers

In-Reply-To:  <970526184408_1955964541@emout09.mail.aol.com>

 

On Mon, 26 May 1997, Jerry Cimino wrote:

 

> Folks, I'm embarrassed for you.  How can you keep silent allowing Anstee as

> well as Paul Maher to say the things they're saying about Nicosia?

> 

> It's one thing to want to see peace on the list.  That's fine if that's what

> you really want, but these guys are tossing everything but the kitchen sink

> at Nicosia and you sit silent! You should be flooding the list with notes to

> Anstee telling him how off base he is to bring private correspondance in to

> this!

> 

> Every person on this list is being party to keeping this thread alive by

> all

owing Anstee to get away unscathed with these ridiculous assertions.  I

> think Gerry has done remarkably well in maintaining his cool especially in

> light of Paul Maher's vitriolic posts.

> 

> Right is right, people, regardless of what you may think about Nicosia or

> "his cause".

> 

> Inaction is as much of a statement as action is.

> 

> 

> Jerry Cimino

> 

 

dear jerry and all: i applaud the above--but remember that not all have

been silent about such cheapjack shots at gerry; i posted yesterday (or

so) much the same--just got a couple of lame "Buuuuuuut" messages in

response. go ahead, in the spirit of levi and others, and "hold [nicosia]

to a higher standard" because he is a world-class k. scholar. this is,

btw, the gist of levi's post re: my anger at cheap shots gerry's way.

baloney, rancid baloney. nobody should be held to a higher standard than

anybody else, scholar or not. there's shit and then there's shit? nah,

just shit. it all has the same low barnyard whiff.

 

posting personal letters is waaaay out of line; yada yada yada--i'd like

to think jack and the twisted living ghost of bill b. will very soon loom

up out of the red darkness and rip the lungs out of the right (and wrong)

swine who scrunch down in the muddy shadows of the whole $$$$$ For

Kerouac Gig! and before some mutant includes nicosia as a $$$ For Kerouac

Guy, note that $7500 bucks ain't blood gravey in anyone's book. for

chrise rake, he was sellin' his own bio's archive--not peddling k's goods!

 

one day we'll all have to meet to drink bombs in a nether lowell or

tangiers--and the monsters will be sorted out and go directly to

shitholes in the deepest circles of dante's condo complex.

 

love and fuses,

 

steve

 

 

 

 

 

 

Steve R. Smith

Graduate Teaching Assistant

Department of English

Portland State University

Box 751 Portland, OR 97207

503-725-3556

=========================================================================

Date:         Mon, 26 May 1997 21:12:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: SAMPAS WHO? Re: a calm request

 

rinaldo,

 

        First off, please don't be out off by the Sampas name on 'kicks joy

darkness'. the CD is well worth getting. Jim is the son of Stella's brother

Mike - john Sampas is his uncle.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Mon, 26 May 1997 21:20:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Not Ashamed/Musing

 

James,

 

I don't agree with a lot of what you say in your "not ashamed post" and I'm

glad YOU used the "Good German" analogy and not me as I don't want to be

acused of calling anyone a Nazi/"Adolph Hitler apologist" or anything else.

 And I laughed out loud w/regard to your lightbulb joke!

 

James, I'm not a Nicosia groupie and I certainly don't genuflect at his

alter.  Quite frankly I think Gerry is off base on certain things.  I wish he

wouldn't accuse everybody who's ever heard of John Sampas as being in bed

with him.  I think that's counter-productive and hurts his cause and

alienates people who could otherwise be his allies.

 

The point though, James, is Nicosia is inextricably intertwined with the

cause of Saving Jack's Archives.  You and many others obviously don't think

that is a good thing, but I do and Nicosia is the only person doing anything

about it.  He's leading the charge!  I don't see anybody else raising their

hand to do it.  I certainly couldn't do it even if I wanted to try.  And I

don't think there is one other person out there who could.  With Jan dead

there is no one else.  Nicosia is it, whether anyone (including him!) likes

it or not.

 

And you'll note, James, I didn't ask anyone to stand up for Nicosia.  I asked

people to put Rod in his place with regard to making false and/or

unsubstantiated claims.  There is a difference.

 

Like I said I don't agree with everything Gerry says or does but I do think

he's right to try to save Jack's Archives.

 

Jerry Cimino

=========================================================================

Date:         Mon, 26 May 1997 21:19:08 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Beat-l

 

Enough is enough.  Sure, the Kerouac Estate is meat for discussion but

this listdoes NOT exist for listmembers to curse at each other and

insult one another personally.  If you want to do this, I'll say again,

TAKE IT OFF THE LIST!

=========================================================================

Date:         Mon, 26 May 1997 21:33:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: A Note to the Peacekeepers

 

Steve/Whisky,

 

I noted your response to Levi' post the other day.  I was heartened to see

it, but posts like yours have been few and far between as we all know.

 

Frankly, I was also heartened to see Levi's post as well.  I thought it was a

very well reasoned and impassioned plea to Gerry to recognize people Gerry

percieves as enemies aren't necessarily out to hurt him.  I personally think

that is the case with both Levi and Atilla.  Just because Dharma Beat accepts

an ad from Viking/Penguin does not mean Atilla is in bed w/Sampas as Gerry

seems to think.  I can say that from my perspective, but I can also

understand Gerry's perspective as well.

 

When my wife and I owned our coffeehouse/bookstore and were losing our shirts

it was very easy for us to view our regular customers who walked in with a B.

Dalton's bag full of books or a Starbuck's cup of coffee as "disloyal" who

didn't give a damn about us and our business.  We learned very quickly that

people will always do what is in their own best interest.  We all do that.

 And if somebody could save a few bucks by going to B. Dalton or if

Starbuck's happened to be closer to where they were when they got the urge

for a cup of coffee, they weren't doing anything against us... they were just

doing what they thought was best for them.

 

And that's how I view Atilla taking advertising from Viking.  That doesn't

have to make him Gerry's enemy.  But take it from one who knows, when you're

in the heat of battle, anyone who isn't shooting in the same direction as you

is the enemy!  Maybe it shouldn't be that way, but it's human nature that it

is.

 

Jerry Cimino

=========================================================================

Date:         Mon, 26 May 1997 18:43:08 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Not Ashamed/Musing

 

Jerry Cimino wrote:

> 

> James,

> 

> I don't agree with a lot of what you say in your "not ashamed post" and I'm

> glad YOU used the "Good German" analogy and not me as I don't want to be

> acused of calling anyone a Nazi/"Adolph Hitler apologist" or anything else.

>  And I laughed out loud w/regard to your lightbulb joke!

> 

> James, I'm not a Nicosia groupie and I certainly don't genuflect at his

> alter.  Quite frankly I think Gerry is off base on certain things.  I wish he

> wouldn't accuse everybody who's ever heard of John Sampas as being in bed

> with him.  I think that's counter-productive and hurts his cause and

> alienates people who could otherwise be his allies.

> 

> The point though, James, is Nicosia is inextricably intertwined with the

> cause of Saving Jack's Archives.  You and many others obviously don't think

> that is a good thing, but I do and Nicosia is the only person doing anything

> about it.  He's leading the charge!  I don't see anybody else raising their

> hand to do it.  I certainly couldn't do it even if I wanted to try.  And I

> don't think there is one other person out there who could.  With Jan dead

> there is no one else.  Nicosia is it, whether anyone (including him!) likes

> it or not.

> 

> And you'll note, James, I didn't ask anyone to stand up for Nicosia.  I asked

> people to put Rod in his place with regard to making false and/or

> unsubstantiated claims.  There is a difference.

> 

> Like I said I don't agree with everything Gerry says or does but I do think

> he's right to try to save Jack's Archives.

> 

> Jerry Cimino

 

 

Jerry,

 

I agree with you more than you think.  I think the real problem is that

Gerry is so damn conspiracy driven that he fatally hurts his own cause.

I've always said, he may well be right, but he loses all credibity with

me by the "in bed" with SAmpas think.  Let him win in court.  He isn't

going to court against Anastee or Maher but the Sampas family.  l hope

there is an archive, but I doubt it will happen, because as I said

earlier that as long as Sampas and Lash control 2/3's I don't see how

anyone will be able to work with Nicosia.  It would have to be his way

or the highway.  Maybe I read him wrong, but he certainly doesn't come

off as capable of compromising with the Sampas people at all.

 

In his last backchannel to me he was explaining to me how essentially he

is responsible for everything Ann Charters knows about Jack.  She speaks

respectfully of him, he can't mention her without remembering that she

didn't take his side with Jan.  Maybe Jan was an angel, or maybe she was

hard to deal with--I don't know, but it seems to me that Ann's failure

to join Jan's cause doesn't just wipe out her biographical and editing

achievements.

 

Frankly, I keep vowing to shut up and only post things like Mitchell's.

James

=========================================================================

Date:         Mon, 26 May 1997 21:51:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rod Anstee <Nastees@AOL.COM>

Subject:      Re: Memory Babe Archive

 

In a message dated 97-05-26 14:03:18 EDT, you write:

 

 

>        NONE OF THE XEROXES I SOLD TO LOWELL WERE THE PROPERTY OF OTHER

LIBRARIES.  GOT THAT?

> 

Sorry, I'm still confused here Gerry. Are you saying that amongst the stuff

you transferred to the library in Lowell in 1987, there was absolutely no

material that was the property of other libraries, or are you saying that the

part you "sold" was free of this class of material, and that any material of

this kind was simply "donated" instead. You know that there WAS material of

this sort in the archive, or at least back then you indicated as such -- some

people seem to get upset when I quote directly from your letters from 1987,

so without quoting directly this time, I can refer to another letter in which

you specifically mentioned, for example, that your copies of the JK/Cowley

letters had been transferred to Lowell amongst the rest of the archive. As

you know, that material (in original form) has a home in the Newberry

Library. Are you saying now that the Cowley letter (xeroxes) were never

transferred? The date on the letter I'm not going to quote from is 25

October, 1987. Was your statement about them in that letter wrong?

Unfortunately we weren't discussing the JK/AG correspondence at the time, so

I have no contemporary references to them.

CHEERS Rod (Yes, soccer went well, thanks.)

=========================================================================

Date:         Mon, 26 May 1997 21:47:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      10 most important

 

1) ON THE ROAD

        2) THE DHARMA BUMS

        3) DR. SAX

        4) THE SUBTERRANEANS

        5) VISIONS OF GERARD

        6) VISIONS OF CODY

        7) VANITY OF DULUOZ

        8) BIG SUR

        9) DESOLATION ANGELS

        10) MEXICO CITY BLUES

 

I like Satori (sp?) in Paris.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 21:50:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: New York Public Library (final post, this time I mean it)

 

Gerald Nicosia wrote:

 

> <snip the whole thing>

>         Best always, Gerry Nicosia

 

Damn, that was an informative post, whatever the motivation, Gerry, I

hope you will not unsubscribe.  I would like to know more.  Just get a

thicker skin.  Please.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 22:00:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Letter to Mayo

 

Bentz,

 

        Gerry has already pointed out that it was not Mayo who negotiated

the purchase from Gerry.

 

* "In a way I am quite surprised, in retrospect, that Martha Mayo agreed to

* purchase these in the first place, knowing that many of them (originals) are

* the property of other libraries."

 

        I believe Gerry has intimated - although Rod pushed the point in a

leter post - that the Columbia letter was not part of the purchase/donation.

 

*  He goes on to then state that Gerry Nicosia

* sold to your library a photocopy of a letter from Jack Kerouac to Allen

* Ginsberg dated April 8, 1952 even though it has the instructions on it

that the

* copy is to be returned to Columbia University.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Mon, 26 May 1997 21:56:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Nick, uh, I mean Judith, uhh nick

 

Bill Gargan wrote:

 

> Doesn't the notion of "fair use" only apply to published sources?

 

 I don't know about copyright law and am asking for those who do to

enlighten us.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 22:01:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rod Anstee <Nastees@AOL.COM>

Subject:      Re: Post on Archives

 

In a message dated 97-05-26 15:25:25 EDT, you write:

 

>" But no xerox that was owned by another library was

>included in the body of material that was finally transferred to U Mass,

>Lowell.

> 

 Ah, since he makes this statement with crystal clarity,  why pussyfoot

around!? Here's what Gerry wrote to me 25 October, 1987:

 

"I didn't get time to go through the Cowley letters which are now on deposit

in Lowell, at the U. of Lowell, but will remain a locked collection till

Martha Mayo gets it all catalogued."

 

I fear it's a contradiction, our Gerry.

=========================================================================

Date:         Mon, 26 May 1997 19:06:46 -0700

Reply-To:     david@cyberwarecom.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David McClusky <david@CYBERWARECOM.COM>

Organization: CyberWare Communications (http://www.cyberwarecom.com)

Subject:      Beat Generation Essay

 

Hey everyone..

 

I have posted a very rough draft (uncompleted) on an essay I am writing

on the Beat Generation for my high school english class.  If anyone

wants to take a look at it and give me their thoughts thanks. (remember,

high school english.)

 

The address is http://www.cyberwarecom.com/david/beatgen.htm

 

Thanks!

 

David McClusky

=========================================================================

Date:         Mon, 26 May 1997 19:15:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Calling Bill Gargan

 

                                        May 26, 1997

 

        Did anyone pick up on the fact that Rod Anstee, after accusing me of

selling stolen items, proceeded to print one of my private letters on the

internet (the equivalent of publishing it), in complete violation of my own

copyright in my unpublished writings (which includes my correspondence)?

        I.e., Mr. Anstee has committed the crime of copyright infringement

right in front of all your eyes.

        I call on Bill Gargan to stop this kind of rogue activity

immediately, and if Mr. Anstee will not desist from such criminal behavior,

to cut off his Beat-List privileges.

        Thank you.

                                                Yours truly,

                                                Gerald Nicosia

=========================================================================

Date:         Mon, 26 May 1997 19:37:50 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Mr. Anstee Continues Breaking the Law

Comments: cc: WXGBC@CUNYVM.CUNY.EDU

 

To Rod Anstee:      May 26, 1997

 

        You are breaking the law (copyright infringement) by printing my

private, unpublished letters on the Beat-List.  If this continues, I will

have to take legal action against both you and the Beat-List.

        I therefore call upon Mr. Bill Gargan to suspend Mr. Anstee's

Beat-List privileges at once, as he refuses to stop this rogue behavior.

        Mr. Anstee has no knowledge of my relationship with the Newberry

Library or any other library, under what conditions and restrictions copies

were made, etc.  He nevertheless continues to throw aspersions at me,

insinuating that I have somehow sold stolen materials, which is a clear

defamation of my character.

        I repudiate all his accusations, and will hold him accountable for

every one of them.

        Yours truly,

        Gerald Nicosia

=========================================================================

Date:         Mon, 26 May 1997 21:41:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: A Note to the Peacekeepers

 

Steve Smith a.k.a. Whiskey Wordsmith wrote:

 

> one day we'll all have to meet to drink bombs in a nether lowell or

> tangiers--and the monsters will be sorted out and go directly to

> shitholes in the deepest circles of dante's condo complex.

> 

 

please make sure i get invited to this ....

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 26 May 1997 22:45:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Rod Is Off Base!

 

Rod,

 

Why do you insist on making the MEMORY BABE Archive the issue, here?

 

The issue is Jack's Archives, not Nicosia's.

 

Jack Kerouac is the author we're concerned about here.  Why do you insist on

making Nicosia the issue.

 

Rod, I can't tell you how disillusioned I am with you that you would make

private correspondance with Gerry public to support your position here.   You

are a very low human being indeed.  I won't ever trust another word you say.

 This is dispicable!

 

TO EVERYONE ELSE ON THE BEAT-L:  Here's what you get for keeping silent.  If

any of you have ever sent Anstee a letter I'd be looking over what you wrote

if I were you!

 

 

Jerry Cimino

=========================================================================

Date:         Mon, 26 May 1997 21:55:44 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Mr. Anstee Continues Breaking the Law

 

Gerald Nicosia wrote:

> 

> To Rod Anstee:      May 26, 1997

> 

>         You are breaking the law (copyright infringement) by printing my

> private, unpublished letters on the Beat-List.  If this continues, I will

> have to take legal action against both you and the Beat-List.

>         I therefore call upon Mr. Bill Gargan to suspend Mr. Anstee's

> Beat-List privileges at once, as he refuses to stop this rogue behavior.

>         Mr. Anstee has no knowledge of my relationship with the Newberry

> Library or any other library, under what conditions and restrictions copies

> were made, etc.  He nevertheless continues to throw aspersions at me,

> insinuating that I have somehow sold stolen materials, which is a clear

> defamation of my character.

>         I repudiate all his accusations, and will hold him accountable for

> every one of them.

>         Yours truly,

>         Gerald Nicosia

 

it has been years since I read anything concerning copyright law.  i

primarily was concerned with fair use in relation to montage art.  i

must admit to skimming much of Nimmer's duller moments on other

subjects.  it seems doubtful to me that the "recipient" of a letter does

not have equal liberty to use the material as s/he sees fit.  i have no

legal library at my disposal currently to test this doubt.  if you're

familiar with particular copyright laws which have been violated, it

would help those of us who observe this foray if you would point to them

in your public accusations.  i hope that others have caught the grand

irony in your publicly accusing others of crimes after having chastised

others for self-same action merely days ago.

 

i hope you have a pleasant evening.  i'm off to peruse more of Dharma

Lions.  Today's postings have soiled my eyes to reading anything further

about Jack which is a shame i suppose.

 

david rhaesa

=========================================================================

Date:         Mon, 26 May 1997 23:09:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: A Note to the Peacekeepers

 

RACE --- wrote:

 

> Steve Smith a.k.a. Whiskey Wordsmith wrote:

> 

> > one day we'll all have to meet to drink bombs in a nether lowell or

> > tangiers--and the monsters will be sorted out and go directly to

> > shitholes in the deepest circles of dante's condo complex.

> >

> 

> please make sure i get invited to this ....

> 

> david rhaesa

> salina, Kansas

 

 David:

 

I think I would prefer to watch from a safe distance.  :-)

 

What about trading for Duncan  ooopppsss, wrong list.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 00:01:38 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: spontaneous sidewalk re-worked.

 

Marie Countryman wrote:

> 

> thinking about kerouac

> or,

> spontaneous sidewalk

> 

> what is it with me, lately?

> i keep buying books.

>                 i'm poor

>                         but would rather go hungry

>                                 than be hungry for words

> i want to be a writer.

>                 i read lots of writers

>                         lots of poetry

>                                 lots of prose

>                                         lots of writers writing about writing

>                                                 and critics who write about

>         them,

> until i get  to feeling like the quaker oats man

>                 who is pictured on the label

>                         holding another quaker box

>                                                 with a little

>                                                         quaker man, holding,

>                         you  know?

> i mean, when does he ever eat the oatmeal?

> i throw over my captors,

> selfconsciouness and fear,

> and break free

> and up from the depths of my

> inarticulate soul

> the voices spoke to me of kerouac,

> and

> word sketches writ down in the moment.

> 

> now i stop all thought,

> and, suddenly,

> finally !

>         i am left with IT!

>                 jack 's

>                         spontaneous prose

>                                 writ in humble small  pad

>                                          full of word sketches

>                                 novels

>                         poetry

> 

>                 prose

> and

> emboldened,

> out i go, tiny pad in pocket

> looking avidly for

> the perfect

> poetic moment

> to capture in words,

> a stupenousllyspontaenously

> experience of IT

> 

>  and so, i go, casting

> eyes to sky

> and down to

> earth

> & cement.

> 

> i walk quite a bit,

> and then further.

> no epiphanies.

> my pad begins to sweat.

> 

> i stop.

> and then i look about.

> i am standing

> in the midst

> of a cheery

> hop scotch

> scrawled in blue chalk.

> 

> i had my note pad ready

> to capture it all,

> a fine lot of  writing

>         to be done in the moment,

>                 a frenzy of scribbling

>                         of making it new,

> until, quite suddenly,

> despite  lingering winter chill

> i stood enveloped in the warmth of

> twilight  days

> of summer.

> mothers' voices on the breeze

> giving last call for play

> with

>          just

>                 one

>                          more

>                                 game

>                 of hop scotch,

>         marbles, jumprope

> kick the can ...  (allly ally outs in free.....

>         voices called out

>                         in my mind)

> 

> on a sunlit afternoon this spring

> i stood in twilight summer haze

> feeling once again

> dirty hands and sticky faces,

> bare feet on dewy grass...

>                         touch

>                                 taste

>                         sight

>                 sounds

>         alive!

> 

>  i stood before the chalked outlines

> scribbling furiously.

> ithen dashed off

> to read my pocket ful of

> sketched

> impressions,

> literary

> allusions,

> and all things real with potency.

> 

> yes, i feel like a real poet now.

> 

> as i

> sit down excitedly

> to transcribe my notes

> and  fashion a  pome.

> i open my notebook :

> no words at all,

> only the sketch

> of  hopscotch blocks,

> blue chalk and all.

> 

> @mc/517/97

> revised 5/26/97

 

 

Thanks for an excellent poem and one of the two out of 50 posts that did

not involve name-calling or legal action.  Tomorrow, Tuesday, let's have

everyone on the list post one poem, story, or idea about beat literature.

 I bet there are about 200 people out there that want to do just that.

I'll start myself first thing in the morning.

=========================================================================

Date:         Mon, 26 May 1997 23:16:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: A Note to the Peacekeepers

 

                                                H

                                H                               H

                H

H

A

 

                H

H

                                H                               H

                                                H

 

 

 

 

 

                                                                        {8^>

=========================================================================

Date:         Mon, 26 May 1997 23:20:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: spontaneous sidewalk re-worked.

 

Diane Carter wrote:

 

> <snip absolutely sweet marie>

> 

> Thanks for an excellent poem and one of the two out of 50 posts that

> did

> not involve name-calling or legal action.  Tomorrow, Tuesday, let's

> have

> everyone on the list post one poem, story, or idea about beat

> literature.

>  I bet there are about 200 people out there that want to do just that.

> 

> I'll start myself first thing in the morning.

 

  Diane,

 

I am down with that.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 26 May 1997 23:28:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: questions about Jack's death

 

At 05:47 PM 5/26/97 -0700, jennie wrote:

 

>While reading Dharma Bums yesterday a good question

>happened into my mind... Does anyone think that one

>of the forces contributing to Jack's alcoholism and death

>was the internal conflict between his Buddhist and

>Catholic beliefs?  I get the feeling that in his old (not really,

>but lack of better word) age he was turning against all that

>he had done with his life (shown in his dislike for the

>pranksters and such).. perhaps he was feeling guilty, thus

>drank to lose feelings of guilt, and purposely (as in leaving los

>vegas) drank himself to death? a slow suicide?  I'm

>just wondering, perhaps someone can help me out with

>this one?

 

Hey Jennie,

 

Thought I'd throw this at ya:

 

from _Tristessa_ ~ Jack Kerouac

 

                                                * * * * *

"EL INDIO GOES out and gets meat sandwiches and now

the cat goes mad yelling and mewing for some and El Indio

throws her off the bed--but Cat finally gets a bite of meat

and ronches at it like a mad little Tiger and I think "If she

was as big as the one in the zoo, she'd look at me with big

green eyes before eating me."  I'm having a fairy tale of

Saturday night, having a good time actually because of

the booze and the good cheer and the careless people--

enjoying the little animals--noticing the little Chihuahua

pup now meekly waiting for a bite of meat or bread with

her tail curled in and woe, if she ever inherits the earth

it'll be because of meek--Ears curled back and even

whimpering the little Chihuahua smalldog fear-cry--

Nevertheless she's been alternately watching us and

sleeping all night, and her own reflections on the

subject of Nirvana and death and mortals biding time

till death, are of a whimpering high frequency terrified

tender variety--and the kind that says 'Leave me alone,

I am so delicate' and you leave her alone in her little

fragile shell like the shell of canoes over the ocean deeps--

I wish I could communicate to all these creatures and

people, in the flesh of my moonshine goodtimes the cloud

mystery of the magic milk to be seen in Mind's Deep

Imagery where we learn that everything is nothing--in

which case they wouldnt worry any more, except after the

instant they think to worry again--All of us trembling in

our mortality boots, born to die, BORN TO DIE I could write

it on the wall and on Walls all over America--Dove in wings

of peace, with her Noah Menagery Moonshine Eyes; dog

with clitty claws black and shiny, to die is born, trembles in

her purple eyes, her little weak bloodvessels down the ribs;

yeah the ribs of Chihuahua, and Tristessa's ribs too,

beautiful ribs, her with her aunts in Chihuahua also

born to die, beautiful to be ugly, quick to be dead, glad to

be sad, mad to be had--and the El Indio death, born to

die, the man, so he plies the needle of Saturday Night

every night is Saturday night and goes wild to wait, what

else can he do,--The death of Cruz, the drizzles of religion

falling on her burial fields, the grim mouth planted in the

satin of the earth coffin, . . . I moan to recover all that magic,

remembering my own impending death, 'If only I had the

magic self of babyhood when I remembered what it was

like before I was born, I wouldnt worry about death now

knowing both to be the same empty dream'--But what will

the Rooster say when it dies, and someone hacks a knife

in its fragile chin--And sweet Hen, she who eats out of

Tristessa's paw a globule of beer, her beak miffling like

human lips to chirn up the milk of the beer--when she

dies, sweet hen, Tristessa who loves her will save her

lucky bone and wrap it in red thread and keep it in her

belongings, nevertheless sweet Mother Hen of our Arc

of Noah Night, she the golden purveyor and reaches so

far back you can't find the egg that prompted her outward

through the first original shell, they'll hack and whack

at her tail with hacksaws and make mincemeat out of

her that you run through an iron grinder turning handle,

and would you wonder why she trembles from fear of

punishment too?  And the death of the cat, little dead rat

in the gutter with twisted yickface--I wish I could

communicate to all their combined fears of death the

Teaching that I have heard from Ages of Old, that

recompenses all that pain with soft reward of perfect silent

love abiding up and down and in and out everywhere past,

present, and future in the Void unknown where nothing

happens and all simply is what is.  But they know that

themselves, beast and jackal and love woman, and my

Teaching of Old is indeed so old they've heard it long

ago before my time.

 

I become depressed and I gotta go home.  Everyone of

us, born to die."

 

                                                * * * * *

 

Thought this might fit in to your question, somewhere?

I was just re-reading this and stumbled across this part

last night, your question brought back some of the

same questions floating through my skull.  I'll get

back to this when I have time, but I thought you

might like the text?

 

Mike

 

Mike

=========================================================================

Date:         Mon, 26 May 1997 23:59:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Well, as if I have not already asked for it, and then this

 

Well, I don't know if he did, but a person told me he forwarded to the

list a poem I wrote back in 1976 or so about Jack and Allen.  If not, I

will dig it out and post it.  But in an effort to begin to get more

literary and expose myself to full critisim, I am going to post a couple

of poems I wrote back in 1973 or so when I first started reading beats.

I was exposed to Ferlinghetti and Corso in a college lit class and

before reading Jack, decided that I was going to be a poet like them and

Ginsberg.  So, this is what stumbled out.  I figure everyone's pissed at

me anyway, so why not some bad teenage poetry to boot.

 

Solitary Rider

 

Solitary rider,

Distant strider,

me, alone, apart.

Traveling free

Of chains that hold

Some men back.

(They don't hold me,

These chains,

I must break free.)

Search, quest,

Else I am doomed,

To spend my life

With these chains upon my heart.

 

Bentz Kirby, 1973

Baptist College at Charleston, South Carolina

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 00:16:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         George Russell <CodyPomera@AOL.COM>

Subject:      Re: 10 most important

 

I hope not in any order?

=========================================================================

Date:         Tue, 27 May 1997 00:13:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Ma Tucker

 

This is one I never finished.  I figured it was beyond my reach and was

really a short story.

 

Ma Tucker's, Reasonable Rates

 

On this dusty sofa, in her mother's den,

She sits, renting rooms for $5.00 a night.

I stayed there once.

Upon leaving, it was Sunday and

Texaco played an opera on the radio.

Suppose she was 45, looked 65,

Beaten look, boredom had written

The lines in her face with a sharpe pen.

Life for her was over,

I could not see her eyes.

 

She looked at us,

Kristi, me, and said,

"You are so lucky.

I envy you.

You are so young,

And have your lifes before you.

And you have each other,

and me, ...."

 

Just then, I say a light, that was gone again.

 

Her mother, Ma Tucker, turned,

"You have me."

She patted her mother's hand

With more love than I could understand.

"Yes, mother, I have you."

 

She gave us advice about

Living each day as it comes,

To love each other,

And we looked into each other,

Kristi and I and saw the same.

We could not

Ease her pain.

We could not take her with us,

So we left her there,

With her mother,

And they rent rooms,

$5.00 a night.

Reasonable rates,

At any hotel.

 

--

 

Typing this brings a particular sadness to my heart.  About one year

ago  at the age of 39, Kristi committed suicide.  The sadness is deep

and  I miss her pained spirit.  But needless to say, we were not who Ma

Tuckers daughter thought us to be.  This is almost word for word and is

not really a poem.   Just an observation.

 

Peace,

 

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 00:36:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julie Hulvey <JHulvey@AOL.COM>

Subject:      The cat-fight

 

Walt and Deanie's, a neighborhood bar

 50's style hole in the wall

their specialty pork tenderloins

and a 3:00 license

the place is a mecca

after last calls all over town

 

I'm savoring Miller Lite and mulling over my own tenderloin (barely nibbled)

 

when the proverbial cat-fight hits

at the very next table

a pregnant woman pitches a mixed drink on a chick in a miniskirt

which leads naturally to hairpulling and scratching

there are four of them

it's so dramatic

glass splinters on the brown linoleum

John Fogarty 's dark voice drones

my drinking buddy I see is glowing and twitching

she likes a fight

I say have your unneccesary fun but don't expect me to jump in behind you

I have to say it loud, over the banshees and the furniture

she thinks a second

she rolls her glass in her hand

 

Suddenly big Walt's all around the sisters

he carries them out the door still hissing a little

the gravid one wails

"But she called me a slut"

"Honey, you're all sluts"

explains Walt,

patiently

=========================================================================

Date:         Tue, 27 May 1997 00:44:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rod Anstee <Nastees@AOL.COM>

Subject:      Re: Rod Is Off Base!

 

At least I'm not being accused of mis-quoting!

=========================================================================

Date:         Tue, 27 May 1997 00:44:54 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Memory Babe Archive

 

Reply to message from Nastees@AOL.COM of Mon, 26 May

 

>In a message dated 97-05-26 14:03:18 EDT, you write:

> 

> 

>>        NONE OF THE XEROXES I SOLD TO LOWELL WERE THE PROPERTY OF OTHER

>>LIBRARIES.  GOT THAT?

> 

>Sorry, I'm still confused here Gerry. Are you saying that amongst the stuff

>you transferred to the library in Lowell in 1987, there was absolutely no

>material that was the property of other libraries, or are you saying that the

>part you "sold" was free of this class of material, and that any material of

>this kind was simply "donated" instead. You know that there WAS material of

 

 

Didn't you read his original post?  He said he didn't necessarily donate

anything, that it was more or less all sold but at a lower price then it

was really worth so some of the stuff could be considered donated but

nothing was specifically tagged as being specifically donated!  (If my

paraphrasing is wrong, I'm sorry, go re-read the original post then.  I'm

only a very recent college graduate, no credentials of any kind, but Mr.

Nicosia's (sp?) original post made sense to me, at least...)

 

And....for everyone discussing this....since every legal loophole is being

dragged out, people do not xerox, they photocopy.  The sheet of paper is

not a xerox, it's a photocopy; Xerox is a registered trademark and is not

supposed to be used as a noun/verb.  Just read the Xerox advertisements in your

copy of _Writer's Digest_.  And the ones for Kleenex & Crayola Crayons &

for Day-Glo and Post-It Notes.  They're really quite amusing.

 

 

 

>this sort in the archive, or at least back then you indicated as such -- some

>people seem to get upset when I quote directly from your letters from 1987,

>so without quoting directly this time, I can refer to another letter in which

>you specifically mentioned, for example, that your copies of the JK/Cowley

>letters had been transferred to Lowell amongst the rest of the archive. As

>you know, that material (in original form) has a home in the Newberry

>Library. Are you saying now that the Cowley letter (xeroxes) were never

>transferred? The date on the letter I'm not going to quote from is 25

>October, 1987. Was your statement about them in that letter wrong?

>Unfortunately we weren't discussing the JK/AG correspondence at the time, so

>I have no contemporary references to them.

>CHEERS Rod (Yes, soccer went well, thanks.)

 

 

Is Mr. Nicosia on trial here?  How do any of these matters that you've

written about in this post really concern the Beat-L, Mr. Anastee (sp?)?

Why are you purposely trying to discredit Mr. Nicosia so that his arguments for

preserving Jack Kerouac's archives come off as tainted?  You aren't the

lawyer here.  Leave the poor guy alone & post something semi-relevant to

the other 198 (it's an aproximation) people on this list, please?

 

Diane Homza.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Tue, 27 May 1997 00:42:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      One last little thing on the poetry end

 

Falling

            In

                Love

Will never pain me again.

I am keeping my eyes OPEN

So I can see just when

                    To

               Fall

        Out

Again!

 

This one of my first word plays from back in the early 70's.  I don't

know if anyone is interested in more of the Toxic City, but how about

the meat counter, check  out and etc.  I wrote a good country, uh, not

you know that other word, song once about that.  Swinging Singles in the

Supermarket.  Oh well, as I always say, I wish I was as funny as  I

think I am.

 

Off to build a beat link page.  I guess I'll list Levi first.  But, why

can't I get into the Cosmic Baseball site.  Let me hear from you

Clark@clark.clark.net.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 00:47:57 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Ma Tucker

 

Reply to message from bocelts@SCSN.NET of Tue, 27 May

 

 

>Ma Tucker's, Reasonable Rates

 

(snipped)

 

>--

> 

>Typing this brings a particular sadness to my heart.  About one year

>ago  at the age of 39, Kristi committed suicide.  The sadness is deep

>and  I miss her pained spirit.  But needless to say, we were not who Ma

>Tuckers daughter thought us to be.  This is almost word for word and is

>not really a poem.   Just an observation.

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

 

 

still very touching :)  thanks for sharing it!

 

Diane.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Tue, 27 May 1997 00:53:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Allen's Memorial

 

Not meaning to break the estate thread (SURE, I don't mean to!) -- but  I

would like to know if anyone else plans to attend the June 8th memorial in

Paterson for Allen.  I'm lucky -- I live across the river (or down the

highway, depending how you go) and will easily be there.

 

Just to bring Allen up for a sentence of two more.  I was thrilled to see his

poem in the New Yorker mention his reading year long past at Montclair State

Teachers College (a name long outgrown as that is now Montclair State

Univeristy).  I was then a wide-eyed freshman and, because of my friendship

with someone in charge of something (activities?  auditorium lighting?  Who

knows?), became part of the charmed circle who met the bearded gentle giant.

 Thirty years later, I consider that brief meeting a momentous occasion in my

life. He made a comment about sunshine and stars and my name.  (So, he was

charming as well.  Go figure!)

 

Dawn

=========================================================================

Date:         Tue, 27 May 1997 01:05:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Rod Is Off Base!

 

Rod wrote:

 

"At least I'm not being accused of mis-quoting!"

 

 

No Rod, you're only being accused of criminal activity!  Any mistake I've

ever made on the Beat-l has been an honest error.  You on the other hand

enjoy hurting people.  Tearing at them.  Betraying their confidence.

 

You're a real stand up guy, Rod!

 

 

Jerry Cimino

=========================================================================

Date:         Tue, 27 May 1997 00:04:12 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Charlie and billie were travelers

 

Charley Plymell and son billy arrived in Lawrence aroung 5: to a

memorial mixed family, hippy and suit shrimp dinner, jim McCrary and Sue

Brussoue (David Ohles wife) welcomed him,  H stood ranting over me

quietly as I write.

Patricia

=========================================================================

Date:         Tue, 27 May 1997 00:47:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: questions about Jack's death

 

She-Ra wrote:

> 

> While reading Dharma Bums yesterday a good question happened into my

> mind... Does anyone think that one of the forces contributing to Jack's

> alcoholism and death was the internal conflict between his Buddhist and

> Catholic beliefs?  I get the feeling that in his old (not really, but

> lack of better word) age he was turning against all that he had done with

> his life (shown in his dislike for the pranksters and such).. perhaps he

> was feeling guilty, thus drank to lose feelings of guilt, and purposely

> (as in leaving los vegas) drank himself to death? a slow suicide?  I'm

> just wondering, perhaps someone can help me out with this one?

> 

> jennie

> 

> ****** jennie42@asu.edu ******

> 

> #28     There is no sin-

>         I know perfectly well

>         where I am

>                        -Jack Kerouac

> 

> WE ARE SEARCHING

> FOR RATIONAL REASONS

> FOR BELIEVING

> IN THE ABSURD

>      -Harold Norse (from the poem "Believing in the Absurd")

> ---------------------------------------

 

i think about that conflict often.  imagining the pope and zen master in

a fist fight over whiskey at Joe's bar and grill.  certainly a lesson in

accepting opposites.  such strains Affect the psyche i guarantee.

 

david rhaesa

=========================================================================

Date:         Tue, 27 May 1997 03:27:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Late night and Kicks Joy Darkness

 

Kicks, Joy, Darkness

some selected readings suggested while listening to the KJC CD.

 

Lord Byron. 1788-1824.

... Still from the fount of joy's delicious springs

... On with the dance! let joy be unconfined;

... And storm and darkness! ye are wondrous strong,

... And I have loved thee, Ocean! and my joy

... There 's not a joy the world can give like that it takes away.

... All who joy would win

... From crowns to kicks, according to their vices. 38

 

Joy, Darkness

 

William Shakespeare. Macbeth.

... The instruments of darkness tell us truths,

... I drink to the general joy o' the whole table.

 

John Milton. 1608-1674.

... No light, but rather darkness visible.

... Where joy forever dwells: hail, horrors!

... With joy and love triumphing.

... Such joy ambition finds.

... Of darkness till it smil'd!

... May sit i' th' centre and enjoy bright day;

... Enjoy your dear wit and gay rhetoric,

 

Alexander Pope. 1688-1744.

... And more true joy Marcellus exil'd feels

... And universal darkness buries all.

... Who ne'er knew joy but friendship might divide,

... The melancholy joy of evils past:

... (The good man prolongs his life; to be able to enjoy one's past life

is to live twice).--Martial, x.

237.

 

Henry W. Longfellow. 1807-1882.

... The day is done, and the darkness

... Must love and joy and sorrow learn;

 

Robert Browning. 1812-1890.

... For life, with all it yields of joy and woe,

... Of pain, darkness, and cold.

 

James Russell Lowell. 1819-1891.

... And the choice goes by forever 'twixt that darkness and that light.

... Joy comes, grief goes, we know not how.

 

Old Testament.

... The land of darkness and the shadow of death.

... Beautiful for situation, the joy of the whole earth, is Mount Zion,

22

... the city of the great King.

... Nor for the pestilence that walketh in darkness; nor for... the

destruction that wasteth at noonday. 37

... Give unto them beauty for ashes, the oil of joy for mourning, the

garment of praise for the spirit of

heaviness.

... The hill of Sion is a fair place, and the joy of the whole

earth.--Ibid.

... For the pestilence that walketh in darkness, nor for the sickness

that destroyeth in the

noonday.--Ibid.

=========================================================================

Date:         Tue, 27 May 1997 11:00:17 +0200

Reply-To:     smeraldo.press@iol.it

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ufficio Stampa Teatro Smeraldo <smeraldo.press@IOL.IT>

Organization: Teatro Smeraldo

Subject:      Jack & Jazz

 

Hi everybody!

from the "cloudy shores of Italy", I have two questions to ask you:

- which kind of LIVE jazz was jack kerouac used to listen to during his

life? I mean: in which jazz clubs did he go often to, in which towns and

in which period? Do exist any LETTER (apart from references contained in

published books) in which these details are booked, or does he remember

any live jam session or jazz musician he met or knew?

- who are the jazz musicians playing with him during his Mexico City

Blues and On The Road reading recording? I have a "copy-of-the-copy" of

that tape and no one could tell me when, where and with whom it was

recorded...

 

Thank you very much for your help.

Bye, Laura :.)

--

Laura Moja

Ufficio Stampa

Teatro Smeraldo

smeraldo.press@iol.it

http:/www4.iol.it/smeraldo

=========================================================================

Date:         Tue, 27 May 1997 05:21:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: A Note to the Peacekeepers

In-Reply-To:  <970526184408_1955964541@emout09.mail.aol.com>

 

hey jerry:

usually i am an active participant in restoring peace to the list, as many

here may know. actually, i had unsubbed, then when i returned, i came into

the fur flying and furiously long posts, took me a long time to get my

sealegs.

i've held off until i could read all of mr anstee's voluminous and

vitriolic posts, a dirty job, but in interests of truth and some justice,

i had to sort this whole danged mess out.

and rod

i'm not in the least surprised to find you up to your usual tricks, just

sad to see that once again, you rely on acid rather than your own batteries.

mc

-to live outside the law you must be honest - i think bob dylan sed that...

=========================================================================

Date:         Tue, 27 May 1997 05:21:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: To the Peacemakers...

In-Reply-To:  <9704268646.AA864695151@Mail.ff.cc.mn.us>

 

wes wrote

>Hello, Jerry!  Well, I'll tell you what: there's a reason I never post

>anything

>to Rod Anstee.  I still remember the crap he threw at Ron Whitehead (not to

>mention others).  He's a man with his own agenda, and he does what strikes his

>fancy... whether anybody "puts up with it" or not.  Silence is not being party

>to him.  So, since my inaction is a statement, let the statement be I

>won't be a

>party to any of it, nor will I let someone like Anstee dictate any of my

>actions

>or reactions.  As I posted in an open letter to Gerry Nicosia, I believe he's

>made his point, and made it well.  The other guys are just making asses out of

>themselves... my impression is that they like to make asses of themselves.

> 

>Why should I waste my time posting to them?  It won't change anything they do.

>Only reasonable people listen to reasonable voices.

> 

>All the best, ---Wes

*****************

hello wes! couldnt agree more, and believe i said same the last time rod

bullied one of our angels off list, i still miss ron whitehead, too, wes.

and i dislike bullies intensely.

yrs

mc

=========================================================================

Date:         Tue, 27 May 1997 05:21:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      send lawyers guns and money the shit has hit the fan

In-Reply-To:  <1.5.4.32.19970526194611.006b2538@pop.pipeline.com>

 

gads.

mc

=========================================================================

Date:         Tue, 27 May 1997 06:44:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      any one know if this is still in print?

In-Reply-To:  <970526224507_2086822789@emout14.mail.aol.com>

 

 Elegiac Feelings American and was published in

paperback by New Directions Books

333 Sixth Avenue

New York, NY  10014

____________

i so enjoyed rBk's quotations and would love to get my hands on a copy.

thanks all.

mc

=========================================================================

Date:         Tue, 27 May 1997 06:44:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Ma Tucker

In-Reply-To:  <338A5F51.AB136E36@scsn.net>

 

rBk wrote (snip fore and aft)

 

>She gave us advice about

>Living each day as it comes,

>To love each other,

>And we looked into each other,

>Kristi and I and saw the same.

>We could not

>Ease her pain.

>We could not take her with us,

>So we left her there,

>With her mother,

>And they rent rooms,

>$5.00 a night.

>Reasonable rates,

>At any hotel.

> 

>--

> 

>Typing this brings a particular sadness to my heart.  About one year

>ago  at the age of 39, Kristi committed suicide.  The sadness is deep

>and  I miss her pained spirit.  But needless to say, we were not who Ma

>Tuckers daughter thought us to be.  This is almost word for word and is

>not really a poem.   Just an observation.

____________

thanks, rBk. and the above quote is  poignantly poetic.

mc

=========================================================================

Date:         Tue, 27 May 1997 07:10:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         talk dirty to me <mutton@JANE.PENN.COM>

Subject:      Re: Rod Is Off Base!

 

i wish we all had i-phones so we could really rip

and tear. maybe even video conferencing

woo hooooo!!!

jeremy

 

----------

: From: Jerry Cimino <Bigsurs4me@AOL.COM>

: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: Subject: Re: Rod Is Off Base!

: Date: Tuesday, May 27, 1997 12:05 AM

:

: Rod wrote:

:

: "At least I'm not being accused of mis-quoting!"

:

:

: No Rod, you're only being accused of criminal activity!  Any mistake I've

: ever made on the Beat-l has been an honest error.  You on the other hand

: enjoy hurting people.  Tearing at them.  Betraying their confidence.

:

: You're a real stand up guy, Rod!

:

:

: Jerry Cimino

=========================================================================

Date:         Tue, 27 May 1997 08:15:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: send lawyers guns and money the shit has hit the fan

 

Thanx Marie,

 

Think I'll go throw on some Warren Zevon and do

the Wilbury Twist. {;^>

 

Mike

=========================================================================

Date:         Tue, 27 May 1997 07:31:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      "...a gum in your hand?!?"

 

    Jerry Cimino wrote:

 

 "...anyone who isn't shooting in the same direction as you

is the enemy!  Maybe it shouldn't be that way, but it's human nature that it

is."

 

        Which is why arguing with a 'gun' in your hand/mouth is such a bad,

and unworkable idea.

 

                ....always good to check one's spelling; I had 'gum' instead

of 'gun' first time!

 

        "If you're not with me, you must be against me." is a nice

simpifying assumption if you're choosing religious sides, but has no place

on the Beat list. We're all a little right and a little wrong with lots of

usable stuff in the middle..

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 27 May 1997 07:32:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Hoops anyone?

 

Anyone for a little hoops?      ...or pick up hurley? Crazy Irish game

seemingly bred of Gaelic

Football and Lacrosse and capable of truly sustained violence!

 

 

      Ref: ********

 

        Bill Gargan

 

     Coach:**********

 

        Jan Kerouac             John Sampas

 

     Team members:************

 

  The Solitary Riders  vs. The Conspirators

 

        Gerry Nicosia           Rod Anstee

 

        Bentz Kirby             Phil Chaput

 

        Jerry Cimino            Paul Maher

 

        Wes Lundberg         Attila Gyenis

 

        Mike Cakebread      Ann Charters

 

        Substitutes can sign on here; please indicate affiliation and

language of choice when swearing!

 

                ...Jack's bringin' the wine and burgers for the after game

feast!

 

        Apologies to everyone who didn't get picked for one of the teams.

...and are standing around the schoolyard loking like you could care less!?!

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

 

=========================================================================

Date:         Tue, 27 May 1997 09:04:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Antoine, it is a glub

 

Antoine,

 

Did you ever see the Woody Allen movie where he went to rob a bank and

could not print clearly?  He got into an argument with the teller who

insisted his note said "glub" and not "gun."  Damn funny scene.  Me I

try not to worry too much about spulling.  I mean, we don't spull win we

tulk, do we?

 

Well to hide from pre-school children maybe, but otherwise, not.

 

Happiness is a warm glub,

Bang bang shoot shoot

Happiness is a warm glug.

 

Lennon/McCartney

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 09:10:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Hoops anyone?

In-Reply-To:  <199705271132.HAA25507@biggs.microtec.net>

 

i'll substitute for the ball, which will probably be immediately

deconstructed, leaving me

and my soul

benched

in heaven

mc

 

>Anyone for a little hoops?      ...or pick up hurley? Crazy Irish game

>seemingly bred of Gaelic

>Football and Lacrosse and capable of truly sustained violence!

> 

> 

>      Ref: ********

> 

>        Bill Gargan

> 

>     Coach:**********

> 

>        Jan Kerouac             John Sampas

> 

>     Team members:************

> 

>  The Solitary Riders  vs. The Conspirators

> 

>        Gerry Nicosia           Rod Anstee

> 

>        Bentz Kirby             Phil Chaput

> 

>        Jerry Cimino            Paul Maher

> 

>        Wes Lundberg         Attila Gyenis

> 

>        Mike Cakebread      Ann Charters

> 

>        Substitutes can sign on here; please indicate affiliation and

>language of choice when swearing!

> 

>                ...Jack's bringin' the wine and burgers for the after game

>feast!

> 

>        Apologies to everyone who didn't get picked for one of the teams.

>...and are standing around the schoolyard loking like you could care less!?!

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 27 May 1997 09:15:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul McDonald, TeleReference LA, Main Info Services"

              <PAUL@LOUISVILLE.LIB.KY.US>

Subject:      Re: Beat and Marriage

 

Gregory Corso's "Marriage" is one of my all time favorite poems.  I was

lecturing a group of high school students on The Beat Generation and I asked

if anyone had heard of Corso.  Two seventeen-year-old boys had not only heard

of him but had written a paper on him (*surpirse!!*).  I read "Marriage" to

them as poetry that gives you permission to laugh.

 

I have to be honest and say that as much as I love "Howl,""Kaddish," and

"Plutonian Ode," "Marriage" has probably had the most lasting impact on me

personally as Poetry giving you permission to laugh and have fun.

 

Speaking of laughing and having fun, check out Hal Sirowitz's "Mother Said."

You will not be the same when you finish.

 

Paul McDonald

=========================================================================

Date:         Tue, 27 May 1997 09:15:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Antoine, it is a glub

In-Reply-To:  <338ADBE4.71E1E18B@scsn.net>

 

you can be in my dream

if i can be in yours*

glub

        glub

                glub

it's not just for breakfast any more..

ak

mc

*bob dylan sed that.

=========================================================================

Date:         Tue, 27 May 1997 09:37:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: Hoops anyone?

 

>Anyone for a little hoops?      ...or pick up hurley? Crazy Irish game

>seemingly bred of Gaelic

>Football and Lacrosse and capable of truly sustained violence!

 

Geez, second time in less than a day that hurley has been mentioned in my

presence after 46 years of hurley-less existence. Something cosmic going on

around here.

 

Michael

=========================================================================

Date:         Tue, 27 May 1997 09:34:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      What kind of game does Chaput have?

 

Antoine:

 

What kind of game does Chaput have?  Can I take him to my left?  How

about the spin dribble and coming up with  a left handed hook shot?\

 

I feel pretty good about this matchup, but what's the book on him.

 

Peace,

 :-)

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 15:40:23 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nils-Xivind Haagensen <Nils-Oivind.Haagensen@LILI.UIB.NO>

Subject:      Kerouac's muse

 

        I just wanted, in the midst of all this estate-babbel, to direct

attention to the stars. That's right. And more specifically the stars

towards the end of "on the Road" ("and tonight the stars'll be out, and

don't you know that God is Pooh Bear, the evening star must be drooping and

shedding her sparkled dims on the prairie, which is..."), and suggest these

stars be Kerouac's muse. They represent Salvatore's ability to finally

remember (that & the fact that Dean is gone, GONE, now for good). The stars

have been such an emblem ever since Emersons essays, and also gleam in

Salingers "Seymour, an introduction;" when Seymour critizices

Buddy's short-stories for not being honest enough. C'mon you can do better,

he says, and then asks Buddy: "Where all you're stars out? Did you write

you're heart out?"---The same way, maybe, Sal looks up into Deep Black and

opens his heart, thinking of Dean Moriarty, Old Dean Moriarty. He's at the

end, and the novel can finally begin...

 

nh

=========================================================================

Date:         Tue, 27 May 1997 06:47:46 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      SIGNOFF BEAT-L

Comments: To: LISTSERV@CUNYVM.CUNY.EDU

 

I love the smell of napalm in the morning, but my three-day

weekend is over and I've got to be able to concentrate at

my job.  If I continue to be involved in the back-biting

and name-calling here, I'm simply not going to be able

to pay enough attention to the back-biting and name-calling

here at work.  So I'm taking a break from BEAT-L for a little

while.  Somebody let me know if it ever gets back to a nice

20 or 30 messages a day ...

 

Parting shots -- I'm glad a few people have expressed their

dissatisfaction with Rod Anstee's devices, and to those who

have called on me to join in on this, I can only say that

I've generally been too appalled at Gerald Nicosia's lack

of rhetorical finesse and self control to take much notice

of Rod's posts in the first place.  I studied debate in

college (I got an A, and always won) and I have to say that

while there've been some excellent words written by the

peacemakers here at BEAT-L (and certainly some memorable

and wonderful moments, which I'll miss), the performances

by all the principal disputants have been unimpressive.

I'm now going to demonstrate my own (often highly

effective) rhetorical device here, which is to pick up

my papers, still talking, and walk out of the room in

disgust.

 

SIGNOFF BEAT-L.

 

Peace everybody.  This morning the New York Times

uncovered a new holocaust on the shores of the Congo

River, near the site of Conrad's "Heart of Darkness."

There's got to be a better way.  And I'm not finding

it here.

 

-----------------------------------------------------

           Levi Asher = brooklyn@netcom.com

 

   Literary Kicks: http://www.charm.net/~brooklyn/

            (the beat literature web site)

 

 Queensboro Ballads: http://www.levity.com/brooklyn/

             (my fantasy folk-rock album)

 

          ###################################

 

          "Tie yourself to a tree with roots"

                    -- Bob Dylan

-----------------------------------------------------

=========================================================================

Date:         Tue, 27 May 1997 08:52:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Hoops anyone?

 

Antoine Maloney wrote:

> 

> Anyone for a little hoops?      ...or pick up hurley? Crazy Irish game

> seemingly bred of Gaelic

> Football and Lacrosse and capable of truly sustained violence!

> 

>       Ref: ********

> 

>         Bill Gargan

> 

>      Coach:**********

> 

>         Jan Kerouac             John Sampas

> 

>      Team members:************

> 

>   The Solitary Riders  vs. The Conspirators

> 

>         Gerry Nicosia           Rod Anstee

> 

>         Bentz Kirby             Phil Chaput

> 

>         Jerry Cimino            Paul Maher

> 

>         Wes Lundberg         Attila Gyenis

> 

>         Mike Cakebread      Ann Charters

> 

>         Substitutes can sign on here; please indicate affiliation and

> language of choice when swearing!

> 

>                 ...Jack's bringin' the wine and burgers for the after game

> feast!

> 

>         Apologies to everyone who didn't get picked for one of the teams.

> ...and are standing around the schoolyard loking like you could care less!?!

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

an old Indian game ....

 

i think it would be more fun if you all played a bit of Red Rover Red

Rover now and mix up the sides a bit ...

 

david rhaesa

=========================================================================

Date:         Tue, 27 May 1997 08:55:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Antoine, it is a glub

 

Marie Countryman wrote:

> 

> you can be in my dream

> if i can be in yours*

> glub

>         glub

>                 glub

> it's not just for breakfast any more..

> ak

> mc

> *bob dylan sed that.

 

Dream I saw Saint Augustine

last night

and Joe Hill was his

back-up doo-dah singer

and he sent the whole

lot of us

packing

 

david rhaesa

=========================================================================

Date:         Tue, 27 May 1997 14:58:21 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      Re: Hoops anyone?

In-Reply-To:  <v01530500afb05b2f8efa@[204.181.15.86]>

 

On Tue, 27 May 1997, Michael Czarnecki wrote:

 

> Geez, second time in less than a day that hurley has been mentioned in my

> presence after 46 years of hurley-less existence. Something cosmic going on

> around here.

 

Yep... lots of cosmicness ; although sadly not "cosmic" in the good old

stereotypical hippy "peace & love" sense, more along the lines of big

angry celestial objects scraping bits off on each other until eventually

the whole entire thing goes bang in a terrible supernova white fire the

light from which eventually reaches the planet Earth several millenia

later where nobody gives a fuck.

 

 

Olly.

 

_______________________________________________________________________________

 

"Survival of the... *fittest* ? Was that the proper word ? Had Darwin ever

considered the idea of *temporary* unfitness ? Like "temporary insanity."

Could the Doctor have made room in his theory for a thing like LSD ?"

_______________________________________________________________________________

 

                           or205@hermes.cam.ac.uk

                              skink@imrryr.org

_______________________________________________________________________________

=========================================================================

Date:         Tue, 27 May 1997 10:03:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: What kind of game does Chaput have?

 

At 09:34 AM 5/27/97 -0400, you wrote:

>Antoine:

> 

>What kind of game does Chaput have?  Can I take him to my left?  How

>about the spin dribble and coming up with  a left handed hook shot?\

> 

>I feel pretty good about this matchup, but what's the book on him.

> 

Grew up in Lowell in the "Acre". We were so poor they tore our house down

and built "slums". Couldn't aford to pay attention. I had to fight my way

across the North Common to get to school. Had to walk a mile to get to

school every day. UPHILL BOTH WAYS. Basketball!!!! SWIIIISH!!!!

>Peace,

> :-)

> 

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

> 

> 

=========================================================================

Date:         Tue, 27 May 1997 09:07:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: What kind of game does Chaput have?

 

Phil Chaput wrote:

> 

> At 09:34 AM 5/27/97 -0400, you wrote:

> >Antoine:

> >

> >What kind of game does Chaput have?  Can I take him to my left?  How

> >about the spin dribble and coming up with  a left handed hook shot?\

> >

> >I feel pretty good about this matchup, but what's the book on him.

> >

> Grew up in Lowell in the "Acre". We were so poor they tore our house down

> and built "slums". Couldn't aford to pay attention. I had to fight my way

> across the North Common to get to school. Had to walk a mile to get to

> school every day. UPHILL BOTH WAYS. Basketball!!!! SWIIIISH!!!!

> >Peace,

> > :-)

> >

> >--

> >Bentz

> >bocelts@scsn.net

> >

> >http://www.scsn.net/users/sclaw

> >

> >

 

swish

 

that sounds like an uptown court with actual nets...

=========================================================================

Date:         Tue, 27 May 1997 09:11:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: SIGNOFF BEAT-L

 

Levi Asher wrote:

> 

> I love the smell of napalm in the morning, but my three-day

> weekend is over and I've got to be able to concentrate at

> my job.  If I continue to be involved in the back-biting

> and name-calling here, I'm simply not going to be able

> to pay enough attention to the back-biting and name-calling

> here at work.  So I'm taking a break from BEAT-L for a little

> while.  Somebody let me know if it ever gets back to a nice

> 20 or 30 messages a day ...

> 

> Parting shots -- I'm glad a few people have expressed their

> dissatisfaction with Rod Anstee's devices, and to those who

> have called on me to join in on this, I can only say that

> I've generally been too appalled at Gerald Nicosia's lack

> of rhetorical finesse and self control to take much notice

> of Rod's posts in the first place.  I studied debate in

> college (I got an A, and always won) and I have to say that

> while there've been some excellent words written by the

> peacemakers here at BEAT-L (and certainly some memorable

> and wonderful moments, which I'll miss), the performances

> by all the principal disputants have been unimpressive.

> I'm now going to demonstrate my own (often highly

> effective) rhetorical device here, which is to pick up

> my papers, still talking, and walk out of the room in

> disgust.

> 

> SIGNOFF BEAT-L.

> 

> Peace everybody.  This morning the New York Times

> uncovered a new holocaust on the shores of the Congo

> River, near the site of Conrad's "Heart of Darkness."

> There's got to be a better way.  And I'm not finding

> it here.

> 

> -----------------------------------------------------

>            Levi Asher = brooklyn@netcom.com

> 

>    Literary Kicks: http://www.charm.net/~brooklyn/

>             (the beat literature web site)

> 

>  Queensboro Ballads: http://www.levity.com/brooklyn/

>              (my fantasy folk-rock album)

> 

>           ###################################

> 

>           "Tie yourself to a tree with roots"

>                     -- Bob Dylan

> -----------------------------------------------------

 

 

take care, Levi.  probably visit the Queensboro and Kicks websites more

often now....

hope that either you or I or both are still alive when this thread ends

and something fresh could start again

somewhere round my corner

in a filling station called Oz.

 

bye,

 

david rhaesa

=========================================================================

Date:         Tue, 27 May 1997 08:21:42 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      signoff

 

you all

just thought i would let you know that i can take no more of the community

erosion that has occured.

i am signing off.

please feel free to contact me if you would like to TALK beat or write

poetry or just chat, my email is:

dabeauli@freenet.calgary.ab.ca

and im still hanging about the boho list as well.

in the meantime i will miss all & hope one day i fell welcome again.

your

derek beaulieu

=========================================================================

Date:         Tue, 27 May 1997 10:43:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: SIGNOFF BEAT-L

Comments: cc: brooklyn@netcom.com

In-Reply-To:  <199705271347.GAA19990@netcom.netcom.com>

 

This is getting really bad.  This used to be one of my favorite lists

because it was never boring and tedious, always interesting, and it never

fell into the personal conversations and arguements like every other list

on the freakin' planet did.  I was ecstatic with Gerry Nicosia came onto

the list.  "Wow," I thought, "what an incredible resource of information

this list is about to become", not that it wasn't already.  Now Levi, who

inspired me to do my own beat site to bring all the best sites together

and give a central location for articles and information which made itself

available through this list.  The information I've gotten of this list is

what got me an instructional assitantship for the Beat class we offer

here.  The internet is going to be a big part of my contribution to that

class.  What this list has become really turns my stomach.  Gerry is a

great guy, from what I've read.  He really cares about his cause, as do I

and many, many others.  Phil and the others have also been valuable

resources and interesting commentators in the past.  But there's more to

studying the Beats than this.  There used to be so I know there can be

again.  This back-and-forth bickering has got to stop before we lose

anymore list members.  I remember when Ron Whitehead left the list as

well.  I was sick of that mess the day it started.  I miss his crazy posts

as well, and am eternally grateful for the posters, flyers, magazines, and

info he's sent my way since I first me him through this list.  People like

Levi are institutions on this list and the reason it is such a pleasure to

be on.  I hope you can come back soon Levi.  If this keeps going on for

two more months, I may be joining you.

 

Regretfully yours,

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Tue, 27 May 1997 07:55:26 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: signoff

 

Derek A. Beaulieu wrote:

> 

> you all

> just thought i would let you know that i can take no more of the community

> erosion that has occured.

> i am signing off.

> please feel free to contact me if you would like to TALK beat or write

> poetry or just chat, my email is:

> dabeauli@freenet.calgary.ab.ca

> and im still hanging about the boho list as well.

> in the meantime i will miss all & hope one day i fell welcome again.

> your

> derek beaulieu

 

 

It's really sad to see people like derek and levi leaving the list

because of what has been happening here and because of the incredible

post volume that I am also finding oppressive.  I would welcome back the

old limit on posts per day and hope maybe we can all restrain ourselves

somewhat in the number of really extraneous posts.  I have certainly

posted my share.

 

Missing the days of 25-30 posts a day and not sure how much longer I can

take it.

 

J Stauffer

=========================================================================

Date:         Tue, 27 May 1997 08:56:27 CDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <wlundburg@MAIL.FF.CC.MN.US>

Subject:      Re: Copyright laws and the Privacy Act

 

David:

 

You asked whether posting private mail is a violation of copyright law.  I don't

know about the law, but I know a lot about the Privacy Act of 1934, which

addresses the issue of whether or not communication intended for one party is

public domain.  Specifically, this is the law that forbids evidence obtained

from phone-tapping to be used in court.  It applies, too, to radio

communications, such as when the Coast Guard overhears drug runners talking

(which is how I know this particular law so well, being a former Coast Guard

radioman).

 

I'm not qualified to interpret the law, but I would guess that e-mail

communications and letters fall under the same category as radio and telephone

communications.  Making any such communication public without the express

consent of the "sender" would be a violation of the Privacy Act, and probably

copyright law as a result.

 

Hope this helps... and I hope it's accurate!

 

---Wes

=========================================================================

Date:         Tue, 27 May 1997 11:05:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      my condolences to whoever just "signed off"...

 

i just "signed on" and wanted to try out sending a message....

i would like to discuss William S. Burroughs' Western Lands and his general

philosophy, which intrigues me, and which I see evidence of

everywhere....perhaps his plan of infiltration has worked after all.  Much

more effective than many supposedly subversive writers/artists.  Gives me

faith of sorts, that once people take that step forward in consciousness(or

rather, once it is taken for them) there's no going back.

Although i was doubtful about the use of the internet at first, i now think

that it is an invaluable distributor of information and ideas. Kind of

terrifying the power and ferocity with which ideas reproduce themselves,

contaminating increasing #s & causing imperceptible mutations that have

revolutionary resonance WITHOUT AN IDENTIFIABLE SOURCE.

With authorship comes responsibility but who in her left mind would want to

take credit/get recognition for propelling fellow humans even faster towards

the Inevitable by reconciling them with it? Is that the purpose of art, to

heal? Is it possible to heal too much and in doing so forget about necessary

pain?

Which is the greater burden, life or death?  Ok, i don't wanna start getting

cosmic on you, but i hope we have something to talk about now, and i don't

want any more people signing off because they're bored.  Remember: Bored Is

Boring.  what happened to the lost art of imagination? jeesus why do i feel

like i'm typing into a void.(don't answer

that)!!!!!!!!----------------Marioka7@aol.com          (aka maya)

=========================================================================

Date:         Tue, 27 May 1997 11:24:43 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Hoops anyone?

 

Reply to message from stratis@ODYSSEE.NET of Tue, 27 May

 

Which side would the elf be on? :)

 

Diane.

 

> 

>Anyone for a little hoops?      ...or pick up hurley? Crazy Irish game

>seemingly bred of Gaelic

>Football and Lacrosse and capable of truly sustained violence!

> 

> 

>      Ref: ********

> 

>        Bill Gargan

> 

>     Coach:**********

> 

>        Jan Kerouac             John Sampas

> 

>     Team members:************

> 

>  The Solitary Riders  vs. The Conspirators

> 

>        Gerry Nicosia           Rod Anstee

> 

>        Bentz Kirby             Phil Chaput

> 

>        Jerry Cimino            Paul Maher

> 

>        Wes Lundberg         Attila Gyenis

> 

>        Mike Cakebread      Ann Charters

> 

>        Substitutes can sign on here; please indicate affiliation and

>language of choice when swearing!

> 

>                ...Jack's bringin' the wine and burgers for the after game

>feast!

> 

>        Apologies to everyone who didn't get picked for one of the teams.

>...and are standing around the schoolyard loking like you could care less!?!

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

> 

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Tue, 27 May 1997 10:30:06 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: To the Peacemakers...

 

Marie Countryman wrote:

> 

> wes wrote

> >Hello, Jerry!  Well, I'll tell you what: there's a reason I never post

> >anything

> >to Rod Anstee.  I still remember the crap he threw at Ron Whitehead (not to

> >mention others).  He's a man with his own agenda, and he does what strikes

 his

> >fancy... whether anybody "puts up with it" or not.  Silence is not being

 party

> >to him.  So, since my inaction is a statement, let the statement be I

> >won't be a

> >party to any of it, nor will I let someone like Anstee dictate any of my

> >actions

> >or reactions.  As I posted in an open letter to Gerry Nicosia, I believe he's

> >made his point, and made it well.  The other guys are just making asses out

 of

> >themselves... my impression is that they like to make asses of themselves.

> >

> >Why should I waste my time posting to them?  It won't change anything they

 do.

> >Only reasonable people listen to reasonable voices.

> >

> >All the best, ---Wes

> *****************

> hello wes! couldnt agree more, and believe i said same the last time rod

> bullied one of our angels off list, i still miss ron whitehead, too, wes.

> and i dislike bullies intensely.

> yrs

> mc

yess, another vote for deleting those that underestimate thier audiance.

 

I resisted critiqueing ra terrible wandering sentences.

but Gerald is way above it. jerry you are a born rabble rouser, i like

that,

p

=========================================================================

Date:         Tue, 27 May 1997 09:53:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nick Weir-Williams <nweir-w@NWU.EDU>

Subject:      Re: Nick, uh, I mean Judith, uhh nick

 

>Doesn't the notion of "fair use" only apply to published sources?

> 

 

No, it doesn't. I checked with the Bible (aka Chicago Manual of Style). Fair

use is very complicated of course, but the fact that material is unpublished

does not negate fair use. It is a complicating factor, and the Manual

suggests using even more caution than usual in quoting from unpublished

material, but the doctrine still holds.

 

In any case, the overriding issue here is whether you can *look at* material

without permission from both parties.

 

For those that are interested, the following components determine fair use:

 

the purpose and character of the use, including whether or not it's for

commercial or not for profit educational purposes

 

the nature of the copuyrighted work

 

the amount and substantiality of the portion used in relation to the

copyrighted work as a whole

 

the effect of the use upon the potential market for, or value of, the

copyrighted work.

 

There is nothing in this to stop scholars making photocopies for their own

scholarly purposes. The Kerouac estate might legtimately want to stop

extensive quotation from letters or notebooks because it would affect

adversely their own future sales of books based on those works, and they

would have the legal right to do that. But what we're talking about is

whether they have the legal right to stop someone looking at letters in an

archive.

 

Nick

**************************************************************************

*Nil Carborundum Illegitimis*

It's better to die on your feet than to live on your knees

 

Nick Weir-Williams

Director, Northwestern University Press, 625 Colfax Street, Evanston, IL 60208

President, Illinois Book Publishers Association

List Manager, chipub listserv

 

ph:  847 491 8114

fax: 847 491 8150

=========================================================================

Date:         Tue, 27 May 1997 12:26:38 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Ma Tucker

 

R. Bentz Kirby wrote:

> 

> This is one I never finished.  I figured it was beyond my reach and was

> really a short story.

> 

> (snipped)

 

I think you should leave it the way it is.  Great ending.

=========================================================================

Date:         Tue, 27 May 1997 12:29:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Hoops anyone?

 

RACE --- wrote:

> 

> Antoine Maloney wrote:

> >

> > Anyone for a little hoops?      ...or pick up hurley? Crazy Irish game

> > seemingly bred of Gaelic

> > Football and Lacrosse and capable of truly sustained violence!

> >

> >       Ref: ********

> >

> >         Bill Gargan

> >

> >      Coach:**********

> >

> >         Jan Kerouac             John Sampas

> >

> >      Team members:************

> >

> >   The Solitary Riders  vs. The Conspirators

> >

> >         Gerry Nicosia           Rod Anstee

> >

> >         Bentz Kirby             Phil Chaput

> >

> >         Jerry Cimino            Paul Maher

> >

> >         Wes Lundberg         Attila Gyenis

> >

> >         Mike Cakebread      Ann Charters

> >

> >         Substitutes can sign on here; please indicate affiliation and

> > language of choice when swearing!

> >

> >                 ...Jack's bringin' the wine and burgers for the after game

> > feast!

> >

> >         Apologies to everyone who didn't get picked for one of the teams.

> > ...and are standing around the schoolyard loking like you could care less!?!

> >  Voice contact at  (514) 933-4956 in Montreal

> >

> >      "An anarchist is someone who doesn't need a cop to tell him what to

 do!"

> >                         -- Norman Navrotsky and Utah Phillips

> 

> an old Indian game ....

> 

> i think it would be more fun if you all played a bit of Red Rover Red

> Rover now and mix up the sides a bit ...

> 

> david rhaesa

 

David,

 

I think you should be the sub ref.  Did I read you coached debating at

Dartmouth?

 

DC

=========================================================================

Date:         Tue, 27 May 1997 10:46:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Copyright laws and the Privacy Act

 

Wes Lundburg wrote:

> 

> David:

> 

> You asked whether posting private mail is a violation of copyright law.  I

 don't

> know about the law, but I know a lot about the Privacy Act of 1934, which

> addresses the issue of whether or not communication intended for one party is

> public domain.  Specifically, this is the law that forbids evidence obtained

> from phone-tapping to be used in court.  It applies, too, to radio

> communications, such as when the Coast Guard overhears drug runners talking

> (which is how I know this particular law so well, being a former Coast Guard

> radioman).

> 

> I'm not qualified to interpret the law, but I would guess that e-mail

> communications and letters fall under the same category as radio and telephone

> communications.  Making any such communication public without the express

> consent of the "sender" would be a violation of the Privacy Act, and probably

> copyright law as a result.

> 

> Hope this helps... and I hope it's accurate!

> 

> ---Wes

 

my hunch is the Privacy Act restrictions are negative restraints on

government intrusion into private communications.  i'm certain it is

accurate in that regard.  don't know if it more than an ethical analogy

to the question here.

=========================================================================

Date:         Tue, 27 May 1997 10:52:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Hoops anyone?

 

Diane Carter wrote:

> 

> RACE --- wrote:

> >

> > Antoine Maloney wrote:

> > >

> > > Anyone for a little hoops?      ...or pick up hurley? Crazy Irish game

> > > seemingly bred of Gaelic

> > > Football and Lacrosse and capable of truly sustained violence!

> > >

> > >       Ref: ********

> > >

> > >         Bill Gargan

> > >

> > >      Coach:**********

> > >

> > >         Jan Kerouac             John Sampas

> > >

> > >      Team members:************

> > >

> > >   The Solitary Riders  vs. The Conspirators

> > >

> > >         Gerry Nicosia           Rod Anstee

> > >

> > >         Bentz Kirby             Phil Chaput

> > >

> > >         Jerry Cimino            Paul Maher

> > >

> > >         Wes Lundberg         Attila Gyenis

> > >

> > >         Mike Cakebread      Ann Charters

> > >

> > >         Substitutes can sign on here; please indicate affiliation and

> > > language of choice when swearing!

> > >

> > >                 ...Jack's bringin' the wine and burgers for the after game

> > > feast!

> > >

> > >         Apologies to everyone who didn't get picked for one of the teams.

> > > ...and are standing around the schoolyard loking like you could care

 less!?!

> > >  Voice contact at  (514) 933-4956 in Montreal

> > >

> > >      "An anarchist is someone who doesn't need a cop to tell him what to

>  do!"

> > >                         -- Norman Navrotsky and Utah Phillips

> >

> > an old Indian game ....

> >

> > i think it would be more fun if you all played a bit of Red Rover Red

> > Rover now and mix up the sides a bit ...

> >

> > david rhaesa

> 

> David,

> 

> I think you should be the sub ref.  Did I read you coached debating at

> Dartmouth?

> 

> DC

 

in another lifetime .... you could not PAY ME ENUF to referee this

foray!!!!

=========================================================================

Date:         Tue, 27 May 1997 12:39:39 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Ginsberg poem

 

ran across a poem by AG that kind of describes how I feel today

 

 

We Rise on Sun Beams

and Fall in the Night

 

Dawn's orb orange-raw shining over Palisades

bare crowded branches bush up from the marshes--

New Jersey with my father riding automobile

highway to Newark airport--Empire State's

spire, horned buildingtops, Manhattan

rising as in W.C. Williams' eyes between wire trestles--

trucks sixwheeled steady rolling overpass

beside New York--I am here

tiny under sun rising in vast white sky

staring thru skeleton new buildings,

with pen in hand awake....

 

                  Allen Ginsberg

                  December 11, 1974

=========================================================================

Date:         Tue, 27 May 1997 09:05:26 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Thugs

 

    May 27, 1997

To all the Good and Friendly Folk on the Beat List:

 

        I hope the past week has been instructive to you all.

        We have seen the three chief representatives of Mr. Sampas's point

of view--Phil Chaput, Rod Anstee, and Paul Maher--employ the tactics of thugs.

        I do not know whether any of these three has been hired by Mr.

Sampas to represent him, or whether they have chosen to do their dirty work

freelance.  At least one, Mr. Chaput, has admitted he gets "some" of his

material from Mr. Sampas.

        Mr. Chaput has posted privileged information from Jan Kerouac's

income tax returns here on the Beat-List--material that could not have come

to him thru any lawful channel.

        Mr. Chaput has accused me of breaking the law by reselling

individual xerox copies of Kerouac's letters (not for profit)--copies that

had been made solely for study--to a library, which also claimed to me that

it would use them only for study purposes.  He could not, however, produce a

statute that indicated this was a crime.

        Mr. Anstee has gone farther.  He has claimed that I sold (or

donated, he couldn't quite get that straight) xerox copies of Kerouac

letters THAT BELONGED TO COLUMBIA UNIVERSITY to the U Mass, Lowell library.

The only problem with that is, there are no xeroxes from Columbia University

in the MEMORY BABE archive in U Mass, Lowell.  In other words, not to put

too fine a point upon it, Mr. Anstee's accusation was an outright lie.

        Then we have Mr. Maher, a convicted thief himself, accusing me of

having sold a "stolen, worthless archive" to U Mass, Lowell.  The University

of Massachusetts is not in the habit of buying stolen material; and the

archive has been there for ten years, eight of which it was in full public

display (so public in fact that someone stole 60 autograph letters); yet NOT

ONE SINGLE COMPLAINT OR LEGAL ACTION WAS ACTUALLY FILED AGAINST IT.

        Futhermore, as for the archive being "worthless," there are four

major American libraries that are willing to pay Lowell their $7,500 back to

recover the archive and make it available to the public--as soon as Lowell

agrees to divest of it.

        Beyond this, we have Mr. Anstee printing my private letters here on

the Beat-List.  A writer's private letters are given the strictest copyright

protection under U.S. federal law, and that protection has been upheld in

every court decision I know of--including the famous one that kept a

biographer (I forget his name) from including any of J.D. Salinger's

personal letters in an unauthorized biography.

        Because the Beat-List is a public forum does not mean people can

keep breaking the law here with impunity.

        Some people have expressed their concern that I was "driven off the

Beat-List like Ron Whitehead." I have not been driven off, but neither do I

intend to keep arguing with criminals and thugs.

        I will speak to one of my lawyers today, to see what legal action

can be taken to keep these crimes from continuing.

        Yours for the truth, Gerald Nicosia

=========================================================================

Date:         Tue, 27 May 1997 11:09:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nick Weir-Williams <nweir-w@NWU.EDU>

Subject:      Libraries and Permissions

 

Here's my report from a good contact in the University Library.

 

1. Most libraries expect and allow open access to collections, open at any

rate to 'qualified' persons.

 

2. Sometimes the deal made by the person selling the archive insists on

restrictions, which the library obeys (i.e. letters not to be looked at

until ten years after death of the writer). Note the agreement is with the

person selling the archive, not the copyright holder.

 

 

3. The copyright holder can restrict publication of copyright material, but

my librarian did not feel they could legally restrict access if it was not

the copyright holder that made the sale or donation.

 

4. It is not necessary to obtain permissions to *look at* letters in an archive.

 

So if UM Lowell are restricting access to the Memory Babe archive, that is a

decision they are making on their own, under pressure from whoever... it

sounds like it runs against the agreement made between them and Gerry

Nicosia at the time of the sale of the archive, and depending on that

agreement they are certainly disobeying the spirit of it, and quite possibly

the letter of the law in that agreement too.

 

If they are unwilling to open the archive, I think they should be prepared

to admit the reasons for this and sell it back to Gerry or on to another

library.

 

 

And if the Sampas family want to restrict access to *this* archive, it's

hardly surprising that so little of their archive is in library hands and

open to inspection, is it?

 

And please don't tell me the Kerouac archive is their property and they can

do what they like with it legally and we should be grateful for small

crumbs. I know it's theirs legally. But we are dealing with the legacy of

one of the great

American writers and there are moral and scholarly obligations that come

with owning the archive as well as ownership and collecting royalties. One

question - is the remainder of the archive being properly cared for, under

security and proper climate control?

 

Nick W-W

**************************************************************************

*Nil Carborundum Illegitimis*

It's better to die on your feet than to live on your knees

 

Nick Weir-Williams

Director, Northwestern University Press, 625 Colfax Street, Evanston, IL 60208

President, Illinois Book Publishers Association

List Manager, chipub listserv

 

ph:  847 491 8114

fax: 847 491 8150

=========================================================================

Date:         Tue, 27 May 1997 11:10:07 CDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <wlundburg@MAIL.FF.CC.MN.US>

Subject:      Re: Hoops Anyone?

 

>      Team members:************

> 

>   The Solitary Riders  vs. The Conspirators

> 

>         Gerry Nicosia           Rod Anstee

> 

>         Bentz Kirby             Phil Chaput

> 

>         Jerry Cimino            Paul Maher

> 

>         Wes Lundberg         Attila Gyenis

> 

>         Mike Cakebread      Ann Charters

> 

 

How did I end up on a team?  I thought I was doing a pretty good job of staying

out of this... You know, I'd really rather be playing opposite Dennis Rodman...

at least I know what he'll do and why...

 

Peace... (if that means anything anymore)

---Wes Lundburg

=========================================================================

Date:         Tue, 27 May 1997 12:33:37 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Re: Litigation Theology

In-Reply-To:  <338A1061.E26B1899@scsn.net>

 

Dear R. Bentz Kirby, Esq.:

 

Very generous of you circumstantially.  (But for gad's sake, let us reserve

the right to fight over the depositions of our lives.)  For me, you

momentarily restored a little wryness to the twists and turns of the

BeatList.  (I'm not been honest--sometimes when I read the dozens of daily

posts re: the Estate Wars I break into hysterical giggles at the insults,

Marie's simple to the point gads, and the horror! the horror!, perpetually

agast but not forlorn.)  My remarks were aimed at you, but don't worry, I'm

no Zen archer.  I endure wide of the mark and am more likely to hit the

cat's ass than the bull's eye.  And I have to concede that one of my

favorite students is now a lawyer (he had the wisdom never to take a course

from me) (he wanted to be a writer but as far as he got was jumping into

the Hemingway pool in Key West with his clothes on, despite the horror of

the tour guides and the six-toed cats, now is working himself to death in

Chattanooga before daylight til long after darkness and just wants to spend

more time with his kids and says he will never be able to pay off his

student loans).  Yes, I am indeed a John R., but without contract,

portfolio, or estate, hence my fabled savoir-faire.

 

J. Model A Ford Mitchell, M. A. (in English!)

 

>John Mitchell wrote,

> 

>> The problem with lawyers is not that they stink, it's that they come

>> so

>> highly and peculiarly perfumed (& not, from the word GO, with Corso's

>> gasoline).

>> 

>> That's just MO(loch).

>> 

>> Thanks, but asking a lawyer to clarify his/her role in anything is

>> like

>> asking the Devil in all his/her glory and/or God in all his/her mercy

>> to

>> speak, given either's thousand tongues, some of them split, others

>> twisted

>> around their own feet.

>> 

>> That's just my theory of Litigation Theology.

>> 

>> Rertospectively yrs.,

>> John M.

>> Be cool.  And if you cain't be cool, don't drool.

> 

> ROTFLMAO, even it is aimed at me.  Good post John.  By the way, were

>you kin to John R.  ;-)

> 

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 14:38:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      Where oh where has my Beat-L gone?

 

Beat Friends,

 

        Through all this estate shit, one of the most intelligent posts that

graced my mailbox said, basically, "You know, Kerouac wasn't the only

Beat."

        Seeing two of the more vocal members of our humble ranks give up the ghost

today was terribly disheartening.  I have to ask why?  How did all this get

so damned out of hand?  What's the point?  And most importantly, where did

it get us?

        Absofuckinglutely nowhere.

        What happens now?  Our list that used to boast nearly 250 lovers of Beat

Literature and Culture is now shrinking, and to what ends?  It's no one's

fault, we all contributed in our own way.

        But to get to the subject of my post. . .  where is the rest of the

Beat-L?  Leon, where are you?  How about a Neal Cassady story?  Mongo?  How

about you?  Got anything for us?  Or have you two left us as well?

 

 

Bruce

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Tue, 27 May 1997 15:08:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Hoops Anyone?

 

I'm OK with the team I'm on. I just don't want to be traded!

 

Jerry Cimino

=========================================================================

Date:         Tue, 27 May 1997 15:41:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Where oh where has my Beat-L gone?

 

sniff, snifff.....SOBB!!!

This has been such an eventful and emotional first day at Beetle for me. I

mean betel. I mean Be-till. Beat-ill? but I digress.

Thank you Bruce for filling me in on what has been going on.  It sounds like

a whole lot of people are MISSING THE POINT ENTIRELY AND SHOULDN'T EVEN BE ON

THIS LIST.  Please, have a little perspective.  So, now that everything is

crumbling it's the PERFECT time for a change of direction, no?

All those in favor, don't respond.

I'm glad so many of you agree with me.

Ok, now let's move on.  How about a Topic of the Day?

I propose: William Burroughs.  One burning question among many: How can I get

in touch with him????

Let me tell you a story. It's a bizarre, strange, hauntingly morbid story

that I actually shouldn't tell you in "public".  Well here's the "cleaned up"

version: Mr. Burroughs and I have some, er, shall we say CHARACTERISTICS in

common.  I had never thought much of him as a writer or knew much about him

until I read "the Western Lands" and learned that he studied the EXACT same

thing as me in college and made references on several occasions in interviews

and the like to obscure subjects that I thought were my private territory,

such as the mysterious ways of the Axolotl. among many others.  Well, I don't

want to bore you, so if you want more details, e-mail me :  Marioka7@aol.com

              (or get myself in trouble by revealing too much)

 

=========================================================================

Date:         Tue, 27 May 1997 16:17:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Where oh where has my Beat-L gone?

In-Reply-To:  <199705271840.OAA24405@everest>

 

leon is travelling and not sure he has access to modem.

mc

=========================================================================

Date:         Tue, 27 May 1997 16:35:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul McDonald, TeleReference LA, Main Info Services"

              <PAUL@LOUISVILLE.LIB.KY.US>

Subject:      Poem I discovered this weekend

 

So much pain and angst going down.  I thought I'd share a poem from someone I

discovered who REALLY has problems...

 

Paul

 

 

 

 

********************************************************************************

 

 

DIRTY DIAPERS

 

 

I could never understand how the Germans

could hate us, Mother said, just because

we were Jewish, but what's even harder

for me to understand is that you could

hate me just because I'm your mother.

Someone has to tell you to go to bed early,

& if I don't, & you fall asleep in class, your teacher

could tell a social worker from a child abuse agency,

& they could take you away from me,

which might not be so bad if it was

only for a weekend, because I could use

a rest from you, but if it was for

a longer period of time, it'd slowly kill me.

I hope you know that you were a planned child,

your father & I really wanted you, even though

we weren't sure what we were getting.

You weren't an accident, though before

you were toilet trained you had plenty

of those.  And I had to clean it up,

though I never once held it against you,

it just took you a while to develop

the proper sphincter control, & I thought

that when you got older you could make it up

to me, & clean the bathroom for me once in a while.

 

 

 

                        ---Hal Sirowitz

                           from the Book "Mother Said, Poems by

                                          Hal Sirowitz"

 

 

Copyright(c)1996 by Hal Sirowitz

=========================================================================

Date:         Tue, 27 May 1997 16:35:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

 

Well, my day and some suggestions have gotten the better of me.

Several people backchanneled me about my proposed letter to the

library at Lowell.  I have recieved some good suggestions, and

one of them is to not send the letter.  Others have posted to

the list their points.

 

My concern is how can we find out what is in the archives, and

if there, who put it there.  That is to say, What did Gerry put

there?  Because the archive is closed, I fail to see how we can

find out, except to ask.

 

I am going to rework slightly the letter tonight, but intend to

send it tomorrow.

 

Any more comments are welcome.

 

Peace,

 

--------------------------------------------------------

Name: R. Bentz Kirby

E-mail: R. Bentz Kirby <bocelts@scsn.net>

Date: 05/27/97

Time: 16:30:47

 

This message was sent by Z-Mail Pro - from NetManage

NetManage - delivers Standards Based IntraNet Solutions

--------------------------------------------------------

=========================================================================

Date:         Tue, 27 May 1997 17:05:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Hoops anyone?

 

In a message dated 97-05-27 10:08:31 EDT, you write:

 

<<    The Solitary Riders  vs. The Conspirators

 >         Gerry Nicosia           Rod Anstee

 >         Bentz Kirby              Phil Chaput

 >         Jerry Cimino             Paul Maher

 >         Wes Lundberg          Attila Gyenis

 >         Mike Cakebread        Ann Charters >>

 

I'd rather be on the side I am. Phil said he's bringing the beer and Ann's

making the potato salad.

 

stretching out, Attila

=========================================================================

Date:         Tue, 27 May 1997 17:26:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Poem I discovered this weekend

 

wow that was fabulous and such a breath of fresh levity in the otherwise

torpid and moldy environment that Beet-ill has been on this balmy day in the

murder capital of our nation, otherwise known as 'DC'.

=========================================================================

Date:         Tue, 27 May 1997 17:38:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Beats out West

 

This summer I'm doing an independent study on 20th Century Western

American Lit, and as my specialty is the beats; I see a lot of connections

between the ideals expressed by the beats and those expressed by the

writers I'm reading.  Aside from political concerns such as environment

and rejection of an outside, displaced authority; there's that idea of

personal, inner freedom as well as the idea of man as a supreme being in

an individual universe which I think Kerouac expressed a lot through his

singular narrative skills.  I'm making my way through Zane Grey for back

ground then into Thomas McGuane (who I've not read but read about), Jim

Harrison, Edward Abbey, John Nichols, and Ivan Doig.  Any thoughts?  Esp.

on McGuane, Harrison, and Abbey.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Tue, 27 May 1997 16:29:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Poem I discovered this weekend

 

 "....& I thought

        that when you got older you could make it up

        to me, & clean the bathroom for me once in a while."

 

        Thanks Paul - perfect voice; I can hear my voice overlaid on my

mother's!

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 27 May 1997 17:42:14 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Mamma said there'd be days like this...

 

> 

>Copyright(c)1996 by Hal Sirowitz

> 

> 

 

If I remember correctly (which I very well might not), I _think_ this poet

was at Hiram College my freshman year in honor of our first poetry slam....

I'm 67.84% sure he was the one...what I do remember correctly is that the

B-Side (our student-run coffee shop where the slam was held) was

_incredibly_ crowded that night, I was sitting in the middle of the floor,

surrounded by people I hardly knew (only as a freshman at Hiram can this

happen :).  Kat Snider Blackbird was the other visiting poet helping us out

with this indenture, & the male visiting poet kept reading these "Mother

Said" poems which had us all cracking up...Sirowitz's been on MTV before,

hasn't he?

 

Diane.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Tue, 27 May 1997 15:24:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: who is your dad? and letter to kerouac

 

At 04:32 PM 5/26/97 -0400, you wrote:

>Hi

>I'm a lurker turning active now.  I have a quick question for phil who

>is your dad is mentioned in any of Kerouac's books or any such thing?

>It seems that a lot of people here have known each other for years

>through families even.  I never met any of the beats but I was going to

>try to meet Ginsburg and as luck has it the year I'm moving back to New

>York he dies.

 

Peter, My father isn't in any of Kerouac's books because my father only got

to know Jack in the last three or four years of his life. I have heard

through Billy Koumantzelis (Jack's close friend) that Jack was writing a lot

during his trip to NY to be on the William Buckley Show. Jack was with my

dad, Billy and Tony Sampas so that stuff may turn up some day. They grew up

in the same parts of town and with the same background (French Canadian

Catholic) but they didn't meet until Tony Sampas introduced him at the

infamous "Nicky's" bar around 1966. My dad's first words to Jack were,

"Always glad to buy a starving author a drink." They became great friends

and I venture to say some of the best times of my dad's life were the few

years he spent with Jack. My dad is mentioned in several biographies though.

His first name is Joe and the best compliment Jack ever paid him is when he

said he was the second best driver he ever knew. Classy company. Phil

=========================================================================

Date:         Tue, 27 May 1997 15:12:56 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Ann Charters & James Stauffer

 

                                        May 27, 1997

        Yesterday James Stauffer wrote:

 

        "In his [Gerry Nicosia's] last backchannel to me he was explaining

how essentially he is responsible for everything Ann Charters knows about

Jack.  She speaks respectfully of him, he can't mention her without

remembering that she didn't take his side with Jan.  Maybe Jan was an angel,

or maybe she was hard to deal with--I don't know, but it seems to me that

Ann's failure to join Jan's cause doesn't just wipe out her biographical and

editing achievements."

 

        Methinks Mr. Stauffer doth protest too much.

        While he always complains about the sound and fury of the estate

battle, he here throws more gasoline on the fire.

        That is not what I said to him in my backchannel.

        AND YES, FOLKS, I'M KEEPING MY WORD ABOUT NO MORE ESTATE FIGHT

POSTINGS, BUT THIS REGARDS A SERIOUS MISQUOTE, AND IT NEEDS ANSWERING.

        After all, Ann Charters probably subscribes to the Beat-List Digest,

which is sent free to all friends of John Sampas.  (That's a joke.)

        In reality, she may well end up reading some of the things that are

written/said here.

        Mr. Stauffer sent me a very leading and provocative question, in

fact a kind of taunt:

        Why, he asked, didn't you quote more from Ann Charters in your

biography of Kerouac MEMORY BABE, since Ann is the preeminent Kerouac scholar?

        I backchanneled him because I really don't want to print critical

things here about Ann, or about anyone.  Ann, incidentally, often disses me

with the best of them.  In the last interview of hers I read in the LONDON

TELEGRAPH, she refers to "Gerald Nicosia ... that tiresome wannabe."

        Anyway, now I'll have to print my backchannel to James publicly,

since, while hardly flattering of Ann, it is nowhere near as dismissive of

her as he makes out.

        The point I was trying to make to him is that, when I began my

biography of Kerouac in 1977, Ann was not the world-renowned Kerouac

authority she is now.  Rather than rehash Ann's biography, I preferred to

learn about Kerouac by going on the road, 50,000 miles worth, and

interviewing 350 people who knew him, as well as reading through thousands

of pages of Beat archives in about a dozen libraries.

        I was also trying to make the point that since 1977 I have lived in

Beat communities of writers, have gone to 100's of poetry readings, given

readings of my own poetry with many Beat poets such as Bob Kaufman, David

Meltzer, and Harold Norse, and staged dozens of readings for others.  I

number at least two dozen Beat writers as close friends, and I doubt Ann can

claim that--and I don't mean "friend" as someone she sees at an occasional

Beat conference or writes to for a contribution to an anthology.  I mean

people who come to my home regularly, spill wine in and on my piano, piss

off my wife, etc.

        I never publicly claimed to have taught Ann anything about Kerouac,

though I suspect she learned a few things from MEMORY BABE.  She quoted from

MEMORY BABE, in fact, when she spoke at the Rencontre Internationale Jack

Kerouac in Quebec City in 1987.  And she referred to it as "the most factual

account of Kerouac's life" in THE BEAT READER.  Before she began calling me

a "tiresome wannabe," she even wrote a blurb for MEMORY BABE that went

"Gerald Nicosia's dedicated scholarship in MEMORY BABE has added important

new material that significantly expands our knowledge of Kerouac and his

literary achievement."

        Do I wish she'd go away as a Kerouac scholar?  No.  I just wish

she'd stop acting as if I should go away.

        Herewith my backchannel to Mr. Stauffer (the part responding to his

question about why there is not more reference to Ann Charter's work in

MEMORY BABE):

 

        "You must remember that when I started MEMORY BABE in 1977, Ann's

was not the "best known" Kerouac biography, it was the ONLY Kerouac

biography.  As such, it was very thin--she had interviewed 20

people--whereas I went out and interviewed 350 people.  My knowledge of

Kerouac's life became encyclopedic and far more thorough than Ann's.  To

this day, she can't tell Janine Pommy Vega from Joanna McClure--at the San

Francisco Book Fair, last November, when WOMEN OF THE BEAT GENERATION was

being promoted with a big panel (Ann was the moderator), Ann misintroduced

Joanna McClure, Michael's wife and a well-known poet herself, as Janine

Pommy Vega.

        I have lived, hung out with, written and read my own poetry among

the Beats for the last 20 years, and I hardly felt there was much Ann could

clue me in on about the Beat world--she who has spent most of her life in

academia.

        Her editing, which has brought her such a big name, only began in

the late 1980's, and then took off like a rocket when Sampas offered her

dozens of projects.  In 1977, she was not known as a Beat editor at all."

 

 

                                                                        --Ge

rald Nicosia

=========================================================================

Date:         Wed, 28 May 1997 00:10:26 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arno Selhorst <catweasel@USA.NET>

Subject:      More substantial talk less name-calling.

Comments: To: "BEAT-L: Beat Generation List"

          <BEAT-L%CUNYVM.bitnet@IBM.rhrz.uni-bonn.de>

 

Hey out there!

 

Now, since August 1995 I am a more or less quiet participant of our list

here. I was always suprised by the cautious and friendly manner in which all

of you held your comments about all kinds of Beat related topics. But now,

alas, this spirit got quite spoiled.

 

BUT!

 

Then there are also new members to our community here like Maya Gorton who

just signed on! They might be the next talk-a-lots here. And they are the

ones I put all my hopes into, because they weren't here when the sh.. hit

the fan.

 

Welcome Maya!

 

Talking about Burroughs` Infiltration Theory one can come up with the most

horrible visions of the world we live in today. Wired ran an article on

Information Warfare in it's latest issue. In this article the author claimed

that to conquer a country in this time you will first have to infiltrate

this country with precise misinformation to melt down their own social

bounds within their society (sounds a lot like Burroughs talking here). Just

tell them that their entire country will go down the drain and chaos might

start to fire up. "Those whom the I-War Gods destroy, they first make mad."

(Wired p.228 May `97).

 

I start to worry about Burroughs next visions about society...

 

 

Take care everyone

and stop the name calling in favour for some constructive beat discussion.

 

 

Yours Arno Selhorst

=========================================================================

Date:         Tue, 27 May 1997 20:47:48 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      who are we?

In-Reply-To:  <Pine.ULT.3.96.970527102829.29914A-100000@xx.acs.appstate.e du>

 

WHO,

WHO, are we?

 

i think is a bit

        wrong to leave the list

                        'cuz the amount

                                of posts

 

first u must have

                        an ethical way of life

                                to justify yr decision

 

this american gothic saga

                        'bout the estate

                                is sad awright

                                        but the rude men

                                                are also

                                                        in a

                                                little cest

i think

as

a poster to the list

as

a spontanenous writer

as

thinking machine

 

yrs rinaldo

=========================================================================

Date:         Tue, 27 May 1997 22:08:55 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      WHO, are

 

WHO,

WHO, are we?

 

i think is a bit

        wrong to leave the list

                        'cuz the amount

                                of posts

this american gothic saga

                        'bout the estate

                                is sad awright

                                        but the rude men

                                                are also

                                                        in a

                                                little chest

 

yrs rinaldo

=========================================================================

Date:         Tue, 27 May 1997 22:08:40 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      WHO,

 

WHO,

WHO, are we?

 

i think is a bit

        wrong to leave the list

                        'cuz the amount

                                of posts

 

i think

as

a poster to the list

as

a spontaneous writer

as

a thinking machine

 

yrs rinaldo

=========================================================================

Date:         Tue, 27 May 1997 17:23:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Beats out West

 

Alex,

 

        Consider reading Gretel Ehrlich's "The Solace of Open Spaces" and "A

Match to the Heart" (1994). Both great books and great western writing.

Edward Abbey is a complete treat; particularly enjoyed "Desert Solitaire".

 

        And listen to James McMurtry's music (Larry's son!) while your reading.

 

        The latest John McPhee reader has a fine essay about brand

inspectors and rustling in Nevada.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 27 May 1997 15:43:09 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Contest

 

        "Is the accuser always holy now?  Were they born this morning as

clean as God's fingers?"

 

         An autographed copy of MEMORY BABE will be sent to the first person

to correctly identify the source of this quote, both author and work.

One-part answers do not qualify.

        Contest open to all except relatives and employees of Gerald Nicosia.

        Those who already own an autographed copy of MEMORY BABE are asked

not to submit entries.  Coaching friends is acceptable.

        Winner will be notified by email.

 

                                                                -- Gerald

Nicosia

=========================================================================

Date:         Tue, 27 May 1997 18:45:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Desolation Peak

 

My wife and I are thinking of making a trip to Washington State and may take

some time to hike up Desolation Trail to Desolation Peak.  There's a terrific

8 page article complete with photo's by John Suiter in the March 1997 edition

of Shambhala Sun.

 

Has anyone on the list ever done this?  I'm curious as to details.  How long

did it take you, how much time did you spend, where did you stay, etc.

 

An interesting point in the article is Suiter notes of all the fire lookouts

that were in use over the years, only two remain today - Jack's on Desolation

Peak and the one on Sourdough Mountain occupied by Gary Snyder and Philip

Whalen.  Supposedly all the rest are gone - replaced by aircraft overflights.

 

Please send details if you have any.

 

 

Jerry Cimino

=========================================================================

Date:         Tue, 27 May 1997 18:47:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: who is your dad? and letter to kerouac

 

woa.  I saw Ginsberg read some poetry @Realityfest, this thing they had when

i went to Columbia.  This guy sitting next to me puked on the floor but other

than that it was a pleasant experience, from the fragmented images i remember

from it.

=========================================================================

Date:         Tue, 27 May 1997 18:50:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: who is your dad? and letter to kerouac

 

Phil Chaput said:

 

"The best compliment Jack ever paid him is when he said he was the second

best driver he ever knew."

 

 

And I wonder who the first best driver was? ;^>

 

Hey, Phil, did you say earlier Joe was one of Jack's pallbearers?  Tell us

about that if there's a story there.

 

Jerry Cimino

=========================================================================

Date:         Tue, 27 May 1997 18:55:28 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      A quickie question

 

alright, I'm new here and basically new to Beat so this may be a stupid

question, but I was reading the portable Beat reader and an excerpt from

junk had a character named Jack that killed somebody with a pipe and a

faucet. Is that Mr. Kerouac?

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Tue, 27 May 1997 18:12:18 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Guidelines for Discourse

 

Over the past month or so, beat-l listmembers have been subjected to a

barrage of querulous and acrimonius posts concerning the Jack Kerouac

Estate and Gerry Nicosia's archive.  Some of these posts have even

degenerated into name calling and accusations of unethical or even

illegal activities.   As a result of the tonethese posts have taken,

several lismembers have unsubscribed and others are threatening to do

so.  Lawsuits have also been threatened.  For the health of the list and

for the protection of the rights of all listmembers, I am establing the

following guidelines for discussion of Beat-l:  1) Copyrighted material

should not be posted to the list without permission (fair use rules

applying) nor should private correspondence be posted without permission

from the author; 2) Listmembers will not accuse each other of various

crimes and misdemeanors on the Beat-l list (What you do privately is

your own business.); 3) Listmembers will refrain from flames, character

attacks, and personal insults in their posts to Beat-l (Again if you

feel compelled to such measures please email your adversary directly.)

Those who violate these rules will be subject to having their posts

blockedfrom the list.  If some of you find such prescriptive guidelines

objectionable, I assure you I found it even more objectionable to have

to propose them.  I am doing my best to save this list and welcome your

suggestions either on the list or privately.   William Gargan

=========================================================================

Date:         Tue, 27 May 1997 19:09:54 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Guidelines

 

Please excuse the typos in my last posting.

=========================================================================

Date:         Tue, 27 May 1997 16:18:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Guidelines for Discourse

 

At 06:12 PM 5/27/97 EDT, you wrote:

>Over the past month or so, beat-l listmembers have been subjected to a

>barrage of querulous and acrimonius posts concerning the Jack Kerouac

>Estate and Gerry Nicosia's archive.  Some of these posts have even

>degenerated into name calling and accusations of unethical or even

>illegal activities.   As a result of the tonethese posts have taken,

>several lismembers have unsubscribed and others are threatening to do

>so.  Lawsuits have also been threatened.  For the health of the list and

>for the protection of the rights of all listmembers, I am establing the

>following guidelines for discussion of Beat-l:  1) Copyrighted material

>should not be posted to the list without permission (fair use rules

>applying) nor should private correspondence be posted without permission

>from the author; 2) Listmembers will not accuse each other of various

>crimes and misdemeanors on the Beat-l list (What you do privately is

>your own business.); 3) Listmembers will refrain from flames, character

>attacks, and personal insults in their posts to Beat-l (Again if you

>feel compelled to such measures please email your adversary directly.)

>Those who violate these rules will be subject to having their posts

>blockedfrom the list.  If some of you find such prescriptive guidelines

>objectionable, I assure you I found it even more objectionable to have

>to propose them.  I am doing my best to save this list and welcome your

>suggestions either on the list or privately.   William Gargan

> 

> 

                Amen.

                                -- Gerald Nicosia

=========================================================================

Date:         Tue, 27 May 1997 19:23:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: SAMPAS WHO? Re: a calm request

 

Smart went crazy.

=========================================================================

Date:         Tue, 27 May 1997 19:32:23 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: SIGNOFF BEAT-L

 

I first met Dean not long after BEAT-L and I split up. I had just gotten over a

serious estate battle that I won't bother to talk about, except that it had

something to do with the miserably weary split-up feeling that the list was

dead...

=========================================================================

Date:         Tue, 27 May 1997 16:44:58 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Some Old Guy

 

I'm water falling

down a sidewalk

through some tunnel

thinking about my hanging

hang over

when this old guy

with a cane and a cap

that red

miserable old bastard

passed me by

with words

to the effect

it's slippery out here son

and some slippery light

fleetingly filled the tunnel

to illuminate the shephard

and I felt like sheep

keep sliding.

                                               James M.

=========================================================================

Date:         Tue, 27 May 1997 19:03:20 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Re: Beats out West

In-Reply-To:  <Pine.ULT.3.96.970527173104.14181B-100000@xx.acs.appstate.edu>

 

IM HO HO HO, McGuane is Key West literary conch fritters, now Montana

cowboy blues--parallel elf-proclaimed outlaw writer like Willy Nelson, but

not really Beat (which is peculiarly caf=E9 Fran=E7ais in some ways), all dr=

ugs

and refried beans, no Zen and green tea, no Doc Benway really, more

Parrothead than Deadhead, more Margaritaville than North Beach & Greenwich

Village, more island in the sun than road on the go, more Kesian than

Kerouacian, but I'd be interested in what you say anyway.  (My favorite

McGuane thing is an essay, "The Longest Silence," his permit fish story,

where he's not such a nouveau metaphor freak.) // John M.

 

 

>This summer I'm doing an independent study on 20th Century Western

>American Lit, and as my specialty is the beats; I see a lot of connections

>between the ideals expressed by the beats and those expressed by the

>writers I'm reading.  Aside from political concerns such as environment

>and rejection of an outside, displaced authority; there's that idea of

>personal, inner freedom as well as the idea of man as a supreme being in

>an individual universe which I think Kerouac expressed a lot through his

>singular narrative skills.  I'm making my way through Zane Grey for back

>ground then into Thomas McGuane (who I've not read but read about), Jim

>Harrison, Edward Abbey, John Nichols, and Ivan Doig.  Any thoughts?  Esp.

>on McGuane, Harrison, and Abbey.

> 

>------------------

>Alex Howard  (704)264-8259                    Appalachian State University

>kh14586@acs.appstate.edu                      P.O. Box 12149

>http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Tue, 27 May 1997 20:07:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

 

I Used to Remember Heaven

 

 

 

Purpose with a feeling, Feeling with a purpose.

One of those is right, and yesterday I could remember;

The shadows on the wall, that Socrates saw,

The quantum dream, we ARE each other's dream,

Not just in them. Dream me, I dream you, watcha gonna do?

 

No, I clearly remember that I used to know so much more

Than I know now.  My six year old daughter says,

Daddy will you tell me about God, I seem to be

Forgetting her now, I used to remember heaven.

Oh yes, and so did I Sarah, so did I.

 

 

 

Draft No.1

May 27, 1997

R. Bentz Kirby

Columbia, SC 8:04P.M.

 

 

God bless this list and my children,

 

Peace,

 

I ain't signing off, but I am gonna beat a gone world.

 

 

--------------------------------------------------------

Name: R. Bentz Kirby

E-mail: R. Bentz Kirby <bocelts@scsn.net>

Date: 05/27/97

Time: 19:59:40

 

This message was sent by Z-Mail Pro - from NetManage

NetManage - delivers Standards Based IntraNet Solutions

--------------------------------------------------------

=========================================================================

Date:         Tue, 27 May 1997 20:12:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

 

Marie,

 

        Do you have any idea when Leon will be rejoining us?

 

 

Thanks,

 

Bruce

--------------------------

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Tue, 27 May 1997 20:17:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: SIGNOFF BEAT-L

In-Reply-To:  <009B4E5D.2A677520.9@kenyon.edu>

 

On Tue, 27 May 1997, MORE OXY THAN MORON wrote:

 

> I first met Dean not long after BEAT-L and I split up. I had just gotten over

 a

> serious estate battle that I won't bother to talk about, except that it had

> something to do with the miserably weary split-up feeling that the list was

> dead...

 

Doesn't Jack in this intro sound much like Salinger, beginning of _Catcher

in the Rye_? Now has this been mentioned before, or am I imagining a

discussion that never was?

=========================================================================

Date:         Tue, 27 May 1997 17:22:33 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      setting record straight

 

                        May 27, 1997

 

Yesterday James Stauffer wrote:

        "My recollection is that Gerry Nicosia brought this fight to this list."

 

No, James.  Joe Grant started some posts here back in April.  I did not tell

him to do this, nor did I know he was doing it.  Joe then emailed me and

told me that, in response to his posts, Mr. Anstee and Mr. Chaput were

saying some rather scathing things about me.

        Hearing that--especially after having helped Rod Anstee with his

Kerouac projects for 13 years--made me decide to jump on here and tell my

own side of the story.

        The next thing I knew I was being charged with everything from

attacking the Lowell Kerouac Committee to selling stolen goods.

        Just setting the record straight.  Not flaming.

        Best, Gerry Nicosia

=========================================================================

Date:         Tue, 27 May 1997 20:38:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: spontaneous sidewalk re-worked.

 

In a message dated 97-05-26 23:23:50 EDT, you write:

 

<< Tomorrow, Tuesday, let's have

 everyone on the list post one poem, story, or idea about beat literature. >>

 

Beat-L:

I don't write, just edit, but a friend handed me this poem yesterday.  I

thought it fit.

 

Pam Plymell

 

not finding your stone

under wet, long, half-dim grass

my hand drops

lilac

 

                                       for allen ginsberg,

                                       who is not buried in cherry valley

 

                                                             F. Bjornson

Stock

                                                             Memorial Day

1997

=========================================================================

Date:         Tue, 27 May 1997 17:42:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Lowell author-Jay Pendergast

 

At 06:49 AM 5/26/97 -0400, you wrote:

>In a message dated 97-05-26 00:01:30 EDT, you write:

> 

>> May 25,1997

>>  Lowell author and friend of Jack Kerouac, Jay Pendergast died unexpectedly

>>  this afternoon. Jay had just written a story about Jack in Paul Maher's

>>  premiere issue of the "Kerouac Quarterly" his painting that Jack had given

>>  him personally what I called "Beatnik Jesus" was on the cover. He was an

>>  educator that taught English, Irish and American Literature as well as

>>  History, Writing and Anthropology courses.

 

                        May 27, 1997

 

        I taped a long interview with Jay Pendergast on his escapades with

Kerouac.  This is one of the 300 tapes currently under seal, and

deteriorating for lack of proper care, at U Mass, Lowell.  Alas.

        -- Gerry Nicosia

=========================================================================

Date:         Tue, 27 May 1997 20:38:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dirk Vulgate <BIGDUCK2@AOL.COM>

Subject:      Re: Thugs

 

In a message dated 97-05-27 12:11:33 EDT, you write:

 

<<         I hope the past week has been instructive to you all.

         We have seen the three chief representatives of Mr. Sampas's point

 of view--Phil Chaput, Rod Anstee, and Paul Maher--employ the tactics of

thugs.

         I do not know whether any of these three has been hired by Mr.

 Sampas to

         Yours for the truth, Gerald Nicosia

  >>

 

     You are the biggest hypocrite I've ever listened to rant bullshit

anywhere. You are truly a sick person, Nicosia.

     You have misled people here with your particular style of exaggaration

and lies. You have set back the cause of the preservation of Jack's works

irreparably. You have bullied your way around the BeatList, just as you've

bullied your way into every event where people had the audacity not to invite

you.

     No one owes you anything, Nicosia. For that matter, until the

"fraudulent will" is proven (and I for one believe it is a forgery), John

Sampas doesn't owe anyone anything either. People who own and collect

Kerouac's papers, whether they're named Johnny Depp or Rod Anstee, also owe

you nothing, nor do they owe anything to the world. No one in this entire

battle is doing anything illegal - no one!

     Even John Sampas, who obviously cares nothing for Kerouac's work and is

only trying to wring as many dollars out of DeadJack as he can is not a

criminal - at least, it hasn't been proven yet that he is. He demonstrated

his bad taste with the pathetic San Francisco Blues, his gigantic ego with

all his constant credit lines stamped on everything having anything to do

with Kerouac, and his lack of a clue with the choices of artists and

insulting performances on the putrid "kicks joy darkness" "tribute" CD. He

disgusts me, but you make me angry, because you've insinuated yourself into

the forefront of this issue, pushing everyone else out of the picture.

     Look at the people you've alienated and hurt while constantly invoking

so-called Christian ethics and always signing off with the bitterly

sarcastic, phony, Nixon-plastic "Best, Gerry Nicosia." These people,

including Levi, Attila, Rod and Phil are all human beings--good human beings,

and they all have one thing in common: They once were your allies, and now

they are not.

     But they're all too good to be your enemies. They know better. They

don't play your game of dividing people up into "All-Evil" or "All-Holy"

camps. These men, and the trail of bodies you've left behind you in your life

pulling the same stunts with former friends, they all know that life is not

black and white. They can find gray areas. That's where most of us live our

lives every day.

     No one wants to work with you. No one wants to see you gain "control" of

Kerouac's archives. What "manifest destiny" has your fevered brain dreamed up

to make you believe it's okay to stampede over American literature and worry

about the consequences later? Your rampant ego and gigantic clay feet take up

all the room there is for rational discourse. I hope you fall on your own

sword, I really do.

     I'm sorry that by writing this letter there will be a new flame war on

the list. But someone had to stand up and say we are ALL human here. Nicosia

is not a god; he's not even an unflawed authority on Kerouac. No one is.

     If anyone here did some research into the history of Nicosia's

relationships with Anstee, Charters, Kovic and others he's mentioned in his

vomit of posts, you would understand that all his protests are simply a

Wizard of Oz curtain to keep people from seeing the wreckage of his own past.

     I issue these opinions under my right to free speech, without cursing or

lying. I will not post again on this issue no matter what the response is

because this is all I want to say. Anyone who wants to comment directly to me

is welcome. But I'm not going to clog up the list with defenses of my

position or futile arguments.

     This I vow, D. Vulgate, 5-27-97

=========================================================================

Date:         Tue, 27 May 1997 20:50:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: Guidelines for Discourse-Sad day for beat-l

 

At 06:12 PM 5/27/97 EDT, you wrote:

>Over the past month or so, beat-l listmembers have been subjected to a

>barrage of querulous and acrimonius posts concerning the Jack Kerouac

>Estate and Gerry Nicosia's archive.  Some of these posts have even

>degenerated into name calling and accusations of unethical or even

>illegal activities.   As a result of the tonethese posts have taken,

>several lismembers have unsubscribed and others are threatening to do

>so.  Lawsuits have also been threatened.  For the health of the list and

>for the protection of the rights of all listmembers, I am establing the

>following guidelines for discussion of Beat-l:  1) Copyrighted material

>should not be posted to the list without permission (fair use rules

>applying) nor should private correspondence be posted without permission

>from the author; 2) Listmembers will not accuse each other of various

>crimes and misdemeanors on the Beat-l list (What you do privately is

>your own business.); 3) Listmembers will refrain from flames, character

>attacks, and personal insults in their posts to Beat-l (Again if you

>feel compelled to such measures please email your adversary directly.)

>Those who violate these rules will be subject to having their posts

>blockedfrom the list.  If some of you find such prescriptive guidelines

>objectionable, I assure you I found it even more objectionable to have

>to propose them.  I am doing my best to save this list and welcome your

>suggestions either on the list or privately.   William Gargan

> 

>This is really a shame that it had to come to this. I want you to realize

Bill that I stopped all the bullshit after you POLITELY asked about it over

five days ago and I have been bombarded with insults since that time and

have even been called a coward (a new one for me). I still remained silent.

Please feel free to go over my posts since that time so you can understand

that I had no part in this since you and several others POLITELY asked all

involved to cool it and I said I would out of respect to the listmembers. I

had one post denying that I had ever called Gerry a thief and in return for

that denial I received a threat from Gerry that he would sue me. I can

understand that if someone threatens to sue the beat-l (namely Nicosia) you

have to take some kind of action but I feel that Jack and Allen would roll

over in their graves if they knew the beat list was now CENSORED. It is a

sad day indeed and I myself am considering signing off. I will see you folks

in Nashua when I pay my final respects to Jan Kerouac.

Phil Chaput

=========================================================================

Date:         Tue, 27 May 1997 21:04:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: Guidelines for Discourse-Sad day for beat-l

 

Bad list members must stand in the cyber corner!

=========================================================================

Date:         Tue, 27 May 1997 21:03:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      no you don't

 

Phil:

 

You can't sign off until we see whether you got a basketball game or

not.  "Chink" (hitting nothing but chain here).

 

I am only 43, so I figure, I got an advantage here somewhere!!

 

:-)

 

Peace,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 21:01:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Thugs

In-Reply-To:  <970527203743_156389426@emout18.mail.aol.com>

 

On Tue, 27 May 1997, Dirk Vulgate wrote:

 

> He demonstrated

> his bad taste with the pathetic San Francisco Blues, his gigantic ego with

> all his constant credit lines stamped on everything having anything to do

> with Kerouac, and his lack of a clue with the choices of artists and

> insulting performances on the putrid "kicks joy darkness" "tribute" CD.

 

Okay. What's "San Francisco Blues"? As for jkd, which performances did you

think were insulting (besides the Aerosmith guy)?

=========================================================================

Date:         Tue, 27 May 1997 21:07:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Beat list

 

BEAT-L

 

There ain't no bodies to hide,

There ain't no blood to wipe,

Nothing but reputation,

And that won't matter in 100 years.

BEAT-L, the rumors of your death

Are not true,

The rumors of your suicide are lies,

The rumors of your demise are all lies.

 

In my eyes, the BEAT is BEAT,

And when it BEATS, its heart,

Can drown it all in an immense

Jug of wine, not whine, that

We all must drink and it becomes

Our blood at last.

 

Do not leave, if you do, you will miss it!!

BEAT go on, BEAT go on.

 

Bentz Kirby

May 27, 1997 9:07 PM

Columbia, SC

 

Peace,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 21:10:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tipper Quigg <quigg@INFORAMP.NET>

Subject:      is this about the Beats???

 

        I literally signed on to this list tonight, in hopes that I can find

some people to discuss my favorite authors..But instead I get all this flame

war stuff, out of the 7 post I recieved 6 of them were about legal

battles...I was just wondering, is some legal page?  is there one that has

to do with the writing?  Is this flaming just a rare occurance or is this

pretty common because as much as I love Kerouac and Burroughs, I don't think

I can sit through this stuff...Maybe I'm over reacting but I've since this

kinda stuff on other lists...Please say there are people out there who will

talk to me...

 

 

 

 

help the economy...buy a Neil Young album...

=========================================================================

Date:         Tue, 27 May 1997 21:10:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Guidelines for Discourse

In-Reply-To:  <BEAT-L%97052718584517@CUNYVM.CUNY.EDU>

 

thanks, bill.

mc

=========================================================================

Date:         Tue, 27 May 1997 21:11:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

In-Reply-To:  <199705280012.UAA11057@everest>

 

>Marie,

> 

>        Do you have any idea when Leon will be rejoining us?

 

_________

hey there bruce: he'll be gone for two (or more?) weeks, had plans to hook

up service and post to us, wasn't sure.

all is well,

knowing leon, he's having a hell of a good time.

mc

z

z

=========================================================================

Date:         Tue, 27 May 1997 18:13:57 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Thugs

 

... you've insinuated yourself into

>the forefront of this issue, pushing everyone else out of the picture....

>     I'm sorry that by writing this letter there will be a new flame war on

>the list....

>     This I vow, D. Vulgate, 5-27-97

> 

 

Dear Mr. Vulgate:

 

        I certainly had a right to post "Thugs," after having been the only

person on this Beat-List to be accused of crimes (and don't say I accused

John Sampas of actual crimes unless you can go back and find an actual

posting, please--no more misquotes and rumors).  I was the only person on

this list to have my privacy and my copyright in unpublished, personal

correspondence infringed upon.

        Happy I would have been had Jan Kerouac lived to take her case to

trial by herself.  This thing has taken up too much of my time, energy,

emotion, and money, and I wish somebody else was in a position to carry on

Jan's fight.  But as her literary executor, she put the torch in my hand,

and I'm doing my best to carry it for her.  Yes, it's taken a heavy toll on

my life, and put a lot of strain on our household, but my life is not a

"wreckage" by any means.

        And, listen, good sir, Mr. Gargan has asked people to stop using

emotional words, such as your letter is full of: "stunts," "rampant ego,"

"gigantic clay feet," "sarcastic," "phony," "Nixon-phony," "bully," "trail

of bodies," "play your game," "stampede over," "Wizard of Oz curtain," etc. etc.

        I used to teach rhetoric, good sir, and your letter is a virtual

textbook of what they used to call "appeal to emotion."  So please stop

conning us and saying you don't want to create a new flame war.

        What, are you upset that Nicosia has stopped taking the bait?

        No, sir, I'm not going to flame at you.  If that disappoints you,

I'm sorry.

        I'm only going to ask you to observe the guidelines which good Mr.

Gargan has wisely set down.

        Best always (and I mean it), Gerry Nicosia

=========================================================================

Date:         Tue, 27 May 1997 21:58:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Why We Shouldn't Study Kerouac

 

In a message dated 97-05-26 18:59:32 EDT, you write:

 

<< Anstee already purchased major items from the Kerouac Archive for

 his private collection, which have gone up tremendously in value >>

 

 

Gerry:

 

Please let us know what major items Rod Anstee purchased from Mr. Sampas?

 

Thanks -

JW

WRB

=========================================================================

Date:         Tue, 27 May 1997 21:53:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: "Purchased" versus "Donated"

 

In a message dated 97-05-26 18:23:37 EDT, you write:

 

<<  In fact, I did not like the idea of selling the archive to Weinberg,

 since he would give me no guarantee about keeping the archive together, >>

 

Gerry:

 

I do not believe that negotiations that we have had about the sale of your

archive is the business of the Beat-L. It is my business and your business

only. If you want to discuss my business in any open forum like the Beat-L ,

please ask me first.

 

I will clarify one point, however, in reference to your statement quoted

above.

 

I made the decision not to purchase your archive because in my opinion at the

time, your asking price was simply too high. You never refused to sell me

your archive because I would not guarantee to keep it together. If I had

agreed to your asking price, you would have gladly cashed my check....

 

Of course, I know that Rod was the person who first brought this matter up to

this forum  when he quoted from your letter to him....Yes - Rod is a very

good friend of mine but I do not think he should have quoted from your

private correspondence....

JW

WRB

=========================================================================

Date:         Tue, 27 May 1997 21:42:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      how annoying some of these whiny people are!

 

Who gives a rat's ass about your stupid opinions? no one wants to read a

whole e-mail of just you whining about and insulting Mr. Nicosia.  Yes, I'm

talking to you, but i deleted your message so fast i lost the address.

Anyway. That is so boring and stupid.  So there.  Have a SUPER day.

Can we talk about something OTHER than Jack Kerouac now? PLEASE?? I think the

fact that no one is fighting over Burroughs' stuff attests to his superiority

over any of the other beats.  Both as an artist and as a person. At the risk

of starting another argument, I will venture to say that I never did like

that "on the road" crap anyway.  (I went to the festival in Lowell, Mass and

had a great time but simply prefer burroughs) ok,

bye.........marioka7@aol.com

=========================================================================

Date:         Tue, 27 May 1997 18:26:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Guidelines for Discourse-Sad day for beat-l

 

.... I

>had one post denying that I had ever called Gerry a thief and in return for

>that denial I received a threat from Gerry that he would sue me. I can

>understand that if someone threatens to sue the beat-l (namely Nicosia) you

>have to take some kind of action but I feel that Jack and Allen would roll

>over in their graves if they knew the beat list was now CENSORED. It is a

>sad day indeed and I myself am considering signing off. I will see you folks

>in Nashua when I pay my final respects to Jan Kerouac.

>Phil Chaput

> 

 

C'mon, Phil:      May 27, 1997

 

        I never said you called me a thief, I said you accused me of

breaking the law in selling Kerouac xeroxes to Lowell, but you never

produced the statute that made this a crime.  To accuse someone of a crime

falsely is libel.  Since when is it censorship for Mr. Gargan to ask people

to desist from libel?  The fact that libel is a criminal act is the law of

the land, Phil, not Mr. Gargan's whimsy.  And he's also asking people to

stop breaking the law by publishing my private correspondence here.

        You want a license to break the law?  Fine, go somewhere else.  We

don't need any lawbreakers here.

        Actually I think Jack already rolled over in his grave when his

volume of SELECTED LETTERS was censored.

        And it's curious you and Mr. Sampas got invited to Jan's funeral,

when I didn't.  How much time did you guys spend with her in those last

five, hard, 4-dialyis-a-day years?  Did you ever watch her do a dialysis, Phil?

        Just wondering.  I did.

        Best always, Gerry Nicosia

=========================================================================

Date:         Tue, 27 May 1997 21:15:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: Guidelines for Discourse-Sad day for beat-l

 

MORE OXY THAN MORON wrote:

 

> Bad list members must stand in the cyber corner!

 

 ROTFLMAO, and please, I didn't mean it, it was my evil twin, George

Bush.

 

Hell, I wasn't even on the grassy knoll, I was up in this damn book

building.  Shit all these damn bullet casings came  flying by the

window, and I coulda sworn to a God if there was one that Oliver Stone

was there, but, it could a been PeeWee Herman, there were some stains on

em.  Anyway, I saw it all with my out of body self.  It was on an astral

projection from my 6th Grade English class in Easley SC.  I'm still

pissed that they called off the trip to the county courthouse to see the

Indian arrowheads.  But shit man, I was punished.   I got stung by 5

yellow jackets when God and my mother saw me out playing instead of

watching the Jack Kennedy funeral, so I will stand in the cyber corner

rather than have to deal with those yellow jackets again.

 

Oh yeah, Pretty Boy Floyd wasn't there either.

 

It was not beat.

 

HA, HA, HA , HA,

 

I am not paranoid either, I just hate corners!

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 27 May 1997 22:21:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Rod Is Off Base!

 

In a message dated 97-05-26 23:17:24 EDT, you write:

 

<<  You

 are a very low human being indeed.  I won't ever trust another word you say.

  This is dispicable! >>

 

Hey, Jerry C:

 

I for one am now fed up with the personal attacks against Rod or anyone on

this list. It's one thing to disagree - it's another thing for a grown man to

start with this bullshit.

 

Do what Webmaster Bill Gargan asked you to do - take it outside and make it

private.

 

You are ruining the community spirit we ahave all tried to build up the last

few years.

Go start your own list about the archive controversy.

 

People who were once active on this list are now afraid to post anything

here.

They don't realize that the barks of the big boys are in reality just

whimpers...

Alot of fine folks feel intimidated by your remarks and Gerry's and Jo

Grant's and Rod's remarks....

 

Let's get back to why this list was formed by Bill Gargan through the

cooperation of Brooklyn College -

 

To promote lively discussions about Beat literature and Beat writers.....

To call someone you do not know a low human being is bad news....

Please go away and take your insults with you....

 

Jeffrey H. Weinberg

=========================================================================

Date:         Tue, 27 May 1997 19:29:00 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Dirk Vulgate or Paul Maher?

 

    May 27, 1997

To Bill Gargan and the Good Folk on the Beat-L:

 

        Just when we're trying to get things down to a calm, civilized

dialogue again, there appears a Mr. Dirk Vulgate, ranting and raving at a

fevered emotional pitch.

        DID ANYONE NOTICE THE UNCANNY RESEMBLANCE OF THE NEWLY ARRIVED MR.

VULGATE'S RHETORICAL STRUCTURES, PHRASING, AND VOCABULARY TO THAT OF THE

RECENTLY DEPARTED PAUL MAHER?

        Both Mr. Maher and Mr. Vulgate have a way of screaming "I don't owe

you..." "No one owes you..."

        Both of them like to throw the words "sick" and "hypocrite" around a

lot.

        It's funny, but a lot of people don't realize their language,

sentence structure, etc., has a signature that is as recognizable to the

trained eye as a person's handwriting.

        Even more curious, this fellow Vulgate, who hates me so much he

wants me to "fall on my sword," tells me he "believes the will is a forgery."

        Is that so we will know for sure it couldn't be Paul Maher, who has

made a point of saying he knows the will is genuine?

        Nothing he says in the rest of his letter gibes with his belief that

the will is a forgery.

        So is the next step that we now have impostors in silly masks

stepping on to the stage to keep the flame war going?

        Mr. Gargan, please put a quick end to this.

        The rules of civilized discourse now apply, whether your name is

Paul Maher, Dirk Vulgate, or Jimmy Poodlewhorfer (to plagiarize JK).

        No one says you can't talk about the estate fight.  No one says you

can't say you dislike Gerry Nicosia.  Only have a reason and a logical

explanation.  Don't start throwing criminal accusations at me (or anyone

else) or attacking somebody's personal life.

        If that's censorship, I think Jack Kerouac would applaud it.

        Jack, after all, changed names in his novels and even descriptions

so as not to hurt people's feelings.

        Best always, Gerry Nicosia

=========================================================================

Date:         Tue, 27 May 1997 22:36:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: signoff

 

Dear Beat-L Members:

 

Before all 200+ of you sign off, please remember that Beat-L T-shirt list.

I ordered enough shirts to cover that list and I certainly can't use 200

shirts myself!

 

The Beat-L T-shirt with artwork by S. Clay Wilson will be ready to ship in

approx.

2-3 weeks.

 

I kept my part of the bargain by fronting the money to pay Wilson and to pay

for the shirts to be printed up....Please keep your part of the bargain

also...

 

Thanks -

 

Jeffrey Weinberg

Beat-L T-shirt Dept.

=========================================================================

Date:         Tue, 27 May 1997 19:43:19 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: SIGNOFF BEAT-L

 

MORE OXY THAN MORON wrote:

> 

> I first met Dean not long after BEAT-L and I split up. I had just gotten over

 a

> serious estate battle that I won't bother to talk about, except that it had

> something to do with the miserably weary split-up feeling that the list was

> dead...

 

 

This may be the best post on the JKEK (The Jack Kerouac Estate

Kontroversy).  I found myself filled with nostalgia for the Old Beat-L

today.  25-40 posts aday.  Most on topics relevant to the list.  No

legal wars, not too much self-indulgent bullshit (well there was Ron

Whitehead, but he was  relatively entitled.) Maybe I'll just sign off

and read the archives.  At least it won't take  two hours a day to go

through even with nuking anything by some nameless folks.

 

J Stauffer

=========================================================================

Date:         Tue, 27 May 1997 21:35:50 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: how annoying some of these whiny people are!

 

Maya Gorton wrote:

> 

> Who gives a rat's ass about your stupid opinions? no one wants to read a

> whole e-mail of just you whining about and insulting Mr. Nicosia.  Yes, I'm

> talking to you, but i deleted your message so fast i lost the address.

> Anyway. That is so boring and stupid.  So there.  Have a SUPER day.

> Can we talk about something OTHER than Jack Kerouac now? PLEASE?? I think the

> fact that no one is fighting over Burroughs' stuff attests to his superiority

> over any of the other beats.  Both as an artist and as a person. At the risk

> of starting another argument, I will venture to say that I never did like

> that "on the road" crap anyway.  (I went to the festival in Lowell, Mass and

> had a great time but simply prefer burroughs) ok,

> bye.........marioka7@aol.com

 

hey i am willing to fight over burroughs stuff the guy is till making

it.

I just ordered my new tee shirt shot with holes.  I  hope the guy with

holster on hip, steel in hand and words strung like fire rides rides and

rides.  I once was giving wsb a ride and was trying to remember the

words to frankie and johnnie and he knew all of them , the old jimmy

rodgers version, did very well.

look at www.exoticaa.com new stuff. and i like it and i am a woman, and

a beat, yet i don't care if my wife appreciates or not because he is my

husband and better just stick to his memorizing of numbers. heahha had

way too much estate stuff, waytoomuch

p

=========================================================================

Date:         Tue, 27 May 1997 21:39:06 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: signoff

 

Jeffrey Weinberg wrote:

> 

> Dear Beat-L Members:

> 

> Before all 200+ of you sign off, please remember that Beat-L T-shirt list.

> I ordered enough shirts to cover that list and I certainly can't use 200

> shirts myself!

> 

> The Beat-L T-shirt with artwork by S. Clay Wilson will be ready to ship in

> approx.

> 2-3 weeks.

> 

> I kept my part of the bargain by fronting the money to pay Wilson and to pay

> for the shirts to be printed up....Please keep your part of the bargain

> also...

> 

> Thanks -

> 

> Jeffrey Weinberg

> Beat-L T-shirt Dept.

Can we see it yet? i am so excited, hey rah

p

=========================================================================

Date:         Tue, 27 May 1997 19:54:03 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Beats out West

 

Alex Howard wrote:

 

  I'm making my way through Zane Grey for back

> ground then into Thomas McGuane (who I've not read but read about), Jim

> Harrison, Edward Abbey, John Nichols, and Ivan Doig.  Any thoughts?  Esp.

> on McGuane, Harrison, and Abbey.

 

A great subject, fiction of the west and you have some good things to

work on here.  Mitchell has already replied on McGuane.  Harrison is my

favorite of the group.  Certainly not exclusively a Western writer, like

McGuane, lots of Key West and Upper Peninsula.  But his western stuff is

wonderful for me.  Not leading edge stylistically, but very tight clean

writing.  Dalva is a wonderful novel and one of the richest female

figures in a modern man's novel.  Revenge and and the other novella's

probably my favorites tho.  Very spare and strong.  Much better than the

movies made from them which seem bloated.  Harrison is like a latter day

Hemingway.  He writes beautifully about food, hunting dogs, women  and

drinking and doping.  Sort of like Hemingway without the suicidal edge

and less sentimental. His Michigan stuff does less for me but that may

be because I have less feel for the country and people.  Nichols is

marvelously funny.  Abbey is a little to ecclesiastical for my taste.

 

Have fun with this one

 

James Stauffer

=========================================================================

Date:         Tue, 27 May 1997 22:55:09 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: how annoying some of these whiny people are!

 

Reply to message from Marioka7@AOL.COM of Tue, 27 May

 

 

>Can we talk about something OTHER than Jack Kerouac now? PLEASE?? I think the

>fact that no one is fighting over Burroughs' stuff attests to his superiority

>over any of the other beats.  Both as an artist and as a person. At the risk

 

Burroughs is still kicking; wouldn't be as much fun talking about him! :)

 

Truthfully, I've never had a chance (yet) to read anything by Burroughs,

but when (if!) I ever finish _Go_, _Naked Lunch_ is next on my list.

 

Diane.

 

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Tue, 27 May 1997 23:06:03 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      "we put the 'dis' in disfunctional! :)"

 

Dear Gerry (or anyone else who can help):

 

In a post eons ago (well, probably only 2 days ago, but time gets warped

("let's do the time warp again....) in CyberSpace) you mentioned a bunch of

never-been-published Kerouac stuff.  One title stuck out to me, _

Visions of Lucien_.  Can you (or anyone) give me any more info on this one,

what it's about, when it was written, etc etc?  E-mail privately if you'd

like, ek242@cleveland.freenet.edu

Thanks!

 

Diane.

 

(Was Frank N. Furter Beat?  Or did he just bea...ah, never mind! ;)

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Tue, 27 May 1997 23:28:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Dirk Vulgate or Paul Maher?

 

At 07:29 PM 5/27/97 -0700, you wrote:

>    May 27, 1997

>To Bill Gargan and the Good Folk on the Beat-L:

> 

>        Just when we're trying to get things down to a calm, civilized

>dialogue again, there appears a Mr. Dirk Vulgate, ranting and raving at a

>fevered emotional pitch.

>        DID ANYONE NOTICE THE UNCANNY RESEMBLANCE OF THE NEWLY ARRIVED MR.

>VULGATE'S RHETORICAL STRUCTURES, PHRASING, AND VOCABULARY TO THAT OF THE

>RECENTLY DEPARTED PAUL MAHER?

>        Both Mr. Maher and Mr. Vulgate have a way of screaming "I don't owe

>you..." "No one owes you..."

>        Both of them like to throw the words "sick" and "hypocrite" around a

>lot.

>        It's funny, but a lot of people don't realize their language,

>sentence structure, etc., has a signature that is as recognizable to the

>trained eye as a person's handwriting.

>        Even more curious, this fellow Vulgate, who hates me so much he

>wants me to "fall on my sword," tells me he "believes the will is a forgery."

>        Is that so we will know for sure it couldn't be Paul Maher, who has

>made a point of saying he knows the will is genuine?

>        Nothing he says in the rest of his letter gibes with his belief that

>the will is a forgery.

>        So is the next step that we now have impostors in silly masks

>stepping on to the stage to keep the flame war going?

>        Mr. Gargan, please put a quick end to this.

>        The rules of civilized discourse now apply, whether your name is

>Paul Maher, Dirk Vulgate, or Jimmy Poodlewhorfer (to plagiarize JK).

>        No one says you can't talk about the estate fight.  No one says you

>can't say you dislike Gerry Nicosia.  Only have a reason and a logical

>explanation.  Don't start throwing criminal accusations at me (or anyone

>else) or attacking somebody's personal life.

>        If that's censorship, I think Jack Kerouac would applaud it.

>        Jack, after all, changed names in his novels and even descriptions

>so as not to hurt people's feelings.

>        Best always, Gerry Nicosia

>What's your point Nicosia? if I am the author of something I will not hide

behind a "mask"? I don't have "proof" the will is genuine no more than you

do the will is a forgery. I just think it is the real thing. I simply don't

see what would be so "funny" about an invalid woman's (who has suffered a

stroke and is elderly)signature. What is the basis in logic underlying your

conclusion?

                        Signed Paul, the "convicted thief", or just call me

Lord Jim or Raskolnikov...

=========================================================================

Date:         Wed, 28 May 1997 00:15:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: is this about the Beats???

 

Tipper Quigg wrote:

> 

>         I literally signed on to this list tonight, in hopes that I can find

> some people to discuss my favorite authors..But instead I get all this flame

> war stuff, out of the 7 post I recieved 6 of them were about legal

> battles...I was just wondering, is some legal page?  is there one that has

> to do with the writing?  Is this flaming just a rare occurance or is this

> pretty common because as much as I love Kerouac and Burroughs, I don't think

> I can sit through this stuff...Maybe I'm over reacting but I've since this

> kinda stuff on other lists...Please say there are people out there who will

> talk to me...

> 

> help the economy...buy a Neil Young album...

 

Tipper,

 

Welcome.  Just hang in there for a while and all the nastiness will pass.

 There are a lot of creative people here who love literature.  Deep down,

everyone knows that the vision of the beats will not be lost in hassles

over estate matters.  Join in, pick a topic, invite others to discuss it.

 People will talk to you.

 

DC

=========================================================================

Date:         Wed, 28 May 1997 00:34:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Maya Gorton wrote:

> 

 

> Can we talk about something OTHER than Jack Kerouac now? PLEASE?? I think the

> fact that no one is fighting over Burroughs' stuff attests to his superiority

> over any of the other beats.  Both as an artist and as a person.

 

Whoa.  I have to say that if we are talking about the superority of the

one of the beats, my vote is in there for Allen Ginsberg.  He was by far

the greatest poet of the twentieth century, and his voice affected the

whole stratus of socity from politics to music.  He even tirelessly

promoted the works of other beat writers.  I must admit, though, that

since I've joined this list, I've come to see beauty in Kerouac's words

that I never fully perceived before.  I'm rereading On the Road and I

just bought Dr. Sax.  I also was completely taken by the oneness of the

universe described in a poem someone posted last week, the name fails me

right now but it was something about Golden Eternity.  As for Burroughs,

I would have to read a lot more to discuss his work in any detail, but I

think it's great that you prefer him and there are many others here that

can discuss him with you.  Meanwhile, I'm still keeping Ginsberg at the

top of my list.

 

DC

=========================================================================

Date:         Tue, 27 May 1997 20:52:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Thugs

 

D vulgate,

 

get real.

 

 

 

At 08:38 PM 5/27/97 -0400, you wrote:

>In a message dated 97-05-27 12:11:33 EDT, you write:

> 

><<         I hope the past week has been instructive to you all.

>         We have seen the three chief representatives of Mr. Sampas's point

> of view--Phil Chaput, Rod Anstee, and Paul Maher--employ the tactics of

>thugs.

>         I do not know whether any of these three has been hired by Mr.

> Sampas to

>         Yours for the truth, Gerald Nicosia

>  >>

> 

>     You are the biggest hypocrite I've ever listened to rant bullshit

>anywhere. You are truly a sick person, Nicosia.

>     You have misled people here with your particular style of exaggaration

>and lies. You have set back the cause of the preservation of Jack's works

>irreparably. You have bullied your way around the BeatList, just as you've

>bullied your way into every event where people had the audacity not to invite

>you.

>     No one owes you anything, Nicosia. For that matter, until the

>"fraudulent will" is proven (and I for one believe it is a forgery), John

>Sampas doesn't owe anyone anything either. People who own and collect

>Kerouac's papers, whether they're named Johnny Depp or Rod Anstee, also owe

>you nothing, nor do they owe anything to the world. No one in this entire

>battle is doing anything illegal - no one!

>     Even John Sampas, who obviously cares nothing for Kerouac's work and is

>only trying to wring as many dollars out of DeadJack as he can is not a

>criminal - at least, it hasn't been proven yet that he is. He demonstrated

>his bad taste with the pathetic San Francisco Blues, his gigantic ego with

>all his constant credit lines stamped on everything having anything to do

>with Kerouac, and his lack of a clue with the choices of artists and

>insulting performances on the putrid "kicks joy darkness" "tribute" CD. He

>disgusts me, but you make me angry, because you've insinuated yourself into

>the forefront of this issue, pushing everyone else out of the picture.

>     Look at the people you've alienated and hurt while constantly invoking

>so-called Christian ethics and always signing off with the bitterly

>sarcastic, phony, Nixon-plastic "Best, Gerry Nicosia." These people,

>including Levi, Attila, Rod and Phil are all human beings--good human beings,

>and they all have one thing in common: They once were your allies, and now

>they are not.

>     But they're all too good to be your enemies. They know better. They

>don't play your game of dividing people up into "All-Evil" or "All-Holy"

>camps. These men, and the trail of bodies you've left behind you in your life

>pulling the same stunts with former friends, they all know that life is not

>black and white. They can find gray areas. That's where most of us live our

>lives every day.

>     No one wants to work with you. No one wants to see you gain "control" of

>Kerouac's archives. What "manifest destiny" has your fevered brain dreamed up

>to make you believe it's okay to stampede over American literature and worry

>about the consequences later? Your rampant ego and gigantic clay feet take up

>all the room there is for rational discourse. I hope you fall on your own

>sword, I really do.

>     I'm sorry that by writing this letter there will be a new flame war on

>the list. But someone had to stand up and say we are ALL human here. Nicosia

>is not a god; he's not even an unflawed authority on Kerouac. No one is.

>     If anyone here did some research into the history of Nicosia's

>relationships with Anstee, Charters, Kovic and others he's mentioned in his

>vomit of posts, you would understand that all his protests are simply a

>Wizard of Oz curtain to keep people from seeing the wreckage of his own past.

>     I issue these opinions under my right to free speech, without cursing or

>lying. I will not post again on this issue no matter what the response is

>because this is all I want to say. Anyone who wants to comment directly to me

>is welcome. But I'm not going to clog up the list with defenses of my

>position or futile arguments.

>     This I vow, D. Vulgate, 5-27-97

> 

> 

=========================================================================

Date:         Tue, 27 May 1997 22:54:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Diane Carter wrote:

> 

> Maya Gorton wrote:

> >

> 

> > Can we talk about something OTHER than Jack Kerouac now? PLEASE?? I think

 the

> > fact that no one is fighting over Burroughs' stuff attests to his

 superiority

> > over any of the other beats.  Both as an artist and as a person.

> 

> Whoa.  I have to say that if we are talking about the superority of the

> one of the beats, my vote is in there for Allen Ginsberg.  He was by far

> the greatest poet of the twentieth century, and his voice affected the

> whole stratus of socity from politics to music.  He even tirelessly

> promoted the works of other beat writers.  I must admit, though, that

> since I've joined this list, I've come to see beauty in Kerouac's words

> that I never fully perceived before.  I'm rereading On the Road and I

> just bought Dr. Sax.  I also was completely taken by the oneness of the

> universe described in a poem someone posted last week, the name fails me

> right now but it was something about Golden Eternity.  As for Burroughs,

> I would have to read a lot more to discuss his work in any detail, but I

> think it's great that you prefer him and there are many others here that

> can discuss him with you.  Meanwhile, I'm still keeping Ginsberg at the

> top of my list.

> 

> DC

 

my votes, as if anyone cares, are as follows

 

tie for first - burroughs and neal.

 

tie for third - ginsberg and kerouac

 

fifth - corso

 

tie for sixth - everyone else.

 

it seems to me from the little i've gathered so far that burroughs was

the intellectual and anthropological force and neal was the motion and

go go go behind everything else.

 

just my wooden nickel

 

david rhaesa

=========================================================================

Date:         Wed, 28 May 1997 00:04:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Check out this link

 

I am building my link beat page.  Found this site.

 

http://www.mindinmotion.com/kerouac/bums.html

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 28 May 1997 01:07:46 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Dirk Vulgate or Paul Maher?

 

Gerald Nicosia wrote:

> 

>     May 27, 1997

> To Bill Gargan and the Good Folk on the Beat-L:

> 

>         Just when we're trying to get things down to a calm, civilized

> dialogue again, there appears a Mr. Dirk Vulgate, ranting and raving at a

> fevered emotional pitch.

> (snipped)

 

Gerry,

Haven't you ever read something, and then thought, "Wow, that's so far

off base it's not even worth the time it would take to respond to it?"

Just let some stuff go by...I hate to change the sports analogies here

from basketball to baseball, but if the ball is not even in the strike

zone, let it go by without swinging.

 

DC

=========================================================================

Date:         Tue, 27 May 1997 21:40:16 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      More wisdom from Lew Welch

 

from "POSTGRADUATE COURSES"

 

LAW

 

He who chooses for the chicken

gives bounty for the Bob-Cat

 

Lew Welch

=========================================================================

Date:         Tue, 27 May 1997 23:34:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: is this about the Beats???

 

Tipper,

 

        Any relation to Gore? Sorry, couldn't resist. Please stick around.

There is regularly lots of Beat scholarship as well as fascinating anecdotes

from people who talked the talk adn walked the walk. I'm smarter by miles

having been here now about ten months I think. The recent wars are we

believe a temporary abberation soon to disappear......Welcome and tell us

why and how you came.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 27 May 1997 21:51:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: "we put the 'dis' in disfunctional! :)"

 

At 11:06 PM 5/27/97 -0400, you wrote:

>Dear Gerry (or anyone else who can help):

> 

>In a post eons ago (well, probably only 2 days ago, but time gets warped

>("let's do the time warp again....) in CyberSpace) you mentioned a bunch of

>never-been-published Kerouac stuff.  One title stuck out to me, _

>Visions of Lucien_.  Can you (or anyone) give me any more info on this one,

>what it's about, when it was written, etc etc?  E-mail privately if you'd

>like, ek242@cleveland.freenet.edu

>Thanks!

> 

>Diane.

> 

>(Was Frank N. Furter Beat?  Or did he just bea...ah, never mind! ;)

> 

>--

>"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

>                                                        --Jack Kerouac

>Diane Marie Homza

>ek242@cleveland.freenet.edu

> 

Dear Diane,     May 27, 1997

 

        It's been a long tiring day, as we try to get the last few

disorderlies here to agree that libel and copyright infringement should not

be part of the Beat List.

        I think we're winning.

        VISIONS OF LUCIEN is an unfinished book, which compiles all JK's

visions of his friend Lucien Carr, just as VISIONS OF CODY compiled all his

visions of Neal Cassady--no particular order, just the mind's association.

        Jack had an idea to do a book tribute to each of his close friends,

but never found time, or lived long enough.

        Best, Gerry Nicosia

=========================================================================

Date:         Wed, 28 May 1997 00:53:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: is this about the Beats???

 

Tipper,

 

I'd suggest you relax a little bit and take in what is said for a while.

 You've caught the tail end of a "modest' flame war going on right now, but I

promise you if you hang in there for a bit you'll learn more about the Beats

than you'll ever learn anywhere else.  If you have speific questions, ask

them, they'll get answered, by people who know, by people who were there at

the time and people who love the Beats and their works.

 

Jerry Cimino

=========================================================================

Date:         Wed, 28 May 1997 01:05:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Dirk Vulgate or Paul Maher?

 

Gerry,

 

Do you really think BIGDUCK2 (Dirk Vulgate) is really Paul Maher?

 

I kinda thought this person might be Rod Anstee as both BIGDUCK2 and Rod are

on AOL.  Paul was on Pipeline although I guess he could have gotten himself a

new ISP.

 

I backchanneled BIGDUCK2 asking who he is but he cameback w/"why should it

matter" and declined to comment.  Kind of makes you wonder about someone who

no one has ever heard of before making a post like that, doesn't it?

 

Has anyone ever heard of Dirk Vulgate?  And Dirk, if you really are a real

person, please identify yourself as such.  I don't want to insult a real

person by claiming they don't exist, but how can you insult a phantom?

 

Wondering...

 

 

Jerry Cimino

=========================================================================

Date:         Wed, 28 May 1997 01:09:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: how annoying some of these whiny people are!

 

Maya Gorton wrote:

>I will venture to say I never did like that "on the road" crap anyway.

 

 

Maya!

 

Good Lord!  Talk about fighin' words...  If you're looking to get people's

attention this is a good way to do it!

 

So OK, I'll bite... what makes WSB "superior" to the other Beats?

 

 

Jerry Cimino

=========================================================================

Date:         Tue, 27 May 1997 22:10:20 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: "Purchased" versus "Donated"

 

At 09:53 PM 5/27/97 -0400, you wrote:

>In a message dated 97-05-26 18:23:37 EDT, you write:

> 

><<  In fact, I did not like the idea of selling the archive to Weinberg,

> since he would give me no guarantee about keeping the archive together, >>

> 

>Gerry:

> 

>I do not believe that negotiations that we have had about the sale of your

>archive is the business of the Beat-L. It is my business and your business

>only. If you want to discuss my business in any open forum like the Beat-L ,

>please ask me first.

> 

>I will clarify one point, however, in reference to your statement quoted

>above.

> 

>I made the decision not to purchase your archive because in my opinion at the

>time, your asking price was simply too high. You never refused to sell me

>your archive because I would not guarantee to keep it together. If I had

>agreed to your asking price, you would have gladly cashed my check....

> 

>Of course, I know that Rod was the person who first brought this matter up to

>this forum  when he quoted from your letter to him....Yes - Rod is a very

>good friend of mine but I do not think he should have quoted from your

>private correspondence....

>JW

>WRB

> 

Dear Jeffrey,    May 27, 1997

 

        You say our negotiations shouldn't be public business, and then you

go ahead and discuss them here on the Beat-List anyway.

        Jeffrey, how do you know I would have cashed your check?  You

offered me fifteen thousand dollars and then I never heard from you

again--for years.

        As a matter of fact, your unwillingness to answer my questions or

even to get back to me bothered me a lot, and made me think I'd better start

looking at libraries again.

        That's as far as I'm going with this here.

        I've alluded to our rocky past.  I am still hoping our present will

see fruitful projects for both of us.

        Best, Gerry Nicosia

=========================================================================

Date:         Tue, 27 May 1997 22:17:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Why We Shouldn't Study Kerouac

 

At 09:58 PM 5/27/97 -0400, you wrote:

>In a message dated 97-05-26 18:59:32 EDT, you write:

> 

><< Anstee already purchased major items from the Kerouac Archive for

> his private collection, which have gone up tremendously in value >>

> 

> 

>Gerry:

> 

>Please let us know what major items Rod Anstee purchased from Mr. Sampas?

> 

>Thanks -

>JW

>WRB

> 

 

Dear Jeffrey:      May 27, 1997

 

        I was alluding to the long singlespaced typed letter to John Clellon

Holmes, which was actually a first draft of a section of VISIONS OF

CODY--which apparently Kerouac didn't send but kept to use in his own

manuscript of the new novel; and also a handwritten unsent letter to G.J.

Apostolos, an important boyhood friend, revealing an important unknown

biographical glimpse of the 19 or 20 year old Kerouac.  For Kerouac not to

have mailed a letter gives it the importance of a notebook or journal

entry--it was obviously a slice of his own life he wanted to hold onto.

        Kerouac letters of this importance have been selling for ten

thousand dollars each at a recent San Francisco rare books fair, and from

what Mr. Anstee told me, he paid a lot less for them when he purchased them

from Mr. Sampas (thru you).

        Best always, Gerry Nicosia

=========================================================================

Date:         Tue, 27 May 1997 22:27:06 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Dirk Vulgate or Paul Maher?

 

At 01:05 AM 5/28/97 -0400, you wrote:

>Gerry,

> 

>Do you really think BIGDUCK2 (Dirk Vulgate) is really Paul Maher?

> 

>I kinda thought this person might be Rod Anstee as both BIGDUCK2 and Rod are

>on AOL.  Paul was on Pipeline although I guess he could have gotten himself a

>new ISP.

> 

>I backchanneled BIGDUCK2 asking who he is but he cameback w/"why should it

>matter" and declined to comment.  Kind of makes you wonder about someone who

>no one has ever heard of before making a post like that, doesn't it?

> 

>Has anyone ever heard of Dirk Vulgate?  And Dirk, if you really are a real

>person, please identify yourself as such.  I don't want to insult a real

>person by claiming they don't exist, but how can you insult a phantom?

> 

>Wondering...

> 

> 

>Jerry Cimino

> 

Jerry,    May 27, 1997

        A big part of my master's degree was linguistics, so I'm pretty good

at picking up mannerisms of syntax and phrasing.  Anstee's syntax is

elegant, restrained, with a frequent little sarcastic flip at the end.

Maher's is crude, frontal assault.  Unless Anstee is more a master of

imitation than I give him credit for, that was not dear Rod.

        Best, Gerry

=========================================================================

Date:         Wed, 28 May 1997 01:50:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Why We Shouldn't Study Kerouac

 

In a message dated 97-05-28 01:43:22 EDT, you write:

 

<<   Kerouac letters of this importance have been selling for ten

 thousand dollars each at a recent San Francisco rare books fair, and  >>

 

wow!

JW

=========================================================================

Date:         Tue, 27 May 1997 22:44:05 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: Hoops anyone?

In-Reply-To:  <970527170308_-1900877250@emout12.mail.aol.com>

 

At 05:05 PM 5/27/97 -0400, you wrote:

>In a message dated 97-05-27 10:08:31 EDT, you write:

> 

><<    The Solitary Riders  vs. The Conspirators

> >         Gerry Nicosia           Rod Anstee

> >         Bentz Kirby              Phil Chaput

> >         Jerry Cimino             Paul Maher

> >         Wes Lundberg          Attila Gyenis

> >         Mike Cakebread        Ann Charters >>

> 

>I'd rather be on the side I am. Phil said he's bringing the beer and Ann's

>making the potato salad.

> 

>stretching out, Attila

> 

 

and i will be the proverbial devils advocate cheerleader ;P~

 

 

--

 

Lisa M. Rabey

Internet and Computer Consultant

San Francisco, California

http://the.art.of.sekurity.org/simunye

**************************************

General man-hating bitchy "i know more than you" chick.

=========================================================================

Date:         Tue, 27 May 1997 23:06:17 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Arthur Maynard <prinzhal@IX.NETCOM.COM>

Subject:      Re: is this about the Beats???

 

At 12:15 AM 5/28/97 -0700, you wrote:

>Tipper Quigg wrote:

>> 

>>         I literally signed on to this list tonight, in hopes that I can find

>> some people to discuss my favorite authors..But instead I get all this flame

>> war stuff, out of the 7 post I recieved 6 of them were about legal

>> battles...I was just wondering, is some legal page?  is there one that has

>> to do with the writing?  Is this flaming just a rare occurance or is this

>> pretty common because as much as I love Kerouac and Burroughs, I don't think

>> I can sit through this stuff...Maybe I'm over reacting but I've since this

>> kinda stuff on other lists...Please say there are people out there who will

>> talk to me...

>> 

>> help the economy...buy a Neil Young album...

> 

>Tipper,

> 

>Welcome.  Just hang in there for a while and all the nastiness will pass.

> There are a lot of creative people here who love literature.  Deep down,

>everyone knows that the vision of the beats will not be lost in hassles

>over estate matters.  Join in, pick a topic, invite others to discuss it.

> People will talk to you.

> 

>DC

> 

Roger that.

 

For example, how come nobody ever seems to mention Maggie Cassidy?

 

Struck me between the eyes close to 20 years ago, and I'm still struck.

=========================================================================

Date:         Wed, 28 May 1997 02:36:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Jan's service

 

At 06:26 PM 5/27/97 -0700, you wrote:

>.... I

>>had one post denying that I had ever called Gerry a thief and in return for

>>that denial I received a threat from Gerry that he would sue me. I can

>>understand that if someone threatens to sue the beat-l (namely Nicosia) you

>>have to take some kind of action but I feel that Jack and Allen would roll

>>over in their graves if they knew the beat list was now CENSORED. It is a

>>sad day indeed and I myself am considering signing off. I will see you folks

>>in Nashua when I pay my final respects to Jan Kerouac.

 

>        Actually I think Jack already rolled over in his grave when his

>volume of SELECTED LETTERS was censored.

>        And it's curious you and Mr. Sampas got invited to Jan's funeral,

>when I didn't.  How much time did you guys spend with her in those last

>five, hard, 4-dialyis-a-day years?  Did you ever watch her do a dialysis, Phil?

>        Just wondering.  I did.

>        Best always, Gerry Nicosia

> 

>Gerry, what makes you think that John would get invited. I haven't been

invited but I still would like to go to pay my respects. I met Jan when she

came to Lowell and we had a nice conversation. I got some great photos of

her at the dedication. She was friendly to me and I to her. Why would you

need an invitation to go to a memorial service. Is it a private service? If

it is let me know and I will respect anyones wishes on this. But I just

assumed anyone could go to pay their respects to Jan. Inform us on the list

if you know about it.Phil

=========================================================================

Date:         Wed, 28 May 1997 02:47:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

 

Here is another poem. I found it amongst some papers in a file

I was working on, so I figured I would post it and see if

anyone liked it, didn't like it, heard something etc.

 

 

 

Ebony, pure and holy.

Truth resides in eyes

So timeless, so true.

Here is the point

And the departure --

Blessed by God, annointed;

For what?

 

Torture, heartache, despair?

All manner of human pain?

 

I try but senseless it is.

Finding what? Love?

Losing what?  Love?

Something that is incapable of passion;

Something that is incapable of Love;

Something that is incapable of survival?

 

Ebony, pure and holy,

Looking into Linda's eyes.

 

April 12, 1995

Columbia, SC

Bentz Kirby

--------------------------------------------------------

Name: R. Bentz Kirby

E-mail: R. Bentz Kirby <bocelts@scsn.net>

Date: 05/28/97

Time: 02:42:49

 

This message was sent by Z-Mail Pro - from NetManage

NetManage - delivers Standards Based IntraNet Solutions

--------------------------------------------------------

=========================================================================

Date:         Wed, 28 May 1997 02:52:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: no you don't

 

At 09:03 PM 5/27/97 -0400, you wrote:

>Phil:

> 

>You can't sign off until we see whether you got a basketball game or

>not.  "Chink" (hitting nothing but chain here).

> 

>I am only 43, so I figure, I got an advantage here somewhere!!

 

Born July 11, 1953 You?

=========================================================================

Date:         Wed, 28 May 1997 05:03:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Dirk Vulgate or Paul Maher?

 

Jerry Cimino wrote:

> 

> Gerry,

> 

> Do you really think BIGDUCK2 (Dirk Vulgate) is really Paul Maher?

> 

> I kinda thought this person might be Rod Anstee as both BIGDUCK2 and Rod are

> on AOL.  Paul was on Pipeline although I guess he could have gotten himself a

> new ISP.

> 

> I backchanneled BIGDUCK2 asking who he is but he cameback w/"why should it

> matter" and declined to comment.  Kind of makes you wonder about someone who

> no one has ever heard of before making a post like that, doesn't it?

> 

> Has anyone ever heard of Dirk Vulgate?  And Dirk, if you really are a real

> person, please identify yourself as such.  I don't want to insult a real

> person by claiming they don't exist, but how can you insult a phantom?

> 

> Wondering...

> 

> Jerry Cimino

 

perhaps Dick is a phantom ... phantomish talk is not a unique thing for

certain Beat writers.

 

dbr

=========================================================================

Date:         Wed, 28 May 1997 05:07:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Hoops anyone?

 

Lisa M. Rabey wrote:

> 

> At 05:05 PM 5/27/97 -0400, you wrote:

> >In a message dated 97-05-27 10:08:31 EDT, you write:

> >

> ><<    The Solitary Riders  vs. The Conspirators

> > >         Gerry Nicosia           Rod Anstee

> > >         Bentz Kirby              Phil Chaput

> > >         Jerry Cimino             Paul Maher

> > >         Wes Lundberg          Attila Gyenis

> > >         Mike Cakebread        Ann Charters >>

> >

> >I'd rather be on the side I am. Phil said he's bringing the beer and Ann's

> >making the potato salad.

> >

> >stretching out, Attila

> >

> 

> and i will be the proverbial devils advocate cheerleader ;P~

> 

 

I'll just play the devil ...

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 28 May 1997 06:10:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      let's put the fun back in dysfunction!

In-Reply-To:  <970528010935_-128901973@emout07.mail.aol.com>

 

after down loading 57 messages of vitriolic energy.

 

anyone just want to grab a book, or whatever, and party with me?

=========================================================================

Date:         Wed, 28 May 1997 05:15:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: let's put the fun back in dysfunction!

 

Marie Countryman wrote:

> 

> after down loading 57 messages of vitriolic energy.

> 

> anyone just want to grab a book, or whatever, and party with me?

 

I'll be at a truck stop out Crawford by the Interstate....reading

something and smoking too many cigarettes and drinking too much coffee.

 

Feel free to drop by.  I think this morning I'll go to the one called

Russell's.

 

Starting to get memories back on that blue room scene from others.

gradually piecing together.  Derek says we should at least have

cyber-coffee.

 

david rhaesa

=========================================================================

Date:         Wed, 28 May 1997 04:18:56 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James & Anita Brush <brush@AINET.COM>

Subject:      Re: please sign off Beat-L

 

RACE --- wrote:

 

> Marie Countryman wrote:

> >

> > after down loading 57 messages of vitriolic energy.

> >

> > anyone just want to grab a book, or whatever, and party with me?

> 

> I'll be at a truck stop out Crawford by the Interstate....reading

> something and smoking too many cigarettes and drinking too much

> coffee.

> 

> Feel free to drop by.  I think this morning I'll go to the one called

> Russell's.

> 

> Starting to get memories back on that blue room scene from others.

> gradually piecing together.  Derek says we should at least have

> cyber-coffee.

> 

> david rhaesa

 

 

Please sign us off Beat-L, thanks.

=========================================================================

Date:         Wed, 28 May 1997 07:25:55 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: Guidelines for Discourse-Sad day for beat-l

 

Does anyone know some history oh Webster Hall in NYC's Lower East Side? I

remember reading about it in the Mina Loy biography. A few years back, Allen

Ginsberg had his play KADDISH staged in a playhouse roughly in the same area,

does anyone remember if that was Webster Hall? BTW, I had to admit, that play

was a stinker. But what brings me to this point is that I thought Ken Babbs

said that Ken Kesey's play TWISTER will be opening in NYC at the Webster Hall

in about a half month or so. The book and video, published by Viking, will be

out in about the same time, in one package (book and video all in one). Any

enlightment appreciated......Dave B.    PS, am going to see BEAT-L member David

Ohle in Columbus today with James Grauholtz to look at unpublished manuscripts

of Bill Burroughs Jr. if you have any questions to pass along I'd be glad to

ask, thanks (Dave B.)

=========================================================================

Date:         Wed, 28 May 1997 14:31:57 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Moritz Rossbach <moro0000@STUD.UNI-SB.DE>

Subject:      Re: Not Ashamed/Musing

In-Reply-To:  <970526211959_-129048208@emout18.mail.aol.com>

 

Hi folks,

i am not ashamed and i am not a whiny (!?), but would you please stop

dragging germans/nazis/jews/hitler into this !

for quite a while now, i noticed that Americans seem to be obsessed by

comparing anything to the 3rd reich. i am not a historian ever and surely

too young for any experience with the 3rd reich, but there is no

comparison to these times with  your little wars ! if you want to make far

off comparisons, how about the slavery-times ? or discrimination of the

indians ?

stay at home folks !

just a friendly remark from an slightly annoyed german.

              moritz rossbach

              saarbruecken, germany

 

On Mon, 26 May 1997, Jerry Cimino wrote:

> I don't agree with a lot of what you say in your "not ashamed post" and I'm

> glad YOU used the "Good German" analogy and not me as I don't want to be

> acused of calling anyone a Nazi/"Adolph Hitler apologist" or anything else.

>  And I laughed out loud w/regard to your lightbulb joke!

=========================================================================

Date:         Wed, 28 May 1997 09:26:18 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Hemenway <mhemenway@S1.DRC.COM>

Subject:      Copyright Facts

 

For Authors and Estate Warriors.... The Library of Congress has an

excellent on-line library of copyright information and laws. I got it from

their gohper a couple of years ago, but I assume there is a homepage now.

It shouldn't be hard to find.

 

Mark Hemenway

=========================================================================

Date:         Wed, 28 May 1997 09:12:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

>after down loading 57 messages of vitriolic energy.

> 

>anyone just want to grab a book, or whatever, and party with me?

 

Hey, how about grabbing a handful of poems and shuffling on up to

Plattsburgh on June 13th/14th for a big poetry reading, wine, creative talk

and a bit of poetic partying? Anyone else interested.

 

Michael

=========================================================================

Date:         Wed, 28 May 1997 09:30:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Guidelines for Discourse-Sad day for beat-l

In-Reply-To:  <009B4EC0.D8120A60.16@kenyon.edu>

 

On Wed, 28 May 1997, MORE OXY THAN MORON wrote:

 

 PS, am going to see BEAT-L member David

 Ohle in Columbus today with James Grauholtz to look at unpublished

 manuscripts of Bill Burroughs Jr. if you have any questions to pass

 along I'd be glad to ask, thanks (Dave B.)

 

Just if you can let us know what you see.  I think Bill Jr.  had a lot of

of unrecognized potential and would like to read more from him.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Wed, 28 May 1997 09:52:00 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Dirk Vulgate or Paul Maher?

In-Reply-To:  Message of Tue, 27 May 1997 19:29:00 -0700 from

              <gnicosia@EARTHLINK.NET>

 

Mr. Vulgate has said that he will not post anything to the list on this matter

again.  Gerry, your reply has been posted.  Can we call it even now and can I h

ave your word that if there's anything more to say on this matter, you and Mr.

Vulgate will deal with it privately?  These flames are tearing the list aprat.

=========================================================================

Date:         Wed, 28 May 1997 09:53:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

Michael,

 

        My geographic brain isn't working to well this morning. . .  Plattsburg

where?  If it's not too far from me I might hope on the ol' motorcycle and

make a weekend trip of it. . .

 

 

Bruce

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Wed, 28 May 1997 10:06:35 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: "Purchased" versus "Donated"

In-Reply-To:  Message of Tue, 27 May 1997 22:10:20 -0700 from

              <gnicosia@EARTHLINK.NET>

 

On Tue, 27 May 1997 22:10:20 -0700 Gerald Nicosia said:

>At 09:53 PM 5/27/97 -0400, you wrote:

>>In a message dated 97-05-26 18:23:37 EDT, you write:

>> 

>><<  In fact, I did not like the idea of selling the archive to Weinberg,

>> since he would give me no guarantee about keeping the archive together, >>

>> 

>>Gerry:

>> 

>>I do not believe that negotiations that we have had about the sale of your

>>archive is the business of the Beat-L. It is my business and your business

>>only. If you want to discuss my business in any open forum like the Beat-L ,

>>please ask me first.

>> 

>>I will clarify one point, however, in reference to your statement quoted

>>above.

>> 

>>I made the decision not to purchase your archive because in my opinion at the

>>time, your asking price was simply too high. You never refused to sell me

>>your archive because I would not guarantee to keep it together. If I had

>>agreed to your asking price, you would have gladly cashed my check....

>> 

>>Of course, I know that Rod was the person who first brought this matter up to

>>this forum  when he quoted from your letter to him....Yes - Rod is a very

>>good friend of mine but I do not think he should have quoted from your

>>private correspondence....

>>JW

>>WRB

>> 

>Dear Jeffrey,    May 27, 1997

> 

>        You say our negotiations shouldn't be public business, and then you

>go ahead and discuss them here on the Beat-List anyway.

>        Jeffrey, how do you know I would have cashed your check?  You

>offered me fifteen thousand dollars and then I never heard from you

>again--for years.

>        As a matter of fact, your unwillingness to answer my questions or

>even to get back to me bothered me a lot, and made me think I'd better start

>looking at libraries again.

>        That's as far as I'm going with this here.

>        I've alluded to our rocky past.  I am still hoping our present will

>see fruitful projects for both of us.

>        Best, Gerry Nicosia

 

 

 Gerry and Jeff, these are just the types of discussions that should be conduct

ed off the list.  Your business is between the two of you.  People on the list

have no reason to view these posts.  I'm sure you both agree and will cooperate

 in future posts.  I post to reply to the list in order to encourage others who

have comments and replies to specific parties to take those posts of the list.

 Thank you for your cooperation.

=========================================================================

Date:         Wed, 28 May 1997 10:15:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: how annoying!

 

I think wsb explored further and deeper the limits of what can be done with

words....he manipulated them and juxtaposed them to create new associative

pathways, not just poetry but Original Thought.  Although I like the poetry

of the other beats, it's their prose i find less-than-satisfying.  Somehow it

doesn't make my synapses snap, crackle and pop like Burroughs' does.

 Although I enjoy the "moods" of Kerouac and Ginsberg, (sad, nostalgic,

despairing, ironic, gleeful, etc.) I prefer the biting sarcasm and

intersecting plateaus of humor, disgust, bitterness, futility and hope in

Burroughs' work.   Not to mention the intellectual stimulation i get from

reading him, which ultimately, inevitably, climaxes into a physical expulsion

of words/paintings/music by me......

=========================================================================

Date:         Wed, 28 May 1997 10:25:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      pome and thoughts of the day

In-Reply-To:  <199705271840.OAA24405@everest>

 

 diane di Prima

"anti copyright"

from Revolution Art Letters

 

THE REVOLUTION OF EVERYDAY LIFE

 

1

if we are going to make anything happen

then we are going to have to get down to it ourselves

because nobody is going to do if for us

 

if we have any power at all it is in each other

not politics, commodity

or our lives being sold out for product

and so called

'progress', the unchecked consumption

of land/spirit/life, not any one thing:

art nature politics business religion or family

once they are not the daily expressions  of life

        with complete participation

desire existence

we end up not thinking for ourselves,

as person, as community, as intimate participant

in the living woven pattern of the universe

 

2

this is a call to end materialist vision

the failed consciousness that  continues to play along a death fault

this is the revolution of the event of living now

living everyday as if it mattered

the tragedy of modern mainstream civilization

is the externalization of the physical universe

 

we must have faith that we are not stuck

isolated in superiority

alienated from the world around us

but involved by our every breath

in the cooperative design of all living things

to meet coincide superimpose

so that the inside and outside are the same

that the substance of yourself is nothing but yourself

in common with everything

 

every human being is an artist

just by being alive

 

 

 

3

the possibility of destruction is always implicit

in the act of creation

 

the greatest enemy of individual freedom

is the individual: we cannot

be free unless we are willing to sacrifice at least some

of our own interests and desires

to guarantee the freedom of others

 

4

we will move in the shadows and traces

of an impenetrable jungle

moon loop ripple that haunts you forever

 

there are things that can be known

the integrity of the entire poetic corpus

becomes an open force field to use

of action and perception

as secret(sacred) image ofthe pre-

being received and heard by a post-individual

across all the intervening  years

continuity -- 'ceremonial time'

 

make use of what you can

what has been said

what is being said

what will be said

 

there are no beginnings or endings or climaxes

but proccesses, becoming

past and present in the poetic consciousness

are not the past and present of history and journalism

thery are not that which was nor that which happens

but that which is being

that which is creating itself

'the continuous present'

 

5

the success of any revolution, whether individual

or as a community taking control

resides only in itself

precisely in the vibrations and openings

it gives to us at the moment of its making

composes in itself history and memory

 

root rot giggle done mound past in dark brown chamber earth

 

opening as beautiful as mallarme's

imagined flowers, in the imagination

dreams hopes and acts of us together

 

6

don't let anyone tell you how much better things were

at any other time or point in historoy

we are all dealing with the same struggle, the same thing

to makes something of the breath given

we will live and create now

 

a generational mixing of ideas images distortions contours

desires examination revolutions

to mix across the boundaries in swirls and gestures

understanding acepting attempting

cultural transformation

the restoration of lostness, a remarking using

language biology phisosophy technology patterns

noise love culture nature fun hate nation and antii-nation

space and blankess and imaginaton making worlds

anything that will open the whole

this life to invention

mixed collaborative creations

to make real our time, here

 

7

to go about this

we must start again as individuals

form small tribes in the contemporary sense

do what we can do to subvert the desruction

of everything that lives

 

show by example that we can be considered (a)part

of the bioregions we inhabit

stand up and refuse to pareticipate

in the death march

'revolution is not the overthrow of the existing system

but the setting up alongside of a better on'

 

8

to know the spirit of a place

is to know that you are a part of a part

and that the whole is made of parts

each of which is a whole

start with the part you are whole in

 

9

as our egoism dies in this new vision

as we are jerked and thrown in through

the gut and jaw and lungs

in and outside of ourselves

we are free to live in ways we never thought possible

a signifcance of transformation to become what you must

enter pattern complete magic argued

wonder seduce intone

 

10

this spectacle of now is to confide in the future

the constantly renewed and resumed struggle

 

cast knowts in patterns on top of patterns

 

free yourself of hierachization

 

develop action thought desires

through patterns of relations and juxtapositions

 

dwell in paradox and mystery

 

mistrust all rigid categories and logical alternatives

 

destroy the repeated forms of expression  immediately

so as to make repetition and incorporation impossible

 

destroy all forms of oppression

against self, against otherness,  nature, universe

and become a set of patterns

a beautiful tapestry of interactions

 

11

that we might rest our heads in each other's hearts

=========================================================================

Date:         Wed, 28 May 1997 10:32:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

>Michael,

> 

>        My geographic brain isn't working to well this morning. . .  Plattsburg

>where?  If it's not too far from me I might hope on the ol' motorcycle and

>make a weekend trip of it. . .

> 

> 

>Bruce

 

Be great if you could. A mini-beat-L gathering of sorts.

 

Plattsburgh, far northeastern New York State on the shores of Champlain,

not too far from ole Montreal and in sight of theancient ones, the

Adirondacks! I'll be driving up from Corning, NY - Finger Lakes, NY through

Oneonta, Schenectedy/Albany etc.

 

best,

Michael

=========================================================================

Date:         Wed, 28 May 1997 09:41:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: let's put the fun back in dysfunction!

 

What's going on in Plattsburgh on the 13th/14th? It's only an hour from

Montreal.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 28 May 1997 10:56:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

Michael,

 

        Northeast New York state?  That's a little far for a weekend trip for me.

. .  I'm in Chesapeake, Virginia.  Sounds fun, though.  If you guys make it

happen, have a ball.  I'll be thinking of you.

 

 

Bruce

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Wed, 28 May 1997 10:06:50 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: let's put the fun back in dysfunction!

 

Bruce Hartman wrote:

> 

> Michael,

> 

>         Northeast New York state?  That's a little far for a weekend trip for

 me.

> . .  I'm in Chesapeake, Virginia.  Sounds fun, though.  If you guys make it

> happen, have a ball.  I'll be thinking of you.

> 

> Bruce

> bwhartmanjr@iname.com

> http://www.geocities.com/~tranestation

 

sounds wonderful.  quite far from kansas.  i remember the ferry ride

from burlington across to Plattsburgh.  it happened i was there on a

homecoming weekend and the memories of the school band marching and

playing still hurt my ears.

 

i will be with you in spirit.  hope you bring back good memories from

the event to report here on the list.  as a wish-i-was-there-a-be, the

best i'll be able to do is attempt to create something from memories of

the area in something imaginative to share as well.

 

and for marie.  thanks for the wonderful poem.  it brightened a very

gloomy day.  felt the words stab at points that needed a good stabbing.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 28 May 1997 11:08:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: spontaneous sidewalk re-worked.

Comments: To: Pamela Beach Plymell <CVEditions@AOL.COM>

In-Reply-To:  <970527203710_-1498314405@emout08.mail.aol.com>

 

On Tue, 27 May 1997, Pamela Beach Plymell wrote:

 

> In a message dated 97-05-26 23:23:50 EDT, you write:

>=20

> << Tomorrow, Tuesday, let's have

>  everyone on the list post one poem, story, or idea about beat literature=

. >>

 

 

"Wind Outside Seems"

 

by Michael L. Buchenroth   (1992)

 

 

The wind outside seems forever.

The fire inside the fireplace cracks burning,

hot green White Ash sounds.

 

Seeking heat,

synchronicity,

a death's-head hawkmoth's windblown flight ends

rapping,

tapping outside upon the window pane.

 

An occasional fireworks pops,

sparks,

sizzles warmly into the dark,

fireplace night up the flue,

and out,

towards the stars,

I suppose.

 

These infinitely-short,

sparks bursts,

which usually follow the loudest cracks,

light the room up much like lightening lights the outside in equally,

infinitely short bursts somewhere following a thunder crack

amidst the wind howling forever outside

and the hawkmoth's tapping,

I suppose.

 

I don't know though.

 

Her face glows orange, blue, white=97

dark with each crack and lightening-like flash,

flickering flame,

this fireplace night publishes.

The army couldn=92t deal death kinder than to this beautiful face,

tonight,

this fire,

this particular pop--=97

sizzle sound--=97

loud crack the night issues from somewhere forever outside,

I suppose--=97

much,

much like the escaping gas,

gasp,

somewhere within those hot green White Ash sounds.

 

I sure don't know though.

 

Her human body always alive,

alone or not never knows what.

I suppose she thinks the fire jumps briefly out into the room into her drea=

ms.

At least the shadow dances dreams,

th=E9 dansant,

like smoke burning a baseboard in a house not yet on fire all over the wall=

=97

dark and shadowy psychedelic.

A candle shaped by burning all night dances,

flutters,

hovers,

in her dreams this way and that,

perhaps.

The mortar and the shelling dances dark all over tonight!

 

I do know that.

 

She gasps,

grating her teeth gurgling death's saliva,

gasping for a breath--=97

and then crack,

pop,

sizzle similar to some sort of chimerical crispies in a deep,

dark bowl of milk,

the thunder interrupts the wind.

Snap, crackle, pop!

The mortally short lightening bursts,

sparks light up the fireplace flue night into the stars and beyond,

I suppose.

 

The wind blows,

howling outside.

During the laconic,

lightening-like,

light-flash flicker,

a tremendous,

endless,

silver spoon shadows,

covers,

reflects deep down into her beautiful milky face,

as if it goes right on through her--

the bowl bottom--=97

the dream.=97

 

Karmic breakfast.

 

I don't know--=97

though

I think I hear the wind howling forever outside.

 

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Wed, 28 May 1997 11:29:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

>What's going on in Plattsburgh on the 13th/14th? It's only an hour from

>Montreal.

> 

>        Antoine

 

June 13 Craig Czury, great poet from Reading ,PA

(Craig Czury (1951, Wilkes-Barre, Pa.) lives in Reading, Pa. and is the

author of nine small-press collections of poetry, most recently the bilingual

edition of SHADOW/ORPHAN SHADOW... SOMBRA/SOMBRA HUA, translated into

Spanish by

Rosann DeCandido Kamin & Alicia Partnoy, (Pine Press, 1997).  He has also

edited

FINE LINE THAT SCREAMS, an anthology of prison poets (Endless Mountains Review

Press, 1991) from his N.E. Pa. Prison Poetry Project.)

 

and myself reading

(I'll read from "Twenty days On Route 20" plus the  long poem "Elegy For

the Road/Kerouac's Ghost")

 

in P'burgh followed by open reading. Next day, I'll be facilitating three

hour workshop in Arts Council Gallery, "Writing From the Visual Arts" using

art on exhibit as take-off points for our own writing. Then, evening

reading/performance of the workshop writings.

 

Craig wants to head up to Montreal, since were so close, but I head out on

the road west for a month on the following Tuesday so short on time. Maybe

Montreal, maybe. . . Would be great if you could make it down to P'burgh

and anyone else too. "A Positive Getting Together In Person No Battles Or

Estate Wars Happening"

 

Michael

 

Anyone interested I could send along time/place info privately.

=========================================================================

Date:         Wed, 28 May 1997 11:22:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Poem for Yesterday (Tuesday)

 

> In a message dated 97-05-26 23:23:50 EDT, someone wrote:

>=20

> << Tomorrow, Tuesday, let's have

>  everyone on the list post one poem, story, or idea about beat literature=

. >>

 

 

"Wind Outside Seems"

 

by Michael L. Buchenroth   (1992)

 

 

The wind outside seems forever.

The fire inside the fireplace cracks burning,

hot green White Ash sounds.

 

Seeking heat,

synchronicity,

a death's-head hawkmoth's windblown flight ends

rapping,

tapping outside upon the window pane.

 

An occasional fireworks pops,

sparks,

sizzles warmly into the dark,

fireplace night up the flue,

and out,

towards the stars,

I suppose.

 

These infinitely-short,

sparks bursts,

which usually follow the loudest cracks,

light the room up much like lightening lights the outside in equally,

infinitely short bursts somewhere following a thunder crack

amidst the wind howling forever outside

and the hawkmoth's tapping,

I suppose.

 

I don't know though.

 

Her face glows orange, blue, white--=97

dark with each crack and lightening-like flash,

flickering flame,

this fireplace night publishes.

The army couldn't deal death kinder than to this beautiful face,

tonight,

this fire,

this particular pop--=97

sizzle sound--=97

loud crack the night issues from somewhere forever outside,

I suppose--=97

much,

much like the escaping gas,

gasp,

somewhere within those hot green White Ash sounds.

 

I sure don't know though.

 

Her human body always alive,

alone or not never knows what.

I suppose she thinks the fire jumps briefly out into the room into her drea=

ms.

At least the shadow dances dreams,

th=E9 dansant,

like smoke burning a baseboard in a house not yet on fire all over the wall=

=97

dark and shadowy psychedelic.

A candle shaped by burning all night dances,

flutters,

hovers,

in her dreams this way and that,

perhaps.

The mortar and the shelling dances dark all over tonight!

 

I do know that.

 

She gasps,

grating her teeth gurgling death's saliva,

gasping for a breath--=97

and then crack,

pop,

sizzle similar to some sort of chimerical crispies in a deep,

dark bowl of milk,

the thunder interrupts the wind.

Snap, crackle, pop!

The mortally short lightening bursts,

sparks light up the fireplace flue night into the stars and beyond,

I suppose.

 

The wind blows,

howling outside.

During the laconic,

lightening-like,

light-flash flicker,

a tremendous,

endless,

silver spoon shadows,

covers,

reflects deep down into her beautiful milky face,

as if it goes right on through her--

the bowl bottom--=97

the dream.=97

 

Karmic breakfast.

 

I don't know--=97

though

I think I hear the wind howling forever outside.

 

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Wed, 28 May 1997 11:43:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: "Purchased" versus "Donated"

 

Dear Gerry:

 

The past business you and I have gone through over the years should be

considered past business. Let's look to the future and let us both continue

to promote Beat literature and the Beat authors that we both love so much. We

have both done some good for the cause in our own individual ways over the

years. Let's get back to the basics once again.

 

On this list, you will never gain the support of those who disagree with you

about estate and archive matters. And they will never change your mind. But

that is ok.

Alot of people respect you for your Memory Babe work and your knowledge of

the work of Kaufman, Micheline, and other North Beach poets. Why not share

your knowledge and experience with all of us?

 

Many people both new to the list and old have expressed their displeasure

with what's happening here the last few weeks. Let's all stop being so

abrassive and argumentative.

 

Let's try to rebuild the community spirit that we all shared that day that

Allen died...

Let's see if we can't get people like Levi Asher back on this list...

 

Let's all follow the guidelines set forth by William Gargan -

 

Have a great day -

Jeffrey Weinberg

Water Row Books

=========================================================================

Date:         Wed, 28 May 1997 11:45:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      burroughs

 

 you wrote: PS, am going to see BEAT-L member David

Ohle in Columbus today with James Grauholtz to look at unpublished

manuscripts

of Bill Burroughs Jr. if you have any questions to pass along I'd be glad to

ask, thanks (Dave B.)

 

Dave: no questions but i want to hear all about it after the fact.  Please

please please write to me at marioka7@aol.com or post a

message....thanks---------maya

oh, wait, i just thought of a question: are there any college papers by

burroughs on anthropology (or anything else in fact) that are available to be

read by obsequious minions like myself? (i studied anthro...i'm just curious)

=========================================================================

Date:         Wed, 28 May 1997 12:06:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      n'orleans

 

what a city! what a great porn store! what a headache i had when it was all

over!

=========================================================================

Date:         Wed, 28 May 1997 12:08:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      sorry i accidentally sent that last one before it was over.

 

n'orleans:CHIRPING NIGHTS OF INSECT LUST

=========================================================================

Date:         Wed, 28 May 1997 12:16:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      POET-TREE

 

NIGHTS THAT CHIRP WITH INSECT LUST

NOSTALGIA FOR A THOUSAND NOWS

REPEL SULPHUR BURNING WINGS

A DISTANT CRACKLING ROTTEN CITRUS SMELL

INHALING COLORS AND SOUNDS

IMMEDIACY RESENTMENT DROWNS

=========================================================================

Date:         Wed, 28 May 1997 11:23:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>

Subject:      Re: T-shirts

 

Don't worry.  there will still be 200 of us around for the t-shirts.

looking forward to seeing the design.

 

At 10:36 PM 5/27/97 -0400, you wrote:

>Dear Beat-L Members:

> 

>Before all 200+ of you sign off, please remember that Beat-L T-shirt list.

>I ordered enough shirts to cover that list and I certainly can't use 200

>shirts myself!

> 

>The Beat-L T-shirt with artwork by S. Clay Wilson will be ready to ship in

>approx.

>2-3 weeks.

> 

>I kept my part of the bargain by fronting the money to pay Wilson and to pay

>for the shirts to be printed up....Please keep your part of the bargain

>also...

> 

>Thanks -

> 

>Jeffrey Weinberg

>Beat-L T-shirt Dept.

> 

> 

=========================================================================

Date:         Wed, 28 May 1997 12:23:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Subject:      Jack and Jazz

 

In response to Laura's question about the Jack and Jazz thread, and hoping

someone else picks up on it...

 

Jack had a pretty wide interest in jazz, but he was captivated by bebop (Charlie

 Parker, Dizzy Gillespie, etc.),

 as many Americans of his time were. Jack was in New York in the forties,

when the music was developing at after-hours jam sessions at places such

as Minton's Playhouse and and Monroe's Uptown House, so it's pretty likely

that he was checking out the scene. (I know that this info is covered in Memory

Babe - Gerry Nicosia, would you like to help me out here?) Kerouac went to see

a lot of musicians live, some of whom he talks about in his books (there's an

 especially

well written section on George Shearing in On the Road, although the description

seems incongruous given that Shearing's music is ice-cold, practically the

 antithesis

of everything Beat at the time). Specifically, of course, Charlie Parker - Jack

 approaches

Parker with near-worshipful reverence. Parker, I think, embodies what Jack was

 looking for

in jazz - spontaneity, the supreme individuality of the soloist, Parker's

 near-transcendental

technical brilliance.

     In Selected Letters, Jack mentions many jazz musicians at different times -

 and they

are not all limited to the bebop players, interestingly. However, the common

 thread, I think,

in his interest in jazz is the great soloists. In his essay "Jazz of the Beat

 Generation", he talks

about the evolution of jazz from Louis Armstrong, through Count Basie and Lester

 Young, to the

bebop musicians - but he neglects to mention a giant like Ellington, I think,

 because Ellington's

music is tightly arranged. At the end of OTR, he talks of wanting to hang out

 with Neal Cassady

instead of going to an Ellington concert, a quite revealing comment - the

 tension is between the

arranged, mainstream, "highbrow" jazz of Ellington and the underground, free,

 spontaneous bebop

and the world of the Beats.

 

Some trivia:

The recordings you mentioned are with Zoot Sims and Al Cohn, I believe.

I think, at one point, Kerouac also did a reading w/ jazz accompaniment at the

 Village

Vanguard in New York, which I've read was pretty unsuccessful.

Dizzy Gillespie also named a song "Kerouac" - I think they had a mutual friend,

 but I don't

know if they met. Supposedly, Dizzy just liked the sound of the name.

And I think Kerouac did meet  many of the musicians through a friend in the

 business,

an agent, or record company man - Gerry? or anyone?

 

This is all off the top of my head, and purely from academic sources (I did my

 undergraduate

thesis work on Jack, Allen, and jazz). I'd love to hear some stories from the

 people out there

that knew the prinicpals personally.

 

Mark Noferi

 

 

 

 

Date:    Tue, 27 May 1997 11:00:17 +0200

From:    Ufficio Stampa Teatro Smeraldo <smeraldo.press@IOL.IT>

Subject: Jack & Jazz

 

Hi everybody!

from the "cloudy shores of Italy", I have two questions to ask you:

- which kind of LIVE jazz was jack kerouac used to listen to during his

life? I mean: in which jazz clubs did he go often to, in which towns and

in which period? Do exist any LETTER (apart from references contained in

published books) in which these details are booked, or does he remember

any live jam session or jazz musician he met or knew?

- who are the jazz musicians playing with him during his Mexico City

Blues and On The Road reading recording? I have a "copy-of-the-copy" of

that tape and no one could tell me when, where and with whom it was

recorded...

 

Thank you very much for your help.

Bye, Laura :.)

--

Laura Moja

Ufficio Stampa

Teatro Smeraldo

smeraldo.press@iol.it

http:/www4.iol.it/smeraldo

=========================================================================

Date:         Wed, 28 May 1997 12:27:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

 

I posted that which I rolled myself for my contribution.

 

But on some stupid and bad word plays, allusions etc., how

about:

 

What if they gave a beat list and nobody posted.

 

What if good people let posts they can delte run them off the

list?

 

What if we had a chance to learn and didn't take it.

 

Some thoughts on all this:

 

1.      I came here to talk poetry, etc and beats.  I know a

lot about Kerouac,  Thanks to Gerry N, some about many others,

and a lot about orgone (sp?) accumulators.  But I want more

knowledge.

 

2.      I wish that Gerry could let this shit roll of his back,

cause I want to read his new book.  I also don't want him to

leave the list.  So, I hope he will just ignore the bs.

 

3.      In a week or 10 days, while at times it has been hairy

and I jumped in at the wrong times, I have learned a lot.  Did

it cost me, yeah, a lot of bad feelings.  But, what in life

have I ever gotten which matter, but that it did not cost me.

 

4.      You gotta play your dues if you want to sing the Mexico

City Blues, and you know it don't come easy.

 

What people do not realize is the scope and magnatude of

Kerouac's genius?  Have you ever tried to write your On the

Road?  Have you ever tried to describe in words what he did?

He paid for it, as those who follow the muse with no restraint,

with his life.  He gave his life to the muse for the right to

write it all down for us.  And Gerry taped it.

 

So, I think we need to focus on two things:

 

1.  Open the library or move it so we can see and hear it.

 

2   Take care of the tapes.  Rerecord them on good tape.  Then

digitize the tapes to cd.

 

Oh yeah, and on making this list happen.

 

This list has some great posters and Levi ought to come on

back.  Let's try to learn instead of Burn hear what Jimi

Hendrix say.

 

Those who followed the muse:

 

Jack Kerouac

Neal Cassiday (sp)

Jim Morrison

Jimi Hendrix

Lord Byron

Rimbaud, cept he bailed out and sold guns instead.

 

 

Not me, I didn't have the guts.

 

Robert Johnson

Jackie Wilson

Buddy Holly

Ronnie Van Zandt

F Scott Fitzgerald (sp)

 

Well, I am not sure about Janis Joplin, if she wrote Kozmic

Blues, her to.

 

Sylvia Playth

 

not dorothy parker.

 

Peace,

 

 

--------------------------------------------------------

Name: R. Bentz Kirby

E-mail: R. Bentz Kirby <bocelts@scsn.net>

Date: 05/28/97

Time: 12:13:08

 

This message was sent by Z-Mail Pro - from NetManage

NetManage - delivers Standards Based IntraNet Solutions

--------------------------------------------------------

=========================================================================

Date:         Wed, 28 May 1997 11:31:54 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Re: Guidelines for Discourse-Sad day for beat-l

In-Reply-To:  <199705280126.SAA20060@denmark.it.earthlink.net>

 

>        And it's curious you and Mr. Sampas got invited to Jan's funeral,

>when I didn't.  How much time did you guys spend with her in those last

>five, hard, 4-dialyis-a-day years?  Did you ever watch her do a dialysis,

>Phil?

>        Just wondering.  I did.

>        Best always, Gerry Nicosia

 

I love these Estate Wars so much I'm not only giggling hysterically and

weeping hopelessly, but I'm transmuting to diskaloo every word said, just

so I can spend the rest of my life trying to understand the dramatis

personae and the issues involved.  Also, I was recently appointed literary

executor for poet John Engman, naively somewhat I realize now, and I am

sincere and grateful when I say, Gawd, have I learned a lot, which I needed

to know about this necrophiliac legacy stuff.  I am so lucky he isn't worth

any money and I am sole negotiator, caretaker, and proprietor of his

wondrous estate.

 

But, please, do we have to drag in poor Jan's kidneys like Achilles

dragging Hector's corpse seven times around the walls of Troy just to gloat

over a point?    The Trojan Horse always wins, the men and women at arms

slain.  Please, some decorum at their graves--or, failing that, at least

some rich ripe red very dry wine for strewing their flesh and bones.

 

John M.

=========================================================================

Date:         Wed, 28 May 1997 09:59:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: "Purchased" versus "Donated"

 

At 11:43 AM 5/28/97 -0400, you wrote:

>Dear Gerry:

> 

>The past business you and I have gone through over the years should be

>considered past business. Let's look to the future and let us both continue

>to promote Beat literature and the Beat authors that we both love so much. We

>have both done some good for the cause in our own individual ways over the

>years. Let's get back to the basics once again.

> 

>On this list, you will never gain the support of those who disagree with you

>about estate and archive matters. And they will never change your mind. But

>that is ok.

>Alot of people respect you for your Memory Babe work and your knowledge of

>the work of Kaufman, Micheline, and other North Beach poets. Why not share

>your knowledge and experience with all of us?

> 

>Many people both new to the list and old have expressed their displeasure

>with what's happening here the last few weeks. Let's all stop being so

>abrassive and argumentative.

> 

>Let's try to rebuild the community spirit that we all shared that day that

>Allen died...

>Let's see if we can't get people like Levi Asher back on this list...

> 

>Let's all follow the guidelines set forth by William Gargan -

> 

>Have a great day -

>Jeffrey Weinberg

>Water Row Books

> 

Jeffrey,    May 28, 1997

 

        Couldn't agree more.  Now if we can just get "Dirk Latin Edition" or

whatever his name is to agree, I think we'll have peace in the valley again.

        Best, Gerry Nicosia

=========================================================================

Date:         Wed, 28 May 1997 10:15:15 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Jan's service

 

>>        And it's curious you and Mr. Sampas got invited to Jan's funeral,

>>when I didn't.  How much time did you guys spend with her in those last

>>five, hard, 4-dialyis-a-day years?  Did you ever watch her do a dialysis,

Phil?

>>        Just wondering.  I did.

>>        Best always, Gerry Nicosia

>> 

>>Gerry, what makes you think that John would get invited. I haven't been

>invited but I still would like to go to pay my respects. I met Jan when she

>came to Lowell and we had a nice conversation. I got some great photos of

>her at the dedication. She was friendly to me and I to her. Why would you

>need an invitation to go to a memorial service. Is it a private service? If

>it is let me know and I will respect anyones wishes on this. But I just

>assumed anyone could go to pay their respects to Jan. Inform us on the list

>if you know about it.Phil

> 

> 

Dear Phil,     May 28, 1997

 

        I was told by Jacques Kirouac from Quebec, head of the Kerouac

Family Association, that Jan's service and interrment (which will take place

on June 5, 9AM, at St. Louis de Gonzague in Nashua), IS PRIVATE and by

invitation only.  Jacques has been invited.  According to Jacques, John

Lash, Jan's exhusband, invited Mr. Sampas.  Since you're a friend of Mr.

Sampas's, you should have no trouble getting in.

        I've been cut out of Jan's burial, just as I have been cut out of a

lot of things in the last few years.

        But I had the honor of standing by her side when police dragged us

both out of New York University.  As Jack used to sing, "They can't take

that away from me."

        We also had another big victory.  Mr. Lash was planning to bury Jan

on top of her grandmother Gabrielle, to save the last two spaces in the

Kerouac plot for members of the Sampas family.

        Paul Blake, Jr., objected to the digging up of his grandmother's

grave in order to save space for a Sampas.

        So the cemetery has instructed Mr. Lash (and presumably Mr. Sampas)

that Jan's remains will have to be interred in one of the two empty grave sites.

        What this means is that Jan can at least have the dignity of her own

marker, and her own little spot, for people to come and leave tributes

to--poems and dimes and little model Cadillacs or whatever people deem

appropriate.  (More work for the cemetery, I guess, but that's the story

when you bury somebody famous.)

        As for me, I guess I'll sneak in someday when all the furor and

hatred have passed, and pay my respects too.

        Say a prayer for Jan for me that day, will you?

        Best, Gerry Nicosia

=========================================================================

Date:         Wed, 28 May 1997 13:27:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: let's put the fun back in dysfunction!

In-Reply-To:  <v01530500afb1a61df54e@[204.181.15.86]>

 

>> 

>Hey, how about grabbing a handful of poems and shuffling on up to

>Plattsburgh on June 13th/14th for a big poetry reading, wine, creative talk

>and a bit of poetic partying? Anyone else interested.

> 

>Michael

__________

i'm there, mike, just need to check out ferry on lake champlain, and wings

to whisk me from landing to the fest. (and i actually have a handfulla

pomes to share like oranges on a sunny hot day

mc

=========================================================================

Date:         Wed, 28 May 1997 12:36:53 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: A quickie question

 

At 06:55 PM 5/27/97 -0000, you wrote:

>alright, I'm new here and basically new to Beat so this may be a stupid

>question, but I was reading the portable Beat reader and an excerpt from

>junk had a character named Jack that killed somebody with a pipe and a

>faucet. Is that Mr. Kerouac?

> 

>west

> 

>I belong to the blank generation

>and I can take or leave it each time

>-Richard Hell

> 

> 

 

 

No.

=========================================================================

Date:         Wed, 28 May 1997 15:13:05 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Paul Maher's anger

In-Reply-To:  <1.5.4.32.19970526194611.006b2538@pop.pipeline.com>

 

 Paul Maher wrote (5-26) to G.Nicosia:

 >You play no part in my daily but as a flea on an

>elephant's ass. You are a fly on a mountain of shit. it's too bad you and

>your devout followers (if you have any) missed Hale-Bopp..............last

>on this....EVER. PAUL MAHER JR. THE GUY WHO STOLE BOOKS FROM MOGAN CENTER

>LIBRARY BUT IS NOW THE SCAPEGOAT FOR GERRY NICOSIA'S WORTHLESS STOLEN

>ARCHIVES....

 

Paul,

 

I followed the original exchanges and recall Gerry making it clear that he

thought the library was wrong in stating that you may have stolen the

material. As a favor to you I even deletedyour name, phone number and his

mention the incident from material I had on my web site at your

request--even though I had no obligation to do so.

 

How nice it would be if you would limit your posts to information rather

than anger and slander.

 

I'll have to check my records, but I think I sent for a subscription to

your magazine recently. Cancel it, don't bill me, I'm no longer even

remotely interested.

 

j grant

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Wed, 28 May 1997 16:37:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      What's the word on Dylan?

 

Just heard some bad news regarding Mr. Dylan.  He's

supposedly in hospital for observation after complaining

of chest pains.  The diagnosis is that he is suffering from

Histoplasmosis, a potentially life threatening disease

involving the swelling of the fat around the heart.  He has

cancelled his tour that starts June 1st in Ireland and ends

in Switzerland, June 18th.  This is from a fairly reliable

resource (at least they usually are).  From what I understand

recovery time is a few months.  The Irish promoters are

saying he had a heart-attack.  Hmm, waiting for the official

word.  This may be total rumour?  I hope so!!

 

Mike

=========================================================================

Date:         Wed, 28 May 1997 15:47:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Why We Shouldn't Study Kerouac

In-Reply-To:  <199705262253.PAA12697@italy.it.earthlink.net>

 

G. Nicosia wrote (5-26):

>        Then I'm taking off for a while.

 

>  I need a break to get back to my real work--writing books, and

>advocating for the

>right to study Jack Kerouac's papers, in court, which is the only place such

>advocacy will really count.

>        By the way, I've been accused of hiring these folks as "mouthpieces"

>for me.  I've never met either Grant or Kirby.  Jerry I met only twice, once

>when he asked me to come down to his bookstore in Monterey to lecture about

>Kerouac, and the other time for a few seconds in Washington Square Park in

>New York, when I gave him a free ticket to the Beat Conference Town Hall

>Concert.

 

Gerry,

 

Each day I am amazed and slightly appalled at the time you are taking to

respond to some of the incredibly weak, stupid posts. At times, IMO, you

allow your feelings to override your sensabilities. I understand why. A big

chunk of your life went into "Memory Babe..." and I for one am grateful to

have the English and Spanish editions

Also, I read and save your posts and many of the posts of your enemies (I

specifically avoided using the word "critics"). But each day I ask myself,

when is he going to return to "HOME TO WAR: The History of the VVAW" or

whatever the title will be?  Wheneven I meet a Vietnam Vet I mention the

book and it is extremely rare that the veteran does not know about the

book-in-progress and Gerry Nicosia the author.

 

At this point, as far as the Kerouac collections are concerned, there are

those who want/need access to Keroauc material and will avoid and/or attack

you, and there are those who believe the collection , at whatever costs to

collectors and individual scholars, must be preserved in a safe environment

where everyone has access to Jack Keroauc's collection AND the collection

of his daughter Jan.

 

That twain will probably not meet until the issue of the will is determined

in court. Sampas says he can prove the will was signed by Jack's Memere,

Jan claimed she would prove the signature was forged.

 

I wish everyone would encourage Sampas to welcome the chance to present his

proof in court.Why drag it out?

 

And Gerry, I wish you  would try to ignore the dirt and get on with

finishing a book that will provide healing to hundreds of thousands of

Vietnam Veterans. Vets who are deperately in need of a document they can

hold up to the U.S. public and say, "This is who we were, this is who we

are, and what we were about!"

 

Impossible to tell you how disappointed I was when a head gasket blew in my

car and I was unable to get to Chicago for the VVAW convention and the

opportunity to meet you.

 

j grant

 

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Wed, 28 May 1997 16:50:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: What's the word on Dylan?

In-Reply-To:  <199705282037.QAA13217@ionline.net> from "M. Cakebread" at May

              28, 97 04:37:48 pm

 

> 

> Just heard some bad news regarding Mr. Dylan.  He's

> supposedly in hospital for observation after complaining

> of chest pains.  The diagnosis is that he is suffering from

> Histoplasmosis, a potentially life threatening disease

> involving the swelling of the fat around the heart.  He has

> cancelled his tour that starts June 1st in Ireland and ends

> in Switzerland, June 18th.  This is from a fairly reliable

> resource (at least they usually are).  From what I understand

> recovery time is a few months.  The Irish promoters are

> saying he had a heart-attack.  Hmm, waiting for the official

> word.  This may be total rumour?  I hope so!!

> 

> Mike

> 

 

Mike--This is what I picked up on the Web from the Associated Press.

 

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

 

Bob Dylan hospitalized with

heart ailment

 

Associated Press, 05/28/97

 

NEW YORK (AP) - Singer Bob Dylan was

hospitalized with a potentially fatal heart infection that

forced the cancellation of a scheduled European tour,

his record label said in a statement today.

 

Dylan, who turned 56 last Saturday, was admitted to

a hospital this past weekend ``suffering from severe

chest pains,'' according to the three-paragraph

statement from Columbia Records.

 

``His condition has been diagnosed as Histoplamosis,

a potentially fatal infection which creates a swelling of

the sack which surrounds the heart,'' the statement

said.

 

The statement did not specify where Dylan was

hospitalized or his current condition. It did say he

was ``undergoing treatment and will remain

hospitalized in the care of his physicians until such

time as they feel confident that his condition has

improved.''

 

Once released from the hospital, ``there will need to

be a period of recuperation,'' the statement said.

Dylan was forced to cancel an upcoming tour of the

United Kingdom and Switzerland.

=========================================================================

Date:         Wed, 28 May 1997 16:51:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul McDonald, TeleReference LA, Main Info Services"

              <PAUL@LOUISVILLE.LIB.KY.US>

Subject:      Dylan News

Comments: cc: bohemian@maelstrom.stjohns.edu

 

   Wednesday May 28 4:04 PM EDT

 

UPDATE: Bob Dylan Hospitalized With Chest Pains

 

    (adds details)

 

   LONDON (Reuter) - American rock star Bob Dylan called off a European

   tour after being admitted to a hospital suffering from a potentially

   life-threatening illness, his publicists said Wednesday.

 

   Media reports in London said the 56-year-old singer-songwriter was

   hospitalized in New York, but a spokeswoman for Dylan in New York said

   her office did not know his condition or where he was being treated.

 

   "This past weekend, Bob Dylan was admitted to hospital suffering from

   severe chest pains. His condition has been diagnosed as

   histoplasmosis, a potentially fatal infection which creates swelling

   in the sac which surrounds the heart," Dylan's London publicists said.

 

 

   Dylan will remain in the hospital until his doctors are confident his

   condition has improved, they added.

 

   In New York, his publicists said they hoped he would be well enough to

   go through with a U.S. tour slated for August.

 

   The singer was due to perform in Ireland, Britain and Switzerland

   during the summer tour. Van Morrison, who was to appear with him in

   London June 7, said he would still perform.

 

   Dylan recently completed a swing through Canada and the Northeast and

   last appeared in Los Angeles this month.

 

   Dylan, who released his first album in 1962, is considered one of the

   most influential songwriters of his generation.

 

   A number of his early songs -- "Blowin' in the Wind," "A Hard Rain's

   A-Gonna Fall," "Masters of War" and "The Times They Are A-Changin"' --

   became anthems of the civil rights and anti-war movements of the '60s.

 

 

   And many of his songs were made hits by other artists, ranging from

   Jimi Hendrix to Peter, Paul & Mary.

 

   Dylan clinched his credentials as a mainstream rock artist in 1965

   with the hit single "Like A Rolling Stone," off the landmark album

   "Highway 61 Revisited." Other Dylan classics include "Subterranean

   Homesick Blues" and "Tangled Up in Blue."

 

   Reuters/Variety

     _________________________________________________________________

=========================================================================

Date:         Wed, 28 May 1997 15:55:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Why We Shouldn't Study Kerouac

In-Reply-To:  <1.5.4.32.19970527000019.006bb93c@pop.pipeline.com>

 

Alfred Lewen wrote (5-26):

> 

> I think I will have John Sampas autograph my copy of Memory Babe.....

> 

 

When you do, ask him to contact me. I'd like to make his phone number and

address available to preservation librarians around the country who have

ideas to share with him about the conservation and preservation of historic

books, manuscripts and documents.

 

j grant

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Wed, 28 May 1997 16:42:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         talk dirty to me <mutton@JANE.PENN.COM>

Subject:      Re: T-shirts

 

no prob jeff

everybody will still be here

thanks again

jeremy lawson

 

----------

: From: Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>

: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: Subject: Re: T-shirts

: Date: Wednesday, May 28, 1997 11:23 AM

:

: Don't worry.  there will still be 200 of us around for the t-shirts.

: looking forward to seeing the design.

:

: At 10:36 PM 5/27/97 -0400, you wrote:

: >Dear Beat-L Members:

: >

: >Before all 200+ of you sign off, please remember that Beat-L T-shirt

list.

: >I ordered enough shirts to cover that list and I certainly can't use 200

: >shirts myself!

: >

: >The Beat-L T-shirt with artwork by S. Clay Wilson will be ready to ship

in

: >approx.

: >2-3 weeks.

: >

: >I kept my part of the bargain by fronting the money to pay Wilson and to

pay

: >for the shirts to be printed up....Please keep your part of the bargain

: >also...

: >

: >Thanks -

: >

: >Jeffrey Weinberg

: >Beat-L T-shirt Dept.

: >

: >

=========================================================================

Date:         Wed, 28 May 1997 17:10:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tipper Quigg <quigg@INFORAMP.NET>

Subject:      What should I read?

 

        I've come to ask the great Beat community what should I read?  I've

just finished reading Dharma Bums, and now I don't know what to read...Here

are the books on my list that I still haven't read:

 

        Queer- William Burroughs

        Desolation Angels- Jack Kerouac

        Vanity of Duluoz- Jack Kerouac

        Dr. Sax- Jack Kerouac

 

 

        If you can tell I'm a huge Kerouac fan and Burroughs is right behind

him.... I can't wait for your opinions...

 

 

 

 

help the economy...buy a Neil Young album...

=========================================================================

Date:         Wed, 28 May 1997 17:14:55 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Alan Harrington

 

I was saddened to see Alan Harrington's obituary in this morning's New

York Times.  For those not familiar with Harrington, he was a novelist

friend of Ginsberg, Kerouac and Holmes during the late 1940s.  In fact,

it was Harrington who tookHolmes to Ginsberg's party over the July 4th

weekend of 1948 and first introduced him to Ginsberg and Kerouac.

=========================================================================

Date:         Wed, 28 May 1997 17:25:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: T-shirts

 

In a message dated 97-05-28 14:07:55 EDT, you write:

 

<< Don't worry.  there will still be 200 of us around for the t-shirts.

 looking forward to seeing the design.

  >>

 

Thanks for your note of encouragement....

I am certain that people will stick it out on the Beat-L while we all come to

terms with any hostilities or support we have for other Beat-L members.

JW

=========================================================================

Date:         Wed, 28 May 1997 17:54:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Why We Shouldn't Study Kerouac

 

At 03:55 PM 5/28/97 -0500, you wrote:

>Alfred Lewen wrote (5-26):

>> 

>> I think I will have John Sampas autograph my copy of Memory Babe.....

>> 

> 

>When you do, ask him to contact me. I'd like to make his phone number and

>address available to preservation librarians around the country who have

>ideas to share with him about the conservation and preservation of historic

>books, manuscripts and documents.

> 

>j grant

> 

>You have a computer use the phone book reference indicator....it is on

every server's web site. Or...if you cannot grasp that try the Lowell

phonebook or quite simply... the operator. I'm sure he would be glad to talk

to you Mr. Grant.   Regards, Paul of The Kerouac Quarterly

> 

=========================================================================

Date:         Wed, 28 May 1997 17:45:33 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Why We Shouldn't Study Kerouac

In-Reply-To:  Message of Wed, 28 May 1997 17:54:40 -0400 from

              <mapaul@PIPELINE.COM>

 

On Wed, 28 May 1997 17:54:40 -0400 Paul Maher said:

>At 03:55 PM 5/28/97 -0500, you wrote:

>>Alfred Lewen wrote (5-26):

>>> 

>>> I think I will have John Sampas autograph my copy of Memory Babe.....

>>> 

>> 

>>When you do, ask him to contact me. I'd like to make his phone number and

>>address available to preservation librarians around the country who have

>>ideas to share with him about the conservation and preservation of historic

>>books, manuscripts and documents.

>> 

>>j grant

>> 

>>You have a computer use the phone book reference indicator....it is on

>every server's web site. Or...if you cannot grasp that try the Lowell

>phonebook or quite simply... the operator. I'm sure he would be glad to talk

>to you Mr. Grant.   Regards, Paul of The Kerouac Quarterly

>> 

 

 

 It seems to me that these are personal messages that would have been better se

nt privately than having them posted to the list.  Bill Gargan.

=========================================================================

Date:         Wed, 28 May 1997 17:50:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: What should I read?

In-Reply-To:  <199705282110.RAA13190@inforamp.net>

 

hi,

dont necessarily take My Word for it, but I think Desolation A. would be

a good folow up to D Bums. Des is a Great Great great book.

 

 

Eric

rhs4@crystal.palace.net

 

I dont know bout the economy but second the motion!

 

On Wed, 28 May 1997, Tipper Quigg wrote:

 

>         I've come to ask the great Beat community what should I read?  I've

> just finished reading Dharma Bums, and now I don't know what to read...Here

> are the books on my list that I still haven't read:

> 

>         Queer- William Burroughs

>         Desolation Angels- Jack Kerouac

>         Vanity of Duluoz- Jack Kerouac

>         Dr. Sax- Jack Kerouac

> 

> 

>         If you can tell I'm a huge Kerouac fan and Burroughs is right behind

> him.... I can't wait for your opinions...

> 

> 

> 

> 

> help the economy...buy a Neil Young album...

> 

=========================================================================

Date:         Wed, 28 May 1997 16:53:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      charlie and son on road

 

I had a great time with Charlie and his son Billy.  I left them

yesterday (tues) afternoon with wsb and they were all jawing away.  I

heard today that wsb reported a great visit was had.  I had failed to

find my appc. rose poem which is how i first heard of Mr. Plymell.  So

no autograph for me and my hoard.

Charlie had great stories,reports sighting tornadoes in Kansas at the

Oklahoma border and gun shot holes in the old west hotel they stayed

in.. His son was just great, smart, caring neat kid.

p

=========================================================================

Date:         Wed, 28 May 1997 18:02:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tipper Quigg <quigg@INFORAMP.NET>

Subject:      Re: What should I read?

 

At 05:50  28/05/97 -0400, you wrote:

>hi,

>dont necessarily take My Word for it, but I think Desolation A. would be

>a good folow up to D Bums. Des is a Great Great great book.

> 

> 

>Eric

>rhs4@crystal.palace.net

> 

>I dont know bout the economy but second the motion!

 

 

        Thank you very much, that is what I was thinking abotu reading...Now

I guess I will....Thanx....Any other suggestions great books?

 

                Tipper

> 

> 

> 

 

 

 

 

help the economy...buy a Neil Young album...

=========================================================================

Date:         Wed, 28 May 1997 15:20:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Jack and Jazz

 

                                                        May 28, 1997

Mark Noferi writes:

        "I think Kerouac did meet many of the musicians through a friend in

the business, an agent, or record company man-- Gerry? or anyone?"

 

        Dear Mark,

        Yes, it was both an agent and a record company man--Jerry Newman.  I

think the name of his record company was Esoteric, but I could be wrong

(told you all, brain going in old age).  Newman recorded jack singing "Come

Rain or Come Shine" and other Sinatra favorites--improvising his own

lyrics!--with a real jazz backup.  I have one hour of this stuff, which is

now among the tapes under seal at U Mass, Lowell.  Supposedly Newman's widow

has about 20 more hours of such recordings--think about this, Rykodisc!--but

she's disappeared.  Anybody heard of her whereabouts?

        Best, Gerry Nicosia

=========================================================================

Date:         Wed, 28 May 1997 15:26:40 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Maggie Cassidy

 

                                        May 28, 1997

John Arthur Maynard writes:

        "For example, how come nobody ever seems to mention Maggie Cassidy?

Struck me between the eyes close to 20 years ago, and I'm still struck."

 

        Dear John,

 

        Yeah, it's a great one.  And it's in public domain, which means

someone could make a movie of it and not have to pay for rights or royalties.

        Seems like some enterprising guys or gals in Lowell could do a

low-budget version that might be dynamite.

        Best, Gerry Nicosia

 

        P.S. To Nick Weir-Williams, is this one of the books you're thinking

of reissuing from Northwestern University Press?  It would be funny for me,

because I first read MAGGIE CASSIDY in the rare book reading room of

Northwestern University In Evanston, Illinois, one winter day many a long

year ago--it was out of print and I couldn't get it anywhere else.  I

remember walking over to Yesterdays (a local campus hangout), grabbing a

burger and coffee, and then walking back thru the snowy streets (how

Kerouacian!) to the rare book reading room to finish the book--and the

librarian niggling at me to be careful because the book was old, a cheap

paperback, and she was afraid I was bending the spine too far open as I read it!

=========================================================================

Date:         Wed, 28 May 1997 18:31:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: What's the word on Dylan?

 

By now, I suppose that everyone on the list has heard a news blurb that

confirms what Mike told us earlier re: Dylan --- appears to be a dangerous

heart infection and Columbia records is not saying where he is being treated.

 

A major influence on my life -- I feel as if I am waiting for word about a

family member.

 

Dawn

=========================================================================

Date:         Wed, 28 May 1997 15:33:02 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Decorum at Graves

 

                                        May 28, 1997

John Mitchell writes:

        "But, please, do we have to drag in poor Jan's kidneys like Achilles

dragging Hector's corpse seven times around the walls of Troy just to gloat

over a point?  The Trojan Horse always wins, the men and women at arms

slain.  Please, some decorum at their graves--or, failing that, at least

some rich ripe red very dry wine for strewing [stewing?] their flesh and bones."

 

        Dear John,

        It appears Jan has more friends in death than she had in life--just

like Jack, who died alone except for Stella and Ronny Lowe.

        Best, Gerry Nicosia

=========================================================================

Date:         Wed, 28 May 1997 18:36:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: Why We Shouldn't Study Kerouac

 

Dear Bill Gargan:

 

Thank you for being vigilant and reminding those who violate the standards --

personal attacks are hardly informative -- more usually damaging to the

INtent and CONtent of the list to which I excitedly (if one may be so at age

47!) subscribed a few weeks ago.

 

Dawn

=========================================================================

Date:         Wed, 28 May 1997 18:26:03 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         talk dirty to me <mutton@JANE.PENN.COM>

Subject:      Re: T-shirts

 

the problem with half way creative people is

their lack of comprimise or maybe just patience.

that seems to be this problem and i know everyone

will realize how lame it is to argue. so,  bring on the

shirts!

jeremy

 

----------

: From: Jeffrey Weinberg <Waterrow@AOL.COM>

: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: Subject: Re: T-shirts

: Date: Wednesday, May 28, 1997 4:25 PM

:

: In a message dated 97-05-28 14:07:55 EDT, you write:

:

: << Don't worry.  there will still be 200 of us around for the t-shirts.

:  looking forward to seeing the design.

:   >>

:

: Thanks for your note of encouragement....

: I am certain that people will stick it out on the Beat-L while we all

come to

: terms with any hostilities or support we have for other Beat-L members.

: JW

 

=========================================================================

Date:         Wed, 28 May 1997 18:28:50 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         talk dirty to me <mutton@JANE.PENN.COM>

Subject:      Re: What should I read?

 

vanity is good

i haven't read desolation yet but a friend

of mine has and he loved it.

vanity is kind of a culmination. yet it is a good

beginning even though it was the last part in the

whole autobiographical series.  so, i'd try it.

or on the road, the most famous.

 

----------

: From: Tipper Quigg <quigg@INFORAMP.NET>

: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: Subject: What should I read?

: Date: Wednesday, May 28, 1997 4:10 PM

:

:         I've come to ask the great Beat community what should I read?

I've

: just finished reading Dharma Bums, and now I don't know what to

read...Here

: are the books on my list that I still haven't read:

:

:         Queer- William Burroughs

:         Desolation Angels- Jack Kerouac

:         Vanity of Duluoz- Jack Kerouac

:         Dr. Sax- Jack Kerouac

:

:

:         If you can tell I'm a huge Kerouac fan and Burroughs is right

behind

: him.... I can't wait for your opinions...

:

:

:

:

: help the economy...buy a Neil Young album...

=========================================================================

Date:         Wed, 28 May 1997 18:44:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: What's the word on Dylan?

 

At 06:31 PM 5/28/97 -0400, you wrote:

 

>By now, I suppose that everyone on the list has heard a

>news blurb that confirms what Mike told us earlier re:

>Dylan --- appears to be a dangerous heart infection and

>Columbia records is not saying where he is being treated.

 

Don't worry, you won't get the real story from

Columbia!!  {;^> I'll see what I can dig up.

 

Mike

=========================================================================

Date:         Wed, 28 May 1997 16:05:26 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     RFC822 error: <W> TO field duplicated. Last occurrence was

              retained.

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      It would be his heart...

Comments: To: Mississippi Malcolm McDowell <sdodge@midway.uchicago.edu>,

          "Wingert, Dave" <DWingy@aol.com>

 

Off the AP wire

 

 Bob Dylan Hospitalized

 

 Legendary rocker Bob Dylan has been hospitalized for treatment of a

 potentially life-threatening disease. His publicists say Dylan entered

 an undisclosed hospital last weekend because of severe chest pains. The

 publicists say Dylan has been diagnosed with a disease called

 histoplamosis, which is a potentially fatal infection that creates swelling in

 the

 sack that surrounds the heart. News reports in London say the 56-year-old

 singer/songwriter is hospitalized in New York, but Dylan's publicists

 would not confirm that. Dylan's publicists today called off a European tour.

 Dylan is considered the most influential songwriter of his generation.

=========================================================================

Date:         Wed, 28 May 1997 17:22:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

I'm looking forward to it and we'll coordinate more as we get closer. Been

enjoying the poems you've been posting. A sunny, almost hot day here today.

A good day for oranges.

 

Michael

 

Antoine expresssed some interest in what's going on too.

 

>i'm there, mike, just need to check out ferry on lake champlain, and wings

>to whisk me from landing to the fest. (and i actually have a handfulla

>pomes to share like oranges on a sunny hot day

>mc

=========================================================================

Date:         Wed, 28 May 1997 16:48:04 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: how annoying some of these whiny people are!

 

> 

>Whoa.  I have to say that if we are talking about the superority of the

>one of the beats, my vote is in there for Allen Ginsberg.  He was by far

>the greatest poet of the twentieth century

 

Diane,

 I enjoy Allen Ginsberg more than oxygen, but that's a pretty hefty

claim. I would enjoy a reason if you please.

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Wed, 28 May 1997 19:18:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: It would be his heart...

 

Thank you, Malcs (pardon my familiarity -- but i believe that you signed

earlier posts in this manner), for the AP message re: Bob Dylan.  I

appreciate whatever word is passed on to the list -- and, not really wanting

to speak for others but, I expect that others among the 200 feel the same.

 

Dawn

=========================================================================

Date:         Wed, 28 May 1997 18:27:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: What's the word on Dylan?

 

M. Cakebread wrote:

> 

> At 06:31 PM 5/28/97 -0400, you wrote:

> 

> >By now, I suppose that everyone on the list has heard a

> >news blurb that confirms what Mike told us earlier re:

> >Dylan --- appears to be a dangerous heart infection and

> >Columbia records is not saying where he is being treated.

> 

> Don't worry, you won't get the real story from

> Columbia!!  {;^> I'll see what I can dig up.

> 

> Mike

 

woke up from long siesta to all this news....

 

remember every face Bob and

 

may God Bless and keep

 

and

 

stay

 

along the Watchtower

 

far between sundowns finish and

 

midnights broken toll

 

i'm with you in my heart and soul where you are

 

now and go here and forever

 

david rhaesa

=========================================================================

Date:         Wed, 28 May 1997 19:42:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: T-shirts

 

In a message dated 97-05-28 18:36:48 EDT, you write:

 

<< 

 no prob jeff

 everybody will still be here

 thanks again

 jeremy lawson >>

 

 

Thanks Jeremy -

 

That's the kind of community spirit we all need to recapture here!!

Let's get back to Beatness!!

Let's show Levi Asher that we are worthwhile to subscribe to once again....

JW

=========================================================================

Date:         Wed, 28 May 1997 15:41:49 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      re-Jan's funeral

 

Gerry Nicosia wrote:

 

<I've been cut out of Jan's burial, just as I have been cut out of a lot of

<things in the last few years. . . .  As for me, I guess I'll sneak in

someday <when all the furor and hatred have passed, and pay my respects

too.

<Say a prayer for Jan for me that day, will you? Best, Gerry Nicosia

 

It is sad and now sarodically comic that Mr. Nicosia has been cut out of

Jan's funeral, but one imagines Hamlet and Laertes (Sampas as Polonius?)

leaping into Ophelia's grave and dueling there over her reputation and

estate.  Alas, poor Yorick!  We've come to know him well.  // John M.

=========================================================================

Date:         Wed, 28 May 1997 20:16:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

In a message dated 97-05-28 10:43:28 EDT, you write:

 

<<  driving up from Corning, NY - Finger Lakes, NY through

 Oneonta, Schenectedy/Albany etc. >>

 

Michael,

You must be backtrailing the old Mohawk Trail.

Pam Plymell

Cherry Valley

=========================================================================

Date:         Wed, 28 May 1997 20:39:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: charlie and son on road

 

Patricia:

Thanks.  Send the Rose when you retrieve it from its pressing, Charley will

sign it.

Pam

=========================================================================

Date:         Wed, 28 May 1997 20:43:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: What should I read?

 

In a message dated 97-05-28 19:41:50 EDT, you write:

 

<<  Dr. Sax- Jack Kerouac >>

 

Tipper:

When you read Dr. Sax, you should also read Last of the Moccasins by Charles

Plymell available from Waterrow Books (waterrow@aol.com).  There are so many

books to recommend, to start Naked Lunch is a must.

Pam

=========================================================================

Date:         Wed, 28 May 1997 21:53:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeanne Vaccaro <SlugBug747@AOL.COM>

Subject:      Re: It would be his heart...

 

Yea, definately. I am so sad, I cannot believe this. God, I mean, ahhh!  Pray

for him, I surely will be.  I know that he will be fine.  After everything he

has been through, he has to be...

sigh, ciao, jeanne.

=========================================================================

Date:         Wed, 28 May 1997 20:47:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Dylan memories

 

David,

 

        Very nice and somehow comforting to see you string those lines

together so seeming effortlessly. Do you remember when you first heard

Dylan? ...and what was the most memorable hearing of him?

 

        I was in my room in boarding school (Portsmouth, RI just down the

road from Newport...) just after Christmas in 1963. John Cadley had come

back with the first album and as a senior was allowed to have a record

player. He played the album endlessly learning lyrics and tablature phrase

by phrase, but I loved every minute, although not everyone did!

 

        I had been listening to a mixture of Odetta, Joan Baez, Tom Lehrer,

Piaf, Dion and the Belmonts and lots of oldies rock n' roll. Fortunately I'd

also borrowed - and kept for most of a summer the Smithsonian history of

American Music going from the blues with the likes of a teenaged Sonny

Terry, through Bix Beiderbeck, Billie Holiday and on...

 

        Then all of a sudden there was Dylan. He stayed a pretty little

known singer for a long time among my friends. I can remember being at the

beach when the Animals version of "House of the Rising Sun" was played the

first time. [Groton Town Beach Marie if you were ever over that way] and I

went ballistic. Someone was singing Bob Dylan songs on top 40 (never mind he

didn't write it!)

 

        That must have been summer of '64 and the next summer I was standing

on a chair about 20 rows back as Dylan went electric. Read "On the Road" a

few years later without for a long, long time making the connection between

Jack and that cool bearded guy (Ginsberg) that I saw in photos with Dylan.

...and the Rolling Thunder Tour was pretty great. Saw him in Montreal in '66

I guess with a "pick-up" band called the Hawks and thought "shit, where's

Bloomfield and Kooper" and then Garth touched his organ keys!

 

        Apologies for the only slightly Beat post. Very affected by

reminiscence of first few posts about Allen Ginsberg.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 28 May 1997 19:09:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Philibin <deadbeat@BUFFNET.NET>

Subject:      Re: A quickie question

 

> alright, I'm new here and basically new to Beat so this may be a stupid

> question, but I was reading the portable Beat reader and an excerpt from

> junk had a character named Jack that killed somebody with a pipe and a

> faucet. Is that Mr. Kerouac?

 

 

        I think that he beat some poor guy to deat with a musical instrument or

something... I can't remember which book I saw that in.  Maybe The town and

the city or a biography or something.  But it was more of a hint and then

nothing else...

 

        -Bill

 

[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

|"Fate sucks. I swear."

|

|                                 -- From The Movie "Drugstore Cowboy"

[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

=========================================================================

Date:         Wed, 28 May 1997 21:19:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Dylan memories

 

Antoine Maloney wrote:

> 

> David,

> 

>         Very nice and somehow comforting to see you string those lines

> together so seeming effortlessly. Do you remember when you first heard

> Dylan? ...and what was the most memorable hearing of him?

> 

>         I was in my room in boarding school (Portsmouth, RI just down the

> road from Newport...) just after Christmas in 1963. John Cadley had come

> back with the first album and as a senior was allowed to have a record

> player. He played the album endlessly learning lyrics and tablature phrase

> by phrase, but I loved every minute, although not everyone did!

> 

>         I had been listening to a mixture of Odetta, Joan Baez, Tom Lehrer,

> Piaf, Dion and the Belmonts and lots of oldies rock n' roll. Fortunately I'd

> also borrowed - and kept for most of a summer the Smithsonian history of

> American Music going from the blues with the likes of a teenaged Sonny

> Terry, through Bix Beiderbeck, Billie Holiday and on...

> 

>         Then all of a sudden there was Dylan. He stayed a pretty little

> known singer for a long time among my friends. I can remember being at the

> beach when the Animals version of "House of the Rising Sun" was played the

> first time. [Groton Town Beach Marie if you were ever over that way] and I

> went ballistic. Someone was singing Bob Dylan songs on top 40 (never mind he

> didn't write it!)

> 

>         That must have been summer of '64 and the next summer I was standing

> on a chair about 20 rows back as Dylan went electric. Read "On the Road" a

> few years later without for a long, long time making the connection between

> Jack and that cool bearded guy (Ginsberg) that I saw in photos with Dylan.

> ...and the Rolling Thunder Tour was pretty great. Saw him in Montreal in '66

> I guess with a "pick-up" band called the Hawks and thought "shit, where's

> Bloomfield and Kooper" and then Garth touched his organ keys!

> 

>         Apologies for the only slightly Beat post. Very affected by

> reminiscence of first few posts about Allen Ginsberg.

> 

>         Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

there has been an odd connection for me for so long.

 

in the Chronicle of the Twentieth Century one of the headlines for the

week i was born was Dylan heading from Minnesota to New York.  hard to

believe that one.

 

ummm.  i imagine i heard him in college - but lived with two friends who

mostly had wars of sound between Rolling Stones and the Who.

 

Kevin Downey in Hanover turned me on to OTR, Phil Ochs, and Bob Dylan at

nearly the same time.  He was a student of mine.  recall visiting

Folkways in New York City on a trip shortly after that.  Have a copy of

Mo Asch(sp?)'s copy of Broadside issue with Phil Och's retrospective.

bought albums with blind boy grunt and all of that.  recall playing Ochs

and Dylan on the Dartmouth Green at "Artists Against Apartheid" rally in

86 or so.  after that it turned to deeper and deeper interest.  Don't

recall first time I heard Hwy 61 Revisited but it certainly changed me.

Read everything about Dylan i could find.  used to judge a library or

bookstore by its Dylan section.  recall talking to the hippest of the

Iowa faculty in my department (while i was tripping) about the potential

for a dissertation connections contemporary social theory with dylan and

he said impossible.  a sad day.  during my first trip into insanity i

sometimes survived by Dylan lyrics.  i recall the note i left my ex-wife

about the division of our possessions was "take what you need and leave

the rest" :)  many many many memories.  only saw him in concert (in

real-life) once in Iowa City.  i recall Sue Tjardes calling my office

phone and leaving a message with a student worker not to forget my

appointment with Mr. Zimmerman.  She'd bought my ticket.  and she really

got me on that one.  i was running around the damn place "who's Mr.

Zimmerman.  Who's this damn Mr. Zimmerman!"  then it hit me.  i've never

laughed so hard.  several of us met at Sue's and played Dylan songs

before the concert.  all playing what we wanted to hear.  he played

every song i'd played in the concert.  sometimes life is amazing.  flash

forward.  Memorial Day picked up my guitar for the third time in three

years and played "I shall be released" with no knowledge.

 

am looking on web pages about "histoplamosis" but it is difficult to

make too much sense of the medical terminology.  it appears that there

is a medication which is fairly successful in treatment.

 

many memories.  i hope that they continue.  what am i talking about -

they'll continue no matter what happens ... connections this deep -

conscious or unconscious never leave.

 

and for the next verse i'll tell of my trips on Highway 61 .......

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 28 May 1997 19:37:41 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: What should I read?

 

Tipper Quigg wrote:

> 

>         I've come to ask the great Beat community what should I read?  I've

> just finished reading Dharma Bums, and now I don't know what to read...Here

> are the books on my list that I still haven't read:

> 

>         Queer- William Burroughs

>         Desolation Angels- Jack Kerouac

>         Vanity of Duluoz- Jack Kerouac

>         Dr. Sax- Jack Kerouac

> 

Tipper,

 

You need some poetry on this list.  As places to start I would suggest

Ginsberg's Howl and Reality Sandwhiches, and a nice smattering of

Snyder, Welch and Whalen, but then those are my tastes.  Robert

Creeley,  and the Black Mtn people also fit here.

 

James

=========================================================================

Date:         Wed, 28 May 1997 21:27:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Dylan memories

 

David wrote:

  "Don't recall first time I heard Hwy 61 Revisited but it certainly changed

me."

 

                "....and for the next verse i'll tell of my trips on Highway

61 ......."

 

David,

 

        Must confess one of my great embarrassing blind spots; until digging

into the history of Son House and the deep blues of Mississippi, I never

amde the Highway 61 connection...never crossed my mind that it was a real

road!    Truly one of my favorite songs along with Tangled up in Blue and

Blind Willie McTell - but then I could sit here all night typing song titles!

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 28 May 1997 19:42:09 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: What's the word on Dylan?

 

Dawn B. Sova wrote:

> 

> By now, I suppose that everyone on the list has heard a news blurb that

> confirms what Mike told us earlier re: Dylan --- appears to be a dangerous

> heart infection and Columbia records is not saying where he is being treated.

> 

> A major influence on my life -- I feel as if I am waiting for word about a

> family member.

> 

> Dawn

 

I hope this is not like when we got the word on Allen's pancreatic

cancer.  Dylan is huge for me, as I am sure he is for a lot of

listmembers.  Let's hope for a good end to this particular story.

 

It's not time for Dylan yet, that's for sure.

 

James

=========================================================================

Date:         Wed, 28 May 1997 19:47:10 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Diane wrote

 

 my vote is in there for Allen Ginsberg.  He was by far

> >the greatest poet of the twentieth century

 

Another one who loves Allen, but greater than Pound, greater than

Williams, etc-?-I'm not ready to go nearly that far, would love to see a

defense of that one.  The greatest poet of a century is a pretty tall

order, and I have only mentioned writers working in English.

 

James>

=========================================================================

Date:         Wed, 28 May 1997 23:34:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: how annoying some of these whiny people are!

 

west wrote:

> 

> Diane,

>  I enjoy Allen Ginsberg more than oxygen, but that's a pretty hefty

> claim. I would enjoy a reason if you please.

 

 

I was going to say Allen Ginsberg was the greatest American poet of the

twentieth century but after I wrote "he was by far the greatest poet of

the twentieth century," I realized that I do indeed believe that to be

the case.  Here's a go at the why.  Allen broke barriers of language and

of the mind.  He was the only contemporary visionary poet and I think,

the first since Walt Whitman.  Allen had the visionary inspiration of

Blake but he was able to connect his vision to an America we all know.

He was true to poetic inspiration, and that was an inspiration that could

come from the streets, bars, jails, and madhouses, and at the same time

go beyond them.  He was able to face the darkness of his own mind, the

darkness of America, but write poems that were positive.  He was able to

adapt to a changing society and never lose sight of his vision; he was

able over many generations to create a body of work that was still

timely.  He was able to live on the edge but never fall off the edge.

Through his poetry he gave other poets permission to be themselves.  He

literally saved people's lives because he allowed them the space within

his words to see that their thoughts were OK and that words were only

just that...words.  Self-involvement in poetry can go beyond the self,

indulging in humanness can open the mind to a space beyond humaness. I

think Howl was was his most important work and it speaks to me as much

today as it did when I read it for the first time twenty years ago,

>From Howl

"and who therefore ran through the icy streets obsessed with a sudden

flash of the use of the elipse the catalog the meter & the vibrating

plane the truth of poetry,

who dreamt and made incarnate gaps in Time and Space through images

juxtaposed, and trapped the archangel of the soul between two visual

images...to recreate the syntax and measure of poor human prose, and

stand before you speechless and intelligent and shaking with shame,

rejected yet confessing out the soul to the rhythm of thought in his

naked and endless head..."(from Howl).

Quickly, that's my stab at why.  What do you think?

=========================================================================

Date:         Wed, 28 May 1997 19:50:44 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: re-Jan's funeral

 

John Mitchell wrote:

> 

> Gerry Nicosia wrote:

> 

> <I've been cut out of Jan's burial, just as I have been cut out of a lot of

> <things in the last few years. . . .  As for me, I guess I'll sneak in

> someday <when all the furor and hatred have passed, and pay my respects

> too.

> <Say a prayer for Jan for me that day, will you? Best, Gerry Nicosia

> 

> It is sad and now sarodically comic that Mr. Nicosia has been cut out of

> Jan's funeral, but one imagines Hamlet and Laertes (Sampas as Polonius?)

> leaping into Ophelia's grave and dueling there over her reputation and

> estate.  Alas, poor Yorick!  We've come to know him well.  // John M.

 

 

John,

 

Your posts  (along with Bill Gargan's stoic occasional refereeing) have

been the only thing that have kept me a step short of homicidal during

this Great Jack Kerouac Estate War.  The Homeric tone, and now

Shakespeare, are perfect.  Thanks for knowing when to talk, and what I

have never learned, when to shut up.

 

James Stauffer

=========================================================================

Date:         Wed, 28 May 1997 22:51:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Plattsburg

 

Hello Beat-list members,

 

Can the person who originally mentioned it, or any other knowlegeable

soul, provide me with some more info about the June event? Is it an

existing poetry festival or just a get together.?

 

or What?

 

From, Eric

rhs4@crystal.palace.net

=========================================================================

Date:         Wed, 28 May 1997 21:53:30 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Dylan memories

 

Antoine Maloney wrote:

> 

> David wrote:

>   "Don't recall first time I heard Hwy 61 Revisited but it certainly changed

> me."

> 

>                 "....and for the next verse i'll tell of my trips on Highway

> 61 ......."

> 

> David,

> 

>         Must confess one of my great embarrassing blind spots; until digging

> into the history of Son House and the deep blues of Mississippi, I never

> amde the Highway 61 connection...never crossed my mind that it was a real

> road!    Truly one of my favorite songs along with Tangled up in Blue and

> Blind Willie McTell - but then I could sit here all night typing song titles!

> 

>         Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

God said to Abraham (zimmerman)

 

give me a son ....

 

61 where the blues traveled north

 

also a fine drive up 61 to the North Country

 

never did catch that

 

girl

 

just a blizzard

 

and a CD store called Postively 4th Street

 

and the

 

salesboy

 

didn't know Dylan from Frank Sinatra

 

 

reading Tarantula at random

 

in Salina

 

and listening to

 

Bob Dillon

 

someplace

 

in a soul near

 

Marysville Kansas.

 

 

david rhaesa

=========================================================================

Date:         Wed, 28 May 1997 23:43:11 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: how annoying some of these whiny people are!

 

RACE --- wrote:

> 

> my votes, as if anyone cares, are as follows

> 

> tie for first - burroughs and neal.

> 

> tie for third - ginsberg and kerouac

> 

> fifth - corso

> 

> tie for sixth - everyone else.

> 

> it seems to me from the little i've gathered so far that burroughs was

> the intellectual and anthropological force and neal was the motion and

> go go go behind everything else.

> 

> just my wooden nickel

> 

> david rhaesa

 

Given your list, I'm curious to find out, in terms of writing produced,

how you think the works of the others would have turned out, if they had

never met Neal.

 

DC

=========================================================================

Date:         Wed, 28 May 1997 22:58:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Greatest Poets

 

theres been mention of "Ginsberg is the greatest poet of 20th Cent." and

a suggestion that maybe Pound, Willie Wiiliams, etc...

 

Good sound insignificant FUN thread....!

 

Personally, i think the notion of A single greatest poet is self defeating.

 

Though my list of favorites, so far (in exposure, time), would include

Ginsy, Jack Kerouac, cummmmmmminnngs, Buk, Corso, Ferlinghetti, Bob

Dylan, and the list grows. . .

 

 

spilling randomness,

Eric

 

What do you get when you teach a donkey about Freud?

Ass - Id

Acid!

=========================================================================

Date:         Wed, 28 May 1997 20:08:13 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Dylan memories

Comments: To: RACE --- <race@midusa.net>

 

RACE --- wrote:

 

 Read "On the Road" a

> > few years later without for a long, long time making the connection between

> > Jack and that cool bearded guy (Ginsberg) that I saw in photos with Dylan.

> > ...and the Rolling Thunder Tour was pretty great. Saw him in Montreal in '66

> > I guess with a "pick-up" band called the Hawks and thought "shit, where's

> > Bloomfield and Kooper" and then Garth touched his organ keys!

> >

> >         Apologies for the only slightly Beat post. Very affected by

> > reminiscence of first few posts about Allen Ginsberg.

> >

> >         Antoine

> >  Voice contact at  (514) 933-4956 in Montreal

> >

> >      "An anarchist is someone who doesn't need a cop to tell him what to

 do!"

> >                         -- Norman Navrotsky and Utah Phillips

> 

> there has been an odd connection for me for so long.

> 

> in the Chronicle of the Twentieth Century one of the headlines for the

> week i was born was Dylan heading from Minnesota to New York.  hard to

> believe that one.

> 

> ummm.  i imagine i heard him in college - but lived with two friends who

> mostly had wars of sound between Rolling Stones and the Who.

> 

> Kevin Downey in Hanover turned me on to OTR, Phil Ochs, and Bob Dylan at

> nearly the same time.  He was a student of mine.  recall visiting

> Folkways in New York City on a trip shortly after that.  Have a copy of

> Mo Asch(sp?)'s copy of Broadside issue with Phil Och's retrospective.

> bought albums with blind boy grunt and all of that.  recall playing Ochs

> and Dylan on the Dartmouth Green at "Artists Against Apartheid" rally in

> 86 or so.  after that it turned to deeper and deeper interest.  Don't

> recall first time I heard Hwy 61 Revisited but it certainly changed me.

> Read everything about Dylan i could find.  used to judge a library or

> bookstore by its Dylan section.  recall talking to the hippest of the

> Iowa faculty in my department (while i was tripping) about the potential

> for a dissertation connections contemporary social theory with dylan and

> he said impossible.  a sad day.

 

I saw an interesting interview with Al Kooper on the effect of that

orga  work with Dylan.  He had never really been an organ player, just

agreed to do that organ work to get in the session, and it changed his

life.  But I liked him with the Blues Project also.,

 

James

=========================================================================

Date:         Thu, 29 May 1997 08:33:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tipper Quigg <quigg@INFORAMP.NET>

Subject:      Re: What should I read?

 

At 08:43  28/05/97 -0400, you wrote:

>In a message dated 97-05-28 19:41:50 EDT, you write:

> 

><<  Dr. Sax- Jack Kerouac >>

> 

>Tipper:

>When you read Dr. Sax, you should also read Last of the Moccasins by Charles

>Plymell available from Waterrow Books (waterrow@aol.com).  There are so many

>books to recommend, to start Naked Lunch is a must.

>Pam

> 

> 

>       Oh I've read Naked Lunch and worship it...I've read a whole bunch of

stuff, these are just the ones I have left to read....

 

                Peace

 

        Tipper

 

 

 

 

help the economy...buy a Neil Young album...

=========================================================================

Date:         Thu, 29 May 1997 05:50:38 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe <100106.1102@COMPUSERVE.COM>

 

in the realm of fear and fantasy

i am drunk in charge of my mind

                              in the realm of spontaneous reality

i am stoned at the wheel of my dream

                         anxious

not to be

               caught

                                       out

=========================================================================

Date:         Thu, 29 May 1997 02:43:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      This List is Stong

 

There is a certain person who shall remain nameless who seems to be trying to

use a series of posts about who is going to be left to buy a particular

T-Shirt as a vehicle to continue his argument that the heated disussions over

the Estate Debate has seriously damaged the Beat-L.  This nameless person is

trying to create the impression that this list is going to dry up and blow

away due to some of the heat that was generated the last few weeks.  And

given some of this nameless person's previous posts about me personally I get

the distinct impression he is trying to make it look like only one particular

"Basketball Team" is to blame for people unsubscribing.  I must take issue

with this entire line of reasoning!

 

In the wee hours of the morning I went thru a bunch of emails that I

downloaded to my computer.  Specifically I used the Listserv return message

where it says "YOUR  MESSAGE HAS BEEN SUCCESSFULLY DISTRIBUTED TO XXX PEOPLE

ON THE BEAT-L" to track the number of people that have been on the list since

the beginning of the year.

 

(As an aside I have heard before that the number of people mentioned in this

return message is not exactly the number of people on the list, that in fact

there are more people on the list than are mentioned in that message.

 Regardless of the accuracy of the number I would imagine the ratios must be

relatively accurate, which would suggest the conclusions should be the same.

 And if I am in any way inaccurate in any of this I would appreciate a

correction providing the true data.)

 

Here's what my research indicates:

 

DATE                    # of Beat-l Recipients

 

01/16/97                         169

01/21/97                         179

01/26/97                         182

02/24/97                         185

03/24/97                         200

04/05/97                         Allen Ginsberg Dies

04/07/97                         229

04/08/97                         231

04/09/97                         241

04/13/97                         245

04/20/97                         Rod Anstee's Estate Saga Post

04/24/97                         Gerry Nicosia joins the list

04/26/97                         226

04/30/97                         214

05/01/97                         212

05/02/97                         203

05/03/97                         200

05/04/97                         205

05/05/97                         211

05/07/97                         207

05/11/97                         210

05/14/97                         205

05/16/97                         207

05/23/97                         202

05/24/97                         200

05/25/97                         193   Memorial Day Weekend

05/26/97                         194

05/27/97                         193

05/28/97                         186   The Big Sign-Off

 

 

What this tells me is despite the fact that a few people signed off

temporarily in protest we are not in danger of destroying this list.  We all

know people come and go from this thing all the time.  People sign on for a

while and sign off after a day or two - happens all the time - how often do

we see a post that says "Get me oughta here"?

 

And of course we saw a big blip when AG died and after a week or two people

started unsubbing who didn't want to hang around.  And we continued to see

fluctuations and then the Big Sign Off from Monday also happened to coincide

with the Memorial Day weekend.

 

Now other than Derek and Levi I don't know who may or may not have unsubbed,

and I think we're all relatively confident those two will reappear when the

smoke has cleared.

 

 

My conclusion therefore is I do not believe the Beat-l is in any mortal

danger.  We all survived the Whitehead/Anstee war of six months ago and we'll

survive the Great Estate Debate as well.  And I venture to say there will be

more flame wars in the future over who knows what and I'll bet a dollar to

donuts we survive those as well.

 

We Will Now Return Control Of Your Televison Sets...

 

 

Jerry Cimino

=========================================================================

Date:         Thu, 29 May 1997 01:12:02 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Natalie Foster <nfoster@SOUTHWIND.NET>

Subject:      Re: Greatest Poets

 

Add William Carlos Williams??

 

natalie

 

----------

From:   Robert H. Sapp[SMTP:rhs4@CRYSTAL.PALACE.NET]

Sent:   Wednesday, May 28, 1997 9:58 PM

To:     Multiple recipients of list BEAT-L

Subject:        Greatest Poets

 

theres been mention of "Ginsberg is the greatest poet of 20th Cent." and

a suggestion that maybe Pound, Willie Wiiliams, etc...

 

Good sound insignificant FUN thread....!

 

Personally, i think the notion of A single greatest poet is self defeating.

 

Though my list of favorites, so far (in exposure, time), would include

Ginsy, Jack Kerouac, cummmmmmminnngs, Buk, Corso, Ferlinghetti, Bob

Dylan, and the list grows. . .

 

 

spilling randomness,

Eric

 

What do you get when you teach a donkey about Freud?

Ass - Id

Acid!

=========================================================================

Date:         Thu, 29 May 1997 01:50:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Naked Lunch

 

Pam:

 

Starting Naked Lunch is one thing, finishing it another.  Understanding

it, well, I don't know.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 28 May 1997 23:21:40 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      parting words

 

I'll be leaving the list for an indefinite period, but I'd like to say

that since I joined last September for the most part beat-l was

extremely beneficial to me. It reached its zenith two months ago, but

unfortunately its nadir is occuring now.

Before I leave, however:

 

Rinaldo: keep it up, you're the beetle poet laureate. Loved all yr

posts, including the floods.

 

Marie: you're the voice of reason, hope you're still here if and when I

return.

 

Jeffrey: Don't worry, I have every intention of honoring my t-shirt

promise.

 

Mr. Nicosia, Mr. Anstee, and the others involved in bringing this list

down: sure, a couple of you may be published writers, but yr constant

posturing and ego-defending has left me with a sour taste in my mouth.

You've all been acting like a bunch of babies these past few weeks. It

took a horrifiying personal tragedy today to teach me how petty yr

constant caterwauling has been.

 

Cheers to all the rest,

hope to see you all soon.

 

Adios

 

Adrien

=========================================================================

Date:         Wed, 28 May 1997 23:21:02 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      (no subject)

 

FATHER DEATH BLUES

 

Hey father death, I'm flying home

Hey poor man, you're all alone

Hey old daddy, I know where I'm going

 

Father Death, Don't cry anymore

Mama's there, underneath the floor

Brother Death, please mind the store

 

Old Aunty Death  Don't hide your bones

Old Uncle Death  I hear your groans

O Sister Death  how sweet your moans

 

O Children Deaths go breathe your breaths

Sobbing breasts'll ease your Deaths

Pain is gone, tears take the rest

 

Genius death  your art is done

Lover Death your body's gone

Father Death  I'm coming home

 

Guru Death your words are true

Teacher Death I do thank you

For inspiring me to sing this Blues

 

Buddha Death, I wake with you

Dharma Death, your mind is new

Sangha Death, we'll work it through

 

Suffering is what was born

Ignorance made me forlorn

Tearful truths I cannot scorn

 

Father Breath once more farewell

Birth you gave was no thing ill

My heart is still, as time will tell.

 

 

tearfully yrs

and with an eli eli lama lama sabachtani saxophone cry,

Adrien

=========================================================================

Date:         Thu, 29 May 1997 01:18:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      The Devil Came From Kansas

 

The Devil Came From Kansas

(music Gary Brooker/words Keith Reid)

4th cut first side of Procol Harum/A Salty Dog A&M SP 3123

1969

I.

 

The Devil came from Kansas

Where he went to, I can't say.

Though I teach, I'm not a preacher,

And I aim to stay that way.

 

There's a monkey riding on my back

Been there for some time

He says he knows me very well

And he's no friend of mine.

 

Chorus:

I'm not a humble pilgrim,

There's no need to scrap and squeeze,

Don't beg for silver paper,

When I'm trying to sell you cheap (cheese???).

 

II.

 

The Devil came from Kansas

Where he went to I can't say

And if you really are my brother

Then you better start to pray,

 

For the sins of those departed

And those about to go

There's a dark cloud above us

Don't tell me 'cause I know

 

Chorus

 

Guitar break (Robin Trower)

 

Though I never came from Kansas

Don't forget to thank the cook

Which reminds of me of my duty

I was lost but now I look

 

For the turning Kansas sign post

And the road that which you down

To that pool inside a forest

In whose water I will drown.

 

Chorus

 

More hot Trower guitar on the fade out.

 

What is a weird english wanna be poet doing writing these words in a

song about traveling in sailing vessels in the 1800's etc.

 

Wreck of the Hesperus another of the songs?

 

Weird David, if you don't have this album get it, it is great.  But this

song always annoyed me.  Like maybe it is true or something.  Though I

am sure it is another archetype.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 29 May 1997 00:49:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: What should I read?

 

Tipper,

 

I'd vote for Desolation Angels.  IMO it is Jack's best book, except for a few

others that were his best as well!

 

DA will blends well with the spirituality of Dharma Bums but also leads you

into the excitement and action similar to On The Road.  DA was the first

Kerouac Book I ever read and it's what hooked me on JK.

 

Consider too (my opinion mind you) Visions of Gerard (gentle/wonderful/holy)

Maggie Cassidy (first love;women tend to like this book). Vanity of Duluoz is

very readable for most beginners to JK.  Subterraneans and Dr. Sax are a

little more sophisticated and Visions of Cody is also Jack's best book but

you must be constantly stoned in order to be able to pay attention to it for

long periods.

 

I tend to read a few books by the same author in a row to maintain a flow

hence the pass on WSB for now.  Junky is much more readable to someone new to

Burroughs than Naked Lunch IMO.

 

Dig in and enjoy!

 

 

Jerry Cimino

Fog City Facts & Fiction

1-800-KER-OUAC

www.kerouac.com

=========================================================================

Date:         Wed, 28 May 1997 21:48:17 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: re-Jan's funeral

 

At 03:41 PM 5/28/97 -0600, you wrote:

>Gerry Nicosia wrote:

> 

><I've been cut out of Jan's burial, just as I have been cut out of a lot of

><things in the last few years. . . .  As for me, I guess I'll sneak in

>someday <when all the furor and hatred have passed, and pay my respects

>too.

><Say a prayer for Jan for me that day, will you? Best, Gerry Nicosia

> 

>It is sad and now sarodically comic that Mr. Nicosia has been cut out of

>Jan's funeral, but one imagines Hamlet and Laertes (Sampas as Polonius?)

>leaping into Ophelia's grave and dueling there over her reputation and

>estate.  Alas, poor Yorick!  We've come to know him well.  // John M.

> 

 

        Where I come from, they used to consider joking about the dead in

bad taste.

 

                                                        -- GMN

=========================================================================

Date:         Thu, 29 May 1997 00:36:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: how annoying some of these whiny people are!

 

R. Bentz Kirby wrote:

 

> James Stauffer wrote:

> 

> > Diane wrote

> >

> >  my vote is in there for Allen Ginsberg.  He was by far

> > > >the greatest poet of the twentieth century

> >

> > Another one who loves Allen, but greater than Pound, greater than

> > Williams, etc-?-I'm not ready to go nearly that far, would love to

> see

> > a

> > defense of that one.  The greatest poet of a century is a pretty

> tall

> > order, and I have only mentioned writers working in English.

> >

> > James>

> 

>  TS Eliot is the best this Century.  I mean the Allman Brothers named

> the album that they dedicated to Duane EAT A PEACH.

> 

>     And indeed there will be time

> To wonder, 'Do I dare?' and, 'Do I dare?'

> Time to turn back and descend the stair,

> With a bald spot in the middle of my hair --

> (They will say: 'How his hair is growing thin!')

> My morning coat, my collar mounting firmly to the chin,

> My necktie rich and modest, but asserted with a simple pin --

> (They will say: 'But how his arms and legs are thin!')

> Do I dare

> Disturb the universe?

> In a minute there is time

> For decisions and revisions which a minute will reverse.

> 

>     For I have known them all already, known them all --

> Have known the evenings, mornings, afternoons,

> I have measured out my life with coffee spoons;

> I know the voices dying with a dying fall

> Beneath the music from a farther room,

>     So how should I presume?

> 

> ............

> 

> I am no prophet -- and here's no great matter;

> I have seen the moment of my greatness flicker,

> And I have seen the eternal Footman hold my coat, and snicker,

> And in short, I was afraid.

> 

> ...........................

> 

>     I grow old...I grow old...

> I shall wear the bottom of my trousers rolled.

> 

>     Shall I part my hair behind?  Do I dare to eat a peach?

> 

> .........................

> 

> We have lingered in the chambers of the sea

> By sea-girls wreathed with seaweed red and brown

> Till human voices wake us, and we drown.

> 

> >From the Love Song of J. Alfred Prufrock, 1917

> T.S. Eliot

> 

> My they will say

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 29 May 1997 00:07:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Do what is right

 

This ain't no poem

This ain't no ode

It ain't the greatest

Story to be told

 

But if the funeral is dere

Invite her friends

Even if dey is

sickening you

 

do the right thing

bring love to the world

its only a body

its not the girl

 

do the right thing

bring love to the world

open yer heart

else nothing gets in

 

in the end, in the light

whether we like it

or not, our dharma is waiting

did you do right

 

or did ya just hang on

to yr worldly passions

heaven or hell

yr actions tell

 

it ain't no prize

to be one

its just when its over

was the right thing done

 

Do it Do it do do do do do do it!

 

Yeah!!!!!!!

 

Peace and love,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 28 May 1997 21:08:31 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: A quickie question

 

At 07:09 PM 5/28/97 -0400, you wrote:

>> alright, I'm new here and basically new to Beat so this may be a stupid

>> question, but I was reading the portable Beat reader and an excerpt from

>> junk had a character named Jack that killed somebody with a pipe and a

>> faucet. Is that Mr. Kerouac?

> 

> 

>        I think that he beat some poor guy to deat with a musical instrument or

>something... I can't remember which book I saw that in.  Maybe The town and

>the city or a biography or something.  But it was more of a hint and then

>nothing else...

 

No.

 

This story would be referring to him and a bunch of football players drunk

and hitting some guy with his violin.

=========================================================================

Date:         Thu, 29 May 1997 00:00:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Could be worse

 

A beat is ill.  Bob Dylan is reported to have suffered a heart attack.

The Dylan list says it is an infection in the lining of  the heart which

can be fatal.

 

Your prayers should be gifted to him, if you choose to send him Love.

 

We just lost Allen, no need to lose another this soon.

 

And is the Never Ending Tour ending?

 

That there is and there ain't no more,

If you want any more, you got to sing it yerself.

 

Peace, and best to Bob,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 28 May 1997 23:33:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

>In a message dated 97-05-28 10:43:28 EDT, you write:

> 

><<  driving up from Corning, NY - Finger Lakes, NY through

> Oneonta, Schenectedy/Albany etc. >>

> 

>Michael,

>You must be backtrailing the old Mohawk Trail.

>Pam Plymell

>Cherry Valley

 

Pam,

>From home, Wheeler Hill (north of Corning, 32 mi., near 2,000' high) follow

the Susquehanna watershed for 160 miles or so, downstream Conhocton River,

upstream Susquehanna. Mostly Seneca territory in the hills of southern New

York State (political boundaries so often completely disregarding natural

boundaries).Then into Mohawk trail country for a bit. Cherry Valley part of

Mohawk drainage, isn't it?

 

Ah, the heart always races a bit faster when heading north.  In any event,

the creativity, poetry, sharing of selves through the written/spoken word

always exciting in new territory.

 

I'll be in Gloversville, NY 10th and 11th of June, reading with Rhonda

Morton at coffeeshop and also young writers workshop/reading. How far's

that from CV?

 

Michael

=========================================================================

Date:         Wed, 28 May 1997 23:23:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: T-shirts

 

In a message dated 97-05-28 20:32:18 EDT, you write:

 

<< 

 >>

Dear Jeff:

 

Jeremy said it for many of us - keep the t-shirts coming!  And, although I

have failed to say it before --- thank you for going through the work

regarding the shirts.

 

Dawn

=========================================================================

Date:         Wed, 28 May 1997 23:32:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Some of the Dharma

 

Hi all....Some of the Dharama...according to an advance uncorrected proof I

saw will be approx. 350 -400 pages in small print, hardcover, and ina

typeset facsimile of Jack Kerouac's exact notebook and journal jottings. It

has an unpublished photo of him on the cover. It will reveal Kerouac to be

what Allen Ginsber said, "a brilliant, intuitive Buddhist scholar." It will

be out in early September.

    Did you know Jack has a novel-length manuscript written in French called

"The Night Is My Woman"? It will be published one day when it is fully

translated.

    He also considered Vladimir Nabokov the "world's greatest, living

writer" according to his inscribed copy of Lolita.

    There will be an "official" biography of Jack Kerouac.

    All the notebooks of Jack Kerouac will be published together.

                                      Regards to all, Paul of The Kerouac

Quarterly

                             Vol. I, No. 2 coming soon.....

=========================================================================

Date:         Wed, 28 May 1997 22:09:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Diane Carter wrote:

> 

> RACE --- wrote:

> >

> > my votes, as if anyone cares, are as follows

> >

> > tie for first - burroughs and neal.

> >

> > tie for third - ginsberg and kerouac

> >

> > fifth - corso

> >

> > tie for sixth - everyone else.

> >

> > it seems to me from the little i've gathered so far that burroughs was

> > the intellectual and anthropological force and neal was the motion and

> > go go go behind everything else.

> >

> > just my wooden nickel

> >

> > david rhaesa

> 

> Given your list, I'm curious to find out, in terms of writing produced,

> how you think the works of the others would have turned out, if they had

> never met Neal.

> 

> DC

 

impossible to guess.  they probably would have been Wall Street Lawyers

without Neal and/or Burroughs.... :)

 

seems like that long letter from Neal showed them how they wanted to

write.

 

kerouac's famous novel would be "On the Campus" a tale about Columbia

and Morningside Park  .... :)

=========================================================================

Date:         Thu, 29 May 1997 09:53:40 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: how annoying some of these whiny people are!

In-Reply-To:  Message of Wed, 28 May 1997 23:34:45 -0700 from

              <dcarter@TOGETHER.NET>

 

Diane, I couldn't agree more with your eloquent post.  I think you

should send a copy to Hilton Kramer.

=========================================================================

Date:         Thu, 29 May 1997 10:06:48 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: Guidelines for Discourse-Sad day for beat-l

 

David O says the manuscript of William Burroughs Jr is pretty choppy and

fragmented but contains poems and drawings too. David Ohle (author of MOTORMAN)

will edit as best he can and take it from there. Will keep you posted. John

Giorno is coming into town tonight in the meanwhile.

 

Dave B.

=========================================================================

Date:         Thu, 29 May 1997 10:51:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: What should I read?

 

READ :

THE PLACE OF DEAD ROADS

THE WESTERN LANDS (especially this one)

by William S Burroughs.  they are, in my opinion, his best.  they're like

candy for your brain...i read them over and over and over and never wanted

them to end.  If youve already read them, ignore this, but if you haven't,

i'm very jealous of you cause you got the best read of your life ahead of

you.

=========================================================================

Date:         Thu, 29 May 1997 10:54:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Could be worse

 

At 12:00 AM 5/29/97 -0400, R. Bentz Kirby wrote:

 

>A beat is ill.  Bob Dylan is reported to have suffered a

>heart attack. The Dylan list says it is an infection in the

>lining of  the heart which can be fatal.

 

Not a heart attack from my sources.  Histioplasmosis is the

diagnosis (an infection that can be fatal if not treated in time).

A fungal infection of the sac surrounding the heart.  I've

heard that there is a pretty good chance of

turn around, although it may take months.  I believe this

can be treated with antibiotics (intravenous), and if

worse comes to worse, surgery.  Who knows the real story

besides the man himself, we know how secretive he can

be!!  I say, Bob rest up and get better, scrap the August

N. American tour and take advantage of your down time

to get better.

 

Mike

=========================================================================

Date:         Thu, 29 May 1997 10:05:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Could be worse

 

M. Cakebread wrote:

> 

> At 12:00 AM 5/29/97 -0400, R. Bentz Kirby wrote:

> 

> >A beat is ill.  Bob Dylan is reported to have suffered a

> >heart attack. The Dylan list says it is an infection in the

> >lining of  the heart which can be fatal.

> 

> Not a heart attack from my sources.  Histioplasmosis is the

> diagnosis (an infection that can be fatal if not treated in time).

> A fungal infection of the sac surrounding the heart.  I've

> heard that there is a pretty good chance of

> turn around, although it may take months.  I believe this

> can be treated with antibiotics (intravenous), and if

> worse comes to worse, surgery.  Who knows the real story

> besides the man himself, we know how secretive he can

> be!!  I say, Bob rest up and get better, scrap the August

> N. American tour and take advantage of your down time

> to get better.

> 

> Mike

 

i just heard that the illness can be 'caught' from the air in Tennessee

where Bob played not too long ago.  I'm serious - that's what i heard.

i think the friend said it is in today's USA TODAY.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 29 May 1997 11:06:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      good byes

In-Reply-To:  <338CFF51.A9D8A480@scsn.net>

 

what a long strange trip its been:

 

timlearyjerrygarciaallenginsberg.

 

bob, if at all possible, could you stick around for a while more with us?

 

mc

=========================================================================

Date:         Thu, 29 May 1997 11:14:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: how annoying some of these whiny people are!

 

In a message dated 97-05-29 11:00:35 EDT, you write:

 

<< 

 kerouac's famous novel would be "On the Campus" a tale about Columbia

 and Morningside Park  .... :)

  >>

while we're on that track...Burroughs' would be "Sunday Brunch", set in the

College Inn, a diner on Broadway with really greasy food and lots of roaches,

of course.

 

Ginsberg's...."Scowl", about haughty ivy league kids trying to out-cool each

other, walking around campus looking down their noses at each other in

disdain.

=========================================================================

Date:         Thu, 29 May 1997 10:20:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The Devil Came From Kansas

 

R. Bentz Kirby wrote:

> 

> The Devil Came From Kansas

> The Devil came from Kansas

> The Devil came from Kansas

> Though I never came from Kansas

> For the turning Kansas sign post

 

> Weird David,  this song always annoyed me.  Like maybe it is true or

 something.  Though I am sure it is another archetype.

 

and what makes you think that archetypes aren't true?

wonder what vision of Kansas they have here in writing this.

Maybe it's the old John Brown legend.  A few thought of him as Devil.

Others thought other-wise.

always likes "some say i got devil, some say i got angel" by melanie

myself.

if the guitar solo includes a patch of "Home on the Range" and

sunflowers spontaneously grow in your garden while listening to it, then

the song is definitely TRUE.

 

david rhaesa

salina, Kansas

> 

=========================================================================

Date:         Thu, 29 May 1997 11:22:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      No Subject hah

 

took off my opened the door coat bathroom ran the to before i could close it

I----was panting ripped it bag fast open as i cooked could spoon black

there's death in safety, safety in death, said she with a look of horrified

comprehension as it hit home and she gave one last flicker like a tv set that

just turned off.

 

The smell of charcoal and warm molasses.  the bitter taste of blood mixed

with rubbing alcohol, licked off my arm.  Regrets of a typewriter and

Brooklyn days.  Chaos is not to be fucked with, I'm afraid.  for what dreams

may come? I dreamed something was chasing me, no--I was chasing it.  No.

Something was chasing me. No.

You can never go back. They say it and it's true. The hard way. Can you live

with that? Did you know no one can see the same as you? Was that part of the

bargain? I don't think so. I've been had.   Eternal longing for the present

to remain so. Nostalgia for what is, or never was.  Do you wanna slap me? No,

go ahead, I want you to.

 

In other words, everything is familiar to me....everything is similar.  Not

similar to, just similar.  All i can say is thank god everything in this

world is connected in this way, or i'd have nothing to live for.  A

"connections explorer", discovering neural pathways no man woman or dog has

ever before sent synapses across.  micro/macro-scopic vision simultaneously.

 Now i'm fighting for the most insane thing i could think of, which is to

think.

 

Please, god, don't leave me now.

 

 

>I think wsb explored further and deeper the limits of what can be done with

>words....he manipulated them and juxtaposed them to create new associative

>pathways, not just poetry but Original Thought.  Although I like the poetry

>of the other beats, it's their prose i find less-than-satisfying.  Somehow

it

>doesn't make my synapses snap, crackle and pop like Burroughs' does.

> Although I enjoy the "moods" of Kerouac and Ginsberg, (sad, nostalgic,

>despairing, ironic, gleeful, etc.) I prefer the biting sarcasm and

>intersecting plateaus of humor, disgust, bitterness, futility and hope in

>Burroughs' work.   Not to mention the intellectual stimulation i get from

>reading him, which ultimately, inevitably, climaxes into a physical

expulsion

>of words/paintings/music by me......

=========================================================================

Date:         Thu, 29 May 1997 10:23:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Maya Gorton wrote:

> 

> In a message dated 97-05-29 11:00:35 EDT, you write:

> 

> <<

>  kerouac's famous novel would be "On the Campus" a tale about Columbia

>  and Morningside Park  .... :)

>   >>

> while we're on that track...Burroughs' would be "Sunday Brunch", set in the

> College Inn, a diner on Broadway with really greasy food and lots of roaches,

> of course.

 

Is this the Diner a few blocks southwest of Columbia?  The Suzanne Vega

song about Tom's Diner describes the one i'm thinking about perfectly as

well.

> 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 29 May 1997 11:44:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      For Bill Gargan

 

Bill,

 

Could you contact me off list by e-mail.  I don't have your email address

and there's no point in carrying this out on list.

 

many thanks,

 

Bruce Hartman

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Thu, 29 May 1997 10:50:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: No Subject hah

 

Maya Gorton wrote:

> 

 

wonderful passage provided.  i took the liberty of some linear

restructuring in the first paragraph for those who need it - but of

course - the situation being described is far beyond linear and the

confusion so profound that the mixing of the words actually makes the

most sense.  also a few random cheers from the choir thrown in

parenthetically.

 

 

opened the door/took off my coat/ran to the bathroom before i could

close it (the door not the coat)

> I----was panting/ I----ripped bag open fast/

as it cooked i could spoon black/

"there's death in safety, safety in death," said she with a look of

horrified comprehension as it (not the comprehension) hit home and she

gave one last flicker like a tv set that just turned off.

> 

> The smell of charcoal and warm molasses.  the bitter taste of blood mixed with

 rubbing alcohol, licked off my arm.  Regrets of a typewriter and Brooklyn days.

  Chaos is not to be fucked with, I'm afraid.  for what dreams may come? I

 dreamed something was chasing me, no--I was chasing it.  No. Something was

 chasing me. No.

 

(incredible - he could have just set something like "she was confused")

 

> You can never go back. They say it and it's true. The hard way. Can you live

 with that? Did you know no one can see the same as you? Was that part of the

 bargain? I don't think so. I've been had.

 

(who hasn't felt this thought?)

 

Eternal longing for the present to remain so. Nostalgia for what is, or

never was.

 

(another universal feeling)

 

Do you wanna slap me? No, go ahead, I want you to.

 

(damn funny)

> 

> In other words, everything is familiar to me....everything is similar.  Not

 similar to, just similar.

 

(he is way ahead of the postmodernists right here)

 

All i can say is thank god everything in this world is connected in this

way, or i'd have nothing to live for.  A "connections explorer",

discovering neural pathways no man woman or dog has ever before sent

synapses across.  micro/macro-scopic vision simultaneously.

 

(this provides a great clue in to "how" to read burroughs)

 

>  Now i'm fighting for the most insane thing i could think of, which is to

 think.

 

 Please, god, don't leave me now.

> 

=========================================================================

Date:         Thu, 29 May 1997 12:14:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Could be worse

 

At 10:05 AM 5/29/97 -0500, david rhaesa wrote:

 

>i just heard that the illness can be 'caught' from the air in Tennessee

>where Bob played not too long ago.  I'm serious - that's what i heard.

>i think the friend said it is in today's USA TODAY.

 

I believe you can also carry the infection for years before it

sufaces and becomes serious.  Not to say this is the case,

maybe he did get it while in the Indiana, Tennessee area?

 

Mike

=========================================================================

Date:         Thu, 29 May 1997 12:16:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: T-shirts

 

In a message dated 97-05-29 09:48:34 EDT, you write:

 

<< Dear Jeff:

 

 Jeremy said it for many of us - keep the t-shirts coming!  And, although I

 have failed to say it before --- thank you for going through the work

 regarding the shirts.

 

 Dawn

  >>

 

Dawn: Thanks for your vote of confidence...

 

Here's the latest news for all you Beat-L supporters and well-mannered polite

members of Klub Kerouac:

 

The S. Clay Wilson artwork for the shirt is completed and the shirts are

being silkscreened now out in Oakland, California (giving the shirts a "Bay

Area/San Francisco" birthplace)...

 

S. Clay Wilson, well-reknowned for his work with R. Crumb and other

underground cartoonists on ZAP comix, is a very detailed, meticulous

arteeeste but I must say that working with him on this project has been a

real pleasure....If you get a chance, check out his other stuff that's

available...

 

The Beat-L T-shirt shows a bearded and beret-headed old poet selling poems

for spare change...a college coed/librarian type drops a coin in the tin cup

as the Beat poet's heart flutters at her bountiful sight...The coed imagines

a falling leaf as "sheer poetry" - a nice take-off on R. Crumb's famous image

of a Ginsberg-type guy standing in a tenement NYC neighborhood watching a

leaf fall through the air, thinking, "This to me is sheer poetry." (the Crumb

image was used on the cover of

Art Spiegelman/Bill Griffith's ARCADE a looong time ago and the image was

recently

re-issued on a Crumb signed/numbered silkscreen print) - WHOA - back to the

subject,Jeffrey - you're floating away (again!) -

 

Anyway, that's the Beat-L T-shirt image.....The "Beat-L" name is highlighted

across the background and below the spare change endowed Beat poet, there's

the address for the Beat-L so passers-by who see your shirt will run home and

join the list!

There's even a nice note of recognition to Brooklyn College (a tip of the

beret to William Gargan for putting up with all our BS recently!) -

 

The T-shirt is available in sizes Large - Extra Large - and Extra Extra

Large.

The shirt is the best quality available 100% cotton Fruit of the Loom

preshrunk.

Black ink on gorgeous light blue (as of press time today)...

 

I promised to make the shirt available to Beat-L members at my cost and so I

shall...

Since I had made only a few hundred rather than thousands of shirts...the

price to have them made was higher than I originally thought. I paid S. Clay

Wilson $1000.00

to do the project and there were miscellaneous set-up charges at the T-shirt

printers. But with the help of Bruce Hilvitz at Oink! Design in San Francisco

(co-owner of SF's "Scairy Hairy Toy Company" (check out their web page for

great handmade toys and other cooool stuff: www.scairyhairy.com), everything

has been fun- in fact to answer Zippy the Pinhead: "Yes, we are having fun

(yet)".

With shipping to all the dark corners of the globe in a sturdy

label-addressed

postage affixed mailing bag - the grand total for this fabulous Beat-L

T-shirt is

only $18.00 (no tax/no handling/no hidden charges) -

As usual, Water Row Books stands behind this T-shirt with the Water Row

"satisfaction guranteed" guarantee. Master Card/Visa/Check/Money Order

accepted.

Don't forget t ell me what size you desire (L-XL-XXL)...

The shirts will be ready to ship in about 2-3 weeks...

Foreign folks: if you want your shirts shipped air mail, please add $5.00.

I'll pay the way for surface mail if you don't mind waiting a month to

receive your order...

 

I have posted the artwork for the shirt on the web for you all to check

out...

Please remember that no computer screen scanned image can do justice to

Wilson's glorious use of tone, depth,and shading...His stuff is chock full of

detail and very intense!!! The web page will give you some ides of the

image...This shirt is awesome!!!

 

I am in the process of  building a Water Row web site but in the meanwhile,

here's the temporary addresses to check out the shirt and some other Beat

stuff:

 

The Beat-L T-Shirt Site: http://shell6.ba.best.com/~waterrow/beatl.html/

 

Other Water Row Beat T-shirts:

http://shell6.ba.best.com/~waterrow/shirtpage/html/

 

Water Row Press Beat Books In Print:

http://shell6.ba.best.com/~waterrow/inprint.html/

 

I hope all these addresses work...If not, blame it on Bruce Hilvitz (Web

Mashugana)..

 

Oh - one more thing: Sources tell me that Charlie Plymell, resident Beat-L

poet and auteur extrodinaire, was the model for the Beat poet on Beat-L

shirt!

 

Later, Daddy (and Mommy) -'Os

 

Jeffrey H. Weinberg

Water Row Books

PO Box 438

Sudbury MA 01776

Tel 508-485-8515

Fax 508-229-0885

EMail Waterrow@aol.com

=========================================================================

Date:         Thu, 29 May 1997 11:17:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: Could be worse

In-Reply-To:  <338D9B29.4E27@midusa.net>

 

On Thu, 29 May 1997, RACE --- wrote:

 

> > Not a heart attack from my sources.  Histioplasmosis is the

> > diagnosis (an infection that can be fatal if not treated in time).

> 

> i just heard that the illness can be 'caught' from the air in Tennessee

> where Bob played not too long ago.  I'm serious - that's what i heard.

 

ACK! I hope not.....!

 

Jeff Taylor

nashville, tennessee

=========================================================================

Date:         Thu, 29 May 1997 18:30:47 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nils-Xivind Haagensen <Nils-Oivind.Haagensen@LILI.UIB.NO>

Subject:      my definition...

 

I'm not beat

I just can't sleep

 

nh

=========================================================================

Date:         Thu, 29 May 1997 12:36:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: The Devil Came From Kansas

 

RACE --- wrote:

 

> R. Bentz Kirby wrote:

> >

> > The Devil Came From Kansas

> > The Devil came from Kansas

> > The Devil came from Kansas

> > Though I never came from Kansas

> > For the turning Kansas sign post

> 

> > Weird David,  this song always annoyed me.  Like maybe it is true or

> 

>  something.  Though I am sure it is another archetype.

> 

> and what makes you think that archetypes aren't true?

> wonder what vision of Kansas they have here in writing this.

> Maybe it's the old John Brown legend.  A few thought of him as Devil.

> Others thought other-wise.

> always likes "some say i got devil, some say i got angel" by melanie

> myself.

> if the guitar solo includes a patch of "Home on the Range" and

> sunflowers spontaneously grow in your garden while listening to it,

> then

> the song is definitely TRUE.

> 

> david rhaesa

> salina, Kansas

> >

 

 Race:

 

By true, I meant, maybe the Devil really did come from Kansas.

 

Otherwise it is an archetype vision that is true in another way as we

only see the shadows on the wall of the cave, not the true light.

 

Peace,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 29 May 1997 17:36:37 BST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Thomas Harberd <T.E.Harberd@UEA.AC.UK>

Subject:      Re: What should I read?

 

On Thu, 29 May 1997 10:51:10 -0400 Maya Gorton wrote:

 

> READ :

> THE PLACE OF DEAD ROADS

> THE WESTERN LANDS (especially this one)

 

I think TWL is the book where all Burrough's previous ideas

and iconography come together.  Having worked my way through

the whole canon, it was an amazing feeling to see it all

come together, not only as repetition, but as expanded

discourse.

Try Ghost of Chance as well, because it's brilliant.

 

Tom. H.

http://www.uea.ac.uk/~w9624759

"When the going gets weird, the weird turn pro."

=========================================================================

Date:         Thu, 29 May 1997 12:52:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dixon Edmiston <DIXCIN@AOL.COM>

Subject:      Re: annoying

 

Yo, Bentz:

    I concur wholeheartedly with your choice of Mr. Eliot, as much as I love

Allen, and Gary, and Lew, and Philip, and WCW, and cummings,etc.

 

Scuttling along in Altoona,

Dixon

=========================================================================

Date:         Thu, 29 May 1997 12:40:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rodgers <Rodgers@TRACOR-A4.CCMAIL.VITRO.COM>

Subject:      News Update

 

                                (A SATIRE)

 

     Anchor:  We will now go to Ron Rodgers who is standing by inside the

     House of Beat-l.

 

     RR:  I am standing in the middle of the kitchen area that can be

     described as hot..DAMN HOT.  In fact it feels hotter than the hinges

     on the gates to hell.  It is a very chaotic scene as beat-l members

     who cannot take this intense heat line up to jump out of the window;

     plunging into the wading pool seven stories below.  We have identified

     one of the jumpers as Levon Cash, a renown news "beat" reporter. So

     far a dozen or so have left the kitchen, and I will try to identify

     them and others as this story progresses.  I have just been informed

     that two..no three... more have left.

 

     Anchor:  What about the orgin of the kitchen fire, and are there any

     suspects?

 

     RR:  Apparently the flames started in April and have continued to

     blaze.  Officials say this is what is classified as a "carbon" fire.

     This phenomenon occurs under idel conditions when bond paper touches

     exposed carbon paper.  City service squads are on the look out four

     suspects.  They are John Grand, Harold Nickels, Bill Shaloo, and Ron

     Friendly.  Federal authorities may be brought in to round up others.

 

     Anchor:  Ron, what are authorities doing to calm the flames?

 

     RR: Firefighter Bill (Gartland) has bravely but vainly attempted to

     provide a voice of reason to extinguish these flames.  There is also a

     volunteer core of members assisting Firefighter Bill.  The

     Extinguishing Crew is attired in asbestos lined T-shirts designed by

     T. Mudd Winslow.  Across the front of the shirt is the slogan

     REMEMBER RON BONEWHEEL. These shirts were shipped free to the crew

     courtesy of Gary Lineberger from Air-Row Press.

 

     Anchor:  We are going to break in now, as this story has reached

     overseas.  Here is our italian correspondent Sergio Pistone.

 

     SP:   quid

                       skhgvu

                                not

     loenvhfy   can     satisfy         clomdy'

 

     urges d    k

 

     b  k       tldi

                        heotur

                                rlskvnhgu

                                        tlnmbndieurbfg

 

     Anchor:  Thank you Sergio.  Ron, do you fear for your safety?

 

     RR:  No, and I'll be honest with you, it's like the facination one has

     with a train wreck or America's Most Tragic Events Captured on Video.

     And frankly this is what I get paid to do.

 

     Anchor:  Any plans of leaving?

 

     RR:  No way.  I'm here until the end. By the way, the flames do seem

     to be a bit more under control at this time, but no one is willing to

     speculate how long this will last.

     Reporting from the middle of the Beat-l kitchen, Ron Rodgers.

=========================================================================

Date:         Thu, 29 May 1997 12:12:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NIGON <Mark_Nigon@MAIL.CAMPBELL-MITHUN.COM>

Subject:      News Update -Reply

 

HHHAAAAAAA!!

 

SFX:  LAUGHTER AND APPLAUSE COUPLED WITH COUGHING.

 

VOICE OFF CAMERA:  "I gotta quit smoking..."

 

This made my dreary day quite a bit brighter.

 

Thanks,

 

-Mark

=========================================================================

Date:         Thu, 29 May 1997 12:06:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: News Update

 

Rodgers wrote:

> patricia howled, this is the first posting i printed & planned to frame

patricia

> 

=========================================================================

Date:         Thu, 29 May 1997 13:14:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: how annoying some of these whiny people are!

 

In a message dated 97-05-29 12:43:05 EDT, you write:

 

<< 

 Maya Gorton wrote:

 >

 > In a message dated 97-05-29 11:00:35 EDT, you write:

 >

 > <<

 >  kerouac's famous novel would be "On the Campus" a tale about Columbia

 >  and Morningside Park  .... :)

 >   >>

 > while we're on that track...Burroughs' would be "Sunday Brunch", set in

the

 > College Inn, a diner on Broadway with really greasy food and lots of

roaches,

 > of course.

 

 Is this the Diner a few blocks southwest of Columbia?  The Suzanne Vega

 song about Tom's Diner describes the one i'm thinking about perfectly as

 well.

 >

 david rhaesa

 salina, Kansas >>

 

Yeah, it's a much greasier and more interesting diner than Tom's.  I was once

studying for exams there and the old bearded man sitting in the booth next to

mine was talking to a stuffed animal which he had seated on the bench across

from him.  he proceeded to tell me the story of the stuffed animal's life,

from it's purchase to it's fate as a gift to his mother's gynecologist. Don't

ask me. But I was glad for the distraction from my studies, as always.  Then

the guy whips out this jewelry case and starts to examine something inside it

with one of those werid magnifying glasses diamond-cutters wear.  I was

curious, so i discreetly slipped behind him as if i was going towards the

bathroom so i could get a better view of whatever was inside the case.

.......And guess what it was?????

Can anyone guess? I'll give you a prize for the correct answer, or the best

and most creative answer.  the prize is: my respect. So I'll be hearing from

you.

=========================================================================

Date:         Thu, 29 May 1997 13:08:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@BUCHENROTH.COM>

Organization: Buchenroth Publishing co

Subject:      Web Pages

Comments: To: waterrow@aol.com

 

Jeff:

I went to your BeatL and shirtpage sites. I couldn't get the images to

load until I deleted the / at the end of the URL (.html/ changed to

.html) and reloaded the URL. Then the images loaded nicely.

 

Charles looks like a lion, or otherwise an extremely hep cat! Charles

defines "hepness," (to put it in less than E-prime, Charles is hepness),

so it fits. Superb concept from start to near finish! I will buy two of

'em. Fantastic job! It just can't get much better than this...

 

Thanks!

Michael L. Buchenroth

=========================================================================

Date:         Thu, 29 May 1997 12:20:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NIGON <Mark_Nigon@MAIL.CAMPBELL-MITHUN.COM>

Subject:      News Update -Reply

 

Hey Beat-L,

 

Rodgers - I have to say that after all the fighting, arguing, pleading,

apologizing, words and wishes, I found your News Report quite

refreshing!  Broke me out of my workaday trance and made me hesitate

while trigger finger rested on delete key.  Will there be another???

 

-Mark

 

MARK_NIGON@MAIL.CAMPBELL-MITHUN.COM

 

>>> Rodgers <Rodgers@TRACOR-A4.CCMAIL.VITRO.COM> 05/29/97 11:40am >>>

                                (A SATIRE)

 

     Anchor:  We will now go to Ron Rodgers who is standing by inside

the

     House of Beat-l.

 

     RR:  I am standing in the middle of the kitchen area that can be

     described as hot..DAMN HOT.  In fact it feels hotter than the

hinges

     on the gates to hell.  It is a very chaotic scene as beat-l members

     who cannot take this intense heat line up to jump out of the

window;

     plunging into the wading pool seven stories below.  We have

identified

     one of the jumpers as Levon Cash, a renown news "beat" reporter. So

     far a dozen or so have left the kitchen, and I will try to identify

     them and others as this story progresses.  I have just been

informed

     that two..no three... more have left.

 

     Anchor:  What about the orgin of the kitchen fire, and are there

any

     suspects?

 

     RR:  Apparently the flames started in April and have continued to

     blaze.  Officials say this is what is classified as a "carbon"

fire.

     This phenomenon occurs under idel conditions when bond paper

touches

     exposed carbon paper.  City service squads are on the look out four

     suspects.  They are John Grand, Harold Nickels, Bill Shaloo, and

Ron

     Friendly.  Federal authorities may be brought in to round up

others.

 

     Anchor:  Ron, what are authorities doing to calm the flames?

 

     RR: Firefighter Bill (Gartland) has bravely but vainly attempted to

     provide a voice of reason to extinguish these flames.  There is

also a

     volunteer core of members assisting Firefighter Bill.  The

     Extinguishing Crew is attired in asbestos lined T-shirts designed

by

     T. Mudd Winslow.  Across the front of the shirt is the slogan

     REMEMBER RON BONEWHEEL. These shirts were shipped free to the crew

     courtesy of Gary Lineberger from Air-Row Press.

 

     Anchor:  We are going to break in now, as this story has reached

     overseas.  Here is our italian correspondent Sergio Pistone.

 

     SP:   quid

                       skhgvu

                                not

     loenvhfy   can     satisfy         clomdy'

 

     urges d    k

 

     b  k       tldi

                        heotur

                                rlskvnhgu

                                        tlnmbndieurbfg

 

     Anchor:  Thank you Sergio.  Ron, do you fear for your safety?

 

     RR:  No, and I'll be honest with you, it's like the facination one

has

     with a train wreck or America's Most Tragic Events Captured on

Video.

     And frankly this is what I get paid to do.

 

     Anchor:  Any plans of leaving?

 

     RR:  No way.  I'm here until the end. By the way, the flames do

seem

     to be a bit more under control at this time, but no one is willing

to

     speculate how long this will last.

     Reporting from the middle of the Beat-l kitchen, Ron Rodgers.

=========================================================================

Date:         Thu, 29 May 1997 12:27:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: This List is Stong

In-Reply-To:  <970529024333_1558462326@emout18.mail.aol.com>

 

I agree Jerry. The list is strong and continues to provide information.

Exchanges got a little heated, and although my position on the archives of

the likes of JK, AG and others is well known,  I don't take anything

personally. Age helps.

 

I'm troubled by people seeming to blame Nicosia for the conflicts, but a

careful reading of the posts shows that he has provided much information.

Yes, he does get stressed and makes demands, but if his responses can be

understood, considering the accusatioons and his position as a Kerouac

scholar and friend to Jan.  I'm familiar with the time and money nicosia

has provided Jan, not from Nicosia, but from Jan Keroauc personally.

Nicosia was her most trusted friend. I'd planned on giving her a couple of

months of my time as a secretary--just taking dictation. Her inability to

see well enough to write--to work at a keyboard--caused her much distress.

 

I've not been with the list long enough to speak about the past. I see

these flare-ups as raising individual temperatures, but the material that

keeps the Beat juices flowing is the steady  flow of questions, answers,

comments, humor, history and the incredible insights provided by members.

 

j grant

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Thu, 29 May 1997 12:27:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Web Pages

 

Michael L. Buchenroth wrote:

> 

> Jeff:

> I went to your BeatL and shirtpage sites. I couldn't get the images to

> load until I deleted the / at the end of the URL (.html/ changed to

> .html) and reloaded the URL. Then the images loaded nicely.

> 

> Charles looks like a lion, or otherwise an extremely hep cat! Charles

> defines "hepness," (to put it in less than E-prime, Charles is hepness),

> so it fits. Superb concept from start to near finish! I will buy two of

> 'em. Fantastic job! It just can't get much better than this...

> 

> Thanks!

> Michael L. Buchenroth

 

What a great day it is,  thanks the suggestion worked  for me and me i

saw. loved it but i am such a fanafan of s clay so thanksjeff, charly, s

clay allen nice lady.

=========================================================================

Date:         Thu, 29 May 1997 13:56:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul McDonald, TeleReference LA, Main Info Services"

              <PAUL@LOUISVILLE.LIB.KY.US>

Subject:      Re: Could be worse

 

Paul Harvey, a notorious closet Dylan Fan, reported Dylan's illness on his

news show today and mentioned that Dylan has been all over the world and he

could have picked it up anywhere.

 

I spoke to Ramblin' Jack Elliott last August and he said Dylan had not been

drinking much anymore, and when I saw him in August of '94 he looked slimmed

down and sober for a change.  He gave a couple of shows in Louisville

previously to that one that left you with the impression he and bourbon (known

in Kentucky as The Breakfast of Champions) had a very unhealthy relationship

with each other.  But in '94 and again in '96 he kicked royal ass.  Press

reports are that his shows have never been better.

 

I hope he takes a break to relax and maybe get out of his son's (Jakob)

shadow.

 

In all seriousness, I love you, Bob.  I don't want yer Bud Lite, just take

care of yerself.

 

Paul McDonald

 

********************************************************************************

 

 

On Thu, 29 May 1997, RACE --- wrote:

 

> > Not a heart attack from my sources.  Histioplasmosis is the

> > diagnosis (an infection that can be fatal if not treated in time).

> 

> i just heard that the illness can be 'caught' from the air in Tennessee

> where Bob played not too long ago.  I'm serious - that's what i heard.

 

ACK! I hope not.....!

 

Jeff Taylor

nashville, tennessee

=========================================================================

Date:         Thu, 29 May 1997 12:56:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: News Update

 

...boy Ron...it's a mystery to me!

 

I'm looking at the back section of my copy of Ann Charters' biography of Sal

Paradise and I'll be damned if I can find these other names anywhere in her

identity key.

 

Well, I'll read it again....maybe it'll become obvious... I don't

know...these Beat types - you'd think they would've learned something about

clarity in writing from Joyce and the other GOOD writers they SUPPOSEDLY

were studying in school.

 

Ha! ...studying - that's another joke!

 

        Antoine

 

(schlepping off down the hall muttering and harrumphing to himself and

anyone who'll listen)

 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Thu, 29 May 1997 14:09:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: News Update

 

Hope Springs Eternal!

 

Don't know if  should be sad or glad "Gary Sillido" wasn't listed as a

"suspect".

 

Very clever, Ron Rodgers!

 

 

 

Jerry Cimino

=========================================================================

Date:         Thu, 29 May 1997 13:00:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: how annoying some of these whiny people are!

 

It was a mummified fetus from an ectopic pregnancy that his mother

experienced. Her gynecologist had correctly diagnosed and surgically removed

it. It was sitting in the case next to his mother's gall stone....

 

 

        Here's hoping - Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Thu, 29 May 1997 14:15:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tipper Quigg <quigg@INFORAMP.NET>

Subject:      Re: What should I read?

 

At 10:51  29/05/97 -0400, you wrote:

>READ :

>THE PLACE OF DEAD ROADS

>THE WESTERN LANDS (especially this one)

>by William S Burroughs.  they are, in my opinion, his best.  they're like

>candy for your brain...i read them over and over and over and never wanted

>them to end.  If youve already read them, ignore this, but if you haven't,

>i'm very jealous of you cause you got the best read of your life ahead of

>you.

> 

> 

>       Well the question was which of the books I listed should i read, but

I'll check these out...Thanx...

 

        Tipper

 

 

 

 

help the economy...buy a Neil Young album...

=========================================================================

Date:         Thu, 29 May 1997 14:37:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      drinks are on me

In-Reply-To:  <970529112211_-464271685@emout19.mail.aol.com>

 

oh what the hell.

i got up at 5am EST and downloaded mail..

and hit all news-webs, etc even resorted to tv

and then i thought i'd send good vibes bob's way

so i got all ALL the dylan stuff

oh bout 5 am or so

and with a few excusions out into the world to procure

more micro brews

i've been here

with

dylan in the

air

on the

prayers

of a (and you say impossible as he hands you a bone.. and something is

happening here and you don't know what it is.

do you

mr jones

mr rogers

mr prezidint

mr whoose

and the mrs

"ah you've been with the professors and they all like yr looks....

you're very well read its well known

but something (oh etc

do you, mr jones???

ok enough ale soaked e'missives. talk to ya later.

mc

cant stand it jerry garcia tim leary AG now bob

 

burp) well, later guys. this day sucks.

mc

he's been in my mind since the 4th grade, before jerry and the funny guys

and all the rest..

remembering going to local downtown appliance store that stocked 45s i

bought them all as they came out, right across from the refridgerators,

separated by the stoves,

the universe cracked

and i saw.

i think i was 9 or so

(when yr mother sends back all yr invitations

and yr father to yr sister he explains

that you're tired of yourself and all your creations

wont you come see me queesn jane?

(btw no esoteric messages being sent just quotes off what ever on highway

61 play as i am tipsily typing

oh

mc

 

of

=========================================================================

Date:         Thu, 29 May 1997 14:45:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         talk dirty to me <mutton@JANE.PENN.COM>

Subject:      Re: Naked Lunch

 

do it do it do it

it takes a special person to read naked lunch

you will be all the better for it

 

 

----------

: From: R. Bentz Kirby <bocelts@SCSN.NET>

: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: Subject: Naked Lunch

: Date: Thursday, May 29, 1997 12:50 AM

:

: Pam:

:

: Starting Naked Lunch is one thing, finishing it another.  Understanding

: it, well, I don't know.

:

: Peace,

:

: --

: Bentz

: bocelts@scsn.net

:

: http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 29 May 1997 16:38:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         andrew szymczyk <trent@JANE.PENN.COM>

 

argh,

 

                i forgot to mention this earlier, but i went to the

        surge festival last weekend in pittsburgh, pennsylvania,

        and to my enjoyment one of the bands played a song

        about kerouac.  their name eludes me, but...

 

                the only thing that bothers me was that i felt

        like i was lost in a sea of people that didn't know whom

        kerouac was.  still, my solitary delirium was wonderful.

        i felt like i should claw my way to the stage and shake

        their hands, but i only stood with an open mouth--

 

                --drooling.

 

 

                                        still drooling,

                                              andrew

=========================================================================

Date:         Thu, 29 May 1997 14:59:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: Beat History

In-Reply-To:  <3385E8A6.CB77F85@scsn.net>

 

On Fri, 23 May 1997, R. Bentz Kirby wrote:

 

> Would Tom Wolfe of Electric Koolaid Acid Test and Hunter Thompson of

> Fear and Loathing qualify as "beat."

  ****************************************

Whether or not Hunter S. Thompson qualifies as beat is debatable.  He was

a friend of Ginsburg's.  Presumably they met while HST was researching for

"Hell's Angels,"  as Ginsburgh frequented the Angels gatherings as well.

He's certainly Gonzo--- zany, free form, journalism---but beat?

 

Anyhow, I just thought I'd pass on the aquaintance issue; other than that,

it's worth consideration.

Jenn

 

> And yet, I am wondering if there is not at least two threads of

> literature throughout history.  I don't know enough and am not well read

> enough to deal with this idea on my own.  But it seems to me that you

> have two spirits, one which is the "voice" of society and the other

> which is the "voice" of those who are beaten out of society.  If so, it

> would run throughout time.  I would like to know if any literary

> teachers, commentators etc, have ever explored the idea.  Back to Homer,

> was he beat or was he society.  What about Thomas Aquianas?  Maybe this

> too large of an idea, but I would like to see the result of a study of

> this idea.  We have always been beat.

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

> 

=========================================================================

Date:         Thu, 29 May 1997 12:24:21 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      My guess for Maya

 

Maya,

     I enjoyed the anecdote.  Have several similar ones from the psychiatric

ward but nevermind.

     Okay, here's my guess about what the guy was examining: a piece a shit?

No.  A kidney stone.  No.  Uh, a big piece a ham.  No, too obvious.  It had

to be that notorious, potentially forged signature.

 

                                                    James M.

=========================================================================

Date:         Thu, 29 May 1997 16:26:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Maya Gorton wrote:

> 

> .......And guess what it was?????

> Can anyone guess? I'll give you a prize for the correct answer, or the best

> and most creative answer.  the prize is: my respect. So I'll be hearing from

> you.

 

two box elder bugs fucking.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 29 May 1997 23:02:52 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      n/a

 

...to live outside the law you must be honest

   i know you always say that you agree

   alright so where are you tonight....

 

well, today is a sad day, folks.

 

[dylan to burroughs : "if you see her say hello... she might be in

tangiers"]

 

...say for me that i'm alright, tho' things get kind of slow ; she might

think that i've forgotten her... don't tell her it isn't so.

 

. the ghost of electricity... whatever.

 

o.r. ("when asked to define yourself... say that you are an exact

mathematician.")

=========================================================================

Date:         Thu, 29 May 1997 18:21:59 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Hemenway <mhemenway@S1.DRC.COM>

Subject:      Call for Papers

 

Subj:   Call for Proposals

 

 

From: "Skerl, Jennie" <jskerl@wcupa.edu>

Date: Thu, 29 May 97 10:16:00 PDT

 

 

I will be editing a special issue of COLLEGE LITERATURE on "Teaching the

Beat Generation."  The notice below will appear in the next issue of PMLA.

 I wonder if you have a mailing list from the Kerouac Symposium I could

have

access to for further distribution.  Or, if you have an email list, could

you forward this notice by email?  Thanks for any help you can give me.

 

I enjoyed attending the symposium last year.  Please keep me on your

mailing

list.

 

Best,

Jennie Skerl

 

 ------------------------------------

 

COLLEGE LITERATURE, a triannual journal of scholarly criticism that

supports

college/university teaching, seeks essays for a special issue on "Teaching

the Beat Generation."  Contributions are sought from a variety of critical

perspectives, including poststructuralist, postmodernist, feminist,

multicultural, historical, millennial, or personal.  Essays may be devoted

to individual authors, groups of writers, or the movement.  Review essays

of

current criticism or biography will also be considered.  Send 1-3 page

proposals by January 1, 1998, to Dr. Jennie Skerl, Associate Dean, College

of Arts and Sciences, West Chester University, West Chester, PA 19301.

=========================================================================

Date:         Thu, 29 May 1997 18:23:58 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

 

>argh,

> 

>                i forgot to mention this earlier, but i went to the

>        surge festival last weekend in pittsburgh, pennsylvania,

>        and to my enjoyment one of the bands played a song

>        about kerouac.  their name eludes me, but...

> 

>                the only thing that bothers me was that i felt

>        like i was lost in a sea of people that didn't know whom

>        kerouac was.  still, my solitary delirium was wonderful.

>        i felt like i should claw my way to the stage and shake

>        their hands, but i only stood with an open mouth--

> 

>                --drooling.

> 

> 

>                                        still drooling,

>                                              andrew

> 

 

andrew, what is 10,000 Maniacs? They do a song entitled Jack Kerouac.

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

 

=========================================================================

Date:         Thu, 29 May 1997 18:34:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Could be worse

 

In a message dated 97-05-29 11:17:33 EDT, you write:

 

<< i just heard that the illness can be 'caught' from the air in Tennessee

 where Bob played not too long ago >>

 

Damn, I'm going to be driving through Tennessee soon, I guess I'll have to

keep the windows rolled up. (It also seems I WON'T be visiting Jeff Taylor)

=========================================================================

Date:         Thu, 29 May 1997 18:35:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: News Update

 

Rodgers wrote:

 

>                                 (A SATIRE)

> 

>      Anchor:  We will now go to Ron Rodgers who is standing by inside

> the

>      House of Beat-l.

> 

>      RR:  I am standing in the middle of the kitchen area that can be

>      described as hot..DAMN HOT.  In fact it feels hotter than the

> hinges

>      on the gates to hell.  It is a very chaotic scene as beat-l

> members

>      who cannot take this intense heat line up to jump out of the

> window;

>      plunging into the wading pool seven stories below.  We have

> identified

>      one of the jumpers as Levon Cash, a renown news "beat" reporter.

> So

>      far a dozen or so have left the kitchen, and I will try to

> identify

>      them and others as this story progresses.  I have just been

> informed

>      that two..no three... more have left.

> 

>      Anchor:  What about the orgin of the kitchen fire, and are there

> any

>      suspects?

> 

>      RR:  Apparently the flames started in April and have continued to

> 

>      blaze.  Officials say this is what is classified as a "carbon"

> fire.

>      This phenomenon occurs under idel conditions when bond paper

> touches

>      exposed carbon paper.  City service squads are on the look out

> four

>      suspects.  They are John Grand, Harold Nickels, Bill Shaloo, and

> Ron

>      Friendly.  Federal authorities may be brought in to round up

> others.

> 

>      Anchor:  Ron, what are authorities doing to calm the flames?

> 

>      RR: Firefighter Bill (Gartland) has bravely but vainly attempted

> to

>      provide a voice of reason to extinguish these flames.  There is

> also a

>      volunteer core of members assisting Firefighter Bill.  The

>      Extinguishing Crew is attired in asbestos lined T-shirts designed

> by

>      T. Mudd Winslow.  Across the front of the shirt is the slogan

>      REMEMBER RON BONEWHEEL. These shirts were shipped free to the

> crew

>      courtesy of Gary Lineberger from Air-Row Press.

> 

>      Anchor:  We are going to break in now, as this story has reached

>      overseas.  Here is our italian correspondent Sergio Pistone.

> 

>      SP:   quid

>                        skhgvu

>                                 not

>      loenvhfy   can     satisfy         clomdy'

> 

>      urges d    k

> 

>      b  k       tldi

>                         heotur

>                                 rlskvnhgu

>                                         tlnmbndieurbfg

> 

>      Anchor:  Thank you Sergio.  Ron, do you fear for your safety?

> 

>      RR:  No, and I'll be honest with you, it's like the facination

> one has

>      with a train wreck or America's Most Tragic Events Captured on

> Video.

>      And frankly this is what I get paid to do.

> 

>      Anchor:  Any plans of leaving?

> 

>      RR:  No way.  I'm here until the end. By the way, the flames do

> seem

>      to be a bit more under control at this time, but no one is

> willing to

>      speculate how long this will last.

>      Reporting from the middle of the Beat-l kitchen, Ron Rodgers.

 

  ROTFLMAO

 

You go boy!

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 29 May 1997 18:42:36 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Histoplasmosis

 

>A beat is ill.  Bob Dylan is reported to have suffered a heart attack.

>The Dylan list says it is an infection in the lining of  the heart which

>can be fatal.

 

The infection in the lining is the same thing my father has, he went to

the hospital and they thought it was cancer but they found out it was

Histoplasmosis. Now he has to go the hospital every two years to get it

checked, to make sure it hasn't grown. Just a note.

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Thu, 29 May 1997 15:49:08 -0700

Reply-To:     e.lytle@ced.utah.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Lytle <e.lytle@CED.UTAH.EDU>

Organization: Sarcos Inc.

 

> 

> andrew, what is 10,000 Maniacs? They do a song entitled Jack Kerouac.

> 

 

        10,000 Maniacs broke up several years ago.  It's more likely to be

Morphine,  the three-man,  sax-bass-drums combo,  from the Joy, Kicks

CD.

 

-E

=========================================================================

Date:         Thu, 29 May 1997 17:46:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Histoplasmosis

 

west wrote:

> 

> >A beat is ill.  Bob Dylan is reported to have suffered a heart attack.

> >The Dylan list says it is an infection in the lining of  the heart which

> >can be fatal.

> 

> The infection in the lining is the same thing my father has, he went to

> the hospital and they thought it was cancer but they found out it was

> Histoplasmosis. Now he has to go the hospital every two years to get it

> checked, to make sure it hasn't grown. Just a note.

> 

> west

> 

> I belong to the blank generation

> and I can take or leave it each time

> -Richard Hell

 

Can your Dad still tour?

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 29 May 1997 18:50:15 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: how annoying some of these whiny people are!

 

><< 

> kerouac's famous novel would be "On the Campus" a tale about Columbia

> and Morningside Park  .... :)

>  >>

>while we're on that track...Burroughs' would be "Sunday Brunch", set in the

>College Inn, a diner on Broadway with really greasy food and lots of roaches,

>of course.

> 

>Ginsberg's...."Scowl", about haughty ivy league kids trying to out-cool each

>other, walking around campus looking down their noses at each other in

>disdain.

> 

 

Ha! that's the funniest thing I've ever heard in my entire life, but

would Lawrence Ferlinghetti (i have trouble spelling me own name) still

be writing poems about his dog?

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Thu, 29 May 1997 18:55:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: No Subject hah

 

dear, racey

What do you mean,"he"?????

I wrote this!!!

 

In a message dated 97-05-29 14:32:15 EDT, you write:

 

<< f charcoal and warm molasses.  the bitter taste of blood mixed with

  rubbing alcohol, licked off my arm.  Regrets of a typewriter and Brooklyn

days.

   Chaos is not to be fucked with, I'm afraid.  for what dreams may come? I

  dreamed something was chasing me, no--I was chasing it.  No. Something was

  chasing me. No.

 

 (incredible - he could have just set something like "she was confused")

 

 > You can never go back. They say it and it's true. The hard way. Can you

live

  with that? Did you know no one can see the same as you? Was that part of

the

  bargain? I don't think so. I've been had.

 

 (who hasn't felt this thought?)

 

 Eternal longing for the present to remain so. Nostalgia for what is, or

 never was.

 

 (another universal feeling)

 

 Do you wanna slap me? No, go ahead, I want you to.

 

 (damn funny)

 >

 > In other words, everything is familiar to me....everything is similar.

 Not

  similar to, just similar.

 

 (he is way ahead of the postmodernists right here)

 

 All i can say is thank god everything in this world is connected in this

 way, or i'd have nothing to live for.  A "connections explorer",

 discovering neural pathways no man woman or dog has ever before sent

 synapses across.  micro/macro-scopic vision simultaneously.

 

 (this provides a great clue in to "how" to read burroughs)

  >>

=========================================================================

Date:         Thu, 29 May 1997 19:00:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: What should I read?

 

sorry about all that extraneous information, but i think Western lands and

Dead roads are easier to read than Naked lunch.  Which is not to say they are

easily read.  anyhoo, happy reading seeya bye

=========================================================================

Date:         Thu, 29 May 1997 17:59:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: No Subject hah

 

Maya Gorton wrote:

> 

> dear, racey

> What do you mean,"he"?????

> I wrote this!!!

> 

sorry about that - from the style of the excerpt i mistook you for

burroughs.  i hope you aren't offended.

 

david

=========================================================================

Date:         Thu, 29 May 1997 19:03:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: News Update

 

wow i'm so glad there are flashes of brilliance on this list after all...i

was beggining to think it was all trash and mudslinging.  thanks.......maya

=========================================================================

Date:         Thu, 29 May 1997 19:06:57 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: how annoying some of these whiny people are!

 

>> 

>> Diane,

>>  I enjoy Allen Ginsberg more than oxygen, but that's a pretty hefty

>> claim. I would enjoy a reason if you please.

> 

> 

>I was going to say Allen Ginsberg was the greatest American poet of the

>twentieth century but after I wrote "he was by far the greatest poet of

>the twentieth century," I realized that I do indeed believe that to be

>the case.  Here's a go at the why.  Allen broke barriers of language and

>of the mind.  He was the only contemporary visionary poet and I think,

>the first since Walt Whitman.  Allen had the visionary inspiration of

>Blake but he was able to connect his vision to an America we all know.

>He was true to poetic inspiration, and that was an inspiration that could

>come from the streets, bars, jails, and madhouses, and at the same time

>go beyond them.  He was able to face the darkness of his own mind, the

>darkness of America, but write poems that were positive.  He was able to

>adapt to a changing society and never lose sight of his vision; he was

>able over many generations to create a body of work that was still

>timely.  He was able to live on the edge but never fall off the edge.

>Through his poetry he gave other poets permission to be themselves.  He

>literally saved people's lives because he allowed them the space within

>his words to see that their thoughts were OK and that words were only

>just that...words.  Self-involvement in poetry can go beyond the self,

>indulging in humanness can open the mind to a space beyond humaness. I

>think Howl was was his most important work and it speaks to me as much

>today as it did when I read it for the first time twenty years ago,

>From Howl

>"and who therefore ran through the icy streets obsessed with a sudden

>flash of the use of the elipse the catalog the meter & the vibrating

>plane the truth of poetry,

>who dreamt and made incarnate gaps in Time and Space through images

>juxtaposed, and trapped the archangel of the soul between two visual

>images...to recreate the syntax and measure of poor human prose, and

>stand before you speechless and intelligent and shaking with shame,

>rejected yet confessing out the soul to the rhythm of thought in his

>naked and endless head..."(from Howl).

>Quickly, that's my stab at why.  What do you think?

> 

 

I think you've thought about this for a long time and feel very strongly

about it and you speak your point very articulately. I, on the other

hand, cannot grasp the whole of any poet's work and give an acurate

assesement as compared to others. I find the process dizzying and

headache inducing. Have a day, make it nice.

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Thu, 29 May 1997 19:14:05 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: Histoplasmosis

 

>> 

>> >A beat is ill.  Bob Dylan is reported to have suffered a heart attack.

>> >The Dylan list says it is an infection in the lining of  the heart which

>> >can be fatal.

>> 

>> The infection in the lining is the same thing my father has, he went to

>> the hospital and they thought it was cancer but they found out it was

>> Histoplasmosis. Now he has to go the hospital every two years to get it

>> checked, to make sure it hasn't grown. Just a note.

>> 

>> west

>> 

>> I belong to the blank generation

>> and I can take or leave it each time

>> -Richard Hell

> 

>Can your Dad still tour?

> 

>david rhaesa

>salina, Kansas

 

yeah, he opens for Lawrence Welk.

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Thu, 29 May 1997 19:12:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Histoplasmosis

In-Reply-To:  <9705292240.AA28050@btc1>

 

hey west: richard hell &the voidoids & (tv and )televsion, verlaine and hell?

what oh?

mc

> 

>I belong to the blank generation

>and I can take or leave it each time

>-Richard Hell

=========================================================================

Date:         Thu, 29 May 1997 19:19:04 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: Histoplasmosis

 

what? It's Richard Hell & the Voidoids punk anthem Blank Generation. Hope

I answered your question(?)

 

>hey west: richard hell &the voidoids & (tv and )televsion, verlaine and hell?

>what oh?

>mc

>> 

>>I belong to the blank generation

>>and I can take or leave it each time

>>-Richard Hell

> 

 

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Thu, 29 May 1997 19:27:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Re: Beat History

 

Just tossing out a question for discussion that seems to me is always at the

root of the "who is beat" issue, whis IS the most enduring topic for

discussion on this list notwithstanding the Kerouac estate issue.

 

Is beat a style, not confined to a specific time, place or set of people?

 

OR is beat something that is now and forever the label for the work of Jack

Kerouac, Allen Ginsberg, William Burroughs, Gregory Corso and the rest?

 

Howard Park

=========================================================================

Date:         Thu, 29 May 1997 09:33:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Subject:      Jack and Jazz

 

Gerry,

Thanks for the response - wow, that's really interesting. Do you know who the

 musicians he played with were on

those sessions? (Is Jack's singing voice as good as his reading voice?)

It's too bad this isn't out there in public view somehow...

 

Mark Noferi

 

 

                                                    May 28, 1997

Mark Noferi writes:

        "I think Kerouac did meet many of the musicians through a friend in

the business, an agent, or record company man-- Gerry? or anyone?"

 

        Dear Mark,

        Yes, it was both an agent and a record company man--Jerry Newman.  I

think the name of his record company was Esoteric, but I could be wrong

(told you all, brain going in old age).  Newman recorded jack singing "Come

Rain or Come Shine" and other Sinatra favorites--improvising his own

lyrics!--with a real jazz backup.  I have one hour of this stuff, which isnow

 among the tapes under seal at U Mass,

Lowell.  Supposedly Newman's widow

has about 20 more hours of such recordings--think about this, Rykodisc!--but

she's disappeared.  Anybody heard of her whereabouts?

        Best, Gerry Nicosia

=========================================================================

Date:         Thu, 29 May 1997 20:10:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: how annoying some of these whiny people are!

 

In a message dated 97-05-29 19:58:58 EDT, you write:

 

<<   He

 >literally saved people's lives because he allowed them the space within

 >his words to see that their thoughts were OK and that words were only

 >just that...words. >>

 

JUST WORDS!!!!!!! words are not just words.  they have a crazy power over us

that we do not yet fully comprehend.  they are sound and form transformed

from their chaotic origins into meaningful order.  Understanding the

mechanism whereby we produce language is the key to human thought and soul.

 How does a sound/image produce such far-reaching paths of thought in us? Of

course, not all thought is in language, but do you realize how much words

affect us?  Nothing exists until we give it a name, says so right there in

the Holy Book.  The thing is not to dismiss words like yesterday's trash but

to recycle them into something new and use them for your own purposes  (evil

laugh)

cheers, maya

=========================================================================

Date:         Thu, 29 May 1997 19:26:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Maya Gorton wrote:

> 

> In a message dated 97-05-29 19:58:58 EDT, you write:

> 

> <<   He

>  >literally saved people's lives because he allowed them the space within

>  >his words to see that their thoughts were OK and that words were only

>  >just that...words. >>

> 

> JUST WORDS!!!!!!! words are not just words.  they have a crazy power over us

> that we do not yet fully comprehend.  they are sound and form transformed

> from their chaotic origins into meaningful order.  Understanding the

> mechanism whereby we produce language is the key to human thought and soul.

>  How does a sound/image produce such far-reaching paths of thought in us? Of

> course, not all thought is in language, but do you realize how much words

> affect us?  Nothing exists until we give it a name, says so right there in

> the Holy Book.  The thing is not to dismiss words like yesterday's trash but

> to recycle them into something new and use them for your own purposes  (evil

> laugh)

> cheers, maya

 

just words.  as opposed to unjust words.

incredibly powerful tokens of life

but also just tokens of life

both true together at the same instant.

 

evil laughs ...........................

evil sounds ...........................

evil symbols ..........................

 

would evil exist if there were no word named evil?  if evil ran rampant

in my closet would anyone know or care?

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 29 May 1997 20:45:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: Beat History

 

>Just tossing out a question for discussion that seems to me is always at the

>root of the "who is beat" issue, whis IS the most enduring topic for

>discussion on this list notwithstanding the Kerouac estate issue.

> 

>Is beat a style, not confined to a specific time, place or set of people?

> 

>OR is beat something that is now and forever the label for the work of Jack

>Kerouac, Allen Ginsberg, William Burroughs, Gregory Corso and the rest?

> 

>Howard Park

 

Ah, yes, a good question. I have a problem with the "is beat a style" part

only because of the word style (took a long time to get ok with hearing the

word god after catholic school upbringing), otherwise I really do feel it's

more a state of existence (don't know that's any better) that goes beyond

the time frame and immediacy of the core group.

 

Hell, I've committed my life to poetry and creativity and spiritual

exploring on a path mostly outside the mainstream. Poverty level existence

by gov't standards for last 14 years but never feeling (other when no

running car or ute's way over due) poor. Now, 46, more going on road, more

poetry than ever and still not worrying about retirement benefits, health

insurance etc. Old beat cars, no plastic and living for the sudden

enlightenment of the creative flash or at least a steady state creative

flowing of the juice. Would never consider calling myself beat, but

certainly "the style" of existence might be considered that.

 

Michael

=========================================================================

Date:         Thu, 29 May 1997 20:35:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         talk dirty to me <mutton@JANE.PENN.COM>

 

i fuckin hope so

we lost the damn baseball game

i might get on the news though

we should have won

the boys done real good

i was proud

a kid hit a 3 run homer in the first fuckin

inning and we came back but lost three two

they never scored again

i felt bad

oh well

jerm

 

----------

: From: andrew szymczyk <trent@JANE.PENN.COM>

: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: Subject:

: Date: Thursday, May 29, 1997 3:38 PM

:

: argh,

:

:                 i forgot to mention this earlier, but i went to the

:         surge festival last weekend in pittsburgh, pennsylvania,

:         and to my enjoyment one of the bands played a song

:         about kerouac.  their name eludes me, but...

:

:                 the only thing that bothers me was that i felt

:         like i was lost in a sea of people that didn't know whom

:         kerouac was.  still, my solitary delirium was wonderful.

:         i felt like i should claw my way to the stage and shake

:         their hands, but i only stood with an open mouth--

:

:                 --drooling.

:

:

:                                         still drooling,

:                                               andrew

=========================================================================

Date:         Thu, 29 May 1997 19:57:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: how annoying some of these whiny people are!

 

RACE --- wrote:

> 

> Maya Gorton wrote:

> >

> > In a message dated 97-05-29 19:58:58 EDT, you write:

> >

> > <<   He

> >  >literally saved people's lives because he allowed them the space within

> >  >his words to see that their thoughts were OK and that words were only

> >  >just that...words. >>

> >

> > JUST WORDS!!!!!!! words are not just words.  they have a crazy power over us

> > that we do not yet fully comprehend.  they are sound and form transformed

> > from their chaotic origins into meaningful order.  Understanding the

> > mechanism whereby we produce language is the key to human thought and soul.

> >  How does a sound/image produce such far-reaching paths of thought in us? Of

> > course, not all thought is in language, but do you realize how much words

> > affect us?  Nothing exists until we give it a name, says so right there in

> > the Holy Book.  The thing is not to dismiss words like yesterday's trash but

> > to recycle them into something new and use them for your own purposes  (evil

> > laugh)

> > cheers, maya

> 

> just words.  as opposed to unjust words.

acronomyal nightmares hit again

JUST

juanita unties substitute teacher.

> incredibly powerful tokens of life

> but also just tokens of life

> both true together at the same instant.

instant oatmeal in my

microwave i hear alien

preachers of redemption outside

my mesophere

and i dream of astral

hallucinations to reach the

preacher's poetic promises

of salvation and the

project splices pornographic

g-spots in rat poison advertisements

with the preacher's psalmistry

and the two thoughts

become one word

LIVE but

dsylexia forces

transpositions of alien thought beams

and EVIL is born

in my cortex

in kansas

by a river named Smoky

to kiss

the crossroads and goalposts

of failure and

videotape the whole

massacre

is my only real ambition.

> 

> evil laughs ...........................

> david rhaesa

> salina, Kansas

 

keep in touch david,

 

your friend Rage -

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 29 May 1997 20:48:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         talk dirty to me <mutton@JANE.PENN.COM>

 

ooops

sorry all

i was writing to a kid inquiring

how our team did in the district

playoffs. forgive the language

i was kinda perturbed

hehe

sorry

jeremy

 

----------

: From: talk dirty to me <mutton@JANE.PENN.COM>

: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: Subject:

: Date: Thursday, May 29, 1997 8:35 PM

:

: i fuckin hope so

: we lost the damn baseball game

: i might get on the news though

: we should have won

: the boys done real good

: i was proud

: a kid hit a 3 run homer in the first fuckin

: inning and we came back but lost three two

: they never scored again

: i felt bad

: oh well

: jerm

:

: ----------

: : From: andrew szymczyk <trent@JANE.PENN.COM>

: : To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: : Subject:

: : Date: Thursday, May 29, 1997 3:38 PM

: :

: : argh,

: :

: :                 i forgot to mention this earlier, but i went to the

: :         surge festival last weekend in pittsburgh, pennsylvania,

: :         and to my enjoyment one of the bands played a song

: :         about kerouac.  their name eludes me, but...

: :

: :                 the only thing that bothers me was that i felt

: :         like i was lost in a sea of people that didn't know whom

: :         kerouac was.  still, my solitary delirium was wonderful.

: :         i felt like i should claw my way to the stage and shake

: :         their hands, but i only stood with an open mouth--

: :

: :                 --drooling.

: :

: :

: :                                         still drooling,

: :                                               andrew

=========================================================================

Date:         Thu, 29 May 1997 22:47:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Dylan memories

 

In a message dated 97-05-29 01:07:13 EDT, Antoine writes:

 

<< Do you remember when you first heard

 Dylan? ...and what was the most memorable hearing of him? >>

 

I first heard Dylan in San Francisco in 1964 at a small auditorium on Nob

Hill. I don't remember the name.  Larry Ferlinghetti gave me the tickets. I

hadn't thought of that until today.

Pam Plymell

=========================================================================

Date:         Thu, 29 May 1997 23:03:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: let's put the fun back in dysfunction!

 

In a message dated 97-05-29 09:44:24 EDT, you write:

 

<< I'll be in Gloversville, NY 10th and 11th of June, reading with Rhonda

 Morton at coffeeshop and also young writers workshop/reading. How far's

 that from CV? >>

We're in between Oneonta and Gloversville.

Pam

=========================================================================

Date:         Thu, 29 May 1997 22:23:30 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: What should I read?

In-Reply-To:  <ECS9705291737A@smtp.uea.ac.uk>

 

On Thu, 29 May 1997, Thomas Harberd wrote:

 

> Try Ghost of Chance as well, because it's brilliant.

 

Yes, I agree....a great little book.

 

Has anyone read the (or a) nascent form of GoC which appeared as a short

story called "The ghost lemurs of Madagascar" in _New Statesman_ 19 (26

Dec 1986) pp.50-54. Covers all the stuff about Mission's relations with

the lemurs, and has some additional very interesting stuff which did not

make it into GoC.

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Fri, 30 May 1997 00:16:03 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Bill Gargan wrote:

> 

> Diane, I couldn't agree more with your eloquent post.  I think you

> should send a copy to Hilton Kramer.

 

 

Thanks.  Maybe I'll submit it to the next issue of The New Criterion.

=========================================================================

Date:         Thu, 29 May 1997 23:38:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Dylan memories

 

At 10:47 PM 5/29/97 -0400, Pam Plymell wrote:

 

>I first heard Dylan in San Francisco in 1964 at a small

>auditorium on Nob Hill. I don't remember the name.

>Larry Ferlinghetti gave me the tickets. I hadn't thought

>of that until today.

>Pam Plymell

 

11/27/64 - Masonic Memorial Auditorium, SF, CA

 

Would this be the one?

 

Mike

=========================================================================

Date:         Thu, 29 May 1997 22:44:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: Some of the Dharma

In-Reply-To:  <1.5.4.32.19970529033254.006be388@pop.pipeline.com>

 

On Wed, 28 May 1997, Paul Maher wrote:

 

>     Did you know Jack has a novel-length manuscript written in French called

> "The Night Is My Woman"? It will be published one day when it is fully

> translated.

 

Why not publish it in french? Surely there is a publisher in Quebec who

would bring it out?

 

>     He also considered Vladimir Nabokov the "world's greatest, living

> writer" according to his inscribed copy of Lolita.

 

Yechh....say it aint so! I'd have to part company with Jack here. Nabokov

is the only (real) writer I've read who makes me wretch....a snide

cynicism....and not a trace of lyricism, as far as I could ever tell,

despite all the blurbs on the back of his books.

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Thu, 29 May 1997 23:28:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Burroughs; was Re: my condolences to whoever just "signed off"...

In-Reply-To:  <970527110522_55665634@emout07.mail.aol.com>

 

On Tue, 27 May 1997, Maya Gorton wrote:

 

> With authorship comes responsibility but who in her left mind would want to

> take credit/get recognition for propelling fellow humans even faster towards

> the Inevitable by reconciling them with it? Is that the purpose of art, to

> heal? Is it possible to heal too much and in doing so forget about necessary

> pain?

 

WSB has said many times that the purpose of art is to make people aware

of what they know but dont know that they know.

 

He also said what is probably my favorite definition of art and the

activity of artists:

"...dreams are a biological necessity. If you deprive someone of the

dream state for more than 2 months they will die, no matter how much

dreamless sleep they are allowed. People hunger for dreams, they need

them. Dreams are not some kind of elite luxury.

    What do artists do? They dream for other people. We dream for those

people who have no dreams of their own to keep them alive."

(_Painting and Guns_ p.46)

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Thu, 29 May 1997 21:35:33 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: This List is Stong

 

> 

>I'm troubled by people seeming to blame Nicosia for the conflicts...

 

 

    May 29, 1997

 

        While I still have my ten minutes of fame as the man who murdered

the Beat-List--or was it "set on fire"?--let me announce that the poetry

collection of the late Bob Kaufman's which I edited, CRANIAL GUITAR (Coffee

House Press), has just won the prestigious PEN CENTER USA West 1997 Literary

Award in Poetry.

        Mr. Chaput called me the champion horn-tooter on the Beat-List, so

let me toot a little--TOOT!  TOOT!--but mainly I feel glad to have played a

small role in getting Bob's work out again into the public arena, where

students and young writers and even old crypto writers can learn and be

inspired by it.

        Bob Kaufman was one of the great American poets of the 20th century,

and it was an honor just to have been allowed to edit that collection.  Mr.

Kaufman, take it away....

        Bob bows in heaven, with Jack and Neal on either side.

        (He's "Chuck Berman," the graceful mulatto hoofer in Kerouac's

DESOLATION ANGELS.)

        Check out his poetry, buy CRANIAL GUITAR, and I can say that without

advertising, since I DON'T get royalties.  It just helps out his widow Eileen.

        Love to everyone, Gerry Nicosia

=========================================================================

Date:         Thu, 29 May 1997 21:37:42 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: T-shirts

 

Jeffrey Weinberg wrote:

> 

> In a message dated 97-05-29 09:48:34 EDT, you write:

> 

> << Dear Jeff:

> 

>  Jeremy said it for many of us - keep the t-shirts coming!  And, although I

>  have failed to say it before --- thank you for going through the work

>  regarding the shirts.

> 

>  Dawn

>   >>

> 

> Dawn: Thanks for your vote of confidence...

> 

> Here's the latest news for all you Beat-L supporters and well-mannered polite

> members of Klub Kerouac:

> 

> The S. Clay Wilson artwork for the shirt is completed and the shirts are

> being silkscreened now out in Oakland, California (giving the shirts a "Bay

> Area/San Francisco" birthplace)...

> 

> S. Clay Wilson, well-reknowned for his work with R. Crumb and other

> underground cartoonists on ZAP comix, is a very detailed, meticulous

> arteeeste but I must say that working with him on this project has been a

> real pleasure....If you get a chance, check out his other stuff that's

> available...

> 

> The Beat-L T-shirt shows a bearded and beret-headed old poet selling poems

> for spare change...a college coed/librarian type drops a coin in the tin cup

> as the Beat poet's heart flutters at her bountiful sight...The coed imagines

> a falling leaf as "sheer poetry" - a nice take-off on R. Crumb's famous image

> of a Ginsberg-type guy standing in a tenement NYC neighborhood watching a

> leaf fall through the air, thinking, "This to me is sheer poetry." (the Crumb

> image was used on the cover of

> Art Spiegelman/Bill Griffith's ARCADE a looong time ago and the image was

> recently

> re-issued on a Crumb signed/numbered silkscreen print) - WHOA - back to the

> subject,Jeffrey - you're floating away (again!) -

> 

 

Jeffrey--

 

Thanks so much.  I'm sending my order tonight.

 

The shirt is probably a great poison repellent.

 

To all those who think that your t-shirt posts are hidden propaganda,

you can show my backchannels (without fear of copyright lawsuit) urging

you to bring out something featuring a well known biographer as either

Captn Pissgums or Rudy the Dyke.

 

James

=========================================================================

Date:         Thu, 29 May 1997 21:44:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Jack and Jazz

 

At 09:33 AM 5/29/97 -0400, you wrote:

>Gerry,

>Thanks for the response - wow, that's really interesting. Do you know who the

> musicians he played with were on

>those sessions? (Is Jack's singing voice as good as his reading voice?)

>It's too bad this isn't out there in public view somehow...

> 

>Mark Noferi

> 

Mark,       May 29, 1997

 

        I don't know who the musicians were.

        Jack's voice wasn't half bad (Jan's was a shade better--she sang in

San Francisco with bass accompaniment at one of her benefits--I'm still

trying to get the video from the guy who taped it)--but most of the time he

was more than a little drunk, which spoils it some.  Also, he tries too hard

to consciously imitate Sinatra.

        The reason the stuff was never released was Kerouac making off-color

and off-the-cuff and self-incriminating remarks like "this is dedicated to

Sue Somebody with the lovely, sexy, juicy box" and "roll me another one,

Jerry," etc. (Jerry Newman, the producer)

        Best, Gerry Nicosia

=========================================================================

Date:         Fri, 30 May 1997 00:54:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: bEAT-L T-shirt

 

Just a quick note regarding previous T-shirt update...

The S. Clay Wilson Official Beat-L shirt is white ink printed On a black

shirt (not black on lt. blue as previously stated)...

Just a small detail that might matter to someone out there....

 

Best wishes -

 

Jeffrey

Beat-L T-shirt committee

waterrow@aol.com

=========================================================================

Date:         Thu, 29 May 1997 21:59:07 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "s.a. griffin" <perrotta@CALVIN.USC.EDU>

Subject:      Re: signoff

 

At 08:21 AM 5/27/97 -0600, you wrote:

>you all

>just thought i would let you know that i can take no more of the community

>erosion that has occured.

>i am signing off.

>please feel free to contact me if you would like to TALK beat or write

>poetry or just chat, my email is:

>dabeauli@freenet.calgary.ab.ca

>and im still hanging about the boho list as well.

>in the meantime i will miss all & hope one day i fell welcome again.

>your

>derek beaulieu

> 

> 

hey derek,

 

just thot that i'd respond to this.  i haven't been inspired to read or post

on the list for almost a week now.  i will be having a change of email in

just a few days, so i thought that i'd just fade away in terms of the list.

can't say that i feel like it means that much to anyone, i was only on for a

very short period of time, however, i did enjoy tremendously meeting you and

the others that helped to make my participation in the ginsberg memorial

what it became.  also enjoyed the way the other piece was picked up and

transformed.  i had hoped to get more of that happening, but alas, folks

just fall for the sad bad shit too easy i guess.  as if there isn't enough

shit in our lives already... it just doesn't make a lot of sense to me.

tried to distill a few posts as deletion but it just didn't take, guess it

wasn't enough of a direct hit ya know?  people really do have to be hit on

the head with it all i guess... i thot our audience was better than that.

 

post script a few days later: thursday

 

so here i have been lurking this past week or so, still too stunned by the

anger and bullshit to want to get on board.  watching folks jump off the

sinking ship of the beatL.  seems most of those abandoning the ss beat were

of the zen bent, the so called peacemakers maybe.  keep thinking maybe i'll

get over it, that maybe i'm just too damned full of my own romantic ideas

about people and the big bad world in general.  seems like the same old same

old really, for those that post, still a pissing contest on the list for the

most part.  some few creative sparks here and there.  the one thing that

seems evident however is this:  death and near death seems to bring out some

of the only shreds of kindness up to and including the near fatal beat list

:  and now our dear sick dylan who also zapped my life as well when hearing

hwy 61 (my personal fave). i do understand there is a dynamic to all, good

and bad, whatever; but i had hoped to find creative minds with creative

spirits attached when jumping on board, a true community of not just info,

but fresh ideas maybe.  i was hoping for more than who knows what or who and

descending ultimately into the junvenille frat boy type chorus of fuck this

and that and yous.  i guess we are all just human.  i detest intellectual

bullies almost more than i detest physical bullies; i mean if you are gifted

enough to have achieved some sort of advanced light, shine man, don't burn;

there won't be much left to piss on in the afterburn; all you've done is to

help foul the dying landscape w/your poison.  found the slighty yellowed

front page of the apr 6 l.a. times w/ginsberg's memorial front page outside

my apt on the street yesterday, ag holding howl in his hands reading

cockeyed to the world winking at heaven.  it was a strange and beautiful

omen indeed as my poet pals and i were off for some adventuring in the old

Caddy.  left it sitting on the front seat of the Caddy so that anyone

looking inside the car would read it.  but dig this people, education & big

words don't mean shit when the real deal comes down your street and points

in your direction.  the beats were, if nothing else to me, absolutely

oppopsed to academia and establishment bullshit. how many of our boys and

girls actually attended college and of those that did, how many finished?  i

truly wish everyone well, the best, but go for the light man, that's it...

light. call me a weenie for being such a sap, but life is short ya know...

you gotta be here now.

 

all the best

xxxooo

s.a.

 

_______________________________________________________________________

 

Lorraine M. Perrotta                    email:  lperrotta@huntington.edu

Acquisitions Librarian                  phone:  818-405-2184

The Huntington Library

1151 Oxford Road

San Marino, CA  91108

=========================================================================

Date:         Thu, 29 May 1997 22:28:19 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "s.a. griffin" <perrotta@USC.EDU>

Subject:      websites to check out

 

here are a few websites to check out.

 

this first one is a "live" broadcast of the ginsberg tribute that I was a

part of may 10th at beyond baroque, I have no idea how long it will be up.

it has both audio and visual elements.  includes myself, exene cervenkova,

lewis macadams, ellyn maybe and doug knott

http://www.lalive.com/exene/index.html

 

 

this second one is only up until the 31st of may.  it is the carma bums

website, built at U of Wash Seattle, moved to USC.  I will be reconstructing

parts as pieces of a new website of my own with other stuff, newer stuff,

and links.  got some good graphics and words plus audio with radio show and

club blab.

http://www-lib.usc.edu/~perrotta/carmabums/

 

 

later

xxxooo

s.a.

 

_______________________________________________________________________

 

Lorraine M. Perrotta                    email:  lperrotta@huntington.edu

Acquisitions Librarian                  phone:  818-405-2184

The Huntington Library

1151 Oxford Road

San Marino, CA  91108

=========================================================================

Date:         Fri, 30 May 1997 02:07:10 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Burroughs piece

In-Reply-To:  <199705300459.VAA19135@calvin.usc.edu>

 

I think I have found a piece by Burroughs that did not get listed in the

most recent bibliography of WSB's writings, _William S. Burroughs: A

Reference Guide_ ed. Michael B. Goodman & Lemuel B. Coley. NY: Garland,

1990. (If I just overlooked where it is listed, please let me know!)

 

"The Parable of the Silent Heads" in _For Nelson Mandela_ ed. Jacques

Derrida & Mustapha Tlili. NY: Seaver Books, 1987, pp.115-116.

 

This a very short piece, less than 2 pages, but is vintage Burroughs, a

microcosm of the sort of shifts in scene and time evident esp., e.g., in

_Cities of the Red Night_.

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Fri, 30 May 1997 02:39:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: signoff

In-Reply-To:  <199705300459.VAA19135@calvin.usc.edu>

 

On Thu, 29 May 1997, s.a. griffin wrote:

 

> in your direction.  the beats were, if nothing else to me, absolutely

> oppopsed to academia and establishment bullshit. how many of our boys and

> girls actually attended college and of those that did, how many finished?

> 

> Lorraine M. Perrotta

 

I'm not sure what you are talking about here.....

They may have been opposed to academic "bullshit" (and God knows there is

plenty of that), but I don't think that means they were necessarily opposed

to academia as such. Burroughs, Ginsberg, & Snyder all finished college,

the latter 2 eventually becoming university professors. Probably it is

like Burroughs said in _Western Lands_ (p.125):

 

"Knowledge takes many forms and contexts. Cloistered ivy-covered halls,

serious youths in academic garb....the typical is so often *not* where

it's at, deliberately avoided like a cliche, that it becomes in time

atypical, and by the inexorable logic of fashion, is again where it's at."

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Fri, 30 May 1997 04:08:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Ginsberg Memorial and other stuff

 

Well, I just got back from the Big Apple and have finally gotten email at

home working so im happy to be logged in after a couple weeks absence.  Did

any of you go to the natalie Merchant/Patti Smith Ginsberg memorial in Ann

Arbor last weekend?  If noone has posted anything about the concert i'll be

glad to tell everyone how wonderful it was.  Is there any update on the

t-shirts?  So excited about those.  went to a comic book store for the first

time in years today and asked if they had anything by S.Clay Wilson, but

alas, no luck.  oh, i did very well on my independent study on the Beats.

Id be happy to share my paper with anyone.  It's about the Beats and America

and Me.  My professor wrote on the returned manuscript (i love bragging...):

"Matt, A noble and joyous work, Bravo! . . . I just can't make anymore

marks, so let this suffice: I loved it."  Anyway, that made me happy and

thanks to all of you who helped me out on that.  Tis all for now.

                TGIF,

                        Not that it matters really to me cause im out of

school and sitting on my butt all week.

 

                                matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Fri, 30 May 1997 03:42:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: how annoying some of these whiny people are!

In-Reply-To:  <970529201001_1990266439@emout18.mail.aol.com>

 

On Thu, 29 May 1997, Maya Gorton wrote:

 

> JUST WORDS!!!!!!! words are not just words.  they have a crazy power over us

> that we do not yet fully comprehend.  they are sound and form transformed

> from their chaotic origins into meaningful order.  Understanding the

> mechanism whereby we produce language is the key to human thought and soul.

>  How does a sound/image produce such far-reaching paths of thought in us?

 

Yes....this is I think one of the guiding questions of Burroughs' work....

"What is a writer trying to do?" he asked somewhere....perhaps trying to

answer some of these questions....

 

Some of the people WSB mentions as having read were concerned with these

questions too.....Alfred Korzybski, Julian Jaynes.....I haven't read

Korzybski yet, but I did read Jaynes' book _The Origin of Consciousness

in the Breakdown of the Bicameral Mind_, a fascinating book....his thesis

is that before the last 2500 years or so, humans were not conscious at

all, and that everyday activites proceeded unconsciously....whenever a

decision had to be made, the right-brain would send a signal over to the

left-brain, which was experienced as hearing a voice telling you what to

do ("the voice of god"), much like present-day schizophrenics. He also

suggests that looking at idols helped set off these voices (thus

explaining the presence of idols at certain points in human history)--it

is apparently the case that looking at human figures, esp. if they have

large eyes, can set off auditory hallucinations.

 

Nowadays no one hears voices from statues--but look what we do instead!

We look at small black spots on a piece of paper or on a computer

monitor, and they cause us to hear words in our heads! Is this not just

as incredible and amazing? Books--our own strange little paper idols.

Perhaps someday people will no longer hear the words, or see any meaning,

in these little black marks, and just as today we think it silly to try

to get speech from a statue, people will regard the activity of reading

as some sort of idiotic superstition, while future archeologists will

wonder what function all these millions of bricks of paper could possibly

have served.....

 

Or here's another possibility:

"The language faculty is part of the overall architecture of the

mind/brain, interacting with its other components....The language faculty

*interfaces* with other components of the mind/brain. The interface

properties, imposed by systems among which language is embedded, set

contraints on what this faculty must be if it is to function....The

articulatory and perceptual systems, for example, require that

expressions of the language have a linear order at the interface;

sensorimotor systems that operated in parallel would allow richer modes

of expression of higher dimensionality." (N. Chomsky)

 

Could cut-ups be one way of getting around this limitation and operating in

parallel or at least emulating such operation? i.e., of allowing

you to think several thoughts at once, and to see their connections? I

sometimes get this feeling while reading certain cut-ups of WSB.

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

 

"A written word is the choicest of relics. It is something at once more

intimate with us and more universal than any other work of art. It is the

work of art nearest to life itself. It may be translated into every

language, and not only be read but actually breathed from all human lips;

--not be represented on canvas or in marble only, but be carved out of

the breath of life itself." Thoreau, _Walden_

=========================================================================

Date:         Fri, 30 May 1997 03:53:08 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      CRANIAL GUITAR

 

Hello Gerald,

 

You did a fine job of editing CRANIAL GUITAR. It was a real joy

to see a heavy dose of Bob Kaufman's work back in print. Coffee House

Press is one of the few small publishers in the TC area that I care

about=97they continue to publish what they want and don't bow down to

the whims of the squares.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Fri, 30 May 1997 04:05:30 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: Music...

In-Reply-To:  <009B4BBE.DD712180.3@kenyon.edu>

 

On Sat, 24 May 1997, MORE OXY THAN MORON wrote:

 

> I agree with mc, the sound of Jack's voice has given me a much greater sense

 of

> his rhythm when I read his books. Not all writers have Jack's great ability or

> wonderful voice for reading but we are lucky to have tapes of Jack. I highly

> recomend to all beginning readers of Kerouac to grab a tape of Jack reading

> from his own work, nothing like it.

 

I've always been sorta puzzled by this. I've had several friends I showed

some Burroughs stuff to, and they were completely indifferent to

it--until I played a WSB recording to them, when they were suddenly

ROTFL. But it seems to me, if it's funny on the recording, it's funny on

the page too....can't you hear the words in your head when you read?

 

One of the most significant things about Kerouac's writing, IMHO, is its

rhythm and tempo, which often is so forceful that you can just hear it

singing right from the page. I was actually disappointed the first time I

heard the recordings....now, I love to listen to them, but I don't think

they really add anything to what's already there on paper and which can

be recreated in your own head.

 

In fact, having to take a breath sometimes interrupts a rhythm that may be

distinctive to writing....esp. long passages written without punctuation

sometimes seem like they ought to form one uninterrupted phrase, which it

is not possible to talk through in one breath. This perhaps makes a sort

of disruption between writing and speaking, but perhaps not between the

writing and music--there is such a thing, when playing a horn, as

circular breathing, i.e., breathing in thru the nose while blowing out

thru the mouth, and by means of which you can hold a note indefinitely.

But I never heard of circular talking.

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Fri, 30 May 1997 04:16:41 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Dylan memories

 

Hello Pam,

 

Give Charles my best when he gets home. I wonder if he stopped over

in Milwaukee, to see Catfish. Anyway, on Dylan, it's wild-all the years

I spent playing Delta blues and in some of the same clubs we never

crossed paths. In '68, Leo Kottke was playing the Scholar Coffee House

-the same place Dylan used to play on the local scene. I was hanging

with Dave Ray and others at the Triangle Bar, the Scholar, etc. Dave

was older than me and knew Dylan real well. I managed to meet all of

my heroes like Muddy Waters, Bukka White, etc. but never met or heard

Dylan play live-and that's a damn shame on my part. Now I wished that

I could see him. He showed up for a Ray & Glover recording session

a few years ago right in my neighborhood. I was invited to attend and

didn't show. I won't let that happen again if the opportunity knocks

just-one-more-time.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Fri, 30 May 1997 04:20:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: Influences on the Beats

In-Reply-To:  <s3857398.072@DCSMTP.WICTOK7.EPA.GOV>

 

On Fri, 23 May 1997, MARK NOFERI wrote:

 

> About Beat precursors-

> The Kerouac-Wolfe connection, for one, is quite distinct, especially if you

 look

> at Jack's early work. It's fun to sit down and read Wolfe's first novel, Look

>  Homeward, Angel,

> and Kerouac's first, Town and the City, and see just how much Kerouac looked

 up

>  to Wolfe

> in those days - Kerouac's flowery prose about Lowell echoes Wolfe's about

>  Asheville

 

I read _Look Homeward, Angel_ recently and am now in the middle of the

massive _Of Time and the River_, and Kerouac's similarity to Wolfe was

immediately apparent to me, although I can't quite put a finger on what

exactly--the dense, luminous descriptions of things? Although Wolfe is

much more repetetive than Kerouac.

 

And oh, the long litany to Coming Home in October that opens part 3 of

Wolfe's Time & River is absolutely amazing....I can see how Kerouac

picked that up.....

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Fri, 30 May 1997 04:38:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: Music...

In-Reply-To:  <9704238644.AA864419931@Mail.ff.cc.mn.us>

 

On Fri, 23 May 1997, Wes Lundburg wrote:

 

> About six months ago, I reread _On The Road_ with Parker playing in the

> background as I read, and some portions of the novel were so much more

 powerful

> as a result.

 

Two summers ago I read _Visions of Cody_ with (mostly) Parker and Billie

Holliday on, sipping a beer, and turned off the air conditioning and sat

outside of the open door in the heat and humidity of the 2am southern night.

This might seem silly at times, but it did seem to create an atmosphere

that enhanced the reading....

 

A long time ago I also used to sit by a fire on a winter night, reading

Dostoyevsky while sipping Stolichnaya and Rachmaninov playing on the stereo.

 

I bet we could come up with other good author/music pairings. How bout

reading Ayn Rand while listening to the Saturday Night Fever soundtrack? :)

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Fri, 30 May 1997 04:52:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: Stealing

In-Reply-To:  <199705231945.MAA08517@freya.van.hookup.net>

 

On Fri, 23 May 1997, James William Marshall wrote:

 

>      "Ryokan, a Zen master, lived the simplest kind of life in a little hut

> at the foot of a mountain.  One evening a thief visited the hut only to

> discover there was nothing in it to steal.

>      Ryokan returned and caught him.  'You may have come a long way to visit

> me,' he told the prowler, 'and you should not return empty-handed.  Please

> take my clothes as a gift.'

>      The thief was bewildered.  He took the clothes and slunk away.

>      Ryokan sat naked, watching the moon.  'Poor fellow,' he mused, 'I wish

> I could give him this beautiful moon.'

> 

> Stolen from _Zen Flesh, Zen Bones:  A Collection of Zen and Pre-Zen

> Writings_.  Stolen by Paul Reps.  Callously distributed by Anchor Books.

> Thoughtlessly published by Doubleday, 1989.

 

"The Literalists--or 'Lits' as they came to be called--actually put the

words of Christ into disastrous practice. Now Christ says if some son of

a bitch takes half your clothes, give him the other half. Accordingly,

Lits stalk the streets looking for muggers and strip themselves mother

naked at the sight of one. Many unfortunate muggers were crushed under

scrimmage pileups of half-naked Lits.....No doubt about it, brothers and

sisters, love is the answer. Let the love squirt out of you like a fire

hose of molasses....the Divine Lubricant, makes KY and lanolin feel like

sandpaper...." (WSB, _Ghost of Chance_)

 

Maybe Burroughs is a Buddhist after all..........;)

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Fri, 30 May 1997 05:27:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: how annoying some of these whiny people are!

 

Jeff Taylor wrote:

> 

> On Thu, 29 May 1997, Maya Gorton wrote:

> 

> > JUST WORDS!!!!!!! words are not just words.  they have a crazy power over us

> > that we do not yet fully comprehend.  they are sound and form transformed

> > from their chaotic origins into meaningful order.  Understanding the

> > mechanism whereby we produce language is the key to human thought and soul.

> >  How does a sound/image produce such far-reaching paths of thought in us?

> 

> Yes....this is I think one of the guiding questions of Burroughs' work....

> "What is a writer trying to do?" he asked somewhere....perhaps trying to

> answer some of these questions....

> 

> Some of the people WSB mentions as having read were concerned with these

> questions too.....Alfred Korzybski, Julian Jaynes.....I haven't read

> Korzybski yet, but I did read Jaynes' book _The Origin of Consciousness

> in the Breakdown of the Bicameral Mind_, a fascinating book..

 

years since i'd read these - thanks for the reminders

 

..his thesis

> is that before the last 2500 years or so, humans were not conscious at

> all, and that everyday activites proceeded unconsciously..

 

i was at a mall last week and observing the various people hear and

there and between, it appeared that they were functioning nearly

unconsciously.  habit and routine having become the new voices.

 

..whenever a

> decision had to be made, the right-brain would send a signal over to the

> left-brain, which was experienced as hearing a voice telling you what to

> do ("the voice of god"), much like present-day schizophrenics. He also

> suggests that looking at idols helped set off these voices (thus

> explaining the presence of idols at certain points in human history)--it

> is apparently the case that looking at human figures, esp. if they have

> large eyes, can set off auditory hallucinations.

> 

> Nowadays no one hears voices from statues--but look what we do instead!

 

Some of us sometimes do hear voices and have visions from statues

still.  Only now such a condition is treated with chemicals like

Halperidol, Thoradazine and the same ilk.  Very rough medicines.  But a

note of warning - after be given a shot of Halperidol, a hit of LSD does

not necessarily work as an effective chemical counter-agent.  :)

 

 

> We look at small black spots on a piece of paper or on a computer

> monitor, and they cause us to hear words in our heads! Is this not just

> as incredible and amazing? Books--our own strange little paper idols.

> Perhaps someday people will no longer hear the words, or see any meaning,

> in these little black marks, and just as today we think it silly to try

> to get speech from a statue, people will regard the activity of reading

> as some sort of idiotic superstition, while future archeologists will

> wonder what function all these millions of bricks of paper could possibly

> have served.....

> 

> Or here's another possibility:

> "The language faculty is part of the overall architecture of the

> mind/brain, interacting with its other components....The language faculty

> *interfaces* with other components of the mind/brain. The interface

> properties, imposed by systems among which language is embedded, set

> contraints on what this faculty must be if it is to function....The

> articulatory and perceptual systems, for example, require that

> expressions of the language have a linear order at the interface;

> sensorimotor systems that operated in parallel would allow richer modes

> of expression of higher dimensionality." (N. Chomsky)

> 

> Could cut-ups be one way of getting around this limitation and operating in

> parallel or at least emulating such operation?

 

definitely.  this is the cutting through the pre-recorded universe

notion.

 

i.e., of allowing

> you to think several thoughts at once, and to see their connections? I

> sometimes get this feeling while reading certain cut-ups of WSB.

> 

> *******

> Jeff Taylor

> taylorjb@ctrvax.vanderbilt.edu

> *******

> 

> "A written word is the choicest of relics. It is something at once more

> intimate with us and more universal than any other work of art. It is the

> work of art nearest to life itself. It may be translated into every

> language, and not only be read but actually breathed from all human lips;

> --not be represented on canvas or in marble only, but be carved out of

> the breath of life itself." Thoreau, _Walden_

=========================================================================

Date:         Fri, 30 May 1997 05:37:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Stealing

 

Jeff Taylor wrote:

> 

> On Fri, 23 May 1997, James William Marshall wrote:

> 

> >      "Ryokan, a Zen master, lived the simplest kind of life in a little hut

> > at the foot of a mountain.  One evening a thief visited the hut only to

> > discover there was nothing in it to steal.

> >      Ryokan returned and caught him.  'You may have come a long way to visit

> > me,' he told the prowler, 'and you should not return empty-handed.  Please

> > take my clothes as a gift.'

> >      The thief was bewildered.  He took the clothes and slunk away.

> >      Ryokan sat naked, watching the moon.  'Poor fellow,' he mused, 'I wish

> > I could give him this beautiful moon.'

> >

> > Stolen from _Zen Flesh, Zen Bones:  A Collection of Zen and Pre-Zen

> > Writings_.  Stolen by Paul Reps.  Callously distributed by Anchor Books.

> > Thoughtlessly published by Doubleday, 1989.

> 

> "The Literalists--or 'Lits' as they came to be called--actually put the

> words of Christ into disastrous practice. Now Christ says if some son of

> a bitch takes half your clothes, give him the other half. Accordingly,

> Lits stalk the streets looking for muggers and strip themselves mother

> naked at the sight of one. Many unfortunate muggers were crushed under

> scrimmage pileups of half-naked Lits.....No doubt about it, brothers and

> sisters, love is the answer. Let the love squirt out of you like a fire

> hose of molasses....the Divine Lubricant, makes KY and lanolin feel like

> sandpaper...." (WSB, _Ghost of Chance_)

> 

> Maybe Burroughs is a Buddhist after all..........;)

> 

> *******

> Jeff Taylor

> taylorjb@ctrvax.vanderbilt.edu

> *******

 

His notion of "DO EZ" is a Western explanation of many Zen methods.

Where was that "Exterminator"?  Used to read "DO EZ" nearly every day.

Unfortunately sent all my burroughs to Evergreen CO for Hannukah and now

i just don't do anything anymore.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 30 May 1997 09:37:03 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Fred Bogin <FDBBC@CUNYVM.BITNET>

Organization: Brooklyn College Library

Subject:      Current subscribers

 

As of this moment (9:36am EDT, May 30) there are 248 subscribers to

beat-l.

 

fred

=========================================================================

Date:         Fri, 30 May 1997 09:40:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: how annoying some of these whiny people are!

 

Ferlinghetti, dog---probably!!!

=========================================================================

Date:         Fri, 30 May 1997 08:47:42 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JWHasbrouck <jhasbro@TEZCAT.COM>

Subject:      All Things

 

All things considered, I think the Beat-l list is far more interesting

now than it has been at any time during the last two years or so during

which I've been a subscriber.

 

John Hasbrouck, LurkMaster

=========================================================================

Date:         Fri, 30 May 1997 10:06:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: how annoying some of these whiny people are!

 

In a message dated 97-05-30 07:06:12 EDT, you write:

 

<< 

 Or here's another possibility:

 "The language faculty is part of the overall architecture of the

 mind/brain, interacting with its other components....The language faculty

 *interfaces* with other components of the mind/brain. The interface

 properties, imposed by systems among which language is embedded, set

 contraints on what this faculty must be if it is to function....The

 articulatory and perceptual systems, for example, require that

 expressions of the language have a linear order at the interface;

 sensorimotor systems that operated in parallel would allow richer modes

 of expression of higher dimensionality." (N. Chomsky)

 

 Could cut-ups be one way of getting around this limitation and operating in

 parallel or at least emulating such operation? i.e., of allowing

 you to think several thoughts at once, and to see their connections? I

 sometimes get this feeling while reading certain cut-ups of WSB.

 

 *******

 Jeff Taylor

 taylorjb@ctrvax.vanderbilt.edu

 ******* >>

WOW i'm impressed.  I'd like you to know i saved that mail. Thanks for the

insight!! Indeed, i think WSB's cut ups do that very well.  By sticking

together 2 apparently unrelated words, they force your mind to somersault

because it automatically tries to make sense of them and find the connection.

 Have you read Deleuze and Guattari, namely "A thousand plateaus:Capitalism

and schizophrenia"? You'd like it from the sound of it.

 

I also think that language is related to other things besides cognitive

faculties, such as emotions, and all the senses.  In a good book, you can

smell the words. you can cry over poetry, even if it's "happy".  You can hear

pain and feel colors and see sounds. look foward to hearin more from

you.....................maya

=========================================================================

Date:         Fri, 30 May 1997 10:14:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Stealing

 

In a message dated 97-05-30 07:52:41 EDT, you write:

 

<< 

 "The Literalists--or 'Lits' as they came to be called--actually put the

 words of Christ into disastrous practice. Now Christ says if some son of

 a bitch takes half your clothes, give him the other half. Accordingly,

 Lits stalk the streets looking for muggers and strip themselves mother

 naked at the sight of one. Many unfortunate muggers were crushed under

 scrimmage pileups of half-naked Lits.....No doubt about it, brothers and

 sisters, love is the answer. Let the love squirt out of you like a fire

 hose of molasses....the Divine Lubricant, makes KY and lanolin feel like

 sandpaper...." (WSB, _Ghost of Chance_)

 

 Maybe Burroughs is a Buddhist after all..........;)

  >>

i definitely think he was influenced by buddhism through his friends....in

his work, he does make positive references to it's virtues......the only one

that comes to mind: he mentions vipassana in Western Lands as a tool for

strength and insight.  I was surprised but then i realized how well cynicism

and buddhism complement each other in my own experience.

=========================================================================

Date:         Fri, 30 May 1997 10:15:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: No Subject hah

 

In a message dated 97-05-30 08:56:41 EDT, you write:

 

<< 

 sorry about that - from the style of the excerpt i mistook you for

 burroughs.  i hope you aren't offended.

 

 david

  >>

I GUESS I CAN LIVE WITH THAT!!!!!!!!! Thanks for the compliment, sweetheart!

=========================================================================

Date:         Fri, 30 May 1997 10:19:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Music...

 

In a message dated 97-05-30 09:13:22 EDT, you write:

 

<< 

 A long time ago I also used to sit by a fire on a winter night, reading

 Dostoyevsky while sipping Stolichnaya and Rachmaninov playing on the stereo.

 

 I bet we could come up with other good author/music pairings. How bout

 reading Ayn Rand while listening to the Saturday Night Fever soundtrack? :)

 

 *******

 Jeff Taylor

 taylorjb@ctrvax.vanderbilt.edu >>

 

How 'bout: read Burroughs and listen Throbbing Gristle?

=========================================================================

Date:         Fri, 30 May 1997 10:27:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: My guess for Maya

 

It was a mummified fetus from an ectopic pregnancy that his mother

experienced. Her gynecologist had correctly diagnosed and surgically removed

it. It was sitting in the case next to his mother's gall stone....

       Here's hoping - Antoine

 

     I enjoyed the anecdote.  Have several similar ones from the psychiatric

ward but nevermind.

     Okay, here's my guess about what the guy was examining: a piece a shit?

No.  A kidney stone.  No.  Uh, a big piece a ham.  No, too obvious.  It had

to be that notorious, potentially forged signature.

 

                                                    James M.

two box elder bugs fucking.

 

david rhaesa

salina, Kansas

 

what a great response!! I'm so glad I could inspire such beautiful images.  I

think I have enough respect to be able to hand out first prize to all three

of you.  Congratulations on your brand new toaster!  OK, here's the real

answer you've all been waiting for: THE BOX was EMPTY.......

=========================================================================

Date:         Fri, 30 May 1997 09:25:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: My guess for Maya

 

Of coures empty!        ...thus the intense concentration needed!

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 30 May 1997 10:42:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Burroughs; was Re: my condolences to whoever just "signed

              off"...

 

In a message dated 97-05-30 09:54:41 EDT, you write:

 

<< 

 WSB has said many times that the purpose of art is to make people aware

 of what they know but dont know that they know.

 

 He also said what is probably my favorite definition of art and the

 activity of artists:

 "...dreams are a biological necessity. If you deprive someone of the

 dream state for more than 2 months they will die, no matter how much

 dreamless sleep they are allowed. People hunger for dreams, they need

 them. Dreams are not some kind of elite luxury.

     What do artists do? They dream for other people. We dream for those

 people who have no dreams of their own to keep them alive."

 (_Painting and Guns_ p.46)

 

 *******

 Jeff Taylor

 taylorjb@ctrvax.vanderbilt.edu

 *******

  >>

YESYES YES! those are 2 fine burroughs quotes.  But what if you know things

other people don't know? What if you are very much aware of them and you do

communicate these 'dreams' to others and help them? where the hell does that

leave you?  I have enough dreams for several more lifetimes, but what a

horrible burden.  Heavy dreams, dangerous dreams that eat away at reality,

skew your perspective, make it hard to focus.  I'll never write them all

down, paint them all out.  They trap me and i have no choice but to write and

paint and howl my way out.  I would love to unload some of them on others,

especially if it keeps them alive, but true release will only come at the

End.

 

took off my opened the door coat bathroom ran the to before i could close it

I----was panting ripped it bag fast open as i cooked could spoon black

there's death in safety, safety in death, said she with a look of horrified

comprehension as it hit home and she gave one last flicker like a tv set that

just turned off.

 

The smell of charcoal and warm molasses.  the bitter taste of blood mixed

with rubbing alcohol, licked off my arm.  Regrets of a typewriter and

Brooklyn days.  Chaos is not to be fucked with, I'm afraid.  for what dreams

may come? I dreamed something was chasing me, no--I was chasing it.  No.

Something was chasing me. No.

You can never go back. They say it and it's true. The hard way. Can you live

with that? Did you know no one can see the same as you? Was that part of the

bargain? I don't think so. I've been had.   Eternal longing for the present

to remain so. Nostalgia for what is, or never was.  Do you wanna slap me? No,

go ahead, I want you to.

 

In other words, everything is familiar to me....everything is similar.  Not

similar to, just similar.  All i can say is thank god everything in this

world is connected in this way, or i'd have nothing to live for.  A

"connections explorer", discovering neural pathways no man woman or dog has

ever before sent synapses across.  micro/macro-scopic vision simultaneously.

 Now i'm fighting for the most insane thing i could think of, which is to

think.

 

Please, god, don't leave me now.

 

 

>I think wsb explored further and deeper the limits of what can be done with

>words....he manipulated them and juxtaposed them to create new associative

>pathways, not just poetry but Original Thought.  Although I like the poetry

>of the other beats, it's their prose i find less-than-satisfying.  Somehow

it

>doesn't make my synapses snap, crackle and pop like Burroughs' does.

> Although I enjoy the "moods" of Kerouac and Ginsberg, (sad, nostalgic,

>despairing, ironic, gleeful, etc.) I prefer the biting sarcasm and

>intersecting plateaus of humor, disgust, bitterness, futility and hope in

>Burroughs' work.   Not to mention the intellectual stimulation i get from

>reading him, which ultimately, inevitably, climaxes into a physical

expulsion

>of words/paintings/music by me......

=========================================================================

Date:         Fri, 30 May 1997 10:39:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Influences on the Beats

 

Jeff Taylor wrote:

 

> On Fri, 23 May 1997, MARK NOFERI wrote:

> 

> > About Beat precursors-

> > The Kerouac-Wolfe connection, for one, is quite distinct, especially

> if you

>  look

> > at Jack's early work. It's fun to sit down and read Wolfe's first

> novel, Look

> >  Homeward, Angel,

> > and Kerouac's first, Town and the City, and see just how much

> Kerouac looked

>  up

> >  to Wolfe

> > in those days - Kerouac's flowery prose about Lowell echoes Wolfe's

> about

> >  Asheville

> 

> I read _Look Homeward, Angel_ recently and am now in the middle of the

> 

> massive _Of Time and the River_, and Kerouac's similarity to Wolfe was

> 

> immediately apparent to me, although I can't quite put a finger on

> what

> exactly--the dense, luminous descriptions of things? Although Wolfe is

> 

> much more repetetive than Kerouac.

> 

> And oh, the long litany to Coming Home in October that opens part 3 of

> 

> Wolfe's Time & River is absolutely amazing....I can see how Kerouac

> picked that up.....

> 

> *******

> Jeff Taylor

> taylorjb@ctrvax.vanderbilt.edu

> *******

 

 Of Time and The River is long and bogs down some, but some of the

passages in that book are the best of 20th Century, 19th Century, 18th

Century literature.  Overwhelming in the richness, the beauty, the

magnificence, and the scale of the writing.

 

Beautiful.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 30 May 1997 09:52:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: My guess for Maya

 

Maya Gorton wrote:

> 

  Congratulations on your brand new toaster!

 

A toaster.  i can't wait.

what's the next quiz??????

can I win a maid next time?

gotta go

Ed McMahon is knocking on my bathroom window.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 30 May 1997 11:05:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Cranial Guitar keeps Kaufman in tune....

 

In a message dated 97-05-30 09:58:11 EDT, Gerry Nicosia wrote:

 

<< let me announce that the poetry

 collection of the late Bob Kaufman's which I edited, CRANIAL GUITAR (Coffee

 House Press), has just won the prestigious PEN CENTER USA West 1997 Literary

 Award in Poetry. >>

 

In honor of this acheivement by argumentative but very talented editor Mr.

Nicosia,

let me offer to Beat-L members a copy of Cranial Guitar at a special discount

price of $10.95 (cover price $12.95) plus free shipping in USA (foreign

folks: please add $2.00 for shipping via surface) - Offer good while supply

lasts. Email me to order or for more information .....

 

Jeffrey

Water Row Books

waterrw@aol.com

=========================================================================

Date:         Fri, 30 May 1997 10:04:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Burroughs; was Re: my condolences to whoever just "signed

              off"...

 

Maya Gorton wrote:

> 

> In a message dated 97-05-30 09:54:41 EDT, you write:

> 

> <<

>  WSB has said many times that the purpose of art is to make people aware

>  of what they know but dont know that they know.

> 

>  He also said what is probably my favorite definition of art and the

>  activity of artists:

>  "...dreams are a biological necessity. If you deprive someone of the

>  dream state for more than 2 months they will die, no matter how much

>  dreamless sleep they are allowed. People hunger for dreams, they need

>  them. Dreams are not some kind of elite luxury.

>      What do artists do? They dream for other people. We dream for those

>  people who have no dreams of their own to keep them alive."

>  (_Painting and Guns_ p.46)

 

i've found of late (three years or so) that it is far easier to dream

dreams for others than for myself.  i can sit in the booth at the

filling station and pretend to read (and sometimes actually read) and

dream dreams for just about anyone who walks in the place.  spinning

such webs have becomes easy.  but who dreams dreams for the

dream-spinners?  i find almost no memory of dreams.  daydreams are no

longer as vivid for myself as the ones i dream up for others and it is

so often as though i'm outside the picture window joking with the camera

crew.  but when the shoot is over and everyone else goes home - i'm

still there at the picture window and the set is torn down and my dream

is (like the man at the diner with the box) mostly empty vision.

 

i'm not certain if that makes sense.  i wonder about the biological data

from which the above quotation draws.  and i wonder if i'm dead.  that

could be it fairly easily i suppose.

 

that said, i will begin to wind my little morning down into the

emptiness of another siesta voyage into several hours daily of compleat

non-existence.

 

i have NO CLUE whether that made ANY sense.  one of those seizures where

the fingers just went nuts and don't know what they typed.  i'll just

clean the bottom of this page out and send it without reading it and

someone else can dream up a dream for me that makes sense of the

finger-vomit.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 30 May 1997 11:52:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Revival, praise the Lord and pass the meter

 

Well, I feel somewhat revitalitzed here.  I did not realize how I had

virtually stopped trying to write til I signed onto the beat list, so I

am appreciative of the lists existance.  Here are a couple more poems

for the delete key or the scroll bar as you see fit.

 

Fever

 

As I feel

Your back fulshes hot.

And momentarily, your face

Is fever against me.

 

Intense, this river

Within and joining

Water pours

Over rocks

>From our spring.

 

Bentz Kirby

1987

Columbia, SC

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 30 May 1997 11:56:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Queen Vashti (Esther I)

 

Queen Vashti (Esther I)

 

She waltzes into the room

Decoding my genetic code

Telling strange and tragic tales

Of Vashti and her heroines.

 

Kindly set my table!

 

As I recall,

The Son of Mercury said to me.

"It is a sunlight day.

All refuge has been withdrawn.

Your own blood shall whet the stone

To grind your bones.

Until you refuse

To deny

Your heartbeat

Anymore.

 

Bentz Kirby

Charleston SC

1975

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 30 May 1997 11:59:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Desire

 

Desire

 

Collective sigh

Yields no relief.

Tidal pull and pressure

Crest leaping,

Then

        c

          r

            a

                s

                    h

                        i

                            n

                                g.

Possibilites forgotten

Are suggested

And are within our grasp

I feel the lunar ebb.

 

Bentz Kirby

Columbia SC

1987

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 30 May 1997 10:13:24 +0000

Reply-To:     annie@rt66.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         annie shank <annie@RT66.COM>

Organization: you can't be serious

Subject:      Just for starters: 1

 

Driveby

 

Rigid on his back in

cool grass,

catfish mothe gaping

with struggling breath,

flare of orange pain

far away in his body,

the distant lunar landscape

a caption to the scene,

rides through his fading vision.

The scream of the ambulance underscores

the verity of his passing.

A life complete

at fifteen.

 

 

 

 

Nice to be here, folks.

 

annie                           UNM                             annie@rt66.com

=========================================================================

Date:         Fri, 30 May 1997 12:06:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Untitled

 

Untitled and unfinished

 

The cabooseless train crawls by the queue of cars.

She walks around the barrier.

Off white sweater, black pants, horn rims,

Mid-calf boots and a look like life had worn her out.

Her flayed red hair sprawled like pampass grass untrimed.

 

I could see her mother's dreams hovering above

Her sad trail, the fear that all of that tiny spark could evaporate.

Something has taken her over--

It is racking her posture.

It is stealing the light from her eyes.

It is leaving behind a shell of dreams,

As big as anyones.

Dreams stillborn in the grass,

Wrapped in a bag and dumped in a dumpster.

Dreams trailing in the wakeof trains

That run over humans,

Dreams left driftiing in the ebb and flow

Of this great city.

Dreams washed to the bank,

Wrung out, lifeless, or barely alive.

 

She walks around the barrier.

 

Bentz Kirby

1995

Columbia, SC

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

=========================================================================

Date:         Fri, 30 May 1997 12:31:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      On the Road 1st edition Facsimile

 

There is a number you can cal to order a 1sy edition hardcover facsimile of

On the Road which falls in line with a series of other hardcover such as

Fitzgerald, Hemingway, Faulkner,Kesey, etc. The number to obtain this is in

Groton, Connecticutt. It is 1-800-367-4534. Ask for the 1st Edition Library

and tell them you would like to buy On the Road. It may be around $35.00. It

isn't the real thing but is nice to have this novel in a hardcover format

nevertheless. regards, Paul of TKQ....

=========================================================================

Date:         Fri, 30 May 1997 10:17:34 +0000

Reply-To:     annie@rt66.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         annie shank <annie@RT66.COM>

Organization: you can't be serious

Subject:      Just for starters: 2

 

The Poet

 

We sit here,

attentive witness to your spoken agony.

You watch

enclosed

sardonic

as we mouth our opinions

our criticism

our insight

on the composition and expression

of your

naked

soul.

 

Where do they come from

these keening rages

these icy howls

couched in sarcasm

drenched in everpresent bourbon

smeared with lipstick

and semen

and pain

always pain

but pain with wit

so no one knows how bad

it is.

 

Janus and Niobe

are your patron saints.

 

I would enfold your soul

in the warmth of mine

thorns and roses

tequila and sweets

I would enfold your soul

in the warmth of mine

but your razors cut

and your acid sears

I would enfold you sould

in the warmth of mine.

No warmth would be enough.

 

 

 

And I hope to stay a while!

 

annie                           UNM                             annie@rt66.com

=========================================================================

Date:         Fri, 30 May 1997 12:10:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Songs

 

Songs

 

The hollowness of the echo,

Years resounding in the note.

A song,

Strange aloofness,

Some withdrawel,

Emotional disenfranchisement.

Allowing the song to drift from the feeling.

Allowing the song to become a sad memory.

Allowing the song to become estranged.

Some sad memory,

Which time has arranged.

 

The resul

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 30 May 1997 09:15:43 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      All Things

 

                                May 30, 1997

John Hasbrouck writes:

        "All things considered, I think the Beat-L list is far more

interesting now than it has been at any time during the last two years or so

...."

 

        John,

        You mean I didn't murder the Beat-List?  I'm crushed.

        Yours in failure,

        Gerald Nicosia

=========================================================================

Date:         Fri, 30 May 1997 12:22:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: All Things

 

Gerald Nicosia wrote:

 

>                                 May 30, 1997

> John Hasbrouck writes:

>         "All things considered, I think the Beat-L list is far more

> interesting now than it has been at any time during the last two years

> or so

> ...."

> 

>         John,

>         You mean I didn't murder the Beat-List?  I'm crushed.

>         Yours in failure,

>         Gerald Nicosia

 

Oh, beat list, the rumor of your death are greatly exaggerated.

Oh, beat list, can you be beat?

Oh, beat list, a email treat.

Oh, beat list, it is bigger than us all.

Oh, beat list, it is better than the mall.

Oh, beat list, it is unconscious yet alive.

Oh, beat list, it is there despite our selves.

Oh, beat list, it is beating in our hearts.

 

BEAT BEAT BEAT BEAT BEAT BEAT BEAT BEAT BEAT BEAT BEAT BEAT

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 30 May 1997 12:27:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      [Fwd: Songs]

 

This is a multi-part message in MIME format.

--------------5DD29A023DFFEA717BD036F6

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

--------------5DD29A023DFFEA717BD036F6

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Return-Path: <bocelts@scsn.net>

Received: from bocelts ([206.25.247.68]) by mail.scsn.net

          (Post.Office MTA v3.1 release PO203a ID# 0-32322U5000L100S10000)

          with ESMTP id AAA139 for <bocelts@scsn.net>;

          Fri, 30 May 1997 12:22:59 -0400

Message-ID: <338EFF76.939905B9@scsn.net>

Date: Fri, 30 May 1997 12:25:26 -0400

From: bocelts@scsn.net (R. Bentz Kirby)

Organization: Law Office of R. Bentz Kirby

X-Mailer: Mozilla 4.0b4 [en] (Win95; I)

MIME-Version: 1.0

To: "R. Bentz Kirby" <bocelts@scsn.net>

Subject: Re: Songs

X-Priority: 3 (Normal)

References: <338EFBF2.B4A23CC9@scsn.net>

Content-Type: text/plain; charset=iso-8859-1

 

R. Bentz Kirby wrote:

 

> Songs

> 

> The hollowness of the echo,

> Years resounding in the note.

> A song,

> Strange aloofness,

> Some withdrawel,

> Emotional disenfranchisement.

> Allowing the song to drift from the feeling.

> Allowing the song to become a sad memory.

> Allowing the song to become estranged.

> Some sad memory,

> Which time has arranged.

> <snip what was to be The resulting etc.>

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

 Well, some how I accidently deleted the end of that poem.  I kind of

like it better now.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

 

--------------5DD29A023DFFEA717BD036F6--

=========================================================================

Date:         Fri, 30 May 1997 09:34:54 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Julian Jaynes

 

Jeff Taylor wrote:

 

 

> Some of the people WSB mentions as having read were concerned with these

> questions too.....Alfred Korzybski, Julian Jaynes.....I haven't read

> Korzybski yet, but I did read Jaynes' book _The Origin of Consciousness

> in the Breakdown of the Bicameral Mind_, a fascinating book....his thesis

> is that before the last 2500 years or so, humans were not conscious at

> all, and that everyday activites proceeded unconsciously....whenever a

> decision had to be made, the right-brain would send a signal over to the

> left-brain, which was experienced as hearing a voice telling you what to

> do ("the voice of god"), much like present-day schizophrenics. He also

> suggests that looking at idols helped set off these voices (thus

> explaining the presence of idols at certain points in human history)--it

> is apparently the case that looking at human figures, esp. if they have

> large eyes, can set off auditory hallucinations.

> 

 

 

It is nice to see someone else who has read the Jaynes book. That book,

whether he is completely right or not., forever changes the way I look

at man's early history--up to things like the Illiad and early Hebrew

scripture.  A really fascinating book.  The idea of the gods evolving

from the voices of the dead ancestors speaking to one. Lots of

implications for poetic theory.  For those who like that sort of thing a

must read.

 

J Stauffer

=========================================================================

Date:         Fri, 30 May 1997 09:38:35 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Music...

 

Jeff Taylor wrote:

 

> sometimes seem like they ought to form one uninterrupted phrase, which it

> is not possible to talk through in one breath. This perhaps makes a sort

> of disruption between writing and speaking, but perhaps not between the

> writing and music--there is such a thing, when playing a horn, as

> circular breathing, i.e., breathing in thru the nose while blowing out

> thru the mouth, and by means of which you can hold a note indefinitely.

> But I never heard of circular talking.

> 

> *******

> Jeff Taylor

> taylorjb@ctrvax.vanderbilt.edu

> *******

 

 

Maybe if Roland Kirk were still around you could get him to try.  The

things he could do with a horn were amazing.

 

J Stauffer

=========================================================================

Date:         Fri, 30 May 1997 18:41:06 +0200

Reply-To:     smeraldo.press@iol.it

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ufficio Stampa Teatro Smeraldo <smeraldo.press@IOL.IT>

Organization: Teatro Smeraldo

Subject:      jack & jazz

 

Thanks everybody for answering to my question about "jack & jazz"!

Everybody have a great weekend, plenty of good poetry and music...

Bye, Laura :.)

 

Laura Moja

Ufficio Stampa

Teatro Smeraldo

smeraldo.press@iol.it

=========================================================================

Date:         Fri, 30 May 1997 13:10:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      On the Road 1st edition Facsimile

 

There is a number you can call to order a 1st edition hardcover facsimile of

On the Road which falls in line with a series of other hardcover such as

Fitzgerald, Hemingway, Faulkner,Kesey, etc. The number to obtain this is in

Groton, Connecticutt. It is 1-800-367-4534. Ask for the 1st Edition Library

and tell them you would like to buy On the Road. It may be around $35.00. It

isn't the real thing but is nice to have this novel in a hardcover format

nevertheless. regards, Paul of TKQ....

=========================================================================

Date:         Fri, 30 May 1997 10:21:49 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Dreams

 

David,

     If I understood your post correctly, you have a hard time remembering

the dreams you dreamt before you started dreaming a day.  After I read _Book

of Dreams_ I did a little writing experiment.  There were countless times

that I had awoken (or truly began to dream, who knows and who ain't talkin)

and traces of dreams were left on what I think is my conscious state.  I

knew there was poetry being lost.  So I left a little notebook and a pen for

any unconscious songs that I might be able to capture.  I didn't think I'd

be able to do it because I really enjoy sleeping and curse any interuption.

     What I found was that I was able to train myself to start waking up

after I'd had a dream and to write it down in a stream of

half-consciousness.  The secret is to write all the ones or even just images

you can remember; don't be your own critic while you're half-asleep.  I'd

wake up in the morning and have two or three pieces that I never would have

had.  I don't know why I stopped doing it.  Oh yeah, it's those little white

pills that the bad men make me take every night.  Now the notepad is for

those moments of clarity immediately preceding the sleep state.  I'm going

to start trying to do it again.  Capturing your dreams at the right moment

is a great way to figure out what's really going on with you.  They'll have

more meaning for you than for anyone else.  Many of my dreams actually

turned out to be cryptically prophetic.  My sleep actually turned out to be

more rewarding.  Think I might do some digging for that little pad.

                                                          James M.

=========================================================================

Date:         Fri, 30 May 1997 10:42:31 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Words

 

     I like words.  Words are good.  I can't think of many words I don't

like.  I don't like the word 'panties'.  Don't get me wrong, I love panties

I just don't like the word.  Don't get me wrong, I don't love panties so

much that I wear them all day long, just in the evenings.  I'm kidding.

I've never worn panties except for the few times that I have.  My ex- had a

weird streak and when you're trippin you can get talked into doing things

you might not normally do.  ALRIGHT ALRIGHT.  I did it once when I wasn't

high.  But she was there alright.  Three words:  She liked it.  (Suddenly

I'm Denis Leary).

     Back to words.  Don't turn your back on words okay, they'll kill you.

I'm not going to be able to say what I want to say.  Here goes there.  I

have a problem with words which stems from their void of any inherent

meaning.  In my writing, I play with that void and I like it.  So maybe I

don't have that bigga problem with words.  Still and still moving, there's

something about those little critters that gives me the creeps.  I think

it's the fear that my intentions and intention not to have any intentions

can be misinterpreted.  But being misinterpreted is great.  Fuck.  Forget

it.  No.  Don't forget fuck, forget what I was trying to write about while

using what I was trying to write about while being creeped out and hopeful

that each 0 and 1 will be misunderstood.

     "We live to survive our paradoxes"-The Tragically Hip.

                                                                 James M.

=========================================================================

Date:         Fri, 30 May 1997 19:49:02 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nils-Xivind Haagensen <Nils-Oivind.Haagensen@LILI.UIB.NO>

Subject:      the rant pamphlet

 

         i stumbled across a pamphlet from the beat-seminar at nyu (in 94?)

today, which contains photographs of Kerouac/Gins/Burroughs & two long

prose-pieces...

 

        One is Ron Whitehead's "San Francisco, May 1993":

 

Visited Lawrence Ferlinghetti

Flew to San Francisco

Super Shuttled to City Lights

        keys at the front desk

        with address and map

Wandered streets     Kerouac Alley      Kenneth Rexroth Place

        lost for hours

                small suitcase wighed down with

    heavy words "The Mask is the Path of the Star"

  Diane di Prima's chapbook

Published in Heaven Series White Fields place

    limited edition of 50 copies to meet her

                and have them signed

Where is Diane di Prima

on Laguna   Haight-Ashbury   San Francisco Art Institute

"the only war that matters is the war against the imagination"

        and I'm searching dor Diane di Prima

                Where is Lawrence Ferlinghetti

              on Francisco   Telegraph Hill   Nort Beach   City Lights

"poets come out of your closets

open your windows, open your doors,

You have been holed up too long

in your closed worlds..."

        and I'm searching for Lwarence Ferlinghetti

                        Walked Golden gate Bridge

holding Anncye's hand into the wind

Alcatraz and sailboats one bent

licking the lips of the Bay waters

and the Pacific sprays us with tears

of Chinese immigrants who for forty days

and forty nights

have stood in water

outside America's door knocking

denied entry     denied

Fisherman's wharf seals singing

some burnt out old hippie screeching "I am a Rock

I am an island" for spare change from laughing

lines of tourists from around the world waiting

for trolley tours

lunch at Fish Alley

hike up Telegraph Hill

what a view but

a statue of Colombus? is this

is this a Colombus I don't know about?

the other Colombus? The San Francisco

Telegraph Hill North Beach Colombus?

Father Christopher Colombus of Our Lady of the Flowers?

no, Lawrence Ferlinghetti says

this is THE Christopher COlombus.

"We tried to spray paint his

hands red but PoliceMen

surrounded him all night

Colombus Day Eve."

[...]

 

        The other by Kent Fielding (?):

 

"Kerouac: 1922-1969-he who honoured life."

eyes open-back straight-thinking is the natural

        state of mind

let all thoughts pass trough you-concentrate on your

        outward breath

the breath that you give to the world

exhale tenderness, exhale tenderness, exhale tenderness

trees hold wind in their orange branches and grow into

        dim shadows

[...]

 

 

guess i'll just toss it out & try to remember the pictures!

nh

=========================================================================

Date:         Fri, 30 May 1997 13:49:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: CRANIAL GUITAR

 

To show just how "Power Mad", "Glory Seeking" and "Money Hungry" GERALD

NICOSIA really is and the depths this guy will sink to I'd like to descibe

for you what CRANIAL GUITAR by Coffee House Press looks like.

 

The cover is a beautiful yellow and blue, very stylish and clean with the

words "Selected Poems By Bob Kaufman" across the top and the title CRANIAL

GUITAR in the center.  The spine says the same thing except it also says

"Coffee House Press".  The back cover features a black & white photo of Bob

Kaufman with one paragraph from the introduction by David Henderson as well

as two paragraphs of text describing Kaufman and his work.  AMAZINGLY the

words "Edited by Gerald Nicosia" appear NOWHERE on the front cover, back

cover or the spine!

 

As a matter of fact, the words "Gerald Nicosia" appear in only three areas of

the book (all in small print, I might add) on the inside flyleaf, under a

half page of text he wrote as an Editor's note and buried in the Library of

Congress Data.  In fact, despite the fact we have been selling this book

since it first came out I was unaware Gerry Nicosia had edited it.  How's

that for a Conspiracy of Silence!?!

 

I mean THE NERVE OF THIS GUY!  Who does he think he is hiding his name in

there so we'll all have to go searching for it!  It should be plastered all

over the cover like (GULP! Dare I say it?)  Ann Charters name is all over

Jack Kerouac's Selected Letters!  There, I said it!  Whew!  God, here come

the slings and arrows!

 

Seriously, though, as we learn more and more about people and issues, I think

we can take measure of the man here.  Nicosia is a scholar, obviously not out

for self-agrandizement by the looks of Cranial Guitar. The focus of this book

is strictly Bob Kaufman.  Gerry Nicosia is an incidental here who happened to

help make it happen.

 

 

SPECIAL TO BEAT-L MEMBERS ONLY!

 

Fog City Facts & Fiction is offering CRANIAL GUITAR

for the lowest price on the planet!  Normally priced at

$12.95 we're offering it for a limited time only for the

unabashedly unashamed low price of only $8.95.

This includes shipping to anywhere in the US.

Overseas shipments add $2.00.

Please place your order by June 30, 1997.

 

Call 1-800-KER-OUAC

www.kerouac.com

PO Box 48

Monterey, CA  93940

 

 

Jerry Cimino

Fog City Facts & Fiction

=========================================================================

Date:         Fri, 30 May 1997 10:50:55 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Cranial Guitar keeps Kaufman in tune....

 

                                                May 30, 1997

Jeffrey Weinberg writes:

"... argumentative but very talented editor Mr.

Nicosia...."

 

Jeffrey,

        There's a difference between "argumentative" and "committed" or

"willing to fight for what he believes in."

        Rush Limbaugh is argumentative.

        Martin Luther King, Jr. was committed.

        There are people who don't like either of them, but let's not mix up

meanings.

 

        Best, Gerry

=========================================================================

Date:         Fri, 30 May 1997 13:10:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: Some of the Dharma

In-Reply-To:  <1.5.4.32.19970529033254.006be388@pop.pipeline.com>

 

Paul,

How can I subscribe to Kerouac Quarterly?

 

You can e-mail me personnally at thomjj01@holmes.ipfw.indiana.edu

 

Sorry for the long address.

 

Thanks,

Jenn Thompson

=========================================================================

Date:         Fri, 30 May 1997 15:42:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zach Hoon <junky@BURROUGHS.NET>

Subject:      Re: Music...

In-Reply-To:  <Pine.PMDF.3.91.970530042849.540035616A-100000@ctrvax.Vanderbilt.Edu>

 

>I bet we could come up with other good author/music pairings.

 

music and writing are my two great loves, so much so that i can no longer

just sit and read or sit and listen (altho at times both are nice...)

 

Read any one of WSB's cutup novels to some of the new breakbeat or

drum'n'bass coming out of england. Any of his narrative novels go good with

downtempo/leftfield/instrumental hiphop...

 

WSB has been a huge driving force in the coming of age of electronic music.

one of, if not the,  first man to use a sample, electronic music simply

would not exist on the level it does today without those first forays done

by WSB, Sommerville, and Gysin...He has been cited as influence and thanked

in the liner notes of albums by groundbreakers such as Coldcut and Dj

Spooky, coming into role of grandfather to yet another cultural movement.

His voice can be heard sampled on countless records coming from all over

the world...UK, germany, japan, netherlands, usa...It's only appropriate to

read these works in the light of the music they've spawned. Not all the

time, mind you, but burroughs is future; this music is future...

 

 

hey i'm babbling a bit..

 

 

lurve,

-zach

=========================================================================

Date:         Fri, 30 May 1997 16:41:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: Cranial Guitar keeps Kaufman in tune....

 

At 10:50 AM 5/30/97 -0700, you wrote:

>                                                May 30, 1997

>Jeffrey Weinberg writes:

>"... argumentative but very talented editor Mr.

>Nicosia...."

> 

>Jeffrey,

>        There's a difference between "argumentative" and "committed" or

>"willing to fight for what he believes in."

>        Rush Limbaugh is argumentative.

>        Martin Luther King, Jr. was committed.

>        There are people who don't like either of them, but let's not mix up

>meanings.

> 

>        Best, Gerry

> 

>Don't disgrace the name of the great Dr. King by comparing yourself to him.

Nicosia-committed I agree. Phil

=========================================================================

Date:         Fri, 30 May 1997 13:48:07 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "s.a. griffin" <perrotta@USC.EDU>

Subject:      Re: signoff

 

At 02:39 AM 5/30/97 -0500, you wrote:

>On Thu, 29 May 1997, s.a. griffin wrote:

> 

>> in your direction.  the beats were, if nothing else to me, absolutely

>> oppopsed to academia and establishment bullshit. how many of our boys and

>> girls actually attended college and of those that did, how many finished?

>> 

> 

> 

>I'm not sure what you are talking about here.....

>They may have been opposed to academic "bullshit" (and God knows there is

>plenty of that), but I don't think that means they were necessarily opposed

>to academia as such. Burroughs, Ginsberg, & Snyder all finished college,

>the latter 2 eventually becoming university professors. Probably it is

>like Burroughs said in _Western Lands_ (p.125):

> 

>"Knowledge takes many forms and contexts. Cloistered ivy-covered halls,

>serious youths in academic garb....the typical is so often *not* where

>it's at, deliberately avoided like a cliche, that it becomes in time

>atypical, and by the inexorable logic of fashion, is again where it's at."

> 

>*******

>Jeff Taylor

>taylorjb@ctrvax.vanderbilt.edu

>*******

> 

> 

point well made.  but I think they are possibly the exceptions and not the

rule.  i am not opposed to education, hell, I think that is the answer, I am

opposed only to the abuse of power bred by institutional thinking; the

academic "bullshit".  that seems to be what turned most away then and now.

I find that in general (in general I say...) that few teach how to be

inspired by imagination, the discipline of well directed thought.  they can

only bring to the table what was served to them decades prior.  also

practical experience comes into play.  then we come to another unfortunate

present reality, who teaches these days?  TAs?  I know that I am taking

broad strokes here, but there is truth in it.

 

I was listening to Henry Miller last night on the radio while driving,

talking about the radical demise of individuals in his time.  seems to apply

even moreso today.  universities by and large seem to be leading the parade,

or at least falling in line, as the cost of education skyrockets.

 

I like your burroughs reference re fashion, it is right on.  thanks.

 

 

all the best

xxxooo

s.a.

 

_______________________________________________________________________

 

Lorraine M. Perrotta                    email:  lperrotta@huntington.edu

Acquisitions Librarian                  phone:  818-405-2184

The Huntington Library

1151 Oxford Road

San Marino, CA  91108

=========================================================================

Date:         Fri, 30 May 1997 23:24:29 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      poem

 

i'm

buried

&

butterflies

eat

my      feet

=========================================================================

Date:         Fri, 30 May 1997 17:34:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      A bit of good fortune

 

Beat Friends,

 

        Wow, I've got to share this with you guys!  A few months(?) ago someone

posted a URL for a new Kerouac release (Could have been "Kicks, Joy,

Darkness", I can't remember), but on the site was a contest to put

Kerouac's novels in chronological order.  I entered it on lark (while I

enjoy his poetry immensely, OTR is the only novel I've read to date--rest

assured that the others are on my short "to read" list).  Well, I come home

from work, check the mail, and sitting among the junk mail was a large

envelope from Ryko.  I was right!  I chose "Book of Blues" as my prize and

it's sitting by my side waiting for me to finish this message so I can

devour it with my dinner and a cold beer. . .

Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh!

 

This week is finally looking up! (good thing it's ending),

 

Bruce

--------------------------

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

 

 

12th Chorus (from Orlanda Blues)

 

The evening silencius

Poetry

        is so pretty

  When you silence it like that

 

It's nice to pop pearl pages

the candlelight, you know,

        is dedicated to poets

 

Okay--dreaming fields--Blake

wants to hear the latest development

in the man the way the bleat

lambs bleakly blake it now

and that is soft,

                Ah William,

        I guess as soft as Spanish

        dreams, what was it Trappist

           said:--"Goats

                as

                soft

                as

                sleep"

Something like that

        Farewell

=========================================================================

Date:         Fri, 30 May 1997 17:07:44 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Re: poem

In-Reply-To:  <3.0.1.32.19970530232429.006975e4@pop.gpnet.it>

 

oh Lana Turner [aka Rinaldo] we love you get up

 

--Frank O'Hara

 

 

>i'm

>buried

>&

>butterflies

>eat

>my      feet

=========================================================================

Date:         Fri, 30 May 1997 18:16:17 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Kerouac in the Top 40

 

Reply to message from e.lytle@CED.UTAH.EDU of Thu, 29 May

> 

>> 

>> andrew, what is 10,000 Maniacs? They do a song entitled Jack Kerouac.

>> 

> 

>        10,000 Maniacs broke up several years ago.  It's more likely to be

>Morphine,  the three-man,  sax-bass-drums combo,  from the Joy, Kicks

>CD.

 

There's the 10,000 Maniacs song, the Morphine song...anyone know of any

other songs referring to the Beats?

 

Diane.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Fri, 30 May 1997 17:28:58 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JWHasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: All Things

Comments: cc: "R. Bentz Kirby" <bocelts@scsn.net>

 

R. Bentz Kirby wrote:

> 

> JWHasbrouck wrote:

> 

> > All things considered, I think the Beat-l list is far more interesting

> >

> > now than it has been at any time during the last two years or so

> > during

> > which I've been a subscriber.

> >

> > John Hasbrouck, LurkMaster

> 

>  As a result of this post, I vote that we elevate John to Lurkmeister,

> an honor that has been bestowed upon few, if any.  The only person I

> know who has come close is the Copy meister guy, Rich.  Let us examine

> the parrallism of this idea:

> 

> Making copies =  Reading email

> 

> etc.

> 

> If anyone can expand upon this, I will be very happy to read it.

> 

> Congratulations John, Lurkmaster, or Lurkmeister.  And John, if elected,

> will you serve?

> 

HASBROUCK RESPONDS:

 

If elected, I will not only serve, but I will give the following

acceptance speech:

 

It is with a deep and profound sense of humility and awareness of my own

mortality that I accept the honorific title of Beat-L LurkMeister.

Having dutifully read nearly all of the postings relating to the Big

Estate Debate, I have posted nothing myself in nearly six weeks, and I

feel that I am only beginning to grasp how I might live up to the

position into which I have now been thrust - representative of those who

say little, yet ponder much. In closing, I wish to thank my mother and

father, without whom I would never have been possible. Thank you. (Steps

back, waving.)

 

BTW, are there any other candidates?

=========================================================================

Date:         Fri, 30 May 1997 17:33:06 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Re: CRANIAL GUITAR

In-Reply-To:  <970530134924_-329938574@emout13.mail.aol.com>

 

Will rush out immediamento to get a copy.  But am I the only one who

suspects that Gerry Nicosia doesn't really exist--that he's actually Doc

Benway on beanies or whatever those pills are called?  Also, I have to

unsubscribe for a couple of weeks due to an Interstate trip to the

UnderZone; will everyone promise not to say anything purple or red to

Benway (or anything virtual to Nicosia) til I'm back? // John M.

 

 

>To show just how "Power Mad", "Glory Seeking" and "Money Hungry" GERALD

>NICOSIA really is and the depths this guy will sink to I'd like to descibe

>for you what CRANIAL GUITAR by Coffee House Press looks like.

> 

>The cover is a beautiful yellow and blue, very stylish and clean with the

>words "Selected Poems By Bob Kaufman" across the top and the title CRANIAL

>GUITAR in the center.  The spine says the same thing except it also says

>"Coffee House Press".  The back cover features a black & white photo of Bob

>Kaufman with one paragraph from the introduction by David Henderson as well

>as two paragraphs of text describing Kaufman and his work.  AMAZINGLY the

>words "Edited by Gerald Nicosia" appear NOWHERE on the front cover, back

>cover or the spine!

> 

>As a matter of fact, the words "Gerald Nicosia" appear in only three areas of

>the book (all in small print, I might add) on the inside flyleaf, under a

>half page of text he wrote as an Editor's note and buried in the Library of

>Congress Data.  In fact, despite the fact we have been selling this book

>since it first came out I was unaware Gerry Nicosia had edited it.  How's

>that for a Conspiracy of Silence!?!

> 

>I mean THE NERVE OF THIS GUY!  Who does he think he is hiding his name in

>there so we'll all have to go searching for it!  It should be plastered all

>over the cover like (GULP! Dare I say it?)  Ann Charters name is all over

>Jack Kerouac's Selected Letters!  There, I said it!  Whew!  God, here come

>the slings and arrows!

> 

>Seriously, though, as we learn more and more about people and issues, I think

>we can take measure of the man here.  Nicosia is a scholar, obviously not out

>for self-agrandizement by the looks of Cranial Guitar. The focus of this book

>is strictly Bob Kaufman.  Gerry Nicosia is an incidental here who happened to

>help make it happen.

> 

> 

>SPECIAL TO BEAT-L MEMBERS ONLY!

> 

>Fog City Facts & Fiction is offering CRANIAL GUITAR

>for the lowest price on the planet!  Normally priced at

>$12.95 we're offering it for a limited time only for the

>unabashedly unashamed low price of only $8.95.

>This includes shipping to anywhere in the US.

>Overseas shipments add $2.00.

>Please place your order by June 30, 1997.

> 

>Call 1-800-KER-OUAC

>www.kerouac.com

>PO Box 48

>Monterey, CA  93940

> 

> 

>Jerry Cimino

>Fog City Facts & Fiction

=========================================================================

Date:         Fri, 30 May 1997 18:46:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Music...(industrial)

 

not to mention Industrial Music, which owes almost everything it's got to

Burroughs....in terms of atmosphere, cut-up techniques, loops, etc. And

space.  There's a really awesome website devoted to this theme, contact me

for the address, i don't have it right now.

=========================================================================

Date:         Fri, 30 May 1997 19:02:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Burroughs; was Re: my condolences to whoever just "signed

              off"...

 

In a message dated 97-05-30 15:41:45 EDT, you write:

 

<< 

 i have NO CLUE whether that made ANY sense.  one of those seizures where

 the fingers just went nuts and don't know what they typed.  i'll just

 clean the bottom of this page out and send it without reading it and

 someone else can dream up a dream for me that makes sense of the

 finger-vomit.

 

 david rhaesa >>

 

makes sense to me!       That;s a really interesting idea.....I often try to

imagine what other people are thinking/dreaming about.  i try to be conscious

of my own thought patterns and project them onto others', watching their eye

movements, what are they looking at, oh, they must be thinking

this.....sometimes i'm right and i feel telepathic, sometimes i'm desperately

wrong and i feel stupid.  But it actually doesn't matter what they're really

thinking cause the stories i make up for them are more interesting

anyway........................!

=========================================================================

Date:         Fri, 30 May 1997 19:09:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Desire

 

In a message dated 97-05-30 12:41:14 EDT, you write:

 

<<                    n

                                 g.

 Possibilites forgotten

 Are suggested

 And are within our grasp

 I feel the lunar ebb.

  >>

i feel a constant disillusioning, my thoughts move in fast forward and slow

motion simultaneously....like slo mo videos where the shadows of movement

leave traces behind them.  Constant realization....becoming unbecome.

 Becoming other---what was i in the first place? I can only come to the

conclusion that 'I' never existed.

=========================================================================

Date:         Fri, 30 May 1997 19:15:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Current subscribers

 

wow kids!!!!

I just want to take a moment to appreciate this list and all it's done for me

in just 2 days.

OMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM

there. i feel better now. Love to all, spread it around like jam.

=========================================================================

Date:         Fri, 30 May 1997 19:18:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Queen Vashti (Esther I)

 

In a message dated 97-05-30 17:01:23 EDT, you write:

 

<< 

 She waltzes into the room

 Decoding my genetic code

 Telling strange and tragic tales

 Of Vashti and her heroines.

  >>

he prances into my room

unscrambling the ancient theremin

Telling tall and magic tales

of scratchies and heroin.

=========================================================================

Date:         Fri, 30 May 1997 19:21:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      this beat list

 

 scream of ripping flesh pierces brain reduces heart to mass of tangles

despair

=========================================================================

Date:         Fri, 30 May 1997 18:21:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Dreams

 

James William Marshall wrote:

> 

> David,

>      If I understood your post correctly, you have a hard time remembering

> the dreams you dreamt before you started dreaming a day.  After I read _Book

> of Dreams_ I did a little writing experiment.  There were countless times

> that I had awoken (or truly began to dream, who knows and who ain't talkin)

> and traces of dreams were left on what I think is my conscious state.  I

> knew there was poetry being lost.  So I left a little notebook and a pen for

> any unconscious songs that I might be able to capture.  I didn't think I'd

> be able to do it because I really enjoy sleeping and curse any interuption.

>      What I found was that I was able to train myself to start waking up

> after I'd had a dream and to write it down in a stream of

> half-consciousness.  The secret is to write all the ones or even just images

> you can remember; don't be your own critic while you're half-asleep.  I'd

> wake up in the morning and have two or three pieces that I never would have

> had.  I don't know why I stopped doing it.  Oh yeah, it's those little white

> pills that the bad men make me take every night.  Now the notepad is for

> those moments of clarity immediately preceding the sleep state.  I'm going

> to start trying to do it again.  Capturing your dreams at the right moment

> is a great way to figure out what's really going on with you.  They'll have

> more meaning for you than for anyone else.  Many of my dreams actually

> turned out to be cryptically prophetic.  My sleep actually turned out to be

> more rewarding.  Think I might do some digging for that little pad.

>                                                           James M.

 

that's part of it.  i'll try the notebook again.  also see about a few

less white pills.

but it's more that that too.

almost a trapped outside myself feeling.  like the white pills have shut

down a central core of being.

 

"you can be in my dream

if i can be in yours"

 

david rhaesa

salina, Kansas

 

=========================================================================

Date:         Fri, 30 May 1997 19:30:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Dylan memories

 

In a message dated 97-05-30 15:04:32 EDT, you write:

 

<< 11/27/64 - Masonic Memorial Auditorium, SF, CA

 

 Would this be the one?

 

 Mike

  >>

Thank you Mike.  That's it.

Pam

=========================================================================

Date:         Fri, 30 May 1997 18:44:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: this beat list

 

Maya Gorton wrote:

> 

>  scream of ripping flesh pierces brain reduces heart to mass of tangles

> despair

synapses twist through backyard memory of childhood

puppy-love

tangled and ending in empty memory

=========================================================================

Date:         Fri, 30 May 1997 18:59:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Desire

 

Maya Gorton wrote:

> 

Constant realization

....becoming unbecome.

Becoming other---what was i in the first place?

I can only come to the

 conclusion that

 'I'

never existed.

 

 

never.  what's never?

unbecoming of become

perpetual demolition

of it

that connects

"i"

with

"I"

and IT

is it

ever and never

dance a slow waltz

and eternity

becomes straightjacketed

in some fool's

concept of time.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 30 May 1997 17:17:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Cranial Guitar keeps Kaufman in tune....

Comments: cc: WXGBC@CUNYVM.CUNY.EDU

 

At 04:41 PM 5/30/97 -0400, you wrote:

>At 10:50 AM 5/30/97 -0700, you wrote:

>>                                                May 30, 1997

>>Jeffrey Weinberg writes:

>>"... argumentative but very talented editor Mr.

>>Nicosia...."

>> 

>>Jeffrey,

>>        There's a difference between "argumentative" and "committed" or

>>"willing to fight for what he believes in."

>>        Rush Limbaugh is argumentative.

>>        Martin Luther King, Jr. was committed.

>>        There are people who don't like either of them, but let's not mix up

>>meanings.

>> 

>>        Best, Gerry

>> 

>>Don't disgrace the name of the great Dr. King by comparing yourself to him.

>Nicosia-committed I agree. Phil

> 

 

Dear Phil,    May 30, 1997

 

        Here we just calm things down, and get agreements about no slander,

etc., and you turn around and call me a "disgrace."

        I hope everybody's watching just who starts the gunfights and who

lights the fires around here.

        Your use of the word "disgrace" about me is clearly over the bounds

set by Bill Gargan.

        I did not compare myself to Martin Luther King, Jr., any more than I

was comparing myself to Rush Limbaugh.  I was using both of them as examples

to make a semantic distinction between argumentative and committed.

        My commitment to helping black people, by the way, goes a long way

back, and I have put my time and energy where my mouth is.  For years I

worked with a ghetto church in Chicago, the Lawndale Community Church, in

the same neighborhood where my dad delivered mail, working with troubled

neighborhood kids, counseling and tutoring, etc.

        Recently I met with Martin Luther King's daughter, Bernice, to

discuss the issue of a white family adopting a black child.

        JUST WHAT HAVE YOU DONE FOR BLACK PEOPLE THAT ENABLES YOU TO JUDGE

ME A DISGRACE IN THIS REGARD?

        (Please answer in a civilized manner, as per Mr. Gargan's

instructions, and without namecalling.)

        Yours truly, Gerald Nicosia

=========================================================================

Date:         Fri, 30 May 1997 20:24:08 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ben <beidelson@USA.NET>

Subject:      Re: On the Road 1st edition Facsimile

 

This is a multi-part message in MIME format.

 

------=_NextPart_000_01BC6D37.6DA9BA80

Content-Type: text/plain;

        charset="US-ASCII"

Content-Transfer-Encoding: quoted-printable

 

HELP!! I'm stuck on this list and I'm only ten years old!  I can't get =

off!  HOW DO I GET UNLISTED?!? (no insult intended).

Ben Eidelson

 

 ----

From: Paul Maher <mapaul@PIPELINE.COM>

To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

Date: Friday, May 30, 1997 9:56 AM

Subject:  On the Road 1st edition Facsimile

 

There is a number you can call to order a 1st edition hardcover =

facsimile of

On the Road which falls in line with a series of other hardcover such as

Fitzgerald, Hemingway, Faulkner,Kesey, etc. The number to obtain this is =

in

Groton, Connecticutt. It is 1-800-367-4534. Ask for the 1st Edition =

Library

and tell them you would like to buy On the Road. It may be around =

$35.00. It

isn't the real thing but is nice to have this novel in a hardcover =

format

nevertheless. regards, Paul of TKQ....

 

 

------=_NextPart_000_01BC6D37.6DA9BA80

Content-Type: text/html;

        charset="US-ASCII"

Content-Transfer-Encoding: quoted-printable

 

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML 3.2//EN">

<HTML>

<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =

http-equiv=3DContent-Type>

<META content=3D'"Trident 4.71.0544.0"' name=3DGENERATOR>

 

</HEAD>

<BODY><FONT face=3DArial size=3D2>

<P><FONT size=3D+4>HELP!!</FONT> <FONT size=3D+1>I'm stuck on this list =

and I'm only=20

ten years old!  I can't get off!  <FONT size=3D+2>HOW DO I GET =

UNLISTED?!?</FONT>=20

(no insult intended).</FONT></P>

 

<P><FONT size=3D+1>Ben Eidelson</FONT>

 

<P><FONT size=3D+1></FONT>&nbsp;</P>

 ----<BR>

<B>From: </B>Paul Maher &lt;mapaul@PIPELINE.COM&gt;<BR>

<B>To: </B>Multiple recipients of list BEAT-L =

&lt;BEAT-L@CUNYVM.CUNY.EDU&gt;<BR>

<B>Date: </B>Friday, May 30, 1997 9:56 AM<BR>

<B>Subject: </B> On the Road 1st edition Facsimile<BR>

<BR>

<HTML><BODY><FONT size=3D2>There is a number you can call to order a 1st =

edition=20

hardcover facsimile of<BR>

On the Road which falls in line with a series of other hardcover such =

as<BR>

Fitzgerald, Hemingway, Faulkner,Kesey, etc. The number to obtain this is =

in<BR>

Groton, Connecticutt. It is 1-800-367-4534. Ask for the 1st Edition =

Library<BR>

and tell them you would like to buy On the Road. It may be around =

$35.00. It<BR>

isn't the real thing but is nice to have this novel in a hardcover =

format<BR>

nevertheless. regards, Paul of TKQ....<BR>

</FONT></FONT>

</BODY></HTML>

 

------=_NextPart_000_01BC6D37.6DA9BA80--

=========================================================================

Date:         Fri, 30 May 1997 19:29:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Random Revelation

 

> 

> just got a packet in the mail from dallas in cambridge with the packets of

 "firewalk thru madness" and "beyond the haldol haze" collections i wrote in 92

 and lost.  and this little tidbit i gave dallas with a letter in wintson-salem

 or evanston - they run together.

> 

> Random Revelation

>       or

> Revalationary

> Randomness

> 

> dbr -

> 

> Yahtzee

> a random

> game

> that's

> not quite random

> but more

> than Spades

> I guess

> at least

> when

> my friend

> the Manson

> look alike

> is dealing the cards

> and my partner

> Saint John

> was writing

> Revelations

> as he

> explained

> the righteousness

> of Hitler

> to me

> and Gandhi

> and Jesus

> lifted him

> out of his

> Thorzine haze

> and let him

> see the

> Angels

> of a

> different color

> (like the horse

> in the Wizard of Oz)

> so that he

> could go

> to Germany

> through a

> book

> called

> Lightning

> and explain

> it all

> to Adolph

> before they

> died

> and then

> he could

> explain it

> all to Adolph

> Coors

> and Fred Domino

> over Caserolle

> at the Soup Kitchen

> in downtown

> Iowa City

> next to the

> church

> where

> the pastor

> is a janitor

> and the

> admiral

> is an

> admissions

> officer

> and

> the piano

> hasn't been

> tuned

> since

> it got

> there

> in 1836.

> 

> (remember the cards games with John like yesterday)

=========================================================================

Date:         Fri, 30 May 1997 17:48:44 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Bob Kaufman and Martin Luther King

 

                                        May 30, 1997

 

        Just thinking about the irony of this: I am accused by Phil Chaput

of "disgracing" Dr. Martin Luther King (one of my heroes) just by mentioning

his name from my lips.

        And it's all in the context of my having just helped bring honor to

the GREATEST BLACK POET OF THE BEAT GENERATION: BOB KAUFMAN.  (I don't think

Ted or Amiri would dispute me on that.)

        Again, Phil, what have YOU been doing for black people lately?

        With all due respect,

        Gerry Nicosia

=========================================================================

Date:         Fri, 30 May 1997 18:54:33 +0000

Reply-To:     annie@rt66.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         annie shank <annie@RT66.COM>

Organization: you can't be serious

Subject:      Just for starters: 3

 

Haight: 69

 

Junkies wandering the dawn

wraiths in Dayglo

vague in their near-transparency

 

Shiva worshippers

naked as sunlight

chanting morning mantra in a park tree

 

Acid dealer electric shaman

amid acolytes

prismatic

 

Amber street lamps

glowing

witchlights in the dusk

 

Musk of patchouli

City smell of bus exhaust

Distant tang of ocean:

Mystic incense of home

to those once transformed

and still dreaming

 

                                2/94

 

annie                                                   annie@rt66.com

=========================================================================

Date:         Fri, 30 May 1997 21:01:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      i loved

 

tonight i'm sad..going to nyc tomorrow to my old friends in brooklyn...i

wonder why i moved away sometimes, then i remember.  i hate, i mean love, i

mean, hate the city.  i miss having friends, but then i remember how little

those people really counted when i was dying.  in New york, if you don't

write or paint every day, it gets clogged up inside you, you need to get it

out of your system.  That was my first mistake, and i guess my biggest.  How

foolish i was to think love existed!

=========================================================================

Date:         Fri, 30 May 1997 20:09:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: i loved

 

Maya Gorton wrote:

> 

...i wonder why i moved away sometimes, then i remember.

 

this one made my day.  applies to so much more than 'moving away'....

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 30 May 1997 21:20:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      odd bits o'this and that. thoughts for the day, or whatever

In-Reply-To:  <338EF959.541FA2C7@scsn.net>

 

yep its me agin on a saturday night, blonde on blond playing,

free association among remembered quotations:

 

from Moby Dick:

pip and what he became

"the intense concentration of self in the middle of such a heartless

immensity, my god! the sea had jeeringly kept his finite body up, but

drowned the infinite in his soul. not drowned entriely though, rather,

carried down alive to wondrous deptshs, where strange shapes of the

unwarped primal world glided to and from before his passive eyes. he saw

god's foot upon the treadle of the loom, and spoke it, and therfore his

shipmates called him mad...[pip] 'i look you look he looks,,,and you and i

you and he; and we ye and they, are all bats...here's the ship's naval,

this doubloon here, and they are all on fire to unscrew it, but unscrew yr

navel and what's the consequence. then again, if it stays here, that is

ugly too, for when aught's nailed to the mast its a sign that things grow

desperate..

 

wcw/asphodel, bk one

i cannot say

        that i have gone to hell

                for your love

but often

        found myself there

                in your pursuit

i did not like it

        and wanted to be in heaven

                hear me out

        ,,,it is the mind

        that must be cured

                short of death's

intervention,

        and the will becomes again

                a garden

=========================================================================

Date:         Fri, 30 May 1997 21:33:59 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Clay Vaughan <CLV100U@MOZART.FPA.ODU.EDU>

Subject:      unsolicited influence

 

Night of breaking glass

 

              remembering Elise

 

        "Baby it's up to you," is what she's

         actually saying, "about how many times

         you wanta see me and all that-- but

         I want to be independent like I say."

 

                       from SUBTERRANEANS, by Jack Kerouac

 

 

 

An emptied bottle

abruptly tossed

from hand over head

over backward lost

 

in a high dive off

a third floor roof

onto a street

below

 

 

More than symbol

evincing loss

(did this really

happen once?)

 

what in the world

suggests as strange

a scene as this

 

than an unrequited

love for an awful girl

=========================================================================

Date:         Fri, 30 May 1997 20:34:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: odd bits o'this and that. thoughts for the day, or whatever

 

Marie Countryman wrote:

> 

> yep its me agin on a saturday night, blonde on blond playing,

> free association among remembered quotations:

> 

its me again at my night is Friday though they are all the same to me -

they're nights.  loved your quotes and thought i'd send back a few.

 

"He was insane.  And when you look directly at an insane man all you see

is a reflection of your own knowledge that he's insane, which is not so

see him at all.  To see him you must see what he saw and when you are

trying to see the vision of an insane man, an oblique route is the only

way to come at it."

-- Robert Pirsig

 

"One must harbor chaos within to give birth to a dancing star."

-- Nietzsche

 

"I think present-day reason is an analogue of the flat earth of the

medieval period.  If you go too far beyond it you're presumed to fall

off, into insanity.  And people are very much afraid of that.  I think

this fear of insanity is comparable to the fear people once had of

falling off the edge of the world."

-- Robert Pirsig

 

"Nay, be a Columbus to whole new continents and worlds within you,

opening new channels, not of trade, but of thought.  Every man is the

lord of a realm beside which the earthly empire of the Czar is but a

pretty state, a hummock left for the ice."

-- Henry David Thoreau

 

"(A bluetick hound bays out there in the fog, running scared and lost

because he can't see.  No tracks on the ground but the one's he's

making, and he sniffs in every direction with his cold rubber nose and

picks up no scent but his own fear, fear burning down into him like

steam.)  It's gonna burn me just that way, finally telling all about

this."

-- Ken Kesey

 

"If one listens to the faintest but constant suggestions of his genius,

which are certainly true, he sees not to what extremes, or even insanity

it may lead him; and yet that way, as he grows more and more faithful,

his road lies.  The faintest assured objection which one healthy man

feels will at length prevail over the arguments and customs of mankind.

No man ever followed his genius till it misled him.  Though the result

were bodily weakness, yet perhaps no one can say that the consequences

were to be regretted, for these were a life in conformity to higher

principles."

-- Henry David Thoreau

 

"Good is a verb."

-- Robert Pirsig

=========================================================================

Date:         Fri, 30 May 1997 18:43:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "s.a. griffin" <perrotta@USC.EDU>

Subject:      Re: odd bits o'this and that. thoughts for the day, or whatever

 

At 08:34 PM 5/30/97 -0500, you wrote:

>Marie Countryman wrote:

>> 

>> yep its me agin on a saturday night, blonde on blond playing,

>> free association among remembered quotations:

>> 

>its me again at my night is Friday though they are all the same to me -

>they're nights.  loved your quotes and thought i'd send back a few.

> 

>"He was insane.  And when you look directly at an insane man all you see

>is a reflection of your own knowledge that he's insane, which is not so

>see him at all.  To see him you must see what he saw and when you are

>trying to see the vision of an insane man, an oblique route is the only

>way to come at it."

>-- Robert Pirsig

> 

>"One must harbor chaos within to give birth to a dancing star."

>-- Nietzsche

> 

>"I think present-day reason is an analogue of the flat earth of the

>medieval period.  If you go too far beyond it you're presumed to fall

>off, into insanity.  And people are very much afraid of that.  I think

>this fear of insanity is comparable to the fear people once had of

>falling off the edge of the world."

>-- Robert Pirsig

> 

>"Nay, be a Columbus to whole new continents and worlds within you,

>opening new channels, not of trade, but of thought.  Every man is the

>lord of a realm beside which the earthly empire of the Czar is but a

>pretty state, a hummock left for the ice."

>-- Henry David Thoreau

> 

>"(A bluetick hound bays out there in the fog, running scared and lost

>because he can't see.  No tracks on the ground but the one's he's

>making, and he sniffs in every direction with his cold rubber nose and

>picks up no scent but his own fear, fear burning down into him like

>steam.)  It's gonna burn me just that way, finally telling all about

>this."

>-- Ken Kesey

> 

>"If one listens to the faintest but constant suggestions of his genius,

>which are certainly true, he sees not to what extremes, or even insanity

>it may lead him; and yet that way, as he grows more and more faithful,

>his road lies.  The faintest assured objection which one healthy man

>feels will at length prevail over the arguments and customs of mankind.

>No man ever followed his genius till it misled him.  Though the result

>were bodily weakness, yet perhaps no one can say that the consequences

>were to be regretted, for these were a life in conformity to higher

>principles."

>-- Henry David Thoreau

> 

>"Good is a verb."

>-- Robert Pirsig

> 

> 

"let us say yes to our presence in chaos"

john cage

 

_______________________________________________________________________

 

Lorraine M. Perrotta                    email:  lperrotta@huntington.edu

Acquisitions Librarian                  phone:  818-405-2184

The Huntington Library

1151 Oxford Road

San Marino, CA  91108

=========================================================================

Date:         Fri, 30 May 1997 21:12:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      meeting W.S.B. to ben

 

HI,

I am a 11 year old I know William S. B. So I know you are trapped on the

list.

but some of the stuff is sota neat just do not bring it to school. If

you want to get

off the list just e-mail my mom, oKay? I really like him he is cool. You

like cats?

I do he does he has a lot of  cats. He likes salt. He has a bunch of

neat art stuff. He shoots it and stuff. HE is my fab. art person. HE IS

COOL! but this list may not be cool

so just e-mail my mom if you want to depart from it.

 

Lena

 

PS E-mail me at

Lena@sunflower.com

=========================================================================

Date:         Fri, 30 May 1997 23:01:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: how annoying some of these whiny people are!

 

Just what was in that suitcase in Pulp Fiction anyway?

=========================================================================

Date:         Fri, 30 May 1997 23:02:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Music...

 

I bet we all listen to music almost all the time.  It'd be inneresting if

people posted their soundtracks with their posts.     (ben neil)

=========================================================================

Date:         Fri, 30 May 1997 23:02:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Dylan memories

 

In a message dated 97-05-30 11:28:10 EDT, someone wrote

<< << Do you remember when you first heard

  Dylan? >>

 

 

I remember too many late nights at the capitol theater in port chester, n.y.

( run by howard stein? later of the ??? in nyc?)..........

 

 

             lay lady lay etc.......

 

 

 

 

 

 

 

 

 

not the first but close enuf

=========================================================================

Date:         Fri, 30 May 1997 23:02:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Music...

 

In a message dated 97-05-30 13:57:03 EDT, you write:

 

<< How 'bout: read Burroughs and listen Throbbing Gristle? >>

 

 

Too obvious.  How about Pynchon/Pierre Henry

 

Genet/Coil...........too obvious

=========================================================================

Date:         Fri, 30 May 1997 22:02:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Music...

 

Sean Elias wrote:

> 

> I bet we all listen to music almost all the time.  It'd be inneresting if

> people posted their soundtracks with their posts.     (ben neil)

 

Patricia listens to AD Astra by Celtic Visions, ( a local celtic group)

only cd i own and i figured out the computer would play it. its good.

=========================================================================

Date:         Fri, 30 May 1997 23:12:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Jason P. Mast" <Oddthought@AOL.COM>

Subject:      Re: a calm request

 

Well my account is no longer accepting e-mail because of this inanity. I

decide to step out to vegas for a weekend and this is the result I would like

to personally thank the contributers to this, even though everyone else seems

to have been doing it for me. I think that the principals (mostly Ph.d's

apparently) should step back and realize that there were some hard lessons

learned in kindergarten, "even if they did hit first there is room to play

nicely tomorrow."  If that didn't penetrate your thick skulls at least grade

yourself at the level you would grade student papers. Cut the crap and

namecalling make real points and if the horse is dead stop beating it.

 

personal replies should have declawed the gerbil :-(

 

thank yu

=========================================================================

Date:         Fri, 30 May 1997 21:39:35 +0000

Reply-To:     annie@rt66.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         annie shank <annie@RT66.COM>

Organization: you can't be serious

Subject:      Re: Dylan memories

 

Sean Elias wrote:

> 

> In a message dated 97-05-30 11:28:10 EDT, someone wrote

> << << Do you remember when you first heard

>   Dylan? >>

 

I think it musta been '64; I know it was my jr. year in high school.

"Hey, hey, Woody Guthrie/I wrote you a song....."

 

Ah, yes....

 

annie                                                                   annie@rt66.com

"What fresh hell is this?"  Dorothy Parker, upon awakening

=========================================================================

Date:         Fri, 30 May 1997 23:29:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      Re: Music...

 

How about Kurt Vonnegut and light-hearted polka?

 

Bruce

--------------------------

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Sat, 31 May 1997 01:17:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: CENSORSHIP SUCKS THE BIG ONE

 

At 05:17 PM 5/30/97 -0700, you wrote:

>At 04:41 PM 5/30/97 -0400, you wrote:

>>At 10:50 AM 5/30/97 -0700, you wrote:

>>>                                                May 30, 1997

>>>Jeffrey Weinberg writes:

>>>"... argumentative but very talented editor Mr.

>>>Nicosia...."

>>> 

>>>Jeffrey,

>>>        There's a difference between "argumentative" and "committed" or

>>>"willing to fight for what he believes in."

>>>        Rush Limbaugh is argumentative.

>>>        Martin Luther King, Jr. was committed.

>>>        There are people who don't like either of them, but let's not mix up

>>>meanings.

>>> 

>>>        Best, Gerry

>>> 

>>>Don't disgrace the name of the great Dr. King by comparing yourself to him.

>>Nicosia-committed I agree. Phil

>> 

> 

>Dear Phil,    May 30, 1997

> 

>        Here we just calm things down, and get agreements about no slander,

>etc., and you turn around and call me a "disgrace."

>        I hope everybody's watching just who starts the gunfights and who

>lights the fires around here.

>        Your use of the word "disgrace" about me is clearly over the bounds

>set by Bill Gargan.

>        I did not compare myself to Martin Luther King, Jr., any more than I

>was comparing myself to Rush Limbaugh.  I was using both of them as examples

>to make a semantic distinction between argumentative and committed.

>        My commitment to helping black people, by the way, goes a long way

>back, and I have put my time and energy where my mouth is.  For years I

>worked with a ghetto church in Chicago, the Lawndale Community Church, in

>the same neighborhood where my dad delivered mail, working with troubled

>neighborhood kids, counseling and tutoring, etc.

>        Recently I met with Martin Luther King's daughter, Bernice, to

>discuss the issue of a white family adopting a black child.

 

Boy Gerry your a legend in your own mind. The fact of the matter is that

it's bad enough that your constantly tooting your own horn but the fact you

compare yourself to Martin Luther King in any way shape or form makes me

want to puke. Now we have Cimino singing your praises to the world because

you only put your name in three places on Kaufman's book. Well praise be to

God to Gerry Nicosia he must be the greatest man on earth for that!

 

>        JUST WHAT HAVE YOU DONE FOR BLACK PEOPLE THAT ENABLES YOU TO JUDGE

>ME A DISGRACE IN THIS REGARD?

 

Do you read English Mr. Scholar I said you disgraced MARTIN LUTHER KING'S

NAME because you compared yourself to him by saying you were committed like

him. I don't think your cause quite compares with his Gerry (not by a long

shot) and quite frankly it pissed me off because he was my hero too. Wow, we

do have something in common. Gerry I'm sure your not prejudiced and I never

implied you were (from what I've heard about you I'd say your absolutely not

prejudice.) so you don't have to use this post to get on your soapbox and

preach to us about how wonderful you are. That's just my point I'm sick of

hearing how great you are. This has nothing to do with what I've done for

black people but if I had to answer that I'd say the most important thing is

I've raised three fine boys who haven't got as much as an atom of prejudice

in their bodies. On a Saturday in my yard the basketball court looks like as

one of my friends once said "the United Nations". As far as heros another

one of mine was Lenny Bruce and that's why I say "Fuck censorship" Just

remember it was YOUR THREATENING TO SUE THE BEAT-L LIST that got this list

censored in the first place. In the spirit on Non-censorship I ask you- How

long did your father jerk off in the flower pot to raise a blooming idiot

like you? You know what Gerry I don't give a fiddler's fuck if I get thrown

off the list cause listening to you makes me sick anyway.  Take those rules

about censorship print it out, roll it into a ball and SHOVE IT UP YOUR ASS.

A person can only take so much. UNCENSORED IN LOWELL - Phil Chaput

 

>        (Please answer in a civilized manner, as per Mr. Gargan's

>instructions, and without namecalling.)

                                        IS THAT CIVILIZED ENOUGH?

 

>        Yours truly, Gerald Nicosia

> 

> 

=========================================================================

Date:         Fri, 30 May 1997 22:28:23 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      SHOOTING STARS

 

What music?

 

Tonight again it John Lee Hooker doin "Chill Out"

        (tho some strange Wagnerian Sturm and Drang

        tape come on whenever I get to posts regarding

        post mortem aftermaths of beaten novelists)

 

Wishing I had some art to shoot.

No art to spare and I sold the 12 gauge last fall.

 

What is Bill shooting his art with?

12 guage? 20?  Shooting a nice light

skeet load in a 20 or ruinous 00Buck in

a magnum 12 gage?  Over and under?

Side by side?

 

My guess is pump.  Nothing

beats a pump shotgun for the malicious

Kerchunk! that action makes.

 

But you don't have to tie off

and it doesn't leave track marks

 

Maybe a sore shoulder

 

If Billy the Kid only had some art to shoot.

But he'd rather shoot artists I supose.

 

Wonder if Bill ever hears the ghostly voice of

his mother telling him not to play with guns.

Sort of a bad record in target practice.

 

J Stauffer

=========================================================================

Date:         Fri, 30 May 1997 22:45:00 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: CENSORSHIP SUCKS THE BIG ONE

 

                                                        May 30, 1997

Phil Chaput writes:

 

... the fact you

>compare yourself to Martin Luther King in any way shape or form makes me

>want to puke....

.... In the spirit on Non-censorship I ask you- How

>long did your father jerk off in the flower pot to raise a blooming idiot

>like you?

 

Phil,

        Learn to read.  I did not compare myself to Martin Luther King.

        The real disgrace is you pretending to represent Jack Kerouac in any

shape or form.  Jack, Allen, Bill, and Gregory fought censorship not for the

right to slander, libel, demean, and defame other people, but to express the

full range of their humanity, their sexuality, their joy in life, and their

spiritual quest for knowledge.  Jack went out of his way to avoid hurting

people, both physically and with his words.  When people told him they were

hurt by some of the revelations in his writing, such as Carolyn, it pained

him deeply.

        Your father was one of the finest gentlemen I ever met.

        Yours truly, Gerald Nicosia

=========================================================================

Date:         Sat, 31 May 1997 00:46:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      cancership or just boring bile

 

One of the interesting observations for me is the fear and loathing that

beat literature and beatophiles seem to bring out.  I have to say i have

enjoyed the poetry posting that have been made but fear that they may

not be all be actually beat.  yet i am not a great one to know right off

what is beat.

Phil seems to think that any curtailing of his emotional tantrums is

somehow censorship. well here is a little story on me.  when i am

nervous or have done something stupid i have a tendancy to go on and

compound the hell. once at a party things got weird and i got to

motormouthing it. wsb turned to me and with a great smile said shut up.

it was the perfect thing to say , it restored interest to the party and

no one in their right mind thought it was censorship. More air quality

control.

So if i like beat literature and read it all the time is the provincial

poetry i write somehow beat.

you judge.

 

 

Cowgirl blues

 

The castrating cow from wellman county

 

A young calf called Emily Ann

found a skirt hanging on the fence

next to the coyote skulls and hawk wings,

she puts it on over her horns.

 It's a magical skirt transforming her into a cowgirl.

 

She is a sweet looking thing,

wide hips and long lashes,

She heads east along the river

tromping  through elkins prairie

she eyes the bulls that team along the river.

 

She sways her thighs and

with a bawling voice says

Those city slicker gals, all they  do is

they open up and just let them at it..

Well I aint that way.

 

She leans, leans on a young wild bull,

she leads him away with tales of corn.

She uses the name ann van

She eyes that bull like a tit,

She rolls her eyes and r's and says

 

those city gals, they just open their legs

and just let them at it,

I aint that way,

I let them because I'm a good cow girl.

 

Now I am a wild cow girl,

I let them, and Then

I cross my knees and it's over.

I steer them to me

I ain't like those city gals.

 

 

 

 

 

 

May 31, 1997

 

 

 

The candor bird

She had hair like sunshine and summer.

In front of the brick and stone house

stood dried catfish heads,

perched on each fence post

sentinels of naked bone.

 

Her youth was lean and hungry

striding across continents.

Her music the words of poets

in barns and on blankets.

She rhymed colors and verbs.

 

She flew in and out of the

phoenix flames, pulling out

long red embers,

taking them into her

until she glowed like a star.

 

Her heart turned warm,

No protection left,

her tongue melted,

Vomiting coals, she gave birth

and lived in the phoenix.

 

Government

Found callow

Hazardous house of rules and regulations

peopled by those who's star is control.

Callow soulless Honorlost and mean.

 

 

Business

The world of dimes,

driving  wheels of product,

mass though space.

You need something on your plate

at the end.

 

 

copyright pace

=========================================================================

Date:         Sat, 31 May 1997 01:02:45 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: cancership or just boring bile

 

Patricia Elliott wrote:

> 

> One of the interesting observations for me is the fear and loathing that

> beat literature and beatophiles seem to bring out.  I have to say i have

> enjoyed the poetry posting that have been made but fear that they may

> not be all be actually beat.  yet i am not a great one to know right off

> what is beat.

> Phil seems to think that any curtailing of his emotional tantrums is

> somehow censorship. well here is a little story on me.  when i am

> nervous or have done something stupid i have a tendancy to go on and

> compound the hell. once at a party things got weird and i got to

> motormouthing it. wsb turned to me and with a great smile said shut up.

> it was the perfect thing to say , it restored interest to the party and

> no one in their right mind thought it was censorship. More air quality

> control.

> So if i like beat literature and read it all the time is the provincial

> poetry i write somehow beat.

> you judge.

> 

> Cowgirl blues

> 

> The castrating cow from wellman county

> 

> A young calf called Emily Ann

> found a skirt hanging on the fence

> next to the coyote skulls and hawk wings,

> she puts it on over her horns.

>  It's a magical skirt transforming her into a cowgirl.

> 

> She is a sweet looking thing,

> wide hips and long lashes,

> She heads east along the river

> tromping  through elkins prairie

> she eyes the bulls that team along the river.

> 

> She sways her thighs and

> with a bawling voice says

> Those city slicker gals, all they  do is

> they open up and just let them at it..

> Well I aint that way.

> 

> She leans, leans on a young wild bull,

> she leads him away with tales of corn.

> She uses the name ann van

> She eyes that bull like a tit,

> She rolls her eyes and r's and says

> 

> those city gals, they just open their legs

> and just let them at it,

> I aint that way,

> I let them because I'm a good cow girl.

> 

> Now I am a wild cow girl,

> I let them, and Then

> I cross my knees and it's over.

> I steer them to me

> I ain't like those city gals.

> 

> May 31, 1997

> 

> The candor bird

> She had hair like sunshine and summer.

> In front of the brick and stone house

> stood dried catfish heads,

> perched on each fence post

> sentinels of naked bone.

> 

> Her youth was lean and hungry

> striding across continents.

> Her music the words of poets

> in barns and on blankets.

> She rhymed colors and verbs.

> 

> She flew in and out of the

> phoenix flames, pulling out

> long red embers,

> taking them into her

> until she glowed like a star.

> 

> Her heart turned warm,

> No protection left,

> her tongue melted,

> Vomiting coals, she gave birth

> and lived in the phoenix.

> 

> Government

> Found callow

> Hazardous house of rules and regulations

> peopled by those who's star is control.

> Callow soulless Honorlost and mean.

> 

> Business

> The world of dimes,

> driving  wheels of product,

> mass though space.

> You need something on your plate

> at the end.

> 

> copyright pace

 

that one woke me up.  i swear.  i was asleep for an hour or more am

still too asleep to type well.  have to fix every other letter.

i love the b.b. story and the "shut up".

 

i'd like a nice poster to hang on my wall with a smiling b.b. and the

words "shut up" in big print.

 

james - the thing you were asking about burroughs gun?  it seems that it

would probably be a b.b. gun.   hah ahahahahahahaah

 

i'm going back to leop sleep i hope.

 

night,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 31 May 1997 03:06:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: Music...

 

At 04:05 AM 5/30/97 -0500, Jeff Taylor wrote:

>On Sat, 24 May 1997, MORE OXY THAN MORON wrote:

> 

>> I agree with mc, the sound of Jack's voice has given me a much greater sense

> of

>> his rhythm when I read his books. Not all writers have Jack's great

ability or

>> wonderful voice for reading but we are lucky to have tapes of Jack. I highly

>> recomend to all beginning readers of Kerouac to grab a tape of Jack reading

>> from his own work, nothing like it.

> 

>I've always been sorta puzzled by this. I've had several friends I showed

>some Burroughs stuff to, and they were completely indifferent to

>it--until I played a WSB recording to them, when they were suddenly

>ROTFL. But it seems to me, if it's funny on the recording, it's funny on

>the page too....can't you hear the words in your head when you read?

> 

>One of the most significant things about Kerouac's writing, IMHO, is its

>rhythm and tempo, which often is so forceful that you can just hear it

>singing right from the page. I was actually disappointed the first time I

>heard the recordings....now, I love to listen to them, but I don't think

>they really add anything to what's already there on paper and which can

>be recreated in your own head.

> 

>In fact, having to take a breath sometimes interrupts a rhythm that may be

>distinctive to writing....esp. long passages written without punctuation

>sometimes seem like they ought to form one uninterrupted phrase, which it

>is not possible to talk through in one breath. This perhaps makes a sort

>of disruption between writing and speaking, but perhaps not between the

>writing and music--there is such a thing, when playing a horn, as

>circular breathing, i.e., breathing in thru the nose while blowing out

>thru the mouth, and by means of which you can hold a note indefinitely.

>But I never heard of circular talking.

> 

>*******

>Jeff Taylor

>taylorjb@ctrvax.vanderbilt.edu

>*******

 

Oh Man, I think there is absoluteley nothing NOTHING better than Jack

reading "I think of Dean Moriarty, I even think of old Dean Moriarty the

father we never found.  I think of Dean Moriarty, I think of Dean

Mor-EE-AH-TEE."  Jack reads with such an amazing grasp of the BEAT.  He's

got rhythym all right.  Now whenever i read Jack its just that much more

powerful because i can hear him talking to me.  I even appreciate it more

after listening to the new Kerouac CD.  Damn, all these people with great

rhythm:  Michael Stype, Patti Smith, Eddie Vedder, but none of them can

bring the words alive like Jack can.  I dont know if its because they didnt

write it or what, but i find it absolutely amazing that none of these great

musicians have control of the words like Jack does.

I don't know Jeff, maybe you've just naturally got the rythym (lucky s.o.b),

but for me at least, Jack really helps me feel the words when he reads aloud.

 

I do agree with the idea about the continuity of the mind that speaking

disrupts, but didn't jack mold his prose around this.  He did say that he

just blew his sentences until he had to take a breath and then ended them

(or something to that effect).  I wonder if it would be possible to

"circular talk."

Breath in through the nose and keep on talking.  Hmmm...i got a few

relatives who would love to get their hands on that secret at my expense.

 

just some late night thoughts.

 

matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Sat, 31 May 1997 03:06:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: Music...

 

>Two summers ago I read _Visions of Cody_ with (mostly) Parker and Billie

>Holliday on, sipping a beer, and turned off the air conditioning and sat

>outside of the open door in the heat and humidity of the 2am southern night.

>This might seem silly at times, but it did seem to create an atmosphere

>that enhanced the reading....

 

YES.  Jack MUST be read outdoors.  or in a car traveling.  or a bus.  or a

train.  I remember reading _Big Sur_ on a ferry to alaska at 3 in the

morning and i was sitting by the railing looking out into the water which

wasn't there and all i saw was black--pure complete black.  nothing

separating the water from the sky and i really dug all of Jack's comments

about the void and the immensity of it and i thought with just one jump i

could dissapear into the blackness forever.  I really spooked myself out

(was completely alone) and had to grasp the railing tightly as i walked back

to my tent.

I've shared some great times with Jack and nature at the same time.  It's

weird because at times i think it's much easier to read inside--you get

distracted much less and can read more and sometimes it seems easier to lose

yourself in the novel when you're locked up in your room.  But i will always

prefer reading outside.  Sure you'll get distracted, but eventually the

sights and sounds of your environment will begin to blend with the sights

and sounds in the novel and soon you lose all ability to distinguish between

the two and you create a new novel that is even more powerful and personal

than the one that you are reading.

 

matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Sat, 31 May 1997 02:23:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Natalie Foster <nfoster@SOUTHWIND.NET>

Subject:      Re: Kerouac in the Top 40

 

Levi Asher used to have a whole section of musical influences pertaining =

to the Beats in Literary Kicks. Things like Steely Dan's name from WB =

and many others. Some really obscure. I'm sure it is still there.

Oh, one of my favorites is a THEY MIGHT BE GIANTS song that begins with =

"I saw the best minds of my generation..." and talks about censorship " =

I should be allowed to hang my poster" or something.=20

I just remember that there were literally hundreds of different =

refrences in Kicks and that I was quite amazed.

 

----------

From:   Diane M. Homza[SMTP:ek242@cleveland.Freenet.Edu]

Sent:   Friday, May 30, 1997 5:16 PM

To:     Multiple recipients of list BEAT-L

Subject:        Kerouac in the Top 40

 

Reply to message from e.lytle@CED.UTAH.EDU of Thu, 29 May

> 

>> 

>> andrew, what is 10,000 Maniacs? They do a song entitled Jack Kerouac.

>> 

> 

>        10,000 Maniacs broke up several years ago.  It's more likely to =

be

>Morphine,  the three-man,  sax-bass-drums combo,  from the Joy, Kicks

>CD.

 

There's the 10,000 Maniacs song, the Morphine song...anyone know of any

other songs referring to the Beats?

 

Diane.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Sat, 31 May 1997 03:39:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: Music...

 

At 11:29 PM 5/30/97 -0400, Bruce Hartman wrote:

 

>How about Kurt Vonnegut and light-hearted polka?

> 

>Bruce

 

hmmm...i just had an epiphany! My favorite Polka song is so perfectly made

for Jack kerouac.  And all this time ive never realized this. ha. lyrics:

 

        In heaven there is no beer

        That's h-why we drink it here

        And when we are gone from here

        Our friends will be drinking all the beer.

 

it's by Li'l Wally.  I forget what the name of it is but those are the only

lyrics.

god, i gotta go to bed

 

matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Sat, 31 May 1997 04:06:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Ginsberg memorial

 

Okay.  no one said that they were at the concert so im gonna tel you all

about it.

It was AMAZING.  First of all, many Tibetan Buddhists came out and chanted a

prayer and it was very beautiful and then a friend of Allen's read the

Kaddish and some other stuff.

Then a girl sang "Amazing Grace"

Then Anne Waldman read.  She's awesome.

Then the poetry contest winner (coincidentally a friend of Allen's) read.

Then a good friend of Allen's read "On Fame and Death" and "Gone gone gone"

(another poem allen wrote on his deathbed.  yuck, dont like that word)

Then natalie merchant came out (YAY!!)  and spoke a little about allen.  she

said "well, a few years a go I made the poet's cardinal sin.  I used a word

only because it rymed.  The word was "jaded."  The song was "Hey Jack

Kerouac." "  So she goes on to say that she eventually met allen and

realized he was not jaded at all but before she met him he set her a copy of

_Howl_   Inscribed within:

 

        "Jaded?  Hardly."

 

With a drawing of an "erect penis ejaculating triumphantly" (Natalie's words)

 

So she dedicated the first song to allen.  it was a song she had just

written a week a go, and mind you, i am a BIG 10,000 Maniacs and Natalie

merchant fan, but the song was the most beautiful song ive heard come from

this wonderful woman's lips.  Next she played "These are Days" and then

"Wonder."

 

Patti Smith came on next and said many kind words about Allen and actually

turned the footnote to Howl into a song which was great.

 

After the show my brother and i hung outside trying to talk to natalie

merchant.  she finally came out and all the people hounded her for pictures

and autographs.  I was going to ask her to sign my copy of Howl but then i

thought that was almost sacreligious and autographs are kinda stupid anyway.

So as she was leaving i walked up to her and thanked her for clearing up the

whole jaded business and i told her that it was her song "Hey Jack kerouac"

that originally turned me on to the Beats (it did), and you could really see

her eyes light up and she got happy and just started talking about allen and

said sometimes he would say "Hey, I'm famous.  natalie merchant wrote a song

about me."  I forgot most of the rest of the stuff she said cause i was so

damn nervous and i was in such awe standing their talking to Natalie.  it

was a great night.

 

and then after the show my brother and i smoked a little wacky tobaccy and

wandered around Ann Arbor in the rain, splashing in fountains and just

acting childish.  it was such a great night until we got pulled over by cops

and they wanted to see my license and our registration which was in the

glovebox along with some other stuff that they didnt want to see (Damn, i am

so stupid to put stuff like that in the glovebox).  So i leaned over and

quickly opened the box and kinda his the pipe and the bag with my hand and

dug under all the maps and stuff and grabbed the registration.  Cop asked us

what we were in Ann Arbor for and i told him we had just gone to the Allen

Ginsberg tribute and at the time i thought "DOH, i shouldn't have told him

that.  Now they'll surely give us trouble."  i could hear him saying "OH, so

you're one of those Beat folks.  Please step out of the car."  And they

started giving me trouble about not having shoes on and i thought we were in

for it.  But luckily they let us go with only a warning.  Must've been the

spirit of Allen protecting us from the evil Moloch.

 

im babbling.  good night.

 

                matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Sat, 31 May 1997 03:28:45 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Minneapolis and the Beats

 

Hello Antoine,

 

I still play a lot of slide guitar on a Circa, 1937, Dobro and a '31

National Steel guitar. If picking, I play a J-51 Gibson Flat-top and

for strumming open tunings, a Guild 12 string. I'm back playing after

a 17 year absence. Unfortunately, I took a knife wound thru my left

hand outside of a Southside club in Chicago. After all these dormant

years (I had no feeling in my hand) from nerve damage, I am now happy

to report that some feeling has returned=97and I'm back on the stage! No

recordings=97yet, but I'll keep you posted. In answer to the beat

influence in the TC area way-back-when, I would have to say yes. As a

kid, I packed up and ran away with Kenneth Patchen's Love Poems (City

Lights edition) in my guitar case. In the middle '60's you could still

rent one-dollar a night hotel rooms downtown. I was fortunate enough

to get a room across from an old & rare book shop on the corner of 12 th

& Nicollet. That's where I discovered the beats and from the local

coffeehouse crowds I picked-up on Ginsberg whom I met in '72 (Madison,

WI)=97but that's another story. In answer to reading and music gigs com-

bined, yes, they were still happening but not as much I'm told. Tony

Glover was real hip to the scene and a helluva good harp player. I can

play harp=97but that cat would bury me! I dedicated my book After Hours

(poems) to Leo Kottke and a flask of whiskey found outside the Scholar

on a cold October night in '68. Now that the book is out of print, I

just now realized that Leo never got a copy. The readings and music

are back and it feels pretty good. The Turf Club in St. Paul, has a=20

Cabaret scene. Hell, I can be playing slide while a lady juggles

machetes=97the scene is wild and damn near anything goes.=20

 

Richard Houff

Pariah Press

=========================================================================

Date:         Sat, 31 May 1997 06:47:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Words

In-Reply-To:  <199705301742.KAA04132@freya.van.hookup.net>

 

and a loverly bunch of words that is, james william

great tour de force

mc

=========================================================================

Date:         Sat, 31 May 1997 06:47:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      and the beat(ing) goes on.(nicosia/chaput)

In-Reply-To:  <199705310017.RAA10975@italy.it.earthlink.net>

 

just when i thought it was safe to tell beat-l refugees out there, fingers

virtually gripping side of virtual life boats.....ready to call all outs in

free, and again the posts begin

arrrhhhhgggghhhhhhhh!

mc

and all the SHOUTING in the caps,  giving me a headache.

=========================================================================

Date:         Sat, 31 May 1997 06:47:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Ginsberg memorial

In-Reply-To:  <1.5.4.16.19970531040917.1ad77ae6@uoft02.utoledo.edu>

 

many many thanks, matt

this was wonderful to wake up to this morning.

mc

ps whose leitha?

or,

thanks, leitha!

who the hell's matt?

mornng came earlier than ussual today...

and i'm outta coffee

(whine)

=========================================================================

Date:         Sat, 31 May 1997 08:21:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: this beat list

 

In a message dated 97-05-30 23:16:27 EDT, you write:

 

<< 

 synapses twist through backyard memory

 tangled and ending on empty   >>

 

this is how i would say it if you care....hope you don't mind the editing,

tell me if it bothers you

=========================================================================

Date:         Sat, 31 May 1997 08:44:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: cancership or just boring bile

 

In a message dated 97-05-31 03:08:52 EDT, you write:

 

<< 

 One of the interesting observations for me is the fear and loathing that

 beat literature and beatophiles seem to bring out.  I have to say i have

 enjoyed the poetry posting that have been made but fear that they may

 not be all be actually beat.  yet i am not a great one to know right off

 what is beat. >>

 

Not that I'm an expert, but as far as i can tell the thing that was most

important to the beats was experimentation.  So if you experiment and once in

a while you like what turns up and you keep it, and you believe in their

general philosophy of art and writing, that is a very beat M.O.

However, that is only my opinion, and i am not a Believer that there is a

unique thing called "beat" that only belongs to 4 or 5 people, or however

many beats there are supposed to be.  Those peoples' styles are very

different and can also blur together with other poets from earlier and later

times.

=========================================================================

Date:         Sat, 31 May 1997 08:41:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      link page

 

If anyone is interested, I have my beat link page under construction.

It is infantile in status, but is up nonetheless. I am trying out some

new editors, Hot Metal Pro and HomeSite.  But it looks like I may break

down and reinstall and use Hot Dog.  It is better than I think it is.

 

Peace,

 

Beat as You Want to Beat is the link off the url below.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 31 May 1997 08:47:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Music...

 

In a message dated 97-05-31 06:53:42 EDT, you write:

 

<< 

 "Everyone takes the limits of his own vision

          for the limits of the world."

 

                                 Arthur Schopenhauer

  >>

Schopenhauer believed that women had a natural power of dissimulation and

that's why men have beards.....to hide their facial features because without

them they're such bad liars.  At least that's what i got out of his book.

 Did i get it wrong?

=========================================================================

Date:         Sat, 31 May 1997 08:56:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: CENSORSHIP SUCKS THE BIG ONE

 

In a message dated 97-05-31 02:33:11 EDT, you write:

 

<<  I ask you- How

 long did your father jerk off in the flower pot to raise a blooming idiot

 like you? You know what Gerry I don't give a fiddler's fuck if I get thrown

 off the list cause listening to you makes me sick anyway.  Take those rules

 about censorship print it out, roll it into a ball and SHOVE IT UP YOUR ASS.

 A person can only take so much. UNCENSORED IN LOWELL - Phil Chaput

  >>

 

Why don't you too faggots e-mail each other instead of bombarding us innocent

listees with your petty drivel? Why do you, Phil, live in such a godforsaken

shithole as Lowell mass.?  Why bother with this list if all you can do is

yell?  why not just un-subscribe? Is your life so dull that you need the

internet to get your aggressions out? Why don't you just ignore or delete

Gerry's messages and vice versa if you don't like him?

=========================================================================

Date:         Sat, 31 May 1997 09:05:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Music...

 

Maya Gorton wrote:

 

> In a message dated 97-05-31 06:53:42 EDT, you write:

> 

> <<

>  "Everyone takes the limits of his own vision

>           for the limits of the world."

> 

>                                  Arthur Schopenhauer

>   >>

> Schopenhauer believed that women had a natural power of dissimulation

> and

> that's why men have beards.....to hide their facial features because

> without

> them they're such bad liars.  At least that's what i got out of his

> book.

>  Did i get it wrong?

 

 Never read Schopy, but you post Maya has me ROTFLMAO.  But, personally,

I think men are better liars than you give them credit for here.  Well,

I was lying but can you tell which part is the lie and which is the

truth.  So come to think of it, email is as good as a beard, only

better.

 

Peace,

 

:-)

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 31 May 1997 09:14:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Music...

 

In a message dated 97-05-31 09:11:39 EDT, you write:

 

<< 

  Never read Schopy, but you post Maya has me ROTFLMAO.  But, personally,

 I think men are better liars than you give them credit for here.  Well,

 I was lying but can you tell which part is the lie and which is the

 truth.  So come to think of it, email is as good as a beard, only

 better.

  >>

I know..you''re not REALLY rotflmao! Right?  e-mail is better than a beard

for sure...i've been told so many unsolicited tall tales already on the

internet.  stories of murder and drug money, glamour and wishful fame.

=========================================================================

Date:         Sat, 31 May 1997 08:22:20 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: this beat list

 

Maya Gorton wrote:

> 

> In a message dated 97-05-30 23:16:27 EDT, you write:

> 

> <<

>  synapses twist through backyard memory

>  tangled and ending on empty   >>

> 

> this is how i would say it if you care....hope you don't mind the editing,

> tell me if it bothers you

 

if it was me i don't recall what i typed in the first place.

 

synapses twisted makes sense but not only twisting going on i wish

medicare covered for a pet-scan ...:)

=========================================================================

Date:         Sat, 31 May 1997 08:40:16 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

                                                May 31, 1997

Maya Gorton writes:

>Why don't you too faggots e-mail each other instead of bombarding us innocent

>listees with your petty drivel?

 

Dear Maya,

        I have been happily married to my second wife (a woman) for five years.

        I don't care to exchange libelous exchanges with Mr. Chaput on or

off the list.

        Mr. Gargan and several others, including myself, have tried very

hard to get the dialogue on this List back within legal and civilized

parameters, i.e., to get rid of the libel, slander, defamation, and printing

of people's private letters, which is also illegal.

        Every time we do, Mr. Chaput or one of his allies, like Mr. Maher,

comes back with a tirade of verbal abuse and verbal assault against me--the

same tactics, by the way, that were used to try to shut down Brad Parker and

his independent Kerouac events in Lowell.

        At the same time, Mr. Chaput and a few others have been quick to

point their finger at me as the person who is destroying the Beat-List.

        The reality is: MR. CHAPUT AND HIS COHORTS ARE THE PEOPLE WHO ARE

ENDANGERING THIS LIST.

        They are putting me in the untenable position of 1) either having to

leave the list myself; or 2) take legal action against Brooklyn College and

the Beat-List for distributing this libelous material--NEITHER OF WHICH I

WANT TO DO.

        I.e., either I allow the bullies to win yet another victory (like

the victory they won when they dragged a 100-pound invalid, Jan Kerouac, out

of the Jack Kerouac Conference at NYU) or I do possible harm to the Beat

forum which all of you enjoy so much.

        I do not like being put in this position.  And I suggest if you

really care about the Beat-List--all of you--that you tell Mr. Chaput and

Mr. Maher now that you want them TO IMMEDIATELY STOP CREATING THIS DANGEROUS

DILEMMA.

        You might ask yourself, why are they doing this?

        As you say, if they don't like my messages, they can simply delete

them.  I am not writing anything that is a verbal assault on their career,

their personal life, etc., as they are doing to me.

        The truth is, I believe, that they (for certain very definite

political reasons) cannot stand the idea that Gerald Nicosia is on the Beat

List and able to speak to 200 Beat fans and scholars in a quiet, reasonable

forum.

        So they have determined to get me off in any way they can--and the

only way they know how is to act as bullies.  It is the way that has worked

for them so far.  But I am determined it is not going to work for them this

time.

        Thanks for listening.

        Best always, Gerry Nicosia

=========================================================================

Date:         Sat, 31 May 1997 11:58:09 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Hemenway <mhemenway@S1.DRC.COM>

Subject:      Lowell Kerouac Festival

 

Lowell Celebrates Kerouac!, Inc

P.O. Box 1111, Lowell, MA 01853

 

10th ANNUAL FESTIVAL CELEBRATES JACK KEROUAC'S VISION OF LOWELL

 

FOR IMMEDIATE RELEASE                   PRESS CONTACT:

MAY 27, 1997                            Mark Hemenway:

                                        Day: 508-475-9090 ext 1239

                                        Evening: 508-458-1721

 

                                        PUBLIC INQUIRIES:

                                        1-800-443-3332

                                        508-458-1721

 

(Lowell, MA) The 10th Annual Lowell Celebrates Kerouac! Festival will take

place 2- 5 October in Lowell, MA. This year's theme will be Kerouac

Celebrates Lowell. We will celebrate and explore the real and the mythic

Lowell., Massachusetts that Kerouac brought to life in his writing.

 

The people and places of Lowell are central to Kerouac's work. Five of his

novels describe his childhood and youth in the city, and images and

references to his hometown appear in virtually every one of his works. His

descriptions of Lowell are remarkable for their beauty, power and

timelessness. Through them, millions of readers have come to know Lowell

as a universal hometown. Join us as we walk the wrinkly tar sidewalks and

redbrick alleys that Jack Kerouac wrote about in his novels and poetry.

 

Full Press Release Attached

 

 

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(+BX-"@T*#0IS

`

end

=========================================================================

Date:         Sat, 31 May 1997 11:50:49 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Burroughs collection

 

In case anyone is interested (for future reference), the special collections

dept at Ohio State now has the biggest collection of Burroughs material in the

US. James Grauerholtz, secretary to WSB is in town, dropping off a truckload of

boxes (Maya, very little to do with anthropology). We had dinner last night

along with John Giorno, David Ohle and John Geiger who is working on a

biography of Brion Gysin. WSB is doing fine at the moment, John Giorno is

slated to be in Louiseville this September (did you get him to come Ron?) and

is a great performer if you have never seen him. Finally, the Burroughs

collection should be available for use as soon as it is cataloged and sorted

which might take 2 or three more months (at least).

 

Dave B.

=========================================================================

Date:         Sat, 31 May 1997 10:52:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Burroughs collection

 

patricia wrote,

great news, i love it being in the midwest. what was for dinner.

 

MORE OXY THAN MORON wrote:

> 

> In case anyone is interested (for future reference), the special collections

> dept at Ohio State now has the biggest collection of Burroughs material in the

> US. James Grauerholtz, secretary to WSB is in town, dropping off a truckload

 of

> boxes (Maya, very little to do with anthropology). We had dinner last night

> along with John Giorno, David Ohle and John Geiger who is working on a

> biography of Brion Gysin. WSB is doing fine at the moment, John Giorno is

> slated to be in Louiseville this September (did you get him to come Ron?) and

> is a great performer if you have never seen him. Finally, the Burroughs

> collection should be available for use as soon as it is cataloged and sorted

> which might take 2 or three more months (at least).

> 

> Dave B.

=========================================================================

Date:         Sat, 31 May 1997 10:58:18 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Gerald Nicosia

 

Please stay on the list, you showed strength, purpose and honor with

your recent postings.  I know it is hard to pass up the response or the

aside when you know that much that you love and care about is cheapened

or slandered but oppinions of substance make this listing worthwhile,

you are valuable to me.

patricia

=========================================================================

Date:         Sat, 31 May 1997 09:15:47 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Pulp Fiction

 

Sean,

     I actually happen to know, or believe that I know, what was in the

briefcase in Pulp Fiction.  The topic came up on another list to which I belong.

A guy who had a friend who interviewed Tarantino (<--this is why I "believe"

that I know") said that he asked Tarantino the same question.  First I

should mention that I love the movie and have seen it more times than I'd

care to admit.  I had noticed that the combination for the briefcase was

'666' and that everyone who got to look at it was mesmerized and seemed to

know what it was:  "Is that what I think it is?".  Anyway, it turns out that

the briefcase holds the soul of the character Ving Rhames plays.  Remember

all those scenes with him having a Band-Aid on the back of his head?

Apparently it's mentioned in the Bible somewhere that that's where the Devil

takes your soul from.  So you don't have to feel bad when John Travolta and

Samuel L. Jackson shoot up those kids in that appartment because they're

only killing Satan's minions and I think that's justifiable homicide in most

states.  Also, remember the theological discussion Jackson and Travolta have

over "divine intervention"?  Well Jackson was right.

     An interesting side note:  In Malaysia they apparently re-edited the

film to try to create a linear narrative because they thought movie-goers

would feel ripped off otherwise.

                                                   James M.

P.S.  Don't know how this is beat.  Apologies to everyone who isn't interested.

=========================================================================

Date:         Sat, 31 May 1997 12:26:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         henry <luckfry@NETWAY1.MDC.NET>

Subject:      test only

 

test only

=========================================================================

Date:         Sat, 31 May 1997 12:31:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         henry <luckfry@NETWAY1.MDC.NET>

Subject:      test

 

test

=========================================================================

Date:         Sat, 31 May 1997 10:39:42 +0000

Reply-To:     annie@rt66.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         annie shank <annie@RT66.COM>

Organization: you can't be serious

Subject:      Re: Who is Killing the Beat-List and Why?

 

Hey, I just got here.  And I was hoping to find further discourse of the

kind I enjoyed with Lee Bartlett for an entire semester just past.  And

what do I find?

 

                                        Usenet

 

Get a grip, folks.  Can we talk about the literature for a change?  Can

we try fitting it against other things, and talking about the part that

just won't fit and insists on slopping over the edges?

 

I feel like I've walked in on a stock rehearsal of "Who's Afraid of

Virginia Woolf".....

 

annie                                                           annie@rt66.com

=========================================================================

Date:         Sat, 31 May 1997 12:39:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Gerald Nicosia

 

Patricia Elliott wrote:

 

> Please stay on the list, you showed strength, purpose and honor with

> your recent postings.  I know it is hard to pass up the response or

> the

> aside when you know that much that you love and care about is

> cheapened

> or slandered but oppinions of substance make this listing worthwhile,

> you are valuable to me.

> patricia

 

 ditto, here, but I think you can let it slide.  It eventually will get

tiresome for those who attack you and your work.

 

To the list, if you have attacks to make on Gerry, or you want to say

something to him about what a slime he is, then say it to him, not on

the list.

 

To Gerry:

 

Let it slide, I have to shake my head in wonder each time I see someone

make these bizarre statements about you.  Noone on the list, that I have

seen, other than about three or so, seems to place any creedence in

these posts.

 

To Phil:

 

Some of your posts are very good and I appreciate them.   I do not want

you to leave the list or get kicked off.  But you only harm yourself

every time you do it, why as Jerry Jeff Walker said want to "Piss in the

wind, cause then it's blowing on all your friends."

 

Whatever effect you desire, it is personal, and if you are right, you

are losing the opportunity to prove it as you embarrass yourself with

such undignified comments.

 

Peace, and I have begun revisions and revisions of my web site, you all

are invited.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 31 May 1997 12:50:43 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Be-Bop Do-Wap-Wap

 

To everyone who provided me with info on Beat-related songs:  thank you so

much!  And yes, i did check out Levi's sight; I'm printing off the 23 pages

of music-related info right now.  I had this hair-brained idea to put

together my own private collection of Beat-inspired songs during my lazy

hazy (yeah, right!) days of summer; looks like I may have enough for my own

box-set.  Now that would be a way to pay for grad school...

 

If anyone's interested in my progress, ask & I'll let you know how it goes.

:)

 

Diane.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Sat, 31 May 1997 13:15:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cosmic Baseball Association <cosmic@CLARK.NET>

Subject:      Re: Current subscribers

 

Hello Fred,

 

Thanks for the post.  Is this a record?

 

Regards,

Andrew Lampert

cosmic@clark.net

 

 

>As of this moment (9:36am EDT, May 30) there are 248 subscribers to

>beat-l.

> 

>fred

> 

> 

=========================================================================

Date:         Sat, 31 May 1997 10:51:19 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

                                        May 31, 1997

Annie Shank writes:

>Hey, I just got here.  And I was hoping to find further discourse of the

>kind I enjoyed with Lee Bartlett for an entire semester just past...

...   Can we talk about the literature for a change?

 

Annie,

        I couldn't agree with you more.  But do you want to belong to a

Beat-List where a gang of 2 or 3 bullies can force anyone off the list,

whenever they so choose, just by applying an endless, unchecked stream of

verbal abuse to that targeted person?

        There's been a lot of hoo-ha about free speech and censorship in Mr.

Chaput's past few posts.  There is nothing in the U.S. Constitution that

guarantees one person the right to verbally abuse and/or verbally damage

another person.  To claim that one has the right to libel and verbally

assault another person ("Hey, you dirty Jew!"  "Hey, you dirty nigger!"

"Hey, you dirty wop!") is a lot closer to fascism than the democracy I grew

up learning about.

        I want to talk about literature too, but I also want a Beat-List

where I'm free to speak sound, rational, level-headed opinions--even if it's

about the Kerouac Estate--without two or three guys jumping at me with

vicious verbal attacks on my career, my personal life, my income, and

anything else they can think of.

        Don't you want that too?

        Respectfully, Gerald Nicosia

=========================================================================

Date:         Sat, 31 May 1997 13:33:05 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JWHasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: All things

 

Gerald Nicosia wrote:

 

>>John Hasbrouck writes:

>>        "All things considered, I think the Beat-L list is far more

>>interesting now than it has been at any time during the last two years or so

...."

 

>        John,

>       You mean I didn't murder the Beat-List?  I'm crushed.

>        Yours in failure,

>        Gerald Nicosia

 

Gerry,

On the contrary - all issues, flames and partisanship aside - you, Mr.

Nicosia, in your own inimitable and fabulously impudent way, have

resuscitated and resurrected this list from a deathlike and dronish

blandness consisting of <Is So-and-So Beat?>, <What Should I Read?> and

<Who's The Greatest POvErT Of The 20th Century?>-type posts, all of

which are eminently deletable. Any Devoted Reader Of Books who can't

deal with the stench of dirty laundry coming from a Classic Legal

Dispute over a great literary estate is no better than Mr. Sampas trying

to keep the world from knowing that Kerouac sucked cock and drowned in

booze.

 

I hope this rant doesn't kill my chances of being elected LurkMeister.

 

John Hasbrouck, BiblioFool

Chicago

 

P.S. Y'all read <The Scandal of Ulysses>?

=========================================================================

Date:         Sat, 31 May 1997 14:33:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Posey  - Ode to NJ

 

As everyone is posting their Posey this week and there's been discussion

about loving/hating New York I thought I'd drop one on you I wrote in 1990

after taking a one year temporary assignment to the East.  I worked in NY and

lived in NJ where we had a very pleasant stay. Here is what I saw:

 

 

                     ODE TO NJ

 

With your smoke stacked belchers by the river

And your drivers in cars nasty

And forever honking tho nowhere near as bad

As them New Yorkers cross river

 

With your tiny towns and full treed spaces

And two lane roads where little animals

Try to cross and get nailed

By furious drivers too lazy to swerve

 

I watch you New Jersey

I watch and I listen and I learn

As only a dispassionate temporary citizen

Can do

 

I watch you New Jersey

As your inhabitants claw at one another

And snipe at one another

And want to screw one another

But don't because of AIDS

 

I watch as pitiful old people

Take their savings to AC casinos

Only to come home drunk and stupid

On the bus

 

I watch as those haughty New Yorkers

Try to impress upon you

How superior they are to you

And you believe them

 

I watch

As every one of your kids

Has an angle and has a plan

And nothing comes to nothing

 

 

What is it with you New Jersey?

Are you really the doormat

Of the Tri-State area

Or the doormat of America instead?

 

Do you represent

All that is good and bad

In the country?  The world?

In Life?

 

America needs you New Jersey

America needs a place that will take all the shit

And live in the squalor

And keep on smiling

 

Keep on smiling New Jersey

What care you that they laugh at you

And they snort at you

And look down their noses at you

 

What care you that you're always trying

And always hustling

Only to be left lying supine

Creamed on

Like a teenage princess of the night

 

Every whore has her reasons

 

 

 

 

Jerry Cimino

=========================================================================

Date:         Sat, 31 May 1997 14:53:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: Posey - Ode to NJ

 

Dear Jerry:

 

>From the great state of New Jersey -- I salute you (having lived here -- can

you be sure of my meaning and manner of my salute????)

 

Truly, the home of Walt Whitman and of Allen Ginsberg (to name only two --

but the two whose cadence and rhythm you seem to have captured very well in

your "Ode to NJ") has found a new champion -- why did you omit the "big hair"

of which we are also so very proud???

 

NOW - SHIFTING GEARS--

Wish you could join us for the Allen memorial in Paterson on June 8th --- a

coup after all of the anti-Allen hype that flowed from politicos following

his death when such a memorial was proposed.  Sometimes right triumphs.

 

Dawn

=========================================================================

Date:         Sat, 31 May 1997 15:14:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Ginsberg tribute in new Shambhala Sun

 

There's a great tribute to AG in the new (July 97) issue

of Shambhala Sun.  Check it out folx.  Also, one in the

new issue of Tricyclic.

 

Mike

=========================================================================

Date:         Sat, 31 May 1997 14:30:58 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Delta

 

Hello John,

 

Leo is a real nice guy and it's good to hear that you're a Bukka

White fan. I met Bukka in Cleveland, MS, a number of years ago and

could that man play a slide-pure fire. The guy I'm referring to is

Catfish McDaris the poet and storyteller. He's got an excellent

read out from Angelflesh Press, called "Catfish In The Pecos."

 

Richard Houff

Pariah Press

=========================================================================

Date:         Sat, 31 May 1997 15:39:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Ginsberg tribute in new Shambhala Sun

 

Hmm, sent this and got a notice I'm not subscribed

(directly after I downloaded my beat-l mail), so I'll

try again, in case it is lost in the void.

 

The new issue (July 97) of Shambhala Sun has a

great AG tribute in it (quite lengthy).  Check it out folx.

Also, the new Tricyclic does as well (very short though).

 

Mike

=========================================================================

Date:         Sat, 31 May 1997 15:20:26 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Cranial Guitar

In-Reply-To:  <338FEF4B.102C@bitstream.net>

 

True to the virus that is my word, I put on my Birkenstocks (pale feet,

unglued soles at the tips) this Sat. morn and went to the Hungry Mind,

there got the only copy of Cranial Guitar.

 

1.  Scholarly question:  I had not heard of the publication until the past

few days on the BList, and the copyright date says 1996.  Has the book been

out for months, or just delayed in release and distribution?  If out for

long, why no previous reference on the BList?

 

"ENGPOP, ENGPOP, BOP, PLOLO, PLOLO, BOP, BOP."

 

Bob Kauffmann, "Crootey Songo"

 

Great!  Am loooking forward to loving the book (got Solitudes Crowded with

Loneliness long ago at City Lights, & have always loved the Frank O'Hara

type title, Golden Sardine--just great with silver crackers and beer).

Thanks to all who've helped keep this solitary Beat strumming.

 

2.  Scholarly (M. A.--in English!) question:  Gerry Nicosia (I love you,

man.), who chose the title for these Selected Poems you edited--you,

Kauffmann, who?  Why, beyond the obvious, etc.?

 

Then I went across the hall to The Table of Contents to sip and browse

$1.25

plus .09 tax

FRESH ROASTED COFFEE

(A BOTTOMLESS MUG OF OUR OWN BLEND)

when what to my wondering eyes these lines:

 

I dreamed I went to John Mitchell's poetry party

in my maidenform brain

 

Holy! Cow

 

3.  Scholarly question:  Who is this interloper, me?  (A joke; my poetry

always wears bras, but I was shocked to discover it had been outted!  I

always knew I would be a famous Beat someday, but should have known it

would not be the real me.)

 

I unsubscribe tomorrow, so please answer scholarly questions soon.  (And no

flames, unless scholarly marshmellows are provided.)

 

John M.

 

Also I wrote this pome on the sack while sitting at the counter.

 

It's Up To You

 

Whatever it was I am

I am happy to be

Even childhood sores

 

Butterflies for several days

Thousands

Just flapping/black & orange

 

Wherever they have gone

I want to go

And be

=========================================================================

Date:         Sat, 31 May 1997 17:45:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: Music...

 

At 08:47 AM 5/31/97 -0400, Maya Gorton wrote:

>In a message dated 97-05-31 06:53:42 EDT, you write:

> 

><< 

> "Everyone takes the limits of his own vision

>          for the limits of the world."

> 

>                                 Arthur Schopenhauer

>  >>

>Schopenhauer believed that women had a natural power of dissimulation and

>that's why men have beards.....to hide their facial features because without

>them they're such bad liars.  At least that's what i got out of his book.

> Did i get it wrong?

> 

hmmm...I don't know.  that's my mom's signature file, i dont really know

Schopenhauer at all.

but sounds interesting...

 

matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Sat, 31 May 1997 18:09:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeanne Vaccaro <SlugBug747@AOL.COM>

Subject:      Re: Posey - Ode to NJ

 

Well I also live in Jersey (my brain's small and my hairs tall). Jersey

really is the most awful place on earth. I live about 7 minuets from NYC, so

naturally I spend all my time their, including going to school their. You

forgot to mention that Springstien wrote about Jersey. The GW Bridge is my

nemesiss. Later.

love(and other indoor sports)jeanne.

=========================================================================

Date:         Sat, 31 May 1997 17:56:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         talk dirty to me <mutton@JANE.PENN.COM>

Subject:      Re: Pulp Fiction

 

thanks

i was very interested

that makes that scene so much cooler

again, gratzi

jeremy

 

----------

: From: James William Marshall <iamio@MAIL.NETSHOP.NET>

: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

: Subject: Pulp Fiction

: Date: Saturday, May 31, 1997 11:15 AM

:

: Sean,

:      I actually happen to know, or believe that I know, what was in the

: briefcase in Pulp Fiction.  The topic came up on another list to which I

belong.

: A guy who had a friend who interviewed Tarantino (<--this is why I

"believe"

: that I know") said that he asked Tarantino the same question.  First I

: should mention that I love the movie and have seen it more times than I'd

: care to admit.  I had noticed that the combination for the briefcase was

: '666' and that everyone who got to look at it was mesmerized and seemed

to

: know what it was:  "Is that what I think it is?".  Anyway, it turns out

that

: the briefcase holds the soul of the character Ving Rhames plays.

Remember

: all those scenes with him having a Band-Aid on the back of his head?

: Apparently it's mentioned in the Bible somewhere that that's where the

Devil

: takes your soul from.  So you don't have to feel bad when John Travolta

and

: Samuel L. Jackson shoot up those kids in that appartment because they're

: only killing Satan's minions and I think that's justifiable homicide in

most

: states.  Also, remember the theological discussion Jackson and Travolta

have

: over "divine intervention"?  Well Jackson was right.

:      An interesting side note:  In Malaysia they apparently re-edited the

: film to try to create a linear narrative because they thought movie-goers

: would feel ripped off otherwise.

:                                                    James M.

: P.S.  Don't know how this is beat.  Apologies to everyone who isn't

interested.

=========================================================================

Date:         Sat, 31 May 1997 18:36:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: Posey - Ode to NJ

 

RE:  Jeanne Vaccaro's mention of Springsteen also writing about NJ -- true --

but Jerry's C.'s cadences don't match his, so despite my deep and desperate

love for BRUUUUUUUCE (who retains his Rumson mansion, but spends too many

months in his L.A. mansion -- complete with separate cottage for nanny and

little Springsteen's), he seemed "unmentionable."

 

However -- the fantastic PATERSON - written by Wm. Carlos Wms. - fits in.

 But Philip Roth (Jersey Fresh) doesn't), and so on.

 

Anyway - I thought that Jerry C. had the sound.

 

Dawn

=========================================================================

Date:         Sat, 31 May 1997 18:47:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Posey - Ode to NJ

 

I mis-spent my senior year at college listening to Greetings from Asbury Park

and The Wild The Innocent & The E Street Shuffle.  We danced to Rosalita 'til

dawn many 'a night!  The first date my wife and I had was to a Bruce concert

in DC.  Discovery of JK came a year later.

 

JC

=========================================================================

Date:         Sat, 31 May 1997 18:57:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      jeopardy and them crazy beat-niks

 

Hello, surprised no one mentioned this but then again not --

 

a few nights ago, on the game show jeopardy, one of the questions was:

(something like) This author of Howl released a CD entitled Ballad of the

Skeletons in 1996.

 

answer(response):

Who is Allen Ginsberg?

 

 

 

Eric

personal recommendation: don't watch jeopardy stoned.

=========================================================================

Date:         Sat, 31 May 1997 16:05:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Cranial Guitar

 

At 03:20 PM 5/31/97 -0600, you wrote:

>True to the virus that is my word, I put on my Birkenstocks (pale feet,

>unglued soles at the tips) this Sat. morn and went to the Hungry Mind,

>there got the only copy of Cranial Guitar.

> 

>1.  Scholarly question:  I had not heard of the publication until the past

>few days on the BList, and the copyright date says 1996.  Has the book been

>out for months, or just delayed in release and distribution?  If out for

>long, why no previous reference on the BList?

> 

>"ENGPOP, ENGPOP, BOP, PLOLO, PLOLO, BOP, BOP."

> 

>Bob Kauffmann, "Crootey Songo"

> 

>Great!  Am loooking forward to loving the book (got Solitudes Crowded with

>Loneliness long ago at City Lights, & have always loved the Frank O'Hara

>type title, Golden Sardine--just great with silver crackers and beer).

>Thanks to all who've helped keep this solitary Beat strumming.

> 

>2.  Scholarly (M. A.--in English!) question:  Gerry Nicosia (I love you,

>man.), who chose the title for these Selected Poems you edited--you,

>Kauffmann, who?  Why, beyond the obvious, etc.?

> 

>Then I went across the hall to The Table of Contents to sip and browse

>$1.25

>plus .09 tax

>FRESH ROASTED COFFEE

>(A BOTTOMLESS MUG OF OUR OWN BLEND)

>when what to my wondering eyes these lines:

> 

>I dreamed I went to John Mitchell's poetry party

>in my maidenform brain

> 

>Holy! Cow

> 

>3.  Scholarly question:  Who is this interloper, me?  (A joke; my poetry

>always wears bras, but I was shocked to discover it had been outted!  I

>always knew I would be a famous Beat someday, but should have known it

>would not be the real me.)

> 

>I unsubscribe tomorrow, so please answer scholarly questions soon.  (And no

>flames, unless scholarly marshmellows are provided.)

> 

>John M.

 

Dear John,    May 31, 1997

 

        Eileen Kaufman, Bob's widow, picked out about six or seven possible

titles from lines in Bob's poems.  Her favorite was "INTO CRACKLING

BLUENESS," which is a Kaufman paraphrase of one of his own favorite poets,

Lorca.  But the publisher preferred "CRANIAL GUITAR," from a poem where Bob

says "My head is a cranial guitar," etc.  (Forgot which poem.)

        Don't know who the John Mitchell was that Bob refers to--surely one

of the many North Beach pre-Beatniks of the late 50's, and there were many.

Maybe I'll ask Eileen next time I see her.

        What city do you live in, anyway?

        As for no mention of it on the Beat List, I haven't seen mention of

Ferlinghetti's latest either--A FAR ROCKAWAY OF THE HEART, which was just

released from New Directions.  I haven't been a big fan of Lawrence's recent

stuff, last few years, but this book IS DYNAMITE, THE BEST STUFF HE'S

WRITTEN IN 30-40 YEARS.  There's a four-page poem to Ezra Pound that is ONE

OF THE FINEST POEMS OLD LARRY HAS EVER PENNED (IMHO).  A few lines:

 

        "At worst an old man's mumbled jumble

        of erudicities and profundities

        by turns noble and incoherent

        Scatter of rain on a mansard roof

        mixed with antique gossip

        ancient Tuscan account books

        and yesterday's conversations

        A garrulous gabble of

        crackerbarrel colloquial

        cobbled into the typography of poetry

        in canti that couldn't possibly be sung...."

 

Here's my favorite Kaufman poem from CRANIAL GUITAR:

 

        "My body is a torn mattress

        Disheveled throbbing place

        For the comings and goings

        Of loveless transients.

        The whole of me

        Is an unfurnished room

        FIlled with dank breath

        Escaping in gasps of nowhere.

        Before completely objective mirrors

        I have shot myself with my eyes,

        But death refused my advances.

        I have walked on my walls each night

        Through strange landscapes in my head.

        I have brushed my teeth with orange peel,

        Iced with cold blood from the dripping faucets.

        My face is covered with maps of dead nations;

        My hair is littered with drying ragweed.

        Bitter raisins drip from my nostrils

        While schools of glowing minnows swim from my mouth.

        The nipples of my breast are sun-browned cockleburrs;

        Long-forgotten Indian tribes fight battles on my chest

        Unaware of the sunken ships rotting in my stomach.

        My legs are charred remains of burned cypress trees;

        My feet are covered with moss from bayous, flowing across my floor.

        I can't go out anymore.

        I shall sit on my ceiling.

        Would you wear my eyes?"

 

        Tell me that's not grrrreeaaattt poetry!

 

        Best always, Gerry Nicosia

=========================================================================

Date:         Sat, 31 May 1997 20:14:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Gerald Nicosia wrote:

> 

> I couldn't agree with you more.  But do you want to belong to a

> Beat-List where a gang of 2 or 3 bullies can force anyone off the list,

> whenever they so choose, just by applying an endless, unchecked stream of

> verbal abuse to that targeted person?

>         There's been a lot of hoo-ha about free speech and censorship in Mr.

> Chaput's past few posts.  There is nothing in the U.S. Constitution that

> guarantees one person the right to verbally abuse and/or verbally damage

> another person.  To claim that one has the right to libel and verbally

> assault another person ("Hey, you dirty Jew!"  "Hey, you dirty nigger!"

> "Hey, you dirty wop!") is a lot closer to fascism than the democracy I grew

> up learning about.

>         I want to talk about literature too, but I also want a Beat-List

> where I'm free to speak sound, rational, level-headed opinions--even if it's

> about the Kerouac Estate--without two or three guys jumping at me with

> vicious verbal attacks on my career, my personal life, my income, and

> anything else they can think of.

>         Don't you want that too?

>         Respectfully, Gerald Nicosia

 

No one will ever kill the beat list because it will refuse to die in the

same way beat literature refuses to die.  What you don't seem to realize

is that no one can "verbally damage" you unless "you" let them.  No

one can drive anyone off the list.  You can only leave of your own

free will.  I hope you don't.  But you have to lighten up a bit. You

should respect the intelligence of the people on the list.  You don't

have to refute everything that is said.  Most people can recognize

bullshit when they see it.  Let your book and your scholarship stand on

their own.  How can ignoring someone who calls you names possibly

damage your career?  In another post, you said you talked about two

options.

" They are putting me in the untenable position of 1) either having to

leave the list myself; or 2) take legal action against Brooklyn College

and

the Beat-List for distributing this libelous material--NEITHER OF WHICH I

WANT TO DO."

 

I've got to say that when I see the words "take legal action against

Brooklyn College and the Beat-List," it upsets me.  This is a public

forum and the people at Brooklyn College have been generous in their time

and commitment in giving the list a home.  Why don't you erase the anger

from your own posts and only respond in a rational, level-headed way.  If

you truly want to be respected here, stop engaging in the battle.

=========================================================================

Date:         Sun, 1 Jun 1997 00:47:38 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      the sniveler

 

well, it's saturday night, it's sunday morning, & I've still got

a beer, whatever, so here's some bukowski for you good people, at least

for those of you who haven't heard it already.

 

"THE SNIVELER", charles bukowski

 

"you're a sniveler, she said

you snivel when she doesn't call,

I phone you and you're shit-faced on wine.

 

I'm a baby, I said, then too I can't figure out

how anybody can live without me.

 

my god, she said, you really mean that ?

 

yes, I said.

 

oh my god, you're impossible, you big soft

baby's ass !

 

suck me off and maybe I can forget, help me

forget.

 

you big soft baby's ass !

 

I'm sensitive, yes, and how can anybody live

without me ?

 

she hung up.

 

well, I thought, there's two who can live without me.

there might be 2000, 2 million, 2 million

billion.

 

it was one of the most depressing thoughts I'd had

in years.

 

I went into my bedroom and stretched out and looked at

the ceiling.

 

I thought, well, I can masturbate, I can look at television,

and then there's suicide.

 

having already masturbated twice that day

I had two options left and

being a big soft baby's ass I

switched on the tv."

 

 

                        enjoy life,

 

                                        Olly R.

 

_______________________________________________________________________________

 

"Survival of the... *fittest* ? Was that the proper word ? Had Darwin ever

considered the idea of *temporary* unfitness ? Like "temporary insanity."

Could the Doctor have made room in his theory for a thing like LSD ?"

_______________________________________________________________________________

 

                           or205@hermes.cam.ac.uk

                              skink@imrryr.org

_______________________________________________________________________________

=========================================================================

Date:         Sat, 31 May 1997 16:47:14 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Miller <richard@EMF.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

As a relative newcomer to Beat-L, I have to say how wonderful its been to

discover a bunch of people who share my passion and interests. At the same

time its been somewhat like hopping a train where the club car is filled

with boistrous shouting and at times near fist fights while the rest of us

look on with varying degress of fascination and horror. Initially I loved

it but now feel increasingly alarmed by the possibility that a few people

could derail the entire train. I tend to see the best in people and suspect

that its not maliciousness so much as overheated emotion and a belief that

"God is on my side" type of thinking that has gotten us to this dismal

state of personal attack and name calling. My wish is for the train to stay

on track without anyone needing to be thrown (or jumping) off board.

Because I support you, Gerry, in what you're trying to accomplish, I also

want to support what others have implied or said: bullies have your number

when they can so easily and predictably get a response by saying "your

mother wears a mustache." When left alone or not responded to, they are

revealed to be for what they are. I quite understand that you don't wish to

be slandered but for all of our sakes, please don't save the village by

destroying it. Your good name will not be endangered by stepping aside from

taunts and provocations and in fact will be enhanced. I encourage you to

continue to resist the temptation to counter attack (grace under fire?) and

to rise above it and let the flames die down so the real business at hand

can be addressed. It's not a question (IMHO) of honor but of keeping

presence of mind and one's eye on the ball. Sorry this first post is so

windy and I hope it can be taken in the spirit its intended. Richard

=========================================================================

Date:         Sat, 31 May 1997 20:48:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

To Richard and Diane and others who recently responded to this thread:

 

Ladies and Gentlemen I agree with much of what you've said.  I am on record

on a number of occassions as saying I wish Gerry Nicosia would tone things

down sometimes in his responses.  I think he hurts his cause by answering his

attackers in kind.  Although I have been called Gerry's "Lackey" and been

accused of "genuflecting at his feet" I have not to my knowledge been

excommunicated from the cause of wanting to save Jack's archives because I

sometimes disagree with it's Champion.

 

I would like to point something out, however.  It is very easy to sit on the

sidelines watching a fight and say, "Isn't that terrible?  They should stop

that fighting.  Look at those three bullies ganging up on that one guy.  He

should turn the other cheek and maybe they'll stop."

 

I have made my position known in this situation for quite a while.  And while

I try my level best to be even handed I must admit I have lost my cool a few

times as well.  When Jeffrey Weinberg called me a "liar" because I had the

"audacity" to innocently mention a $50,000 raincoat Jeffrey came at me with

both barrels saying I was a "liar" for the simple reason that he's one of the

few people on the planet who knows for a fact that the raincoat did NOT cost

exactly $50,000.  I asked Jeffrey how I should refer to this raincoat... as

"the raincoat that did NOT cost $50,000?" ... as "the raincoat that cost

something OTHER than $50,000?".  Jeffrey, of course, did not respond, he

simply told us all on a later post that I am "destroying the spirit of the

Beat-l" because I said Rod Anstee was "Off Base" to use the private

correspondance between himself and Gerry Nicosia to try to win a point in an

argument.  This, of course, being the action that caused Gerry to call on

Bill Gargan to force Anstee to stop quoting private correspondance which may

in fact even be illegal.

 

The point I'm trying to make here is I have been defamed in a minor way and

it pissed me off enormously!  Gerry Nicosia has literally been ASSAULTED by

many many people, one of them even under a phantom screen-name!  How do you

expect him to react?  How would YOU react if somebody shouted at you time and

again with remarks like, "How long did your father jerk off in the flower pot

to raise a blooming idiot like you?  You know what Gerry I don't give a

fiddler's fuck if I get thrown off this list cause listening to you makes me

sick anyway.  Take those rules about censorship print it out, roll it into a

ball and SHOVE IT UP YOU ASS." This treasure trove of scintilating "free

speech" was of course compliments of our very own Phil Chaput who counts

among his heroes the Reverend Martin Luther King!

 

I've said it before and I'll say it again:  IF YOU PEOPLE WANT TO BRING PEACE

TO THIS LIST YOU SHOULD BE CARPET BOMBING PHIL CHAPUT FOR SAYING THESE

THINGS!  He's the one who is raising his voice time and time again along with

Paul Maher and also Rod Anstee.

 

Has anyone else noticed how one or two of these guys takes a break for a

while but one of them is constantly there with their sickening drone of how

Gerry Nicosia is a monster?  We haven't heard from Maher and Anstee for a few

days but they'll be back.  And before that it was Anstee who was keeping the

decible level high while Phil took a break.

 

Who's on Nicosia's side?   He's standing there alone taking a hammering and

people post to HIM that HE should turn the other cheek!  That's nonsense!

 You walk in his shoes for a while and see how long you'd keep silent.  Every

time one of these people shoots these flames toward Gerry substitute YOUR

NAME where his is and see how long you could stand it.  You're living in a

dream world if you expect Gerry to stay silent on this.  He's not going to do

it!  I wouldn't!  And I bet you wouldn't either!

 

The way to bring PEACE to this list is to silence the attackers. Try doing

that for a while and see what the results are.

 

Peace!

 

 

 

Jerry Cimino

=========================================================================

Date:         Sat, 31 May 1997 21:08:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Re: All Things

 

No, Gerry did not kill the beat list.  Nor did Rod or Phil.

 

But there were times that the prospect of "distroying the village in order to

save it" seemed possible (A phrase that some Vietnam-era General or somebody

used to explain the distruction of a real village, know who Gerry?).  There

is a time to let fly, even to threaten peacefully.

 

I never said much during our most notable (and I suspect most enduring) flame

war, because I had no first hand knowledge to contribute.  Now that things

have settled just a bit, my opinion is that in the best of all possible

worlds I support the vision of Gerry Nicosea.  All of Jack's papers in one

accessable place to promote Kerouac scholarship and study throughout the

ages.  I think that is Gerry's vision.  If not, I humbly apologize for

misstating your vision.  A place where the best of the Kerouac sprit endures

without whitewashing or censoring ANYTHING.  A place where the Kerouac papers

are preserved and REAL to people, including non-scholars" long after all but

tight assed people like George Will have forgotten Norman Podheritz, Irving

Kristol and that little weasel Truman Capote.  Some people think that Mr.

Nicosea's vision is different from the way I have characterized it.  They

have not convinced me of anything other than the fact that well-meaning

people often don't get along.  Of course, we have never heard from Mr. Sampas

directly.

 

If that vision remains a mirage I'm not going to lose a whole lot of sleep

over it.  Ya just got to pick your fights carefully, and this ain't my fight.

 So flame away...just don't burn the other things that some of us

non-combatants value about our little online community.  Those values include

civility and mutual respect.  I also reject the notion that "if you are not

part of the solution, you are part of the problem."   That might be true of a

time of war or revolution, but not about a civil suit concerning the Kerouac

estate which IS important but hardly a matter of life or death, or even about

basic principles.  At its core, Mr. Nicosea's dispute with Mr. Sampas is a

legal matter, to be decided by a judge or jury.  Let justice prevail, an

occasional outcome of our legal system.  Nobody has convinced me that there

is ANYTHING that I can do to affect the outcome of that dispute in ANY way.

 

 

Howard Park

=========================================================================

Date:         Sat, 31 May 1997 20:10:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Diane Carter wrote:

 

> I've got to say that when I see the words "take legal action against

> Brooklyn College and the Beat-List," it upsets me.

 

i found this quoted line 'odd' myself.  also 'odd' that some seem to

read past lines like this and only see 'fault' (for lack of a better

word at the moment) in the camp of CA&M.  it would be a 'shame' if such

words as the quoted line were to become more than empty threats.  it is

a 'shame' in my opinion that the individuals providing the service for

this list and its administration even need to consider such a

possibility.  i've been known to heat-up myself now and then.  sometimes

i forget to count to 500 or to wait 24 hours or whatever rule-of-thumb

one chooses to use.  but this is bordering on senseless.

 

in another direction, i don't think that jerry c. comprehends what is

being suggested when he likens it to 'turning the other cheek'.  i think

it is much more 'picking your punches'.  gerry n. seems to counter-punch

at the stupidest comments with full rhetorical flare.  it is difficult

for me to distinguish which comments he finds credible and which he

senses are made of straw when the power of the replies is the same

regardless of the content of the previous posts.

 

i mean to defame or libel no one with this message.  or slander for that

matter.  'shame' that such caveats seem necessary.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 31 May 1997 18:14:26 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

                                                May 31, 1997

Diane Carter writes:

 

.  Why don't you erase the anger

>from your own posts and only respond in a rational, level-headed way.  If

>you truly want to be respected here, stop engaging in the battle.

> 

 

Diane,  I have erased my anger.  But that doesn't mean I want or should be

subjected to a stream of abuse every time I turn on my computer.

        Imagine, can you, how you would feel if every day when you went to

log onto the Beat List, people were accusing you of various actual crimes

you didn't commit, insulting you and your family, telling you you dare not

mention the name of a famous man without "disgracing" him from your polluted

lips, etc.

        This cannot be allowed to go on, if this list is not to become the

property of a few arrogant individuals who feel they can intimidate and

drive off any discussion they do not like--drive if off, not with cogent,

intelligent argument, but drive it off with the most vicious and disgusting

tactics.

        I am pursuing the gentlest means possible to end this kind of

coercion--for that is what it is--but I will not give up until it is indeed

ended.

        And yes, by the way, slander does hurt.  It hurt Jan's cause a good

deal while she lived, and it is hurting my efforts to carry on her cause:

which is the saving of Jack Kerouac's archive for posterity.

        Yours truly, Gerald Nicosia

=========================================================================

Date:         Sat, 31 May 1997 21:12:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Music...

 

Maya Gorton wrote:

 

> In a message dated 97-05-31 09:11:39 EDT, you write:

> 

> <<

>   Never read Schopy, but you post Maya has me ROTFLMAO.  But,

> personally,

>  I think men are better liars than you give them credit for here.

> Well,

>  I was lying but can you tell which part is the lie and which is the

>  truth.  So come to think of it, email is as good as a beard, only

>  better.

>   >>

> I know..you''re not REALLY rotflmao! Right?  e-mail is better than a

> beard

> for sure...i've been told so many unsolicited tall tales already on

> the

> internet.  stories of murder and drug money, glamour and wishful fame.

 

 No, but I was lol and FELT like rolling on the floor.  :-)

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 31 May 1997 21:14:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: All things

Comments: To: jhasbro@tezcat.com

 

JWHasbrouck wrote:

 

> Gerald Nicosia wrote:

> 

> >>John Hasbrouck writes:

> >>        "All things considered, I think the Beat-L list is far more

> >>interesting now than it has been at any time during the last two

> years or so

> ...."

> 

> >        John,

> >       You mean I didn't murder the Beat-List?  I'm crushed.

> >        Yours in failure,

> >        Gerald Nicosia

> 

> Gerry,

> On the contrary - all issues, flames and partisanship aside - you, Mr.

> 

> Nicosia, in your own inimitable and fabulously impudent way, have

> resuscitated and resurrected this list from a deathlike and dronish

> blandness consisting of <Is So-and-So Beat?>, <What Should I Read?>

> and

> <Who's The Greatest POvErT Of The 20th Century?>-type posts, all of

> which are eminently deletable. Any Devoted Reader Of Books who can't

> deal with the stench of dirty laundry coming from a Classic Legal

> Dispute over a great literary estate is no better than Mr. Sampas

> trying

> to keep the world from knowing that Kerouac sucked cock and drowned in

> 

> booze.

> 

> I hope this rant doesn't kill my chances of being elected LurkMeister.

> 

> John Hasbrouck, BiblioFool

> Chicago

> 

> P.S. Y'all read <The Scandal of Ulysses>?

 

 NOT in mho.  I still believe it is part of the first post, so you

really haven't delurked yet, have you.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 31 May 1997 21:31:14 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: Bob Kaufman and Martin Luther King

 

>GREATEST BLACK POET OF THE BEAT GENERATION: BOB KAUFMAN

 

 

Bob Kaufman was black? I am out of the loop, course I also wasn't born

until 1980 so to me the beats are only words in books there isn't any

flesh blood or memories. Damn.

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Sat, 31 May 1997 21:39:27 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: Music...

 

>I bet we all listen to music almost all the time.  It'd be inneresting if

>people posted their soundtracks with their posts.     (ben neil)

 

I just purchased Horses by Patti Smith (IMHO very beat)

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Sat, 31 May 1997 21:33:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Posey - Ode to NJ

 

Jerry Cimino wrote:

 

> I mis-spent my senior year at college listening to Greetings from

> Asbury Park

> and The Wild The Innocent & The E Street Shuffle.  We danced to

> Rosalita 'til

> dawn many 'a night!  The first date my wife and I had was to a Bruce

> concert

> in DC.  Discovery of JK came a year later.

> 

> JC

 

 Jerry:

 

I saw the born to run tour in a small auditorium here in Columbia, great

show.  Years later on the Born in the USA tour, my wife, who was

pregnant 8 months worth and I went.  Richard jumped around the whole

show.

 

Before he could talk we were pulling him around the neighborhood in a

wagon.  He was right at a year old.  He was doing this sing song thing

all the time and it was driving us batty.  One of neighbors mentioned as

we walked by that we had a little "Bruce" in our wagon.  We looked at

each other and realized that he was singing the chorus to Born in the

USA.  It was heard every damn  moringing on the way to day care for 4

years.  In utero no less.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 31 May 1997 21:52:02 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         west <anwest@UP.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

>alarmed by the possibility that a few people

>could derail the entire train

 

people can only derail beat-l if the rest of us let them, but i really

don't see that happening.

 

west

 

I belong to the blank generation

and I can take or leave it each time

-Richard Hell

=========================================================================

Date:         Sat, 31 May 1997 22:02:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      In response

 

While I agree that Gerry should not come back to these sick attacks, I

also agree that we on the list should help put a stop to them. I am

still awaiting Mr. Anstee's proof the Gerry illegally sold Columbia

University papers to UMASS at Lowell.  We also know that Gerry has not

been invited to the service for Jan, that is a travesty.  We also must

ask why it is so important for a seemingly unending attacks go on

against Gerry and when Jerry, Jo Grant or myself defend him, we are then

attacked, and for me it has been privately too.

 

I dealt with the last round off  the list.

 

But I believe that it is important that Phil, Rod, or anyone else

understand that they should not, and will not be allowed to personally

attack people on the list.  From what I see, we have already lost one

very valuable member because of these attacks.  We must stand up as a

group and let them know that such behavior is uncivilized, not beat and

not allowed.

 

I have not seen Gerry go out on his own after anyone, and if I do, I

will be one of the first to lay into him for that.  On the other hand, I

have requested that he allow the list to deal with this, and not take it

on.

 

But where do you stand, is it ok for someone to say things like Phil

said in his post?  I will not repeat them here.

 

Is it ok for Rod to accuse Gerry of selling Columbia Univesity papers to

UMASS Lowell when he has no proof of such?

 

What is ok, if you do not stand up, you will let the list "die".  I am

not saying to flame anyone, or to take Gerry's side.  Just a firm

private note, or one to the list telling the posters of such trash to

stop.  That is all.  Take a stand and keep Gerry, heh, maybe we can get

that other poet back then.  Maybe we could get poets on the list as a

cool place to hang. Would Ferlinghetti, Snyder, McClure, or other poets

come on this list and watch Gerry get attacked like this and want to

stay on?  We have an opportunity, I have a vision.

 

NO, I  HAVE A VISION!!!!!!!!

 

I see men and women like Ferlinghetti, Snyder, Kerouac, Ginsberg, Jan

Kerouac, Michael McClure, Corson, Patchen, Natalie Merchent, Joni

Mitchell can all sit at their list and communicate on the beat list with

us all.  Maybe who knows might come.  But who will come to a space

filled with personal attacks of the like we have seen lately, no one.

 

Take a stand, if we build it, they will come.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 31 May 1997 23:56:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Burroughs collection

 

Dave:

 

I thought Arizona State University (Tempe) had the officialWSB collection -

What's up? Did James give any details?....

JW

 

=========================================================================

Date:         Sun, 1 Jun 1997 00:50:16 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

RACE --- wrote:

> 

> 

> in another direction, i don't think that jerry c. comprehends what is

> being suggested when he likens it to 'turning the other cheek'.  i think

> it is much more 'picking your punches'.  gerry n. seems to counter-punch

> at the stupidest comments with full rhetorical flare.  it is difficult

> for me to distinguish which comments he finds credible and which he

> senses are made of straw when the power of the replies is the same

> regardless of the content of the previous posts.

> David,

 

Thank you for describing more clearly what I was trying to say, which is

not so much "turn the other cheek" as it is "picking your punches."

 

DC

=========================================================================

Date:         Sat, 31 May 1997 23:10:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Untitled

 

Bentz,

 

        This is the one that really grabbed me - particularly the ominous

final line.

 

                Antoine ...listening to "Leo Kottke Live"

 

        ************

 

>Untitled and unfinished

> 

>The cabooseless train crawls by the queue of cars.

>She walks around the barrier.

>Off white sweater, black pants, horn rims,

>Mid-calf boots and a look like life had worn her out.

>Her flayed red hair sprawled like pampass grass untrimed.

> 

>I could see her mother's dreams hovering above

>Her sad trail, the fear that all of that tiny spark could evaporate.

>Something has taken her over--

>It is racking her posture.

>It is stealing the light from her eyes.

>It is leaving behind a shell of dreams,

>As big as anyones.

>Dreams stillborn in the grass,

>Wrapped in a bag and dumped in a dumpster.

>Dreams trailing in the wakeof trains

>That run over humans,

>Dreams left driftiing in the ebb and flow

>Of this great city.

>Dreams washed to the bank,

>Wrung out, lifeless, or barely alive.

> 

>She walks around the barrier.

> 

>Bentz Kirby

>1995

>Columbia, SC

> 

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

> 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Sun, 1 Jun 1997 01:27:06 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Gerald Nicosia wrote:

> 

>                                                 May 31, 1997

 

>         I am pursuing the gentlest means possible to end this kind of

> coercion--for that is what it is--but I will not give up until it is indeed

> ended.

>         And yes, by the way, slander does hurt.  It hurt Jan's cause a good

> deal while she lived, and it is hurting my efforts to carry on her cause:

> which is the saving of Jack Kerouac's archive for posterity.

>         Yours truly, Gerald Nicosia

 

Gerald,

 

I do understand the anger and hurt you must feel.  I know that it is a

highly emotional situation.  I have felt from the beginning of all of

this that your cause was noble, and I respect the fact that you intend

to follow it to its legal resolution.  I would respect you for

carrying out a friend's last wishes even if it wasn't the Kerouac

archives we were talking about.  That is why I think you should be the

one to continue to put forth logical, valid arguments with the facts and

avoid responding to verbal barrages that are no more than just that. All

I am saying is don't weaken your position with your own words. Let the

facts speak for themselves.

 

DC

=========================================================================

Date:         Sat, 31 May 1997 23:58:40 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Diane Carter wrote:

> 

> Gerald Nicosia wrote:

> >

> >                                                 May 31, 1997

> 

> >         I am pursuing the gentlest means possible to end this kind of

> > coercion--for that is what it is--but I will not give up until it is indeed

> > ended.

> >         And yes, by the way, slander does hurt.  It hurt Jan's cause a good

> > deal while she lived, and it is hurting my efforts to carry on her cause:

> > which is the saving of Jack Kerouac's archive for posterity.

> >         Yours truly, Gerald Nicosia

> 

> Gerald,

> 

> I do understand the anger and hurt you must feel.  I know that it is a

> highly emotional situation.  I have felt from the beginning of all of

> this that your cause was noble, and I respect the fact that you intend

> to follow it to its legal resolution.  I would respect you for

> carrying out a friend's last wishes even if it wasn't the Kerouac

> archives we were talking about.  That is why I think you should be the

> one to continue to put forth logical, valid arguments with the facts and

> avoid responding to verbal barrages that are no more than just that. All

> I am saying is don't weaken your position with your own words. Let the

> facts speak for themselves.

> 

> patricia wrote,

It would be a wonderful world if ignoring ignoble attacks worked. I had

a good reputation and it was hard earned, my boss gave me a minion that

disquised the truth with every known dressing except honesty.  She

accused me almost daily of such a wide variety of things that i decided

she was dangerously insane, when she brought up bizarre and unproven

accusations my boss looked at me and said, prove they are not so. I

almost had a nervous break down, i thought that the fact that i was

telling the truth and had a track record would speak for me. well she is

still at the job, i am out and he smirks , he used her to get me out

because he wasn't so found of the truth or me. I hear she is pointed in

a new direction, doing his dirty work for him,  I have no thought that

he won't retire with honors. It is very hard to fight accusations and

contorted lies.  the probalby best way is to call them on it and somehow

fight the shadows and smoke with fact.  If this is the type of shit you

have had to deal with for years and  seen it wear down and exhaust

others then you have my heart.  I am farther away from my own experiance

but while i am working on forgiving them i won't forget the lessons.

The winding serpants lie is poisonous, don't unravel their shit so much

continue stating the truth. don't bother trying to explain their nature

their posts show it.

 

and by the way. thanks for dropping the counter attacks, the list is

producing jewels again.

patricia

=========================================================================

Date:         Sun, 1 Jun 1997 01:30:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

At 08:40 AM 5/31/97 -0700, you wrote:

>                                                May 31, 1997

>Maya Gorton writes:

>>Why don't you too faggots e-mail each other instead of bombarding us innocent

>>listees with your petty drivel?

> 

>Dear Maya,

>        I have been happily married to my second wife (a woman) for five years.

>        I don't care to exchange libelous exchanges with Mr. Chaput on or

>off the list.

>        Mr. Gargan and several others, including myself, have tried very

>hard to get the dialogue on this List back within legal and civilized

>parameters, i.e., to get rid of the libel, slander, defamation, and printing

>of people's private letters, which is also illegal.

>        Every time we do, Mr. Chaput or one of his allies, like Mr. Maher,

>comes back with a tirade of verbal abuse and verbal assault against me--the

>same tactics, by the way, that were used to try to shut down Brad Parker and

>his independent Kerouac events in Lowell.

>        At the same time, Mr. Chaput and a few others have been quick to

>point their finger at me as the person who is destroying the Beat-List.

>        The reality is: MR. CHAPUT AND HIS COHORTS ARE THE PEOPLE WHO ARE

>ENDANGERING THIS LIST.

>        They are putting me in the untenable position of 1) either having to

>leave the list myself; or 2) take legal action against Brooklyn College and

>the Beat-List for distributing this libelous material--NEITHER OF WHICH I

>WANT TO DO.

>        I.e., either I allow the bullies to win yet another victory (like

>the victory they won when they dragged a 100-pound invalid, Jan Kerouac, out

>of the Jack Kerouac Conference at NYU) or I do possible harm to the Beat

>forum which all of you enjoy so much.

>        I do not like being put in this position.  And I suggest if you

>really care about the Beat-List--all of you--that you tell Mr. Chaput and

>Mr. Maher now that you want them TO IMMEDIATELY STOP CREATING THIS DANGEROUS

>DILEMMA.

>        You might ask yourself, why are they doing this?

>        As you say, if they don't like my messages, they can simply delete

>them.  I am not writing anything that is a verbal assault on their career,

>their personal life, etc., as they are doing to me.

>        The truth is, I believe, that they (for certain very definite

>political reasons) cannot stand the idea that Gerald Nicosia is on the Beat

>List and able to speak to 200 Beat fans and scholars in a quiet, reasonable

>forum.

>        So they have determined to get me off in any way they can--and the

>only way they know how is to act as bullies.  It is the way that has worked

>for them so far.  But I am determined it is not going to work for them this

>time.

>        Thanks for listening.

>        Best always, Gerry Nicosia

>Delusional as usual Mr. Nicosia..........I haven't posted anything to or

about your sorry ass in a week....

=========================================================================

Date:         Sun, 1 Jun 1997 02:03:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      poem for Allen Ginsberg

 

After Allen Ginsberg's death it took me a while to write a poem.  Things

needed to settle down in my mind a bit, I guess.  But here's one I think

I'm ready to share now.

 

Allen Ginsberg poet dead at 70

 

You were prepared to meet death I think

I am not

also not prepared to know that you are gone from this place

I never met you in person yet I knew you intimately

felt your skin

felt what lie underneath

1975 or 76 I don't know exactly

your voice chanting howl from an old record

stolen from the college library

my stereo speakers were broken

your voice was scratchy but clear

I was lost in Molach

lost in my own madhouse

the privacy of my own mind

I couldn't get out

a private Molach

long days pounding at a typewriter that lost my words as soon as

I saw them

I wanted to see something see anything

I thought you were a visionary

I knew that you were

I saw Prometheus pushing a rock up the hill over and over again

I felt sorry for Prometheus

Sorry as I listened to Jim Croce and wondered what it would be like

to know what you want and then be dead

dead and gone

gone and where

back to your mother

to the cold luminous steel of the walls closing in

walls of the mind

walls shouting at you and at me

then I felt as old as the earth itself

like Dedalus unable to embrace the great mother

see the cycle of the river

no the river is littered with garbage like the filthy passaic

too many beer bottles too few sunflowers

I drank in my pain it did not go away

I drank some more

searching for illusions

ghosts of a once fragile existence

where are you going now

where have you gone

the journey of the soul is your's now

I will never be ready for that

I am ready now only to embrace my own humanness

your humanness

the frailty of passing

peeing in the night crouched low so no one can see

where beyond fingernails and skin and teeth does life reside?

once I wanted to die

I knew the fate of utter aloneness

does that pass for oneness with the universe?

crying babies bashing out their brains in the night of eternity

bars closed

everyone gone somewhere into the night

oh it is dark and cold

across America across the American sky

are you eternal?

are you one with the eternal one?

death is a shout in the dark or maybe that is wrong

maybe it is life that is the shout in the dark

I found in you the faith to be me

to continue to shout long after the people had passed

I will shout for you now that you are gone

like an eternal echo

there are lines and planes and penuses mixed with flowers and green grass

and water soaked with oil and blood

come back now and speak to me

do it now

do it soon

I am not ready to die.

 

Diane Carter

May 11, 1997

=========================================================================

Date:         Sun, 1 Jun 1997 01:35:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

At 10:51 AM 5/31/97 -0700, you wrote:

>                                        May 31, 1997

>Annie Shank writes:

>>Hey, I just got here.  And I was hoping to find further discourse of the

>>kind I enjoyed with Lee Bartlett for an entire semester just past...

>...   Can we talk about the literature for a change?

> 

>Annie,

>        I couldn't agree with you more.  But do you want to belong to a

>Beat-List where a gang of 2 or 3 bullies can force anyone off the list,

>whenever they so choose, just by applying an endless, unchecked stream of

>verbal abuse to that targeted person?

>        There's been a lot of hoo-ha about free speech and censorship in Mr.

>Chaput's past few posts.  There is nothing in the U.S. Constitution that

>guarantees one person the right to verbally abuse and/or verbally damage

>another person.  To claim that one has the right to libel and verbally

>assault another person ("Hey, you dirty Jew!"  "Hey, you dirty nigger!"

>"Hey, you dirty wop!") is a lot closer to fascism than the democracy I grew

>up learning about.

>        I want to talk about literature too, but I also want a Beat-List

>where I'm free to speak sound, rational, level-headed opinions--even if it's

>about the Kerouac Estate--without two or three guys jumping at me with

>vicious verbal attacks on my career, my personal life, my income, and

>anything else they can think of.

>        Don't you want that too?

>        Respectfully, Gerald Nicosia

>Whatever you do though Annie...don't say anything about Gerry Nicosia or

his priceless scholarship because as you will find out thereafter...you will

always be wrong.

=========================================================================

Date:         Sun, 1 Jun 1997 01:47:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

>Who's on Nicosia's side?   He's standing there alone taking a hammering and

>people post to HIM that HE should turn the other cheek!

POOR BABY.....

 That's nonsense!

AND THE WHOLE WORLD IS UNFAIR

> You walk in his shoes for a while and see how long you'd keep silent.

No thank-you....I dare not tread where Master Gerry has travelled...

  Every

>time one of these people shoots these flames toward Gerry substitute YOUR

>NAME where his is and see how long you could stand it.

**********So then what would my reaction be?????????

  You're living in a

>dream world if you expect Gerry to stay silent on this.  He's not going to do

>it!  I wouldn't!  And I bet you wouldn't either!

*******Boy you really made a point there!

> 

>The way to bring PEACE to this list is to silence the attackers. Try doing

>that for a while and see what the results are.

 

****Go ahead, silence us so that gerry can have the whole boat to himself

then he can really pontificate his propaganda....

> 

>Peace!

> 

>That is all and well good...but why is everybody so stuck on him being

right all the time?

Your all in for a big surprise one day....Cimino, your just as bad. i only

respond "negatively" when Nicosia opens his big mouth. What would you like

me to do? Inform me privately...I will tell you what I am up against. I

could care less about Nicosia and his issues but he constantly has to bring

me up. I was staying quiet because I was fed up and bored with the whole

thing but then YOU and Nicosia bring my name into the picture.  Please......

> 

>Jerry Cimino

> 

=========================================================================

Date:         Sun, 1 Jun 1997 01:49:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: All Things

 

At 09:08 PM 5/31/97 -0400, you wrote:

>No, Gerry did not kill the beat list.  Nor did Rod or Phil.

> 

>But there were times that the prospect of "distroying the village in order to

>save it" seemed possible (A phrase that some Vietnam-era General or somebody

>used to explain the distruction of a real village, know who Gerry?).  There

>is a time to let fly, even to threaten peacefully.

> 

>I never said much during our most notable (and I suspect most enduring) flame

>war, because I had no first hand knowledge to contribute.  Now that things

>have settled just a bit, my opinion is that in the best of all possible

>worlds I support the vision of Gerry Nicosea.  All of Jack's papers in one

>accessable place to promote Kerouac scholarship and study throughout the

>ages.  I think that is Gerry's vision.  If not, I humbly apologize for

>misstating your vision.

 

No....Gerry's vision is to have the estate to himself because he is scared

that when the authorized bio is written his book will be outdated and

useless. But it may not take that long. I think Ellis Amburn's book will

chop up his book good and plenty.

> 

=========================================================================

Date:         Sun, 1 Jun 1997 01:51:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

At 06:14 PM 5/31/97 -0700, you wrote:

>                                                May 31, 1997

>Diane Carter writes:

> 

>.  Why don't you erase the anger

>>from your own posts and only respond in a rational, level-headed way.  If

>>you truly want to be respected here, stop engaging in the battle.

>> 

> 

>Diane,  I have erased my anger.  But that doesn't mean I want or should be

>subjected to a stream of abuse every time I turn on my computer.

>        Imagine, can you, how you would feel if every day when you went to

>log onto the Beat List, people were accusing you of various actual crimes

>you didn't commit, insulting you and your family, telling you you dare not

>mention the name of a famous man without "disgracing" him from your polluted

>lips, etc.

>        This cannot be allowed to go on, if this list is not to become the

>property of a few arrogant individuals who feel they can intimidate and

>drive off any discussion they do not like--drive if off, not with cogent,

>intelligent argument, but drive it off with the most vicious and disgusting

>tactics.

>        I am pursuing the gentlest means possible to end this kind of

>coercion--for that is what it is--but I will not give up until it is indeed

>ended.

>        And yes, by the way, slander does hurt.  It hurt Jan's cause a good

>deal while she lived, and it is hurting my efforts to carry on my cause to

have the estate to myself so that I can prevent my book from becoming obsolete.

=========================================================================

Date:         Sun, 1 Jun 1997 01:43:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dixon Edmiston <DIXCIN@AOL.COM>

Subject:      no subject

 

test of scuttling claws from Altoona-test only

=========================================================================

Date:         Sun, 1 Jun 1997 00:46:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose, III" <schpill@EXECPC.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Gerry,

        Please, lighten up a bit will you.  I was under the impression

that the Beat-L list was for the gathering and discussing of information

concerning the beat writers and their literature. You have managed to

write an informative and well-written 700+ page book on the life of Jack

Kerouac and yet in the past month all you have posted is pure emotional

backlash. How about contributing to the base knowledge of what the beat

generation really stands for? Every post you make seems to contain the

words libel, law suit, sue, etc. Get back to the basics and tell us

about Jack and Neal and Bill and Al. I'm sure that you have a great deal

that you could contribute about the men and women we wish to discuss. I,

for one, would much rather hear you speak as emotionally about them as

you do about all the legal matters and personal issues with others that

you have concerned yourself with. When are you going to tell us about

Jack and his youth, how and why he wrote Dr. Sax or anything else that

relates to the SUBJECT AT HAND? By all means, fight your good fight, but

do it on the battlefield (read courtroom) and not in my living room.

Thanks,

        Bill.

=========================================================================

Date:         Sun, 1 Jun 1997 00:42:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Bill gargon help

 

Bill, I like a good argument but this isn't good where people get to say

crap, disquise the own words as gn's.

p ( of course list father is not a position i really want any one in but

as list mother i would like more intellectual meat and less beatting the

meat.

=========================================================================

Date:         Sun, 1 Jun 1997 02:14:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

At 08:40 AM 5/31/97 -0700, you wrote:

>                                                May 31, 1997

>Maya Gorton writes:

>>Why don't you too faggots e-mail each other instead of bombarding us innocent

>>listees with your petty drivel?

> 

>Dear Maya,

>        I have been happily married to my second wife (a woman) for five years.

>        I don't care to exchange libelous exchanges with Mr. Chaput on or

>off the list.

>        Mr. Gargan and several others, including myself, have tried very

>hard to get the dialogue on this List back within legal and civilized

>parameters, i.e., to get rid of the libel, slander, defamation, and printing

>of people's private letters, which is also illegal.

>        Every time we do, Mr. Chaput or one of his allies, like Mr. Maher,

>comes back with a tirade of verbal abuse and verbal assault against me--the

>same tactics, by the way, that were used to try to shut down Brad Parker and

>his independent Kerouac events in Lowell.

>        At the same time, Mr. Chaput and a few others have been quick to

>point their finger at me as the person who is destroying the Beat-List.

>        The reality is: MR. CHAPUT AND HIS COHORTS ARE THE PEOPLE WHO ARE

>ENDANGERING THIS LIST.

>        They are putting me in the untenable position of 1) either having to

>leave the list myself; or 2) take legal action against Brooklyn College and

>the Beat-List for distributing this libelous material--NEITHER OF WHICH I

>WANT TO DO.

>        I.e., either I allow the bullies to win yet another victory (like

>the victory they won when they dragged a 100-pound invalid, Jan Kerouac, out

>of the Jack Kerouac Conference at NYU) or I do possible harm to the Beat

>forum which all of you enjoy so much.

>        I do not like being put in this position.  And I suggest if you

>really care about the Beat-List--all of you--that you tell Mr. Chaput and

>Mr. Maher now that you want them TO IMMEDIATELY STOP CREATING THIS DANGEROUS

>DILEMMA.

>        You might ask yourself, why are they doing this?

 

 

Who is the bully now? Do you feel yourself being slowly revealed for who you

are by two people who are in the know so you cleverly try to bounce us out

of the list by making ultimatums to a university? Please people how can you

swallow this crap....just because someone wrote a book doesn't make them

instant celebrity. You will never attract real Beat writers on this list

BECAUSE of Nicosia!!!!!

=========================================================================

Date:         Sun, 1 Jun 1997 02:40:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dirk Vulgate <BIGDUCK2@AOL.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

In a message dated 97-06-01 02:00:41 EDT, Gerry Nicosia wrote:

 

<<         They are putting me in the untenable position of 1) either having

to

 >leave the list myself; or 2) take legal action against Brooklyn College and

 >the Beat-List for distributing this libelous material--NEITHER OF WHICH I

 >WANT TO DO.

 >       I do not like being put in this position.  And I suggest if you

 >really care about the Beat-List

 

--ALL OF YOU-- (emphasis mine)

 

that you tell Mr. Chaput and Mr. Maher now that you want them TO IMMEDIATELY

STOP CREATING THIS DANGEROUS DILEMMA. >>

 

***************************************************

 

     I don't see Gerry Nicosia's leaving the list as dangerous at all. We've

already lost a dozen valuable longtime lively members. They are no longer

with us sharing their well-founded opinions, knowledge and sense of humor

because they have found they cannot have a rational discussion with Nicosia.

I think losing the will (or feeling too intimidated) to express oneself in

this formerly free-wheeling forum is where the true danger lies.

     I invite everyone who no longer wants to hear what Gerald Nicosia has to

say to simply stop responding to his posts. We can put his mind to rest and

save him the agony of needing to sue anyone if we just all agree to shut up,

right? Then we will have our Beat-L list back.

     After all, what is the sound of one hand clapping?

Sincerely yours,

Dirk Vulgate, Jr. (dv2)

=========================================================================

Date:         Sun, 1 Jun 1997 00:15:38 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Who is Killing the Beat-List and Why?

 

>Who is the bully now? Do you feel yourself being slowly revealed for who you

>are by two people who are in the know so you cleverly try to bounce us out

>of the list by making ultimatums to a university? Please people how can you

>swallow this crap....just because someone wrote a book doesn't make them

>instant celebrity. You will never attract real Beat writers on this list

>BECAUSE of Nicosia!!!!!

 

Sorry Paul but I have been reading these threads for a while now as an

objective outside observer.  I have no affiliation with anyone having

anything to do with beat literature or publishing or the estate or estate

battle.

 

I have learned a lot about the doings of the estate and kerouac scholarship

and how people can access or not access the "data"--ie the his noteboks

etc... For example if someone was interested enough to write a book about

kerouac's literary influences they would need to be able to read the study

and make notes of kerouac's archives.

 

In all this it is clear that Nicosia is right about where Kerouac's

archives should be and their availiability to researchers should be equal

and open.

 

The estate battle and forged wills I don't know about nor could i know.

 

But even if there were not opposing claims to the motherlode, Nicosia's

comments are important and right.  For a major writer of the 20th century

(something we here at the beat-l have known, but the mainstream is just

beginning to pick up on) not to have his papers treated in the most

aboveboard scholarly and academic manner (ie all of them kept together as

much as possible at an institute where scholars and others interested can

access them equally) is a crime against literature and against the readers

of the world.

 

Nicosia is not talking crap.

 

He does have the flair for rhetoric and can lay it on thick which can make

people miss his main important points.

 

Points all of us must agree with I would think.

=========================================================================

Date:         Sun, 1 Jun 1997 03:22:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Untitled

 

Antoine Maloney wrote:

 

> Bentz,

> 

>         This is the one that really grabbed me - particularly the

> ominous

> final line.

> 

>                 Antoine ...listening to "Leo Kottke Live"

> 

>         ************

> 

> >Untitled and unfinished

> >

> >The cabooseless train crawls by the queue of cars.

> >She walks around the barrier.

> >Off white sweater, black pants, horn rims,

> >Mid-calf boots and a look like life had worn her out.

> >Her flayed red hair sprawled like pampass grass untrimed.

> >

> >I could see her mother's dreams hovering above

> >Her sad trail, the fear that all of that tiny spark could evaporate.

> >Something has taken her over--

> >It is racking her posture.

> >It is stealing the light from her eyes.

> >It is leaving behind a shell of dreams,

> >As big as anyones.

> >Dreams stillborn in the grass,

> >Wrapped in a bag and dumped in a dumpster.

> >Dreams trailing in the wakeof trains

> >That run over humans,

> >Dreams left driftiing in the ebb and flow

> >Of this great city.

> >Dreams washed to the bank,

> >Wrung out, lifeless, or barely alive.

> >

> >She walks around the barrier.

> >

> >Bentz Kirby

> >1995

> >Columbia, SC

> >

> >--

> >Bentz

> >bocelts@scsn.net

> >

> >http://www.scsn.net/users/sclaw

> >

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what

> to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

 Antoine:

 

Thank you.  That poem is about a year old though I am still working on

it.  I was watching this woman one day who was on foot as we waited for

the train to go by.  She was headed to give plasma for blood.  As the

train went by, she walked around the barrier long before the cars could

go, but she was walking to some depressing something of no hope.  It

just struck a chord.  I am touched by the fact that I was able to report

the experience and someone "got it."  Thank you.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 03:37:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Paul Mayer proves the point

 

Paul you wrote this:

>Whatever you do though Annie...don't say anything about Gerry Nicosia

or

his priceless scholarship because as you will find out thereafter...you

will

always be wrong.

 

Please stop making personal attacks on other members off the list.  The

owner and many of us have requested that you stop.  I hope that Gerry

will let this die, but you continue own despite the fact you know that

the owner of the list has asked you to stop.  If you have something bad

to say about someone who is a member or person or alive or dead, take it

back channel unless it is critisim and not personal.

 

I am tired of personal attacks on members of this list.  We get what you

think.  Please be civil.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 03:42:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Calling Dirk Vulgate

 

Dirk,

 

I do not believe you are a real person.  Please e-mail me privately with your

phone number so I can call you and we can talk like gentlemen - no shouting,

I promise!

 

Jerry Cimino

=========================================================================

Date:         Sun, 1 Jun 1997 03:38:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Bill gargon help

 

Patricia Elliott wrote:

 

> Bill, I like a good argument but this isn't good where people get to

> say

> crap, disquise the own words as gn's.

> p ( of course list father is not a position i really want any one in

> but

> as list mother i would like more intellectual meat and less beatting

> the

> meat.

 

 Patricia:

 

Thank you and LOL.

 

Bill,

 

Please remind those who continue the personal attacks that this is not

approriate.

 

Thanks.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 00:46:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      The Unveiling

 

If anyone is interested, my website is finally ready. Without further ado, I

 give you:

 

Splashing Heart

 

http://www.wolfenet.com/~malcolm

 

Valentines of the world, unite and take over.

 

Enjoy!

 

Malcs

=========================================================================

Date:         Sun, 1 Jun 1997 03:42:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Please stop this

 

POOR BABY.....

 That's nonsense!

AND THE WHOLE WORLD IS UNFAIR

 

-- ****Go ahead, silence us so that gerry can have the whole boat to

himself

then he can really pontificate his propaganda....

 

Your all in for a big surprise one day....Cimino, your just as bad. i

only

respond "negatively" when Nicosia opens his big mouth. What would you

like

me to do? Inform me privately...I will tell you what I am up against. I

could care less about Nicosia and his issues but he constantly has to

bring

me up. I was staying quiet because I was fed up and bored with the whole

 

thing but then YOU and Nicosia bring my name into the picture.

Please......

Paul:

 

What is it exactly that you are saying here?  I have yet to find any

discussoin of anything in your post.  It simply involves your personal

thing with Gerry.  Take it off the list.

 

Thank you,

 

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 03:47:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Paul Mayer

 

 and it is hurting my efforts to carry on my cause to

have the estate to myself so that I can prevent my book from becoming

obsolete.

 

Paul, have you no self respect.  This is a post that is intended to make

it look like Gerry said this.  You should be embarrassed.  Why do this

in public?

 

I hope that someone else out there will respond to this either publicly

or privately.  This is very very negative.

 

Gerry,

Please let it slide.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 04:02:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Paul Mayer

 

Christ, Paul, you are one sick puppy.

 

E-mail me your address and I'll send you $100 so you can go see a shrink!

 

 

 

Jerry

=========================================================================

Date:         Sun, 1 Jun 1997 04:28:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         ty <ursus@RIVER.GWI.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

In-Reply-To:  <v01510100afb672423059@[128.125.224.171]>

 

> But even if there were not opposing claims to the motherlode, Nicosia's

> comments are important and right.  For a major writer of the 20th century

> (something we here at the beat-l have known, but the mainstream is just

> beginning to pick up on) not to have his papers treated in the most

> aboveboard scholarly and academic manner (ie all of them kept together as

> much as possible at an institute where scholars and others interested can

> access them equally) is a crime against literature and against the readers

> of the world.

 

     to do so is a crime against the writer. if i had even the slightest

suspicion that notes, sketches, drafts, anything i'd written and not

willingly offered to the public as a whole would be rummaged through

after my death, i'd burn them before i kicked. we're living in a time

when, especially in the u.s., everything is talked about, reported on,

analyzed and exposed for everyone to look at under their cracked $2

microscopes. it's unfortunate really; the self-deceptive reason for this

trend seems to be a search for absolute truths, which is a waste of time

in itself. the purpose, of course, lying in the need to divert attention

away from oneself. everyone's fucked up, but no one wants anyone else to

think that they are, but we all kind of know it anyway. it's bogus. while

the scenario being discussed on the list isn't at the core of this trend,

it's definitely related. you see these people all the time; professors,

critics, etc. riding out their lives on the coattails of prominent

figures, artistic or otherwise. not all devotees to historic or modern

figures are like this; it's when the putrid scent of an over-developed

ego accompanies their pursuits that it becomes a turn-off.

     and, on a hypocritical note, regarding this whole argument... what

of the things other people have to say about/to you? so what if someone

slanders you? take it in stride and shrug it off like so many

mosquitoes. i, and others i'm sure, being a newcomer to the list am

turned-off by bogus bickering, but expected its presence before i signed

on. every newsgroup, every list, everyplace/thing everywhere is to some

degree tainted by it. you can't purge it. there'll always be someone that's

disgusted by you and/or your ideas and urinates all over you, someone who

becomes infatuated with you, your ideas, and drools all over you, and

people who are everywhere in between. sick of it? change yourself, just 2

or three degrees... you'll be amazed at how the world seems to pull a

full 180...

     anyway, that's my rant.

=========================================================================

Date:         Sun, 1 Jun 1997 11:29:19 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      Re: no subject

In-Reply-To:  <970601014308_-1028282744@emout01.mail.aol.com>

 

On Sun, 1 Jun 1997, Dixon Edmiston wrote:

 

> test of scuttling claws from Altoona-test only

> 

 

Now, you can shoot me down in flames if I'm on a wrong'n here, but I think

that's pretty damn beat.

 

                                :),

 

                                        Olly R.

=========================================================================

Date:         Sun, 1 Jun 1997 06:05:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Timothy K. Gallaher wrote:

 

i think i've said this before.  so i probably shouldn't say it.  i'll

try to learn to do the one hand clap after this one.

 

it seems much more important to me (and i would guess to many

non-scholars) for as much of the non-published materials of Jack

Kerouac's to be published.

 

i don't know that the archive is a hindrance to this or not.  it just

seems the priority would be publication for the larger readership - not

limitation to scholars.

 

by the way, gerry nicosia's biography Memory Babe gets better with every

page.  there are some lines in there in between all the kerouac analysis

that speak to the human condition in brilliant ways.  off hand i recall

one concerning choices very early in the book that i thought was a spark

of real truth.

 

david rhaesa

salina, Kansas

(i recall i volunteered for the Devil role in this)

=========================================================================

Date:         Sun, 1 Jun 1997 06:07:00 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Paul Maher wrote:

> 

> >Delusional as usual Mr. Nicosia..........I haven't posted anything to or

> about your sorry ass in a week....

 

this ain't close to the strike zone.

=========================================================================

Date:         Sun, 1 Jun 1997 11:25:54 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      McClure a poetry.

In-Reply-To:  <l03020901afb638305758@[141.224.144.84]>

 

                Dark Brown              by Michael McClure

 

        "Oh Ease  Oh Body-Strain  Oh Love  Oh Ease Me Not!

        Wound-Bore"

 

        be real, show organs, show, blood, OH let me

        be as a flower. Let ugliness arise without care

        grow side by side with beauty. Oh twist

        be real to me. Fly smoke! Meat-real, as nerves

                                TENDON

        Ion, FLAME, Muscle, not banners but bulks as

        we are all 'deer'

        and move as beasts. Stalking in our forest

        as these are speech-words

 

        Burn them pure as above they rise from attitude are

        stultified. Are shit. Burn

        what arises from habit. Let custom

        die. Smash patterns and forms let spirit

        free to blasting liberty. Smash the

                habit shit above!!!!!!!!!

 

        LET PURE BLACK WORDS MOVE FROM THOUGHT

                        BEHIND

 

=========================================================================

Date:         Sun, 1 Jun 1997 06:29:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Jerry C.

 

Mailer-daemon@aol.com wrote:

> 

> The mail you sent could not be delivered to:

> 550 bigsur4me@aol.com is not a known user

> 

> The text you sent follows:

> 

> >From race@midusa.net  Sun Jun  1 07:22:04 1997

> Return-Path: <race@midusa.net>

> Received: from services.midusa.net (ns.midusa.net [206.28.168.21])

>           by emin41.mail.aol.com (8.8.5/8.8.5/AOL-4.0.0)

>           with ESMTP id HAA21834 for <Bigsur4me@aol.com>;

>           Sun, 1 Jun 1997 07:22:03 -0400 (EDT)

> Received: from services.midusa.net (node48.salina.midusa.net [206.28.169.48])

>         by services.midusa.net (8.8.5/8.8.5) with SMTP id GAA12871

>         for <Bigsur4me@aol.com>; Sun, 1 Jun 1997 06:10:54 -0500 (CDT)

> Message-ID: <33915B05.501B@midusa.net>

> Date: Sun, 01 Jun 1997 06:20:37 -0500

> From: RACE --- <race@midusa.net>

> X-Mailer: Mozilla 3.01Gold (Win95; I)

> MIME-Version: 1.0

> To: Bigsur4me@aol.com

> Subject: Re: Calling Dirk Vulgate

> References: <970601034245_149919081@emout19.mail.aol.com>

> Content-Type: text/plain; charset=us-ascii

> Content-Transfer-Encoding: 7bit

> 

> Jerry Cimino wrote:

> >

> > Dirk,

> >

> > I do not believe you are a real person.  Please e-mail me privately with

 your

> > phone number so I can call you and we can talk like gentlemen - no shouting,

> > I promise!

> >

> > Jerry Cimino

> 

> what is it now people have to authenticate their personality through you

> before contributing to discussions.  that doesn't make much sense to

> me.  i could understand if the listoperator found a reason that the

> information might need to be provided - but it doesn't seem to be any of

> your business.

> 

> david rhaesa

> 500 e. crawford st. #23

> salina, Kanas

> 67401

=========================================================================

Date:         Sun, 1 Jun 1997 06:45:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Burroughs collection

 

MORE OXY THAN MORON wrote:

> 

> In case anyone is interested (for future reference), the special collections

> dept at Ohio State now has the biggest collection of Burroughs material in the

> US. James Grauerholtz, secretary to WSB is in town, dropping off a truckload

 of

> boxes (Maya, very little to do with anthropology). We had dinner last night

> along with John Giorno, David Ohle and John Geiger who is working on a

> biography of Brion Gysin. WSB is doing fine at the moment, John Giorno is

> slated to be in Louiseville this September (did you get him to come Ron?) and

> is a great performer if you have never seen him. Finally, the Burroughs

> collection should be available for use as soon as it is cataloged and sorted

> which might take 2 or three more months (at least).

> 

> Dave B.

 

Will somebody please list when the Collection becomes available.  Also

what will the access rules be etc. etc. etc.  I imagine that isn't all

ironed out yet.  But when it is, I would be interested and i imagine

that some others here would be as well.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 1 Jun 1997 15:10:07 BST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Harberd <T.E.Harberd@UEA.AC.UK>

Subject:      The Continuing Death of Beat-L

 

Once upon a time (and a very nice time it was as well),

there was a place called "Beat-L", a magical place where all

sorts of people chatted in a friendly manner about anything

that came into their heads, and generally sha-boped.  But

then came a lot of nasty children (or they might have

already been there, hidden) who started screaming at each

other.

"You're an arsehole."

"No, you're an arsehole."

"I said it first."

"Fuck you."

And so on.

Soon, the wiser members of Beat-L packed their backs and

headed off onto the highway, leaving these little kids to

bicker amongst themselves.  Kids because they didn't have

the sense to realise the complete futility of their juvenile

slanging matches.

Now hey, I don't know the details.  Why?  Becuase for the

past couple of months I've been systematically deleting

anything coming into my mailbox even remotely to do with

this Kerouac archives thing.  I'm not saying that it's not

important.  But the way in which you are going about

"discussing" it is really pissing me off.  If you have to

slag each other off, take it private.  'Cos I don't think

most people out here wanna here it.  We wanna hear cool

stuff, beat stuff, literary stuff, life stuff, not this

poisionus psedo-libelous rhetorical shit which you insist on

posting.

Get your act together.

I'll be leaving the list soon, partly because it's annoying

me, and partly because I'm going home for a holiday, but I

doubt I'll be back.  It's been a cool year mostly.  But I

don't appreciate being caught in the middle of a pointless

word war that has nothing to do with me.  I'm actually

astonished that so-called-"Adults" can act this way.

 

Tom.

http://ww.uea.ac.uk/~w9624759

=========================================================================

Date:         Sun, 1 Jun 1997 10:14:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: Bill gargon help

 

>Bill, I like a good argument but this isn't good where people get to say

>crap, disquise the own words as gn's.

>p ( of course list father is not a position i really want any one in but

>as list mother i would like more intellectual meat and less beatting the

>meat.

 

I've pretty much stayed away from commenting on the estate hullabaloo but I

have to say I agree with you. The post by PM that added on words to GN's

without any clarification were very misleading and bothered me very much.

If I had just recently signed on and read that without knowing much of the

background and personalities I could easily have taken them to be GN's own

words. I hate rules and limits, feel people should be trusted to follow

their own nature and that should be ok, but boy, this sure seems to be

pushing bounds of civility or something. Guess it says a lot about the

person posting.

 

Michael

=========================================================================

Date:         Sun, 1 Jun 1997 11:32:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Paul Mayer

 

At 04:02 AM 6/1/97 -0400, you wrote:

>Christ, Paul, you are one sick puppy.

> 

>E-mail me your address and I'll send you $100 so you can go see a shrink!

> 

> 

> 

>Jerry

>If being a "sick puppy" means not being subjugated to Gerry Nicosia's

thought process I will take the hundred dollars!!!!!!!!!!!!!

=========================================================================

Date:         Sun, 1 Jun 1997 08:21:37 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Bill gargon help

 

R. Bentz Kirby wrote:

> 

> Patricia Elliott wrote:

> 

> > Bill, I like a good argument but this isn't good where people get to

> > say

> > crap, disquise the own words as gn's.

> > p ( of course list father is not a position i really want any one in

> > but

> > as list mother i would like more intellectual meat and less beatting

> > the

> > meat.

> 

>  Patricia:

> 

> Thank you and LOL.

> 

> Bill,

> 

> Please remind those who continue the personal attacks that this is not

> approriate.

> 

> Thanks.

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

 

I think it is to Bill Gargan's credit that he has not stepped in to

protect either side in this debate, only asked for civility, which both

sides have had trouble with.

 

There have been some wonderful pleas to Mr. Nicosia the last few days to

hold his fire or pick his punches.  Mssrs Chaput, Maher, and Vulgate

should also take these admonissions to heart.  Todays postings from this

side have been primarily abusive, simple-minded and non productive.

 

This thing has run it's course.  When the courts have ruled there may be

new material for discussion, but we aren't learning anything new from

either side at the moment.  Everbody in this thing is losing respect and

credibility.  Maybe both sides--Nicosia, Grant, Cimino etc, Maher,

Chaput, the mysterious Dr. Vulgate and others could just cool their

jets. (I don't mention Mr. Anastee because he has been silent for some

time and is clearly not Mr or Mrs. Vulgate) This list has no legal power

to change anything.  If another biography of JK appears we can all make

our own evaluation of how it compares with Mr. Nicosia's.

 

Maybe we can get this thing to die out without litigation or calling for

Bill Gargan to excommunicate anyone.

 

J Stauffer

=========================================================================

Date:         Sun, 1 Jun 1997 10:20:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Paul Mayer

 

Paul Maher wrote:

> 

> At 04:02 AM 6/1/97 -0400, you wrote:

> >Christ, Paul, you are one sick puppy.

> >

> >E-mail me your address and I'll send you $100 so you can go see a shrink!

> >

> >

> >

> >Jerry

> >If being a "sick puppy" means not being subjugated to Gerry Nicosia's

> thought process I will take the hundred dollars!!!!!!!!!!!!!

 

It seems fairly easy to avoid this subjugation.  It is a complex

philosophy called "No Bait!".  Nicosia's rhetorical process to this

point has been 90% or more counter-punching.  If you don't punch, he may

fall silent.  Or he may as many hope contribute to the unending

conversation of beatifitudinalistic insight on non-estate matters.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 1 Jun 1997 11:38:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      WRB on WWW

 

Dear Beat-L members:

 

Our new Water Row Books website is located at:

 

http://www.waterrowbooks.com

 

See you there -

Jeffrey

=========================================================================

Date:         Sun, 1 Jun 1997 11:51:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Jerry C.

 

You miss the point, Race, about this Dirk Vulgate "person".

 

Dirk Vulgate is a figment of someone's imagination.  He won't reveal who he

is because he's a phantom created recently to bolster Nicosia's detractors to

make it appear there are more people out there who think he's a megalomaniac.

 

Would it be legitimate, Race, for me to go and create additional screen names

and start posting my ideas under different ID's?  And maybe after that I

could go to my wife's computer where she has 3 different ISP's and post a few

more!

 

As I recall Dirk Vulgate said he was only going to post "one time" and of

course he came back.  The same way Paul Maher said he was going to

unsubscribe but never did.  Kinda makes you wonder!

 

REMEMBER:  The issue is the Archives.  Look at how Paul has gotten everyone

off topic again, the same way Chaput did with his venomous antics two days

ago!

 

 

Jerry C.

=========================================================================

Date:         Sun, 1 Jun 1997 11:51:07 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Bill gargon help

In-Reply-To:  Message of Sun, 1 Jun 1997 00:42:15 -0500 from

              <pelliott@SUNFLOWER.COM>

 

So would I, Patricia.  I'm doing my best to cool this whole thing down and I wi

ll enforce the guidelines I put forth last week.

=========================================================================

Date:         Sun, 1 Jun 1997 10:58:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Jerry C.

 

Jerry Cimino wrote:

> 

> You miss the point, Race, about this Dirk Vulgate "person".

> 

> Dirk Vulgate is a figment of someone's imagination.  He won't reveal who he

> is because he's a phantom created recently to bolster Nicosia's detractors to

> make it appear there are more people out there who think he's a megalomaniac.

> 

> Would it be legitimate, Race, for me to go and create additional screen names

> and start posting my ideas under different ID's?  And maybe after that I

> could go to my wife's computer where she has 3 different ISP's and post a few

> more!

 

i don't see why that would matter.  the number of voices saying stupid

things doesn't make them less stupid.

> 

> As I recall Dirk Vulgate said he was only going to post "one time" and of

> course he came back.  The same way Paul Maher said he was going to

> unsubscribe but never did.  Kinda makes you wonder!

 

doesn't make me wonder.  they obviously changed their minds.  i've told

myself i would stop posting or even reading this stuff, but i've often

changed my mind.  it's my option and theirs i suppose.

 

i think you missed my point that the person's identity is NONE OF YOUR

BUSINESS!!!!!!!

 

> 

> REMEMBER:  The issue is the Archives.  Look at how Paul has gotten everyone

> off topic again, the same way Chaput did with his venomous antics two days

> ago!

> 

Yeah Yeah Yeah.  The continuing chorus of "The ISSUE if the ARCHIVES."

The more you say that the more i'm convinced that there are other

issues.  obviously issues of personal property rights (which I've been

told don't matter).  also the issue of publishing previously unpublished

materials.  And the Archives are not even an ISSUE with regards to

anyone here until such day as a Court releases the control of the

literary estate from Sampas (a man i doubt i'll ever meet) to Mr.

Nicosia (another man i doubt i'll ever meet).  until that point it seems

we're all just pissing in the wind.

 

i'm going to watch a Bronson movie instead.

 

david rhaesa

salina, Kansas

> Jerry C.

=========================================================================

Date:         Sun, 1 Jun 1997 12:24:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Re: Jerry C.

 

At 11:51 AM 6/1/97 -0400, you wrote:

>You miss the point, Race, about this Dirk Vulgate "person".

> 

>Dirk Vulgate is a figment of someone's imagination.  He won't reveal who he

>is because he's a phantom created recently to bolster Nicosia's detractors to

>make it appear there are more people out there who think he's a megalomaniac.

> 

>Would it be legitimate, Race, for me to go and create additional screen names

>and start posting my ideas under different ID's?  And maybe after that I

>could go to my wife's computer where she has 3 different ISP's and post a few

>more!

> 

>As I recall Dirk Vulgate said he was only going to post "one time" and of

>course he came back.  The same way Paul Maher said he was going to

>unsubscribe but never did.  Kinda makes you wonder!

> 

>REMEMBER:  The issue is the Archives.  Look at how Paul has gotten everyone

>off topic again, the same way Chaput did with his venomous antics two days

>ago!

> 

> 

>Jerry C.

>No you do not understand...the archives are not my worry. I know they are

in good, competent hands. Paul....

=========================================================================

Date:         Sun, 1 Jun 1997 12:27:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      a different thread

 

No more will I mention a thing...

 

How do people feel about Part 3 of Visions of Cody? "Frisco: The Tape":

Does it add or detract from the book? I feel that Kerouac's writing in the

first two parts, the realization of his spontaneous prose method, is pure,

driven genius. The addition of tape transcripts however changes the focus of

the vision of Cody.....but I don't know if it gives him any new

dimension...Any takes on this?

=========================================================================

Date:         Sun, 1 Jun 1997 18:15:53 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      a question:jack kerouac bio written by Gerald Nicosia

 

points

first: there's an italian language translation of the

        book written by Gerald Nicosia 'bout the JK life

        & works? anyone can tell something?

second:in angst for the hot shift of the posts from word

        to word, but i'm a real beet (sic!) & i do not understand

        why people leaves the B-List.

        Yessir,

        Jack Kerouac

        "Let's go.

        Where are we going, man?

        I don't know, but we gotta go".

---

yrs

Rinaldo.

=========================================================================

Date:         Sun, 1 Jun 1997 12:23:21 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Civil Discourse

 

It appears that the recent guidelines on civil discourse have been

ignored by a number of listmembers.  I have begun blocking people who

violate those guidelines from posting to the list.   I will continue to

do so, usually after a warning.There have been several messages from

listmembers complaining about the volume of mail on the list as of late.

I am looking into possible changes in the listserv profile which will

both reduce the volume of mail and encourage those whose replies are

primarily intended for for the sender to communicatedirectly.  Thank you

all for your patience.  I hope we can discuss the lives and works of the

Beat Generation in an atmosphere or mutual respect and civility.

=========================================================================

Date:         Sun, 1 Jun 1997 13:37:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose, III" <schpill@EXECPC.COM>

Subject:      Re: a different thread

 

Paul Maher wrote:

> 

> No more will I mention a thing...

> 

> How do people feel about Part 3 of Visions of Cody? "Frisco: The Tape":

> Does it add or detract from the book? I feel that Kerouac's writing in the

> first two parts, the realization of his spontaneous prose method, is pure,

> driven genius. The addition of tape transcripts however changes the focus of

> the vision of Cody.....but I don't know if it gives him any new

> dimension...Any takes on this?

 

Paul,

        When I first read "Visions of Cody" the tape transcription

portion had me a bit confused but after a second sitting I came to the

realization that what we had here was the rare opportunity to

eavesdrop on the actual day to day communications between Neal and Jack.

Granted, they were usually "under the effect" of some substance or

another but listening to the conversations they had, well, sort of a

"BEAT" to it, don't you think?

        Bill.

=========================================================================

Date:         Sun, 1 Jun 1997 14:50:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: no subject

 

Olly Ruff wrote:

 

> On Sun, 1 Jun 1997, Dixon Edmiston wrote:

> 

> > test of scuttling claws from Altoona-test only

> >

> 

> Now, you can shoot me down in flames if I'm on a wrong'n here, but I

> think

> that's pretty damn beat.

> 

>                                 :),

> 

>                                         Olly R.

 

     I should have been a pair of ragged claws

Scuttling across the floors of silent seas.

 

TS Eliot

Love Song of JAP

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 14:58:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Jerry C.

 

RACE --- wrote:

 

> Mailer-daemon@aol.com wrote:

> >

> > The mail you sent could not be delivered to:

> > 550 bigsur4me@aol.com is not a known user

> >

> > The text you sent follows:

> >

> > >From race@midusa.net  Sun Jun  1 07:22:04 1997

> > Return-Path: <race@midusa.net>

> > Received: from services.midusa.net (ns.midusa.net [206.28.168.21])

> >           by emin41.mail.aol.com (8.8.5/8.8.5/AOL-4.0.0)

> >           with ESMTP id HAA21834 for <Bigsur4me@aol.com>;

> >           Sun, 1 Jun 1997 07:22:03 -0400 (EDT)

> > Received: from services.midusa.net (node48.salina.midusa.net

> [206.28.169.48])

> >         by services.midusa.net (8.8.5/8.8.5) with SMTP id GAA12871

> >         for <Bigsur4me@aol.com>; Sun, 1 Jun 1997 06:10:54 -0500

> (CDT)

> > Message-ID: <33915B05.501B@midusa.net>

> > Date: Sun, 01 Jun 1997 06:20:37 -0500

> > From: RACE --- <race@midusa.net>

> > X-Mailer: Mozilla 3.01Gold (Win95; I)

> > MIME-Version: 1.0

> > To: Bigsur4me@aol.com

> > Subject: Re: Calling Dirk Vulgate

> > References: <970601034245_149919081@emout19.mail.aol.com>

> > Content-Type: text/plain; charset=us-ascii

> > Content-Transfer-Encoding: 7bit

> >

> > Jerry Cimino wrote:

> > >

> > > Dirk,

> > >

> > > I do not believe you are a real person.  Please e-mail me

> privately with

>  your

> > > phone number so I can call you and we can talk like gentlemen - no

> shouting,

> > > I promise!

> > >

> > > Jerry Cimino

> >

> > what is it now people have to authenticate their personality through

> you

> > before contributing to discussions.  that doesn't make much sense to

> 

> > me.  i could understand if the listoperator found a reason that the

> > information might need to be provided - but it doesn't seem to be

> any of

> > your business.

> >

> > david rhaesa

> > 500 e. crawford st. #23

> > salina, Kanas

> > 67401

 

 David:

 

David:

 

I am just guessing, but there are some members on aol who have been

agressive in their attacks on Gerry.  I am guessing that Jerry C. thinks

that someone on aol to attack Gerry, possibly outside the rules of the

list and without their identity being known.  At least that is what I

suspected anyway.  So I read Jerry's post to say, stop attacking from

behind fake screen names.  Could be wrong though.  Only Jerry can say

for sure.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 12:08:15 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      Every who?

 

>Every whore has her reasons

 

This is odd. I've always heard this expression as "everyone has their reasons,"

 which is a lot more terrifying/interesting to my ears.

 

Malcs

=========================================================================

Date:         Sun, 1 Jun 1997 12:20:21 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      HOW many subscribers?

 

>As of this moment (9:36am EDT, May 30) there are 248 subscribers to

>beat-l.

> 

>fred

 

There were this many back when Ginsberg died, but according to my most

current "receipt":

 

Your message dated Sun, 1 Jun 1997 12:08:15 -0700 with subject "Every who?"

has been successfully distributed to the BEAT-L list (178 recipients).

=========================================================================

Date:         Sun, 1 Jun 1997 15:11:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Bill gargon help

Comments: To: stauffer@pacbell.net

 

James Stauffer wrote:

 

> I think it is to Bill Gargan's credit that he has not stepped in to

> protect either side in this debate, only asked for civility, which

> both

> sides have had trouble with.

> 

> There have been some wonderful pleas to Mr. Nicosia the last few days

> to

> hold his fire or pick his punches.  Mssrs Chaput, Maher, and Vulgate

> should also take these admonissions to heart.  Todays postings from

> this

> side have been primarily abusive, simple-minded and non productive.

> 

> This thing has run it's course.  When the courts have ruled there may

> be

> new material for discussion, but we aren't learning anything new from

> either side at the moment.  Everbody in this thing is losing respect

> and

> credibility.  Maybe both sides--Nicosia, Grant, Cimino etc, Maher,

> Chaput, the mysterious Dr. Vulgate and others could just cool their

> jets. (I don't mention Mr. Anastee because he has been silent for some

> 

> time and is clearly not Mr or Mrs. Vulgate) This list has no legal

> power

> to change anything.  If another biography of JK appears we can all

> make

> our own evaluation of how it compares with Mr. Nicosia's.

> 

> Maybe we can get this thing to die out without litigation or calling

> for

> Bill Gargan to excommunicate anyone.

> 

> J Stauffer

 

Here here, I second the remarks by the Honorable J Stauffer.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 14:18:59 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Minneapolis and the Beats

 

Hello Antoine,

 

Yes, I still play a lot of slide but am able to fret. I am primarily,

a finger-stylist and improv in Open tunings. It's a painful process

of much bone cracking and hand soaks with massage/pressure point

relief on a daily basis. When I was a kid, I was eaves- dropping on a

conversation between Lightning Hopkins and another fellow and he said,

"If you don't feel pain, you must be dead." I don't think that I've

met John Hasbrouck unless on a chance through Luther Allison. I used

to fish  with Luther when he was on the Delmark label. Once in awhile

he would show-up with other folks from Chi who liked to fish bluegills

and cats. I never layed the harp down and I love amping it=97try to catch

that Little Walter sound=97still trying!

 

Richard Houff

Pariah Press

=========================================================================

Date:         Sun, 1 Jun 1997 15:38:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dixon Edmiston <DIXCIN@AOL.COM>

Subject:      Dr. Destouches

 

I'm new so I don't know if this has been hashed over before (pun intended),

but where does Celine fit in with the beats? Did he not influence JK and AG

and WSB to some extent? Just curious.

 

 Celine describing writers and journalists who boast of having abolished war:

    "They've never fucked, bucked, hustled, muscled a damn thing! those

be-peacocked parakeets, not the least butt or babe, the least complicament,

never unfinagled, discombobbled the weakest mitigated litigation! Not a

thing! Never! short-sighted sleazes! Pencil-necked shitslingers!

      The fuming, destructing Furies of War scoff at your woggish emotings to

the ends of hell! your silent, anathematic farting.

      You cowardly, shit-scared gropers! I'm enfulminating I admit! I'm

moiling! I'm boiling! I'm humbugging my wig! I'm fuguing! I'm shrieking! I'm

breathless! I'm belching roiling vapors! I don't give a fitting fuck

anymore."

 

Whew! Well maybe not in contents but how about the style? Any comments?

 

Thanks!

Dix

=========================================================================

Date:         Sun, 1 Jun 1997 15:49:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Bill

 

Bill:

 

I am trying to back channel you.  Please send me your email address.  It

keeps bouncing right now.

 

Thanks.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 13:47:00 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: HOW many subscribers?

In-Reply-To:  <01BC6E86.314AF400@sea-ts1-p70.wolfenet.com>

 

At 12:20 PM -0700 6/1/97, Malcolm Lawrence wrote:

 

> >As of this moment (9:36am EDT, May 30) there are 248 subscribers to

> >beat-l.

 

> Your message dated Sun, 1 Jun 1997 12:08:15 -0700 with subject "Every who?"

> has been successfully distributed to the BEAT-L list (178 recipients).

 

Well, I guess the 50 or so messages I received saying this list was shit

(or arguing about shit) did its job!  Keep up the good work!

 

Douglas <who appreciates the content and thought this list seems to embody>

 

'oh are you listening to me?

lilac wine, gently floating...

will they miss me? lilac wine...

oh, this is so infuriating

lilac wine..., I'm so heavy

lilac wine..., mississippi'

 

      -----(mourning jeff buckley

             http://www.electriciti.com/babu/

=========================================================================

Date:         Sun, 1 Jun 1997 17:08:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Review

 

Review-L

=========================================================================

Date:         Sun, 1 Jun 1997 18:41:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: a different thread

In-Reply-To:  <1.5.4.32.19970601162738.006dacec@pop.pipeline.com>

 

>No more will I mention a thing...

> 

>How do people feel about Part 3 of Visions of Cody? "Frisco: The Tape":

>Does it add or detract from the book? I feel that Kerouac's writing in the

>first two parts, the realization of his spontaneous prose method, is pure,

>driven genius. The addition of tape transcripts however changes the focus of

>the vision of Cody.....but I don't know if it gives him any new

>dimension...Any takes on this?

@@@@@@

i rather like them, for many reasons, but mostly for enhancing the

meta-reality of the experience, i equally enjoy the film takes (?arg, cant

find my copy of book: jane rashanks' or something  ), endlessly redoing

that little bit of celluoid. in fact adds dimension as Jk using some of the

form of literal recordings of actual events lends backdrop to the zanier

and more IT forms of experience, that often it was a coupla guys with a

coupla bottles, dope, bennies, what all, slugging it out for succession of

nights. i sure know i'be been in such situations my self, and then pulled

back a bit to see the inside/outside out, figure/ground etc

off i go..

=========================================================================

Date:         Sun, 1 Jun 1997 18:35:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      www link page

 

Well, I have finally begun to work on my web link page.  I have added a

page from Stanford on Fair Use and Copyright if anyone is interested.

I also have added some book store sites.  If you have a "beat" site, or

a book store site, email me back channel and I will try to work your

site in.

 

Thanks,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 18:43:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: a question:jack kerouac bio written by Gerald Nicosia

In-Reply-To:  <3.0.1.32.19970601181553.00c10124@pop.gpnet.it>

 

>second:in angst for the hot shift of the posts from word

>        to word, but i'm a real beet (sic!) & i do not understand

>        why people leaves the B-List.

>      *****

rinaldo your sweet words are so often a balm to sorely tried temper.

glad you are staying.

mc.

=========================================================================

Date:         Sun, 1 Jun 1997 18:42:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: HOW many subscribers?

 

Before making any judgements I'd suggest we wait and see an "official"

response as to how many subscribers are on the list today.  For whatever

reason it appears the LISTSERVE receipt does not reflect the true number of

people subscribed.

 

A week ago I mentioned how the listserve receipt reflected 186 people.  The

next day Fred Bogin said in reality it was 248 as of that moment in time.

 Using that as a benchmark I'd guess we're right around 240 today.  I do not

believe 50 people have unsubbed in the last week and a half.

 

Jerry Cimino

=========================================================================

Date:         Sun, 1 Jun 1997 19:05:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Maher <mapaul@PIPELINE.COM>

Subject:      Visions of Cody book discussion

 

>i rather like them, for many reasons, but mostly for enhancing the

>meta-reality of the experience, i equally enjoy the film takes (?arg, cant

>find my copy of book: jane rashanks' or something  ), endlessly redoing

>that little bit of celluoid. in fact adds dimension as Jk using some of the

>form of literal recordings of actual events lends backdrop to the zanier

>and more IT forms of experience, that often it was a coupla guys with a

>coupla bottles, dope, bennies, what all, slugging it out for succession of

>nights. i sure know i'be been in such situations my self, and then pulled

>back a bit to see the inside/outside out, figure/ground etc

>off i go..

> 

Yes...very perceptive. I think the variety of mind sensations is reflected

throughout. From what I heard...the tapes are verbatim transcription but

seem to be lost somewhere as a real, primary source to see just how Jack was

working this into the novel.

=========================================================================

Date:         Sun, 1 Jun 1997 18:52:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Carl A Biancucci <carl@WORLD.STD.COM>

Subject:      Gordon Legg

In-Reply-To:  <970601115103_-663501142@emout01.mail.aol.com> from "Jerry

              Cimino" at Jun 1, 97 11:51:04 am

 

WARNING:No estate battle text or insults enclosed.

 

 

Jeffrey mentioned a UK writer named Gordon Legg to me about a month

ago.

Do any of you good folks know of him/his work?

(is he still with us?)

 

Also,what is the Merlin Circle?

 

Looking forward to hearing from you

AND for the return of list civilty.

(thanks,Bill G.for stepping in)

 

 

- Carl -

=========================================================================

Date:         Sun, 1 Jun 1997 19:07:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      new poem

 

Here is a new poem that I am starting right now at 6:50 pm edt.

 

Park

 

Sun, shade, bandstand, waterfall, and pond,

I should be at work,

But, I am not.

I walk past worshippers of RA,

Past frisbee flingers and receivers,

Past the same woman on roller blades,

And around the large gold fish pond.

 

The Government employees lounge

In all the best shade spots.

Exploration leads round and round

Till suddenly, a sacred grove

Beneath lotus trees  I sit.

A young woman reads Joyce neath the falling water.

I sit and the quietness

Moves out from my soul in ripples.

 

The journey continues on.

A large woman exercises,

Stretching large flesh.

A young woman tumbles for her children

Perfectly aligned cart wheels, some one handed,

Round offs, beautiful symetry.

 

I return past school children and teachers,

And pecking orders,

And who you are by who likes you,

Past the woman on roller blades again,

And then, I see them.

Perfect, and out of darkness,

Golden neath the dark murky water,

Graceful as the delight at this sight,

Overwhelms my adult.

My child comes out to watch these

Golden treasures, swimming round the pond.

 

Ahhh, blisssss is child like,

beatific in its return to innocence.

Bliss is here among the lounging park employees.

Bliss is in the attractive woman reading at the falls.

Bliss is in the fat women stretching at the rails.

Bliss is in the gymnast tumbling cross the fields.

Bliss is in the young women sunning on the grass.

Bliss is in the young men chasing frisbee trying to catch their eyes.

Bliss is in the loving couple lying in the shade.

Bliss is in the school children running cross the grounds.

Bliss is in the woman roller blading round and round and round.

Bliss is in the goldfish cruising in and out of light.

Bliss is in my heart where I hold this wonderous sight.

 

Finished at 7:15 edt.

First draft out of head and into beat l.

 

Bentz Kirby

June 1, 1997

Columbia, SC

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

=========================================================================

Date:         Sun, 1 Jun 1997 19:12:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      [Fwd: Message ("Your message dated Sun, 01 Jun 1997 19:07:52...")]

 

This is a multi-part message in MIME format.

--------------2384B30AC882E382E7F23165

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

People come and go,

and talk of Michaelangelo.

 

Everything in the world relates to Love Song of J. Alfred Prufrock.  ;-)

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

--------------2384B30AC882E382E7F23165

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Date:         Sun, 1 Jun 1997 19:14:02 -0400

From:

 "L-Soft list server at The City University of NY (1.8b)"

 <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 01 Jun 1997 19:07:52...")

To:           Bentz Kirby <bocelts@SCSN.NET>

 

Your message dated Sun, 01 Jun 1997 19:07:52 -0400 with subject "new poem"

has been successfully distributed to the BEAT-L list (176 recipients).

 

--------------2384B30AC882E382E7F23165--

=========================================================================

Date:         Sun, 1 Jun 1997 18:44:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Civil Discourse

In-Reply-To:  <BEAT-L%97060112311552@CUNYVM.CUNY.EDU>

 

at the risk of bandwidth, just wanted to say thanks, bill.

mc

=========================================================================

Date:         Sun, 1 Jun 1997 18:47:46 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose, III" <schpill@EXECPC.COM>

Subject:      Re: Bill

 

R. Bentz Kirby wrote:

> 

> Bill:

> 

> I am trying to back channel you.  Please send me your email address.  It

> keeps bouncing right now.

> 

> Thanks.

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

There are a number of Bill's on this list. My e-mail address is

Schpill@execpc.com

schpill@juno.com

schpill@aol.com

     If this message was meant for me you may contact me any time you

wish.

     Bill Rose.

=========================================================================

Date:         Sun, 1 Jun 1997 19:28:46 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Re: Cranial Guitar

In-Reply-To:  <199705312305.QAA03363@italy.it.earthlink.net>

 

Mucho thanks to all you who got out Kaufman's selected poems.  Now I've

read the great Intro. to Cranial Guitar, which notes that John Mitchell ran

the Gaslight bar/saloon/ restaurant (?) in Sanfercisco 50s, camerado to

Beats but capable of 86ing.  I lived there 2 years in middle 70s, so have

some sense of the place, my wife from San Jose, now am DeadBeat teacher in

Minneapolis.  Yes, "Would You Wear My Eyes" is real/poetry--black Rimbaud

for true.  Will write and inquire more when I return from my two weeks

gone, including poems flowing from reading helterskelter (I'm still grading

papers grades due Friday last) in Cranial Guitar.  My word is a virus, but

I advise BeatListers to check out this book if you like your Beat poetry

raw and unstereotypical.  // John M.

 

 

>At 03:20 PM 5/31/97 -0600, you wrote:

>>True to the virus that is my word, I put on my Birkenstocks (pale feet,

>>unglued soles at the tips) this Sat. morn and went to the Hungry Mind,

>>there got the only copy of Cranial Guitar.

>> 

>>1.  Scholarly question:  I had not heard of the publication until the past

>>few days on the BList, and the copyright date says 1996.  Has the book been

>>out for months, or just delayed in release and distribution?  If out for

>>long, why no previous reference on the BList?

>> 

>>"ENGPOP, ENGPOP, BOP, PLOLO, PLOLO, BOP, BOP."

>> 

>>Bob Kauffmann, "Crootey Songo"

>> 

>>Great!  Am loooking forward to loving the book (got Solitudes Crowded with

>>Loneliness long ago at City Lights, & have always loved the Frank O'Hara

>>type title, Golden Sardine--just great with silver crackers and beer).

>>Thanks to all who've helped keep this solitary Beat strumming.

>> 

>>2.  Scholarly (M. A.--in English!) question:  Gerry Nicosia (I love you,

>>man.), who chose the title for these Selected Poems you edited--you,

>>Kauffmann, who?  Why, beyond the obvious, etc.?

>> 

>>Then I went across the hall to The Table of Contents to sip and browse

>>$1.25

>>plus .09 tax

>>FRESH ROASTED COFFEE

>>(A BOTTOMLESS MUG OF OUR OWN BLEND)

>>when what to my wondering eyes these lines:

>> 

>>I dreamed I went to John Mitchell's poetry party

>>in my maidenform brain

>> 

>>Holy! Cow

>> 

>>3.  Scholarly question:  Who is this interloper, me?  (A joke; my poetry

>>always wears bras, but I was shocked to discover it had been outted!  I

>>always knew I would be a famous Beat someday, but should have known it

>>would not be the real me.)

>> 

>>I unsubscribe tomorrow, so please answer scholarly questions soon.  (And no

>>flames, unless scholarly marshmellows are provided.)

>> 

>>John M.

> 

>Dear John,    May 31, 1997

> 

>        Eileen Kaufman, Bob's widow, picked out about six or seven possible

>titles from lines in Bob's poems.  Her favorite was "INTO CRACKLING

>BLUENESS," which is a Kaufman paraphrase of one of his own favorite poets,

>Lorca.  But the publisher preferred "CRANIAL GUITAR," from a poem where Bob

>says "My head is a cranial guitar," etc.  (Forgot which poem.)

>        Don't know who the John Mitchell was that Bob refers to--surely one

>of the many North Beach pre-Beatniks of the late 50's, and there were many.

>Maybe I'll ask Eileen next time I see her.

>        What city do you live in, anyway?

>        As for no mention of it on the Beat List, I haven't seen mention of

>Ferlinghetti's latest either--A FAR ROCKAWAY OF THE HEART, which was just

>released from New Directions.  I haven't been a big fan of Lawrence's recent

>stuff, last few years, but this book IS DYNAMITE, THE BEST STUFF HE'S

>WRITTEN IN 30-40 YEARS.  There's a four-page poem to Ezra Pound that is ONE

>OF THE FINEST POEMS OLD LARRY HAS EVER PENNED (IMHO).  A few lines:

> 

>        "At worst an old man's mumbled jumble

>        of erudicities and profundities

>        by turns noble and incoherent

>        Scatter of rain on a mansard roof

>        mixed with antique gossip

>        ancient Tuscan account books

>        and yesterday's conversations

>        A garrulous gabble of

>        crackerbarrel colloquial

>        cobbled into the typography of poetry

>        in canti that couldn't possibly be sung...."

> 

>Here's my favorite Kaufman poem from CRANIAL GUITAR:

> 

>        "My body is a torn mattress

>        Disheveled throbbing place

>        For the comings and goings

>        Of loveless transients.

>        The whole of me

>        Is an unfurnished room

>        FIlled with dank breath

>        Escaping in gasps of nowhere.

>        Before completely objective mirrors

>        I have shot myself with my eyes,

>        But death refused my advances.

>        I have walked on my walls each night

>        Through strange landscapes in my head.

>        I have brushed my teeth with orange peel,

>        Iced with cold blood from the dripping faucets.

>        My face is covered with maps of dead nations;

>        My hair is littered with drying ragweed.

>        Bitter raisins drip from my nostrils

>        While schools of glowing minnows swim from my mouth.

>        The nipples of my breast are sun-browned cockleburrs;

>        Long-forgotten Indian tribes fight battles on my chest

>        Unaware of the sunken ships rotting in my stomach.

>        My legs are charred remains of burned cypress trees;

>        My feet are covered with moss from bayous, flowing across my floor.

>        I can't go out anymore.

>        I shall sit on my ceiling.

>        Would you wear my eyes?"

> 

>        Tell me that's not grrrreeaaattt poetry!

> 

>        Best always, Gerry Nicosia

=========================================================================

Date:         Mon, 2 Jun 1997 01:42:41 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Thomas E. Harberd" <T.E.Harberd@UEA.AC.UK>

Subject:      Re: Dr. Destouches

In-Reply-To:  <970601153834_-1698738028@emout16.mail.aol.com>

 

On Sun, 1 Jun 1997, Dixon Edmiston wrote:

 

> I'm new so I don't know if this has been hashed over before (pun intended),

> but where does Celine fit in with the beats? Did he not influence JK and AG

> and WSB to some extent? Just cu4~4>  Celine describing writers and

journalists who boast of having abolished war:

>     "They've never fucked, bucked, hustled, muscled a damn thing! those

> be-peacocked parakeets, not the least butt or babe, the least complicament,

> never unfinagled, discombobbled the weakest mitigated litigation! Not a

> thing! Never! short-sighted sleazes! Pencil-necked shitslingers!

>       The fuming, destructing Furies of War scoff at your woggish emotings to

> the ends of hell! your silent, anathematic farting.

[snip]

 

I think it was WSB who turned Kerouac and Ginsberg onto Celine when they

were at [insert name of university which I have forgotten].

 

Tom H.

http://www.uea.ac.uk/~w9624759

=========================================================================

Date:         Sun, 1 Jun 1997 21:00:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

In a message dated 97-06-01 02:00:41 EDT, you write:

 

<< .just because someone wrote a book doesn't make them

 instant celebrity. You will never attract real Beat writers on this list

 BECAUSE of Nicosia!!!!! >>

 

Happens all the time! Wait 'till those "someones" make Clinton drop his

drawers. Then y'all will see how the Age of Apostasy is come (has) already

fur sure. The old news of great world powers at the bottom of a vodka glass.

"No missiles now aimed at America." Fifty years under the symbolic phallic,

now we're waiting to see what Paula Jones saw. What's the coming attraction?

 Have to make a special police line to keep the real beats from the list.

Make 'em feel at home y'know. (shades of Neal) I didn't stop to see the old

bus ... Ohio has too many white cars killing the animals. And the offical

seat belt sign read "Fasten you're seat belt. It is OUR law" I said Na, Na,

Na, Na, up yours and went done the road and saw that it's all going crazy. Mr

B. agreed. Then I said it's already gone. too late. The public done took the

place apart. Let's give Paula Jones and Bill Clinton a big hand and all sing,

"Gonna send 'em back to Arkansaw." Any real Beats out there? I just got off

the road and have to take a real shit.

Charles Plymell

=========================================================================

Date:         Sun, 1 Jun 1997 20:13:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-06-01 02:00:41 EDT, you write:

> 

> << .just because someone wrote a book doesn't make them

>  instant celebrity. You will never attract real Beat writers on this list

>  BECAUSE of Nicosia!!!!! >>

> 

> Happens all the time! Wait 'till those "someones" make Clinton drop his

> drawers. Then y'all will see how the Age of Apostasy is come (has) already

> fur sure. The old news of great world powers at the bottom of a vodka glass.

> "No missiles now aimed at America." Fifty years under the symbolic phallic,

> now we're waiting to see what Paula Jones saw. What's the coming attraction?

>  Have to make a special police line to keep the real beats from the list.

> Make 'em feel at home y'know. (shades of Neal) I didn't stop to see the old

> bus ... Ohio has too many white cars killing the animals. And the offical

> seat belt sign read "Fasten you're seat belt. It is OUR law" I said Na, Na,

> Na, Na, up yours and went done the road and saw that it's all going crazy. Mr

> B. agreed. Then I said it's already gone. too late. The public done took the

> place apart. Let's give Paula Jones and Bill Clinton a big hand and all sing,

> "Gonna send 'em back to Arkansaw." Any real Beats out there? I just got off

> the road and have to take a real shit.

> Charles Plymell

 

welcome back!!!!!!!!!!!!!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 1 Jun 1997 21:23:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: www link page

 

Please work our Beat site...thanks..

http://waterrowbooks.com

 

Jeffrey Weinberg

Beat-L T-shirt organizer

=========================================================================

Date:         Sun, 1 Jun 1997 21:26:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Gordon Legg

 

Carl -

 

I haven't forgotten about G. Legge request. I'll be sending some suggestions

this week as soon as web site bugs get worked out ...

JW

=========================================================================

Date:         Sun, 1 Jun 1997 21:38:25 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: Burroughs collection

 

Giorno had a crab cake with black beans, I had chesse enchildas, Grauerholtz

had fried oysters. Everyone drank loads, except me, who filled up on black

coffee til my ears were ringing! I forget what John Geiger had and David Ohle

too, they were at the other end of the table.

 

DB

=========================================================================

Date:         Sun, 1 Jun 1997 21:47:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Dr. Sax

In-Reply-To:  <l03020901afb7ab581605@[206.25.67.103]>

 

I just joined the list.  (I DO hope the petty bickering is dying down.

I've watched that kind of obsessive behavior for years on BBS's & the

Net, and it's tiresome.  Can you NOT get outside your own ego?)

 

BUT, I just finished reading Doctor Sax for the 3rd or 4th time.  This

time through, I was watching for bio stuff on Jack, however, as before;

I was struck by his use of made-up words.  I seriously believe Jack had

a finer poetic sense than he knew, and those made-up words are there

primarily because they fit the meter of what he was writing.  He NEEDED

a word in that particular place (mostly adjectives) but nothing fit, so

he made something up of the proper number of syllables and of sound.

 

This is only MY analysis.  Any comments?  Please?

=========================================================================

Date:         Sun, 1 Jun 1997 21:48:43 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: Burroughs collection

 

JW,

 

Arizona Stae U (in Tempe) does have a sinficant Burroughs collection but now,

Ohio State has more. Did I mention that they offered it to Kansas State U who

turned it down? I guess the guy who runs the special collections at OSU is

pretty hip and was hot to trot for the collection. WSB had small flood in his

basement so they thought it time to move the papers to higher ground! This deal

was actually made a few yaers ago but they are just now getting around to

bringing it up (flood prompted, I think, some of his papers did get wet). So

ASU would be another source to check too, for Burroughs manuscripts.

 

Dave B.

=========================================================================

Date:         Sun, 1 Jun 1997 18:55:58 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Dr. Sax

 

Yes, Dr Sax is a great book. What you are saying is interesting.  I think

Old Angel Midnight might be even more like this in terms of "made up" words.

 

My question is, what words are you thinking of.  I haven't read Sax in years

and don't have a copy.

 

Give us some examples.  Kerouac was multilingual and there may be more to

the words than simple sound and syllables.

 

 

 At 09:47 PM 6/1/97 -0400, you wrote:

>I just joined the list.  (I DO hope the petty bickering is dying down.

>I've watched that kind of obsessive behavior for years on BBS's & the

>Net, and it's tiresome.  Can you NOT get outside your own ego?)

> 

>BUT, I just finished reading Doctor Sax for the 3rd or 4th time.  This

>time through, I was watching for bio stuff on Jack, however, as before;

>I was struck by his use of made-up words.  I seriously believe Jack had

>a finer poetic sense than he knew, and those made-up words are there

>primarily because they fit the meter of what he was writing.  He NEEDED

>a word in that particular place (mostly adjectives) but nothing fit, so

>he made something up of the proper number of syllables and of sound.

> 

>This is only MY analysis.  Any comments?  Please?

> 

> 

=========================================================================

Date:         Sun, 1 Jun 1997 22:05:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Dr. Destouches

 

In a message dated 97-06-01 20:55:50 EDT, you write:

 

<< I think it was WSB who turned Kerouac and Ginsberg onto Celine when they

 were at [insert name of university which I have forgotten].

  >>

 

When we first met Allen made a special trip to the bookstore to buy me

Celine's book.

C. Plymell

=========================================================================

Date:         Sun, 1 Jun 1997 22:04:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Beauty! That is what killed the Beat List!

=========================================================================

Date:         Sun, 1 Jun 1997 21:07:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Burroughs collection

 

MORE OXY THAN MORON wrote:

> 

> JW,

> 

> Arizona Stae U (in Tempe) does have a sinficant Burroughs collection but now,

> Ohio State has more. Did I mention that they offered it to Kansas State U who

> turned it down? I guess the guy who runs the special collections at OSU is

> pretty hip and was hot to trot for the collection. WSB had small flood in his

> basement so they thought it time to move the papers to higher ground! This

 deal

> was actually made a few yaers ago but they are just now getting around to

> bringing it up (flood prompted, I think, some of his papers did get wet). So

> ASU would be another source to check too, for Burroughs manuscripts.

> 

> Dave B.

 

Kansas State just spent their library budget for a millenium

building/expanding the library.  it is pretty.  wonder what they'll put

in it.  that would have been an hour away - i'm crying.  but it would

make more sense that it was Kansas University in burroughs' lawrence

than kansas state.... as an alum of K.U. if they turned it down I'm

pissed.  though i do have good memories of playing in Columbus once -

many many used record stores back then.  i might actually have to plan a

road trip one of these days/months/years ....

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 1 Jun 1997 22:13:32 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Dr. Destouches

In-Reply-To:  Message of Sun, 1 Jun 1997 15:38:35 -0400 from <DIXCIN@AOL.COM>

 

Kerouac and Ginsberg were both influenced by Celine.  Allen even interviewed Ce

line at one time I believe.  I'm sure there are details in the biogrpahies.

=========================================================================

Date:         Sun, 1 Jun 1997 22:13:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Dr. Sax

In-Reply-To:  <199706020155.SAA18374@hsc.usc.edu>

 

On Sun, 1 Jun 1997, Timothy K. Gallaher wrote:

 

> Yes, Dr Sax is a great book. What you are saying is interesting.  I think

> Old Angel Midnight might be even more like this in terms of "made up" words.

 

Well, I've read all the Kerouac books, a couple bio's, lots of poetry,

etc.  Started in the 50's.  Climbing trees in the town green here in New

England to beat on bongo drums to try to get someone to understand.

(Unfortunately, the town cop never read any Kerouac.)  In short, I've

been reading and re-reading this stuff for a number of years.  There's

more to it, of course; but I've always been troubled by things like "the

great blowsy midnite of the void in this world"  (that is NOT a quote,

it's an example)  Why "blowsy"?  That's not a word.  But it certainly

seems that the term is necessary to the construction/rhythm of the

sentence.

 

> My question is, what words are you thinking of.  I haven't read Sax in years

> and don't have a copy.

 

Well, the foregoing is a rather tepid example, but if you'd like to get

serious about this, I haven't shelved the book yet.

 

> Give us some examples.  Kerouac was multilingual and there may be more to

> the words than simple sound and syllables.

 

Gahhhhh!  That was my FIRST post, after ONE day on the list.  (I grew up

in a French-Canuk family, too.  Canadian French is part of my linguistic

heritage.  Trust his translations of his own words.  They're idiomatic,

but true.)  I really think Jack was trying to reach beyond words and

language, hence his fascination with music and poetry.

=========================================================================

Date:         Sun, 1 Jun 1997 19:25:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: Who is Killing da bete

In-Reply-To:  <009B5260.422969A0.128@kenyon.edu>

 

At 8:04 PM -0700 6/1/97, MORE OXY THAN MORON wrote:

 

> Beauty! That is what killed the Beat List!

 

no, blame it on Dennis Rodman.  he takes it out on the road...

 

Douglas

=========================================================================

Date:         Sun, 1 Jun 1997 22:31:42 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Beauty

 

What?  Jack's dog killed the list?  And you all remember what Jack was doing wh

en beauty died?  Just trying to inject a little humor folks.

=========================================================================

Date:         Sun, 1 Jun 1997 22:38:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      meeting W.S.B. to ben on 5/3/197

Comments: To: pelliott@sunflower.com

 

Lena@sunflower.com:

Thanks for (making)  "me a bed right down on the floor" as Woodie Guthrie

used to sing. Do you know that old song? Second line "As I lay my head on a

bed on the floor." Actually, it was for Billy, but I took it because he took

my bed in order to watch T.V. And did you finished our popcorn? I think there

was some gum in it. Yuk! Your cat peered at me during the night and woke me

up. Billy and I moved the mattress back upstairs, which was harder that you

taking it downstairs! I''ve moved a lot of floppy mattresses in my time. I

hate to move floppy mattresses, but I guess I was born for it. Seems the cats

always have some interest in the situation and usually get their tails

stepped on. Your cat had to sleep right next to it and peer at me.

When we went to see Mr. B, he stepped on his cat's tail and it screeched and

jumped striaght up. I hate it  when cats do that. Can't they remember they

have tails or what? Scaired the hell outta Billy and me.

Speaking of which my cat is meowing and his tail is under my foot now. I'm

barefoot, though.

I hope you had a good  day in school. Tell them the painter, Bottecelli sent

you.

Charles and Billy

=========================================================================

Date:         Sun, 1 Jun 1997 22:47:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Tony's Story and Gerry's

 

Dear Gerry:

Pam downloaded your story about your father working the orchards and ending

up in San Francisco in 1927.  Was Sad Slim Smith in Jack Black's You Can't

Win? Your description sounds so close to that book.  I used to follow the

same hobo trails with my older sister, when she wasn't working the houses.

This was in the 50s though, and when I took underage Pam into Mike's Pool

Hall in the early 60s it was still authentic, Caruso on the jukebox for a

dime, red checkered tableclothes. Have you read Jack Black?

My recent trip of what's out there now has still got me in shock. Too many

years under the bridge. I'm glad I'm in Rip Van Winkle country.

Charles Plymell

=========================================================================

Date:         Sun, 1 Jun 1997 19:54:02 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

Pamela Beach Plymell wrote:

> 

 

 Any real Beats out there? I just got off

> the road and have to take a real shit.

> Charles Plymell

 

Charles,

 

Welcome back.  Any good scenes out on the old road?

 

J Stauffer

=========================================================================

Date:         Sun, 1 Jun 1997 23:02:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Burroughs collection

 

Michael Buchenroth:

Thanks greatly for making my words jump.  I saw them at Patricia's in

Lawrence.  I have more pounding in my head.  I've got to talk to you about.

James Grauerholz was leaving Lawrence with a truckload of Burroughs material.

I gave him your e-mail. I hope he got in touch with you. I think the Sam

Shusterman and others you word jumped worked good and I think there is a

whole new relationship to poetry that I would like to work with you on.

Doesn't poetry mean to build and what else to build with but words. I think

there's something happening here and will be in touch soon. Thanks to Michael

Stutz for turning us on to it. I think it is an interesting way to access

language especially for people whose brains work like that.  Maybe James G.'s

brain will begin to work like that if he listens to the trucker's CB's out of

Chicago and Columbus! I didn't ask him how big a rig he was driving to

Columbus. I started to ask him if it was an 18 wheeler.  How many archives

would that hold?

Charles Plymell

=========================================================================

Date:         Sun, 1 Jun 1997 23:16:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: a different thread

 

At 12:27 PM 6/1/97 -0400, Paul Maher wrote:

>No more will I mention a thing...

> 

>How do people feel about Part 3 of Visions of Cody? "Frisco: The Tape":

>Does it add or detract from the book? I feel that Kerouac's writing in the

>first two parts, the realization of his spontaneous prose method, is pure,

>driven genius. The addition of tape transcripts however changes the focus of

>the vision of Cody.....but I don't know if it gives him any new

>dimension...Any takes on this?

> 

What's this?  A real discussion--YAY!

Hmmm...well, i think the idea of the transcription really adds to the book,

but the reality of the 100+ pages of dialogue does detract a little from the

continuity of the novel.  _Kerouac's Crooked Road_ by Tim Hunt is a

wonderful critique of VoC and it gives many reasons for the necessity of the

transcription.  The tape recorder is an attempt to find something objective

in life.  The conversations are a confrontation between the image of Cody

that jack has produced in the first two Parts and the reality of Cody that

is appearing now.  Cody becomes less visionary than the original image was.

(all this is paraphrasing of Hunt).  i actually skipped the tape section

when i read VoC for the first time.  There are some really interesting

parts, but as a whole it lacks Kerouac's prose which is what amazes me about

the rest of the novel.  The tapes are almost a precursor to some Warhol-type

ideas.  I would say that the tapes do give a new vision of Cody in that they

remove Jack's conception of Cody as the ideal American man  (kind of).  The

real Cody is still amazing but not quite as amazing as the Cody that is the

hero of Jack's imagination.

 

-matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Sun, 1 Jun 1997 23:17:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Who is Killing the Beat-List and Why?

 

Pamela Beach Plymell wrote:

 

> In a message dated 97-06-01 02:00:41 EDT, you write:

> 

> << .just because someone wrote a book doesn't make them

>  instant celebrity. You will never attract real Beat writers on this

> list

>  BECAUSE of Nicosia!!!!! >>

> 

> Happens all the time! Wait 'till those "someones" make Clinton drop

> his

> drawers. Then y'all will see how the Age of Apostasy is come (has)

> already

> fur sure. The old news of great world powers at the bottom of a vodka

> glass.

> "No missiles now aimed at America." Fifty years under the symbolic

> phallic,

> now we're waiting to see what Paula Jones saw. What's the coming

> attraction?

>  Have to make a special police line to keep the real beats from the

> list.

> Make 'em feel at home y'know. (shades of Neal) I didn't stop to see

> the old

> bus ... Ohio has too many white cars killing the animals. And the

> offical

> seat belt sign read "Fasten you're seat belt. It is OUR law" I said

> Na, Na,

> Na, Na, up yours and went done the road and saw that it's all going

> crazy. Mr

> B. agreed. Then I said it's already gone. too late. The public done

> took the

> place apart. Let's give Paula Jones and Bill Clinton a big hand and

> all sing,

> "Gonna send 'em back to Arkansaw." Any real Beats out there? I just

> got off

> the road and have to take a real shit.

> Charles Plymell

 

 Charles:

 

Is it possible to define a real shit.  I mean some would say that Oliver

North is one.  Others say that he is an AMERICAN hero for lying to

Congress and shredding documents sought by lawful subpenis.  Then they

want to subpenis Clinton?  The question is, will Hillary shred the

evidence, or maybe hide it in a Bobbit file till after the trial?

 

Some people say that Andrew Jackson is a real AMERICAN  hero because he

killed a bunch of redcoats AFTER the damn war was over.  Maybe, others

would say that he was a real shit for disenfranchising the Seminole

Indians and destroying their life cause we white boys wanted Florida

now.

 

How do you define a real shit.  Hard, diarreah, long, little balls, and

what about Jackie O, did she even shit, or fart.  What if you were at a

dinner party and Jackie O farted, would you stike a match and say, hey

girl lets light that thing next time.  If you did would Trumane Capote

think you were a real shit.

 

I don't know about this real thing anymore.

 

We live in a world of zero tolerence.  If a kid that works at Best Buy

brings a box cutter to school because he forgot to leave it in his car.

Hell, expell him, take away his graduation, file criminal charges, and

then pat ourselves on the back and say, we are some real fine AMERICANS

and we are the REAL SHITS of this world.

 

I mean this is just a thought I had, and I don't even know what it

means, Charles, can you explain this shit to me?  It is REAL SHIT isn't

it??

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 23:28:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: On the Old Road

Comments: To: stauffer@pacbell.net

 

In a message dated 97-06-01 23:00:10 EDT, you write:

 

<< Any good scenes out on the old road? >>

oh god, I'm still in shock. It would take a book, hee hee.  I think things

are speeding up again and you know whut/ It's over the edge.. Two or three

places remain: A One Building town in highlands of Montana,  a hotel in New

Mexico with Billy the Kid's, Jesse James room et al. and holes still shot in

the ceiling. And an onery old man in a Sears Robuck house in Kansas who still

has sparks in his space eyes, who always asks such proper questions they have

a way of sounding odd. "Why did they shoot at the ceiling?" "Hell, I don't

know." "I hope their was no one on the second floor." A chuckle.

BTW Thanks for the Zap. I haven't had time to look at the mail yet, but I'll

be going thru it in days to come. I'll be sending some snail. I still have a

lovely letter from Glenn I have to answer. I wish he'd get on the list.

Charles Plymell

=========================================================================

Date:         Sun, 1 Jun 1997 23:31:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Burroughs collection

 

In a message dated 97-06-01 23:06:55 EDT, you write:

 

<< but it would

 make more sense that it was Kansas University in burroughs' lawrence

 than kansas state.... as an alum of K.U. if they turned it down I'm

 pissed. >>

Yeh, they didn't know what they had with Terrence Williams (librarian in the

60s and 70s). BTW, McCrary that Williams had taken over the dry out tank in

Minnesota.

Charles Plymell

=========================================================================

Date:         Sun, 1 Jun 1997 23:07:24 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: meeting W.S.B. to ben on 5/3/197

 

Pamela Beach Plymell wrote:

> 

> Lena@sunflower.com:

> Thanks for (making)  "me a bed right down on the floor" as Woodie Guthrie

> used to sing. Do you know that old song? Second line "As I lay my head on a

> bed on the floor." Actually, it was for Billy, but I took it because he took

> my bed in order to watch T.V. And did you finished our popcorn? I think there

> was some gum in it. Yuk! Your cat peered at me during the night and woke me

> up. Billy and I moved the mattress back upstairs, which was harder that you

> taking it downstairs! I''ve moved a lot of floppy mattresses in my time. I

> hate to move floppy mattresses, but I guess I was born for it. Seems the cats

> always have some interest in the situation and usually get their tails

> stepped on. Your cat had to sleep right next to it and peer at me.

> When we went to see Mr. B, he stepped on his cat's tail and it screeched and

> jumped striaght up. I hate it  when cats do that. Can't they remember they

> have tails or what? Scaired the hell outta Billy and me.

> Speaking of which my cat is meowing and his tail is under my foot now. I'm

> barefoot, though.

> I hope you had a good  day in school. Tell them the painter, Bottecelli sent

> you.

> Charles and Billy

 

it sounds like a wonderful place to rest a weary little head.  i'm

looking forward to doing so this weekend.

 

i knew i'd missed your words on my computer screen - but didn't realized

how much until they started flowing again.

 

too bad the Peters thing fell through.  I hope you bought a nice Hat in

Wichita.

 

take care,

 

david rhaesa

=========================================================================

Date:         Sun, 1 Jun 1997 21:22:48 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "s.a. griffin" <perrotta@CALVIN.USC.EDU>

Subject:      Re: a different thread

 

At 12:27 PM 6/1/97 -0400, you wrote:

>No more will I mention a thing...

> 

>How do people feel about Part 3 of Visions of Cody? "Frisco: The Tape":

>Does it add or detract from the book? I feel that Kerouac's writing in the

>first two parts, the realization of his spontaneous prose method, is pure,

>driven genius. The addition of tape transcripts however changes the focus of

>the vision of Cody.....but I don't know if it gives him any new

>dimension...Any takes on this?

> 

> 

 

getting onto this a bit late, however, it's what makes the whole book tick,

don't you think?  maybe what the thing is all about?  isn't this the vision

he is speaking of prior?  maybe I'm a fool, but that's my hit.  after all,

the book is called Visions of Cody (Neal).

 

 

all the best

xxxooo

s.a.

=========================================================================

Date:         Mon, 2 Jun 1997 00:19:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Site I found

 

I just found this site at Cal-Berkeley on the beats.  Does anyone know

if UMASS of Lowell has a web site?

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 1 Jun 1997 21:48:16 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Other biographies of Kerouac

 

                                                        June 1, 1997

Dear Beat-List friends:

        I returned from a holiday down in Monterey, a birthday party for one

of my daughter's friends, to find that a personal threat had been sent to me

on my private email, by one of the persons from the Beat-List who has been

steadily harassing me for the past month.

        I will report this threat to the FBI tomorrow, and suggest that that

person, as well as the people he has been associating with recently, be

thoroughly investigated.

        Little did I suspect such things lay in wait for me when I joined

the Beat-List!

        However, there has been a great deal of satisfaction as

well--learning from others and sharing my own learning--this is one of the

things I live for.

        One of the recent charges against me concerns the new Kerouac

biographies that are now appearing, especially the one to come soon from Mr.

Ellis Amburn.  The charge is that I fear these biographies.

        On the contrary, I welcome them.  I have cooperated with every major

writer who has come to me for information about Kerouac.  In fact, I try to

answer questions from every single student who writes or calls me--but the

truth is, there are many of these, and I don't always have time.  But I try.

        I cooperated with Steven Turner during the writing of his book

ANGELHEADED HIPSTER, and he thanks me profusely in his book.  I would gladly

have cooperated with Ellis Amburn, only he never came to me.  I was told,

from a source in Lowell, that Mr. Amburn was warned not to contact me.

        It puzzles me, in fact, that Mr. Amburn did not make use of the

MEMORY BABE archive at U Mass, Lowell, since he began his book BEFORE my

archive was closed.

        FOR ANYONE WITH A LITTLE SENSE, IT SHOULD BE CLEAR THAT BY FIGHTING

TO MAKE MY OWN MEMORY BABE ARCHIVE ACCESSIBLE ONCE AGAIN, AND BY FIGHTING TO

SEE THAT JACK KEROUAC'S OWN ARCHIVE IS MADE ACCESSIBLE, I AM TRYING TO HELP,

NOT HINDER, FUTURE KEROUAC SCHOLARS AND BIOGRAPHERS.

        The worst thing that could befall future Kerouac biographers would

be that they are kept from seeing any original Kerouac material.

        The 300 interviews I did with 300 people who knew Kerouac are

extremely precious, and would be tremendously helpful to any would-be

Kerouac biographer.  100 of those people are already dead and cannot be

re-interviewed.  One of the 300 just died a week ago--Jay Pendergast.

        I am fighting to see that those 300 interviews (and all the other

material in the MEMORY BABE archive) are made available again to these

would-be biographers--either in Lowell or, if necessary, another library.

        I am also fighting to see that Kerouac's own papers are available to

scholars and would-be biographers.  THE BEST WAY FOR A FUTURE BIOGRAPHER TO

"BEAT" MEMORY BABE WOULD BE TO STUDY AND MAKE USE OF THE THOUSANDS OF

DOCUMENTS FROM JACK KEROUAC'S OWN ARCHIVE--DOCUMENTS I NEVER HAD ACCESS TO.

        If I really wanted to see MEMORY BABE remain the "best" Kerouac

biography, I'd be happy to see Mr. Sampas dispersing the Kerouac archive, so

that no future writer could see the whole thing, and I'd be happy that no

"competition" could get in to hear my 300 taped interviews.

        Doesn't that make sense?

        SO, ODD AS IT MAY SEEM, MR. SAMPAS AND I ARE IN AGREEMENT IN HOPING

THAT MEMORY BABE WILL SOON BE SURPASSED.

        The way we differ is this: Mr. Sampas believes he alone should pick

the writer that will beat MEMORY BABE; and so he gives only one or two or

three chosen people (who meet his specifications) the right to look at Jack

Kerouac's archive of private papers.  And by doing so, he believes he will

help create a championship book.

        I say, YOU DON'T KNOW WHO THE NEXT GREAT KEROUAC BIOGRAPHER WILL BE,

AND THAT'S WHY YOU HAVE TO OPEN ACCESS TO THE KEROUAC ARCHIVE TO EVERYONE.

        How does he know that some unknown kid out in Idaho or Iowa or

Detroit might not have the right combination of intelligence, empathy,

scholarship, and intuition to write the next great Kerouac biography?  HOW

CAN HE BE SURE IT IS ONLY THE ONE OR TWO OR THREE PEOPLE HE HAS CHOSEN TO

SHOW THE ARCHIVE TO THAT ARE THE SURE WINNERS?

        Among the great literary biographies of this century are Richard

Ellmann's JAMES JOYCE; Mark Schorer's SINCLAIR LEWIS; and Leon Edel's HENRY

JAMES.  None of those biographers was "chosen" by a literary executor as the

right man to do the job.  All of them took on their task out of a strong

passion for their subject; all of them were self-motivated.

        John Sampas cannot create the next Richard Ellmann or Mark Schorer

or Leon Edel just by willing it to happen.  The best way for him to see that

such a person appears--in the arena of Kerouac biographies--is for him to

make all of Kerouac's papers available to every serious, credentialed writer

who needs to use them.  And also for him to retract his threat against the

MEMORY BABE archive at U Mass, Lowell.

                                        --Gerry Nicosia

=========================================================================

Date:         Mon, 2 Jun 1997 00:45:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Poem from 3 months ago

 

About three months ago, I read a Poem by Hondo Crouch about Luckenback

TX.  As a result, I wrote this which is an obvious rip off of Upon

Looking into Jr.s Homer, I mean, Chapman's homer.

 

This is draft 2 of a work in progress.  Somebody said please post some

poetry and real shit.  If this ain't it, let me know and I will stop.

 

                  Texas ain't Nothing to Me

         (Upon reading Luchenbach Moon by Hondo Crouch)

 

Lots of people talk about Texas like it is alive or something.

I mean, hell, I been down there and it don't seem so special to me.

I can drive about two miles from my house in South Kakalaki,

Get on I-20 and drive right straight to Dallas.

Hoss, I been down there.

Been to Dallas, Houston and Corpus Christi,

(The body of Christ).

When I was in Corpus Christi, I knew this girl,

And man she was beautiful.

But, she thought she was a surfer.

(Wanted to listen to "Caroline, No")

Man, Folly Beach has got better waves than that!

Texas ain't so big.

 

Plus, we ain't too happy up here with ole Phil Gramm.

I mean he goes up to Washington and preaches all this budget stuff,

And what does he do, tries to build a big ass accelerator ain't nobody

needs.

To top that off, he builds some navy bases nobody needs,

Probably close to Beaumont, and takes everything out of Charleston.

Then he comes here wanting us to vote for him.  Yeah, right!

 

Nah, all I remember about Texas is that if you don't

Wear sunglasses in Houston, then you can't see cause

Of all the glass buildings reflecting the sun.

And all I remember about Dallas is that

They is real jealous of Houston.

No, there was one more thing.

When I stayed at the Plaza or something like that,

They was having a photo session during happy hour,

And that Nunn fellow was right, pretty women.

 

I just remember miles and miles of highway.

And then to top it off, I had to go through Lake Charles.

Man, I can't figure Robbie Robertson.

That's for sure.

Another thing I know about Texas is that it is contradictory.

I mean Tejas means friends and that is their nickname,

But their State bird is the Mockingbird.

Ain't no meaner bird, ever see one get after a cat?

Light that mother up!

Contradicting themselves and a mocking the rest of us.

That's the way I see it.

 

Nah, there's some more stuff I know about Texas.

Jack Jack Walker ain't from there,

But he might as well be.

And there's a whole lot of people who come

Down there that make some awful fine music.

Some of  em get credit and some of  em don't.

Yeah, they make some good music down there all right.

 

But that ain't nothing new.

 

And it seems that I remember that one of our South Kakalaki

Boys was down there at that Alamo thing with his running mate,

Davey Crockett when those boys put up a good fight.

Can't ever remember if it was Bowie or Travis though.

And I think a bunch of our boys went down there after the war,

Cause people from round here ain't too good at giving up.

Sometimes that's good and sometimes that's bad.

I guess there's probably too much South Carolina down there.

 

That's probably what always makes me want

To get back to the Midlands here.

In 2 hours, I can either be at the beach,

Or up in the Mountains, the Blue Ridge boys.

And there are some mean ass white boy hillbillies up round

Cleveland and Wahalla.  Mean boys.  But they leave you

Alone as long as you show them the same courtesy.

And in 2 and = hours, boys, I can be on the white water.

 

Yeah, Texas is ok.  And I guess that friendship

And Mockingbirds can coexist.

And I guess that I ain't ever been out to El Capitan,

And I would like to see that.

And I ain't never been to Austin, El Paso (the ghost of

Marty Robbins lives there I'm told), or lots of other places.

So, I might just go back some time.

Yeah I might.

But hell, I done been to Texas,

And it don't mean nothing to me.

Guess home is where the heart is.

And rambling can take you lots of places,

But home generally ain't one of them.

 

So, I tip my hat to that great lady, Tejas,

But South Carolina is the place for me.

And it ain't so bad.

Why we got some great golf courses.

But I'll tell you one thing,

I ain't going to Beaumont if I can help it.

So, I just gonna sit right here and

Wait on Jacky Jack to make it on down

To Beaufort town.

See ya then folks.

See ya then.

 

Oh yeah, there's one more thing,

I guess I ain't never seen that Luckenback moon,

But I felt the shivers.

Yo, Hondo done got me right,

I will come on back to Tejas,

At least for one moon light night.

 

Bentz Kirby

) 1997

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 2 Jun 1997 00:46:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      www page

 

If anyone is interested, I have finished round one of revisions and the

Beat link page is in gear.

 

Check it out if you want, and send me new url's.  Thanks,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 2 Jun 1997 01:17:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Ginsberg memorial

 

Hey Matt,

 

Don't know if anyone ever commented on your note about the Ginsberg Memorial

as everyone has been ducking for cover the last few days, diving behind

stagecoaches and jumping into water troughs to avoid getting shot, but I for

one absolutely _loved_ that piece.

 

It's neat that Natalie Merchant appreciated your comment that her song had an

impact on your life.  And I thought the story about Allen inscribing Howl

with a "Jaded? Hardly." along with a bathroom stall drawing was hilarious.

 

The cops pulling you over was pretty funny too, although my heart was racing

for you so I bet it was only fun after it was over.

 

Nice story.

 

ALSO, we all have our own issues with our moms (Gee, do you think Allen or

Jack or Neal had any issues there?), but your mom's sig file is pretty

cool...  "Everyone takes the limits of his own vision for the limits of the

world".

 

 

Jerry Cimino

=========================================================================

Date:         Sun, 1 Jun 1997 22:14:24 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

 

                                                June 1, 1997

TY wrote:

> 

>     to do so is a crime against the writer. if i had even the slightest

>suspicion that notes, sketches, drafts, anything i'd written and not

>willingly offered to the public as a whole would be rummaged through

>after my death, i'd burn them before i kicked. we're living in a time

>when, especially in the u.s., everything is talked about, reported on,

>analyzed and exposed for everyone to look at under their cracked $2

>microscopes. it's unfortunate really; the self-deceptive reason for this

>trend seems to be a search for absolute truths, which is a waste of time

>in itself.

.... so what if someone

>slanders you? take it in stride and shrug it off like so many

>mosquitoes

 

Dear TY:

        Jack Kerouac is on record in several places, including a letter to

John Clellon Holmes, in June, 1962, saying that he has filed all his papers

in file drawers as "a goldmine of information for scholars," and that he

wanted future biographers to have access to them.  Should we not respect his

wishes?

        As for "taking in stride" a systematic campaign of verbal abuse, the

most vile insults and accusations, every day for a month--well, like the

Indians used to say, "walk a mile in my moccassins and then come back and

talk to me."

        The things that have been done to me have been done for a particular

reason--to silence me--just as the personal threat I received backchannel

tonight was sent to silence me.  This is not the kind of thing that one

"shrugs off" lightly.

        Yours for the truth, Gerald Nicosia

=========================================================================

Date:         Mon, 2 Jun 1997 03:30:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

At 10:14 PM 6/1/97 -0700, you wrote:

>                                                June 1, 1997

>TY wrote:

>> 

>>     to do so is a crime against the writer. if i had even the slightest

>>suspicion that notes, sketches, drafts, anything i'd written and not

>>willingly offered to the public as a whole would be rummaged through

>>after my death, i'd burn them before i kicked. we're living in a time

>>when, especially in the u.s., everything is talked about, reported on,

>>analyzed and exposed for everyone to look at under their cracked $2

>>microscopes. it's unfortunate really; the self-deceptive reason for this

>>trend seems to be a search for absolute truths, which is a waste of time

>>in itself.

>.... so what if someone

>>slanders you? take it in stride and shrug it off like so many

>>mosquitoes

> 

>Dear TY:

>        Jack Kerouac is on record in several places, including a letter to

>John Clellon Holmes, in June, 1962, saying that he has filed all his papers

>in file drawers as "a goldmine of information for scholars," and that he

>wanted future biographers to have access to them.  Should we not respect his

>wishes?

>        As for "taking in stride" a systematic campaign of verbal abuse, the

>most vile insults and accusations, every day for a month--well, like the

>Indians used to say, "walk a mile in my moccassins and then come back and

>talk to me."

>        The things that have been done to me have been done for a particular

>reason--to silence me--just as the personal threat I received backchannel

>tonight was sent to silence me.  This is not the kind of thing that one

>"shrugs off" lightly.

>        Yours for the truth, Gerald Nicosia

>There you go...the paranoid delusion.....my "threat" was to counteract your

"critical" biography with a series of academic treatises that will both take

issue with and validate my argument against your thesis'. This will

encompass a privately published pamphlet in which I will show my work. That

is what I meant by "not on the Beat-L" that I will pursue my actions. What a

jerk! Knock yourself out Nicosia....sincerely Paul..."the mercenary thug".

=========================================================================

Date:         Mon, 2 Jun 1997 05:40:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Estate Potatoe War (with an E)

 

First, I want to state that I am glad there is a venue like BEAT-L where a

public forum could be held on the estate discussion. What happens to Jack's

papers is important to many people, and I'm happy for the opportunity to

discuss it and hear other people's opinion. It is also good because people's

statements are on public record as to where they stand on issues. This way

everybody hears what everybody said about who, and how it was said. Private

posts would have allowed for more insinuation with no opportunity for

response.

 

Second: I'm sorry that people who were not interested in this discussion had

to be innundated with it, but it seems like it is almost over.

 

Third: My personal desire is to see the Kerouac's papers end up in an

institution where they would be available for study and review. However,

there is no ONE person who represents me in this purpose, nor is there one

person out there who I feel is the person who should be the spokesperson on

this issue (even if they did write a biography). There is more then one

person in the world who wishes to see the archives end up in a public

institution.

 

Next: Just wondering. Suppose Person A is discussing something with Person B,

and asks Person B to prove something. And Person B proves it by using an

excerpt from a letter written by Person A.  And Person A's response is that

they are going to sue for Libel, slander, and copyright infringement. Does

anybody find that a little unusual?

 

Next: Yet Person A goes around making all sorts of claims without any proof

and keeps repeating them over and over (such as who is working for who). Many

of these claims are incorrect, yet this doesn't stop Person A from stating

them or repeating then.

 

Next: Should all parties of a discussion be held to the same standards of

behaviour when it comes to argument or discussion?  The answer is yes UNLESS

a party claims that they are operating on a higher standard of behaviour and

are using that as part of their argument. If a party claims that they are

operating under higher standards of behaviour, then I believe it is

acceptable to put that party to a higher level of scrutiny.

 

Next: Why do I bother to post on this issue? Because the issue seems to have

evolved into a contest - us vs. them, that has separated everybody onto one

side or the other. This is not a contest. There are more then two sides to

this issue. I am not an us or them. I am not a number. And I refuse to be

defined by somebody else's definition.  My basic statement is this:  Support

of a particular issue does not require the support of any particular person

espousing that issue. They are two separate issues. My lack of support for a

particular person does not diminish in any way my support for a particular

issue. Nor do I believe that support for a particular person indicates that

one is more dedicated to that issue (such of  the preservation of the Kerouac

archives).

 

Last: The above is all my biased opinions and observations.

 

Extra Credit: This is an extra credit question for somebody who has way too

much time on their hands, and way too much of an twisted interest in this

topic:  Determine the total number of times the various parties to the estate

discussion have used: a) name calling; b) SHOUTING; c) put downs; d)

expletives deleted. Please break it down by person, time of day, excuse

given, air temperature, and wind velocity. Please draw your own conclusions.

Please use a #2 pencil, no talking, you may begin now.

 

so it goes, Attila

=========================================================================

Date:         Mon, 2 Jun 1997 06:13:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      jeff/water row/cranial guitar

In-Reply-To:  <l03020900afb7ce8cd095@[141.224.144.84]>

 

jeff:

copies in stock?

price?

thanks.

mc

=========================================================================

Date:         Mon, 2 Jun 1997 05:11:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: meeting W.S.B. to ben on 5/3/197

 

Thanks for the letter!

 

Hi,

I had a great day at school,

But it is now summer so I AM FREE of the horrible place of work!

Oh my I am sorry about the bed thing.

I wish I could jump on it right now!

I am having a pretty great day!

Remeber I am younge if the song is old how could I rember it?

I wish you could have seen Sue (the beast we call our cat) today she was

nice to the little baby that lives next door it was so cute but then she

became unhappy and left the area and the baby tried to fellow her it was

not a pertty picture, it was geting ugly when the cat batted at her so

mom picked up the Marget(the little baby) and lead her away for the cat,

and to the girl swing on the rope. I think she was safer next to the

swing girl not our cat! That peers at people while they sleep.

 

Oh, and thanks for the dove bar I ate it on a field trip, lunch.

 

Well I loved meeting you, you are very interesting. All though I talked

to Billy alitlly more then you I think you both are really great people.

I do not know what to say. I liked meeting you and bye it is time for my

mom to get back on her computer.

 

Lena

 

P.S.Why did you e-mail my mom and not me?

=========================================================================

Date:         Mon, 2 Jun 1997 06:16:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Burroughs collection

In-Reply-To:  <009B525C.99AA5EE0.20@kenyon.edu>

 

db!

thankyou for menu.

btw how was the rest of evening?

thanks for the smile..

mc

=========================================================================

Date:         Mon, 2 Jun 1997 06:27:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      list in fighting and fbi

In-Reply-To:  <199706020448.VAA14566@norway.it.earthlink.net>

 

mr nicosia:

i know you are greatly vexed. but to call in the fbi is just too much for me.

these guys dont just go after the one, which will mean all of list shall be

open to said agents.

they will be readin all; much talk here has been about 'relaxing' with

mother nature.

this is reaching the heights of wagnerian opera,

this tempest in a teapot.

i've had enough in my time of tapped phones and the like.

they wont just investigate a few fellows.

i dont want them reading my mail.

so this may be a sign off.

bill, dont unsub me. i'll do it myself when i see just how this is going.

sadly,

mc

=========================================================================

Date:         Mon, 2 Jun 1997 03:55:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      humor on the list

In-Reply-To:  <33923B35.8CE12D63@scsn.net>

 

> 

>Is it possible to define a real shit.  I mean some would say that Oliver

>North is one.  Others say that he is an AMERICAN hero for lying to

>Congress and shredding documents sought by lawful subpenis  Then they

                                                           ^^^^^^^^

>want to subpenis Clinton?  The question is, will Hillary shred the

          ^^^^^^^^

>evidence, or maybe hide it in a Bobbit file till after the trial?

 

 

am i the only one who finds it amusing that a lawyer spells subpeona's as

"subpenis'?

or is it because its 4am

and ive had wayyyyyyy too much caffine

and my mouth is dry from too many cigarettes?

or among other things?

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you -me

 

http://the.art.of.sekurity.org/simunye    mirror->

http://www.interlog.com/~lisa

=========================================================================

Date:         Mon, 2 Jun 1997 06:00:27 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      threats

 

If i got a veiled threat, on private e-mail, after the acrimony shown by

many on this list, I would take it serious. After gerry warns the guy

that he would not take that crap, the guy admits that it was him but

that he was paronoid because what he really meant was uh something else

man,

oh, we were talking about soemthing else finally and then you pulled one

more thing to make this fight go on. paul why tell us, tell gerry what

you really meant, better yet...

 

the person who wrote this message is a real person who uses one of the

many names that really belong to her, and i will stand up for honor,

honesty, and giving a shit  no matter

patricia,

even though i am beginning to like the name fatty patty, if it means

that i stand for talking about issues and that bothers the sniveling

cowards that need to spew hate and nastiness into any environment they

can intrude in.

 

A great man once said, never call the police unless you have some idea

of what they will do if they come, and its what you want them to do.

=========================================================================

Date:         Mon, 2 Jun 1997 04:22:46 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      things to do while waiting for you beat-l mail to download

In-Reply-To:  <199706020448.VAA14566@norway.it.earthlink.net>

 

dear friends, members, countrymen et al.

since i caused a ruckus a week or two back with what i had to say, instead

of calming things down, it seems ot have gotten worse.  I then went away to

baycon last weekend (nothing beats stress then drinking with klingions!),

come home to find more mail. Gone 36 hours tops and close to 300 messages

from the beat-l ALONE came through.

 

I purposely didn't reply to any, and let it back up. all week.

 

nothing changed.

we got the kids still fighting over things that have been blown out of

proportion so badly that the original arguments have long been delted. new

voices have stepped in, old voices have left. some just unsubscribed for

the hell of it. bill steps in. we have a renegade lawyer who first stepped

up as to quill the battle, and now sends us pages upon pages of his poetry

and denies responsiblity. we've got people who are seriously trying to talk

about beat stuff, but yet it still keeps going on. the war. people are

fleeing. ego's are getting out of hand.

 

the participants (me included) are just as bad for putting out two cents

in. you get hurt when you try to care.

 

so i came up with a list of things to do while we await the end of the battle:

 

Things to I do while waiting for my beat-l mail downloads:

1. check other email accounts.

2. call old friends on the phone

3. write poetry

4. work on my website

5. get pissed off because the ftp server is down and i can't update my website

6. do my nails

7. fight with significant other

8. make out with significant other

9. search the web for interesting places

10. clean off my harddrive

11. check to see if mail is done downloading (nope!)

12. torture the cat for digging his nails into my thighs

13. torture bf for sending me email when he sits 4 feet from me

14. check to see if mail is done yet (nope!)

15. geton irc and harass people there.

16. paint my nails an interesting color

17. measure the living room for new carpte

18. check to see if mail is done yet (nope!)

19. do laundry

20. finish college

21. save the world

23. write a best selling book

24. get involved in a few reletionships

25. check mail again ITS DONE!

 

(this is humor folks. it doesn't really take that long for the mail to

download)

 

disclaim sadness that i had to search inbetween all the clutter to find the

goodposts. Neat sites malcs and jeffrey (when are you going to have the

content pages up?!?!?) good conversation maybe.

then this:

 

 

At 09:48 PM 6/1/97 -0700, you wrote:

>                                                        June 1, 1997

>Dear Beat-List friends:

>        I returned from a holiday down in Monterey, a birthday party for one

>of my daughter's friends, to find that a personal threat had been sent to me

>on my private email, by one of the persons from the Beat-List who has been

>steadily harassing me for the past month.

>        I will report this threat to the FBI tomorrow, and suggest that that

>person, as well as the people he has been associating with recently, be

>thoroughly investigated.

>        Little did I suspect such things lay in wait for me when I joined

>the Beat-List!

 

Mr nicosia:

this is not to be malicious, but email threats do not fall under the fbi

juristdictions. sorry to break it to you. the most you can do is report the

person to their isp and have the system admins take care of it. And they

will tell you the most you can do is a: not reply to the person (no matter

how BADLY YOU WANT TO) and save the mail for further use (if the person

continues, you have a documented case) or just simply delete it. Even if

the person made a death threat, its the same as a harassing phone call,

falling under the communications jurisdictions. Just ignore it. If its one

threat, then your through with the person forever. if not, then you take it

to the isp they belong to, and again, show them the email they sent. If

they continue to be persistant, they system adminstrator at BEST will

disable their account. Majority of the time, the threats are empty as to

scare the person (being you).

 

And to anyone worried baout someone reading their email, i hate to break it

to you again, but email is not a safe means of communication. Anyone with a

bit of technical knowledge can read your email. The only sure sign is by

encrypting it with PGP (pretty good privacy), so its best to never say

anything in email you wouldn't say on the phone. Nothing is secure in our

cyber world. No matter how much you want to believe it, nothing is safe

ehre in the cyber world. we are all naked and vulnerable as a new born babe.

 

 

Your message dated Mon, 02 Jun 1997 03:55:34 -0700 with subject "humor on

the  list" has  been successfully  distributed  to the  BEAT-L list  (176

recipients).

 

and again, the list has been under 200 for some time. and its getting

dangerously low.

 

so please, for the sake of whose a rat and whose not. can those involved in

the politics take it somewhere like privately? before there is nothing left

of this list anymore?

 

 

ttfn.

 

lisa

 

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you -me

 

http://the.art.of.sekurity.org/simunye

                                 mirror-> http://www.interlog.com/~lisa

=========================================================================

Date:         Mon, 2 Jun 1997 06:57:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: humor on the list

 

Lisa M. Rabey wrote:

> 

> >

> >Is it possible to define a real shit.  I mean some would say that Oliver

> >North is one.  Others say that he is an AMERICAN hero for lying to

> >Congress and shredding documents sought by lawful subpenis  Then they

>                                                            ^^^^^^^^

> >want to subpenis Clinton?  The question is, will Hillary shred the

>           ^^^^^^^^

> >evidence, or maybe hide it in a Bobbit file till after the trial?

> 

> am i the only one who finds it amusing that a lawyer spells subpeona's as

> "subpenis'?

> or is it because its 4am

> and ive had wayyyyyyy too much caffine

> and my mouth is dry from too many cigarettes?

> or among other things?

> 

> ttfn.

> 

> lisa

> --

> 

>         Lisa M. Rabey       Computer Consultant         UIN: 1231211

>          ************************************************************

>           words...1000's of words.. wrapped together like wire

>                    how easy it would be to hate you

>                  and yet that is all i can show you -me

> 

> http://the.art.of.sekurity.org/simunye    mirror->

> http://www.interlog.com/~lisa

 

 

my impression was the spelling was deliberate.  of course, the rationale

for this deliberate decision may rest deeply imbedded somewhere in his

or our collective psyches.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 2 Jun 1997 06:59:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: threats

 

Patricia Elliott wrote:

> 

> A great man once said, never call the police unless you have some idea

> of what they will do if they come, and its what you want them to do.

 

Sounds like words of advice from a wise sage.

 

david

=========================================================================

Date:         Mon, 2 Jun 1997 08:45:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Burroughs collection

 

Marie Countryman wrote:

> 

> db!

> thankyou for menu.

> btw how was the rest of evening?

> thanks for the smile..

> mc

 

I appreciate hearing about the food, I found it interesting the number

of people the list has helped to become better acquainted, the beat-l

multigeneration has expanded my understanding of the literature and the

people.

p

=========================================================================

Date:         Mon, 2 Jun 1997 09:51:48 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Fred Bogin <FDBBC@CUNYVM.BITNET>

Organization: Brooklyn College Library

Subject:      List changes

 

Hi folks,

Excuse me while I pull on my hip boots to wade in here.

Effective immediately, all replies to postings on beat-l will go to the

original sender, NOT the list, unless otherwise specified.

 

fred

=========================================================================

Date:         Mon, 2 Jun 1997 09:43:06 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: Julian Jaynes

Comments: To: James Stauffer <stauffer@pacbell.net>

In-Reply-To:  <338F01AD.5EA1@pacbell.net>

 

On Fri, 30 May 1997, James Stauffer wrote:

 

> Jeff Taylor wrote:

> 

> 

> > Some of the people WSB mentions as having read were concerned with these

> > questions too.....Alfred Korzybski, Julian Jaynes.....I haven't read

> > Korzybski yet...

 

> James Stauffer wrote:

 

> It is nice to see someone else who has read the Jaynes book.

 

James I read J Jaynes' book in 1981 and again this past spring. I agree

with cha wholly! I have also read Korzyksi's "Science and Sanity"  a few

times initially gathering understanding for a thesis I wrote. The

International Society for General Semantics maintains a vast resource of

other G.S. material, if you like Korzybski. If you or anyone has

interest, www.isgs.com will get you there. Their Quarterly, "Etc." I

consider a necessary read to my mental energy. Lately, at times, it

arrives a lower octane than in past, but "isn't" most fuel these days?

Christ the DEA really has script writer's shake'n, ya cain't get shit,

anymore, unless ya grow it yourself! It's no damn wonder those pharmacist

confuse 3 times a week or 4 times a day with all this fear about! The

propaganda war waged upon us adipex'd, ritalin'd, redux'd, fastin'd,

Christ hydrocordone me down here! The boy, the girl, fastin, ritalin,

dilantin, insulin, vicodin, ES, nitro gylcerin! stroked...valium,

percocet, darvocet, 8 bits of the octet, the server crashes, Boolean

subnet, another damn applet, ode to the internet.. my engines a knocking,

rap'n and tap'n need'n higher octane, increased ratio...oh increase the

octane..."Etc." still will fill the tank, E-Prime less or not! Modern

folks' Gods speak to them from the pumps! Green square letters flash'n

by, above the debit, edit card insert card here, histories revealed,

kept, brother pump fill me up! Octaneless civil obedience... their'

build'n stick space shuttle sculptures, parades with green dinos,

Sinclairless, Pure Oil ain't so pure if you can even find among the muck

such a place long that yellow brick freeway, Getty bought Gulfless

society, pray to the pump, fill er up! Jaynes' consciousness evolution

still evolves toward who knows what the DEA will do?

 

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Mon, 2 Jun 1997 09:07:34 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Review

In-Reply-To:  <970601170844_1523731933@emout18.mail.aol.com>

 

>Review-L

 

Dawn,

 

BookZen is interestd in reviews. Not sure what your msg reprsents. Could

you elaborate?

 

Thanks,

 

j grant

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Mon, 2 Jun 1997 10:28:53 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: humor on the list

 

RACE --- wrote:

 

> Lisa M. Rabey wrote:

> >

> > >

> > >Is it possible to define a real shit.  I mean some would say that

> Oliver

> > >North is one.  Others say that he is an AMERICAN hero for lying to

> > >Congress and shredding documents sought by lawful subpenis  Then

> they

> >                                                            ^^^^^^^^

> > >want to subpenis Clinton?  The question is, will Hillary shred the

> >           ^^^^^^^^

> > >evidence, or maybe hide it in a Bobbit file till after the trial?

> >

> > am i the only one who finds it amusing that a lawyer spells

> subpeona's as

> > "subpenis'?

> > or is it because its 4am

> > and ive had wayyyyyyy too much caffine

> > and my mouth is dry from too many cigarettes?

> > or among other things?

> >

> > ttfn.

> >

> > lisa

> > --

> >

> >         Lisa M. Rabey       Computer Consultant         UIN: 1231211

> 

> >

> ************************************************************

> >           words...1000's of words.. wrapped together like wire

> >                    how easy it would be to hate you

> >                  and yet that is all i can show you -me

> >

> > http://the.art.of.sekurity.org/simunye    mirror->

> > http://www.interlog.com/~lisa

> 

> my impression was the spelling was deliberate.  of course, the

> rationale

> for this deliberate decision may rest deeply imbedded somewhere in his

> 

> or our collective psyches.

> 

> david rhaesa

> salina, Kansas

 

 David, Lisa,

 

Paula Jones says, if he drops trow, I can id the man.  What is she

wanting to see and id?  His penis etc.  So yes deliberate and to tie

into a Hillary shredding the evidence and into a Bobbitt joke.  Perhaps

bad, perhaps too "good" of humor.  It was all a joke in response to the

post by Charles Plymell, and I must say a most excellent post, about the

list, the bullshit laws, and the real stuff, or was that right stuff and

real shit.  Oh well, color me bad. (another joke there).

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 2 Jun 1997 10:39:54 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: List changes

In-Reply-To:  <BEAT-L%97060209534861@CUNYVM.CUNY.EDU>

 

hi fred. i'm a computer idiot.

how do we specify list vs private?

and is this the fallout from the tempest which endangered the teapot?

how sad that community suffers.

mc

=========================================================================

Date:         Mon, 2 Jun 1997 16:45:40 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      jack kerouac bio written by Gerald Nicosia

 

beat

points

first: there's an italian language translation of the

        book written by Gerald Nicosia 'bout the JK life

        & works? anyone can tell something?

second:in angst for the hot shift of the posts from word

        to word, points

first: there's an italian language translation of the

        book written by Gerald Nicosia 'bout the JK life

        & works? anyone can tell something?

second:in angst for the hot shift of the posts from word

        to word, but i'm a real beet (sic!) & i do not understand

        why people leaves the B-List.

 

yrs

Rinaldo.

---

yrs

Rinaldo.

=========================================================================

Date:         Mon, 2 Jun 1997 10:02:40 -0500

Reply-To:     thereman@IX.NETCOM.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Josh Meyer <thereman@IX.NETCOM.COM>

Subject:      Decline of the West

 

Hi...

I am new to the list.

(Quick background- 18 yr. old male, headed to Lawrence, KS for college in the

fall)

Anyways, I had a quick question...

I am gearing up to read "Decline of the West," by Oswald Spengler, and wish to

solicit some opinion on this book. I picked it up after reading of its extreme

influence on the beats, particularly Burroughs and Ginsberg.

Has anyone here read it, and if so, what did you think?

thanks...

=========================================================================

Date:         Mon, 2 Jun 1997 09:47:35 EDT

Reply-To:     mhemenway@S1.DRC.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Hemenway <mhemenway@S1.DRC.COM>

Subject:      Good Work Bill

 

Here's to Bill Gargan who donates his time and energy to providing a forum

for us beat enthusiasts. It was his enthusiasm and hard word that got the

list started and he's the one that keeps it running every day. It's still

the best list I've seen in any category. Good work Bill.

 

Here's to all the other volunteers- Levi Asher, Paul Maher, Attila Gyenis

and so many others who have the courage to start and run magazine or web

site or festival or event that we all can enjoy. They are the ones posting

new material to the web and stuffing envelopes at midnight after a full

week at their day job. Lord knows, none of us is making any money at it.

Nor do we expect to.

 

A little respect and recognition please.

 

Mark Hemenway

=========================================================================

Date:         Mon, 2 Jun 1997 12:02:11 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: List changes

 

Marie Countryman wrote:

> 

> hi fred. i'm a computer idiot.

> how do we specify list vs private?

> and is this the fallout from the tempest which endangered the teapot?

> how sad that community suffers.

> mc

 

Folks,

 

The message from Fred is a really big deal.  The thing that makes this

list work is spontaneous responses to the thoughts of the other members.

 This literally means that everytime you respond, a RE:, the response

will go only to the last person.  You will only be carrying on private

email conversations with one another.  There will be no subject threads

only the first message that started the thread.  Now seriously, if you

want to kill the beat list, this is the way to do it. I see this as a

serious violation of the free speech that the beats spent their lives

fighting for.  We need to be able to respond freely to one another in a

public forum.  I protest this and I hope my response gets to the entire

list. The entire list should not be made to suffer because 3-4 guys don't

like each other. I deleted Marie's address from my reply and typed in the

BEAT-L@CUNYVM.CUNY.EDU address.  Make sure in your responses that you

type the BEAT-L address in the Mail To: section.  This is something that

we seriously need to discuss ON THE LIST!

 

DC

=========================================================================

Date:         Mon, 2 Jun 1997 12:13:55 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      List changes

 

Marie Countryman wrote:

> >

> > hi fred. i'm a computer idiot.

> > how do we specify list vs private?

> > and is this the fallout from the tempest which endangered the teapot?

> > how sad that community suffers.

> > mc

> 

> Folks,

>  The message from Fred is a really big deal.  The thing that makes this

 list work is spontaneous responses to the thoughts of the other

members.  This literally means that everytime you respond, a RE:, the

response will go only to the last person.  You will only be carrying on

private email conversations with one another.  There will be no subject

threads only the first message that started the thread.  Now seriously,

if you want to kill the beat list, this is the way to do it. I see this

as a serious violation of the free speech that the beats spent their

lives  fighting for.  We need to be able to respond freely to one

another in a  public forum.  I protest this and I hope my response gets

to the entire  list. The entire list should not be made to suffer

because 3-4 guys don't  like each other. I deleted Marie's address from

my reply and typed in the BEAT-L@CUNYVM.CUNY.EDU address.  Make sure in

your responses that you type the BEAT-L address in the Mail To: section.

 This is something that we seriously need to discuss ON THE LIST!

 

 DC

=========================================================================

Date:         Mon, 2 Jun 1997 11:55:48 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      sad state of affairs

In-Reply-To:  <339318B3.C99@together.net>

 

hi diane. i think given what has happened, and mostly off list between who

i appreciate as having balanced minds, who have had to find a kinder and

freeer exchange of ideas which this list really developed and began to

evolve into community place/space. until the recent events.

however, shouted (IN CAPS!!!) insults, swearing, muckraking, not willing to

let go  histrionic and just plain perversity of approx. 5-10 (generous

numbers, here!) peple who just basically come barging into the coffee shop,

rumble on the floor, patrons fleeing, and too damned soaked in testosterone

to notice that the place IS CLEARING OUT because most of recent sign offs

have deliberately chosen to join kinder and more inclusionary atmosphere(s).

JH in chicago: i dig yr project but cant agree with you here.

it seems like 90% of posts are taken up w/name droppers, travel excusion

more relevantly private (like so and so will be here tomorrwo, etc) as well

as name calling best suited to filthy gas station doors, than here.

i have become disillusioned that some of the movers and shakers of the beat

renaissance now choose to rail and flail. reminds me too much of JK in

florida before hemmoraging to death on bathroom floor.

i'm so disillusioned,

and this is coming from someone whose very nature is psychotically optimistic.

sad sad sad.

going off to join ron and all my buddies.

mc

ps bill again, dont unsub. i need to take a stand for a while.

mc

mc

 

 

marie wrote:

>> hi fred. i'm a computer idiot.

>> how do we specify list vs private?

>> and is this the fallout from the tempest which endangered the teapot?

>> how sad that community suffers.

>> mc

> 

>Folks,

> 

>The message from Fred is a really big deal.  The thing that makes this

>list work is spontaneous responses to the thoughts of the other members.

> This literally means that everytime you respond, a RE:, the response

>will go only to the last person.  You will only be carrying on private

>email conversations with one another.  There will be no subject threads

>only the first message that started the thread.  Now seriously, if you

>want to kill the beat list, this is the way to do it. I see this as a

>serious violation of the free speech that the beats spent their lives

>fighting for.  We need to be able to respond freely to one another in a

>public forum.  I protest this and I hope my response gets to the entire

>list. The entire list should not be made to suffer because 3-4 guys don't

>like each other. I deleted Marie's address from my reply and typed in the

>BEAT-L@CUNYVM.CUNY.EDU address.  Make sure in your responses that you

>type the BEAT-L address in the Mail To: section.  This is something that

>we seriously need to discuss ON THE LIST!

> 

>DC

=========================================================================

Date:         Mon, 2 Jun 1997 12:03:12 EST

Reply-To:     MORE OXY THAN MORON <breithau@KENYON.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: Burroughs collection

 

David R,

 

I will try and find out when the special collections will be available to the

public. There is some at the moment, but the new stuff will take awhile. I'll

let you know.

 

Dave B.

=========================================================================

Date:         Mon, 2 Jun 1997 09:06:55 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: list in fighting and fbi

 

Marie Countryman wrote:

> 

> mr nicosia:

> i know you are greatly vexed. but to call in the fbi is just too much for me.

> these guys dont just go after the one, which will mean all of list shall be

> open to said agents.

> they will be readin all; much talk here has been about 'relaxing' with

> mother nature.

> this is reaching the heights of wagnerian opera,

> this tempest in a teapot.

> i've had enough in my time of tapped phones and the like.

> they wont just investigate a few fellows.

> i dont want them reading my mail.

> so this may be a sign off.

> bill, dont unsub me. i'll do it myself when i see just how this is going.

> sadly,

> mc

 

My sentiments exactly.I sure don't want the FBI going through my

computer or anyone else's on a fishing expedition.  Maybe time to clean

a lot of hard drives.

 

Calling the cops is in my view a much greater violation of the Beat List

purpose than stupid name calling.  This is serious stuff.

 

J Stauffer

=========================================================================

Date:         Mon, 2 Jun 1997 12:10:05 -0400

Reply-To:     Waterrow@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: List changes

 

Diane is making some very good points here -

If the original sender only gets a reply, then I think we will lose that

spontaneous prose that Jack taught us...

 

Why should the rules change like this because a few guys continue to insult

each other...

 

Bill: Just get rid of those who continue to insult, swear at, or not use

proper netiquette to othe members...

Example: calling someone a "FAGGOT" like Chaput did or me calling Jerry C a

liar (which I apologize for now publicly)...

 

Diane's brought up a real good point that must be discussed...

if we go along with the change here, our Beat-L is just email and not a Beat

list....

 

Jeffrey

WRB

=========================================================================

Date:         Mon, 2 Jun 1997 17:53:27 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      the original sender

 

Fred Bogin <FDBBC@CUNYVM.BITNET> writes:

>Hi folks,

>Excuse me while I pull on my hip boots to wade in here.

>Effective immediately, all replies to postings on beat-l will go to the

>original sender, NOT the list, unless otherwise specified.

> 

>fred

> 

> 

hello,

i don't understand what is happened exactly,

I HAVE NO RESPONSE FROM THE USUAL LISTSERV@CUNYVM.CUNY.EDU,

it started yesterda, on sunday 1 june 1997,

no response & no idea where my posts are gone,

SAD TIMES,

who is the ORIGINAL SENDER ?

yrs

Rinaldo.

=========================================================================

Date:         Mon, 2 Jun 1997 10:26:31 +0000

Reply-To:     annie@rt66.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         annie shank <annie@RT66.COM>

Organization: you can't be serious

Subject:      Re: list in fighting and fbi

Comments: To: stauffer@pacbell.net

 

It's gotten too deep for me, folx.  When I subbed here, I expected

something other than what's been crowding my inbox.  I expected people

talking about beat literature and the authors and the era.  I got usenet

on a listserv.  And now someone's talking about bringing in the

federales?

 

I think not.

 

See ya later.  I'll try in about a year and see if this place still

exists or if nothing is left but scorched earth.

 

Sheesh!

 

annie                                                   annie@rt66.com

=========================================================================

Date:         Mon, 2 Jun 1997 09:34:59 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: List changes

 

Jeffrey Weinberg wrote:

> 

> Diane is making some very good points here -

> If the original sender only gets a reply, then I think we will lose that

> spontaneous prose that Jack taught us...

> 

> Why should the rules change like this because a few guys continue to insult

> each other...

> 

> Bill: Just get rid of those who continue to insult, swear at, or not use

> proper netiquette to othe members...

> Example: calling someone a "FAGGOT" like Chaput did or me calling Jerry C a

> liar (which I apologize for now publicly)...

> 

> Diane's brought up a real good point that must be discussed...

> if we go along with the change here, our Beat-L is just email and not a Beat

> list....

> 

> Jeffrey

> WRB

 

 

Jeffery,

 

I see both sides of this.  You aren't blocked from posting to the

list--it's just that your first option is to post direct.

 

When Bill talked about this change I encouraged him.  I hate to see

community lost myself.  But sometimes posts seem primarily aimed at the

person who wrote them rather than the list itself.

 

The number of posts is a problem for some of us.  If a member has to

decide to post to the list he or she might think whether it really needs

to go to the entire list.  Lisa's situation is typical.  When I am away

at work and come home at night just going through Beat-L becomes a

chore. Hard to get anything else done. (and if you leave for a three day

weekend it's monumental) Maybe we should all edit ourselves a little

more.  To me that isn't censorship. I have gone more to backchannelling

anyway because the post volume just seems to create very crowded

airwaves.

 

Poetry posts are nice sometimes, but we are now being used as sort of an

open mike at a poetry slam by some.  Maybe some of us have time to read

these things thoughtfully.  I usually don't.

 

I agree that this needs discussion.  But it wouldn't hurt to try it and

see how it works. And it might help cool the air a little and get us all

focused again and what we were here for rather than a daily reenactment

of the Punic Wars.

 

James Stauffer

=========================================================================

Date:         Mon, 2 Jun 1997 13:03:13 -0400

Reply-To:     Bigsurs4me@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: List changes

 

Before there is too much hand wringing and finger pointing on this latest

change I think we should all look at the big picture here.

 

We're dealing with quite a few issues all involving CHANGE in what we've been

used to.

 

1).  A huge blip of new people joining the list after AG died.

2).  A resulting increase in the daily limit to the number of posts from 50

to 100.

3).  The Great Estate Debate involving some people who are relatively new to

the list and some who have been on for a while.

4).  Some people unsubbing, mostly new people, a smaller number who have been

on for a while.

5).  A vast increase in the number of posts, whether they are Estate related

or not.

6).  Some people who never post a thing and some who post 10-20 times a day.

 

Given all these changes happening at once I think we should take a wait and

see attitude regarding the new set-up on the "Reply" button.

 

These changes may not be all bad and they may not foretell any major downward

spiral of the list.  Lisa made a humorous comment about how long it takes her

email to download and I think we can all relate to what she said (with the

possible exception of doing our nails).

 

One of the things this new change will mean is it will force each individual

to make a conscious choice when sending a post to the list.  It means you'll

have to decide each and every time if what you're sending is appropriate for

200+ people or not.  It should mean the end to the easy "one button clicks"

that we see so often and that really aren't necessary.

 

CHANGE is never easy for anyone, but it happens whether we like it or not.

 This might simply be a better way to manage the list.  Let's see what

happens.  We can always change back if it seems appropriate.

 

Jerry Cimino

 

PS:  I've been backchanneling with Levi for quite a while and he asked me

(read "gave permission") to tell everyone that he says "hello", "misses

everyone" and "looks forward to coming back soon" but it would be impractical

right now to do so as his book is ready to come out very soon and he is

buried.

=========================================================================

Date:         Mon, 2 Jun 1997 10:10:09 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: a question:jack kerouac bio written by Gerald Nicosia

 

                                                June 2, 1997

 

>first: there's an italian language translation of the

>        book written by Gerald Nicosia 'bout the JK life

>        & works? anyone can tell something?

>yrs

>Rinaldo.

> 

Rinaldo,  Unfortunately there's no Italian translation yet.  Nanda Pivano

wrote about MEMORY BABE in the CORRIERE DELLA SERRA and tried to get someone

interested, but the problem is the book's length--almost 800 pages, which

means you have to pay a translator for 1-2 years' work.

        There is a translation available in Spanish from Circe Ediciones in

Spain (Barcelona), called JACK KEROUAC; and a translation in excellent

French which uses the English title (MEMORY BABE) from Quebec-Amerique in

Montreal, which I believe is distributed in France too.

        Ciao, Gerry

=========================================================================

Date:         Mon, 2 Jun 1997 10:49:58 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Estate Potatoe War (with an E)

 

..., nor is there one

>person out there who I feel is the person who should be the spokesperson on

>this issue (even if they did write a biography).

>Next: Just wondering. Suppose Person A is discussing something with Person B,

>and asks Person B to prove something. And Person B proves it by using an

>excerpt from a letter written by Person A.  And Person A's response is that

>they are going to sue for Libel, slander, and copyright infringement. Does

>anybody find that a little unusual?

> 

>so it goes, Attila

> 

                                                                        June

2, 1997

Dear Attila,

        I write you with all due respect: Honest, open argument, with facts

instead of name calling.

        It is clear, despite your pronouns, that you are writing about me.

I am the only biographer on this list--that I know of.

        Person A would then be Rod Anstee.  He accused me of selling

Columbia University xeroxes to U Mass, Lowell, illegally.  I said I had not

done this, and I (or perhaps it was Bentz Kirby) asked for proof.  In reply,

Mr. Anstee quoted from my private letters indicating that there were xeroxes

of Kerouac letters to Malcolm Cowley at U Mass, Lowell, which had come as

part of my collection.

        The Malcolm Cowley letters (xeroxes) were NOT FROM COLUMBIA

UNIVERSITY.  I had met with Mr. Cowley privately, he had handwritten a

permission for me to copy his Kerouac letters and to use those xeroxes

however I chose; and the Newberry Library (where Mr. Cowley had placed those

letters for preservation) honored Mr. Cowley's agreement with me.

        So Mr. Anstee DID NOT PROVE his libelous accusations by printing my

private letters; he only compounded his crimes against me by violating my

copyright in those letters (A WRITER'S PRIVATE LETTERS ARE GIVEN HIGHEST

PRIORITY PROTECTION UNDER U.S. FEDERAL COPYRIGHT.)

        By the way, when I capitalize it's because I mean simply to

underline, or italicize, not to shout; but I haven't figured out how to

underline or italicize yet in my particular email sender format.

        (I do admit to being a novice.)

        I hope this clears up a point.

        Good luck with your next issue of DHARMA BEAT.

        Best always, Gerry Nicosia

=========================================================================

Date:         Mon, 2 Jun 1997 01:01:58 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

 

Hello James,

 

Man, getting that Little Walter sound is a tough package to fill.

Remember Juke? That's a Houserocker. Luther is real cool and almost

impossible to play harp against his lead. I've tried a few times and

took the 10 count and died. I'm glad he decided to move back to the

states.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 2 Jun 1997 14:09:41 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Burroughs; was Re: my condolences to whoever just "signed

              off"...

In-Reply-To:  <Pine.PMDF.3.91.970529231126.540035616A-100000@ctrvax.Vanderbilt.Edu>

 

On Thu, 29 May 1997, Jeff Taylor wrote:

 

>     What do artists do? They dream for other people. We dream for those

> people who have no dreams of their own to keep them alive."

> (_Painting and Guns_ p.46)

 

Just picked up this book over the weekend. I love it! This is my favorite

style of Burroughs' writing, his I don't know what you'd call them,

rhetorical essays or something -- the stuff like this or along the lines of

_Electronic Revolution_, which has been my favorite Burroughs work for a

while. Any recommendations for other wsb articles/books/interviews along

these lines?

=========================================================================

Date:         Mon, 2 Jun 1997 15:18:50 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: sad state of affairs

 

> Marie Countryman wrote:

> >

> > hi diane. i think given what has happened, and mostly off list between who

> > i appreciate as having balanced minds, who have had to find a kinder and

> > freeer exchange of ideas which this list really developed and began to

> > evolve into community place/space. until the recent events.

> > however, shouted (IN CAPS!!!) insults, swearing, muckraking, not willing to

> > let go  histrionic and just plain perversity of approx. 5-10 (generous

> > numbers, here!) peple who just basically come barging into the coffee shop,

> > rumble on the floor, patrons fleeing, and too damned soaked in testosterone

> > to notice that the place IS CLEARING OUT because most of recent sign offs

> > have deliberately chosen to join kinder and more inclusionary atmosphere(s).

> > JH in chicago: i dig yr project but cant agree with you here.

> > it seems like 90% of posts are taken up w/name droppers, travel excusion

> > more relevantly private (like so and so will be here tomorrwo, etc) as well

> > as name calling best suited to filthy gas station doors, than here.

> > i have become disillusioned that some of the movers and shakers of the beat

> > renaissance now choose to rail and flail. reminds me too much of JK in

> > florida before hemmoraging to death on bathroom floor.

> > i'm so disillusioned,

> > and this is coming from someone whose very nature is psychotically

 optimistic.

> > sad sad sad.

> > going off to join ron and all my buddies.

> > mc

> > ps bill again, dont unsub. i need to take a stand for a while.

> > mc

 

 I am in total agreement that 90% of the posts in the last month or so

 should not have been here.  I guess what I am saying is that all of us

 seriously concerned with sharing ideas on a daily basis, make an

 agreement that we will only discuss beat things intelligently, with no

 shouting, namecalling or harrassment.  I think it is important,

however, that we be able to maintain a thought flow by repling (re:ing)

to individual posts on the list.  Why don't we start now by refusing to

reply to flames and eventually maybe we will all have the community we

want to share ideas and Bill at CUNY can decide that we don't have to

type in that very long beat address every time we want to talk.

 

 DC

=========================================================================

Date:         Mon, 2 Jun 1997 15:08:25 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Stauffer's comments on fbi

 

I'm afraid cleaning out the hard drives won't do any good.  All the

archives areon the server and open to anyone who wishes to view them.

They won't even need to notify us or get a warrant.

=========================================================================

Date:         Mon, 2 Jun 1997 13:07:17 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Mass Hysteria

 

     I've never seen anything like this before.  First there's this estate

business and then there's the pleas for the estate business to stop which

only serve to perpetuate it.  (I realize I just made another contribution).

People are sick of this and sick of that.  People are leaving because of

this and because of that.  A few Beats get mentioned in passing.

     Reports of people trying to wipe out their hard-drives because the feds

might get involved.  Then they learn / remember that their postings are held

in an archive.  Now these people are probably trying to get as much

information about hacking as they can.  Relax.  Here, have some Nyquill.

     The beat list beaten by fear and loathing, the Beats 'd love that.  The

Beats aren't here.  The Beats aren't here.  The Beats aren't here.  Dear so

and so we talk about the list itself more than the Beats themselves.  Maybe

there's nothing to say about them.  Maybe this list should just be a list of

recommended readings.  Maybe this list should be a poetry forum.  Maybe this

list shouldn't exist.  Maybe it should.  Beat the heat.  Maybe this list is

premature splatterings due to the ongoing nature of Beatdom; too bad we

can't take advantage of that fact.  The Beats resound and sound again by

their absence.  Love this.  Love that.  Don't stop destroying yourselves,

you might learn something.

 

                                                         James M.

 

=========================================================================

Date:         Mon, 2 Jun 1997 13:09:03 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      When is a list not a list

Comments: cc: Fred Bogin <FDBBC%CUNYVM.BITNET@cunyvm.cuny.edu>,

          Bill Gargan <WXGBC%CUNYVM.BITNET@cunyvm.cuny.edu>

 

The changes makes the beat-l not a list anymore.

 

I think the real way is  better and there is an over reaction to nothing.

 

In the past there have been many threads that have nothing to do with "beat

stuff" that become people on the list jawing and playing with each other

with fun word play and personal stuff.

 

I never complained about any of this and don't think anyone should.  But if

there were a time when such a new list set-up like this should have been put

in place it should have been for that sort of posts.  But it wasn't and I'm

glad it wasn't.

 

The recent "esate battle" is more related to important "beat issues" than a

lot of things that have come across here.  I do not understand the fear and

antipathy to it and the tendency to shy away from controversy passion

animosity and insults and information that has come with it.

 

I cannot understad how anyone who has an appreciation for many of Ginsberg's

poems cannot appreciate the passion and invective of some of the posts.

 

Howl was a flame.  Ginsberg was flaming decades before the internet.

=========================================================================

Date:         Mon, 2 Jun 1997 17:36:02 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: When is a list not a list

 

Timothy K. Gallaher wrote:

> 

> Howl was a flame.  Ginsberg was flaming decades before the internet.

 

 

In a way I agree with you.  I also wondered if anyone out there has any

quotes about what Ginsberg thought of the FBI.

 

I found this little tidbit in a poem of Ginsberg's called Ecologue:

 

...Waking 2 a.m. clock tick

             What was I dreaming

       my body alert

       Police light down this dirt road?

            Justice Dogs sniffing for Grass Seeds?

        Would they find a little brown mushroom button

                                     tossed out my window?

                                 FBI read this haiku?

 

Four in the morning

                  rib thrill eyes open--

                                Deep hum thru the house--

               Windmill Whir?  Hilltop Radar Blockhouse?

                       Valley Traffic 5 miles downtown?

     When'll Policecar Machinery assemble

                                outside State pine woods?

             Head out window--bright Orion star line,

                       Pleiades and Dipper Shinaing silent--

 

Bathrobe flashlight, uproad Milky Way

         Moved round the house this month

        --remember Taurus' Horn up there last fall?

White rabbit on goat meadow, got over the chickenwire?

       Hop away from flash light?  Wait till Godly

                                             Dog wakes up

Come back!  He'll bite you!  Here's a green beet leaf!

                              Pwzxst! Pwzxst! Pwzxst!

=========================================================================

Date:         Mon, 2 Jun 1997 13:50:22 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: When is a list not a list

 

>Return-Path: <race@midusa.net>

>Date: Mon, 02 Jun 1997 15:35:49 -0500

>From: RACE --- <race@midusa.net>

>To: "Timothy K. Gallaher" <gallaher@HSC.usc.edu>

>Subject: Re: When is a list not a list

>References: <199706022009.NAA11514@hsc.usc.edu>

> 

>Timothy K. Gallaher wrote:

>> 

>> The changes makes the beat-l not a list anymore.

>> 

>> I think the real way is  better and there is an over reaction to nothing.

>> 

>> In the past there have been many threads that have nothing to do with "beat

>> stuff" that become people on the list jawing and playing with each other

>> with fun word play and personal stuff.

>> 

>> I never complained about any of this and don't think anyone should.  But if

>> there were a time when such a new list set-up like this should have been put

>> in place it should have been for that sort of posts.  But it wasn't and I'm

>> glad it wasn't.

>> 

>> The recent "esate battle" is more related to important "beat issues" than a

>> lot of things that have come across here.  I do not understand the fear and

>> antipathy to it and the tendency to shy away from controversy passion

>> animosity and insults and information that has come with it.

>> 

>> I cannot understad how anyone who has an appreciation for many of Ginsberg's

>> poems cannot appreciate the passion and invective of some of the posts.

>> 

>> Howl was a flame.  Ginsberg was flaming decades before the internet.

> 

>i'm on several lists that run this way.  it is very easy to put the List

>address in your address book and include it in the mail to: line in the

>composition box.  but it does make one actually think for a second is

>this a backchannel or is this a list conversation.  in this case i feel

>it could be either.  if you wish to respond to these comments on-list

>feel free to include my message.

> 

>david rhaesa

>salina, Kansas

> 

> 

 

Or simply forward it (like this)

 

Also, I am on lists that work that way I guess.  Usually finding out after I

mailed something I thought would go to the list.

=========================================================================

Date:         Mon, 2 Jun 1997 17:10:18 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Burroughs collection

In-Reply-To:  <33922AE6.1ED8@midusa.net>

 

On Sun, 1 Jun 1997, RACE --- wrote:

 

> though i do have good memories of playing in Columbus once -

> many many used record stores back then.  i might actually have to plan a

> road trip one of these days/months/years ....

 

what did you play? columbus still has many great used record stores,

definitely more than cleveland ... was there last week, saw a band whose

bass player wore a hypnolovewheel shirt (band whose _space mountain_ cd i've

been looking for fer ages) and the next day, in one of those used record

places on high street, i found said cd for $3 ...

=========================================================================

Date:         Mon, 2 Jun 1997 14:44:52 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Howling

 

Sure "Howl" was a flame.  It flamed society in general.  (Hey, could we

actually write about what a poem means?  Nah, not here.)  The estate

controversy is only a howl in the comic sense of the word.  The use of

"Howl" as analogous to the estate controversy is incredibly weak and it does

a horrible injustice to the poem.

 

                                                     James M.

=========================================================================

Date:         Mon, 2 Jun 1997 15:26:09 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: list in fighting and fbi

 

                                        June 2, 1997

>> mr nicosia:

>> i know you are greatly vexed. but to call in the fbi is just too much for me.

>> these guys dont just go after the one, which will mean all of list shall be

>> open to said agents. -- Marie Countryman

 

>Calling the cops is in my view a much greater violation of the Beat List

>purpose than stupid name calling.  This is serious stuff.

> 

>J Stauffer

> 

 

Dear Marie, James, and others concerned:

 

        I spoke of contacting the FBI about the private threat by Mr. Paul

Maher--not about anything that has been posted on the Beat-List.

        I identify Mr. Maher since he has already identified himself as the

threatener.

        I don't know if either of you are married or have children.  But

when I was single and childless, I was pretty cavalier about such things,

figuring, OK, come after me, I ain't got nothin' to lose anyway.  Now that I

have a wife and a 2-year-old child, I put their safety above all.

        Mr. Maher's private threat letter was not a nice academic criticism

of my behavior.  It was, rather, riddled with foul, abusive language.  The

first part nearly verged on blackmail--warning me that if I didn't stop my

posts, he would reveal some very damaging information about me.

        Well, this didn't bother me, since I figure anything Paul Maher

knows about me, he knows from John Sampas anyway; and anything Mr. Sampas

knows has already been submitted to a battery of high-paid attorneys.

        But the second part of Mr. Maher's letter warned that if I persisted

in my posts, he would undertake to do some unspecified harm to me, I am

quoting now and using his caps: "AND IT WON"T BE ON THE BEAT-L...."  He said

nothing, as he later claimed, about merely "counteracting your critical

biography with a series of academic treatises that will both take issue with

and validate my argument against your thesis."

        To be perfectly frank, I am still not convinced that this new

interpretation is what he really meant.  Why would a thesis that

contradicted the conclusions of MEMORY BABE terrify me so badly that I would

stop posting to the Beat-List?  Many critics have already disagreed with

many of the conclusions in MEMORY BABE; those type of things alternately

intrigue and amuse me (and occasionally bore me) but they have never yet

frightened me.

        The menacing tone and barroom vocabulary of Mr. Maher's letter,

combined with the fact that he is a convicted felon, made me take him very

seriously.

        It's not the first such threat I have received.  When Ron Kovic and

I were staging anti-Gulf War events in Los Angeles in 1991, we regularly

received death threats.  It was Ron Kovic, in fact, who taught me: "Take

every threat seriously."

        There are plenty of good reasons to take Maher's threat seriously.

He has not shown an exceptionally good mental balance in his posts, and

there is good evidence that someone is inciting him to anger against me.

        My first contact with Mr. Maher, after all, was not on the

Beat-List.  It was earlier this year, when I actually hurried to his defense

after librarian Martha Mayo had accused him of stealing the missing 60

letters from the MEMORY BABE collection.  I pointed out to the Lowell DA

that there was no evidence at all pointing to Mr. Maher as the perpetrator

of this crime, and that therefore Mr. Maher should be dismissed as a suspect

until some such evidence showed up.  I thought I had done him a favor.  But

as soon as I joined the Beat-List, Mr. Maher was attacking me and MEMORY

BABE with exceptional vitriol--calling my work "sophomoric," etc.--for no

apparent reason.  The next thing I knew, he was attacking me personally

too--out of the blue.

        Mr. Gyensis then posts today to defend people going public with

unsubstantiated criminal charges against me, as well as publishing my

private letters without permission; he also justifies my critics putting me

"to a higher level of scrutiny" than they deserve themselves.  Mr. Gyensis's

former business partner (in DHARMA BEAT magazine) Mark Hemenway goes even

further; he asks us to commend Mr. Maher as a model citizen.

        I wonder: do Mr. Gyensis and Mr. Hemenway also approve of sending

threats thru the mail?  Do they view this as "a higher level of scrutiny"?

        Best always, Gerry Nicosia

=========================================================================

Date:         Mon, 2 Jun 1997 18:39:57 -0400

Reply-To:     ty <ursus@RIVER.GWI.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         ty <ursus@RIVER.GWI.NET>

Subject:      Re: Who is Killing the Beat-List and Why?

In-Reply-To:  <199706020514.WAA24185@norway.it.earthlink.net>

 

>         Jack Kerouac is on record in several places, including a letter to

> John Clellon Holmes, in June, 1962, saying that he has filed all his papers

> in file drawers as "a goldmine of information for scholars," and that he

> wanted future biographers to have access to them.  Should we not respect his

> wishes?

 

     i considered this possibilty, but was unaware of the fact. in that

case, more power to you.  his wishes most certainly should be

respected...

 

>         As for "taking in stride" a systematic campaign of verbal abuse, the

> most vile insults and accusations, every day for a month--well, like the

> Indians used to say, "walk a mile in my moccassins and then come back and

> talk to me."

 

    i have, believe you me. albeit not in the same situation. it's

definitely not easy... taking the kind of crap i've seen thrown in your

direction in the short time i've been here. but, (you knew there'd be a but,

no?) you have to wonder if it's worth the time and energy it takes to

respond to them. it's so easy for these folks to say what they say in an

electronic forum... let's see half of them attack you with equal ferocity

face to face, or, even better, once they've gotten to know you a little..

if they'd even be open minded enough to give you chance. i dunno, all

this crap just seems so petty.. the agendas... i'm not insinuating that

it's your fault the slander continues. on the contrary, it's mostly the

fault of the slanderers, who have so little control over their tempers

that they fall into a sickening cycle of cynicism.

 another (probably worthless) $0.02 from yours truly...

=========================================================================

Date:         Mon, 2 Jun 1997 18:44:41 -0400

Reply-To:     ty <ursus@RIVER.GWI.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         ty <ursus@RIVER.GWI.NET>

Subject:      Re: Julian Jaynes

Comments: To: "Michael L. Buchenroth" <mike@INFINET.COM>

In-Reply-To:  <Pine.SUN.3.91.970602091156.21667E-100000@user2.infinet.com>

 

> > It is nice to see someone else who has read the Jaynes book.

> 

> James I read J Jaynes' book in 1981 and again this past spring. I agree

> with cha wholly! I have also read Korzyksi's "Science and Sanity"  a few

 

   are we referring to "The Origin of Consciousness in the Breakdown of

the Bicameral Mind?" if so, i read it also, and was (and still am) amazed

by its premise...

=========================================================================

Date:         Mon, 2 Jun 1997 17:45:51 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Minneapolis and the Beats

 

Hello James,

 

Check out any of Luther's CD's on the Alligator Label-They're all

Houserocking! He's at the top of his game.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 2 Jun 1997 18:50:50 -0400

Reply-To:     henry <luckfry@NETWAY1.MDC.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         henry <luckfry@NETWAY1.MDC.NET>

Subject:      Re: List changes

 

>Date: Mon, 02 Jun 1997 18:23:45 -0400

>To: stauffer@pacbell.net

>From: henry <luckfry@mail.netway.com>

>Subject: Re: List changes

> 

> 

>>> Bill: Just get rid of those who continue to insult, swear at, or not use

>>> proper netiquette to othe members...

>>> Example: calling someone a "FAGGOT" like Chaput did or me calling Jerry C a

> 

>>Go back and check Mr. Chaput never called anyone a "faggot" this is just

the kind of stuff that starts fights. Please retract so people don't think

he actually said this. Henry

> 

> 

> 

=========================================================================

Date:         Mon, 2 Jun 1997 17:54:18 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Nationals

 

Hello John,

 

It's a small world. Here we both have '31's!-man, do they slide

nice. How's your 7 th. fret-any buzzes? I'm real hard on my instruments.

Wished I could make the North Carolina gig. I'll be

at Bay Front. I wonder if Hammond will show? That boy can play a

mean slide!

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 2 Jun 1997 19:28:34 -0400

Reply-To:     Waterrow@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Beat-L T-Shirt Update

 

Dear Beat-L members:

 

Thanks to all of you who have emailed or phoned me to place your order for

the official Beat-L T-shirt which will be ready to ship in a few weeks....

 

But to all of you out there who placed your name on the list back in April to

reserve your T-shirts - Now is the time to honor your committment....

 

The T-shirt has been custom designed by artist S.Clay Wilson and is available

in Large- Extra Large- and Extra Extra Large Sizes. White ink on black 100%

super deluxe quality cotton preshrunk T-shirt...$18.00 (no shipping or

handling charges).

Satisfaction guaranteed.

Master Card / Visa / Money Order / or Check....

 

C'Mon Gerry Nicosia! - If you really care about this Beat-L and promoting it

to the world, Order a T-shirt!!  And how about you - Jerry C. - How come you

won't buy a shirt to help promote this list??? And what about you, Paul

Maher? You can give a shirt to Sampas as a gift!  (only kidding!!!! - don't

be soooo sensitive, you guys!)

 

Seriously, folks - please honor your T-shirt committment as soon as possible.

We ordered the quantity of shirts and sizes based on your reservations....

 

You can view the S. Clay Wilson artwork for the Beat-L shirt at:

http://www.waterrowbooks.com

 

Thanks -

 

Jeffrey Weinberg

Beat-L T-shirt Committee

c/o Water Row Books

PO Box 438

Sudbury MA 01776

Tel 508-485-8515

Fax 508-229-0885

EMail Waterrow@aol.com

=========================================================================

Date:         Mon, 2 Jun 1997 19:29:52 -0400

Reply-To:     DawnDR@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      PLAY CALLED "KEROUAC"

 

Just wanted to pass this on to the rest of the list -- if someone has posted

this in the past, forgive me.

 

 

While browsing through the NEW YORK POST (temporary lapse - forgive me), came

across a Caberet Review for a musical named KEROUAC, currently at Theater

East (211 East 60th St., between Second and Third Avenues, NYC).  Among songs

are "I Keep Falling in Love with My Mother" written by Reena Heenan - who

also wrote the book for the show - and Shelley Gartner; "Hopelessly Lower

Class" written by Pete Blue and Benita Green; and "Jack and Neal's Song" (no

name).  Seems that a good part of the musical focuses on the JK/NC

relationship, and "Jack and Neal's Song" contains the following:  "I gave up

half my life for you and your book, and you wrote me as a cad."

 

Comments????

 

 

Dawn

=========================================================================

Date:         Mon, 2 Jun 1997 19:49:10 -0400

Reply-To:     Bigsurs4me@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Beat-L T-Shirt Update

 

Jeffrey,

 

My name has been on the T-Shirt list for months and I've always had every

intention of honoring my commitment and wearing my shirt with pride!

 

And I hope you have them in XXXXXXXX-Large so some of us can get them over

our swelled heads!  And if you have any left over you might want to try a

bulk deal to the FBI so their guys can wear them as they sift through the

Beat-L Archives looking for inciminating posts!

 

Good job, Jeffrey.  I saw the shirt on your website and it looks terrific.

 Good luck in completing the construction... seriously!

 

 

Jerry C.

=========================================================================

Date:         Mon, 2 Jun 1997 17:10:55 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      The Feds

 

Gerald,

     If I was the James to whom you referred in your last post, rest assured

that I have no fear of the F.B.I. coming over.  In fact, I welcome any and

all F.B.I. agents who may happen to read this to come on over; we can have a

beer and talk.  Send Scully and Mulder if you can, I always seem to be

missing time and waking up with no recollection of where I was or how I got

home.  And I've got some really strange prose that I'm just dying to share

with pro's of any variety.

     Back to surreality, I understand your concern, even without having a

wife or child.  I take all threats seriously.  I don't ascribe to the theory

that if you ignore taunters they'll go away.  I don't really know what to

say other than that I sym and empathize.  If you haven't already, maybe you

_should_ mention it to the cops.  Maybe just knowing that this sort of thing

could be in the works will slow some unnamed person / people down.

 

                                                  James M.

=========================================================================

Date:         Mon, 2 Jun 1997 20:49:21 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Changes

 

My thanks to James Stauffer and Jerry Cimino for their posts on the

changes in the reply format.  Although it may be confusing at first,

it's not a big deal once you get used to it.  I've been on several lists

that work this way.  As far ashaving to type the long Beat-l address

goes, you can get around that by setting up a "nickname" file in your

email system.  Thanks for your patience and cooperation.

=========================================================================

Date:         Mon, 2 Jun 1997 21:22:31 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Who is Killing the Beat-List and Why?

 

In a message dated 97-06-01 23:37:23 EDT, you write:

 

<< can you explain this shit to me?  It is REAL SHIT isn't

 it?? >>

 

Bentz:

I could take the Zen approach and say if it's real it doesn't need an

explanation and I am aware of all your examples I see them every day. In my

time Clinton would have been a lame duck instead a limp dick President. Oh

well.

Charles Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 21:36:47 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: meeting W.S.B. to ben on 5/3/197

 

In a message dated 97-06-02 00:17:56 EDT, you write:

 

<< I hope you bought a nice Hat in

 Wichita.

  >>

Race:

Yeah my contact there is Hat Man Jack in the "real" old Wichita. Last time I

was through there a bus pulled up, Ernest Tubb's son was driving it for

Charley Daniels. Sent the whole damn bus from Denver where he was playing to

Wichita to get Jack to block his hat.  Big hat, big head, I guess, big man

too.  But Jack made his hat as well as B. B. King's.  When I went in there he

said: "Hell, I know you. I've read Last of the Moccasins." I had selected a

hat and he said "it's yours." Then he showed me an antique hat making machine

he had found in Paris. The other day though I tried to talk him out of an old

Beralatino (sp?) Italian hat, he knew I spotted it the minute I came in the

door. I was riding on short money, so I had to settle for a new blue hitman

hat. In fact I just sent him some original manuscripts, books, etc. trying to

make him feel bad about the price, but put a check in the package just in

case. We'll see how it all comes out.  Hat Man Jack is the guy to see in

Wichita.  We went to some old blues clubs and some hippy joints where I took

Ginsberg to Moody's Skid Row Beanery. And photographer Robert Frank to the

Hotel Eaton. Pat O'Connor cruises the beat.  Be sure and contact him if you

go there.  Pat filled me in on the Salina thing. The thermostat was

controlled.  Sorry I missed you, but we passed Richard White in the Flint

Hills. He was going to Wichita as we were driving to Lawrence and didn't know

it until we returned home.  Trips, trips, trips.

Charles Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 21:47:02 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Is this the Charles that I just added to my link page.

 

In a message dated 97-06-02 00:44:39 EDT, you write:

 

<< I will be in San Francisco in one week.  It this is Charles, can you

 recommend any particular sites I should take in.

  >>

I just heard that Jack Micheline is down and out in a hotel there.  He'd be a

wonderful guide. I'll have to do some digging to get his address to the

backbeat channel to you. May be someone else on the list could help you

faster. Last time I was there S. Clay Wilson took me in tow for 4 days. I

lost my best black jacket, my Al Capone hat, and my grey Mexican boots that

fit me like a glove that I had rocked and rolled in for 10 years. A fellow

starting the SF Poetry Museum wanted to boots, but Glenn Todd says they are

still in his closet with the whole damn story. Sometimes SF is so cool it

doesn't come out at all.  In November Al Cohen of the old Haight Asbury

Oracle came to my reading that was aborted periodically when S. Clay couldn't

stand still and Dave Moe asked if he could read with me. Worked out fine.

Then Wilson said is this a poet that you just stand up there and turn on and

off. Something like that. Always has been. Sights appear, change,

metamorphize, reappear, sift through the fog in apparitions. You can always

go to City Lights and leave a message to yourself with a zombie.

Charles Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 21:59:39 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: On the Old Road

 

James:

Probably you could get Glenn in a bitchy mood by saying I said he doesn't

understand his computer.  It's too bad because he has a piece of history he

won't come off of. He wrote me a nice letter I have to answer. He says

Richard White said his computer and his penis are his best friends, but I

think only his computer is. I'll give you a taste of the first paragraph of

his letter talking about when we took Ginsberg to Chances R:

"Shoo-bop-tee-bog, my baby, seems like a mighty long time. That's what the

young gays were dancing to in Wichita in '63 when we went to that bar on East

Douglas.  All in a row, moving their feet in perfect unison, kick, turn,

sway, dip, kick, high pert buns, long tapered legs, such pretty precision,

such innocent harmony. Who would have thought that chorus line would soon be

demolished at the Fillmore by the California free-form with its sanky locks

and epileptic shudderings and total self-absorption? Seems like a might long

time.

Might long. It was very exciting and interesting to see you again. Running

around all over town like city buses. Just like old times. And meeting S.

Clar, that dynamo producing chaos.  I found after you left that now is truly

the "old times". My body ached and creaked, my head was fuzzy and fatigues. I

sank into pillows for days. But I wouldn't trade that visit for weeks of

serenity."

Charles Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 22:09:48 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: meeting W.S.B. to ben on 5/3/197

 

In a message dated 97-06-02 06:35:14 EDT, you write:

 

<< Why did you e-mail my mom and not me?

  >>

Lena:

Oh I don't know. And you raised a good point about the Woody Guthrie lyrics

and you being so young. Sometimes I think my brain has gone numb. I bet you'd

make a good lawyer too.

Charles Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 22:12:41 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: list in fighting and fbi

 

MC:

I'm sure they're already lurking. Always have been.

CP

=========================================================================

Date:         Mon, 2 Jun 1997 22:03:38 -0400

Reply-To:     "M. Cakebread" <cake@IONLINE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      I'm outta here

 

Signing off folx, too much work and a new Strat to

noodle around with.  Not enough time to sort through

the insanity of this list anymore.  Anyone who needs

to get in touch with me, you know where I am.

I will be back to test the waters sometime later in

the summer.

 

Have a great summer everyone!!!

Mike

=========================================================================

Date:         Mon, 2 Jun 1997 22:19:43 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Julian Jaynes

 

In a message dated 97-06-02 09:56:56 EDT, you write:

 

<< Jaynes' consciousness evolution

 still evolves toward who knows what the DEA will do? >>

 

Always good to remember that the pharmaceutical cartel has to be as great as

the oil cartel. And who owns them. Both the legal and the illegal controllers

of the economy.  Follow Chomsky's advice and read the back pages and the

primary sources not the front pages and the propagandists. That's why I don'

buy the Times no more.  Thanks for your great hot web.  Did James get in

touch with you in Columbus?

Charles Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 22:25:40 -0400

Reply-To:     Bigsurs4me@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Booooring!

 

Am I the only one bored by the Beat-l, tonight?

 

God, let's do bring in the FBI!  Bring in the Marines.... somebody, make

something happen!

 

 

Jerry

=========================================================================

Date:         Mon, 2 Jun 1997 21:40:30 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Booooring!

Comments: To: Bigsurs4me@AOL.COM

 

Jerry Cimino wrote:

> 

> Am I the only one bored by the Beat-l, tonight?

> 

> God, let's do bring in the FBI!  Bring in the Marines.... somebody, make

> something happen!

> 

> Jerry

 

well, i re-read burroughs language-virus/electronic revolution thing

today and was thinking about it quite a bit.  it seems the virus

particularly relates to a particular form of temporal consciousness

heightened by particular forms of causal-calculative symbolic action.

i'm not certain that i'm willing to jump into the boat of this being

physiological yet.  it is a big difference to say language is a virus

and language functions like a virus.  the latter makes more sense to

me.  one wonders how William is able to jump outside the biological

constraints if the relationship is not to some degree figurative.

 

and with this going on in my brain and a bit of heidegger, k. burke, and

cassirer twitching around here and there, your post came over the wire

and i felt a soundtrack undertoning my hodgepodge of thought that was

the halls of montezuma and the battle hymn of the republic sung in

harmony with row-row-row your both in 3/4 time on the 3rd recorder

leaving you with your choice of first or second recorder and meaning

that i am now not only the devil and also god.  and then i was thinking

about the whole notion of the one-god-universe piece in Western Lands

and on spare ass annie and i was wondering about the notion of a

one-devil-universe as well.  and then i sat back and noticed that i

actually had a second or two to think

 

and let my wandering mind wander around a bit and perhaps wonder cuz i

wasn't tempted by the zillions of messages flashing on my computer

screen.  and i kind of enjoyed it.

 

plus, i find charley's road stories anything but boring.  let's give him

plenty of bandwidth to tell many a tall tale of the road most recently

taken.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 2 Jun 1997 22:57:18 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: When is a list not a list

 

In a message dated 97-06-02 18:47:03 EDT, you write:

 

<< Howl was a flame.  Ginsberg was flaming decades before the internet. >>

 

And I was just going to reveal my plot to poison Ginsberg.

C. Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 23:13:56 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: When is a list not a listener

 

In a message dated 97-06-02 20:23:22 EDT, you write:

 

<< n a way I agree with you.  I also wondered if anyone out there has any

 quotes about what Ginsberg thought of the FBI >>

 

Here's a little tibit I've always wondered about. When Allen and Neal moved

in at gough St., I wrote a poem that began"Hey man, when you're swinging/ way

out there alone/ doing the rubty rub in wilderness...etc. I forget the rest

but at that time published it in a little mag called NOW along with a poem of

McClure's and Ginsberg's, who had just returned from India. M& G had been

flaming each other and this was their make up page. Anyway, years later after

the pad had been abandoned, its last resident got a new pad through

redevelopment or whatever it was called in S.F. I went into the basement of

his new pad and there were dozens of holes in the walls whre it looked like

electronic equiptment had been yanked out. On the walls were written those

lines from my poem. I assume someone had been listening,and possibly through

boredom or enlightenment had scrolled those words on the basement walls of

the new pad. What does all this mean? I don't know but I can corrroborate the

story. One explanation may be that they listen all the time...probably even

use my tax money to pay some low level listener. Or there may be other

explanations..but what? That is why i rant when I damn please, but try not to

hurt anyones's feelings (too much).

C. Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 23:17:48 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: No Subject

 

Hello Richard:

I picked up a bunch of used lps in North Carolina last weekend. I had to

restick a few price tags. You know what I mean. I got a mint Iggy Pop for $3.

 

C. Plymell

=========================================================================

Date:         Mon, 2 Jun 1997 22:21:38 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Welcome Back Charles

 

Hello Charles,

 

It sounds like you had a great time. Did you get a chance to see

Catfish McDaris? I got a letter from him saying you might stop by.

Well, with all this talk of FBI shit, I decided to pen this poem

for the suits:

 

PUTTING ALL COSTS ASIDE, THE SHOW MUST GO ON

 

After being followed

by a scribbling mustache

carrying clipboard, dressed

in grey flannel; wearing a sporty

but "fasionably correct," bulletproof

vest and whistling: ONWARD CHRISTIAN SOLDIERS,

the Psycho Poet exploded over a billboard

advertisement. Bold italics and screaming maxims

poured forth from each and every orifice,

leaving him quite exhausted. The ghost

of Francois de La Rochefoucauld stood in the bleachers

cheering him on and crying: CURTAINS! CURTAINS for

the poet. Scheduled to read within minutes,

he suddenly realized that his number was up.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 2 Jun 1997 20:30:18 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      The Rocky Horror Picture Show

 

                                        June 2, 1997

Diane Carter writes:

> I am in total agreement that 90% of the posts in the last month or so

> should not have been here.  I guess what I am saying is that all of us

> seriously concerned with sharing ideas on a daily basis, make an

> agreement that we will only discuss beat things intelligently, with no

> shouting, namecalling or harrassment.  I think it is important,

>however, that we be able to maintain a thought flow by repling (re:ing)

>to individual posts on the list.  Why don't we start now by refusing to

>reply to flames and eventually maybe we will all have the community we

>want to share ideas and Bill at CUNY can decide that we don't have to

>type in that very long beat address every time we want to talk.

> 

> DC

> 

Dear Diane:

 

        I only hope that some of you realize how painful this whole thing

has been for me too, and that a good part of my own pain is the knowledge

that my presence here has interrupted one of the best, if not the best

ongoing Beat forum in the world.

        That knowledge made me ready to sign off almost every day, and

sometimes I still think I should have, before things got as bad as they did.

        When I signed onto the Beat-List, I had no idea it was going to turn

into the Rocky Horror Picture Show, that people would be talking about

putting my face on dart boards and I'd end up being accused of actual crimes

and getting threats emailed privately to me.

        I accept the guilt for being a hothead and letting people push my

buttons too easily and sometimes trying too hard to prove a point.

        But I also know that what has happened to me here is no accident.

And if Dave Rhaesa wants to yell "conspiracy theory" again, so be it.

        I know for a fact that I'm the only person in the world who now has

LEGAL STANDING to take on John Sampas in court, and to challenge what he is

doing with Jack Kerouac's archive.

        Many other people can wish me well, can say they agree with my goal,

but I'm THE ONLY PERSON WHO CAN STAND UP IN COURT AND OPPOSE MR. SAMPAS'S

SCATTERING OF KEROUAC'S PAPERS.  I have that standing because Jan Kerouac

made me her literary executor.

        The only other person who could have had standing to fight Mr.

Sampas was Jan's exhusband John Lash, and he gave up that right when he made

a deal with Mr. Sampas shortly after Jan died.  But since the deal has not

yet gone into effect (it goes into effect when John Lash dismisses the

Florida lawsuit, and so far the Albuquerque court has denied Mr. Lash the

power to do that), there is still the possibility that Mr. Lash will change

his mind.  I'm sure certain people are worried about just such a thing

happening.

        One of the ways to keep that from happening is to make sure Gerald

Nicosia is discredited every day of his life.

        The four people on this List who have launched the fiercest attacks

on me: Phil Chaput and Paul Maher (in first place); Rod Anstee (in second

place); and Attila Gyensis (a weak third) all have spent time with John

Sampas.  At least one of them (Mr. Anstee) had business dealings with Mr.

Sampas.  The other three live in Lowell, Mr. Sampas's hometown, and he

takes--at minimum--a friendly interest in their Kerouac activities: the

Lowell Celebrates Kerouac! committee they have all belonged to at various

times, Mr. Gyensis's DHARMA BEAT magazine, and Mr. Maher's KEROUAC QUARTERLY.

        I leave you to draw your own conclusions--as it should be.

        I'm in the hot seat, and I've drawn lightning bolts.  And the people

near me are getting burned.  I'm truly sorry about that.  Truly sorry.

        If you want me to leave the list, let me know.  I'm willing to let

the majority rule on that.  Tell Levi and all the others to come back and

cast their vote.

        P.S. It was 17 years ago tonight that I finished the first draft of

MEMORY BABE, the anniversary of Gerard Kerouac's death, and the eve of

Ginsberg's birthday.

        Best always, Gerry Nicosia

=========================================================================

Date:         Mon, 2 Jun 1997 22:43:31 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The Rocky Horror Picture Show

Comments: To: Gerald Nicosia <gnicosia@EARTHLINK.NET>

 

Gerald Nicosia wrote:

> 

>         P.S. It was 17 years ago tonight that I finished the first draft of

> MEMORY BABE, the anniversary of Gerard Kerouac's death, and the eve of

> Ginsberg's birthday.

>         Best always, Gerry Nicosia

 

happy anniversary and i mean it.  the book is excellent.  i'm slowly

soaking it in.

 

i agree with you on more than it may appear just disagree on more than

it may appear as well.  oh well.

 

hope that you have a pleasant evening and celebrate a great anniversary

in your life.  also hope that the time is slowly going to free up to do

work on what sounds to be an INCREDIBLY significant book on Vietnam

Veterans.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 3 Jun 1997 01:46:12 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Cranial Guitar keeps Kaufman in tune....

 

>In a message dated 97-05-30 09:58:11 EDT, Gerry Nicosia wrote:

> 

><< let me announce that the poetry

> collection of the late Bob Kaufman's which I edited, CRANIAL GUITAR (Coffee

> House Press), has just won the prestigious PEN CENTER USA West 1997 Literary

> Award in Poetry. >>

> 

>In honor of this acheivement by argumentative but very talented editor Mr.

>Nicosia,

>let me offer to Beat-L members a copy of Cranial Guitar at a special discount

>price of $10.95 (cover price $12.95) plus free shipping in USA (foreign

>folks: please add $2.00 for shipping via surface) - Offer good while supply

>lasts. Email me to order or for more information .....

> 

>Jeffrey

>Water Row Books

>waterrw@aol.com

 

Jeffery,

 

I just ordered a t-shirt and a poster earlier today--rather yesterday.

could you add a copy of CRANIAL GUITAR?

 

Thanks,

 

j grant

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Tue, 3 Jun 1997 08:37:08 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      t-shirts /how ironic

 

hi all:

i hope that all will commit to buying their t-shirts as promised. (jeff:

there are folks on boho list who still want their shirts; do you want me to

forward message there for them? you probably have address anyway.

and speaking of address books: i've spent a bloody hour this morning tryin

to make an address book entry to eliminate the copy and paste method of

posting to group at large.

both of these statements tie into how ironic this all is, as the idea was

born out of a sense of community.

sadly

mc

jeff, the check's in the mail. many many thanks.

=========================================================================

Date:         Tue, 3 Jun 1997 08:38:05 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      to gerry re: bullies in general

In-Reply-To:  <339392E3.52DF@midusa.net>

 

>Gerald Nicosia wrote:

>> 

>>         P.S. It was 17 years ago tonight that I finished the first draft of

>> MEMORY BABE, the anniversary of Gerard Kerouac's death, and the eve of

>> Ginsberg's birthday.

>>         Best always, Gerry Nicosia

> 

congrats, gerry, and i look forward as well to yr vietnam project.

dont let the bullies get you  down.

if we were all out in the schoolyard, the bullies could be made short work

of, as bullism so often develops when recognition of one's own insecurities

far outweigh the achievements of another, and give rise to the inarticulate

bellowings we were barraged by over the last few weeks or months...

the bully rod pushed ron whitehead off this list ( & a few others, but

mainly rod).

just feeling sad,

and btw gerry, yr memory babe is the undisputed best bio, in my own humble

opinion.

=========================================================================

Date:         Tue, 3 Jun 1997 08:20:23 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Happy Birthday ALLEN GINSBERG !!!!!

 

Don't want to make this too long or wordy or whatever.  in the many

eulogies in the spring a common thread was that AG would be with us

eternally in memories.  don't know who started that idea.  don't know if

i believe it or even if it's true.  but it sounds like a NICE idea.  So

part of that remembrance seems to be a

 

Surprise Cypber-Birthday Party for Allen Ginsberg.

 

It will take all our energies and finger playing with the imaginary cake

and who will will decide the number of candles -- all forms of ruckus

celebration is possible.

 

let the celebration begin !!!!!!!!!!

 

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 3 Jun 1997 08:34:14 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Ginsberg and FBI

 

I found this somewhere on the net about

 

Ginsberg and the FBI.

 

Undoubtedly they'll be at the birthday party.  It might be a surprise to

Allen but not to them.

 

Commenting on the FBI's activities in the literary political arena,

Ginsberg said, "Why did the FBI

lay off the Mafia and instead bust the alternative media, scapegoating

Leroi Jones, ganging up on

Jane Fonda, Tom Hayden, Martin Luther King, Jr., antiwar hero David

Dellinger, even putting me

on a 'Dangerous Subversive' Internal Security list in 1965 - the same

year I was kicked out of

Havana and Prague for talking and chanting back to the Communist police?

'The fox condemns the

trap, not himself,' as Blake wrote in Proverbs in Hell. "

 

I don't know how to put the little neat blue URL (or whatever it's

called) into my message.  I'm on Netscape (if that helps any government

agents or beats who might assist me ... :)

 

I love Allen Ginsberg

let that be recorded in heaven's

unchangeable heart.

 

just popped off my CD player as i typed so i typed what my ears heard

and what some voice in my head said "type that bit" it will add to the

party.

 

Happy Birthday to you....

Happy

Happy

        Happy   Sad

          the line

           within

             the

        between of the

             IT

        one guesses now

                and then.....

IT Birthday to you

IT Birthday to you

 

        Birthday

 

(i'll let someone else begin playing there if they like)

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 3 Jun 1997 09:57:28 -0400

Reply-To:     Waterrow@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Apologies to Chaput & List

Comments: To: luckfry@netway1.mdc.net

 

In a post I made a few days ago, I made the mistake of attributing a comment

someone made about "faggots" to Phil Chaput.

I later learned from a conversation I had with another Beat-L member, that I

was wrong about who sent the "faggot" statement. I apology to Phil and all

the other members on the list for my error.

Sincerely,

JW

=========================================================================

Date:         Tue, 3 Jun 1997 08:59:20 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JWHasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: List changes

 

Dear Beat-L listmembers and administrators:

 

I wish to go on record as being adamantly opposed to the list change

posted by Fred Bogin (see below).

 

If this new policy is not immediately reversed I will have every reason

to unsubscribe immediately, and will encourage everyone else on the list

to do so as well.

 

I do not see this new policy as something that will kill the list.

I SEE IT AS THE DEATH OF THE LIST.

 

Thank you,

John Hasbrouck

Chicago

 

Fred Bogin wrote:

 

>Hi folks,

>Excuse me while I pull on my hip boots to wade in here.

>Effective immediately, all replies to postings on beat-l will go to the

>original sender, NOT the list, unless otherwise specified.

 

>fred

=========================================================================

Date:         Tue, 3 Jun 1997 11:45:57 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: The Rocky Horror Picture Show

 

Gerald Nicosia wrote:

> 

 

> If you want me to leave the list, let me know.  I'm willing to let

> the majority rule on that.  Tell Levi and all the others to come back and

> cast their vote.

>         P.S. It was 17 years ago tonight that I finished the first draft of

> MEMORY BABE, the anniversary of Gerard Kerouac's death, and the eve of

> Ginsberg's birthday.

>         Best always, Gerry Nicosia

 

Gerry,

 

Congrats on the anniversary!  I'm sorry it's at a time when things are

obviously so emotional.  I personally do not want you to leave the list.

 I do want you to stop rehashing the same points about estate matters.

Pursue the matter in the courts.  Report on new developments or rulings.

 And, in the meantime, talk to us about Jack, talk to us about Jan, tell

us from personal experience what it was like to write the book, tell us

about some of experiences of people on the 300 tapes, we can't hear for

ourselves, share the wealth of knowledge that you have that we don't.

 

DC

=========================================================================

Date:         Tue, 3 Jun 1997 11:23:16 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Happy Birthday Allen

 

We're celebrating Allen's birthday with a small exhibit in the library.

I hope to see some of you at the reading in Paterson next Sunday.

=========================================================================

Date:         Tue, 3 Jun 1997 10:28:33 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JWHasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: sad state of affairs

 

Marie Countryman wrote:

 

>JH in chicago: i dig yr project but cant agree with you here.

>it seems like 90% of posts are taken up w/name droppers, travel excusion

>more relevantly private (like so and so will be here tomorrwo, etc) as well

>as name calling best suited to filthy gas station doors, than here.

>i have become disillusioned that some of the movers and shakers of the beat

>renaissance now choose to rail and flail. reminds me too much of JK in

>florida before hemmoraging to death on bathroom floor.

>i'm so disillusioned,

>and this is coming from someone whose very nature is psychotically optimistic.

>sad sad sad.

 

>mc

 

Marie:

Disillusionment can be quite healthy. It is, after all, the removal of

one's illusions. And however cherished these illusions are, they

nonetheless are what they are.

 

You mention my project, and I assume you refer to my Chronological Beat

Reading Project that I began about three years ago, in which I attempted

to read the novels, correspondence, memiors, poems and bios of Kerouac,

Ginsberg, Burroughs and Cassady (and their closest associates)

chronologically, that is, year by year, month by month, week by week,

day by day and sometimes hour by hour, (like when I find two letters

with the same date and have to determine by content which was written

earlier in the day).

 

I'd like to tell you where I'm at with that, if I may.

 

The project is naive. It is non-scholarly. It is for kicks. Literary

Kicks. And it is one of the most interesting and aesthetically

gratifying reading experiences I've ever had. I speak as a common reader

- and one who is not particularly well-read (but hey, I am at the very

least a Devoted Reader. I mean, I own Mortimer Adler's desk and reading

chair. I read as if my life depended on it, dammit.)

 

Frankly the project is on a haitus which may last several years. I put

it on hold when I learned (from the editor himself) that Ginsberg's

Selected Letters won't be out for a long time. After two years of

intensive reading which involved the constant juggling of 20 or so Beat

volumes at a time while sitting at Dr. Adler's desk, I only made it up

to the early summer of 1953. But ya know...

 

I too am disillusioned. Gone is my popular conception of the Beats as

liberated literary saints. At 35, I look back at myself as the

19-year-old undergrad who's life was changed by ON THE ROAD and think of

how innocent and romantic I was. And I think of Jack Kerouac. I think of

Dean Mo-ri-ar-ty.

 

But I learned some things from the project. I learned what Ginsberg

meant when he said in the film KEROUAC, <He (Jack) could write  ALL

DAY!> I learned what Burroughs meant when he said Jack was a REAL

WRITER. I mean, shit, 80% of my chronological reading was Kerouac. The

others were barely beginning. With half the population nowadays calling

themselves writers it behooves one to consider Jack as Writer, sitting

in the corner of Burroughs' flat in Tangier writing longhand, asking not

to be disturbed...speed-typing on bennies...cranking out the first

scroll of OTR on caffiene, no doubt breaking only to pee, shouting for

sandwiches from his new wife whom he would leave almost the moment the

manuscript was done.

 

But there's another side to the coin - Kerouac the egomaniac, who, in

self-conscious letters to Neal, speaks to Me, John Hasbrouck, saying

<yes, dear reader> and going on like he's God's gift to writing, which,

despite the sentiments of many of his belated readers, He Was Not.

(While reading MAGGIE CASSADY, I remember thinking *If he says REDBRICK

one more time I'm going to throw this book out the window!!*)

 

Actually, Marie, I'm tempted state that my reading project ended up

being a Grand Exercise In Disillusionment. It was like an enormous

psychic purge. I AM NOT BEAT. NOT ANYMORE - IF I EVER WAS (despite

100,000+ miles on the road as a musician and 15 years of constant

intoxication which ended in '90). As much as I love those guys,

reflecting on the powerful and emotional inspiration I felt (and

continue to feel), physically, in my belly, when I read them sometimes

(like that bit in OTR which JK actually took from a letter of his to

somebody where he writes about dissolving into fantasy while walking

down a street in SF and peering into the window of a bakery(?) and

making eye contact an old woman whom he percieved to have been his

mother centuries ago and...you know the passage...and his ego-self

evaporates into 10,000 mystical droplets of air...yes...that's Jack The

Writer I know...fully revised and tightly-knit prose calculated for

maximum impact...albeit originating in a spontaneous burst prose

transcribed from the image before his mind's eye.) As much as I love

them, I try to maintain a perspective, as they say...

 

I'd better stop, even though I haven't even mentioned my thoughts on

reading Allen, Bill and Neal chronologically. Some other time,

perhaps...

 

I'm reading Genet. You?

 

As ever,

John Hasbrouck

Chicago

=========================================================================

Date:         Tue, 3 Jun 1997 12:16:07 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: When is a list not a listener

 

Pamela Beach Plymell wrote:

>  One explanation may be that they listen all the time...probably even

> use my tax money to pay some low level listener. Or there may be other

> explanations..but what? That is why i rant when I damn please, but try not to

> hurt anyones's feelings (too much).

> C. Plymell

 

Sounds like a damn good philosophy to me.  Welcome back!  On sort of a

side note, I was reading Time Magazine this week (can just hear Ginsberg

in America, saying, "Are you going to let your emotional life be run by

Time Magazine? I'm obesessed by Time Magazine.  I read it every week.

Its cover stares at me every time I slink by the corner candystore...")

Anyway, one of the articles is on "No Privacy on the Web" and how anyone

can find out anything about anyone if they only know where to look.  An

example they give is Glen Robert's Stalker Home Page (which he made to

get people to understand the real meaning of a world-wide information

database.  There you can look up anything about anyone by simply plugging

in a piece of info about them and searching.  One of the things that's

there is access to the FBI database.  I wanted to type in Allen Ginsberg

and see what comes up, but I haven't had time.  If anyone is interested

in wasting some time, the address is http://www.glr.com/stalk.html or you

can buy the latest copy of Time Magazine.

 

DC

=========================================================================

Date:         Tue, 3 Jun 1997 10:40:53 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: sad state of affairs

 

JWHasbrouck wrote:

> 

> Marie Countryman wrote:

> 

> >JH in chicago: i dig yr project but cant agree with you here.

> >it seems like 90% of posts are taken up w/name droppers, travel excusion

> >more relevantly private (like so and so will be here tomorrwo, etc) as well

> >as name calling best suited to filthy gas station doors, than here.

> >i have become disillusioned that some of the movers and shakers of the beat

> >renaissance now choose to rail and flail. reminds me too much of JK in

> >florida before hemmoraging to death on bathroom floor.

> >i'm so disillusioned,

> >and this is coming from someone whose very nature is psychotically

 optimistic.

> >sad sad sad.

> 

> >mc

> 

> Marie:

> Disillusionment can be quite healthy. It is, after all, the removal of

> one's illusions. And however cherished these illusions are, they

> nonetheless are what they are.

> 

> You mention my project, and I assume you refer to my Chronological Beat

> Reading Project that I began about three years ago, in which I attempted

> to read the novels, correspondence, memiors, poems and bios of Kerouac,

> Ginsberg, Burroughs and Cassady (and their closest associates)

> chronologically, that is, year by year, month by month, week by week,

> day by day and sometimes hour by hour, (like when I find two letters

> with the same date and have to determine by content which was written

> earlier in the day).

> 

> I'd like to tell you where I'm at with that, if I may.

> 

> The project is naive. It is non-scholarly. It is for kicks. Literary

> Kicks. And it is one of the most interesting and aesthetically

> gratifying reading experiences I've ever had. I speak as a common reader

> - and one who is not particularly well-read (but hey, I am at the very

> least a Devoted Reader. I mean, I own Mortimer Adler's desk and reading

> chair. I read as if my life depended on it, dammit.)

> 

> Frankly the project is on a haitus which may last several years. I put

> it on hold when I learned (from the editor himself) that Ginsberg's

> Selected Letters won't be out for a long time. After two years of

> intensive reading which involved the constant juggling of 20 or so Beat

> volumes at a time while sitting at Dr. Adler's desk, I only made it up

> to the early summer of 1953. But ya know...

> 

> I too am disillusioned. Gone is my popular conception of the Beats as

> liberated literary saints. At 35, I look back at myself as the

> 19-year-old undergrad who's life was changed by ON THE ROAD and think of

> how innocent and romantic I was. And I think of Jack Kerouac. I think of

> Dean Mo-ri-ar-ty.

> 

> But I learned some things from the project. I learned what Ginsberg

> meant when he said in the film KEROUAC, <He (Jack) could write  ALL

> DAY!> I learned what Burroughs meant when he said Jack was a REAL

> WRITER. I mean, shit, 80% of my chronological reading was Kerouac. The

> others were barely beginning. With half the population nowadays calling

> themselves writers it behooves one to consider Jack as Writer, sitting

> in the corner of Burroughs' flat in Tangier writing longhand, asking not

> to be disturbed...speed-typing on bennies...cranking out the first

> scroll of OTR on caffiene, no doubt breaking only to pee, shouting for

> sandwiches from his new wife whom he would leave almost the moment the

> manuscript was done.

> 

> But there's another side to the coin - Kerouac the egomaniac, who, in

> self-conscious letters to Neal, speaks to Me, John Hasbrouck, saying

> <yes, dear reader> and going on like he's God's gift to writing, which,

> despite the sentiments of many of his belated readers, He Was Not.

> (While reading MAGGIE CASSADY, I remember thinking *If he says REDBRICK

> one more time I'm going to throw this book out the window!!*)

> 

> Actually, Marie, I'm tempted state that my reading project ended up

> being a Grand Exercise In Disillusionment. It was like an enormous

> psychic purge. I AM NOT BEAT. NOT ANYMORE - IF I EVER WAS (despite

> 100,000+ miles on the road as a musician and 15 years of constant

> intoxication which ended in '90). As much as I love those guys,

> reflecting on the powerful and emotional inspiration I felt (and

> continue to feel), physically, in my belly, when I read them sometimes

> (like that bit in OTR which JK actually took from a letter of his to

> somebody where he writes about dissolving into fantasy while walking

> down a street in SF and peering into the window of a bakery(?) and

> making eye contact an old woman whom he percieved to have been his

> mother centuries ago and...you know the passage...and his ego-self

> evaporates into 10,000 mystical droplets of air...yes...that's Jack The

> Writer I know...fully revised and tightly-knit prose calculated for

> maximum impact...albeit originating in a spontaneous burst prose

> transcribed from the image before his mind's eye.) As much as I love

> them, I try to maintain a perspective, as they say...

> 

> I'd better stop, even though I haven't even mentioned my thoughts on

> reading Allen, Bill and Neal chronologically. Some other time,

> perhaps...

> 

> I'm reading Genet. You?

> 

> As ever,

> John Hasbrouck

> Chicago

 

This is completely unrelated but still related.  Today i thought damn

i'd like to know when these events took place as much as i'd like to

know when D-Day was.  I'd be really interested in knowing if there is

some form of Beat-L/Generation Calendar that highlights in a few words

significant events in the Beat Generation.

 

It would be chronological - but not chronological in that it would

constrain things to one year at a time.  I don't buy calendars often and

rarely care what day it is, but i think that i would buy something like

that.

 

Perhaps that is another project for Jeffrey Weinberg .... :)  I see the

web-site is coming along.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 3 Jun 1997 12:47:47 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Ginsberg birthday poem (was Ginsberg & FBI)

 

RACE --- wrote:

> 

 

> I love Allen Ginsberg

> let that be recorded in heaven's

> unchangeable heart.

> 

> just popped off my CD player as i typed so i typed what my ears heard

> and what some voice in my head said "type that bit" it will add to the

> party.

> 

> Happy Birthday to you....

> Happy

> Happy

>         Happy   Sad

>           the line

>            within

>              the

>         between of the

>              IT

>         one guesses now

>                 and then.....

> IT Birthday to you

> IT Birthday to you

> 

>         Birthday

> 

> (i'll let someone else begin playing there if they like)

 

        Birthday for us

             what is It for you?

       you now in timeless eternity?

       words here

       stronger than ever

       Do you miss?

    miss city

             manuscripts

                  words of Blake

         corner store grass sun clouds

            your first sunflower

                    cock

                      loves

                The between of IT

            heaven Nirvana paradise

                union of the soul

                  and IT

             I will celebrate you

                today

                   words

                     soul

                      triumphant

 

(keep adding on)

=========================================================================

Date:         Tue, 3 Jun 1997 12:11:47 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Ginsberg and FBI

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <33941D56.6477@midusa.net>

 

As a newbie to this list, THIS is why I subscribed:

 

 

On Tue, 3 Jun 1997, RACE --- wrote:

 

> I found this somewhere on the net about

> 

> Ginsberg and the FBI.

> 

> Undoubtedly they'll be at the birthday party.  It might be a surprise to

> Allen but not to them.

> 

> Commenting on the FBI's activities in the literary political arena,

> Ginsberg said, "Why did the FBI

> lay off the Mafia and instead bust the alternative media, scapegoating

> Leroi Jones, ganging up on

> Jane Fonda, Tom Hayden, Martin Luther King, Jr., antiwar hero David

> Dellinger, even putting me

> on a 'Dangerous Subversive' Internal Security list in 1965 - the same

> year I was kicked out of

> Havana and Prague for talking and chanting back to the Communist police?

> 'The fox condemns the

> trap, not himself,' as Blake wrote in Proverbs in Hell. "

> 

> I don't know how to put the little neat blue URL (or whatever it's

> called) into my message.  I'm on Netscape (if that helps any government

> agents or beats who might assist me ... :)

> 

> I love Allen Ginsberg

> let that be recorded in heaven's

> unchangeable heart.

> 

> just popped off my CD player as i typed so i typed what my ears heard

> and what some voice in my head said "type that bit" it will add to the

> party.

> 

> Happy Birthday to you....

> Happy

> Happy

>         Happy   Sad

>           the line

>            within

>              the

>         between of the

>              IT

>         one guesses now

>                 and then.....

> IT Birthday to you

> IT Birthday to you

> 

>         Birthday

> 

> (i'll let someone else begin playing there if they like)

 

David, you could have typed the URL in, along with everything else.

Would have been nice.  (The birthday song left me a bit flat but hey...

Great Post!  Wish they were all like this.

=========================================================================

Date:         Tue, 3 Jun 1997 12:05:45 -0500

Reply-To:     "E.j.C." <beat@SKY.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "E.j.C." <beat@SKY.NET>

Subject:      Re: Ginsberg and FBI

Comments: To: Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

In-Reply-To:  <Pine.SUN.3.96.970603120827.15940D-100000@polaris.mindport.net>

 

Does anyone have that msg from a while back about the info you can

purchase from the FBI and CIA on 'The A. Ginsberg Files'? If someone could

either send it to me or post it to the list, i'd appreciate it. Thanx!

 

-j-EnnIfEr c.

beat@sky.net

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

=========================================================================

Date:         Tue, 3 Jun 1997 13:09:15 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Hey, Mr. T-shirt man!

 

Dear Jeffrey:

 

How soon do you need the money for the t-shirts?  Sorry to bother the list

with this, but I don't have his e-mail address readily available.

 

Diane. (Homza)

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

=========================================================================

Date:         Tue, 3 Jun 1997 13:07:34 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Ginsberg and FBI

Comments: To: "E.j.C." <beat@SKY.NET>

In-Reply-To:  <Pine.GSO.3.93.970603120335.5703A-100000@sky.net>

 

On Tue, 3 Jun 1997, E.j.C. wrote:

 

> Does anyone have that msg from a while back about the info you can

> purchase from the FBI and CIA on 'The A. Ginsberg Files'?

 

Yes, actually I sent away for both a few weeks ago. Each may cost up to $25

but I haven't yet heard from them -- I was going to make an announcement on

the list if/when I get the stuff that anyone who would settle for

photocopies could get them from myself for the cost of postage and

photocopies.

 

The addresses to send to are:

 

FBI Freedom of Information Act Unit

Federal Bureau of Investigation

9th & Pennsylvania Avenue N.W.

Washington, DC  20535  USA

 

Lee Strickland

Central Intelligence Agency

Office of Information & Privacy

Washington, DC  20505  USA

=========================================================================

Date:         Tue, 3 Jun 1997 13:37:48 -0400

Reply-To:     Hpark4@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Re: Ginsberg and FBI

 

The answer to the question about why the FBI pursued people like Allen while

going easy on many elements of organized crime is very simple.

 

J. Edgar Hoover ran the FBI with an iorn fist.  He was "in bed" with

organized crime, they used to let him win at the horse races (a great passion

of Hoover's) and they probably could blackmail Hoover about his

homosexuality.  Hoover was obsessed by communists, real and imagined.  So, in

his very twisted mind, people like Allen were threats to the country while

organized crime figures (who were definately not communists!) were OK.  There

are many good bios of Hoover that are well worth reading.

 

Howard Park

=========================================================================

Date:         Tue, 3 Jun 1997 12:42:25 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Ginsberg and FBI

Comments: To: Michael Stutz <stutz@dsl.org>

 

Michael Stutz wrote:

> 

> On Tue, 3 Jun 1997, RACE --- wrote:

> 

> > I don't know how to put the little neat blue URL (or whatever it's

> > called) into my message.  I'm on Netscape (if that helps any government

> > agents or beats who might assist me ... :)

> 

> see if you can cut and paste it with the shift and arrow keys or your mouse.

> shift-del cuts, shift-ins inserts. if not, just type it -- as long as it

> looks like this

> 

> http://somecomputer/someresource-or-whatever

> 

> with the http:// or ftp:// or whatever in front and the whole thing like

> that, everyone can see it and all the software can interpret it correctly.

 

A special note to Sisyphus.  It also would have been easy for you to do

a damn net search.  I suffer from anxiety related health problems and

the type of technical stuff which i have no clue about and fear could

blow my computer up that you're asking me to do sends me near the edge.

i hope that you're happy.  i'm very sorry that it isn't in the fancy

blue .

 

i'm also sorry that i turned my computer back on.  i was only hoping to

recognize Ginsberg's birthday.  Not get a bunch of comments about what a

technological idiot i am.

 

I know that i am a technological idiot.  i'm so stressed right now that

i can't even figure out what i'll have to do to get my computer back to

normal.  but i have to do that so i can sign back off the thing.

 

i hope you enjoy the files.

 

david rhaesa

 

if there is an easy way to make it in blue so it is easy will somebody

please teach me backchannel at a kindergarten level.  at this point i

unbelievably regret that i shared any information about this in the

first place.

 

you say good post.  this is exactly what you want to see.  and then you

bitch at me for not doing it right.  well i tried and i hope you have a

good day ... i won't.  i'll have to take medication which could probably

turn me into a zombie for some time.

 

happy birthday Ginsberg.  i hope you're happy and i wish i was with you.

 

david rhaesa

salina, Kansas

 

 

http://www.english.upenn.edu/~afilreis/50s/ginsberg-fbi.html

=========================================================================

Date:         Tue, 3 Jun 1997 13:33:25 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: Julian Jaynes (fwd)

 

On June 2, 1997 Charles Plymell responded:

> Michael:

> ... Please put that last post on the beat-l. There are a few

> people on there who want to take it further and they deserve your

> input...

 

 

Yes I did three of those Cornix Java scripts at:

 

www.buchenroth.com/cornixplymell.html

www.buchenroth.com/cornixoxy.html

www.buchenroth.com/cornixcommittee.html

 

or you can just go to Charles' web site at

www.buchenroth.com/cplymell.html and those files' links reside near the

top. I used my favorite line from "Last of the Moccasins" *Oxy-Biotic will

make you neurotic* in one that I set at 1000 wpm, max'd flash'n. I also

made one out of one of Charles' most recent poems, "Committee on Poetry" he

wrote April 5, 1997 etc. and that poem he suggested "Be Bop in Kansas."

BTW, I listed ISGS' site's url wrong, Correct URL:

http://www.crl.com/~isgs/isgshome.html

In case. I also have a number of G.S. sites linked on my CELM web site

"Literary Links."

 

I agree Jaynes really got me ta think'n! Look'n back now, that evolution

idea just fits with all these other things I had read and think about. So

I reread Jaynes earlier this year. Have you read about David Bohm's

implicate/explicate order? Or the idea of a holographic universe. Or F

David Peat's interpretations of Bohm. With Bohm being a physicist and all

his material needs someone like Betrand Russell to explain it. That's

what Peat does for Bohm. They even co-wrote a couple books right there

before Bohm died. Another excellent biographical source (it even includes

Jaynes' book) is Michael Talbot's "The Holographic Universe." Have you

read that book?  Bohm describes a point of view where

electrons exist as alive as humans! Why not? One exists as the other.

In other words, Bohms writes of rocks existing alive like us. He

considered the EPR Paradox as an example of one of our first peeks into

his implicate order. If we listen hard enuf, rocks have much to say. "Get

off me you asshole!" for beginners perhaps... Wm S Burroughs has

that talking asshole in "Naked Lunch!" And in my opinion, that asshole

did more than just talk, it was a comedian! A real standup asshole...

 

I had read once where at one time becuz Jaynes had tenure at Princeton, and

the Pillars of Tradition couldn't so readily Leary him on outta there,

they did stuff like assign him office space beneath a stairwell with this

real neat older Janitor who then got Jaynes think'n about some other

stuff. I don't know if that really happened. But I guess they did work

hard to get rid of him just becuz of his Bicamerial Mind and Evolution of

Consciousness book. I agree with ya, the psych types couldn't deal with

that!

 

But it makes such perfect sense! The G.S connection of processes

and change or evolution or of constantly changing meaning as well

as finite lexicons producing infinite sentence combination possibilities

(one rock spoke; two rocks spoke; three rocks spoke;

one-million rocks spoke; a big ass boulder screamed for all to shut-up,

I'm try'n to lie here, etc.), but mostly meaning changes and evolving and

of mind being meaning and Whitman's Song of Thyself

and us just being a sum total of what we have experienced and

Jaynes with Illiad listening to rocks and Gods from within! Why not?

I wonder how we'll worship the first inplants? Propaganda electrodes?

Penfield stimulations and olefactory memories.

God that smells good!

You have a stone in your shoe? Well stick your finger there inta that

socket and smell ya burn'n flesh and tell me what you see.

What color is that flash?

 

I apologize for ramblin on...but you guys just hit a note personal to me

with all this talk of Korzybski and Jaynes right there in one paragraph!

-Mike

 

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/maga

 

zine.html

=========================================================================

Date:         Tue, 3 Jun 1997 13:51:27 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      everybody pop a pill and CHILL

Comments: To: RACE --- <race@midusa.net>

In-Reply-To:  <33945781.5DB7@midusa.net>

 

whoah whoah easy there, race--

 

i was not criticising you at all and to tell you the truth i have no idea

what url it was you were even trying to quote--

 

i just saw this paragraph while skimming your message

 

> > > I don't know how to put the little neat blue URL (or whatever it's

> > > called) into my message.  I'm on Netscape (if that helps any government

> > > agents or beats who might assist me ... :)

 

and almost deleted it but decided to reply,

 

to assist you,

 

with this

 

> > see if you can cut and paste it with the shift and arrow keys or your mouse.

> > shift-del cuts, shift-ins inserts. if not, just type it -- as long as it

> > looks like this

> >

> > http://somecomputer/someresource-or-whatever

> >

> > with the http:// or ftp:// or whatever in front and the whole thing like

> > that, everyone can see it and all the software can interpret it correctly.

 

to help you out,

 

thinking that you didn't know how to put an url in a text message and hoping

that my explanation would help you out in the future.

 

i wasn't flaming you, really.

 

 

> i'm very sorry that it isn't in the fancy blue .

 

i hate all the corporate neo-techno crap anyway; my views are usually black

and white.

 

 

> I know that i am a technological idiot.

 

you forget that 'nature' is highest technology. all universe is technology.

 

 

> if there is an easy way to make it in blue so it is easy will somebody

> please teach me backchannel at a kindergarten level.  at this point i

> unbelievably regret that i shared any information about this in the

> first place.

 

you shouldn't! that was the point of my private ("backchannel"?) message to

you!

 

> you say good post.  this is exactly what you want to see.  and then you

> bitch at me for not doing it right.

 

i wasn't bitching! remember when i flamed rinaldo, pissed at the list & his

damn italian message the last straw? _that_ was bitching, this was trying to

help!

 

 

> http://www.english.upenn.edu/~afilreis/50s/ginsberg-fbi.html

 

see there, you did it.

=========================================================================

Date:         Tue, 3 Jun 1997 13:54:48 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Julian Jaynes (fwd)

Comments: To: "Michael L. Buchenroth" <mike@INFINET.COM>

In-Reply-To:  <Pine.SUN.3.91.970603125135.14783A-100000@user2.infinet.com>

 

On Tue, 3 Jun 1997, Michael L. Buchenroth wrote:

 

> Yes I did three of those Cornix Java scripts at:

> 

> www.buchenroth.com/cornixplymell.html

> www.buchenroth.com/cornixoxy.html

> www.buchenroth.com/cornixcommittee.html

 

Cool. I finally put my first novel online at

http://dsl.org/m/doc/lit/sunclipse.html ... there's three versions -- text,

PostScript and a Cornix Java thingie. This work is different from most of

the stuff I've written in its subject matter, and its probably considered

totally uncool by anything going on today, but I'd really like to hear (in

private email) what others think.

 

m

=========================================================================

Date:         Tue, 3 Jun 1997 11:03:26 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Ginsberg and FBI

 

>> I love Allen Ginsberg

>> let that be recorded in heaven's

>> unchangeable heart.

>> 

>> just popped off my CD player as i typed so i typed what my ears heard

>> and what some voice in my head said "type that bit" it will add to the

>> party.

>> 

 

And if you don't have the recording you can hear this in kerouac's own at

 

http://www-hsc.usc.edu/~gallaher/k_speaks/kerouacspeaks.html

 

First sound bite under the picture.

 

 

It is good that Ginsy learned that even under old uncle edgar the US was

eminently more free than the countries run by the mass murdering dictators

he thought he could visit and then was apparently given an eye opener after

he went to see them (they were trying to use him).

 

J. Edgar all ready knew what Ginsberg had to find out the hard way.

=========================================================================

Date:         Tue, 3 Jun 1997 14:15:33 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Ginsberg and FBI

In-Reply-To:  <970603133737_-228961320@emout16.mail.aol.com>

 

Every time I see a pic of FBI Headquarters my mind's eye registers on that

picture of Jaye Edgar Hoover in drag. What a pleasure that every law

enforcement agent is forced to live with the same image.

 

What a sad, troubled, vicious little punk* he was. As opposed to the happy,

untroubled, kindly little gem AG was.

 

Sign me,

 "Anonymous hacker,"  using grant's E-mail address to make him look bad in

the eyes of law enforcement across the country.

 

* PUNK, as in how the word in used in the joint.

 

* * * * * * * * * * * *

 

(Grant responds: The above is a bum rap. Jaye Edgar thought enough of me to

set me up with free board and room for a while back in the 60's. Caught up

on my reading, quite smoking, saw a prisoner beat the handball champion of

the world three games in a row, and worked with Frankie Sepulveda, the

Chicano (doing 10 years for less than a gram of pot) who laid the

foundation for the Supreme Court's  Leary (as in Timothy) Decision. That's

one little piece of legal history that Frank should have been creditied

with. And YES, there were Beats in the can in the 60s. Or was that

Beatings. I forget.)

 

 

 

 

>The answer to the question about why the FBI pursued people like Allen while

>going easy on many elements of organized crime is very simple.

> 

>J. Edgar Hoover ran the FBI with an iorn fist.  He was "in bed" with

>organized crime, they used to let him win at the horse races (a great passion

>of Hoover's) and they probably could blackmail Hoover about his

>homosexuality.  Hoover was obsessed by communists, real and imagined.  So, in

>his very twisted mind, people like Allen were threats to the country while

>organized crime figures (who were definately not communists!) were OK.  There

>are many good bios of Hoover that are well worth reading.

> 

>Howard Park

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

 

=========================================================================

Date:         Tue, 3 Jun 1997 09:25:24 -1000

Reply-To:     Margaret Miura <margaret@KALAMA.DOE.HAWAII.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Margaret Miura <margaret@KALAMA.DOE.HAWAII.EDU>

Subject:      Re: Ginsberg birthday poem (was Ginsberg & FBI)

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <339474E3.1ED3@together.net>

 

On Tue, 3 Jun 1997, Diane Carter wrote:

 

> RACE --- wrote:

> >

> 

> > I love Allen Ginsberg

> > let that be recorded in heaven's

> > unchangeable heart.

> >

> > just popped off my CD player as i typed so i typed what my ears heard

> > and what some voice in my head said "type that bit" it will add to the

> > party.

> >

> > Happy Birthday to you....

> > Happy

> > Happy

> >         Happy   Sad

> >           the line

> >            within

> >              the

> >         between of the

> >              IT

> >         one guesses now

> >                 and then.....

> > IT Birthday to you

> > IT Birthday to you

> >

> >         Birthday

> >

> > (i'll let someone else begin playing there if they like)

> 

>         Birthday for us

>              what is It for you?

>        you now in timeless eternity?

>        words here

>        stronger than ever

>        Do you miss?

>     miss city

>              manuscripts

>                   words of Blake

>          corner store grass sun clouds

>             your first sunflower

>                     cock

>                       loves

>                 The between of IT

>             heaven Nirvana paradise

>                 union of the soul

>                   and IT

>              I will celebrate you

>                 today

>                    words

>                      soul

>                       triumphant

> 

> (keep adding on)

> 

        IT becomes

                IT is

        Nirvana

        For me, for you

        this day of celebration

 

        Blow upon me your wish

                your dare

        Silence of rhetoric

        Explosion of words

 

        HB AG 2U

 

and the CD played on...

=========================================================================

Date:         Tue, 3 Jun 1997 14:52:12 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: List changes

In-Reply-To:  <3393DCE5.679F@tezcat.com>

 

I'm having a problem trying to understand why some list members are so

upset by the cha-cha-cha-cha-cha-change. Cut and Paste is so easy. If you

have Eudora, and I imagine many Internet software pkgs are he same, it's as

easy as clicking on a name in your Recipient List.

 

j grant

 

 

 

>Dear Beat-L listmembers and administrators:

> 

>I wish to go on record as being adamantly opposed to the list change

>posted by Fred Bogin (see below).

> 

>If this new policy is not immediately reversed I will have every reason

>to unsubscribe immediately, and will encourage everyone else on the list

>to do so as well.

> 

>I do not see this new policy as something that will kill the list.

>I SEE IT AS THE DEATH OF THE LIST.

> 

>Thank you,

>John Hasbrouck

>Chicago

> 

>Fred Bogin wrote:

> 

>>Hi folks,

>>Excuse me while I pull on my hip boots to wade in here.

>>Effective immediately, all replies to postings on beat-l will go to the

>>original sender, NOT the list, unless otherwise specified.

> 

>>fred

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Tue, 3 Jun 1997 16:07:05 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Apology to Sisyphus

 

Sisyphus,

 

one of my favorite mythic characters.

 

i wanted to formally apologize for whatever i typed.  to those had never

seen a panic attack in type - now you have.  saw the doctor.  got things

cleared up.  i'm supposed to say i don't know how to do things when i

don't know how and not feel guilty.

 

once again, sorry for the outbursts to Sisyphus and any who had to read

it.

 

regretfully,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 3 Jun 1997 17:13:48 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      John Cage

 

I just got home from detention -- go ahead, Laugh -- where i read John

Cage's Lecture on Nothing in a poetry anthology called From the Other

Side of the Century:new american poetry 1960-1990.

 

It is Unreal! fucking Amazing!

 

one of the metrically dispers-ed lines is "I have nothing to say / and I am

saying it/ and that is / poetry/ as I need it / . "

He goes on about Music and talking about the fact that he's talking and

structure and material and The great lack thereof.

 

In the middle-end of the long thing is a section that is repeated for

pages, it is like a repeating record, reminiscent of using the Cut-Up

machine that Luke? a listmember has somewhere on the Net. Repeated it

gets a mysterious chant feel to it that I, personally, find accompanying

a long obtuseseeming cut-up--poem.

 

the section is regenerated here loosely:

 

                                I have the feeling      that we are getting

nowhere.        Slowly          ,                       as the talk goes on

                we are getting  nowhere                 and that is a pleasure

.               It is not iiritating    to be where one is      . It is

only irritating to think one would like    to be somwhere else.

 

.............

 

                More and more           we have the feeling

                that I am getting       nowhere

                Slowly                  ,               as tha talk goes on

 

 

        slowly                          ,               we have the feeling

                we are getting          nowhere.        That is a pleasure

                which will continue     .               If we are irritated

                it is not a pleasure                    Nothing is not a

pleasure        if one is irritated     ,       but suddenly

,               it is a pleasure        ,               and then more and more

                it is not irritating            (and then more and more

          and slowly                   ).               Originally

                we were nowhere         ;               and now, again

,               we are having the pleasure

of being                slowly          nowhere.        If anybody

is sleepy       ,                       let him go to sleep.

 

 

 

 

 

 

And so forth and much more and so on...

 

 

the point of my post?--only this, read this.

 

:)

 

from,

Eric

rhs4@crystal.palace.net

 

what I think I heard in a piece of simple unstructured music on public radio:

 

        there

                are

                        no

                                clean

                                        words

 

 

the singer: unknown

=========================================================================

Date:         Tue, 3 Jun 1997 16:43:28 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JWHasbrouck <jhasbro@TEZCAT.COM>

Subject:      JK: early '53

 

I'm a lousy lurker.

 

In any case, I'm reflecting on Kerouac's output of early 1953, during

which time he stayed in his bedroom, high on tea, writing/typing MAGGIE

CASSIDY with Memere in the next room. During the previous two years,

which may be considered perhaps the most prolific period of his career,

he had completely broken from the straight narrative style he used in

THE TOWN AND THE CITY. The first scroll draft of ON THE ROAD (written

4/51) was of course a major break from traditional forms. But the

sketching technique used throughout VISIONS OF CODY (written about

10/51-3/30/51, finished on his birthday) is equally significant.

(Question for GN, or anybody: How much was Jack CONSCIOUSLY trying to

write his own ULYSSES while writing VOC?) When VOC was done, Jack left

the Cassady's attic to stay with Burroughs in Mexico. At this point he

wrote RAILROAD EARTH and then, once settled in at Bill's place (and

proving himself to be a less than ideal guest) his cranked out DR. SAX

in LONGHAND(!).

 

Regina Weinrich, in her very interesting book <The Spontaneous Poetics

of Jack Kerouac>, argues that with each of these books Jack was solving

a problem of writing, and when the book was done, he set up another

problem to tackle. (I've stated her thesis rather crudely.) I find this

theory compelling. It seems to make sense.

 

But here's what fascinates me about early '53: After going as far out as

he did with DR. SAX, Jack came back and wrote MAGGIE CASSIDY in an

entirely (almost) traditional narrative style. Granted, he wanted to get

published so he was consciously writing a marketable book, (in fact, if

my memory serves me correctly, when MC was rejected he really freaked,

wondering what the hell he was doing writing all these damn books), but

I wanna know what we can glean from the style of MC that helps us to

understand this point in his evolution as a writer. (Question mark.) In

what respect(s) is MC a more mature work than THE TOWN AND THE CITY?

(assuming that it is...and, of course, it is) What can we say about

MAGGIE CASSIDY that helps us understand it as a major novel by Jack

Kerouac at the peak of his powers?

 

The LurkMeister Wants To Know!

 

John Hasbrouck

Chicago

=========================================================================

Date:         Wed, 4 Jun 1997 00:49:44 +0100

Reply-To:     or205@HERMES.CAM.AC.UK

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      Re: Ginsberg birthday poem (was Ginsberg & FBI)

In-Reply-To:  <339474E3.1ED3@together.net>

 

> RACE --- wrote:

> >

> 

> > I love Allen Ginsberg

> > let that be recorded in heaven's

> > unchangeable heart.

> >

> > just popped off my CD player as i typed so i typed what my ears heard

> > and what some voice in my head said "type that bit" it will add to the

> > party.

> >

> > Happy Birthday to you....

> > Happy

> > Happy

> >         Happy   Sad

> >           the line

> >            within

> >              the

> >         between of the

> >              IT

> >         one guesses now

> >                 and then.....

> > IT Birthday to you

> > IT Birthday to you

> >

> >         Birthday

> >

> > (i'll let someone else begin playing there if they like)

> 

>         Birthday for us

>              what is It for you?

>        you now in timeless eternity?

>        words here

>        stronger than ever

>        Do you miss?

>     miss city

>              manuscripts

>                   words of Blake

>          corner store grass sun clouds

>             your first sunflower

>                     cock

>                       loves

>                 The between of IT

>             heaven Nirvana paradise

>                 union of the soul

>                   and IT

>              I will celebrate you

>                 today

>                    words

>                      soul

>                       triumphant

                   but not.

 

                or as triumphant as you want.

                i suppose.   I mean :

 

        if you'd felt happy the whole time it wouldn't mean

        anything & you wouldn't have even thought to write

        about it.

 

                right now is bad but i can still pick a lot out of howl

 

        [&when things are good i can pick out a lot more, obviously]

 

                                happy birthday.

 

 

        what I mean is, you earned it, most of us won't.

=========================================================================

Date:         Tue, 3 Jun 1997 17:04:36 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: JK: early '53

 

At 04:43 PM 6/3/97 +0000, you wrote:

>I'm a lousy lurker.

> 

>In any case, I'm reflecting on Kerouac's output of early 1953, during

>which time he stayed in his bedroom, high on tea, writing/typing MAGGIE

>CASSIDY with Memere in the next room. During the previous two years,

>which may be considered perhaps the most prolific period of his career,

>he had completely broken from the straight narrative style he used in

>THE TOWN AND THE CITY. The first scroll draft of ON THE ROAD (written

>4/51) was of course a major break from traditional forms. But the

>sketching technique used throughout VISIONS OF CODY (written about

>10/51-3/30/51, finished on his birthday) is equally significant.

>(Question for GN, or anybody: How much was Jack CONSCIOUSLY trying to

>write his own ULYSSES while writing VOC?)

 

This is hard to say.  But, I think there was a fair amount of conscious

effort there.  But at the same time I think there was as muc unconscious

effort in that he was inspired by Ulysses and Joyce in general and by other

authors to let himself find the way to produce literature words to convey

his insides and what he wanted to tell.

 

I don't think if a person sits down to write a Ulysses it will be good.  But

if they have read and appreciate and absorbed what Joyce did and tried to

accomplish and have also been developing his or herself in terms of their

artistry, then they can write their own Ulysses naturally.

 

I think he was trying to do something in the spirit of Joyce, as well as

others he admired and learned from.  I think he was conscious of it, but the

reason it worked is because he was first true to his vision.

 

Now, here is where the thing comes in.  Kerouac's notes may answer such a

question fairly directly.

 

 

>When VOC was done, Jack left

>the Cassady's attic to stay with Burroughs in Mexico. At this point he

>wrote RAILROAD EARTH and then, once settled in at Bill's place (and

>proving himself to be a less than ideal guest) his cranked out DR. SAX

>in LONGHAND(!).

> 

 

Heard he sat in the bathroom, maybe on the toilet seat itself.

 

 

>Regina Weinrich, in her very interesting book <The Spontaneous Poetics

>of Jack Kerouac>, argues that with each of these books Jack was solving

>a problem of writing, and when the book was done, he set up another

>problem to tackle. (I've stated her thesis rather crudely.) I find this

>theory compelling. It seems to make sense.

> 

 

I read her book a while ago.  Glad to see it is in print.  I have seen it at

Tower.  It is worth reading for those with this type of interest.  I can't

relly comment on her thesis.

 

>But here's what fascinates me about early '53: After going as far out as

>he did with DR. SAX, Jack came back and wrote MAGGIE CASSIDY in an

>entirely (almost) traditional narrative style.

 

The new biography Angel Headed Hipster is the first book that said Kerouac

actually had an affair with "Maggie Cassidy".  His wrting this book, why it

got the attention when their were still many projects in him is a good

question.  I don't disagree at all with the commercial possibilities he was

trying to exploit.  I think at the same time, that kerouac was so into his

style and oeuvre-production and art that he lost a little bit of perspective

in thinking that this was a commercial book.  Even the rather traditional

Maggie Cassidy had the stamp of Jack kerouac.

 

But with the revelation that he maybe even fathered a child with this lady

(I am not sure how far the affair went on--assuming it is true), he wrote it

after leaving the Cassidy's after having an affair with Carolyn Cassidy.  I

think he was lonely and his thoughts turned to another woman he loved.

 

>Granted, he wanted to get

>published so he was consciously writing a marketable book, (in fact, if

>my memory serves me correctly, when MC was rejected he really freaked,

>wondering what the hell he was doing writing all these damn books), but

>I wanna know what we can glean from the style of MC that helps us to

>understand this point in his evolution as a writer. (Question mark.) In

>what respect(s) is MC a more mature work than THE TOWN AND THE CITY?

>(assuming that it is...and, of course, it is) What can we say about

>MAGGIE CASSIDY that helps us understand it as a major novel by Jack

>Kerouac at the peak of his powers?

> 

 

It is the revolution in the head as much as the revolution of the word

style.  Even writing a trad narrative can't change who the person is or has

become or do away with the experiences he had and the insights and takes on

life he accumulated in his travels (both leterally and philosophically or

metaphorically).

 

 

>The LurkMeister Wants To Know!

> 

>John Hasbrouck

>Chicago

> 

> 

=========================================================================

Date:         Tue, 3 Jun 1997 20:07:51 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Welcome Back Charles

 

In a message dated 97-06-03 01:19:08 EDT, you write:

 

<< the Psycho Poet exploded over a billboard

 advertisement >>

 

Richard:

Yeah, I stayed with Catfish overnight. First time I had been to Milwaukee. We

stayed up late raking the Psycho Poets over the billboards.  He named all the

poets who had visited the universities there typically 50 years behind the

times.

Charles Plymell

=========================================================================

Date:         Tue, 3 Jun 1997 20:18:29 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: On the Old Road

 

In a message dated 97-06-03 02:07:07 EDT, James Stauffer wrote:

 

<< Was that Zap the genuine article?  It had the blue print but I

 understand there are copies out there.  Been following your footsteps

 through Dr. Sax so that I will be able to follow the Sax vs. Mocassins

 heavyweight championship.

  >>

 

James:

Yes it was indeed the real thing that went through a pre-war multilith in Pam

and my flat in San Francisco amid nude parties and Huncke (I think) lifting

our IBM Selectric. Mostly I can tell by the paper, but I remember also the

typeface stripped in Printed by Charles Plymell.  I am not used to such

generosity, since the last original Plymell Zap I hear was sold for $1,400 at

Sotheby's. Coincidentally last such generosity of spirit happened at the same

flat where Billy Jharmark (Batman Gallery) gave Pam and me his 52 MGTD

classic. We sold it on the street for $250. I have been trying to correct

myself by not reselling treasures ever since. Keep ahold of your son's

scooter, are my words of advice. I sent some things out to you today, but I'm

afraid it doesn't match your generosity. However my poetry stocks might go up

someday.

Charles Plymell

=========================================================================

Date:         Tue, 3 Jun 1997 17:36:46 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Thanks

 

                                                June 3, 1997

 

        Just want to say thanks to all the warm letters of support (many

private) that I've received in the last couple of days.  I probably won't

have time to answer all of them individually (I'm already over deadline on

the Vietnam book and don't want to get over deadline on the autobiography

I'm committed to write for CONTEMPORARY AUTHORS); but you know who you

are--so again, thanks, from the bottom of my heart.

        I plan to leave the Estate battle to the courts, and to get back to

the far more inspiring bloodbath that is the NBA championship series, with

my hometown Chicago Bulls taking on the big, bad boys from Utah (as well as

small, wily John Stockton).  Will Dennis Rodman continue his streak of

technical fouls? Will he get tossed out again?  Are there any color

combinations he hasn't tried yet for his hair?

        Those are the really important questions.

        Adios for a bit, Gerry

=========================================================================

Date:         Tue, 3 Jun 1997 20:56:23 -0400

Reply-To:     Carl A Biancucci <carl@WORLD.STD.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Carl A Biancucci <carl@WORLD.STD.COM>

 

Would anyone have an extra copy of last years NY Times' magazine article

about various 'beat' relatives (Caleb Carr,etc.)?

(or would you know where I could get one?)

 

Carl

=========================================================================

Date:         Tue, 3 Jun 1997 22:09:45 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Ginsberg and FBI

 

In a message dated 97-06-03 14:26:50 EDT, you write:

 

<< There

 are many good bios of Hoover that are well worth reading. >>

 

Howard:

I thought it was common knowledge about the whole twisted drag

Hoover/Giancomo scene and the big G-man lie, but I guess people don't see

reality very clearly when it is constantly superimposed with propaganda. I

urged Bob Peters to do his one-man J. Edgar Hoover voice play/poem which I

understand  he performs in black lace.  Peters has retired from the English

dept. at UC Irvine and his e-mail address is: baculum@mci2000.com

Sometimes I become frustrated in having to repeat the reality of things as

you just did. Funny how communication works.

Charles Plymell

=========================================================================

Date:         Tue, 3 Jun 1997 22:15:39 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Ginsberg and FBI

 

In a message dated 97-06-03 15:30:21 EDT, you write:

 

<< It is good that Ginsy learned that even under old uncle edgar the US was

 eminently more free than the countries run by the mass murdering dictators

 he thought he could visit and then was apparently given an eye opener after

 he went to see them (they were trying to use him).

 

 J. Edgar all ready knew what Ginsberg had to find out the hard way.

  >>

The US is under the subtle disguise of being "eminently more free". We are

happy consumer slaves fully controlled and frame the Constitution as divine.

Burroughs said the public is going to take the place apart. I told him the

other day that it has already begun. Old freedoms and old values are nothing

but old conversations and old political systems.

Charles Plymell

=========================================================================

Date:         Tue, 3 Jun 1997 22:18:16 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Julian Jaynes (fwd)

 

Michael

I download it, got to study it, what a rave. Should keep me occupied for a

while.

Thanks

Charley

=========================================================================

Date:         Tue, 3 Jun 1997 21:06:47 -0400

Reply-To:     "Michael Ravnitzky (by way of stratis@odyssee.net Antoine

              Maloney)" <MikeRav@IX.NETCOM.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael Ravnitzky (by way of stratis@odyssee.net Antoine

              Maloney)" <MikeRav@IX.NETCOM.COM>

Subject:      FBI files Available for Many Beat Writers

 

Here you go Jennifer...sORry abOut  MISpellING -j-EnnIfE!?!

 

        Antoine

 

You can get the FBI files on many writers of the beat generation.

 

For example, Jack Kerouac had a file.  So does Neil Cassidy.  And many,

many more.  Many of these files are hundreds of pages long.  I've seen

them.  But if you want to discuss them, you'll have to get your own

copy.  I don't discuss contents until someone gets their own copy.

 

You can also get the FBI file of anyone else, as long as they are dead.

 

[Note:  you can also get a file of someone who is alive, but you'll need

their written, notarized letter of permission.  So if you want the file

for William Burroughs or Allen Ginsberg or..... why not ask them.]

 

To get someone's FBI file, just send a simple letter to the same

address as the form letter below.  You don't need any fancy

language, though, just a simple letter of request including:

 

full name or names of the person

 

date of birth and date of death of the person

 

place of birth and place of death of the person

 

some proof that the person is dead, such as a newspaper obituary,

newspaper or magazine article talking about the fact that the person is

dead, an encyclopedia article, a specialized encyclopedia, a

biographical dictionary, Who Was Who in America, or something else like

a death certificate.  A librarian can find something for you in five

minutes if you ask at a library.

 

If you ask for the file of someone else, not yourself, you DON'T need to

get the letter notarized.  But if you ask for your own file, you DO need

to get the letter notarized.

 

Just send the request to:

 

Federal Bureau of Investigation

Records Resources Division - Attn: FOIA/PA Office

J. Edgar Hoover Building

9th & Pennsylvania Avenue NW

Washington, DC  20535

 

Dear Sirs:

 

This is a request under the Freedom of Information Act.  Please send the

all records you have concerning XXXXXXXXXXX.  Please check your recent

computer indexes as well as the older indexes and ELSUR indexes.

 

FOIA/PA statutes provide that even if some of the requested material is

properly exempt from mandatory disclosure, all segregable portions must

be released. If the requested material is released with deletions,

please mark each deletion to indicate the exemption(s) being claimed to

authorize each particular withholding.  In addition, I ask that your

agency exercise its discretion to release records which may be

technically exempt, but where withholding serves no important public

interest.

 

I hereby agree to pay reasonable costs associated with this request up

to a maximum of $30.  Please notify me if the fees are expected to

exceed this amount.  I am aware that this request may take slightly

longer than the time limit of 10 working days provided by law.

 

Signed,

 

 

___________________

 

I hope that this is useful to the list.

Michael Ravnitzky

St. Paul, Minn.

MikeRav@ix.netcom.com

=========================================================================

Date:         Tue, 3 Jun 1997 23:07:12 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: CORNIX instead of COMIX

 

I'm not able to crank 1000wpm, not even 450. I'll try agian with the be-bop

poem and the three  Cornix Java scripts you posted. I want to clarify that

the type style looks like "comix' instead of "CORNIX" which I wrote in caps

to distinguish the "rn" from "m". This type screwed the address. I'd also

like to know if anyone else is having trouble with the flashes? Please let me

know your take on them Thanks.

C. Plymell

Find at:

WWW.BUCHENROTH.COM/CORNIXPLYMELL.HTML

WWW.BUCHENROTH.COM/CORNIXOXY.HTML

WWW.BUCHENROTH.COM/CORNIXCOMMITTEE.HTML

or you can just go to my website at:

www.buchenroth.com/cplymell.html and those files' links reside near the top.

 I am particularly interested in how the poem I wrote at Ginsberg's committee

on poetry the day he died came out in CORNIX JAVA flash.

Thanks again for any comments or potential problems.

=========================================================================

Date:         Wed, 4 Jun 1997 00:01:29 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Ginsberg and FBI

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <33945781.5DB7@midusa.net>

 

David, I already read your apology, so I don't take offense at this.

Hell, it's excellent stream-of-consciousness.  (hey, at least we don't

scream at each other, right?)  Go with it.  If I find it boring, I'll

feel free to say so; OK?

 

[parts of thread follow:]

 

 

On Tue, 3 Jun 1997, RACE --- wrote:

 

> Michael Stutz wrote:

> >

> > On Tue, 3 Jun 1997, RACE --- wrote:

> >

> > > I don't know how to put the little neat blue URL (or whatever it's

> > > called) into my message.  I'm on Netscape (if that helps any government

> > > agents or beats who might assist me ... :)

> >

> > see if you can cut and paste it with the shift and arrow keys or your mouse.

> > shift-del cuts, shift-ins inserts. if not, just type it -- as long as it

> > looks like this

> >

> > http://somecomputer/someresource-or-whatever

 

snipped! to this:

 

> 

> A special note to Sisyphus.  It also would have been easy for you to do

> a damn net search.  I suffer from anxiety related health problems and

> the type of technical stuff which i have no clue about and fear could

> blow my computer up that you're asking me to do sends me near the edge.

> i hope that you're happy.  i'm very sorry that it isn't in the fancy

> blue .

> 

> i'm also sorry that i turned my computer back on.  i was only hoping to

 

All the way down to this:

 

> 

> http://www.english.upenn.edu/~afilreis/50s/ginsberg-fbi.html

> 

Which is the URL he hadn't posted in the first place.  want

ginsberg-fbi?  don` wanna deal wiff no capitalism?  read it all.

 

thanks, david.

=========================================================================

Date:         Tue, 3 Jun 1997 23:12:45 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Robert Peters & The XXX Hoover

 

Charles,

 

I'm not sure if I thanked you for sending Robert Peters my way. The

XXX Hoover, from Slime Comics should be a mandatory owner for every

household-including squares. The Hunting Of The Snark is an unrecog-

nized classic in the field. Jesus, it's good! I'm taking my time with

it so as not to miss anything. It's good to have you back my friend.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Wed, 4 Jun 1997 00:18:40 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Apology to Sisyphus

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <33948778.229A@midusa.net>

 

On Tue, 3 Jun 1997, RACE --- wrote:

 

> once again, sorry for the outbursts to Sisyphus and any who had to read

> it.

 

Hey man, I thought it was an addition to the general chaos.  Like,

relax, man.  (grin)

=========================================================================

Date:         Tue, 3 Jun 1997 21:33:47 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: sad state of affairs

 

JWHasbrouck wrote:

 

> Disillusionment can be quite healthy. It is, after all, the removal of

> one's illusions. And however cherished these illusions are, they

> nonetheless are what they are.

> 

> You mention my project, and I assume you refer to my Chronological Beat

> Reading Project that I began about three years ago, in which I attempted

> to read the novels, correspondence, memiors, poems and bios of Kerouac,

> Ginsberg, Burroughs and Cassady (and their closest associates)

> chronologically, that is, year by year, month by month, week by week,

> day by day and sometimes hour by hour, (like when I find two letters

> with the same date and have to determine by content which was written

> earlier in the day).

> 

> I'd like to tell you where I'm at with that, if I may.

> 

> The project is naive. It is non-scholarly. It is for kicks. Literary

> Kicks. And it is one of the most interesting and aesthetically

> gratifying reading experiences I've ever had. I speak as a common reader

> - and one who is not particularly well-read (but hey, I am at the very

> least a Devoted Reader. I mean, I own Mortimer Adler's desk and reading

> chair. I read as if my life depended on it, dammit.)

> 

> Frankly the project is on a haitus which may last several years. I put

> it on hold when I learned (from the editor himself) that Ginsberg's

> Selected Letters won't be out for a long time. After two years of

> intensive reading which involved the constant juggling of 20 or so Beat

> volumes at a time while sitting at Dr. Adler's desk, I only made it up

> to the early summer of 1953. But ya know...

> 

> I too am disillusioned. Gone is my popular conception of the Beats as

> liberated literary saints. At 35, I look back at myself as the

> 19-year-old undergrad who's life was changed by ON THE ROAD and think of

> how innocent and romantic I was. And I think of Jack Kerouac. I think of

> Dean Mo-ri-ar-ty.

> 

> But I learned some things from the project. I learned what Ginsberg

> meant when he said in the film KEROUAC, <He (Jack) could write  ALL

> DAY!> I learned what Burroughs meant when he said Jack was a REAL

> WRITER. I mean, shit, 80% of my chronological reading was Kerouac. The

> others were barely beginning. With half the population nowadays calling

> themselves writers it behooves one to consider Jack as Writer, sitting

> in the corner of Burroughs' flat in Tangier writing longhand, asking not

> to be disturbed...speed-typing on bennies...cranking out the first

> scroll of OTR on caffiene, no doubt breaking only to pee, shouting for

> sandwiches from his new wife whom he would leave almost the moment the

> manuscript was done.

> 

> But there's another side to the coin - Kerouac the egomaniac, who, in

> self-conscious letters to Neal, speaks to Me, John Hasbrouck, saying

> <yes, dear reader> and going on like he's God's gift to writing, which,

> despite the sentiments of many of his belated readers, He Was Not.

> (While reading MAGGIE CASSADY, I remember thinking *If he says REDBRICK

> one more time I'm going to throw this book out the window!!*)

> 

> Actually, Marie, I'm tempted state that my reading project ended up

> being a Grand Exercise In Disillusionment. It was like an enormous

> psychic purge. I AM NOT BEAT. NOT ANYMORE - IF I EVER WAS (despite

> 100,000+ miles on the road as a musician and 15 years of constant

> intoxication which ended in '90). As much as I love those guys,

> reflecting on the powerful and emotional inspiration I felt (and

> continue to feel), physically, in my belly, when I read them sometimes

> (like that bit in OTR which JK actually took from a letter of his to

> somebody where he writes about dissolving into fantasy while walking

> down a street in SF and peering into the window of a bakery(?) and

> making eye contact an old woman whom he percieved to have been his

> mother centuries ago and...you know the passage...and his ego-self

> evaporates into 10,000 mystical droplets of air...yes...that's Jack The

> Writer I know...fully revised and tightly-knit prose calculated for

> maximum impact...albeit originating in a spontaneous burst prose

> transcribed from the image before his mind's eye.) As much as I love

> them, I try to maintain a perspective, as they say...

> 

> I'd better stop, even though I haven't even mentioned my thoughts on

> reading Allen, Bill and Neal chronologically. Some other time,

> perhaps...

> 

> I'm reading Genet. You?

> 

> As ever,

> John Hasbrouck

> Chicago

 

 

John,

 

I don't believe in leaving entire long posts, but this one is so good I

couldn't cut it up.  Caught me tonight as one of the most thoughfull

ones I have read in my time on this list.

 

I have noticed myself having some of the same reactions to this

material.  Loving it so much, but also sensing my own distance from it,

sensing my own not beatness or at least very  selective beatness.

 

I remember enjoying some your earlier posts on the Chronological project

when I first came on this list and am glad to hear that even if it's

quiescent you intend to go forward.  Certainly putting Morimer Adlers

equipment to good use.

 

James Stauffer

=========================================================================

Date:         Wed, 4 Jun 1997 02:15:19 -0400

Reply-To:     Bigsurs4me@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Withdrawal from Beat-l

 

Now I've never been addicted to anything worse that potato chips, but I'm

beginning to appreciate Junky more and more this last day or two as the

Beat-l morphs into a new and different animal.

 

When I was backchanneling with Levi we were discussing one of the reasons he

felt a need to take a break was because he said the Beat-l was taking over

his life and he wasn't getting anything else done.   I said I was the same

way, that I had gotten so consumed I had my mail icon sitting in a little

window off to the side as I worked other applications and everytime that

thing flashed "You Have Mail" (which was about every thirty seconds) I

dropped everything and dove on it like a guy who hadn't eaten in a week.

 

My wife says she's glad to see the changes to the Beat-l as she now has her

husband back!

 

If someone would like to call me a dirty name I'd be much obliged...

 

Jerry Cimino

=========================================================================

Date:         Wed, 4 Jun 1997 04:53:44 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Withdrawal from Beat-l

 

Jerry Cimino wrote:

> 

> Now I've never been addicted to anything worse that potato chips, but I'm

> beginning to appreciate Junky more and more this last day or two as the

> Beat-l morphs into a new and different animal.

> 

> When I was backchanneling with Levi we were discussing one of the reasons he

> felt a need to take a break was because he said the Beat-l was taking over

> his life and he wasn't getting anything else done.   I said I was the same

> way, that I had gotten so consumed I had my mail icon sitting in a little

> window off to the side as I worked other applications and everytime that

> thing flashed "You Have Mail" (which was about every thirty seconds) I

> dropped everything and dove on it like a guy who hadn't eaten in a week.

> 

> My wife says she's glad to see the changes to the Beat-l as she now has her

> husband back!

> 

> If someone would like to call me a dirty name I'd be much obliged...

> 

> Jerry Cimino

 

 

Jerry,

 

        your name is MUD !!!!!!!!!!!!!!!!!!!!!!!!!!!

 

        glad to hear your wife likes you.

 

take care,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 23 Apr 1997 20:00:38 EST

Reply-To:     Richard D Raymond <madhatter20@JUNO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard D Raymond <madhatter20@JUNO.COM>

Subject:      Re: FYI: Lowell CELEBRATES Kerouac!

 

  Read about your kerouac- fest and am interested.  send info to: ricky

raymond- 44 fortescue rd. newport, nj 08345. thanks

=========================================================================

Date:         Wed, 4 Jun 1997 07:52:13 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: CORNIX instead of COMIX

Comments: To: CVEditions@AOL.COM

 

Pamela Beach Plymell wrote:

> 

> I'm not able to crank 1000wpm, not even 450. I'll try agian with the be-bop

> poem and the three  Cornix Java scripts you posted. I want to clarify that

> the type style looks like "comix' instead of "CORNIX" which I wrote in caps

> to distinguish the "rn" from "m". This type screwed the address. I'd also

> like to know if anyone else is having trouble with the flashes? Please let me

> know your take on them Thanks.

> C. Plymell

> Find at:

> WWW.BUCHENROTH.COM/CORNIXPLYMELL.HTML

> WWW.BUCHENROTH.COM/CORNIXOXY.HTML

> WWW.BUCHENROTH.COM/CORNIXCOMMITTEE.HTML

> or you can just go to my website at:

> www.buchenroth.com/cplymell.html and those files' links reside near the top.

>  I am particularly interested in how the poem I wrote at Ginsberg's committee

> on poetry the day he died came out in CORNIX JAVA flash.

> Thanks again for any comments or potential problems.

 

I really enjoyed this game this morning.  i found that if i put it on a

thousand or whatever top-end is and concentrated VERY hard for one zip

through the content - then it was EASY to comprehend at around 75%

speed.  It was slow by contrast.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 4 Jun 1997 09:49:17 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      State of the list

 

I am on several lists.  Compared to any that I am on, this is far and

away the best.  If you want to see a sick list, check out the Dylan mail

list.  I am about to unsubscribe to it.  dylan is dead, youre an asshole

for saying that, when is the new album coming out, lanois is evil, no

he's boring, no he's a great producer, did I mention dylan left the

hospital, well he got sick from chicken shit, no it was bat shit, and he

is a jew, no he repudiated christianity, no he is a muslim, no he is a

jew for jesus (in that way he would be VERY Christ

like)(hahahahahahahahah), well, he is a supreficial christian, well if

he is not a christian then my whole life is going to shatter into a room

full of mirrors (hey, how did Hendrix get in here), i hate jakob, i love

jakob, don't talk about jakob here, im gonna committ suicide, dylan is

dead, no he was just visiting Elvis.

 

Man, this list is GREAT.  I have been reading Nicosia and Charles

Plymell and then some great stuff on top of that.  It has been said if

it was a cyber snake, it would have cyber bitten you.  As Jesus really

did say, he who has eyes, let him see.

 

Dylan is dead, you asshole, every time you attack the asshole who said

that you reuse the Dylan is dead referenece and piss us all off again,

dylan was killed in a motorcyle accident in the 60's you idiots.  It was

the same wreck that got Paul McCartney.  That is the TRUTH.  Try to

prove otherwise.

 

;-)

 

Peace,

 

Rave on Charles.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 4 Jun 1997 10:26:58 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: CORNIX instead of COMIX

Comments: To: Pamela Beach Plymell <CVEditions@AOL.COM>

In-Reply-To:  <970603230501_454258580@emout19.mail.aol.com>

 

On Tue, 3 Jun 1997, Pamela Beach Plymell wrote:

 

> I'd also like to know if anyone else is having trouble with the flashes?

 

I did at first but not anymore. The original applet I first downloaded had

expired and when I first checked out your bioxy flash it was the newer

version and for whatever reason the whole applet square would blink every

time a new word appeared. Dowloaded it and tried it on my own and had the

same problem, but I think it was just my Netscrape session at the time,

because now it works fine.

 

 

>  I am particularly interested in how the poem I wrote at Ginsberg's committee

> on poetry the day he died came out in CORNIX JAVA flash.

 

I love this. The words come pouring out in a stream that I think works very

well with any "stream of consciousness" or "first thought/best thought" or

"spoken idiom" style of writing.

 

Looking at "Committee" again makes me think this computerized technique has

merit and is worth further study, but I have some problems with the Cornix

applet in general.

 

The main problem I have with it is a technical one that I'll spare boring

the list with. That is, it is not free software; it's technically a variant

of "snareware," being non-modifiable (you don't have access to the program

instructions). This I strongly believe inhibits its long-term use for

serious literature. But I don't think the problem is inherent to the idea of

streamed text, because a programmer can just write a free version of the

software (any ready & willing Java coders out there?).

 

Other complaints I have with it are tangential to this first one, because if

it was free software it could be modified to do all these things. First, I

don't like the buttons on the top. I'd like the screen to consist of just

the poetry or prose or whatever and no excess junk.

 

There also should be a horizontal scroll bar to control your "position" in

the document. The horizontal scrollbar that's already there controls the

speed; this should be a vertical control, off the the right and/or left.

That horizontal bar should start at the left side at the beginning of the

document and travel across the screen at the appropriate speed as the

document flashes by so that the reader can determine her position in the

document. Otherwise, how do you know where you are? "Lost in hyperspace."

 

Also, the thing loops when its finished. I don't like this, because when I

read "Committee," it has such a powerful ending but I didn't have time to

digest it -- I just got flashed back to the beginning to read Plymell for

eternity. This isn't good. It should stop at the end, and then restart by

hitting the START button.

 

Finally, another thing I hate about it is that it doesn't seem to respect

paragraph breaks or tell the difference between spacing. I saw this with

_Sunclipse_ and it drove me nuts -- I think the Cornix applet is an

interesting way to read _Sunclipse_ and other things but you're going to

have serious problems digesting the material properly because the applet

doesn't pause between paragraphs, sections and chapters. So a section will

end and a new one will start at the same speed of two adjacent sentences.

Same with two chapters. I believe that some time -- a few seconds maybe --

should be taken by a reader when completing a chapter; I think this is

normal & its normal to look at the page and the last sentence a little

longer, a little natural pause, when completing a chapter, but Cornix

doesn't do that.

 

I'd think this would be worse with poetry, where spacing often has more

importance. "Committee" ran as one long burst with no pausing between

stanzas. It had an interesting effect in this case but I think that some

controls for blank spaces should be configurable.

 

m

=========================================================================

Date:         Thu, 24 Apr 1997 17:51:14 EST

Reply-To:     Richard D Raymond <madhatter20@JUNO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard D Raymond <madhatter20@JUNO.COM>

Subject:      Neophyte

 

  Hey kids, I am Ricky, a newbie and relative youngster. I am newly

intrigued by the beat writers since allen's death. could you recommend

any useful books and websites,and is there an address where i can get

ahold of audio recordings? alas, my local record store is ginsberg-

deprived                                        thanks

=========================================================================

Date:         Wed, 4 Jun 1997 10:24:09 -0500

Reply-To:     Bob Fox <bfox@SIU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bob Fox <bfox@SIU.EDU>

Subject:      THE LIST

 

        The discussion of the numbers of BEAT-L members has me curious: is

200-250 a typical membership for a listserve such as this?  Does anyone

know?  Given the supposed global reach of the internet and the explosion of

interest in the Beat Generation, it strikes me that the membership of this

list is very limited.  Does this mean the existence of the list isn't

widely known?  Or that there isn't that much interest in this sort of

forum?  Or that fewer people are on-line than is supposed?  Or that

interest in the Beats is exaggerated?  What do you think?

=========================================================================

Date:         Wed, 4 Jun 1997 10:45:10 -0500

Reply-To:     Bob Fox <bfox@SIU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bob Fox <bfox@SIU.EDU>

Subject:      Ginsberg

 

        There is a piece by Paul Berman called "Allen Ginsberg's Secret"

published in the latest issue of the on-line magazine SLATE.  Go to

http://www.slate.com/ and look in the section called "Back of the Book."

 

Robert Elliot Fox

Associate Professor

Department of English

Southern Illinois University at Carbondale

Carbondale, Illinois 62901

618-453-6864

bfox@siu.edu

=========================================================================

Date:         Wed, 4 Jun 1997 12:42:00 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Withdrawal from Beat-l

 

Jerry Cimino wrote:

> 

> Now I've never been addicted to anything worse that potato chips, but I'm

> beginning to appreciate Junky more and more this last day or two as the

> Beat-l morphs into a new and different animal.

> 

> When I was backchanneling with Levi we were discussing one of the reasons he

> felt a need to take a break was because he said the Beat-l was taking over

> his life and he wasn't getting anything else done.   I said I was the same

> way, that I had gotten so consumed I had my mail icon sitting in a little

> window off to the side as I worked other applications and everytime that

> thing flashed "You Have Mail" (which was about every thirty seconds) I

> dropped everything and dove on it like a guy who hadn't eaten in a week.

> 

> My wife says she's glad to see the changes to the Beat-l as she now has her

> husband back!

> 

> If someone would like to call me a dirty name I'd be much obliged...

> 

> Jerry Cimino

 

I totally identify with what you're going through.  I think that this

beat-l community is probably the best one the internet.  I have been

thrilled to find it and to find other people of same mind sharing ideas.

 I know that it takes a lot of time, it takes over an hour or two of your

life every day. but it was exciting coming home to 82 messages every day

that were at the very least passionate in some way.  And, everytime I was

working in the computer, I too would click on that little mailbox to see

what was going on.  Maybe we should start drinking and writing in little

beat-l journals or something to ease the pain of 17 messages a day...

 

DC

=========================================================================

Date:         Wed, 4 Jun 1997 12:59:06 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      experiments in point of view

In-Reply-To:  <33915760.56CF@midusa.net>

 

ok gang. i'm sending out a three part experiment, which is part of new

project, to take several letters from one time period and (in this case)

one correspondent, and see what shapes what. and choices. and all that.

part I is original questionalbe poetry quicksketchtoss of what i had

gleaned in first readings (re readings)

parts 2 and 3 are prose pieces, which take each of both experiences

separately and yet still parallel.

ack.

so here goes:

TALKING TO MYSELF

fragments and scraps

 found in the attic

 

from some time in late sixites

 

(The original as i typed it and words fought for their rights to choose own

place in the neighborhood.)

I

talking to myself

 

i'm busy talking to myself

sweet marie,

ill write a letter

when something happens

right now i'm busy talking to myself                    i

 

there doth seem to be some truth                        refuse

in the babbling of the mad

 

TRUDGE                                                  to

 

i still dont know too many people                               have

as i cant remember my own name

 

in the local bar i sit down on a bar stool                      to

where all the toughs sit

 

i order a pitcher of beer.                                      work

i drink the whole thing.

 

have to report for draft physical                               for

late oct/early nov

no way out unless i flunk the physical                  a

 

i'm not going to eat                                            living

if dick gregory can do it

so can i                                                        *this*

 

write me because my tonsils are swelling again  is

and i think i'm going to die (make it airmail)

 

alternate step 1 of master plan B:                              my

(master plan A was to lose my leg and 3 fingers

master plan A alternate was to have the                 manifesto

draft board

members

lose a leg and 3 fingers).                                      steal

 

master plan B was to go to canada

which brings us to alternate step 2                     if

of master plan B

 

i'll show up with all my plans

writ down plain and clear                                       you

 

there doth be some truth

in the babbling of the mad                                      need

 

i truely hope i will be recognized as such.             direction

 

 

 I I

right now i'm busy talking to myself

 

hey sweet marie,

got yr postcard. typical.

i'll write a letter when something happens. right now i'm busy talking to

myself. i'm sitting here at the bar, enscribing this to you on the head of

a pin, and finding within my infinite self that there doth be some truth in

the babbling of the mad after all.

so here i am,

i'm sitting here driving home from the ladies banquet , thinking of a

revenge suitable for all occasions, unless, of course, it's been done

before.

 

Trudge.

later, i thumb a ride in the rain.

guy leans over and says howdy,

friendly like,

ok, my long hair and all,

i bite.

"so what's to be seen or done in the area, eh?"

"i still don't know too many people

as i cant remember my own name"

i get off shortly afterward.

 

before i talk any more,

i have to beg

write me as my soul dwindles away..

also, please do not lose my letters as you most likely be able to cash in

on them when i write my memoirs.

 

and if my stories seem a bit thin, its because i still don't know too many

people, as i cant remember my last name.

 

III

the draft board blues

the other night i go to my bar feeling really blue and lonely and damned

rowdy. Sit down at the bar, (where all the toughs sit) and order a pitcher

of beer. I drink the whole thing and  and notice this asshole sitting next

to me (attitude counts in these places of worship). So he's sitting there

smoking cigarettes and flicking the ashes like he was shoveling dirt,

kicking the bar when he wanted another beer, slamming his glass on the bar

every time he took a sip. all of a sudden (halfway through my secon beer

pitcher) a dylan song (off blonde on blonde) comes on the jukebox and this

dude starts singing it- and i say to myself, 'this dont mix" - so i give

him some of my garlic bread and ask him, "who in fuck do YOU know  bob

dylan??

well, turns out his father used to play bad guitar for johnny cash but

turned into an alcoholic and cash dropped him..

i thought he was full of shit so i asked him over to blow some dope, he

says ok and we stagger out of the bar into his car. (i couldnt find

colorado U for half an hour (mind you i walked there in 5 min).

finally we get to my room, dead drunk and stoned out of our minds, i ask

him if he wants to see my guitar, he says ok, but said he couldn't play

because he was left handed. I upped the ante, "well, pard, you're in luck.

so am i." i gave him the guitar.

..and he entertained me for 3 hours, waking up the entire floor with our

sining and footstoping. the dude was fantastic. i couldnt believe it. then

he was gone.

end of story.

bruce

ps please write back because my tonsils are swelling again and i think i'm

going to die. (air mail?)

=========================================================================

Date:         Wed, 4 Jun 1997 12:05:51 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Ginsberg

In-Reply-To:  <l03010d03afbaf73d4c90@[131.230.145.137]>

 

>        There is a piece by Paul Berman called "Allen Ginsberg's Secret"

>published in the latest issue of the on-line magazine SLATE.  Go to

>http://www.slate.com/ and look in the section called "Back of the Book."

> 

>Robert Elliot Fox

>Associate Professor

>Department of English

>Southern Illinois University at Carbondale

>Carbondale, Illinois 62901

>618-453-6864

>bfox@siu.edu

 

In the process of using the most recent Netscape Gold to go to Slate (my

first time there) to read--and download-- Berman's piece I had to refuse

seven requests to have a "cookie" placed on my computer.

 

This cookie business is almost as outrageous as when Netscape (and others)

were placing them on computers and not letting people know they were there.

 

If you have had a server for a while, check deeply and there's a good

chance you'll find one.

 

Long before these software giants ever admitted that cookies existed a web

colleague and I found them and couldn't figure out what they were for. We'd

delete them and they'd be back the next day. Netscape would not asnswer

questions about them.  List members must know by now that "cookies"

provides the organization that placed it with a direct line into your

computer, your computer travels, and AG only knows what else.

 

This kind of intrusive crap really wears me out.

 

So it goes.

 

j grant

 

 

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Wed, 4 Jun 1997 13:38:59 EDT

Reply-To:     Joe <100106.1102@COMPUSERVE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe <100106.1102@COMPUSERVE.COM>

Subject:      wanted - spiritual mentor

 

wanted, spiritual mentor

 

inspired by kerouac, burroughs, nietzsche, gaarder, wilde,

huxley, voltaire & dickens i need guidance crossing the road.

 

more a lust for wisdom than a plea for help, gurus need

not apply.

 

joe

newcastleunitedkingdom

=========================================================================

Date:         Wed, 4 Jun 1997 20:20:18 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: wanted - spiritual mentor

In-Reply-To:  <970604173858_100106.1102_EHU32-2@CompuServe.COM>

 

joe writes:

>wanted, spiritual mentor

> 

>inspired by kerouac, burroughs, nietzsche, gaarder, wilde,

>huxley, voltaire & dickens i need guidance crossing the road.

> 

>more a lust for wisdom than a plea for help, gurus need

>not apply.

> 

>joe

>newcastleunitedkingdom

> 

> 

joe,

it's not picnic

blurs

blur

---

yrs

Rinaldo.

=========================================================================

Date:         Wed, 4 Jun 1997 15:54:20 -0400

Reply-To:     Carrie Sherlock <csherloc@UOGUELPH.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Carrie Sherlock <csherloc@UOGUELPH.CA>

Subject:      Re: THE LIST

Comments: To: Bob Fox <bfox@SIU.EDU>

In-Reply-To:  <l03010d02afbaf0fcd46f@[131.230.145.137]>

 

Please take me off the list.

=========================================================================

Date:         Wed, 4 Jun 1997 13:38:52 -0700

Reply-To:     Malcolm Lawrence <Malcolm@WOLFENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      When was June ever wed so weary

 

When was June ever wed so weary

with the white caps

and the waves

wondering if

the wind were winding

up into a whistle

to fall on your withering grave

 

While I sat lonely

while I stood gazing

while I swam nude

into the sun

Maison du Soleil

saluting a sight

you always beheld

in the middle of your palm

 

I gave you the land

I gave you the seas

you took the roads

and shook the rails

swallowing, falling

kneeling, climbing

pastures, churches

cities, jails

 

I have the circuits

mine is the cable

that lies frayed

at the edge of the world

just a livewire

thrashing in tune to the flame

where the evening nestles, sleeps and curls

 

Some say I'm happy

some say I'm busy

some say I miss you more than you need

all that I ask

is a fresh round of snakebites

and you

top of the table

for me to see

 

--Malcolm Lawrence

=========================================================================

Date:         Wed, 4 Jun 1997 13:40:15 -0700

Reply-To:     Malcolm Lawrence <Malcolm@WOLFENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      The Meaning of Life

 

Afternoon, all...

 

For all you Tom Waits fans out there in the cyberlounge...

 

A few years back Time/Life came out with a couple of coffee table books

called The Meaning of Life and More Reflections on the Meaning of Life,

where they ask very prominent people from all walks of life what they

thought the meaning of life was.

 

Enjoy

 

Malcs

 

---------------------------------------

 

While Calamity Jane in a slow burlesque plays catch in a bone yard way at

the top of a two-legged mare

it was a good night full of bad dreams with flat champagne and leaves in my

hair, still shooting at birds with a violin bow

first whisper your dreams in your children's ears making them safe as a

hurricane dangling from a spider web

and across the plate with a swing and a crack with just a skull for a ball

and a leg-bone bat

and all I remember are sparkle rocks, blue horses and flamingos as the

train begins to slow

and I always saw better when my eyes were closed

 

--Tom Waits

=========================================================================

Date:         Wed, 4 Jun 1997 17:09:58 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      last revision of experiment

In-Reply-To:  <9704248645.AA864508671@Mail.ff.cc.mn.us>

 

Talking to myself

fragments and scraps from years past

 

 

I

 

i'm busy talking to myself,

sweet marie,

i'll write a letter

when something happens

right now i'm busy talking to myself                    i

 

there doth seem to be some truth                        refuse

in the babbling of the mad

 

TRUDGE                                                  to

 

i still dont know too many people                               have

as i cant  remember my own name

 

in the local bar i sit down on a bar stool                      to

(where all the toughs sit)

 

i order a pitcher of beer.                                      work

i drink the whole thing.

 

have to report for draft physical                               for

late oct/early nov

no way out unless i flunk the physical                  a

 

i'm not going to eat.                                           living

if dick gregory can do it

so can i                                                        *this*

 

write me because my tonsils are swelling again  is

and i think i'm going to die (make it airmail)

 

                        my

                        manifesto!

                                        steal   it

                                                                if

 

 

                                                you

 

there doth be some truth

in the babbling of the mad                                      need

 

i truely hope i will be recognized as such.             direction

 

 

 I I

right now i'm busy talking to myself

 

hey sweet marie,

got yr postcard. typical.

i'll write a letter when something happens. right now i'm busy talking to

myself. i'm sitting here at the bar, enscribing this to you on the head of

a pin, and finding within my infinite self that there doth be some truth in

the babbling of the mad after all.

so here i am,

i'm sitting here

driving home from the ladies banquet ,

thinking of a revenge suitable

for all occasions.

 

 

later, i thumb a ride in the rain.

guy leans over and says howdy,

friendly like,

ok, with my long hair and all,

so i bite and ask him,

"so what's to be seen or done in the area, eh?"

welp, he replied

"i still don't know too many people

as i cant remember my own name"

i get off shortly afterward.

 

before i talk any more,

i have to beg

write me as my soul dwindles away..

also, please do not lose my letters as you most likely be able to cash in

on them when i write my memoirs.

 

and if my stories seem a bit thin, its because i still don't know too many

people, as i cant remember my  name.

 

III

i do the scene

 

the other night i go to my bar feeling really blue and lonely and damned

rowdy. Sit down at the bar, (where all the toughs sit) and order a pitcher

of beer. I drink the whole thing and  and notice this asshole sitting next

to me (attitude counts in these places of worship). So he's sitting there

smoking cigarettes and flicking the ashes like he was shoveling dirt,

kicking the bar when he wanted another beer, slamming his glass on the bar

every time he took a sip. all of a sudden (halfway through my second beer

pitcher) a dylan song (off blonde on blonde) comes on the jukebox and this

dude starts singing it- and i say to myself, 'this dont mix" - so i give

him some of my garlic bread and ask him, "HOW  in fuck do YOU know  bob

dylan??

well, turns out his father used to play bad guitar for johnny cash but

turned into an alcoholic and cash dropped him..

i thought he was full of shit so i asked him over to blow some dope, he

says ok and we stagger out of the bar into his car. i couldnt find the dorm

for half an hour (mind you i walked there in 5 min).

finally we get to my room, dead drunk and stoned out of our minds, i ask

him if he wants to see my guitar, he says ok, but said he couldn't play

because he was left handed. I upped the ante, "well, pard, you're in luck.

so am i." i gave him the guitar.

..and he entertained me for 3 hours, waking up the entire floor with our

singing and footstomping. the dude was fantastic. i couldnt believe it.

then he was gone.

end of story.

ps please write back because my tonsils are swelling again and i think i'm

going to die. (air mail?)

lefty

 

 

IV

 

THE DRAFT

 

again, somewhere sometime in late 60s

 

sweet marie:

i have to report for my draft physical in late oct, early nov. my number's

up, pal. unless, of course i flunk the physical, and believe me i am

working on it. have on board speed, limitless blotter, and other brain toys

to keep me sleep deprived and hinky. also have stopped eating , going for a

50 pound drop asap: hey if dick gregory can fast, so can i and i bet i'll

have more fun.

ok enough of that.

listen.

there are alternate plans in case i turn out to be staggeringly healthy.

alternate step one of master plan B:

        (master plan A was to lose my leg and three fingers. master plan A

alternate was to have the draft board members each lose a leg and 3

fingers. ok so i'm not that goulish a guy, which brings me to plan B: go to

canada. i dont have nearly the neccessary quantities of longjohns, so i

skipped immediately to

scrounging round my brain for alternate plan B.

        you'll know it as soon as i do,

        but dont be surprised if i show up at yr bedroom floor

etc et al

lefty

=========================================================================

Date:         Wed, 4 Jun 1997 14:10:29 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Re: wanted - spiritual mentor

 

>To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>wanted, spiritual mentor

> 

>inspired by kerouac, burroughs, nietzsche, gaarder, wilde,

>huxley, voltaire & dickens i need guidance crossing the road.

> 

>more a lust for wisdom than a plea for help, gurus need

>not apply.

> 

>joe

>newcastleunitedkingdom

 

Joe,

Quick.  Look.  Left.

 

                              James M.

Hope that helps.

=========================================================================

Date:         Wed, 4 Jun 1997 17:07:59 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Burroughs in _Time_

 

Don't know if anyone has pointed this out yet, since I cannot seem to

keep up with the volume of correspondence on this service: last week's

_Time_ (2 June 1997) has a photo of Burroughs in the People section

(p. 90). The segment is titled "The Four Off Ramps of the Apocalypse,"

and the article reads as follows: "If U2 has it right, life as we know

it will end in the greatest traffic snarl in history. The Irish rockers

almost caused it last week, when they made a video for the ARmageddon-

theme song _Last Night on Earth_ from their new CD _Pop_. Motorists in

Kansas City, Mo., got a glimpse of hell: highways were closed, city streets

were blocked, and police corralled hundreds of fans. In the video, author

WILLIAM BURROUGHS, 84, whose nihilistic novels have influenced U2 front

man BONO, embodies a malign force that brings down civilization. Symbolizing

the band's dim view of a rampant consumer culture (but they will happily

sell you a CD!), frail Burroughs pushes a shopping cart out of the dead

city. The band hopes to shoot two more videos during its Pop-Mart tour

in the U.S., says manager Paul McGuinness. Commuters, beware! The end is

nigh."

Michael Skau

6/4/97

=========================================================================

Date:         Wed, 4 Jun 1997 15:20:30 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Floyd Salas

 

                    June 4, 1997

To all the Good and Friendly (and Dwindling) Folk on the Beat-L:

        My heart gets sad thinking about Jan Kerouac being dead one year

already, tomorrow.

        But I'd like to share some glad tidings with you too.

        I've been asked to present the the First Annual PEN West Literary

Censorship Award on Saturday night, June 7, at the Pro Arts Gallery in

Oakland, 6PM, to Floyd Salas.  (Other PEN WEST Josephine Miles literary

awards will be presented that night too--it's five bucks at the door,

Ishmael Reed will be on hand, and well worth the price for those in or near

the Bay Area.)

        I want to recommend to all of you, that you check out the works of

Floyd Salas, an amazing man and writer.  Started off as a street kid, a

tough guy, on the streets of Oakland, one brother a gangster, the other a

lonely gay pharmacist who committed suicide.  Hispanic background, in fact a

descendant of Coronado, I believe.

        Salas became a semi-pro boxer, won countless matches, but decided he

really wanted to be a writer.  Wrote a book about homosexual rape on a

California prison farm (he'd been in jail himself) called TATTOO THE WICKED

CROSS.  Nobody wanted to touch it till Nelson Agren recommended it to his

agent Candida Donadio.  Donadio sold it, and it got rave reviews when it

came out around 1960--and Floyd won a succession of awards.

        But he kept writing down and dirty stuff, he was part of the big

student strike at San Francisco State in 68 (which he wrote about in a novel

called LAY MY BODY ON THE LINE).  It got knocked hard by the critics for

attacking the U.S. govt. and the way the govt. used all kinds of dirty

tactics in those days--surveillance and provocateurs, etc.--to kill dissent.

His followup novel, STATE OF EMERGENCY, didn't get published for almost 20

years--and finally came out last year from Arte Publico.

        In the meantime Salas has published poems, a great novel about the

drug dealers of the Haight Ashbury called WHAT NOW MY LOVE? and an even

greater nonfiction autobiography called BUFFALO NICKEL.

        Check this man out.  65 years old, coached boxing at Cal up till a

year ago, looks at most 50 (body in great shape, mind still amazing).

        Honored to be a friend of his.

        Let Salas be a lesson to you.  This list is just getting its second

wind.

                                                -- Gerry Nicosia

=========================================================================

Date:         Wed, 4 Jun 1997 17:12:23 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: wanted - spiritual mentor

 

James,

 

        Lots of tourists get killed by looking left before they realize that

in the UK cars are coming from the right!! Good advice in priciple though....

 

        Anybody better qualified than me going to offer Joe some non-guru

guidance?

 

        I'd hate to have to offer him Kalil Gibran as the solution to the

meaning of life!  ...and that was after ridding myself of an unhealthy

interest in Aleister Crowly!

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 4 Jun 1997 17:12:25 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Tom Waits' meaning?

 

Malcolm,

 

        Do you know if those are some of his song lyrics?  ...or written for

the book? Don't recognize the lyrics, although I can recognize him.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 4 Jun 1997 17:12:27 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Neophyte

 

Ricky,

 

        For a place to find recordings and make orders, there are tons of

places that can help on the web oncluding WaterRow Books and

WWW.kerouac.com; Mercury has an interesting site for their "mouth almighty"

spoken word records label. They put out the recent release of ginsberg's

titled "Ballad of the Skeletons" - recommended, despite being three versions

of one song and one other song...but great songs/poems.

 

        If you're a fan of Philip Glass, "Hydogen Jukebox" with libretto and

some spoken word passages by Allen is excellent. The Kronos Quartet have an

interesting recording called "Howl, U.S.A." with a recording of an

accompanied Howl and Footnote to Howl. It also has Harry Partch's "Barstow:

eight hitchhikers' inscriptions from a highway railing at Barstow,

California" and pieces by Michael Daugherty and Scott Johnson.

 

        For straight ahead poetry, "Howls, Raps, and Roars ahs one of four

CDs given over to Ginsberg, and "Holy Soul, Jelly Roll" is all Ginsberg

[don't have it and haven't listened to it].

The Beat Generation put out by Rhino has some Ginsberg as well as lots of

other cool - and occasionally cheesy, but interesting - stuff.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 4 Jun 1997 23:33:56 +0100

Reply-To:     or205@HERMES.CAM.AC.UK

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      Re: Burroughs in _Time_

In-Reply-To:  <199706042208.RAA21607@cwis.unomaha.edu>

 

On Wed, 4 Jun 1997, Michael Skau wrote:

 

> Don't know if anyone has pointed this out yet, since I cannot seem to

> keep up with the volume of correspondence on this service: last week's

> _Time_ (2 June 1997) has a photo of Burroughs in the People section

> (p. 90). The segment is titled "The Four Off Ramps of the Apocalypse,"

> and the article reads as follows: "If U2 has it right, life as we know

> it will end in the greatest traffic snarl in history. The Irish rockers

> almost caused it last week, when they made a video for the ARmageddon-

> theme song _Last Night on Earth_ from their new CD _Pop_. Motorists in

> Kansas City, Mo., got a glimpse of hell: highways were closed, city streets

> were blocked, and police corralled hundreds of fans. In the video, author

> WILLIAM BURROUGHS, 84, whose nihilistic novels have influenced U2 front

> man BONO, embodies a malign force that brings down civilization. Symbolizing

> the band's dim view of a rampant consumer culture (but they will happily

> sell you a CD!), frail Burroughs pushes a shopping cart out of the dead

> city. The band hopes to shoot two more videos during its Pop-Mart tour

> in the U.S., says manager Paul McGuinness. Commuters, beware! The end is

> nigh."

> Michael Skau

> 6/4/97

 

Oh, for Christ's sake....

=========================================================================

Date:         Wed, 4 Jun 1997 17:38:37 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: wanted - spiritual mentor

Comments: To: Antoine Maloney <stratis@ODYSSEE.NET>

 

Antoine Maloney wrote:

> 

> James,

> 

>         Lots of tourists get killed by looking left before they realize that

> in the UK cars are coming from the right!! Good advice in priciple though....

 

just don't look period.  (and a nice glossy of Nancy Reagan)

> 

>         Anybody better qualified than me going to offer Joe some non-guru

> guidance?

> 

>         I'd hate to have to offer him Kalil Gibran as the solution to the

> meaning of life!

 

that one brought a laugh.  i distinctly remember stealing his book

Madman cuz i'd never seen it and couldn't afford it.  i use to call that

"liberating" books.

 

i'll take a guru with a shopping cart and one eye on the apocalypse and

the other down the sinkhole.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 4 Jun 1997 20:16:44 -0400

Reply-To:     ty <ursus@RIVER.GWI.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         ty <ursus@RIVER.GWI.NET>

Subject:      Re: FYI: Lowell CELEBRATES Kerouac!

In-Reply-To:  <19970424.145043.10646.0.madhatter20@juno.com>

 

On Wed, 23 Apr 1997, Richard D Raymond wrote:

 

>   Read about your kerouac- fest and am interested.  send info to: ricky

> raymond- 44 fortescue rd. newport, nj 08345. thanks

> 

 

     woah, i must've missed this... what's the story on this?

=========================================================================

Date:         Wed, 4 Jun 1997 21:58:25 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Robert Peters & The XXX Hoover

 

In a message dated 97-06-04 06:52:11 EDT, you write:

 

<< The Hunting Of The Snark is an unrecog-

 nized classic in the field. Jesus, it's good! I'm taking my time with

 it so as not to miss anything. >>

 

Richard:

I got my copy when I got back. It should be read by anyone who continues with

poetry.  I have attempted to forward your post to Bob. I hope it works, he's

still fumbling with his computer. Give him a jolt if you want.

Charley

=========================================================================

Date:         Wed, 4 Jun 1997 21:59:42 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: sad state of affairs

 

In a message dated 97-06-04 07:00:22 EDT, you write:

 

<< Caught me tonight as one of the most thoughfull

 ones I have read in my time on this list. >>

 

Yeah me too. I read it twice now thwee times!

Charles Plymell

=========================================================================

Date:         Wed, 4 Jun 1997 22:02:35 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Withdrawal from Beat-l

 

David:

Hooked in your mailbox with your flag up.

Charley

=========================================================================

Date:         Wed, 4 Jun 1997 22:11:16 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: CORNIX instead of COMIX

 

In a message dated 97-06-04 08:10:55 EDT, you write:

 

<< Kansas I absolutely loved.  First of all it's an insanely good poem.

 (Where can I find it in normal lines for my old fashioned brain).  The

 speed was perfect I thought.  For awhile I had in going in perfect synch

 with Luther Allison rocking out and it was one of those perfect things.

 The poem was just rockin.

 

 I still wish there was a way to tweak Cornix so that you could get

 rhythm into a line, or give some words more time.  Or hook words

 together so that phrases flash sometimes not just single words.  Also I

 was noticing that differing word lengths were hard for me.  My eye must

 be slow or I was too close to my monitor.  I'll spend some more times

 with these.

  >>

 

James:

And thanks for that little comparison I had to delete for Rod Anstee would be

on my ass again for self-promotion. Thanks for to others I will respond to

about Cornix. My computer lays the words dead on the screen. The only chance

I had to see my poems in action was at Patricia's in Lawrence and we had

conversations over them. I did sense that some work well and others do not.

There is a wonderfully detailed post about line breaks and rhythym that I

might repost. It fascinates me. Also I work in a learning center part time

with students who have all sorts of trouble with language access and I'm

developing some ideas about its application in a digital environment rather

than the old linguistic mind chunk analog environment.

Charles Plymell

=========================================================================

Date:         Wed, 4 Jun 1997 23:02:43 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: CORNIX instead of COMIX

 

In a message dated 97-06-04 10:30:17 EDT, you write:

 

<< I love this. The words come pouring out in a stream that I think works

very

 well with any "stream of consciousness" or "first thought/best thought" or

 "spoken idiom" style of writing.

 

 Looking at "Committee" again makes me think this computerized technique has

 merit and is worth further study, but I have some problems with the Cornix

 applet in general.

  >>

Michael:

Thanks for your wonderful analysis of CORNIX and your feedback. As I've

mentioned before I have been a writing teacher for many years and have used

the mind chunk "analog" that has been accepted, but I am running into what I

call a "digital" generation that is visually word fixated and use a rapidly

changing private vocabularies. As a teacher my expected inferential and

"gist" references seem to be loosing out. Of course it can be that I am

getting crazier and more incoherent too.

Charles Plymell

=========================================================================

Date:         Thu, 5 Jun 1997 00:16:49 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: last revision of experiment

 

Marie Countryman wrote:

> 

> Talking to myself

> fragments and scraps from years past

> 

> I

> 

> i'm busy talking to myself,

> sweet marie,

> i'll write a letter

> when something happens

> right now i'm busy talking to myself                    i

> 

> there doth seem to be some truth                        refuse

> in the babbling of the mad

> 

> TRUDGE                                                  to

> 

> i still dont know too many people                               have

> as i cant  remember my own name

> 

> in the local bar i sit down on a bar stool                      to

> (where all the toughs sit)

> 

> i order a pitcher of beer.                                      work

> i drink the whole thing.

> 

> have to report for draft physical                               for

> late oct/early nov

> no way out unless i flunk the physical                  a

> 

> i'm not going to eat.                                           living

> if dick gregory can do it

> so can i                                                        *this*

> 

> write me because my tonsils are swelling again  is

> and i think i'm going to die (make it airmail)

> 

>                         my

>                         manifesto!

>                                         steal   it

>                                                                 if

> 

>                                                 you

> 

> there doth be some truth

> in the babbling of the mad                                      need

> 

> i truely hope i will be recognized as such.             direction

<parts II, III, IV, snipped for easier reply through cyberspace>

 

Hi Marie.  I'm very intrigued by this experiment.  I don't know exactly

where to jump in, but while the multiple forms of what you are creating

parallel one another they affect the reader in tremendously different

ways: Part 1, poetry; Part II, prose and semi-poetry; parts III and IV as

more storytelling prose.  The Talking to myself part one evokes much more

emotion and a sense of leaving you hanging there thinking, which really

works.  There's sort of an irony there that is missing in the prose.  I

would be tempted to expand the poetry of part one with more detail from

the environment created in the prose.  Also, because the experiences are

based on correspondence from someone else during one period of time, you

are in fact processing his thoughts and emotions at that time before

feeding it out to us again, reflecting his experience off of your own

experience and into ours.  You not telling a story but retelling a story

(time, place, feeling, whatever).  I think that something is lost in the

retelling that is not lost in the poetry.  What do you think of doing the

"I do the scene" as total stream of consciousness from his mind, putting

you directly in that place and time instead of describing it?  Does any

of this make any sense?

DC

=========================================================================

Date:         Wed, 4 Jun 1997 22:58:41 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      travels

 

One of the interesting things about beat literature is that so many of

the players are still playing and their influence net is so productive.

I was sad when the coming and goings of people related to the beat

literature net work was called not apporpriate to the list.  I love

hearing that ken k was traveling and putting himself out there.

I like recycling, i read the books i have gotten something out of more

than once. I love putting  things in a variety of contexts, the next

cycle is so often deeper or richer.  When i met edie k, i gained at

least a broader picture of jk as a man, from her stories and from her

persona.

I also met her not just as jk's exwife but someone who obviously was a

peice of the fabric.   I am interested in the odd little details, like

what did they eat,

how did people meet.  I remember hearing a story about jk and wsb being

in chicago at the d convention and they eating lunch together. I

caredwondered what they ate and what they drank.

i appreciatted meeting Charles and Billy plymell, I got a little

overwhelmed and was abrupt with my exit, my friends teased me that not

everyone was comfortable with my 10 second exits. but i have been

reading plymell this week, he left this great site bookmarked on my

puter , my daughter has been showing her friends the compelling single

word stories. Her fascination with language grows.  we are very lucky

that those that play have graced this list, it is a list of writers and

readers. I am not scholarly but appreciate the scholars. most of this is

selfish, I love the power of the word, the rythms the visions. back to

lurking.

p

=========================================================================

Date:         Thu, 5 Jun 1997 03:03:09 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Unsubscribe me from the Dylan list

 

Hey:

 

In order to be different and revealing the desperation to do so, I have

unsubscribed to the Dylan mail list because I like this one better.  I

am about to do the same with the Celtic list.

 

Interesting.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 5 Jun 1997 05:23:13 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      spirits for Antoine

 

pulled that old 'liberated' Gibran off the shelf.

 

Here's a clip i always laughed a lot at:

 

[Soundtrack: 'Silent Night Holy Knight - by Lou Reed]

 

THE GOOD GOD & THE EVIL GOD

 

The Good God and the Evil God met on

the mountain top.

The Good God said, "Good day, to you,

brother."

The Evil God made no answer.

And the Good God said, "You are in a

bad humour today."

"Yes," said the Evil God, "for of late I

have been often mistaken for you, called

by your name, and treated as if I were you,

and it ill-pleases me."

And the Good God said. "But I too have

been mistaken for you and called by your

name."

The Evil God walked away cursing the

stupidity of man......

 

____________________

 

on the subject of spiritual advise

which you'd answered yesterday

to someone who'd wanted

non-guru-ic advice of such character,

i was thinking the first

requirement would be to

determine

what your soul is worth

if it is worth more or less

than 2 cents,

probably ought to jump back

down the drain and come

back in a new life with the

morning shower.

Then if it is worth

precisely 2 cents

it is far too easily

bought or sold.

All this is just a note

passing on to the original

questioner

of sorts

wondering why one looks

outside for

spirit

when spirit is inside

and my spirit is

not your spirit

and so my advice

could at best be

disguised guruism.

 

listen to a cricket

speak for two hours

a day

until you understand

the melody

while eating an apple

a day

and keep those spiritual

advisors at bay !!!!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 5 Jun 1997 05:55:57 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: CORNIX instead of COMIX

Comments: To: CVEditions@AOL.COM

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-06-04 08:10:55 EDT, you write:

> 

> << Kansas I absolutely loved.  First of all it's an insanely good poem.

>  (Where can I find it in normal lines for my old fashioned brain).  The

>  speed was perfect I thought.  For awhile I had in going in perfect synch

>  with Luther Allison rocking out and it was one of those perfect things.

>  The poem was just rockin.

> 

>  I still wish there was a way to tweak Cornix so that you could get

>  rhythm into a line, or give some words more time.  Or hook words

>  together so that phrases flash sometimes not just single words.  Also I

>  was noticing that differing word lengths were hard for me.  My eye must

>  be slow or I was too close to my monitor.  I'll spend some more times

>  with these.

>   >>

> 

> James:

> And thanks for that little comparison I had to delete for Rod Anstee would be

> on my ass again for self-promotion. Thanks for to others I will respond to

> about Cornix. My computer lays the words dead on the screen. The only chance

> I had to see my poems in action was at Patricia's in Lawrence and we had

> conversations over them. I did sense that some work well and others do not.

> There is a wonderfully detailed post about line breaks and rhythym that I

> might repost. It fascinates me. Also I work in a learning center part time

> with students who have all sorts of trouble with language access and I'm

> developing some ideas about its application in a digital environment rather

> than the old linguistic mind chunk analog environment.

> Charles Plymell

 

it seems that 'tweaking' can take place by altering the font size of the

text to create rhythm.  i noticed certain words POP OUT or not more or

less so depending on their font-size.  Now currently, those would be

somewhat at random because the sizes are somewhat associated with how

one would expect them to be written to be read on the printed page.

With experimentation, it seems that Bolding, in quotes, underlined, and

huge font (sounds like something from Alice's Restaraunt) guarantees

emphasis.  Now, i have next to no talent and creating anything akin to a

bop in my writing.  mine is the style of the racey bee whose lots its

bop.  but i think that one could play with this textual device to

provide rhythmic hints in the digitalized form.  Does that make sense to

anybody else????

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 5 Jun 1997 08:16:09 -0400

Reply-To:     Jay S Gertz <jgertz@BULLDOG.UNCA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jay S Gertz <jgertz@BULLDOG.UNCA.EDU>

Subject:      Re: Neophyte

Comments: To: Antoine Maloney <stratis@ODYSSEE.NET>

In-Reply-To:  <199706042112.RAA00393@biggs.microtec.net>

 

What about Holy Soul Jellyroll, poems and songs 1949-1993? Rhino WordBeat.

4 cd's. (Ginsberg). Also Jack Kerouac, 3 cd's also on Rhino WordBeat.

Kleb

=========================================================================

Date:         Thu, 5 Jun 1997 09:11:40 EDT

Reply-To:     mhemenway@S1.DRC.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Hemenway <mhemenway@S1.DRC.COM>

Subject:      lowell keroauc festival

 

Lowell Celebrates Kerouac!, Inc

P.O. Box 1111, Lowell, MA 01853

 

10th ANNUAL FESTIVAL CELEBRATES JACK KEROUAC'S VISION OF LOWELL

 

In case anyone missed it, here's the post on Lowell Celebrates Kerouac!

again.

 

Mark Hemenway

*****

 

FOR IMMEDIATE RELEASE                   PRESS CONTACT:

MAY 27, 1997                            Mark Hemenway:

                                        Day: 508-475-9090 ext 1239

                                        Evening: 508-458-1721

 

                                        PUBLIC INQUIRIES:

                                        1-800-443-3332

                                        508-458-1721

 

(Lowell, MA) The 10th Annual Lowell Celebrates Kerouac! Festival will take

place 2- 5 October in Lowell, MA. This year's theme will be Kerouac

Celebrates Lowell. We will celebrate and explore the real and the mythic

Lowell., Massachusetts that Kerouac brought to life in his writing.

 

The people and places of Lowell are central to Kerouac's work. Five of his

novels describe his childhood and youth in the city, and images and

references to his hometown appear in virtually every one of his works. His

descriptions of Lowell are remarkable for their beauty, power and

timelessness. Through them, millions of readers have come to know Lowell

as a universal hometown. Join us as we walk the wrinkly tar sidewalks and

redbrick alleys that Jack Kerouac wrote about in his novels and poetry.

 

Full Press Release Attached

 

 

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(+BX-"@T*#0IS

`

end

=========================================================================

Date:         Thu, 5 Jun 1997 09:14:23 EDT

Reply-To:     mhemenway@S1.DRC.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Hemenway <mhemenway@S1.DRC.COM>

Subject:      Lit Prize Repost

 

Here's a rerun of the guidlelines for the Jack Kerouac Literary Prize...

 

******

9th ANNUAL JACK KEROUAC LITERARY PRIZE- Guidelines

 

Experienced and emerging writers are invited to submit written works in

competition for the 9th Annual Jack Kerouac Literary Prize. This Prize

will consist of a $500 honorarium and an invitation to present the prize

winning manuscript at a public reading during the 10th Annual Lowell

Celebrates Kerouac! Festival in Lowell, MA from 2 through 5 October 1997.

 

SUBMISSIONS MUST MEET THE FOLLOWING CRITERIA:

 

1.      All works must be in English and not previously published.

 

2.      Submissions will be accepted between 1 March  1997 and 1 August

1997. Entries postmarked after 1 August 1997 will not be accepted. The

deadline for all entries is 1 August 1997.

 

3.      The author's name must not appear anywhere on the manuscript.

 

4.      Submissions must be accompanied by a 3x5 index card containing the

author's name, address, telephone number and manuscript title.

 

5.      Authors retain all rights and privileges to their work including

full copyright protection, but manuscripts will not be returned.

 

6.      An entry fee of $5.00 must accompany each submission. Please make

checks payable to: LOWELL CELEBRATES KEROUAC!

 

8.      Submissions must meet the following format requirements:

 

        FICTION:

        a. Submit one, typed, double-spaced copy of your manuscript;

b. Your entry must not exceed thirty (30) pages excerpted from a novel; or

a maximum of three (3) short stories with a combined length of thirty

pages or less.

 

        POETRY:

        a. Submit one typed copy of your manuscript;

b. Your entry must not exceed eight (8) poems with a combined length of 15

pages or less. No entry may exceed fifteen (15) pages.

 

        NON-FICTION:

        a. Submit one typed, double-spaced copy of your manuscript;

b. Your entry must not exceed thirty (30) pages excerpted from a volume,

or a maximum of three (3) essays with a combined length of thirty (30)

pages or less.

 

9. Submit all manuscripts to:

 

The Jack Kerouac Literary Prize

P.O. Box 8788

Lowell, MA 01853-8788

 

10. Authors will receive notification of the prize winner in September

1997.

 

The Jack Kerouac Literary Prize is sponsored by Lowell Celebrates

Kerouac!, Inc (a non-profit organization), The Estate of Jack and Stella

Kerouac, and Middlesex Community College.

=========================================================================

Date:         Thu, 5 Jun 1997 08:12:13 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: travels

 

Antoine Maloney wrote:

> 

> Hi (edited)Patricia,

> 

>         First off, I'm very envious of you having been able to spend time

> with Charles Plymell, not to mention EdieK and Burroughs and others - and

> for exactly the reasons you describe; the chance to hear about what they

> ate, were they listening to jive or doo-wop or Leadbelly or Lightenin'

> Hopkins or wh? ...all that stuff!. So, green with envy

> 

>         Secondly, what did you mean when you referred to the single word

> stories that your daughter was interested in?

> 

>         Thirdly, the exchanges between your daughter Lena (am I right?) and

> Charles and his son were charming to read. Was Ben somehow tied into that as

> well? or was that a serendipitous start? Ben was the 10 year old trapped on

> the Beat list.

> 

>         Regards, Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

dear antoine

 I had mentioned to lena that a 10 year old kid was trapped in the beat

list and wanted out,(she is 11) she was interested and i encouraged her

to write.

We have duel puter set up side by side, she is on trekie lists and knick

lists.  She had a great time with the plymell visit, she has a great

time a lot.

The site with the single word at a time is

http://www.buchenroth.com/cplymell.html

click on the kansas poem , it is a unique site. our house is hitting it

often, every one here laughed when they read charly's remark about

conversation going on when he saw it here, i am a motor mouth.

Lena has visited williams house a couple of times and thinks of it as a

wonderful cat haven with real interesting art. Alas most of my writing

friends houses are very boring for her in comparison. She notices art

more than me, ( and i love his art, have since i first saw it) she

remembers details.

i posted this to the beat list, i hope this is the correct procedure.

p

=========================================================================

Date:         Thu, 5 Jun 1997 09:17:28 EDT

Reply-To:     mhemenway@S1.DRC.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Hemenway <mhemenway@S1.DRC.COM>

Subject:      open Kerouac/Beat Photo Exhibition

 

Open Photography Exhibition.

 

Photographers of all ages, experience and media are invited to participate

in an open exhibition of photographic images inspired by Jack Kerouac or

the Beats during the 10th Annual Lowell Celebrates Kerouac! Festival. The

exhibition is sponsored by the Whistler House Museum of Art and Lowell

Celebrate Kerouac!  For guidelines, send a SASE to  Beat Exhibition, 243

Worthen St,  Lowell,  MA 01852.

=========================================================================

Date:         Thu, 5 Jun 1997 09:02:10 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JWHasbrouck <jhasbro@TEZCAT.COM>

Subject:      Spring '53

 

Regarding the spring of 1953....

 

Comparing THE YAGE LETTERS by Burroughs with Ginsberg I notice that the

dating of the correspondence doesn't jive with THE SELECTED LETTERS OF

WILLIAM S. BURROUGHS. Nor does the narrative flow. It appears that Bill

and Allen took considerable liberty when editing TYL to achieve a

specific effect, which they certainly did. Comparison of the two groups

of letters has me considering the conscious myth-making tendency of the

Beats (with which I have no problem, and, in fact, dig a lot) contrasted

to THE FACTS.

 

John Hasbrouck

Chicago

 

=========================================================================

Date:         Thu, 5 Jun 1997 10:28:43 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: Neophyte

Comments: To: Jay S Gertz <jgertz@BULLDOG.UNCA.EDU>

 

Jay S Gertz wrote:

 

> What about Holy Soul Jellyroll, poems and songs 1949-1993? Rhino

> WordBeat.

> 4 cd's. (Ginsberg). Also Jack Kerouac, 3 cd's also on Rhino WordBeat.

> Kleb

 

 What about Ken Nordine (sp?)?

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 5 Jun 1997 10:26:56 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Spring '53

Comments: To: JWHasbrouck <jhasbro@tezcat.com>

In-Reply-To:  <3396808F.3C04@tezcat.com>

 

On Thu, 5 Jun 1997, JWHasbrouck wrote:

 

> It appears that Bill and Allen took considerable liberty when editing TYL

> to achieve a specific effect, which they certainly did. Comparison of the

> two groups of letters has me considering the conscious myth-making

> tendency of the Beats (with which I have no problem, and, in fact, dig a

> lot) contrasted to THE FACTS.

 

Yeah the world didn't discover the Beats by accident. Loved reading the

findings from your experiment, and want to hear more.

 

m

=========================================================================

Date:         Thu, 5 Jun 1997 12:00:05 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: travels

 

Patricia Elliott wrote:

> 

> One of the interesting things about beat literature is that so many of

> the players are still playing and their influence net is so productive.

> I was sad when the coming and goings of people related to the beat

> literature net work was called not apporpriate to the list.  I love

> hearing that ken k was traveling and putting himself out there.

> I like recycling, i read the books i have gotten something out of more

> than once. I love putting  things in a variety of contexts, the next

> cycle is so often deeper or richer.  When i met edie k, i gained at

> least a broader picture of jk as a man, from her stories and from her

> persona.

> I also met her not just as jk's exwife but someone who obviously was a

> peice of the fabric.   I am interested in the odd little details, like

> what did they eat,

> how did people meet.  I remember hearing a story about jk and wsb being

> in chicago at the d convention and they eating lunch together. I

> caredwondered what they ate and what they drank.

> i appreciatted meeting Charles and Billy plymell, I got a little

> overwhelmed and was abrupt with my exit, my friends teased me that not

> everyone was comfortable with my 10 second exits. but i have been

> reading plymell this week, he left this great site bookmarked on my

> puter , my daughter has been showing her friends the compelling single

> word stories. Her fascination with language grows.  we are very lucky

> that those that play have graced this list, it is a list of writers and

> readers. I am not scholarly but appreciate the scholars. most of this is

> selfish, I love the power of the word, the rythms the visions. back to

> lurking.

> p

 

 

Excellently expressed.  I think that the comings and goings of people are

important too, the details of people's lives are woven in the fabric of

their words, so to speak, creating the bigger picture.

=========================================================================

Date:         Thu, 5 Jun 1997 10:23:02 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: travels

 

Diane Carter wrote:

> 

> Patricia Elliott wrote:

> >

> > One of the interesting things about beat literature is that so many of

> > the players are still playing and their influence net is so productive.

> > I was sad when the coming and goings of people related to the beat

> > literature net work was called not apporpriate to the list.  I love

> > hearing that ken k was traveling and putting himself out there.

> > I like recycling, i read the books i have gotten something out of more

> > than once. I love putting  things in a variety of contexts, the next

> > cycle is so often deeper or richer.  When i met edie k, i gained at

> > least a broader picture of jk as a man, from her stories and from her

> > persona.

> > I also met her not just as jk's exwife but someone who obviously was a

> > peice of the fabric.   I am interested in the odd little details, like

> > what did they eat,

> > how did people meet.  I remember hearing a story about jk and wsb being

> > in chicago at the d convention and they eating lunch together. I

> > caredwondered what they ate and what they drank.

> > i appreciatted meeting Charles and Billy plymell, I got a little

> > overwhelmed and was abrupt with my exit, my friends teased me that not

> > everyone was comfortable with my 10 second exits. but i have been

> > reading plymell this week, he left this great site bookmarked on my

> > puter , my daughter has been showing her friends the compelling single

> > word stories. Her fascination with language grows.  we are very lucky

> > that those that play have graced this list, it is a list of writers and

> > readers. I am not scholarly but appreciate the scholars. most of this is

> > selfish, I love the power of the word, the rythms the visions. back to

> > lurking.

> > p

> 

> Excellently expressed.  I think that the comings and goings of people are

> important too, the details of people's lives are woven in the fabric of

> their words, so to speak, creating the bigger picture.

 

and the details of import are different to different folks that follow

or are part of the story.  for example, my mother's details would be

"what we ate" if she gave a detailed description of the meals along as

we traveled somewhere.  i would be nearly oblivious to the "what we ate"

except to say "food" but would be interested in what i heard and

overheard and saw around the places we ate.  the details are different.

depending on our varied interests.  one's not better than the other -

the amount of difficulty in carefully articulating the details from one

perspective or another is very hard work.  the choice of the details

probably has a lot to say about the persona of the author.

 

i'm a sound and vision person.  taste and smell are not really in my

vocabulary.  i'm rambling.  i had a point.

 

oh well, the devil is in the details.

 

i was wondering, since the big estate game is over does that mean i'm

retired as devil???

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 5 Jun 1997 11:34:32 -0400

Reply-To:     DIXCIN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dixon Edmiston <DIXCIN@AOL.COM>

Subject:      Re: OFCS

 

On 6/4 Olly Ruff wrote:

 

      Oh for Christ's sake

 

  Ditto,

 

  Dixon

=========================================================================

Date:         Thu, 5 Jun 1997 09:38:56 -0600

Reply-To:     Denis Alcock <dalcock@FALSTAFF.UNM.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Denis Alcock <dalcock@FALSTAFF.UNM.EDU>

Subject:      Six Gallery

In-Reply-To:  <3396D9D6.7AB6@midusa.net>

 

Hi everyone!

 

I will be vacationing in San Francisco this weekend, and I would like to

check out some cool Beat haunts.  I've already visited City Lights and

Vesuvio.

 

I was wondering about the location of the Six Gallery reading.  Has anyone

visited the spot?  Comments and suggestions welcome.

 

Also, can anyone suggest a good USED bookstore in SF, particularly Beat

literature.

 

Thanks,

Denis

=========================================================================

Date:         Thu, 5 Jun 1997 11:44:27 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: Neophyte (Bid him whip)

In-Reply-To:  <3396CD1B.BE9A50A@scsn.net> from "R. Bentz Kirby" at Jun 5,

              97 10:28:43 am

 

> 

> Jay S Gertz wrote:

> 

> > What about Holy Soul Jellyroll, poems and songs 1949-1993? Rhino

> > WordBeat.

> > 4 cd's. (Ginsberg). Also Jack Kerouac, 3 cd's also on Rhino WordBeat.

> > Kleb

> 

>  What about Ken Nordine (sp?)?

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

> 

 

Thanks for reminding me that it's been too long since I've pulled Ken

Nordine from the CD rack.  Try his CD, *Upper Limbo*, especially the

cuts "Point of Time," "Kingdom of Noxt," and his reading of "The Emporer

of Ice Cream."

 

"Who do you mean?  Who can I call?  The roller of big cigars, of course.

He's the big guy.  The muscular one.  The one in the kitchen, who's

itching to do what he wants to do with his big, unlit cigar . . ."

 

Tony

=========================================================================

Date:         Thu, 5 Jun 1997 09:02:38 -0700

Reply-To:     e.lytle@ced.utah.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Lytle <e.lytle@CED.UTAH.EDU>

Organization: Sarcos Inc.

Subject:      Re: Neophyte

 

R. Bentz Kirby wrote:

 

> 

>  What about Ken Nordine (sp?)?

> 

 

        I was wondering when someone would bring up Ken Nordine.  WHAT A GREAT

VOICE.   If you haven't heard him,  you must.   I have several of his

recordings,  Best of Word Jazz,  Colors,  and Devout Catalyst.  All of

these are recommended,  but I would start with Word Jazz.

        Does anyone know if his show is still on NPR?  I live in Utah,  so

diversity ain't a high priority on the airwaves.  I've only heard his

NPR Word Jazz show once, sometime around 1990.  The word jazz concept

had developed into a wonderfully spatial experience,  with whispers and

fragments of prose bouncing around within the limits of my stereo

system.

        I also understand he did a few shows with the Dead.  Was anyone on the

list at those shows.  I can just imagine how Ken sounded, booming

through their sound system,  with Mickey in the back providing the deep

carpet of sound.  I think it was New Year's in Oakland,  early 90's.

 

-E

=========================================================================

Date:         Thu, 5 Jun 1997 13:12:05 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: travels

 

RACE --- wrote:

> 

> and the details of import are different to different folks that follow

> or are part of the story.  for example, my mother's details would be

> "what we ate" if she gave a detailed description of the meals along as

> we traveled somewhere.  i would be nearly oblivious to the "what we ate"

> except to say "food" but would be interested in what i heard and

> overheard and saw around the places we ate.  the details are different.

> depending on our varied interests.  one's not better than the other -

> the amount of difficulty in carefully articulating the details from one

> perspective or another is very hard work.  the choice of the details

> probably has a lot to say about the persona of the author.

> 

> i'm a sound and vision person.  taste and smell are not really in my

> vocabulary.  i'm rambling.  i had a point.

>You're right, the details are very different depending on who the writer

is, and Beat writers could characterize something like eating lunch in

totally different ways.  Speaking of sound, I have been reading an older

book(1974), Allen Ginsberg Verbatim, Lectures on Poetry, Politics,

Consciousness, edited by Gordon Hall.  It's written from tapes (I think)

of lectures that Allen did on college campuses across the country.

There's some very interesting parts on sound in writing, especially about

Kerouac, and comparisons about him and Thomas Wolfe and how he took that

and went beyond it.

 

AG: "Most prose writers aren't even aware that the sentence they write

has a sound, are not even concerned with sound in prose.  In fact I'm not

sure what some of them are concerned with.  Most prose writers that I

grew up with in college were influenced a lot by Hemingway, so one of

their main concerns was economy in economy in writing down little

insights and perceptions as to how white the dawn was or how cold the icy

water was, with the maybe haiku-like image out of it...Kerouac was the

first writer I ever met who heard his own writing, who listened to his

own sentences as if they were musical, rhymical constructions, and who

could follow the sequence of sentences that make up the paragraph as if

he were listening to a little jazz riff...Kerouac got to be a great poet

on that basis..."

DC

=========================================================================

Date:         Thu, 5 Jun 1997 12:28:42 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: travels

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33971D95.30A1@together.net>

 

On Thu, 5 Jun 1997, Diane Carter wrote:

 

> Speaking of sound, I have been reading an older book(1974), Allen Ginsberg

> Verbatim, Lectures on Poetry, Politics, Consciousness, edited by Gordon

> Hall.  It's written from tapes (I think) of lectures that Allen did on

> college campuses across the country.

 

A comment on this book. Out of all his written works, this had one of the

most profound effects on me & my life. I thought of this book sometime after

he died and how there'd be no more lectures like this. I'm sure that most of

his lectures and talks were recorded (anyone know?) and I would hope that

they're being transcribed (anyone know?) and also digitized (anyone know?)

and that another book -- or books, I could read them all -- of them will

someday come out (anyone?).

 

m

=========================================================================

Date:         Thu, 5 Jun 1997 09:49:57 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Spring '53

 

JWHasbrouck wrote:

> 

> Regarding the spring of 1953....

> 

> Comparing THE YAGE LETTERS by Burroughs with Ginsberg I notice that the

> dating of the correspondence doesn't jive with THE SELECTED LETTERS OF

> WILLIAM S. BURROUGHS. Nor does the narrative flow. It appears that Bill

> and Allen took considerable liberty when editing TYL to achieve a

> specific effect, which they certainly did. Comparison of the two groups

> of letters has me considering the conscious myth-making tendency of the

> Beats (with which I have no problem, and, in fact, dig a lot) contrasted

> to THE FACTS.

> 

> John Hasbrouck

> Chicago

 

John,

 

There is definitly a good theme for some scholar here.  A study of the

way Allen especially worked hard at creating the image of a literary

school modelled on what he could see in earlier examples, lost

Generation and Parisian artist groups in particular.  Ginsberg always

had an exceptional marketing talent and what you are putting your finger

on here is a perfect example.

 

J Stauffer

=========================================================================

Date:         Thu, 5 Jun 1997 10:03:42 -0800

Reply-To:     clight@TELIS.ORG

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Ambrose <clight@TELIS.ORG>

Subject:      <no subject>

 

please take me off the list

=========================================================================

Date:         Thu, 5 Jun 1997 14:14:14 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: travels

 

Diane Carter wrote:

> 

> RACE --- wrote:

> >

> > and the details of import are different to different folks that follow

> > or are part of the story.  for example, my mother's details would be

> > "what we ate" if she gave a detailed description of the meals along as

> > we traveled somewhere.  i would be nearly oblivious to the "what we ate"

> > except to say "food" but would be interested in what i heard and

> > overheard and saw around the places we ate.  the details are different.

> > depending on our varied interests.  one's not better than the other -

> > the amount of difficulty in carefully articulating the details from one

> > perspective or another is very hard work.  the choice of the details

> > probably has a lot to say about the persona of the author.

> >

> > i'm a sound and vision person.  taste and smell are not really in my

> > vocabulary.  i'm rambling.  i had a point.

> >You're right, the details are very different depending on who the writer

> is, and Beat writers could characterize something like eating lunch in

> totally different ways.  Speaking of sound, I have been reading an older

> book(1974), Allen Ginsberg Verbatim, Lectures on Poetry, Politics,

> Consciousness, edited by Gordon Hall.  It's written from tapes (I think)

> of lectures that Allen did on college campuses across the country.

> There's some very interesting parts on sound in writing, especially about

> Kerouac, and comparisons about him and Thomas Wolfe and how he took that

> and went beyond it.

> 

> AG: "Most prose writers aren't even aware that the sentence they write

> has a sound, are not even concerned with sound in prose.  In fact I'm not

> sure what some of them are concerned with.  Most prose writers that I

> grew up with in college were influenced a lot by Hemingway, so one of

> their main concerns was economy in economy in writing down little

> insights and perceptions as to how white the dawn was or how cold the icy

> water was, with the maybe haiku-like image out of it...Kerouac was the

> first writer I ever met who heard his own writing, who listened to his

> own sentences as if they were musical, rhymical constructions, and who

> could follow the sequence of sentences that make up the paragraph as if

> he were listening to a little jazz riff...Kerouac got to be a great poet

> on that basis..."

> DC

 

it sounds like he sub-vocalized while typing/writing things.  they teach

you not to do that when you're reading and sometimes i think that's

nuts.  you don't get to hear the words that way.  i guess it slows you

down though.

 

i think sub-vocalized spontaneous typing is a good way to make the

writing sound like it's being talked.  the readers who follow the rules

and don't let themselves listen to the words while they read will miss

it.  but someone who subvocalizes reading Keroauc gets to Hear him talk

like he's in the room.

 

i used to do a trick when i was not a good reader back in college.  i'd

type a page or two of the author so that i figured out how the writing

came out - until i could hear the squirrels running around creating the

words - and then i'd go back and read and i could read faster with

better comprehension.

 

so i forgot what i was writing about.  a really nice young woman came by

to help me get my printer running and she just left and my mind is more

on wishing she was still here than on what i was typing so i couldn't

keep it together.

 

oh another thing.  i'm going to be in the Kansas City area this weekend

probably Saturday and Sunday and if anybody knows any used bookstores

around there that are worth finding (it is finding cuz i don't know the

town that well) please backchannel me about it.

 

bye

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 5 Jun 1997 15:28:33 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Kerouac's sound

 

Of course, I can't prove anything but I doubt Kerouac sub-vocalized when

he wrote.  It would have slowed him down to much.  He typed much of his

writing a break-neck speed.  Nevertheless, sound IS an important part of

his prose style and I'm sure he was keenly aware of sound as he wrote.

=========================================================================

Date:         Thu, 5 Jun 1997 12:54:02 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Kerouac's sound

 

At 03:28 PM 6/5/97 EDT, you wrote:

>Of course, I can't prove anything but I doubt Kerouac sub-vocalized when

>he wrote.  It would have slowed him down to much.  He typed much of his

>writing a break-neck speed.  Nevertheless, sound IS an important part of

>his prose style and I'm sure he was keenly aware of sound as he wrote.

> 

> 

 

Yes.  I would think he vocalized things in his head.  He vocalized and

musicalized (if there is such a word) his prose I would think.

=========================================================================

Date:         Thu, 5 Jun 1997 15:39:21 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      TEST

 

TEST

=========================================================================

Date:         Thu, 5 Jun 1997 15:56:36 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: JK: Spring '53

 

        First, I'd like to thank John Hasbrouck for his wonderfully

thought-provoking entry.  I'm a fairly new list member and the idea of

your reading project intrigues me.  Is there a future book in the works,

perhaps a critical analysis based on your reading.  Your entrys suggest

the possibility for SEVERAL books.

 

        Secondly, your admission to disillusionment really hit home with

me.  I am NOW a naive undergrad whose life has been heavily influenced by

reading OTR in May of last year.  (I've read all the beat lit. I could get

my hands on since, and plan to start on scholarly works next.)

 

        Finally, I'd like to put in my two cents regarding JK's use of the

term "Spontaneous" Prose.  I think that he was referring not so much of

spur of the moment composition, as to inovation wrought from past writing

"practice," if you will.  I took a Romantic Literature course this past

semester and ran across a Wordsworth piece that I thought applies to

Kerouac's literature technique.  In "Introduction to the Lyrical Ballads,"

Wordsworth asserts that poetry composition should be "spontaneous" (yes,

he uses that specific term).  However, he qualifies it by declaring that

the spontaneity stems from previous thought on a general subject, which

may then be applied to a specific topic.

 

        You are much more qualified to judge on this matter than I.  In

your opinion is JK's use of the term like Wordsworth's use?

 

Many thanks for your contribution,

Jenn Thompson

ft.wayne, indiana

=========================================================================

Date:         Thu, 5 Jun 1997 18:01:02 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Kerouac's sound

Comments: To: gallaher@hsc.usc.edu

 

In a message dated 97-06-05 17:15:06 EDT, gallaher@HSC.USC.EDU (Timothy K.

Gallaher) writes:

 

<< Yes.  I would think he vocalized things in his head.  He vocalized and

 musicalized (if there is such a word) his prose I would think.

  >>

 

I think that Kerouac thought about the things for years before he wrote them

down in the final form, and he also had letters and journal entries which

also served as first drafts for many of the ideas that would end up in his

books. So I think he was vocalizing the stories for years in his head before

he would put it down in a torrent of continuous writing that he called

'spontaneous'.

 

writing without revision, Attila

=========================================================================

Date:         Thu, 5 Jun 1997 15:15:06 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: travels

 

RACE --- wrote:

> 

> it sounds like he sub-vocalized while typing/writing things.  they teach

> you not to do that when you're reading and sometimes i think that's

> nuts.  you don't get to hear the words that way.  i guess it slows you

> down though.

> 

> i think sub-vocalized spontaneous typing is a good way to make the

> writing sound like it's being talked.  the readers who follow the rules

> and don't let themselves listen to the words while they read will miss

> it.  but someone who subvocalizes reading Keroauc gets to Hear him talk

> like he's in the room.

 

> david rhaesa

> salina, Kansas

 

It is a pity anyone tries to teach you not to subvocalize.  May be fine

for just digesting facts.  But with literature you've got to hear the

line.  You're absolutely correct that you have to hear Kerouac while

reading.

 

James Stauffer

=========================================================================

Date:         Thu, 5 Jun 1997 17:17:04 -0700

Reply-To:     James Hudson <jamie@MOLEC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Hudson <jamie@MOLEC.COM>

Subject:      UNSUSCRIBE BEATL

 

UNSUSCRIBE BEATL

UNSUSCRIBE BEATL

UNSUSCRIBE BEATL

UNSUSCRIBE BEATL

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                   James (Jamie) Hudson, Ph.D.

              -   -   -   -   -   -   -   -   -   -   -   -

Molecular Imaging                    Tel: (800)819-2519

9830A S. 51st St., #124                (602)753-4311

Phoenix, AZ   85044                Fax: (602)753-4312

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=========================================================================

Date:         Thu, 5 Jun 1997 20:28:30 -0400

Reply-To:     Waterrow@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      T-shirt update....

 

I want to thank all those Beat-L members who have honored their committment

to purchase the official Beat-L shirts that have been reserved..I've received

word now from about 50 folks out of  approx. 200 reservations....

 

If you're one of the 150 missing people, please try to make your $18.00

payment as soon as possible. The shirts will be ready to ship in about 2-3

weeks.

 

Thanks -

 

Jeffrey Weinberg

Beat-L T-shirt Development Corp.

c/o Water Row Books

PO Box 438

Sudbury MA 01776

Tel 508-485-8515

Fax 508-229-0885

email waterrow@aol.com

 

Check out the Beat-L T-shirt at

http://www.waterrowbooks.com

=========================================================================

Date:         Thu, 5 Jun 1997 21:07:20 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: CORNIX instead of COMIX

 

In a message dated 97-06-05 09:41:01 EDT, you write:

 

<< 

 it seems that 'tweaking' can take place by altering the font size of the

 text to create rhythm.  i noticed certain words POP OUT or not more or

 less so depending on their font-size.  Now currently, those would be

 somewhat at random because the sizes are somewhat associated with how

 one would expect them to be written to be read on the printed page. >>

 

David:

Thanks for the insights. The next thing is to write with the word font in

mind. I sensed that some poems "work" (to use that old Jackson Pollock

invention) and some probably don't in the word flash. I wuz just thinking

last night of all the beats I knew, though their styles varied, they were

always almost obsessed with the word, even in light conversation. Any

intonation, conotation, etomology,etc. This, while their writing styles

varied wildely.

Charles Plymell.

=========================================================================

Date:         Thu, 5 Jun 1997 21:38:20 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: CORNIX instead of COMIX

 

In a message dated 97-06-05 09:54:40 EDT, you write:

 

<< I want to spend more time with the Kansas City poem. You didn't answer

 about whether it is available in print.  Like to read it and then go

 back again.

  >>

James:

I found two copies of my Scarecrow edition of Forever Wider. One is slightly

tattered it was my reading copy. Since I have no readings lined up, I'll send

you that copy. I have pulled some of poems from that edition into my new

manuscript Robbing the Pillars for which I'm looking for a publisher who can

keep it in print. I think you should compare it from the page rather than

online.  Buchenroth has put most of the poems online, but I'd like to send

you the book anyway. I'll try to remind myself to put the book in the mail

tomorrow.

Charley

=========================================================================

Date:         Thu, 5 Jun 1997 22:18:21 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: travels

 

In a message dated 97-06-05 21:24:05 EDT, you write:

 

<< the chance to hear about what they ate >>

 

Antione/Paricia;

It was quite alright to converse over the poem flash. That's one aspect I

like about the application, one can tune in or out. I have been to so many

serious poetry readings where every head bowed in unison when poet spoke.

Usually, for me, dreadfully boring. About the music and eats with the beats.

Almost 35 yeras ago, I put on Shubert's sonnatas (i'll have to look it

up-still in old lp jackect with Branaman's paint stains) Alllen stooped the

conversation to document the piece. He was into classical and Bessie Smith

type music. I never recall music at Burrough's dinners. But I do have a good

story about dinner one time in Kansas when Billy was about Lena's age. James

had fixed steaks. A real fine dinner. This was when Bill drank a lot of

Vodka, so I supposed eating was an annoyance that others urged on him just as

the afternoon cocktails kicked in. He picked around slightly at a marvelously

prepared dinner, just like an impudent kid. After the rest of us had eaten

and Bill had faked a few bites, James brought in a big bowl of gum drops.

Bill swooped up a handful and squashed his mouth full. This was a delight for

any kid to see and things like this keep the kid in Bill going. It was

completely out of character for an otherwise mannerly dinner at an esteemed

host's house!  The other thing he has in common with kids is that he can't

sit still, and he has to have stimulating conversation, which I can't always

provide. I hope these little anecdotes have not been on the list before and

is list stuff.

Charles Plymell

=========================================================================

Date:         Thu, 5 Jun 1997 23:20:19 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: travels

 

Michael Stutz wrote:

> .

> 

> A comment on this book. Out of all his written works, this had one of the

> most profound effects on me & my life. I thought of this book sometime after

> he died and how there'd be no more lectures like this. I'm sure that most of

> his lectures and talks were recorded (anyone know?) and I would hope that

> they're being transcribed (anyone know?) and also digitized (anyone know?)

> and that another book -- or books, I could read them all -- of them will

> someday come out (anyone?).

> 

> m

 

I understand what you mean about Allen Verbatim.  Although I have had the

book for many years, I am only now truely reading it for the first time.

The lectures on words and consciousness and on twentieth century poetry

are remarkable.  I noticed in the epilogue, which was written in 1973,

the editor says that "a major prose presentation of the development of

Allen's thought over a long period, 'Essays, Interviews, and Manifestos,

1955-Present,' is under preparation and will appear in a couple of

years." That would have been the mid-seventies.  I check out the Ginsberg

bibliography at the Literary Kicks site, but it wasn't mentioned.  Does

anyone know if it ever was published?

DC

=========================================================================

Date:         Thu, 5 Jun 1997 23:17:59 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Edie K

 

I wonder if Edie K autobiography ever came out?

 

I am typing in some paragraphs from a booklet she put out during the

river city reunion.

 

This is copyrighted material

 

" Following the abortion of our child,1 Jack Kerouac and I decided to

get our own apartment.  We would drop out of school and work, so that

Jack could keep writing.  We started looking immediately with a friend

of mine, a Barnard student who was married to an infantry soldier.  her

name was Joan Vollmer Adams.  We found th right place at 420 West 119th.

Street,apartment #28, in the New Year of 1942, just after the attack of

Pearl Harbor.

        Joan's husband, Paul Adams, was a Columbia law strdent, serving in the

Army.  She got his allotment checks, plus a good healthy allowance for

attendance at Barnard.  I also received an allowance from my family in

Detroit, and I would be attending Columbia in the spring as a special

student,to study painting with George Grosz.  We used Joan's name, as a

respectable married lady , to apply for the lease.

        We were all going home for Easter, and coming back for summer school,

so it was just as well we didn't have to plunk down the money until

spring.  The war was bulging Columbia with 90 day wonders in the naval

officer program, and good apartments were not easy to come by.

        Joan, Jack, and I went back to our separate parts of the U.S., most of

us by train.  I got the Empire State at 7:00 a.m. out of Grand Central

Station, standing all the way home, since, as the war went on, there

were no reserved seats.  I arrived in Detroit about 10:30 p.m. the same

night.  The train cost about $23.00: the cab ride home to Grosse Pointe

from the Michigan Central Station was $3.00! I lived downstairs, in a

two family flat in Gross pointe Park, with my mother and younger sister,

both named Charlotta Frances (Jack called my sister Francis in the The

Town and the city,).  my mother owned and operated Ground Gripper shoes,

in downtown Detroit, working six days per week, eight hours per day. my

sister was in high school and had her special gang, as I did mine.

People in Grosse Pointe were not lacking anything in those days except

enough things to spend money on!"

 

to be continued

p

=========================================================================

Date:         Thu, 5 Jun 1997 21:47:37 -0700

Reply-To:     Malcolm Lawrence <Malcolm@WOLFENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      Ken Nordine

 

------------------------------------------------------------------------

-----------------------------------------

Never fails to amuse me how so many people send unsubscribe messages to the

list itself. Someone even sent one to me only today.

 

Anyway,

 

Yeah, I was thinking about Ken Nordine recently too and wondered why he

hadn't come up on the list yet. He also does a great bookending job for the

Hal Wilner CD Stay Awake, which has contemporary artists covering old

Disney standards. He's also just done a radio commercial, for what product

I can't tell you, which is pretty indicative of just how powerful his voice

is. You're listening to the timbre, you're listening to the phrasing,

you're listening to the tonal control. Oh, what product is it? Damn, have

to wait till it comes on again. Sounds like it's a national commercial

though!

 

Malcs

=========================================================================

Date:         Fri, 6 Jun 1997 13:53:39 +0800

Reply-To:     Sharon Ngiam <mimosa@PACIFIC.NET.SG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sharon Ngiam <mimosa@PACIFIC.NET.SG>

Subject:      the last time i committed suicide.

 

hi, in the 'last time i committed suicide' (the one abt neal), who does

keanu reeves portray?

it says in my local mag that keanu plays the 'buddy he (neal) hangs out

with, drinking beer, shooting pool." who's that?

thanks a lot. btw, is it worth watching?

 

s.*

=========================================================================

Date:         Fri, 6 Jun 1997 16:33:59 +1000

Reply-To:     blah <blacburn@MINYOS.ITS.RMIT.EDU.AU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         blah <blacburn@MINYOS.ITS.RMIT.EDU.AU>

In-Reply-To:  <199706060620.QAA19625@minyos.its.rmit.EDU.AU>

 

Hi, I have returned to the list after an absence. I was wondering where

you are at? Bye.

=========================================================================

Date:         Fri, 6 Jun 1997 02:46:35 -0400

Reply-To:     David Makar <dmakar@CCS.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Makar <dmakar@CCS.NEU.EDU>

Subject:      Time to go for a while

 

I am going on a short vacation from all the world around, sadly including

the community of beat-L. I will miss the action and return sometime in the

future.

 

                        -Dave

                        <dmakar@ccs.neu.edu>

=========================================================================

Date:         Fri, 6 Jun 1997 11:12:11 GMT

Reply-To:     i12bent@sprog.auc.dk

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "B. Sorensen" <i12bent@SPROG.AUC.DK>

Subject:      Ginsberg

 

On Wed, 4 Jun 1997 10:45:10 -0500,

Bob Fox  <bfox@SIU.EDU> wrote:

 

>        There is a piece by Paul Berman called "Allen Ginsberg's Secret"

>published in the latest issue of the on-line magazine SLATE.  Go to

>http://www.slate.com/ and look in the section called "Back of the Book."

 

And in case anyone can't access Slate, here is the little anecdote attached

to the story proper. Re-printed w/o perm.

 

http://www.slate.com/Concept/97-06-04/anecdote.asp

 

A Last Anecdote

 

By Paul Berman

 

The last time I saw Ginsberg was in Paris at the Hotel de ville--City

Hall--in March 1996. The mayor of Paris was going to award medals of

achievement to Ginsberg and a number of other American cultural figures.

Ginsberg saw me in the audience and came over to chat. We admired

the paintings on the columns and ceiling--huge golden portraits of

fleshy nudes, pornographic paintings (from a puritanical, American point of

view), impossible to imagine in any American government building.

 

The mayor's assistant went to the microphone and began the ceremony. But

though Ginsberg and I were standing at the front of the crowd, directly in

front of the mike, Ginsberg kept up his commentary and chatter in full

voice, quite as if the mayor's assistant hadn't begun to speak. After

a while I warned Ginsberg that, at any moment, the mayor's assistant was

going to call him up to receive his medal, and perhaps he ought to prepare

himself.

 

But Ginsberg talked on in full voice and waved his hands animatedly, and

when the mayor's assistant did call him up, he simply walked to the mike to

receive the medal, turned to face the crowd and, instead of making a few

courteous remarks, pulled a pocket camera out of his jacket and carefully,

slowly photographed the crowd. An odd way to accept a prize. But his

behavior matched his whim. He was entirely himself. No one was ever more

natural. There were never any secrets with Allen Ginsberg--none that bore

on his inner personality, anyway.

=========================================================================

Date:         Fri, 6 Jun 1997 07:42:13 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: the last time i committed suicide.

Comments: To: Sharon Ngiam <mimosa@PACIFIC.NET.SG>

In-Reply-To:  <199706060553.NAA12472@simon.pacific.net.sg>

 

On Fri, 6 Jun 1997, Sharon Ngiam wrote:

 

> hi, in the 'last time i committed suicide' (the one abt neal), who does

> keanu reeves portray?

> it says in my local mag that keanu plays the 'buddy he (neal) hangs out

> with, drinking beer, shooting pool." who's that?

 

In the book, "Portable Beat Reader," edited by Ann Charters (an

anthology), in the Neal Cassady section, a letter titled the "Cherry

Mary" letter describes the answer to your question. In fact, that entire

movie seems mostly based on that long letter Neal Wrote to Jack Kerouac.

That letter also gets mentioned in "On the Road."

I do not recall reading that letter in "Grace Meets Karma."

I believe this answers the question, or at least provides a source. If it

doesn't or others can add to it, please correct me and/or add to it...

Thanks...

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Fri, 6 Jun 1997 08:20:57 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      diane/all interested in my poetic flounderings

In-Reply-To:  <970601113822_-1999383635@emout16.mail.aol.com>

 

for diane, and anyone else interested in my word writhings from version to

version

(diane suggested to use more of poetic form vs prose. some spacing is off

from transition from clarisworks to this mailer.

happy fried day to all!

 

Talking to myself

fragments and scraps from years past

 

I

 

i'm busy talking to myself,

sweet marie,

i'll write a letter

when something happens

right now i'm busy talking to myself                    i

 

there doth seem to be some truth                        refuse

in the babbling of the mad

 

TRUDGE                                                  to

 

i still dont know too many people                               have

as i cant  remember my own name

 

in the local bar i sit down on a bar stool                      to

(where all the toughs sit)

 

i order a pitcher of beer.                                      work

i drink the whole thing.

 

have to report for draft physical                               for

late oct/early nov

no way out unless i flunk the physical                  a

 

i'm not going to eat.                                           living

if dick gregory can do it

so can i                                                        *this*

 

write me because my tonsils are swelling again  is

and i think i'm going to die (make it airmail)

 

                                                                my

                                        manifesto!

                                                                steal   it

 

                                        if

 

 

                                                                you

 

there doth be some truth

in the babbling of the mad                                      need

 

i truely hope i will be recognized as such.             direction

 

 

 I I

out on highway 61

 

hey sweet marie,

got yr postcard.

typical.

i'll write a letter when something happens.

right now i'm busy talking to myself.

i'm sitting here at the bar, enscribing this

                                                to you

                                                        on the head of a pin

                                                and finding

                                        within my infinite

                                self

                         that there doth be

                some truth

in the babbling of the mad

 

shortly afterwards,

                 i find my finite self,

        sitting here

driving home from the ladies banquet ,

thinking of a revenge

suitable

for all occasions.

 

later, i thumb a ride in the rain.

truck with fully stocked

gun rack stops, and

guy leans over and says howdy,

right friendly like,

so i take a chance (with my long hair and all),

get in, and ask,

"so what's to be seen or done in the area, eh?"

welp, he replied,

"i still don't know too many people

as i cant remember my own name"

i get out as soon as inhumanly

possible.

 

before i write any more,

sweet marie

i  beg you

write me as my soul dwindles away..

(also, please do not lose my letters

as you most likely be able to cash in

on them when i write my memoirs).

 

III

i do the scene

 

the other night i go to usual bar  blue and lonely

gloomy, grab barstool

(where all the toughs sit)

drink.

next to me is asshole

smoking cigarettes

 flicking the ashes like

                he was shoveling dirt,

crowding me,

kicking the bar for refills

slamming his glass  after every sip.

juke box playing

                 postively fourth street

        this dude starts singing it

- and i say to myself, 'this dont mix" -

                so i give him some of my garlic bread.

 

he tells me he was illegitimate kid of alcoholic musician

whose claim to fame being fired by johnny cash

we stagger out of the bar into his car. then

dead drunk and stoned out of our minds,

nevertheless we arrive, (where?)

guitairs and harps in hands, we

played and sangour way to dawn

then he was gone.

end of story.

ps please write back because my tonsils are swelling again and i think i'm

going to die. (air mail?)

lefty

 

IV

 

THE DRAFT

 

sweet marie:

i have to report for my draft physical.

my number's up, pal. unless,

of course i flunk the physical:

                i'm sleep deprived and hinky.

also have stopped eating.

but this may not work,

so listen up.

there are alternate plans

we need an

alternate step one of master plan B:

        (master plan A

                was to lose my leg and three fingers.

                        master plan A alternate

                                        was to have the draft board members

 

lose a leg and 3 fingers.

                        which brings me to plan B:

                                                        Canada.

i'm low on longjohns,

                and too damned paranoid

 

hence you are needed , sweet marie:

                                scrounging round my brain

for alternate plan B.

        you'll know it as soon as i do,

        but dont be surprised if i show up on yr bedroom floor

etc et al

lefty

=========================================================================

Date:         Fri, 6 Jun 1997 08:47:50 EDT

Reply-To:     mhemenway@S1.DRC.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Hemenway <mhemenway@S1.DRC.COM>

Subject:      Lowell

 

Lowell Celebrates Kerouac!, Inc

P.O. Box 1111, Lowell, MA 01853

 

10th ANNUAL FESTIVAL CELEBRATES JACK KEROUAC'S VISION OF LOWELL

 

In case anyone missed it, here's the post on Lowell Celebrates Kerouac!

again.

 

Mark Hemenway

*****

Bill tells me I needed to convert the attachment to ASCII. Here it is.

 

 

 

FOR IMMEDIATE RELEASE                   PRESS CONTACT:

MAY 27, 1997                            Mark Hemenway:

                                        Day: 508-475-9090 ext 1239

                                        Evening: 508-458-1721

 

                                        PUBLIC INQUIRIES:

                                        1-800-443-3332

                                        508-458-1721

 

(Lowell, MA) The 10th Annual Lowell Celebrates Kerouac! Festival will take

place 2- 5 October in Lowell, MA. This year's theme will be Kerouac

Celebrates Lowell. We will celebrate and explore the real and the mythic

Lowell., Massachusetts that Kerouac brought to life in his writing.

 

The people and places of Lowell are central to Kerouac's work. Five of his

novels describe his childhood and youth in the city, and images and

references to his hometown appear in virtually every one of his works. His

descriptions of Lowell are remarkable for their beauty, power and

timelessness. Through them, millions of readers have come to know Lowell

as a universal hometown. Join us as we walk the wrinkly tar sidewalks and

redbrick alleys that Jack Kerouac wrote about in his novels and poetry.

 

Full Press Release Attached

Lowell Celebrates

Kerouac!, Inc

P.O. Box 1111, Lowell, MA 01853

 

 

 

 

10th ANNUAL FESTIVAL CELEBRATES JACK KEROUAC'S VISION

OF LOWELL

 

FOR IMMEDIATE RELEASE                   PRESS CONTACT:

MAY 27, 1997                                    Mark Hemenway:

                                                        Day: 508-475-9090 ext 1239

                                                        Evening: 508-458-1721

 

                                                        PUBLIC INQUIRIES:

                                                        1-800-443-3332

                                                        508-458-1721

 

(Lowell, MA) The 10th Annual Lowell Celebrates Kerouac! Festival

will take place 2- 5 October in Lowell, MA. This year's theme will be Kerouac

Celebrates Lowell. We will celebrate and explore the real and the mythic

 Lowell.,

Massachusetts that Kerouac brought to life in his writing.

 

The people and places of Lowell are central to Kerouac's work. Five of his

 novels

describe his childhood and youth in the city, and images and references to his

hometown appear in virtually every one of his works. His descriptions of Lowell

are remarkable for their beauty, power and timelessness. Through them, millions

 of

readers have come to know Lowell as a universal hometown. Join us as we walk

the wrinkly tar sidewalks and redbrick alleys that Jack Kerouac wrote about in

 his

novels and poetry.

 

Background:

 

Before he died at age 46, Jack Kerouac published 24 books chronicling the

lives and adventures of the post war generation in America. The raw energy and

beauty of his prose established a new standard in American literature. The ideas

and way of life that he wrote about would set the stage for the "rucksack

revolution" of the sixties. Jack Kerouac along with Allen Ginsberg, William S.

Burroughs, Neal Cassady and others, founded the Beat movement in American

literature and culture, a movement that challenged the rigid social structure of

postwar America and eventually lead to the sweeping social changes of the

 sixties.

Today, over fifty years since the principals met in New York, Jack Kerouac's

 work

is experiencing a revival of interest, enthusiasm and serious scholarship, in

America, and throughout the world

 

Jack Kerouac was born, raised and remained a native of Lowell throughout his

 life.

His novels are autobiographical.  5 of his novels take place in Lowell, and the

 city

is mentioned in virtually every one of his books. His love for the city is

 illustrated

in the quotes inscribed on the Kerouac Commemorative in Eastern Canal Park,

Bridge Street, Lowell.

 

Lowell Celebrates Kerouac!, Inc. is a non-profit corporation dedicated to the

celebration, enjoyment and study of Jack Kerouac and his writings. Whenever

possible, events are free, however, donations are gratefully accepted for

 continued

support of the annual Lowell Celebrates Kerouac! Festival.. To make a donation,

or to find out more about Lowell Celebrates Kerouac!, Inc., write: P.O. Box

 1111,

Lowell, MA 01853.

 

For additional information call the Merrimack Valley Convention and

Visitor's Bureau at 1-800-443-3332, or Lowell Celebrates Kerouac!, Inc 508-458-

1721.

 

The 10th Annual Lowell Celebrates Kerouac! Festival will include:

 

Feature Performance. Legendary performers and poets like  Patti Smith, Allen

Ginsberg, Ed Sanders, Michael McClure, Ray Manzarek, David Amram. Gregory

Corso and Herbert Huncke have appeared during the festival. This year's tribute

 to

Allen Ginsberg and Herbert Huncke will bring together many Beat Artists.

 

Memorial Mass for Jack Kerouac- A memorial mass for Jack Kerouac will be

held at the St. Louis Roman Catholic Church, the parish in which he spent his

earliest years.

 

Beat Literature Conference- The University of Massachusetts-Lowell will

present an academic conference on Jack Kerouac and the Beat writers on Friday,

October 3rd at the University's South Campus. Leading scholars of beat culture

and literature will present papers and ideas in symposia and panels throughout

 the

day.

 

The Jack Kerouac Literary Prize. Emerging and established writers are invited

to submit works of fiction, non-fiction or poetry for the Jack Kerouac Literary

Prize. The winner will receive a $500 honorarium and an invitation to present

 the

winning manuscript at the October Festival. The Prize is sponsored by Lowell

Celebrates Kerouac!, Inc, The Estate of Jack and Stella Kerouac, and Middlesex

Community College. For guidelines, send a SASE to The Jack Kerouac Literary

Prize, P.O. Box 8788, Lowell, MA 01853.

 

Photo Exhibition. The festival will feature exhibitions of  photographic works

 by

Gordon Ball, editor of Allen Ginsberg's journals.

 

Open Photography Exhibition . Photographers of all ages, experience and media

are invited to participate in an open exhibition of photographic images inspired

 by

Jack Kerouac or the Beats. The exhibition is sponsored by the Whistler House

Museum of  Art.  For guidelines, send a SASE to  Beat Exhibition, 243 Worthen

St,  Lowell,  MA 01852.

 

New Books.  We will celebrate the publication of Some of the Dharma, and the

40th Anniversary Edition of On the Road,  by Viking Penguin, the Collected

Works of Herbert Huncke,  and a new history of Kerouac's roots in Nashua New

Hampshire will be featured at the festival.

 

Small Press Book Fair- The small press book fair is an opportunity to sample

regional small press publications, and pick-up Kerouac books- new and rare.

 

Poetry at The Rainbow Cafe- Authors read their works in the Kerouacian

ambience of a neighborhood tavern in "Little Canada." Everyone is welcome to

read their poetry or prose, but time is limited, please reserve a spot ahead of

 time.

 

The Kerouac Commemorative- The Jack Kerouac Commemorative is located in

downtown Lowell at the intersection of Bridge and French Streets, near the

 former

site of his father's print shop. Selected Kerouac passages, etched in eight red

granite pillars, stand as a living monument to his art.  The symmetrical cross

 and

diamond pattern of  The Commemorative is a meditation on the complex Buddhist

and Roman Catholic foundations of much of Jack's writing.

 

Walking Tours- Walking tours of Kerouac sites in Lowell and Nashua, NH are

conducted throughout the weekend. The tours change each year, but almost

always include: Our Lady of Lourdes Grotto, the Watermelon Man Bridge, the

Merrimack River, and many of the neighborhood sites Jack wrote about.

 

Bus Tours- Bus tours of Lowell and Nashua, NH provide a more leisurely tour of

sites in these two Kerouac cities. Jack Kerouac's mother and father met and the

family, including Gerard are buried in Nashua.

 

Open Microphone at the Coffee Mill- Sunday afternoons are reserved for an

open microphone reading and performance at the Coffee Mill in downtown

Lowell. Everyone is welcome to read their work. Sip expresso while waiting your

turn at the microphone. .

 

Many other activities are available during the weekend:

 

o       Exhibits of first edition beat publications and memorabilia.

o       Jack Kerouac's rucksack and other personal items are on display at the

Working People Exhibit, Lowell National Historical Park.

o       Edson Cemetery. Jack Kerouac is buried in the Edson Cemetery just south of

Downtown Lowell. The cemetery is open from sun-up to sun-down every day.

o       Music and conversation- There will be many opportunities throughout the

weekend to share your festival experience and enthusiasm for Jack Kerouac

while enjoying a beer at local taverns and nightspots.

 

For additional information call the Merrimack Valley Convention and

Visitor's Bureau at 1-800-443-3332, or Lowell Celebrates Kerouac!, Inc 508-458-

1721.

 

***END***

10th Annual Lowell Celebrates Kerouac!                          Page

 

MORE...

=========================================================================

Date:         Fri, 6 Jun 1997 09:26:29 -0400

Reply-To:     MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Subject:      Re: travels

 

>Date:    Thu, 5 Jun 1997 13:12:05 -0700

>From:    Diane Carter <dcarter@TOGETHER.NET>>

> 

>You're right, the details are very different depending on who the writer

>is, and Beat writers could characterize something like eating lunch in

>totally different ways.  Speaking of sound, I have been reading an older

>book(1974), Allen Ginsberg Verbatim, Lectures on Poetry, Politics,

>Consciousness, edited by Gordon Hall.  It's written from tapes (I think)

>of lectures that Allen did on college campuses across the country.

>There's some very interesting parts on sound in writing, especially about

>Kerouac, and comparisons about him and Thomas Wolfe and how he took that

>and went beyond it.

 

Yes, excellent book - I used this heavily in my undergrad work, probably the

 most out of all the AG books. There's

some excellent sections on AG-WC Williams also, I believe. I spoke to Prof.

 Gordon Ball at the Lowell festival last year

and thanked him for his work - unfortunately, he told me that the book was now

 out of print. I don't know if anything's

happened since then w/ the new marketability in beat lit to bring it back.

 

Mark Noferi

=========================================================================

Date:         Fri, 6 Jun 1997 09:57:32 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Nordine, Jack et al...

 

Tony,

 

        Can you tell me what label *Upper Limbo* came out on and when? Have

"Devout Catalyst" which is great, particularly the stuff with Tom Waits, and

have "Word Jazz" and "Colors" and various individual cuts and radio interviews.

 

        The whole genre of spoken word, wordjazz, vocalese, and scat as

represented by Lord Buckley, Slim Gaillard, Ray Brown (with the great

"Mumbles"), Nordine, King Pleasure and .... is a goldmine with roots closely

intertwined with the Beats and Jazz, particularly BeBop.

 

        Consider this a half-assed partial reply to Bruce Hartman's earlier

post on Jazz and Mark Nofer's interesting post.

 

        Question for Mark. Do you remember very much about the details of

Gillespie picking up on Kerouac's name for the composition that he and

Charlie Christian called "Kerouac"? It's a fascinating topic. Players did

occasionally name songs after fans and Jack was around listening, watching

and doing the occasional jazz review.

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 6 Jun 1997 10:12:12 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      i sent the wrong version (shoot me not already dead)

 

for diane, and anyone else interested in my word writhings from version to

version

(diane suggested to use more of poetic form vs prose. some spacing is off

from transition from clarisworks to this mailer.

happy fried day to all!

 

Talking to myself

fragments and scraps from years past

 

I

 

i'm busy talking to myself,

sweet marie,

i'll write a letter

when something happens

right now i'm busy talking to myself                    i

 

there doth seem to be some truth                        refuse

in the babbling of the mad

 

TRUDGE                                                  to

 

i still dont know too many people                               have

as i cant  remember my own name

 

in the local bar i sit down on stool                    to

(where all the toughs sit)

 

i order a pitcher of beer.                                      work

i drink the whole thing.

 

have to report for draft physical                               for

late oct/early nov

no way out unless i flunk the physical                  a

 

i'm not going to eat.                                           living

if dick gregory can do it

so can i                                                        *this*

 

write me because my tonsils are swelling again  is

and i think i'm going to die (make it airmail)

 

                                                                my

                                        manifesto!

                                                                steal   it

 

                                        if

 

 

                                                                you

 

there doth be some truth

in the babbling of the mad                                      need

 

i truely hope i will be recognized as such.             direction

 

 

 I I

out on highway 61

 

hey sweet marie,

got yr postcard.

typical.

i'll write a letter when something happens.

right now i'm busy talking to myself.

i'm sitting here at the bar, enscribbling this letter

                                        to you

                                                on the head of a pin

                                        and finding

                                within my infinite

                                self

                         that there doth be

                some truth

in the babbling of the mad

 

shortly afterwards,

driving home from the ladies banquet ,

thinking of a revenge

suitable

for all occasions.

 

 

 

before i write any more,

sweet marie

i  beg you

write me as my soul dwindles away..

(also, please do not lose my letters

as you most likely be able to cash in

on them when i write my memoirs).

 

III

i do the scene

 

the other night i go to usual bar  blue and lonely

gloomy, grab barstool

(where all the toughs sit)

I drink.

next to me is asshole

smoking cigarettes

 flicking the ashes like

                he was shoveling dirt,

crowding me,

kicking the bar for refills

slamming his glass  after every sip.

juke box playing

                 postively fourth street

        this dude starts singing it

- and i say to myself, 'this dont mix" -

                so i give him some of my garlic bread.

 

he tells me he was illegitimate kid of alcoholic musician

whose claim to fame being fired by johnny cash

we stagger out of the bar into his car

guitairs and harps in hands, we

played and sang our way to dawn

then he was gone.

end of story.

ps please write back because my tonsils

are swelling again and i think i'm going to die.

(air mail?)

lefty

 

IV

 

THE DRAFT

 

sweet marie:

i have to report for my draft physical.

my number's up, pal. unless,

of course i flunk the physical:

                i'm sleep deprived and hinky.

also have stopped eating.

but this may not work,

so listen up.

there are alternate plans

we need an

alternate to master plan  B:

        (master plan A

                was to lose my leg and three fingers.

                        master plan A alternate

                                        was to have the draft board members

 

lose a leg and 3 fingers.

                        which brings me to plan B:

                                                        Canada.

i'm low on longjohns,

                and too damned paranoid

 

hence you are needed , sweet marie:

                                scrounge  round my brain

for alternate plan B.

        you'll know it as soon as i do,

        but dont be surprised if i show up on yr bedroom floor

etc et al

lefty

=========================================================================

Date:         Fri, 6 Jun 1997 10:04:18 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: travels

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <33971006.2A6A@midusa.net>

 

On Thu, 2 Jun 1997, RACE --- wrote:

 

> Well, I re-read Borroughs language-virus/electronic revolution thing

> today and was thinking about it

> quite a bit. It seems the virus particularly relates to a particular form

> of temporal consciousness heightened by particular forms of

> causal-calculative symbolic action. I'm not certain that I'm willing to

> jump into the boat of this being physiological yet. It is a big

> difference to say language is a virus and language functions like a

> virus. I wonder how William Burroughs is able to jump outside the

> biological constraints if the relationship is not to some degree

> figurative?...

 

 

On The Web Site for the 'Science and Sanity' Reading List

(To subscribe to the 'Science and Sanity' Reading List

send a message to:

 listserv@newciv.org

 with the BODY: subscribe ssread-l)

 

a message got posted that deals specifically with your question:

 

Section C: Relates to ilustrations from the 'mental' and nervous diseases.

Here he shows how the 'mental' factors produce the same effects as those

caused by allergy to certain stimulants. He mentions the production of an

attack of hay fever even when exposed to roses made of paper. Simply the

belief that the roses were genuine produced this anaphylactic reaction.

He expains how Migraine manifests itself from a wide variety of stimuli

ranging from physical, to chemical to endocrinal etc.  AK mentions also

about the phenomenal variety of effects produced by the over/under

production of the various hormones. In the various instances, the excess

or deficiency of the hormones affect various tissues.  To sum up:  The

NON-EL principle formulates a structural character inherently found in the

structure of the world, ourselves, our nervous system on all levels;  the

knowledge and application of which exists unconditionally necessary for

adjustment on all levels, and, therefore, in humans, for SANITY.

STRUCTURALLY every organism depends on its environment; and, therfore, in

building our languages, we ought to coin non-el terms which treat the

organism-as-a-whole without splitting it up.  Lastly, AK notes that we do

not habitualy apply what we 'know'. The STRUCTURAL implications of

language work UNCONSCIOUSLY. He stresses that we need to TRAIN oursleves

in THE USE of non-el terms to expect maximum

semantic results.

 

This post hastily summarizes AK's Chapter 10, Organisms-as-a-whole. AK

used that example of the Rose alergy throughout the text. His

physiological 'semantic reaction' to paper roses he attributed to the

word 'rose' rather than to actual physiological roses; thus a

physiological reaction to a physiological word (thought occurs as a

chemical physiological entity--or spoken words exist as air in motion in

specific recognizable patterns--waves, etc.) Other semanticists compare

the placebo affect as another example of AK's intended meaning in Chapter

10.

 

Burroughs' notion that humans (and life forms in general most likely)

experience physiological reactions to language; or that humans

physiologically experience language; can not really get disputed! Of

course, we must first agree on our usage of 'physiological,' and

'language.' But using AK's stipulations, or more recently Dr. Hal C Becker

of Tulane Medical College, propaganda hits us in the gut! Numerous

examples exist. AK's decriptions in "Science & Sanity," Chap 10, perhaps

exist as the first textual mention ever of this notion. I have not yet

encountered an earlier mention.

 

The "Science and Sanity" reading list also maintains an extremely

interesting web page at:

http://www.newciv.org/ssread/

 

To summarize, I must agree with Burroughs here David.

 

I have that site linked to my CELM site's "Literary Links."

Thanks...

 

Michael L. Buchenroth

www.buchenroth.com/magazine.html

=========================================================================

Date:         Fri, 6 Jun 1997 09:23:36 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      The Mecca of Lawrence....

 

James Stauffer wrote:

> 

> Patricia

> 

> Appreciate the Edie Kerouac posts.  Don't think I've seen this before.

> Further installments would be wonderful.

> 

> James Stauffer

 

 

I MADE IT !!!!!!!!!

to Lawrence

only got lost once.

 

Dark road with keep out signs

near Riley Kansas.

 

I thought sounds like

a good direction to go.

Scary roads

25 minutes later

i was where i'd been

35 minutes before

i'd turned on the road.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 6 Jun 1997 09:44:08 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Burroughs & viruses

 

Michael L. Buchenroth wrote:

> 

> On Thu, 2 Jun 1997, RACE --- wrote:

> 

> > Well, I re-read Borroughs language-virus/electronic revolution thing

> > today and was thinking about it

> > quite a bit. It seems the virus particularly relates to a particular form

> > of temporal consciousness heightened by particular forms of

> > causal-calculative symbolic action. I'm not certain that I'm willing to

> > jump into the boat of this being physiological yet. It is a big

> > difference to say language is a virus and language functions like a

> > virus. I wonder how William Burroughs is able to jump outside the

> > biological constraints if the relationship is not to some degree

> > figurative?...

> 

> On The Web Site for the 'Science and Sanity' Reading List

> (To subscribe to the 'Science and Sanity' Reading List

> send a message to:

>  listserv@newciv.org

>  with the BODY: subscribe ssread-l)

> 

> a message got posted that deals specifically with your question:

> 

> Section C: Relates to ilustrations from the 'mental' and nervous diseases.

> Here he shows how the 'mental' factors produce the same effects as those

> caused by allergy to certain stimulants. He mentions the production of an

> attack of hay fever even when exposed to roses made of paper. Simply the

> belief that the roses were genuine produced this anaphylactic reaction.

> He expains how Migraine manifests itself from a wide variety of stimuli

> ranging from physical, to chemical to endocrinal etc.  AK mentions also

> about the phenomenal variety of effects produced by the over/under

> production of the various hormones. In the various instances, the excess

> or deficiency of the hormones affect various tissues.  To sum up:  The

> NON-EL principle formulates a structural character inherently found in the

> structure of the world, ourselves, our nervous system on all levels;  the

> knowledge and application of which exists unconditionally necessary for

> adjustment on all levels, and, therefore, in humans, for SANITY.

> STRUCTURALLY every organism depends on its environment; and, therfore, in

> building our languages, we ought to coin non-el terms which treat the

> organism-as-a-whole without splitting it up.  Lastly, AK notes that we do

> not habitualy apply what we 'know'. The STRUCTURAL implications of

> language work UNCONSCIOUSLY. He stresses that we need to TRAIN oursleves

> in THE USE of non-el terms to expect maximum

> semantic results.

> 

> This post hastily summarizes AK's Chapter 10, Organisms-as-a-whole. AK

> used that example of the Rose alergy throughout the text. His

> physiological 'semantic reaction' to paper roses he attributed to the

> word 'rose' rather than to actual physiological roses; thus a

> physiological reaction to a physiological word (thought occurs as a

> chemical physiological entity--or spoken words exist as air in motion in

> specific recognizable patterns--waves, etc.) Other semanticists compare

> the placebo affect as another example of AK's intended meaning in Chapter

> 10.

> 

> Burroughs' notion that humans (and life forms in general most likely)

> experience physiological reactions to language; or that humans

> physiologically experience language; can not really get disputed! Of

> course, we must first agree on our usage of 'physiological,' and

> 'language.' But using AK's stipulations, or more recently Dr. Hal C Becker

> of Tulane Medical College, propaganda hits us in the gut! Numerous

> examples exist. AK's decriptions in "Science & Sanity," Chap 10, perhaps

> exist as the first textual mention ever of this notion. I have not yet

> encountered an earlier mention.

> 

> The "Science and Sanity" reading list also maintains an extremely

> interesting web page at:

> http://www.newciv.org/ssread/

> 

> To summarize, I must agree with Burroughs here David.

> 

> I have that site linked to my CELM site's "Literary Links."

> Thanks...

> 

> Michael L. Buchenroth

> www.buchenroth.com/magazine.html

 

sitting drinking coffee with patricia ... she's playing Tetrus very

well.  we kicked the kids off the computers so we could play.

 

from the explanation you posted, it seems to make perfect sense to me as

well.  i think my confusion is at the point of what constitutes

physiological.  i had the impression that it was being described as

something which involved significant evolutionary and genetic mutation

in the human population over time.  it seems that if this view of

symbolism is too embedded in evolution and genetics, it becomes a hurdle

that simply being aware of the unconscious effects would not be

sufficient to breakout of.  at least, it would seem that this process

would require another cycle of evolutionary change in what we call

human.

 

i tend to think that burroughs is probably correct that these symbolic

factors are imbedded deeply in conscious and unconscious communicative

acts.  the notion of "allergy" is an excellent one.  but the fact that

some gain an awareness that explodes the "allergic" relationship, seems

to suggest that it is possible for many more to explode it.

 

it is a fine line here.  something of a paradoxical one.  the amount of

biological determinism involved in symbolic behavior cuts into the

ability of human beings to get past this 'allergy'.

 

david rhaesa

salina, Kansas

 

in Lawrence

=========================================================================

Date:         Fri, 6 Jun 1997 11:43:09 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: Nordine, Jack et al...

In-Reply-To:  <BEAT-L%97060609573189@CUNYVM.CUNY.EDU> from "Antoine Maloney" at

              Jun 6, 97 09:57:32 am

 

Antoine--*Upper Limbo* came out in 1993 on Grateful Dead Records

(catalog #  GDCD40172).

 

I'm curious about the availability of the others you mentioned ("Devout

Catalyst," etc.):  are those on labels carried by record stores or mail

order?  The first time I heard "Word Jazz" (the radio program) was on

NPR about 10 years ago.  I was amazed--delightfully dizzy, with both

speakers at different ends of the room and the volume up high and

Nordine careening all over.  After the show, an 800-number was

advertised, where one could order "Word Jazz" tapes.  I called the

number and found it was out of service.  It turns out that the "Word

Jazz" show I heard was a rerun--including the 800-number--of a show

from a few years before.

 

Malcolm--the only commercials I'm aware Nordine did were for Levi's,

maybe in the early- to mid-80s.  Probably others I don't know of,

however.

 

Tony

 

> Tony,

> 

>         Can you tell me what label *Upper Limbo* came out on and when? Have

> "Devout Catalyst" which is great, particularly the stuff with Tom Waits, and

> have "Word Jazz" and "Colors" and various individual cuts and radio

 interviews.

> 

>         The whole genre of spoken word, wordjazz, vocalese, and scat as

> represented by Lord Buckley, Slim Gaillard, Ray Brown (with the great

> "Mumbles"), Nordine, King Pleasure and .... is a goldmine with roots closely

> intertwined with the Beats and Jazz, particularly BeBop.

> 

>         Consider this a half-assed partial reply to Bruce Hartman's earlier

> post on Jazz and Mark Nofer's interesting post.

> 

>         Question for Mark. Do you remember very much about the details of

> Gillespie picking up on Kerouac's name for the composition that he and

> Charlie Christian called "Kerouac"? It's a fascinating topic. Players did

> occasionally name songs after fans and Jack was around listening, watching

> and doing the occasional jazz review.

> 

>                 Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

> 

=========================================================================

Date:         Fri, 6 Jun 1997 10:06:44 -0500

Reply-To:     Nick Weir-Williams <nweir-w@NWU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nick Weir-Williams <nweir-w@NWU.EDU>

Subject:      List changes

 

As a two-year veteran of the Beat list, and a manager of my own list, I have

to say that I think the changing of the reply function on the list will have

a serious and damaging effect on the list. I'm sorry to see it happen, I

must say.

 

However I also have to sympathize with Bill and the list managers.

Admittedly under great provocation, the list has seen threats of legal

action and being reported to the FBI. Given what's in the archives at

certain times in the list's history, I can see that many people wouldn't

appreciate that at all. Whether it was intended or not, the threats of

action appeared to be made against the whole list rather than just against

individuals, and I can see why the list manager felt action was necessary.

Another list I am on has two lawsuits in progress, and it has been decimated

as a result.

 

I did have one-follow up question regarding the archives. I asked a few

weeks back about the state of the archives. Are they being properly

maintained? In proper humidity controlled and secure environment? We have

learnt from the correspondence that (a) there is clearly a market for

Kerouac materials that have disappeared from places and (b) that the

notebooks and manauscripts are fragile. The 50's, after all, were not the

high point of quality paper manufacture. Paul Maher said in a recent post

that everything was being properly cared for, and I wonder if he or others

could elaborate on that, please

 

Nick

**************************************************************************

*Nil Carborundum Illegitimis*

It's better to die on your feet than to live on your knees

 

Nick Weir-Williams

Director, Northwestern University Press, 625 Colfax Street, Evanston, IL 60208

President, Illinois Book Publishers Association

List Manager, chipub listserv

 

ph:  847 491 8114

fax: 847 491 8150

=========================================================================

Date:         Fri, 6 Jun 1997 10:52:27 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Edie, Kerouac-Parker

 

James, it seems that I shouldn't post copyrighted stuff unless i have

the copyrighters permission.  The excerpt came from a booklet

calle

To william S. Burroughs

Essays & Poems

Celebrating The 1987 river city reunion

By Frankie "Edie" Keroac-Parker

 

I have an extra un autographed book and could send it to you but want it

back.  If you are interested. let me know.

p

=========================================================================

Date:         Fri, 6 Jun 1997 12:06:19 -0400

Reply-To:     JefLtsTalk@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Jeffrey s. Landau" <JefLtsTalk@AOL.COM>

Subject:      UNsubscribe

 

It's time to go.

I found this list via Levy Asher's web page at the time of news that Allen

Ginsburg was was ill.  This list is alive and full and I thank you.

Jeff

JefLtsTalk@aol.com

=========================================================================

Date:         Fri, 6 Jun 1997 09:42:20 -0700

Reply-To:     e.lytle@ced.utah.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Lytle <e.lytle@CED.UTAH.EDU>

Organization: Sarcos Inc.

Subject:      Re: Nordine, Jack et al...

 

Tony Trigilio wrote:

 

> I'm curious about the availability of the others you mentioned ("Devout

> Catalyst," etc.):  are those on labels carried by record stores or mail

> order?

 

Devout Catalyst is also on Grateful Dead Records.  It has KN doing Word

Jazz backed by Jerry Garcia.  Word Jazz is on Rhino - Word Beat.  I've

forgotten what label Colors is on,  but it was released in the last two

years.  I was able to find all of these disks in the local-owned CD

shops.  The national chains , Blockbuster,  may not carry them.  I've

also found them online by searching Ken Nordine.

 

 

The first time I heard "Word Jazz" (the radio program) was on

> NPR about 10 years ago.  I was amazed--delightfully dizzy, with both

> speakers at different ends of the room and the volume up high and

> Nordine careening all over.  After the show, an 800-number was

> advertised, where one could order "Word Jazz" tapes.  I called the

> number and found it was out of service.  It turns out that the "Word

> Jazz" show I heard was a rerun--including the 800-number--of a show

> from a few years before.

> 

 

Been there

 

> Malcolm--the only commercials I'm aware Nordine did were for Levi's,

> maybe in the early- to mid-80s.  Probably others I don't know of,

> however.

 

He has done several national ads in the 90's.  The last one I remember

was Chevron,  or some other gasoline co.,  where he was talking power

and performance,  cleaning your engine,  etc. while big splashes of gas

washed over the screen.  Very satisfied cars and owners drove around in

the background.  It made me want to hit the Road.

 

-E

=========================================================================

Date:         Fri, 6 Jun 1997 12:52:06 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: Burroughs & viruses

Comments: To: Patricia Elliott <pelliott@SUNFLOWER.COM>

In-Reply-To:  <339821B2.5E52@sunflower.com>

 

On Fri, 6 Jun 1997, David Rhaesa wrote:

 

> sitting drinking coffee with patricia ... she's playing Tetrus very

> well.  we kicked the kids off the computers so we could play.

 

> i had the impression that it was being described as

> something which involved significant evolutionary and genetic mutation

> in the human population over time.  it seems that if this view of

> symbolism is too embedded in evolution and genetics, it becomes a hurdle

> that simply being aware of the unconscious effects would not be

> sufficient to breakout of.  at least, it would seem that this process

> would require another cycle of evolutionary change in what we call

> human.

 

David:

This evolutionary/genetic mutation inclusion in 'physiological' does

change the original notion, doesn't it? Indeed! I hadn't considered that.

 

> i tend to think that burroughs is probably correct that these symbolic

> factors are imbedded deeply in conscious and unconscious communicative

> acts.  the notion of "allergy" is an excellent one.  but the fact that

> some gain an awareness that explodes the "allergic" relationship, seems

> to suggest that it is possible for many more to explode it.

 

Even though I had not considered this broader point of view or more

inclusive stipulation of 'physiological' in my post, I certainly agree

with you. Or that our semantic reaction roots into us genetically, sure

opens a whole new set of considerations! I can't help but think of Carl

Jung's Collective here. If we consider that these ancient, unconscious

collective associations happen physiologically in our brains or brain stems,

then Jung agrees with you. I sure believe that Jung's Collective evolves.

I believe that these reactions or associations we have,

or that the relationship we have

between us (our minds) to these archetypal symbols, motifs, whatever

happen or occur physiologically! I cannot separate us to any degree from

the physical world! Then, our physiologically  evolving Collective

Unconscious that Jung described, and documented, supports what you write!

 

> it is a fine line here.  something of a paradoxical one.  the amount of

> biological determinism involved in symbolic behavior cuts into the

> ability of human beings to get past this 'allergy'.

 

I don't like this notion of biological determinism though. To me, this

implies human symbolic behavior had some finite beginning. I don't even

believe our human symbolic behavior began with the Big Bang.

Or the Big Bang prior to the most recent one. We just evolve. To David

Bohm, everything just exists continually evolving (changing). To Bohm,

reality evolved to point we experience currently, and will continue--and

language, symbolic behavior, etc. with it. This seems much as a

metaphysical claim. So much of Bohm borders in the metaphysical. He could

debate his understanding. I do not have sufficient understanding to

debate what he wrote. And I detest others attempting to suck me into

metaphysical debates. I either believe or not. So I'll stop at that not

intending to create such a metaphysical issue here...

 

Have you read the Proust book Neal Cassady wrote of so often? I checked

that from the library last winter and read the 1st half of it. It proved

a long winding read! My point here, though, I believe Neal Cassady

thought deeply about this very subject that you initiated or that

Burroughs initiated. And I couldn't help compare Proust descriptions as a

young child of questioning existence to Jung's childhood turmoil about God's

existence. Neal Cassady seemed to toil with this same issue--

memorizing each Pope in prison, etc. and going off into Edgar Casey, etc.

Somehow, it seems connected...

 

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Fri, 6 Jun 1997 13:13:16 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      [Fwd: Mail System Error - Returned Mail]

 

This is a multi-part message in MIME format.

--------------B35EDB8FBBD9D1C72B02EC38

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

--------------B35EDB8FBBD9D1C72B02EC38

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Return-Path: <>

To: bocelts@scsn.net

From: Mail Administrator<Postmaster@mail.scsn.net>

Reply-To: Mail Administrator<Postmaster@mail.scsn.net>

Subject: Mail System Error - Returned Mail

Date: Fri, 6 Jun 1997 11:27:40 -0400

Message-ID: <19970606152740271.AAA101@mail.scsn.net>

MIME-Version: 1.0

Content-Type: multipart/mixed;

                Boundary="===========================_ _= 6853027(101)"

Content-Transfer-Encoding: 7BIT

 

--===========================_ _= 6853027(101)

Content-Type: text/plain

 

This Message was undeliverable due to the following reason:

 

The following destination addresses were unknown (please check

the addresses and re-mail the message):

 

SMTP <Multiple@scsn.net>

SMTP <recipients@scsn.net>

SMTP <of@scsn.net>

SMTP <list@scsn.net>

SMTP <BEAT-L@scsn.net>

 

Please reply to Postmaster@mail.scsn.net

if you feel this message to be in error.

 

--===========================_ _= 6853027(101)

Content-Type: message/rfc822

 

Received: from bentz ([206.25.247.81]) by mail.scsn.net

          (Post.Office MTA v3.1 release PO203a ID# 0-32322U5000L100S10000)

          with ESMTP id AAA179; Fri, 6 Jun 1997 11:27:38 -0400

Message-ID: <33982E69.DE3C9EC@scsn.net>

Date: Fri, 06 Jun 1997 11:36:09 -0400

From: bocelts@scsn.net (R. Bentz Kirby)

Organization: Law Office of R. Bentz kirby

X-Mailer: Mozilla 4.0b4 [en] (Win95; I)

MIME-Version: 1.0

To: Multiple@scsn.net, recipients@scsn.net, of@scsn.net,

        list@scsn.net, BEAT-L@scsn.net

Subject: Re: Ken Nordine

X-Priority: 3 (Normal)

References: <01BC71FA.180E8A20@sea-ts3-p66.wolfenet.com>

Content-Type: text/plain; charset=iso-8859-1

 

Malcolm Lawrence wrote:

 

> ------------------------------------------------------------------------

> 

> -----------------------------------------

> Never fails to amuse me how so many people send unsubscribe messages

> to the

> list itself. Someone even sent one to me only today.

> 

> Anyway,

> 

> Yeah, I was thinking about Ken Nordine recently too and wondered why

> he

> hadn't come up on the list yet. He also does a great bookending job

> for the

> Hal Wilner CD Stay Awake, which has contemporary artists covering old

> Disney standards. He's also just done a radio commercial, for what

> product

> I can't tell you, which is pretty indicative of just how powerful his

> voice

> is. You're listening to the timbre, you're listening to the phrasing,

> you're listening to the tonal control. Oh, what product is it? Damn,

> have

> to wait till it comes on again. Sounds like it's a national commercial

> 

> though!

> 

> Malcs

 

  Malcs:

 

Years ago, Nordine took a bunch of his riffs and did Levis commercials.

One day a stranger came to our town.

 

I always thought that Vidiots was da bomb.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

--===========================_ _= 6853027(101)--

 

 

--------------B35EDB8FBBD9D1C72B02EC38--

=========================================================================

Date:         Fri, 6 Jun 1997 12:43:08 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: [Fwd: Mail System Error - Returned Mail]

 

i found this and don't know where its been but forwarded it to general

list.

p

R. Bentz Kirby wrote:

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

> 

>     ---------------------------------------------------------------

> 

> Subject: Mail System Error - Returned Mail

> Date: Fri, 6 Jun 1997 11:27:40 -0400

> From: Mail Administrator<Postmaster@mail.scsn.net>

> To: bocelts@scsn.net

> 

> This Message was undeliverable due to the following reason:

> 

> The following destination addresses were unknown (please check

> the addresses and re-mail the message):

> 

> SMTP <Multiple@scsn.net>

> SMTP <recipients@scsn.net>

> SMTP <of@scsn.net>

> SMTP <list@scsn.net>

> SMTP <BEAT-L@scsn.net>

> 

> Please reply to Postmaster@mail.scsn.net

> if you feel this message to be in error.

> 

>     ---------------------------------------------------------------

> 

> Subject: Re: Ken Nordine

> Date: Fri, 06 Jun 1997 11:36:09 -0400

> From: bocelts@scsn.net (R. Bentz Kirby)

> Organization: Law Office of R. Bentz kirby

> To: Multiple@scsn.net, recipients@scsn.net, of@scsn.net,

>      list@scsn.net, BEAT-L@scsn.net

> References: <01BC71FA.180E8A20@sea-ts3-p66.wolfenet.com>

> 

> Malcolm Lawrence wrote:

> 

> > ------------------------------------------------------------------------

> >

> > -----------------------------------------

> > Never fails to amuse me how so many people send unsubscribe messages

> > to the

> > list itself. Someone even sent one to me only today.

> >

> > Anyway,

> >

> > Yeah, I was thinking about Ken Nordine recently too and wondered why

> > he

> > hadn't come up on the list yet. He also does a great bookending job

> > for the

> > Hal Wilner CD Stay Awake, which has contemporary artists covering old

> > Disney standards. He's also just done a radio commercial, for what

> > product

> > I can't tell you, which is pretty indicative of just how powerful his

> > voice

> > is. You're listening to the timbre, you're listening to the phrasing,

> > you're listening to the tonal control. Oh, what product is it? Damn,

> > have

> > to wait till it comes on again. Sounds like it's a national commercial

> >

> > though!

> >

> > Malcs

> 

>   Malcs:

> 

> Years ago, Nordine took a bunch of his riffs and did Levis commercials.

> One day a stranger came to our town.

> 

> I always thought that Vidiots was da bomb.

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 6 Jun 1997 13:44:12 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: Burroughs & viruses

Comments: To: Patricia Elliott <pelliott@SUNFLOWER.COM>

In-Reply-To:  <339821B2.5E52@sunflower.com>

 

On Fri, 6 Jun 1997, David Rhaesa  wrote:

 

> it is a fine line here.  something of a paradoxical one.  the amount of

> biological determinism involved in symbolic behavior cuts into the

> ability of human beings to get past this 'allergy'.

 

David:

I couldn't agree with you more here even though 'determinism' has

uncomfortable implications to me. Considering what you write here, it

almost seems futile to even try to control our semantic reactions,

doesn't it? Your biological determinism notion sure weakens AK's notion

that we can create and use symbolic behavior to get past this

'allergy.' Perhaps we cannot! Or the amount of control needed seems

almost shaman. We would need to reach inside ourselves, walk slowly on fire,

slow our heartbeat, and then go deeper still, to manipulate some genetic

code or something. That sure well-represents your notion of a

paradox--genetically altered, cloned beings who can walk into WalMart and

walk out empty handed, unaffected by those damn "falling prices."

Propagandaless existence! A Dolly who doesn't tread the time-worn path...

And who remembers those rules white washed on the side of the barn!

A real Beat sheep, perhaps..

 

Michael L. Buchenroth mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Fri, 6 Jun 1997 13:01:19 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Burroughs & viruses

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael L. Buchenroth wrote:

 

> David:

> This evolutionary/genetic mutation inclusion in 'physiological' does

> change the original notion, doesn't it? Indeed! I hadn't considered that.

> 

> > i tend to think that burroughs is probably correct that these symbolic

> > factors are imbedded deeply in conscious and unconscious communicative

> > acts.  the notion of "allergy" is an excellent one.  but the fact that

> > some gain an awareness that explodes the "allergic" relationship, seems

> > to suggest that it is possible for many more to explode it.

> 

> Even though I had not considered this broader point of view or more

> inclusive stipulation of 'physiological' in my post, I certainly agree

> with you. Or that our semantic reaction roots into us genetically, sure

> opens a whole new set of considerations! I can't help but think of Carl

> Jung's Collective here. If we consider that these ancient, unconscious

> collective associations happen physiologically in our brains or brain stems,

> then Jung agrees with you. I sure believe that Jung's Collective evolves.

> I believe that these reactions or associations we have,

> or that the relationship we have

> between us (our minds) to these archetypal symbols, motifs, whatever

> happen or occur physiologically! I cannot separate us to any degree from

> the physical world! Then, our physiologically  evolving Collective

> Unconscious that Jung described, and documented, supports what you write!

 

Eating food for lunch.  mexican kind.  jung probably affects my thinking

here.  in a debate with my shrink once we got to where he conceded that

Jungian archetypes extend to the 'genetic' level.  i don't believe that

he quite fathomed the extensions and implications of this conception.

this would - if true - eliminate the physiological difficulties i was

having before.

 

i am really interested in the notion of 'allergy' as archetype.  i think

that the 'virus'/'allergy' notion as archetype is worth exploring.

 

just went over to J. Hood bookstore on massachusetts avenue and snagged

a copy of Kenneth Burke's Language as Symbolic Action.  it is seriously

reminding me of some questions which i'll address when i get back to

salina.

 

for starters a hint is talking about the way that symbolic-action is

viral in its relation to "time" which seems a critical part of the

virus.  i'll think about this on the drive home and relate more to you

then.

> 

> > it is a fine line here.  something of a paradoxical one.  the amount of

> > biological determinism involved in symbolic behavior cuts into the

> > ability of human beings to get past this 'allergy'.

> 

> I don't like this notion of biological determinism though. To me, this

> implies human symbolic behavior had some finite beginning. I don't even

> believe our human symbolic behavior began with the Big Bang.

> Or the Big Bang prior to the most recent one. We just evolve. To David

> Bohm, everything just exists continually evolving (changing). To Bohm,

> reality evolved to point we experience currently, and will continue--and

> language, symbolic behavior, etc. with it. This seems much as a

> metaphysical claim. So much of Bohm borders in the metaphysical. He could

> debate his understanding. I do not have sufficient understanding to

> debate what he wrote. And I detest others attempting to suck me into

> metaphysical debates. I either believe or not. So I'll stop at that not

> intending to create such a metaphysical issue here...

 

not trying to get into metaphysical (i don't care for that word).  it is

mostly a conceptual question of virus as figurative vs. virus as

literal.  i think that the archetypal notion might connect the two.

> 

> Have you read the Proust book Neal Cassady wrote of so often? I checked

> that from the library last winter and read the 1st half of it. It proved

> a long winding read! My point here, though, I believe Neal Cassady

> thought deeply about this very subject that you initiated or that

> Burroughs initiated. And I couldn't help compare Proust descriptions as a

> young child of questioning existence to Jung's childhood turmoil about God's

> existence. Neal Cassady seemed to toil with this same issue--

> memorizing each Pope in prison, etc. and going off into Edgar Casey, etc.

> Somehow, it seems connected...

 

not read Proust.  Jung's specific questioning probably had to do with

being a preacher's kid.  the 'type' of questions seem very connected.

Kierkegaard probably links them most often.  don't know if he finds an

answer.  these questions do relate to the control of the virus on human

activity.

> 

> Michael L. Buchenroth

> mike@buchenroth.com

> www.buchenroth.com

> To view

> Columbus' Electronic Literary Magazine

> go to

> www.buchenroth.com/magazine.html

=========================================================================

Date:         Fri, 6 Jun 1997 14:33:42 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: The Mecca of Lawrence....

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

So Patricia     ...and david?

 

does this mean that you've travelled to Lawrence and are now at Patricia's?

....very cool if true - what a list!

 

antoine (using more lower case letters because I broke my wrist last night

when a ladder broke under me....just as renovation season starts! not too

bad though - i only have a splint on it/

 

 

antoine

 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 6 Jun 1997 15:02:45 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      list count

Comments: To: Fred Bogin <FDBBC@CUNYVM.BITNET>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

fred,

 

message i sent this am came back with 182 recipients; this pm it was at 248!

can you explain the mysteries of subscriber's count?  thanks

 

antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 6 Jun 1997 15:14:18 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      list count

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

fred,

 

that should have said 231 - 248 was from your prior post about subscribers

when it was reported to be at 248 altrhough we were seeing under 200 on our

recipients count that shows with message confirmation.

 

antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 6 Jun 1997 14:25:50 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: The Mecca of Lawrence....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Antoine Maloney wrote:

> 

> So Patricia     ...and david?

> 

> does this mean that you've travelled to Lawrence and are now at Patricia's?

> ....very cool if true - what a list!

> 

> antoine (using more lower case letters because I broke my wrist last night

> when a ladder broke under me....just as renovation season starts! not too

> bad though - i only have a splint on it/

> 

> antoine

> 

> Patricia wrote

 

yes david got here early this morning, i have drug him all over town and

he has the Billy Plymell room in the basement.  I got to feed him and

there will be a turkey and pie party sunday. Anyone on the list of

course is invited. lol

patricia

=========================================================================

Date:         Fri, 6 Jun 1997 16:48:30 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Ginsberg memorial in NJ

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Can someone please post, or re-post, the scheduling of the memorial that

is sposed to occur in i think Paterson NJ. i would appreciate info.

 

Where, and when is it taking place, does anyone know how to give

directions from say, rt. 80.

 

thanks,

Eric

=========================================================================

Date:         Fri, 6 Jun 1997 19:17:03 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Nordine, Jack et al...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Tony,

 

        Nordine's "colors" recording was originally a series of radio spots

for a paint company.

 

        antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 6 Jun 1997 19:48:22 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Nordine, Jack et al...

 

Antoine:

Annie Ross provided some of the best original scat and sometimes recorded

with King Pleasure. I saw her once. I didn't realize she was from Ireland.

Charles Plymell

=========================================================================

Date:         Fri, 6 Jun 1997 23:29:34 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: The Mecca of Lawrence....

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> Antoine Maloney wrote:

> >

> > So Patricia     ...and david?

> >

> > does this mean that you've travelled to Lawrence and are now at Patricia's?

> > ....very cool if true - what a list!

> >

> > antoine (using more lower case letters because I broke my wrist last night

> > when a ladder broke under me....just as renovation season starts! not too

> > bad though - i only have a splint on it/

> >

> > antoine

> >

> > Patricia wrote

> 

> yes david got here early this morning, i have drug him all over town and

> he has the Billy Plymell room in the basement.  I got to feed him and

> there will be a turkey and pie party sunday. Anyone on the list of

> course is invited. lol

> patricia

 

 

That was a little confusing at first, hearing David's words under

Patricia Elliott's sig.  It would make it interesting, wouldn't it, if we

each could live out our own "on the road" on the list, traveling across

the country, knowing that somewhere down the road was a friendly beat-l

member waiting for us to arrive?

 

DC

=========================================================================

Date:         Fri, 6 Jun 1997 22:45:19 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      The billy plymell slept here odysy

MIME-Version: 1.0

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Patricia wrote

Are beat- l member activities list related. We ate, who cares what, and

watched evening star, and wondered is Jack Nicklson ( who was only in

that movie as a cameo)beat related because of easy rider?

Went with David to Hoods used books store, where a fast but good time

was had. John Hood said that it was hard to keep anything of wsb's in.

p

=========================================================================

Date:         Fri, 6 Jun 1997 22:54:37 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      beat-hotel and dinner establishment

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

this is not patricia ... this is me david aka race

 

it appears that the beat-hotel has moved to lawrence.

the time here has been wonderful.

food report - dinner, good, italian

read half of queer this afternoon and found some other notions for virus

thread.

patricia says to tell WHAT book i bought.  i bought Kenneth Burke

(columbia drop-out), Language as Symbolic Action.  reading essay on Poe

and perfection right now.  well actually that was b4 my siesta and b4

reading from Queer.

the movie was good.  i kept saying when is jack showing up.  when is

jack showing up.  he still stole the show.

had my first chat experience today.  told them i was from Mars.

Lawrence is wonderful.  ghostlike memories of fifteen years ago when i

lived here and many changes some even good.

tempting just to move here again next week.

got done with the movie in time to watch michael jordan lose.

 

david rhaesa

salina, Kansas

On Route to KC 4 wedding (not mine)

=========================================================================

Date:         Fri, 6 Jun 1997 21:22:55 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: The billy plymell slept here odysy

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> Patricia wrote

> Are beat- l member activities list related. We ate, who cares what, and

> watched evening star, and wondered is Jack Nicklson ( who was only in

> that movie as a cameo)beat related because of easy rider?

> Went with David to Hoods used books store, where a fast but good time

> was had. John Hood said that it was hard to keep anything of wsb's in.

> p

 

 

Patricia and David,

 

I would say Jack is definitly at least Beat Related.  Hopper had photos

in the Whitney thing when it passed through SF and flew up for the

Ginsberg Memorial in SF, so at least by association Jack has to be at

least tangentially beat.

 

And in my view the activities of list members are certainly appropriate

fodder for the list.  (As long as you guys aren't secretely forging each

other's signatures in order to purloin each other's posthumous

archives.)

 

I'll be with you in spirit in Lawrence at your turkey and pie feed.

 

James Stauffer

=========================================================================

Date:         Sat, 7 Jun 1997 00:43:04 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Hendrix came from Mars too.

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

this is me david aka race, wrote:

 

told them i was from Mars.

 

David,

 

Jimi Hendrix said he was from an asteroid belt near Mars.  Do you think

there used to be a planet between Mars and Jupiter?  There is a thread

on this that runs through psychedlic rock, so it could just be an LSD

thing, or it could be information in the genes.  Funny, if you see Jimi

in a dream, ask him, I will.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 7 Jun 1997 00:56:21 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Oh yeah, and in case you been dissing Carl Jung lately

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

Oh yeah, and in case you been dissing Carl Jung, the collective

unconscious and archetypes lately, this was posted to the Hendrix mail

list and I just read it:

 

>Someone was commenting on an interview with Carlos Santana and reported

that >Santana said about Hendrix:

>They (sic) great thing was that they talked about him

>different than anyone else.  Santanta said he was a sound sculpturer,

and

>that his blues sounded like they came from Mars.  Someone else also

>mentioned that he seemed to come from outer space.  It was all quite

>exciting.

 

So, David, maybe you are from Mars, after all, Well, I won't go back

there now that I think about it.

 

;-)

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

=========================================================================

Date:         Sat, 7 Jun 1997 10:39:21 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      lets return to the old message system

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

what about returning to the old system, or is my server down.

p

=========================================================================

Date:         Sat, 7 Jun 1997 12:53:50 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lets return to the old message system

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Patricia Elliott wrote:

> 

> what about returning to the old system, or is my server down.

> p

 

I agree.  The silence is deafening.  We had a week this way, all the

fighting has stopped.  But a lot of the interesting spontaneity has also

disappeared.  I think some people are afraid to join in and some haven't

figured out how the new system works.  Rinaldo sent me e-mail saying he

didn't understand what was going on.  I tried to explain and I think he

now understands despite my lack of Italian.  People who feel they are

getting too much mail can always delete anything they don't want to read.

 Let's get on with it again.

DC

=========================================================================

Date:         Sat, 7 Jun 1997 17:28:26 BST

Reply-To:     Tom Harberd <T.E.Harberd@UEA.AC.UK>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Harberd <T.E.Harberd@UEA.AC.UK>

Subject:      Re: Question: WSB and Foucault?

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

 

On Mon, 19 May 1997 09:06:01 -0500 RACE --- wrote:

 

> From: RACE --- <race@MIDUSA.NET>

> Date: Mon, 19 May 1997 09:06:01 -0500

> Subject: Re: Question: WSB and Foucault?

> To: Multiple recipients of list BEAT-L

<BEAT-L@CUNYVM.CUNY.EDU>

> 

> Thomas Harberd wrote:

> >

> > Does anyone know if WSB ever met (or read) Foucault?  It

> > seems that they share many common concerns, especially

those

> > relating to power structures and control.  They were

also

> > both homosexual, although that's perhaps a bit of a weak

> > (trite) link.  Just wondering...

> >

> > Tom. H.

> > http://www.uea.ac.uk/~w9624759

> > "A Bear of Very Little Brain"

> 

> some overlap but Foucault didn't wrote thick arhealogical

philosophy

> while Burroughs wrote thick novels.  it seems this choice

of form is a

> significant difference.

> 

> Foucault was primarily a cannabis partaker.  bowl on the

shelf near his

> work table read to unblock writer's block.

> 

> but there are some parallels in methods as with all the

new critics of

> language.  Writing was 50 years behind painting and

critical theory was

> 25 years behind Writing.... :)

> 

> david rhaesa

=========================================================================

Date:         Sat, 7 Jun 1997 11:26:15 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: lets return to the old message system

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> >what about returning to the old system, or is my server down.

> >p

> 

> patricia, it's still set on personal.

> in my opinon, we did just fine until that particular piece of excrement hit

> the proverbial fan..

> i vote, too

> but alas only you will get my vot

> as my copy/paste thingee is screwed up.

> btw,

> hi

> mc

no problem we can forward,

patricia and David, we took him to the at center sale , an dumpster

kmart expo.

p

=========================================================================

Date:         Sat, 7 Jun 1997 14:48:01 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: Welcome to BEAT-L

 

Dear BEAT-L Members:

 

I have just been connected to this group of Beat enthusiasts by my good

friend Jeffrey Weinberg.  I look forward to sharing my experiences with you,

and vice versa.  My single greatest Beat experience so far, which will

probably never be exceeded,  was my visit, on February 19, 1995, with William

S. Burroughs at his home in Lawrence, Kansas.  I think that Burroughs,

Ginsberg, Kerouac and Huncke  (who along with Cassady were great influences

on and subjects of the other 3 without leaving us much of their own creation)

are the Mt. Rushmore of the Beat Generation,  and WSB is my favorite of them

all, the one whose works I have read and collected the most, have the most

knowledge of and simply enjoy and have learned the most from.  He preceded in

age, and exceeded in the depth and breadth of his life and its lessons, all

the others.  Indeed, he is one of the key figures in the shaping of this

waning century, and a prophet of the future.  The Beats were more

interrelated and inter-referential than any other literary or cultural

phenomenon that I know of, you  can't really get into one without

encountering the others, but WSB is a giant among the giants, and

interestingly is the sole survivor among them, though the oldest and not

exactly having been an exemplar of clean living.

 

I must go now, but I hope to hear more from you and you will certainly be

hearing more from me.

 

Arthur S. Nusbaum

=========================================================================

Date:         Sat, 7 Jun 1997 12:18:16 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: lets return to the old message system

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:53 PM -0700 6/7/97, Diane Carter wrote:

 

> People who feel they are

> getting too much mail can always delete anything they don't want to read.

>  Let's get on with it again.

> DC

 

might I suggest you folx set up a "digest" version of the beat-list.  This

way every "x" amount of posts, or every 12 hours, or every kilobyte of

messages (I don't know how it's set up), a compact, SINGLE, email is sent

to all the subscribers.  Out on the Patti Smith list <ahem> we have both

types.  We've had our share of flames too BTW.  All will pass.

 

It'd also be nice to see a web site with a search engine connected to a

beat-list archive.  But I'll harp on that another time...

 

<<back to lurker mode>> cheers, Douglas

 

 

>               I'll master your language

>               the riddle of steel, shall I tell you

>               my wave, my wave, my wave, my wave, my wave....

>               http://www.electriciti.com/babu/

=========================================================================

Date:         Sat, 7 Jun 1997 15:07:38 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Burroughs & viruses

MIME-Version: 1.0

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Marioka7@aol.com wrote:

> 

> david (and patricia),

> I'm back from brooklyn, had a good time but remembered why i left in the

> first place.  Interesting discussion on burroughs and viruses (viri?).  Am

> mega-depressed though i don't know why. Yesterday was my 22nd birthday.  i'm

> jealous that you're in burroughs' town.  I want to meet him real bad.  David,

> you know how much he has influenced me.   it's really grey and blah here...a

> good day for suicide.  I wish i had some drugs.  Oh well, i'll try to cheer

> up and sent you a more interesting letter later today or maybe tomorrow.  To

> tell you the truth, i think what i really need is to get laid.  Sorry to be

> so crude, but sometimes the truth is that way.  Anyhoo, i'm going to go work

> on that.  Later, -------------maya

patricia writes

excellant plan , not the sucide but the other.

david yells over from the tub, to just have a strong cup of coffee.

 

patricia writes

yeh a stong cup of coffee, thats the ticket.

 

poem

bill

william walks, denim swishing,

cat hairs cling to his cuffs,

throwing globules at the goldfish,

straight at them, like a first pitch of baseball season.

 

What did the lesbian frog say to the other lesbian frog,

hey , you really do taste like chicken,

Lesbian frog answers,

and how do you know what chicken tasts like?

 

tweak that, and write back

 

patricia and david

=========================================================================

Date:         Sat, 7 Jun 1997 16:24:16 -0400

Reply-To:     "Lawrence M. Ladutke" <lladutke@CUNY.CAMPUS.MCI.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lawrence M. Ladutke" <lladutke@CUNY.CAMPUS.MCI.NET>

Subject:      UNSUSCRIBE BEATL

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

  UNSUSCRIBE BEATL

=========================================================================

Date:         Sat, 7 Jun 1997 20:10:49 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      what's goin' down?

 

why is everybody suddenly unsubsribing? I hope this madness ends.

 

 I just came back from NYC. How i miss the smell of falafel adn gyros walking

down avenue A at 3 am, dodging dope dealers, inhaling carbon monoxide,

wondering how the guy in front of me got such high platforms put on his

sneakers.  Picking up a video at Kim's...watching the guy sitting across from

me on the L nod out like there's no tomorrow.  Graffiti poems and

watered-down gin and tonics at Mona's or the Lakeside Lounge.  So how's your

writng/painting/filmmaking going?

 

Guess who Janice is going out with? A frenchman! Weren't you seeing that guy

from that band? Check out my new skirt.  Leopard print is so last year. Get

with it.  No one's really happy, they just pretend they are.  Put on your

face, we're going to the bar.  Vague memories of colors through a heroin

haze.  Where are all the cool kids? Why did you lie to me? People carrying

combs around in case hairstyles should suddenly change.  Comedy or tragedy,

you choose. I heard your mom did it with that actor.  I haven't been getting

much sleep, my lifestyle interferes. There's no time or place for integrity

here.  You'll only get stepped on.  No time for truth, just cause i'm a girl.

 Do you wanna fuck me?  How many people wanna fuck YOU?  Hah! your skirt must

be longer than mine.

That's what you get.  She looked like she wanted it.

 

     I went to her apartment, it was all cluttered with stuff---papers, phone

numbers scrawled on the back on receipts.  Her boyfriend was about 7 feet

tall, about 2 feet taller than her.  Anyway, I gave her the money but she

wanted to talk.  Sat me down on the plastic-covered sofa.  The doorbell rang

and she looked through the hole as she unlocked it.  Some girl walked in with

teeth missing.  told me unsolicitedly that she sold condoms for a dollar a

piece cause she got them free at the clinic.  That one left, and i wondered

why she had singled me out for a "talk".  She was obviously high, cause she

kept repeating herself and her eyes were half closed. she showed me pictures

of her daughters in the half-lit room.

She went to the bathroom, and I slipped a nice set of watercolors that were

lying on the table into my bag.  I should paint more.  She'll never notice,

and anyway they're probably her daughter's.  Sat through another 10 minutes

of pictures, then i finally said that i needed the stuff NOW.  she said oh,

sorry, why didn't you say so before? And i decided to leave right away, there

was a bar across the street I could run into to do it.  I just remember one

thing she said that stuck in my head:" Once the city gets under your skin,

you never want to leave."

I'm scared that she, of all people, is right.  This time.

=========================================================================

Date:         Sat, 7 Jun 1997 20:28:40 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: The billy plymell slept here odysy

Comments: To: stauffer@pacbell.net

 

James:

Let me know if you got my packet yet. Sorry I don't have a Now magazine for

inclusion. Dennis Hopper sent me a collage I reproduced in it. It's about as

scarce as a Zap.  Do let me know if Forever Wider wasn't in the packet and

I'll get the one we scanned in the mail to you.

Charley

=========================================================================

Date:         Sat, 7 Jun 1997 23:10:58 -0400

Reply-To:     JefLtsTalk@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Jeffrey s. Landau" <JefLtsTalk@AOL.COM>

Subject:      >>>>>>>Unsubscribe BEAT L

 

>>>>>>>>>>>Unsubscribe

JefLtsTalk@aol.com

=========================================================================

Date:         Sun, 8 Jun 1997 00:49:12 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Charles Plymell & the Beats

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Hi Charles,

 

I'm being interviewed by Pulse Magazine and thought you'd get a

kick out of the damn thing. When it hits the racks I'll send you

one. They asked a lot of the typical questions like: influences,

mistakes, friends, Beats etc. They asked me about my long friendship

with Bukowski, and as usual, the big: Did he influence you? I answer

with the usual: Fuck No! We knew each other big deal. Then they ask

about A.G. Were you friends? I answer no, we met a couple of times

he turned me onto a few Beat related things, writers, and we exchanged

some letters. Then they hit me with this one (you gotta love it!)=97

Have you ever been hit so hard you shit yourself? After damn near dying

of laughter, I was finally able to give them this: "Well, I have

taken many blows in my time and I've only been knocked off my feet

twice-once by a refrigerator door, but I can honestly say no I haven't

shit my pants from a punch.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Sun, 8 Jun 1997 00:46:56 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: good bedroom

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

CVEditions@aol.com wrote:

> 

> In a message dated 97-06-07 01:49:59 EDT, you write:

> 

> << well this is a nice bedroom you all fixed up here two weeks ago. >>

> David & Patricia

> Hope you drove past the old Rockchalk where S.Clay, Jim & I used to hang

> out.Yeah Patricia, that sinus infectionion is still pounding me. I think I

> got it in Billy's dorm at the Univ. of Montana. Dorm infenctions are

> viscious. It didn't hit that hard until N.C., where I got some antibiotics. I

> hope I didn't leave any trace in Lawrence. Do Check on B. for me. He didn't

> seemed concerned, but I wanted to cut the visit short anyway to get through

> Missourah by daylight.

> Lena, other lines I remember as a kid way out in Gutheryland was.."Who's

> gonna talk your future over/while I'm ramblin in the West?" Always stuck with

> me. My dad used to sing it. I just assumed every kid studied and sang

> Gutherie in school. Wut's happened to our educashun system anywho??

 

We are all well here, lena's favorite song is this land is our land, her

grandfathers is jack's song Oklahoma hills, she just didn't know the

line. But her favorite music right now is alanis morrisett or someone.

Rock chalk on a friday afternoon is still a great porch gathering.

david and I hit the book stores and he found one of my other boxes of

books , came across wsb's My Education and we are both reading it now.I

now have the four boxes of burroughs stuff going into boxes of acid free

paper but it is too much fun sorting.

b is doing fine, probably short was good as he had some art thing the

next day.  Boy you all come by any time. it was fun.

Gargle with  8 oz of very warm water with a teaspoon of salt, gargle

gently and drink water and juice, Bob says hi. lena is asleep now, she

loves the new set up in the basement.

=========================================================================

Date:         Sun, 8 Jun 1997 08:10:03 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: List changes

In-Reply-To:  <199706061551.AA205262297@lulu.acns.nwu.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

arrgggrrrrhhh!

i agree with nick's thought-filled post. i am constantly cut and pasting my

messages to list all over creation up here in these parts.

bill, you did what was needed at the time, yes. but am also missing the

tumble down acres of list mail from all to all.

mc

=========================================================================

Date:         Sun, 8 Jun 1997 09:44:55 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: List changes

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

Marie Countryman wrote:

 

> arrgggrrrrhhh!

> i agree with nick's thought-filled post. i am constantly cut and

> pasting my

> messages to list all over creation up here in these parts.

> bill, you did what was needed at the time, yes. but am also missing

> the

> tumble down acres of list mail from all to all.

> mc

 

 As a test post, I just hit, return to sender and all recipients, is

this going to the beat list, I guess the confirmation returns.  I use

Netscape and sometimes Z-Mail by Netmanage.  If this post makes it to

the list, then while the recipient will get two posts, or you can simply

delete the sender and send it to the beat list, this should revive the

"GOOD" give and take.  Maybe some mail programs don't allow you to do

this, and then again, maybe this doesn't work.

 

Me, I am on the verge of traveling to San Francisco.  Once I am there, I

am thinking of hopping onto the Zipper and riding to Seattle, but, I

won't.  So, if Charles P. ever ran down the phone number or confirmed

the address of the person for me to contact when I get to San Francisco,

I would appreciate it very much.  If anyone else has suggestions on SF,

I am listening.  Send them back channel, send them on the list, just

send them.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 8 Jun 1997 10:19:17 -0400

Reply-To:     JefLtsTalk@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Jeffrey s. Landau" <JefLtsTalk@AOL.COM>

Subject:      >>>>>>UNSUBSCRIBE

 

>>>>>>UNSUBSCRIBE

=========================================================================

Date:         Sun, 8 Jun 1997 10:20:10 -0400

Reply-To:     JefLtsTalk@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Jeffrey s. Landau" <JefLtsTalk@AOL.COM>

Subject:      >>>UNSUBSCRIBE

 

Jeff Landau

=========================================================================

Date:         Sun, 8 Jun 1997 10:21:49 -0400

Reply-To:     JefLtsTalk@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Jeffrey s. Landau" <JefLtsTalk@AOL.COM>

Subject:      UNSUBSCRIBE

 

JefLtsTalk@aol.com

=========================================================================

Date:         Sun, 8 Jun 1997 10:42:47 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: >>>UNSUBSCRIBE

Comments: To: JefLtsTalk@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

Jeffrey s. Landau wrote:

 

> Jeff Landau

 

 Jeff:

 

I am not sure, but I believe the address to unsubscribe is:

 

listserv@cunyvm.cuny.edu

 

and not the beat list.  On the other hand, maybe you are working out

your karma and simply will not be allowed to unsubscribe?  Maybe you

should just give into life in all of its wondrous rush, or at least stop

posting unsubscribe messages here.  It ain't gonna work.

 

Best of luck in your quest.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 8 Jun 1997 12:02:16 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: List changes

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Marie Countryman wrote:

> 

> > arrgggrrrrhhh!

> > i agree with nick's thought-filled post. i am constantly cut and

> > pasting my

> > messages to list all over creation up here in these parts.

> > bill, you did what was needed at the time, yes. but am also missing

> > the

> > tumble down acres of list mail from all to all.

> > mc

> 

>  As a test post, I just hit, return to sender and all recipients, is

> this going to the beat list, I guess the confirmation returns.  I use

> Netscape and sometimes Z-Mail by Netmanage.  If this post makes it to

> the list, then while the recipient will get two posts, or you can simply

> delete the sender and send it to the beat list, this should revive the

> "GOOD" give and take.  Maybe some mail programs don't allow you to do

> this, and then again, maybe this doesn't work.

> 

> Me, I am on the verge of traveling to San Francisco.  Once I am there, I

> am thinking of hopping onto the Zipper and riding to Seattle, but, I

> won't.  So, if Charles P. ever ran down the phone number or confirmed

> the address of the person for me to contact when I get to San Francisco,

> I would appreciate it very much.  If anyone else has suggestions on SF,

> I am listening.  Send them back channel, send them on the list, just

> send them.

> 

> Peace,

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

I was using the cut & paste version but now for some reason, the paste

part doesn't work and I'm back to typing in the beat-l address.  My

version of Netscape does not have a return to sender option.  How long

are you going to be in San Francisco?  I was going to post my response

soon to  what you had to say about about the poetry of T.S. Eliot, and

defend my belief as to why AG is by far the better poet, but haven't

gotten to it yet. Would hate for you to miss it.

DC

=========================================================================

Date:         Sun, 8 Jun 1997 11:13:26 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      So, I got up this morning and...

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

So, I got up this morning and like, all I can see is some rap about

heroin in New York that scares the shit out of me, a post about the

reply button and some dude trying like hell to unsubscribe.  And I am

thinking man, give me at least a little flame war.  If it wasn't for

David Race, Charles P., Marie C., Patricia E. and a few others, man this

list would be dead.

 

What happened to all the folks who said stop the flame wars, I wanna get

off but didn't get off?  Where is all this beat stuff you were gonna

talk about if only those other people would stop their ugly talk?  Why

is the list dead in the water?

 

For me, I would rather the flame wars were back in order.  By the way, I

still have not heard from Martha Mayo, should I write her back?

 

Maybe everybody is tired, and Lisa, you can't even look at your nails,

much less work on them anymore while this list downloads.

 

Well, I guess we ought to get Ken Nordine to record the emaildiots.  It

could be about a mail list where nobody posts, instead they all sit

around waiting for some poor sucker like me to flame the whole list and

then they pounce on him and tear him to shreds, like the women in the

Cult of the Goddess do on their rants, and scream, oh please don't hurt

our list.  What LIST?  Is there any poetry here?  Hey Lisa, why don't

you post some poetry?

 

Maybe we could change the name to the Beat-lurks instead.  The return

says over 230 are subscribed, but no posts no posts no posts no posts no

posts no posts no posts no posts no posts no posts no posts no posts no

posts no posts no posts no posts no posts no posts no posts no posts no

posts no posts no posts no posts no posts no posts no posts no posts no

posts!

 

Well, I ain't gonna risk getting flamed by this list,  no sir, I am

gonna sit right here and if you see this post just remember, Bentz

didn't send it, his evil twin the flame meister did.  Hey that

sonofabitch would flame the whole lot of you if I would let him, I mean,

he would do it just to get a response, and if you got angry, he would

LOL at your responses.

 

Hey have you got one of  those evil twin guys or gals inside of you.

Bob Dylan does.

 

>From Where are You Tonight:

 

I fought with my twin, my enemy within, 'til both of us fell by the way

Horseplay and disease is killing me by degrees while the law looks the

other way

 

and earlier in the same song he said:

 

The truth was obscure, too profound and too pure, to live it you had to

explode.

In that last hour of need, we entirely agreed, sacrifice was the code of

the road.

 

So there you go folks, are you willing to explode, are you willing to

sacrifice, have you met your twin and fought him or her withing til BOTH

of you fell by the way.  What are you going to say.

 

I have seen the best emailers of my generation silenced by the threat of

disapproval.

They were once posters of poetry, talk lies backstabbing, truth honesty,

big shits and real shits.

But now they have dwindled off into qwerty induced hazes, seduced by

protocol, enslavened by fear of the flame,

And they have died.

Died in the silicone chip world festered by Stanford.

Oh, did any voice ring out?

Oh, did any voice have courage?

Oh, did my return button silence my voice?

Oh, why did they lack the courage, or, is it that they just chose not to

use it.

 

I want my beat-l, I want my beat-l they chanted like some MTV inbread

beavis and butthead listening to too much Dire Straights.

We got to move these email posts, we got to be flamed, maybe getting a

tarnish on your reputation, maybe get a tarnish on your little poem,

maybe get a bruise on your little ego, maybe get a bruise on your little

head.

Well I say screw the beat list cause it ain't dying, it is already

dead.  You just were afraid to admit it and this is just a good excuse

to go whimpering off into a gentle good night.

 

But me, I ain't gonna let fear or ego or what you think about me or what

you do or what you say about my poetry or what you sit on your ass doing

nails or whatever stop this list.  This is a post to beat-l, is anybody

home, or are you all gonna run and hide!

 

Peace to those of you who are willing to pay the price to get out of

going through all these things twice.

 

Bentz, flaming you all, putting you on and laughing up my sleeve when I

don't even have a shirt on.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 8 Jun 1997 11:23:49 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      231, uhh 230

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

This was the reply to my last post:

>Your message dated Sun,  08 Jun 1997 11:13:26 -0400 with  subject "So,

I got

>up this morning and..." has been successfully distributed to the BEAT-L

list

>(231 recipients).

 

So there are 229 of you out there, not counting me and the poor guy in

unsubscribe hell, and the Beat L is dead, curious curious, curious.  I

think I will write a poem, go get laid ( I liked that post) and then see

if my wife is awake.  Gotta go see my neighbor, she looks kinda lonely

and all over there.  ;-)

 

Peace and procreation to all of you!

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 8 Jun 1997 10:24:57 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: So, I got up this morning and...

Comments: To: "R. Bentz Kirby" <bocelts@SCSN.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

patricia wrote

i was so sick of the flame war, and i am willing to wait for the list to

resestablish some interesting threads. I have a weakness for poetry but

am looking for a regional poetry list to list my new cowboys are fun to

emascalate poem.  I don't feel like a weekend is a fair time to judge

the lists vitality, but would like to continue the idea of returning to

the previous mailing format.  I am making pies this afternoon and

decided to invent a new pie after Ohle's story, chili hearts, i have a

great soup called chili hearts soup.

oh i am in a wonderful mood. sorry, i watch it.

p

R. Bentz Kirby wrote:

> 

> Peace to those of you who are willing to pay the price to get out of

> going through all these things twice.

> 

> Bentz, flaming you all, putting you on and laughing up my sleeve when I

> don't even have a shirt on.

> 

=========================================================================

Date:         Sun, 8 Jun 1997 11:48:50 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: List changes

In-Reply-To:  <339AB756.1DCC7756@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

in the land of the blind

the one-eyed man is king.

dylan

also,

it's tom waits who piano has been drinking

feeling

elfish

today

hi bill, struggling with all this shit.

good thoughts to you

mc

=========================================================================

Date:         Sun, 8 Jun 1997 17:18:13 +0100

Reply-To:     or205@hermes.cam.ac.uk

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      Re: So, I got up this morning and...

In-Reply-To:  <339ACC15.4C3462D@scsn.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> Maybe we could change the name to the Beat-lurks instead.  The return

> says over 230 are subscribed, but no posts no posts no posts no posts no

> posts no posts no posts no posts no posts no posts no posts no posts no

> posts no posts no posts no posts no posts no posts no posts no posts no

> posts no posts no posts no posts no posts no posts no posts no posts no

> posts!

 

Bentz, man, you're asking for it. ok. If I had any money I'd happily pay

that price...(y'know, the one that keeps you from having to go thru all

these things twice)... furthermore, "they all fall there so perfectly, it

all seems so well timed" - but then dylan also said "do not trust bathroom

walls that have not been written on... when asked to look at yourself,

never look... when asked for your real name, never give it." If the dylan

list is indeed stagnating, it must just mean that they haven't been

reading enough of his stuff... they could sit there until Armageddon

quoting obscure lines back and forth in total righteousness & hubris.

 

I was going to write more, but folks, if I was going to be spontaneous, I

would have already  been spontaneous, without thinking about it. In fact,

maybe I am being spontaneous right now. I am. But then you take a moment

to look at the moment, & it's gone...

 

 

                                        Olly R.

 

_______________________________________________________________________________

 

"Survival of the... *fittest* ? Was that the proper word ? Had Darwin ever

considered the idea of *temporary* unfitness ? Like "temporary insanity."

Could the Doctor have made room in his theory for a thing like LSD ?"

_______________________________________________________________________________

 

                           or205@hermes.cam.ac.uk

                              skink@imrryr.org

_______________________________________________________________________________

 

On Sun, 8 Jun 1997, R. Bentz Kirby wrote:

 

> So, I got up this morning and like, all I can see is some rap about

> heroin in New York that scares the shit out of me, a post about the

> reply button and some dude trying like hell to unsubscribe.  And I am

> thinking man, give me at least a little flame war.  If it wasn't for

> David Race, Charles P., Marie C., Patricia E. and a few others, man this

> list would be dead.

> 

> What happened to all the folks who said stop the flame wars, I wanna get

> off but didn't get off?  Where is all this beat stuff you were gonna

> talk about if only those other people would stop their ugly talk?  Why

> is the list dead in the water?

> 

> For me, I would rather the flame wars were back in order.  By the way, I

> still have not heard from Martha Mayo, should I write her back?

> 

> Maybe everybody is tired, and Lisa, you can't even look at your nails,

> much less work on them anymore while this list downloads.

> 

> Well, I guess we ought to get Ken Nordine to record the emaildiots.  It

> could be about a mail list where nobody posts, instead they all sit

> around waiting for some poor sucker like me to flame the whole list and

> then they pounce on him and tear him to shreds, like the women in the

> Cult of the Goddess do on their rants, and scream, oh please don't hurt

> our list.  What LIST?  Is there any poetry here?  Hey Lisa, why don't

> you post some poetry?

> 

> 

> Well, I ain't gonna risk getting flamed by this list,  no sir, I am

> gonna sit right here and if you see this post just remember, Bentz

> didn't send it, his evil twin the flame meister did.  Hey that

> sonofabitch would flame the whole lot of you if I would let him, I mean,

> he would do it just to get a response, and if you got angry, he would

> LOL at your responses.

> 

> Hey have you got one of  those evil twin guys or gals inside of you.

> Bob Dylan does.

> 

> >From Where are You Tonight:

> 

> I fought with my twin, my enemy within, 'til both of us fell by the way

> Horseplay and disease is killing me by degrees while the law looks the

> other way

> 

> and earlier in the same song he said:

> 

> The truth was obscure, too profound and too pure, to live it you had to

> explode.

> In that last hour of need, we entirely agreed, sacrifice was the code of

> the road.

> 

> So there you go folks, are you willing to explode, are you willing to

> sacrifice, have you met your twin and fought him or her withing til BOTH

> of you fell by the way.  What are you going to say.

> 

> I have seen the best emailers of my generation silenced by the threat of

> disapproval.

> They were once posters of poetry, talk lies backstabbing, truth honesty,

> big shits and real shits.

> But now they have dwindled off into qwerty induced hazes, seduced by

> protocol, enslavened by fear of the flame,

> And they have died.

> Died in the silicone chip world festered by Stanford.

> Oh, did any voice ring out?

> Oh, did any voice have courage?

> Oh, did my return button silence my voice?

> Oh, why did they lack the courage, or, is it that they just chose not to

> use it.

> 

> I want my beat-l, I want my beat-l they chanted like some MTV inbread

> beavis and butthead listening to too much Dire Straights.

> We got to move these email posts, we got to be flamed, maybe getting a

> tarnish on your reputation, maybe get a tarnish on your little poem,

> maybe get a bruise on your little ego, maybe get a bruise on your little

> head.

> Well I say screw the beat list cause it ain't dying, it is already

> dead.  You just were afraid to admit it and this is just a good excuse

> to go whimpering off into a gentle good night.

> 

> But me, I ain't gonna let fear or ego or what you think about me or what

> you do or what you say about my poetry or what you sit on your ass doing

> nails or whatever stop this list.  This is a post to beat-l, is anybody

> home, or are you all gonna run and hide!

> 

> Peace to those of you who are willing to pay the price to get out of

> going through all these things twice.

> 

> Bentz, flaming you all, putting you on and laughing up my sleeve when I

> don't even have a shirt on.

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

> 

=========================================================================

Date:         Sun, 8 Jun 1997 12:12:04 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: List changes

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

Marie Countryman wrote:

 

> in the land of the blind

> the one-eyed man is king.

> dylan

> also,

> it's tom waits who piano has been drinking

> feeling

> elfish

> today

> hi bill, struggling with all this shit.

> good thoughts to you

> mc

 

 But, Marie, isn't there some thingamajigaroony that you can buy for

$19.95 that will cure it all?

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 8 Jun 1997 12:23:12 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: SF Trip

 

While your in SF look up SS Kush 1557 Franklin, 292-5554. He was going to

start a poetry museum with my hat. Also Dave Moe 1731 10th Ave Apt A

Berkeley, 510-528-8713. He was at my 1963 party on Gough that Ginzy,

Ferlinghetti, everyone came to, flipping out on much Sandoz. He wants some

poetry for a book he's bringing out in Berkely. Please tell him I'm working

on getting him the poems. Maybe you will have something for him. Give him my

old and crazy love.

Charles Plymell

 

Nostalgia is vertical

Taste is horizontal

=========================================================================

Date:         Sun, 8 Jun 1997 12:29:17 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: lets return to the old message system

 

Douglas:

I'd like to get on Patti's list specially if it's flaming. I'd also like to

know if she ever received my sea turtle/nest t-shirt. I was recently on the

outer banks with the sea turtle rescue group. "Why did go away and leave me

in Big Mamu" (An old 50s race music song.) Don't know why it came to my head.

Charles Plymell

=========================================================================

Date:         Sun, 8 Jun 1997 18:36:30 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: List changes

In-Reply-To:  <l03020903afc04c7814d2@[206.25.67.117]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

model of

bird

to

attract

other

birds

 

--- the cat

=========================================================================

Date:         Sun, 8 Jun 1997 10:36:46 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: So, I got up this morning and...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Olly Ruff wrote:

> 

> > Maybe we could change the name to the Beat-lurks instead.  The return

> > says over 230 are subscribed, but no posts no posts no posts no posts no

> > posts no posts no posts no posts no posts no posts no posts no posts no

> > posts no posts no posts no posts no posts no posts no posts no posts no

> > posts no posts no posts no posts no posts no posts no posts no posts no

> > posts!

> 

> Bentz, man, you're asking for it. ok. If I had any money I'd happily pay

> that price...(y'know, the one that keeps you from having to go thru all

> these things twice)... furthermore, "they all fall there so perfectly, it

> all seems so well timed" - but then dylan also said "do not trust bathroom

> walls that have not been written on... when asked to look at yourself,

> never look... when asked for your real name, never give it." If the dylan

> list is indeed stagnating, it must just mean that they haven't been

> reading enough of his stuff... they could sit there until Armageddon

> quoting obscure lines back and forth in total righteousness & hubris.

> 

> I was going to write more, but folks, if I was going to be spontaneous, I

> would have already  been spontaneous, without thinking about it. In fact,

> maybe I am being spontaneous right now. I am. But then you take a moment

> to look at the moment, & it's gone...

> 

>                                         Olly R.

> 

> 

 _______________________________________________________________________________

> 

> "Survival of the... *fittest* ? Was that the proper word ? Had Darwin ever

> considered the idea of *temporary* unfitness ? Like "temporary insanity."

> Could the Doctor have made room in his theory for a thing like LSD ?"

> 

 _______________________________________________________________________________

> 

>                            or205@hermes.cam.ac.uk

>                               skink@imrryr.org

> 

 _______________________________________________________________________________

> 

> On Sun, 8 Jun 1997, R. Bentz Kirby wrote:

> 

> > So, I got up this morning and like, all I can see is some rap about

> > heroin in New York that scares the shit out of me, a post about the

> > reply button and some dude trying like hell to unsubscribe.  And I am

> > thinking man, give me at least a little flame war.  If it wasn't for

> > David Race, Charles P., Marie C., Patricia E. and a few others, man this

> > list would be dead.

> >

> > What happened to all the folks who said stop the flame wars, I wanna get

> > off but didn't get off?  Where is all this beat stuff you were gonna

> > talk about if only those other people would stop their ugly talk?  Why

> > is the list dead in the water?

> >

> > For me, I would rather the flame wars were back in order.  By the way, I

> > still have not heard from Martha Mayo, should I write her back?

> >

> > Maybe everybody is tired, and Lisa, you can't even look at your nails,

> > much less work on them anymore while this list downloads.

> >

> > Well, I guess we ought to get Ken Nordine to record the emaildiots.  It

> > could be about a mail list where nobody posts, instead they all sit

> > around waiting for some poor sucker like me to flame the whole list and

> > then they pounce on him and tear him to shreds, like the women in the

> > Cult of the Goddess do on their rants, and scream, oh please don't hurt

> > our list.  What LIST?  Is there any poetry here?  Hey Lisa, why don't

> > you post some poetry?

> >

> >

> > Well, I ain't gonna risk getting flamed by this list,  no sir, I am

> > gonna sit right here and if you see this post just remember, Bentz

> > didn't send it, his evil twin the flame meister did.  Hey that

> > sonofabitch would flame the whole lot of you if I would let him, I mean,

> > he would do it just to get a response, and if you got angry, he would

> > LOL at your responses.

> >

> > Hey have you got one of  those evil twin guys or gals inside of you.

> > Bob Dylan does.

> >

> > >From Where are You Tonight:

> >

> > I fought with my twin, my enemy within, 'til both of us fell by the way

> > Horseplay and disease is killing me by degrees while the law looks the

> > other way

> >

> > and earlier in the same song he said:

> >

> > The truth was obscure, too profound and too pure, to live it you had to

> > explode.

> > In that last hour of need, we entirely agreed, sacrifice was the code of

> > the road.

> >

> > So there you go folks, are you willing to explode, are you willing to

> > sacrifice, have you met your twin and fought him or her withing til BOTH

> > of you fell by the way.  What are you going to say.

> >

> > I have seen the best emailers of my generation silenced by the threat of

> > disapproval.

> > They were once posters of poetry, talk lies backstabbing, truth honesty,

> > big shits and real shits.

> > But now they have dwindled off into qwerty induced hazes, seduced by

> > protocol, enslavened by fear of the flame,

> > And they have died.

> > Died in the silicone chip world festered by Stanford.

> > Oh, did any voice ring out?

> > Oh, did any voice have courage?

> > Oh, did my return button silence my voice?

> > Oh, why did they lack the courage, or, is it that they just chose not to

> > use it.

> >

> > I want my beat-l, I want my beat-l they chanted like some MTV inbread

> > beavis and butthead listening to too much Dire Straights.

> > We got to move these email posts, we got to be flamed, maybe getting a

> > tarnish on your reputation, maybe get a tarnish on your little poem,

> > maybe get a bruise on your little ego, maybe get a bruise on your little

> > head.

> > Well I say screw the beat list cause it ain't dying, it is already

> > dead.  You just were afraid to admit it and this is just a good excuse

> > to go whimpering off into a gentle good night.

> >

> > But me, I ain't gonna let fear or ego or what you think about me or what

> > you do or what you say about my poetry or what you sit on your ass doing

> > nails or whatever stop this list.  This is a post to beat-l, is anybody

> > home, or are you all gonna run and hide!

> >

> > Peace to those of you who are willing to pay the price to get out of

> > going through all these things twice.

> >

> > Bentz, flaming you all, putting you on and laughing up my sleeve when I

> > don't even have a shirt on.

> >

> > --

> > Bentz

> > bocelts@scsn.net

> >

> > http://www.scsn.net/users/sclaw

> >

Genlemen,

 

What's so wrong with the list at the moment?  There have been some very

interesting posts in the last week.  Yes, the volume is down but quality

is definitly up.  I don't miss endless reps of the same wars. A quite

weekend is not a fatal indicator.  Summer is alway's more quiet.

Student leave.  People travel.  All this is good.  Ebb and flow.  Do you

recognized very many of the unsubscribe names? Look back at any period

in the list and you will see a constant stream of people helplessly

trying to unsubscribe to the wrong address.  So far I would call the

experiment a success.  More light.  Less heat.  And time to do something

besides work and deal with list traffic.  I just need to feel certain

that Rinaldo understands how to do his usual Sunday morning posts direct

to the list.

 

James Stauffer

=========================================================================

Date:         Sun, 8 Jun 1997 13:38:02 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: So, I got up this morning and...

 

> 

>> So, I got up this morning and like, all I can see is some rap about

>> heroin in New York that scares the shit out of me, a post about the

>> reply button and some dude trying like hell to unsubscribe.  And I am

>> thinking man, give me at least a little flame war.  If it wasn't for

>> David Race, Charles P., Marie C., Patricia E. and a few others, man this

>> list would be dead.

 

Since you asked...I'm currently dividing my time between bartending school,

a shit job as a cashier, & trying to read _The Sun Also Rises_.  Maybe once

I get my bartending diploma & finish TSAR I'll have some insightful things

to say (God, how I hate Hemmingway!!) about TSAR & OTR, since comparisions

have been made before.  Or at least I can tell you how to make a better

Sloe Comfortbale Screw Up Against the Wall & Backwards...

 

In teh meantime, any comments on my scholarly quest?  Wasn't there someone

here a while back who was doing a paper comparing the two books?  Did he

ever report back with his findings?  Gotta get back to how to make a 57'

thunderbird with florida liscense plates (what a great name!)

 

Diane.

 

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Sun, 8 Jun 1997 11:47:05 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      white light white heat

In-Reply-To:  <339AEDAE.2DA8@pacbell.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

um hello

i came slinking back with my tale between my legs and thot that i should

notify the rest of you that i came back the addiction was too great for a

little soul to refuse. community won over individual me thots.

seems to have quietened d

                         o

                          w

                           n    and comfortable

my problems are dealt with & can reposition meself w/ rest o f  you.

so i raise a glass of dada (tastes like bl;ue

milk dadadadadagwasofetwouuuu )for the soul. glad to back if youll

have me gain. and so.

and a poem for you all

(an exercise in amputated haiku)

 

 

reading newspaper

two large drops

on page 8

 

 

 

derek

=========================================================================

Date:         Sun, 8 Jun 1997 13:52:52 -0400

Reply-To:     Sisyphus <sisyphus@polaris.mindport.net>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: So, I got up this morning and...

Comments: To: "R. Bentz Kirby" <bocelts@SCSN.NET>

In-Reply-To:  <339ACC15.4C3462D@scsn.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 8 Jun 1997, R. Bentz Kirby wrote:

 

> The truth was obscure, too profound and too pure, to live it you had to

> explode.

> In that last hour of need, we entirely agreed, sacrifice was the code of

> the road.

 

You know, I can't really understand the words as he sings them, and I

have no lyric sheet.  Do you know the words to some of "Series of

Dreams"?

 

> Bentz, flaming you all, putting you on and laughing up my sleeve when I

> don't even have a shirt on.

 

*I* have a shirt on, because it's too damned cold in New England yet to

sleep without one.  And this poem is NOT finished yet.

 

 

It's spring here in Southern New England

Last week, the hills were mossed with tree-top

Each tree-top a lacework of delicate green

-or red; a mauve, but alive!

:  the greens set in ramdom patternlets

across the hilltops in the lower connecticut

river valley,

 

when topping a ridge

in my car:

 

the wind shaped swell-wave

across the green lacery

=========================================================================

Date:         Sun, 8 Jun 1997 11:54:32 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: lets return to the old message system

In-Reply-To:  <970608122915_-1396852539@emout18.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 9:29 AM -0700 6/8/97, Pamela Beach Plymell wrote:

 

> Douglas:

> I'd like to get on Patti's list specially if it's flaming.

 

Well, sorry about this one kiddo, it appears as if we are temporarily

satiated by a recent patti appearance (some Buddhist/Dali Lama show).

Anyway, our flames usually revolve around whether or not one of her

geetarists is worth his metal (in and out of the sheets).  As well, Jim

Carroll, of all people, tends to get us rilled up over nothing.  Can't

think of any other recent flames.  But if you want to put me on firewatch

patrol, I can surely alert you to the rising smoke...

 

 

> I'd also like to

> know if she ever received my sea turtle/nest t-shirt. I was recently on the

> outer banks with the sea turtle rescue group. "Why did go away and leave me

> in Big Mamu" (An old 50s race music song.) Don't know why it came to my head.

 

Your best bet would be to write to Patti's mother, Beverly.  The address

can be found at http://www.oceanstar.com/patti/write.htm

 

and the only occurence I have in my memory between "Big Mamu" and "sea

turtles" involves this big whale called "shamu", but I know that's not what

yur talking about.  <<dreading the day Microsoft installs 'telepathy' into

its browser>>

 

> Charles Plymell

 

cheers, Douglas

 

> feeding fire through a davies screen

     http://www.electriciti.com/babu/

=========================================================================

Date:         Sun, 8 Jun 1997 21:12:00 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      X

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

       DON'T CALL ME WHITE!

 

        don't call me

 

                        WHITE

 

 

        "tHE hISTORY oF tHE fIERCY cROSS iS oF sCOTTISH

        oRIGIN, iT wAS uTILIZED aS A sIGN oF oPPOSITION

        tO tYRANNY fROM bIG gOVERNMENT aND oBEDIENCE tO

        gOD"

 

        don't call me

 

                        WHITE !!!

 

 

                        DON'T CALL

                        ME WHITE!!

 

 

 

 

                        DON'T CALL

                        ME WHITE!!

        when i was AC

 

                when i was YOUNG

 

                        Yeeaaaaahh

                DON'T CALL

                        ME WHITE!!

 

                                DON'T CALL

                        ME WHITE!!

 

no!!    no!!    NO!!!   NOOOOOOOOOOOOOO!!!

=========================================================================

Date:         Sun, 8 Jun 1997 12:24:58 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Allah Flood

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Rivers a monster

and eim allah flood

cuz eye

gotta move em

back into dem mountains

witta wash closth

and a splish splosh

and eim drippin all de drops

before de drops shu be dropped

and de drops dont drop

when eye hav tuh stop

d

r

o

p

 

drip dammit drip.

                                                       James M.

                                                       June 8, 97

=========================================================================

Date:         Sun, 8 Jun 1997 16:33:46 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Eliot  & Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> R. Bentz Kirby wrote:

 

> >  TS Eliot is the best this Century.  I mean the Allman Brothers named

> > the album that they dedicated to Duane EAT A PEACH.

> >

> >     And indeed there will be time

> > To wonder, 'Do I dare?' and, 'Do I dare?'

> > Time to turn back and descend the stair,

> > With a bald spot in the middle of my hair --

> > (They will say: 'How his hair is growing thin!')

> > My morning coat, my collar mounting firmly to the chin,

> > My necktie rich and modest, but asserted with a simple pin --

> > (They will say: 'But how his arms and legs are thin!')

> > Do I dare

> > Disturb the universe?

> > In a minute there is time

> > For decisions and revisions which a minute will reverse.

> >

> >     For I have known them all already, known them all --

> > Have known the evenings, mornings, afternoons,

> > I have measured out my life with coffee spoons;

> > I know the voices dying with a dying fall

> > Beneath the music from a farther room,

> >     So how should I presume?

> >

> > ............

> >

> > I am no prophet -- and here's no great matter;

> > I have seen the moment of my greatness flicker,

> > And I have seen the eternal Footman hold my coat, and snicker,

> > And in short, I was afraid.

> >

> > ...........................

> >

> >     I grow old...I grow old...

> > I shall wear the bottom of my trousers rolled.

> >

> >     Shall I part my hair behind?  Do I dare to eat a peach?

> >

> > .........................

> >

> > We have lingered in the chambers of the sea

> > By sea-girls wreathed with seaweed red and brown

> > Till human voices wake us, and we drown.

> >

> > >From the Love Song of J. Alfred Prufrock, 1917

> > T.S. Eliot

> >

> > My they will say

> >

> > --

> > Bentz

> > bocelts@scsn.net

> >

> > http://www.scsn.net/users/sclaw

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

I want to redelve into the beat poetry vs Eliot (Pound, Williams) thread

that began a couple of weeks ago under the guise of "how annoying some of

these whiny people are."

 

I would never infer Eliot, Pound and Williams were not great poets.  My

point is that Allen Ginsberg took in what they wrote and then in his own

work went beyond them.  When I read the The Love Song of J. Alfred

Prufrock that Bentz quote from above, the first thing I think of is how

Eliot's thoughts are trapped in his style, like he worked to fit his

words into a form that appeared poetic, and how I have never read a poem

by Allen Ginsberg where I had that thought.  This week, I was reading

Allen Verbatim, and what do I find but an incredible roundtable

discussion of twentieth century poetry, with questions (Q), followed by

answers from Allen Ginsberg(AG) and Robert Duncan (RD).

 

The following is directly quoted from Allen Verbatim:

 

Q:  One thing that bothers me about contemporary poetry, if I can go back

to Eliot, is like he said poetry is impersonal.  He didn't mean that it's

cold or didactic, but the primary concern of the poets is a thing of

beauty or an artistic work...

 

AG:  Just as I began by trying to voice my kinship and my secret

perceptions to a dear friend, just as I began trying to get out the raw

material of my heart, or to get out my actual feelings, heartthrobs, I'm

not concerned with creating a work of art, because that's only a

three-letter word, anyway, plus the four-letter word work.  And I don't

want to predefine it--I mean how would you go about creating a work of

art, would you go by a set of rules or what?

 

Q: I'm not saying it's a rigid form...

 

AG:  Well, so, even to entertain the conception in advance of creating a

work of art would block your mind from getting at the actual heart-throb

or direct expression of the material you started out trying to articulate

or voice.  So what I do is try to forget entirely about the world of art,

and just get directly to the most economical--that is, the fastest, not

most economical--the fastest and most direct expression of what it is I

got in my heart-mind.  Trusting that if my heart-mind is shapely, the

objects or words, the word sequences, the sentences, the line, the song

will also be shapely.  And if I can directly deal out my feelings what

will be dealt out could be put in a museum, 'Art,' see?  In fact that's

really what art is I think--the stuff that later seems to be solid enough

to put in the museum of your mind.

 

RD:  One of the difficulties with Eliot is that he's writing from a vast

historical ignorance when he writes about perfection in a work of art.

Although he lived in the thirties and forties, when great works were

being written on art, he did not recognize that only a small segment of

mankind for a limited period of history had this idea of a 'work of art'

and of perfection.  The Greeks had the idea of making something, and

that's what the word poetry comes from--making something, like God makes

Creation...

        I was twenty-eight when I wrote 'Medieval Scenes' and that's the

first time I knew what I had to do in a poem.  You feel obedience when

you've arrived there.  Eliot is deficient on a formal level; that's why

he talks about form.  Pound actually rewrote 'The Wasteland' and that's

why it has the form it has.  Eliot does not understand total form.  'The

Wasteland' has marvelous things in it, but one thing it does not have is

a feeling of form.  He flunks on the gestalt level.  Whereas 'The Cantos'

are ever-present form.  Eliot had to immitate form.  He immitates

Beethoven.  Beethoven wasn't imitating a form; he was in form.  This is

Eliot's weakness.

 

AG:  Eliot's constantly adapting somebody else's form.

 

RD:  He goes to Poe and sounds like Poe, but when Poe was writing even he

had form.  Although Poe had a very grotesque thing; he kept thinking that

his convention was his form.  But we all feel the form struggling

underneath.

 

Ok all, got any thoughts about any of this?

DC

=========================================================================

Date:         Sun, 8 Jun 1997 21:10:35 +0100

Reply-To:     or205@hermes.cam.ac.uk

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      re Eliot.

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

This is from memory & so may be inaccurate :

 

"Eyes I dare not meet

 in death's dream kingdom

 these do not appear :

 there, the eyes are

 sunlight on a broken column

 there, is a tree swinging

 and voices are

 in the wind's singing

 more distant and more solemn

 than a fading star

 

 Let me be no nearer

 in death's dream kingdom

 let me also wear

 such deliberate disguises

 Rat's coat, crowskin, crossed staves

 standing in a field

 behaving as the wind behaves ;

 no nearer

 

 Not that final meeting

 in the twilight kingdom"

 

- that's part two of The Hollow Men. See also :

 

"Where will the word be found, where will the word

 Resound ? Not here ; there is not enough silence

 Not on the sea, or on the islands, not

 on the mainland, in the desert or the rainland

 For those who walk in darkness

 Both in the daytime and the nighttime..."

 

- from Ash Wednesday. Myself, I'm not sure if I prefer Eliot to Ginsberg

or not. I think I might. He didn't write much great stuff - in fact, you

could cut it down to Love Song of JAP (+ a couple of others from that

period), Wasteland, Hollow Men, Ash Wednesday, Four Quartets - but I'd

call that a legacy almost unlike any other. I do have more to say on this

subject, but unfortunately I'm having a little difficulty marshalling my

thoughts just now so I'll have to come back to it later...

 

                                bear with me,

 

                                                Olly.

 

k

=========================================================================

Date:         Sun, 8 Jun 1997 13:54:07 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      OTR vs. TSAR

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Alright.  Being a bit.  Of a Hemingway fan, I'd have to say that _On the

Road_ would probably be better compared with _A Moveable Feast_.  If you

don't like _The Sun Also Rises_ (which is hard for me to fathom) and you

like the Beats, a good intro to my man Ernest is probably the aforementioned

book.  If you wanna compare first novels, I think that most critics would

probably put TSAR before _The Town and the City_, but since I like both

authors I probably wouldn't judge them by the same standards.  To be Frank

(another guy who you can burn and curse to your heart's con tent) I think

Kerouac was a little more thematically redundant in his novels than

Hemingway was in his.  How come no one ever mentions _Lonesome Traveller_?

Is it because Kerouac sorta sums up his entire life and philosophy and

there's little need to read his other books other than for aesthetic

pleasure?  After I read LT, I started reading _Desolation Angels_ but I

quickly got tired of it because I felt like I'd read it all before.  Frank,

by the way, is subject to frequent second thoughts.

 

                                                     James M. (not Frank)

=========================================================================

Date:         Sun, 8 Jun 1997 17:08:08 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: So, I got up this morning and...

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

> 

>Since you asked...I'm currently dividing my time between bartending school,

>a shit job as a cashier, & trying to read _The Sun Also Rises_.  Maybe once

>I get my bartending diploma & finish TSAR I'll have some insightful things

>to say (God, how I hate Hemmingway!!) about TSAR & OTR, since comparisions

>have been made before.  Or at least I can tell you how to make a better

>Sloe Comfortbale Screw Up Against the Wall & Backwards...

> 

>In teh meantime, any comments on my scholarly quest?  Wasn't there someone

>here a while back who was doing a paper comparing the two books?  Did he

>ever report back with his findings?  Gotta get back to how to make a 57'

>thunderbird with florida liscense plates (what a great name!)

> 

>Diane.

Diane,

        twas i who was writing the paper comparing those two great novels

(unlike you, i LOVE Papa).

I did post my paper to the list and did get some helpful comments.  If you'd

like, I could repost the paper to you (and/or the list).  I have one

question for you though:  If you really hate hemingway, then why are you

reading TSAR?  Maybe it's required for the bartending diploma?  Actually, I

can't think of any other book that would be a better read for a bartender.

Would love to hear your comments regarding the two novels.  i hope you enjoy

the rest of that novel.

 

        matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Sun, 8 Jun 1997 23:10:08 +0200

Reply-To:     danneman@Update.UU.SE

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Daniel Brattemark <danneman@UPDATE.UU.SE>

Subject:      Re: X

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo Rasa wrote:

> 

>        DON'T CALL ME WHITE!

> 

>         don't call me

> 

>                         WHITE

> 

>         "tHE hISTORY oF tHE fIERCY cROSS iS oF sCOTTISH

>         oRIGIN, iT wAS uTILIZED aS A sIGN oF oPPOSITION

>         tO tYRANNY fROM bIG gOVERNMENT aND oBEDIENCE tO

>         gOD"

> 

>         don't call me

> 

>                         WHITE !!!

> 

>                         DON'T CALL

>                         ME WHITE!!

> 

>                         DON'T CALL

>                         ME WHITE!!

>         when i was AC

> 

>                 when i was YOUNG

> 

>                         Yeeaaaaahh

>                 DON'T CALL

>                         ME WHITE!!

> 

>                                 DON'T CALL

>                         ME WHITE!!

> 

> no!!    no!!    NO!!!   NOOOOOOOOOOOOOO!!!

 

sorry this has no beat connection.

it's just that i love a song called "don't call me white"

 

"the connotations wearing my nerves thin

could it be semantics generating the mess we're in?

i understand that language breeds stereotype

but what's the explanation for the malice for the spite?"

 

in case you wonder it's by NOFX

 

-daniel

=========================================================================

Date:         Sun, 8 Jun 1997 14:53:14 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      sold my soul

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

parking was harder than I thought

the endless turns and variable stop lights

bags and bags and jutting and crossing

the passengers have a mind of their own

 

followed the tall brunette into starbucks

and ordered the same as she

the blueberry muffin stained my fingers

as I whet my appetite staring at crowds

of pigeons and high heeled shoes

clackety clackety clak

 

'I stayed on the scene, huh, like a sex machine'

thinking of biological determinism, darwin,

and the need to be clean... shaven

annoying these habits the lady behind the counter

the lady behind the counter, she took my name

 

I wonder sometimes if I've sold my soul

just wanted a cut of hair, a locket to keep

a single blood drop to roll around my fingers

this sweet, oh to trim, and thighs, and peasant thoughts

 

'I just want to look good for you baby

show you what you do for me'

 

bought the latest playboy, oh what a cad!

haven't had the courage to open it yet

thinking of On The Road and K and how sex

was like religion, adolescent fantasies

children by the side of the road

hurricanes of thought and presence

killers of normalacy, drunken and driven

by by by by

 

I wonder sometimes if I've sold my soul

 

<<adding to the pandemonium>> Douglas

 

> feeding fire through a davies screen

     http://www.electriciti.com/babu/

=========================================================================

Date:         Sun, 8 Jun 1997 17:50:29 -0500

Reply-To:     thereman@IX.NETCOM.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Josh Meyer <thereman@IX.NETCOM.COM>

Subject:      UPON MY DEADBED

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

 

Hello BEAT-L readers... Here is a poem I wrote today... read it or delete it...

 I just want to feel like I'm

contributing to this  list in SOME sort of way... yours- JOSH.

 

UPON MY DEADBED

 

Summer ain't free in these parts of your mind

no sirree

we're asking for a big toll on this stretch of the road

your time will be wasted

all love will be lost

you will grow ugly

bogged down by the company that puts on the show

we stop artistic expression

smashing creativity to a nil

no nipple fishing

or roller coasting today, young man

just the heat coming from your head as you lay upon the mattress

sucking in the boredom

WELL, keep sucking BOY!

It will only get worse

as time passes, your bags will grow

exponentially

mounting themselves upon the highest ranking lowpoint in all of Hades

climbing lower and lower

deeper and stinkier into the marsh of torpor

Smell that fishy-fish stank that rises

from your pits

THAT is your cancer

and it will NOT go away

Sucking out the sticky juice only makes it worse

cause then the fungus has found Mr. Mouth and all of his lonely counterparts

and then it's the gossip queen fiasco

with excrement flying at double speed

you are no use moving

you are no use sitting

so hurry up already

and

 do

your

business

=========================================================================

Date:         Sun, 8 Jun 1997 19:25:25 -0500

Reply-To:     "E.j.C." <beat@SKY.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "E.j.C." <beat@SKY.NET>

Subject:      Women of the Beat Generation

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

For those of you who have been attending festivals and parades this

weekend, you might be interested in this. I just discovered in the

May/June issue of Girlfriends a _short_ review of Knight's book, Women of

the Beat Generation: the Writers, Artists, and Muses at the Heart of a

Revolution. It was a nice surprise.

 

-j-EnnifEr c.

If anyone was at Bartle Hall today, I was the asian grrl standing next to

the queen in clear plastic and a parasol.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

=========================================================================

Date:         Sun, 8 Jun 1997 21:34:18 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      wisdoms from wise creators

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"The important thing about art is that it makes people aware of what they

know but

don't know that they know ... This breakthrough results in a permanent

expansion of

consciousness."wsb

 

"I CALL FOR A THEATRE IN WHICH THE ACTORS

ARE LIKE VICTIMS BURNING AT THE STAKE,

SIGNALLING THROUGH THE FLAMES." - Antonin Artaud

 

"We dream of a world in which nature is seen as alive, in which the

imagination permeates all reality, in which animals and plants are seen a=

s a

part of the living texture, the living components,the cells in the life o=

f

Gaia and Gaia in the life of the cosmos as a whole." - Rupert Sheldrake

 

John Cage, interviewed in San Francisco, discusses his art, music and

views on the human condition. Following his growing interest in Eastern

philosophies, he began integrating the element of chance into his work.

 

At his home in Brussels, Ilya Prigogine, the "poet of thermodynamics,"

speaks about his theories which have revolutionized science. His work on

irreversible non-linear processes that simultaneously create both order a=

nd

disorder radically challenges our views on time and space.

Huston Smith, in the garden of his Berkeley, California home, explains hi=

s

ideas about "the new religion of science" and post-modernism. During fift=

een

years of teaching religion and philosophy at the Massachusetts Institute =

of

Technology, Smith's

hypothesis was thoroughly tested - "An epistemology that aims relentlessl=

y at

control rules out

the possibility of transcendence."

 

"The flutter of the the moth's wing can trigger the hurricane. This is no=

t a

poetic statement. This

is the fact of the matter within this kind of description of nature. In o=

ther

words, very small

changes create cascades into where whole states shift and are perturbed."=

 -

Terence McKenna

 

The Universe isn't weirder

than we think=85

It's weirder than we can think!

Arthur Eddington

 

 

"The most beautiful emotion we can experience is the mystical. It is the

sower of all true art and science. Those to whom this emotion is a

stranger . . . are as good as dead. To know that what is impenetrable to =

us

really exists --- manifesting itself as the highest wisdom and the most

radiant beauty, which our dull facilities can comprehend only in their mo=

st

primitive forms --- this knowledge, this feeling, is at the centre to tru=

e

religiousness. In this sense, and this sense only, I belong to the ranks =

of

devoutly religious man." Albert Einstein

=========================================================================

Date:         Sun, 8 Jun 1997 21:35:54 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      shortstory aka 'clones'

 

Man's greatest evolutionary asset, the only thing that can save us, is

IMAGINATION.

 

     The planet is doomed: in a fraction of a century, Earth's population

reaches a size that is too great for its natural resources to support.

The only abundant source of protein is human flesh.

Trapped on Earth like on a raft adrift at sea, humans are forced to eat their

own dead to survive.  Unless....

 

     Meanwhile, behind the facade of a delapidated  bookstore, the Mad Outlaw

splices DNA in his Survival Research Lab, creating fantastic hybrids from his

vast collection of mutant genes......

 

     We don't need sex to reproduce anymore, we can now clone ourselves.  you

can have them make your very own clone, identical except for the time delay.

Just mail in a piece of hair along with your $99.95, and in 9 months you can

pick up a clone.  Ah, the immortality of genes...

 

And now, a moment of silence for the long-lost genes of times past. the waste

of natural selection.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                                                                            ~

And all the endangered genes. Of course, the Budget cannot provide

reservations for all of them.  Government experts decide which ones deserve

reservations according to Standardized Achievement Tests which they have

developed to measure Usefulness.

 

Rule number one: those in power are the only ones allowed to have more than

one identical offspring.

 

    This is proof of the immortality of rulers as opposed to common people.

 The rulers are not opposed to common people.  The rulers are very tolerant.

 

     Mandatory Sterilization facilities are built in prisons.  They help

prevent the spread of unfavorable genes.  Criminals are sentenced to MS for

committing major crimes such as Treason.  One example of treason is

overthrowing the government; another example is being a Communist.

 

      Innapropriate and disruptive behavior is also punishable by MS.  Even

if you're screaming and screaming to warn the prison guards that there's a

fire and the whole prison will burn, they might not believe you.  This is

called "Disturbing the Piece".  The prisoner is hand- and foot-cuffed and is

dragged, struggling, past heavy steel doors and out of the sight of other

prisoners.

     Two guards walk up and down the isle, joking about the operation under

way, conscious of being followed by the eyes of prisoners peering through the

bars.

     Suddenly they notice smoke and the distinctive smell of burning

flesh........

 

     At last, the Mad Outlaw creates a successful, reproductively viable,

human being with gills, perfectly adapted for life underwater.  Its skin is

watertight, its toes slightly webbed, adjustments have been made to the inner

ear; yes, the Outlaw has thought of everything.  At last, man can spill over

from the teeming shores into the vast oceans where food abounds; and the

human race will not dissappear forever.

     Eager to share his discoveries with the government and prove once and

for all that mutation will save us, the Mad Outlaw writes a letter to the

editor of the Science Times. "Instant Evolution", the letter says,"is the

only way to buy us more time on this planet until we can find another one to

live on, since we have outgrown Earth and are heading for extinction".

 

     The next day, the CIA, the FBI, the DEA, the NYSE, the SASE, the LAPD,

and the PTA stormed into the bookstore, demolishing it and firing automatic

weapons in every direction.  They pounced on the Outlaw, and, shrieking like

harpies, scratched at him and tore at him with their nails and teeth, until

he lay in a bloody heap on the floor.  All this in the name of Ethics. "How

could he have escaped our conditioning?", they asked.  "Everyone knows that

mutation is Bad".

     So then, they all formed an umbrella organization called the

Anti-Evolution League (AEVL).  They just weren't comfortable with the idea of

such drastic change, even if it was necessary to the survival of the Species.

 "We have the right to remain the most evolved!" was their rallying cry.  "Hom

o Sapiens is the Best!  Kill all the rest!".

 

     And, wanting to remain Immortal, they closed their eyes to the evidence

of Time.

=========================================================================

Date:         Sun, 8 Jun 1997 20:34:51 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Burroughs & viruses

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

Marioka7@aol.com wrote:

> 

> In a message dated 97-06-07 20:45:48 EDT, you write:

> 

> <<

>  yeh a stong cup of coffee, thats the ticket.

> 

>  poem

>  bill

>  william walks, denim swishing,

>  cat hairs cling to his cuffs,

>  throwing globules at the goldfish,

>  straight at them, like a first pitch of baseball season.

> 

> quietly, slowly, reaches wrinkled fingers into water,

> hand closes around squirming wet body, pulls it out of tank

> orange glistening of scales, dripping water from pulsing mouth,

> sucking, sucking the fatal and empty air.

> Eyes wide with panic.  Bill lowers the goldfish, opening his hand presents it

> on his palm to his smiling cat.  We know who's master of the house.

> 

>  What did the lesbian frog say to the other lesbian frog,

>  hey , you really do taste like chicken,

>  Lesbian frog answers,

>  and how do you know what chicken tasts like?

> 

>  tweak that, and write back

> 

>  patricia and david

>   >>

> mmm-mmm good!

> frog-lickin'

> toad-suckin'

> chicken-actin'

> girl-likin'

> crap-shootin'

> LESBO!!!!

> finger-stickin' good!!

> 

> Hmm...maybe i AM a little tweaked.  i decided not to post stuff on the list

> anymore because i get a lot of negative feed-back.  Who would have thought

> people who like the beats could be so squeamish?

 

patricia goes

go go for it girlfriend, i said, hell she knows him.

p

=========================================================================

Date:         Sun, 8 Jun 1997 22:47:36 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Eliot & Ginsberg

MIME-Version: 1.0

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CVEditions@aol.com wrote:

> 

> In a message dated 97-06-08 15:49:54 EDT, you write:

> 

> << Ok all, got any thoughts about any of this? >>

> Oh God! I hadn't thought about the old classic/romantic academic discourse in

> years..hmm where to start. well Duncun sounded credible in his analysis. Did

> you mean to imply that Williams is great or not. I tried to read him in the

> 50's when he was popular in academic canons. I thought he was very mediocre,

> not half as good as many who erite me today. Allen tried to tell me about his

> foot thing. I could never get it. Heart-mind-foot?  Nothing ever knopcked the

> shit out of me, but it can happen, I'm sure. Oh what was that poetry stuff

> again. Someone slupping baggage to a museum, or that art, so rare a thing a

> liqiud abouve and beyond the mind. Maybe its piss? Try the Toxic hotel zone

> Beneath the Empire of the Birds by Carl Watson just sent to me . Who has

> those round tables and what does it mean today? Antiques?

> Charles Plymell

 

Antiques, exactly, all except for Ginsberg.  It all began when I brought

up my belief that Allen Ginsberg was the greatest poet of this century.

Eliot, Williams, and Pound were all mentioned as heavy contenders for

that description.  I think that all fall short. Mediocre? Maybe. Too

concerned with style, I think.  Take something like pissing as a perfect

example.  Eliot would try to make a work of art about pissing.  Williams

would rhymically measure out his words about pissing.  Ginsberg would

piss.  And show you how purely inspirational a bodily function can be.

And then to really get off course here, you would have someone like Joyce

who would write about pissing in 600 pages, so circularly that, without

great attention, you would never know he had pissed, but you would know

that piss was the essential steam connecting the consciousness of all

mankind.

 

What's the Toxic Hotel Zone Beneath the Empire of the Birds?

DC

=========================================================================

Date:         Sun, 8 Jun 1997 22:55:50 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: wisdoms from wise creators

Comments: To: Marioka7@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

Maya Gorton wrote:

 

> "The flutter of the the moth's wing can trigger the hurricane. This is

> not a

> poetic statement. This

> is the fact of the matter within this kind of description of nature.

> In other

> words, very small

> changes create cascades into where whole states shift and are

> perturbed." -

> Terence McKenna

> 

  Did anyone else notice how the day of the criminal verdict in the OJ

Simpson trial, that a hurricane was dying out in the gulf of Mexico.

When the verdict was announced and all the talk show hosts and guests

started venting all of their anger that the hurricane at that very

moment began to feed on the anger and built up speed and crashed into

the US doing major destruction.  If people would have loved instead,

then we would have seen the hurricane die a peaceful death.  I wonder if

the government is studying this and  learning how to harness this

energy.  If it is, it will not be used for good.

 

Peace, and let us pray for it hard, as if our very souls depend upon it,

because they do.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 8 Jun 1997 20:06:37 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: white light white heat

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Derek A. Beaulieu wrote:

> 

> um hello

> i came slinking back with my tale between my legs and thot that i should

> notify the rest of you that i came back the addiction was too great for a

> little soul to refuse. community won over individual me thots.

> seems to have quietened d

>                          o

>                           w

>                            n    and comfortable

> my problems are dealt with & can reposition meself w/ rest o f  you.

> so i raise a glass of dada (tastes like bl;ue

> milk dadadadadagwasofetwouuuu )for the soul. glad to back if youll

> have me gain. and so.

> and a poem for you all

> (an exercise in amputated haiku)

> 

> reading newspaper

> two large drops

> on page 8

> 

> derek

 

Derek,

 

Good to have you back.  It's sort of nice here again, tho some would

disagree.

 

J. Stauffer

=========================================================================

Date:         Sun, 8 Jun 1997 20:19:06 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Eliot  & Ginsberg

MIME-Version: 1.0

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Diane Carter wrote:

> 

> > R. Bentz Kirby wrote:

> 

> > >  TS Eliot is the best this Century.  I mean the Allman Brothers named

> > > the album that they dedicated to Duane EAT A PEACH.

> > >

> > >     And indeed there will be time

> > > To wonder, 'Do I dare?' and, 'Do I dare?'

> > > Time to turn back and descend the stair,

> > > With a bald spot in the middle of my hair --

> > > (They will say: 'How his hair is growing thin!')

> > > My morning coat, my collar mounting firmly to the chin,

> > > My necktie rich and modest, but asserted with a simple pin --

> > > (They will say: 'But how his arms and legs are thin!')

> > > Do I dare

> > > Disturb the universe?

> > > In a minute there is time

> > > For decisions and revisions which a minute will reverse.

> > >

> > >     For I have known them all already, known them all --

> > > Have known the evenings, mornings, afternoons,

> > > I have measured out my life with coffee spoons;

> > > I know the voices dying with a dying fall

> > > Beneath the music from a farther room,

> > >     So how should I presume?

> > >

> > > ............

> > >

> > > I am no prophet -- and here's no great matter;

> > > I have seen the moment of my greatness flicker,

> > > And I have seen the eternal Footman hold my coat, and snicker,

> > > And in short, I was afraid.

> > >

> > > ...........................

> > >

> > >     I grow old...I grow old...

> > > I shall wear the bottom of my trousers rolled.

> > >

> > >     Shall I part my hair behind?  Do I dare to eat a peach?

> > >

> > > .........................

> > >

> > > We have lingered in the chambers of the sea

> > > By sea-girls wreathed with seaweed red and brown

> > > Till human voices wake us, and we drown.

> > >

> > > >From the Love Song of J. Alfred Prufrock, 1917

> > > T.S. Eliot

> > >

> > > My they will say

> > >

> > > --

> > > Bentz

> > > bocelts@scsn.net

> > >

> > > http://www.scsn.net/users/sclaw

> >

> > --

> > Bentz

> > bocelts@scsn.net

> >

> > http://www.scsn.net/users/sclaw

> 

> I want to redelve into the beat poetry vs Eliot (Pound, Williams) thread

> that began a couple of weeks ago under the guise of "how annoying some of

> these whiny people are."

> 

> I would never infer Eliot, Pound and Williams were not great poets.  My

> point is that Allen Ginsberg took in what they wrote and then in his own

> work went beyond them.  When I read the The Love Song of J. Alfred

> Prufrock that Bentz quote from above, the first thing I think of is how

> Eliot's thoughts are trapped in his style, like he worked to fit his

> words into a form that appeared poetic, and how I have never read a poem

> by Allen Ginsberg where I had that thought.  This week, I was reading

> Allen Verbatim, and what do I find but an incredible roundtable

> discussion of twentieth century poetry, with questions (Q), followed by

> answers from Allen Ginsberg(AG) and Robert Duncan (RD).

> 

> The following is directly quoted from Allen Verbatim:

> 

> Q:  One thing that bothers me about contemporary poetry, if I can go back

> to Eliot, is like he said poetry is impersonal.  He didn't mean that it's

> cold or didactic, but the primary concern of the poets is a thing of

> beauty or an artistic work...

> 

> AG:  Just as I began by trying to voice my kinship and my secret

> perceptions to a dear friend, just as I began trying to get out the raw

> material of my heart, or to get out my actual feelings, heartthrobs, I'm

> not concerned with creating a work of art, because that's only a

> three-letter word, anyway, plus the four-letter word work.  And I don't

> want to predefine it--I mean how would you go about creating a work of

> art, would you go by a set of rules or what?

> 

> Q: I'm not saying it's a rigid form...

> 

> AG:  Well, so, even to entertain the conception in advance of creating a

> work of art would block your mind from getting at the actual heart-throb

> or direct expression of the material you started out trying to articulate

> or voice.  So what I do is try to forget entirely about the world of art,

> and just get directly to the most economical--that is, the fastest, not

> most economical--the fastest and most direct expression of what it is I

> got in my heart-mind.  Trusting that if my heart-mind is shapely, the

> objects or words, the word sequences, the sentences, the line, the song

> will also be shapely.  And if I can directly deal out my feelings what

> will be dealt out could be put in a museum, 'Art,' see?  In fact that's

> really what art is I think--the stuff that later seems to be solid enough

> to put in the museum of your mind.

> 

> RD:  One of the difficulties with Eliot is that he's writing from a vast

> historical ignorance when he writes about perfection in a work of art.

> Although he lived in the thirties and forties, when great works were

> being written on art, he did not recognize that only a small segment of

> mankind for a limited period of history had this idea of a 'work of art'

> and of perfection.  The Greeks had the idea of making something, and

> that's what the word poetry comes from--making something, like God makes

> Creation...

>         I was twenty-eight when I wrote 'Medieval Scenes' and that's the

> first time I knew what I had to do in a poem.  You feel obedience when

> you've arrived there.  Eliot is deficient on a formal level; that's why

> he talks about form.  Pound actually rewrote 'The Wasteland' and that's

> why it has the form it has.  Eliot does not understand total form.  'The

> Wasteland' has marvelous things in it, but one thing it does not have is

> a feeling of form.  He flunks on the gestalt level.  Whereas 'The Cantos'

> are ever-present form.  Eliot had to immitate form.  He immitates

> Beethoven.  Beethoven wasn't imitating a form; he was in form.  This is

> Eliot's weakness.

> 

> AG:  Eliot's constantly adapting somebody else's form.

> 

> RD:  He goes to Poe and sounds like Poe, but when Poe was writing even he

> had form.  Although Poe had a very grotesque thing; he kept thinking that

> his convention was his form.  But we all feel the form struggling

> underneath.

> 

> Ok all, got any thoughts about any of this?

> DC

 

Diane,

 

Thanks for the nice quote from Allan Verbatim.  I think that the quote

along with your observation goes directly to why Pound and Williams were

so much more important as an influence on our writers.  Not that Eliot

didn't write some wonderful poems, but he is much more limited, irony

becomes the only thing of importance, and all of us must have wondered

what the early Eliot poems would have been like without Pound's

revisions.  Eliot's poetry is  so withdrawn, so obsessed with limits.

It's not far fetched to see poetry in the second half of the century

trying to escape from Eliot and return to roots in Pound.

 

J Stauffer

=========================================================================

Date:         Sun, 8 Jun 1997 20:23:23 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: wisdoms from wise creators

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At 7:55 PM -0700 6/8/97, R. Bentz Kirby wrote:

 

 

> Peace, and let us pray for it hard, as if our very souls depend upon it,

> because they do.

 

here's to praying that ben and jerry's comes up with a Kokonut Kerouac ice

cream!

 

> 

> --

> Bentz

> bocelts@scsn.net

 

Douglas  <<mmmm, coconut>>

 

> feeding fire through a davies screen

     http://www.electriciti.com/babu/

 

=========================================================================

Date:         Sun, 8 Jun 1997 23:55:07 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Summer of love

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CALIFORNIA DREAMING

(summer of love, 30th anniversary poem: 1967-'97)

 

Mangled names roll

over & over

trivial mind-

scapes

 

The initiates

of water & sun

learning to forget

how too forget

 

because nothing

is just that

anyway

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 9 Jun 1997 00:57:31 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

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Hello all.  I thought, what the hell, the list is getting slow so i thought

i'd post the paper that i wrote for my ind. study on the beats.  Would love

to hear comments/criticizms from you all.  i think this paper will never

really be finished, so any suggestions would be greatly appreciated.  Thanks

a bunch!

 

Derek, it's great to see you back!

 

Howard, I got the Cd, but i lost your address, please email me so i can send

you my comments.        =20

as ever,

        matt                                      =20

 

 

 

 

                                        Finding America=92s Beat

 

 

 

                                A Personal Essay=20

                                  by Matthew S. Sackmann

=20

 

        When I started this paper, it was intended to be an objective piece

discussing the Beats and their respective relations with America.  Little

did I know that this was an impossible task.  To write an objective piece on

America and on the Beats is to lose the true spirit of both of these ideas.

At first, I wanted to keep my own memories of America out of this; I wanted

to keep the =93I=94 out of this, as any serious writer does, but I could not=

 do

that to America nor to myself because, for me, America is a mix of my

memories and every other American=92s memories.  If these are separated, you

are taking the very essence of America out of the paper.  So what began as

an objective, impersonal paper has become a personal poem for this country.

It=92s become a Call to Arms for Americans to stand up and acknowledge the

corruption that America has undergone at the hands of the evil, mechanistic,

materialistic Moloch America.  Once again a time has come for Americans to

fight for freedom, but now the enemy is within.  So what follows may be

regarded as a song:=20

                       A song of America

                                         A song by America

                                                                A song for America.

 

 

 

 

 

 

 

=93I wonder what the poor people are doing.=94

The sound of my father=92s voice would echo from the cabin of the Winnebago

during those wonderful childhood voyages across this great nation.  To me,

that was the most beautiful statement I=92ve ever heard.  When I heard that=

 I

knew everything was going to be okay.  That statement brings tears to my

eyes now.  At twenty years old the time for family vacations is long over,

but my time on the road is really just beginning.  I was raised in a poor

family that had to scrimp just to save enough money to hit the road for a

couple of weeks every year.  We had no luxuries on vacations either.  Never

once did we take an airplane anywhere, we always slept in the camper or in

the VW bus, it was very rare for my parents to buy us gift-shop presents,

and we never ate out, always eating homemade sandwiches, but in my mind, in

our minds, we were the richest people in America.  Not once did I feel like

a tourist in America; wherever I went, I was a native. =20

        I was brought up on the road.  Well, not really, but all of my childhood

memories seem to revolve around family vacations.  Everyone else=92s=

 memories

revolve around their homes, but not mine.  At last count I=92ve been to

forty-seven of our wonderful fifty states.  I=92ve really seen this

country=97the good and the bad.  My relationship with America is a love/hate

relationship.  I just wish I had really appreciated the vacations more.

There was so much to learn.  America had so much to tell me.  But now my

ears are open and I=92m ready to listen to her song.  I really think the=

 road

is in my soul=97I get antsy when I stay in one place too long.  That=92s my=

 big

problem with college.  It was so easy to take weeks off in elementary school

to go find America; sometimes really nice teachers, really good teachers,

wouldn=92t even have me make up work, instead they=92d have me write about=

 my

experiences on the road.  But now--yuck--most teachers in college are

unwilling to bend the rules, and so I=92m left with a feeling of=

 imprisonment.

That=92s where my boy Jack comes in the picture.  Without Jack Kerouac I=

 would

have dropped out of college a long time ago. =20

 You might say=97=93What?  Jack Kerouac kept you in college?  I thought them

Beat people make all kids want to drop out.=94  Nope, not me.  When I=92m=

 not

physically on the road my soul can always escape with Jack and Neal.

        =93America, I=92ve given you all and now I=92m nothing=94 (Howl 32).  This=

 is

exactly how I feel sometimes, but it isn=92t really =93nothing,=94 my self=

 becomes

nothing because I become America.  There=92s something about many places in

America that make you lose yourself.  Down here in New Orleans, the humidity

blends into your skin and you can no longer feel a separation between

yourself and your environment.  You just blend into the air.  And places

like the Grand Canyon, Mesa Verde, Yellowstone, and others=97places where

nature is so sublime and magnificent that you lose all feeling of your small

body and you become the landscape.  One must put everything they have into

America.  The result is that outsiders may think you are nothing, but

really=97=93It occurs to me that I am America.=94

        There is a strange duality in America between the native and the

frontiersman=97we need both.  A native who is always home and a frontiersman

who is always looking for a new home.  We must reconcile these two aspects

of America.  This is what the beats did=97this is what I do.  We must have=

 the

frontier spirit and search for America, but at the same time we must also

realize that the real America is found in the searching.  The Great Spirit

of the Native Americans seems to be nothing more than America herself, and

Gary Snyder and I believe that we are all Native Americans, we just need to

open up to the native within us all.

        I remember driving through Idaho, following a river weaving through the

American hills on little Highway 12.  It was the same trail that Lewis and

Clark took when they first discovered America and there I was rediscovering

America.

        An America that has forsaken its national bird=97its national symbol.  The

American Eagle, so rare a sight, but if you ever see it your faith in

America will be restored.  The American Eagle that must =93really spread its

wings and straighten up and fly right=94 (Coney Island 49).  The eagle now

only found in Alaska or=20

 maybe, if you=92re lucky, on the sides of semis racing across the country.

The first time I ever saw an uncaged Bald Eagle, I knew that I =93must be

entering the real America, all that=92s left of the original America=94 (My

Life).  My journal contains numerous references to the American Eagle: =93An=

d

the Eagle is so gorgeous and wonderful when it flies & peaceful when it

soars & strong and mighty looking when it=92s perched & it=92s no wonder=

 that

it=92s our national bird.  If only more people could see and remember this.=

=94

        An America whose duality is further emphasized by its national river=97the

Mighty Muddy Mississippi.  East versus West.  The West symbolizing

everything beautiful in America.  The constant race against the sun in an

attempt to find a world uncorrupted by wealth and free from time unlike the

East.

        An America whose beautiful history is destroyed by classrooms and boring

teachers.  America, in all her glory, is our only real classroom; when will

we get that through our thick skulls.  An America who loves field trips

across her body.  So many kids skipping classes because they really want to

learn=97really want to see=97really want to hear.  She has so much potential

still=97even with so much of her stripped away and bionic, the potential is

still there.

        America, there is still good in you, I can feel it, Moloch hasn=92t driven=

 it

from you fully.  America, you have become Darth Vader.  You are more machine

now than human.  It is time to throw Moloch down the shaft and take your

place as our mother once again.

        An America that nourished, and poisoned my idols.  America, you are my=

 idol.

        Jack=92s dead.  Is it true what Corso says, did you force him to drink,

America? (Corso 132).  You tore him apart, America, you and your

schizophrenia, appearing beautiful one day and ugly the next.  Jack could

not keep up with your facades, but that didn=92t keep him from loving you.

        Neal=92s dead.  The =93wild yea-saying ouburst of American joy,=94 who was=

 just

driven too fast in ecstasy by America and ran out of gas (On The Road 10).

        Now Allen.  I thought he hated you most, America, I was wrong=97He loved=

 you

despite your incessant coughing under the covers at night (Howl 20).

        America whose ideas are perfect, but actuality destroys our perfect

imagination.  Just look at the Declaration of Independence.  A =93Howl=94=

 for

freedom long before the infamous poem.

        America, I am waiting for you to fight back against all this =93progress.=

=94  I

am prepared for earthquakes, volcanoes, floods, storms, tornadoes.  I=92m

ready for anything.  I=92m ready for death, if it will make you beautiful=

 again.

        Boddisatva Jack who found America in his hero=97Dean Moriarty, Cody=

 Pomeray.

An America that would take him to IT, but would also leave him lying sick in

bed (On The Road).

        Jack brought back the beauty of America.  The Beauty left unacknowledged by

the Lost Generation, who ran away from America.  Ernest Hemingway says,

=93Let the others come to America who did not know that they had come too

late.  Our people had seen it at its best and fought for it when it was

worth fighting for.  Now I would go someplace else (Green Hills of Africa

285).=94  They were deceived by your artificial face, America, and couldn=92=

t

see the real you.  America, I don=92t agree with Hemingway or F. Scott

Fitzgerald.  I=92ve seen your =93fresh, green breast,=94 and I believe it is=

 still

worth fighting for.  Fitzgerald and Papa have obviously never been to

Alaska, or they too would have seen this potential.  As Ken Kesey describes

Alaska in Sailor=92s Song, =93Alaska is the end, the finale, the Last Ditch=

 of

the Pioneer Dream.  From Alaska there=92s no place left to go. . . . So it

came down to Alaska, the Final Frontier as far as this sick old ballgame

goes.  Top of the ninth . . .=94  Nothing could prepare me for my first

experience of Alaska.  I=92ve seen many beautiful places in America, but

Alaska blew them all away, and it was as if I was seeing Beauty for the

first time.    =20

        While the Lost Generation was busy putting America down, a small voice came

in her defense from Asheville, North Carolina.  Thomas Wolfe put America

back into literature.  Wolfe prophesized: =93I believe we are lost in=

 America,

but I do believe we will be found . . . I think the true discovery of

America is before us.  I think the true fulfillment of our spirit, of our

people, of our mighty and immortal land, is yet to come.=94  Jack writes=

 about

Thomas Wolfe: =93He just woke me up to America as a poem instead of America=

=20

 as a place to struggle around and sweat in.  Mainly this dark-eyed American

poet made me want to prowl, and roam, and see the real America that was

there and that had never been uttered.=94  And these exact words could

perfectly describe what Kerouac did for me.

        Jack did not write his novels, America wrote his novels.  All Jack had to

do was listen and transcribe America=92s song.  Gregory Corso knew this=

 well:

=93Was not so much our finding America as it was America finding its voice=

 in

us=94 (Corso 126).

        America needs to be changed from the inside and that is a very hard

endeavor to ask of anyone.  To go inside Moloch itself and risk losing

yourself to it in hope that you can unplug it and open its eyes to its

beautiful natural state.  So hard to do this because it is so much easier to

shut the door and turn one=92s back on Moloch.  So much easier to drop out=

 of

school, create one=92s own perfect microcosmos, and be free.  But one must

sacrifice one=92s personal freedom in order to make this country worthy of=

 the

premise of its Declaration.  Jack Kerouac could not do this.  He could not

live inside Moloch and help change it.  So he escaped on the road and in the

mountains, but he could not run away forever, and, face to face with Moloch

America, he resorted to the bottle.

        Allen Ginsberg really helped change Moloch.  He worked within the

institution, trying to disable the institution rather than running from it.

While Jack sings the song of America, Allen fights for America against the

evil mechanistic Moloch.  We need both of these people to save America:  one

to show how beautiful our country is and that it is worth fighting for, and

the other to fight for it and make this dream a reality.

        Douglas Brinkley has definitely taken Ginsberg=92s side.  He is changing

America by immersing himself in the Moloch that has darkened higher

education, and he is trying to show us how to discover America, how to

discover freedom: =93No matter how hard a teacher tries, freedom--to be=

 one=92s

own master, total and absolute--can not be taught in a classroom.  And so we

take to the open road=94 (Brinkley 502).  He describes his profession as=

 being

full of =93cynicism and narrowness,=94 but he doesn=92t run from this,=

 instead he=20

 attempts to destroy it by living within it with out cynicism or narrowness.

He believes that =93If we put our collective energy and capital and faith

behind our schools, we might get them=97and America=97back on track=94=

 (Brinkley

xv).  Through his Majic Bus classes students begin to really discover the

America in themselves and the America on the road.

        Sometimes I think it would be so much easier to turn my back and drop out

of school and become a bum and wander around this country, but the chances

of really being able to put this country back on track by doing that seem

rather slim so I am toughing it out, and I am actually able to remain happy

despite all the stupid classes I=92m required to take.  Because I know that=

 I

can do something for this country, I can help free all these Americans

trapped in Moloch=92s jaws.  I don=92t know what I=92d do if I didn=92t have=

 my

regular dose of Kerouac to keep me sane . . . or insane . . . or whatever .

. . but definitely free.

        =93Freedom=92s just another name for nothing left to lose,=94 sings Janis=

 Joplin.

Rock and Roll was born in the pages of the Beat Generation.  One can see the

similarities between the above quote and Jack Kerouac=92s =93Everything=

 belongs

to me because I am poor=94 (Visions of Cody 33).

        If only we had people with the guts to really get into the American

government and change it.  The government is indeed the scariest place for

free American=92s to venture.  It is so anti-America, but it is there where

this country can really be changed.  We need people like Jack and Bobby

Kennedy.  People really dedicated to making America live up to Thomas

Jefferson=92s great expectations.  I think Bill Clinton is a step in the=

 right

direction.  Although we always wish that the government would be changed

drastically, we must understand that this is impossible, and the only way to

change America is to go step by step as President Clinton is doing.

        William S. Burroughs says, =93Now that America has lost the Russians as an

enemy, I don=92t know what we=92ll do.  Without enemies, nations can=92t=

 exist=94

(Brinkley 209).  The great WSB is wrong here; America does have an enemy.

This enemy stares at us when we look in the mirror.  This enemy is the

mirror itself and Moloch is just a hideous funhouse reflection of America.

We must look in the mirror and=20

 realize that we are seeing the made-up America, the fake America.  An

America smeared with make-up, covered with clothes.  We must get the courage

to wipe off this fake face and take off this fake body and go out and really

face the world in all our natural glory:  =93America, when will you be

angelic?  When will you take off your clothes?=94 (Howl 31).  And that

=93strange American iron=94 that attempts to =93straighten and quell the=

 long

wavering spermy disorderliness of the boy=94 (Visions of Cody 48-9).  It=92s

high time that we peel off these pressed clothes.

        And how true was it when I told my brother: =93The Real America can only be

seen while you=92re moving.=94  But it was only until our hitch-hiking

experiences that I realized how true it was. How beautiful a memory when my

brother finally told me that he understood this philosophy on the back of a

pick-up while we watched the sunset=92s dying light dancing on the mountains

behind us.  America is always changing, because time is always changing, so,

therefore we must run to grasp America.  America is the =93IT=94 that Sal=

 and

Dean were chasing throughout On the Road.  Only catchable when moving, but

at the same time it is always the same America, always the same IT.  It only

appears different because our senses are trapped in a temporal world.  By

discovering America, we transcend time into a world of pure imagination that

is so much more perfect than the actual world ever was, but hopefully

someday, the reality will be able to match our dreams.  =93There is no truth

but in transit,=94 Emerson said.

        It is time for Americans to listen.  America has been silent for all these

years, but now she has something to say.  All these people bragging about

how much money they make.  It=92s time for America to shut these people up.

It=92s time to listen to me because America wants me to tell you her story.

She wants me to open your ears.

        The title page to Jack Kerouac=92s Visions of Cody reads: =93Dedicated to

America, whatever that is.=94  Such a simple yet beautiful description of

America.  Jack then proceeds to find America in the novel and he finds Cody

and he realizes that you can=92t separate the Americans from their America.

The inner and outer worlds are both important.  Jack realizes that the Real

America, the Red Brick-Wall America, is hidden=20

 behind the Red Neon Moloch America.  And now, =93it=92s infinitely bleaker=

 than

ever=94 (Visions of Cody 82).  The Real America =93hid behind the red neons=

 of

our frontward noticeable desperately advertised life=94 (79).  It=92s only=

 when

Jack accepts loss forever that he is found.  Found by a =93wild sweet=

 America=94

where the =93dew is on the road again and as forever.=94  And when Cody=92s

=93American Irish pioneer in him was mourning the loss of home, he realized=

 he

never had one=94 (386).  All us Americans must reach this understanding=

 before

we can ever find America.  Cody =93represents all that=92s left of America=

=94

(342).  The only thing left of worth in America are self-believing

individuals and Mother Nature herself.  When Jack comes to this conclusion

at the end of Visions of Cody, he can finally say that =93the holy road is

over=94 (397).

        Gregory Corso realized that we, as American individuals have become America

herself: =93Yea the America the America unstained and never revolutionized=

 for

liberty ever in us free, the America in us--unboundaried and unhistoried, we

the America, we the fathers of that America, the America you [Jack Kerouac]

Johnnyappleseeded, the America I heralded, an America not there, an America

soon to be.=94 An America soon to be.  It appears to me that the American

Dream is really nothing more than hope.  Hope for an actual America as

beautiful as the America in our dreams.  Allen Ginsberg also agrees with the

belief that personal independence is one thing to fight for in America: =93T=

he

stakes are too great=97an America gone mad with materialism, a police-state

America, a sexless and soulless America prepared to battle the world in

defense of a false image of its Authority.  Not the wild and beautiful

America of the comrades of Whitman, not the historic America of Blake and

Thoreau where the spiritual independence of each individual was an America,

a universe, more huge and awesome than all the abstract bureaucracies and

Authoritative Officialdoms of the World combined.=94

        I want an America that is safe for hitch-hiking.  Hitch-hiking is the

perfect way to reinstall faith in one=92s country.  While hitch-hiking one

puts everything out of their own hands and into the hands of America.  One

relies on America to get them where they are going.  There is nothing in the

world sadder than watching cars pass you by as you stand on the side of the

road holding your soul in your thumb, and=20

 making eye contact with drivers who quickly break the contact and look

away.  This is what makes Big Sur so sad when Jack reflects, =93This is the

first time I=92ve hitch hiked in years and I soon began to see that things

have changed in America, you can=92t get a ride anymore.=94 =20

        Sometimes I wonder if there are any remains of the Real America, of the

Kerouac America.  Sometimes I think this is just a doomed attempt like

trying to catch the sun, but it does not matter.  The Real America is found

only in the process of searching for the Real America.  It is the journey

that counts, not the destination.  Even if America will never be found again

that does not give us reason to postpone our search.  One Saturday night

over Spring Break, a friend and I were cruising around Panama City Beach.

There were thousands of college students all trying to find the center of

the American Saturday Night.  Cars were bumper to bumper, and we drove about

ten miles in two hours before the traffic started to die down again.  We had

no idea why the traffic died, all these people had to be going somewhere.

Then--BAM--an epiphany came up and slapped my face: The actual cruising is

itself the center of the American Saturday Night.  There is no place to go,

but we gotsta go.  And now I know that Jack was wrong when he wrote: =93no=

 guy

whether he was a big drinker, or big fighter or big cocksman could ever find

the center of Saturday Night in America=94 (Visions of Cody 57).=20

        Allen Ginsberg describes Visions of Cody as =93a dirge for America, for its

heroes deaths too, but then who could know except in the Unconscious? -- A

dirge for the American Hope that Jack (& his hero Neal) carried so valiently

after Whitman -- An America of pioneers and generosity -- and selfish glooms

and exploitations implicit in the pioneers=92 entry into foreign Indian and

Moose lands -- But the great betrayal of that manly America of Love was made

by the pseudo-heroic masculines of Army and Industry and Advertising and

Construction and Transport and toilets and Wars.=94 (Visions of Cody 430).

        We must never let the silence of Moloch take over America.  An America who

wants us to return to our childhood dreams of her, when we were young and

idealistic and spent our time frolicking in dandelion patches.  An America

who will never end, and despite how hard Moloch tries, her original beauty=

 will=20

 always be there, and there will always be hope, because the Real American

Dream refuses to die.  This song, which was passed to me by Whitman,

Kerouac, Wolfe, Ginsberg, etc., will soon be passed to others, and so the

song goes on forever.  There will always be people whose ears are sensitive

to the beauty of America and they will hear the song swelling inside of them

and they will know that there is nothing left to do but sing

 

 

 

 

Works Consulted

 

Primary Sources:

 

Brinkley, Douglas.  _The Majic Bus: An American Odyssey_.  New York:

Doubleday, 1993.

 

Burroughs, William S.  _Naked Lunch_.  New York: Grove-Atlantic, 1992.

 

Cassady, Neal.  _The First Third_.  San Fransisco: City Lights, 1971.

 

Corso, Gregory.  _Mindfield, New and Selected Poems_.  New York: Thunder=92s

Mouth, 1989.

 

Ferlinghetti, Lawrence.  _A Coney Island of the Mind_.  New York: New

Directions, 1958.

------.  _These Are My Rivers: New and Selected Poems 1955-1993_.  New York:

New Directions,         1993.

 

Ginsberg, Allen.  _Howl and Other Poems_.  San Fransisco: City Lights, 1956.

------.  _Collected Poems 1947-1980_.  New York: Harper & Row, 1985.

 

Kerouac, Jack.  _Mexico City Blues_.  New York: Grove, 1959.

------.  =93Is There a Beat Generation?=94  Recorded talk published as=

 =93Origins

of the Beat Generation,=94      Playboy, June 1959.

------.  _Lonesome Traveler_.  New York: Grove Press, 1960.

------.  _Selected Letters 1940-1956_.  New York: Viking Penguin, 1995.

------.  _The Dharma Bums_.  New York: Viking Penguin, 1971

------.  _Desolation Angels_.  New York: Perigee, 1978.

------.  _On The Road_.  New York: Viking Penguin, 1991.

------.  _Big Sur_.  New York: Viking Penguin, 1992.

------.  _Tristessa_.  New York: Viking Penguin, 1992.

------.  _Pomes All Sizes_.  San Fransisco: City Lights Books, 1992.

------.  _Visions of Cody_.  New York: Viking Penguin, 1993.

------.  _Good Blonde & Others_.  San Fransisco: Grey Fox Press, 1993.

------.  _Vanity of Dulouz_.  New York: Viking Penguin, 1994.

------.  _The Scripture of the Golden Eternity_.  San Fransisco: City

Lights, 1994.

 

Sackmann, Matthew.  _My Life: The Journal I Never Kept_.  Published in=

 Heaven.

 

Snyder, Gary.  _Earth House Hold: Technical Notes and Queries to Fellow

Dharma Revolutionaries_.        New     York: New Directions, 1969.

------.  _Mountains and Rivers Without End_.  San Fransisco: Four Seasons

Foundation, 1996.

------.  _No Nature: New and Selected Poems_.  New York: Pantheon, 1992.

------.  _Turtle Island_.  Boston: Shambhala, 1993.

=20

Anthologies:

 

Charters, Ann, ed.  _The Portable Beat Reader_.  New York:Viking Penguin,=

 1992.

 

Knight, Brenda, ed. _Women of the Beat Generation_.  Berkeley: Conari Press,

1996.

 

Tonkinson, Carole, ed.  _Big Sky Mind: Buddhism and the Beat Generation_.

New York: Riverhead Books,      1995.

 

Waldeman, Anne, ed.  _The Beat Book_.  Boston: Shambhala, 1996.

 

Bibliographies:

 

Charters, Ann.  _Kerouac: A Biography_.  San Fransisco: Straight Arrow,=

 1973.

 

Gifford, Barry, and Lawrence Lee. _ Jack=92s Book: An Oral Biography of Jack

Kerouac_.  New York,    Penguin, 1979.

 

Related Texts:

 

Frank Robert.  _The Americans_.  Introduction by Jack Kerouac.  New York:

Grove, 1959.

 

Hunt, Tim.  _Kerouac=92s Crooked Road_.  Hamden, CT: Archon Books, 1981.

 

Weinreich, Regina.  _The Spontaneous Poetics of Jack Kerouac_.  Carbondale:

Southern Illinois            University         Press, 1987.

 

Films:

 

_Pull My Daisy_.  Narrated by Jack Kerouac, with Gregory Corso, Peter

Orlovsky , Larry Rivers, and     David  Amram.  Directed by Robert Frank and

A. Leslie.  Houston: Houston Museum of Art, 1958.

 

Audio Recordings:

 

_The Beat Generation_.  Santa Monica, Calif.: Rhino/Word Beat, 1992.

 

Ginsberg, Allen.  _Holy Soul, Jelly Roll: Poems and Songs 1949-1993_.  Santa

Monica, Calif.:         Rhino/Word      Beat, 1994.

 

Kerouac, Jack.  _The Jack Kerouac Collection_.  Santa Monica, Calif.:

Rhino/Word Beat, 1993.

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Mon, 9 Jun 1997 04:11:51 EDT

Reply-To:     Joe <100106.1102@COMPUSERVE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe <100106.1102@COMPUSERVE.COM>

 

-------------Forwarded Message-----------------

 

From:   Joe,

To:     Beat-L, INTERNET:BEAT-L@CUNYVM.CUNY.EDU

 

Date:   06/06/97 18:17

 

RE:     BEAT-L Digest - 4 Jun 1997 to 5 Jun 1997

 

 

 

-------------Forwarded Message-----------------

 

From:   Joe,

To:     Automatic digest processor, INTERNET:LISTSERV@CUNYVM.CUNY.EDU

 

Date:   06/06/97 15:47

 

RE:     BEAT-L Digest - 4 Jun 1997 to 5 Jun 1997

 

Message text written by Automatic digest processor

>listen to a cricket

speak for two hours

a day

until you understand

the melody

while eating an apple

a day

and keep those spiritual

advisors at bay !!!!<

 

this made me smile.  one of the reasons i asked for such

an advisor is that i hit the road (with pc) alone in september

starting in spain.  when i've worked there in the past the mountainside

apartment is awash at night with the sound of crickets...also

one of my personal goals is to eat more fruit.  always putting

off such ideas until tomorrow i decided to wait until i got to

spain where the sun shines & fruit becomes more appealing.

 

could this be a prophesy of things to come?  eating apples

to the sound of crickets!  (we don't have many crickets in

northern uk incidently)  hope my memory serves me well & i

will think of david should this happen

 

 

 

also, as this is a 'literature' forum, i thought some of you may

appreciate this...

 

 

       The European Union commissioners have announced that agreement

       has been reached to adopt English as the preferred language for

       European communications, rather  than German, which was the

       other possibility.  As part of the negotiations, Her Majesty's

       Government conceded that English spelling had some room for

       improvement and has accepted a five-year phased plan for what

       will be known as EuroEnglish (Euro for short).

 

       In the first year, "s" will be used instead of the soft "c".

       Sertainly, sivil servants will resieve this news with joy.

       Also, the hard "c will be replaced with "k". Not only will this

       klear up konfusion, but typewriters kan have one less letter.

 

       There will be growing publik enthusiasm in the sekond year,

       when the troublesome "ph" will be replaced by "f". This will

       make words like "fotograf" 20 per sent shorter.

 

       In the third year, publik akseptanse of the new spelling kan be

       expekted to reach the stage where more komplikated changes are

       possible.  Governments will enkorage the removal of double

       letters, which have always ben a deterent to akurate speling.

       Also, al wil agre that the horible mes of silent "e"s in the

       languag is disgrasful, and they would go.

 

       By the fourth year, peopl wil be reseptiv to steps such as

       replasing "th" by z" and "w" by " v".

 

       During ze fifz year, ze unesesary "o" kan be dropd from vords

       kontaining "ou",

 

       and similar changes vud of kors be aplid to ozer kombinations

       of leters.

 

       After zis fifz yer, ve vil hav a reli sensibl riten styl. Zer

       vil be no mor trubls or difikultis and evrivun vil find it ezi

       tu understand ech ozer.  Ze drem vil finali kum tru.

 

 

 

REMEMBER THIS IS A JOKE - DO NOT TAKE SERIOUSLY!!!!

 

 

joe

newcastleunitedkingdom

=========================================================================

Date:         Mon, 9 Jun 1997 04:11:54 EDT

Reply-To:     Joe <100106.1102@COMPUSERVE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe <100106.1102@COMPUSERVE.COM>

 

-------------Forwarded Message-----------------

 

From:   Joe,

To:     Beat-L, INTERNET:BEAT-L@CUNYVM.CUNY.EDU

 

Date:   06/06/97 18:16

 

RE:     BEAT-L Digest - 29 May 1997 to 30 May 1997

 

 

 

-------------Forwarded Message-----------------

 

From:   Joe,

To:     Automatic digest processor, INTERNET:LISTSERV@CUNYVM.CUNY.EDU

 

Date:   06/06/97 17:33

 

RE:     BEAT-L Digest - 29 May 1997 to 30 May 1997

 

>I bet we all listen to music almost all the time.  It'd be inneresting if

people posted their soundtracks with their posts.     (ben neil)

< 

 

i'd die without music.

 

i'm currently listening to a band called THE verve

 

a couple of their lyrics are:

 

 "where you gonna go when the music stops

  and you're left alone in your mind

  well i'll be hearing music till the day i die"

 

 (i interpret this as the singer meaning he'll be hearing music

 in his mind till the day he dies)

 

 "dreamt of the future woke up with a scream i was buying

   some feelings from a vending machine."

 

now there's a thought!

 

imagine being able to buy a bar of cadbury's dairy milk kerouac from a vending

machine.  once digested you too can understand the emotion and knowledge

of beat!

 

 

joe

newcastleunitedkingdom

 

 

actually, thinking about it would probably be a can budweizer from a vending

machine ;-7

=========================================================================

Date:         Mon, 9 Jun 1997 04:11:47 EDT

Reply-To:     Joe <100106.1102@COMPUSERVE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe <100106.1102@COMPUSERVE.COM>

 

-------------Forwarded Message-----------------

 

From:   Joe,

To:     Beat-L, INTERNET:BEAT-L@CUNYVM.CUNY.EDU

 

Date:   06/06/97 18:17

 

RE:     BEAT-L Digest - 28 May 1997 to 29 May 1997

 

 

 

-------------Forwarded Message-----------------

 

From:   Joe,

To:     Automatic digest processor, INTERNET:LISTSERV@CUNYVM.CUNY.EDU

 

Date:   06/06/97 17:11

 

RE:     BEAT-L Digest - 28 May 1997 to 29 May 1997

 

 

>Just tossing out a question for discussion that seems to me is always at the

root of the "who is beat" issue, whis IS the most enduring topic for

discussion on this list notwithstanding the Kerouac estate issue.

 

Is beat a style, not confined to a specific time, place or set of people?

 

OR is beat something that is now and forever the label for the work of Jack

Kerouac, Allen Ginsberg, William Burroughs, Gregory Corso and the rest?

 

Howard Park<

 

i'm guilty of this 'who is beat' question too.  i first joined the list in

october

95 (and haven't left & rejoined since!) and it wasn't too long before i asked

if bukowski (an author i put up there with kerouac & burroughs) was beat.

 

needless to say it wasn't long before i was singed (rather than flamed)

for asking such a stupid question.  this was definetly a good thing for me

as it made me question what beat meant to others as well as myself.

 

i don't think we'll ever escape this question unless some kind soul cares

to filter the archives and stick everyones opinion on this topic into an faq.

 

my (current) view on the term beat is that it is a philosophy, a world-view,

a lifestyle, a selfpreserving function of the brain.  it is also a label used by

people (who need a shortcut to thinking) in order to conceptualise a group of

writers, poets, drug takers, outlaws and travellers.  for me it is all of these

and more.

 

to steal from william burroughs i'll offer the following for anyone reading:

 

1. you have to first agree with people how you want to use the word.

 

2. a word doesn't mean anything by itself, there's no built-in intrinsic

meaning,

it's just how you want to use it.

 

3. it's an abstraction like, "what is the truth?"

 

4. it's a semantic blind-alley.

 

5. it doesn't have a meaning except that which you assign to it, and if people

don't

agree on the meaning then you're going to have endless feuds over nothing, which

is

what happens all the time.

 

6. beat is a four-letter word.

 

7. if you agree on what you mean and how you want to use it, only then

can you use it.

 

8. to say that it has an absolute inherent meaning one way or an absolute

inherent

meaning the other way, is a semantic problem.

 

9. dont ask a large question using a large word which can mean anything, and

then

expect somebody to give you a sensible answer.

 

 

for me beat is a philosophy that is an ideal rather than an idea

 

for me beat is an ever lasting emotion - anyone who can understand & emphasize

with

this specific eMotion is beat

 

for me beat is jack kerouac neal cassady herbet huncke ad lib to fade

 

for me beat is lying in the gutter yet still reaching for the stars

 

for me beat is this list

 

thats enough for me

 

joe

newcastleunitedkingdom

=========================================================================

Date:         Mon, 9 Jun 1997 05:02:24 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: wisdoms from wise creators

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Maya Gorton wrote:

 

> 

> "The most beautiful emotion we can experience is the mystical. It is the

> sower of all true art and science. Those to whom this emotion is a

> stranger . . . are as good as dead. To know that what is impenetrable to us

> really exists --- manifesting itself as the highest wisdom and the most

> radiant beauty, which our dull facilities can comprehend only in their most

> primitive forms --- this knowledge, this feeling, is at the centre to true

> religiousness. In this sense, and this sense only, I belong to the ranks of

> devoutly religious man." Albert Einstein

 

he also said

 

"i have my best ideas while shaving."  :)

=========================================================================

Date:         Mon, 9 Jun 1997 05:31:13 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Traveling dream

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

to the tune of "Pack up your sorrows"

 

awoke in Salina from dream of trip to kansas city.

stopped in lawrence on way.

met patricia and company.

wish Lena would let me play "Q" now and then.

wedding visions.

tears streaming like ghost of bride's great grandmother twice removed.

weep.

vision of three old Rhaesa's and trunkload of trash.

back at patricia's.

or billy p's.

same room many places.

no watches.

highway scenes.  varied.

food.  good.

smell of chicken burritos.

terrific & terrify

two terms of travel tune.

smell of burning rubber.

car shaking.

steering column jerks.

cars passing.

passing.

passing.

leaving me behind like ugly samarai warrior.

pit crew and Indy descends and my Uncle Babe in charge.

 

i'm awake now.  slept for three days and have ressurected.  quite a

dream.  no place like home.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 9 Jun 1997 07:38:09 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      some thoughts on the list

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

it seems since beat-l is going down the tubes in some fashion, here. it's

like everybody's personal planner, sec'ty etc since bill did what he had to

do to make us think about what we send. and yet, not so much thinking

goinn' on

private posts proliferate.

maybe if people could take their more personal correspondence off list, we

could again go into full swing again. ie, focus on literature.

and yes, i do also send personal posts to list sometimes. this is for all,

includ. me, to think about.

however,  most of my personal posts i send off list with list friends vs

spamming all with details of who sat on whos terlet seat or whatever.

and that is not an allusion/illusion to any previous poster.

mc

=========================================================================

Date:         Mon, 9 Jun 1997 14:54:51 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: X

In-Reply-To:  <339B1FB0.79B5@update.uu.se>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

X is

black-- amiri baraka (Leroi Jones)

---

yrs

Rinaldo

* sorry this has no beat connection *

*       i'm a beetle beated             *

=========================================================================

Date:         Mon, 9 Jun 1997 10:01:08 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      attn all beat-l members!

 

I am seeking collaborators for a 'Zine' project.  It will consist of the

following:

 

---poetry, poetic prose

---social ciriticism

---sociology of art and literature

---music and book and film reviews

---artwork (photos, drawings, paintings, ideas)

 

The end product will be printed on actual paper (remember that stuff?)  in

black and white with color pages and real binding (not staples!!).  I would

like to work on it this summer and print it in September, as I am leaving

country indefinitely in October.

 

I am open to all kinds of submissions, not only beat-related.  Please send

things by e-mail to Marioka7@aol.com  or by regular mail to: (wait a minute,

i don't wanna post my addres, so just e-mail me and I'll send it to you if

you need it)

 

Though I'm not looking for any particular flavor of writing, some selectivity

may be necessary, depending on the volume of submissions.  Thanks and I look

forward to hearing from you.---------------------------------------------maya

=========================================================================

Date:         Mon, 9 Jun 1997 09:34:46 -0500

Reply-To:     Bob Fox <bfox@SIU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bob Fox <bfox@SIU.EDU>

Subject:      LeRoi Jones/Amiri Baraka

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        With regard to Rinaldo Rasa's comment that his posting of a quote

from Amiri Baraka (LeRoi Jones) "has no beat connection," it is necessary

to note that before he became a black cultural nationalist and changed his

name to Amiri Baraka ("blessed prince") in 1967, LeRoi Jones was very

closely associated with the Beats.  He was the only black writer included

in Donald Allen's seminal anthology THE NEW AMERICAN POETRY 1945-1960,

which included many of the Beats.  Jones also published (along with his

first wife Hettie Cohen) a magazine called YUGEN (1958-1963), which

published many Beat writers.  He was close friends with Allen Ginsberg and

others before repudiating his relationships with white people (something he

is critical of today).  The full story of the beats would have to include

African Americans like LeRoi Jones and Ted Joans, as well as Bob Kaufman.

If anyone knows of any others, I'd like to have the information.

=========================================================================

Date:         Mon, 9 Jun 1997 08:00:21 -0700

Reply-To:     Jo Ann Collins <joannc@CSUFRESNO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jo Ann Collins <joannc@CSUFRESNO.EDU>

Subject:      Jazz Poetry

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I'll try again to see if anyone might be interested in providing some advice

on comparing jazz poetry (most of the poems I'm discussing are either

dedicated to or called by the artist's name - - i.e. Charlie Parker,

Thelonius Monk, Charles Mingus, John Coltrane, etc. ) to jazz.  I'm

specifically discussing the poetry of Lawson Inada.  I was referred to your

list by someone who said there were knowledgeable people on this BEAT list.

But maybe I'm in the wrong genre.  Questions would be how the structure of

the poem relates to the way the music is written and performed; how the

words may make you think of the artist's music, etc.  Thanks for any help

that may be offered.  Jo Ann

=========================================================================

Date:         Mon, 9 Jun 1997 11:01:26 -0400

Reply-To:     Waterrow@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Beat-L T-Shirt Update

 

Check out the Beat-L T-shirt at http://www.waterrow.com

---------------------

Forwarded message:

Subj:    Beat-L T-Shirt Update

Date:    97-06-02 15:54:02 EDT

From:    Waterrow

To:      Beat-L@cunyvm.cuny.edu

CC:      Waterrow

 

Dear Beat-L members:

 

Thanks to all of you who have emailed or phoned me to place your order for

the official Beat-L T-shirt which will be ready to ship in a few weeks....

 

But to all of you out there who placed your name on the list back in April to

reserve your T-shirts - Now is the time to honor your committment....

 

The T-shirt has been custom designed by artist S.Clay Wilson and is available

in Large- Extra Large- and Extra Extra Large Sizes. White ink on black 100%

super deluxe quality cotton preshrunk T-shirt...$18.00 (no shipping or

handling charges).

Satisfaction guaranteed.

Master Card / Visa / Money Order / or Check....

 

C'Mon Gerry Nicosia! - If you really care about this Beat-L and promoting it

to the world, Order a T-shirt!!  And how about you - Jerry C. - How come you

won't buy a shirt to help promote this list??? And what about you, Paul

Maher? You can give a shirt to Sampas as a gift!  (only kidding!!!! - don't

be soooo sensitive, you guys!)

 

Seriously, folks - please honor your T-shirt committment as soon as possible.

We ordered the quantity of shirts and sizes based on your reservations....

 

You can view the S. Clay Wilson artwork for the Beat-L shirt at:

http://www.waterrowbooks.com

 

Thanks -

 

Jeffrey Weinberg

Beat-L T-shirt Committee

c/o Water Row Books

PO Box 438

Sudbury MA 01776

Tel 508-485-8515

Fax 508-229-0885

EMail Waterrow@aol.com

=========================================================================

Date:         Mon, 9 Jun 1997 10:00:47 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      A note from MEAN John

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--------------181235B01C22

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a note from MEAN John.

 

I have no recollection if this was posted during the great flood of

tribute postings.

 

here it comes .... straight in from California

where grapes are picked

and the grape pickers are

grape pickers.

 

david rhaesa

salina, Kansas

 

--------------181235B01C22

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Received: from emout19.mail.aol.com (emout19.mx.aol.com [198.81.11.45])

        by services.midusa.net (8.8.5/8.8.5) with ESMTP id EAA05321

        for <race@midusa.net>; Sat, 7 Jun 1997 04:35:33 -0500 (CDT)

From: JKM1993@aol.com

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          Sat, 7 Jun 1997 05:46:09 -0400 (EDT)

Date: Sat, 7 Jun 1997 05:46:09 -0400 (EDT)

Message-ID: <970607054609_-1296137460@emout19.mail.aol.com>

To: race@midusa.net

Subject: Ginsberg tribute

 

David,

 

I don't know if you saw this...thought I would send it along...

 

John

 

Allen Ginsberg: A Moment of Grieving

Diane di Prima

 

Allen's face stares up at me from a dozen newspapers,

Never to give his stiff and upright form another hug!

No more vegetarian concoction dinners at Varsity Town Houses!

No more lucid, humorous analysis of puzzling political climate!

Not to be buddies again on some committee to spring a friend from prison

or raise

  bucks for yet another civil liberties trial!

No more late hours in punk dives readis together for lamas or dharma

  centers, or expounding Buddhist theory 2 a.m. into green room mikes for

  Pacifica Radio!

No time to fuss that he doesn't take care of himself!

No more presentation copies with funny drawings of flowers, suns, and

Buddhas!

No chance to meet next generation of pretty boy poetry groupies, borrow

coffee on

  Boulder summer mornings!

No one to ask me about my sex life, my kids', my grandkids' sex lives!

No more that warm, deep, beautiful voice coming between us poets and our

  Troubles---real or mind-created!

No rich, funny gossip, latest literary news from around the world,

grandfatherly

  unlooked-for and unused poetry advice.

No warrior of outspoken directness, unabashed songs of the most detailed,

  embarrassing and personal moments of all our lives.

 

John Meany

Claremont Colleges

 

 

 

--------------181235B01C22--

=========================================================================

Date:         Mon, 9 Jun 1997 10:58:32 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Ray Bremser

Comments: cc: cveditions@aol.com

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Charlie:

Last Friday talking to Jeffrey at Water Row books (I ordered my Beat-L

T-shirts), Jeffrey talked of Ray Bremser and of Bonnie Bremser's book

"Troia" and that Bonnie intends to rewrite it and add pages. Saturday

night at work, I read the Ray Bremser section in "Portable Beat Reader."

 

Anyway, Jeffrey suggested that I ask you about Ray and Bonnie

Bremser--that you might have some personal antidotes regarding these two

writers that you might share?

 

Thank you...

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Mon, 9 Jun 1997 12:17:57 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Illness' remedy

Comments: cc: cveditions@aol.com

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Charley:

I meant to ask for personal anecdotes not some herbal remedy, perhaps

ephedrined ma haung stem tea antidote to fatigue and a whacked out spell

check'n less Monday homonymal service! -- "God be with thee folks--Praise

the day and the father and the mother and yer ghost--that shadow trail'n ya

there to too two an and there they're their bare-Not Owsley-bear, bow

tie ya heads, let's pray -- Some benzedrine or another

amphetamine would do it! I'd rather have the antidote than the

anecdote if the antidote was speed and the condition was me...

Antidote us... I suppose

But I meant anecdote...

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Mon, 9 Jun 1997 19:10:49 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      old times--questions--questions...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DEAR friends,

how many are we? 150... 250... who he does it know?

 

i download for myself the Beat-L archive

month by month & here there's all

the answers we/i need (?),

 

yes, man,

we posters are the wired point

of what? dawn/twilight of

the millenium,

 

'bout what's we can write

'cuz beat is a feeling

 

---

yrs

Rinaldo

* a not competent beat *

=========================================================================

Date:         Mon, 9 Jun 1997 19:15:45 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: LeRoi Jones/Amiri Baraka

In-Reply-To:  <l03010d00afc17c743039@[131.230.145.137]>

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At 09.34 09/06/97 -0500, Bob Fox wrote:

>        With regard to Rinaldo Rasa's comment that his posting of a quote

>from Amiri Baraka (LeRoi Jones) "has no beat connection," it is necessary

>to note that before he became a black cultural nationalist and changed his

>name to Amiri Baraka ("blessed prince") in 1967, LeRoi Jones was very

>closely associated with the Beats.  He was the only black writer included

>in Donald Allen's seminal anthology THE NEW AMERICAN POETRY 1945-1960,

>which included many of the Beats.  Jones also published (along with his

>first wife Hettie Cohen) a magazine called YUGEN (1958-1963), which

>published many Beat writers.  He was close friends with Allen Ginsberg and

>others before repudiating his relationships with white people (something he

>is critical of today).  The full story of the beats would have to include

>African Americans like LeRoi Jones and Ted Joans, as well as Bob Kaufman.

>If anyone knows of any others, I'd like to have the information.

> 

> 

i agree with u, LeRoi Jones IS a beat,

apologies for the mistake,

i love u friends, indeed,

yrs

Rinaldo

from venice,italy.

=========================================================================

Date:         Mon, 9 Jun 1997 11:04:24 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: So, I got up this morning and...

Comments: To: Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

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<SNIP>

 

>  If you really hate hemingway, then why are you reading TSAR?  Maybe it's

>required for the bartending diploma?  Actually, I can't think of any other

>book that would be a better read for a bartender.

 

How about Big Sur, anything by Bukowski and, at my most facetious, anything

you can get your hands on from the LBJ Presidential Library (there weren't

no milk in that milk truck).

 

To keep this mildly near-topic I know Ginsberg wrote love letters to

Eisenhower, does anyone know if he wrote any to LBJ?

 

Sorry, Had to be said :)

 

     Matt Hannan

=========================================================================

Date:         Mon, 9 Jun 1997 13:35:12 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Leroie Jones/Amiri Baraka

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On Mon June 9th, Bob Fox wrote:

...LeRoi Jones was very closely related to the Beats...

 

In case anyone hasn't yet viewed the Mystic Fire video, "Cooked Shoes,

Fried Diamonds" (Fried Shoes, Cooked Diamonds???) filmed in part at that

Jack Kerouac Naropi Institute for Disembodied Poets in Boulder CO

has LeRoi Jones reading poetry, Corso reading, Ann Waldeman reading, Ann

Waldeman swimming in a bikini in a swimming pool being interviewed, Wm S

Burroughs talking to Tim Leary, Ginsberg playing some odd

accordian device reading a poem about his father's death,

folks get'n arrested and hauled off inna gray school-bus jail wagon, etc....

 

I bought the video from Zane Kesey's K-Zey production

and Water Row also has it I believe....

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Mon, 9 Jun 1997 14:10:58 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: So, I got up this morning and...

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MATT HANNAN wrote:

 

I know Ginsberg wrote love letters to

> Eisenhower, does anyone know if he wrote any to LBJ?

> 

 

rumours of a trist-de-la-soul in Lincoln bedroom.  Ladybird turned into

Parakeet and flew the coup.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 9 Jun 1997 15:18:22 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Looking for a word i dreamed i read last night

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dream of reading about Don Juan.

don juan dreaming of reading to me.

one word tonal is remembered.

other word

        nogunal

                is peeeering through a curtain

spelling is

                unclear.

meaning appears

                related to where i live.

 

anyone who KNOWS of the etymology of this WORD could help me out.

 

david rhaesa

salina, Kansas

 

to the tune of "Goodnight Irene" by the Beach Boys

=========================================================================

Date:         Mon, 9 Jun 1997 23:04:44 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beat generation.

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DEAR friends,

I think a lot of people knows that Jack Kerouac himself denied

to be a beat. "Duluoz" his last book (& other last

articles circa 1968-1969) they are more explicit on this side of JK

thought. JK:because I writes about beatniks do not make me a beat.

JK:I am independent and do not want to appear in anthology with

writers with whom I disagree.

this sentences are a bit disappointing, why JK speaks so?

 

thanx for yr friendship,

---

yrs Rinaldo.

=========================================================================

Date:         Mon, 9 Jun 1997 17:20:37 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: So, I got up this morning and...

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

In-Reply-To:  <199706081738.NAA17204@owl.INS.CWRU.Edu>

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On Sun, 8 Jun 1997, Diane M. Homza wrote:

 

> Maybe once I get my bartending diploma & finish TSAR I'll have some

> insightful things to say (God, how I hate Hemmingway!!) about TSAR & OTR,

> since comparisions have been made before.

[snip]

> In teh meantime, any comments on my scholarly quest?

 

Been a while since reading either, but the protagonist in TSAR was impotent

& felt impotent with his relations; how does this compare (does it even)

with Sal's feelings, espcially those toward Dean?

=========================================================================

Date:         Mon, 9 Jun 1997 17:28:16 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Eliot & Ginsberg

 

In a message dated 97-06-08 22:21:20 EDT, you write:

 

<< oo

 concerned with style, I think.  Take something like pissing as a perfect

 example.  Eliot would try to make a work of art about pissing. >>

A good example, Diane, and yes style was / is a concern. The only problem I

have with Ginsy's didactict of pissing is that he would wait for pissing to

become a trend. Peter used to bring his own piss to drink when they were

doing their back to earth routine. It wasn't a new thing. I found it in one

of my mother's old "underground" medical books. Anyway Allen was eager to

demonstrate to a local here in C.V. how the running water method of "wiping"

asses is better than our western paper method. i don't think the local (who

ran the liquor store) was quite ready for the lesson as we all gathered at

our tiolet. But he watched the experiment. I agreed with Allen on this one.

But back to style..hmmm where was I. Oh yeah the book just came in from the

publisher, T. Diventi, 409 Kent Ave., Bklyn, NY 11211 whom I was just on the

phone with. Wants me to come down to do a reading. Anyway the book cover is

by the same artist who did Jack Black. I've read the book through, almost,

and gave it to my son, Billy who won't let go of it. Good sign. Someone asked

whose writing now that is up to the beats. This is an example. The author

Carl Watson's, vision is one I have been seeing since those works of the

beats many years ago. I wish I had written it down. It would have been much

like this book. When I can get my hands on it again, I'll try to be more

definitive. Sorry no e-mail for Diventi.

Charles Plymell

=========================================================================

Date:         Mon, 9 Jun 1997 17:33:52 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: wisdoms from wise creators

 

In a message dated 97-06-08 21:40:52 EDT, you write:

 

<< Terence McKenna >>

Didn't he write a letter to Hofstedtler? Sheldrake's another good example. I

think he is onto something with the morphic resonance and its thread through

the universe.

Charles Plymell

=========================================================================

Date:         Mon, 9 Jun 1997 17:44:41 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Eliot & Ginsberg

 

In a message dated 97-06-09 01:11:03 EDT, you write:

 

<< or to get out my actual feelings, heartthrobs, I'm

 > not concerned with creating a work of art, because that's only a

 > three-letter word, anyway, plus the four-letter word work.  >>

 

Well, I think Genet did a little better in the "heartthrob" genre. What

feelings aren't actual anyway?

Charles Plymell

=========================================================================

Date:         Mon, 9 Jun 1997 17:48:30 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: attn all beat-l members!

 

In a message dated 97-06-09 15:40:45 EDT, you write:

 

<< 

 > Though I'm not looking for any particular flavor of writing, some

selectivity

 > may be necessary, depending on the volume of submissions.  Thanks and I

look

 > forward to hearing from

you.---------------------------------------------maya

 

 it would assist me greatly if you could hint at a flavour ... that will

 give me a grail to search for in my mountains of paper scraps.

 

 yours,

 david rhaesa

 salina, Kansas >>

 

OK....do you have anything resembling cut-ups?  Words thrown together that

just aren't meant to be?(strange page-fellows)?

 

What about something that explores how we perceive words and try to make

SENSE of them? I mean, literally, how we attach sensation to sounds/language.

 

 

To narrow it down even further, do you have anything with nonsense words?

Words you've made up yourself? Or maybe words you threw together and got a

secondary meaning that you liked?

 

If this is still too general, send me anything with the word "spicy" in it.

-----------------------maya--------------------------

=========================================================================

Date:         Mon, 9 Jun 1997 18:20:03 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Leroie Jones/Amiri Baraka

 

In a message dated 97-06-09 13:53:32 EDT, you write:

 

<< Ginsberg playing some odd

 accordian device reading a poem about his father's death >>

It would be a harmonium. (Harmoniums were made in Cherry Valley in 19th cent.

Dylan gave him the one he had.) Is that the same time that Allen told me

about he and Anne sat naked in a lotus position?

Charles Plymell

=========================================================================

Date:         Mon, 9 Jun 1997 09:16:53 -0400

Reply-To:     MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Subject:      Dizzy & Kerouac

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>        Question for Mark. Do you remember very much about the details of

>Gillespie picking up on Kerouac's name for the composition that he and

>Charlie Christian called "Kerouac"? It's a fascinating topic. Players did

>occasionally name songs after fans and Jack was around listening, watching

>and doing the occasional jazz review.

 

>                Antoine

> Voice contact at  (514) 933-4956 in Montreal

 

Antoine,

I think you're pretty on target.  I _think_ - and this is coming from a jazz

 book, not a Kerouac bio, I remember -

that someone had suggested it to Dizzy, possibly Kerouac's friend/record company

 man Jerry Newman, as Gerry

Nicosia said, and since Dizzy simply liked the sound of the name, he named the

 arrangement after Jack.

I haven't heard the song myself - I don't think the song is centered around any

 conception of Jack's personality or

anything like that. I'm not sure if it's avaliable on CD at all, as I don't

 think it became a very big hit - but of course, if

anyone knows better than I, please elaborate...

 

Mark Noferi

=========================================================================

Date:         Mon, 9 Jun 1997 19:32:27 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Beat generation.

Comments: To: Rinaldo Rasa <rinaldo@GPNET.IT>

In-Reply-To:  <3.0.1.32.19970609230444.00cdf204@pop.gpnet.it>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 9 Jun 1997, Rinaldo Rasa wrote:

 

> JK:I am independent and do not want to appear in anthology with

> writers with whom I disagree.

 

Who was Jack talking about here I wonder. I finally took a look at the

Portable Jack Kerouac this weekend at my sister's place; inside the cover it

says something to the effect that the book was prepared in accordance to a

design the author had assembled before his death. Was this the intended

Duluoz mega-work he was always talking about, or something else entirely?

=========================================================================

Date:         Mon, 9 Jun 1997 16:45:16 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Kerouac Week in Lowell

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                                                June 9, 1997

 

        Mark Hemenway tells us that this year, during Kerouac Week in

Lowell, the official Kerouac Committee will give tributes to Allen Ginsberg

(who died this year) and Herbert Huncke (who died last year).  He also says

there will be another memorial mass for Jack Kerouac's soul at St. Louis de

France church in Lowell, Kerouac's boyhood church, as there was last year.

        I was there last year, and was stirred by the candlelight procession

after the Mass.  But I was puzzled that no mention was made at that Mass of

Jack's daughter Jan, who had just died a few months earlier.  Now it puzzles

me even more that the official Kerouac Committee will memorialize Herbert

Huncke and Allen Ginsberg, but again, no reference whatsoever to Jack's

daughter having just died.

        Since I am not a part of the official Kerouac Committee, I can only

suggest that it would be appropriate that some acknowledgement of Jan's

passing be made during Kerouac Week this year.  And if a Mass is to be held

for Jack's soul, would it also not be appropriate to have Jan's soul

remembered there too?

        Respectfully, Gerald Nicosia

=========================================================================

Date:         Mon, 9 Jun 1997 19:57:00 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: wisdoms from wise creators

 

The Pythagorians, hence Egytians knew nothing else than that which is

sensory; for them there is scarcely  any delineation which is not a body.

C. Plymell

=========================================================================

Date:         Mon, 9 Jun 1997 19:13:36 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Kerouac Week in Lowell

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Gerald Nicosia wrote:

> 

>                                                 June 9, 1997

> 

>         Mark Hemenway tells us that this year, during Kerouac Week in

> Lowell, the official Kerouac Committee will give tributes to Allen Ginsberg

> (who died this year) and Herbert Huncke (who died last year).  He also says

> there will be another memorial mass for Jack Kerouac's soul at St. Louis de

> France church in Lowell, Kerouac's boyhood church, as there was last year.

>         I was there last year, and was stirred by the candlelight procession

> after the Mass.  But I was puzzled that no mention was made at that Mass of

> Jack's daughter Jan, who had just died a few months earlier.  Now it puzzles

> me even more that the official Kerouac Committee will memorialize Herbert

> Huncke and Allen Ginsberg, but again, no reference whatsoever to Jack's

> daughter having just died.

>         Since I am not a part of the official Kerouac Committee, I can only

> suggest that it would be appropriate that some acknowledgement of Jan's

> passing be made during Kerouac Week this year.  And if a Mass is to be held

> for Jack's soul, would it also not be appropriate to have Jan's soul

> remembered there too?

>         Respectfully, Gerald Nicosia

Gerald, do you know if Edie K-Parkers autobiography got published?

nice to hear your voice on the list.

patricia

=========================================================================

Date:         Mon, 9 Jun 1997 20:24:34 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Ray Bremser

 

In a message dated 97-06-09 11:00:24 EDT, you write:

 

<< Anyway, Jeffrey suggested that I ask you about Ray and Bonnie

 Bremser--that you might have some personal antidotes regarding these two

 writers that you might share?

 >>

I haven'y seen Bonnie since we all lived at the Committee. I have a farm

photo I can send. I understand Bonnnie is ill. I see their daughter

occasionally, who stops by Cherry Valley. The last time I saw Ray, he was

crying at the committee at a crash scene (the last one) going on there.

Before that, some years ago, we did a reading in Albany with Janine. I went

to his pad in Utica to find him. No house number on the door. Had to ask

around by description found him. I needed to take a piss; he pointed to the

kitchen sink which had grown over, moss-like. I found my way to a chair. The

floor was lined with bottles. He was on a bare mattress. The kitchen table

was piled high with empty bottles and cans and cigarette butts piled in

everything. On top of the heap was several thousand dollars in cash from a

welfare suit or something. He gave me a thousand and said someting like, now

we're square, don't ever say I owe you anything. Which he didn't. Just nickle

and dimed me for years. Everyday we hit drugstores when Turpin Hydrate

Codiene. was legal. I paid for the daily trip. He scored at two or three drug

stores. We split the drink and drove home. That lasted about two or three

years, so I guess the expense was about a thou. Too bad that still isn't on

the market. Sure helped us old timers not get the grip. They say it (Laudnum,

about the same) was advised by Coleridge's chemist. It is surely needed for

the long winters (and summers). Now the Pharmaceutical cartel can't let

anything that simple and inexpensive be on the market for the masses. They

would rather have them take something that will eventually lead to other

problems that they can realize more profits from. Simple low maintenance

addiction is not lucrative enought for the Industry. They prefer transplants,

hookups to oxygen, etc. for those with insurance. Ray did give me a mss he

finished-sd he'd like to see it in print but it didn't have anything to do

with the money. I sent the mss to Jeff.

Charles Plymell

=========================================================================

Date:         Mon, 9 Jun 1997 20:32:08 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Fwd: buchenroth

 

Thought this might be of interest to the beat-l, proust etc. We're trying to

encourage Bob to join the list.  He is a great critic.

Pam Plymell

---------------------

Forwarded message:

From:   baculum@mci2000.com (baculum)

Reply-to:       baculum@mci2000.com

To:     CVEditions@aol.com (charles plymell)

Date: 97-06-09 20:29:22 EDT

 

Dear Charley,

 

    I finally figured out how to pull up the Buchenroth site. Yes, it's all

fascinating, and I wonder how many people have zeroed in to see it. Isn't

there a way of telling how many websites have been examined over a given

time? That's still what eludes me--the chances of being seen even if you

are goven a webpage, etc. But then if there is no webpage you won't be

seen, period. I'll send an e-mail to buchenroth to see if he'd like some

books. wouldn't it be neat to have a Peters site on his set up, along side

the cp site?

    Spent nearly 3 hours in dentist's chair this a.m. dealing with decay

under a capped tooth, etc. And wll go back Th for more. Even with dental

plan he is fuckin expensive.

     Reading a strange book by a Froggie living in England Alain De Boton,

HOW PROUST CAN CHAGE YOUR LIFE. If you'd ever want to know a lot about

Proust this would be a good place to start.  My daughter sent it to me from

Switz. She's now ordering books from Amazon! Might check that out, too. Are

you books on there? I know some of mine are, but lots of their details

about them need to be cleaned up.

     So much to do: revise a long interview I once did with R duncan that

was supposed to have appeared in a book years ago; ms. for CELEBRITIES a

book of poems that needs lots of revisions, work; onwards with 1970's book;

occasional sex with friend Larry; helping Paul with the dictionary; and

going back to long o.p. books to see if there aren't poems in there, now

totally lost, I can send around to mags for a second life.

     For now

 

Bob P.

=========================================================================

Date:         Mon, 9 Jun 1997 19:30:52 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      bill

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bill.

 

by david rhaesa

6-9-97

 

eyes sparkle golden

reflection of k-mart

blue light special headbands...

 

eyes glow

simple awareness

of Godot's own old gardener....

 

several times

sees

my twisting synapse

or gesture

and unties

knots

left tangled

since preschool days....

 

this film to be shot in a bridge scene at sunday overlooking strawberry

fields.

=========================================================================

Date:         Mon, 9 Jun 1997 22:21:26 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Eliot & Ginsberg

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Pamela Beach Plymell wrote:

> 

> The only problem I have with Ginsy's didactict of pissing is that he

>would wait for pissing to become a trend.

 

Can you elaborate further on what you see as his "trendiness" as opposed

to his "originality?"

=========================================================================

Date:         Mon, 9 Jun 1997 19:59:32 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Edie Parker

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                                June 9, 1997

Patricia Elliott wrote:

>Gerald, do you know if Edie K-Parkers autobiography got published?

>nice to hear your voice on the list.

>patricia

> 

Dear Patricia:

        No, Edie's book has not been published.  Edie appointed a friend of

hers named Tim Moran her literary executor, and he was given ownership of

all her manuscripts and extensive Beat archives.  Tim was a tall, quiet guy

who used to accompany Edie at all the Beat gatherings.  I have not heard

from him since the 1994 Beat symposium at NYU, and I have wondered myself

what he plans to do with Edie's things.

        I did hear that Creative Arts in Berkeley plans to publish Joan

Haverty's memoir, NOBODY'S WIFE. So it would seem the time is ripe for

Edie's book too.  Poor Edie always felt left out, and it would be a final

irony if her book has to wait till every other memoir is published

first--and here she was, the first wife and also the one Jack called his

"life's wife."  As you may know, in September, 1969, when Jack went to see

his lawyer Fred Bryson about divorcing Stella, he wrote to Edie a couple of

times to come down to Florida and join him and to "hash out whatever future

they might still have together" (paraphrase).  But then Jack got beaten up

in the black Cactus bar in St. Pete, got his ribs busted and lots of

internal bleeding (which may have hastened his death), and he wrote her back

not to come down as planned.

        Then, on October 21, any chance of Jack and Edie getting back

together was killed permanently.  Instead of meeting him in Florida, Edie

saw him laid out at Archembault Funeral Home in Lowell, where she brought

him a funeral bouquet that read (at least as she remembered it to me): "Beat

the Heat."  Supposedly Ginsberg sent one that said: "Guard the Heart."

        Best, Gerry Nicosia

=========================================================================

Date:         Mon, 9 Jun 1997 20:16:42 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Ray Bremser

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote

 

. . . Everyday we hit drugstores when Turpin Hydrate

> Codiene. was legal. I paid for the daily trip. He scored at two or three drug

> stores. We split the drink and drove home. That lasted about two or three

> years, so I guess the expense was about a thou. Too bad that still isn't on

> the market. Sure helped us old timers not get the grip. They say it (Laudnum,

> about the same) was advised by Coleridge's chemist. It is surely needed for

> the long winters (and summers). Now the Pharmaceutical cartel can't let

> anything that simple and inexpensive be on the market for the masses. They

> would rather have them take something that will eventually lead to other

> problems that they can realize more profits from. Simple low maintenance

> addiction is not lucrative enought for the Industry. They prefer transplants,

> hookups to oxygen, etc. for those with insurance.

 

Charles,

 

Thanks for the memory.  I'd forgotten Turpin Hydrate.  We could get it

still in Washington State until sometime in the early 70's as I recall.

A favorite of hipper loggers, treeplanters, fisherman and other

undesirables.  Now you can't even get codienettas over the counter in

TJ.  Can get Valium relatives tho.  There is something wrong in the

world when simple, inexpensive low level opiates are that unavailable.

Makes the world safe for the smack cartels and the medico's I guess.

 

J Stauffer

=========================================================================

Date:         Mon, 9 Jun 1997 23:16:09 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Beat generation.

 

Rinaldo,

Maybe he sensed that the center is always the edge that is. Nufzentonite?

C. Plymell

=========================================================================

Date:         Mon, 9 Jun 1997 22:28:50 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Eliot & Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> Pamela Beach Plymell wrote:

> >

> > The only problem I have with Ginsy's didactict of pissing is that he

> >would wait for pissing to become a trend.

> 

> Can you elaborate further on what you see as his "trendiness" as opposed

> to his "originality?"

 

not certain who has claim to originality of human elimination processes.

elimination seems a Constant.  don't quite fathom notion of trendyness

either.

 

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 9 Jun 1997 22:30:00 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Edie Parker

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Gerald Nicosia wrote:

> 

>                                 June 9, 1997

> Patricia Elliott wrote:

> >Gerald, do you know if Edie K-Parkers autobiography got published?

> >nice to hear your voice on the list.

> >patricia

> >

> Dear Patricia:

>         No, Edie's book has not been published.  Edie appointed a friend of

> hers named Tim Moran her literary executor, and he was given ownership of

> all her manuscripts and extensive Beat archives.  Tim was a tall, quiet guy

> who used to accompany Edie at all the Beat gatherings.  I have not heard

> from him since the 1994 Beat symposium at NYU, and I have wondered myself

> what he plans to do with Edie's things.

>         I did hear that Creative Arts in Berkeley plans to publish Joan

> Haverty's memoir, NOBODY'S WIFE. So it would seem the time is ripe for

> Edie's book too.  Poor Edie always felt left out, and it would be a final

> irony if her book has to wait till every other memoir is published

> first--and here she was, the first wife and also the one Jack called his

> "life's wife."  As you may know, in September, 1969, when Jack went to see

> his lawyer Fred Bryson about divorcing Stella, he wrote to Edie a couple of

> times to come down to Florida and join him and to "hash out whatever future

> they might still have together" (paraphrase).  But then Jack got beaten up

> in the black Cactus bar in St. Pete, got his ribs busted and lots of

> internal bleeding (which may have hastened his death), and he wrote her back

> not to come down as planned.

>         Then, on October 21, any chance of Jack and Edie getting back

> together was killed permanently.  Instead of meeting him in Florida, Edie

> saw him laid out at Archembault Funeral Home in Lowell, where she brought

> him a funeral bouquet that read (at least as she remembered it to me): "Beat

> the Heat."  Supposedly Ginsberg sent one that said: "Guard the Heart."

>         Best, Gerry Nicosia

o thank you for your post.  I met Edie and liked her, she was a natural

person.  I agree with the impression that she was his true wife.  I hope

the biography comes out.  She told me some unique stories from a

perspective that was not literary but gripping and passionate.  I

noticed that the burroughs contingent were inclusive to her which is

part of the dignity and elegance that comes from those folks.  I would

like to say that your writing means a lot to me and i am i have to say

thrilled to be able to actually communicate with you on some of the

subjects that are of such great interest to me.

patricia

=========================================================================

Date:         Tue, 10 Jun 1997 00:31:21 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Eliot & Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> Diane Carter wrote:

> >

> > Pamela Beach Plymell wrote:

> > >

> > > The only problem I have with Ginsy's didactict of pissing is that he

> > >would wait for pissing to become a trend.

> >

> > Can you elaborate further on what you see as his "trendiness" as opposed

> > to his "originality?"

> 

> not certain who has claim to originality of human elimination processes.

> elimination seems a Constant.  don't quite fathom notion of trendyness

> either.

> 

> david rhaesa

> salina, Kansas

 

Actually, don't you see human elmination processes, I would rather say

excrement, real or in the mind, as being the constant in the writing

process that binds together the consciousness of all writers from the

beginning of time to now?

DC

=========================================================================

Date:         Tue, 10 Jun 1997 00:59:39 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Excrement & the writing process

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> Diane Carter wrote:

> >

>> Actually, don't you see humann elmination processes, I would rather

>>say

> > excrement, real or in the mind, as being the constant in the writing

> > process that binds together the consciousness of all writers from the

> > beginning of time to now?

> > DC

> 

> not just writers.

> it is the great equalizer that the Pope and you and Mother Theresa and I

> all share.

> 

> david rhaesa

> salina, Kansas

 

Nice to know we all have something in common in addition to our

craving for beat literature.  Everytime I think of excrement in a way

connected to literature, I think of James Joyce, no disrespect intended,

just sort of the flow of thought/dream comes to mind.  Bodily functions

and the process of writing.  Union of physical body and intellect being

necessary in the creative process.  I'm sure we can somehow relate this

back to beat writers.  Any thoughts on excrement and Kerouac?

DC

=========================================================================

Date:         Tue, 10 Jun 1997 02:29:06 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: Edie Parker

Comments: To: Patricia Elliott <pelliott@SUNFLOWER.COM>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 10:30 PM 6/9/97 -0500, Patricia Elliott wrote:

>Gerald Nicosia wrote:

>> 

>>                                 June 9, 1997

>> Patricia Elliott wrote:

>> >Gerald, do you know if Edie K-Parkers autobiography got published?

>> >nice to hear your voice on the list.

>> >patricia

>> >

>> Dear Patricia:

>>         No, Edie's book has not been published.  Edie appointed a friend of

>> hers named Tim Moran her literary executor, and he was given ownership of

>> all her manuscripts and extensive Beat archives.  Tim was a tall, quiet guy

>> who used to accompany Edie at all the Beat gatherings.  I have not heard

>> from him since the 1994 Beat symposium at NYU, and I have wondered myself

>> what he plans to do with Edie's things.

>>         I did hear that Creative Arts in Berkeley plans to publish Joan

>> Haverty's memoir, NOBODY'S WIFE. So it would seem the time is ripe for

>> Edie's book too.  Poor Edie always felt left out, and it would be a final

>> irony if her book has to wait till every other memoir is published

>> first--and here she was, the first wife and also the one Jack called his

>> "life's wife."  As you may know, in September, 1969, when Jack went to see

>> his lawyer Fred Bryson about divorcing Stella, he wrote to Edie a couple of

>> times to come down to Florida and join him and to "hash out whatever future

>> they might still have together" (paraphrase).  But then Jack got beaten up

>> in the black Cactus bar in St. Pete, got his ribs busted and lots of

>> internal bleeding (which may have hastened his death), and he wrote her back

>> not to come down as planned.

>>         Then, on October 21, any chance of Jack and Edie getting back

>> together was killed permanently.  Instead of meeting him in Florida, Edie

>> saw him laid out at Archembault Funeral Home in Lowell, where she brought

>> him a funeral bouquet that read (at least as she remembered it to me): "Beat

>> the Heat."  Supposedly Ginsberg sent one that said: "Guard the Heart."

>>         Best, Gerry Nicosia

>o thank you for your post.  I met Edie and liked her, she was a natural

>person.  I agree with the impression that she was his true wife.  I hope

>the biography comes out.  She told me some unique stories from a

>perspective that was not literary but gripping and passionate.  I

>noticed that the burroughs contingent were inclusive to her which is

>part of the dignity and elegance that comes from those folks.  I would

>like to say that your writing means a lot to me and i am i have to say

>thrilled to be able to actually communicate with you on some of the

>subjects that are of such great interest to me.

>patricia

 

Yeah, Edie seems to me to as one of the coolest gals that ole jack got

involved with.  I love Jack's description of her in a letter to neal when he

tells Neal something to the effect of:

        "You need someone like Edie, giggling under the covers in the morning."

 

She just sounds real cute and fun and sweet from what I've read about her.

I too am waiting for her book.

 

        matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Tue, 10 Jun 1997 13:45:07 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      GHETTO DEFENDANT (the Clash)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DEAR friends,

i found likes:

"One night at the Bond's shows on Broadway,

Allen Ginseberg got up on stage and started

to recite something, and the band came up

with an impromptu musical backing to it. I

think that he may have done it with them a

couple of nights later as well... When we

were recording Combat Rock, Ginsberg came

down to the studio with Pete Orlofsky (sp?).

He wanted to get the Clash to back him on a

record he was going to make, but ended up on

our record instead... Some people have said

he was Joe's lyric coach on that record, but

I think that's a bit overplayed."---KOSMO VINYL

 

---

yrs

Rinaldo.

=========================================================================

Date:         Tue, 10 Jun 1997 00:53:58 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: So, I got up this morning and...

In-Reply-To:  <339ACC15.4C3462D@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hmmm.... simple.

the list that i sent out a few days ago about what to do when waiting for

the beat-l mail to download?

Add that to real life.

 

I've been yaking on the phone to various bukowski enthusists as well as

bopping around san francisco.

 

does the hotel "The Utah" ring any bells to any beat enthusiests out there?

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you -me

 

http://the.art.of.sekurity.org/simunye

                                 mirror-> http://www.interlog.com/~lisa

=========================================================================

Date:         Tue, 10 Jun 1997 19:31:58 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Ann Charters

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DEAR friends,

is here Ann Charters on the B-List? i'm reading his

introduction to JK "On The Road" (ya, re-re-re-reading summer...),

btw if also are here some Beat Brit (living in London)

can say me hello?

 

love, peace & freelin'life,

yrs

Rinaldo from venice,italy.

=========================================================================

Date:         Tue, 10 Jun 1997 15:05:57 -0500

Reply-To:     Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>

Subject:      Gary Snyder

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I'm not familiar with Gary Snyder's work but I am constantly seeing

references to him when I read about other beats.  It is the usual,  his

influence on Kerouac and Ginsburg, being one of the original beats at the

Six Gallery reading, THE Dharma Bum etc. and I was wondering why I rarely

ever see a post about him.  Seems that he should be mentioned along with

Kerouac, Ginsberg and Burroughs. Did he somehow distance himself from the

other beats?

=========================================================================

Date:         Tue, 10 Jun 1997 17:04:56 -0400

Reply-To:     Ted Harms <tmharms@LIBRARY.UWATERLOO.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ted Harms <tmharms@LIBRARY.UWATERLOO.CA>

Subject:      Re: Gary Snyder

In-Reply-To:  <1.5.4.32.19970610200557.00675a28@sunset.backbone.olemiss.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 10 Jun 1997, Ron Guest wrote:

 

> I'm not familiar with Gary Snyder's work but I am constantly seeing

> references to him when I read about other beats...I was wondering why I

> rarely ever see a post about him.  Seems that he should be mentioned

> along with Kerouac, Ginsberg and Burroughs. Did he somehow distance

> himself from the other beats?

 

Well, I think Gary is kinda an uber-beat in that he was an inspiration and

an observer but not an active, regular participant.  Sure, "Japhy" plays a

pretty big part in _The Dharma Bums_, but I think his own interests in

Japan in general and Zen in particular, kept him on the periphery of the

'Beat' scene.

 

I think much of this has to do with Snyder himself.  It would be very easy

for him to loudly proclaim his Beat-ness but he's quietly gone about his

excellent poetry (won the Pulitzer for _Turtle Island_ and _Mountains and

Rivers Without End_ got great reviews everywhere) and teaching (does

anybody know if he is still on staff at Univ. Cal. at Davis and what

courses does/did he teach?).

 

Yeah, I wish there'd be more Snyder-talk; there are fans of his on the

list, but I think we're a little more on the quiet side...;)

 

 

Ted Harms                         Library, Univ. of Waterloo

tmharms@library.uwaterloo.ca              519.888.4567 x3761

"...it's elephants all the way down." - from Hindu cosmology

=========================================================================

Date:         Tue, 10 Jun 1997 14:28:59 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re: Gary Snyder

Comments: To: Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     I saw Snyder here in Colorado recently so he's certainly still doing

     the lecture circuit.  It was an SRO crowd, we teeming masses well

     overflowed the too small lecture hall he was given.  He's very much

     continuing his ecology-bent poetry as well as speaking on his

     eco-political stance (basing political boundaries on watersheds vs

     other means).  I believe he has a new work out (not sure).

 

     Snyder's poetry was an influence on my leaving the military (much to

     do with Right Occupation/Action).  Now I live in the shadow of "NORADs

     Rapture Mountain" to quote Ginsberg, trying to fight/right a lot of

     negative Karma.

 

     Back to your point, he didn't speak at all on the Beats, but then

     again he only delved into his own past as deep as the 1970s (Turtle

     Island is base Snyder, a definite first read).  You're right though,

     he is as much a Beat individual as an influence on them.  I'm not up

     on him personally, maybe someone else on the list, PROBABLY someone

     else on the list, is much more knowledgeable than I.

 

     Matt Hannan

 

 

 

______________________________ Reply Separator _________________________________

Subject: Gary Snyder

Author:  Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU> at Internet

Date:    6/10/97 3:05 PM

 

 

I'm not familiar with Gary Snyder's work but I am constantly seeing

references to him when I read about other beats.  It is the usual,  his

influence on Kerouac and Ginsburg, being one of the original beats at the

Six Gallery reading, THE Dharma Bum etc. and I was wondering why I rarely

ever see a post about him.  Seems that he should be mentioned along with

Kerouac, Ginsberg and Burroughs. Did he somehow distance himself from the

other beats?

=========================================================================

Date:         Tue, 10 Jun 1997 14:15:50 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: So, I got up this morning and...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:53 AM 6/10/97 -0700, you wrote:

>hmmm.... simple.

>the list that i sent out a few days ago about what to do when waiting for

>the beat-l mail to download?

>Add that to real life.

> 

>I've been yaking on the phone to various bukowski enthusists as well as

>bopping around san francisco.

> 

>does the hotel "The Utah" ring any bells to any beat enthusiests out there?

> 

>ttfn.

> 

>lisa

>--

> 

>        Lisa M. Rabey       Computer Consultant         UIN: 1231211

>         ************************************************************

>          words...1000's of words.. wrapped together like wire

>                   how easy it would be to hate you

>                 and yet that is all i can show you -me

> 

>http://the.art.of.sekurity.org/simunye

>                                 mirror-> http://www.interlog.com/~lisa

> 

Lisa,     June 10, 1997

 

        Jack Micheline used to hang around the Utah, other Beat characters

too.  Seems there was some new wave music there too a few years ago.

        While you're in San Francisco, bop up to the North Beach fair on

Grant Avenue on Saturday.  I'll be doing a tribute to Jan Kerouac at the

bandstand, upper Grant at Filbert, around 3 PM.  Introduce yourself!

        Best, Gerry Nicosia

=========================================================================

Date:         Tue, 10 Jun 1997 23:19:00 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Beat generation.

In-Reply-To:  <970609231546_-194754051@emout16.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

C. Plymell writes:

>Rinaldo,

>Maybe he sensed that the center is always the edge that is. Nufzentonite?

>C. Plymell

> 

> 

DEAR C. Plymell & other friends,

not only JK had difficulties to embracing the BEAT,

but even GREGORY CORSO & others. so the focus of BEAT is fading,

in the charter JK AG & WSB are only a banner, & works 'bout

modern artists american/european et coetera, i hope became more

beat-spotting than usually. for example the past estate battle

was (if i'm wrong beat me as a beetle!) concerning the true manuscript

of "On The Road" & that seem hidden in some place in the UsOfAm,

the book we enjoy are snipped from a longest book written by

many hands & Jack became the "focus" of this experience, & when he

was 47 he don't care anymore, i'm sure if JK disagree with BEAT

there's no dimishing of the past BUT a sort of emphasis of a

collective works maked in lost years,

 

love & happiness,

 

yrs Rinaldo.

=========================================================================

Date:         Tue, 10 Jun 1997 18:06:10 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: Excrement & the writing process

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <339D096B.71D9@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

when i first read, seems so long ago mentally, the section of the

beginning of Visions of Cody, where Jack discusses the drawbacks of

beating off sittong on a toilet seat, i thought "whooly shit, you can

write that in a novel?!"

 

 

just

kickin the shit,

Eric

 

 

On Tue, 10 Jun 1997, Diane Carter wrote:

 

> RACE --- wrote:

> >

> > Diane Carter wrote:

> > >

> >> Actually, don't you see humann elmination processes, I would rather

> >>say

> > > excrement, real or in the mind, as being the constant in the writing

nn> > > process that binds together the consciousness of all writers from the

> > > beginning of time to now?

> > > DC

> 

> > not just writers.

> > it is the great equalizer that the Pope and you and Mother Theresa and I

> > all share.

> >

> > david rhaesa

> > salina, Kansas

> 

> Nice to know we all have something in common in addition to our

> craving for beat literature.  Everytime I think of excrement in a way

> connected to literature, I think of James Joyce, no disrespect intended,

> just sort of the flow of thought/dream comes to mind.  Bodily functions

> and the process of writing.  Union of physical body and intellect being

> necessary in the creative process.  I'm sure we can somehow relate this

> back to beat writers.  Any thoughts on excrement and Kerouac?

> DC

> 

=========================================================================

Date:         Tue, 10 Jun 1997 18:10:45 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Excrement & the writing process

Comments: To: "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

In-Reply-To:  <Pine.BSD/.3.91.970610180107.12650A-100000@crystal.palace.n et>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

Yeah, man. When I'm taking a nice big dump is the time I feel oneness with

Jack Kerouac...

 

At 06:06 PM 6/10/97 -0400, Robert H. Sapp wrote:

>when i first read, seems so long ago mentally, the section of the

>beginning of Visions of Cody, where Jack discusses the drawbacks of

>beating off sittong on a toilet seat, i thought "whooly shit, you can

>write that in a novel?!"

> 

> 

>just

>kickin the shit,

>Eric

> 

> 

>On Tue, 10 Jun 1997, Diane Carter wrote:

> 

>> RACE --- wrote:

>> >

>> > Diane Carter wrote:

>> > >

>> >> Actually, don't you see humann elmination processes, I would rather

>> >>say

>> > > excrement, real or in the mind, as being the constant in the writing

>nn> > > process that binds together the consciousness of all writers from the

>> > > beginning of time to now?

>> > > DC

>> 

>> > not just writers.

>> > it is the great equalizer that the Pope and you and Mother Theresa and I

>> > all share.

>> >

>> > david rhaesa

>> > salina, Kansas

>> 

>> Nice to know we all have something in common in addition to our

>> craving for beat literature.  Everytime I think of excrement in a way

>> connected to literature, I think of James Joyce, no disrespect intended,

>> just sort of the flow of thought/dream comes to mind.  Bodily functions

>> and the process of writing.  Union of physical body and intellect being

>> necessary in the creative process.  I'm sure we can somehow relate this

>> back to beat writers.  Any thoughts on excrement and Kerouac?

>> DC

>> 

> 

=========================================================================

Date:         Tue, 10 Jun 1997 22:10:29 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Eliot & Ginsberg

 

If pissing became a trend, Allen would follow the stream. And if shit were

valuable, the poor would be born without assholes.

C. Plymell

=========================================================================

Date:         Wed, 11 Jun 1997 05:02:59 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Dizzy & Kerouac

Comments: To: NOFERI.MARK@epamail.epa.gov

 

In a message dated 97-06-09 18:42:34 EDT, NOFERI.MARK@EPAMAIL.EPA.GOV (MARK

NOFERI) writes:

 

<< details of

 >Gillespie picking up on Kerouac's name for the composition that he and

 >Charlie Christian called "Kerouac"? >>

 

The following is an exerpt from the liner notes written by Alain Tercinet

from Dizzie Gillespie's album "The Harlem Jazz Scene - 1941" "Of the hours

and hours of music Dizzy Gillespie played during this crucial period, only

three pieces indisputably his have survived: two versions of Stardust and a

paraphrase of Exactly Like You, christened "Kerouac" at a much later date

(after Dizzy had turned down the title Ginsberg).

 

(above information was provided by Dave Moore)

 

go blow your own horn,

Attila

=========================================================================

Date:         Wed, 11 Jun 1997 06:42:51 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      50 YEARS since DENVER

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Hello All,

 

well i'm armed with a different car as of this morning.  i'm planning a

journey out to Denver for a big huge Humphrey family gala on the fourth

of July in some downtown Denver apartment that my cousin owns.

 

i was talking with my brother-in-law the other day - who lives in Aurora

- about trying to make some beat-historical theme to the trip as well.

then this morning as i'd picked up Memory Babe again and was reading out

at a nearby truckstop, i realized "eureka" this is 50 years since Jack's

trip to Denver.  now the journey is shifting towards some sort of

pilgram quest.  i'll probably add a day or two to the journey.

 

i scribbled notes of places and streets and whatnot out of Memory Babe.

i'm hoping that some of y'all who are MUCH MUCH more knowledgeable than

i on this subject can provide further hints and suggestions.

 

perhaps the significance of DENVER to the beat scene is a worthy notion

to revisit this summer as we feel a half-century memory of Jack moving

through America towards Denver.

 

i could really SEE him in Davenport Iowa in my mind.  I felt i knew

EXACTLY where everything he was saying was since i lived in that area

for three years or so.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 11 Jun 1997 07:47:45 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Eliot & Ginsberg

Comments: To: CVEditions@AOL.COM

In-Reply-To:  <970610220933_2054769319@emout04.mail.aol.com>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 10:10 PM 6/10/97 -0400, Pamela Beach Plymell wrote:

>If pissing became a trend, Allen would follow the stream. And if shit were

>valuable, the poor would be born without assholes.

>C. Plymell

> 

        Actually, when fucking a lover in a cheap hotel is when I feel most

Ginsbergian. --Sara

=========================================================================

Date:         Wed, 11 Jun 1997 09:17:52 -0400

Reply-To:     MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Subject:      Re: Dizzy & Kerouac -Reply

Mime-Version: 1.0

Content-Type: text/plain

 

>>> <GYENIS@aol.com> 06/11/97 05:02am >>>

In a message dated 97-06-09 18:42:34 EDT, NOFERI.MARK@EPAMAIL.EPA.GOV (MARK

NOFERI) writes:

 

<< details of

 >Gillespie picking up on Kerouac's name for the composition that he and

 >Charlie Christian called "Kerouac"? >>

 

The following is an exerpt from the liner notes written by Alain Tercinet

from Dizzie Gillespie's album "The Harlem Jazz Scene - 1941" "Of the hours

and hours of music Dizzy Gillespie played during this crucial period, only

three pieces indisputably his have survived: two versions of Stardust and a

paraphrase of Exactly Like You, christened "Kerouac" at a much later date

(after Dizzy had turned down the title Ginsberg).

 

(above information was provided by Dave Moore)

 

go blow your own horn,

Attila

=========================================================================

Date:         Wed, 11 Jun 1997 15:36:52 -0600

Reply-To:     CARL PORTER <CPORTER@WEBER.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         CARL PORTER <CPORTER@WEBER.EDU>

Subject:      50 YEARS since DENVER -Reply

Comments: To: race@MIDUSA.NET

Mime-Version: 1.0

Content-Type: text/plain

 

** Reply Requested When Convenient **

 

Make sure that you look at Levi's page for great Denver info.

(www.charm.net/`brooklyn/Denver/Denver.html) Also I'm not sure what

your trip entails but if you want to happen by the Ogden spoke of in "On

the Road" & "Visions of Cody" I'll take you by the Kokomo Club mentioned

in "Visions" and show you the places where "The Last Time I committed

Suicide" was filmed.  Ogden is 35 miles north on I-15 of Salt Lake City

(the birth place of Neal).

 

Safe trip,

 

carl

=========================================================================

Date:         Wed, 11 Jun 1997 17:55:48 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      American Haikus

Comments: To: CARL PORTER <CPORTER@WEBER.EDU>

In-Reply-To:  <s39eba79.097@weber.edu>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

I love Jack Kerouac. Why can't I find any men like him alive today? Fucked

up, intellectual, hard-assed, tender, goofy, genius..... Damn. Anyway, I

really love his American Haikus. Here are a couple of my own, inspired by him:

        My Grandpa dyes his hair.

        He fucked up.

        Now it's purple.

 

 

        Every night I fall asleep

        with a dead author

        in my hands.

 

        --Sara Feustle

=========================================================================

Date:         Thu, 12 Jun 1997 00:10:59 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hi derek,

"Beaulieu, Victor-Levy. Jack Kerouac: A Chicken-Essay. Toronto,1975"

are u close or distant relative with this writer?

 

love&happiness

yr

Rinaldo *       edmonton sounds me like a song...       *

                *       like on the green plain i see here      *

=========================================================================

Date:         Thu, 12 Jun 1997 01:12:20 +0100

Reply-To:     or205@HERMES.CAM.AC.UK

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

MIME-Version: 1.0

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well, here's it :

you see, i'm not trying

to say anything

because i already tried

and it didn't work

which is cool .like anything else

 

at the same time :

i leapt off the wall

into the river

(i haven't done much

in my life)

but this at least was

leaping.

 

i fell many stories

on purpose

(i mean,

both ways you could take stories

whatever)

i fell a lot

& i hit hands first

but i scored my forehead

to fuck

on the river base

so i may have contracted

disease

 

which should be something

even if it isn't

beat.

 

anyway, i climbed up afterwards

and jumped off the bridge

i was wearing underwear

there was another guy who wasn't

you should have seen the tourists

in don't know if they were happy

but they were for sure excited

 

you should have seen them.

 

climbed out & i couldn't

deal with anything much better

except i may well be dying

& so i may as well be alive

- except i may as well pretend to be

dying for sympathy well,

whatever.

shit, everyone else got

special treatment.

that's probably not true.

 

won't fool anyone.

last cup of

don't believe you.

=========================================================================

Date:         Wed, 11 Jun 1997 22:45:14 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      retreat diaries

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Race

did you enjoy the retreat diaries.  I found them a glimmer of light on

some of the more explicable parts of the cities of the red night. I

suppose it is the perversity in me that makes wsb my favorite.  I love

to believe the writer is talking up to me.  My next favorite of the

associated beat poets is gary snyder, then perhaps rinaldo , because he

insists that this list not be provincial. llalala

p

=========================================================================

Date:         Thu, 12 Jun 1997 00:18:22 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Hunter S. Thompson

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If anyone is on this late at night.  hunter S. thomson is going to be on

Conan O'Brian tonight.  should be fun.

 

                -matt

 

ps Hey, does anyone know the date of the INSOMNIACATHON this year?  Im

hoping to head on down to N'Awlins a bit early and catch it.  tanks

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Wed, 11 Jun 1997 21:29:40 -0700

Reply-To:     Malcolm Lawrence <Malcolm@WOLFENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      Re: American Haikus

 

>I love Jack Kerouac. Why can't I find any men like him alive today? Fucked

>up, intellectual, hard-assed, tender, goofy, genius..... Damn.

 

Uh....you must not be looking too hard

 

Malcs

=========================================================================

Date:         Thu, 12 Jun 1997 01:57:18 -0400

Reply-To:     Bigsurs4me@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: American Haikus

 

I agree with Malcs...  seems to me there are plenty of Fucked up,

intellectual, hard assed, tender, goofy, geniuses out there...

 

"Even in heaven they don't sing all the time..."

 

 

Jerry Cimino

=========================================================================

Date:         Thu, 12 Jun 1997 07:00:21 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Food at the Beat Hotel in mecca

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Several folks have wanted a detailed food report.  This is not

particularly my strong suit.  As a result of a number of physical and

psychological factors, i pretty much see food in terms of purpose rather

than taste.  To me it is basically, a fuel that the brain and body needs

to function.  I usually dine with a shovel like scoop until the food is

all gone.  then say good.  but this is not adequate for the food that is

offered at the Beat Hotel in mecca.

 

Best Meal -- the best meal came on the last night.  After going out to

some place called PIG and drinking a coffee called Black Magic - two

cups.  I was in Billie Plymell's room with a blue hot plate a long blue

fork - with a spoke or two missing - a penny for my thoughts on the hot

plate and some musical mixtures i'd concocted for my journey.  enough of

ambience.  the main course was a slim pamphlet which was very very

filling and tastey.  probably the most wonderful words to hit my plate

since the first time reading Harry Haller's Diaries in Steppenwolf for

the first time.  The tonal and nogunal veggies tasted familiar yet with

some spice and cooking that i'd never witnessed before.  The meal

consisted of "The Retreat Diaries" by William Burroughs coming out of

City Moon.  Desert was a two a.m. departure and several hours of

interstate and stars mixing with the meal.  it was wonderful.

 

Second best meal.  Pasta.  Now i'm a simple kansas boy and pasta is

pasta.  but i can say a bit more.  it was circular with spokes and some

was cream and some was an orangeish tint, and i think perhaps a light

green spoked circle here and there.  The sauce was tomato and didn't

taste as though it just popped out of a jar.  within were mixed these

curious creatures.  at first glance i thought they were cucumbers.  they

had the general shape and look.  but the coloring was off.  and they

tasted nothing like cucumbers.  the combination was a "good" meal and i

shoveled several helpings.  the scene was nice as well.  we ate in an

upstairs living room as we prepared to watch a film titled "Evening

Star".  (which is a road just East of Lawrence that i passed going to

and from Kansas City).  The movie was good - i kept saying "where's

Jack, where's Jack."  He came in at the end and added comedy to what was

becoming a movie plagued by death.  the mixture of laughter and death

seemed to provide a good notion about life and helped in the digestion

of the pasta.

 

Third best meal.  Loaf of feta cheese and spinach bread.  I zoomed into

Lawrence with expectations of Turkey on my noggin.  I arrived to ham

(which my system does not digest particularly well).  there was lots of

pie.  pie is something that i love to look at.  and i love to watch

other people eat.  but it has never been something that i love to

taste.  i do love to ingest the images of others going nuts over the

circular fruit mixtures.  On top of these, however, was a loaf of feta

cheese and spinach bread which i sneakily devoured when the rest of the

group was looking at pies.  This was tapped off with wonderful fresh

strawberries.  The scene was incredible an amazing mixture of faces and

names and personalities underneath them.  bridge without bullets was a

nice touch.  a walk with Lieutenant Lena was a grand dessert.

 

Next Best Meal.  And this is great too.  Chicken burritos.  definitely

not from taco bell.  everything pieced together perfectly.  just the

right amount of cheese.  the chicken and cheeses blended into one taste

that i'd not quite seen hit my stomach before.  the difficulty with this

meal is that I was completely distracted by Beat-L posts and forgot what

i was eating it and just completely forgot that i was going to eat more

of them.

 

best snack -- some goose thing.

 

so there are the cuisine reviews from one with no sense of taste.  no

sense of food really.  I have to put "Eat" on my lists of things to do

each day or i completely forget to include food in my daily diet.

 

rumors of trip diaries may be over-stated.  I jotted notes here and

there.  i might be able to dig a thing or two out and flesh out the

memories into something that could pass as a diary.  lots of gas mileage

reports and whatnot.

 

looking forward to a busy day on the Beat-L.  If everyone hungry for

more Beat-L stuff sends something to the List it could end up being a

hell of a weekend (it is Saturday isn't it?)

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 12 Jun 1997 08:32:46 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: American Haikus

MIME-Version: 1.0

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Jerry Cimino wrote:

> 

> I agree with Malcs...  seems to me there are plenty of Fucked up,

> intellectual, hard assed, tender, goofy, geniuses out there...

> 

> "Even in heaven they don't sing all the time..."

> 

> Jerry Cimino

 

And I agree with both of you.  It's easy to romanticize the famous and

dead.  Looking back at Jack's record he may have not been a great

bargain for the women in his life--loveable as he no doubt was.

Certainly we the living can be at least as fucked up and have some charm

as well.

 

J Stauffer

=========================================================================

Date:         Thu, 12 Jun 1997 13:18:31 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      epiphany in Kerouac

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I have not read a lot of Kerouac and am now rereading On the Road.  It's

been many years since my first reading of it.  Last night, I came to the

part where he is hungry and alone in San Francisco, walking the streets,

seemingly deserted by Dean, he sees an old woman in the window of a

fish-'n-chips joint who gives him a terrified look, which brings on a

flow of thought in his head which I would characterize as an epiphany:

 

"I wanted to go back and leer at my strange Dickensian mother in the hash

joint.  I tingled all over from head to foot.  It seemed I had a whole

host of memories leading back to 1750 in England and that I was in San

Francisco now only in another life and in another body.  'No,' that woman

seemed to say with her terrified glance, 'don't come back and plague your

honest, hard-working mother.  You are no longer like a son to me--and

like your father, my first husband.  'Ere this kindly Greek took pity on

me.' (The proprietor was a Greek with hairy arms.) 'You are no good,

inclined to drunkenness and routs and final disgrace robbery of the

fruits of my 'umble labors in the hashery.  O son! did you not ever go on

your knees and pray for deliverance for all your sins and scoundrel's

acts?  Lost Boy! Depart! Do not haunt my soul; I have done well

forgetting you.  Reopen no old wounds, be as if you had never returned

and looked in to me--to see my laboring humilities, sullen, unloved,

mean-minded son of my flesh. Son! Son!'  It made me think of the Big Pop

vision in Graetna with Old Bull.  And just for a moment I had reached the

point of ecstasy that I always wanted to reach, which was the complete

step across chronological time into timeless shadows, and wonderment in

the bleakness of the mortal realm, and the sensation of death kicking at

my heels to move on, with a phantom dogging its own heels, and myself

hurrying to a plank where all the angels dove off and flew into the holy

void of uncreated emptiness, the potent and inconceivable radiancies

shining bright in bright Mind Essence, innumerable lotuslands falling

open in the magic mothswarm of heaven.  I could hear an incredible

seething roar which wasn't in my ear but everywhere and had nothing to do

with sounds.  I realized that I had died and been reborn numberless times

but just didn't remember especially because of the transitions from life

to death and back to life are so ghostly easy, a magical action for

naught, like falling asleep and waking up again a million times, the

utter casualness and deep ignorance of it.  I realized it was only

because of the stability of the intrinsic Mind that these ripples of

birth and death took place, like the action of wind on a sheet of pure,

serene, mirror-like water.  I felt sweet, swinging bliss, like a big shot

of heroin in the mainline vein; like a gulp of wine late in the afternoon

and it makes you shudder; my feet tingled.  I thought I was going to die

the very next moment.  But I didn't die, and walked four miles and picked

up ten long butts and took them back to Marylou's hotel room and poured

their tobacco in my old pipe and lit up.  I was too young to know what

had happened..."

 

I guess what I want to discuss if you think he consciously used epiphany

in his writing, and if after one, he and his writing changed with the

knowledge, or if he was just following the stream of what others were

doing in literature.  Reminds one of James Joyce, and even Wordsworth

("our birth is but a sleep and a forgetting") to some extent.  Do his

later works build on the kind of epiphanic awakening?

DC

=========================================================================

Date:         Thu, 12 Jun 1997 14:26:41 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

 

I think this passage is an interesting example of how Kerouac incorporated some

 of his Buddhist studies into his fiction.  The publication of Some of the Dhar

ma in September should provide us with a lot of material for further study.

=========================================================================

Date:         Thu, 12 Jun 1997 14:40:26 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: American Haikus

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

liked the ku's (high) :

 

the last one made methink of whitmans SO Long pome:

 

"Camerado, this is no book,

Who touches this touches a man,

(Is it night? are we here together alone?)

It is I you hold and who holds you,

I spring from the pages into your arms--deceasa calls me forth." WW

 

thats how part of it goes, so forthsoon so long

 

 

 

 

Eric

rhs4@crystal.palace.net

 

On Wed, 11 Jun 1997, Sara Feustle wrote:

 

> I love Jack Kerouac. Why can't I find any men like him alive today? Fucked

> up, intellectual, hard-assed, tender, goofy, genius..... Damn. Anyway, I

> really love his American Haikus. Here are a couple of my own, inspired by him:

>         My Grandpa dyes his hair.

>         He fucked up.

>         Now it's purple.

> 

> 

>         Every night I fall asleep

>         with a dead author

>         in my hands.

> 

>         --Sara Feustle

> 

=========================================================================

Date:         Thu, 12 Jun 1997 11:34:43 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      lurker #254

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

hello folks,

        I've been lurking for about four days now...this is a ....unique

place.  I've been reading some Kerouac and have found his literary

novelties of interest...moreso than his novels; however, I'll with hold

final judgment until I read more of his works for breadth.

Anyhow...just letting you know I'm here in the shadows...and have

finally read the instructions on how to send messages (directions...

always a boon!)

ok...some commentaries of no significance whatsoever:

 

1.  Excrement enthusiasts *L*...I think it is a rather *ahem* piss-poor

analogy for creation.  You might look to Swift...the father of all

shit!  However, for creation, usually it is breath that is associated

with genius and creation...inspiration...divine breath... not divine

shit.  But..if you are an obsequious brown-nosing Beat fan...then by all

means...look at it as metaphoric gold...but I'll pan it...thank you

much.  Your comments have made me tinkle with laughter....a watershed

moment in literary-email

 

2.  Kerouac as sex object.......EWWWW!  I read On the Road

recently...and prompted a discusision in the faculty lounge.  The

results were interesting.  Those coming of age in the sixties and

seventies revered the novel...were inspired..got dewy-eyed and such,

remembering those glorious days of youth.  Those from the eighties

thought *gasp* Hitchhiked? indiscriminate sex? Dean as a hero? Gack!

Then the Gen-Xers had found the novel again.  Interesting? (ok...maybe

not, but I appreciated the novel for reasons not obvious to the others)

Anyhow...to the woman who lusts after Kerouac...Try to get over a dead

idol...(It took me a while to displace my lust for Ben Franklin, but I

did it....and only tremble a bit now at the sight of lightning and

C-notes)  Avoid Roads.  Find  a nice demented unhappy intellect at your

nearest hip coffeeshop...

 

3.  okay okay...I don't really have a 3

 

Anyhow...now that I've made my appearance, I will try to jump into the

fray and fray and jangle nerves (I don't worship the beats...and...TS

Eliot is a much better poet) and drop the phrase dingle-dangle every so

often for everyone's amusement.

*grin*

this will be interesting

Barb

=========================================================================

Date:         Thu, 12 Jun 1997 14:49:31 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: epiphany in Kerouac

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33A05997.143@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

what i see in Kerouac's a lot and many other's writing is that

 

Everything

 

can be an epiphany.

 

from,

Eric

rhs4@crystal.palace.net

 

listenin to tHE bOSS

 

"We busted outta class had to get away from those fools

We learned more from three minute record baby than we ever learned in

        school" bruce springsteen

 

On Thu, 12 Jun 1997, Diane Carter wrote:

 

> I have not read a lot of Kerouac and am now rereading On the Road.  It's

> been many years since my first reading of it.  Last night, I came to the

> part where he is hungry and alone in San Francisco, walking the streets,

> seemingly deserted by Dean, he sees an old woman in the window of a

> fish-'n-chips joint who gives him a terrified look, which brings on a

> flow of thought in his head which I would characterize as an epiphany:

> 

> "I wanted to go back and leer at my strange Dickensian mother in the hash

> joint.  I tingled all over from head to foot.  It seemed I had a whole

> host of memories leading back to 1750 in England and that I was in San

> Francisco now only in another life and in another body.  'No,' that woman

> seemed to say with her terrified glance, 'don't come back and plague your

> honest, hard-working mother.  You are no longer like a son to me--and

> like your father, my first husband.  'Ere this kindly Greek took pity on

> me.' (The proprietor was a Greek with hairy arms.) 'You are no good,

> inclined to drunkenness and routs and final disgrace robbery of the

> fruits of my 'umble labors in the hashery.  O son! did you not ever go on

> your knees and pray for deliverance for all your sins and scoundrel's

> acts?  Lost Boy! Depart! Do not haunt my soul; I have done well

> forgetting you.  Reopen no old wounds, be as if you had never returned

> and looked in to me--to see my laboring humilities, sullen, unloved,

> mean-minded son of my flesh. Son! Son!'  It made me think of the Big Pop

> vision in Graetna with Old Bull.  And just for a moment I had reached the

> point of ecstasy that I always wanted to reach, which was the complete

> step across chronological time into timeless shadows, and wonderment in

> the bleakness of the mortal realm, and the sensation of death kicking at

> my heels to move on, with a phantom dogging its own heels, and myself

> hurrying to a plank where all the angels dove off and flew into the holy

> void of uncreated emptiness, the potent and inconceivable radiancies

> shining bright in bright Mind Essence, innumerable lotuslands falling

> open in the magic mothswarm of heaven.  I could hear an incredible

> seething roar which wasn't in my ear but everywhere and had nothing to do

> with sounds.  I realized that I had died and been reborn numberless times

> but just didn't remember especially because of the transitions from life

> to death and back to life are so ghostly easy, a magical action for

> naught, like falling asleep and waking up again a million times, the

> utter casualness and deep ignorance of it.  I realized it was only

> because of the stability of the intrinsic Mind that these ripples of

> birth and death took place, like the action of wind on a sheet of pure,

> serene, mirror-like water.  I felt sweet, swinging bliss, like a big shot

> of heroin in the mainline vein; like a gulp of wine late in the afternoon

> and it makes you shudder; my feet tingled.  I thought I was going to die

> the very next moment.  But I didn't die, and walked four miles and picked

> up ten long butts and took them back to Marylou's hotel room and poured

> their tobacco in my old pipe and lit up.  I was too young to know what

> had happened..."

> 

> I guess what I want to discuss if you think he consciously used epiphany

> in his writing, and if after one, he and his writing changed with the

> knowledge, or if he was just following the stream of what others were

> doing in literature.  Reminds one of James Joyce, and even Wordsworth

> ("our birth is but a sleep and a forgetting") to some extent.  Do his

> later works build on the kind of epiphanic awakening?

> DC

> 

=========================================================================

Date:         Thu, 12 Jun 1997 14:58:27 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: lurker #254

Comments: To: Mike & Barbara Wirtz <wirtz@ridgecrest.ca.us>

In-Reply-To:  <339FDED4.50FE@owens.ridgecrest.ca.us>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

welcome aboard --

 

at times you might get sick of the rocking back and forth, back and

forth, so feel free to lean (but too far) over the edge at times for some

salty clean air,

 

overall, though, the SS Beat-list has a mighty crew of drunken pirates

who singing diddies of experience, wisdom and bullshit. and the voyage is

awakening...

 

 

 

adios,

Eric

rhs4@crystal.palace.net

 

 

 

On Thu, 12 Jun 1997, Mike & Barbara Wirtz wrote:

 

> hello folks,

>         I've been lurking for about four days now...this is a ....unique

> place.  I've been reading some Kerouac and have found his literary

> novelties of interest...moreso than his novels; however, I'll with hold

> final judgment until I read more of his works for breadth.

> Anyhow...just letting you know I'm here in the shadows...and have

> finally read the instructions on how to send messages (directions...

> always a boon!)

> ok...some commentaries of no significance whatsoever:

> 

> 1.  Excrement enthusiasts *L*...I think it is a rather *ahem* piss-poor

> analogy for creation.  You might look to Swift...the father of all

> shit!  However, for creation, usually it is breath that is associated

> with genius and creation...inspiration...divine breath... not divine

> shit.  But..if you are an obsequious brown-nosing Beat fan...then by all

> means...look at it as metaphoric gold...but I'll pan it...thank you

> much.  Your comments have made me tinkle with laughter....a watershed

> moment in literary-email

> 

> 2.  Kerouac as sex object.......EWWWW!  I read On the Road

> recently...and prompted a discusision in the faculty lounge.  The

> results were interesting.  Those coming of age in the sixties and

> seventies revered the novel...were inspired..got dewy-eyed and such,

> remembering those glorious days of youth.  Those from the eighties

> thought *gasp* Hitchhiked? indiscriminate sex? Dean as a hero? Gack!

> Then the Gen-Xers had found the novel again.  Interesting? (ok...maybe

> not, but I appreciated the novel for reasons not obvious to the others)

> Anyhow...to the woman who lusts after Kerouac...Try to get over a dead

> idol...(It took me a while to displace my lust for Ben Franklin, but I

> did it....and only tremble a bit now at the sight of lightning and

> C-notes)  Avoid Roads.  Find  a nice demented unhappy intellect at your

> nearest hip coffeeshop...

> 

> 3.  okay okay...I don't really have a 3

> 

> Anyhow...now that I've made my appearance, I will try to jump into the

> fray and fray and jangle nerves (I don't worship the beats...and...TS

> Eliot is a much better poet) and drop the phrase dingle-dangle every so

> often for everyone's amusement.

> *grin*

> this will be interesting

> Barb

> 

=========================================================================

Date:         Thu, 12 Jun 1997 15:52:53 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: American Haikus

 

In a message dated 97-06-12 14:26:48 EDT, you write:

 

<< 

 I agree with Malcs...  seems to me there are plenty of Fucked up,

 intellectual, hard assed, tender, goofy, geniuses out there...

 

 "Even in heaven they don't sing all the time..."

 

 

 Jerry Cimino >>

 

Yeah but they're not all as good looking.

=========================================================================

Date:         Thu, 12 Jun 1997 23:51:58 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beat generation.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DEAR friends,

amazingly I found that the real name of KEROUAC is JOHN,

when he changed his name? and why?

---

yrs

Rinaldo

* a not competent beat is a beet? *

=========================================================================

Date:         Fri, 13 Jun 1997 00:04:42 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      John Cage, "Writing through Howl" (1984)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

John Cage, "Writing through Howl" (1984)

 

 

                       mAdness

                      coLd-water

                       fLats

 

                      thE

                    braiNs

                   throuGh

                       wIth

                       aNd

                academieS

                        Burning

                     monEy

 

                      maRijuana

                      niGht

 

                        After

                     endLess

                       cLoud

                      thE

                   motioNless

                        Green

                    joyrIde

 

                      suN

 

                       aShcan

 

                        Brain

                   drainEd of

                       bRilliance

 

                      niGht

 

http://www.english.upenn.edu/~afilreis/88/cage-ginsberg.html

=========================================================================

Date:         Thu, 12 Jun 1997 18:10:45 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Beat generation.

Comments: To: Rinaldo Rasa <rinaldo@GPNET.IT>

In-Reply-To:  <3.0.1.32.19970612235158.0068b0e4@pop.gpnet.it>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 11:51 PM 6/12/97 +0200, Rinaldo Rasa wrote:

>DEAR friends,

>amazingly I found that the real name of KEROUAC is JOHN,

>when he changed his name? and why?

>---

>yrs

>Rinaldo

>* a not competent beat is a beet? *

 

Actually, his real name was Jean-Louis Kerouac. I don't know when he

changed it or why. Wasn't "Jack" a popular nickname for "John," though back

then? Anybody know?

=========================================================================

Date:         Thu, 12 Jun 1997 16:16:55 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Beat generation.

Comments: To: Rinaldo Rasa <rinaldo@GPNET.IT>

In-Reply-To:  <3.0.1.32.19970612235158.0068b0e4@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

rinaldo

kerouac's name is jean kerouac, which translates into engish roughly as

john. jack is slang for john (god knows why)

therefore jean=john=jack kerouac

i think when he started going to skool he started going by john (more

english). is that right?

yrs

derek

On Thu, 12 Jun 1997, Rinaldo Rasa wrote:

 

> 

> DEAR friends,

> amazingly I found that the real name of KEROUAC is JOHN,

> when he changed his name? and why?

> ---

> yrs

> Rinaldo

> * a not competent beat is a beet? *

> 

=========================================================================

Date:         Thu, 12 Jun 1997 18:28:40 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Spoken Word

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

Try falling asleep listening to Kerouac's spoken-word albums sometime. It's

a really wonderful, eerie feeling, especially with headphones. --Sara

=========================================================================

Date:         Thu, 12 Jun 1997 19:51:44 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Hunter

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

Thought I'd report back on my findings from the Late Late Show (Sorry

Patricia that i didn't respond to your message in time, I just got it).

 

It was so FUNNY.  Conan went out shooting and drinking with Hunter S.

Thomson and they blew up all kindsa stuff in the name of art.  Guns kept

getting bigger and bigger and they kept drinking more and more whiskey.

Eventually ended up blowing apart signs with grenade launchers.

 

matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Thu, 12 Jun 1997 19:51:49 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: epiphany in Kerouac

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

>I guess what I want to discuss if you think he consciously used epiphany

>in his writing, and if after one, he and his writing changed with the

>knowledge, or if he was just following the stream of what others were

>doing in literature.  Reminds one of James Joyce, and even Wordsworth

>("our birth is but a sleep and a forgetting") to some extent.  Do his

>later works build on the kind of epiphanic awakening?

>DC

> 

 

I think the use of epiphany was a very conscious decision by Jack.  I

believe that many of his books revolve around the quest for Nirvana or

Enlightenment or "that moment when you know all and everything is decided

forever."  I think Jack was really into this quest long before he was turned

onto Buddhism and i think that was one of the things about Buddhism that he

really dug.  I would bet that the narrator in every novel written by Jack

has some kind of an epiphany during some course of the book.  I know the

endings of both Big Sur and Desolation Angels seem kind of epiphanic (my

word).  Dharma Bums is full of epiphanys:  "You can't fall off a mountain."

On the Road has its own share, including the one you mentioned, Diane.  IT

IT IT.  What is "IT" other than Nirvana?  Visions of Cody has them also.

Satori in Paris is named after his "sudden glimpse of understanding" in

France.  I think this is one of the reasons that i love Jack so much, he was

always searching for The End, always searching for meaning in a world that

seems so devoid of it at times.  He was always thinking of something bigger,

something universal.

 

matt

 

 

*****************************************************************

 

"Everyone takes the limits of his own vision

         for the limits of the world."

 

                                Arthur Schopenhauer

 

*****************************************************************

=========================================================================

Date:         Thu, 12 Jun 1997 21:40:18 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: Beat generation.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Correct me if I'm wrong, but I remember hearing John F. Kennedy's name said

as "JACK" as well.  So, this would probably support the theory that Jack

was a nickname for John, but I'm not sure.

 

 

At 04:16 PM 6/12/97 -0600, you wrote:

>rinaldo

>kerouac's name is jean kerouac, which translates into engish roughly as

>john. jack is slang for john (god knows why)

>therefore jean=john=jack kerouac

>i think when he started going to skool he started going by john (more

>english). is that right?

>yrs

>derek

>On Thu, 12 Jun 1997, Rinaldo Rasa wrote:

> 

>> 

>> DEAR friends,

>> amazingly I found that the real name of KEROUAC is JOHN,

>> when he changed his name? and why?

>> ---

>> yrs

>> Rinaldo

>> * a not competent beat is a beet? *

>> 

> 

> 

                          Greg Elwell

            elwellg@voicenet.com||elwellgr@hotmail.com

                <http://www.voicenet.com/~elwellg>

 

------------------------------------------------------

 I am the one who lacks a COOL signature file!

Greg Elwell-1997

=========================================================================

Date:         Thu, 12 Jun 1997 22:16:40 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: American Haikus

Comments: To: James Stauffer <stauffer@pacbell.net>

In-Reply-To:  <33A0169D.2B3B@pacbell.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 12 Jun 1997, James Stauffer wrote:

 

> Certainly we the living can be at least as fucked up and have some charm

> as well.

 

I must adjoin a comment.  comment.

 

 

 

 

 

 

seriously, men have just as much right to be neurotic, moody, whatever,

as wimmin do.

=========================================================================

Date:         Thu, 12 Jun 1997 22:26:14 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: epiphany in Kerouac

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33A05997.143@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 12 Jun 1997, Diane Carter wrote:

 

> the very next moment.  But I didn't die, and walked four miles and picked

> up ten long butts and took them back to Marylou's hotel room and poured

> their tobacco in my old pipe and lit up.  I was too young to know what

> had happened..."

> 

> I guess what I want to discuss if you think he consciously used epiphany

> in his writing, and if after one, he and his writing changed with the

> knowledge, or if he was just following the stream of what others were

> doing in literature.  Reminds one of James Joyce, and even Wordsworth

> ("our birth is but a sleep and a forgetting") to some extent.  Do his

 

> later works build on the kind of epiphanic

awakening?

 

I think he sort of grew through these things, you know?  This one had

your ephinany, others had classical teachings.  I really like Desolation

Angels.  But read Dr. Sax.  It's hugely autobiographical.  I think I

spotted the roots of his homosexual leanings.  I wonder if Jack saw that

when he wrote that.  It's nice.  His books are nice to re-read.  And

again.  Like Twain.  Or Hemingway.

=========================================================================

Date:         Thu, 12 Jun 1997 22:32:28 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Beat generation.

Comments: To: Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

In-Reply-To:  <3.0.1.32.19970612181045.00693a68@uoft02.utoledo.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 12 Jun 1997, Sara Feustle wrote:

 

> Actually, his real name was Jean-Louis Kerouac. I don't know when he

> changed it or why. Wasn't "Jack" a popular nickname for "John," though back

> then? Anybody know?

 

Yup. Yup.

=========================================================================

Date:         Thu, 12 Jun 1997 23:10:41 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Jack

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Jack...definitely a common nick for John...saw it in the baby books I

perused when having the boys a few years back....you have to consider

the nicks....Unfortunately hubby vetoed the idea of naming my son

Brock....then he could have gone through life as Brock Wirtz (you have

to let it roll off your tongue...and taste it a bit) *grin*

Barb

=========================================================================

Date:         Fri, 13 Jun 1997 10:21:21 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      lAsT cHaNgE in beat-L (the voices & the echoes)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DEAR friends,

1^ thanx alot for gimme information 'bout JK's name... work in progress.

2^ 'cuz recent change in the politcs

 of the Beat-List: i get 2 message:

        one from the replayer

        & one from the B-list,

        i think it's 2B a nice feature,

        no other mailing list can do it,

        only the beats can do it!

great!,

love&happiness,

 

yrs Rinaldo

from venice,italy.

* a not competent beet *

=========================================================================

Date:         Fri, 13 Jun 1997 07:49:16 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: American Haikus

Comments: To: Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

In-Reply-To:  <Pine.SUN.3.96.970612221447.28809A-100000@polaris.mindport.net>

MIME-version: 1.0

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At 10:16 PM 6/12/97 -0400, Sisyphus wrote:

>On Thu, 12 Jun 1997, James Stauffer wrote:

> 

>> Certainly we the living can be at least as fucked up and have some charm

>> as well.

> 

>I must adjoin a comment.  comment.

> 

> 

Thnak you for your comment. comment. *grin*

> 

> 

> 

>seriously, men have just as much right to be neurotic, moody, whatever,

>as wimmin do.

> 

=========================================================================

Date:         Fri, 13 Jun 1997 07:56:27 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Pome

Comments: cc: jtrumm@bgnet.bgsu.edu

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

        Gift. Mist.

        Mist. Gift.

        Two words

        so lovely in English

        so fugly in German

        one meaning poison,

        the other, shit.

        Misty morning dew.

        Birthday Gift.

        A light, fragrant Mist.

        Giftwrap. Giftshop.

        Sunbeams thru the Mist.

        Nature's silent Gift.

=========================================================================

Date:         Fri, 13 Jun 1997 14:17:37 +0200

Reply-To:     Moritz Rossbach <moro0000@STUD.UNI-SB.DE>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Moritz Rossbach <moro0000@STUD.UNI-SB.DE>

Subject:      Re: Hunter

Comments: To: Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

In-Reply-To:  <1.5.4.16.19970612195502.1b1fd89e@uoft02.utoledo.edu>

MIME-Version: 1.0

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hi leitha (matt?!) and all you beat weirdos!

this sounds like fun, good ole hunter is producing himself again, please

tell more about it. was it live ? in tv? anyway, i guess this was

everything else than p.c.!

 

--------------sincerely

              moritz rossbach

              saarbruecken, germany

              moro0000@stud.uni-sb.de

              http://stud.uni-sb.de/~moro0000----------------

 

On Thu, 12 Jun 1997, Leitha Sackmann wrote:

 

> Thought I'd report back on my findings from the Late Late Show (Sorry

> Patricia that i didn't respond to your message in time, I just got it).

> 

> It was so FUNNY.  Conan went out shooting and drinking with Hunter S.

> Thomson and they blew up all kindsa stuff in the name of art.  Guns kept

> getting bigger and bigger and they kept drinking more and more whiskey.

> Eventually ended up blowing apart signs with grenade launchers.

> 

> matt

> 

> 

> *****************************************************************

> 

> "Everyone takes the limits of his own vision

>          for the limits of the world."

> 

>                                 Arthur Schopenhauer

> 

> *****************************************************************

> 

=========================================================================

Date:         Fri, 13 Jun 1997 08:25:55 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Hunter

Comments: To: Moritz Rossbach <moro0000@STUD.UNI-SB.DE>

In-Reply-To:  <Pine.SGI.3.95.970613141235.21585B-100000@sbustd.stud.uni-s b.de>

MIME-version: 1.0

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DAmmit! I fell asleep again reading Kerouac's _Book of Blues_ and mised it.

%$#@^&%. Hey, Moritz, kann ich mit ihnen mein Deutsch =FCben? --Sara Feustle

 

 

At 02:17 PM 6/13/97 +0200, Moritz Rossbach wrote:

>hi leitha (matt?!) and all you beat weirdos!

>this sounds like fun, good ole hunter is producing himself again, please

>tell more about it. was it live ? in tv? anyway, i guess this was

>everything else than p.c.!

> 

>--------------sincerely

>              moritz rossbach

>              saarbruecken, germany

>              moro0000@stud.uni-sb.de

>              http://stud.uni-sb.de/~moro0000----------------

> 

>On Thu, 12 Jun 1997, Leitha Sackmann wrote:

> 

>> Thought I'd report back on my findings from the Late Late Show (Sorry

>> Patricia that i didn't respond to your message in time, I just got it).

>> 

>> It was so FUNNY.  Conan went out shooting and drinking with Hunter S.

>> Thomson and they blew up all kindsa stuff in the name of art.  Guns kept

>> getting bigger and bigger and they kept drinking more and more whiskey.

>> Eventually ended up blowing apart signs with grenade launchers.

>> 

>> matt

>> 

>> 

>> *****************************************************************

>> 

>> "Everyone takes the limits of his own vision

>>          for the limits of the world."

>> 

>>                                 Arthur Schopenhauer

>> 

>> *****************************************************************

>> 

> 

=========================================================================

Date:         Fri, 13 Jun 1997 09:16:55 -0400

Reply-To:     MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Subject:      Re: epiphany in Kerouac

Mime-Version: 1.0

Content-Type: text/plain

 

>I guess what I want to discuss if you think he consciously used epiphany in his

 writing,

 

>I think the use of epiphany was a very conscious decision by Jack...  He was

 always thinking of something bigger,

>something universal.

 

Dear God, yes. Sadly, Jack looked for his epiphanies everywhere, found them

 occasionally, but never achieved

anything permanent - I think if he had in some way he mightn't have drank

 himself to death.

 

> I was too young to know what had happened..."

 

Ironically, as Jack got older, he realized what had happened but realized too

 that it was harder and harder to

recreate that experience. Reminds me of the scene in Desolation Angels where he

 looks at Peter Orlovsky bouncing

around and digging the world, but he knows that he can't go back to that "On the

 Road" stage of his life again.

(Although I don't think he ever fully reconciled himself to this.)

 

Mark Noferi

=========================================================================

Date:         Fri, 13 Jun 1997 09:28:00 -0600

Reply-To:     Sonya Kolowrat <skolowra@RYKODISC.MHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sonya Kolowrat <skolowra@RYKODISC.MHUB.COM>

Organization: MainStream Consulting Group, Inc

Subject:      Re: Jack/ Ti Jean

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     IF one were to drive from The US to Quebec via Vermont, there is a

     little town just inside the Canadian border in Quebec called "Ti

     Jean", which was the child Jack's nickname. It means "Little John" in

     french. I had a dream once about Jack and I was calling out "Ti Jean,

     Ti Jean". Driving through the town on the way to the city of

     debauchery (Montreal) had me thinking about Jack for a couple of

     hours!

 

     -Sonya

 

 

______________________________ Reply Separator _________________________________

Subject: Jack

Author:  WIRTZ@SMTP (Mike & Barbara Wirtz) {wirtz@RIDGECREST.CA.US} at MHS

Date:    6/12/97 5:10 PM

 

 

Jack...definitely a common nick for John...saw it in the baby books I

perused when having the boys a few years back....you have to consider

the nicks....Unfortunately hubby vetoed the idea of naming my son

Brock....then he could have gone through life as Brock Wirtz (you have

to let it roll off your tongue...and taste it a bit) *grin*

Barb

=========================================================================

Date:         Fri, 13 Jun 1997 10:20:49 EST

Reply-To:     MORE OXY THAN MORON <breithau@KENYON.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Ray Bremser

 

I remember asking Allen Ginsberg how Ray Bremser was doing. This might have

been in '93. He said he hadn't from Ray in about a year, which was when he last

called. ray had called Allen and said first off that he wasn't drunk and he

wasn't asking for money. They talked for awhile when finally Ray admitted he

was drunk and then asked for money. Allen sent him a couple of hundred bucks.

I always thought it a funny little story.

 

Dave B.

=========================================================================

Date:         Fri, 13 Jun 1997 11:15:14 -0400

Reply-To:     Alex Howard <kh14586@ACS.APPSTATE.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Hunter

In-Reply-To:  <3.0.1.32.19970613082555.006957a8@uoft02.utoledo.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Please, somebody say they got this on tape??

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Fri, 13 Jun 1997 11:24:04 -0400

Reply-To:     lcrev@law.emory.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Lorri Alice <lcrev@LAW.EMORY.EDU>

Subject:      Re: Hunter

MIME-Version: 1.0

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Alex Howard wrote:

> 

> Please, somebody say they got this on tape??

> 

> ------------------

Mee too! I'll send someone a blank tape/postage & any other interesting

tidbits I can dig up....

Lorri   lcrev@law.emory.edu

=========================================================================

Date:         Fri, 13 Jun 1997 12:38:23 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: epiphany in Kerouac

MIME-Version: 1.0

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MARK NOFERI wrote:

> 

> 

> Dear God, yes. Sadly, Jack looked for his epiphanies everywhere, found them

>  occasionally, but never achieved

> anything permanent - I think if he had in some way he mightn't have drank

>  himself to death.

> 

> 

> Ironically, as Jack got older, he realized what had happened but realized too

>  that it was harder and harder to

> recreate that experience. Reminds me of the scene in Desolation Angels where

 he

>  looks at Peter Orlovsky bouncing

> around and digging the world, but he knows that he can't go back to that "On

 the

>  Road" stage of his life again.

> (Although I don't think he ever fully reconciled himself to this.)

> 

> Mark Noferi

 

I have often wondered why Jack drank so much if he had actually touched

the wonderfulness of the universe in this way.  Why was he able to write

about such things but not be more positive in living his own life?

Ginsberg went through much darkness but remained positive in living and

in writing.

DC

=========================================================================

Date:         Fri, 13 Jun 1997 09:18:33 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: epiphany in Kerouac

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Mark Noferi.... you wrote that Kerouac became darker as he

aged....Strangely, I see that darkness in On the Road. It is already

ostensible.  Paradoxically, there is something tragic in a quest that

really doesn't discover what he seeks.  Sure the journey itself is full

of life and experience, but there is a definite undercurrent of  pathos.

> 

> MARK NOFERI wrote:

> >

> >

> > Dear God, yes. Sadly, Jack looked for his epiphanies everywhere, found them

> >  occasionally, but never achieved

> > anything permanent - I think if he had in some way he mightn't have drank

> >  himself to death.

> >

> >

> > Ironically, as Jack got older, he realized what had happened but realized

 too

> >  that it was harder and harder to

> > recreate that experience. Reminds me of the scene in Desolation Angels where

>  he

> >  looks at Peter Orlovsky bouncing

> > around and digging the world, but he knows that he can't go back to that "On

>  the

> >  Road" stage of his life again.

> > (Although I don't think he ever fully reconciled himself to this.)

> >

> > Mark Noferi

> 

> I have often wondered why Jack drank so much if he had actually touched

> the wonderfulness of the universe in this way.  Why was he able to write

> about such things but not be more positive in living his own life?

> Ginsberg went through much darkness but remained positive in living and

> in writing.

> DC

=========================================================================

Date:         Fri, 13 Jun 1997 09:52:16 -0700

Reply-To:     Malcolm Lawrence <Malcolm@WOLFENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      Re: American Haikus

 

Date:    Thu, 12 Jun 1997 15:52:53 -0400

From:    Maya Gorton <Marioka7@AOL.COM>

Subject: Re: American Haikus

 

In a message dated 97-06-12 14:26:48 EDT, you write:

<< I agree with Malcs...  seems to me there are plenty of Fucked up,

 intellectual, hard assed, tender, goofy, geniuses out there...

 

 "Even in heaven they don't sing all the time..."

 

 Jerry Cimino >>

 

>Yeah but they're not all as good looking.

 

You need to have them all be good looking? I love hearing sexist remarks

from women, if only to remind myself that equal opportunity oppression is

still alive and kicking. Still, I find my comment from yesterday is still

applicable: You must not be looking too hard. Of course, the $64,000

question is: Are you a hot little number yourself?

 

Malcs

=========================================================================

Date:         Fri, 13 Jun 1997 12:56:34 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: epiphany in Kerouac

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33A1A1AF.5F52@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 13 Jun 1997, Diane Carter wrote:

 

> I have often wondered why Jack drank so much if he had actually touched

> the wonderfulness of the universe in this way.  Why was he able to write

> about such things but not be more positive in living his own life?

> Ginsberg went through much darkness but remained positive in living and

> in writing.

 

I think your answer lies in Kerouac's Catholicism.  The Church teaches

guilt.  Lifelong damnation for simply being born.  In that Jack was

raised as a Catholic - and a French Canuk RC, as well - he simply never

got over that.  (I was raised a RC, too, and am from a Canuk family.

But I'm younger than Jack by almost 20 years [I was born in '41], so in

a way, I was "saved" by the Hippie Years.)  And there's his fixation on

his Mother.  That also certainly contributed to his addiction to booze.

Then, you have to take into account the times in which he lived.  Take a

look at American life as portrayed by HEmingway & Fitzgerald.  Booze.

Booze everywhere.  And tacitly approved by society, as well.  The guy

was a psychic basket case.

=========================================================================

Date:         Fri, 13 Jun 1997 16:40:22 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: Hunter

Comments: To: Moritz Rossbach <moro0000@stud.uni-sb.de>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 02:17 PM 6/13/97 +0200, Moritz Rossbach wrote:

>hi leitha (matt?!) and all you beat weirdos!

>this sounds like fun, good ole hunter is producing himself again, please

>tell more about it. was it live ? in tv? anyway, i guess this was

>everything else than p.c.!

> 

>--------------sincerely

>              moritz rossbach

 

Hey Moritz.  (it's matt, im on my mom's mail though for the summer).

Unfortunately, i didn't get it on tape.  (sorry all).  I forget what the

name of Hunter's new book is, but it was promoting that.  And they'd strap

balloons full of paint onto the books and then shoot the balloon, sending

paint all over the place.  It was on the Conan O'Brian Show which is a late

night talk show here.  Hunter was drinking glasses of whiskey and Conan was

sipping on it in shot glasses.

It was lots of fun, but there wasn't much talking; it was pretty much all

firing and drinking.

 

        matt

 

 

*****************************************************************

 

"To believe in god

 is to have the great faith

 that somewhere, someone

 is not stupid."

 

        From a little kids' book: _To Believe in god_ by Joseph Pintauro

*****************************************************************

=========================================================================

Date:         Fri, 13 Jun 1997 16:40:25 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: epiphany in Kerouac

Comments: To: wirtz@ridgecrest.ca.us

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 09:18 AM 6/13/97 +0000, Mike & Barbara Wirtz wrote:

>Mark Noferi.... you wrote that Kerouac became darker as he

>aged....Strangely, I see that darkness in On the Road. It is already

>ostensible.  Paradoxically, there is something tragic in a quest that

>really doesn't discover what he seeks.  Sure the journey itself is full

>of life and experience, but there is a definite undercurrent of  pathos.

 

For me, it's very interesting (although saddening) when i reread OTR because

it just seems more and more tragic the more i learn about Jack.  It was easy

to brush all of the awful remarks aside when i read it the first time, but

knowing so much more about the tragedy that was Jack's life, it becomes much

less of a happy-go lucky book and more depressing.  VoC seems to be a much

more upbeat account of the same time period.

 

matt

 

 

*****************************************************************

 

"To believe in god

 is to have the great faith

 that somewhere, someone

 is not stupid."

 

        From a little kids' book: _To Believe in god_ by Joseph Pintauro

*****************************************************************

=========================================================================

Date:         Fri, 13 Jun 1997 16:58:49 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      well

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

d

                i

s                       o

        cia

ti      ves

 

make

 

y

o

u

 

                        lone

                      ly

why

 

can't we see

 

th

  at            ?

=========================================================================

Date:         Fri, 13 Jun 1997 20:27:14 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Re[2]: epiphany in Kerouac

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

MATT HANNAN wrote:

> 

> Jack drank so much because he was an alcoholic.  Although an alcoholic's

> drinking pattern may change considerably during their drinking "career" no

> amount of "wonderfulness" can make an alcoholic stop drinking.

> 

> Not meant to be a flame, I do see your point.

> 

> Have a great day.

> 

> Matt (a recovering alcoholic (and an unrepentent Jack-aholic))

> 

 

Matt, I see your point too but have to disagree.  The fact that he was an

alcoholic does not mean that he could not have changed his behavior, or

there would be no such people as recovering alcoholics. Even a moment of

enlightenment can forever change a person's life.  And to be able to

write about epiphanies, such as the passage I quoted in OTR, makes it

seem even more tragic.  Now, I guess there is another question here and

that is whether all the epiphanies in his mind/writing were alcohol or

drug-induced, i.e., did he need to be high in order to have these visions

and/or in order to be able to write about them?  That path he could have

changed as well.  Here is a little of what Ginsberg had to say about it

in Allen Verbatum,

"So he wrote a long book called On the Road, and his project was to sit

down, using a single piece of paper, like a teletype roll that he got

from the the United Press office in New York (which is like hundreds and

hundreds of feet) and sit down and type away as fast as he could

everything he always thought of, going chronologically, about a series of

of cross-country automobile trips he and a couple of buddies took, with

their girls, and the grass they were smokin' in '48-'49-'50 and the

peyote they were eating then, and the motel traveling salesmen they met,

the small-town redneck gas station attendants they stole gas from, the

small-town lonely waitresses they seduced, the confusions they went

through, and the visionary benzedrine hallucinations they had from

driving a long time on benzedrine, several days, until they began getting

visions of shrouded strangers along the road saying 'Woe on America,' and

 disappearing, flitting like phantoms..."

 

He also talks about Visions of Cody, "Visionary moments being the

structure of the novel--in other words each section of chapter being a

specific epiphanous heartrending moment no matter where it fell in time,

and then going to the center of that moment, the specific physical

description of what was happening..."

 

I think what I am saying is that epiphany can be a self-changing thing

and that yes, touching the wonderfulness of a moment like that can indeed

change the patterns of a person's life.

DC

=========================================================================

Date:         Fri, 13 Jun 1997 18:47:15 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: American Haikus

Comments: To: Malcolm Lawrence <Malcolm@WOLFENET.COM>

In-Reply-To:  <01BC77DF.7EEB6660@sea-ts3-p09.wolfenet.com>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

I'm a GODDESS, Malcs. A total babe, but with a brain. I'm not the one who

said the fuckin' "sexist remark" either. Jesus. Laugh a little. --Sara

 

 

At 09:52 AM 6/13/97 -0700, Malcolm Lawrence wrote:

>Date:    Thu, 12 Jun 1997 15:52:53 -0400

>From:    Maya Gorton <Marioka7@AOL.COM>

>Subject: Re: American Haikus

> 

>In a message dated 97-06-12 14:26:48 EDT, you write:

><< I agree with Malcs...  seems to me there are plenty of Fucked up,

> intellectual, hard assed, tender, goofy, geniuses out there...

> 

> "Even in heaven they don't sing all the time..."

> 

> Jerry Cimino >>

> 

>>Yeah but they're not all as good looking.

> 

>You need to have them all be good looking? I love hearing sexist remarks

>from women, if only to remind myself that equal opportunity oppression is

>still alive and kicking. Still, I find my comment from yesterday is still

>applicable: You must not be looking too hard. Of course, the $64,000

>question is: Are you a hot little number yourself?

> 

>Malcs

> 

=========================================================================

Date:         Fri, 13 Jun 1997 19:34:09 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: epiphany in Kerouac

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

 

 Even a moment of

> enlightenment can forever change a person's life.  And to be able to

> write about epiphanies, such as the passage I quoted in OTR, makes it

> seem even more tragic.  Now, I guess there is another question here and

> that is whether all the epiphanies in his mind/writing were alcohol or

> drug-induced, i.e., did he need to be high in order to have these visions

> and/or in order to be able to write about them?

 

 

> changed as well.  Here is a little of what Ginsberg had to say about it

> in Allen Verbatum,

> "So he wrote a long book called On the Road, and his project was to sit

> down, using a single piece of paper, like a teletype roll that he got

> from the the United Press office in New York (which is like hundreds and

> hundreds of feet) and sit down and type away as fast as he could

> everything he always thought of, going chronologically, about a series of

> of cross-country automobile trips he and a couple of buddies took, with

> their girls, and the grass they were smokin' in '48-'49-'50 and the

> peyote they were eating then, and the motel traveling salesmen they met,

> the small-town redneck gas station attendants they stole gas from, the

> small-town lonely waitresses they seduced, the confusions they went

> through, and the visionary benzedrine hallucinations they had from

> driving a long time on benzedrine, several days, until they began getting

> visions of shrouded strangers along the road saying 'Woe on America,' and

>  disappearing, flitting like phantoms..." . .

> 

> I think what I am saying is that epiphany can be a self-changing thing

> and that yes, touching the wonderfulness of a moment like that can indeed

> change the patterns of a person's life.

> DC

 

Diane,

 

In some ways this thread reminds me of one we had going a year or so

ago. The question of why Jack drank? what would have a non alcholic Jack

been like? did he need to be high to do what he did?, etc keep coming

back.  They are good questions.

 

I think it is important to seperate the questions somewhat.  Without a

doubt Jack was an alcholic.  But even if he were not I think it is

impossible to seperate altered states of mind from his work.  Did he

have to be loaded to have ephiphanies?--probably not in my view.  Did he

need to be loaded to write?--I would say yes.  All the evidence points

to the fact that he wrote high--on coffee, grass, benzedrine, inhalers,

whatever.  He liked to work fast and loose and he loved uppers for

working--turn the mind loose, lose the stage fright or writer's block or

whatever. Maybe I'm forgetting important passages or unaware of things I

haven't read, but I don't remember Jack talking much about being drunk

as a source of his vision.  He certainly writes about being a drunk, as

in Big Sur when it breaks your heart to watch him and Lew Welch in the

grips of their demons.  He talks about wine as liberator and is so proud

of the way he opened the wine jugs for the 6 Gallery reading, but the

booze high is not  what he writes about.  Grass, peyote, benzedrine,

etc--these open the doors of perception for him.  Booze just helped him

face life.

 

I would argue that Jack's drinking was a life problem, not an artistic

one.  Like most of us who are really aware, he had those wonderful

ephiphanies.  Can these ephiphanies save you?--maybe, but not

necessarily.  Depends on what you do after the flash.  I leave

discussions of the effect of alcholism to those who understand it.  I am

not sure I accept the disease metaphor for this problem, but I'll leave

that to others.  I don't think it helps to blame the RC church or the

Eisenhower era or anything else for Jack's inability to put the bottle

down.  Some people can drink and stop.  Some can't.

 

But it is impossible for me to imagine Jack (or practically any Beat

writer) who didn't depend partly on the inspiration that came from

drugs.  Can't imagine my own mind without acknowledging what drugs have

shown me either.  I suspect that is true of most of us who are drawn to

these writers.

 

I live for  ephipanies too.  But I don't count on them to "save" me.

Joyce is preoccupied with that experience too, and tho not a drunk

doesn't come across as a poster boy for mental health.

 

Just a slant from the not particularly clean and sober perspective.

 

J Stauffer

=========================================================================

Date:         Fri, 13 Jun 1997 19:44:23 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: American Haikus

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sara Feustle wrote:

> 

> I'm a GODDESS, Malcs. A total babe, but with a brain. I'm not the one who

> said the fuckin' "sexist remark" either. Jesus. Laugh a little. --Sara

> 

 

Dear Sara--

 

Since we're all God's and Godesses lets all laugh a little.  But it you

Godesses want to tell us how hard is it to find someone as wonderful as

Jack forgive us Gods if we whine about how we're just making do with you

until we we find Marilyn Monroe come back to life.

 

It's easy to love a dead legend.  Those of us who are alive present more

problems.  I think I'll spend the evening lusting for Edith Piaf or

Janis Joplin.

 

J Stauffer

=========================================================================

Date:         Fri, 13 Jun 1997 19:50:28 -0700

Reply-To:     Malcolm Lawrence <Malcolm@WOLFENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      Re: American Haikus

Comments: To: Sara Feustle <sfeustl@uoft02.utoledo.edu>

 

>I'm a GODDESS, Malcs. A total babe, but with a brain. I'm not the one who

>said the fuckin' "sexist remark" either. Jesus. Laugh a little. --Sara

 

I wasn't implying that you were. I was just noticing that my remark was

applicable again to the person who chimed in, therefore I was referring to

her, not you.

=========================================================================

Date:         Fri, 13 Jun 1997 23:22:30 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: lurker #254

 

In the 50s when Eliot was English dept cannon fodder I memorized all of

Prufrock. I have used it off and on throughout my years in teaching. Mainly

because I think it is a good period piece to acquaint young minds to the

existential motive rather than assume existentialism is a part of their

conciousness as it was in previous generations of intellectuals and probably

readers as well. I found that poem particularly easy to dramatize.

 

By contrast even though I am closer to the beat generation I can only

remember Ginsberg's famous line in Howl and can quote a but a few phrases of

it. I was Ginsberg when he recorded spontaneously Vortex Sutra coaching him

on some of the localism and landmarks. The only line I remember from that is

How big a prick has the President. He asked me to edit TV Baby which I

thought was an unsuccessful poem from the start and I threw away entire pages

of it. He think he was aghast. I don't know what he did with the poem after

that nor do I remember any lines from it.  I could suppose one could infer

from this that there might be something more to prosody than meets the ear.

 Though Allen was a masterful teacher of prosody and he was a great scholar,

a little known time he had in Baltimore was when Pam and I found him a semi

seedy hotel on Reade Street named the same as a Blake line in which he went

into retreat to study Blake for weeks. A task indeed. If I'd studied Blake I

could remember the name of that hotel. I guess I never thought most of

Blake's heady crap was worth reading. I just flipped open my copy (actually

Phil Whalen's copy) I see his notations on page 241 and overall marginalia

that he had studied Blake as well. Maybe someone will know that hotel.

Charles Plymell

=========================================================================

Date:         Fri, 13 Jun 1997 23:36:50 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Oz and Moon (non-Beat)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

David-

Thought you might find this interesting.  Bob sent it to me.

Apparently,

if you start Dark Side of the Moon at the right moment on a video tape

of

The Wizard of Oz, the music and the movie match perfectly.  Have you

heard

of this?

> 

> http://homepage.usr.com/g/gocheese/48613.shtml

=========================================================================

Date:         Sat, 14 Jun 1997 01:09:43 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Re: Oz and Moon (non-Beat)

Comments: To: RACE --- <race@MIDUSA.NET>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 11:36 PM 6/13/97 -0500, RACE --- wrote:

>David-

>Thought you might find this interesting.  Bob sent it to me.

>Apparently,

>if you start Dark Side of the Moon at the right moment on a video tape

>of

>The Wizard of Oz, the music and the movie match perfectly.  Have you

>heard

>of this?

>> 

>> http://homepage.usr.com/g/gocheese/48613.shtml

> 

 

Hmmm. . .

I've actually experienced this in person.  It did seem to match perfectly,

but i thought it was just the pot.

 

matt

 

 

*****************************************************************

 

"To believe in god

 is to have the great faith

 that somewhere, someone

 is not stupid."

 

        From a little kids' book: _To Believe in god_ by Joseph Pintauro

*****************************************************************

=========================================================================

Date:         Sat, 14 Jun 1997 13:35:58 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Oz and Moon (non-Beat)

In-Reply-To:  <33A21FE2.4713@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

David Rhaesa writes:

>David-

>Thought you might find this interesting.  Bob sent it to me.

>Apparently,

>if you start Dark Side of the Moon at the right moment on a video tape

>of

>The Wizard of Oz, the music and the movie match perfectly.  Have you

>heard

>of this?

 

yes,

OZ      was an underground magazine printed in London 1966, on

        the ground floor,

INK     was another londoner magazine on the first floor, same

        building,

PINK    is Floyd

 

yes,

* PLAY POWER *

 

>> 

>> http://homepage.usr.com/g/gocheese/48613.shtml

> 

> 

=========================================================================

Date:         Sat, 14 Jun 1997 14:39:00 +0200

Reply-To:     danneman@Update.UU.SE

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Daniel Brattemark <danneman@UPDATE.UU.SE>

Subject:      Ginsberg for breakfast

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I almost choked on my breakfast this morning. What, they're gonna talk

about Allen Ginsberg on swedish radio. It was true, this woman talked

about the man she had adored throughout her life. In the paper they

promised she would let us hear Allen read Howl. That was not true, she

only played Ballad of the Skeletons. Felt like a safe move, oh well, i'm

not complaining. She saved my day. And it was on a show that all 100%

cotton swedish housewifes listen to. Cool.

 

-daniel

--------------------------------------------------------------

=========================================================================

Date:         Sat, 14 Jun 1997 09:07:30 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: American Haikus

Comments: To: Malcolm Lawrence <Malcolm@wolfenet.com>,

          Malcolm Lawrence <Malcolm@wolfenet.com>

In-Reply-To:  <01BC7833.0EB5EC40@sea-ts4-p55.wolfenet.com>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

Oh. Sorry. I guess I forgot my Midol. Yesterday was a looonnnnggggg day, so

pardon the bitchiness.:) I really am a nice person. No, really. *smile* --Sara

 

 

At 07:50 PM 6/13/97 -0700, Malcolm Lawrence wrote:

>>I'm a GODDESS, Malcs. A total babe, but with a brain. I'm not the one who

>>said the fuckin' "sexist remark" either. Jesus. Laugh a little. --Sara

> 

>I wasn't implying that you were. I was just noticing that my remark was

>applicable again to the person who chimed in, therefore I was referring to

>her, not you.

> 

> 

> 

=========================================================================

Date:         Sat, 14 Jun 1997 12:53:13 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker #254

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> In the 50s when Eliot was English dept cannon fodder I memorized all of

> Prufrock. I have used it off and on throughout my years in teaching. Mainly

> because I think it is a good period piece to acquaint young minds to the

> existential motive rather than assume existentialism is a part of their

> conciousness as it was in previous generations of intellectuals and probably

> readers as well. I found that poem particularly easy to dramatize.

> 

> By contrast even though I am closer to the beat generation I can only

> remember Ginsberg's famous line in Howl and can quote a but a few phrases of

> it. I was Ginsberg when he recorded spontaneously Vortex Sutra coaching him

> on some of the localism and landmarks. The only line I remember from that is

> How big a prick has the President. He asked me to edit TV Baby which I

> thought was an unsuccessful poem from the start and I threw away entire pages

> of it. He think he was aghast. I don't know what he did with the poem after

> that nor do I remember any lines from it.  I could suppose one could infer

> from this that there might be something more to prosody than meets the ear.

>  Though Allen was a masterful teacher of prosody and he was a great scholar,

> a little known time he had in Baltimore was when Pam and I found him a semi

> seedy hotel on Reade Street named the same as a Blake line in which he went

> into retreat to study Blake for weeks. A task indeed. If I'd studied Blake I

> could remember the name of that hotel. I guess I never thought most of

> Blake's heady crap was worth reading. I just flipped open my copy (actually

> Phil Whalen's copy) I see his notations on page 241 and overall marginalia

> that he had studied Blake as well. Maybe someone will know that hotel.

> Charles Plymell

 

When I was in college, which was 20 years ago, I read a lot of Blake.  I

have books with tons of notations in the margins, but while I remember

the way Blake wrote, I could not for the life of me recall lines of a

single poem.  The same with T.S. Eliot, I remember how he wrote, and if

you recited poems to me, either Prufrock or something from The Wasteland,

I would recognize it.  I also first read Howl during this same timeframe,

and I was so compelled by it that I memorized it.  When Allen died, I

couldn't make it to any of the memorials so I decided to celebrate at

home by reciting Howl.  After twenty years, I still remember every single

line of Howl, and can recite all three parts from beginning to end.

Only can't do the Holy, Holy footnote.  So I think that while Eliot may

be more pleasing to the ear, it is not true that Ginsberg's words were

not truly memorable.  All writers end up with some works that just aren't

so great, especially a prolific writer.  The thing with Ginsberg is that

he continually put himself out there, and his words could be inspiring

without thinking about form.  Eliot was too bound up with form and

thinking "poetically."  And, lurker #254, it's time to defend your

stance, that "TS Eliot is a much better poet."  You can't just put that

sentence out there without the "why."  We're waiting.

DC

=========================================================================

Date:         Sat, 14 Jun 1997 13:29:08 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: epiphany in Kerouac

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

> 

> In some ways this thread reminds me of one we had going a year or so

> ago. The question of why Jack drank? what would have a non alcholic Jack

> been like? did he need to be high to do what he did?, etc keep coming

> back.  They are good questions.

> 

> I think it is important to seperate the questions somewhat.  Without a

> doubt Jack was an alcholic.  But even if he were not I think it is

> impossible to seperate altered states of mind from his work.  Did he

> have to be loaded to have ephiphanies?--probably not in my view.  Did he

> need to be loaded to write?--I would say yes.  All the evidence points

> to the fact that he wrote high--on coffee, grass, benzedrine, inhalers,

> whatever.  He liked to work fast and loose and he loved uppers for

> working--turn the mind loose, lose the stage fright or writer's block or

> whatever. Maybe I'm forgetting important passages or unaware of things I

> haven't read, but I don't remember Jack talking much about being drunk

> as a source of his vision.  He certainly writes about being a drunk, as

> in Big Sur when it breaks your heart to watch him and Lew Welch in the

> grips of their demons.  He talks about wine as liberator and is so proud

> of the way he opened the wine jugs for the 6 Gallery reading, but the

> booze high is not  what he writes about.  Grass, peyote, benzedrine,

> etc--these open the doors of perception for him.  Booze just helped him

> face life.

> 

> I would argue that Jack's drinking was a life problem, not an artistic

> one.  Like most of us who are really aware, he had those wonderful

> ephiphanies.  Can these ephiphanies save you?--maybe, but not

> necessarily.  Depends on what you do after the flash.  I leave

> discussions of the effect of alcholism to those who understand it.  I am

> not sure I accept the disease metaphor for this problem, but I'll leave

> that to others.  I don't think it helps to blame the RC church or the

> Eisenhower era or anything else for Jack's inability to put the bottle

> down.  Some people can drink and stop.  Some can't.

> 

> But it is impossible for me to imagine Jack (or practically any Beat

> writer) who didn't depend partly on the inspiration that came from

> drugs.  Can't imagine my own mind without acknowledging what drugs have

> shown me either.  I suspect that is true of most of us who are drawn to

> these writers.

> 

> I live for  ephipanies too.  But I don't count on them to "save" me.

> Joyce is preoccupied with that experience too, and tho not a drunk

> doesn't come across as a poster boy for mental health.

> 

> Just a slant from the not particularly clean and sober perspective.

> 

> J Stauffer

 

James,

 

I have to say I understand and agree with most everything you said.  Most

of us that have a realy affinity for beat literature do so because in

many personal ways we identify with what they were/are writing about.  I

also do not believe that one can separate art from life.  As others have

said in other posts, who would want to know a non-alcoholic Jack?  If you

separate that fact from his writing you are not any longer talking about

the same person.  In the same way you cannot talk about a Burroughs or a

Ginsberg without drugs.  But you also do not have to equate

self-destruction with art or altered states of conscious with

self-destruction.  Maybe that leads to some more questions about how

Ginsberg and Burroughs survived and Kerouac did not.  And questions about

the differences between the influences of Buddhism on Jack and Allen.  In

a way I wish that an epiphany had saved him so that he could have lived

to write more.

 DC

=========================================================================

Date:         Sat, 14 Jun 1997 12:31:26 -0400

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: lurker #254

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

 

> that he had studied Blake as well. Maybe someone will know that hotel.

 

The web site http://www.lexmark.com/data/poem/poem1.html#bbb has

the following Blake poems...

 

 (1757 - 1827) English Poet, Artist, Mystic

          Songs of Innocence and Experience (46 poems) (BB)

          The Tiger "...In what distant deeps or skies Burnt the fire of

thine eyes?"

          A Poison Tree (CK)

          A Divine Image (CK)

          Introduction, from Songs of Innocence

          The Echoing Green "...The sun does descend, And our sports

have an end..."

          Auguries of Innocence "...To see a World in a Grain of Sand

And a Heaven in a

          Wild Flower..."

          Jerusalem

          The Clod and the Pebble

 

This site http://www.lexmark.com/data/poem/poem.html with 2,658 Poems

from 401 Poets adds new poets and poems weekly or so. It is linked to

CELM's Literary Links....

 

http://www.buchenroth.com/magazine.html

 

Thnaks

=========================================================================

Date:         Sat, 14 Jun 1997 12:55:57 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Fwd: American Haikus

 

---------------------

Forwarded message:

Subj:    Re: American Haikus

Date:    97-06-14 12:55:48 EDT

From:    Marioka7

To:      sfeustl@uoft02.utoledo.edu

 

In a message dated 97-06-14 09:08:26 EDT, you write:

 

<< 

 Oh. Sorry. I guess I forgot my Midol. Yesterday was a looonnnnggggg day, so

 pardon the bitchiness.:) I really am a nice person. No, really. *smile*

--Sara

 

 

 At 07:50 PM 6/13/97 -0700, Malcolm Lawrence wrote:

 >>I'm a GODDESS, Malcs. A total babe, but with a brain. I'm not the one who

 >>said the fuckin' "sexist remark" either. Jesus. Laugh a little. --Sara

 >

 >I wasn't implying that you were. I was just noticing that my remark was

 >applicable again to the person who chimed in, therefore I was referring to

 >her, not you. >>

 

look, I made the "sexist remark" i admit it.  So hang me.  It was just a

joke, who could possibly give a rat's ass what Kerouak looked like, i can't

believe that offended someone.  I think Malcs needs to take a big, fat,

extra-strength chill pill and not take such things so seriously.  What's the

harm in noticing that someone's a looker? It's not like it makes me think

more highly of them.  It's just a fact.  Is he so saintly that he doesn't

notice a beautiful woman or a fine man or whatever he's into when they walk

by on the street?  Does it mean he thinks they're better than others? I hope

not.  And i resent being accused of such superficiality.  I hate this goddam

country where everyone is supposed to be exactly the same to the point that

differences between people are a taboo subject.  If I notice that someone's

pretty or has a big scar or is Asian I cannot make any reference to it in

anything I say or do.  But THEY know it.

 

I just wanna say one thing:  GET REAL.  Why ignore the truth when it's in

your face?

The truth is, everyone is different.  Some people suck, some are really cool.

 Some have brown hair, red hair, or blond hair.  Some have

darker/lighter/frecklier skin than others.  Variety is the spice of life. Why

pretend it doesn't exist?  I have the ability to love any kind of person, as

long as they're basically sweet inside.  So what's my crime?

-------------------------------love and peace and beauty---------maya

=========================================================================

Date:         Sat, 14 Jun 1997 12:56:49 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: haikus and sexism?

 

In a message dated 97-06-14 09:08:26 EDT, you write:

 

<< 

 Oh. Sorry. I guess I forgot my Midol. Yesterday was a looonnnnggggg day, so

 pardon the bitchiness.:) I really am a nice person. No, really. *smile*

--Sara

 

 

 At 07:50 PM 6/13/97 -0700, Malcolm Lawrence wrote:

 >>I'm a GODDESS, Malcs. A total babe, but with a brain. I'm not the one who

 >>said the fuckin' "sexist remark" either. Jesus. Laugh a little. --Sara

 >

 >I wasn't implying that you were. I was just noticing that my remark was

 >applicable again to the person who chimed in, therefore I was referring to

 >her, not you. >>

 

look, I made the "sexist remark" i admit it.  So hang me.  It was just a

joke, who could possibly give a rat's ass what Kerouak looked like, i can't

believe that offended someone.  I think Malcs needs to take a big, fat,

extra-strength chill pill and not take such things so seriously.  What's the

harm in noticing that someone's a looker? It's not like it makes me think

more highly of them.  It's just a fact.  Is he so saintly that he doesn't

notice a beautiful woman or a fine man or whatever he's into when they walk

by on the street?  Does it mean he thinks they're better than others? I hope

not.  And i resent being accused of such superficiality.  I hate this goddam

country where everyone is supposed to be exactly the same to the point that

differences between people are a taboo subject.  If I notice that someone's

pretty or has a big scar or is Asian I cannot make any reference to it in

anything I say or do.  But THEY know it.

 

I just wanna say one thing:  GET REAL.  Why ignore the truth when it's in

your face?

The truth is, everyone is different.  Some people suck, some are really cool.

 Some have brown hair, red hair, or blond hair.  Some have

darker/lighter/frecklier skin than others.  Variety is the spice of life. Why

pretend it doesn't exist?  I have the ability to love any kind of person, as

long as they're basically sweet inside.  So what's my crime?

-------------------------------love and peace and beauty---------maya

=========================================================================

Date:         Sat, 14 Jun 1997 13:05:05 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Haikus n' sexism (?!)

MIME-version: 1.0

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>Date: Sat, 14 Jun 1997 13:01:48 -0400

>To: Marioka7@aol.com

>From: Sara Feustle <sfeustl@uoft02.utoledo.edu>

>Subject: Damn straight!

>In-Reply-To: <970614125508_1044806683@emout11.mail.aol.com>

> 

>I totally agree. I was disappointed to find political-correctness on this

list. Hell yeah, Kerouac was gorgeous, everybody notices that, so what the

fuck's wrong with pointing it out, ya' know? People need to get a sense of

humor!!! You'd think that being a fan of Beat poetry would pretty much mean

that anyone on this list would have to have a good sense of humor, but I

guess not.... --Sara

> 

> 

>At 12:55 PM 6/14/97 -0400, you wrote:

>>In a message dated 97-06-14 09:08:26 EDT, you write:

>> 

>><< 

>> Oh. Sorry. I guess I forgot my Midol. Yesterday was a looonnnnggggg day, so

>> pardon the bitchiness.:) I really am a nice person. No, really. *smile*

>>--Sara

>> 

>> 

>> At 07:50 PM 6/13/97 -0700, Malcolm Lawrence wrote:

>> >>I'm a GODDESS, Malcs. A total babe, but with a brain. I'm not the one who

>> >>said the fuckin' "sexist remark" either. Jesus. Laugh a little. --Sara

>> >

>> >I wasn't implying that you were. I was just noticing that my remark was

>> >applicable again to the person who chimed in, therefore I was referring to

>> >her, not you. >>

>> 

>>look, I made the "sexist remark" i admit it.  So hang me.  It was just a

>>joke, who could possibly give a rat's ass what Kerouak looked like, i can't

>>believe that offended someone.  I think Malcs needs to take a big, fat,

>>extra-strength chill pill and not take such things so seriously.  What's the

>>harm in noticing that someone's a looker? It's not like it makes me think

>>more highly of them.  It's just a fact.  Is he so saintly that he doesn't

>>notice a beautiful woman or a fine man or whatever he's into when they walk

>>by on the street?  Does it mean he thinks they're better than others? I hope

>>not.  And i resent being accused of such superficiality.  I hate this goddam

>>country where everyone is supposed to be exactly the same to the point that

>>differences between people are a taboo subject.  If I notice that someone's

>>pretty or has a big scar or is Asian I cannot make any reference to it in

>>anything I say or do.  But THEY know it.

>> 

>>I just wanna say one thing:  GET REAL.  Why ignore the truth when it's in

>>your face?

>>The truth is, everyone is different.  Some people suck, some are really

cool.

>> Some have brown hair, red hair, or blond hair.  Some have

>>darker/lighter/frecklier skin than others.  Variety is the spice of life.

Why

>>pretend it doesn't exist?  I have the ability to love any kind of person, as

>>long as they're basically sweet inside.  So what's my crime?

>>-------------------------------love and peace and beauty---------maya

>> 

=========================================================================

Date:         Sat, 14 Jun 1997 13:11:42 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Non-Alcoholic Jack

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

I think that as far as Kerouac, Ginsberg AND Burroughs are concerned, the

genius would have been there with or without the drugs/alcohol. The

intelligence, talent and sensitivity of those three men are not something

that can be gotten by simply getting fucked up . As a former alcoholic, I

just used alcohol to escape; life and stuff inspired me to write whether I

was drunk or not. --Sara

=========================================================================

Date:         Sat, 14 Jun 1997 13:17:05 +0000

Reply-To:     bocelts@POPMAIL.SCSN.NET

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <bocelts@popmail.scsn.net>

From:         bocelts@POPMAIL.SCSN.NET

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Hal Norse

Comments: To: CVEditions@AOL.COM

In-Reply-To:  <970613232229_845106735@emout09.mail.aol.com>

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

Charles:

 

I spent the day with Hal Norse yesterday.  He said to tell you hello

and that a real shit stole the good shit.  I may have found him a law

firm to take that case.  (Someone stole many of his unpublished

manuscripts.)  I told him about the Beat-L and he is interested in

the list .  He is going to have a friend set him up, if he can.  His

health is not good and had bypass surgury.

 

He told me of the first time he saw Ginsburg, Tennesse Williams,

meeting James Baldwin andother storieds.  When I get back home and

can reflect on it all, I will make a post to tell the story.

 

I went to Berkeley and rode there and back with the ghost of Jack

Kerouac.  He was in a good mood and the ghost does not drink so his

health has actually improved now that he is dead and his depression

has been resolved.  I got to see some of the original letters to L.F.

Both the librarian and Norse confirmed that Gerry's position on the

use of the archives is correct.  Norse told me that Gerry has made

some "powerful" enemies because of the positions he has taken and for

helping Jan.

 

It has been very interesting indeed.

 

When I went to St. Peter and St Paul, I lit a candle for Jack, Ma

Mere, Neil and Allen.  It is a very spiritual church.  I could feel

the power of the mystical self quite clearly there.  I am not sure

that Allen cared, but Jack and Ma Mere were happy for the candles, so

I said a prayer for all of us then.

 

Peace,

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 14 Jun 1997 11:07:50 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: lurker #254

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=========================================================================

Date:         Sat, 14 Jun 1997 14:08:12 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Kerouac: The meaning of life?

 

In a message dated 97-06-14 08:44:37 EDT, lsackma@UOFT02.UTOLEDO.EDU (Leitha

Sackmann) writes:

 

<<  I would bet that the narrator in every novel written by Jack

 has some kind of an epiphany during some course of the book.  ....

...  he was always searching for The End, always searching for meaning in a

world that seems so devoid of it at times.  He was always thinking of

something bigger,

 something universal. >>

 

Kerouac, and most religions, are trying to answer "Why are we here" or "What

is the meaning of Life". And the search for these answers leads different

people to different paths. For Kerouac, it led him to the road.

 

My personal belief is that there is no purpose to life, and if you can come

to accept that gracefully, you can still have a relatively happy (or content)

life realizing that you should get the most out of it during this one and

only go-around.

 

I think that Kerouac's conflict occurs because he was raised to have a strong

belief in the greater sanctity of life and heaven (Kerouac's catholocism),

but as he went through life he was bluntly reminded that a) sanctity of life

is not universally practiced and b) this may be the one and only roadtrip and

damn, he may have made some wrong turns. The idea of no afterlife can be a

depressing thought. Many times it is what helps us get through this life,

thinking the next one surely has to be better.

 

Conflict of this issue is resolved in many different ways. Some people

continue to have blind belief (sometimes called faith), others try to find

some inbetween position (zen?), and some take to drink. I think Kerouac's

drinking came from maintaining outwardly that he had faith in his religion

and the belief of an afterlife etc, but internally realizing that this might

not be the case and never being able to come face to face with that.

 

always enjoy, Attila

=========================================================================

Date:         Sat, 14 Jun 1997 11:59:40 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Kerouac: The meaning of life?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>My personal belief is that there is no purpose to life, and if you can come

>to accept that gracefully, you can still have a relatively happy (or content)

>life realizing that you should get the most out of it during this one and

>only go-around.

> 

 

This reminds me of that old beer commercial (you only go around once in

life, so to get all the gusto out of it drink this beer).

 

But, more seriously, and only peripherally beat related, if there is no

meaning to life (I'm not sying there is or isn't), but assuming there isn't

what is wrong with what the Nazis did or with what McVeigh was convicted of

doing?

=========================================================================

Date:         Sat, 14 Jun 1997 15:54:46 -0400

Reply-To:     corduroy@earthlink.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         corduroy <corduroy@EARTHLINK.NET>

Organization: http://www.levity.com/corduroy

Subject:      Nicole Blackman + Neal Cassady + Levi Asher

Comments: To: "Paul McDonald, TeleReference LA, Main Info Services"

          <PAUL@louisville.lib.ky.us>

Comments: cc: The Bohemian Ink <BOHEMIAN@MAELSTROM.STJOHNS.EDU>,

          Bil Brown <bil@orca.sitesonthe.net>,

          Ron Whitehead <rwhitebone@HOTMAIL.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Paul McDonald, TeleReference LA, Main Info Services wrote:

 

> Here is the interview.  It is not published anywhere, so you are the

> first and only.  I'll be looking for it and will let Nicole know when its up.

> If she hasn't seen yr site yet, she needs to.

 

Thanks much for this interview! It is heading up the newest version of

the Ink,

along with a bit about a new film that is based on a letter to Kerouac

from

Cassady, and an announcement on a book Levi Asher co-edited on virtual

writings.

 

This is the first time in a very long time I've been able to dig up any

respectful

literary news, so very very happy to helped me out with this one.

 

                                                (cR)

 

--

 

__________

.........|   Bohemian Ink: http://www.levity.com/corduroy

.o..o..o.|

.........|              christopher d. ritter

--------.|            - corduroy@earthlink.net -

 ==|_|  ||

==[===] || "There is a struggle going on for the minds of

  |___| ||  American people. Every form of expression is

--------.|  subject to the attack of reaction. This attack

..KRUPS..|  comes in the shape of silence, persecution,

.........|  and censorship: three names for fear."

 ========                             - Circle, 1948 -

=========================================================================

Date:         Sat, 14 Jun 1997 16:24:05 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: Oz and Moon (non-Beat)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I have heard of this too.  My brother and a few of his friends came over

the other evening with a copy of OZ.  They were waiting for another friend

to show up with a copy of Dark Side of the Moon.  Unfortunately, he never

showed up.  But, my brother has heard that this in fact does work.

 

At 11:36 PM 6/13/97 -0500, you wrote:

>David-

>Thought you might find this interesting.  Bob sent it to me.

>Apparently,

>if you start Dark Side of the Moon at the right moment on a video tape

>of

>The Wizard of Oz, the music and the movie match perfectly.  Have you

>heard

>of this?

>> 

>> http://homepage.usr.com/g/gocheese/48613.shtml

> 

> 

                          Greg Elwell

            elwellg@voicenet.com||elwellgr@hotmail.com

                <http://www.voicenet.com/~elwellg>

 

------------------------------------------------------

=========================================================================

Date:         Sat, 14 Jun 1997 17:42:34 -0400

Reply-To:     Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leitha Sackmann <lsackma@UOFT02.UTOLEDO.EDU>

Subject:      Goodbye

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

Well, I'm off on a big adventure.  Heading to Alaska in a beat-up '72 Dodge

Motor Home with five very different but all very bright people.  Hopefully,

we'll get our share of epiphanies on that great and wonderful road.  I hope

you all take care, and if anyone of you are in Sitka, AK this summer look

for the kid with long hair wearing a beat-l t-shirt.  Should be a rather

"beat" experience--it was last year.

        take care all,

                I'll see you in August.

 

                                matt

 

 

*****************************************************************

 

"To believe in god

 is to have the great faith

 that somewhere, someone

 is not stupid."

 

        From a little kids' book: _To Believe in god_ by Joseph Pintauro

*****************************************************************

=========================================================================

Date:         Sat, 14 Jun 1997 23:50:20 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beat generation.(Kerouac's catholocism)

In-Reply-To:  <970614140811_-328451480@emout10.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Attila Gyenis writes:

>>>>I think that Kerouac's conflict occurs because he was raised to have a

strong

>belief in the greater sanctity of life and heaven (Kerouac's catholocism),

>but as he went through life he was bluntly reminded that a) sanctity of life

>is not universally practiced and b) this may be the one and only roadtrip and

>damn, he may have made some wrong turns. The idea of no afterlife can be a

>depressing thought. Many times it is what helps us get through this life,

>thinking the next one surely has to be better.<<<<

>always enjoy, Attila

> 

DEAR friends & Attila,

as i'm roman catholic by family tradition (here in italy)

i reminded u that for catholics there's really a survival of our body

after death & at the right time we will recover OUR BODY not

only spirit. this faith is popularized in such B-Movie horror cultish

likes "the night of the living deads" (1968) in term of fear & angst,

but perhaps the real thing is that WE COME BACK to EARTH as man &

woman as we are NOW, that's the real force of catholic life, if,

of course a (wo)man believes.

Jack Kerouac highlighted in 1958 (lamb, not lion) the Beat Generation

isn't without roots, beat isn't tough. beat doesn't mean tired or

being beaten. &JK see himself alive in year 2000...

Jack Kerouac used the word "beato" (written in italian) for beatific

condition as San Francesco, trying to love all in the life.

unluckly 10 years after (circa) JK will die, but i don't think

his catholicism caused "dark" term of his life,

 

love&happiness,

yrs

Rinaldo. * a beet *

=========================================================================

Date:         Sat, 14 Jun 1997 20:23:27 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Hal Norse

 

Bentz:

Sorry to hear about Hal's surgery.  He had that great manuscript about W. H.

Auden. I saw part of it published. The part about the giant rapist. I knew he

had a manuscript he wanted published. I thought he had found a publisher. I'm

sorry Pam has gone out of business, mainly due to distribution and funding

problems.

Charles

 

=========================================================================

Date:         Sat, 14 Jun 1997 20:33:46 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: lurker #254

 

DC:

Allen has recited some of Pound's greatest lines to me which indicates

certainly that aesthetic form (and you have to equate Pound with that) can

also be memorable words.

Charles Plymell

=========================================================================

Date:         Sat, 14 Jun 1997 21:08:30 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Stories

 

In a message dated 97-06-14 05:00:50 EDT, you write:

 

<< When you wrote "the last time I saw Neal and loaned him a fiver..." >>

Pam and I were in a sleazy hotel in North Beach when Neal and my old friend

from Kansas had commandeered someone's VW ran upstairs pounding on our door

both I assume on speed, hallucinogens, pot, etc. Both had bandannas tied

around their heads probably to keep everything in and Neal wanted $5 for gas

to go down to Palo Alto to a hell's angels' party. He looked at me with those

sad loyal pitiful eyes and assured me that he would pay me back, not that it

made any difference to me. I had just gone down to the Calif Dept of Motor

Vehicles to help him get his driver's license which he was all paranoid

about. My friend Glenn Todd still has Neal's license. Anyway they were both

crazy driver and were arguing with each other about who was going to drive

the VW bug. They wanted us to cram in there with them and the girl who owned

the VW. We of course knew better.

BTW Glenn Todd has just found an old manuscript he dug from someone's box of

things he kept (he won't say whose). It is 65 pages. I'm trying to persuade

him to publish it somewhere somehow. It is a chronicle of the party I had on

Gough street where he was living with me and Dave Haselwood of the Auerhahn

Press before Neal and Allen had moved in. Roxie arrived also that night from

Europe. The manuscript is important because the party was just prior to the

Haight Ashbury scene breaking out. Allen had just come from India. He brought

to my party Ferlinghetti and Whalen. Daniel Moore and his wife arrived.

Michael McClure and his wife arrived. The description of the party gives the

reader a snapshot of what was happening with the Sandoz vials of LSD and the

Cheracol bottles as candle holders on the fireplace mantel. It gives a good

description of Phil Whalen dancing to many different kinds of music and it

was in an historic pad. Described in this little description from his

writing:

"Nervous, hung-up ghosts flit from room to room. Remnants of meth electrify

the air, mists of marijuana have cooled its rafters; immobility of junk has

settled in its corners, sometimes so thick you could heat it in a spoon.  It

has an immediate history which stretches back into the great Beat days of the

fifties when Allen Ginsberg, Peter Orlovsky, and Robert LaVigne lived there,

and a vague legend that reaches back to the forties, and even the thirties,

lurching in gaps toward the present in intertwining and overlapping plots."

"On the wall above her round kitchen table Nina has tacked a sign carefully

lettered in orange crayold: I AM RESPONSIBLE.  Across the room another sign

proclaims: LSD DID, to which someone has added, NOT; which someone else

extended, HING; a final flourish completes the sign with A LOT. 'LSD id

nothing a lot."  Glenn said: "Everyone has a Gough Street story."

This is one of his. Neal returned to Nina's room just before he went to

Mexico. It is also important to note the terminology of the time. The term

"acid" had not been coined and one can see by that little crayon note how

easy it would be to slip into Eastern mysticism.  That was part of my point

about reciting T.S. Eliot to my students who might not have the existential

motif entwined in the consciousness. It would be similar to use some of the

Taoist texts or Jim Morrison's poetry, or Blake, or Rimbaud to reveal the

conciousness that was going to happen in the Haight. I have assumed that

these motives are not always enterwined throughout each generation's

conciousness.No big deal about who's fucking poems one can recite.

Charles Plymell

=========================================================================

Date:         Sat, 14 Jun 1997 19:45:39 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: lurker #254

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote in response to C. Plymell and Lurker #254

> 

> When I was in college, which was 20 years ago, I read a lot of Blake.  I

> have books with tons of notations in the margins, but while I remember

> the way Blake wrote, I could not for the life of me recall lines of a

> single poem.

 

Diane, I cannot believe that you guys can't at least remember some of

the poems of Innocence and Experience.  "Tyger Tyger burning bright"

"Ah Sunflower weary or Time", etc.  Some of Blake's things do get

awfully complicated and arcane, but the Songs are as simple as poetry

gets, and obsessed with the visionary, which was why they so drew

Ginsberg.

 

  The same with T.S. Eliot, I remember how he wrote, and if

> you recited poems to me, either Prufrock or something from The Wasteland,

> I would recognize it.  . . .

 

 Eliot was too bound up with form and

> thinking "poetically."  And, lurker #254, it's time to defend your

> stance, that "TS Eliot is a much better poet."  You can't just put that

> sentence out there without the "why."  We're waiting.

> DC

 

Not the lurker, but I'd agree with him and Charles here.  Much as I love

Allen, he is not in TSE's class as a writer or truly unforgettable

things.  I think he had an awful influence on modern poetry, but "Love

Song", "The Waste Land" and "Four Quartets" are pretty damn

wonderful--even if they may not have been nearly so good without Pounds

help.  And what's wrong with a poet being obsessed with "form" and being

"poetic"?  Seems to me that this is what poetry is about?

 

And thank you Diane for posting things that are interesting enough to

argue with.

 

J Stauffer.

=========================================================================

Date:         Sat, 14 Jun 1997 23:04:22 +0200

Reply-To:     Jean.ORY@hol.fr

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jean ORY <Jean.ORY@HOL.FR>

Organization: ORY Jean

Subject:      Re: Epiphany in kerouac

MIME-Version: 1.0

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That is a question I asked to myself:

Why Kerouac - Buddhism - Booze?

 

First point - even a Buddhist master can be an alcoholic!

Chogyam Trungpa got a car crash in England because he was drunk. he went

straight on to a wall instead of following the curve of the road.

The sixteenth Karmapa told him to go for a one year retreat to come down

a little from his habit.

Namkay Norbu, recognized as a Dzogchen master, is known as a heavy

drinker and was advised by the doctors to stop because it was damaging

his health.

Taisen Deshimaru, the Zen master who brought Soto Zen in Europe was a

cognac lover and a heavy nicotine smoker.

 

Second point is that Jack Kerouac, thought "Natural Buddhist" didn't

have any guru who really taught him how to meditate.

 

Third point: I agree with that Catholic guilty feeling which should have

been eradicated through receiving Buddhist teachings from a competent

teacher and through correct meditation.

 

I think that Ginsberg had led a positive end of life because he met

Choghyam Trungpa and learn from him what really was meditation and so

how to get from meditation what people used to get from drinking alcohol

or from taking any mind changing drug.

 

About Ti Jean : *Ti* is the phonetic contraction of  *petit* which means

small.

*Ti* is the Canadian phonetic way to say "petit".

Hi to the Canadians of the list!

 

A question: Was there any meeting between Shunryu Suzuki, author of "Zen

Mind, beginner's mind" who was teaching from the beginnings of the

sixties Soto Zen in San Francisco and the Beat Generation Authors?

I read that Shunryu Suzuki made a lecture at the last be in concert in

the sixties along with Lawrence Ferlinghetti and the Grateful Dead

 

What's about Alan Watts and the Beats?

 

Just an information for fun!

 

Beginning of the sixties I was a regular visitor of the Shakespeare and

CO bookshop in Paris where they were many beat vibes, many people from

everywhere coming and going.

I been living in Tangier for one year between 1965 and 1966.

I was bookshop assistant at the Librairie de Colonnes, boulevard

Pasteur.

I went to Tangier, because the grass and because Howl and because the

Naked lunch.

One day in spring 1966 I saw William Burroughs come in the bookshop.

I was so paralyzed that I even couldn't ask him for an autograph.

Paul Bowles used to come often to the bookshop as many other Tangier

people who were painters, writers, etc.

I went back in 1967 for holidays.

I never went back then, because I had so many good memories, I met so

many beautiful and brilliant people reading the I Ching and "The Tibetan

Book of the Dead, a psychedelic experience" and many of them died or

went away.

Took my first trip there.

 

I experienced "I saw the best minds of my generation....."  with a

broken heart.

 

All things must pass..........

 

Jean

 

Enlarging my ears to listen to the sound of one palm of a hand for

myself and for them.

=========================================================================

Date:         Sun, 15 Jun 1997 02:47:10 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: epiphany in Kerouac

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33A2FF14.5625@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 14 Jun 1997, Diane Carter wrote:

 

> I have to say I understand and agree with most everything you said.  Most

to...

> Ginsberg without drugs.  But you also do not have to equate

> self-destruction with art or altered states of conscious with

> self-destruction.  Maybe that leads to some more questions about how

 

For the first "self-destruction" substitute self-immolation.  And art is

only art only an attempt to communicate the ineffable.  Only.  Life is

learning.  I would say "drugs" [and god DAMN! the gov't for making me do

that] are a necessity.  It's the by-roads that illuminate.

 

> Ginsberg and Burroughs survived and Kerouac did not.  And questions about

> the differences between the influences of Buddhism on Jack and Allen.  In

> a way I wish that an epiphany had saved him so that he could have lived

> to write more.

 

Lordy Lordy.  I tell YOU!  I could not live in the same extHistance

plane as a saved Jack Kerouac.  I been saved.  Forget it, there's no

interest accruing .  I don't think it was ever a matter of how much, for

Jack.

=========================================================================

Date:         Sun, 15 Jun 1997 02:51:38 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: haikus and sexism?

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970614125648_318395933@emout01.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 14 Jun 1997, Maya Gorton wrote:

 

> look, I made the "sexist remark" i admit it.  So hang me.  It was just a

> joke, who could possibly give a rat's ass what Kerouak looked like, i can't

> believe that offended someone.  I think Malcs needs to take a big, fat,

> extra-strength chill pill and not take such things so seriously.  What's the

> harm in noticing that someone's a looker? It's not like it makes me think

> more highly of them.  It's just a fact.  Is he so saintly that he doesn't

> notice a beautiful woman or a fine man or whatever he's into when they walk

> by on the street?  Does it mean he thinks they're better than others? I hope

> not.  And i resent being accused of such superficiality.  I hate this goddam

> country where everyone is supposed to be exactly the same to the point that

> differences between people are a taboo subject.  If I notice that someone's

> pretty or has a big scar or is Asian I cannot make any reference to it in

> anything I say or do.  But THEY know it.

> 

> I just wanna say one thing:  GET REAL.  Why ignore the truth when it's in

> your face?

> The truth is, everyone is different.  Some people suck, some are really cool.

>  Some have brown hair, red hair, or blond hair.  Some have

> darker/lighter/frecklier skin than others.  Variety is the spice of life. Why

> pretend it doesn't exist?  I have the ability to love any kind of person, as

> long as they're basically sweet inside.  So what's my crime?

> -------------------------------love and peace and beauty---------maya

> 

 

Hey nice tirade.  Your crime is that you're honest.  Could we plan a

hanging soon?

 

[i echoed that because i like what she says]

=========================================================================

Date:         Sun, 15 Jun 1997 03:10:41 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Beat generation.(Kerouac's catholocism)

Comments: To: Rinaldo Rasa <rinaldo@GPNET.IT>

In-Reply-To:  <3.0.1.32.19970614235020.00d6fe8c@pop.gpnet.it>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 14 Jun 1997, Rinaldo Rasa wrote:

 

> unluckly 10 years after (circa) JK will die, but i don't think

> his catholicism caused "dark" term of his life,

 

rinaldo rinaldo rinaldo.... he was guilty.  we all are guilty.  from

birth.  jack wanted not salvation, but elevation.  but he was guilty.

it's so hard.  he broke free and showed us it... every so often.  give

thanks.

=========================================================================

Date:         Sun, 15 Jun 1997 07:46:11 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Epiphany in kerouac

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Jean ORY wrote:

> 

> Second point is that Jack Kerouac, thought "Natural Buddhist" didn't

> have any guru who really taught him how to meditate.

> 

So you would see the Marin-An mediation period as an unsucessful lesson?

 

> Third point: I agree with that Catholic guilty feeling which should have

> been eradicated through receiving Buddhist teachings from a competent

> teacher and through correct meditation.

 . . .

> A question: Was there any meeting between Shunryu Suzuki, author of "Zen

> Mind, beginner's mind" who was teaching from the beginnings of the

> sixties Soto Zen in San Francisco and the Beat Generation Authors?

> I read that Shunryu Suzuki made a lecture at the last be in concert in

> the sixties along with Lawrence Ferlinghetti and the Grateful Dead

> 

> What's about Alan Watts and the Beats?

> 

It would be nice to get Nicosia to answer what documented contacts there

are.  Kerouac had to be aware of those people as he moved in Buddhist

circles with Kerouac and with East/West house people such as Lew Welch,

Joanne Kyger, Lorraine Kandel, Tom Field, etc. Watts was a huge presence

in SF in those years and Rexroth was also very knowledgable in Buddhist

matters. All I really know about Jack's meditative practice is what you

get in Dharma Bumms and Desolation Angels.  Would like to hear more

facts about his contacts from the biographical experts.  But it is

interesting that what worked for say Snyder and Kyger, worked only

partially for Lew and Jack.  Whatever they learned sitting and Marin-An

the bottle was still too much for both of them.  And of course it is

rather judgmental to say that Jack and Lew failed.  Their lives were

short, and not particularly happy, but they left great work behind. All

lives are different. Of course Snyder, Kyger and Whalen followed up this

time with intense work in Japan.

 

Thanks for a very interesting post.  Enjoyed your Tangiers

recollections.

 

J Stauffer

=========================================================================

Date:         Sun, 15 Jun 1997 09:59:53 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Kerouac: The meaning of life?

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                                        June 15, 1997

Attila Gyensis writes:

> 

>Conflict of this issue is resolved in many different ways. Some people

>continue to have blind belief (sometimes called faith), others try to find

>some inbetween position (zen?), and some take to drink. I think Kerouac's

>drinking came from maintaining outwardly that he had faith in his religion

>and the belief of an afterlife etc, but internally realizing that this might

>not be the case and never being able to come face to face with that.

> 

>always enjoy, Attila

> 

 

Dear Attila:

        You trivialize Jack Kerouac's faith and spiritual seeking in a not

very kind manner.  Michael McClure considers MEXICO CITY BLUES the most

profound spiritual poem of the 20th century, and I see the Kerouac's oeuvre

as certainly one of the most profound spiritual searches in this century--a

modern equivalent of St. Thomas Aquinas or St. John of the Cross, or perhaps

a closer analogy would be some more unconventional seekers such as

Kierkegaard and Jacob Boehme.

        I don't think Jack "drank because of doubt," as you imply.  Early

on, Jack wrote to John Holmes, "Life is drenched in spirit; it rains

spirit..." and I don't think Jack ever lost that belief at all.  His

kindness, which came from a deep sense of God's love, was manifested even at

the end, when he told Stella "I love you" just before they took him to the

hospital--despite the fact that they had been having the bitterest fights

before then.  That was an act of pure, selfless compassion--whether

"Buddhist" or "Christian" hardly matters, and would be an arbitrary

distinction anyway.

        Jack could not bear to witness human suffering; in fact, any

suffering in this world took an enormous emotional toll on him.  He had a

tremendous sensitivity, a child's sensitivity, but unlike most grown people,

that sensitivity was not dulled or calloused over for self-protection.  He

was a walking open wound, an exceptionally vulnerable person, who was stung

to the quick even by bad reviews written by stupid, incompetent reviewers

(at one point he asked Matsumi Kanemitsu to read him those reviews over the

phone, because he could no longer bear to read them himself).

        The knowledge that "we're all going to die" was why he wrote, he

said, and it was the hardest knowledge of all for him to bear.  Ginsberg

shared this with Jack.  The very mention of death would send cold shivers

through Ginsberg--I witnessed this a couple of times.  They both FELT the

pain of man's mortality far more than most of the people walking this earth.

To stay alive and keep feeling that deeply, Jack had to drink.  For Allen,

sex, fame, and crazy antics worked for a while; at the end, Tibetan Buddhism

helped Allen keep his balance, but he was still--in my view--far too

dependent on the adulation of thousands to help him bear that pain.

        That is not to fault Allen, any more than I can fault Jack for his

drinking.  I'm not here to judge either of them; and certainly the

sensitivity to the human condition they shared, and the spiritual

exploration they did for all of us, is something for which to be very

grateful.

=========================================================================

Date:         Sun, 15 Jun 1997 14:38:18 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      drugs and epiphany

 

I see a lot of evidence of marijuana-like sensations in Jack (and Ginsberg's)

work.  You know, that feeling when looking at an ordinary object, "Wow I

never saw it that way before!  Now i suddenly understand!"

But who's to say it's because of drugs?  The thing about the sixties is that

now, 30 years later, we take those kind of micro- and macro-perceptions for

granted more than we used to.  But they've always been there in books and

art.

 

(as for kerouac and alcohol...it's not easier to write when you're F***ed up,

even though it does make you more relaxed, it's a psychological crutch that

keeps you from investing all of yourself in your work because you're afraid

and not confident in your ability as an artist) (i had similar experience

with painting and other substance)

 

Before i ever smoked pot,  I already saw things that way.  If you are a

writer or painter you naturally see things that way.  You can stare at an

object and loose all sense of time and just trip out on it, that's how you

study things and decide how you want to represent them.  That's just how you

really SEE them.

 

So there's only a limited amount of ways of perception that drugs can show

you.  This applies to all kinds.  Trust me, you name it i've

sniffed/smoked/shot/drunk/inhaled/swallowed it.  Except peyote, but i'm not

in the mood for a hard-core freak-out.  Anyhow, drugs might make you more

aware of a thought-process, but that process was already there in the first

place.  If you use drugs for creative inspiration or whatnot, just think of

how many thought-processes you might be missing, 'cause you can only see the

ones you get from drugs.

 

 It's much better to take the insights you got from knowing how the drug

works on your brain, and when you're sober, make yourself really listen to

your thoughts and perceptions.  It's kind of like meditation of sorts.  Once

you are absolutely aware and conscious of every thought in your head, you

will have a thousand epiphanies at once, and i guarantee you will never run

out of inspiration.

=========================================================================

Date:         Sun, 15 Jun 1997 14:51:48 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: epiphany in Kerouac

 

In a message dated 97-06-14 12:43:55 EDT, you write:

 

<<  Maybe that leads to some more questions about how

 Ginsberg and Burroughs survived and Kerouac did not.   >>

 

I have heard and firmly believe that heroin use over a prolonged period of

time actually slows down the aging process.  Hence the long life of Burroughs

and Hunke the Junky.  (of course one should avoid OD for this to stand) It

does things to your nervous system (relaxes certain elements and stimulates

others) so that your metabolism changes and time sort of slows down for your

body.  Bodily processes slow down.   It's like a preservative of sorts.

 

----------------just an idea------------------------------maya

=========================================================================

Date:         Sun, 15 Jun 1997 14:58:03 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

 

In a message dated 97-06-14 15:03:13 EDT, you write:

 

<< 

 But, more seriously, and only peripherally beat related, if there is no

 meaning to life (I'm not sying there is or isn't), but assuming there isn't

 what is wrong with what the Nazis did or with what McVeigh was convicted of

 doing? >>

 

Ok, there's no MEANING, but there is a basic belief on my part at least, that

all humans are part of a whole, that the individual is not separate from his

species, and therefore harming another human means harming the species, and

that goes against our basic biological instinct and is therefore translated

into "morally wrong" and we cannot allow it.

=========================================================================

Date:         Sun, 15 Jun 1997 17:05:26 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: epiphany in Kerouac

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> Marioka7@aol.com wrote:

> >

> > In a message dated 97-06-13 14:11:48 EDT, you write:

> >

> > <<

> >  I have often wondered why Jack drank so much if he had actually touched

> >  the wonderfulness of the universe in this way.  Why was he able to write

> >  about such things but not be more positive in living his own life?

> >  Ginsberg went through much darkness but remained positive in living and

> >  in writing.

> >  DC

> >   >>

> > maybe he wasn't as great as some think.  didn't he die at home where he was

> > living with his mom or something?  i used to romanticize tragedy and

> > self-destruction but now i see that it is a sign of weakness.  Probably

> > because i almost self-destructed myself, i see that there's no good in it

 and

> > nothing to admire.

I don't see it so much of a sign of weakness as being stuck in a journey.

The writers we are talking about were disillusioned about themselves to

some extent, disillusioned about America, and at certain times didn't see

much hope in the situation.  Their writings, however, reflect a certain

brightness in the moment, a way to celebrate their own lives and that of

America.  When I went to college, it seemed like everyone pursued

self-destruction, me included, and the idea was that the only way to be

creative, to write or whatever, was to engage the darkest part of the

soul, and from the darkest moments came the best writing.

Thankfully most of us moved out of the idea that to write means to

self-destruct.  That's why I think Ginsberg is such a good

example of what a person can achieve over the course of a

lifetime.  He touched the darkest parts of himself but came

through them.  When I was in college everyone was reading Sylvia Plath

and Ann Sexton, and following their somewhat hopeless paths.  To think

that you have to be self-destructive to be an artist is absurd, but if

you are the one caught in that hopelessness, it doesn't seem so at the

time.

DC

=========================================================================

Date:         Sun, 15 Jun 1997 16:24:47 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: epiphany in Kerouac

Comments: To: Marioka7@AOL.COM

Mime-Version: 1.0

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Is HUNKE still alive?  I haven't heard anything from or about him lately.

 

Thanks.

 

 

At 02:51 PM 6/15/97 -0400, Maya Gorton wrote:

>In a message dated 97-06-14 12:43:55 EDT, you write:

> 

><<  Maybe that leads to some more questions about how

> Ginsberg and Burroughs survived and Kerouac did not.   >>

> 

>I have heard and firmly believe that heroin use over a prolonged period of

>time actually slows down the aging process.  Hence the long life of Burroughs

>and Hunke the Junky.  (of course one should avoid OD for this to stand) It

>does things to your nervous system (relaxes certain elements and stimulates

>others) so that your metabolism changes and time sort of slows down for your

>body.  Bodily processes slow down.   It's like a preservative of sorts.

> 

>----------------just an idea------------------------------maya

> 

> 

Greg Elwell                    elwellg@voicenet.com

=========================================================================

Date:         Sun, 15 Jun 1997 16:22:54 -0400

Reply-To:     ProDuo@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         ProDuo@AOL.COM

Subject:      written creative expression contest

 

Hello, sorry to intrude on your e-mail.  Just wanted to know if you are

interested in an opportunity to win house in Rhinebeck, NY by entering a fee

based contest.  If so, please e-mail us or go to

http://www.wegrew.com/winahouse.  If you can, we'd  love to hear from you.

 Thank you.

=========================================================================

Date:         Sun, 15 Jun 1997 17:24:52 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker #254

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Pamela Beach Plymell wrote:

> 

> DC:

> Allen has recited some of Pound's greatest lines to me which indicates

> certainly that aesthetic form (and you have to equate Pound with that) can

> also be memorable words.

> Charles Plymell

 

I would have to agree that there certainly are memorable words in

aesthetic form and also in what I hesitate to call, but will

call formlessness.  Certainly Pound had a tremendous influence on

Ginsberg as did Blake, and several other great poets.  But I also don't

see why reciting Eliot to students to illuminate existential motifs would

be any more effective than an introduction to the personal

consciousness/freedom, angst/searching of beat writers.

DC

=========================================================================

Date:         Sun, 15 Jun 1997 16:41:08 -0400

Reply-To:     Carl A Biancucci <carl@WORLD.STD.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Carl A Biancucci <carl@WORLD.STD.COM>

Subject:      Heroin as Youth Preserver?

In-Reply-To:  <vines.47J8+Vj+8nA@S1.DRC.COM> from "mARK hEMENWAY" at Mar 13,

              97 09:14:53 am

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While I find it amazing that Burroughs is still with us after

being as heroin user for as long as he was,I must disagee with

the idea that 'the big H' retards aging...

 

I had the pleasure of meeting the late great Johnny Thunders

(guitarist for The New York Dolls) in 1982.

At 30,he had liver spots!

 

Seen a recent picture over the last 5 years (or more)

of Iggy Pop,Marianne Faithful,Keith Richards,Ginger Baker?

These folks,while no longer spring chickens,have looked older

than their years for quite some time;

I don't think it's coincidence that each was/(is?)

a long time H user.

 

I tip my hat to any and all that can kicksmack  AND maintain some semblance

of youth;I just don't believe it's a given.

=========================================================================

Date:         Sun, 15 Jun 1997 17:59:45 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker #254

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>James Stauffer wrote:

> 

> 

> Not the lurker, but I'd agree with him and Charles here.  Much as I love

> Allen, he is not in TSE's class as a writer or truly unforgettable

> things.  I think he had an awful influence on modern poetry, but "Love

> Song", "The Waste Land" and "Four Quartets" are pretty damn

> wonderful--even if they may not have been nearly so good without Pounds

> help.  And what's wrong with a poet being obsessed with "form" and being

> "poetic"?  Seems to me that this is what poetry is about?

> 

> And thank you Diane for posting things that are interesting enough to

> argue with.

> 

> J Stauffer.

 

Ah, but see that is where I think Ginsberg went beyond the poets from

earlier in the century.  Is poetry about being "poetic?" or is it

also about something beyond that?  Eliot wrote wonderful poems, even I

agree with that, even if I can't recite them from memory.  But I think

the argument here goes beyond the personal taste of one poet to

another.  If Eliot had read Howl, would he have thought it was poetic?

Hard to say what dead men think, but I bet not.  Do you think Howl is

poetic?  Do you think Kaddish is poetic?  I do, but not for any of the

same reasons that Eliot is poetic.  Form does not make one poetic.

Inspiration makes one poetic.  All poets are also not visionaries,

doesn't make them bad poets, just poets who are stuck in one plane of

consciousness. Not every poet transends the framework of the time period

in which he/her is writing.  Blake was a visionary.  Whitman was a

visionary.  Ginsberg was a visionary. Each of them was poetic but took

poetry to a level beyond poetic.  I cannot imagine comtemporary poetry

without Ginsberg and the barriors he broke.  I simply cannot see Eliot's

contributions in the same way.

DC

=========================================================================

Date:         Sun, 15 Jun 1997 18:15:35 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Kerouac: The meaning of life?

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Maya Gorton wrote:

> 

> In a message dated 97-06-14 15:03:13 EDT, you write:

> 

> <<

>  But, more seriously, and only peripherally beat related, if there is no

>  meaning to life (I'm not sying there is or isn't), but assuming there isn't

>  what is wrong with what the Nazis did or with what McVeigh was convicted of

>  doing? >>

> 

> Ok, there's no MEANING, but there is a basic belief on my part at least, that

> all humans are part of a whole, that the individual is not separate from his

> species, and therefore harming another human means harming the species, and

> that goes against our basic biological instinct and is therefore translated

> into "morally wrong" and we cannot allow it.

 

If there is truly no meaning to life, there is nothing wrong with what

the Nazis did or with what Timothy McVeigh was convicted of doing.  If

there is no meaning, the universe is random and humans and their acts are

totally random.  There is nothing upon which to base a moral choice.

There is no right and wrong.  In a no meaning scenario, there is nothing

that makes harming another human good or bad.  Biological instinct

would be random.  Nothing would be better or worse than any other

thing.  Humans would exist and die randomly, total cause and effect, no

emotion.

DC

=========================================================================

Date:         Sun, 15 Jun 1997 19:11:05 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

 

In a message dated 97-06-15 18:17:13 EDT, you write:

 

<< 

 Maya Gorton wrote:

 >

 > In a message dated 97-06-14 15:03:13 EDT, you write:

 >

 > <<

 >  But, more seriously, and only peripherally beat related, if there is no

 >  meaning to life (I'm not sying there is or isn't), but assuming there

isn't

 >  what is wrong with what the Nazis did or with what McVeigh was convicted

of

 >  doing? >>

 >

 > Ok, there's no MEANING, but there is a basic belief on my part at least,

that

 > all humans are part of a whole, that the individual is not separate from

his

 > species, and therefore harming another human means harming the species,

and

 > that goes against our basic biological instinct and is therefore

translated

 > into "morally wrong" and we cannot allow it.

 

 If there is truly no meaning to life, there is nothing wrong with what

 the Nazis did or with what Timothy McVeigh was convicted of doing.  If

 there is no meaning, the universe is random and humans and their acts are

 totally random.  There is nothing upon which to base a moral choice.

 There is no right and wrong.  In a no meaning scenario, there is nothing

 that makes harming another human good or bad.  Biological instinct

 would be random.  Nothing would be better or worse than any other

 thing.  Humans would exist and die randomly, total cause and effect, no

 emotion.

 DC

  >>

 

What do you mean by "meaning"? Not sure i understand completely.  You oppose

it to "randomness" and the absence of morality.  But can't there be meaning

in chaos and beyond the polarity of good and bad?

 

I guess what i was saying is that there is no intrinsic Meaning common to all

humans.  Nazis & Mcveigh however, to use your examples, did not commit their

atrocitites in the absence of meaning.  On the contrary, they had a clearer

purpose and vision than most of us, sordid as it was.  If they thought there

was no meaning to life, they probably wouldn't have done what they did.

 

 It is up to each individual to invent a meaning for life.  In the absence of

any meaning whatsoever, we lose the ability to act entirely.  We wouldn't

even eat, just sit and drool on ourselves and rot away.  (I've been there

when absurdity looms).  Even acts of violence need meaning behind them to

occur.

 

So, yes, you're right in that their acts wouldn't be wrong, but I don't think

that they would have done them in the first place if life had no meaning.

=========================================================================

Date:         Sun, 15 Jun 1997 17:29:11 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      lurker speaks

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DC,

        Quoting Alexander Pope:  "True ease in writing comes from art, not

chance/ as those move easiest who have learned to dance"

(Essay on Criticism)  Let's see...you say that TS Eliot is not

memorable?....off the top of my head: "April is the cruellest month/

breeding lilacs out the dead land/ Mixing memory and desire/ stirring

dull roots with spring rain/  Winter kept us warm/ Covering earth in

forgetful snow/ Feeding little life to dried tubers"   An astounding

beginning..... I find myself using Eliot extensively when teaching 20th

C lit..cross referencing during Fitzgerald, the lost generation, Miller,

etc......and I've never really had occasion to cross reference to

Ginsberg...I think that speaks volumes.  I also tend to quote Eliot

when  speaking to people on the topic of despair/hopelessness...in real

life situations....  (more later...kids are fighting...life)

sorry about how I triedto post this earlier...it didn't work obviously

(and I still don't have quite enough time to expound on my ideas of

Pound and Eliot.....hopefully tonight I'll get more than ten minutes at

a stretch)

Barb

=========================================================================

Date:         Sun, 15 Jun 1997 20:56:45 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: Heroin as Youth Preserver?

Comments: To: carl@world.std.com

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At 04:41 PM 6/15/97 -0400, Carl A Biancucci wrote:

>While I find it amazing that Burroughs is still with us after

>being as heroin user for as long as he was,I must disagee with

>the idea that 'the big H' retards aging...

> 

>I had the pleasure of meeting the late great Johnny Thunders

>(guitarist for The New York Dolls) in 1982.

>At 30,he had liver spots!

> 

>Seen a recent picture over the last 5 years (or more)

>of Iggy Pop,Marianne Faithful,Keith Richards,Ginger Baker?

>These folks,while no longer spring chickens,have looked older

>than their years for quite some time;

>I don't think it's coincidence that each was/(is?)

>a long time H user.

> 

>I tip my hat to any and all that can kicksmack  AND maintain some semblance

>of youth;I just don't believe it's a given.

 

To quote Burroughs in JUNKY, he says, "I think I am in better health now as

a result of using junk at intervals than I would be if I had never been an

addict...Most users periodically kick the habit, which involves shrinking

of the organism and replacement of the junk-dependant cells."

 

I'm not sure if this is true and in no way back this up, due to the lack of

knowledge in the science field.  Burroughs goes on to say that if you

continuously shrink cells by continuing to kick the habit, you may perhaps

live to a phenomonal age, because you'll constantly be growing.

 

I DON'T KNOW!  I have seen pictures of some of the people that you've

mentioned, and you're absolutely right.  But then again, Burroughs is still

alive...  It's interesting(I think).

 

 

Greg Elwell                    elwellg@voicenet.com

=========================================================================

Date:         Sun, 15 Jun 1997 21:39:02 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Gerry's post on Kerouac

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Thank you for such a fine post Gerry.  I always felt that Jack drank to

"dull" the pain of his awareness.  His mind took in every little detail

and seemingly forgot nothing.  What a burden to bear!  Last Thursday

while at Bancroft, I was able to review and read some of Jack's letters

to Lawrence Ferlinghetti.  In one he said that he prayed every night for

all living things to enter heaven and that is the work of a man.  I

believe his work shows a "conflict" that would be natural for a devoute

Catholic who realized there was more to spirituality than the man made

church.

 

I appreciate the thoughts and comments Gerry.

 

Peace

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 15 Jun 1997 21:46:35 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: lurker #254

MIME-Version: 1.0

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Diane Carter wrote:

 

> Ah, but see that is where I think Ginsberg went beyond the poets from

> earlier in the century.  Is poetry about being "poetic?" or is it

> also about something beyond that?  Eliot wrote wonderful poems, even I

> 

> agree with that, even if I can't recite them from memory.  But I think

> 

> the argument here goes beyond the personal taste of one poet to

> another.  If Eliot had read Howl, would he have thought it was poetic?

> 

> Hard to say what dead men think, but I bet not.  Do you think Howl is

> poetic?  Do you think Kaddish is poetic?  I do, but not for any of the

> 

> same reasons that Eliot is poetic.  Form does not make one poetic.

> Inspiration makes one poetic.  All poets are also not visionaries,

> doesn't make them bad poets, just poets who are stuck in one plane of

> consciousness. Not every poet transends the framework of the time

> period

> in which he/her is writing.  Blake was a visionary.  Whitman was a

> visionary.  Ginsberg was a visionary. Each of them was poetic but took

> 

> poetry to a level beyond poetic.  I cannot imagine comtemporary poetry

> 

> without Ginsberg and the barriors he broke.  I simply cannot see

> Eliot's

> contributions in the same way.

> DC

 

 

It would seem to me that more than anything, Allen G broke the

stranglehold that the academicians had on poetry and opened the door for

more natural poetry.  During my visit with Norse I asked him about this

and he quoted me Eliot.  He said that Eliot and WSB are much the same in

voice but that Eliot went English and WSB remained American in voice.

He also said that it was no sin that Pound edited Eliot and that he had

edited many of the beats, including Allen and that it was very painful

to Allen.  I am sorry to appear to name drop this, but I asked him as I

wanted to bring it to the list and he gave me permission to pass it

along.  Harold is going to check with some friends to see if they can

help him get on the list.  He said he would like that very much as he

can not get out in public much and has not spoken with Charles and Gerry

in a while.

 

I do not mean to sound melodramatic, but Norse is a giant in a small

body.  I feel a changed person for the six hours I spent with him.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 15 Jun 1997 22:06:45 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: lurker #254

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

MIME-Version: 1.0

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Diane Carter wrote:

 

> >James Stauffer wrote:

> >

> >

> > Not the lurker, but I'd agree with him and Charles here.  Much as I

> love

> > Allen, he is not in TSE's class as a writer or truly unforgettable

> > things.  I think he had an awful influence on modern poetry, but

> "Love

> > Song", "The Waste Land" and "Four Quartets" are pretty damn

> > wonderful--even if they may not have been nearly so good without

> Pounds

> > help.  And what's wrong with a poet being obsessed with "form" and

> being

> > "poetic"?  Seems to me that this is what poetry is about?

> >

> > And thank you Diane for posting things that are interesting enough

> to

> > argue with.

> >

> > J Stauffer.

> 

> Ah, but see that is where I think Ginsberg went beyond the poets from

> earlier in the century.  Is poetry about being "poetic?" or is it

> also about something beyond that?  Eliot wrote wonderful poems, even I

> 

> agree with that, even if I can't recite them from memory.  But I think

> 

> the argument here goes beyond the personal taste of one poet to

> another.  If Eliot had read Howl, would he have thought it was poetic?

> 

> Hard to say what dead men think, but I bet not.  Do you think Howl is

> poetic?  Do you think Kaddish is poetic?  I do, but not for any of the

> 

> same reasons that Eliot is poetic.  Form does not make one poetic.

> Inspiration makes one poetic.  All poets are also not visionaries,

> doesn't make them bad poets, just poets who are stuck in one plane of

> consciousness. Not every poet transends the framework of the time

> period

> in which he/her is writing.  Blake was a visionary.  Whitman was a

> visionary.  Ginsberg was a visionary. Each of them was poetic but took

> 

> poetry to a level beyond poetic.  I cannot imagine comtemporary poetry

> 

> without Ginsberg and the barriors he broke.  I simply cannot see

> Eliot's

> contributions in the same way.

> DC

 

 DC:

 

In Love Song alone, Eliot address the physics of quatum mechanics and

what that means to our souls.  He was part of what opened the door for

Allen, WSB and many more.  Perhaps he became "affected" or perhaps his

great works number only a few, but what he said in the one poem is

astounding, especially if you look at the period.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 15 Jun 1997 22:30:10 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: NOW

 

In a message dated 97-06-14 04:40:57 EDT, you write:

 

<< I stuck that copy of GRIST in an envelope and have it ready to mail off

'cept I

 can't find where I put it! Soon as I find it, it's yours. Wondered if you

were

 interested in writing out a part of Apocalypse Rose for me in trade as that

is

 one of my favorite poems. I'd like to frame it for my own "poetry musuem."

  >>

Dave:

I'd love to do a little collage and script of the Apocalypse Rose poem.

Though Dave Haselwood did such a wonderful job on his turn of the century

hand set letterpress edition it is hard to beat. And I don't have a very good

script hand like S. Clay or Robert Crumb but I'll try something. You'll have

to memorize the whole Apocalypse Rose poem thought (just kidding).

Charles Plymell

=========================================================================

Date:         Sun, 15 Jun 1997 22:34:17 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: lurker #254

 

In a message dated 97-06-15 01:20:52 EDT, you write:

 

<< And thank you Diane for posting things that are interesting enough to

 argue with.

  >>

Well, I'm sorry. I forgot about Blakes songs. I thought everyone knew them by

heart. I used to dramatize and recite TIGER for K thru 5th grade at local

school. I thought all teachers and parents did that. I'd forgotten how things

changed. I went to a one room schoolhouse during those grades. The teacher

made me stand in the corner and memorize poetry all the time for being bad.

One day she mader me go oustide to "find my thinking cap" I brought to her an

old dried animal turd.

Charles Plymell

=========================================================================

Date:         Sun, 15 Jun 1997 23:05:26 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: drugs and epiphany

 

In a message dated 97-06-15 14:45:22 EDT, you write:

 

<<  Except peyote, but i'm not

 in the mood for a hard-core freak-out. >>

 

Peyote has a soft core actually. Used to send for a carton of hundred plants

back in Kansas in the 50s.  It was just that flesh-like consistency and the

taste. Just thinking about the taste sent shivers through. My old peyote

eating buddy used to say: "it tastes like bile from the devil's asshole."

Charles Plymell

=========================================================================

Date:         Sun, 15 Jun 1997 23:14:38 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Pickled old souls

 

In a message dated 97-06-15 14:59:25 EDT, you write:

 

<< Bodily processes slow down.   It's like a preservative of sorts.

  >>

Yeah they're both beautifully pickled old souls. You just got to know your

intake and watch your metabolism. No foolishness or you'll be fucked.

Charles Plymell

=========================================================================

Date:         Sun, 15 Jun 1997 22:17:03 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Kerouac: The meaning of life?

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i must say i'm enjoying this.

 

i've been grappling with a sense of pointlessness recently.  i can't say

that it has encouraged me to bomb or root for McVeigh.  but i can't say

that i've been in a condemning mood either.

 

derek had an interesting insight the other day that "pointlessness" and

"meaninglessness" are sisters but not twins.  i'm not certain if he

thought of it or i did or if it hit us both as our fingertips slashed

ferociously at our keyboards.

 

obvious that different notions of "meaning" "Meaning" "MEANING" are at

play.  not to downplay the moralists, but i hope that there is more of a

point to life than in condeming the acts of Hitler, McVeigh, Custer and

the slavetraders.  if the meaning of life is derived from NOT doing

something, sitting and drooling might be about as meaningful as

Einsteinian genius.  if i ramble as you read this it is to be expected,

it is difficult to come to a point, let alone a clear one, when it the

grips of pointlessness.

 

but i do enjoy the discussion.

 

i thought Gerry Nicosia was ON TARGET (was it in this thread - i don't

really recall) - in mentioning the notion of "sensitiveness" and i liked

that the sensitiveness is connected to mortality but also connected to

sight ... it seems the loss of death is made greater by the beauty

witnessed in the mortal world.

 

of course, none of this may make any sense and i am more than willing to

accept that critique.

 

i must say though that the meaning of life may best be experienced on a

stoop watching a Kansas thunderstorm roll in.  The soul of the universe

opens up and weeps all over us here on the plains.  and the point of

life may be found at the tip of a lightning bolt.

 

david rhaesa

salina, Kansas

 

Maya Gorton wrote:

> 

> In a message dated 97-06-15 18:17:13 EDT, you write:

> 

> <<

>  Maya Gorton wrote:

>  >

>  > In a message dated 97-06-14 15:03:13 EDT, you write:

>  >

>  > <<

>  >  But, more seriously, and only peripherally beat related, if there is no

>  >  meaning to life (I'm not sying there is or isn't), but assuming there

> isn't

>  >  what is wrong with what the Nazis did or with what McVeigh was convicted

> of

>  >  doing? >>

>  >

>  > Ok, there's no MEANING, but there is a basic belief on my part at least,

> that

>  > all humans are part of a whole, that the individual is not separate from

> his

>  > species, and therefore harming another human means harming the species,

> and

>  > that goes against our basic biological instinct and is therefore

> translated

>  > into "morally wrong" and we cannot allow it.

> 

>  If there is truly no meaning to life, there is nothing wrong with what

>  the Nazis did or with what Timothy McVeigh was convicted of doing.  If

>  there is no meaning, the universe is random and humans and their acts are

>  totally random.  There is nothing upon which to base a moral choice.

>  There is no right and wrong.  In a no meaning scenario, there is nothing

>  that makes harming another human good or bad.  Biological instinct

>  would be random.  Nothing would be better or worse than any other

>  thing.  Humans would exist and die randomly, total cause and effect, no

>  emotion.

>  DC

>   >>

> 

> What do you mean by "meaning"? Not sure i understand completely.  You oppose

> it to "randomness" and the absence of morality.  But can't there be meaning

> in chaos and beyond the polarity of good and bad?

> 

> I guess what i was saying is that there is no intrinsic Meaning common to all

> humans.  Nazis & Mcveigh however, to use your examples, did not commit their

> atrocitites in the absence of meaning.  On the contrary, they had a clearer

> purpose and vision than most of us, sordid as it was.  If they thought there

> was no meaning to life, they probably wouldn't have done what they did.

> 

>  It is up to each individual to invent a meaning for life.  In the absence of

> any meaning whatsoever, we lose the ability to act entirely.  We wouldn't

> even eat, just sit and drool on ourselves and rot away.  (I've been there

> when absurdity looms).  Even acts of violence need meaning behind them to

> occur.

> 

> So, yes, you're right in that their acts wouldn't be wrong, but I don't think

> that they would have done them in the first place if life had no meaning.

=========================================================================

Date:         Sun, 15 Jun 1997 22:21:41 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: lurker #254

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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R. Bentz Kirby wrote:

> 

> Diane Carter wrote:

> 

> > >James Stauffer wrote:

> > >

> > >

> > > Not the lurker, but I'd agree with him and Charles here.  Much as I

> > love

> > > Allen, he is not in TSE's class as a writer or truly unforgettable

> > > things.  I think he had an awful influence on modern poetry, but

> > "Love

> > > Song", "The Waste Land" and "Four Quartets" are pretty damn

> > > wonderful--even if they may not have been nearly so good without

> > Pounds

> > > help.  And what's wrong with a poet being obsessed with "form" and

> > being

> > > "poetic"?  Seems to me that this is what poetry is about?

> > >

> > > And thank you Diane for posting things that are interesting enough

> > to

> > > argue with.

> > >

> > > J Stauffer.

> >

> > Ah, but see that is where I think Ginsberg went beyond the poets from

> > earlier in the century.  Is poetry about being "poetic?" or is it

> > also about something beyond that?  Eliot wrote wonderful poems, even I

> >

> > agree with that, even if I can't recite them from memory.  But I think

> >

> > the argument here goes beyond the personal taste of one poet to

> > another.  If Eliot had read Howl, would he have thought it was poetic?

> >

> > Hard to say what dead men think, but I bet not.  Do you think Howl is

> > poetic?  Do you think Kaddish is poetic?  I do, but not for any of the

> >

> > same reasons that Eliot is poetic.  Form does not make one poetic.

> > Inspiration makes one poetic.  All poets are also not visionaries,

> > doesn't make them bad poets, just poets who are stuck in one plane of

> > consciousness. Not every poet transends the framework of the time

> > period

> > in which he/her is writing.  Blake was a visionary.  Whitman was a

> > visionary.  Ginsberg was a visionary. Each of them was poetic but took

> >

> > poetry to a level beyond poetic.  I cannot imagine comtemporary poetry

> >

> > without Ginsberg and the barriors he broke.  I simply cannot see

> > Eliot's

> > contributions in the same way.

> > DC

> 

>  DC:

> 

> In Love Song alone, Eliot address the physics of quatum mechanics and

> what that means to our souls.  He was part of what opened the door for

> Allen, WSB and many more.  Perhaps he became "affected" or perhaps his

> great works number only a few, but what he said in the one poem is

> astounding, especially if you look at the period.

> 

> Peace,

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

i guess i'm gonna have to get off my illiterate ass and finally read

this damn Love Song to Whomever.  the way people had always talked about

it, it was easy to dismiss as Affected Trash without even giving it a

look.  but the way it has been discussed here recently, it sounds worth

more than a quick glance.  thanks for the insights.

 

david rhaesa

salina, Kansas

 

p.s. i realize that admitting i've not bothered to read such a work is

grounds for stoning in some circles....

=========================================================================

Date:         Sun, 15 Jun 1997 23:28:25 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

 

In a message dated 97-06-15 13:03:15 EDT, you write:

 

<< They both FELT the

 pain of man's mortality far more than most of the people walking this earth.

>> 

 

Gerry:

Yeah, Tha't the whole thing really. Some have this "singularity flashback"

more often and painful than do others. They know that the purpose and truth

will not be revealed, so any path that works, take it. Religions become

arbitrary at this point. Perhaps one of the limitations of the beat ethos may

be that during their time in history, they had to deal with those

conventions. In the postmodern transition into the next millenium the

abstraction of religions may give way to how we can survive as humans. Pound

also claimed when men were more like gods and women more like goddesses in

the ancient world, they had more gods closer to them rather than abstracted

to form as in formality; therefore, they began acting less like gods.

BTW I still remember Allen's observation of "mechanized faces" of the 50's,

presumably in Methodist and Baptist Ministers. I see those same faces in the

Naropa hierachy as mentioned in those earlier post about drunken [fools]. Of

course everything in life Hunter Thomspson shooting on T.V. (very original

redneck stuff) to literary works are designed to keep us from thinking about

that painful unaswerable singularity.

 

Now we have gender correctness on the list after thousands of years! Boys and

girls, I'm here to tell you that you have different pee-pees. Let's make it a

national concern before this melinium closes!

Charles Plymell

=========================================================================

Date:         Sun, 15 Jun 1997 23:28:48 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      seperated at birth?...

 

>list. Hell yeah, Kerouac was gorgeous, everybody notices that, so what the

>fuck's wrong with pointing it out, ya' know? People need to get a sense of

 

 

compeltely off topic of the original message here, but I'm currently

reading _Off the Road_, & there are pictures of both Kerouac & Neal

Cassady...now this is compeltely superficial here, but am I the only one

who thinks that the two guys look like they could be biological brothers?

 

Diane.

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Sun, 15 Jun 1997 22:36:16 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Heroin as Youth Preserver?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Greg Elwell wrote:

> 

> At 04:41 PM 6/15/97 -0400, Carl A Biancucci wrote:

> >While I find it amazing that Burroughs is still with us after

> >being as heroin user for as long as he was,I must disagee with

> >the idea that 'the big H' retards aging...

> >

> >I had the pleasure of meeting the late great Johnny Thunders

> >(guitarist for The New York Dolls) in 1982.

> >At 30,he had liver spots!

> >

> >Seen a recent picture over the last 5 years (or more)

> >of Iggy Pop,Marianne Faithful,Keith Richards,Ginger Baker?

> >These folks,while no longer spring chickens,have looked older

> >than their years for quite some time;

> >I don't think it's coincidence that each was/(is?)

> >a long time H user.

> >

> >I tip my hat to any and all that can kicksmack  AND maintain some semblance

> >of youth;I just don't believe it's a given.

> 

> To quote Burroughs in JUNKY, he says, "I think I am in better health now as

> a result of using junk at intervals than I would be if I had never been an

> addict...Most users periodically kick the habit, which involves shrinking

> of the organism and replacement of the junk-dependant cells."

> 

> I'm not sure if this is true and in no way back this up, due to the lack of

> knowledge in the science field.  Burroughs goes on to say that if you

> continuously shrink cells by continuing to kick the habit, you may perhaps

> live to a phenomonal age, because you'll constantly be growing.

> 

> I DON'T KNOW!  I have seen pictures of some of the people that you've

> mentioned, and you're absolutely right.  But then again, Burroughs is still

> alive...  It's interesting(I think).

> 

> Greg Elwell                    elwellg@voicenet.com

 

And Keith Richards looks ancient until he touches his guitar and then

his facial muscles are altered (by bodily memory perhaps?) and he

appears transformed to a much much younger ghost.

 

unfortunately acquaintances of Keith's like Gram Parsons now appear only

as ashes on the winds of a desert.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 15 Jun 1997 23:32:58 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: lurker #254

Comments: To: RACE --- <race@MIDUSA.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

RACE --- wrote:

<snip a lot>

 

> david rhaesa

> salina, Kansas

> 

> p.s. i realize that admitting i've not bothered to read such a work is

> 

> grounds for stoning in some circles....

 

 

Well, David, you know what kind of stoning you would get on the Dylan

list I hope.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 15 Jun 1997 22:40:04 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: lurker #254

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> One day she mader me go oustide to "find my thinking cap" I brought to her an

> old dried animal turd.

 

wonderful tale.

i can see you at the one room schoolhouse as the rains fall here on the

plains.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 15 Jun 1997 23:51:23 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Fwd: lurker #254

 

Need to send this to the list.

---------------------

Forwarded message:

Subj:    Re: lurker #254

Date:    97-06-15 23:26:36 EDT

From:    CVEditions

To:      dcarter@together.net

 

In a message dated 97-06-15 17:59:38 EDT, you write:

 

<<  All poets are also not visionaries,

 doesn't make them bad poets, just poets who are stuck in one plane of

 consciousness >>

DC

Seems like that old chliche really took hold. Hard to shake learnin'. Make

all thingssequal, yeah. Have you read Michael Finley In The Temple?

http//www.wwics.com/~tsunami

Ask Charley Potts (editor) about that poem he turned me on to. Or, we can all

play catch up from the old beat generation...almost 50 yrs ago. Make in

newer?

Charles Plymell

=========================================================================

Date:         Sun, 15 Jun 1997 22:53:43 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Kerouac: The meaning of life?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Pamela Beach Plymell wrote:

>  Boys and

> girls, I'm here to tell you that you have different pee-pees. Let's make it a

> national concern before this melinium closes!

> Charles Plymell

 

Perhaps in his own Arkansinian way this is what Billy Clinton was

"allegedely" trying to show Paula.

 

3 cigarettes before i must brave the storm to score another pack.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 15 Jun 1997 23:57:01 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Fwd: lurker #254

 

I don't like this new mail system, it makes for too much extra work. Bill

can't we go back to the old?

CP

---------------------

Forwarded message:

Subj:    Re: lurker #254

Date:    97-06-15 23:33:07 EDT

From:    CVEditions

To:      dcarter@together.net

 

In a message dated 97-06-15 17:59:38 EDT, you write:

 

<< Inspiration makes one poetic. >>

DC

Read any inspirational poetry recently? I get books of it in the mail. I'd be

glad to send you some. Most of them come from Arizona and Southern

California. Lots of inspirational poets out there, too.

Charles Plymell

=========================================================================

Date:         Sun, 15 Jun 1997 23:57:51 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: lurker #254

 

In a message dated 97-06-15 23:28:07 EDT, you write:

 

<< In Love Song alone, Eliot address the physics of quatum mechanics and

 what that means to our souls. >>

Is that the line "but as if a magic lantern threw the nerves in patterns on a

screen" I don't have the text.  I used to know the whole thing by heart. BTW

Tesla memorized Twain's novels because books were scarce back in his country.

He memorized Faust.too. That's how he came up with Alternating Current. We

use his memory tonight!

Charles Plymell

=========================================================================

Date:         Sun, 15 Jun 1997 23:37:59 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Insomniatic Musings #45

MIME-Version: 1.0

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>From FireWalk Thru Madness Collection, copyright December 1992 David B.

Rhaesa

 

YAHTZEE

 

Rolling dice on Madonna=92s Face, Helter Skelter by my side (the book not

the song).  Billie Holiday sang autumn blues with Louis Armstrong and

Tofu burgers and sqaush that was fun to make but we didn=92t eat it.  Her

first kitchen failure.  It happens to the best of us ... Failures.=20

there=92s no success like failure and failure=92s no success at all.  Dyl=

an

said that.  The squash sat in the frij for quite awhile.  She couldn=92t

bear to waste it ... But secretly she believed that it would age like a

good wine.  Or that after some bad wine it might taste like a sweet

success.

 

 

North says most Americans believe Charlie was a mass murderer - But he

didn=92t do the deeds.  Not Tate ...Not LaBianca.  Charlie Manson/Not

Charlie Starkweather And the Boss said it was because =93there=92s a

meannness in this world.=94  But those weren=92t Charlie=92s words ... Ju=

st

the Boss pretending to be Charlie.  Like on Halloween....The only day

we=92re encouraged to be somebody else.  The only day we=92re encouraged =

to

go beyond our personality.  I put my name in a drawing at Taco Bell to

see the Boss on Halloween in Minneapolis where Dylan started out.  I

wonder who the Boss will be for Halloween this year.

 

I=92d like to talk to Charlie Manson.  The documentary showed his defense

attorney and Bugliosi and Charlie and I had to feel inside like Bugliosi

was crazier than Charlie.  I=92d really like to meet him you know I

haven=92t admitted that to many people.  So much of what he says makes

sense, but I just don=92t understand the anger, the violence I want him

explain the anger to me.  Depressives have anger that they don=92t feel

they deserve to have.  Mass murdereds feel they deserve anger that they

don=92t have ... Random anger.  Random killings.  And I want to ask

Charlie why.  His lawyer says that there was a lot of love on the farm.=20

But why does the love get criss-crossed with hatred, with bigotry.  What

synapses aren=92t firing.  What combination of chemicals is out of

balance....in Charlie ... in Bugliosi and why was he the one fate chose

for such a chemical makeup, for such a tragic role rather than me.

 

Yahtzee!!!

 

I=92m rolling dice on Madonna=92s face and listening to Nine Inch Nails

drive their spikes through my soul while I think of the Boss again.=20

Just a roll of the dice.  Like Yahtzee.  Like Nietzsche.  Like Mallarme

=93Un Coup De Das=94  It=92s just a roll of the dice - the difference bet=

ween

Charlie and me, Charlie and you - Manson or Starkweather.  It=92s random

chance.  Fate.

 

Rolling on Madonna=92s face and Lady Madonna looks up and says what are

the odds of a virgin birth? and the mathematician and the biologist say

zero and the priest says miracles can happen just like accidents in

disguise.  Then she tells me that Yahtzee isn=92t completely random.  I

hear Burroughs query =93How random is random?=94  As I flash on the

sensitive, new age, marathon man who believes =93there are no accidents.=94=

=20

I think Seth told him that in a book.  I fool with him by declaring that

my philosophy is =93there are only accidents.=94  Belief in complete

non-randomness and in complete randomness - Marathoner in contrast to

chain smoker and only the smoker knows that they=92re really saying the

same thing.  There may be no accidents but it seems like there are only

accidents.  We know so little of what we know that what seems accidental

isn=92t and what seems incidental isn=92t and God is a Bullet or is God d=

ead

and have we killed him.  They said Dylan was God.  But I think they were

joking.

 

And Kerouac=92s Dead.  Lying over there on the floor.  Dead 23 years and

two days.  And gazing into his eyes I see Pooh Bear.  Was it on a night

like this that he said God was Pooh Bear or that Hoffman started the Tao

of Pooh?  And if God is Dead does Nietzsche believe Pooh is dead too?=20

And if he=92s dead who will say =93Oh Bother,=94 and who will eat the hon=

ey.

 

A used copy of =93Howl=94 on the porch where my patch sister smokes a pip=

e.=20

Before the water ritual cleansed it from her.  The best minds of a

generation.  Minds lost somewhere between the monotony of the fifties

and the monotony of the nineties.  Are you bored?  I asked the lost

minds, the best lost minds of a geenration, lost esarching for a place

where life can have meaning somewhere between interzone and Casablanca

they walk aimlessly searching for something that doesn=92t exist ... the

bliss.

 

The best minds of a generation, the lost generation, Veblen=92s Theory of

the Leisure Class, the lost generation is real and it=92s still around

playing games on hardwood floors listening to jazz rolling dice while

the working class work their work, hardwood floors with Helter Skelter

and Kerouac for carpet and Burrough=92s tape still unexplored.

 

Cut ups.  Finding the lost generation in interzone by cutting through

the present, cutting through the New York Times, cutting through the

King James Version, cutting the the Pope=92s picture like Sinead O=92Conn=

or

one Saturday Night.  I cut up the Supreme Court in my closet last fall

and then Aunt Abby ended up working for O=92Connor  - Sandra not Sinead. =

=20

 

Sinead says it=92s all about child abuse ... that=92s what she=92s say ab=

out

Charlie, I bet.  And how random is child abuse?  It is just a roll of

the dice that says what child will be beaten will be fucked, a roll of

the dice like a small straight better not take my chance yet I=92ll take

zero for my large straight still hoping for a Yahtzee, like the Lottery,

the Publisher=92s Clearinghouse, the Reader=92s Digest Sweepstakes to pul=

l

me out of this trap, this tunnel.  And if I roll the dice or chant the

chants the white witch taught me will I win the prize?  If I do will it

be an accident or destiny or both at the same time.

 

Randomness and chaos.  one wonders sometimes how the mathematicians can

sleep at night with their naive belief in probability.  Last winter in a

maniacal frenzy I wrote a note to the mathematician who I didn=92t yet

know.  I asked a simple question:

 

=93What is the probability that you are reading this right now?=94

 

Well, one would have to determine the probability of me writing it and

you finding it and both of those involve an infinite number of possible

options, alternatives, like if i=92d decided to watch Saturday Night Live

tonight instead of writing these random words, and as the probability

approaches a solution you hear that your grandfather was almost killed

escaping from the firing squad of a Nazi concentration camp and my

ex-wife=92s mother knew people who knew Charlie Starkweather and maybe I

would have stopped in Rulo Nebraska and been killed by the creatures who

pass for people there...and so you decide that the odds are infinity to

one or one in infiinity and you realize that I have a greater chance of

winning the Reader=92s Digest Sweepstakes than of you reading this note

and you close your math book and head for a nudist colony where you can

read poetry and surf with monkeys, an artist colony randomly created, a

genetic accident and you wonder about things and accidents.

 

And Dylan and the Dead are riding on the Slow Train and Knockin=92 on

Heaven=92s Door and it brings you back to the hardwood floor and my brain

hurts from the storms of past/present/and future.  The coffee is gone.=20

I drink it black.  Straight poison.  Like Arsenic in Elderberry wine -

Jonathan, Aunt Abby and Charlie drinking wine with Pooh Bear and Piglet

and the dice roll and Wendy dies, Peter Pan dies and the Voodoo can=92t

save them.  it=92s random, it=92s accidents -- or not

 

Which dice will you choose to roll next time?

 

Kerouac=92s dead on the floor.  Charlie=92s dead in a prison.  Kennedy is

dead.  And Dylan and the Dead are on break and Billie Holiday is singing

about Wishes and Stars and Moons.  Why doe we wish if there are no

accidents?  I wonder out loud.  And I ask Kerouac to tell me the answer

- but he=92s dead on the floor ... and i=92m in the attic and the VCR is

downstairs and I still can=92t figure out how to make it stop flashing

12:00 like on the cartoon this morning, but I thought i=92d be seeing a

Yellow Submarine by now, As I pound th keys wishing for an accident with

her, but Elvis says accidents will happen, I guess you don=92t wish for

them they just hit you when you aren=92t looking, and she hands me a new

scorepad and I can=92t quite understand why there=92s no sex in this drea=

m,

yet and she puts on the Carpenters =93Close to You=94  And it=92s time to=

 play

Yahtzee again.

=========================================================================

Date:         Mon, 16 Jun 1997 00:02:15 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      drugs and guns

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I have nothing to say about drugs and guns and the beats, but i do know

that catholism and drink are old buddies, and guilt and loving the

sunrise somehow go together.  The really great writers often start

drinking the hard stuff at 5, then they taper or they die.I don't think

it means squat about the validity of their vision or light.  I also

can't imagine not remembering some of Blake because one loved another

poet. But life is past imagining , i am continually amazed. The saving

of ones light to me has been humour humor, humus , humor will get you

through nights of no sex but sex won't get you through knights of no

humor.

p

=========================================================================

Date:         Sun, 15 Jun 1997 22:21:00 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: drugs and guns

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Patricia Elliott wrote:

 

 humor will get you

> through nights of no sex but sex won't get you through knights of no

> humor.

> p

 

Patricia,

 

Thanks a lot for that one.  I get confused at times as to which is more

important--sex or humor.  Prefer both, but now I am reminded of where my

priorities should lie, so to speak.

 

And isn't it nice to see this list actually being interesting again.

Like a Phoenix from the ashes.  Thank God.

 

J Stauffer

=========================================================================

Date:         Mon, 16 Jun 1997 00:22:04 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: drugs and guns

MIME-Version: 1.0

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Patricia Elliott wrote:

> 

> James Stauffer wrote:

> >

> > Patricia Elliott wrote:

> >

> >  humor will get you

> > > through nights of no sex but sex won't get you through knights of no

> > > humor.

> > > p

> >

> > Patricia,

> >

> > Thanks a lot for that one.  I get confused at times as to which is more

> > important--sex or humor.  Prefer both, but now I am reminded of where my

> > priorities should lie, so to speak.

> >

> > And isn't it nice to see this list actually being interesting again.

> > Like a Phoenix from the ashes.  Thank God.

> >

> > J Stauffer

patricia typed

> well variety helps a lot.  I have the edie book upstairs, not yet

> mailed. but this week for sur.  i just reply and hence lose any of the barbs

 and roses that spin off of our remarks.  some of the best threads have been the

 unexpected turn of the screw.

p

> p

=========================================================================

Date:         Mon, 16 Jun 1997 02:31:20 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      more drugs and enlightenments

 

To:     stauffer@pacbell.net

 

In a message dated 97-06-16 01:10:29 EDT, you write:

 

<< 

 All well and good to say, but you would probably not even value this

 kind of experience if you had not learned to from a drug based culture.

 Unless you had learned to value ephiphany from Catholicism or the

 meditative experience from Buddhism.  It comes from either drugs or

 religion.  We can all do it, but learning to value it is not a given.

 

 James

  >>

Indeed, i was into Buddhism way before i ever experimented with substances.

 But my only interest in enlightenment was as a way to gain insight into

being a better painter and sculptor.  Here in the US, drug use is so rampant

and widespread and has been going on for so long that we can no longer

separate its influence from out culture, especially in the arts.

 

As for existentialism, why do you see it as incompatible with

epiphanies/rediscovering your child-mind?  For me, existentialism goes with

these things.  Stripping things down to the bare absurd bleakness of it all,

and just when you're about to let go and stop bothering to breathe, you

suddenly find something really really small that reminds you why you want to

live, a stirring in your mind, and that is the most essential form of

enlightenment ever.  In fact, I sincerely believe that existentialism and

"enlightenments" need each other to form a soul capable of minimal wisdom.

 

 I see many connections between Sartre and buddhist enlightenment, for

instance.  Many writers in the post-war era were horribly dismal but through

all the despair the beauty of words still came through, even stood out more

in contrast, giving hope.  And showing a playfulness that some would

wrongfully attribute to drugs. And you bet they valued it.  In my opinion,

the best artists have always valued epiphanies, from the beginning of time.

 There are spontaneous enlightenments in the act of creating something that

come neither from drugs nor from religion.  Profane illuminations.

Of course, learning to value them is not a given.  But using drugs as a tool

to access them is a specious method.  Because as i said earlier, there are

many ways of seeing things that are not inducible by drugs.  And drugs can

make your mind take paths you don't really want to take, (or that seem ok

when you're high but reread later they're shallow and obvious) thereby

fucking up your work, whether it's writing/painting/whatever.  I guess that'

s not true for things other than pot and acid. Amphetamines and other uppers

make it hard to concentrate though, i find.  The only drug that i have ever

found a pleasant and stimulating companion for working is heroin (and opium

too i guess).  I have never had much trouble producing lots of stuff really

fast.  And I don't think that heroin has had as powerful a cultural impact as

the rest....well, obviously it has on me.  But it affects a deeper layer of

consciousness than the others.

 

  So anyway, there are my thoughts for the evening...have a good

night-------------------------------maya

 

PS...there i go opening my big mouth again.  i wonder if this means the

thought-police are going to send their internet-spies on my trail now for

talking too much!

=========================================================================

Date:         Sun, 15 Jun 1997 23:40:20 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      inspiration

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> << Inspiration makes one poetic. >>

> DC

hmmm...I muse that inspiration makes one an artist...perhaps even

semi-divine, but not necessarily a poet.  Some inspiriation could use

the elbow-grease of 99% perspiration before it becomes a great "work".

Admittedly, some works of genius flow...but not all logorrhea is great

art...and I wouldn't categorize much of it as poetry.

=========================================================================

Date:         Mon, 16 Jun 1997 01:50:20 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: more drugs and enlightenments

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

us existentialists and us nihilists are compleated misunderstood.  it

can became disabiling literally.  shun the titles.  i do not believe in

Nothing.  does the double negative twist into I believe in something or

is something NOT the opposite of Nothing. I believe in thing perhaps.

that might be a start.  but belief and a wooden nickel won't get you

water at the bar down the street ... it is a good start to this who

shambadoozle about ways of living - since we all seem to have life terms

and death sentences.  but only a beginning and from these beginings the

paths will undoubtedly diverge dramatically otherwise things would get

too crowded and block awareness of the origins of the realization that

you believe in thing when you say you don't believe nothing.  inverting

and twisting is sometimes necessary to slide past linguistic roadhouses

that leave so many of us stranded on weekends like this.  but the

roadhouses aren't bad places to socialize in collective stuckness.

 

david rhaesa

salina, Kansas

 

Maya Gorton wrote:

> 

> To:     stauffer@pacbell.net

> 

> In a message dated 97-06-16 01:10:29 EDT, you write:

> 

> <<

>  All well and good to say, but you would probably not even value this

>  kind of experience if you had not learned to from a drug based culture.

>  Unless you had learned to value ephiphany from Catholicism or the

>  meditative experience from Buddhism.  It comes from either drugs or

>  religion.  We can all do it, but learning to value it is not a given.

> 

>  James

>   >>

> Indeed, i was into Buddhism way before i ever experimented with substances.

>  But my only interest in enlightenment was as a way to gain insight into

> being a better painter and sculptor.  Here in the US, drug use is so rampant

> and widespread and has been going on for so long that we can no longer

> separate its influence from out culture, especially in the arts.

> 

> As for existentialism, why do you see it as incompatible with

> epiphanies/rediscovering your child-mind?  For me, existentialism goes with

> these things.  Stripping things down to the bare absurd bleakness of it all,

> and just when you're about to let go and stop bothering to breathe, you

> suddenly find something really really small that reminds you why you want to

> live, a stirring in your mind, and that is the most essential form of

> enlightenment ever.  In fact, I sincerely believe that existentialism and

> "enlightenments" need each other to form a soul capable of minimal wisdom.

> 

>  I see many connections between Sartre and buddhist enlightenment, for

> instance.  Many writers in the post-war era were horribly dismal but through

> all the despair the beauty of words still came through, even stood out more

> in contrast, giving hope.  And showing a playfulness that some would

> wrongfully attribute to drugs. And you bet they valued it.  In my opinion,

> the best artists have always valued epiphanies, from the beginning of time.

>  There are spontaneous enlightenments in the act of creating something that

> come neither from drugs nor from religion.  Profane illuminations.

> Of course, learning to value them is not a given.  But using drugs as a tool

> to access them is a specious method.  Because as i said earlier, there are

> many ways of seeing things that are not inducible by drugs.  And drugs can

> make your mind take paths you don't really want to take, (or that seem ok

> when you're high but reread later they're shallow and obvious) thereby

> fucking up your work, whether it's writing/painting/whatever.  I guess that'

> s not true for things other than pot and acid. Amphetamines and other uppers

> make it hard to concentrate though, i find.  The only drug that i have ever

> found a pleasant and stimulating companion for working is heroin (and opium

> too i guess).  I have never had much trouble producing lots of stuff really

> fast.  And I don't think that heroin has had as powerful a cultural impact as

> the rest....well, obviously it has on me.  But it affects a deeper layer of

> consciousness than the others.

> 

>   So anyway, there are my thoughts for the evening...have a good

> night-------------------------------maya

> 

> PS...there i go opening my big mouth again.  i wonder if this means the

> thought-police are going to send their internet-spies on my trail now for

> talking too much!

=========================================================================

Date:         Mon, 16 Jun 1997 05:50:48 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

 

In a message dated 97-06-14 15:03:13 EDT, gallaher@HSC.USC.EDU (Timothy K.

Gallaher) writes:

 

<< But, more seriously, and only peripherally beat related, if there is no

 meaning to life (I'm not saying there is or isn't), but assuming there isn't

 what is wrong with what the Nazis did or with what McVeigh was convicted of

 doing? >>

 

When I say there is no meaning to life, what I mean is that there is no

meaning  beyond this life that you are living. That doen't mean that this

life isn't important. It makes this life more important. I just don't think

that there is a greater purpose (that after we're dead that there's a reward

up  in heaven, doing gods bidding etc).

 

And it is because this is the only go around that what McVeigh did is so

terrible, stupid and wrong. Under my belief structure, what McVeigh did was

much more tragic because I don't think that the people who died have another

chance (like in heaven or some other afterlife).

 

The concept of heaven is like a safety net. It allows people to do a lot of

stuff that they wouldn't normally do and allows them not to worry about the

consequences. I think that if more people realized that there is no heaven or

afterlife, they would understand that this life (that we are living right

now) is sacred, and maybe do more to take take of it and treat it better.

 

enjoy, Attila

=========================================================================

Date:         Mon, 16 Jun 1997 08:09:46 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

 

In a message dated 97-06-16 00:19:35 EDT, you write:

 

<< On the contrary, they had a clearer

 purpose and vision than most of us, sordid as it was.  If they thought there

 was no meaning to life, they probably wouldn't have done what they did.

  >>

I'm glad someone can still put meaning into words.  Drool, drool.

Charles Plymell

=========================================================================

Date:         Mon, 16 Jun 1997 08:30:32 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: lurker #254

 

In a message dated 97-06-16 02:19:22 EDT, you write:

 

<< Allen G broke the

 stranglehold that the academicians had on poetry and opened the door for

 more natural poetry.  During my visit with Norse I asked him about this

 and he quoted me Eliot.  He said that Eliot and WSB are much the same in

 voice but that Eliot went English and WSB remained American in voice.

 He also said that it was no sin that Pound edited Eliot and that he had

 edited many of the beats, including Allen and that it was very painful

 to Allen. >>

Bentz

Yr. right. Pound was first to bust 'em up, blasting 'em wit imagisms.  Even

poor old Frost had to go to him 'cause the academics at the time wdnt touch

him. Then Allen and the beats, bless 'em busted the old canons that Frost

foddered, but in a way held dearly to the academe and finally endorsed it

subscribed to it, became it. Can't blame him though, Pam said he didn't have

social security. Except he did become a millionare largely on the govt

funding of the politics he damned. Something unheard of by Pound, or even Rod

McKuen, who dug it out his own self. Even with inspirational poetry!  Good

quote with Norse. Yes, you have to be melodramatiic around him! He's right. I

think I've read that bit of his somewhere. Both WSB & TS Eliot had that St.

Loius voice and B developed it authentically American down to the midwestern

humor

Charles Plymell.

=========================================================================

Date:         Mon, 16 Jun 1997 10:04:56 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: lurker #254

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

Pamela Beach Plymell wrote:

 

> In a message dated 97-06-15 23:28:07 EDT, you write:

> 

> << In Love Song alone, Eliot address the physics of quatum mechanics

> and

>  what that means to our souls. >>

> Is that the line "but as if a magic lantern threw the nerves in

> patterns on a

> screen" I don't have the text.  I used to know the whole thing by

> heart. BTW

> Tesla memorized Twain's novels because books were scarce back in his

> country.

> He memorized Faust.too. That's how he came up with Alternating

> Current. We

> use his memory tonight!

> Charles Plymell

 

 Well he begins with what some might call "beat" lyrical quality:

 

>        Let us go then, you and I,

>When the evening is spread out against the sky

>Like a patient etherised upon a table;

>Let us go, through certain half-deserted streets,

>The muttering retreats

>Of restless nights in one-night cheap hotels

>And sawdust restaurants with oyster-shells:

 

Then does a cutsey thing with the fog=cat deal.

Then begins the chant of time to murder and create

Leading to the museum to the beginning of addressing the metaphysics by

pondering time and our effects on the universe by participation:

 

>Do I dare

>Disturb the universe?

>In a minute there is time

>For decisions and revisions which a minute will reverse.

 

>        For I have known them all allready, known them all --

>Have known all the evenings, mornings, afternoons,

>I have measured out my life with coffee spoons;

>I know the voices dying with a dying fall

>Beneath the music from a father room

>        So how should I presume?

 

Where is this farther room?  Remember the bus Further?  While it is

tempting to consider perhaps a string quartet that is playing at a

museum showing, I suspect that is the vehicle for the mermaids he hears

later, this muse does come from a farther room.   Eliot then compares

himself in time to a butterfly pinned and wriggling on the wall, and I

suspect we all feel that current.

 

He then goes back to sex, lonely men, self-depreciation and society til

he returns to the theme of life, time, and museums (Think that Dylan

thought of the line "Inside the museum, infinity goes up on trial, etc

without Eliot, I think not, he "borrowed" it from Prufrock.)

 

>I am no prophet -- and here's no great matter;

>I have seen the moment of my greatness flicker,

>And I have seen the eternal Footman hold my coat and snicker,

>And in short, I was afraid.

 

So Eliot only tells us in short about his fearsome contact with death

and his destiny and returns to address time and society and leading to

the culmination of the questions involving our interchange and exchange

with the field of energy, Charles this is the long way around to get to

your question about the quotation, but for those who seem to think Eliot

is lightweight, I wanted to show the structure and how he cleaverly

weaves the metaphysical question around the life experience that brought

to his mind the absurdity of the society that he had joined and chosen,

and the inner knowledge he had of our roles as the co-creators:

 

>To have bitten off the matter with a smile,

>To have squeezed the universe into a ball

>To roll it towards some overwhelming question,

 

....

 

>It is impossible to say just what I mean!

>But as if a magic latern threw the nerves in patterns on a screen:

>Would it have been worth while

>If one, settling a pillow or throwing off a shawl,

>And turning to the window, should say:

>        'That is not it at all,

>          That is not what I meant, at all.'

 

Notice first the implications of "I have bitten off the matter".  The

poem goes on to discuss the muses as mermaids luring Eliot to his death

if he wants true poetry.  The muses did lure Jack, Neal, Jimi, Jim, and

otheres.  Rimbaud ceased to write rather than follow them.

 

But the poem addresses it all when discussing what our "energy is" to

roll the world into a ball, and as Socrates said, we see the shadows on

the wall from the true light, not the true light and here Eliot address

it and the transitory nature of time and the temporal world.

 

I think an amazing tour de force that stretches into Dylan and beyond.

 

>        I should have been a pair of ragged claws

>Scuttling across the floors of silent seas.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 16 Jun 1997 10:38:46 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: lurker speaks

In-Reply-To:  <33A42667.771F@owens.ridgecrest.ca.us>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 05:29 PM 6/15/97 +0000, you wrote:

>DC,

>        Quoting Alexander Pope:  "True ease in writing comes from art, not

>chance/ as those move easiest who have learned to dance"

>(Essay on Criticism)  Let's see...you say that TS Eliot is not

>memorable?....off the top of my head: "April is the cruellest month/

>breeding lilacs out the dead land/ Mixing memory and desire/ stirring

>dull roots with spring rain/  Winter kept us warm/ Covering earth in

>forgetful snow/ Feeding little life to dried tubers"   An astounding

>beginning..... I find myself using Eliot extensively when teaching 20th

>C lit..cross referencing during Fitzgerald, the lost generation, Miller,

>etc......

 

        I also find Eliot's voice cross-referencing itself all over the place when

I'm teaching twentieth-century literature.  I never have tried to rate

Eliot over Ginsberg or vice versa.  Their poetic concerns are radically

different (Eliot reaches to the metaphysicals, Ginsberg to the romantics)

and their poetic criticism is radically different (Eliot decries what he

calls Blake's "formlessness"; Ginsberg, meanwhile, hears Blake's voice as

an inspiration after masturbating).

 

        But their effects on their particular generations--or, to be more

specific, their *shaping* and *creation* of the generations in which they

lived and worked--were more profound, I think, than any other poets of the

century.  As far as I know, *Howl* and *The Waste Land* are the only

twentieth-century poems which have been published with their drafts in

their entirety in facsimile editions.  Please someone correct me if I'm

wrong.  I turn to this point about facsimile editions to try to establish a

connection between the effect these two poets had on readers throughout the

century.

 

        Ginsberg seems as self-consciously "poetic" as Eliot . . . mabye even more

self-consciously poetic, because *Howl* came under such vicious attack from

defenders of decorum (often academic, but of course not always).  He

carefully footnotes most of his collections, and in this way communicates

the literary, cultural, religious, and political influences he writes

within and against.  Like Eliot, Ginsberg's prose, essays, footnotes, and

interviews helped created his career nearly as much as his poetry did.

Allen's footnotes in the facsimile edition of *Howl* are eloquent and

valuable and, it seems to me, do an excellent job demonstrating that he was

working toward--and working within--a poetic form.

 

Tony

 

P.S.  I'm as guilty as anyone for forgetting at times just how experimental

Eliot was at the beginning of his career.  Just take a look at original

responses to the *Waste Land* in the academic and popular presses--writers

either hailed him as an avant-garde genius or as a fraud.  I think we

(myself included) too often confuse Eliot's tradition-minded and

decorum-minded critical essays with the experimental form of his early poetry.

 

+++++++++++++++++++++++++++++++++++++++++++++++++++++++

"Blake was astonished by his own imagination."

--Allen Ginsberg

+++++++++++++++++++++++++++++++++++++++++++++++++++++++

=========================================================================

Date:         Mon, 16 Jun 1997 11:14:19 -0400

Reply-To:     Bruce Hartman <bwhartmanjr@INAME.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      Re: Hunter

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Beat Friends. . .

 

        My familiarity with HST is zip, zilch, nada, nil, zero, cero, the big fat

goose egg.  But, while strolling the shelves at my local video store, I

found "Where the Buffalo Roam."  Is it worth my time?

 

Bruce

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Mon, 16 Jun 1997 11:24:49 -0400

Reply-To:     Alex Howard <kh14586@ACS.APPSTATE.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Hunter

In-Reply-To:  <199706161518.LAA00829@everest>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 16 Jun 1997, Bruce Hartman wrote:

 

> goose egg.  But, while strolling the shelves at my local video store, I

> found "Where the Buffalo Roam."  Is it worth my time?

 

Of course it is!  Its Bill Murray!  Its Hunter S. Thompson!  What more can

you ask for?

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Mon, 16 Jun 1997 11:37:53 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Hunter

Comments: To: Bruce Hartman <bwhartmanjr@INAME.COM>

In-Reply-To:  <199706161518.LAA00829@everest>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 16 Jun 1997, Bruce Hartman wrote:

 

>         My familiarity with HST is zip, zilch, nada, nil, zero, cero, the big

 fat

> goose egg.  But, while strolling the shelves at my local video store, I

> found "Where the Buffalo Roam."  Is it worth my time?

 

Yes! Great film.

 

HST speaking at U of Kentucky commencement last week: "Washington was a bum,

Jefferson was a bum ... Nixon was a liar, Reagan was a fool, Bush was a ...

My attorney has just informed me that the hospitality tent has just

restocked the Wild Turkey. I will continue my address there. ...

=========================================================================

Date:         Mon, 16 Jun 1997 11:48:12 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: drugs and guns

Comments: To: pelliott@sunflower.com

 

In a message dated 97-06-16 03:48:34 EDT, you write:

 

<<  But life is past imagining , i am continually amazed. The saving

 of ones light to me has been humour humor, humus , humor will get you

 through nights of no sex but sex won't get you through knights of no

 humor.

 p >>

 

Have you ever seen the film, "Who framed Roger Rabbit?"?.  It's actually a

very trenchant film, about laughter and imagination (the cartoon characters)

fighting against Doom (the evil guy who never laughs).  Laughter and dreams

are a biological necessity without which we die.  If we are bitter and refuse

to laugh at anything, we are hurting ourselves, preventing ourselves from

really living.

 

---------------------maya

=========================================================================

Date:         Mon, 16 Jun 1997 12:22:13 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: more drugs and enlightenments

Comments: To: race@midusa.net

 

In a message dated 97-06-16 06:38:01 EDT, you write:

 

<< i do not believe in

 Nothing.  does the double negative twist into I believe in something or

 is something NOT the opposite of Nothing. I believe in thing perhaps.

 that might be a start.  but belief and a wooden nickel won't get you

 water at the bar down the street ... >>

 

Well, i believe in everything, maybe that's it. But i don't act on it, cause

not all of it is good. But it all exists.  In fact, every idea every human

ever had exists, because it can be realized, whether in the past, present, or

future.  Ideas don't die if they're communicated. They have their own kind of

DNA.  One little idea can be grafted into another person's brain, where it

will grow and perhaps mutate and turn into something different depending on

what environment it grows in.

 

I have to disagree with you....belief will get you everything.  Be careful

what you wish for, says Burroughs, you might get it.  So while I believe in

good and evil (evil being the things that lead me to near suicide, and good

being the things that give me pleasure)  I also believe in selective thought

processes.  What I mean is, if you believe that everything exists all the

time, like I do, you better be careful what you fantasize about.

 

  Example: my boyfriend dumped me for a girl he always said he hated.  This

hurt me alot.  I took old letters he had written me saying bad stuff about

her.  I wrapped them up in a t-shirt of his that i had.  I also had a lock of

his hair which he had goven me, so i put it in with the letters.  I made a

little voodoo doll and stabbed it in the stomach with a swiss army knife.  1

week later he calls me and begs me to go out with him again (i refused).  He

also tells me that he has been having horrible stomach cramps and had to go

to the hospital and throws up all the time and the doctors say it's a nervous

disorder they can' t do anything about.  The question is...Should I feel

guilty about this??? (he and that girl are now engaged).

 

Magic is very real, my friends, and we are all potential shamans.  So be sure

you are careful what you think about, because the mere act of thinking it

could make it real.  Nothing exists until you think it does.

=========================================================================

Date:         Mon, 16 Jun 1997 10:50:18 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Hunter

Comments: To: Bruce Hartman <bwhartmanjr@INAME.COM>

In-Reply-To:  <199706161518.LAA00829@everest>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

bruce

i think dr.hunter referred to the movie as "a piece of crap". you decide

if you wanna see it or not.

hahoo.

derek

 

On Mon, 16 Jun 1997, Bruce Hartman wrote:

 

> 

> Beat Friends. . .

> 

>         My familiarity with HST is zip, zilch, nada, nil, zero, cero, the big

 fat

> goose egg.  But, while strolling the shelves at my local video store, I

> found "Where the Buffalo Roam."  Is it worth my time?

> 

> Bruce

> bwhartmanjr@iname.com

> http://www.geocities.com/~tranestation

> 

=========================================================================

Date:         Mon, 16 Jun 1997 12:49:56 -0400

Reply-To:     MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NOFERI <NOFERI.MARK@EPAMAIL.EPA.GOV>

Subject:      Eliot & Ginsberg

Mime-Version: 1.0

Content-Type: text/plain

 

I was glad to come back from the weekend and read all the really fascinating

 discussions going on - I wish I had

been able to take part, it's things like this that really make the Internet fun.

 

On Eliot and Ginsberg - I've always found it slightly strange that Ginsberg

 admires Eliot (which is the impression I get

from the list, anyway), because Ginsberg was influenced so heavily by Williams,

 and Wiliams specifically mentions

Eliot as an example to move away from - too formal, too academic, too British,

 too many veiled references. Instead,

Williams focused on creating an American poetry, based on American voices

 relating singuarly American

experiences. Ginsberg took this a step further, eventually finding his own voice

 to relate his own experiences.

 

So, open question -  did Ginsberg ever clarify this tension of admiring Eliot

 somewhat, but being heavily influenced by

Williams, who used Eliot as his example of everything _not_ to strive for in

 poetry?

 

Mark Noferi

=========================================================================

Date:         Mon, 16 Jun 1997 16:28:48 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Epiphany in kerouac

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                                        June 16, 1997

James Stauffer wrote:

>It would be nice to get Nicosia to answer what documented contacts there

>are.  Kerouac had to be aware of those people as he moved in Buddhist

>circles with Kerouac and with East/West house people such as Lew Welch,

>Joanne Kyger, Lorraine Kandel, Tom Field, etc. Watts was a huge presence

>in SF in those years and Rexroth was also very knowledgable in Buddhist

>matters. All I really know about Jack's meditative practice is what you

>get in Dharma Bumms and Desolation Angels.  Would like to hear more

>facts about his contacts from the biographical experts.  But it is

>interesting that what worked for say Snyder and Kyger, worked only

>partially for Lew and Jack.  Whatever they learned sitting and Marin-An

>the bottle was still too much for both of them.  And of course it is

>rather judgmental to say that Jack and Lew failed.  Their lives were

>short, and not particularly happy, but they left great work behind. All

>lives are different. Of course Snyder, Kyger and Whalen followed up this

>time with intense work in Japan.

> 

Dear James, Jean, and others:

        I honestly don't remember if Kerouac talked of meeting Watts, but

Watts did write some nasty put-downs of Kerouac in his book BEAT ZEN, SQUARE

ZEN, and ZEN.  I'm going from memory now, but I think the gist of Watts'

criticism was that Kerouac was too much into kicks to be a true Buddhist,

that he hadn't renounced sex and other pleasures enough and wasn't taking

his Buddhism seriously in terms of a daily practice.  Figure there might

have been some jealousy there too, since Watts had been trying to popularize

Buddhism for quite a while and never got the instant huge audience that

Kerouac did with DHARMA BUMS.  Rexroth surely felt the same jealousy toward

Kerouac, since he had been translating from Japanese and Chinese poets for

years.  On the other hand, there is a lot to be said for the fact that Jack

took just as much as he needed from Buddhism--to minimize the pain of his

own life--and left the rest.  When I talked with Snyder, his criticism of

Kerouac's Buddhism closely echoed that of Watts'.  Snyder felt that Kerouac

had been unwilling to "go all the way" with his Buddhism, and wouldn't give

up the God concept that true Buddhists are supposed to cut from themselves

with the sword of the Diamondcutter.

        Watts may have been a better Buddhist; Kerouac more confused; but

clearly Kerouac had the larger soul.

        Best, Gerry Nicosia

=========================================================================

Date:         Mon, 16 Jun 1997 19:03:07 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      my thoughts on the Ginsberg/Eliot debate

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

'sup y'all,

 

I personally prefer Ginsberg's work on the whole, still i couldn't

classify Prufrock and the Hollow Men as anything but - visionary - in my

definition.

 

I think the ability to remember and recite lines of poetry from memory

is not an adequate indicator of worth. I mean, i can remember lots of

commercial slogans, but are they poetic? -- maybe they are... :)

"Image is Nothing," Sprite's somehow fizzling effervescent Image of

Imagelessness, hah!

 

nevertheless, for me the most memorable and profound part of the

Wasteland is just a two-word fragment:

 

Unreal City

 

one day i was pacing the living room in a haze meditating the validity o

reality vs. surreality and. . . unreality . . . and suddenly i recalled

reading Eliot's Wasteland a few days earlier in school, and i understood

what he meant, or what I THOUGHT he meant, which after all is probably

more important to a reader of poesy.

 

Whitman, who i regard perhaps the greatest poet of 'em all, rarely,

though occasionally, can i remember an actual exact written line sequence

of his free verse, but i can think of the FEELING or the idea of it,

which is more powerful.

 

well,

 

"In U.S. all intellectuals are deviants." WSB, from The Yage Letters

 

(from memory) hee hee hee...?!

 

if anyone cares,

Eric

rhs4@crystal.palace.net

=========================================================================

Date:         Mon, 16 Jun 1997 20:19:01 -0400

Reply-To:     Phil Chaput <philzi@TIAC.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      A great song

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

If anyone has realaudio go to this address http://www.riversong.com/ and

listen to the new song by folksinger Bob Martin called "Stella Kerouac" it

is a real treat. Phil Chaput

=========================================================================

Date:         Mon, 16 Jun 1997 20:31:04 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Hunter

 

Reply to message from stutz@DSL.ORG of Mon, 16 Jun

> 

> 

>HST speaking at U of Kentucky commencement last week: "Washington was a bum,

>Jefferson was a bum ... Nixon was a liar, Reagan was a fool, Bush was a ...

>My attorney has just informed me that the hospitality tent has just

>restocked the Wild Turkey. I will continue my address there. ...

> 

 

Did he really say this?  I was reading a column written by the "Minister of

Culture," Michael Heaton, in the Cleveland Plain Dealer Friday Magazine

which was supposed to be quotes from commencement speeches given by the

famous....this was one of them...I assumed Mr. Minister was making them up...

since I have no clue who HST is to begin with, I couldn't judge...

 

Diane.

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

 

=========================================================================

Date:         Mon, 16 Jun 1997 20:32:27 -0400

Reply-To:     Phil Chaput <philzi@TIAC.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Watts

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

There is a new book out called "Zen and the Beat Way" it's based on

selections from Alan Watts radio talks and tape recordings adapted and

written by David Cellers and Mark Watts published by Tuttle. Ironically

they spelled Kerouac as Karouac on the back cover. That's kind of a big

booboo. Phil Chaput

=========================================================================

Date:         Mon, 16 Jun 1997 21:00:33 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      letter to the prof.

 

Dear Professor,

 

     Thank you for the opportunity to complete your Political Anthropology

class.  I am currently working on my Final Paper.  I thought I might send you

a sample of it so that you could steer me away from major blunders and make

suggestions for changes, and perhaps even tell me to scrap the whole thing

and start over.

     I worry that it is too broad, and that you would rather i analyze

specific Political/Anthropological "realities", instead of postulating

hypothetical situations in the style of William S. Burroughs.

 

     The general theme of my paper is the exploration of how meaning is

constructed and given limits.  How we are trained to follow certain thought

paths and not others, unconsciously reproducing conventions of meaning.

 These conventions are then called "reality".  The Public Secret is that this

reality is constructed and random.

 

     This idea can lead one to think of everything as absurd, and one loses

the will and ability to survive, because all meaning in one's life is

deconstructed.  That is why it is necessary for it to remain a Secret if the

present social order is to endure.

 

     When one refuses to accept these limited meanings as Truth, one has to

construct one's own.  There are infinite possibilities for meaning, and one

has to remember that one's own are just as constructed as anyone else's.

 This refusal to think in a conventional way is a threat to the present

dominant social order. Paradoxically, creative thought has been the human

species' strategy for survival since the very beginning.  Perhaps the West

would do well to begin with accepting this paradox as a basic fact of life.

 

     However, one can reproduce one's thought-connections in others (Why

would you want to do this?  Well, it would show people other ways of thinking

and this is something we are desperately in need of).  This is accomplished

thanks to the human faculty of Mimesis.  Through the reading of words on a

page, connections are made in the reader's mind between the images described.

  Knowledge can be transmitted this way.

      Perceived meaning determines what we do and how we are.  Different ways

of being can be explored by creating new and unconventional connections

between things/words/ideas/sensory perceptions.  Writing them down allows

them to be transmitted.  The new connections will resound in one way or

another in the reader's mind.  If the writer is successful, the reader's

conscience will be somewhat altered.

 

      It's nothing you haven't already said in (title of his book), as you

can see.  But if what I have said so far is theory, then my paper is an

attempt to put it into practice.   Using texts we read in class and other

sources, I will explore how conventional thought-control (AKA "culture")

limits us and how it can be transcended, and how the limits of what we can

become can be expanded.

 

      If I am correct in my assumptions, you do not want to have to read 10

pages of text that is like this letter has been so far.  You don't need me to

repeat what you have already said in class, either.  Perhaps you will say,

"You have missed my point entirely; you've got it all backwards and upside

down and inside out".  Please let me know if I am on the right track with

this page on (subject of  my paper) which I am enclosing.   I am planning on

writing several thematically related chapters; is this format acceptable to

you?  I hope to incorporate the structure & collapse of several ancient

kingdoms of Central America (Mostly Maya & Aztec) into my paper (since I

studied that in college, after all).

 

      My address is:

      My phone #:

 

Again, thanks for everything; the readings in your class, esp. (The tiltle of

his book), have  helped me enormously in making sense of the Absurd Chaos of

it all....

 

    For instance, it showed me that writing can convey and create meaning and

thought (knowledge) after all, and it doesn't have to be only empty,

senseless words disguised as academia.  Obviously, I have a long way to go...

 but at least I have recovered the will to go somewhere.

                                      My deepest respects to you,

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                                                             ------------maya

gorton

=========================================================================

Date:         Mon, 16 Jun 1997 18:19:30 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Philip Lamantia

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Dear Experts, scholars and bookstore people, lurkers or not

 

I find my mind returning periodically to Lamantia.  Does anyone know

what the current state of Lamantia scholarship is?  Is there any sort of

critical or biographical work?  What is in print?  My collection is

limited to the City Lights Pocket Poets #20--Selected Poems,(1943-1966)

and "A Touch of the Marvelous" which Four Seasons put out in '74.

 

Who would be good primary sources to contact?  Is he still alive?  Don't

remember.  I remember meeting him in North Beach around '69.  My friend

Vale ran the building on Kearney where they both lived.

 

Any help would be appreciated.  I will e-mail Vale who always knew

everybody in North Beach and will share information.

 

James

=========================================================================

Date:         Mon, 16 Jun 1997 22:46:01 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Kerouac: The meaning of life?

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Attila Gyenis wrote:

> 

> In a message dated 97-06-14 15:03:13 EDT, gallaher@HSC.USC.EDU (Timothy K.

> Gallaher) writes:

> 

> << But, more seriously, and only peripherally beat related, if there is no

>  meaning to life (I'm not saying there is or isn't), but assuming there isn't

>  what is wrong with what the Nazis did or with what McVeigh was convicted of

>  doing? >>

> 

> When I say there is no meaning to life, what I mean is that there is no

> meaning  beyond this life that you are living. That doen't mean that this

> life isn't important. It makes this life more important. I just don't think

> that there is a greater purpose (that after we're dead that there's a reward

> up  in heaven, doing gods bidding etc).

> 

> And it is because this is the only go around that what McVeigh did is so

> terrible, stupid and wrong. Under my belief structure, what McVeigh did was

> much more tragic because I don't think that the people who died have another

> chance (like in heaven or some other afterlife).

> 

> The concept of heaven is like a safety net. It allows people to do a lot of

> stuff that they wouldn't normally do and allows them not to worry about the

> consequences. I think that if more people realized that there is no heaven or

> afterlife, they would understand that this life (that we are living right

> now) is sacred, and maybe do more to take take of it and treat it better.

> 

> enjoy, Attila

 

OK, based solely on the premise that Timothy Gallagher started with,

"that there is no meaning to life," I cannot see how you can end up with

the rightness or wrongness of any act.  When you say "there is no meaning

beyond this life that you are living. That doesn't mean this life isn't

important.  It makes this life more important," you have changed the

situation and the original premise.  When you say that life is important,

you are giving it meaning.  You are saying you don't see a greater

purpose beyond life, which is the concept of afterlife, a heaven or a

hell.  But if you believe human life to be sacred that is suggesting that

you give it a lot of meaning.  That, in my mind, is totally different

from the the line we began with, "there is no meaning in life."  To me

that suggests that there is no meaning anywhere, nothing is more

important than anything else, either in this life or beyond this life, if

there is such a thing.  That implies to me that everything is senseless

and random.  A tree falling in the woods is no different than bombing a

building.  Both exist solely as something that might happen.  No one has

control of anything whether that be human acts or acts of the universe.

Nothing has more or less value than anything else.  When you begin

thinking that this life is important,  you are giving it a purpose.

 

I also have trouble with the concept of heaven as a safety net that

allows people to do things without worrying about the consequences.  The

concept of heaven is a theological one and cannot exist without a belief

in hell.  Churchs that teach there is a heaven also teach that there is a

hell.  Hence the concepts of good and evil.  That is totally different

than transcending the human condition into another level of

consciousness, a timeless oneness with all things.  I don't think the

idea of heaven implies that you have another chance, no matter what.

DC

=========================================================================

Date:         Mon, 16 Jun 1997 23:18:27 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: inspiration

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Mike & Barbara Wirtz wrote:

> 

> > << Inspiration makes one poetic. >>

> > DC

> hmmm...I muse that inspiration makes one an artist...perhaps even

> semi-divine, but not necessarily a poet.  Some inspiriation could use

> the elbow-grease of 99% perspiration before it becomes a great "work".

> Admittedly, some works of genius flow...but not all logorrhea is great

> art...and I wouldn't categorize much of it as poetry.

 

I think we agree on the word inspiration here as a type of spiritual

breath.  And yes, I'm saying breath here and not dunghill.  If you have

this breath, and are in touch with the source from whence it came, and

you are writing poetry, you can trust that the flow will be true, and

inspired.  That's not to say that a poet does not need to acquire tools

from the study of other poets.  That's not too say that every poem will

be great.  God knows, the collected/complete works of most poets all

contain the work of a few off days.  But, I also think that many times

revision is highly overrated.  When words come to someone fast and

furious, so to speak, as many times when Ginsberg or Kerouac stayed up

writing day and night, I think that is an inspired flow, and better left

unrevised.  Students are too often taught that perspiration will make

their work great.  That every revision is an improvement.  You can revise

the hell out of something but if the breath of inspiration wasn't there

to begin with, it won't improve it.  There are times when you must trust

your own poetic vision.

DC

=========================================================================

Date:         Mon, 16 Jun 1997 23:45:11 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker speaks

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Mike & Barbara Wirtz wrote:

> 

> DC,

>         Quoting Alexander Pope:  "True ease in writing comes from art, not

> chance/ as those move easiest who have learned to dance"

> (Essay on Criticism)  Let's see...you say that TS Eliot is not

> memorable?....off the top of my head: "April is the cruellest month/

> breeding lilacs out the dead land/ Mixing memory and desire/ stirring

> dull roots with spring rain/  Winter kept us warm/ Covering earth in

> forgetful snow/ Feeding little life to dried tubers"   An astounding

> beginning..... I find myself using Eliot extensively when teaching 20th

> C lit..cross referencing during Fitzgerald, the lost generation, Miller,

> etc......and I've never really had occasion to cross reference to

> Ginsberg...I think that speaks volumes.  I also tend to quote Eliot

> when  speaking to people on the topic of despair/hopelessness...in real

> life situations....  (more later...kids are fighting...life)

> sorry about how I triedto post this earlier...it didn't work obviously

> (and I still don't have quite enough time to expound on my ideas of

> Pound and Eliot.....hopefully tonight I'll get more than ten minutes at

> a stretch)

> Barb

 

I would like to hear more about how you use Eliot when speaking to people

about despair/hopelessness in real life situations.  I don't think the

fact that you don't cross-reference Ginsberg speaks volumes.  I think it

means something is missing in your views of twentieth century poetry.

Are you implying that you teach twentieth century literature but do not

draw from the experience of beat writers?  I am still interested in why

you think Eliot is more appropriate than Ginsberg.  Is it simply that you

are a more of a traditionalist in your world and literary views?

Ginsberg freed poetic language from the boundaries imposed by earlier

poets, including Eliot. He took poetry to another level.  Is there

something about that level that bothers you?

 DC

=========================================================================

Date:         Mon, 16 Jun 1997 23:51:19 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Kerouac: The meaning of life?

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RACE --- wrote:

> 

> I must say though that the meaning of life may best be experienced on a

> stoop watching a Kansas thunderstorm roll in.  The soul of the universe

> opens up and weeps all over us here on the plains.  and the point of

> life may be found at the tip of a lightning bolt.

> 

> david rhaesa

> salina, Kansas

 

That is the best description of the meaning of life that I have read in a

 long time.

DC

=========================================================================

Date:         Tue, 17 Jun 1997 00:03:53 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Kerouac: The meaning of life?

MIME-Version: 1.0

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Maya Gorton wrote:

> 

> What do you mean by "meaning"? Not sure i understand completely.  You oppose

> it to "randomness" and the absence of morality.  But can't there be meaning

> in chaos and beyond the polarity of good and bad?

> 

 

I think I equate meaning with purpose.  There can be meaning in

randomness but not in chaos.  If there is no meaning in life then your

"intrinisc Meaning common to humans" does not exist.  I am saying that if

there is no meaning in life you cannot invent one.  If there is no

meaning you are right, we can eat, sit, drool, rot away, and it doesn't

matter.  I think what you are thinking of is what people mean when they

say there are searching for meaning in life.  Like there is one gigantic

answer out there that one must find.  I think that a no meaning in life

scenario implies that only is that answer not there but that meaning you

say people must invent is also not there.  No meaning at all on any

level. Total chaos.

DC

=========================================================================

Date:         Mon, 16 Jun 1997 23:10:27 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Memory Babe

MIME-Version: 1.0

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While cleaning out a room, I came upon a stash of books.  One of those

was Memory Babe, A Critical Biography of Jack Kerouac.   Since there

have been some on this list that have said he will be discredited and

that it is not a good work, I thought it would be helpful to look at

least two of the comments from the jacket.

 

"It is by far the best of the many books published about Jack Kerouac's

life and work, accurately and clearly written, with a sure feeling for

Jack's own prose."

 

William S. Burroughs

 

Me, I will side with WSB.  BTW, if anyone is in touch with Bill, Hal

Norse asked about him and his health.  He also asked me to pass that

along.  If you do and WSB replies, I told Hal I would mail it to him.

 

"This is the Kerouac I knew, his sufferings and his exultations, his

elusive charisma and his maddening moods.  At last he has been treated

as the serious, searching soul he was.  A great writer and a great

biographer have come together, and the result is a book that is

essential for anyone interested in the development of postwar American

Literature."

 

John Clellon Homes

 

I think these two men know what they are talking about.  To think that

some biographer would attempt to write a biography about Jack Kerouac

without examining in detail Gerry's archives seems to me to be a joke.

Gerry told me that a better book will be written by the person who can

gain access to the notebooks of Jack, without restrictions by third

parties, and to his archives.  He also said he hopes it happens as his

work is what it was for the times it came out.

 

It does not sound like to me the remarks of an ego driven man solely

interested in his own fame.  He has moved on to other subjects.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 17 Jun 1997 00:12:41 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker #254

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CVEditions@aol.com wrote:

> 

> In a message dated 97-06-15 17:59:38 EDT, you write:

> 

> << Inspiration makes one poetic. >>

> DC

> Read any inspirational poetry recently? I get books of it in the mail. I'd be

> glad to send you some. Most of them come from Arizona and Southern

> California. Lots of inspirational poets out there, too.

> Charles Plymell

 

Thanks anyway, I'll pass on that.  I would like to know, however, how you

characterize your own poetry.  Did any poets in particular influence you?

I decided to say influence instead of inspire.  What do you see as the

most important things that have happened in poetry in America, from say

the forties till now?  Just curious.

DC

=========================================================================

Date:         Mon, 16 Jun 1997 23:18:27 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Memory Babe II

MIME-Version: 1.0

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In the back of my book, I made this note:

 

pg 279 --  The coming together -- read again.  It says:

 

...       Even Jesus passed by.  At that moment the whole universe was

present with Jack, and he was one with it.

 

           For weeks he puzzled over the meaning of that vision.

Finally he decided it was the parable of man's life.  Man passed from

the hell of darkness before birth into "the LIGHT of the earth, which,

for merely being LIGHT, is heaven."  The development of a soul on earth

was merely the successive visions of an eye peeking out of the

darkness.  Jack felt that in his trance after the dream of the Shrouded

Stranger he had glimpsed another world, a world men could see before

being given the "light of life."  Each world was but a different sort of

dream, and in each we rearranged "the memories of other dreams, other

existences, like file cards."

 

There is more about the fisherman.

 

Read it yourself if you haven't.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 16 Jun 1997 20:36:16 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: lurker speaks

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Diane Carter wrote:

. . .  Is it simply that you

> are a more of a traditionalist in your world and literary views?

> Ginsberg freed poetic language from the boundaries imposed by earlier

> poets, including Eliot. He took poetry to another level.  Is there

> something about that level that bothers you?

>  DC

 

You seem to be falling for the myth of progress here. Is more recent

inspiration more legitimate somehow than an earlier inspiration?  As an

earlier poster pointed out well Eliot's early poems were revolutionary

and meet a reception from the lit establishment not that different than

the reaction to Howl.  Both were revolutionary poets in their times.

Forty some years later Howl isn't the newest wave either.  I think

literary history is about change, not a progressive revolution.  When I

go back and read Homer I don't regret the fact that he didn't have the

chance to reach Ginsberg's level of advancement.

 

J Stauffer

=========================================================================

Date:         Mon, 16 Jun 1997 23:04:22 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Hunter

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

In-Reply-To:  <199706170031.UAA18320@owl.INS.CWRU.Edu>

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On Mon, 16 Jun 1997, Diane M. Homza wrote:

 

> Did he really say this?  I was reading a column written by the "Minister of

> Culture," Michael Heaton, in the Cleveland Plain Dealer Friday Magazine

[snip]

 

yeah that's where i got it from too. my mother sent me the clip.

 

 

> since I have no clue who HST is to begin with, I couldn't judge...

 

it was a pretty accurate summation of the man's rantings...

=========================================================================

Date:         Tue, 17 Jun 1997 00:54:00 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker speaks

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James Stauffer wrote:

> 

> Diane Carter wrote:

> . . .  Is it simply that you

> > are a more of a traditionalist in your world and literary views?

> > Ginsberg freed poetic language from the boundaries imposed by earlier

> > poets, including Eliot. He took poetry to another level.  Is there

> > something about that level that bothers you?

> >  DC

> 

> You seem to be falling for the myth of progress here. Is more recent

> inspiration more legitimate somehow than an earlier inspiration?  As an

> earlier poster pointed out well Eliot's early poems were revolutionary

> and meet a reception from the lit establishment not that different than

> the reaction to Howl.  Both were revolutionary poets in their times.

> Forty some years later Howl isn't the newest wave either.  I think

> literary history is about change, not a progressive revolution.  When I

> go back and read Homer I don't regret the fact that he didn't have the

> chance to reach Ginsberg's level of advancement.

> 

> J Stauffer

 

I am absolutely not saying that recent inspiration is more legitimate

than earlier inspiration.  Every era has revolutionary poets/writers and

they are all equally important.  I think I am just reacting to the

classist mindset that would dismiss beat literature as secondary to other

forms of twentieth century literature.  I don't suggest we don't read

Homer or Shakespeare or Eliot, only that we recognize when the

consciousness of poetry is enlarged by a broader vision that builds on

the works of the past and moves both literature and language ahead.

Genius is genius no matter what time period. And as far as a progressive

revolution goes, the fact that you can read from Eliot on daytime radio

and you still cannot read from Howl suggests that Ginsberg's

contributions to literature are still misunderstood.

DC

=========================================================================

Date:         Mon, 16 Jun 1997 21:32:47 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: inspiration

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u7u7u7u7u7u7u7u7uw0KPiCoqKioqKioqKioqKioqKioqKioqKioqKioqKioqKioqKioqKio

qKioqKioqKioqKioqKioqKioqKioqA0KPiCrq6urV2VzIEdyaWZmaXRocyAgKG1yZnJlbmRs

eUBlYXJ0aGxpbmsubmV0Kbu7u7u7u7u7u7u7u7sNCj4gqKioqKioqKioqKioqKioqKioqKio

qKioqKioqKioqKioqKioqKioqKioqKioqKioqKioqKioqKgNCj4gq6urq0V4dGVybWluYXRl

IGFsbCByYXRpb25hbCB0aG91Z2h0u7u7u7u7u7u7u7u7uw0KPiCoqKioqKioqKioqKioqKio

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d2FzIHJlZmVycmluZyB0byB0aGF0IHN0YXRlbWVudCB0aGF0IGdlbml1cyBpcyAxJSBpbnNw

aXJhdGlvbg0KYW5kIDk5JSBwZXJzcGlyYXRpb24uLi5JIHRoaW5rIGl0IHdhcyBFZGlzb24u

Li4uDQooYnVsYnMgc2hvdWxkIGJlIGdvaW5nIG9mZikNCkJhcmINCg==

=========================================================================

Date:         Mon, 16 Jun 1997 21:55:14 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Philip Lamantia

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 06:19 PM 6/16/97 -0700, you wrote:

>Dear Experts, scholars and bookstore people, lurkers or not

> 

>I find my mind returning periodically to Lamantia.  Does anyone know

>what the current state of Lamantia scholarship is?  Is there any sort of

>critical or biographical work?  What is in print?  My collection is

>limited to the City Lights Pocket Poets #20--Selected Poems,(1943-1966)

>and "A Touch of the Marvelous" which Four Seasons put out in '74.

> 

>Who would be good primary sources to contact?  Is he still alive?  Don't

>remember.  I remember meeting him in North Beach around '69.  My friend

>Vale ran the building on Kearney where they both lived.

> 

>Any help would be appreciated.  I will e-mail Vale who always knew

>everybody in North Beach and will share information.

> 

>James

> 

Dear James,      June 16, 1997

 

        Lamantia is still alive, having survived a bout with throat cancer

several years ago.  (He was a big cigar smoker, wonder if that contributed?)

He is married to Nancy Peters, coowner of City Lights, though they always

lived separately.  He used to live in the building on Filbert Street,

bordering on Harwood Alley, now Bob Kaufman Place (west side of Harwood).

Just up the first steep flight of stairs heading up to Coit Tower.

        He is a great poet, much overlooked.  Never heard of anyone doing

any serious book or article on him, though he used to publish in Franklin

Rosemont's surrealist magazine out of Chicago for a long time, and was

sometimes mentioned in other articles in that mag (I think it was called

ARSENAL).

        You can probably leave messages for him at City Lights, but he has

been a reclusive for the past ten years or more.  I'm not sure of the

current state of his health; he may be too sick to see visitors.  Someone

who used to be very close to him is Chronicle columnist Stephen Schwartz,

who was once a Trotskyist surrealist when a group of Marxists (centered

around Lamantia) used to gather and argue every afternoon at the Savoy

Tivoli on Grant Street.

        Neeli Cherkovski, Bukowski and Ferlinghetti's biographer, was

another great friend of Lamantia's, and learned the poetry trade at

Lamantia's feet (after publishing little mags with Buk in LA).  Cherkovski

has a great chapter about Lamantia in his wonderful, sadly out of print book

WHITMAN'S WILD CHILDREN.

        If you need Neeli's address and phone, email me privately.

        P.S. Lamantia has a brand-new poetry collection out with City Lights.

        Best, Gerry Nicosia

=========================================================================

Date:         Tue, 17 Jun 1997 01:36:49 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: inspiration

Comments: To: dcarter@together.net

 

In a message dated 97-06-16 23:19:09 EDT, you write:

 

<<   When words come to someone fast and

 furious, so to speak, as many times when Ginsberg or Kerouac stayed up

 writing day and night, I think that is an inspired flow, and better left

 unrevised.  Students are too often taught that perspiration will make

 their work great.  That every revision is an improvement.  You can revise

 the hell out of something but if the breath of inspiration wasn't there

 to begin with, it won't improve it.  There are times when you must trust

 your own poetic vision.

 DC >>

 

while i agree i would have to say that the true test of whether something is

good or not is in whether you like it enough to keep it when you are

revising.

=========================================================================

Date:         Mon, 16 Jun 1997 22:47:38 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Philip Lamantia

Comments: To: Gerald Nicosia <gnicosia@EARTHLINK.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Gerald Nicosia wrote:

> 

> At 06:19 PM 6/16/97 -0700, you wrote:

> >Dear Experts, scholars and bookstore people, lurkers or not

> >

> >I find my mind returning periodically to Lamantia.  Does anyone know

> >what the current state of Lamantia scholarship is?  Is there any sort of

> >critical or biographical work?  What is in print?  My collection is

> >limited to the City Lights Pocket Poets #20--Selected Poems,(1943-1966)

> >and "A Touch of the Marvelous" which Four Seasons put out in '74.

> >

> >Who would be good primary sources to contact?  Is he still alive?  Don't

> >remember.  I remember meeting him in North Beach around '69.  My friend

> >Vale ran the building on Kearney where they both lived.

> >

> >Any help would be appreciated.  I will e-mail Vale who always knew

> >everybody in North Beach and will share information.

> >

> >James

> >

> Dear James,      June 16, 1997

> 

>         Lamantia is still alive, having survived a bout with throat cancer

> several years ago.  (He was a big cigar smoker, wonder if that contributed?)

> He is married to Nancy Peters, coowner of City Lights, though they always

> lived separately.  He used to live in the building on Filbert Street,

> bordering on Harwood Alley, now Bob Kaufman Place (west side of Harwood).

> Just up the first steep flight of stairs heading up to Coit Tower.

>         He is a great poet, much overlooked.  Never heard of anyone doing

> any serious book or article on him, though he used to publish in Franklin

> Rosemont's surrealist magazine out of Chicago for a long time, and was

> sometimes mentioned in other articles in that mag (I think it was called

> ARSENAL).

>         You can probably leave messages for him at City Lights, but he has

> been a reclusive for the past ten years or more.  I'm not sure of the

> current state of his health; he may be too sick to see visitors.  Someone

> who used to be very close to him is Chronicle columnist Stephen Schwartz,

> who was once a Trotskyist surrealist when a group of Marxists (centered

> around Lamantia) used to gather and argue every afternoon at the Savoy

> Tivoli on Grant Street.

>         Neeli Cherkovski, Bukowski and Ferlinghetti's biographer, was

> another great friend of Lamantia's, and learned the poetry trade at

> Lamantia's feet (after publishing little mags with Buk in LA).  Cherkovski

> has a great chapter about Lamantia in his wonderful, sadly out of print book

> WHITMAN'S WILD CHILDREN.

>         If you need Neeli's address and phone, email me privately.

>         P.S. Lamantia has a brand-new poetry collection out with City Lights.

>         Best, Gerry Nicosia

 

 

Gerry,

 

Thanks for the fact filled note.

 

I am toying with the idea of writing something on Lamantia.  Am also

working (very slowly) on a Lew Welch piece.  Not sure what form it will

take.  I would appreciate Nelli's snail and electronic addresses and

will try  to track down the piece. I should be able to find out the

current state of PL's accessability from my old friend Vale Hamanaka who

worked at City Lights for years until starting his  own ReSearch

publishing.  As I mentioned Philip wa living upstairs from Vale on

Kearney when I met him

 

Thanks for the help

 

James

=========================================================================

Date:         Mon, 16 Jun 1997 23:23:29 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      perplexed..

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Just so you know....I am a bit confused following some of these

> responses. Since I've never participated in a service such as this, I

> have no idea if this is a unique problem or list problem in general.

> Anyhow....I must admit I'm not sure if a question is being directed my

> way.  The subject heading will be re:lurker (something I had spewed out

> earlier) but since a number of people had chimed in during the interim,

> I have no idea if the last comment is directed at me since my name is at

> the heading or the prior comments from someone else.

> I am not ignoring any questions....but I don't think at times they are

> meant for me, despite the subject title.  Damnit! I want clarity! I'm

> having an epiphany...or make that an apoplexy right now!

> Sooo...I am lurker#234 (whatever random thing I chose)...but call me

> Barb...(the Mike on the address has no interest in literature unless it

> comes in the form of a mountain bike magazine...or infrared systems)

> For lit., I'm the one.   Thanks for listening.

> Barb

=========================================================================

Date:         Tue, 17 Jun 1997 02:56:12 -0400

Reply-To:     Bigsurs4me@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Cimino <Bigsurs4me@AOL.COM>

Subject:      Re: Insomniatic Musings #45

 

Race,

 

I was captivated by this whole Yahtzee flow.  The synapses and connections

really crackled for me.  Thanks for sharing it!

 

Also, being a big Seth fan myself I really liked the way that tied in with

Maya's bit about "creating our own realities'.  Now I'm flirting with making

me own little voodoo doll meself!

 

Who do

the voodoo?

You do!

 

 

Jerry Cimino

=========================================================================

Date:         Tue, 17 Jun 1997 06:11:59 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      my first night out as a poet/somewhat off list, but NOT really

In-Reply-To:  <97Apr20.100705-0400_edt.585909-171+4871@skywalker.microtec.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

back from plattsberg, ny and workshop/reading weekend

it was wonderful! even tho almost no audience, there were approx 8 of us

there, we didnt read in order, one person began, then the next bridged into

reading either because of name, idea, feeling expressed. more

conversational and worked wonderfully a magic circle of proetry

conversation, and wonderful poets!

as usual i was the only woman in the place. that's more than ok with me,

but does lead me to wondering..

the workshop was wonderful and i got a powerful pome our of it. we were at

art gallery, and after preliminary 'get rid of the internal censor'

exercises, we wandered about and wrote pome from reaction to art. here are

my two (first is bit of a doozy, and really scary to read outloud as, per

usual, my heart soul and autobiographical reality  came right out screaming

from the pages. also wrote of a woman huge, beautiful, blowsy, standing in

front of whirling merry go round.  oh, btw, could not have been treated

more kindly by craig czury and workshop leader, our very own michael

czarnecki, beginning with falling asleep on the ferry and almost being

brought back to my side of river, crew could NOT wake me up, the poets came

onboard and smiled onto me in some mystical fashion, and there i lay saying

oh you must be michael, and off we went. plattsberg is bit of armpit town,

trying to get its act together with the arts and especially coffehouse

reading scene again. and        GUESS WHAT!!!! i found a used bookstore

with huge collection of MAD MAGAZINES all in good shape. the published

poets (mike, craig) bartered their own poetry for books, including an

edition of kenner pound  as well as the rest. i was able to relax totally

and go with the flow. night of reading we went out to club afterwards, and

it GUSHED RAIN the wettest i have been fully clothed, i think, since i was

thrown in swimming pool on dupont estate, where poets were getting married.

plethora of poets i love it. ok here are my pomes:

 

poetry workshop with michael czarnecki

6/14/97

plattsberg, ny

 

exercise in word association. the inital word "vibrant" given by michael

and then we went to town, then made two poems from any three associated

words in a row (wonderful exercise which i will use whenever blocked or

bored! (oh yeah, everyone else wrote straight list of their words. when i

finished min i noticed it made an "m" sideways) also with out realizing it,

i came back to beginning.

 

alive!

        potent

                portent

                        message

                                bottle

                                        shattered

                                                pavement

                                                        diamonds

                                                                gutter

                                                        glitter

                                                superficial

                                        dead

                                spring

                        rebirth

                pain

awaken!

        vibrant

                alive!

                        aglow

                                love

                                        pure

                                                sullied

                                                        dead

                                                                lilacs

                                                        whitman

                                                father

                                        hatred

                                frightened

                        stifled

                fled

        alive!

again.

________________________

she fell to the pavement

        her diamonds no protection

                from guttersnipe life

 

 

when love has been sullied

        it is dead

                dont send me lilacs

__________________________

2 pomes while gazing at art:

 

6/14/97

workshop with michael czarnecki

plattsberg, ny

etching: in conclusion

artist: valerie patterson

 

In conclusion

 

you are twelve years dead,

        mother

yet nightly you rise from your grave

 

every night,

        mother

your face invades my dreams

 

wrinkled, corroded

        by years of disappointment

for which you have always blamed me

 

there are no laugh lines

        hidden in the creases

of your face

 

toothless old crone,

        i still fear your bite

 

in conclusion, mother

        each morning as i rise from my grave

you return to yours

 

 

marie countryman

@mc

 

6/14/97

workshop with michael czarnecki

plattsberg ny

painting: the carousel

artist: maureen McShane

 

 

carousel

 

Queen

of the carousel

 

with your mona lisa smile

eyelids closed in private ecstacy

 

standing

arms akimbo

with insolent grace

 

the horses dance for you alone

 

marie countryman

@mc

_______________

it was exhilerating to be treated as a POET in my own write

=========================================================================

Date:         Tue, 17 Jun 1997 14:09:38 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beat generation/Cantico di Frate Sole/S.Francesco

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Cantico di Frate Sole by Francesco d'Assisi (4 october 1226)

 

 

        Altissimu, onnipotente, bon Signore,

        tue so' le laude, la gloria e l'honore et onne benedictione.

 

        Ad te solo, Altissimo, se konfano,

        et nullu homo ene dignu te mentovare.

 

5       Laudato sie, mi' Signore, cum tucte le tue creature,

        spetialmente messor lo frate sole,

        lo qual'e' iorno, et allumini noi per lui.

        Et ellu e' bellu e radiante cum grande splendore:

        de te, Altissimo, porta significatione.

 

10      Laudato si', mi' Signore, per sora luna e le stelle:

        in celu l'ai formate clarite et pretiose et belle.

        Laudato si', mi' Signore, per frate vento

        et per aere et nubilo et sereno et onne tempo,

        per lo quale a le tue creature dai sustentamento.

 

15      Laudato si', mi' Signore, per sor'aqua,

        la quale e' multo utile et humile et pretiosa et casta.

 

        Laudato si', mi' Signore, per frate focu,

        per lo quale ennallumini la nocte:

        ed ello e' bello et iocundo et robustoso et forte.

 

20      Laudato si', mi' Signore, per sora nostra matre terra,

        la quale ne sustenta et governa,

        et produce diversi fructi con coloriti flori et herba.

 

        Laudato si', mi' Signore, per quelli ke perdonano per lo tuo

        amore

        et sostengo infirmitate et tribulatione.

25      Beati quelli ke 'l sosterranno in pace,

        ka da te, Altissimo, sirano incoronati.

 

        Laudato si', mi' Signore, per sora nostra morte corporale,

        da la quale nullu homo vivente po' skappare:

        guai a.cquelli ke morrano ne le peccata mortali;

30      beati quelli ke trovara' ne le tue sanctissime voluntati,

        ka la morte secunda no 'l farra' male.

 

        Laudate e benedicete mi' Signore et rengratiate

        e serviateli cum grande humilitate.

=========================================================================

Date:         Tue, 17 Jun 1997 09:11:53 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Eliot vs. Ginsberg (was Re: lurker speaks)

In-Reply-To:  <33A64298.3B0D@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:54 AM 6/17/97 -0700, Diane Carter wrote:

>James Stauffer wrote:

 

>> You seem to be falling for the myth of progress here. Is more recent

>> inspiration more legitimate somehow than an earlier inspiration?  As an

>> earlier poster pointed out well Eliot's early poems were revolutionary

>> and meet a reception from the lit establishment not that different than

>> the reaction to Howl.  Both were revolutionary poets in their times.

>> Forty some years later Howl isn't the newest wave either.  I think

>> literary history is about change, not a progressive revolution.  When I

>> go back and read Homer I don't regret the fact that he didn't have the

>> chance to reach Ginsberg's level of advancement.

>> 

>> J Stauffer

> 

>I am absolutely not saying that recent inspiration is more legitimate

>than earlier inspiration.  Every era has revolutionary poets/writers and

>they are all equally important.  I think I am just reacting to the

>classist mindset that would dismiss beat literature as secondary to other

>forms of twentieth century literature.

 

Diane--This reaction is exactly what prompted my post yesterday.  And I

think it's what prompted James's post.  (The remark about Homer is

excellent, and worth remembering.)  I agree that your remarks are a

"reaction to a classist mindset":  a reaction that (seems to me) diminishes

Eliot's work itself rather than going after those folks who would trash

Ginsberg (maybe in favor of Eliot) without reading beyond the first few

lines of *Howl*.  We have all met those types of cultural guardians.  I

have exhausted much bandwith on other literature lists with these folks.

For them, Eliot is a monument that poets like Ginsberg--and, by extension,

all of Allen's readers--would desecrate.  I don't buy their conception of

how readers and writers make literary history.  I think their view

fossilizes literature and culture, and does great disservice to the

substantive and energizing body of work produced by Eliot and Ginsberg.

 

>From my own biographical readings, I doubt that Eliot would have had any

desire, say, to hang out with Ginsberg in India and speak to enlightened

masters and feed monkeys from his hotel balcony.  And those who aspire to

be cultural guardians of Eliot and High Modernism would shrink from the

possibilities that Allen--and many of his readers--embrace.  But despite

their vastly different interests, both poets come together in my mind as

two of the most innovative and influential poets of the century.

>I don't suggest we don't read

>Homer or Shakespeare or Eliot, only that we recognize when the

>consciousness of poetry is enlarged by a broader vision that builds on

>the works of the past and moves both literature and language ahead.

 

For some readers (including me), Eliot says something similar to this in

his essay, "Tradition and the Individual Talent."  The essay is broad

enough to include a conception of "individual talent" that would appall

those who would monumental-ize and fossil-ize Eliot.  So what.  Let those

particular readers stew.  Remember Emerson, who reminds us that there is a

huge difference between "reading" and "creative reading."

 

>Genius is genius no matter what time period. And as far as a progressive

>revolution goes, the fact that you can read from Eliot on daytime radio

>and you still cannot read from Howl suggests that Ginsberg's

>contributions to literature are still misunderstood.

 

I agree.  This issue, again, seems to revolve around, as you say it, a

"misunderstanding" of Eliot's and Ginsberg's work--not something inherent

in the works themselves.

 

Tony

 

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

"Snakes look at you and nod at you and if you speak to a snake, a snake'll

speak to you. C-o-b-r-a.  A cobra is as big as your left hand or your right

hand, and from there it's as big as your arm, the muscles, and the muscles

of your upper arm, and they may be four to six feet long.  There's

different lengths of snakes, there's different types of snakes.  How many,

God only knows.  Our Lord Jesus Christ knows.  If you saw him, he could

tell you.  It's very rare that you see Our Lord Jesus Christ.  Very, very rare

. . . .  It's very rare that you see a snake."

--William "Fergie" Ferguson

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

=========================================================================

Date:         Tue, 17 Jun 1997 08:32:55 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      To those following Insomniatic Musings

MIME-Version: 1.0

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Content-Transfer-Encoding: quoted-printable

 

This comes next in the Firewalk Collection Copyright December 1992 David

B. Rhaesa

 

Shrink....this was typed in the same fit of attic poetry in the old

abandoned funeral home.  It is really a tribute to Eduardo Ricaurte and

the help he provided me.  Without Eduardo i=92d be gone i=92m certain.  I=

n

our negotiations over disability he made me promise to write an

autobiography someday.  perhaps this is something of a start.  by the

way, I did give a copy of the Firewalk Collection along with many  many

other writings to Eduardo so the =93not telling the shrink=94 part in his

case is obviously tongue-and-cheek.  also most of the comments about

flies are accurate as well.  I should confess that I have killed a fly

or two since this but no crickets that I can think of off hand.  the

best thing about crickets is when they sing along when you=92re playing

the guitar outside... like leading nature=92s choir.

 

SHRINK

My shrink says that my mind is like a Ferrari engine in a Volkswagen

chassis.  A Ferrari engine in a Volkswagen chassis.  What a metaphor!  I

thought.  My shrink often talks in car metaphors.  But I thought to

myself when he said the part about that Volkswagen that if it was a VW

van I think I=92d like to keep it the way it is.  I didn=92t tell him thi=

s

of course because he might think I=92m a little crazy but I=92ve always h=

ad

this thing about VW vans.  I was into them even before I=92d heard the

word Farfegnugen.

 

But the thing is, I=92m an idiot when it comes to automotive repairs.  I

don=92t even know how to fix the fuse on my left blinker that hasn=92t

worked since the day I got my car back from Jim=92s Autobody after $1200

worth of repairs for running into Jennifer=92s driveway curb.

 

I remember thinking all the times I=92d driven under the influence of

controlled substances and never hit anything.  Driving through LA rush

hour traffic trying to catch a plane ... After a New Year=92s party with

every hallucinogen known to man, woman or beast  .... and never hit

anything.  And now that I=92m straight as an arrow, I run into Jennifer=92=

s

curb.  But I digress.

 

I=92ve read Zen and the Art of Motorcycle Maintenance several times and

intellectually I understand the importance of auto repair to a balanced,

healthy life -- but my technophobia takes over and I just avoid left

turns and hope that my friend -- a woman who knows about cars and lots

of other mechanical stuff -- will help me out with it.

 

I don=92t like to admit that I=92m helpless, but I really don=92t get tha=

t

auto repair stuff and I hear that VW van engines need a lot of repairs.=20

Numerous people upon hearing my fantasy about the VW Van have looked at

me like I was crazy and said you really have to know how to do your own

auto repair.

BUT

If I had a VW Van with a Ferrari engine -- it might work and the fuses

on the left blinker would be from a Ferrari too so they=92d work and I

could drive around in my White VW Van just like Andrea=92s at Heritage or

Kimberly=92s who I met once, or the two that used to sit side-by-side

along the highway with one for sale sign and an unreasonably cheap price

tag on the road to Lincoln Nebraska.

 

But I didn=92t tell my shrink that I liked the idea of the VW chassis.  I

didn=92t think he=92d understand.  He=92s a nice man, but he=92s a little

divorced from the real world.  We were talking about music one day and

he asked me my favorite album.  I said: =93Dylan, =91Blood on the Tracks.=

=92=94=20

He said: =93Who=92s Dylan?=94  I remember thinking that maybe we needed t=

o

switch places.

 

I mean this guy thought the best guitar player of all time was some

classical spanish guy and I doubt he=92d ever heard of Robert Johnson or

jimi Hendrix or Jimi Page.  So how could he possibly understand that

some people might prefer a VW van to a Ferrari?

 

The thing you=92ve got to know about shrinks is that you really have to b=

e

careful how much you tell them.  They really think they=92ve heard it all

-- But I=92d guess my shrink -- like most shrinks -- thinks that all flie=

s

look alike.

 

=93Flies, Oh they all look alike,=94 he=92d say.

 

But we know that=92s not true.  For example - eye color.  Have you ever

noticed how many different colored eyes flies have?  I have.  And I

wasn=92t on drugs.  There are flies with fluorescent green eyes, flies

with blood red eyes, flies with black eyes and blue eyes.  In fact fly

eye color is far more diverse than human eye color.  So don=92t believe

the shrinks when they say that all flies look alike. =20

 

And if you watch a fly real closely -- don=92t swat it away, just watch i=

t

intently and don=92t send any threatening thoughts its way -- you=92ll fi=

nd

that flies are fascinating creatures. =20

 

Now I must admit, and please don=92t tell the doctor, that I have on

occasion talked to flies.  Not nearly as often as I=92ve talked to

crickets.  But on occasion I=92ve talk to them.  Now I couldn=92t say it =

was

a conversation but I did get the feeling that the fly understood that I

wasn=92t going to kill it that I believe that every fly has a right to

life.  But I can=92t be sure it was a conversation because the flies don=92=

t

talk back like the crickets do.

 

BUT -- they do rub their back legs together and flutter their wings in

something that appears to be orgasmic activity.  The crickets talk back

but they=92re pretty shy about their orgasms.  But crickets have a right

to life too.

 

So, I hope you=92ll join me in starting a movement for nonviolence agains=

t

flies and crickets and all other creatures.  And we=92ll all get together

in a VW Van with a Ferrari engine and we=92ll drive over to my shrink=92s

house and we=92ll put Dylan in the tape deck and introduce him to

reality.  We=92ll play Ballad of a Thin Man and let the Shrink play the

part and walk around the Van while we mumble along with Dylan

=93something=92s happening here and you don=92t know what it is, do you, =

Mr.

Jones.=94 ...

 

and the crickets will chirp along with the lyrics and their voices are a

little better than Dylan=92s ....

 

and the flies with their many colored eyes will fly around happy that

flyswaters were banned during the old revolution.

 

 

[the talk of crickets in shrink takes me back to sitting on the porch

playing guitar at Randy Brown=92s.  haven=92t spoken to him since he had =

my

car towed.  wonder how his children are these days.  I remember him

telling a story about kerouac teaching a high school class drunk once.=20

I told him many many many stories.  at the Mill and at his house when I

was splitting time between there and Dan and Mary=92s place because my ca=

r

broke down so I couldn=92t get to the farmhouse in the country and the

fleas took over in a Pharoahic like plague when I was gone.  ]

=========================================================================

Date:         Tue, 17 Jun 1997 09:48:58 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Insomniatic Musings

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <33A69207.57A8@midusa.net>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

Wow, RACE. That was so excellent, and I related to it so much, it feels

weird. How many of us on this list are in psychotherapy and on psychotropic

drugs? I know I am. How many of us are former (or current) substance

abusers? I love this list; I feel so at home.

        I dated a guy who drove a white Volkswagen Vanagon once. He was

schizophrenic. Ended up breaking up with me cuz' he thought I was an agent

for the government. He wanted to take the motor out of the Volkswagen and

build a small aircraft. You seem MUCH saner, RACE, but your poem certainly

brought back memories for me.

 

        And I certainly can relate to having a mind and soull that go 0-60 in 5

seconds trapped in living tissue that is more like a Ford Escort thatn a

Camaro.

*smile* Cheers. --Sara

=========================================================================

Date:         Tue, 17 Jun 1997 10:47:23 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

Comments: To: GYENIS@aol.com

 

In a message dated 97-06-17 04:29:59 EDT, you write:

 

<< 

 A again agree, but I do have this theory that you as a person can never

experience death and therefore live infinitely (as far as your consciousness

is concerned).

  >>

 

Right on!!

 Personally, I would add that reincarnation is not the soul changing bodies,

but the sort of death and rebirth of the 'soul' during changes in life (which

changes all the time) within the same body.

Since we cannot conceive of the absence of consciousness, it's absence does

not exist...consciousness is eternal. Like you said.

-----------maya

=========================================================================

Date:         Tue, 17 Jun 1997 11:26:57 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: lurker speaks

Comments: To: dcarter@together.net

 

In a message dated 97-06-17 08:27:52 EDT, you write:

 

<< 

 Ginsberg freed poetic language from the boundaries imposed by earlier

 poets, including Eliot. He took poetry to another level.  Is there

 something about that level that bothers you?

  DC >>

am not sure Eliot IMPOSED that many boundaries...probably broke more.  He

introduced the idea of weird metaphors for artistic effect ("like a patient

etherized upon a table") and used other images (and forms) endlessly copied

by the beats.  Yes, Ginsberg did create new criteria of what can be

considered poetry.  Now you can say "Ass ass asshole" and it's poetic.  Among

other things. Of course, I love him, bless his soul, and there are many

beautiful things he has written. But i guarantee he and the rest of the beats

would have been very different if it weren't for Eliot.  And i'm not sure

that "other level" you speak of wouldn't have happened without him.  I do,

however, think that Ginsberg should at least be mentioned in a class on 20th

century lit.  So should William S Burroughs.  And Kerouac.  They have such

different styles, yet they all have influenced literature in a way.  But I

would mention Eliot first, and if i had to chose between one or the other,

who has been more influential, I would choose Eliot.  (so sue

me)----------maya

 

=========================================================================

Date:         Tue, 17 Jun 1997 12:33:32 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Eliot & Ginsberg

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

MARK NOFERI wrote:

> 

> I was glad to come back from the weekend and read all the really fascinating

>  discussions going on - I wish I had

> been able to take part, it's things like this that really make the Internet

 fun.

> 

> On Eliot and Ginsberg - I've always found it slightly strange that Ginsberg

>  admires Eliot (which is the impression I get

> from the list, anyway), because Ginsberg was influenced so heavily by

 Williams,

>  and Wiliams specifically mentions

> Eliot as an example to move away from - too formal, too academic, too British,

>  too many veiled references. Instead,

> Williams focused on creating an American poetry, based on American voices

>  relating singuarly American

> experiences. Ginsberg took this a step further, eventually finding his own

 voice

>  to relate his own experiences.

> 

> So, open question -  did Ginsberg ever clarify this tension of admiring Eliot

>  somewhat, but being heavily influenced by

> Williams, who used Eliot as his example of everything _not_ to strive for in

>  poetry?

> 

> Mark Noferi

 

Other than a very short portion on Eliot in Ginsberg Verbatim which I

posted earlier in this discussion, I don't find anything by Ginsberg

that speaks specifically of Eliot.  A quick summary of that indicates

that he thought Eliot was formal, striving to create a work of art and

always adapting to someone elses form.  There is however lots of stuff

about the way he was influenced by Williams and Pound.  If anyone knows

of any essay where he spoke of Eliot in any detail, please post it.

DC

=========================================================================

Date:         Tue, 17 Jun 1997 11:44:51 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Hunter

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

In-Reply-To:  <199706170031.UAA18320@owl.INS.CWRU.Edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 16 Jun 1997, Diane M. Homza wrote:

 

> famous....this was one of them...I assumed Mr. Minister was making them up...

> since I have no clue who HST is to begin with, I couldn't judge...

 

Diane, please run, not walk to your nearest library/bookstore and get a

copy of "Fear and Loathing on the Campaign Trail 1972 (6?)" by HST.

It's a great read and I think you'll like the politics.  The style of

writing was revolutionary.

=========================================================================

Date:         Tue, 17 Jun 1997 08:58:56 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Walking Home Question

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Seven n the evenin.  Wishin thingsid even themselves out.  Ya gotta know

that im a private dick see always workin on a case see and im drunk see real

drunk c and im walkin home makin use of the whole breadth of the sidewalk

and parts of the gutter.  And two girls are sitting behind a fence and

smokin cigarettes and im lonely as usual so I offer them a beer which is

very out of the ordinary for me cause I have a tendon see witch makes me

greedy with beer.  One of the girls likes the offer.  Opens the gate.  Makes

a place for me on the grass beside her.  Usual get to know ewe stuff until

reluctantly eye mentions eye wants to be a novelist someday.  Damn eye.  Ewe

want a story.  Ewe want a story?  (Didn't really but eyes always willing to

listen)  Ive gotta a story for you.  There's this girl.  23.  Former

prostitute now HIV positive professionally.  Didn't mention ive heard that

story before but eye changes the channel and starts to wonder why all good

stories are so sad and painful and told cavalier like and why when she picks

up a long shawl and lifts it over her head and runs with a baby shes

suddenly the kinda girl I could love.  Why even if I wrote her biography itd

end up being all about me.  How she knows so much about me and I know so

much about her and I realize quick it's the beer telling a piece of the

truth of no peace.  And Eye Reel Lee only remember the shawl trailing in the

air by a creek thats floodin and fleedin and how im eternlly nternlly

bleedin.  Must mention that to the doc.

 

                                                   James M.

=========================================================================

Date:         Tue, 17 Jun 1997 12:14:45 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Insomniatic Musings

Comments: To: Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

In-Reply-To:  <3.0.1.32.19970617094858.00698be0@uoft02.utoledo.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 17 Jun 1997, Sara Feustle wrote:

 

> Wow, RACE. That was so excellent, and I related to it so much, it feels

> weird. How many of us on this list are in psychotherapy and on psychotropic

> drugs?

 

In the past I've taken no less than 6 different SSRIs, probably more. I made

a rear-window bumper sticker a few years back fashioned to look like those

typical college/university stickers except mine reads PSYCHOTROPIC STATE.

 

 

m

 

obBeat: came home drunk at 3am last friday, turned on pbs and watched a show

about dylan and the beatles. several flashes to old man ginsberg talking

about bob's lyrics.

=========================================================================

Date:         Tue, 17 Jun 1997 11:17:58 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Insomniatic Musings

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Stutz wrote:

> 

> On Tue, 17 Jun 1997, Sara Feustle wrote:

> 

> > Wow, RACE. That was so excellent, and I related to it so much, it feels

> > weird. How many of us on this list are in psychotherapy and on psychotropic

> > drugs?

> 

> In the past I've taken no less than 6 different SSRIs, probably more. I made

> a rear-window bumper sticker a few years back fashioned to look like those

> typical college/university stickers except mine reads PSYCHOTROPIC STATE.

> 

> m

> 

> obBeat: came home drunk at 3am last friday, turned on pbs and watched a show

> about dylan and the beatles. several flashes to old man ginsberg talking

> about bob's lyrics.

 

my experiences with psychotropic are somewhat related in "Beyond the

Haldol Haze: Confessions of a Pyschtropic Veteran", copyright Xmas 1992.

Soon after that i made a practice of checking into the hospital through

emergency where they didn't know shit and claiming an allergy to all

psychotropics.  the Doctors were angry but they got over it.  In my case

it is a sensitivity.  We've toyed with my brain sufficiently and found

that one-fourth of one milligram is adequate to combat a high-mania.  Of

course, that's not what they shoot in your ass as they tie you down in

the leather straps.

 

i've been somewhat interested in the psychiatric records of the various

beat authors.  i imagine those are harder to get than ..... oh well, i

imagine it's impossible or close.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 17 Jun 1997 11:30:32 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: seperated at birth?...

Comments: To: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

In-Reply-To:  <199706160328.XAA07510@owl.INS.CWRU.Edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 15 Jun 1997, Diane M. Homza wrote:

 

> >list. Hell yeah, Kerouac was gorgeous, everybody notices that, so what the

> >fuck's wrong with pointing it out, ya' know? People need to get a sense of

> 

> 

> compeltely off topic of the original message here, but I'm currently

> reading _Off the Road_, & there are pictures of both Kerouac & Neal

> Cassady...now this is compeltely superficial here, but am I the only one

> who thinks that the two guys look like they could be biological brothers?

> 

> Diane.

> 

> --

> Life is weird.  Remember to brush your teeth.

> --Heidi A. Emhoff

>                                                   ek242@cleveland.freenet.edu

>                                                   Diane M. Homza

> 

I just finished _Off the Road_.  Even though they may not have seen each

other as "biological brothers," there was a lot of discussion between the

two of them about their blood brother relationship.  Jack even saw Neal as

his lost brother Gerard in some respects.

Jenn Thompson

=========================================================================

Date:         Tue, 17 Jun 1997 12:54:00 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      last words..part 1(actual title: "Secrets")

 

this is the paper i wrote for my prof. but i have to send it in parts cause

it's long (each part is very different so even if you don't like this one

read the next one):

 

 

LAST WORDS

 

 

     I inhale colors, and I exhale bubbles that burst in your mind.

 Penetrating.  Bubbles with thin skins of words.

 

     I am jaguar, running in slow-motion.  Power, speed and agility,

razor-sharp claws and fangs.  I am Death incarnate; he who breathes in my

musky scent breathes in fear.

 

     Call me the high priestess.  My scriptures are so secret that only I

know them.  What I know, I am.

 

     Sometimes I am an eagle who rips out the heart with its talons and

raises it up to the sun.  No room for regret, sacrifices must be made to

ensure that the cycle of change will continue.

 

     I shed a skin with every word I say, every graceful move I make as I

dance.  Every movement grows out of the previous one, like a film in slow

motion where the body leaves ghost-traces as it moves...except now I leave

behind past selves.  The beating of the drum entrances me, pulsing through me

like a heartbeat; I follow my own footsteps.  All of eternity is contained in

a microsecond--flashes of color and I am convulsed with a thousand becomings.

 

 

     What I have been, what I have seen, only I know.  My heart belongs only

to me.  My secrets are dangerous, and the Lords would like to have me killed

because of them.  Like Xquic in the Popol Vuh, I made a fake heart out of the

sap of a tree and sent it to them.  This is how I freed myself of them.  When

they burned the heart, the smoke was sweet.

 

     I write my sacred poetry for all to see.  Behind the words is a secret

code that anybody can decipher if they make the effort.  Those who read it

are contaminated with its power.  It is also highly contagious.

 

     I leave clues everywhere, but not everyone can recognize them.  Or

interpret them correctly.  Before you can track an animal, you have to become

that animal, or you don't know what kind of signs it leaves behind.  Is it a

broken twig?  A footprint?  A musky smell?  You've got to think like the

animal.

(note: That's the same reason the best detectives are ex-criminals.  They've

been there.)

 

Having been so many selves, I know what kind of animal I'm dealing with.

 

     But it has taken me a long time to decipher my own heart; in fact, it is

a process that never ends.  It is a code that must be deciphered one word at

a time.

 

The first word revealed itself when all other meaning was gone....

 

 

        ~~~~*~~~

 

     It was New York at its most wretched, in the middle of February.  I

quickened my steps down the icy slope that led to my apartment building,

bringing my shoulders up so my scarf might reach my ears, struggling to

simultaneously keep my hands shoved as deep into my pockets as they would go.

 Ahead, Riverside Park was as grey as the rest of the city (had it ever been

green?).  Trees reached up like skeletal arms, and with bony fingers beconed

me towards the river beyond.  The wind pushed at my back, making my feet slip

forward on the frozen ground--it seemed as if all the elements were

conspiring against me on this cold, cold day, testing their power to break me

for their own amusement.  At last I rounded the corner onto Riverside Drive

and took refuge behind the large glass door or my building.  I stood for a

moment, shivering, and looked out once again onto the park.  The Hudson was

white, curving down at the ends like a grimace; through the bars of the

tree-trunks it really looked like a horrible monster showing its teeth.  As I

stood held in horrified fascination, the monstrous river answered me; I felt

its suffering at being frozen for so long, such sadness!  And

loneliness...LONELINESS!! and Yearning to feel even the tiniest morsel of

life move in its great belly once again...

 

     Slowly, I removed hands from pockets, pressing their faintly blue skin

against the warmth of my neck.  If only there was some sign of spring, this

would be enough sustenance to get me through the winter.  I turned and went

up stairs.

 

     Well, there WAS no sign, or rather, I could not see any.  All I could

see was the snow, I didn't think about the life that lay dormant underneath.

 Now I think, "How could I have been so blind? Snow-blind?".

 

     In my apartment, I sat on the floor next to the radiator.  I tired to

warm myself by its heat, and to console myself with the things I learned in

class.  In Painting and Scupture, I had become bored with straight

representation and started to explore the different effects that come from

putting disparate elements together.  I tried to see beyond the visual aspect

of things and create new, hybrid meanings.  Our painting teacher told us that

"The purpose of art is to make people happy".  The delight and bewildement I

felt for my work was shared by a few of my peers, but not by my parents.

 They called my work "morbid", "dark", "disturbing", and told me that it was

not good.  Where was the happiness I wanted so badly to give them?

 

     I had poured my soul into these paintings, and they had told me that

they were no good, and why couldn't I do something Useful.  I stopped

painting, and turned to my other passion, Anthropology, hoping that there was

at least one thing I could do right.  In Anthropology classes I was taught to

analyze by deconstructing.  In one seminar, we had to say why everything we

read was wrong.  We were not allowed to say that a text was acceptable.  I

tried hard, but there was one issue about which I felt very strongly that

this was not the right way to analyse it.  I was so convinced that I wrote a

paper about it.  My professor gave me the worst grade I had ever received,

and refused to talk to me about it.  I thought, "How can this person whom I

admire so much be wrong?"  I decided that I needed to change.

 

     Perhaps everything was constructed and arbitrary, after all.  All

meaning disintegrated in front of my eyes.  I was drowning in the absurd,

helpless.  I sank into an abyss of nihilism--"nothing is real".  There was no

point in anything any more, especially college.  What I had learned: my soul

is useless, and what I believed was real and good is not.  Since I was not

allowed, in this world, to see what I see and feel what I feel, I decided

that I wouldn't be part of it any more.

 

        ~~~*~~~

 

     It was warm, under the security blanket of oblivion.  Free to swim from

one memory to the next, little films of my life projected themselves in my

mind's eye.  Pain, and pleasure, were far away.  I didn't live in my body

anymore, but in liquid dreams, elusive and transitory like purple

incense-smoke of opium.  But always, in some dark corner of my mind, lurked

fear, and I had to plunge deeper into myself to ignore it.  Like a foetus,

avoiding the inevitable pain of birth.

 

     Until, one day, I reached the point where I had to choose between a

different existence or none at all.

=========================================================================

Date:         Tue, 17 Jun 1997 12:56:34 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Last Word (secrets) continued

 

        ~~~*~~~

 

        FIRST WORD

 

 

I SPY WITH MY LITTLE EYE SOMETHING THAT BEGINS WITH BE

 

IS IT GOOD? IS IT BAD? DOES IT MAKE YOU SAD OR GLAD?

 

  I don't know, I don't care

                   it doesn't touch me (anywhere)

 

::climbs into stone sarcophagus, lies down facing upwards. slowly shifts

heavy slab into place.

::when the lid is securely in place, it is airtight, and totally dark.

 

DO YOU FEEL IT IN YOUR BRAIN?  DO YOU FEEL IT IN YOUR VEIN?

 

    i do not feel it here nor there! nor ANYWHERE!

                  NOT IN MY BRAIN

                  NOT IN THE RAIN

                  ALL IS IN VAIN

                  I MUST BE INSANE.............

 

::suddenly, suffocation::

                  "For what dreams may come---"

 

     As a matter of fact, it was one of those "something horrible is chasing

me and its going to kill me" dreams.  They say these dreams are the peculiar

affliction of people who feel guilty about something, like when you're

avoiding a responsibility.

Anyway, I was running like a murderer...but from what?

     runnrunrunning running running running simultaneously from and after

something but I couldn't tell what it was

  all I knew was I HAD to catch up with it

                       or else...

     But it kept out of sight. It was just around the corner, a corner I had

not dared to round before.  The corner kept getting further and further away,

no matter how fast I ran-- it was just beyond my reach.  Running, running...

 

NOTHING'S HAPPENING

 

If I could just see what it was...I HAD to know.

 

(running)

 

I ran past the Point of No Return.  I only had one drop of energy left.

     I was running on empty.  "This is it", I thought.  One drop left. The

final stretch--after this, turning back is as good as death, I might as well

give it one, last, final PPUUSSHH....

 

        !!THEN SUDDENLY!!

 

OH, NO! As soon as horrified recognition crept in, i tried to look away, but

it was too late.

I was in it, surrounded by it, blinded, deafened by it.

 

it was the face of my mother

her face!

She's crying and it's my fault..

 

     In a convulsion of horror and fear and grief, I howled.

My underwater dream over.

 

     The air I now had to breathe scorched my lungs.

I felt like I was inhaling all the dust of the world.

 

        ~~~*~~~

 

     For three long days and three long nights I twisted in agony as forces

inside wrestled for control.  Absolute terror.  Every nerve in my body

stretched to the maximum, a Tug-of-War against myself.

 

A most cruel and violent exorcism.

 

     Sleep seemed further away than the sun is to the Underworld.  And the

COLD...

A thousand winters rushing through me.

 

     All the monsters and demons of Hell laughed evilly as they watched me

turn into ice.  One cell at a time chrystallizing.  A chain reaction.

     I saw my imminent doom as just another ice-statue in their trophy

gallery, fully conscious but forever cursed with the inability to

move...another victory for Doom.

     If only I could crawl out of this too-tight skin...

 

     If I killed myself, it would be another victory for them.

And my parents' grief...

     Could it be that I still loved? After all?

 

     The Destroyer laughed. "Fool!", said he, "Haven't you learned yet to

cast off that perfidious illusion?"

 

     "GO AWAY!", I screamed.

I put my hands over my ears and began to sing.

 

Destroyer: (laughs evilly)

         : (disappears in puff of smoke)

 

     Maya, or illusion, fighting for the most insane idea she could dream of,

which was to love.

 

        ~~~*~~~

 

On the 4th day I finally reached Sleep.

On the 5th day, I awoke: 1.Consciousness

                         2.Opened my eyes

                         3.Stood up on my new legs*

 

     *this took a long time. My new legs were weak, since I was used to

swimming and not walking.  I faltered and was unsteady at first, but soon got

used to it.

 

On the 6th day, the sun warmed me, and I decided it must be Spring.

 

On the 7th day, I looked at the world with my new sensory powers, smelled it

heard it felt it, and I saw that it could be alright, sometimes.

 

I took a deep breath, inhaling all the colors, and began to write, paint,

sing, dance, wildly so that I would never again forget what it means to be

alive.

 

        ~~~*~~~

=========================================================================

Date:         Tue, 17 Jun 1997 13:02:20 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      more

 

        SECOND WORD

 

 

     To give shape and color to your fear is to exorcise it out of you.

 Somehow by representing it you take away from its power.

 Sympathetic/Contact magic: 9 out of 10 shamans recommend it.

 

     The dance of creation and becoming is a dance of pain and laughter and

healing.  It is entrancing, contageous, powerful.  If you can help another

person heal, you might even transcend your own death.

 

     Art is a form of anarchy.  It defines itself by breaking rules and

showing that anything is possible.  Chaos is the mother of creation.  Do you

know the joy of seeing new things?  Poetry (visual art, music, writing) is

sacred in its power to delight and bewilder.  New connections of meanings,

profane illuminations, can be transmitted by manipulating the plane of

consistency.  Deleuze and Guattari: "The plane of consistency is the

intersection of all concrete forms.  Therefore all becomings are written like

sorcerers' drawings on this plane of consistency, which is the ultimate Door

providing a way out for them (p251)".  What we think of as the Oppressive

State is only one dimension out of thousands.

     How could I let my parents or a professor tell me what I can know and

what I cannot know, when I already know it?  From now on, I give them a fake

heart while I slip out quietly and get on with my REAL mission.  Like a

child, playing with everything and making Sense out of it; I refuse to be

rendered Useless by self-proclaimed authorities by submitting to their

cynical view of humanity and the world.  Laughter is a powerful weapon

against Doom, and I am determined to arm as many people as possible.  There

is a revolution under way, and the human soul is at stake.  At least now I

know I'm on the right side.

 

        DREAMS VS. THE DREAM POLICE

 

 

     We need a new language, we need tools for understanding understanding

itself.  Man's very existence depends on it.  We need a change of direction

in the way we see the world.  A change away from the mechanistic world view.

 

 

     "We dream of a world in which nature is seen as alive, in which the

imagination permeates all reality, in which animals and plants are seen as a

part of the living texture, the living components, the cells in the life of

Gaia..."--Rupert Sheldrake

 

     "John Cage, interviewed in San Francisco, discusses his art, music and

views on the human condition.  Following his growing interest in Eastern

philosophies, he began integrating an element of chance into his work"

 

     "At his home in Brussels, Ilya Prigogine, the `poet of thermodynamics,'

speaks about his theories which have revolutionized science.  His work on

irreversible non-linear processes that simultaneously create both order and

disorder radically challenges our views on time and space."

 

     "The flutter of the moth's wing can trigger the hurricane.  This is not

a poetic statement.  This is the fact of the matter within this kind of

description of nature.  In other words, very small changes create cascades

into where whole states shift and are perturbed."--Terence McKenna

 

     "The most beautiful emotion we can experience is the mystical.  It is

the sower of all true art and science.  Those to whom this emotion is a

stranger...are as good as dead."--Albert Einstein

 

     Consciousness=the world.  There is no clear distinction between inside

and out.  We are connected to everything, good and bad, and everything is

connected to us.

 

        ~~~*~~~

=========================================================================

Date:         Tue, 17 Jun 1997 12:01:54 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: Walking Home Question

Comments: To: James William Marshall <iamio@MAIL.NETSHOP.NET>

In-Reply-To:  <199706171558.IAA05459@freya.van.hookup.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 17 Jun 1997, James William Marshall wrote:

 

> Seven n the evenin.  Wishin thingsid even themselves out.  Ya gotta know

> that im a private dick see always workin on a case see and im drunk see real

> drunk c and im walkin home makin use of the whole breadth of the sidewalk

> and parts of the gutter.  And two girls are sitting behind a fence and

> smokin cigarettes and im lonely as usual so I offer them a beer which is

> very out of the ordinary for me cause I have a tendon see witch makes me

> greedy with beer.  One of the girls likes the offer.  Opens the gate.  Makes

> a place for me on the grass beside her.  Usual get to know ewe stuff until

> reluctantly eye mentions eye wants to be a novelist someday.  Damn eye.  Ewe

> want a story.  Ewe want a story?  (Didn't really but eyes always willing to

> listen)  Ive gotta a story for you.  There's this girl.  23.  Former

> prostitute now HIV positive professionally.  Didn't mention ive heard that

> story before but eye changes the channel and starts to wonder why all good

> stories are so sad and painful and told cavalier like and why when she picks

> up a long shawl and lifts it over her head and runs with a baby shes

> suddenly the kinda girl I could love.  Why even if I wrote her biography itd

> end up being all about me.  How she knows so much about me and I know so

> much about her and I realize quick it's the beer telling a piece of the

> truth of no peace.  And Eye Reel Lee only remember the shawl trailing in the

> air by a creek thats floodin and fleedin and how im eternlly nternlly

> bleedin.  Must mention that to the doc.

> 

>                                                    James M.

> 

        Thank you for contributing this piece!  It's sort of a mixture

between Lawrence and Kerouac's treatment of sexual relations/tensions.

The honesty and symbolism in this piece is wonderful.  Keep up the

creative work.

Jenn Thompson

=========================================================================

Date:         Tue, 17 Jun 1997 13:02:55 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      last part

 

        THIRD WORD

 

 

     Having said all this, which is nothing new, I will now attempt to

understand how it relates to the present, post-modern world of global

capitalism and its discontents.

 

 

THE STATE AS MASK.  ART AS SACRILEGE.  DEFACEMENT AND SECRECY.  WHERE IS THE

HUMAN BEING BEHIND THE MASK? DEMYSTIFYING THE SATE. CAPITALISM AND

SCHIZOPHRENIA.

 

     Are we a nation of paranoid schizophrenics?  Conspiracy theories run

wild.  Aliens, Communists, Shiite fundamentalists, immigrants, cults; these

are only a few of the faceless multiplicities that threaten our existence,

according to many Americans.  They move stealthily among us, secretly

disguised as our neighbors.  They are dangerous and want to kill us.  As a

result, we actively seek out signs of non-conformity and target the

suspicious subject with derision and loathing until they shrivel up and die.

 This method is very effective, but of course a few tough ones do slip

through sometimes....

 

     This attitude, which most anthropology students would condemn, is

nevertheless supported by the most liberal of my peers.  I am constantly

hearing them talk about an evil, all-emcompassing System, which they spend

all their time denouncing and fighting against.  It is sometimes referred to

more specifically as `The government', `Capitalism', `the CIA'.  What is this

all-powerful and mysterious mechanism that rules their lives and on which

they base their very identities by opposing?

 

     Of course it is necessary to criticize the government, but being

systematically anti-system is to give it much more importance than it really

has.  It adds to its mystery and power.  How much does the `System', for a

Columbia College student, REALLY control our lives?  Compared, for example,

to a victim of the Death Squads in Guatemala?  I have many problems with

mainstream society, the government and its policies, and consumerism.  But

for change to really occur, it is necessary to influence the thought of the

people in charge, not to antagonize them with indiscriminate vilification.

 This only makes people strike back, like cornered animals.

 

     To demystify this System, we must first realize that there are people

behind it, pulling the levers.  Change is possible is 2 major ways:

 

         1. Infiltration.  Get a job in the military, government, CIA, major

corporation or some other institution you abhor.  Then do things your way,

with humanism and an open mind.

 

         2. Contagion.  Make poetry, art, films, plays, music that show reality the

way you see it.  Broadcast it, write it on walls in public places, make sure

as many people see it as possible.  Preach the joy of creation, on street

corners.  If it sticks in just a few peoples' minds, it might make a

difference.  If you can expand some peoples' consciousness they will act more

humanely, and perhaps take responsibility for their actions.

 

   The main point is subtlety and secrecy.  Although your motives may be

subversive, it is important to appear harmless to the institution you are

trying to change, or you will always remain in opposition to it and thus

powerless against it.  If you can learn to think like the animal, and if you

are quiet enough, it will be at your mercy and not the other way around.

 

    I wish I could tell that to the old man who pickets in front of the

Federal Building in New Orleans, LA.  His sign reads, "FREE HARRY GOLDGAR,

TELEPATH".  If you read the flier he hands out, it becomes apparent that HE

is Harry Goldgar.  Here is the flier:

 

(i will post this when i get a chance to type it up)

 

 

 

     At earlier points in my life, as described at the beginning of this

paper, I would have agreed with Harry completely.  Now, I realize that it is

not up to `Them' (AKA The System) to demystify Their goals and procedures.  I

refuse to admit Their control over me by blaming Them for my problems.

 

        ~~~*~~~

 

        CONCLUSION

 

 

1.  Don't let anyone tell you that you cannot see what you see, believe in

what you see, or love what you see.  Those people are cynical and, by

definition, beyond hope.

 

2.  Chaos is the mother of creation and there is no love stronger than what

you feel for your own creations.  Therefore, love is Chaos, which is your

mother;  stability and security are dangerous illusions that can destroy you.

 

3.  Change is not only possible, but also continuous and unstoppable.  If you

can dream of something, and you pass it on to another person, it might come

true.

 

4.  You are much more powerful and real than the `System' if you know this.

 

 

        ~~~*~~~

 

     "The important thing about art is that it makes people aware of what

they know but don't know they know ... This breakthrough results in a

permanent expansion of consciousness."

                                                                --William S. Burroughs

 

     "I call for a theatre in which the actors are like victims burning at

the stake, signalling through the flames."

                                                                --Antonin Artaud

 

 

 

 

        BIBLIOGRAPHY

 

 

 

Burroughs, William Seward.  The Western Lands.  New York: Penguin       Books,

1988.

 

Canetti, Elias.  Crowds and Power.  New York: Farrar, Strauss and       Giroux,

1995.

 

Deleuze, Gilles; Guattari, Felix.  A Thousand Plateaus.  Translated     by Brian

Massumi.  Minneapolis, MN: University of Minnesota      Press, 1994.

 

Kafka, Franz.  The Metamorphosis.  Translated by Willa and Edwin        Muir.  New

York: Schocken Books Inc., 1988.

 

Goetz, Delia; Morley, Sylvanus.  Popol Vuh.  From the translation       into

Spanish by Adrian Recinos.  Norman, OK: University of   Oklahoma Press, 1991.

 

Taussig, Michael.  Mimesis and Alterity.  New York: Routledge,  1993.

 

Taussig, Michael.  Shamanism, Colonialism and the Wild Man.     Chicago, IL:

University of Chicago Press, 1991.

 

Warren, Kay B.  The Violence Within.  Boulder, CO: Westview Press,      1993.

=========================================================================

Date:         Tue, 17 Jun 1997 09:30:28 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Philip Lamantia

Comments: To: stauffer@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

> 

> Dear Experts, scholars and bookstore people, lurkers or not

> 

> I find my mind returning periodically to Lamantia.

 

  Is he still alive?

> Any help would be appreciated.

> James

> .-

 

I had a very pleasant chat with Phillip about a month ago on Grant Ave

on the North Beach. He seemed in relatively good health at the time,

although his throat may have been giving him some problems. I have no

info regarding your other questions.

 

BTW, If anyone who has written to me did not receive a reply, it is

because I didn't get it. I was gone for a month and most of my email was

lost. Maybe of interest to travellers: I thought I could get my email

through Hot Mail from anywhere so I did not unsubscribe from the list.

My provider kept all the mail, but the memory allocated to Netscape was

outmatched after missing just a few days, and after that it couldn't

retrieve anything at all! When I returned after a month about 1500

messages had to be destroyed before my mail clients could accept email

again.

 

It is nice to see our list buzzing with soul searching thoughtfulness.

 

Leon

=========================================================================

Date:         Tue, 17 Jun 1997 10:55:08 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Test

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Checking connection

=========================================================================

Date:         Tue, 17 Jun 1997 14:52:56 -0400

Reply-To:     Bruce Hartman <bwhartmanjr@INAME.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      Been a long time. . .

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Welcome back, Leon!  Got any road stories for us?

 

Bruce

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Tue, 17 Jun 1997 19:27:04 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: more drugs and enlightenments

 

In a message dated 97-06-16 15:31:39 EDT, you write:

 

<< Be careful

 what you wish for, says Burroughs, you might get it.  >>

That old saw doesn't belong to Burroughs; it originated with Oscar Wilde and

some others.

Charles Plymell

=========================================================================

Date:         Tue, 17 Jun 1997 18:31:39 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: more drugs and enlightenments

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-06-16 15:31:39 EDT, you write:

> 

> << Be careful

>  what you wish for, says Burroughs, you might get it.  >>

> That old saw doesn't belong to Burroughs; it originated with Oscar Wilde and

> some others.

> Charles Plymell

 

in these parts it was be careful what you pray for - you might get it.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 17 Jun 1997 19:52:59 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: lurker #254

 

In a message dated 97-06-17 00:19:39 EDT, you write:

 

<< I would like to know, however, how you

 characterize your own poetry.  Did any poets in particular influence you?

 I decided to say influence instead of inspire.  What do you see as the

 most important things that have happened in poetry in America, from say

 the forties till now?  Just curious. >>

 

DC:

You said inspiration makes one poetic. You might want to read my poem

Oxybiotic Will Make You Neurotic at WWW.BUCHENROTH.COM/CORNIXOXY.HTML. At 450

words per minute should make you flash (if it comes through right). You can

read other poems at www.buchenroth.com/cplymell.html especially Vernal

Equinox which happened as a dream at the very same time Allen dreamed of his

mother. One night in Washington Allen had read his poem about his mother

before he sent it to the NY Times for publication and I showed him the poem I

had written about my father since it was the exact same time of inspiration

for us both. He looked it over and suggested some changes. I published it

around and received lots of comments about it.  It would have been futile for

me to have sent it to the NY Times however. I wrote another poem In Memory of

My Father about which Allen said was one of the best elegies in the English

language.

My influences are about the same as everyone's in my generation, the Possum,

Pound, Allen, Harte Crane, Whitman. However, in contrast to Allen I thought

Williams and Olson were bores. I read Rexroth's translations mainly. Didn't

see much in the St. Mark's poets other than Jim Carroll. Didn't care for the

Beats as a whole, my favorite is Taylor Mead.

I think Allen's use of his stage was an eye opener and kept poetry free from

the academe for a while. Unfortunately Allen had to carry the baggage that he

packed which eventually dragged him down I think. For instance, Whitman's

breadth of compassion I felt was beyond the politics of the Civil War but

expressed the suffering and frailty of human action and spirit. I never got a

sense of religion in Pound's work though I felt he was more comfortable with

many gods. Ginsberg fell victim to politics and religion while greater poets

placed them in their more arbitrary roles. That is not to say that a poet

like Milton did not benefit by his religious lines, but I didn't feel he was

necessarily using his poetry to proselytize. Even his lines were imagistic

for his time. For example: "And all the spangled host keep watch in squadrons

bright?" is as pure an image if not surreal as Crane's "and a serpent swam a

vertex to the sun/ on unpaced beaches leaned its tongue and drummed." All

these lines are from memory so they may not be exact. BTW have you read me at

all?

Charles Plymell

=========================================================================

Date:         Tue, 17 Jun 1997 20:05:59 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      that old conciousness again

 

In a message dated 97-06-17 01:29:30 EDT, you write:

 

<<  I don't suggest we don't read

 Homer or Shakespeare or Eliot, only that we recognize when the

 consciousness of poetry is enlarged by a broader vision that builds on

 the works of the past and moves both literature and language ahead. >>

DC:

I think that conciousness was enlarged by their broader vision when their

poetry was built. That's why it still moves both literature and language.

Back to Pound's definition that literature is news that stays news. And the

word "ahead", isn't there some neat little Taoist or Zen trick I could pull

here, like pulling the tablecloth out from under the servings, leaving them

in place?

Charles Plymell

=========================================================================

Date:         Tue, 17 Jun 1997 20:19:43 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Memory Babe

 

In a message dated 97-06-17 02:23:01 EDT, you write:

 

<< Me, I will side with WSB.  BTW, if anyone is in touch with Bill, Hal

 Norse asked about him and his health.  He also asked me to pass that

 along.  If you do and WSB replies, I told Hal I would mail it to him.

 

 "This is the Kerouac I knew, his sufferings and his exultations, his

 elusive charisma and his maddening moods.  At last he has been treated

 as the serious, searching soul he was.  A great writer and a great

 biographer have come together, and the result is a book that is

 essential for anyone interested in the development of postwar American

 Literature."

 

 John Clellon Homes

 

 I think these two men know what they are talking about.  To think that

 some biographer would attempt to write a biography about Jack Kerouac

 without examining in detail Gerry's archives seems to me to be a joke.

 Gerry told me that a better book will be written by the person who can

 gain access to the notebooks of Jack, without restrictions by third

 parties, and to his archives.  He also said he hopes it happens as his

 work is what it was for the times it came out.

 

 It does not sound like to me the remarks of an ego driven man solely

 interested in his own fame.  He has moved on to other subjects. >>

 

I just started reading Memory Babe. The first two pages tell me that it will

be a greatly written book.

Please tell Hal Norse that my son and I visited Burroughs late last month. He

had just had eye surgery but could see well. I showed him a post I had

printed. He was chirper as ever. Couldn't sit still. We had just come from

Missoula. He said his father used to take him fishing up there. He was going

out shooting the next day into a steel cut out figure a fellow had brought

with some guns that had been mangled. Bill looked at the guns and muttered

something to the effect ... why would they want to do this. Never saw anyone

that old that healthy. Still has a mischievious spark in his otherwise

distant eyes like a kid who'll be up to something if you don't watch him.

Charles Plymell

=========================================================================

Date:         Tue, 17 Jun 1997 20:27:50 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Epiphany in kerouac

 

In a message dated 97-06-17 05:25:25 EDT, you write:

 

<< Watts may have been a better Buddhist; Kerouac more confused; but

 clearly Kerouac had the larger soul. >>

Gerry:

The last time I saw Watts was in the mineral baths in Big Sur. I didn't

notice how big his soul was because I was looking at all the women who were

bathing with him.

Charles Plymell

=========================================================================

Date:         Tue, 17 Jun 1997 20:46:19 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      levels

 

Rinaldo:

You are on more levels than an elevator.

Charles Plymell

=========================================================================

Date:         Tue, 17 Jun 1997 20:59:29 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: To those following Insomniatic Musings

 

Race:

I hope your johnson rod doesn't fall off.

C. Plymell

=========================================================================

Date:         Tue, 17 Jun 1997 21:14:05 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Zen commandments

 

In a message dated 97-06-17 01:29:30 EDT, you write:

 

<<  I don't suggest we don't read

 Homer or Shakespeare or Eliot, only that we recognize when the

 consciousness of poetry is enlarged by a broader vision that builds on

 the works of the past and moves both literature and language ahead. >>

DC:

I think that conciousness was enlarged by their broader vision when their

poetry was built. That's why it still moves both literature and language.

Back to Pound's definition that literature is news that stays news. And the

word "ahead", isn't there some neat little Taoist or Zen trick I could pull

here, like pulling the tablecloth out from under the servings, leaving them

in place?

Charles Plymell

trying to resend as was rejected.

=========================================================================

Date:         Tue, 17 Jun 1997 21:18:09 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: more drugs and enlightenments

 

In a message dated 97-06-17 19:46:24 EDT, you write:

 

<< in these parts it was be careful what you pray for - you might get it >>

Thank you Jeazshus.

C. Plymell

=========================================================================

Date:         Tue, 17 Jun 1997 21:53:30 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      the old gun and the odd gun

MIME-Version: 1.0

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Dear plymell, I appreciate your voice, your lack of sanctomony is a

blessed event. My vote is for you to Never hesitate to tell us tales of

your travels and impressions. You have seen and noticed many of those

day to day events that place much in context for me.

 The boys and i  were talking about the future of the magazine , i

venture the opinion that with the net the art will become multimedia,and

more mobile, that a poem will be more than illustrated but

accomppanied.  I am so excited by the forms that words have taken in

front of me, the buchenwald site an excellant example, the getting to

know rinaldo suggests a smaller more intimate world than i dreamed of

before the net.

p

=========================================================================

Date:         Tue, 17 Jun 1997 22:06:37 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: the old gun and the odd gun

MIME-Version: 1.0

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Patricia Elliott wrote:

> 

> Dear plymell, I appreciate your voice, your lack of sanctomony is a

> blessed event. My vote is for you to Never hesitate to tell us tales of

> your travels and impressions. You have seen and noticed many of those

> day to day events that place much in context for me.

>  The boys and i  were talking about the future of the magazine , i

> venture the opinion that with the net the art will become multimedia,and

> more mobile, that a poem will be more than illustrated but

> accomppanied.  I am so excited by the forms that words have taken in

> front of me, the buchenwald site an excellant example, the getting to

> know rinaldo suggests a smaller more intimate world than i dreamed of

> before the net.

> p

 

i agree with this, but -

there is something so distinct about the intimacy one feels staying in

the B.Plymell bedroom at the new Beat Hotel in Lawrence that the

Internet cannot ever replace in my mind.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 17 Jun 1997 20:13:02 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Beat generation/Cantico di Frate Sole/S.Francesco

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Rinaldo Rasa wrote:

> 

>         Cantico di Frate Sole by Francesco d'Assisi (4 october 1226)

> 

>         Altissimu, onnipotente, bon Signore,

>         tue so' le laude, la gloria e l'honore et onne benedictione.

> 

>         Ad te solo, Altissimo, se konfano,

>         et nullu homo ene dignu te mentovare.

> 

> 5       Laudato sie, mi' Signore, cum tucte le tue creature,

>         spetialmente messor lo frate sole,

>         lo qual'e' iorno, et allumini noi per lui.

>         Et ellu e' bellu e radiante cum grande splendore:

>         de te, Altissimo, porta significatione.

> 

> 10      Laudato si', mi' Signore, per sora luna e le stelle:

>         in celu l'ai formate clarite et pretiose et belle.

>         Laudato si', mi' Signore, per frate vento

>         et per aere et nubilo et sereno et onne tempo,

>         per lo quale a le tue creature dai sustentamento.

> 

> 15      Laudato si', mi' Signore, per sor'aqua,

>         la quale e' multo utile et humile et pretiosa et casta.

> 

>         Laudato si', mi' Signore, per frate focu,

>         per lo quale ennallumini la nocte:

>         ed ello e' bello et iocundo et robustoso et forte.

> 

> 20      Laudato si', mi' Signore, per sora nostra matre terra,

>         la quale ne sustenta et governa,

>         et produce diversi fructi con coloriti flori et herba.

> 

>         Laudato si', mi' Signore, per quelli ke perdonano per lo tuo

>         amore

>         et sostengo infirmitate et tribulatione.

> 25      Beati quelli ke 'l sosterranno in pace,

>         ka da te, Altissimo, sirano incoronati.

> 

>         Laudato si', mi' Signore, per sora nostra morte corporale,

>         da la quale nullu homo vivente po' skappare:

>         guai a.cquelli ke morrano ne le peccata mortali;

> 30      beati quelli ke trovara' ne le tue sanctissime voluntati,

>         ka la morte secunda no 'l farra' male.

> 

>         Laudate e benedicete mi' Signore et rengratiate

>         e serviateli cum grande humilitate.

 

 

Rinaldo--

 

Here in the suburbs of San Francisco--wishing I could read Italian--

Not just figure out what I can from my vestigial Spanish and French

correlates--

 

Drinking good tequila tho (100 percent agave azule--Cabrito), and even

better GHB--not beeten and not bowed.

 

Say hello to the ghost of Ezra Pound for me

 

Just read Kaufman's poem on the City of San Francisco taking down the

statue of St. Francis by Benny Buffano that used to stand in front of

the church of St. Peter and St. Paul and North Beach of San Francisco

when Jack and all were there.  Remember the statue myself. Hatched a

wild plan for stealing it, but never did.

 

AFTERWARDS, THEY SHALL DANCE

 

In the city of St. Francis they have taken down the statue of                   St.

Francis,

And the hummuingbirds all fly forward to protest, humming

        feather poems.

 

 

Bodenheim denounced everyone and wrote.  Bodenheim had

        no sweet mariujana dreams,

Patriotic muscateleer, did not die seriously, no poet love to

        end with, gone.

 

Dylan took the stones cat's nap at St. Vincent's, vaticaned

        beer, do defense.

The poem shouted from his nun-filled room, an insult to the

        brain, nerves,

Save now from Swansea, white horses, beer birds, snore

        poems, Wales-bird.

 

Billy Holiday got lost on the subway and stayed there

        forever,

Raised little peace-of-mind gardens in out of the way

        stations,

And will go on living in wrappers of jazz silence forever,

        loved.

 

My face feels like a living emotional relief map, forever wet.

My hair is curling in anticipation of my own wild gardening.

 

But Edgar Allan Poe died translated, in unpressed pants,

        ended in light,

Surrounded by estatic gold bugs, his hegira bless

        by Baudelaire's orgy.

 

Whether I am a poet or not, I use fifty dollars worth

        of air every day, cool.

In order to exist I hide behind stacks of red and blue poems

And open little sensous parasols, signing the nail-in

        the-foot song, drinking cool beatitudes.

 

>From "Cranial Guitar" edited by Gerry Nicoscia.

=========================================================================

Date:         Tue, 17 Jun 1997 22:19:17 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: the old gun and the odd gun

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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RACE --- wrote:

> 

> Patricia Elliott wrote:

> >

> > Dear plymell, I appreciate your voice, your lack of sanctomony is a

> > blessed event. My vote is for you to Never hesitate to tell us tales of

> > your travels and impressions. You have seen and noticed many of those

> > day to day events that place much in context for me.

> >  The boys and i  were talking about the future of the magazine , i

> > venture the opinion that with the net the art will become multimedia,and

> > more mobile, that a poem will be more than illustrated but

> > accomppanied.  I am so excited by the forms that words have taken in

> > front of me, the buchenwald site an excellant example, the getting to

> > know rinaldo suggests a smaller more intimate world than i dreamed of

> > before the net.

> > p

> 

> i agree with this, but -

> there is something so distinct about the intimacy one feels staying in

> the B.Plymell bedroom at the new Beat Hotel in Lawrence that the

> Internet cannot ever replace in my mind.

> 

> david rhaesa

> salina, Kansas

I have place a guest book by the bed, and a large peice of drywall with

chalks and markers in case the next vagrant is an artist.  All the gals

said you were a sweetie.

p

=========================================================================

Date:         Tue, 17 Jun 1997 23:58:03 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Found an old poem that scared me.  But here goes.

MIME-Version: 1.0

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I found this on an old computer disk tonight, so I figured I better do

something with it before it seeks revenge upon me.  David, keep on

pumping and plumbing man.

 

Peace,

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

 

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This twisted loneliness stretches out like some stranger that is sucking the

 life right out of me.

 

I try to have hope but the future does not appear in the vision.  It all seems

 so close up and emeshed that I am suffocating upon myself.

 

There is only one life, one opportunity and I have almost blown this one.  How

 do I escape, or better yet, live through this and drop the pain, the excess

 baggage that is surely breaking my back?

 

It seems so dark, so horrible that I am afraid of my soul, or afraid for it.

 Who knows?

 

I wish that someone could explain this to me or at least let me in on what is

 going on around here.  But, I think that we all have to, I have to , learn it

 on my own.

 

So, hey give me a break or two, and I'll try to do the same for you.

 

Try and help me understand where this feeling of terror and lostness comes from.

  Are we really from a gone world?  Is really all this bad?  Or, is it just me?

 I do not know.    But at last, I'm going to try to find out.

 

Thank you too!

 

--------------D100D98B7EEAA64E8AA856EB--

=========================================================================

Date:         Wed, 18 Jun 1997 00:08:55 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      songs

 

HEY!!!!

been tryin' to meet you.

Must be the devil between us,

or holes in my head,

Whores in my bed,

But Hey.

Where, have you, been?

If you go, i will surely die!

We're chained, we're chai....ained

We're chai...ai...ained

 

didn't you hear my screams?

but you were in my dreams!

you buy me a soda...and try to molest me in a parking lot.

She's my fave,

undressing in the sun.

return to me, cold.

forgiving everyone.

 

got me a movie

i want you to know

slicin' up eyeballs

I want you to know

Girl you're so groovy

I want you to know

Don't know about you

but I wanna....... be your dog.

 

A tattooed tit, says number 13.

Your daddy was a mother's son, she whispered in my ear.

If things get bad, we'll go to California.

Vamos a jugar por la playa.

 

---------from songs i listened to today, mostly the Pixies.

-----maya

=========================================================================

Date:         Tue, 17 Jun 1997 22:13:31 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Two Streams of Consciousness

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

First of all Id like to no what happened to Chuck.  Was it that last batch

or was it the one before that.  I don't want to throw stones but theres a

beautiful serene lake thats calling the flat stones and chuck is floatin wit

an inner / outer tube round his waist thats wasted and provides an example

for allthose who consider being sheep instead of rams.  I enjoy more than I

detest but I confess that the inanity of it all has me drinking tall.

 

                                                        short short example

of intelligent life.  havnt red th list b.for this. de facto onlee red a

canadian lit server b.for.       isolation.   yep thats we canlit types. th

only beating ive dun was aparentlee pleasent.

        wut th hell r we relee nibblin here on each others ears fer n.e ways

huh? yeh sure may.b its a nice sensayshun but fer krysts sake nuthin. just

nuthin. iduno ware th hell that wuz goin. may.b i 2 shud shoot my livr to

fuk n liv to hell n b to limits uv flesh n write a shnazee novel r poetree

cycle bout it but to wut ends.

 

 

                fuk i shud eet sumtime but i dont want to go thru th trubl

 

i kwote

 

i dont kwote

 

y bothr kwoting when theres so manee words that i kant keep trak uv n too

manee thots that i dont giv a fuk bout n all these brains n so much cells n

so manee caring b.ings that its all overwhelming n i (we, for i wont let th

"othr" get his shot in th dark) its impossible to keep trak yet we do sumhow

dont we? creeating ideeologies out of air n bits n bytes likher

nikoteenagers floating around in ileegalities ignored by all yall stuk

inside yerselvs not caring to leev th loops uv yester(right fukin NOW)day.

 

next

 

                thanx.  gotta get another beer.l  HE QUOTES HIMSERLF YEP.

CUZ HE S A SERLF A GODMAN SUMBITCHIN SERLF

                                and Ill always b a minion to your opinions

but dont care for caring cause caring ll only get you hurt n the end and the

end is necessitated by a beginning so i dont c wat the fusss bout.  were all

gonna take that which weve heard or learned or weaved into a semi truth to

the grave and a grave grave itll b since we exalt life the hole (freudian)

time were alive and I just want to take my feet the fuck away from this

mediocre medium which in no whay represents any being any feeling any

peeling layers of who i am or u r or wat we (so patronizingly used) should

do and blue is a color but more a feeling if u can see a feeling in colors

and if you cant then to hell with u cause you cant see the difference tween

seeing and feeling and there isn't one witch makes you stupid as satan

fighting for heaven when god kicks ethereal ass.  switch.

 

   SWITCH pull th fukin sWITCH goddamnit!!!

 

caring makes yuh strong

hurtin makes yuh wise

 

BULLSHIT!!!!  i weave th web uv disillusion around myself in hopes uv

sleeping well

 

                        but  i dont sleep. th splotch is gone my mind is

clear. i wanted to spell celar clearly. clarity is made by th celar

 

 

 

page ninetey nine

 

 

th light uv th ii's is as a comme(n)t

and zens aktivitee is as (((white))) lightnin

th (s)word that kills th man

is th (s)word that saves th man

 

                page 99 ZEN FLESH ZEN BONES

 

odlee enuf HE turnt to page 99 twice in a row as i rowt this askt to repeet

turnt to th same page twice yep twice yep twice yep twice yep twice yep

aint nuthin worse than REDUN dance eeeeeeeeeeeeeeee

yer frend,        .

 

 

                CHANGE (keep th sex)

 

Litening struck four feet from where i sat stoned in a cemetary and i didn't

think about how lucky i was just how poor of a shot that god was.  christ i

couldve nailed me.  what the hell was he or she or it or fuckit thinkin

because with tran send dental omniscience youd think the crosshairs d be

straight and im busy thinking i should be dead and gods a piss poor shot

with fright potential but no precision and i exist drunkenly so i can be on

his or her or its childish wavelength and make galaxies into pretty swirls

and planets into breaks of radiation and the sky has turned dark but we

think nothing of it in the coarse of a day.

 

                                                                 new male

mail screwin with my hed jeeeeezus this computadora is sum skareee shit.

listen i dont care whose on this im jus tawkin jus not relee carin that this

is a beet list (i dont like vegetables much n.e ways).

        lets live lets write wrong lets not give a fuk lets run thru th bush

b.ing b.ing.bing.bing.bing.bing. sounds like sum budees car alarm goin off

 

 

                                there is no world

 

 

 

                                                                sinseerlee

 

 

 

j.p. harris

 

james.  emmmmmmm marshall.

=========================================================================

Date:         Wed, 18 Jun 1997 01:08:21 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Second post

MIME-Version: 1.0

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Sorry for the repetition, but the text didn't come out right on my email

reader.  So, I will try with this html version.  If you didn't like it

first time, the delete key should be in reach of your right pinky.  ;-)

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

 

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Return-Path: <bocelts@scsn.net>

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          Wed, 18 Jun 1997 01:02:47 -0400

Message-ID: <33A76C09.3E284B33@scsn.net>

Date: Wed, 18 Jun 1997 01:03:06 -0400

From: bocelts@scsn.net (R. Bentz Kirby)

Organization: Law Office of R. Bentz Kirby

X-Mailer: Mozilla 4.0 [en] (Win95; I)

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To: Bentz Kirby <bocelts@scsn.net>

Subject: test

X-Priority: 3 (Normal)

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--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

 

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        ers/bocelts/LONELINE.txt.htm"

 

<HTML>

<HEAD>

<META NAME="Generator" CONTENT="Corel WordPerfect 8">

<TITLE></TITLE>

</HEAD>

<BODY TEXT="#000000" LINK="#0000ff" VLINK="#551a8b" ALINK="#ff0000"

 BGCOLOR="#c0c0c0">

 

<P>This twisted loneliness stretches out like some stranger that is sucking the

 life right out of me.</P>

 

<BR WP="BR1"><BR WP="BR2">

<P>I try to have hope but the future does not appear in the vision.  It all

 seems so close up and

emeshed that I am suffocating upon myself.</P>

 

<BR WP="BR1"><BR WP="BR2">

<P>There is only one life, one opportunity and I have almost blown this one.

 How do I escape, or

better yet, live through this and drop the pain, the excess baggage that is

 surely breaking my back?</P>

 

<BR WP="BR1"><BR WP="BR2">

<P>It seems so dark, so horrible that I am afraid of my soul, or afraid for it.

 Who knows?</P>

 

<BR WP="BR1"><BR WP="BR2">

<P>I wish that someone could explain this to me or at least let me in on what is

 going on around here.

But, I think that we all have to, I have to , learn it on my own.</P>

 

<BR WP="BR1"><BR WP="BR2">

<P>So, hey give me a break or two, and I'll try to do the same for you.</P>

 

<BR WP="BR1"><BR WP="BR2">

<P>Try and help me understand where this feeling of terror and lostness comes

 from.  Are we really

from a gone world?  Is really all this bad?  Or, is it just me?  I do not know.

   But at last, I'm

going to try to find out.</P>

 

<BR WP="BR1"><BR WP="BR2">

<P>Thank you too!</P>

 

</BODY>

</HTML>

 

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=========================================================================

Date:         Tue, 17 Jun 1997 23:13:30 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Last of the Mocassins

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Just wanted to urge all you other Beatophiles to  read Mr. Plymell's

book.  Should read his pomes too, but that's another post.

 

If you're looking at it primarily as social history it is a great window

to the early sixties in the west and midwest as the hip scene was

morphing into the psychaedelic thing.  Same time roughly as Farina's

"Been Down So Long."  Very different book.  "Down" is the college world

seen with a folky sountrack.  "Mocassins" is urban and rural hip

intellectual and working class with a sound track by Chuck Berry, Bo

Diddley and Charley Parker, mixed by Wolfman Jack.

 

"On the Road" without the sentimentality.  Plymell works like cimema

verite.  The book begins and end with the death of his sister but the

narrative isn't plotted.  Slices of life connected principally by the

need to keep moving.  Wonderful characters and those great old drugs.

 

"Oxybiotic will make you neurotic."

 

A definite thumbs up from this reader.  Buy the book.  Charley deserves

the money.

 

James Stauffer

 

"Bruce and I took off for Guadalajara, Old Mexico in his '52 Ford.  Out

in the pitch black of the Sonoran desert.  No lights on the horizon.  If

we turned the lights off it would be dark as a vault.  The desert

coughed up one star.  Heads of horses would jut out in from of the car

lights and speed around the windshield like snow flakes only this was a

rare dimension moving face, an archtypal horse face.  A million years of

old faces shining in the night.  They were not things that fly by night

toward the windshields but horse faces! horse faces!  The ghost face of

all the dead horses of the parched steppe of time.  And time itself

frozen into that endless rain of horse faces!  The stars were their

bits.  The supreme king of all rodents.  The Pliocene pony and the horse

Pliohippus . . .

=========================================================================

Date:         Tue, 17 Jun 1997 23:50:21 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: traditionalism

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> 

> Diane Carter wrote:

> . . .  Is it simply that you

> > are a more of a traditionalist in your world and literary views?

> > Ginsberg freed poetic language from the boundaries imposed by earlier

> > poets, including Eliot. He took poetry to another level.  Is there

> > something about that level that bothers you?

> >  DC

Yes, I am obviously more of a traditionalist...and to a degree sound is

as important as the images and messages in poetry...otherwise it might

as well be prose...a speech.  And Ginsberg does favor techniques used by

orators moreso than poets.  Also...I don't think poetry had been "bound"

or "enslaved" my sound devices....It is a kind of music where one may

choose from a plethora of devices.  And honestly, Ginsberg is lacking in

that area.  I agree, his imagery  and tone are powerful, but he relies

heavily on parallelism and cataloging, but he never achieves the cadence

of Whitman.  Albeit....if cacophony and anger are to be conveyed, he's

achieved it....But I still don't think he's the finest poet of this

century.

Respectfully,

Barb

=========================================================================

Date:         Wed, 18 Jun 1997 00:00:52 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: lurker speaks

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Diane Carter wrote:

> 

> Mike & Barbara Wirtz wrote:

> >

> > DC,

> >         Quoting Alexander Pope:  "True ease in writing comes from art, not

> > chance/ as those move easiest who have learned to dance"

> > (Essay on Criticism)  Let's see...you say that TS Eliot is not

> > memorable?....off the top of my head: "April is the cruellest month/

> > breeding lilacs out the dead land/ Mixing memory and desire/ stirring

> > dull roots with spring rain/  Winter kept us warm/ Covering earth in

> > forgetful snow/ Feeding little life to dried tubers"   An astounding

> > beginning..... I find myself using Eliot extensively when teaching 20th

> > C lit..cross referencing during Fitzgerald, the lost generation, Miller,

> > etc......and I've never really had occasion to cross reference to

> > Ginsberg...I think that speaks volumes.  I also tend to quote Eliot

> > when  speaking to people on the topic of despair/hopelessness...in real

> > life situations....  (more later...kids are fighting...life)

> > sorry about how I triedto post this earlier...it didn't work obviously

> > (and I still don't have quite enough time to expound on my ideas of

> > Pound and Eliot.....hopefully tonight I'll get more than ten minutes at

> > a stretch)

> > Barb

> 

> I would like to hear more about how you use Eliot when speaking to people

> about despair/hopelessness in real life situations.  I don't think the

> fact that you don't cross-reference Ginsberg speaks volumes.  I think it

> means something is missing in your views of twentieth century poetry.

> Are you implying that you teach twentieth century literature but do not

> draw from the experience of beat writers?  I am still interested in why

> you think Eliot is more appropriate than Ginsberg.  Is it simply that you

> are a more of a traditionalist in your world and literary views?

> Ginsberg freed poetic language from the boundaries imposed by earlier

> poets, including Eliot. He took poetry to another level.  Is there

> something about that level that bothers you?

>  DC

 

I think Eliot is more universal than Ginsberg... I think that Howl and

many of his major works (and I have not by any means read the entire

canon) are limited, and honestly will end up, not as the major voice of

the 20th C., but a voice of a period for a particular subsect of the

population.  This year I taught Prufrock and Homework to 9th grade

honors students.....very bright and open students...best I've had in

years... Anyhow...they did respond positively to both poems...They liked

the imagery of washing the dirty linen of American politics and

such...very strong imagery....a cohesive poem.   We worked through Love

Song.....and I was struck by the fact that weeks after, they still were

referring to the poem...*grin* I figured they could really relate to the

crippling self-consciousness...straight out of jr high)

They referred back to the poem again and again......It is wonderful to

hear "Dare I eat a peach?" from fifteen yr olds!....Anyhow...Eliot was

able to transcend his time....doing so quite impressionably....through

more sophisticated devices for a more complex , richer poem

Barb

=========================================================================

Date:         Wed, 18 Jun 1997 00:08:03 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: inspiration

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Diane Carter wrote:

> 

> CVEditions@aol.com wrote:

> >

> > In a message dated 97-06-15 17:59:38 EDT, you write:

> >

> > << Inspiration makes one poetic. >>

> > DC

> > Read any inspirational poetry recently? I get books of it in the mail. I'd

 be

> > glad to send you some. Most of them come from Arizona and Southern

> > California. Lots of inspirational poets out there, too.

> > Charles Plymell

> 

> Thanks anyway, I'll pass on that.  I would like to know, however, how you

> characterize your own poetry.  Did any poets in particular influence you?

> I decided to say influence instead of inspire.  What do you see as the

> most important things that have happened in poetry in America, from say

> the forties till now?  Just curious.

> DC

 

I'm not sure if this is directed at me (it did have the lurker title)

Anyhow...I like your question.....it made me think...and I'd have to say

it would be the voices of women....loud and strong...and finally heard

in the 20thC...I am awed by Plath, Sexton, Rich, Bishop, Levertov,

Walker....Women with strong voices, writing on issues that concern not

only women, but humanity.....confessionals with which most can

empathize...compelling poetry..

Barb

=========================================================================

Date:         Wed, 18 Jun 1997 00:23:25 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: lurker speaks

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Diane Carter wrote:

> 

> James Stauffer wrote:

> >

> > Diane Carter wrote:

> > . . .  Is it simply that you

> > > are a more of a traditionalist in your world and literary views?

> > > Ginsberg freed poetic language from the boundaries imposed by earlier

> > > poets, including Eliot. He took poetry to another level.  Is there

> > > something about that level that bothers you?

> > >  DC

> >

> > You seem to be falling for the myth of progress here. Is more recent

> > inspiration more legitimate somehow than an earlier inspiration?  As an

> > earlier poster pointed out well Eliot's early poems were revolutionary

> > and meet a reception from the lit establishment not that different than

> > the reaction to Howl.  Both were revolutionary poets in their times.

> > Forty some years later Howl isn't the newest wave either.  I think

> > literary history is about change, not a progressive revolution.  When I

> > go back and read Homer I don't regret the fact that he didn't have the

> > chance to reach Ginsberg's level of advancement.

> >

> > J Stauffer

> 

> I am absolutely not saying that recent inspiration is more legitimate

> than earlier inspiration.  Every era has revolutionary poets/writers and

> they are all equally important.  I think I am just reacting to the

> classist mindset that would dismiss beat literature as secondary to other

> forms of twentieth century literature.  I don't suggest we don't read

> Homer or Shakespeare or Eliot, only that we recognize when the

> consciousness of poetry is enlarged by a broader vision that builds on

> the works of the past and moves both literature and language ahead.

> Genius is genius no matter what time period. And as far as a progressive

> revolution goes, the fact that you can read from Eliot on daytime radio

> and you still cannot read from Howl suggests that Ginsberg's

> contributions to literature are still misunderstood.

> DC

I reread Howl this afternoon...and I think not so much that it is

misunderstood as suffering from a very specialized and narrow

audience.   I read it and thought.....period piece...I don't think it

will transcend time... Usually people can empathsize and relate to

another's emotional trauma...but it is very difficult to connect to

Ginsberg in Howl.  I do have an appreciation for the poem...he does

convey some stunning ideas and displays verbal dexterity and wit...... I

feel as if people who can relate, would really hoist this poem as the

icon of the the time and/ or experience...it would be ...the emblem poem

that it is..  But as a reader, I'm an outsider, gawking  and

rubber-necking a tragedy I can only witness from afar and listen to the

howling without ever wanting to howl myself.

Barb

=========================================================================

Date:         Wed, 18 Jun 1997 03:28:08 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

 

In a message dated 97-06-17 07:28:55 EDT, dcarter@TOGETHER.NET (Diane Carter)

writes:

 

<< The concept of heaven is a theological one and cannot exist without a

belief

 in hell.  Churchs that teach there is a heaven also teach that there is a

 hell.  Hence the concepts of good and evil.  That is totally different

 than transcending the human condition into another level of

 consciousness, a timeless oneness with all things.  I don't think the

 idea of heaven implies that you have another chance, no matter what. >>

 

I think religion's concept of heaven (and hell) is a way to have poor people

accept their fate instead of fighting for justice.

 

It's a way for many people to do what they want, knowing that they have a

chance to repent at the end.

 

It allows people to not be accountable for their actions here on earth,

because they are being graded up in heaven.

 

And of course, the real question is whether there really is a heaven. And if

there isn't, it it acceptable to say there is a heaven just so that they (the

church) can herd the people in a certain direction?

 

Hypothetical question: Does a rock have a 'purpose'. Is it a bigger or

smaller purpose then a human. Is it a better or worse purpose then a human's.

=========================================================================

Date:         Wed, 18 Jun 1997 03:28:11 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

Comments: cc: MemBabe@aol.com

 

In a message dated 97-06-17 06:42:12 EDT, you write:

 

<< Maya Gorton wrote:

 >

 > What do you mean by "meaning"? Not sure i understand completely.  You

oppose

 > it to "randomness" and the absence of morality.  But can't there be

meaning

 > in chaos and beyond the polarity of good and bad?

 > >>

 

Humans are one of the few animals (if not the only animal) that are aware of

the fact that they are going to die. They have this knowledge from a very

early age and it  becomes more acute as they get older. Because of this

knowledge, they have questions related to why are they going to die, what

happens to them when they die, etc.

 

I think "meaning" and "purpose", taken in this context, is really asking are

we on this planet just to live, and then die, and nothing thereafter. Or is

there a meaning or purpose beyond that?

 

Religion was one of the 'things' that stepped in to try to answer the

questions. Other philosophies also cropped up to comfort the people in trying

to answer these very disturbing questions.

 

I'm not sure if  the religions were: a) really interested in finding the true

answer to the questions; b) just serving the people's needs for believing in

something so that they would just shut up; c) or another way to build up a

power structure (the catholic church was one of the largest land owners in

the world).

 

If they tell me that the purpose of life is to ultimately get into heaven, I

hope that they at least believe that there is a heaven. I have my doubts

though.

 

Some people have responded on this list that the life we are living is the

purpose of  life and are content with that.

 

I say, enjoy, Attila

=========================================================================

Date:         Wed, 18 Jun 1997 00:50:25 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Best concept

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Hopefully I'm caught up on all responses...I would like to point out

that although I am defending Eliot as a better poet, I really didn't

want to do so at the expense of Ginsberg...I would rather just present

Eliot in all his genius, richness, complexity, and skill...and leave it

at that.  Unfortunately, that wasn't the case.  I did enjoy rereading

Ginsberg and Eliot...so I think whoever posed the question really did a

service...and I have enjoyed immensely the insights and input by those

participating.

(ummm...is it my misperception...or were most of you around in the

'60's...living a beat lifestyle... Sincerely, I'd just like to gauge.

To my delight, it sounds as if many of you were part of the movement,

even contributers! If so, what a boon! a celestial cyber site! I really

dropped in because I'm reading Kerouac....but it seems as if I'll be

reading much much more than just Kerouac!

Barb

=========================================================================

Date:         Wed, 18 Jun 1997 05:18:26 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Best concept

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Mike & Barbara Wirtz wrote:

> 

> Hopefully I'm caught up on all responses...I would like to point out

> that although I am defending Eliot as a better poet, I really didn't

> want to do so at the expense of Ginsberg...I would rather just present

> Eliot in all his genius, richness, complexity, and skill...and leave it

> at that.  Unfortunately, that wasn't the case.  I did enjoy rereading

> Ginsberg and Eliot...so I think whoever posed the question really did a

> service...and I have enjoyed immensely the insights and input by those

> participating.

> (ummm...is it my misperception...or were most of you around in the

> '60's...living a beat lifestyle... Sincerely, I'd just like to gauge.

> To my delight, it sounds as if many of you were part of the movement,

> even contributers! If so, what a boon! a celestial cyber site! I really

> dropped in because I'm reading Kerouac....but it seems as if I'll be

> reading much much more than just Kerouac!

> Barb

 

i started a thread awhile back about incorporating beat lit into high

school curriculums.  since you're reading some Kerouac, do you think he

could fit into the high school classroom?

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 18 Jun 1997 07:52:55 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      blake and all

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mebbe off topic but since subject of blake/ AG has come around again

(sorry, very behind on mail and picking up long ago thread)     is anyone

here aware of greg brown's beautiful renditions of blake into song? CD is

titled songs of innoncence and experience. the chimney sweeper has never

failed to bring me to tears.  music is beautiful, has wonderful fiddle

player (peter ostroususko) as well as rest of fellows on band.

highly recommend it, absolutely soul wrenching interpretations in music of

the lyrics mc

=========================================================================

Date:         Wed, 18 Jun 1997 07:52:59 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      heroin and aging

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whoa there! this thread may be dead, as i am crushed under tons of email

from a few days away from list, but go down to any methadone clinic, any

innercity and the idealism will fall away. i worked for 3 years in a new

haven ct methadone clinic:  i counseled i wept and i buried so many people,

i've been there myself. there is no glory in it there is no eternal youth

fountain in it. tortured people tortured bodies. wsb is the exception to

the rule. ok standing down from my soap box

mc

=========================================================================

Date:         Wed, 18 Jun 1997 11:03:14 EST

Reply-To:     MORE OXY THAN MORON <breithau@KENYON.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Forwarded message

 

From:   MX%"lena@sunflower.com"  "Lena Marvin" 18-JUN-1997 00:20:52.28

To:     MX%"breithau@kenyon.edu"

CC:

Subj:   Re: Welcome!

 

I willMORE OXY THAN MORON wrote:

> 

> ena, (my name is Lena but nice try)

> 

> I think you should stay on the list, it is a good group of people and we are

> honored to have you as our youngest member! I hope you like it. say hello to

> William Burroughs for us all. By the way, I met James Grauerholtz last night

> for dinner in Columbus, Ohio. He is secretary to Mr. Burroughs, do you know

> him? He was in town to drop off boxes of manuscripts to the special

 collections

> dept at Ohio State. Had a great time.

> 

> Again, welcome,

> 

> Dave Breithaupt

 

I am not yet on the list, how do I get on?. I met James when we took

some pie over to William and James was there and 2 outher people. I

think they ate some pie too. When we where there a cat named fletch came

and was very nice to me and James said "He (as in fletch) is leting you

do thing that if I did I would get scratched." When we where leavng

James said some thing like (I do not rember excatly)"We will rap up the

pie and save it in the fridgerator and have it tommorow." but even

before James could say "tommorow" William was geting a pie. It was a

starwberry pie so he ate a stawberry of the top. When we were leaving, I

nodict that there where these butiful roses so I walked over and I

smelled them there was no sent I mean at all it smelt like air and

nothing more. I had not nodict William had flowed us out and he said

aome thing like I can not rember "you do not need to smell them the have

no sent. They really have no sent at all do they?"

I anserd "that is amazing there is no sent at all!"

And then we left. But his house there is some thing to talk about it is

wonderful it is really neat inside he has art work and a wonderful t.v.

set up.

 

Lena

P.S. will you send this to the list?

--------------------------------------------------------------------------------

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=========================================================================

Date:         Wed, 18 Jun 1997 12:09:04 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Eliot vs. Ginsberg (was Re: lurker speaks)

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> Tony Trigilio wrote:

> 

> Diane--This reaction is exactly what prompted my post yesterday.  And I

> think it's what prompted James's post.  (The remark about Homer is

> excellent, and worth remembering.)  I agree that your remarks are a

> "reaction to a classist mindset":  a reaction that (seems to me)

>diminishes

> Eliot's work itself rather than going after those folks who would trash

> Ginsberg (maybe in favor of Eliot) without reading beyond the first few

> lines of *Howl*.  We have all met those types of cultural guardians.  I

> have exhausted much bandwith on other literature lists with these

>folks.

> For them, Eliot is a monument that poets like Ginsberg--and, by

>extension,

> all of Allen's readers--would desecrate.  I don't buy their conception

>of

> how readers and writers make literary history.  I think their view

> fossilizes literature and culture, and does great disservice to the

> substantive and energizing body of work produced by Eliot and Ginsberg.

> 

 

 I am not trying to diminish the work of Eliot or importance.  I

 also don't think that when you speak of Eliot and Ginsberg it is as

 simple as saying that they both energized poetry in different ways. I

 don't see the historical progression of poetry as a line where each

 generation improves, so to speak, on the next but more of a circle, here

 all poets, consciously or unconsciously contribute their uniqueness to

 the concerns of poetry as a whole, which is ultimately the concern of

 humanness. As you wrote, in another post "Eliot decries what he calls

 Blake's formlessness." I see Blake as ultimately a great model from

which

 grew Ginsberg's vision of Molach.  I don't see Ginsberg as being

 influenced to any great degree by Eliot.  Any scholars of Ginsberg out

 there, speak up if I am wrong here.  But the connection from Whitman to

 Williams to Ginsberg is much clearer. I can see why people are moved by

 lines of Eliot, and why they are captivated by the metaphysical and

 symbolic implications of his poetry.  Yet I see Eliot as being removed

by

 a layer of something from his own verse.  He does not write to America

 about America or about individual experience in a way that even in the

 way that even Whitman did. He writes as if there is a shroud between

 himself and his words, and I think that shroud is the formalness he

 thought critical to a work of art.  Eliot distances himself from art

 while Ginsberg puts himself in the middle of it.  For someone writing in

 American today, I see Ginsberg as a much better model than Eliot.

 DC

=========================================================================

Date:         Wed, 18 Jun 1997 11:21:21 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Zen commandments

Comments: To: Pamela Beach Plymell <CVEditions@AOL.COM>

In-Reply-To:  <970617211200_1444418147@emout06.mail.aol.com>

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On Tue, 17 Jun 1997, Pamela Beach Plymell wrote:

 

> Back to Pound's definition that literature is news that stays news. And the

 

Hmmmmm, just finished Twain's "Roughing It".  Seems to me that Pound is

right on on that one.

=========================================================================

Date:         Wed, 18 Jun 1997 12:31:14 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: that old conciousness again

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Pamela Beach Plymell wrote:

> 

> DC:

> I think that conciousness was enlarged by their broader vision when their

> poetry was built. That's why it still moves both literature and language.

> Back to Pound's definition that literature is news that stays news. And the

> word "ahead", isn't there some neat little Taoist or Zen trick I could pull

> here, like pulling the tablecloth out from under the servings, leaving them

> in place?

> Charles Plymell

 

I like the concept that "literature is news that stays news."  Great

literature is timeless.  What I take issue with is the fact that

some of the people who make up society and eventually history have a

limited vision of what is possible.

DC

=========================================================================

Date:         Wed, 18 Jun 1997 11:43:29 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Best concept

Comments: To: Mike & Barbara Wirtz <wirtz@ridgecrest.ca.us>

In-Reply-To:  <33A730D0.63B3@owens.ridgecrest.ca.us>

MIME-Version: 1.0

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On Wed, 18 Jun 1997, Mike & Barbara Wirtz wrote:

 

> dropped in because I'm reading Kerouac....but it seems as if I'll be

> reading much much more than just Kerouac!

 

You might very well reading more.  Do try Gary Snyder's Turtle Island

(as well as his others) since you're interested in poetry.

=========================================================================

Date:         Wed, 18 Jun 1997 11:52:33 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Windowpoopies

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I wonder what Kerouac meant by "windowpoopies" in the 13th chorus of Mexico

City Blues....actually, I don't care what it means...all I know is I

laughed for about 20 minutes when I read that!!! Words have a tendency to

do that to me sometimes......Probably why I love Kerouac. He played with

words, and when I didn't find a word that suited him to express what he

wanted to express, he made up is own. --Sara

=========================================================================

Date:         Wed, 18 Jun 1997 11:56:25 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Windowpoopies

Comments: To: Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

In-Reply-To:  <3.0.1.32.19970618115233.00694d50@uoft02.utoledo.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 18 Jun 1997, Sara Feustle wrote:

 

> I wonder what Kerouac meant by "windowpoopies" in the 13th chorus of Mexico

> City Blues....actually, I don't care what it means...all I know is I

> laughed for about 20 minutes when I read that!!! Words have a tendency to

> do that to me sometimes......Probably why I love Kerouac. He played with

> words, and when I didn't find a word that suited him to express what he

> wanted to express, he made up is own. --Sara

 

I was just thinking the other day about the only good part to winter:

no "windowpoopies" on my car windshield:  No birds.  Thanks for the

word.

=========================================================================

Date:         Wed, 18 Jun 1997 12:00:43 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Windowpoopies

Comments: To: Sisyphus <sisyphus@polaris.mindport.net>

In-Reply-To:  <Pine.SUN.3.96.970618115354.23914G-100000@polaris.mindport.net>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 11:56 AM 6/18/97 -0400, Sisyphus wrote:

>On Wed, 18 Jun 1997, Sara Feustle wrote:

> 

>> I wonder what Kerouac meant by "windowpoopies" in the 13th chorus of Mexico

>> City Blues....actually, I don't care what it means...all I know is I

>> laughed for about 20 minutes when I read that!!! Words have a tendency to

>> do that to me sometimes......Probably why I love Kerouac. He played with

>> words, and when I didn't find a word that suited him to express what he

>> wanted to express, he made up is own. --Sara

> 

>I was just thinking the other day about the only good part to winter:

>no "windowpoopies" on my car windshield:  No birds.  Thanks for the

>word.

> 

> 

>       It really is a good word, isn't it? My car is loaded with "windowpoopies"

right now, but that's OK, cuz'it doesn't look any better when it's not.....

> 

=========================================================================

Date:         Wed, 18 Jun 1997 12:49:19 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker #254

MIME-Version: 1.0

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Pamela Beach Plymell wrote:

> 

> DC:

> You said inspiration makes one poetic. You might want to read my poem

> Oxybiotic Will Make You Neurotic at WWW.BUCHENROTH.COM/CORNIXOXY.HTML. At 450

> words per minute should make you flash (if it comes through right). You can

> read other poems at www.buchenroth.com/cplymell.html especially Vernal

> Equinox which happened as a dream at the very same time Allen dreamed of his

> mother. One night in Washington Allen had read his poem about his mother

> before he sent it to the NY Times for publication and I showed him the poem I

> had written about my father since it was the exact same time of inspiration

> for us both. He looked it over and suggested some changes. I published it

> around and received lots of comments about it.  It would have been futile for

> me to have sent it to the NY Times however. I wrote another poem In Memory of

> My Father about which Allen said was one of the best elegies in the English

> language.

> My influences are about the same as everyone's in my generation, the Possum,

> Pound, Allen, Harte Crane, Whitman. However, in contrast to Allen I thought

> Williams and Olson were bores. I read Rexroth's translations mainly. Didn't

> see much in the St. Mark's poets other than Jim Carroll. Didn't care for the

> Beats as a whole, my favorite is Taylor Mead.

> I think Allen's use of his stage was an eye opener and kept poetry free from

> the academe for a while. Unfortunately Allen had to carry the baggage that he

> packed which eventually dragged him down I think. For instance, Whitman's

> breadth of compassion I felt was beyond the politics of the Civil War but

> expressed the suffering and frailty of human action and spirit. I never got a

> sense of religion in Pound's work though I felt he was more comfortable with

> many gods. Ginsberg fell victim to politics and religion while greater poets

> placed them in their more arbitrary roles. That is not to say that a poet

> like Milton did not benefit by his religious lines, but I didn't feel he was

> necessarily using his poetry to proselytize. Even his lines were imagistic

> for his time. For example: "And all the spangled host keep watch in squadrons

> bright?" is as pure an image if not surreal as Crane's "and a serpent swam a

> vertex to the sun/ on unpaced beaches leaned its tongue and drummed." All

> these lines are from memory so they may not be exact. BTW have you read me at

> all?

> Charles Plymell

 

I am just starting to read your work.  Have visited your web site a

number of times and intend to visit it many more.  I am just now sitting

here ready to begin to read an autographed copy of Last of the Moccasins

that I ordered from Jeffrey.  I just got Dr. Sax too, so maybe I can

enter the Moccasins/Dr. Sax discussion at some point.   As far as the

CORNIX thing goes, can someone post as to what software one needs to

really view it in the way it is meant to be viewed, and if it is possible

to download it from somewhere.  Also. I am curious as to your opinion of

Joyce and did you read him extensively at any point?

DC

=========================================================================

Date:         Wed, 18 Jun 1997 12:02:32 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: Windowpoopies

Comments: To: Sara Feustle <sfeustl@uoft02.utoledo.edu>

In-Reply-To:  <3.0.1.32.19970618120043.00699954@uoft02.utoledo.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 18 Jun 1997, Sara Feustle wrote:

 

> >     It really is a good word, isn't it? My car is loaded with "windowpoopies"

> right now, but that's OK, cuz'it doesn't look any better when it's not.....

 

Well, at least it makes the car look rather disultory, disreputable and

decrepit.  I leave mine that way to discourage thieves.

=========================================================================

Date:         Wed, 18 Jun 1997 12:07:12 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Windowpoopies

Comments: To: Sisyphus <sisyphus@polaris.mindport.net>

In-Reply-To:  <Pine.SUN.3.96.970618120031.24706A-100000@polaris.mindport.net>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 12:02 PM 6/18/97 -0400, Sisyphus wrote:

>On Wed, 18 Jun 1997, Sara Feustle wrote:

> 

>> >    It really is a good word, isn't it? My car is loaded with "windowpoopies"

>> right now, but that's OK, cuz'it doesn't look any better when it's not.....

> 

>Well, at least it makes the car look rather disultory, disreputable and

>decrepit.  I leave mine that way to discourage thieves.

> 

> 

Mine looks that way anyway!!!! But has any poet/literary geek ever driven a

cool car?

> 

=========================================================================

Date:         Wed, 18 Jun 1997 12:31:42 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      who was around in the 60's?

 

Date:   97-06-18 12:26:21 EDT

From:   Marioka7

To:     wirtz@ridgecrest.ca.us

 

In a message dated 97-06-18 08:30:46 EDT, you write:

 

<< 

 (ummm...is it my misperception...or were most of you around in the

 '60's...living a beat lifestyle... Sincerely, I'd just like to gauge. >>

 

I think a lot were around, and are certainly more experienced at writing

(some even ---GASP----published) than i am.

I just turned 22, have been out of college for 1 year now.  But i guess my

generation, my friends i mean, are just as beat as beat can be.  I hope to

take what we can learn from the beats and push it one step further (isn't

that the duty of the next generation?)

I would be innerested to know about everyone else too.  I have tried to

guess, but am often wrong.  See ya----------------maya

=========================================================================

Date:         Wed, 18 Jun 1997 12:40:36 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: who was around in the 60's?

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970618122637_-1261939077@emout16.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 18 Jun 1997, Maya Gorton wrote:

 

> I would be innerested to know about everyone else too.  I have tried to

> guess, but am often wrong.  See ya----------------maya

 

I'm 55.  Started reading Kerouac & Ferlinghetti in the 50's while I was

in high school.  It stayed with me.  During the 60's I discovered Welch,

Snyder, Lamantia, Corso.  Wasn't until an acid trip in the early 70's on

Christmas Eve at a party when I sat away from the turmoil and discovered

Howl.  Been down lots of roads.  Intend on doin` it again.  (but with a

lot fewer drugs these days.  To hell with the rest, I'll keep my pot 'n

beer.)

=========================================================================

Date:         Wed, 18 Jun 1997 12:47:50 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: who was around in the 60's?

Comments: To: Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

In-Reply-To:  <Pine.SUN.3.96.970618123548.24706I-100000@polaris.mindport.net>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

I myself am a whopping 21, and I am soooooo pissed off about all the stuff

I missed for being born so late!!!! Anybody else in the same predicament?

=========================================================================

Date:         Wed, 18 Jun 1997 12:29:52 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      my cat ate my homework

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

I was downloading all my messages, 32, probably mostly beat-l my darn

cat laid on my keyboard, my machine began flashing and the messages were

gone man, i want todays messages. if any one can post them to me i would

really appreciate, I looked in my trash and they weren't there, very bad

cat,

patricia

pelliott@sunflower.com

=========================================================================

Date:         Wed, 18 Jun 1997 21:04:19 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beat generation/wild plan for stealing...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

James Stauffer writes,

>>>Just read Kaufman's poem on the City of San Francisco taking down the

statue of St. Francis by Benny Buffano that used to stand in front of

the church of St. Peter and St. Paul and North Beach of San Francisco

when Jack and all were there.  Remember the statue myself. Hatched a

wild plan for stealing it, but never did.<<<

 

James,

thax for the Kaufman's poem quoted, i like it, but

i hope yr wild plaining to the statua of San Francesco in SF

is gone for ever, please, james, do a "Fioretto" give

credit to Francesco d'Assisi, & get rid yr bright idea.

 

if Jean Louis Kerouac in his infancy & later was roman

catholic it's honourable as zen or buddhism or likes

religions, perhaps he or his mother narrated San Francesco's

life & miracles & spontaneous prose & poetry...

 

btw Philip Lamantia is true catholic:

 

                CONTRA SATANUS  by Philip Lamantia

 

                Thy light is higher than

        light thy Angels higher than angels

        Moons whisper their lights      it's the end of the world

Fasting and reborn The Crystal forms out of moonlight and sunlight

Day and night Green Crystal Red WHITE BLACK BLUE CRYSTAL

                                YELLOW CRYSTAL

                                BROWN CRYSTAL!!

 

                I am Hymnon riding ham/wings

        of ACQUARIAS BEARDS OF SAMOTHRACE

JONQUILS FROM DESERTS OF THE SEA

 

        In my nights of white photography my mountain fell

my heads rolled dice in heaven my eyes poured out poison

In my day of love in my day of love     I saw one rock one strata

        one pinnacle one tree   one vine        one spring of green  one flower

                                        one man

one woman I loved       I am Pythagoras Agitator

smiling from infide blue coins  I am paid by light

 

                                lights

                                is

                                house

                                of

                                MINT!

GARDEN                                  LIGHT

OF                                      OF THE          my finger is God!

HIS MONIES                                      GARDEN

 

                        WAVES

                                WAVES           WAVES

                                        WAVES           WAVES

 

-it's indesript/I have gone into inaudia - flocking sun on my

flocking back+++++ROAR! MALDORORIAN

WAVES! I!+++++

                        Angel I have not seen/Angel I've seen

Light of darkness

                visitation of noname about to smash into SMILES

Here is face of old water Man buried in quickgreen lime fountains of

        ZUT GUT

                accent over U

                        -the WAVES! PHOTO JOURNAL SEA SCAPES fin.

 

---

yrs

Rinaldo.

 

=========================================================================

Date:         Wed, 18 Jun 1997 16:43:04 -0400

Reply-To:     lcrev@law.emory.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         lablugirl <lcrev@LAW.EMORY.EDU>

Subject:      Re: who was around in the 60's?

Comments: To: Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

MIME-Version: 1.0

Content-Type: text/plain; charset=gb2312

Content-Transfer-Encoding: 7bit

 

Sara Feustle wrote:

> I myself am a whopping 21, and I am soooooo pissed off about all the stuff I

 missed for being born so late!!!! Anybody else in the same predicament?

- I myself am 22. I used to be pissed off about the fact I was 'born too

late', but most of my friends are at least 25 - said I'm still a baby...

I have come to a new level of life lately. I spent the last few years

being miserable, w/ miserable people, living in miserable places, and it

was all so incredibly negative...

I was in a horrible stagnant unmotivated, uncreative state (very un-like

me)

I still am moody. [re: chemical imbalance, ???} - but I've found someone

to share the things I value & we both love to create - this person is

older & very intelligent & things are going beautifully... I get my

solitary time to do what I please & so does he.

Mabye it's a sort of 'enlightenment' - and it has given me somthing

positive to grow with. I'm meeting people who come from all different

age groups, exceptional people, & realizing that you can't dwell on the

past, but learn from them & aprechiate it, and that brings much beauty &

happiness to your life - I feel my inspiration returning...

Alice

=========================================================================

Date:         Wed, 18 Jun 1997 15:41:47 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Jo and Jeff

MIME-Version: 1.0

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Thanks, Jo G sent me what i believe to be the bulk of todays mail ,

calling in the darkness and the beat responds with heart.  I finally

sent in my money for the beat l teeshirt, so do you think it will be

here before s clay hits town (lawrence) i want to be a cool, old, fat

and faded hippy fan. keep on trucking you persons.

 

patricia

 

=========================================================================

Date:         Wed, 18 Jun 1997 22:45:53 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beat generation/Ezra Pound, winter 1970/reverie

Mime-Version: 1.0

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DEAR friends,

                when I was YounG

                        i was 20

 

i saw a man             in VeNice               on a bridge

 

the man stand & looked  the laguna di Venezia

Torcello        Burano          San Francesco del Deserto

                        ISlands

                        cold winter

                        in 1970

                        white hair

                        cold wind

                        blew

there was the time i have glimpsed a poet & this image

sculpted in my eyes, years later i realized he was Ezra

Pound, photos on papers recall the image, yes, like othe

r things in the life of a generation became "ghost" thin

g,

 

---

yrs

Rinaldo * be a beetle or better a beet *

=========================================================================

Date:         Wed, 18 Jun 1997 16:13:36 -0500

Reply-To:     "William H. Rose, III" <schpill@EXECPC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose, III" <schpill@EXECPC.COM>

Subject:      Re: Best concept

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Barb Wirtz wrote:

 

Hopefully I'm caught up on all responses...I would like to point out

that although I am defending Eliot as a better poet, I really didn't

want to do so at the expense of Ginsberg...I would rather just present

Eliot in all his genius, richness, complexity, and skill...and leave it

at that.  Unfortunately, that wasn't the case.  I did enjoy rereading

Ginsberg and Eliot...so I think whoever posed the question really did a

service...and I have enjoyed immensely the insights and input by those

participating.

(ummm...is it my misperception...or were most of you around in the

'60's...living a beat lifestyle... Sincerely, I'd just like to gauge.

To my delight, it sounds as if many of you were part of the movement,

even contributers! If so, what a boon! a celestial cyber site! I really

dropped in because I'm reading Kerouac....but it seems as if I'll be

reading much much more than just Kerouac!

 Barb

 

Try the following:

 

William S. Burroughs

Allen Ginsberg

Franz Kafka

James Joyce

Charles Plymell

Greg Corso

Gary Snyder

Lawrence Ferlinghetti

and the greatest beat of them all

Leonardo da Vinci

=========================================================================

Date:         Wed, 18 Jun 1997 16:42:51 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Jo and Jeff 'n S.Clay

In-Reply-To:  <33A8480B.5AFA@sunflower.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Thanks, Jo G sent me what i believe to be the bulk of todays mail ,

>calling in the darkness and the beat responds with heart.  I finally

>sent in my money for the beat l teeshirt, so do you think it will be

>here before s clay hits town (lawrence) i want to be a cool, old, fat

>and faded hippy fan. keep on trucking you persons.

> 

>patricia

 

When will S.Clay be in Lawrence? Is he there for reasons other than

personal visits ? It's many miles from Madison, but I've taken longer

trips, by land and see, for reasons less compelling than meeting such an

insightful, creative artist.

 

j grant

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Wed, 18 Jun 1997 17:27:33 -0400

Reply-To:     Bill Philibin <deadbeat@BUFFNET.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Philibin <deadbeat@BUFFNET.NET>

Subject:      Re: Windowpoopies

Comments: To: Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

> Mine looks that way anyway!!!! But has any poet/literary geek ever driven

a

> cool car?

 

 

        I have a Saturn... Does that count ? *grin*

 

        -Bill

 

[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

|              "All human beings are becoming humanoids...

|               All over the world, not just in America.

|               We're just getting there faster

|               since we're the most advanced country."

|

|                                          -- From The Movie "Network"

[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

=========================================================================

Date:         Wed, 18 Jun 1997 18:45:09 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      missed the 50's

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

I am 43.  I often regret that I am so young and missed out on the 50's

and the beats.  Anybody else in that predicament of feel that way.

 

Oh well, as someone once said, somethings gained in living every day.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 18 Jun 1997 18:04:02 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: blake and all

In-Reply-To:  <l03020909afcd37f85127@[206.25.67.106]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>mebbe off topic but since subject of blake/ AG has come around again

>(sorry, very behind on mail and picking up long ago thread)     is anyone

>here aware of greg brown's beautiful renditions of blake into song? CD is

>titled songs of innoncence and experience. the chimney sweeper has never

>failed to bring me to tears.  music is beautiful, has wonderful fiddle

>player (peter ostroususko) as well as rest of fellows on band.

>highly recommend it, absolutely soul wrenching interpretations in music of

>the lyrics mc

 

Marie,

Great take on Greg Brown. His innocence/experience CD is exceptional, but

on each of his CDs--and his music is all original with the exception of a

Jimmy Rogers song I heard him sing--you'll find lyrics--pure poetry-- that

would stand alone without the music. When Greg's daughter Pieta and my

Charity were pre-school they were part of our coop daycare center in Iowa

City called Alice's Bijou. Long gone now, but back then Greg would help

with fund raising, all the parents worked,and we had full-time day care for

$20.00 a month. As long as Alices existed it was a must stop for Michael

Harrington whenever he was in i.c.

 

I'm drifting. Back to the poetry of GB. AS far as I'm concerned greg is one

of the best poets to ever come out of Iowa City--and he didn't spend any

time with the workshop.

 

j grant

 

 

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     302,443  visitors since July 1, 1996

=========================================================================

Date:         Wed, 18 Jun 1997 18:20:52 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Eliot & Ginsberg

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In response to the Eliot / Ginsberg discourse:

 

        This is exactly where i'm at. How are these boys different and why.

First of all, we have to remember that Eliot is a full generation

earlier (contemporary of WWI and pre- Holocaust / Bomb / . . . ). The

two writers are from completely different traditions = Eliot consciously

(unconsciously ?) broke away from Whitman's prophetic American

democratic freedom dancing voice, whereas Ginsberg continued it (as did

W.C.Williams).

        With regards to Ginsberg's "Moloch", it is primarily the god to whom

children were sacrificed to by the Canaanites of the Hebrew Scriptures

and post-WWII boom/commercial/Bomb/urban grime that is being described:

 

"Moloch! Moloch! Robot apartments! invisible suburbs! skeleton

        treasuries! blind capitals! demonic industries! spectral nations!

        invincible madhouses! granite cocks! monstrous bombs!"

 

                                                - Howl, part II

 

It is dangerous to compare the Eliot tradition and Ginsberg tradition as

being polar opposites. The major difference in my appreciation of these

poets is their spirit. Eliot returns to Europe (physically as well, as

did Pound), and Ginsberg emerses himself in Americana, following

Whitman. As well, an encyclopedia is needed when reading Eliot   but

then, when reading Ginsberg, much is lost if the reader does not know

Ginsberg's life story.

 

        For myself as a poet, it is the spirit which separates the two. Eliot =

back to the old ways / Ginsberg = into the western front. This is

somewhat simplistic. It also doesn't help that each writer is so

complex. The nature of this list tells me that most of you prefer

reading Ginsberg, I have to agree   yet the concept of the two

traditions as being polar opposites with fists into each other is

something we have to get rid of, the two traditions simply unravel side

by side, feeding off each other.

 

Joseph Neudorfer

neudorf@discovland.net

=========================================================================

Date:         Wed, 18 Jun 1997 18:31:50 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Paranoia

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has anyone heard or read something where Burroughs says that the natural

state of one who knows all is paranoia? something like that. i'd appreciate

it if someone could send that to me if they have the quote.

thanks,

 

-Leo

=========================================================================

Date:         Wed, 18 Jun 1997 18:54:57 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Paranoia

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Sinverg=FCenza wrote:

>=20

> has anyone heard or read something where Burroughs says that the natura=

l

> state of one who knows all is paranoia? something like that. i'd apprec=

iate

> it if someone could send that to me if they have the quote.

> thanks,

>=20

> -Leo

 

something like:

 

a psychopath is someone who knows what's really going on ... i don't

recall the exact words.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 18 Jun 1997 19:46:49 -0400

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: Kerouac: The meaning of life?

Comments: To: GYENIS@AOL.COM

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Attila Gyenis wrote:

> 

> In a message dated 97-06-17 06:42:12 EDT, you write:

 

> Humans are one of the few animals (if not the only animal) that are aware of

> the fact that they are going to die.

 

How do you know this? How do you support this claim? Can you provide

documentation to support this claim?

 

-Mike Buchenroth

=========================================================================

Date:         Wed, 18 Jun 1997 20:06:46 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: heroin and aging

Comments: To: country@sover.net

 

In a message dated 97-06-18 14:24:45 EDT, you write:

 

<< 

 whoa there! this thread may be dead, as i am crushed under tons of email

 from a few days away from list, but go down to any methadone clinic, any

 innercity and the idealism will fall away. i worked for 3 years in a new

 haven ct methadone clinic:  i counseled i wept and i buried so many people,

 i've been there myself. there is no glory in it there is no eternal youth

 fountain in it. tortured people tortured bodies. wsb is the exception to

 the rule. ok standing down from my soap box

 mc

  >>

i agree 100% but was just making observation that many of my idols are very

well preserved ex-dope addicts.  Is this more than coincidence?

(((((((((((((((((((((NOBODY KNOWS))))))))))))))))))))))))))

i certainly wouldn't encourage anyone to try to find out.

-------------------------------maya("dope is for dope-heads")

=========================================================================

Date:         Wed, 18 Jun 1997 19:18:43 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: Kerouac: The meaning of life?

In-Reply-To:  <33A87369.2FB0@buchenroth.com>

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>Attila Gyenis wrote:

>> 

>> In a message dated 97-06-17 06:42:12 EDT, you write:

> 

>> Humans are one of the few animals (if not the only animal) that are aware=

 of

>> the fact that they are going to die.

> 

>How do you know this? How do you support this claim? Can you provide

>documentation to support this claim?

> 

>-Mike Buchenroth

 

The Joy of Fishes

 

Chang Tzu and Hui Tzu

Were crossing Hao River

By the Dam.

 

Chuang said:

        "See how free

        The fishes leap and dart:

        That is their happiness."

 

Hui replied:

        "Since you are not a fish

        How do you know

        What makes fishes happy?"

 

Chuang said:

        "Since you are not I

        How can you possibly know

        That I do not know

        What makes fishes happy?"

 

Hui argued:

        "If I, not being you,

        Cannot know what you know

        It follows that you

        Not being a fish

        Cannot know what they know."

 

Chuang said:

 

"Wait a minute!

Let us get back

To the original question.

What you asked me was

'How do you know

What makes fishes happy'.

=46rom the terms of your question

You evidently know I know

What makes fish happy.

 

"I know the joy of fishes

In the river

Through my own joy, as I go walking

Along the same river."

 

--Chuang Tzu, trans. Thomas Merton

 

Leo Jilk

=========================================================================

Date:         Wed, 18 Jun 1997 20:26:20 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      story by a 17 year old girl

 

maya gorton

                                INSERT TITLE HERE

 

        He awoke to the buzz-buzz-THUMP, buzz-buzz-THUMP of a fly hurling itself

persistently against the windowpane.  He remained immobile for a moment, eyes

still closed, savoring the last fading traces of unconsciousness.  Slowly, he

grew aware that the fly was not a product of his dreamy brain, but was

instead a part of some other, more distant reality.  He blinked his way into

consciousness.  His eyes began to focus, and he soon realized that he

belonged to the same world as the fly.

 

        Sitting up, he looked around at this strange but familiar world.  A flood of

glowing yellowness was exploding in through the window and made everything in

his cluttered room drip with sunlight.  It came from the same place towards

which the reckless fly was directing its futile attempts to escape.

 

        The sound of the fly's small body hitting the unyielding glass made him

cringe.  He stood up, and, in an act of true mercy, he opened the window.

 The fly buzzed off happily into the morning brightness.

 

        He knew he was in a good mood that morning, because, ordinarily, he wouldn't

have gotten up to open the window.  Instead, he would have stayed in bed,

letting himself become increasingly annoyed at the fly, letting himself

become more and more irritated with it, until he was actually bursting with

aggression towards it, and only then would he have stood up and furiously

smacked it, with a shoe, or perhaps even with his bare hand.  He would smack

it just softly enough so that the window wouldn't break, but just hard enough

so that the fly would be reduced to a flat oozing jumble of legs and wings

against the glass.  "Stupid insect!", he would mutter.

 

        But today he didn't feel the need for this.  It was Sunday, after all.

 Through the open window, the air itself had that lazy Sunday smell of peace

and contentment.  This was the one day he could bask in the luxury of

idleness, and he reveled at the prospect of doing absolutely nothing for an

entire day.

 

        From the armchair by the window, he could observe the street below.  He

often sat there in the morning with a mugful of coffee, watching the people

on the block acting out their daily routines.  They did the same things over

and over, every day with a barely noticeable variation; it was as if they

were rehearsing for a play, or a movie, or perhaps something else, something

greater that they didn't quite understand.

 

        This morning was different, though, and he had almost forgotten why until he

saw them coming.  Groups of them, in their prim and proper clothes, swarmed

towards the church like flies towards a bleeding carcass.  He was amazed at

the number of people who had chosen to sacrifice such a delicious morning for

such a strange purpose.

 

        After a while, they were all inside.  He pictured them in the gloomy stone

building, row upon row of identical upturned faces, clutching identical books

in their hands.  Something within him shuddered as he contemplated this.  He

felt that there were souls behind the faces that were struggling, struggling

hard but to no avail to grasp something that was beyond their reach.

 

        They had the promise of beauty and light and salvation and freedom, but

something kept them from touching these things.  They were trying as hard as

they could to break through what prevented them from their destination.  But

their efforts were futile.  And yet, these souls still repeatedly strove with

all their might for the unreachable.

 

        He sighed.  Would someone eventually open the window for them? Or would they

be smashed in mid-struggle and never reach what they were striving for at

all?

 

 

        He went back to bed.

=========================================================================

Date:         Wed, 18 Jun 1997 20:35:05 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      existential overdose.....leading to withdrawal (just felt like

              posting it again)

 

I SPY WITH MY LITTLE EYE SOMETHING THAT BEGINS WITH BE

 

IS IT GOOD? IS IT BAD? DOES IT MAKE YOU SAD OR GLAD?

 

  I don't know, I don't care

                   it doesn't touch me (anywhere)

 

::climbs into stone sarcophagus, lies down facing upwards. slowly shifts

heavy slab into place.

::when the lid is securely in place, it is airtight, and totally dark.

 

DO YOU FEEL IT IN YOUR BRAIN?  DO YOU FEEL IT IN YOUR VEIN?

 

    i do not feel it here nor there! nor ANYWHERE!

                  NOT IN MY BRAIN

                  NOT IN THE RAIN

                  ALL IS IN VAIN

                  I MUST BE INSANE.............

 

::suddenly, suffocation::

                  "For what dreams may come---"

 

     As a matter of fact, it was one of those "something horrible is chasing

me and its going to kill me" dreams.  They say these dreams are the peculiar

affliction of people who feel guilty about something, like when you're

avoiding a responsibility.

Anyway, I was running like a murderer...but from what?

     runnrunrunning running running running simultaneously from and after

something but I couldn't tell what it was

  all I knew was I HAD to catch up with it

                       or else...

     But it kept out of sight. It was just around the corner, a corner I had

not dared to round before.  The corner kept getting further and further away,

no matter how fast I ran-- it was just beyond my reach.  Running, running...

 

NOTHING'S HAPPENING

 

If I could just see what it was...I HAD to know.

 

(running)

 

I ran past the Point of No Return.  I only had one drop of energy left.

     I was running on empty.  "This is it", I thought.  One drop left. The

final stretch--after this, turning back is as good as death, I might as well

give it one, last, final PPUUSSHH....

 

        !!THEN SUDDENLY!!

 

OH, NO! As soon as horrified recognition crept in, i tried to look away, but

it was too late.

I was in it, surrounded by it, blinded, deafened by it.

 

it was the face of my mother

her face!

She's crying and it's my fault..

 

     In a convulsion of horror and fear and grief, I howled.

My underwater dream over.

 

     The air I now had to breathe scorched my lungs.

I felt like I was inhaling all the dust of the world.

 

        ~~~*~~~

 

     For three long days and three long nights I twisted in agony as forces

inside wrestled for control.  Absolute terror.  Every nerve in my body

stretched to the maximum, a Tug-of-War against myself.

 

A most cruel and violent exorcism.

 

     Sleep seemed further away than the sun is to the Underworld.  And the

COLD...

A thousand winters rushing through me.

 

     All the monsters and demons of Hell laughed evilly as they watched me

turn into ice.  One cell at a time chrystallizing.  A chain reaction.

     I saw my imminent doom as just another ice-statue in their trophy

gallery, fully conscious but forever cursed with the inability to

move...another victory for Doom.

     If only I could crawl out of this too-tight skin...

 

     If I killed myself, it would be another victory for them.

And my parents' grief...

     Could it be that I still loved? After all?

 

     The Destroyer laughed. "Fool!", said he, "Haven't you learned yet to

cast off that perfidious illusion?"

 

     "GO AWAY!", I screamed.

I put my hands over my ears and began to sing.

 

Destroyer: (laughs evilly)

         : (disappears in puff of smoke)

 

     Maya, or illusion, fighting for the most insane idea she could dream of,

which was to love.

 

        ~~~*~~~

 

On the 4th day I finally reached Sleep.

On the 5th day, I awoke: 1.Consciousness

                         2.Opened my eyes

                         3.Stood up on my new legs*

 

     *this took a long time. My new legs were weak, since I was used to

swimming and not walking.  I faltered and was unsteady at first, but soon got

used to it.

 

On the 6th day, the sun warmed me, and I decided it must be Spring.

 

On the 7th day, I looked at the world with my new sensory powers, smelled it

heard it felt it, and I saw that it could be alright, sometimes.

 

I took a deep breath, inhaling all the colors, and began to write, paint,

sing, dance, wildly so that I would never again forget what it means to be

alive.

 

        ~~~*~~~

 

feel free to delete promptly but comments appreciated

=========================================================================

Date:         Wed, 18 Jun 1997 20:46:30 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: the old gun and the odd gun

 

Patricia:

It's a long way from the old Rock Chalk Cafe and Grist magazine in Lawrence.

 Did you ever notify S. Clay about the early works you have of his? He was

wracking his brain when he gave them to you. He started talking about one

girlfriend of his who was a model at KU who got Pam a job there while I was

working at the bean factory with the bosses promises of a big wienie in the

sky.

Charley

=========================================================================

Date:         Wed, 18 Jun 1997 19:56:47 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: the old gun and the odd gun

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Pamela Beach Plymell wrote:

> 

> Patricia:

> It's a long way from the old Rock Chalk Cafe and Grist magazine in Lawrence.

>  Did you ever notify S. Clay about the early works you have of his? He was

> wracking his brain when he gave them to you. He started talking about one

> girlfriend of his who was a model at KU who got Pam a job there while I was

> working at the bean factory with the bosses promises of a big wienie in the

> sky.

> Charley

patricia wrote

I don't actually know him (s clay), I admire him tremendously and have

met him several times but  i do not know where he lives.  i got the

pictures as part of a bad debt, i sell junk, (like furniture and

building parts) and often will swap and trade things. I believe I

furnished a bedroom with cheap furniture for those. He signed them years

later. I heard he was coming to town, but i don't know any exact

information  but he might of come and gone. If he hasn't i might see him

for he knows people i know. I would be pleased to give them to him as a

gift, if you think he would enjoy or be able to use them. Other wise i

hoard them as i do my other trifles. I would be happy to just pop them

in the mail. of course i don't have his address.

patricia

 

=========================================================================

Date:         Wed, 18 Jun 1997 20:16:20 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Spirit present

MIME-Version: 1.0

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In response to:

 

> I am 43.  I often regret that I am so young and missed out on the

> 50's and the beats.  Anybody else in that predicament of feel that

> way.

> Oh well, as someone once said, somethings gained in living every

> day.

> --

> Peace,

> Bentz

 

 

I am a Montreal 20 year old poet. There are no regrets to having begun

my journey a good 45 years after some of our 'courage-teachers'. The

spirit is the main thing and is present.

 

Joseph Neudorfer

neudorf@discovland.net

=========================================================================

Date:         Wed, 18 Jun 1997 21:19:52 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Last of the Mocassins

 

James:

WELL, thank you, man, if I do say so meself, as Neal usta say. I just got

home from the Interstate again. It compresses in my head for weeks...not like

old Route 66..Hell trip out west and back. Folks can't seem to live the greed

fast enough. Passing all the filled cattle trucks in Dakota seeing the big

eye of the beast stare at me through the railings on its way to slaughter and

all the animals in rode kill around the Great Lakes..too many white cars in

Ohio. Made me have a nightmare of red Irish setter impalled on Street sign. I

ran for help. Then its puppy impalled. I never know what to do. I try to save

an animal on the road and the driver looks at me while hitting it. Signs in

S.D. saying they depend on animals for live and don't want any animal rights

people around. They depend on them for capital greed mainly.

Passed Little Big Horn and the monument for Custer. Wanted $6 to go up on the

hill. I yelled Custer was a loser and National Monuments belong to the

people. Keep your $6.

Charles Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 21:24:16 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Lom&DrSax

 

In a message dated 97-06-18 02:30:17 EDT, you write:

 

<< > Levi:

 > Well, at least I particularly like my image of Kerouac punching toward

 > epiphany. If just that could be worked in somewhere I think it's

important.

 > It seems someone on the beat-l writing a paper has zeroed in that word.

 > Charley

 

 Hey ... just wanted to give you an update.  I'm still working on

 this, along with too many other projects (I'm always very slow

 to finish things, but I *do* eventually finish.)  Just didn't

 want you to think I forgot.  Talk to you soon ... how's

 everything going? >>

 

Levi has put my post on Dr. Sax on his site, if anyone is interested.

Charles Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 21:24:13 EST

Reply-To:     MORE OXY THAN MORON <breithau@KENYON.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Wasson

 

Does anyone know if mushroom man Gordon Wasson is still alive? Thanks,

 

Dave B.

=========================================================================

Date:         Wed, 18 Jun 1997 20:28:00 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Spirit present

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

neudorf@discovland.net wrote:

> 

> In response to:

> 

> > I am 43.  I often regret that I am so young and missed out on the

> > 50's and the beats.  Anybody else in that predicament of feel that

> > way.

> > Oh well, as someone once said, somethings gained in living every

> > day.

> > --

> > Peace,

> > Bentz

> 

> I am a Montreal 20 year old poet. There are no regrets to having begun

> my journey a good 45 years after some of our 'courage-teachers'. The

> spirit is the main thing and is present.

> 

> Joseph Neudorfer

> neudorf@discovland.net

 

not certain i understand the purpose of all this BUT

 

according to my birth certificate I'm 35 years 9 months and 2 days on

this Earth.

but time is a relative thing don't ya know :)

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 18 Jun 1997 21:44:24 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: traditionalism

 

I agree with the post about memorizing. Maybe it's a spurious arguement. I

used to memorize Burma Shave signs and limericks are meant for any dirty

minded half-wit to repeat. The post about Ginsberg sayin ass? Well Chaucer

was the first Englishman to write those vulgar things. About G's unedited

spontaneity. Good advice. Yeats said something about getting it down while

it's hot. How else wd he get those funny Kerouac oddities "perne in a gyre"?

But even G wouldn't let a word stay if he saw it differently re-reading it.

And Whitman was the dirty old man with greatest compassion for anyone, any

religion, even a soldier who was a Republican! Had the longer wind and

breath, too. That's why it took Pound, the clarity nut, a long time to accept

him. And Pound also sd Fucking in the Cantos, long before G.

So don't take anything verbatum ergo dictum too seriously folks!

Charles Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 21:07:42 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      ReBirth Generation

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

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In response to Maya's:

 

> I just turned 22, have been out of college for 1 year now.  But i

> guess my generation, my friends i mean, are just as beat as beat can

> be.  I hope to take what we can learn from the beats and push it one

> step further (isn't that the duty of the next generation?) I would

> be innerested to know about everyone else too.  I have tried to

> guess, but am often wrong.  See ya----------------maya

 

 

I'm with you Maya, up in Montreal, Kanada (Whitman spelling).

20 years old

McGill University (History / English)

self-published 2 chapbooks        Jan 1996    The Beginning of Something

                                                          Sept 1996   Mountain Tasting

                                                  (hopefully in Sept of 1997   And Poet I Hero Be)

-twin brother (David), both of us megalomaniacal poets spreading the

word

 have been performing for 2 years in cafes, clubs with the Rhythmic

Missionaries, a jazzoetry ensemble (trumpet, saxophone, bass, violin,

drums, kungas)

 

-my brother has a piece titled "ReBirth Generation", that's what we are.

Audiences drool at us, compare us to beats   that's o.k.   don't let it

get to the head   must not define ourselves (others will always lend a

hand   was not Kerouac hesitant and alienated by critics and

descriptions of the Beat Generation?)

 this is not new, but then again, it is   just be, (even the

corporations have it down, Just Do It   Nike)

 to be compared to the past is an honour, but as you mentioned, we must

add our own twist to the tradition   i don't even know if it's adding .

. . one thing is for sure, the whole internet thing is new, imagine

anthologies covering literary generations of the 21st century, no more

correspondence through the post office but through !email!

-to come back to our jazzoetry ensemble, only my brother and I don't

play instruments, and the musicians all perform their poetry as well

it is not a band, as the words remain supreme, rather it is a

conversation, the music responding to the words, heightening the

emotions. Hopefully you will have heard Kenneth Rexroth with jazz

accompaniment, or Lawrence Ferlinghetti. The point here is that what

I've heard is not that extraordinary. The poets and musicans separately

are much more accomplished than any of us, but together they are not

convincing. Credit must be given to the beats for combining the two art

forms (poetry and jazz). In this respect, I see us as adding, but it is

only another level, as dust accumulates.

- RHYTHMIC MISSIONARIES : look in any thesaurus for rhythm, you will

find beat. 'Missionary' brings out the image of Jesuits in South America

destroying native traditions, that is the opposite of what we are about.

Combine the two words and it is the spreading of the vibe, the spreading

of good times, the rhythm native to all peoples, solidarity in

diversity.

  i guess preachiness cannot be avoided   Ginsberg was a prophet in the

line of the Hebrew prophets (there is an element of tongue and cheek

that Ginsberg admits, but there is also an element of truth)   and so,

up here in Montreal, the prophet line continues

 

Joseph Neudorfer

neudorf@discovland.net

=========================================================================

Date:         Wed, 18 Jun 1997 21:50:01 -0400

Reply-To:     andrew szymczyk <trent@JANE.PENN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         andrew szymczyk <trent@JANE.PENN.COM>

Subject:      Re: existential overdose.....leading to withdrawal (just felt

              likeposting it again)

Mime-Version: 1.0

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----------

: From: Maya Gorton <Marioka7@AOL.COM>

: To: BEAT-L@CUNYVM.CUNY.EDU

: Subject: existential overdose.....leading to withdrawal (just felt

likeposting it again)

: Date: Wednesday, June 18, 1997 8:35 PM

:

: I SPY WITH MY LITTLE EYE SOMETHING THAT BEGINS WITH BE

:

: IS IT GOOD? IS IT BAD? DOES IT MAKE YOU SAD OR GLAD?

:

:   I don't know, I don't care

:                    it doesn't touch me (anywhere)

:

: ::climbs into stone sarcophagus, lies down facing upwards. slowly shifts

: heavy slab into place.

: ::when the lid is securely in place, it is airtight, and totally dark.

:

: DO YOU FEEL IT IN YOUR BRAIN?  DO YOU FEEL IT IN YOUR VEIN?

:

:     i do not feel it here nor there! nor ANYWHERE!

:                   NOT IN MY BRAIN

:                   NOT IN THE RAIN

:                   ALL IS IN VAIN

:                   I MUST BE INSANE.............

:

: ::suddenly, suffocation::

:                   "For what dreams may come---"

:

:      As a matter of fact, it was one of those "something horrible is

chasing

: me and its going to kill me" dreams.  They say these dreams are the

peculiar

: affliction of people who feel guilty about something, like when you're

: avoiding a responsibility.

: Anyway, I was running like a murderer...but from what?

:      runnrunrunning running running running simultaneously from and after

: something but I couldn't tell what it was

:   all I knew was I HAD to catch up with it

:                        or else...

:      But it kept out of sight. It was just around the corner, a corner I

had

: not dared to round before.  The corner kept getting further and further

away,

: no matter how fast I ran-- it was just beyond my reach.  Running,

running...

:

: NOTHING'S HAPPENING

:

: If I could just see what it was...I HAD to know.

:

: (running)

:

: I ran past the Point of No Return.  I only had one drop of energy left.

:      I was running on empty.  "This is it", I thought.  One drop left.

The

: final stretch--after this, turning back is as good as death, I might as

well

: give it one, last, final PPUUSSHH....

:

:         !!THEN SUDDENLY!!

:

: OH, NO! As soon as horrified recognition crept in, i tried to look away,

but

: it was too late.

: I was in it, surrounded by it, blinded, deafened by it.

:

: it was the face of my mother

: her face!

: She's crying and it's my fault..

:

:      In a convulsion of horror and fear and grief, I howled.

: My underwater dream over.

:

:      The air I now had to breathe scorched my lungs.

: I felt like I was inhaling all the dust of the world.

:

:         ~~~*~~~

:

:      For three long days and three long nights I twisted in agony as

forces

: inside wrestled for control.  Absolute terror.  Every nerve in my body

: stretched to the maximum, a Tug-of-War against myself.

:

: A most cruel and violent exorcism.

:

:      Sleep seemed further away than the sun is to the Underworld.  And

the

: COLD...

: A thousand winters rushing through me.

:

:      All the monsters and demons of Hell laughed evilly as they watched

me

: turn into ice.  One cell at a time chrystallizing.  A chain reaction.

:      I saw my imminent doom as just another ice-statue in their trophy

: gallery, fully conscious but forever cursed with the inability to

: move...another victory for Doom.

:      If only I could crawl out of this too-tight skin...

:

:      If I killed myself, it would be another victory for them.

: And my parents' grief...

:      Could it be that I still loved? After all?

:

:      The Destroyer laughed. "Fool!", said he, "Haven't you learned yet to

: cast off that perfidious illusion?"

:

:      "GO AWAY!", I screamed.

: I put my hands over my ears and began to sing.

:

: Destroyer: (laughs evilly)

:          : (disappears in puff of smoke)

:

:      Maya, or illusion, fighting for the most insane idea she could dream

of,

: which was to love.

:

:         ~~~*~~~

:

: On the 4th day I finally reached Sleep.

: On the 5th day, I awoke: 1.Consciousness

:                          2.Opened my eyes

:                          3.Stood up on my new legs*

:

:      *this took a long time. My new legs were weak, since I was used to

: swimming and not walking.  I faltered and was unsteady at first, but soon

got

: used to it.

:

: On the 6th day, the sun warmed me, and I decided it must be Spring.

:

: On the 7th day, I looked at the world with my new sensory powers, smelled

it

: heard it felt it, and I saw that it could be alright, sometimes.

:

: I took a deep breath, inhaling all the colors, and began to write, paint,

: sing, dance, wildly so that I would never again forget what it means to

be

: alive.

:

:         ~~~*~~~

:

 

If you choose to enter the cave with professor Twangiri,

                                        turn to page 229.

 

           If you choose to return to the boat with Panga,

                                        turn to page 250.

 

    If you choose to go to Arkansas, turn to the next page.

 

 

 

 

sorry, i saw my chance to fit this in with the rememberance of

those damned "make your own story" books.  oh c'mon,

i *had* to do it.

=========================================================================

Date:         Wed, 18 Jun 1997 21:11:51 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: traditionalism

In-Reply-To:  <33A722BC.51B@owens.ridgecrest.ca.us>

Mime-Version: 1.0

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Barbara Wirtz wrote:

 

>> 

>> Diane Carter wrote:

>> . . .  Is it simply that you

>> > are a more of a traditionalist in your world and literary views?

>> > Ginsberg freed poetic language from the boundaries imposed by earlier

>> > poets, including Eliot. He took poetry to another level.  Is there

>> > something about that level that bothers you?

>> >  DC

>Yes, I am obviously more of a traditionalist...and to a degree sound is

>as important as the images and messages in poetry...otherwise it might

>as well be prose...a speech.  And Ginsberg does favor techniques used by

>orators moreso than poets.  Also...I don't think poetry had been "bound"

>or "enslaved" my sound devices....It is a kind of music where one may

>choose from a plethora of devices.  And honestly, Ginsberg is lacking in

>that area.  I agree, his imagery  and tone are powerful, but he relies

>heavily on parallelism and cataloging, but he never achieves the cadence

>of Whitman.  Albeit....if cacophony and anger are to be conveyed, he's

>achieved it....But I still don't think he's the finest poet of this

>century.

>Respectfully,

>Barb

 

Ginsberg did take poetry to another level; it's been said that Howl was the

first real step forward for American poetry since Leaves of Grass.  I

believe he achieved something unique and new with his poetry. Whether or

not sound devices "enslaved" poetry is not so important as the fact that

Ginsberg was able to create great poetry without capitulating to them. He

has helped poets find their own voice (as William C. Williams helped AG

find his) by raising his own voice so loudly in his poems. To me, yes sound

is important in poetry, but ginsberg achieves beauty that Eliot  and other

poets who followed more traditional forms never attained. When from the

dirty ashes of the grief, pain, honesty, and madness of Kaddish come the

lines:

 

Myself, anyhow, maybe as old as the universe--and I guess that dies with

        us--enough to cancel all that comes--What came is gone forever

        every time--

Thats good! That leaves it open for no regret--no fear radiators, lacklove,

        torture even toothache in the end--

Though while it comes it is a lion that eats the soul--and the lamb, the sou=

l,

        in us, alas, offering itself in sacrifice to change's fierce

hunger--hair

        and teeth--and the roar of bonepain, skull bare, break rib, rot-skin

        braintricked Implacability.

Ai! ai! we do worse! We are in a fix! And you're out, Death let you out,

        Death had the mercy, you're done with your century, done with

        God, done with the path thru it-- Done with yourself at last--Pure

        --Back to the Babe dark before your Father, before us all--before the

        world--

 

There, rest. No more suffering for you. I know where you've gone, it's good.

 

 

 

I will sometimes become tearful when i read this aloud. The sound of this

poetry is Ginsberg reading it, yourself reading it, not the intricacies of

rhyme or the placement of syllables, but the pure experience of the beauty

of what the author has done. One can feel the man writing this: at once,

being absorbed by the madness of his mother and somehow coming through the

other side alright, absorbing it in himself; and this relates to ginsberg's

capacity for compassion, and the essence of the Beats, that giving of

oneself to life and allowing the beauty and art to come from within the

experience of life. So was the art of the beats, in my opinion.

        I could never see myself trading Howl or Kaddish for Ode On a

Grecian Urn by Keats, but luckily, the world gets to have all three and

take from them all and perhaps find themselves and their own voice in each.

But in the end, whether in  pursuance of truth or of beauty the poet finds

one within the other. Dickinson wrote about herself and another buried in

the grave. She says "I died for beauty" and he says "I died for truth".

They are one, and the companions talk to eachother through the walls until

moss grows over their lips.

        To me, Ginsberg's formal style, whether poetic or oratory, is as

powerful and beautiful as the lyric of any other poet. He elevates man in

the world; his sound device is that of life!

 

-leo jilk

=========================================================================

Date:         Wed, 18 Jun 1997 22:07:30 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Spirit present

Comments: To: RACE --- <race@MIDUSA.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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RACE --- wrote:

 

> neudorf@discovland.net wrote:

> >

> > In response to:

> >

> > > I am 43.  I often regret that I am so young and missed out on the

> > > 50's and the beats.  Anybody else in that predicament of feel that

> 

> > > way.

> > > Oh well, as someone once said, somethings gained in living every

> > > day.

> > > --

> > > Peace,

> > > Bentz

> >

> > I am a Montreal 20 year old poet. There are no regrets to having

> begun

> > my journey a good 45 years after some of our 'courage-teachers'. The

> 

> > spirit is the main thing and is present.

> >

> > Joseph Neudorfer

> > neudorf@discovland.net

> 

> not certain i understand the purpose of all this BUT

> 

> according to my birth certificate I'm 35 years 9 months and 2 days on

> this Earth.

> but time is a relative thing don't ya know :)

> 

> david rhaesa

> salina, Kansas

 

 

Sure there is a point to it, but if I told you, it would lose its

point.  Sometimes, I wish I was older than 43, but I hardly ever wish I

was younger.  So, why does our culture want to be so young.  I don't get

it, that's for sure.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 18 Jun 1997 22:22:53 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: heroin and aging

 

Well I could use some in my old age to help me down from the soapbox.

C. Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 22:27:25 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: my cat ate my homework

 

Likely story. Is that the cat that peered at me while I slept with one eye

open. Reminds me of Old Joe Turner singing :like a one-eyed cat sleeping in a

seafood store."

C. Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 22:30:26 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: limited vision

 

In a message dated 97-06-18 17:03:30 EDT, you write:

 

<<  What I take issue with is the fact that

 some of the people who make up society and eventually history have a

 limited vision of what is possible. >>

Diane:

Sounds like a description of Allen. Everything always had to be his way in

the boy's club.

Pam Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 21:27:45 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: my cat ate my homework

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Pamela Beach Plymell wrote:

> 

> Likely story. Is that the cat that peered at me while I slept with one eye

> open. Reminds me of Old Joe Turner singing :like a one-eyed cat sleeping in a

> seafood store."

> C. Plymell

 

the cat came near me once and i let out a snore that shook the room and

knocked the cat across the room and it ran from me like i was a tornado

-- of course, i was asleep so this could be all made up.

 

the attractive feature of the Beat Hotel that gets little mention is the

private "forest of arden" outside the bedroom window.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 18 Jun 1997 22:32:25 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: that old conciousness again

 

In a message dated 97-06-18 17:03:30 EDT, you write:

 

<<  What I take issue with is the fact that

 some of the people who make up society and eventually history have a

 limited vision of what is possible. >>

Diane:

Sounds like a description of Allen.

Pam Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 22:32:27 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Best concept

 

In a message dated 97-06-18 17:34:59 EDT, you write:

 

<< Do try Gary Snyder's Turtle Island

 (as well as his others) since you're interested in poetry.

  >>

We stopped and saved a turtle from getting mashed on the road. I hope Gary

Snyder does the same.

C. Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 22:39:33 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Cool cars

 

In a message dated 97-06-18 18:19:08 EDT, you write:

 

<< Mine looks that way anyway!!!! But has any poet/literary geek ever driven

a

 cool car? >>

I had a cool '53 Buick Riviera in 1953, if you want to read about in it LOM.

I spit Oxybiotic on the door and it ate the paint off. I also had a '52 MGTD

that Billy Batman gave us on the streets of SF in 1967. The last cool car I

had was a '66 Mustang convertible which had a photo of Janis Joplin in it and

cassette with the original Mustang Sally by Wicked Wilson Pickett. I think

that's cool though you might I think I'm a geek or a freak.

Charles Plymell

=========================================================================

Date:         Wed, 18 Jun 1997 21:40:56 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Cool cars

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-06-18 18:19:08 EDT, you write:

> 

> << Mine looks that way anyway!!!! But has any poet/literary geek ever driven

> a

>  cool car? >>

> I had a cool '53 Buick Riviera in 1953, if you want to read about in it LOM.

> I spit Oxybiotic on the door and it ate the paint off. I also had a '52 MGTD

> that Billy Batman gave us on the streets of SF in 1967. The last cool car I

> had was a '66 Mustang convertible which had a photo of Janis Joplin in it and

> cassette with the original Mustang Sally by Wicked Wilson Pickett. I think

> that's cool though you might I think I'm a geek or a freak.

> Charles Plymell

 

didn't you have a cool-car here in Salina back in '49????

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 18 Jun 1997 21:54:37 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      t.v.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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pretty good law & order tonight.  now that basketball season is over i

can catch them.  was it a re-run?

 

david

=========================================================================

Date:         Wed, 18 Jun 1997 21:55:57 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: t.v.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> pretty good law & order tonight.  now that basketball season is over i

> can catch them.  was it a re-run?

> 

> david

 

sorry about that one - hit the wrong button in the address book --

imagine that!

 

dbr

=========================================================================

Date:         Wed, 18 Jun 1997 23:32:55 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Best concept

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

 

> In a message dated 97-06-18 17:34:59 EDT, you write:

> 

> << Do try Gary Snyder's Turtle Island

>  (as well as his others) since you're interested in poetry.

>   >>

> We stopped and saved a turtle from getting mashed on the road. I hope

> Gary

> Snyder does the same.

> C. Plymell

 

Charles:

 

My wife tells me that the other day, she stopped the car save a turtle

from traffic.  My 12 year old son got out to help, but he was getting

"scratched" by the claws and kept putting the turtle down.  My 6 year

old daughter got out and picked it up and placed it on the safe water

side of the road.  She says she is going to be a vet, and I believe

her.  Dogs and cats both like her.  But, she also wants to be a gymnast

and a ballerina.  I think she will have a busy life.  And she has a

certain bohemian look and style about her.  My 8 year old daughter is as

preppy as her mother.  It is so strange the way they seem to have been

here before.

 

Last year when he was 11, Richard was a host for one hour on a local

radio station. I thought he would freeze up.  He turned it on.  People

were still calling for him when we drove away.  But what was curious to

me was this:

 

He read a bit about strange SC laws.  One is a law that makes it illegal

to carry a gun to church.  He ad libbed, "What is someone going to do,

shoot the priest?"  We are not Catholic, and as far as I can remember

have never even taken him to an Episcopal service.  We do not call our

pastor a priest in the United Methodist Church.  So, why did he say

priest instead of preacher.  I think that in another life he was a

Catholic.  I don't know if it matters.  But, has anyone else noticed how

children from the same parents seem to have different parents and even

different "lives".  If you have watched, it will  convince you that we

are reincarnated.

 

When he was 3, Richard told me that we live in a desert and that Jesus

brings us water.  My wife just said he was weird.  I think maybe he was

an Essene priest.

 

Oh well.

 

Later,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 18 Jun 1997 23:37:32 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: t.v.

Comments: To: RACE --- <race@MIDUSA.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

 

> RACE --- wrote:

> >

> > pretty good law & order tonight.  now that basketball season is over

> i

> > can catch them.  was it a re-run?

> >

> > david

> 

> sorry about that one - hit the wrong button in the address book --

> imagine that!

> 

> dbr

 

  David:

 

Well, it doesn't matter, it actually fits in better here than on the

Celtic list.  What does it have to do with the draft.  Anyway, did you

register for the draft when you turned 18.  I think I did, but I never

got an invitation to even the Portsmith Camp.  The Celtics never gave me

a try out either.  Maybe I registered for the wrong draft?  This world

is so confusing.  Don't ever take it literally, but if you don't you'll

go insane.

 

Peace, maybe, maybe not,

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 19 Jun 1997 00:09:55 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: Eliot vs. Ginsberg (was Re: lurker speaks)

In-Reply-To:  <33A83250.1CD8@together.net>

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At 12:09 PM 6/18/97 -0700, Diane Carter wrote:

> 

> I am not trying to diminish the work of Eliot or importance.  I

> also don't think that when you speak of Eliot and Ginsberg it is as

> simple as saying that they both energized poetry in different ways. I

> don't see the historical progression of poetry as a line where each

> generation improves, so to speak, on the next but more of a circle, here

> all poets, consciously or unconsciously contribute their uniqueness to

> the concerns of poetry as a whole, which is ultimately the concern of

> humanness.

 

I don't buy the improvement/evolution/progression model either.  Your

circle metaphor works fine for me--especially its focus on unconscious as

well as conscious influence.

 

As for the "concerns of poetry as a whole" pointing to a concern for

"humanness," well, I would say that this *might* be an apt description of

my favorite poets . . . maybe yours, too, since we've met up here on

BEAT-L.  Then again, I'm not so sure that Western humanism is what Ginsberg

is most moved by.  I would say he's most interested in re-defining what it

means to be human.  But that's for another discussion (a good one, I'm sure).

 

> As you wrote, in another post "Eliot decries what he calls

> Blake's formlessness." I see Blake as ultimately a great model from

>which

> grew Ginsberg's vision of Molach.

 

You'd love Ginsberg's *Your Reason & Blake's System*, a short book

published by Hanumen (I think Water Row has this).  Ginsberg knew his

Blake--and knew how to adapt Blake (Urizen) to his own ends (Moloch).  You

might also be interested in some of the Blake material in *The Visionary

Poetics of Allen Ginsberg* (by Paul Portuges, from Ross-Erikson Press--out

of print now).  I also work with Blake's influence on Ginsberg in a couple

chapters of my dissertation on poetic prophecy.  And the Eliot quote on

Blake:  compare Eliot here to Harold Bloom's stubborn and un-energetic

reading of *Kaddish*, reprinted in Bloom's *The Ringers in the Tower*.  The

Eliot and Bloom essays are fine examples of the kinds of blinders that

prevent cultural guardians from seeing the limitations of their own systems.

 

 

>I don't see Ginsberg as being

> influenced to any great degree by Eliot.  Any scholars of Ginsberg out

> there, speak up if I am wrong here.

 

Wrong?  Not necessarily (in my opinion, as a twentieth-century poetry

scholar who loves Ginsberg and Eliot).  Check out the unsent letter

Ginsberg wrote (with Carl Solomon) to Eliot from the Columbia Psychiatric

Institute (p. 143-44 of *Howl* facsimile edition), a letter written when

U.S. English Departments were dominated by Eliot-inspired standards of

control, irony, wit, and decorum.  (A domination, as I argued in a previous

post, that arose from critics who seemed to forget Eliot's experimental

qualities--critics who listened more to the prescriptions of Eliot's

criticism than to the experimental nature of the early poetry itself).  In

the letter to Eliot, Ginsberg & Solomon declare that they "know exactly

where you stand on the question of the existence of your great mind," and

close with a royal "we" that plays Eliot's institutional authority for the

fool:  "We take our leave by asking us to kiss you goodbye."

 

I agree with you that Eliot was not a *direct* influence on Ginsberg.

These attacks on Eliot are everywhere in Ginsberg, and for good reason:  he

was establishing a literary reputation that looked away from Eliot's

Euro-inflected voice and toward the American line of Williams and Whitman,

and toward the prophetic energy and prophetic historical consciousness of

Blake.  As you said:

 

> But the connection from Whitman to

> Williams to Ginsberg is much clearer.

 

Yet I've also been trying to argue that twentieth-century literary

history--like the history of any period--is too tangled to simply say

something like:

 

> Eliot distances himself from art

> while Ginsberg puts himself in the middle of it.

 

In "Tradition and the Individual Talent" Eliot does talk about "impersonal"

poetry as a model of composition.  But he also talks about transforming the

emotion of the individual poet into an emotion fitting for each individual

poem--a theory of selfhood that is as much about distance as engagment, I

think.  Eliot claimed an impersonality for his poetry that wasn't always

there, as critics who have focused on biographical readings of his poetry

have shown.

 

Eliot was an influence Ginsberg could not evade, given the historical

conditions of the era.  Even if Ginsberg detested Eliot and chose never to

read him--not the case, as the journals show--Ginsberg could not have

helped hearing the influence of Eliot on the contemporaries around him.

Eliot was too dominant not to be an influence.  Think of this 1954 letter

from Kerouac to Ginsberg (quoted in Schumacher's biography (p. 194) and

probably in other sources):  "For your beginning studies of Buddhism, you

must listen to me carefully and implicitly as tho I was Einstein teaching

you relativity or Eliot teaching the Formulas of Objective Correlation on a

blackboard in Princeton."  Now there's quite a smirking conflation of

representative teachers and influences--Buddha, Einstein, and Eliot.  I'm

reminded of Burroughs's remark on JK conflating Buddha and the Pope.  And

I'm reminded of Ginsberg and Solomon's sarcastic royal "we."  Think also of

"Footnote to Howl," line 115:  "Everything is holy! everybody's holy!

everywhere is holy! everyday is in eternity!"  This does not sound like it

could come from Eliot's elitism and religious orthodoxy.  Yet in the

facisimile edition, Ginsberg cites Blake (from "Auguries of Innocence") and

Eliot (a line from "Burnt Norton" that also appears in Ginsberg's poem

"Journal Night Thoughts") as influences for the line.  And then look at

Ginsberg's Eliot dreams in his published journals.  In these dreams he is

as interested in winning Eliot's approval as he is ashamed of this interest.

 

>I can see why people are moved by

> lines of Eliot, and why they are captivated by the metaphysical and

> symbolic implications of his poetry.  Yet I see Eliot as being removed

>by

> a layer of something from his own verse.  He does not write to America

> about America or about individual experience in a way that even in the

> way that even Whitman did. He writes as if there is a shroud between

> himself and his words, and I think that shroud is the formalness he

> thought critical to a work of art.

 

I agree, to an extent . . . although I think Eliot accomplishes quite a bit

with this strategy of impersonality and self-removal . . . just as Ginsberg

accomplishes quite a bit with his emphasis on strategies of naked selfhood.

 Eliot doesn't want to write as an American or to America.  The "shroud" of

"formalness" you mention--a nice description, I think--is part of his

theory of the "objective correlative" . . . part of what JK claims,

sarcastically, in the 1954 letter is a teaching lineage comparable to

Buddha and Einstein.

 

>    For someone writing in

> American today, I see Ginsberg as a much better model than Eliot.

 

Hard to say, for me.  It depends on what that person wants to say, and how

s/he wants to say it.  As a writer, I try to take a bit from everyone I

read.

 

BTW, thanks for starting this great thread, going way back to your readings

in *Allen Verbatim* (and, as you can guess from my spewing page references

& citations, the thread overlaps some of my own research & writing

interests).

 

Tony

 

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

"I think of people's faces and stay away from coffee.  I listen

to my radio and I go to bed early too.  There's nothing like

sleep to make you feel good the next day.  And I also eat good.

When I feel tense and nervous in the morning I go to Ruby's and

have a good breakfast.  The food gives me the energy to think more

positive thoughts."

--Henry Turner

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

=========================================================================

Date:         Wed, 18 Jun 1997 21:17:01 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Windowpoopies

MIME-Version: 1.0

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Bill Philibin wrote:

 

 But has any poet/literary geek ever driven

> a

> > cool car?

 

 

Look at the pictures of Plymell who has definitely owned and sold to

cheap some very cool cars.

 

I don't know if I myself count as a poetic Geek, but my coolest wheels

have been a couple of Saab 96's, a wonderfully clean 1950 Ford pickup

with a great flathead straight  6, one of the original RX-7's, and a

wonderful 5 liter Mustang which kicked serious butt.  Nothing wrong with

cool cars.  Best current wheels (but not running) a 1958 Vespa 150.

 

J Stauffer

=========================================================================

Date:         Wed, 18 Jun 1997 23:20:08 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Windowpoopies

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James Stauffer wrote:

> 

> Bill Philibin wrote:

> 

>  But has any poet/literary geek ever driven

> > a

> > > cool car?

> 

> Look at the pictures of Plymell who has definitely owned and sold to

> cheap some very cool cars.

> 

> I don't know if I myself count as a poetic Geek, but my coolest wheels

> have been a couple of Saab 96's, a wonderfully clean 1950 Ford pickup

> with a great flathead straight  6, one of the original RX-7's, and a

> wonderful 5 liter Mustang which kicked serious butt.  Nothing wrong with

> cool cars.  Best current wheels (but not running) a 1958 Vespa 150.

> 

> J Stauffer

 

my best was a 63 white ford pickup called jennie, seat upholstered in my

childhood drapes, great roses with crawling leaves, p

=========================================================================

Date:         Thu, 19 Jun 1997 01:16:46 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: traditionalism

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>=20

> Barbara Wirtz wrote:

>=20

> >Yes, I am obviously more of a traditionalist...and to a degree sound i=

s

> >as important as the images and messages in poetry...otherwise it might

> >as well be prose...a speech.  And Ginsberg does favor techniques used =

by

> >orators moreso than poets.  Also...I don't think poetry had been "boun=

d"

> >or "enslaved" my sound devices....It is a kind of music where one may

> >choose from a plethora of devices.  And honestly, Ginsberg is lacking =

in

> >that area.  I agree, his imagery  and tone are powerful, but he relies

> >heavily on parallelism and cataloging, but he never achieves the caden=

ce

> >of Whitman.  Albeit....if cacophony and anger are to be conveyed, he's

> >achieved it....But I still don't think he's the finest poet of this

> >century.

> >Respectfully,

> >Barb

 

> Sinverg=FCenza wrote:

> Ginsberg did take poetry to another level; it's been said that Howl was=

 the

> first real step forward for American poetry since Leaves of Grass.  I

> believe he achieved something unique and new with his poetry. Whether o=

r

> not sound devices "enslaved" poetry is not so important as the fact tha=

t

> Ginsberg was able to create great poetry without capitulating to them. =

He

> has helped poets find their own voice (as William C. Williams helped AG

> find his) by raising his own voice so loudly in his poems. To me, yes s=

ound

> is important in poetry, but ginsberg achieves beauty that Eliot  and ot=

her

> poets who followed more traditional forms never attained. When from the

> dirty ashes of the grief, pain, honesty, and madness of Kaddish come th=

e

> lines:

>=20

> Myself, anyhow, maybe as old as the universe--and I guess that dies wit=

h

>         us--enough to cancel all that comes--What came is gone forever

>         every time--

> Thats good! That leaves it open for no regret--no fear radiators, lackl=

ove,

>         torture even toothache in the end--

> Though while it comes it is a lion that eats the soul--and the lamb, th=

e soul,

>         in us, alas, offering itself in sacrifice to change's fierce

> hunger--hair

>         and teeth--and the roar of bonepain, skull bare, break rib, rot=

-skin

>         braintricked Implacability.

> Ai! ai! we do worse! We are in a fix! And you're out, Death let you out=

,

>         Death had the mercy, you're done with your century, done with

>         God, done with the path thru it-- Done with yourself at last--P=

ure

>         --Back to the Babe dark before your Father, before us all--befo=

re the

>         world--

>=20

> There, rest. No more suffering for you. I know where you've gone, it's =

good.

>=20

> I will sometimes become tearful when i read this aloud. The sound of th=

is

> poetry is Ginsberg reading it, yourself reading it, not the intricacies=

 of

> rhyme or the placement of syllables, but the pure experience of the bea=

uty

> of what the author has done. One can feel the man writing this: at once=

,

> being absorbed by the madness of his mother and somehow coming through =

the

> other side alright, absorbing it in himself; and this relates to ginsbe=

rg's

> capacity for compassion, and the essence of the Beats, that giving of

> oneself to life and allowing the beauty and art to come from within the

> experience of life. So was the art of the beats, in my opinion.

>         I could never see myself trading Howl or Kaddish for Ode On a

> Grecian Urn by Keats, but luckily, the world gets to have all three and

> take from them all and perhaps find themselves and their own voice in e=

ach.

> But in the end, whether in  pursuance of truth or of beauty the poet fi=

nds

> one within the other. Dickinson wrote about herself and another buried =

in

> the grave. She says "I died for beauty" and he says "I died for truth".

> They are one, and the companions talk to eachother through the walls un=

til

> moss grows over their lips.

>         To me, Ginsberg's formal style, whether poetic or oratory, is a=

s

> powerful and beautiful as the lyric of any other poet. He elevates man =

in

> the world; his sound device is that of life!

>=20

> -leo jilk

 

Excellent, excellent post.

I just want to add to that something William Carlos Williams wrote as an=20

introduction to Ginsberg's Empty Mirror, which was 1947-52, even=20

pre-Howl.

 

"This young Jewish boy, already not so young any more, has recognized=20

something that has escaped most of the modern age, he has found that man=20

is lost in the world of his own head.  And that the rhythms of the past=20

have become like an old field long left unploughed and fallen into=20

disuse.  In fact they are excavating there for a new industrial plant.

 

There the new inferno will soon be under construction.

 

A new sort of line, omitting memories of trees and watercourses and=20

clouds and pleasant glades--as empty of them as Dante Alighieri's Inferno=

=20

is empty of them--exists today.  It is measured in the passage of time=20

without accent, monotonous, useless--unless you are drawn to Dante was to=

=20

see the truth, undressed, and to sway to a beat that is far removed from=20

the beat of dancing feet but rather finds in the shuffling of human=20

beings in all the stages of their day, the trip to the bathroom, to the=20

stairs of the subway, the steps of the office or factory routine the=20

mystical measure of their passions.

 

It is indeed a human pilgrimage, like Geoffrey Chaucer's; poets had=20

better be aware of it and speak of it--and speak of it in plain terms,=20

such as men will recognize.  In the mystical beat of newspapers that no=20

one recognizes, their life is given back to them in plain terms.  Not one=

=20

recognizes Dante there fully deployed.  It is not recondite but plain.

 

And when the poet in his writing would scream of the crowd, like=20

Jeremiah, that there life is beset, what can he do, in the end, but speak=

=20

to them in their own language, that of the daily press?

 

And at the same time, out of his love for them--a poet as Dante was a=20

poet--he must use his art, as Dante used his art, to please.  He must so=20

disguise his lines, that his style appears prosaic (so that it shall not=20

offend) to go in a cloud.

 

With this, if it be possible, the hidden sweetness of the poem may alone=20

survive and one day rouse the sleeping world.

 

There cannot be any facile deception about it.  The writing cannot be=20

made to be "a kind of prose," not prose with a dirty wash of a stale poem=

=20

over it.  It must not set out, as poets are taught or have a tendency to=20

do, to deceive, to sneak over a poetic way of laying down phrases.  It=20

must be prose but prose among whose words the terror of their truth has=20

been discovered.

 

Here the terror of the scene has been laid bare in subtle measures, the=20

pages are warm with it.  The scene they evoke is terrifying more so than=20

Dante's pages, the poem is not suspect, the craft is flawless."

 

DC

=========================================================================

Date:         Wed, 18 Jun 1997 21:33:54 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Spirit present

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RACE --- wrote:

 

> not certain i understand the purpose of all this BUT

> 

> according to my birth certificate I'm 35 years 9 months and 2 days on

> this Earth.

> but time is a relative thing don't ya know :)

> 

> david rhaesa

> salina, Kansas

 

And you are only as pretty as you feel!

 

There was no best time to be alive.  Hell I was too late to be Dick

Powell in the Thin Man movies with Myrna Loy and way too late to eat

opium with Coleridge and DeQuincy.  Enjoy your epoch guys.  It's all

you've got.

 

J Stauffer

=========================================================================

Date:         Wed, 18 Jun 1997 23:37:26 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Spirit present

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James Stauffer wrote:

> 

> RACE --- wrote:

> 

> > not certain i understand the purpose of all this BUT

> >

> > according to my birth certificate I'm 35 years 9 months and 2 days on

> > this Earth.

> > but time is a relative thing don't ya know :)

> >

> > david rhaesa

> > salina, Kansas

> 

> And you are only as pretty as you feel!

> 

> There was no best time to be alive.  Hell I was too late to be Dick

> Powell in the Thin Man movies with Myrna Loy and way too late to eat

> opium with Coleridge and DeQuincy.  Enjoy your epoch guys.  It's all

> you've got.

> 

> J Stauffer

 

i'd have to say i found my life as Pandur lyric poet and trickster in

Ancient Greece the most interesting.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 19 Jun 1997 02:11:59 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: ReBirth Generation

Comments: To: neudorf@mainserver.discovland.net

 

In a message dated 97-06-19 01:43:27 EDT, you write:

 

<<   must not define ourselves (others will always lend a

 hand   was not Kerouac hesitant and alienated by critics and

 descriptions of the Beat Generation?)

..........................................................................

 - RHYTHMIC MISSIONARIES :  >>

 

Well, sounds like you've got it goin' on.  But while you're busy defining

yourself as a poet, don't forget to step down and be a human being sometimes

too.

 

Are you familiar with "the Last Poets"?  They read poetry to drums and other

noise.-----------------maya

=========================================================================

Date:         Thu, 19 Jun 1997 02:26:17 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      days of long posts

 

sorry about all the long posts lately.  I hope i haven't made everyone's

fingers delete-happy when they see my name.

>From now on, call me the queen of brevity.  Speaking of itchy

trigger-fingers, has anyone read Burroughs' "soft machine"?

(if anyone thinks that was in poor taste i'm sorry)---------maya

=========================================================================

Date:         Thu, 19 Jun 1997 02:52:11 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: t.v.

 

In a message dated 97-06-19 02:30:00 EDT, you write:

 

<< 

 sorry about that one - hit the wrong button in the address book --

 imagine that!

  >>

 

sorry about all previous messages. Must have been hitting the wrong button in

the address book this whole time--imagine that!  i grovel in humiliation and

tremble in anticipation of your wrath.  Flay me! Flagellate me! Scorn me with

your Beatness!  I will now recede back into my dark shell of lurkerdom.

 

"I can see the color of souls, and yours is white"

"i belong to her. I've belonged to her and I didn't know it. Goodbye,

daughter. The curse! the curse!"

"I will pray every day for you. From my dark well of loneliness i will pray

for you"

===== loops from: confessions of a knife, the Thrill Kill Kult (which IS a

beat-related band, thankyouverymuch)

 

Piece, -----------------maya

=========================================================================

Date:         Thu, 19 Jun 1997 06:13:34 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      The FireWalk Saga continues

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Let's see after shrink comes "Discussing the Bordello" - i think that

was in the first insomniatic musings post long long ago.

 

Next comes:

(Eulogy for the Dead Poetry Professor in all of us) i can't remember if

i put this one on the list or not.

 

special prize big sloppy kiss to anyone who can figure out why the title

of that one was in parantheses.

 

 

November 12th 1992.... typed (Eulogy for the Dead Poetry Professor in

all of us) . .. not certain why I put the title in parentheses.  that is

probably the most significant factor in the poem.  many other things I

noticed about the poem over time.  nobody that has read it seems to have

gotten close to these.  perhaps i=92ll begin to go into them after after

after typing the poem sometime.  first I need to put on some music to

type with.  for a Eulogy it seems Lou Reed=92s Magic and Loss is a fairly

good notion. =20

 

(Eulogy for the Dead Poetry Professor in all of us) ...=20

 

Poetry -- -- -- the art of glimpsing into the aleph ...the infinity and

nothingness of the unconsciousness and tapping into the streams of

consciousness ... rivers of images ... oceans of ideas ... symbols -

pictures - art ... POETRY ... free associating between unconscious

symbology like in a dream but your conscious mind is there too .. .

conscious and unconscious together joined in the poetic instant  --

reflexive -- instantaneous -- connections .... of images and ideas.

 

And it isn=92t found in dusty books ...You might find it there, but it=92=

s

in life ... it IS life, being in and out of existence at the same time

the connection of the images of the=20

 

                        you <in time and space>

 

                                with the images of=20

 

                        you <from the self

                                <<that lies outside those dimensions>>

                                                                >

 

and in the poetic instant -- life is real ... not plastic .... And it=92s

about the truth ..... !

 

=93What is the poetry about?=94 the worn English professor asks the wild

eyed freshman.  The professor was too worn to see the fire in the

student=92s eyes.  After years of neglect his poetic instinct was

tarnished....in hibernation.  he was happy if he got students to get

beyond the notion that =93poetry is something that rhymes=94.

 

But the wild eyed student glared at the worn professor angry for not

being noticed and he replied with what he felt was real:

=93Poetry is about the truth!=94 he exclaimed.

=93You can=92t say it=92s rational.  It doesn=92t follow the linear reaso=

ning of

philosophical or scientific thought.  Unlike mathematics poetry is the

belief that 1,7,4,9,8,3,4 is as logical -- or sensible -- a sequence as

1,2,3,4,5,6,7.....=94

 

The professor looks into the student=92s eyes into the fire of truth ...

laughs insanely ... and dies of a heartattack.

 

At least he died in a poetic instant, a poetic moment, the shock of

reconnecting with the place where the poetry is -- that space between

time and time between space -- where art resides, where the truth is

visible outside this plastic world.....

 

-- the shock -- it was too much for the old man thought the wild eyed

student.  And then he laughed and he laughed and the other students

stared and they stared. =20

 

And the senior class President asked =93What are you laughing about ?  --

you wild eyed boy !!!=94=20

 

And the boy said: =93He answered his own question.=94

 

The Class President stared at him.....the rest of the class stared at

him. =20

 

=93:Don=92t you get it.  He=92s been wanting to know what poetry=92s

about....He=92s been asking the same question year after year and he

doesn=92t find a satisfactory answer ... he doesn=92t find the truth so h=

e

waits in his office for another semester ... another term ... another

chance to ask THE QUESTION ... and another term to dismiss their answers

one by one - - =93

 

Until I retire to the study to the office hoping that someone will bring

me the answer.  The waiting.  The wait.  That was his life.  And finally

somebody has the guts to answer the question.  What is poetry about?=20

It=92s about the fucking truth old man.  It=92s about life.  It=92s not a=

bout

hiding in your study year after year while the truth runs wild in the

streets and hallways.  Its about going places....on your feet ... in

your mind ... it=92s active.

 

What is poetry about?  It=92s about seeing infinity and nothing collapse

into each other and surviving the vision...the sound...the experience to

share it with others.  And you finally had the nerve to turn and face

the answer to see chaos staring back from your bathroom mirror to hear

the laughter of the abyss rolling like thunder through your ears while

you strain to listen to Lou Reed talk of friends and death .....

 

you had the nerve. ..........and you turned and the streams of

conscious, the wiring of your mind criss-crossed and you saw:  POETRY,

TRUTH ... the space between the lies we all live and you were afraid of

the vision .... afraid to go back and share it and so you did what so

many of them do .................. you died.

 

[a brief reminder to myself to discuss the extreme anguish involved in

the decision to apply for disability to leave the teaching profession

... the debates with Eduardo about it ... and the recognition that my

thought leads to madness and I couldn=92t stand to lead other folks in

that direction ... a part of me definitely died with that decision I

imagine ... back to the poem]

 

There are really only three choices you know.  You can die.  You can go

insane.  Or you can go back into the cave and help people to understand

the truth.  The first is the easiest.  You took the easy root -- easy

route old man.  At least if you went insane you might be able to cross

reality planes with the rest of us and help us keep our balance.

 

But death it seems like a real cop out - although I can=92t blame anyone

who chooses death either by suicide or natural causes.  Life can really

wear you down. =20

 

So I don=92t blame you old man for choosing death....And I don=92t blame =

you

for going nuts.  I understand that from where you=92ve been, your ideas

make just as much sense as this rational sane society that we find

ourselves trapped in.

 

So you choose to go back to try and share and you=92re sitting at the

table talking to the student and she=92s not plastic like the rest but

she=92s seen so little.  You wonder if you have the patience to share all

of this much longer.

 

[somewhere I may have a copy of the article the young student =93wendy?=94

wrote based on the interview.  a big block quotation from me somewhere

in the mixture.  I remember reading it and saying =93Did I say that ???=94=

=20

That sounds pretty good]=20

 

She asks you =93What is a radical in our culture today?=94  =93Is there a

place for radicals?=94.....

 

And you tell her that you don=92t like the word =93radical.=94  It=92s th=

em

labeling us.  It=92s a label of domination....Just like insane or mentall=

y

ill.      It says you=92re out of the mainstream of society....And even

though their river is flowing full of blood not water poison liquids of

culture flowing through them all gradually forming into the plastic that

surrounds their lives --  =20

 

they like their river.

 

And since you see other rivers -- other oceans -- other thoughts and

dreams you are a threat to the main stream.  The mainstream might not be

the main one anymore if they see all those other streams all those other

pictures so they call you a radical. =20

 

Well what does it really tell you about me if someone tells you that

=93I=92m a radical.=94  does it tell you something like =93I=92m a poet-I=

=92m an

artist-I=92m a capitalist-a pastor- a doctor-lawyer-dental assistant=94=20

It=92s just labels trying to define you

 

                        Tell you what you are what you think

 

Who am I?  I am who I am.  I stole that last line from somewhere maybe a

children=92s cartoon character or maybe from God, I don=92t remember but =

I

don=92t think anybody will mind........

 

=93What=92s the place for radicals in our culture?=94

 

Not much use for them, it seems.  But you need a few now and then just

to scare people into not changing anything much.  Rebels.  Are rebels

the same as radicals?  Can I be radically non-rebellious?=20

 

At least in your dreams, said the psychiatrist.  Just take four lithium

and call me in the morning.

 

And i=92m in the attic now Nearly moved from my cave and as I look out

over the Mississippi River into Davenport Iowa I wonder what the people

are thinking in Davenport and I wonder if this is where Kerouac was when

he realized that God really is Pooh-Bear and ........

 

Lou Reed says I want all of it ... not just some of it .... and I pause,

radically, and wonder ....if I really want all of it, i=92m not even sure

how much of it I need.......

 

and somehow in this attic -- cold air leaking in through the windows it

seems like I have found it.

 

What is poetry about?  If you have to ask you just don=92t get it.  And h=

e

shuts the office door and never returns ...

 

and the dream of the wild-eyed boy comes back whenever he slips into the

plastic places and pushes him back to the place where the poetry is

..... the nexus, the aleph ....=20

the truth of infinity and nothing in one poetic moment.

 

That instant contains all of it.   Explore that one instant and you will

see it all .....

 

[ funny that I picked the CD I was listening to when I wrote this to

listen to when I retyped it into this missive.  when I turned a page and

saw that it was one of those shocking criss-crossed visions of something

beyond the beyond of the beyond that it is useless to even begin to

attempt to explain here and now or there in eternity or from one to the

other or both ....]

 

FireWalk Thru Madness Colletion, Copyright December 1992 David B. Rhaesa

=========================================================================

Date:         Thu, 19 Jun 1997 06:18:10 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      More FireWalk shorties

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Lynnea set some kind of timer and we had to write fast ... she convinced

me to include mine in this collection back then.

 

FireWalk Through Madness, copyright December 1992, David B. Rhaesa

 

PICASO=92S WHISKERS December 1, 1992  (at Lynnea=92s)

 

Thelonius Monk following Xmas carols with the Lettermen as tress get

axed or hatcheted and trimming wreathes between Picaso=92s whiskers.

 

Picaso on your back?  or monekey?

 

Almost caught the Soft Machine twists and turns like at the laundromat.

 

Silent Night, Holy Night, all is calm until the volume is turned up on

William S. Burroughs reading the Sermon on the Mount in your living room

with background noises like Grouch Marx singing the Communist Manisfesto

and Richard Nixon reciting Mein Kampf from memory on the VCR above your

bathroom mirror.

 

Lenin and Emma Goldman met in Mel=92s diner on Thanksgiving to talk with

Alice about opening her own restaraunt specializing in Animal Crackers

in Stockbridge Massachusetts with proceeds going to the Vietnam Vets

hooked on heroin in their flashback fatigues.  Mel said she=92d open it b=

y

Xmas and Thelonious Monk will play Jingle Bells on Halloween Night.

 

So this is one of many and many upon many things written in the attic.=20

i=92ll try and tell more about the magical attic and its ghosts and

raccoons somewhere along the line.

 

MILK and HONEY NIGHTMARE December 1, 1992 (at Lynnea=92s)

 

Young Picaso, First Christmas tree branch paws play raquetball with

white rabbit over turtle soup at Casey=92s in Milan, Italy next to the

Pope=92s Columbus Day Parade.

 

In December of 1892 the Boardwalk at Atlantic City turned inside out and

was a stairway to Atlantis that only I could see from the decades of

bloodshed over milk and honey, crackers in bed and tulip farmer=92s labor

contracts.

 

After the war things settled back to normal in Nantucket but ethnic

strife over baseball card pricing started a nuclear nightmare in the

German Shepherd=92s mind.  He was named Boxer and he turned into a

cockroach to avoid the radiation therapy because he was misdiagnosed and

didn=92t have liver cancer.

 

PEEPING ANGEL SEX FANTASY #3  December 1, 1992 (at Lynnea=92s)

 

The kids in girl and boy land just West of Tangier -- Incredible,

Instinctual for the mouth to open on the nipple.

 

Freud would say it=92s sexual but Nancy Wilson says love me for Christmas

and she grins at the Christmas kiss - As she sings of Bethelehem and sex

in a stable - instinctual, incredible - silent stars go by in his mind

at the fantasy=92s peak and her eyes are closed as she rubs his furry arm.

 

Dreaming in a barnyard with Angels Peeping through the curtain at the

intimate rendevouz.

 

 

 

 

all for now -- i'm still typing the next one which is the longest in the

whole thing and perhaps will be skipped altogether.  it is very

important but just too damn long for most people's eyes.

 

david rhaesa

salina, Kansas

 

p.s.  does anybody know how you get things published...i'm clueless.

=========================================================================

Date:         Thu, 19 Jun 1997 07:26:03 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Cool cars

Comments: To: CVEditions@AOL.COM

In-Reply-To:  <970618223731_202099211@emout06.mail.aol.com>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 10:39 PM 6/18/97 -0400, Pamela Beach Plymell wrote:

>In a message dated 97-06-18 18:19:08 EDT, you write:

> 

><< Mine looks that way anyway!!!! But has any poet/literary geek ever driven

>a

> cool car? >>

>I had a cool '53 Buick Riviera in 1953, if you want to read about in it LOM.

>I spit Oxybiotic on the door and it ate the paint off. I also had a '52 MGTD

>that Billy Batman gave us on the streets of SF in 1967. The last cool car I

>had was a '66 Mustang convertible which had a photo of Janis Joplin in it and

>cassette with the original Mustang Sally by Wicked Wilson Pickett. I think

>that's cool though you might I think I'm a geek or a freak.

>Charles Plymell

 

        No one on this list is a geek or a freak. We're the only normal people in

the world! Call me stupid....but what's "Oxybiotic?" --Sara

> 

=========================================================================

Date:         Thu, 19 Jun 1997 09:27:03 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Ginsberg & Eliot

 

I'm not sure that I'd agree that a major distinction between Eliot and

Ginsberg was that Ginsberg turned away from Europe.  In fact much of his

poetry is influenced by European writers, particularly surrealist poets.

He was also influenced by Rimbaud, Essenin, Mayakovsky, Celine, to

mention a few.  If you look at "Gates of Wrath," I think you'll see

Ginsberg's early poems reveal heavy 17th century English influences, a

style promoted by Eliot and the New Critics.  But Ginsberg quickly

rejected that style.  Ginsberg biggest difference from Eliot is probably

that he wanted to return poetry to its roots in song.  As he grew older,

he seemed to move more and more in this direction.   Sure, he was

greatly influenced by Whitman and Williams but he was also a son of

William Blake.

=========================================================================

Date:         Thu, 19 Jun 1997 09:14:28 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Ginsberg & Eliot

MIME-Version: 1.0

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Bill Gargan wrote:

> 

> I'm not sure that I'd agree that a major distinction between Eliot and

> Ginsberg was that Ginsberg turned away from Europe.  In fact much of his

> poetry is influenced by European writers, particularly surrealist poets.

> He was also influenced by Rimbaud, Essenin, Mayakovsky, Celine, to

> mention a few.  If you look at "Gates of Wrath," I think you'll see

> Ginsberg's early poems reveal heavy 17th century English influences, a

> style promoted by Eliot and the New Critics.  But Ginsberg quickly

> rejected that style.  Ginsberg biggest difference from Eliot is probably

> that he wanted to return poetry to its roots in song.  As he grew older,

> he seemed to move more and more in this direction.   Sure, he was

> greatly influenced by Whitman and Williams but he was also a son of

> William Blake.

 

i think that this makes an INCREDIBLY useful point.  To package a poet

into a neat bundle and then look at the influences on the package seems

to make the poet less than human.  Poets live their life in time too and

the influences come and go - just like they do for us "normal" folks :)

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 19 Jun 1997 10:51:09 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Windowpoopies

In-Reply-To:  <3.0.1.32.19970618120043.00699954@uoft02.utoledo.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

and all this time i had a vision of mad, laughing poets mooning the world

from open windows!

mc

definitely *not* a rocket scientist

=========================================================================

Date:         Thu, 19 Jun 1997 10:51:14 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: blake and all

In-Reply-To:  <v03007805afce165c3c4f@[156.46.45.82]>

Mime-Version: 1.0

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and yes of course all the rest is pure poetry .. i love his pomes about his

wife, his children and his wit. in the dark with you, is full of love and

satire. straight to the heart.

 

>Marie,

>Great take on Greg Brown. His innocence/experience CD is exceptional, but

>on each of his CDs--and his music is all original with the exception of a

>Jimmy Rogers song I heard him sing--you'll find lyrics--pure poetry-- that

>would stand alone without the music. When Greg's daughter Pieta and my

>Charity were pre-school they were part of our coop daycare center in Iowa

>City called Alice's Bijou. Long gone now, but back then Greg would help

>with fund raising, all the parents worked,and we had full-time day care for

>$20.00 a month. As long as Alices existed it was a must stop for Michael

>Harrington whenever he was in i.c.

> 

>I'm drifting. Back to the poetry of GB. AS far as I'm concerned greg is one

>of the best poets to ever come out of Iowa City--and he didn't spend any

>time with the workshop.

> 

>j grant

> 

> 

> 

> 

>                BE ON THE WATCH

>for items stolen from the Keroauc Collection

>        O'Leary Library, U Mass, Lowell

>http://www.bookzen.com/kerouac.theft.html

> 

>Academic & Small Press Authors & publishers

>                display books free at

>           <http://www.bookzen.com>

>     302,443  visitors since July 1, 1996

=========================================================================

Date:         Thu, 19 Jun 1997 10:51:19 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      michael czarnecki's cool car

In-Reply-To:  <33A89C38.1D8@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hey michael, are you still subbed as you go on yr travels with little mac

classic in hand? in my opinion a 'really cool car' is one that has a

tender/angry/authentic beat or not poet at the wheel. happy trails,

michael, hope you send us a bit of yr travel adventures along the open road.

mc

 

>Pamela Beach Plymell wrote:

>> 

>> In a message dated 97-06-18 18:19:08 EDT, you write:

>> 

>> << Mine looks that way anyway!!!! But has any poet/literary geek ever driven

>> a

>>  cool car? >>

>> I had a cool '53 Buick Riviera in 1953, if you want to read about in it LOM.

>> I spit Oxybiotic on the door and it ate the paint off. I also had a '52 MGTD

>> that Billy Batman gave us on the streets of SF in 1967. The last cool car I

>> had was a '66 Mustang convertible which had a photo of Janis Joplin in

>>it and

>> cassette with the original Mustang Sally by Wicked Wilson Pickett. I think

>> that's cool though you might I think I'm a geek or a freak.

>> Charles Plymell

> 

>didn't you have a cool-car here in Salina back in '49????

> 

>david rhaesa

>salina, Kansas

=========================================================================

Date:         Thu, 19 Jun 1997 12:28:45 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Ginsberg & Eliot

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> 

> Bill Gargan wrote:

> >

> > I'm not sure that I'd agree that a major distinction between Eliot and

> > Ginsberg was that Ginsberg turned away from Europe.  In fact much of his

> > poetry is influenced by European writers, particularly surrealist poets.

> > He was also influenced by Rimbaud, Essenin, Mayakovsky, Celine, to

> > mention a few.  If you look at "Gates of Wrath," I think you'll see

> > Ginsberg's early poems reveal heavy 17th century English influences, a

> > style promoted by Eliot and the New Critics.  But Ginsberg quickly

> > rejected that style.  Ginsberg biggest difference from Eliot is probably

> > that he wanted to return poetry to its roots in song.  As he grew older,

> > he seemed to move more and more in this direction.   Sure, he was

> > greatly influenced by Whitman and Williams but he was also a son of

> > William Blake.

> 

 

RACE --- wrote:

> i think that this makes an INCREDIBLY useful point.  To package a poet

> into a neat bundle and then look at the influences on the package seems

> to make the poet less than human.  Poets live their life in time too and

> the influences come and go - just like they do for us "normal" folks :)

> 

> david rhaesa

> salina, Kansas

 

I am very interested in studying the Blake/Ginsberg connection more, and

in looking at some of the writings Tony Trigilio referenced earlier.  I

have always seen Blake when reading Ginsberg but have never read anything

Ginsberg wrote about Blake.

 

As far as "to package a poet into a neat bundle and look at the

influences on the package seems to make a poet less human,"  I think I

see the opposite.  First of all no poet can be packaged in a neat bundle,

it just can't be done, and I give that point to some who think I have

done so with Eliot.  Looking at the influences on a particular poet,

however, can actually make that poet come more alive.  It's true

influences come and go, and we can never understand everything, but the

more we can understand the more fully the depth of a poet's work can be

realized.  My view is that each of us carries within us the entire

consciousness of the human race, and while much of that is unconscious,

the more that is brought to light, gives us a better understanding of

ourselves and thus our humanness, which is the concern of every poet.

It's true that to analyze the shit out of something sometimes dimishes

from the initial truth and beauty of it.  That's a thin line walked by

literary critics.  But on the whole I think examining how and why writers

wrote certain things overall enlarges the scope of their work.

DC

=========================================================================

Date:         Thu, 19 Jun 1997 12:47:15 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Eliot vs. Ginsberg (was Re: lurker speaks)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Tony Trigilio wrote:

>(much snipped to make my response shorter)

>> As for the "concerns of poetry as a whole" pointing to a concern for

> "humanness," well, I would say that this *might* be an apt description

>of

> my favorite poets . . . maybe yours, too, since we've met up here on

> BEAT-L.  Then again, I'm not so sure that Western humanism is what

>Ginsberg

> is most moved by.  I would say he's most interested in re-defining what <it

> means to be human.  But that's for another discussion (a good one, I'm

>sure).

 

 

redefining what it means to be human--that's a discussion I would love to

take up.   Feel free to start putting out your ideas, I'll have more on

that later.

 

 

>And the Eliot quote on

> Blake:  compare Eliot here to Harold Bloom's stubborn and un-energetic

> reading of *Kaddish*, reprinted in Bloom's *The Ringers in the Tower*.  The

> Eliot and Bloom essays are fine examples of the kinds of blinders that

> prevent cultural guardians from seeing the limitations of their own

>systems.

 

I have heard of Bloom's essay but never read it.  Do you know if it is

part of any internet site?  I have to say I have been acutely

disappointed in what I have heard of what Bloom thought of Ginsberg's

poetry, and how he did not include it in some twentieth century poetry

collection he edited.  Among those I studied with in college, Bloom was a

god, probably the most respected literary critic.  I'm sorry to see that

he ended up on the side of cultural guardians.

 

Tony, thanks for all of your contributions to this thread, you have given

me many ideas to explore on my own.

 

DC

=========================================================================

Date:         Thu, 19 Jun 1997 13:06:53 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Kerouac: The meaning of life?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Attila Gyenis wrote:

> 

> 

> I think religion's concept of heaven (and hell) is a way to have poor people

> accept their fate instead of fighting for justice.

> 

> It's a way for many people to do what they want, knowing that they have a

> chance to repent at the end.

> 

> It allows people to not be accountable for their actions here on earth,

> because they are being graded up in heaven.

> 

> And of course, the real question is whether there really is a heaven. And if

> there isn't, it it acceptable to say there is a heaven just so that they (the

> church) can herd the people in a certain direction?

> 

> Hypothetical question: Does a rock have a 'purpose'. Is it a bigger or

> smaller purpose then a human. Is it a better or worse purpose then a human's.

 

I don't think that with the religious conception of heaven, a person can

do anything he wants eyeing the repentence at the end as a guarantee of

entrance to heaven.  I thought that doing it with that notion would imply

the opposite.  Saying, for instance, I'm going to murder this person

today, repent tomorrow, and then everything will be OK and I'll still go

to heaven was a distinct no-no.  That is not a sincere repentance.  Maybe

I am putting forth the protestant concept here and the catholic one is

different, I don't know.

 

Hypothetical answer--A rock does have a purpose and it is no greater or

smaller a purpose than a human one.  Also not better or worse. All things

exist equally in the moment.

 

DC

=========================================================================

Date:         Thu, 19 Jun 1997 12:20:03 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      sunspots

 

sunspots burning in your eyes

hope they dont burn out

or i don't gouge them inadvertently

which happens sometimes

to people i love

but don't worry i don't love you

i love my typewriter

it never lies

or looks at me with deceiving eyes

who pretend to hold

brightness.

=========================================================================

Date:         Thu, 19 Jun 1997 09:23:39 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Oxybiotic

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Sara Feustle wrote:

> 

> At 10:39 PM 6/18/97 -0400, Pamela Beach Plymell wrote:

> >In a message dated 97-06-18 18:19:08 EDT, you write:

> >

> ><< Mine looks that way anyway!!!! But has any poet/literary geek ever driven

> >a

> > cool car? >>

> >I had a cool '53 Buick Riviera in 1953, if you want to read about in it LOM.

> >I spit Oxybiotic on the door and it ate the paint off. I also had a '52 MGTD

> >that Billy Batman gave us on the streets of SF in 1967. The last cool car I

> >had was a '66 Mustang convertible which had a photo of Janis Joplin in it and

> >cassette with the original Mustang Sally by Wicked Wilson Pickett. I think

> >that's cool though you might I think I'm a geek or a freak.

> >Charles Plymell

> 

>         No one on this list is a geek or a freak. We're the only normal people

 in

> the world! Call me stupid....but what's "Oxybiotic?" --Sara

> >

 

It's all in "Last of the Mocassins"

 

"We used to get what was called Oxy-Biotic which was a brand of nose

drops that would make the present day methedrine seem mild.  "Oxy-Biotic

will make ypu neurotic!"  (p. 29)

J Stauffer

=========================================================================

Date:         Thu, 19 Jun 1997 11:30:31 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Ginsberg & Eliot

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Diane Carter wrote:

> 

> >

> > Bill Gargan wrote:

> > >

> > > I'm not sure that I'd agree that a major distinction between Eliot and

> > > Ginsberg was that Ginsberg turned away from Europe.  In fact much of his

> > > poetry is influenced by European writers, particularly surrealist poets.

> > > He was also influenced by Rimbaud, Essenin, Mayakovsky, Celine, to

> > > mention a few.  If you look at "Gates of Wrath," I think you'll see

> > > Ginsberg's early poems reveal heavy 17th century English influences, a

> > > style promoted by Eliot and the New Critics.  But Ginsberg quickly

> > > rejected that style.  Ginsberg biggest difference from Eliot is probably

> > > that he wanted to return poetry to its roots in song.  As he grew older,

> > > he seemed to move more and more in this direction.   Sure, he was

> > > greatly influenced by Whitman and Williams but he was also a son of

> > > William Blake.

> >

> 

> RACE --- wrote:

> > i think that this makes an INCREDIBLY useful point.  To package a poet

> > into a neat bundle and then look at the influences on the package seems

> > to make the poet less than human.  Poets live their life in time too and

> > the influences come and go - just like they do for us "normal" folks :)

> >

> > david rhaesa

> > salina, Kansas

> 

> I am very interested in studying the Blake/Ginsberg connection more, and

> in looking at some of the writings Tony Trigilio referenced earlier.  I

> have always seen Blake when reading Ginsberg but have never read anything

> Ginsberg wrote about Blake.

> 

> As far as "to package a poet into a neat bundle and look at the

> influences on the package seems to make a poet less human,"  I think I

> see the opposite.  First of all no poet can be packaged in a neat bundle,

> it just can't be done, and I give that point to some who think I have

> done so with Eliot.  Looking at the influences on a particular poet,

> however, can actually make that poet come more alive.  It's true

> influences come and go, and we can never understand everything, but the

> more we can understand the more fully the depth of a poet's work can be

> realized.  My view is that each of us carries within us the entire

> consciousness of the human race, and while much of that is unconscious,

> the more that is brought to light, gives us a better understanding of

> ourselves and thus our humanness, which is the concern of every poet.

> It's true that to analyze the shit out of something sometimes dimishes

> from the initial truth and beauty of it.  That's a thin line walked by

> literary critics.  But on the whole I think examining how and why writers

> wrote certain things overall enlarges the scope of their work.

> DC

 

my point is that one's influences change dramatically in a different

lifetime.  and the significance of the influence changes during the

lifetime as well.  someone who is MAJOR in the early years may become

minor as an influence in later writings.  a non-literati example, dylan

is incredibly influenced by Guthrie in the early days.  after Highway

61, the Guthrie influence is minor and later very very difficult to

catch for the untrained ear/eye.  some folks during their lifetime take

compleat flip-flops concerning influences.  i was so turned on the first

time i read Kerouac.  later i thought, blasphemously, "whatever" he's

just looking out a car window, now i'm back to gobbling him up like

fancy food.  not that i'm a poet mind you.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 19 Jun 1997 11:34:42 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Kerouac: The meaning of life?

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Diane Carter wrote:

> 

> Attila Gyenis wrote:

> >

> >

> > I think religion's concept of heaven (and hell) is a way to have poor people

> > accept their fate instead of fighting for justice.

> >

> > It's a way for many people to do what they want, knowing that they have a

> > chance to repent at the end.

> >

> > It allows people to not be accountable for their actions here on earth,

> > because they are being graded up in heaven.

> >

> > And of course, the real question is whether there really is a heaven. And if

> > there isn't, it it acceptable to say there is a heaven just so that they

 (the

> > church) can herd the people in a certain direction?

> >

> > Hypothetical question: Does a rock have a 'purpose'. Is it a bigger or

> > smaller purpose then a human. Is it a better or worse purpose then a

 human's.

> 

> I don't think that with the religious conception of heaven, a person can

> do anything he wants eyeing the repentence at the end as a guarantee of

> entrance to heaven.  I thought that doing it with that notion would imply

> the opposite.  Saying, for instance, I'm going to murder this person

> today, repent tomorrow, and then everything will be OK and I'll still go

> to heaven was a distinct no-no.  That is not a sincere repentance.  Maybe

> I am putting forth the protestant concept here and the catholic one is

> different, I don't know.

> 

> Hypothetical answer--A rock does have a purpose and it is no greater or

> smaller a purpose than a human one.  Also not better or worse. All things

> exist equally in the moment.

> 

> DC

 

i have a distinct memory of connecting with a frog-shaped rock in the

garden at 1012 Marquette in Davenport, Iowa.  Not necessarily talk but

more an affective link something like "i'm here, life pretty constant, i

see comings and goings and am invisible to most."  i learned a lot from

that rock about invisibility.

[post hallucinogenic period story]

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 19 Jun 1997 11:43:02 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: sunspots

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Maya Gorton wrote:

> 

> sunspots burning in your eyes

> hope they dont burn out

> or i don't gouge them inadvertently

> which happens sometimes

> to people i love

> but don't worry i don't love you

> i love my typewriter

> it never lies

> or looks at me with deceiving eyes

> who pretend to hold

> brightness.

 

i'd like the brand on that saintly typewriter.

hell - give me one for Xmas.

if my keyboard doesn't deceive

than my fingertips certainly do.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 19 Jun 1997 11:58:20 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: last words..part 1(actual title: "Secrets")

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970617125059_-126888412@emout05.mail.aol.com>

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Maya,

        Your paper reminds me of some of Alice Walker's ideals.

Particularly the concepts found in her novel, _Temple of My Familiar_.

Have you ever read her?

        Keep up the creative work; I've enjoyed and been inspired by

your contributions for quite some time now.

Jenn Thompson

=========================================================================

Date:         Thu, 19 Jun 1997 12:48:44 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: Best concept

Comments: To: "R. Bentz Kirby" <bocelts@SCSN.NET>

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R. Bentz Kirby wrote:

... noticed how

> children from the same parents seem to have different parents and even

> different "lives".  If you have watched, it will  convince you that we

> are reincarnated.

> 

> When he was 3, Richard told me that we live in a desert and that Jesus

> brings us water.

 

Mr. Kirby:

In case you haven't read these books, you would certainly find them

interesting, perhaps:

 

Anderson, Ian: Twenty Cases Suggestive of Reincarnation (Charlottesville

Press, VA), University Press of Virginia, 1974

--Children Who Remember Their Past Lives (Charlottes Press) University

Press of Virginia, 1987

Dr. Anderson has spent most of his adult life interviewing children such

as your son who describe previous life events. Dr. Anderson, then

documents these descriptions against this life as much as possible. He

has come closer to actual documentaiton of reincarnation than any

researcher I have heard about.

 

Or a more Commerically oriented book by:

 

Whitton, Joel L, Fisher, Joe: Life Between Life, (New York: Doubleday,

1986).

 

-Mike

=========================================================================

Date:         Thu, 19 Jun 1997 09:59:17 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: t.v.

Comments: To: Marioka7@aol.com

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What's this all about? I thought the "wrong button" refered only to the

fact that David sent us a post that he meant to send to another address.

 

By the way having just returned from a month's absence from the list I

was absolutely delighted to find your youth full voice resonating so

brightly in our midst. You have put some amount of energy, dedication

and passion for the future of humanity in the work that you posted for

us to consider. The delete button works well for any of us when

something is too whatever for our interest.

 

Not that I agree with all of your conclusions. I don't think, for

example that those of us who chose to resist oppression wasted our

lives, or empowered the oppressors. It may well turn out that all of the

ways that good people arrive at are needed and useful. I hope that your

posts will continue to brighten our list.

 

BTW, in response to your earlier question, yes I was around in the

sixties. You can see some earlier posts about that in

 

        http://www.levity.com/corduroy/journals/tabory.htm

 

Two more cents about "born too late". While I am glad I was around

things that were happening then, I am no less happy to be around things

that are happening today. You have more exciting tomorrows to look

forward to than yesterdays. As thrilling as those may seem. Disaffection

from the prevailing bs of the day was and is our quest for better things

to come. I hope your posts continue.

 

Leon

Maya Gorton wrote:

In a message dated 97-06-19 02:30:00 EDT, you write:

> 

> <<

>  sorry about that one - hit the wrong button in the address book --

>  imagine that!

>   >>

> 

> sorry about all previous messages. Must have been hitting the wrong button in

> the address book this whole time--imagine that!  i grovel in humiliation and

> tremble in anticipation of your wrath.  Flay me! Flagellate me! Scorn me with

> your Beatness!  I will now recede back into my dark shell of lurkerdom.

> 

> "I can see the color of souls, and yours is white"

> "i belong to her. I've belonged to her and I didn't know it. Goodbye,

> daughter. The curse! the curse!"

> "I will pray every day for you. From my dark well of loneliness i will pray

> for you"

> ===== loops from: confessions of a knife, the Thrill Kill Kult (which IS a

> beat-related band, thankyouverymuch)

> 

> Piece, -----------------maya

> .-

=========================================================================

Date:         Thu, 19 Jun 1997 12:59:22 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: Cool cars

Comments: To: Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

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Sara Feustle wrote:

> 

> At 10:39 PM 6/18/97 -0400, Pamela Beach Plymell wrote:

> >In a message dated 97-06-18 18:19:08 EDT, you write:

> >

> ><< Mine looks that way anyway!!!! But has any poet/literary geek ever driven

> >a

> > cool car? >>

> >I had a cool '53 Buick Riviera in 1953, if you want to read about in it LOM.

> >I spit Oxybiotic on the door and it ate the paint off. I also had a '52 MGTD

> >that Billy Batman gave us on the streets of SF in 1967. The last cool car I

> >had was a '66 Mustang convertible which had a photo of Janis Joplin in it and

> >cassette with the original Mustang Sally by Wicked Wilson Pickett. I think

> >that's cool though you might I think I'm a geek or a freak.

> >Charles Plymell

> 

>         No one on this list is a geek or a freak. We're the only normal people

 in

> the world! Call me stupid....but what's "Oxybiotic?" --Sara

> >

 

"Oxy-Biotic will make you neurotic.... "

see....

Plymell, Charles: Last of the Moccasins, (Albuquerque, NM, Mother Road

Publications, 1996), pp 29-31.

=========================================================================

Date:         Thu, 19 Jun 1997 13:31:37 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Last Word (secrets) continued

 

In a message dated 97-06-17 13:04:37 EDT, Marioka7@AOL.COM (Maya Gorton)

writes:

 

<< DO YOU FEEL IT IN YOUR BRAIN?  DO YOU FEEL IT IN YOUR VEIN?

 

     i do not feel it here nor there! nor ANYWHERE!

                   NOT IN MY BRAIN

                   NOT IN THE RAIN

                   ALL IS IN VAIN

                   I MUST BE INSANE.............

 

  >>

 

I am pretty sure that this is Dr. Seuss, so I must assume that Dr. Seuss is a

Beat.

 

I do not like green eggs and ham,

Attila

=========================================================================

Date:         Thu, 19 Jun 1997 14:37:51 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      reincarnation

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I went to my newsreader.  There is a new newsgroup,

alt.paranormal.reincarnation.  I figured, there are on accidents, I

subscribed.

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 19 Jun 1997 15:32:09 -0400

Reply-To:     Ted Harms <tmharms@LIBRARY.UWATERLOO.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ted Harms <tmharms@LIBRARY.UWATERLOO.CA>

Subject:      tracking Ginsberg quote

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Can any of Ginsberg fans (Ginsbergians? Ginsbergaphiles?) trace a fragment

for me.  All I can remember about it is something about 'Chinamen and

their secret heroes'.

 

Thanks in advance.

 

Of course, I'm going to feel like a real knob if this line isn't from

AG...

 

 

Ted Harms                         Library, Univ. of Waterloo

tmharms@library.uwaterloo.ca              519.888.4567 x3761

"...it's elephants all the way down." - from Hindu cosmology

=========================================================================

Date:         Thu, 19 Jun 1997 15:07:41 EDT

Reply-To:     Joe <100106.1102@COMPUSERVE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe <100106.1102@COMPUSERVE.COM>

Subject:      The cows know

 

>Humans are one of the few animals (if not the only animal) that are aware of

>the fact that they are going to die. They have this knowledge from a very

 

>Attila

 

 Attila, haven't you heard the Meat is Murder album by a British band called

 The Smiths?  The album begins with the sound of cows being herded into an

 Abattoir.  The cows really sound like they are aware and know they're going to

 die!

 

 I'm not nitpicking at you Attila and this is not a stab at meat-eaters - if it

 were I'd be stabbing myself!

 

 

 Joe

 NewCastleUnitedKingdom

=========================================================================

Date:         Thu, 19 Jun 1997 14:58:56 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      The Poet as Human

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In response to Maya's:

 

> Well, sounds like you've got it goin' on.  But while you're busy

> defining yourself as a poet, don't forget to step down and be a

> human being sometimes too.

 

> Are you familiar with "the Last Poets"?  They read poetry to drums

> and other noise.-----------------maya

 

 

To be human is to be poet. Ralph Waldo Emerson writes in his essay, 'The

Poet':

 

                "[T]he poet's habit of living should be set on a key so low

        that the common influences should delight him. His cheerfulness

        should be the gift of the sunlight; the air should suffice for his

        inspiration, and he should be tipsy with water . . .

                "Poets are thus liberating gods."

 

This isn't much different from Kerouac's "List of Essentials":

 

        #2.  Submissive to everything, open, listening

        #4.  Be in love with yr life

        #29. You're a Genius all the time

                        [or, what you write is pure genius]

 

        My relationship with "The Last Poets" is mostly musical. I don't learn

from them as poets. The artists for me are those who move me to write,

who demand of myself to add to what has been created. #29 must always be

kept in mind, as well, it must be kept in check.

 

Joseph Neudorfer

neudorf@discovland.net

 

=========================================================================

Date:         Thu, 19 Jun 1997 17:58:20 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Burroughs at UCLA tribute for Ginsberg?

 

There is a tribute scheduled for Saturday, 21 June at UCLA for Allen

Ginsberg. William S. Burroughs is listed among those scheduled to perform.

 

This is not true. Mr. Burroughs will NOT be there, nor did he ever promise to

be there, according to his personal secretary, James Grauerholz.

 

Please distribute this information as widely as possible; forward this letter

freely. It's important that people not believe they're going to hear this

legend speak about AG, only to be disappointed when they get there.

 

Diane

=========================================================================

Date:         Thu, 19 Jun 1997 17:10:00 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Burroughs at UCLA tribute for Ginsberg?

MIME-Version: 1.0

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Diane De Rooy wrote:

> 

> There is a tribute scheduled for Saturday, 21 June at UCLA for Allen

> Ginsberg. William S. Burroughs is listed among those scheduled to perform.

> 

> This is not true. Mr. Burroughs will NOT be there, nor did he ever promise to

> be there, according to his personal secretary, James Grauerholz.

> 

> Please distribute this information as widely as possible; forward this letter

> freely. It's important that people not believe they're going to hear this

> legend speak about AG, only to be disappointed when they get there.

> 

> Diane

 

and it's too late to cash in the plane tickets ... damn luck.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 19 Jun 1997 18:47:51 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

 

In a message dated 97-06-19 04:19:14 EDT, you write:

 

<< > Humans are one of the few animals (if not the only animal) that are

aware of

 > the fact that they are going to die.

 

 How do you know this? How do you support this claim? Can you provide

 documentation to support this claim?   (Michael L. Buchenroth)>>

 

Yes, it was in my copy of INTRODUCTION TO LIFE MANUAL, page 73. It was in the

chapter on how to grow up to be a normal maladjusted adult with typical

neuroses, cynicism, and general discontent.

 

My feeling is that, for whatever reason, humans have a different level of

consciousness  then other animals (just like dogs have a different level of

consciousness then worms).

 

Do you think worms know at an early age that they are going to die?

 

I don't know if dogs do, though I think they understand what death is. I

heard that the rescue dogs that look for survivors in a bombed out buildings

etc-- that after a few searches where all they find is dead people, that they

have to set it up so that they "find" a survivor because otherwise they get

too depressed.

 

And just because I do believe that some animals are lower or higher on the

"consciousness chain", it doesn't mean that the lower animals are not

important.

 

Well now I have to go back to read my chapter on "How to tie knots so the

lugguage doesn't go flying off the roof rack".

 

enjoy, Attila

=========================================================================

Date:         Fri, 20 Jun 1997 01:19:29 +0200

Reply-To:     danneman@Update.UU.SE

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Daniel Brattemark <danneman@UPDATE.UU.SE>

Subject:      Re: who was around in the 60's?

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Sara Feustle wrote:

> 

> I myself am a whopping 21, and I am soooooo pissed off about all the stuff

> I missed for being born so late!!!! Anybody else in the same predicament?

 

I am 23 and yes I am pissed, thinking about all that I missed. I'm also

annoyed being born so early. Imagine what I won't see in the future.

Still I wouldn't like to see myself in the mirror at the age of 200. I'd

be reeeally ugly. So all things considered, I'm happy.

 

-daniel

=========================================================================

Date:         Thu, 19 Jun 1997 19:30:21 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      what i'm thinking about right now (stream of Con-shus-niss)

 

where the trees end and the sky begins

my sky my moon no-one else knows (or do they?)

where you see the corners in the sad/happy/sad/happy of the river.

 

my head swells and bursts, pouring pure love on all the birds.

She always had a phobia of birds. They looked like dinosaurs to her.

 Mesozoic pigeons.  The horror of wings flapping and the screech.  Bloody

beaks.  Round eyes that held the moon.  Cold sharp tongues

 

I like the paths you carve in my mind.  To travel them, hoping. To find you

there.  And always, we are naked.

Or dead.

 

i don't want to wake up.  my arms hurt even though they were amputated long

ago.

 

yesterday she cried on my shoulder and i had to change my goddam shirt for

all the mascara.

=========================================================================

Date:         Thu, 19 Jun 1997 18:40:42 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: what i'm thinking about right now (stream of Con-shus-niss)

MIME-Version: 1.0

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Maya Gorton wrote:

> 

> where the trees end and the sky begins

> my sky my moon no-one else knows (or do they?)

> where you see the corners in the sad/happy/sad/happy of the river.

 

                huck and jim float one way

                        waving and

                          yelling

                           "Hey"

                             to

                        Siddhartha rowing

                             the

                            other

                              and

                                  which

                                        way

                                   will

                                be

                           called

                    upstream

                        and

                           which

                              way

                                downstream

                                    and

                                        who

                                     will

                                decide

                           what

                         to

                   name

                        each

                            of

                                the

                                   falling

                                        leaves

                                        that

                                      make

                                    the

                                robin

                             cry

                        and

                             the

                                              lonesome

                                                   die

 

> 

> my head swells and bursts, pouring pure love on all the birds.

> She always had a phobia of birds. They looked like dinosaurs to her.

>  Mesozoic pigeons.  The horror of wings flapping and the screech.  Bloody

> beaks.  Round eyes that held the moon.  Cold sharp tongues

> 

> I like the paths you carve in my mind.  To travel them, hoping. To find you

> there.  And always, we are naked.

> Or dead.

 

                Robin red breast

                        sings a song of spring

                                in my ear

                                        while pecking

        out a marching rhythm

                        thump de de thump

                                on my ear drum

                and the Raven

                        flies in front

                                of

        two sparrows and a dozen Black Crowes

                                        and descend on my

                        waiting heart

                                and devour it

                                    while

                                      it

                                     still

                beats

                        beats

                                beats

                                        beats

                                                beats

 

> 

> i don't want to wake up.  my arms hurt even though they were amputated long

> ago.

 

                        along with my brain

> 

> yesterday she cried on my shoulder and i had to change my goddam shirt for

> all the mascara.

 

                        i am filled with jealousy

                                i cried

                                   on

                                   my

                                  own

                                mascara

=========================================================================

Date:         Thu, 19 Jun 1997 20:24:23 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      cats

 

Lena:

Tell Bill to try not to step on Fletch's tail so maybe he won't jump and

scratch at strangers so much.

Charley

=========================================================================

Date:         Thu, 19 Jun 1997 20:42:01 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      best concept

 

I am finally on the reading list with Leonardo da Vinci. Hey, Rinaldo can I

come to Rapallo? We'll make a sculpture of Benny Bufano.

Charles Plymell

=========================================================================

Date:         Thu, 19 Jun 1997 20:51:06 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: ReBirth Generation

 

In a message dated 97-06-19 01:43:27 EDT, you write:

 

<<  Hopefully you will have heard Kenneth Rexroth with jazz

 accompaniment, or Lawrence Ferlinghetti. The point here is that what

 I've heard is not that extraordinary. The poets and musicans separately

 are much more accomplished than any of us, but together they are not

 convincing. >>

 

Yeah, that's too bad that Ferlinghetti tried a lot of things that didn't

work. It was kind of a fad reading to jazz. More difficult than one thinks.

The best I've heard is Kerouac on the Steve Allen show (who was he with; I

can hear some of the poetry, but can't recall the musician's name.) The other

poet I thought had a good jazz ear was Kenneth Patchen.

Paul Bley lives here in Cherry Valley. We've thought about working together.

I arranged for him to do a gig with Burroughs years ago. We could probably

pull it off, but his compositions are privately progressive. It's something,

if it clicks it's great, but most poets can't tell when it clicks.

Charles Plymell

=========================================================================

Date:         Thu, 19 Jun 1997 21:02:41 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Best concept

 

Bentz:

Well, bless them. I think it was Gandhi who drew the parallel of higher

relationship of humans to how they treat animals. It is kind of risky saving

turtles. I usually have thick gloves and heavy cardboard (for a scoop). Pam

usually tries to herd them while I try to direct traffic.  The problem is the

fool drivers try to concentrate on you instead of what your doing and

sometimes get detracted and run over the animals.

 

My daughter works for the NC Aquarium and she has a group called NEST which

treats sick sea turtles and camps out on the beach to make sure the baby

turtles go out to sea. I love to go to the outer banks when I can. When the

sea turtles recover, she and a friend usually takes them in a kiddies pool to

the coast guard to take them out to the warm current; or one time down to Sea

World down in FL who does give them a good home.  There have been lots of

them wash up with a kind of immune disease.

=========================================================================

Date:         Thu, 19 Jun 1997 21:13:38 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cool cars

 

In a message dated 97-06-19 04:23:16 EDT, you write:

 

<< didn't you have a cool-car here in Salina back in '49????

  >>

Yeah, 49 Caddy maroon like Robert Williams drew on the cover of Last of the

Moccasins. Can't believe how smooth the V8 flathead could run. Was pushing it

to see Eartha Kitt in New Faces at a drive-in. I missed her in NYC recently.

She now lives somewhere in upstate, maybe I'll get to see her yet. If I still

had that 49 Caddy, I wouldn't be afraid to park it in her garage.

Charles Plymell

=========================================================================

Date:         Thu, 19 Jun 1997 21:16:01 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Kerouac: The meaning of life?

 

In a message dated 97-06-19 04:24:10 EDT, you write:

 

<< How do you know this? How do you support this claim? Can you provide

 documentation to support this claim?

  >>

Elephants go to a meeting place when they are ready to die. I think it's

because they have a long memory and sad eyes.

Charles Plymell

=========================================================================

Date:         Thu, 19 Jun 1997 21:33:20 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cool cars

 

In a message dated 97-06-19 07:56:01 EDT, you write:

 

<< .but what's "Oxybiotic?" --Sara >>

OK Sara, I've 'bout run out of post toasties for tonight only allowed ten.

You can read about in my Last of the Moccasins. As far as I know it was

peculiar to the Midwest in the mid 1950s. A lot of jazzheads dispersed from

Kansas City after Norman Grantz put together Kansas City Jazz at the

Philharmonic scene. Of course, Charlie Parker was born and lived in Kansas

City, KS and played down in Wichita, El Dorado, Tulsa and Oklahoma City,

etal. My first taste of jazz and nose inhalers was from some of those cats

namely Pack Rat who played a cool bass and cut the cotton out of nose

inhalers to stay high on. It was an amphetamine or methedrine rush. Oxybiotic

was a liquid form of nose drops that must of contained a great amount of

amphetamine. It was put out by Rexall Drugstores, a chain in the Midwest. We

would drink a few ounces from the bottle usually mixed with orange juice and

stay high for days and nights, sometimes weeks. I invented the term lounge

lizard because we would stay after hours and talk all night in an amphetamine

rush. By high I mean like the scalps tiny pores exuding electric energy. I

have never taken anything quite as strong since. Of course, many musicians

and especially the hilly billy singers had fruit jars full of dexidrene which

contain a similar ingredient and was popular in the 50s. In Mexico we could

get crisscross benzedrine which I gave to my friend driving down there in the

50s. He talked to himself for thousands of miles, turned a kind of pale

green, I lay in the back seat and slept. Neal used to give methedrine pills

when I would take off on driving binges and as a speed freak that was his

favorite drug other than pot. As I say I have never had anything as strong as

the Oxybiotic nose drops and I have never heard of them in other Beat lexica,

as was Benzedrine and amphetamines so I guess they were limited to that area

and that time. Even though this was in the 50s I had driven around the

country to hear Charlie Parker, Hank Williams and Elvis perform, but did not

know of the Beat generation.

Charles Plymell

=========================================================================

Date:         Thu, 19 Jun 1997 21:35:06 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: heroin and aging

Comments: To: Marioka7@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:06 PM 6/18/97 -0400, Maya Gorton wrote:

>In a message dated 97-06-18 14:24:45 EDT, you write:

> 

><< 

> whoa there! this thread may be dead, as i am crushed under tons of email

> from a few days away from list, but go down to any methadone clinic, any

> innercity and the idealism will fall away. i worked for 3 years in a new

> haven ct methadone clinic:  i counseled i wept and i buried so many people,

> i've been there myself. there is no glory in it there is no eternal youth

> fountain in it. tortured people tortured bodies. wsb is the exception to

> the rule. ok standing down from my soap box

> mc

>  >>

>i agree 100% but was just making observation that many of my idols are very

>well preserved ex-dope addicts.  Is this more than coincidence?

>(((((((((((((((((((((NOBODY KNOWS))))))))))))))))))))))))))

>i certainly wouldn't encourage anyone to try to find out.

>-------------------------------maya("dope is for dope-heads")

> 

> 

 

I think it can be compared to those who win the lottery.  They're very

lucky indeed to survive as long as they do.

 

 

Greg Elwell                    elwellg@voicenet.com

=========================================================================

Date:         Thu, 19 Jun 1997 21:48:33 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Author's Note (fwd)

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On another list, Ron P Whitehead wrote:

 

> The Fear And Loathing Letters, Volume I

> 

> THE PROUD HIGHWAY

> Hunter S. Thompson

> 

> Saga Of A Desperate Southern Gentleman

> Edited by Douglas Brinkley

> Foreword by William J. Kennedy

 

I've recently become completely immersed in this book. These letters are as

good as many of Hunter's fine prose works, and reading them chronologically

serves to illuminate the years just before and during the time he "makes

it." A valuable document indeed.

 

I haven't read all of the Hunter bios that are out there, but the

introduction to this book is the first time I've seen it spelled out in

print that Hunter's shenanigans are almost completely fictitious. Not that

most would believe some of it, but I've always had trouble discerning where

the line between his fiction and reality is drawn -- well, yeah, as if there

_were_ any "objective reality" anyway.

 

 

Like Corso says, "I am 25,"

 

m

=========================================================================

Date:         Thu, 19 Jun 1997 22:09:31 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      A half century of Joyce?

 

In a message dated 97-06-19 15:15:10 EDT, you write:

 

<< I am just starting to read your work.  Have visited your web site a

 number of times and intend to visit it many more.  I am just now sitting

 here ready to begin to read an autographed copy of Last of the Moccasins

 that I ordered from Jeffrey.  I just got Dr. Sax too, so maybe I can

 enter the Moccasins/Dr. Sax discussion at some point.   As far as the

 CORNIX thing goes, can someone post as to what software one needs to

 really view it in the way it is meant to be viewed, and if it is possible

 to download it from somewhere.  Also. I am curious as to your opinion of

 Joyce and did you read him extensively at any point?

 DC

  >>

Diane:

Michael Buchenroth has done all of this for me and is now helping me set up

my own machine to see the words jump and flash. Without the flash point the

whole experiment is lost. Pam says it may have something to do with your

browser. Michael and Stutz were the ones who helped me with the CORNIX flash

that I became interested in. The other works are in normal type.

The Joyce question I'm afraid takes me back in time too far. In college he

was the hep canon so everyone was expected to read him. I hated him cause I

had to read him. Then saw his genius in little bits. Then damned him and my

wife's relative Sylvia for publishing him thinking that his influence ruined

American literature and of course I'm ultra agnostic and don't give a shit

about religions. The Buddhist way of life or religion comes nearest to my

plane here on earth. Ginsberg always thought that I was against his Buddhism,

but I was just against his prosletizing and posing.  I remember when I

introduced him at Folger's Shakespeare Theater he made the stage people go

through all this hell to get his pillow right so he could sit his ass on it

properly, etc. These were all pretensions that gradually wore on me, but I do

agree with someone's earlier post about Allen using tabloid lines to speak

his histerical (my word) passions. In an earlier post that when I read with

him an intellectual audience was more interested in his tabloid poetry but

this is a valid insight I've learned tonight.

Thanks for buying the book and please join in on the discussion. I think I

said that at one point that Kerouac was pounding toward epiphany and now that

word seems over used  a bit. So now maybe I'll have to think of a different

one.

Allen was also a born teacher and tried to teach me Kerouac's poetics. He was

also wanted to control things and that sometimes violated a trust a took for

granted. In later years he seemed to be listening to "other voices" too much.

And our friendship reverted to cordiality. I empathized better in later years

with Burroughs who always had a charming true criminality and  I felt a

certain honesty was never violated.

Charles Plymell

=========================================================================

Date:         Thu, 19 Jun 1997 23:07:03 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: tracking Ginsberg quote

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Ted Harms wrote:

> 

> Can any of Ginsberg fans (Ginsbergians? Ginsbergaphiles?) trace a fragment

> for me.  All I can remember about it is something about 'Chinamen and

> their secret heroes'.

> 

> Thanks in advance.

> 

> Of course, I'm going to feel like a real knob if this line isn't from

> AG...

> 

> Ted Harms                         Library, Univ. of Waterloo

> tmharms@library.uwaterloo.ca              519.888.4567 x3761

> "...it's elephants all the way down." - from Hindu cosmology

 

The only thing it brings to mind for me is two different lines from Howl

that aren't real close together but if you were listening to the whole

thing read, you might remember them as part of the whole.

 

"who jumped in limousines with the Chinaman of Oklahoma on the impulse

      of winter midlight streetlight smalltown rain..."

 

and about 15 verses later

 

"who went out whoring through Colorado in myriad stolen night-cars, N.C.,

secret hero of these poems..."

 

DC

=========================================================================

Date:         Thu, 19 Jun 1997 22:18:27 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Eliot and Ginsberg

 

And both these boys ended up whores of Moloch.

C. Plymell

=========================================================================

Date:         Thu, 19 Jun 1997 21:53:15 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: Ginsberg & Eliot

In-Reply-To:  <33A9886D.1447@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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>> 

>> Bill Gargan wrote:

>> >

>> > I'm not sure that I'd agree that a major distinction between Eliot and

>> > Ginsberg was that Ginsberg turned away from Europe.  In fact much of hi=

s

>> > poetry is influenced by European writers, particularly surrealist poets=

=2E

>> > He was also influenced by Rimbaud, Essenin, Mayakovsky, Celine, to

>> > mention a few.  If you look at "Gates of Wrath," I think you'll see

>> > Ginsberg's early poems reveal heavy 17th century English influences, a

>> > style promoted by Eliot and the New Critics.  But Ginsberg quickly

>> > rejected that style.  Ginsberg biggest difference from Eliot is probabl=

y

>> > that he wanted to return poetry to its roots in song.  As he grew older=

,

>> > he seemed to move more and more in this direction.   Sure, he was

>> > greatly influenced by Whitman and Williams but he was also a son of

>> > William Blake.

>> 

> 

>RACE --- wrote:

>> i think that this makes an INCREDIBLY useful point.  To package a poet

>> into a neat bundle and then look at the influences on the package seems

>> to make the poet less than human.  Poets live their life in time too and

>> the influences come and go - just like they do for us "normal" folks :)

>> 

>> david rhaesa

>> salina, Kansas

> 

>I am very interested in studying the Blake/Ginsberg connection more, and

>in looking at some of the writings Tony Trigilio referenced earlier.  I

>have always seen Blake when reading Ginsberg but have never read anything

>Ginsberg wrote about Blake.

> 

>As far as "to package a poet into a neat bundle and look at the

>influences on the package seems to make a poet less human,"  I think I

>see the opposite.  First of all no poet can be packaged in a neat bundle,

>it just can't be done, and I give that point to some who think I have

>done so with Eliot.  Looking at the influences on a particular poet,

>however, can actually make that poet come more alive.  It's true

>influences come and go, and we can never understand everything, but the

>more we can understand the more fully the depth of a poet's work can be

>realized.  My view is that each of us carries within us the entire

>consciousness of the human race

 

Reminds me again:

 

Myself, anyhow, maybe as old as the universe--and I guess that dies with

       us--enough to cancel all that comes--What came is gone forever

       every time-- (ginberg)

 

--leo

=========================================================================

Date:         Thu, 19 Jun 1997 21:55:09 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: what i'm thinking about right now (stream of Con-shus-niss)

In-Reply-To:  <33A9C37A.7229@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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>Maya Gorton wrote:

>> 

>> where the trees end and the sky begins

>> my sky my moon no-one else knows (or do they?)

>> where you see the corners in the sad/happy/sad/happy of the river.

> 

Here's a little Tom Petty wisdom:

 

Where the horizon ends, the sky begins,

despite the best intentions.

 

What else can i say besides i think TP's kind of a hilbilly rock n' roll

beat. Anyone like to comment on that morsel?

=========================================================================

Date:         Thu, 19 Jun 1997 21:59:44 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: tracking Ginsberg quote

In-Reply-To:  <33AA1E07.56CD@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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>Ted Harms wrote:

>> 

>> Can any of Ginsberg fans (Ginsbergians? Ginsbergaphiles?) trace a fragmen=

t

>> for me.  All I can remember about it is something about 'Chinamen and

>> their secret heroes'.

>> 

>> Thanks in advance.

>> 

>> Of course, I'm going to feel like a real knob if this line isn't from

>> AG...

>> 

>> Ted Harms                         Library, Univ. of Waterloo

>> tmharms@library.uwaterloo.ca              519.888.4567 x3761

>> "...it's elephants all the way down." - from Hindu cosmology

> 

>The only thing it brings to mind for me is two different lines from Howl

>that aren't real close together but if you were listening to the whole

>thing read, you might remember them as part of the whole.

> 

>"who jumped in limousines with the Chinaman of Oklahoma on the impulse

>      of winter midlight streetlight smalltown rain..."

> 

>and about 15 verses later

> 

>"who went out whoring through Colorado in myriad stolen night-cars, N.C.,

>secret hero of these poems..."

> 

>DC

 

There's the line from America where Ginsberg says something like: the east

is rising against me; i don't have a chinaman's chance.

'Chinamen ans their secret heroes' sounds familiar though.

 

--leo jilk

=========================================================================

Date:         Thu, 19 Jun 1997 22:38:47 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: tracking Ginsberg quote

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

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Sinverg=FCenza wrote:

>=20

> >Ted Harms wrote:

> >>

> >> Can any of Ginsberg fans (Ginsbergians? Ginsbergaphiles?) trace a fr=

agment

> >> for me.  All I can remember about it is something about 'Chinamen an=

d

> >> their secret heroes'.

> >>

> >> Thanks in advance.

> >>

> >> Of course, I'm going to feel like a real knob if this line isn't fro=

m

> >> AG...

> >>

> >> Ted Harms                         Library, Univ. of Waterloo

> >> tmharms@library.uwaterloo.ca              519.888.4567 x3761

> >> "...it's elephants all the way down." - from Hindu cosmology

> >

> >The only thing it brings to mind for me is two different lines from Ho=

wl

> >that aren't real close together but if you were listening to the whole

> >thing read, you might remember them as part of the whole.

> >

> >"who jumped in limousines with the Chinaman of Oklahoma on the impulse

> >      of winter midlight streetlight smalltown rain..."

> >

> >and about 15 verses later

> >

> >"who went out whoring through Colorado in myriad stolen night-cars, N.=

C.,

> >secret hero of these poems..."

> >

> >DC

>=20

> There's the line from America where Ginsberg says something like: the e=

ast

> is rising against me; i don't have a chinaman's chance.

> 'Chinamen ans their secret heroes' sounds familiar though.

>=20

> --leo jilk

 

unconscious cut-ups of all of the above perhaps.....

 

david rhaesa

salina, Kansas

 

p.s.

Just got back from teaching salina kansas how to dance to a blues/jazz

band in a Park.  salina kansas were slow learners.  i may never be able

to walk again.  already feeling muscles screaming that haven't screamed

in 92 years.

=========================================================================

Date:         Thu, 19 Jun 1997 23:35:47 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Eliot and Ginsberg

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

 

> And both these boys ended up whores of Moloch.

> C. Plymell

 

Charles:

 

Damn good point.  I am going to send a batch of posts to Hal.  From my

brief, but eternal talk with him, I think he would agree with this.  It

is interesting that with Allen's recent death that all walk in highest

praise of him.  Like everyone else, I wanted to remember all the good of

Ginsberg.  I do the same with myself everyday to maintain this facade

of  "sanity".  But, like of all of us, he had his warts.  And it is

amusing to consider your imagry here.

 

It will take a while to get this stuff to Hal, but I will let you know

if he responds.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 20 Jun 1997 00:44:52 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker speaks

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Mike & Barbara Wirtz wrote:

> 

> I reread Howl this afternoon...and I think not so much that it is

> misunderstood as suffering from a very specialized and narrow

> audience.   I read it and thought.....period piece...I don't think it

> will transcend time... Usually people can empathsize and relate to

> another's emotional trauma...but it is very difficult to connect to

> Ginsberg in Howl.  I do have an appreciation for the poem...he does

> convey some stunning ideas and displays verbal dexterity and wit...... I

> feel as if people who can relate, would really hoist this poem as the

> icon of the the time and/ or experience...it would be ...the emblem poem

> that it is..  But as a reader, I'm an outsider, gawking  and

> rubber-necking a tragedy I can only witness from afar and listen to the

> howling without ever wanting to howl myself.

> Barb

 

Barb,

 

Howl, as well as the rest of the poetry of Ginsberg, will stand the test

of time.  You and I obviously come from very different experiences.  When

I first discovered Howl, it literally saved my life.  It was not until he

died and I read the hundreds of memorials posted on various web pages

that I saw in writing what I had known intellectually all along.  That he

truly touched the souls of masses of people, many whom would not be alive

today if his words had not given them the freedom and power to be

themselves.  And beyond that, to write of themselves.  Not only do I

identify with Howl, although I wasn't born until the fifies, I knew that

it marked the beginning of a time when poetry would no longer be the same

again.  It marked a time when no longer would the same limits be placed

on thought or the poetry that came from that thought.  In his incredible

body of work, of which Howl is just the cornerstone, Ginsberg gave us a

new definition of how humanness, every little speck of humanness, could

indeed be poetic.  He also spoke of America, an imperfect America, and

how it is necessary for poets to address the culture which is at their

feet.  But the big thing about Ginsberg is that he was remained positive

in addressing the darkness of the mind and what he saw as the darkness of

America.  While he pointed the the dusty, rotting imageless locomotives,

he also pointed to the sunflower of the soul.

 

I cannot understand how you cannot relate to the emotional trauma of

Howl!  How can you possibly not want to howl yourself?   Life is a howl.

I would urge you to start to howl.  Find it inside of yourself.

The rhythm of Ginsberg's poetry is the rhythm of life in America today.

When you say that "I think that Howl and many of his major works...are

limited, and honestly will end up, not as the major voice of the 20th c.,

but a voice of a period for a particular subsect of the population,"  I

have to wonder how much of Ginsberg you have read.  He was a major voice

in the twentieth century but he obviously did not take poetry in the

direction you want it to go.

 

You are reading beat literature but you don't really see it as enduring.

 Only time will tell. I for one think it will. But for that to happen

beat literature has to keep being published, being taught in schools and

colleges all over this country equally, so that people continue to read

it, and whole new generations of writers develop their own voices from

the influences of the beats.

 

I seriously want to know what path your line of thought takes in terms of

twentieth century poetry.  You mentioned, "I am awed by Plath, Sexton,

Rich, Bishop, Levertov, Walker...Women with strong voices, writing on

issues that concern not only women, but humanity."  What did these women

say that inspired you in a way that Ginsberg does not?  The confessional

mode of writing is a uniquely twentieth century development but although

Plath and Sexton got their concerns out in words, it did not, could not,

save their own lives.  I don't think that their writing will stand the

test of time.  Do you?

DC

=========================================================================

Date:         Fri, 20 Jun 1997 00:54:47 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Ginsberg & Eliot

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RACE --- wrote:

> 

>> my point is that one's influences change dramatically in a different

> lifetime.  and the significance of the influence changes during the

> lifetime as well.  someone who is MAJOR in the early years may become

> minor as an influence in later writings.  a non-literati example, dylan

> is incredibly influenced by Guthrie in the early days.  after Highway

> 61, the Guthrie influence is minor and later very very difficult to

> catch for the untrained ear/eye.  some folks during their lifetime take

> compleat flip-flops concerning influences.  i was so turned on the first

> time i read Kerouac.  later i thought, blasphemously, "whatever" he's

> just looking out a car window, now i'm back to gobbling him up like

> fancy food.  not that i'm a poet mind you.

> 

> david rhaesa

> salina, Kansas

 

David,

 

First of all, you are a poet. And, now that you've explained it more, I

also agree with what you say about one's influences changing tremendously

in a lifetime.  Everyone is influenced by many different things, and

these things are constantly changing.  That's why the study of

literature, music, whatever, is so much fun.

DC

=========================================================================

Date:         Fri, 20 Jun 1997 00:15:05 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      David

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David:

 

Of course you're a poet, that is what is wrong with you and all the

other people who are on this list and the Celtics list.  ;-)

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 19 Jun 1997 23:26:58 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: David

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R. Bentz Kirby wrote:

> 

> David:

> 

> Of course you're a poet, that is what is wrong with you and all the

> other people who are on this list and the Celtics list.  ;-)

> 

> Peace,

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

i aint no poet

i aint no poet

i aint no poet

i aint no poet

i aint no poet

i aint no poet

i aint no poet

 

                my italian cousin Rinaldo is a poet

 

                                                        i am Superman

                                                        i am Superman

                                                        i am Superman

                                                        i am Superman

                                                        i am Superman

 

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 20 Jun 1997 02:12:40 -0500

Reply-To:     LISA VEDROS <2ndbeat@TELAPEX.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LISA VEDROS <2ndbeat@TELAPEX.COM>

Subject:      Second Beat Magazine

Comments: To: BEAT-L@CUNYVM.CUNY.EDU.

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Hey,

I know you've heard all of this before, but we're back.

 

Second Beat Magazine (more of a fanzine) is self-published fanzine put

together by two guys heavily influenced by the Beat Generation. It's main

function is to get new writers in print. We are open to submissions by

anyone, published or not, beat or not. We're just looking for poetry from a

range of new poets to publish.

 

We recently set subscription rates: $1.00 per issue, $10.00 per 12 issue

subscription (which should be about one year).

 

Two issues have been completed previous to this, of a lower quality than

the upcoming issues, and will be available as free sample issues.

 

Two issues have been planned ahead: the Ginsberg Memorial issue will be

issue number three and issue four will be devoted to dealing with a pesonal

issue with a church group having negative opinions on our message. Both

look to be interesting.

 

We are accepting submissions regarding the Ginsberg issue, but must insist

that they be soon as it is nearly ready for the presses.

 

If any of you have e-mailed me in the past, I would appreciate you sending

them as we have lost all of our e-mail files due to technical difficulties.

 

Thanks,

Thadeus D'Angelo, Camelia City Books

=========================================================================

Date:         Fri, 20 Jun 1997 02:15:14 -0500

Reply-To:     LISA VEDROS <2ndbeat@TELAPEX.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LISA VEDROS <2ndbeat@TELAPEX.COM>

Subject:      Second Beat part 2

Comments: To: BEAT-L@CUNYVM.CUNY.EDU.

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Forgot to mention that you'll need to send the e-mails to:

<2ndbeat@telapex.com>

as I will be leaving the discussion list after this post.

 

Thanks again,

Thadeus D'Angelo, Camelia City Books

=========================================================================

Date:         Fri, 20 Jun 1997 13:39:41 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      beat generation/milestone

Mime-Version: 1.0

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                DIED.

                ALLEN GNSBERG, 70, quintes-

                sential beatnik poet, of a

                heart attack brought on by

                chronic liver disease; in

                New York City. Forming the

                trinity of the 1950s Beat

                generation along with Will

                iam Burroghs and Jack Kero

                uac, ginsberg captured pub

                lic attention in 1956 with

                HOWL, a long poem that ra

                ged against a conformist s

                ociety and dealt with his

                homosexuality. In the '60s

                and '70s, he was active in

                both the hippie and antiwa

                r movements. His poetry pr

                efigured punk and New Age,

                drawing inspiration from y

                oga, Buddishm, Native Amer

                ican mysticism, the Torah

                and U.S. poets like Willia

                m Carlos Williams.

 

T I M E         THE WEEKLY NEWSMAGAZINE - april 21,1997

 

---

yrs

Rinaldo.

=========================================================================

Date:         Fri, 20 Jun 1997 13:40:03 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      pidgin rant

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        tic!    tic!!   tic!!!

+&

                On

                Ly

 

                mon

                sters

                shall survive

+&

                & queues

                at

                the

                postal office

+&

 

---

Yrs

Rinaldo.

=========================================================================

Date:         Fri, 20 Jun 1997 09:56:04 -0500

Reply-To:     Bob Fox <bfox@SIU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bob Fox <bfox@SIU.EDU>

Subject:      Cassady; Drugs

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        Here are two items from today's N.Y. TIMES that I'm passing along . . .

 

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          June 20, 1997

 

          A Young Neal Cassady, On the Road and Off

 

          --------------------------------------------------------

          Forum

        * Join a Discussion on Movies

          --------------------------------------------------------

 

          By STEPHEN HOLDEN

 

          [Y] ou didn't have to dye your hair green, pierce your

              tongue and wear bizarre eye makeup to stand out as a

          flaming rebel in the late 1940s. All you had to do was

          chain-smoke, play pool, listen to be-bop and break

          girls' hearts.

 

          That's the portrait of the 20-year-old Neal Cassady

          (flashily played by the newcomer Thomas Jane) that

          emerges in Stephen Kay's snazzy-looking but slight film,

          "The Last Time I Committed Suicide."

 

          At 20, the man who became a guiding light of the Beat

          Generation, inspiring Jack Kerouac's "On the Road" and

          later joining Ken Kesey's psychedelic troupe the Merry

          Pranksters, is portrayed as a hunky mixed-up kid with

          too many hormones roiling around in his body.

 

          The movie is based on a letter that the young Cassady

          wrote to Kerouac when Cassady was living in Denver and

          working the night shift at a Goodyear Tire factory. The

          fragments of the letter heard over the soundtrack

          suggest a fevered, semi-coherent stream-of-consciousness

          running on a jazzy, hopped-up rhythm that became a

          hallmark of Beat literature.

 

          Kay has made that rhythm the visual pulse of his debut

          feature film. Beyond recounting incidents in Cassady's

          youth, the movie, whose soundtrack is drenched in

          be-bop, aspires to be an impressionistic canvas of

          America when the country, still dewy-eyed with postwar

          optimism, was jumping out of its collective skin.

 

          Almost every shot is drenched in rich period detail so

          acute it has a surreal edge. When Cassady visits an

          office where one of his girlfriends works as a typist,

          the place is a hushed dimly lit cathedral to capitalism

          in which elaborately coiffed secretaries sit in rigid

          formation behind giant manual typewriters. Later, when

          Cassady and some friends steal a bright red convertible

          for a joy ride, the image of the cherry-red car jouncing

          through a field with snowcapped mountains in the

          background has the nostalgic tug of a Saturday Evening

          Post cover illustration.

 

          When not creating memorable visual tableaux, the film

          observes Neal's frenetic love life as he zigzags between

          the sad-eyed, suicidal Joan (Claire Forlani) and Cherry

          Mary (Gretchen Mol), a sexually precocious teen-ager who

          suggests the adolescent Shirley Temple gone bad. In his

          spare time, Neal hangs out at a pool hall, drinking

          beers with Harry, a lowlife crony who is 12 years his

          senior.

 

          Keanu Reeves, looking bloated and bleary-eyed, gives

          Harry a woozy affability. Also popping up from time to

          time is a skinny, spectacled friend named Ben (Adrien

          Brody), who has a big crush on Neal and who appears to

          be modeled after the young Allen Ginsberg.

 

          As effectively as it evokes the late 1940s, "The Last

          Time I Committed Suicide" has little dramatic momentum.

          Although the film tries to suggest a wrenching inner

          conflict between Neal's wanderlust and his fantasy of a

          picture-perfect bourgeois life (he has recurrent dreams

          of a house with a picket fence), there is clearly no

          contest. If the movie is dramatically inert, it has the

          charm of a lovingly assembled personal scrapbook. It's

          clear in every frame of the film how strongly Kay

          identifies with his legendary subject.

 

          PRODUCTION NOTES:

 

          'THE LAST TIME I COMMITTED SUICIDE'

 

          With: Thomas Jane (Neal Cassady), Keanu Reeves (Harry),

          Adrien Brody (Ben), Claire Forlani (Joan) and Gretchen

          Mol (Cherry Mary). Written and directed by Stephen Kay;

          based on a letter written by Neal Cassady to Jack

          Kerouac; director of photography, Bobby Bukowski; edited

          by Dorian Harris; music by Tyler Bates; production

          designer, Amy Ancona; produced by Edward Bates and

          Louise Rosner; released by Kushner-Locke Company, Roxie

          Releasing and Tapestry Films.

 

          Running time: 95 minutes. This film is rated R.

 

            Home | Sections | Contents | Search | Forums | Help

 

                 Copyright 1997 The New York Times Company

 

         ----------------------------------------------------------

 

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          June 20, 1997

 

          Seductive Drug Culture Flourishes on Internet

 

          By CHRISTOPHER S. WREN

 

          [E] ven as parents, teachers and government officials

              urge adolescents to say no to drugs, the Internet is

          burgeoning as an alluring bazaar where anyone with a

          computer can find out how to get high on LSD, eavesdrop

          on what it is like to snort heroin or cocaine, check the

          going price for marijuana or copy the chemical formula

          for methamphetamine, the stimulant better known as

          speed.

 

          Teen-agers need only retreat to their    ------

          rooms, boot up the computer and click    Today in

          on a cartoon bumblebee named Buzzy to    CyberTimes

          be whisked on line, through a graphic

          called Bong Canyon, to a mail-order      ARTICLES AND

          house in Los Angeles that promises       COLUMNS

          the scoop on "legal highs," "growing

          hallucinogens," "cannabis alchemy,"      Internet Is a

          "cooking with cannabis" and other        Drug Bazaar

          "trippy, phat, groovy things."           for Children

                                                   By Christopher

          Or they can download advice on           S. Wren

          cultivating marijuana plants from the

          Web page of HempBC, a store in           In New French

          Vancouver, British Columbia, that        Best-Seller,

          offers "everything marijuana- and        Software Meets

          hemp-related: bongs to books, clothes    Espionage

          to cosmetics and more," including an     By Steve

          assortment of hemp and marijuana         Ditlea

          seeds.

                                                   China Unveils

          "Anybody can set up a Web site," said    Supercomputer

          John Holmstrom, publisher of High        By The

          Times, a monthly magazine that has       Associated

          celebrated the marijuana culture for     Press

          more than two decades and created a

          site of its own on the World Wide Web    Panel Chief

          two years ago. "There are hundreds of    Says Computer

          pro-marijuana sites out there. I         Attacks Are

          can't keep track of them."               Sure to Come

                                                   By The

          Alarms have rung in Congress and         Associated

          around the country about the risks       Press

          that online pornography pose to the

          young. But few such warnings sound       Fighting the

          for what has become a virtual            Technology Gap

          do-it-yourself guide to drug use, at     With

          a time when adolescents'                 Old-Fashioned

          experimenting is on the rise.            Activism

                                                   By Jason

          "We're really losing the war on the      Chervokas &

          Internet," said Kellie Foster, a         Tom Watson

          spokeswoman for the Community

          Anti-Drug Coalitions of America,         INTERNET Q&A

          which hopes to establish its own Web     By John Freed

          site next month. "We've got to get

          out there, and we're not."               ------

 

          The audience is certainly there. The     TODAY'S

          Center for Media Education, a            SECTION FRONT

          Washington group that monitors

          quality on the Internet, reports that    SEVEN-DAY

          nearly 5 million children from 2 to      INDEX

          17 years of age used online services

          in 1996 and that more than 9 million     CYBERTIMES

          college students use the Internet        FORUMS

          regularly.

                                                   CYBERTIMES

          "We really are witnessing the            NAVIGATOR

          development of the most powerful

          medium that has ever existed, in         ------

          terms of its ability to attract and

          interest young people," said Jeff

          Chester, the center's executive director.

 

          The drug culture on the Internet has proliferated in

          several ways. One is in the tolerance or outright

          endorsement of illegal drugs, especially marijuana, in

          online forums and chat groups. Another is in explicit

          instructions for growing, processing and consuming

          drugs.

 

          [Image]                     Critics like Gen. Barry

                                      McCaffrey, retired,

                                      director of the White House

          Office of National Drug Control Policy, say they also

          detect a campaign on the Internet to undercut the

          government's anti-drug policies by generating the

          appearance of rising grass-roots sentiment for modifying

          or scrapping drug laws.

 

          "We say in a democracy that good ideas will drive out

          bad ones," McCaffrey said in a telephone interview. "So

          if the good ones aren't there, we're left with the bad

          ones."

 

          "The question," he said, "is not whether they have right

          to put this kind of material out in the debate of ideas.

          The question is, Do parents, teachers, coaches and

          ministers understand that this information is out

          there?"

 

          The indications are that they do not. Because they are

          less computer-literate than their children, many adults

          have no clue that their warnings against illegal drugs

          can be eclipsed by a few keystrokes.

 

          And, partly owing to free-speech protection, the

          Internet lacks a quality control mechanism to separate

          fact from hyperbole or from outright falsehood, even in

          discussion that may ultimately encourage an activity

          that remains illegal, for Americans of all ages.

 

          Online testimonials make recreational drugs sound like

          fun.

 

          Tripping out on LSD, a high school student reported,

          "was one of the coolest things I've ever done."

 

          A frequent snorter of cocaine said, "I always enjoy the

          first toot," adding: "I can place a phone call and

          within an hour get it delivered. It's as routine as

          coffee in the morning. And just about as necessary."

 

          There has even been a chat group for people "thinking of

          trying heroin."

 

          That kind of talk would be nothing new to a high school

          or college bull session, but face-to-face contact can

          help adolescents evaluate a speaker's credibility. The

          anonymity of online discussion, in contrast, tends to

          make even outlandish statements seem credible to

          impressionable young eavesdroppers.

 

          A connection among young people, drugs and the Internet

          was noticed by Walter Shultz, the campus safety

          coordinator for a suburban school district near

          Pittsburgh, who says he discovered numerous online

          promotions of local "raves" -- all-night dance parties

          -- where designer stimulants like "cat" and "special-K"

          were popular.

 

          "There's no doubt in my     [Image]

          mind that they have

          information on illegal

          drugs and supply" through the Internet's links, Shultz

          said. "Some of those take you into places where you

          wouldn't want a child to go."

 

          The online tolerance of drugs is in part a reflection of

          the nature of Web discourse.

 

          "The online world is the freest community in American

          life," Jon Katz wrote in the April issue of Wired, a

          magazine that analyzes the Internet. "Its members can do

          things considered unacceptable elsewhere in our

          culture."

 

          That includes challenging any assumption that drug use

          is wrong.

 

          "I'd have to agree that the status quo folks are pretty

          much being hammered," said Mark Greer, a director of the

          Media Awareness Project, which uses the Internet to

          lobby for the weakening or repeal of drug laws. "They

          don't seem to even be trying to compete with us on the

          Web."

 

          "There are a lot of people," Greer said, "who have just

          had it with the prohibitionist mentality. This is an

          outlet where you can put in your time and really make a

          difference."

 

          Robert Curley, a freelance writer and consultant on

          Internet use, estimates that three-quarters of the

          online voices speaking about drugs favor some kind of

          legalization.

 

          "They definitely control the discussion on the

          Internet," Curley said. "The pro-legalization people are

          light-years ahead of the anti-legalization people."

 

          One group, the Drug Reform Coordination Network, has

          been working on line since 1993 to change drug laws,

          although its founder, David Borden, distances its

          campaign from unabashed proselytizing like that of High

          Times.

 

          "While we're friendly with them," Borden said, "we want

          to stay away from anything seen as promoting the use of

          drugs."

 

          In a report last March, the Center for Media Education

          accused alcohol and tobacco companies of promoting their

          products on the Internet with "captivating, fun,

          interactive sites that are very appealing to under-age

          youth." Other critics are saying the same thing about

          Web sites that promote marijuana with a sassiness that

          leaves sober arguments against drug use looking pallid.

 

          [Image]       David L. Rosenbloom, president of Join

                        Together, a Boston organization that helps

                        community groups fight drug and alcohol

          abuse, says marketers of marijuana seeds and drug

          paraphernalia are copying the alcohol and tobacco

          companies, which promote their products through glitzy

          Web sites that have featured croaking Budweiser frogs

          and a Camel cigarette Party Zone.

 

          "Sophisticated graphics make a difference," Rosenbloom

          said. "It's more powerful than television and radio,

          because it is interactive."

 

          Holmstrom, of High Times, says the monthly number of

          electronic visits to his magazine's Web site has doubled

          since last December. Now, he said, "we are averaging

          200,000 home page visitors a month."

 

          High Times dispenses an array of online advertising and

          other services that Holstrom says have turned a profit,

          like coaching on how to beat a drug test. The best of

          the tips are left to a related telephone service, a call

          to which costs $1.95 a minute.

 

          A survey that the magazine conducted among its Web site

          visitors found that 85 percent were male, 43 percent

          were full-time students, and most were young. Holmstrom

          says 64 percent of respondents identified themselves as

          being 18 to 24 years old, and 12 percent 25 to 29 years

          old. The number admitting to being under 18 was "not

          significant," he says.

 

          High Times posts a disclaimer on its Web site that says

          users must be 18 or older. But "we can't prevent

          under-age people from accessing the site without keeping

          everybody off," Holmstrom said.

 

          One clue to adolescence on the Internet is the

          prevalence of cartoons in praise of marijuana.

 

          A High Times cartoon showed a character called Pot-Peye

          getting stoned with his chums. "I'm mellow to the

          finish, 'cuz I smokes me spinach," said Pot-Peye, who

          resembled the genuine Popeye.

 

          A counterculture Web site called Paranoia had a cartoon

          pothead declaring: "You know this stuff should be legal!

          It can make an ordinary day so much brighter!"

 

          The Internet also abounds in casual advice like the

          "suggestions for first-time users" of "ecstasy," a

          hallucinogenic stimulant that has been found to damage

          the brains of monkeys in research at Johns Hopkins

          University. Nicholas Saunders, the author of this online

          advice, cautioned ecstasy neophytes only to "avoid

          alcohol and other drugs, & if you are dancing, realize

          that you may be dangerously overheated even without

          feeling uncomfortable."

 

          Anecdotal misinformation appears particularly rife in

          online chat groups. When a man asked whether it was safe

          to mix methamphetamine with alcohol -- a dangerous

          combination, medical experts say -- a seasoned user

          named Durto assured him, "Yeah, you can drink on speed,

          and drink and drink."

 

          Not all online drug information is pro-drug. Join

          Together uses the Internet to help isolated community

          groups around the country trade experiences in fighting

          drug and alcohol abuse. Its Web site downloads for

          subscribers more than 300,000 documents a month about

          alcohol, tobacco and drugs.

 

          "We're finding it a very powerful medium for

          disseminating information much more rapidly and in a

          user-friendly way," said Rosenbloom, Join Together's

          president.

 

          Ethan A. Nadelmann, the director of the Lindesmith

          Center in New York, which advocates a liberalizing of

          drug policies, said the Internet allowed an unfettered

          discussion that government had foreclosed in more

          structured public debate.

 

          "The more the battle is played on this field, the more

          drug reform policy advances," said Nadelmann, whose Web

          site gets 30,000 to 40,000 visits a month.

 

          The battle is not always civil. In late March, Greer,

          one of the opponents of the drug laws, posted

          instructions on the Internet for jamming the toll-free

          number of the Community Anti-Drug Coalitions of America.

          The 5 calls he made in 10 minutes, Greer announced,

          could be "quite devastating to Cadca if we can multiply

          my efforts by a few thousand."

 

          Ms. Foster, the Cadca spokeswoman, said her organization

          had been forced to change its telephone format as a

          result.

 

          "While we're trying to spend money preventing children

          from drug use," she said, "these people are trying to

          spend our money so that we can't do positive work."

 

          In a subsequent interview, Greer said his "call to

          action" to inflate Cadca's telephone bill had been "a

          kind of an experimental type thing." His

          bread-and-butter advocacy is a weekly Focus Alert over

          the Internet that encourages campaigns of letter-writing

          to newspapers, to try to shape their coverage of drug

          issues.

 

          "I think that we've only just seen the tip of the

          iceberg on the results that are going to promulgate from

          Internet activism," Greer said. "You're at such a big

          advantage if you're trying to get truth and accuracy

          out."

 

            Home | Sections | Contents | Search | Forums | Help

 

                 Copyright 1997 The New York Times Company

 

         ----------------------------------------------------------

 

[I wish the web was designed for me. Click here for Microsoft Internet

Explorer 4.0]

 

--============_-1345321846==_============--

=========================================================================

Date:         Fri, 20 Jun 1997 11:06:39 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      blah blah blah-blah-blah blahblahblah blahblah....

 

Blow, blow, blow your brains out,

Drown yourself in the stream;

MaryLee MaryLee MaryLee MaryLee,

Life is but a scream.

=========================================================================

Date:         Fri, 20 Jun 1997 12:18:10 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Ginsberg & Eliot

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> i could never make it through Howl.  tried so many times but got lost in

> all that structure.

> 

>The best thing to get past what you see as the structure is to hear him read

 it.  I particularly like the old, 1959 recording he made, because I

think his voice of reading it is closest to what he felt when he wrote

it.  Once you understand how he meant the lines to flow I think you will

be utterly taken with it.  He also reads several other poems on it,

including America, and Sunflower Sutra, and I think just getting a sense

of the rhythm of his lines makes understanding future writings easier.

DC

=========================================================================

Date:         Fri, 20 Jun 1997 12:31:42 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Eliot and Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

>Charles,

>> Damn good point.  I am going to send a batch of posts to Hal.  From my

> brief, but eternal talk with him, I think he would agree with this.  It

> is interesting that with Allen's recent death that all walk in highest

> praise of him.  Like everyone else, I wanted to remember all the good of

> Ginsberg.  I do the same with myself everyday to maintain this facade

> of  "sanity".  But, like of all of us, he had his warts.  And it is

> amusing to consider your imagry here.

> 

>From what I've read about Allen, seems like he was a pain in the ass a lot of

 the time.  We all have a lot of flaws.  Doesn't diminish the body

of work.

 

DC

=========================================================================

Date:         Fri, 20 Jun 1997 11:48:25 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      buddhist hangover

 

Head hurts from the Black Cat

The stamp on my hand made a blur on my face.

I slept in fetal liquid with my hand against my cheek

and dreamt of

Sri Lanka and the fat monks

with greasy hands from too much food-worship.

It's against the rules to even touch a woman

(the Curse! the Curse!)

Especially when sitting on the bus.

When the flag flaps your own death at half-mast

you'll feel the breeze of gratitude.

These and other words Mike told me last night.

=========================================================================

Date:         Fri, 20 Jun 1997 12:07:44 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

Comments: To: Marioka7@AOL.COM

In-Reply-To:  <970620110638_1788367908@emout20.mail.aol.com>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

>Blow, blow, blow your brains out,

>Drown yourself in the stream;

>MaryLee MaryLee MaryLee MaryLee,

>Life is but a scream.

> 

 

        Damn straight. Life is but a polluted stream of sewage. --Sara

=========================================================================

Date:         Fri, 20 Jun 1997 12:13:32 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Hunter

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

"No matter what, today is the end of an era. No more fair play. From

           now on it is dirty pool and judo in the clinches. The savage

nuts have

           shattered the great myth of American decency. They can count me in

           -- I feel ready for a dirty game."

 

           -- Gonzo journalist HUNTER S. THOMPSON, n a newly published

           letter he wrote to friend and author William Kennedy on Nov. 22,

           1963, the day President Kennedy was assassinated.

=========================================================================

Date:         Fri, 20 Jun 1997 11:26:53 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sara Feustle wrote:

> 

> At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

> >Blow, blow, blow your brains out,

> >Drown yourself in the stream;

> >MaryLee MaryLee MaryLee MaryLee,

> >Life is but a scream.

> >

> 

>         Damn straight. Life is but a polluted stream of sewage. --Sara

 

 

perhaps a Beatlist group

skinnydip

in the sewagey stream will open some sinuses.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 20 Jun 1997 09:49:34 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

Comments: To: Marioka7@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:06 AM 6/20/97 -0400, you wrote:

>Blow, blow, blow your brains out,

>Drown yourself in the stream;

>MaryLee MaryLee MaryLee MaryLee,

>Life is but a scream.

> 

> 

 

Don't say things like that.

 

We love you.

 

It scares me to hear things like this.

 

Take care,

 

Tim

=========================================================================

Date:         Fri, 20 Jun 1997 10:26:02 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sara Feustle wrote:

> 

> At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

> >Blow, blow, blow your brains out,

> >Drown yourself in the stream;

> >MaryLee MaryLee MaryLee MaryLee,

> >Life is but a scream.

> >

> 

>         Damn straight. Life is but a polluted stream of sewage. --Sara

 

Geez! whatever happened to "Life is but the stream I go a-fishin' in?"

Barb

=========================================================================

Date:         Fri, 20 Jun 1997 19:12:56 +0100

Reply-To:     or205@HERMES.CAM.AC.UK

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

In-Reply-To:  <33AA5ABA.39C7@owens.ridgecrest.ca.us>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 20 Jun 1997, Mike & Barbara Wirtz wrote:

 

> Sara Feustle wrote:

> >

> > At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

> > >Blow, blow, blow your brains out,

> > >Drown yourself in the stream;

> > >MaryLee MaryLee MaryLee MaryLee,

> > >Life is but a scream.

> > >

> >

> >         Damn straight. Life is but a polluted stream of sewage. --Sara

> 

> Geez! whatever happened to "Life is but the stream I go a-fishin' in?"

> Barb

> 

 

        ...still there, still there, but the fish are now a strange &

disconcerting shape, with many more eyes that all look back at you all at

once...

                                                        -- Olly R.

=========================================================================

Date:         Fri, 20 Jun 1997 14:36:45 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

Comments: To: or205@HERMES.CAM.AC.UK

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Olly Ruff wrote:

> 

> On Fri, 20 Jun 1997, Mike & Barbara Wirtz wrote:

> 

> > Sara Feustle wrote:

> > >

> > > At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

> > > >Blow, blow, blow your brains out,

> > > >Drown yourself in the stream;

> > > >MaryLee MaryLee MaryLee MaryLee,

> > > >Life is but a scream.

> > > >

> > >

> > >         Damn straight. Life is but a polluted stream of sewage. --Sara

> >

> > Geez! whatever happened to "Life is but the stream I go a-fishin' in?"

> > Barb

> >

> 

>         ...still there, still there, but the fish are now a strange &

> disconcerting shape, with many more eyes that all look back at you all at

> once...

>                                                         -- Olly R.

Don't cross the River if you can't swim the tide,

Don't try denying living on the other side,

 

AMERICA

 

If there is a god, it is the river, cause it is the only thing that is

in the mountains, going around the bend and at the sea at the same time.

 

DYLAN

 

I am a child in these hills, looking for water, looking for life.

 

Jackson Browne

 

See, when the electrcity (light) hit the saline solution (sea) we were

created by the hand of god.  It was not in one 24 hour day, but it was

in one day.  And what was used to make us, why the ashes and dust to

which we return.  And the same chemicals and elements as you find in the

soil, the sea, the air.  We are only discreet forms of energy split off

from our memory of the greater whole.

 

You don't believe you're just a living blob.

 

Guess Who

 

That we have forgotten and so we can not truly give love.

 

Under the City laid a heart made of ground but the humans could give no

love!

 

America

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 20 Jun 1997 15:00:18 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <33AAAF4C.21F7@midusa.net>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 11:26 AM 6/20/97 -0500, RACE --- wrote:

>Sara Feustle wrote:

>> 

>> At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

>> >Blow, blow, blow your brains out,

>> >Drown yourself in the stream;

>> >MaryLee MaryLee MaryLee MaryLee,

>> >Life is but a scream.

>> >

>> 

>>         Damn straight. Life is but a polluted stream of sewage. --Sara

> 

> 

>perhaps a Beatlist group

>skinnydip

>in the sewagey stream will open some sinuses.

> 

>david rhaesa

>salina, Kansas

> 

 

        Hey, RACE, damn good idea!!! I thought you were leaving us for a

while.....change your mind? I hope so! --Sara

=========================================================================

Date:         Fri, 20 Jun 1997 15:02:17 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

Comments: To: or205@HERMES.CAM.AC.UK

In-Reply-To:  <Pine.SOL.3.95q.970620191059.11573A-100000@indigo.csi.cam.a c.uk>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 07:12 PM 6/20/97 +0100, Olly Ruff wrote:

>On Fri, 20 Jun 1997, Mike & Barbara Wirtz wrote:

> 

>> Sara Feustle wrote:

>> >

>> > At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

>> > >Blow, blow, blow your brains out,

>> > >Drown yourself in the stream;

>> > >MaryLee MaryLee MaryLee MaryLee,

>> > >Life is but a scream.

>> > >

>> >

>> >         Damn straight. Life is but a polluted stream of sewage. --Sara

>> 

>> Geez! whatever happened to "Life is but the stream I go a-fishin' in?"

>> Barb

>> 

> 

>        ...still there, still there, but the fish are now a strange &

>disconcerting shape, with many more eyes that all look back at you all at

>once...

>                                                        -- Olly R.

 

        EXACTLY!!! --Sara *smile*

> 

=========================================================================

Date:         Fri, 20 Jun 1997 14:01:47 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sara Feustle wrote:

> 

> At 11:26 AM 6/20/97 -0500, RACE --- wrote:

> >Sara Feustle wrote:

> >>

> >> At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

> >> >Blow, blow, blow your brains out,

> >> >Drown yourself in the stream;

> >> >MaryLee MaryLee MaryLee MaryLee,

> >> >Life is but a scream.

> >> >

> >>

> >>         Damn straight. Life is but a polluted stream of sewage. --Sara

> >

> >

> >perhaps a Beatlist group

> >skinnydip

> >in the sewagey stream will open some sinuses.

> >

> >david rhaesa

> >salina, Kansas

> >

> 

>         Hey, RACE, damn good idea!!! I thought you were leaving us for a

> while.....change your mind? I hope so! --Sara

 

 

Couldn't leave before the group skinny and all that jazz. . . .

 

        i've left almost the other lists

                but

this one

                                        is under my skins

                like a Venitian blind

 

        duck hunting poet

 

                                        that comes across

 

        a band of dippers in the skinny

 

                        and shoots just over their

 

 

                                heads

 

                                  4

 

 

                                kicks

 

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 20 Jun 1997 12:33:00 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      rerererererere:rerererereeeeeeeer

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> 

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> 

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> 

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> 

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> 

>>>>>>>>>>>>>>>>>>> 

>>>>>>>>>> 

>>>>> 

>> 

 

                                        James M.

_______________________________________________

                                        ____________________________

                             __________________________

                             ________

                              . . .

=========================================================================

Date:         Fri, 20 Jun 1997 14:58:05 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Jazz

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

In response to:

 

 

> Yeah, that's too bad that Ferlinghetti tried a lot of things that didn't

> work. It was kind of a fad reading to jazz. More difficult than one thinks.

> The best I've heard is Kerouac on the Steve Allen show (who was he with; I

> can hear some of the poetry, but can't recall the musician's name.) The other

> poet I thought had a good jazz ear was Kenneth Patchen.

> Paul Bley lives here in Cherry Valley. We've thought about working together.

> I arranged for him to do a gig with Burroughs years ago. We could probably

> pull it off, but his compositions are privately progressive. It's something,

> if it clicks it's great, but most poets can't tell when it clicks.

> Charles Plymell

 

 

I believe Kerouac read with Zoot Sims and Al Cohn (saxophones). BTW,

does anybody know if 'Mexico City Blues' has ever been recorded. It is

not the easiest text, and hearing it for its rhythm would help

tremendously.

The catch with any group effort, in any field (literary, musical,

sports, etc), is to have the members dig each other before entering into

the project = more discipline, commitment.

 

Joseph Neudorfer

=========================================================================

Date:         Fri, 20 Jun 1997 14:07:55 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Jazz

In-Reply-To:  <33AA9A7D.24D4@discovland.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> I believe Kerouac read with Zoot Sims and Al Cohn (saxophones). BTW,

> does anybody know if 'Mexico City Blues' has ever been recorded. It is

> not the easiest text, and hearing it for its rhythm would help

> tremendously.

> The catch with any group effort, in any field (literary, musical,

> sports, etc), is to have the members dig each other before entering into

> the project = more discipline, commitment.

> Joseph Neudorfer

joe;

allen ginsberg recorded "mexco city blues" last year (or the yr before)

and i should be pretty easily available, from waterrow books, if not

elsewhere. (its good too - all the verses, & allen's voice.mmm.)

yrs

derek

=========================================================================

Date:         Fri, 20 Jun 1997 17:55:31 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      More Beat films...

Comments: To: brooklyn@netcom.com

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Levi--

 

Here's another two Beat-made movies for your Beat film page. Never heard of

either, but they sound like they're worth serious investigation.

 

m

 

---------- Forwarded message ----------

Date: Thu, 19 Jun 1997 10:26:39 +0000

From: earwickr@sirius.com

To: Matt Colonnese <matthew.colonnese@yale.edu>

Cc: droneon@ucsd.edu

Subject: Re: oops and drone movie ?

 

 

 

>The drone film thread reminded me of a question:  what is the name

>of very circular, repetive short film with voices saying

>"hello...yes...yes...hello" over and over, with constantly repeating

>picutres of burroughs (I think) and FBI agents ect...   ?

 

Are you thinking of "The Cut-Ups"?  It was an experiment in using

Byron Gysin's cut up techniques in film.  It has footage of Burroughs

and someone else having a short conversation which is snipped and

rearranged ad nauseum.  There is also another film by the same

filmmaker called "Towers Open Fire" that includes Burroughs and a

bunch of Beat writers as some sort of government committee.  Most of

it's dialogue is from the first 50 pages of NOVA EXPRESS.

 

-Kelly

=========================================================================

Date:         Fri, 20 Jun 1997 18:12:20 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      does anyone here speak french?

 

mail-order brides and popcorn newspapers

have me in a funk

drunk as a skunk

God forgive me for writing poetry

that rhymes!

 

'Mepris Felin'

 

Quand la lune est pleine

et mon coeur est gros

je penses a toi et tu me caresses

avec plus de tendresse

que ton chat.

 

Mais la lune n'est pleine

que rarement.

Et ton chat m'epie avec ses yeux jaunatres,  pleins

de haine.

Il est clair a qui tu appartiens.

=========================================================================

Date:         Fri, 20 Jun 1997 18:47:17 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      pome 'bout poets, first draft

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Friday the 13th, Plattsberg, NY

Hava Java Poetry Reading

 

I sit, surrounded by men

        gentle men

                poet men

giving names to the unnameable

        and voice to the unspeakable,

opening  themselves up,

        using words as scapels.

Transcendental alchemy

        changing blood to ink-

                ink filling voids with words.

 

I sit, suddenly again the child i never was.

 

How many years now lost?

        how many fractured fine lines

                hold my selves

                        precariously,

                                together?

(stifled all these years,

        fearing words would crack me open

                only to find an empty shell)

 

tonight i sit with these gentle men

        whose poems bank the protective fire

                which holds us in its ring

 

and the universe cracks open

        inside my soul:

 

it isn't just me inside this ring

it isn't just me inside this ring,

this ring of fire and blood.

 

the grey smoke of the fire ring

        gives birth

                to metaphors stark

                        and shark naked facts,

as my  facts

        my metaphors

                my grey smoke

                        rises and merges

                                with all.

 

 

the poems alchemy

        begins its work,

                changing blood to ink.

 

Suddenly,

        a girl of seven,

                feet dangling off the floor,

                        appears in my chair.

Me?

Not me?

oh!   me AND me,

all dressed up and no place to grow.

that is,

until tonight.

 

right now i'm only seven

        and awake long past my bed time

                staying up late with the little boys

                        in men's pockets of poems.

 

we speak

        of hateful mothers

                of hurtful fathers

                        and winnie the pooh.

 

no bitterness remains.

 

        in this charmed circle

                this ring of fire

pain exchanged transmutes itself

        in this charmed circle,

                this ring of fire,

the alchemy of blood and pain:

        souls bared,

                souls shared.

 

it's bedtime now.

        would you tuck me in now,

                daddy?

- daddy isn't here.

 

would you be my fathers,

                if only for tonight?

 

mc 6/20/97

=========================================================================

Date:         Fri, 20 Jun 1997 21:13:46 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

>Blow, blow, blow your brains out,

>Drown yourself in the stream;

>MaryLee MaryLee MaryLee MaryLee,

>Life is but a scream.

> 

> 

 

RELAX!

 

Greg Elwell                    elwellg@voicenet.com

=========================================================================

Date:         Fri, 20 Jun 1997 21:38:52 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Who lasts?

 

In a message dated 97-06-20 03:02:17 EDT, you write:

 

<< You mentioned, "I am awed by Plath, Sexton,

 Rich, Bishop, Levertov, Walker...Women with strong voices, writing on

 issues that concern not only women, but humanity."  What did these women

 say that inspired you in a way that Ginsberg does not?  >>

 

I have the feeling that Ginsberg will outlast any of these writers you

mentioned.

Pam Plymell

 

If you're qualifying poetry for the masses Rod McKuen touched a hell of a lot

of people too.  Lyn Lifshin also touches a lot of people. Time does funny

things to literature.

Charles Plymell

=========================================================================

Date:         Fri, 20 Jun 1997 22:01:44 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      popularity

MIME-Version: 1.0

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One of the native sons of our great state is mr Coogler.  Every year a

local org gives out the Coogler to the worst writing.  He was very

popular.  And Snoopy uses his most famous line:

 

It was a dark and stormy night.

 

Popular as can be

wanna be like me

coogler is the name

snoopy lines is my game!

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 20 Jun 1997 22:05:39 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      sychronicity

MIME-Version: 1.0

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Well, I made the post, I went to some more email, I read about a PC

World article on hand held calculators, and when I surfed there what did

I find, but another Coogler.  Man, this is

scary!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

 !!!!!

 

http://www.pcworld.com/annex/columns/lasky/jun_97/lasky061097.html?SRC=nswatch

 

 

 

How to Choose a Pocket PC

                               Without Really Trying

 

                               It was a dark and stormy night (no,

really). Three of us

                               sat around the campfire. As the flames

flickered eerie

                               shadows over our faces, my friends argued

about the

                               ethics of spam e-mail--not exactly the

bonding campfire

                               chat I was expecting from a weekend of

camping, hiking,

                               and river rafting. Ironic,

 

Isn't ironic, just a little?

 

LOL at the universe, I am

 

Yours very truly,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 20 Jun 1997 22:14:26 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cassady; Drugs

 

It's important to note that McCafferty was on watch when his men got

poisoned. Also his drug war at the border has our army shooting our citizens

again. If anyone is interested in this fool business of the drug wars taking

over the propaganda since the Cold War and the drug cartels fueling our stock

market with a nod to old capitalistic enterprise, then one should read my

personal history of Reefer Madness at www.buchenroth.com/cplymell.html

Charles Plymell

=========================================================================

Date:         Fri, 20 Jun 1997 22:18:03 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: does anyone here speak french?

 

Maya:

The yellowish eyes of his cat full of hate watch you constantly.

Pam Plymell

=========================================================================

Date:         Fri, 20 Jun 1997 22:21:59 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Jazz

 

I was going to say Zoot Sims. I had the tape of it for a long while. Perfect

timing. I remember a line from about the carpenter and his wainscoting. It's

easy to see how a jazz musician could pick up on the sound of the word

Kerouac and build a whole number around it.

Charles Plymell

=========================================================================

Date:         Fri, 20 Jun 1997 19:25:47 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: blah blah blah-blah-blah blahblahblah blahblah....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

:

> > >>

> > >> At 11:06 AM 6/20/97 -0400, Maya Gorton wrote:

> > >> >Blow, blow, blow your brains out,

> > >> >Drown yourself in the stream;

> > >> >MaryLee MaryLee MaryLee MaryLee,

> > >> >Life is but a scream.

> > >> >

> > >>

This would work wonderfully with the howling and screaming slide guitar

Roy Rodgers is doing --

 

Or a little Friday night scatology

 

Blow, Blow blow your beaux

Marylee, Marylee, Marylee

Mary Lou, Marylou

Where the hell are you

 

"We all need someone to cream on"

 

 

>                 like a Venitian blind

> 

>         duck hunting poet

> 

>                                         that comes across

> 

>         a band of dippers in the skinny

> 

>                         and shoots just over their

> 

>                                 heads

> 

>                                   4

> 

>                                 kicks

>david rheasa

 salina cans are us

 

All his duck definitely in a row.

 

        Zen

 

                arching

 

                        12 gauge

 

                BLAST!

 

J Stauffer

 

> david rhaesa

> salina, Kansas

=========================================================================

Date:         Fri, 20 Jun 1997 22:18:33 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Cassady; Drugs

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

 

> It's important to note that McCafferty was on watch when his men got

> poisoned. Also his drug war at the border has our army shooting our

> citizens

> again. If anyone is interested in this fool business of the drug wars

> taking

> over the propaganda since the Cold War and the drug cartels fueling

> our stock

> market with a nod to old capitalistic enterprise, then one should read

> my

> personal history of Reefer Madness at www.buchenroth.com/cplymell.html

> 

> Charles Plymell

 

Charles a damn good point.  Drug cartels, dealers and the like are true

capitalist in the spirit of Burroughs, Getty, Vanderbilt, Kennedy (ran a

little rum back in prohibition, good thing there was no drug war then

eh?), Cabot, Lodge, etc etc etc.  So, why are they not welcomed into

society like others who raped us with a fountain pen.  Very curious

indeed.  What hypocrites and we who know the truth are the worst of the

hypocrites.

 

Legalize drugs, tax them, do away with income and property taxes, quit

fighting evolution.

 

Peace,

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 20 Jun 1997 22:39:13 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: does anyone here speak french?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Bien sur Maya...au moin si vous n'etes pas derange par un accent de Brooklyn

- Park Slope en fait, mais je suis a Montreal depuis longtemps. J'ai vu que

vous etiez une "souterranien" de Brooklyn il y a plusiers semaines, et j'ai

pense a dites hello; maintenant j'ai un occasion parfait!

 

Le poesie est a vous avec tous le francais? Ecrivez-vous en francais puis

vous faites le traduction ou quoi? Il n'est rien plus ronde que "la

lune"...beacoup plus sensuel que "moon".

 

Antoine, mais pas francais ou quebecois...c'etait pour avoir "Anthony, mais

eviter "Tony Maloney!"               ....excusez les fautes avec les

accents....ils n'existent pas avec Eudora.

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 20 Jun 1997 22:52:43 -0400

Reply-To:     Phil Chaput <philzi@TIAC.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Henry Miller-personal archives for sale.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

If anyone is interested Pacific Book Auction Galleries is selling Henry

Miller's personal archives including first draft typescript- Tropic of

Capricorn estimate

$60,000.00 /$90,000.00. Some amazing material. This is only Part 1 of the

sale. The site to view the catalog is:

 

 http://www.nbn.com/pba/current.html

=========================================================================

Date:         Fri, 20 Jun 1997 22:57:29 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      on this living thing

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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It is interesting that David hooked up with a rock. As I recall, Billy

was a mountain and Ethel was a tree growing out of his shoulder.  Then

Robert said, our goal in life is "to be a rock and not to roll."  My 8

year old daughter will not allow us to shop at Home Depot because she

can still hear the trees they cut down crying.  I don't go to nearby

strip shopping center for the same.

 

Trees know when they die, so do sad eyed cows.  Everything is alive,

everything is conscious.  Do not delude yourself.  As Jackson Browne

said, "you're here as a guest, better make your self at home, while

you're waiting for the rest."  What this means is that we are the

caretakers for this world and we are responsible for every grain of

sand.  And, one day we will be held accountable for our actions and our

inactions.  I am only preaching to my self, I hope that I am listening.

 

That rock is alive, and so is the web.  Ask Thomas Wolfe.

 

Peace,

 

Long live Rock, be it dead or alive.  Pete Townshend.

 

Peace, we don't have enought anyway.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 20 Jun 1997 22:06:43 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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Trying to remember lastnight's dreams is like throwing rocks at an old dog

to make him feel shame and repent.

 

--Dream of sleeping on a flat surface $ only waking up to type poems and

send them to New Yorker. I am their poetry guy, for issues they publish

nothing but me. I am driving Matthew away from farm, but the scene is

desert hills and we see an elk running with antlers on both front and back.

Matthew maskes a comment about the trees being gone from the desert and we

shed a tear for them.--

 

Does anyone know of the poet Bob Holman or has anyone heard him read the

poem "Rock and Roll Mythology"? I laugh like hell whenever i think about

that. HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA. I hope Bob

Holman's not on this mailing list.

 

-leo jilk

=========================================================================

Date:         Fri, 20 Jun 1997 23:24:07 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      The other day

MIME-Version: 1.0

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The other day, I got stung by a hornet. The wound was very angry.

Later, I dreamed I was actually bitten by a snake.

 

It really didn't bother me, though somehow, I think it should.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 20 Jun 1997 22:37:01 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      more dreams

In-Reply-To:  <33AB4956.72A69FD1@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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I dreamed two nights ago i was chasing my ex-girlfriend, just chasing her

and chasing her. i think she was on rollerblades. god that was a scary

dream. i think she disappeared into her house toward the end.

 

-leo

=========================================================================

Date:         Fri, 20 Jun 1997 22:43:25 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: blah blah blah pale blue eyes

MIME-Version: 1.0

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A little early Lou Reed for those who have forgotten or never new . . .

 

 

 

Pale Blue Eyes

 

Sometimes I  feel so happy

Sometimes feel so sad

 

Sometimes feel  happy

But mostly you just make me mad

Baby you just make me mad

 

Linger on

your pale blue eyes

 

Linger on

your pale blue eyes

 

 

Thought of you as my mountaintop

Thought of you as my peak

 

Ihought of you as everything

I've had but couldn't keep

I've had but couldn't keep

 

Linger on   your pale blue eyes

Linger on   your pale blue eyes

 

If I could make the world as pure

and strange as what I see

 

I'd put you in the mirror

I put in front of me

I put in front of me.

 

Linger on    your pale blue eyes

Linger on    your pale blue eyes

 

Skip a life completely

Stuff it in a cup

 

She said money is like us in time

It lies but can't stand up

Count for you is up.

 

 

Linger on

        your pale blue eyes

Linger on

        your pale    blue

 

It was good what we did yesterday

And I'd do it once again

The fact that you are married

Only proves you're my best friend

But it's truely,   truely a sin

 

Linger on

        Your pale blue eyes.

Linger on

        Your pale blue eyes.

 

from "The Velvet Underground" 1968

third albut

 

Such a wonderful mixture of wonderful lines and some pretty shakey ones

and strange cynical naivete.  Sometimes wonderfully musical and

sometimes woeful.  God Bless the Velvets.

 

"And the ladies rolled their eyes."

 

That rock n roll station

"And it was all right"

=========================================================================

Date:         Sat, 21 Jun 1997 00:37:36 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: more dreams  and even more

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

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Sinverg=FCenza wrote:

>=20

> I dreamed two nights ago i was chasing my ex-girlfriend, just chasing h=

er

> and chasing her. i think she was on rollerblades. god that was a scary

> dream. i think she disappeared into her house toward the end.

>=20

> -leo

 

just woke from a dream with me and a friend - stine - and burroughs (he

changed ages at will) vacuuming a Pizza Hut up after a food fight or

something (quite a mess we hadn't made) but we were really grinning

cleaning it up cuz we didn't have to pay for our meal that way.  we

tended to fight over who got to run over the sweeper.  whoever made the

best line insulting the owner without him knowing he was insulted got to

run the vacuum while the other two picked up here and there and

continued to insult the owners.  the owners weren't too bright!!!  i

yelled at Stine once remember when we cleaned up this Pizza Hut when we

were kids.  (but it was a different town, a different Pizza Hut, an

endless series of Pizza Huts that were the same yet different yet the

same -- and of course it made the cleaning job rather extensive as the

food fight or whatever it was seemed to have been going on

simultaneously in all these dimensions.)  i remember calling the owner a

'shit'  burroughs turned to me - his head upside down - turned under his

shoulder so i would be only one to see - and grinned really strong.  i

woke up.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 21 Jun 1997 00:48:08 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: on this living thing

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> It is interesting that David hooked up with a rock. As I recall, Billy

> was a mountain and Ethel was a tree growing out of his shoulder.  Then

> Robert said, our goal in life is "to be a rock and not to roll."  My 8

> year old daughter will not allow us to shop at Home Depot because she

> can still hear the trees they cut down crying.  I don't go to nearby

> strip shopping center for the same.

> 

> Trees know when they die, so do sad eyed cows.  Everything is alive,

> everything is conscious.  Do not delude yourself.  As Jackson Browne

> said, "you're here as a guest, better make your self at home, while

> you're waiting for the rest."  What this means is that we are the

> caretakers for this world and we are responsible for every grain of

> sand.  And, one day we will be held accountable for our actions and our

> inactions.  I am only preaching to my self, I hope that I am listening.

> 

> That rock is alive, and so is the web.  Ask Thomas Wolfe.

> 

> Peace,

> 

> Long live Rock, be it dead or alive.  Pete Townshend.

> 

> Peace, we don't have enought anyway.

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

 

Or perhaps we all aren't as damn animated as we think.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 21 Jun 1997 03:38:34 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Look East Young Man

 

I'm not sure why, but I'm driving east this week, from California, starting

in San Francisco, from Vesuvios with a beer in my hand.

 

Then on to the desert, to wake up with the sun hitting your eyes through the

windshield, which  kind of lleaves a warm sweat coating your body. Don't know

what else, other then a stop in Narleens (New Orleans), and up to New York.

 

And then do it all again in July. This will not be exactly a beat adventure,

but it should be an adventure.

 

I had just driven to California from New York this past April, with the idea

of moving to Portland Oregon. Haven't made it up there yet. Maybe when I come

back.

 

Is driving in a Isuzu Trooper with a cooler full of peanutbutter sandwiches

in the back an experience that is worthy of being worthy?

 

later, Attila

=========================================================================

Date:         Sat, 21 Jun 1997 07:45:54 GMT

Reply-To:     "C. Paquette" <cp@IX.NETCOM.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "C. Paquette" <cp@IX.NETCOM.COM>

Subject:      Re: Look East Young Man

In-Reply-To:  <970621033833_-193616143@emout03.mail.aol.com>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: quoted-printable

 

Attila:

 

Anything involving travel AND peanut butter is *automatically* "worthy of=

 being

worthy".

 

Chris

 

On Sat, 21 Jun 1997 03:38:34 -0400, you wrote:

 

>I'm not sure why, but I'm driving east this week, from California, =

starting

>in San Francisco, from Vesuvios with a beer in my hand.

> 

>Then on to the desert, to wake up with the sun hitting your eyes through=

 the

>windshield, which  kind of lleaves a warm sweat coating your body. Don't=

 know

>what else, other then a stop in Narleens (New Orleans), and up to New =

York.

> 

>And then do it all again in July. This will not be exactly a beat =

adventure,

>but it should be an adventure.

> 

>I had just driven to California from New York this past April, with the =

idea

>of moving to Portland Oregon. Haven't made it up there yet. Maybe when I=

 come

>back.

> 

>Is driving in a Isuzu Trooper with a cooler full of peanutbutter =

sandwiches

>in the back an experience that is worthy of being worthy?

> 

>later, Attila

> 

=========================================================================

Date:         Sat, 21 Jun 1997 06:57:48 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: blah blah blah pale blue eyes

In-Reply-To:  <33AB69FD.10DA@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>A little early Lou Reed for those who have forgotten or never new . . .

> 

> 

> 

>Pale Blue Eyes

_________

brought back about a zillion memories for me james.

and also brought to mind the later day lou reed

"stick a fork in it turn it over its done"

(from memory only so if misquoted, just take the message)

but did anyone ever think nico did justice to the velvets?

now there's a question for ya.

mc

=========================================================================

Date:         Sat, 21 Jun 1997 07:14:36 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: David

In-Reply-To:  <33AA0692.2976@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dave wrote:

>i aint no poet

>i aint no poet

>i aint no poet

>i aint no poet

>i aint no poet

>i aint no poet

>i aint no poet

> 

>                my italian cousin Rinaldo is a poet

> 

>                                                        i am Superman

>                                                        i am Superman

>                                                        i am Superman

>                                                        i am Superman

>                                                        i am Superman

> 

"......and i can do anything......." or is it  ...."and i know what's

happening"

which of course includes being a poet.

and yes, dear rinaldo is a poet

and all lives can be lived as poetry

and i still dont know what i wanta be when i grow up!

=:D

mc

=========================================================================

Date:         Sat, 21 Jun 1997 13:27:59 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Zabriskie Point revised (Re: Oz and Moon (non-Beat))

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DEAR friends,

the needed to get off, Michelangelo Antonioni director,

filmed "Zabriskie Point" in 1970 as an itinerary of

freedom ("Easy Ryder" was out before circa same period), &

Michelangelo Antonioni first did consciousness Pink Floyd,

important music.

the scene of explosion in ZP was commented by the

Pink Floyd's song "Careful with that Axe, Eugene", then

Pink Floyd goes in another further movies in years to come,

 

---

yrs

Rinaldo.

=========================================================================

Date:         Sat, 21 Jun 1997 14:10:05 +0100

Reply-To:     or205@hermes.cam.ac.uk

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      first draft of something.

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

first thing : I was thrown out of the Spread Eagle earlier today for

drinking alone & for looking miserable. A huge bearded guy who looked like

God said something kind but still fairly choice about not depressing the

other customers. He asked me to move and I left, compromise.

 

This June is bad ; it's cold but still stays daylight for too long so that

you can see everything when you don't want to see anything at all.

 

There are stones in the yellow grass & it is also surrounded by stones -

in the light rain Mike is lying in the yellow grass on his back - I walk

over to him to steal one of his beers - Mike is from Singapore & wants to

know if I'm a Taoist because I'm wearing a yinyang around my neck. I tell

him I don't have the discipline. There is nobody else in sight.

 

I am standing in the street & a woman who I don't know points out to me

that I'm barefoot. I can see myself on a screen telling her that I can't

be bothered. Traffic is.

 

I am nothing. When I hit my fists against walls - any walls - I know

something is wrong - the first few times I thought it was because there

was no echo - then I realised it was because there was no sound there in

the first place so nowhere for an echo to come from ; fifth thing.

 

These are transparencies, they are pages from a flickbook, my right hand

is a frame from a cartoon, I am badly drawn.

 

Piece the pages back to back to gether - doesn't matter how you thread one

to the other - looser, tighter, steinarbeiter -

 

The order makes no difference - just run thru the pages - pick the frames

you like the best and watch them all at once in five gorgeous seconds.

 

"Passive" is a nice word. My self says it over & over to myself : passive

passive passive.

=========================================================================

Date:         Sat, 21 Jun 1997 08:36:16 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: blah blah blah pale blue eyes

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> >A little early Lou Reed for those who have forgotten or never new . . .

> >

> >

> >

> >Pale Blue Eyes

> _________

> brought back about a zillion memories for me james.

> and also brought to mind the later day lou reed

> "stick a fork in it turn it over its done"

> (from memory only so if misquoted, just take the message)

> but did anyone ever think nico did justice to the velvets?

> now there's a question for ya.

> mc

 

i mustaf listened to "What's Good?" ten times.  can't beat that seeing

eye chocolate line.  and the cancer in April line still i find

haunting.  but what are you gonna do fake being deaf mute like Chief in

Cuckoo's Nest - even he told in the end.  killed the trees.  and silence

could just as easily moved cancer up to March or even February so let's

hear more Lou Reed as we drink our mayonaisse soda's at Tom's Diner or

the College Inn.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 21 Jun 1997 14:47:56 +0100

Reply-To:     or205@hermes.cam.ac.uk

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      adios.

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Well, it's time for me to unsubscribe, basically, since I'm about to lose

computer access for the next few months, and so I thought I'd send in

some kind of goodbye post (as opposed to the "unsubscribe Beat-L" posts

that periodically materialise) - it's been fascinating & lovely reading

all of your stuff, good luck, take care. One other thing : I know the

continental US is a big place, but if I get it together to make the

roadtrip I'm planning & I see anyone who looks anything like any of you,

rest assured I'll flag you down. "Men paint houses, drive cars, but they

are mad : men sit in barbers' chairs, buy hats." - bukowski. Well,

whatever. Have a good summer, everyone.

 

                        love,

 

                                Olly Ruff.

 

_______________________________________________________________________________

 

"Survival of the... *fittest* ? Was that the proper word ? Had Darwin ever

considered the idea of *temporary* unfitness ? Like "temporary insanity."

Could the Doctor have made room in his theory for a thing like LSD ?"

_______________________________________________________________________________

 

                           or205@hermes.cam.ac.uk

                              skink@imrryr.org

_______________________________________________________________________________

=========================================================================

Date:         Sat, 21 Jun 1997 10:15:43 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      boy is my face red now.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i think i got the new rules of distribution all f*cked up agin.

private post sent to list

list post sent to etherlands

mc

=========================================================================

Date:         Sat, 21 Jun 1997 10:32:06 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      summer solstice

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Anybody out there doing some interesting things to celebrate the summer

solstice?  Just wondering.   I hope that Attila got milk!

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 21 Jun 1997 10:36:26 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: summer solstice

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Anybody out there doing some interesting things to celebrate the summer

> solstice?  Just wondering.   I hope that Attila got milk!

> 

> Peace,

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

i spent the night at Denny's alternatively reading random pages from

literary outlaw, education, yage, and lunch and scribbling notes about

early lsd use and starting to thing about a long long long tale or

perhaps tail or most probably both!!!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 21 Jun 1997 08:58:48 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      (no subject)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Olly Ruff wrote:

 - it's been fascinating & lovely reading

> all of your stuff, good luck, take care.

 

You said it. I mean it.

 

One other thing : I know the

> continental US is a big place, but if I get it together to make the

> roadtrip I'm planning

 

Planning just doesn't fit my view of you that I see, but then I am

looking like at a painting on a museum wall loaded with echoes loud and

clear

 

& I see anyone who looks anything like any of you,

> rest assured I'll flag you down. "Men paint houses, drive cars, but they

> are mad : men sit in barbers' chairs, buy hats." - bukowski.

 

At least not all of them buy shoes. I will be looking down the barstools

for bare feet.

 

Well,

> whatever. Have a good summer, everyone.

> 

>                         love,

> 

>                                 Olly Ruff.

> 

Yass, yass, yass, everyone lets, you said it

_______________________________________________________________________________

> 

> "Survival of the... *fittest* ? Was that the proper word ? Had Darwin ever

> considered the idea of *temporary* unfitness ? Like "temporary insanity."

> Could the Doctor have made room in his theory for a thing like LSD ?"

_________________________________________________________

> 

>                            or205@hermes.cam.ac.uk

>                               skink@imrryr.org

> _________________________________________________________________________>

 __He couldn't because he looked to the past, did all he could with the tools of

 the age of reason, he was *not* ahead of his time.....

 Leon__________________________

> .-

=========================================================================

Date:         Sat, 21 Jun 1997 12:17:58 -0400

Reply-To:     DawnDR@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: popularity

 

Just to be annoying, I have to tell R. Bentz Kirby that the line "It was a

dark and stormy night" -- appropriated by Snoopy and Mr. Coogler --- actually

comes from a horrendously bad novel written by British author Edward

Bulwer-Lytton ---- I believe it is ZANONI (1842).   Bulwer--Lytton -- a

politician (Member of Parliament) thought that he was a writer --- and tried

his hand at several tales containing elements of the supernatural.

 

Dawn Sova

=========================================================================

Date:         Sat, 21 Jun 1997 09:37:48 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: summer solstice

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> R. Bentz Kirby wrote:

> >

> > Anybody out there doing some interesting things to celebrate the summer

> > solstice?  Just wondering.   I hope that Attila got milk!

> >

> > Peace,

> >

> > --

> > Bentz

> > bocelts@scsn.net

> >

> > http://www.scsn.net/users/sclaw

> 

> i spent the night at Denny's alternatively reading random pages from

> literary outlaw, education, yage, and lunch and scribbling notes about

> early lsd use and starting to thing about a long long long tale or

> perhaps tail or most probably both!!!

> 

> david rhaesa

> salina, Kansas

 

 

Celebrating the summer solstice? *grin* hmmm...Isn't this like Daisy in

the Great Gatsby, in all her ennui glory, suggesting that they do

something for the summer solstice...a party perhaps... *L* It just

reminded me of that....   Anyhow...it will be a loooooong day today

because of a tennis tournament and the 100+ degree weather....

Apparently I'm sacrificing my feet in honor of the occasion... Actually,

I did write a poem incorporating the idea.... (but blistering feet is

much more interesting than blistering rhetoric) Anyhow, enough of my

blithering.

Barb

=========================================================================

Date:         Sat, 21 Jun 1997 11:42:49 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: summer solstice

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mike & Barbara Wirtz wrote:

> 

> RACE --- wrote:

> >

> > R. Bentz Kirby wrote:

> > >

> > > Anybody out there doing some interesting things to celebrate the summer

> > > solstice?  Just wondering.   I hope that Attila got milk!

> > >

> > > Peace,

> > >

> > > --

> > > Bentz

> > > bocelts@scsn.net

> > >

> > > http://www.scsn.net/users/sclaw

> >

> > i spent the night at Denny's alternatively reading random pages from

> > literary outlaw, education, yage, and lunch and scribbling notes about

> > early lsd use and starting to thing about a long long long tale or

> > perhaps tail or most probably both!!!

> >

> > david rhaesa

> > salina, Kansas

> 

> Celebrating the summer solstice? *grin* hmmm...Isn't this like Daisy in

> the Great Gatsby, in all her ennui glory, suggesting that they do

> something for the summer solstice...a party perhaps... *L* It just

> reminded me of that....   Anyhow...it will be a loooooong day today

> because of a tennis tournament and the 100+ degree weather....

> Apparently I'm sacrificing my feet in honor of the occasion... Actually,

> I did write a poem incorporating the idea.... (but blistering feet is

> much more interesting than blistering rhetoric) Anyhow, enough of my

> blithering.

> Barb

 

i've been through all that other summer solstice crap and i thought this

ritual made a LOT more sense.  but it is a matter of taste i suppose as

with any ritual celebration.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 21 Jun 1997 10:58:02 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Zabriskie Point revised (Re: Oz and Moon (non-Beat))

Comments: To: Rinaldo Rasa <rinaldo@GPNET.IT>

In-Reply-To:  <3.0.1.32.19970621132759.00bdee80@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

soundtrack for zabriski point also by the grateful dead's own prophet mr.

jerome j. garcia. in case ya'll didnt know.

derek

On Sat, 21 Jun 1997, Rinaldo Rasa wrote:

 

> 

> DEAR friends,

> the needed to get off, Michelangelo Antonioni director,

> filmed "Zabriskie Point" in 1970 as an itinerary of

> freedom ("Easy Ryder" was out before circa same period), &

> Michelangelo Antonioni first did consciousness Pink Floyd,

> important music.

> the scene of explosion in ZP was commented by the

> Pink Floyd's song "Careful with that Axe, Eugene", then

> Pink Floyd goes in another further movies in years to come,

> 

> ---

> yrs

> Rinaldo.

> 

=========================================================================

Date:         Sat, 21 Jun 1997 13:59:52 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      [Fwd: Bad news coming, reach out, etc.]

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------5878CCA3EF1A3205051AC7AB"

 

This is a multi-part message in MIME format.

--------------5878CCA3EF1A3205051AC7AB

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I should have posted this here for those who care about Pop Music.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

--------------5878CCA3EF1A3205051AC7AB

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Message-ID: <33ABF504.B8EFE666@scsn.net>

Date: Sat, 21 Jun 1997 11:36:36 -0400

From: "R. Bentz Kirby" <bocelts@scsn.net>

Organization: Law Office of R. Bentz Kirby

X-Mailer: Mozilla 4.0 [en] (Win95; I)

MIME-Version: 1.0

To: hey joe <hey-joe@inslab.uky.edu>, jerry jeff <jjw-l@io.com>

Subject: Bad news coming, reach out, etc.

X-Priority: 3 (Normal)

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Well the bad news keeps on coming on this first day of summer,

1997:

 

                      Lawrence Payton of Four Tops

                      dies

 

                      June 20, 1997

                      Web posted at: 2:07 p.m. EDT (1807

                      GMT)

 

                      DETROIT (AP) --

                      Lawrence Payton, an original

                      member of legendary

                      Motown group the Four

                      Tops, died Friday. He was

                      59.

 

                      Payton died at his home in

                      nearby Southfield, said John

                      E. Anderson, manager of

                      McFall Brother's funeral

                      Home in Detroit, adding that

                      he didn't know the cause of death.

 

                      The Four Tops sold more than 50 million

records.                      They made their

                      chart debut in 1964, at No. 11, with "Baby I

Need                  Your Loving,"

                      following it up with such hits as "I Can't

Help                  Myself"; "Reach Out

                      (I'll be There)," which made it to No. 1 in

1966;                 and "I Can't Help

                      Myself (Sugar Pie, Honey Bunch)."

 

                      The Four Tops were together for more than

40                    years.

 

                      In April, the Four Tops got a star on the

Hollywood Walk of

                      Fame.

 

                      "These are four of the

                      greatest people I have ever

                      known. They were major

                      pros even before they came

                      to Motown," Motown

                      founder Berry Gordy said

                      when the star was unveiled.

 

                      In 1995, the Michigan Travel

                      Bureau tapped the Tops for

                      an advertising campaign. Television viewers in

the                   Midwest were

                      treated to a revamped version of the tune,

"I                    Can't Help Myself."

 

                      Funeral arrangements were pending.

 

                      Copyright 1997   The Associated Press. All

rights                reserved. This

                      material may not be published, broadcast,

rewritten, or

                      redistributed.

 

My hat is over my heart and a tear is in my eye.  The Four Tops were the

greatest man.  I liked them better than the Temps.  Everyone I know got

a chill when Levi screamed "Bernadette" after the pause.

 

Keeper of Your Castle was a song they did in the 70's when everyone else

was going me first:

 

Living  down (Let me down ??not sure)

There's a lot of us been pushed around

Red Yellow Black White and Brown

With a tear of their own

 

Can't you see,

While you're picking on society

That the leaves of your family tree

Are calling you to come back home

 

        You're the keeper of the castle

        So be a father to your children

        The provider of all their daily needs

        Like a soverign lord protector

        Be their destiny's director

        They'll do well to follow where you lead

 

Oh, in your head,

You don't believe what the good book said

You're gonna strike out now instead

Cause the world's been unkind

 

But through thick and thin

Whatever shape your heart is in

You're gonna have next of kin

Better keep them in mind

 

        You're the keeper of your castle

        So be a good man to your lady

        A creator of the sunshine in her day

        Tend the garden that you seeded

        Be a friend when a friend is needed

        You won't have to look the other way.

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

--------------5878CCA3EF1A3205051AC7AB--

=========================================================================

Date:         Sat, 21 Jun 1997 14:01:44 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: popularity

Comments: To: DawnDR@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Dawn B. Sova wrote:

> 

> Just to be annoying, I have to tell R. Bentz Kirby that the line "It was a

> dark and stormy night" -- appropriated by Snoopy and Mr. Coogler --- actually

> comes from a horrendously bad novel written by British author Edward

> Bulwer-Lytton ---- I believe it is ZANONI (1842).   Bulwer--Lytton -- a

> politician (Member of Parliament) thought that he was a writer --- and tried

> his hand at several tales containing elements of the supernatural.

> 

> Dawn Sova

Ok, Dawn, that makes Coogler that much the worse, right? :-)

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 21 Jun 1997 23:53:52 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cassady; Drugs

 

Even the Delanos of the Roosevelt built an empire of clipper ships selliing

opium to China. There is always a tactful denial of capitalistic empires and

the drug cartels are probably working both sides of the fence. The invention

of the adding machine was something a little different. It was clean money

coming from inventions and not necessarily causing dispair. I suspect the

drug cartels are using the international stock markets to clean money so fast

no one realizes it.  The ubrupt rise of the stock market could only happen

with cartel money.

Charles Plymell

=========================================================================

Date:         Sat, 21 Jun 1997 23:57:57 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: on this living thing

 

The rock is cold on the outside and hot on the inside. I think that was Tao

or some chinese poet philosopher going off in my head, but I can understand

the physics of it. We could all preach to  ourselves a little more.

Charles Plymell

=========================================================================

Date:         Sun, 22 Jun 1997 00:01:58 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: blah blah blah pale blue eyes

 

We published Lou Reed's poetry in the Coldspring Journal we were doing in the

70s.

Charles Plymell

=========================================================================

Date:         Sun, 22 Jun 1997 00:01:56 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Burroughs

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

Oh, Charles, I did not mean to place the Burroughs company in with drug

cartels etc, just to say that it is capitalism.  I mean the whole idea

of Microsoft is to keep announcing new programs etc to keep the

"upgrade" money coming in. Microsoft is the largest Junkie in the world

now and Bill Gates is mainlineing big time.  (What was the name of that

group from Chicago that released a song called Main line or Main vein).

NCR had that idea long ago.  IBM got left behind in the PC industry

because it just did not get the create your own cash cow idea.

 

There were the oil barons, the rail road barons, the steel barons, and

many others who used humans as fodder to create their empires, and we

all grin and look the other way.

 

But to say the adding machine was a drug is almost on point.  Once it

was found that you could do with one human fodder and one Burroughs

machine what 10 or 15 humans could do, and with less errors, the service

and fast food industry was just a couple of steps away.  And industry

was hooked, big time.  They moved on to computers, robots, mainframes,

desktops, NC's, and god knows what else.  Run up another computer dude.

Lay off some more humans.  Well, anyway, I agree that the adding machine

brought to the market a legitimate machine that was not like the "extra"

money you get from avoiding the law, but it is all capitalism.

 

Folks we live in a world and the US, if you live here, that throws our

children in jail for smoking a hemp plant, but we subsidize, we the

taxpayers, subsidize growing tobacco to kill ourselves.  What sickness

is this?

 

And on a side note, I am not so sure that tobacco withour the tobacco

company additives is that harmful.  Maybe, but we will never know.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 22 Jun 1997 00:29:14 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Attila

 

There is a line in my poem about Attila over the roof tops. The poem is

entitled Reba on the SF beach Reba arriba arriba, etc. It's in the Forever

Wider section of www.buchenroth.com/cplymell.html

Was it you Attila? Or was that you on the corner?

Charley

=========================================================================

Date:         Sun, 22 Jun 1997 00:48:05 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Burroughs

 

Yeah, I see your point. If its money the sytem will absord it at the top and

make the innocent fools pay. There's hardly a way out when the picture

enlarges to catch any lttle images that try to make light.

Oddly, I caught what was supposed to be a gaf of Dole during the campaign

that tobbaco is sometimes less harmful than milk. I think milk can be more

harmful to some people, and that tobacco can be less harmful to some. Tobacco

is bad for me, but I'm a fortunate type who can make myself sick on it and

then not touch it. I attribute that to my Indian blood. I don't know if

that's correct or not. But I do know that milk is very to some children.

C Plymell

=========================================================================

Date:         Sun, 22 Jun 1997 00:49:01 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Burroughs

 

Yeah, I see your point. If its money the sytem will absord it at the top and

make the innocent fools pay. There's hardly a way out when the picture

enlarges to catch any lttle images that try to make light.

Oddly, I caught what was supposed to be a gaf of Dole during the campaign

that tobbaco is sometimes less harmful than milk. I think milk can be more

harmful to some people, and that tobacco can be less harmful to some. Tobacco

is bad for me, but I'm a fortunate type who can make myself sick on it and

then not touch it. I attribute that to my Indian blood. I don't know if

that's correct or not. But I do know that milk is very harmful to some

children.

C Plymell

=========================================================================

Date:         Sun, 22 Jun 1997 07:50:50 -0700

Reply-To:     Malcolm Lawrence <Malcolm@WOLFENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      Re: pale blue eyes

 

>Such a wonderful mixture of wonderful lines and some pretty shakey ones

 

Well let's give Lou a little more credit by fixing your mistake.

 

>She said money is like us in time

>It lies but can't stand up

>Count for you is up.

 

COUNT for you is up?

 

Ahem

 

DOWN for you is up.

 

As you were

 

Malcs

=========================================================================

Date:         Sun, 22 Jun 1997 12:16:52 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      looking for sisyphus

In-Reply-To:  <19970621113215.AAA29527@default>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

my mail keeps bouncing back with some 'local error' reading.

ray, get in touch, i have 2nd draft of poem to send you and want to plan an

outing to the island in august, if possible.

sorry all, for spam

mc

=========================================================================

Date:         Sun, 22 Jun 1997 17:59:55 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      forlorn rags of growing old

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Just finished reading On the Road and saw it as pretty sad at the end.

"...and nobody, nobody knows what's going to happen to anybody besides

the forlorn rags of growing old..."  That line took me back to something

that Gerald Nicosia said in the Kerouac, meaning of life thread, that

"the knowledge that 'we are all going to die' was why he [Kerouac]

wrote."

 

Isn't the knowledge that we are going to die the reason that any writer

writes?  Isn't that the reason that we also grab onto life, every moment

of life?  What maybe affected me more was "...all that road going, all

the people dreaming in the immensity of it,..."  The way Kerouac said it,

it was a kinda a great thing but a sad thing.  The way I see it, it's a

great thing and a positive thing, because it is individual dreams that

pull people out of dispair and what Kerouac came to see as the sadness of

America.  Anyone out there got an feelings about this?

DC

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Date:         Sun, 22 Jun 1997 16:42:35 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: forlorn rags of growing old

In-Reply-To:  <33ADCA8B.55F7@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Diane Carter wrote:

 

>Just finished reading On the Road and saw it as pretty sad at the end.

>"...and nobody, nobody knows what's going to happen to anybody besides

>the forlorn rags of growing old..."  That line took me back to something

>that Gerald Nicosia said in the Kerouac, meaning of life thread, that

>"the knowledge that 'we are all going to die' was why he [Kerouac]

>wrote."

> 

>Isn't the knowledge that we are going to die the reason that any writer

>writes?  Isn't that the reason that we also grab onto life, every moment

>of life?  What maybe affected me more was "...all that road going, all

>the people dreaming in the immensity of it,..."  The way Kerouac said it,

>it was a kinda a great thing but a sad thing.  The way I see it, it's a

>great thing and a positive thing, because it is individual dreams that

>pull people out of dispair and what Kerouac came to see as the sadness of

>America.  Anyone out there got an feelings about this?

>DC

 

yeah. the only reason we do anything is because we know we're going to die.

i do think Kerouac wrote and lived for this reason, and that is why his

book is so powerful. all those suits working everyday in the city were

already dead or chasing their own shadows (ginsberg's line) and Kerouac and

the beats proposed a new way to live. On the Road that simply says that

they were always going somewhere, not knowing where, but that was the way

to live, to just keep going until you can't go anymore. Kerouac gave this

idea more life and character than anyone else could in OTR.

 

-leo jilk

=========================================================================

Date:         Sun, 22 Jun 1997 17:51:00 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: popularity

 

Reply to message from bocelts@SCSN.NET of Fri, 20 Jun

 

>local org gives out the Coogler to the worst writing.  He was very

>popular.  And Snoopy uses his most famous line:

> 

>It was a dark and stormy night.

 

What child's sci-fi book also starts with this line??? :)

 

Diane.

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Sun, 22 Jun 1997 17:23:01 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: forlorn rags of growing old

MIME-Version: 1.0

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RACE --- wrote:

>=20

> Sinverg=FCenza wrote:

>=20

> > yeah. the only reason we do anything is because we know we're going t=

o die.

>=20

> ok now that 2 folks have said this

> i'm going to open my

> little soapbox up and stand on it

> like a preacher from the

> temple of the Harvest Moon

> and teach y'all a thing or two

> about chickens

> and eggs

> and why we do anything including writing

> it has much less to do

> with the fact that

> we're going to die (supposedly - maybe/who knows - maybe we're already

> dead)

> BUT rather

> IT

> comes from the common

> element

> that we were

> HATCHED !

>=20

> david rhaesa

> salina, Kansas

 

i forgot to put=20

in the first place

at the end=20

of this.

 

thanks, david

=========================================================================

Date:         Sun, 22 Jun 1997 17:24:04 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: pale blue eyes

MIME-Version: 1.0

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RACE --- wrote:

> 

> Malcolm Lawrence wrote:

> >

> > >Such a wonderful mixture of wonderful lines and some pretty shakey ones

> >

> > Well let's give Lou a little more credit by fixing your mistake.

> >

> > >She said money is like us in time

> > >It lies but can't stand up

> > >Count for you is up.

> >

> > COUNT for you is up?

> >

> > Ahem

> >

> > DOWN for you is up.

> >

> > As you were

> >

> > Malcs

> 

> Basie is up and i am down and somewhere

> in between

> two children swing on a playground

> dreaming dreams

> that will be new dreams

> twenty years later

> when they're still

> dreamers

> and neither of their mother's

> ever

> understood them a lick.

> 

> david rhaesa

> salina, Kansas

 

this is what talking to yourself looks like on a listserv....

 

bye bye

 

david

=========================================================================

Date:         Sun, 22 Jun 1997 18:57:38 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      ketchup

Content-Type: text

 

Hi everyone.

Been gone for a couple of weeks on a brief vacation, so I'm a bit

behind on my e-mail. However, I wanted to put my foot in the door

even at the risk of stating something that someone else may have

already said (I've still got about a week of e-mail that I'm behind

on) or in dragging people back to a topic already discarded.

I was glad to see the Eliot-Burroughs St. Louis connection mentioned

because Burroughs uses allusions to Eliot repeatedly. Also interesting

about the facsimile publications of both _Waste Land_ and _Howl_. Other

possibilities too. I do not see how one can ignore the visionary qualities

in Eliot, particularly _Waste Land_, _Ash Wednesday_, and _Four Quartets_,

and he certainly touched the darkness of modern life; I would be hard-

pressed to try to think of a poem more angst-driven than Prufrock. In fact,

his "I have measured out my life with coffee spoons" seems to me to

capture exactly what the Beats were determined to try to avoid happening

to their lives; Prufrock knows what's wrong with his life, but he's too

chicken-shit to do anything about it--and Eliot knows this. If you take

the opening of _Waste Land_ and replace "cruelest" with "saddest" the

passage could come from Kerouac. Think also of Kerouac's cat poems and

_Ol' Possums Book of Practical Cats_; think of Eliot's Anglo-Catholicism

mixed with eastern religion (the "Da" of the end of _Waste Land_) and Kerouac's

Catholicism mixed with Buddhism.

Actually, however, I'm not sure how Eliot even got in here. IMHO the greatest

poet of the 20th century--and maybe of all time--was William Butler Yeats.

 

Heroin as a preservative? Maybe Burroughs doesn't have to die: he's already

embalmed himself while alive. I saw Iggy Pop earlier this month on the ROAR

tour: his energy was incredible and simply blew away younger bands like Tonic

and Sponge. Catch him if you can.

Writing on drugs: often I feel that I create some of my best work stoned. The

problem is that when I look at it again the next morning, I'm so embarrassed

that I can only pray that I hadn't somehow shown it to anybody: Ginsberg's

"in the morning were stanzas of gibberish." A Hallucination Dissertation

Manifesto of Coca, Saturn, and Sun.

 

In terms of epiphanies, in a letter to neal Cassady dated 27 June 1948,

Kerouac referred to the Des Moines experience: You know that I have hitch-

hiked around and have been alone in weird cities and places, and waked up in

the morning not knowing who I was (particularly one time in Des Moines)"

(_Selected Letters_ p. 155). Sometimes artists begin to see their lives

in symbolic terms.

More later.

Cordially,

Mike Skau

6/22/97

=========================================================================

Date:         Sun, 22 Jun 1997 19:52:00 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Drugs & Spontaneity

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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In response to Mike Skau's:

 

> Writing on drugs: often I feel that I create some of my best work stoned. The

> problem is that when I look at it again the next morning, I'm so embarrassed

> that I can only pray that I hadn't somehow shown it to anybody: Ginsberg's

> "in the morning were stanzas of gibberish." A Hallucination Dissertation

> Manifesto of Coca, Saturn, and Sun.

 

 

To paraphrase Gary Snyder, he states that ("The Real Work" interviews)

if you write

*under the influence* of psychedelics, it is as if you are entering the

cave and

*stopping* at the first gold pieces, instead of experiencing the cave

for the cave, reaching farther into the cave where the diamonds lie.

Writing is a form of documentation, and if you are constantly

documenting, the pure experience, the beauty of the trip is compromised.

 

        It is more rewarding to write after the fact - a little time for

contemplation - understanding of the trip - Wordsworth writes: "poetry

is the spontaneous overflow of powerful feelings [which is the trip] . .

. recollected in tranquility" [after the trip].

 

        This is a good issue for discussion. Spontaneous writing . . . there is

definately a value, great writing erupts - yet it is with revision, the

discipline of the writing art form that the literature is perfected.

When the muse erupts in the body, spontaneously rising, there is nothing

else to do but document it. Perhaps if one is so perfected in his

language that the right word rises for every thought / emotion / etc.,

then stream of consciousness / spontaneous prose is an end to itself.

 

Joseph Neudorfer

=========================================================================

Date:         Sun, 22 Jun 1997 19:58:25 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Rocks

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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In response to Charles Plymell's:

 

> The rock is cold on the outside and hot on the inside. I think that was Tao

> or some chinese poet philosopher going off in my head, but I can understand

> the physics of it. We could all preach to  ourselves a little more.

 

They say if you pray to a rock with enough devotion, it will live.

Joseph Neudorfer

=========================================================================

Date:         Sun, 22 Jun 1997 19:53:02 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: forlorn rags of growing old

In-Reply-To:  <33ADA5C5.1D36@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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>RACE --- wrote:

>> 

>> Sinverg=FCenza wrote:

>> 

>> > yeah. the only reason we do anything is because we know we're going to

>>die.

>> 

>> ok now that 2 folks have said this

>> i'm going to open my

>> little soapbox up and stand on it

>> like a preacher from the

>> temple of the Harvest Moon

>> and teach y'all a thing or two

>> about chickens

>> and eggs

>> and why we do anything including writing

>> it has much less to do

>> with the fact that

>> we're going to die (supposedly - maybe/who knows - maybe we're already

>> dead)

>> BUT rather

>> IT

>> comes from the common

>> element

>> that we were

>> HATCHED !

>> 

>> david rhaesa

>> salina, Kansas

> 

seems to me that chickens do & die too, but let's not quibble. death,

birth, let's call it all off.

 

"Lies! Lies! Lies! I lie, you lie, we all lie!

There is no us, there is no world, there is no universe,

there is no life, no death, no nothing--all is meaningless,

and this too is a lie--O damned 1959!" --Gregory Corso

 

 

-leo jilk

=========================================================================

Date:         Sun, 22 Jun 1997 20:02:54 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Drugs & Spontaneity

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> neudorf@discovland.net wrote:

> >

> > In response to Mike Skau's:

> >

> > > Writing on drugs: often I feel that I create some of my best work stoned.

 The

> > > problem is that when I look at it again the next morning, I'm so

 embarrassed

> > > that I can only pray that I hadn't somehow shown it to anybody: Ginsberg's

> > > "in the morning were stanzas of gibberish." A Hallucination Dissertation

> > > Manifesto of Coca, Saturn, and Sun.

> >

> > To paraphrase Gary Snyder, he states that ("The Real Work" interviews)

> > if you write

> > *under the influence* of psychedelics, it is as if you are entering the

> > cave and

> > *stopping* at the first gold pieces, instead of experiencing the cave

> > for the cave, reaching farther into the cave where the diamonds lie.

> > Writing is a form of documentation, and if you are constantly

> > documenting, the pure experience, the beauty of the trip is compromised.

> >

> >         It is more rewarding to write after the fact - a little time for

> > contemplation - understanding of the trip - Wordsworth writes: "poetry

> > is the spontaneous overflow of powerful feelings [which is the trip] . .

> > . recollected in tranquility" [after the trip].

> >

> >         This is a good issue for discussion. Spontaneous writing . . . there

 is

> > definately a value, great writing erupts - yet it is with revision, the

> > discipline of the writing art form that the literature is perfected.

> > When the muse erupts in the body, spontaneously rising, there is nothing

> > else to do but document it. Perhaps if one is so perfected in his

> > language that the right word rises for every thought / emotion / etc.,

> > then stream of consciousness / spontaneous prose is an end to itself.

> >

> > Joseph Neudorfer

> 

> First, seems Mr. Snyder understood psychedlics about as well as a turtle

> on a road.

> 

> Second, layered writing allows the gold pieces and the diamond and the

> shadows on the cave walls.  anyone caught by a couple damn metaphorical

> gold pieces amidst the roar of the universe and the abyss in the mirror

> wasn't cut out to do crap in the beginning.  shouldn't have let them

> near those magic potions.

> 

> Third, stream of consciousness spontaneity is a vision and then one can

> go back with to the same location and jump back in the stream with the

> distance of (time, space, reflection, contemplation - pick your poison).

> 

> Fourth, the urge to burn it, the embarrassment that one might have shown

> something to somebody is something i can relate to.  usually those are

> the one that i find most exciting to jump back into after about six

> months.  and sometimes some of it didn't make sense ... so just put some

> more nonsense next to it and some folks will think you have these

> distorted images in your brain and were able to write it down.

> 

> Fifth, typing under the influence is the same garbage as the whole

> establishment drug mythology.  we're all under the influence.  pick your

> poison - OJ or Marlboro Reds.

> 

> I now will

> pack up my soap box

> feed my dog

> and my pony

> and head on down

> the road

> and up the third holler

> to my great grandpa's grave on a misty

> morning as the sun rises

> over the mill of the

> true

> MUSE

> and i'll shut my trap so y'all

> can figure out what reality is at let me in on the secret.

> 

> sincerely,

> 

> david rhaesa

> salina, Kansas

 

HEY RACE

 

you moron learn how to mail the damn messages or stay off the

spaceship!!!!

 

yours truly,

 

race

=========================================================================

Date:         Sun, 22 Jun 1997 20:09:00 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Rocks

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neudorf@discovland.net wrote:

> 

> In response to Charles Plymell's:

> 

> > The rock is cold on the outside and hot on the inside. I think that was Tao

> > or some chinese poet philosopher going off in my head, but I can understand

> > the physics of it. We could all preach to  ourselves a little more.

> 

> They say if you pray to a rock with enough devotion, it will live.

> Joseph Neudorfer

 

who is they - the rocks???? i bet they pass a nice collection plate to

you too!  sounds like cheap con blackmail to me.

=========================================================================

Date:         Sun, 22 Jun 1997 20:14:27 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: forlorn rags of growing old

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Sinverg=FCenza wrote:

>=20

> >RACE --- wrote:

> >>

> >> Sinverg=FCenza wrote:

> >>

> >> > yeah. the only reason we do anything is because we know we're goin=

g to

> >>die.

> >>

> >> ok now that 2 folks have said this

> >> i'm going to open my

> >> little soapbox up and stand on it

> >> like a preacher from the

> >> temple of the Harvest Moon

> >> and teach y'all a thing or two

> >> about chickens

> >> and eggs

> >> and why we do anything including writing

> >> it has much less to do

> >> with the fact that

> >> we're going to die (supposedly - maybe/who knows - maybe we're alrea=

dy

> >> dead)

> >> BUT rather

> >> IT

> >> comes from the common

> >> element

> >> that we were

> >> HATCHED !

> >>

> >> david rhaesa

> >> salina, Kansas

> >

> seems to me that chickens do & die too, but let's not quibble. death,

> birth, let's call it all off.

>=20

> "Lies! Lies! Lies! I lie, you lie, we all lie!

> There is no us, there is no world, there is no universe,

> there is no life, no death, no nothing--all is meaningless,

> and this too is a lie--O damned 1959!" --Gregory Corso

>=20

> -leo jilk

 

this corso guy sounds interesting.  i've always doubted that much was

around pre-1960.  all a lie, a dream, a pair of spiders tangoing in a

great Snake ritual or whatever but i am here and i imagine you're there

and we're both in this cyber-reality and so i ain't sure a lie is a lie

at all and i don't even really know what a lie is ...=20

 

what is a lie?  now that's one for the final exam!  i bet that's the

first question on the post-death exam....

 

1)  what is a lie?

 

2)  why are you here?

 

short answers only ....

 

grades will be distributed by secret committee of saints and angels and

if you're real lucky you may hear from us or get on a wait-list.

 

otherwise ...

hell, recincarnation ain't bad.  maybe you can be a rock next time and

get people to pray to you.

 

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 22 Jun 1997 23:01:07 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: forlorn rags of growing old

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>Sinverg=FCenza wrote:

> >

> > > > seems to me that chickens do & die too, but let's not quibble. de=

ath,

> > birth, let's call it all off.

> >

> > "Lies! Lies! Lies! I lie, you lie, we all lie!

> > There is no us, there is no world, there is no universe,

> > there is no life, no death, no nothing--all is meaningless,

> > and this too is a lie--O damned 1959!" --Gregory Corso

> >

> > -leo jilk

 

> RACE --- wrote:

> this corso guy sounds interesting.  i've always doubted that much was

> around pre-1960.  all a lie, a dream, a pair of spiders tangoing in a

> great Snake ritual or whatever but i am here and i imagine you're there

> and we're both in this cyber-reality and so i ain't sure a lie is a lie

> at all and i don't even really know what a lie is ...

>=20

> what is a lie?  now that's one for the final exam!  i bet that's the

> first question on the post-death exam....

>=20

> 1)  what is a lie?

>=20

> 2)  why are you here?

>=20

> short answers only ....

>=20

> grades will be distributed by secret committee of saints and angels and

> if you're real lucky you may hear from us or get on a wait-list.

>=20

> otherwise ...

> hell, recincarnation ain't bad.  maybe you can be a rock next time and

> get people to pray to you.

>=20

> david rhaesa

> salina, Kansas

 

Sorry, guys, but all this talk of birth and eggs and reincarnation made=20

me go entirely out of the beat universe, to this quote from Wordsworth,

 

"Our birth is but a sleep and a forgetting:=20

The Soul that rises with us, our life's Star,

    Hath had elsewhere its setting,

       And cometh from afar:

    Not in entire forgetfulness,

    And not in utter nakedness..."

 

DC

=========================================================================

Date:         Sun, 22 Jun 1997 21:13:04 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: forlorn rags of growing old

In-Reply-To:  <33ADCDF3.4E0D@midusa.net>

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RACE --- wrote:

 

>Sinverg=FCenza wrote:

>> 

>> >RACE --- wrote:

>> >>

>> >> Sinverg=FCenza wrote:

>> >>

>> >> > yeah. the only reason we do anything is because we know we're going =

to

>> >>die.

>> >>

>> >> ok now that 2 folks have said this

>> >> i'm going to open my

>> >> little soapbox up and stand on it

>> >> like a preacher from the

>> >> temple of the Harvest Moon

>> >> and teach y'all a thing or two

>> >> about chickens

>> >> and eggs

>> >> and why we do anything including writing

>> >> it has much less to do

>> >> with the fact that

>> >> we're going to die (supposedly - maybe/who knows - maybe we're already

>> >> dead)

>> >> BUT rather

>> >> IT

>> >> comes from the common

>> >> element

>> >> that we were

>> >> HATCHED !

>> >>

>> >> david rhaesa

>> >> salina, Kansas

>> >

>> seems to me that chickens do & die too, but let's not quibble. death,

>> birth, let's call it all off.

>> 

>> "Lies! Lies! Lies! I lie, you lie, we all lie!

>> There is no us, there is no world, there is no universe,

>> there is no life, no death, no nothing--all is meaningless,

>> and this too is a lie--O damned 1959!" --Gregory Corso

>> 

>> -leo jilk

> 

>this corso guy sounds interesting.  i've always doubted that much was

>around pre-1960.

 

that is actually quite amusing.

 

 all a lie, a dream, a pair of spiders tangoing in a

>great Snake ritual or whatever but i am here and i imagine you're there

>and we're both in this cyber-reality and so i ain't sure a lie is a lie

>at all and i don't even really know what a lie is ...

 

i always get the same response when i send that to people. the last person

simply wrote back, "i don't believe you."

 

> 

>what is a lie?  now that's one for the final exam!  i bet that's the

>first question on the post-death exam....

> 

>1)  what is a lie?

> 

>2)  why are you here?

> 

>short answers only ....

> 

>grades will be distributed by secret committee of saints and angels and

>if you're real lucky you may hear from us or get on a wait-list.

> 

>otherwise ...

>hell, recincarnation ain't bad.  maybe you can be a rock next time and

>get people to pray to you.

> 

> 

>david rhaesa

>salina, Kansas

 

there has got to be some kind of objective definition for the word LIE.

Imagine a beach full of men, swirling and being swirled in pools of water

where some drown and others are eaten alive, others devoured from inside,

others retarded or proud, aiming for the sea with their ugly bug eyes

extended mean toward the whole ocean, or something small within a grain of

salt inside it. The system is closed. That is all there is and all there

ever shall be until another day or another group of words, or some foreign

color comes along and sweeps the shore clean of all living creatures for a

time, or perhaps once and for all. That is man's place in the world, which

is no more or less important than it ever seemed to anyone with blinders on

to a painful picture, a tragic scene. Imagine the calm of the ocean on that

day when the last wave crashes and the ocean lies calm, the shore barren

and dry. Imagine the impossible serenity of being alive on that day.

Nothing lasts forever, and to chiming of this truth-bell comes clamoring

life, a history of what has held together, man, gods and all only a part, a

day at the ocean, almost certainly not the last day the ocean will see or

the last ocean time will contain. There man sits, a lonely little black

mudskipper, with those curious eyes on the side of its head imbedded in

hide, at once endearing and infinitely disgusting, moulding itself to the

things of its sand, its one world, both a hell and a heaven, a microcosmic

embodiment of all existence which lies around it far or distant, in the

scene of the colors, the scene of all the strivings and failures of men,

and all of the strivings and failures that will be.

 

-leo jilk

=========================================================================

Date:         Sun, 22 Jun 1997 21:26:32 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: forlorn rags of growing old

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Sinverg=FCenza wrote:

>=20

> RACE --- wrote:

>=20

> >Sinverg=FCenza wrote:

> >>

> >> >RACE --- wrote:

> >> >>

> >> >> Sinverg=FCenza wrote:

> >> >>

> >> >> > yeah. the only reason we do anything is because we know we're g=

oing to

> >> >>die.

> >> >>

> >> >> ok now that 2 folks have said this

> >> >> i'm going to open my

> >> >> little soapbox up and stand on it

> >> >> like a preacher from the

> >> >> temple of the Harvest Moon

> >> >> and teach y'all a thing or two

> >> >> about chickens

> >> >> and eggs

> >> >> and why we do anything including writing

> >> >> it has much less to do

> >> >> with the fact that

> >> >> we're going to die (supposedly - maybe/who knows - maybe we're al=

ready

> >> >> dead)

> >> >> BUT rather

> >> >> IT

> >> >> comes from the common

> >> >> element

> >> >> that we were

> >> >> HATCHED !

> >> >>

> >> >> david rhaesa

> >> >> salina, Kansas

> >> >

> >> seems to me that chickens do & die too, but let's not quibble. death=

,

> >> birth, let's call it all off.

> >>

> >> "Lies! Lies! Lies! I lie, you lie, we all lie!

> >> There is no us, there is no world, there is no universe,

> >> there is no life, no death, no nothing--all is meaningless,

> >> and this too is a lie--O damned 1959!" --Gregory Corso

> >>

> >> -leo jilk

> >

> >this corso guy sounds interesting.  i've always doubted that much was

> >around pre-1960.

>=20

> that is actually quite amusing.

>=20

>  all a lie, a dream, a pair of spiders tangoing in a

> >great Snake ritual or whatever but i am here and i imagine you're ther=

e

> >and we're both in this cyber-reality and so i ain't sure a lie is a li=

e

> >at all and i don't even really know what a lie is ...

>=20

> i always get the same response when i send that to people. the last per=

son

> simply wrote back, "i don't believe you."

>=20

> >

> >what is a lie?  now that's one for the final exam!  i bet that's the

> >first question on the post-death exam....

> >

> >1)  what is a lie?

> >

> >2)  why are you here?

> >

> >short answers only ....

> >

> >grades will be distributed by secret committee of saints and angels an=

d

> >if you're real lucky you may hear from us or get on a wait-list.

> >

> >otherwise ...

> >hell, recincarnation ain't bad.  maybe you can be a rock next time and

> >get people to pray to you.

> >

> >

> >david rhaesa

> >salina, Kansas

>=20

> there has got to be some kind of objective definition for the word LIE.

> Imagine a beach full of men, swirling and being swirled in pools of wat=

er

> where some drown and others are eaten alive, others devoured from insid=

e,

> others retarded or proud, aiming for the sea with their ugly bug eyes

> extended mean toward the whole ocean, or something small within a grain=

 of

> salt inside it. The system is closed. That is all there is and all ther=

e

> ever shall be until another day or another group of words, or some fore=

ign

> color comes along and sweeps the shore clean of all living creatures fo=

r a

> time, or perhaps once and for all. That is man's place in the world, wh=

ich

> is no more or less important than it ever seemed to anyone with blinder=

s on

> to a painful picture, a tragic scene. Imagine the calm of the ocean on =

that

> day when the last wave crashes and the ocean lies calm, the shore barre=

n

> and dry. Imagine the impossible serenity of being alive on that day.

> Nothing lasts forever, and to chiming of this truth-bell comes clamorin=

g

> life, a history of what has held together, man, gods and all only a par=

t, a

> day at the ocean, almost certainly not the last day the ocean will see =

or

> the last ocean time will contain. There man sits, a lonely little black

> mudskipper, with those curious eyes on the side of its head imbedded in

> hide, at once endearing and infinitely disgusting, moulding itself to t=

he

> things of its sand, its one world, both a hell and a heaven, a microcos=

mic

> embodiment of all existence which lies around it far or distant, in the

> scene of the colors, the scene of all the strivings and failures of men=

,

> and all of the strivings and failures that will be.

>=20

> -leo jilk

 

interesting answer.  the Committee will consider it and send you the

Committee's decision on the appropriate response to your answer.

 

sincerely,

 

the Commmittee

 

 

david rhaesa

salina, Kansas

 

p.s.  i wasn't joking about Corso.  he sounds like an interesting guy

and someone it would be good to hang out with (at least once or twice).=20

i don't know that he or anyone else deserves to be quoted chapter and

verse like saint paul the skip tracer or something.

=========================================================================

Date:         Mon, 23 Jun 1997 00:04:50 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: forlorn rags of growing old

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>Sinverg=FCenza wrote:

>=20

> there has got to be some kind of objective definition for the word LIE.

> Imagine a beach full of men, swirling and being swirled in pools of wat=

er

> where some drown and others are eaten alive, others devoured from insid=

e,

> others retarded or proud, aiming for the sea with their ugly bug eyes

> extended mean toward the whole ocean, or something small within a grain=

 of

> salt inside it. The system is closed. That is all there is and all ther=

e

> ever shall be until another day or another group of words, or some fore=

ign

> color comes along and sweeps the shore clean of all living creatures fo=

r a

> time, or perhaps once and for all. That is man's place in the world, wh=

ich

> is no more or less important than it ever seemed to anyone with blinder=

s on

> to a painful picture, a tragic scene. Imagine the calm of the ocean on =

that

> day when the last wave crashes and the ocean lies calm, the shore barre=

n

> and dry. Imagine the impossible serenity of being alive on that day.

> Nothing lasts forever, and to chiming of this truth-bell comes clamorin=

g

> life, a history of what has held together, man, gods and all only a par=

t, a

> day at the ocean, almost certainly not the last day the ocean will see =

or

> the last ocean time will contain. There man sits, a lonely little black

> mudskipper, with those curious eyes on the side of its head imbedded in

> hide, at once endearing and infinitely disgusting, moulding itself to t=

he

> things of its sand, its one world, both a hell and a heaven, a microcos=

mic

> embodiment of all existence which lies around it far or distant, in the

> scene of the colors, the scene of all the strivings and failures of men=

,

> and all of the strivings and failures that will be.

>=20

> -leo jilk

 

 

Are you saying that LIE and IT are the same thing?

DC

=========================================================================

Date:         Sun, 22 Jun 1997 20:47:48 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: forlorn rags of growing old

In-Reply-To:  <33ADCA8B.55F7@together.net>

Mime-Version: 1.0

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At 5:59 PM -0700 6/22/97, Diane Carter wrote:

 

> Anyone out there got an feelings about this?

 

just pulled in from a trip to LA.  gave myself over to a woman who took me

walking, took me swimming, gave me food and water.  The warm air, the beer,

the gentle times, her companionship sure gave my mind an ease.  For the 125

odd miles home I sustained a centered soul.  sustaining is not the word.

my whispers were heard and I was sustained.  thank you T, and hallelujah to

the rest.

 

please god, do not let me grow old alone.

 

cheers, Douglas

 

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sun, 22 Jun 1997 22:45:57 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: forlorn rags of growing old

In-Reply-To:  <33AE2012.1416@together.net>

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>>Sinverg=FCenza wrote:

>> 

>> there has got to be some kind of objective definition for the word LIE.

>> Imagine a beach full of men, swirling and being swirled in pools of water

>> where some drown and others are eaten alive, others devoured from inside,

>> others retarded or proud, aiming for the sea with their ugly bug eyes

>> extended mean toward the whole ocean, or something small within a grain o=

f

>> salt inside it. The system is closed. That is all there is and all there

>> ever shall be until another day or another group of words, or some foreig=

n

>> color comes along and sweeps the shore clean of all living creatures for =

a

>> time, or perhaps once and for all. That is man's place in the world, whic=

h

>> is no more or less important than it ever seemed to anyone with blinders =

on

>> to a painful picture, a tragic scene. Imagine the calm of the ocean on th=

at

>> day when the last wave crashes and the ocean lies calm, the shore barren

>> and dry. Imagine the impossible serenity of being alive on that day.

>> Nothing lasts forever, and to chiming of this truth-bell comes clamoring

>> life, a history of what has held together, man, gods and all only a part,=

 a

>> day at the ocean, almost certainly not the last day the ocean will see or

>> the last ocean time will contain. There man sits, a lonely little black

>> mudskipper, with those curious eyes on the side of its head imbedded in

>> hide, at once endearing and infinitely disgusting, moulding itself to the

>> things of its sand, its one world, both a hell and a heaven, a microcosmi=

c

>> embodiment of all existence which lies around it far or distant, in the

>> scene of the colors, the scene of all the strivings and failures of men,

>> and all of the strivings and failures that will be.

>> 

>> -leo jilk

> 

> 

>Are you saying that LIE and IT are the same thing?

>DC

 

well...they could be. actually, i did not intend them to be the same thing.

in fact, i can't guarantee that anything in my post had too much to do with

the word lie. i was just letting my mind roam for a moment.

 

-leo

=========================================================================

Date:         Sun, 22 Jun 1997 23:57:22 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      forlorn rags of getting old -- or, we're all bozos on this bus

MIME-Version: 1.0

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Race:

 

I think that all responses should be submitted in the form of a

question.  From there we could submit them to the President and see if

he can give us an answered.  Once I asked him where I could get a job,

down here on Dutch Elm Street, and he said that he had discussed this

with the leaders of business and that in the Future, they will not have

to answer questions like that anymore.  Then this clown, Clem, he came

along and asked the President something like, "Why does a JUJU bird lay

its eggs in the air", and it broke the President.  But the Future farie

is still there, so the President must be working again.  Any ways, could

you state that as a question please.

 

(With my humble apologies to Firesign Theater)I am,

 

Very truly there,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 22 Jun 1997 23:38:31 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: forlorn rags of getting old -- or, we're all bozos on this bus

Comments: To: "R. Bentz Kirby" <bocelts@SCSN.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Race:

> 

> I think that all responses should be submitted in the form of a

> question.  From there we could submit them to the President and see if

> he can give us an answered.  Once I asked him where I could get a job,

> down here on Dutch Elm Street, and he said that he had discussed this

> with the leaders of business and that in the Future, they will not have

> to answer questions like that anymore.  Then this clown, Clem, he came

> along and asked the President something like, "Why does a JUJU bird lay

> its eggs in the air", and it broke the President.  But the Future farie

> is still there, so the President must be working again.  Any ways, could

> you state that as a question please.

> 

> (With my humble apologies to Firesign Theater)I am,

> 

> Very truly there,

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

I assume that you mean the honourable President Dwight David

Eisenhower.  went to that man's funeral.  it was a fake.  he's still

alive running around these parts ... on a dark and stormy night you can

see Ike walking his beagle down the Santa Fe Trail and Festus is too

drunk to notice that the Beagle is carrying a typewriter and looks just

a bit like a canine version of burroughs.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 22 Jun 1997 23:41:43 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: forlorn rags of growing old

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Diane Carter wrote:

>=20

> >Sinverg=FCenza wrote:

> >

> > there has got to be some kind of objective definition for the word LI=

E.

> > Imagine a beach full of men, swirling and being swirled in pools of w=

ater

> > where some drown and others are eaten alive, others devoured from ins=

ide,

> > others retarded or proud, aiming for the sea with their ugly bug eyes

> > extended mean toward the whole ocean, or something small within a gra=

in of

> > salt inside it. The system is closed. That is all there is and all th=

ere

> > ever shall be until another day or another group of words, or some fo=

reign

> > color comes along and sweeps the shore clean of all living creatures =

for a

> > time, or perhaps once and for all. That is man's place in the world, =

which

> > is no more or less important than it ever seemed to anyone with blind=

ers on

> > to a painful picture, a tragic scene. Imagine the calm of the ocean o=

n that

> > day when the last wave crashes and the ocean lies calm, the shore bar=

ren

> > and dry. Imagine the impossible serenity of being alive on that day.

> > Nothing lasts forever, and to chiming of this truth-bell comes clamor=

ing

> > life, a history of what has held together, man, gods and all only a p=

art, a

> > day at the ocean, almost certainly not the last day the ocean will se=

e or

> > the last ocean time will contain. There man sits, a lonely little bla=

ck

> > mudskipper, with those curious eyes on the side of its head imbedded =

in

> > hide, at once endearing and infinitely disgusting, moulding itself to=

 the

> > things of its sand, its one world, both a hell and a heaven, a microc=

osmic

> > embodiment of all existence which lies around it far or distant, in t=

he

> > scene of the colors, the scene of all the strivings and failures of m=

en,

> > and all of the strivings and failures that will be.

> >

> > -leo jilk

>=20

> Are you saying that LIE and IT are the same thing?

> DC

 

LIE + IT =3D LIGHT

 

if LIE =3D IT

then=20

LIE + LIE =3D LIGHT

 

white lie  yes it computes.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 22 Jun 1997 23:54:48 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: forlorn rags of growing old

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Sinverg=FCenza wrote:

>  i can't guarantee that anything in my post had too much to do with

> the word lie.=20

> -leo

 

hmmm. the Committee will take this into consideration in evaluating

 

the Committee

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 23 Jun 1997 00:31:37 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Various Notes,

              Rhymes & More [actually the title from one of my poems]

MIME-Version: 1.0

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In response to David Rhaesa's:

 

> . . . typing under the influence is the same garbage as the whole

> establishment drug mythology.  we're all under the influence.  pick your

> poison - OJ or Marlboro Reds.

 

> I now will

> pack up my soap box

> feed my dog

> and my pony

> and head on down

> the road

> and up the third holler

> to my great grandpa's grave on a misty

> morning as the sun rises

> over the mill of the

> true

> MUSE

> and i'll shut my trap so y'all

> can figure out what reality is at let me in on the secret.

 

It's too bad you believe that "we're all under the influence" even when

the individual is sober from the commonly accepted substances. Religion

can be argued to be a substance, there's really no right / wrong answer.

In my view, drugs in no way create, it is still the artist creating,

albeit in an altered state - they can be seen as a short cut =

spiritually, artistically, etc (if you believe in that logic).

 

With respects to your poem:

 

        > i now will

        > pack up my soap box'

 

I have read 'soap box' quite often on this list. We must get rid of this

notion.

 

        > to my great grandpa's grave on a misty

        > morning as the sun rises'

 

Nice image. "on a misty / morning" - why does this have to be broken up

in two lines, it is the word combination that creates the image. Maybe:

 

        to my great grandpa's grave

        on a misty morning

        as the sun rises

 

= 3 images, 3 lines

 

I guess the form of the poem you wrote is free verse. Anybody read

Charles Olson's "Projective Verse" essay?

With respects to Gregory Corso, here's a poem I wrote a while back:

 

 

                Everyday Tuesday

 

 

                Returning home early from date unlucky.

                David greets me with second-hand Corso book o  poetry

                despite first-hand tales of being asshole.

                Real night to begin in basement

                with William Carlos Williams

                and fresh translation Tao Te Ching.

                Sudden phone call

                from Latino pal in jail

                for touching wrong woman

                in wrong place

                at wrong time

                who to believe

                pleading innocent.

                Court case tuesday next.

 

[Just in case, 'David' is my twin brother]

Joseph Neudorfer

=========================================================================

Date:         Sun, 22 Jun 1997 23:40:51 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: lurker speaks

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> Mike & Barbara Wirtz wrote:

> >

> > I reread Howl this afternoon...and I think not so much that it is

> > misunderstood as suffering from a very specialized and narrow

> > audience.   I read it and thought.....period piece...I don't think it

> > will transcend time... Usually people can empathsize and relate to

> > another's emotional trauma...but it is very difficult to connect to

> > Ginsberg in Howl.  I do have an appreciation for the poem...he does

> > convey some stunning ideas and displays verbal dexterity and wit...... I

> > feel as if people who can relate, would really hoist this poem as the

> > icon of the the time and/ or experience...it would be ...the emblem poem

> > that it is..  But as a reader, I'm an outsider, gawking  and

> > rubber-necking a tragedy I can only witness from afar and listen to the

> > howling without ever wanting to howl myself.

> > Barb

> 

> Barb,

> 

> Howl, as well as the rest of the poetry of Ginsberg, will stand the test

> of time.  You and I obviously come from very different experiences.  When

> I first discovered Howl, it literally saved my life.  It was not until he

> died and I read the hundreds of memorials posted on various web pages

> that I saw in writing what I had known intellectually all along.  That he

> truly touched the souls of masses of people, many whom would not be alive

> today if his words had not given them the freedom and power to be

> themselves.  And beyond that, to write of themselves.  Not only do I

> identify with Howl, although I wasn't born until the fifies, I knew that

> it marked the beginning of a time when poetry would no longer be the same

> again.  It marked a time when no longer would the same limits be placed

> on thought or the poetry that came from that thought.  In his incredible

> body of work, of which Howl is just the cornerstone, Ginsberg gave us a

> new definition of how humanness, every little speck of humanness, could

> indeed be poetic.  He also spoke of America, an imperfect America, and

> how it is necessary for poets to address the culture which is at their

> feet.  But the big thing about Ginsberg is that he was remained positive

> in addressing the darkness of the mind and what he saw as the darkness of

> America.  While he pointed the the dusty, rotting imageless locomotives,

> he also pointed to the sunflower of the soul.

> 

> I cannot understand how you cannot relate to the emotional trauma of

> Howl!  How can you possibly not want to howl yourself?   Life is a howl.

> I would urge you to start to howl.  Find it inside of yourself.

> The rhythm of Ginsberg's poetry is the rhythm of life in America today.

> When you say that "I think that Howl and many of his major works...are

> limited, and honestly will end up, not as the major voice of the 20th c.,

> but a voice of a period for a particular subsect of the population,"  I

> have to wonder how much of Ginsberg you have read.  He was a major voice

> in the twentieth century but he obviously did not take poetry in the

> direction you want it to go.

> 

> You are reading beat literature but you don't really see it as enduring.

>  Only time will tell. I for one think it will. But for that to happen

> beat literature has to keep being published, being taught in schools and

> colleges all over this country equally, so that people continue to read

> it, and whole new generations of writers develop their own voices from

> the influences of the beats.

> 

> I seriously want to know what path your line of thought takes in terms of

> twentieth century poetry.  You mentioned, "I am awed by Plath, Sexton,

> Rich, Bishop, Levertov, Walker...Women with strong voices, writing on

> issues that concern not only women, but humanity."  What did these women

> say that inspired you in a way that Ginsberg does not?  The confessional

> mode of writing is a uniquely twentieth century development but although

> Plath and Sexton got their concerns out in words, it did not, could not,

> save their own lives.  I don't think that their writing will stand the

> test of time.  Do you?

> DC

 

About the women standing the test of time...you or someone had asked

what was the most significant development/work of the 20th C....I think

that the voices as a whole is the most significant development...

Perhaps as individuals they may not endure...but they spoke up and wrote

from a perspective that had been long neglected.  I see it as the most

significant development...because I project that women will dominate

literature in the 21st C.... at least in America.

 

As for literature saving lives...I have never once thought it was the

purpose.  I have never read literature, or chosen literature, on that

basis.  My life has not needed saving...and I'm not sure a poet is the

one for the job if it were the case.  I'm actually not even concerned

about literature as therapy.  I am much more concerned with the

expression of ideas and how well  ideas conveyed through

devices/technique.  A good idea should be expressed in a way that is

beyond compare...perfectly suited... an astounding  synthesis of sound

and meaning .

 

As for howling....no thank you.  At times I do feel the need to applaud

and cheer... but howl, no.  If I don't like my life or situation, I do

something to change it.  And...we are from different worlds....I've

always been very lucky in many aspects. I've attended great schools,

always had diverse interests...extremely active in dance and

sports....and if I want to get high...I run in the desert or push

physical endurance somehow.  I do not glamourize drug use nor condone it

in any fashion.  I honestly think the beats were great

experimenters...and some truly were on quests, but their lives are

tragic as a whole.  (and where many thought they had attained

enlightenment...or epiphanies...they were just spewing the frazzled

synaptic mishaps of an overdose... It does NOT make for great art.  When

I read poetry where the poet is obviously wacked, I think "junk"

...not revolutionary, novel, genius driven art)  Ok *grin*...everyone

jump on me now.....

Barb

=========================================================================

Date:         Tue, 24 Jun 1997 06:17:07 +1100

Reply-To:     Duncan Gray <duncang@ENTO.CSIRO.AU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Duncan Gray <duncang@ENTO.CSIRO.AU>

Subject:      the last time i committed suicide.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

The character Keanu plays, called Harry is, as far as I can tell, not

totally based on one real person.  At the end of the movie Harry convinces

Neal to drink with him.  This is what Neal's step brother did in the "great

sex letter" (The one that starts off "To have seen a specter isn't

everything..)  At the beginning of the movie Harry is as you described,

Neal's pool buddy.

 

Duncan

 

<Date:    Fri, 6 Jun 1997 13:53:39 +0800

From:    Sharon Ngiam <mimosa@PACIFIC.NET.SG>

Subject: the last time i committed suicide.

 

hi, in the 'last time i committed suicide' (the one abt neal), who does

keanu reeves portray?

it says in my local mag that keanu plays the 'buddy he (neal) hangs out

with, drinking beer, shooting pool." who's that?

thanks a lot. btw, is it worth watching?>

 

s.*

------------------------------------------------------------------.o0

Duncan Gray

Stored Grain Research Laboratory

CSIRO Entomology, GPO Box 1700, Canberra ACT 2601

Ph. (06) 246 4178  Fax (06) 246 4202

----------------------------------------------------------------------

=========================================================================

Date:         Mon, 23 Jun 1997 07:42:57 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Drugs & Spontaneity

In-Reply-To:  <33AD8260.307C@discovland.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

This is a good issue for discussion. Spontaneous writing . . . there is

definately a value, great writing erupts - yet it is with revision, the

discipline of the writing art form that the literature is perfected.

When the muse erupts in the body, spontaneously rising, there is nothing

else to do but document it. Perhaps if one is so perfected in his

language that the right word rises for every thought / emotion / etc.,

then stream of consciousness / spontaneous prose is an end to itself.

________

this is exactly what i am finding out. as i can 'trip' w/o the chemicals,

due to having a somewhat cracked and multi-faceted mind and world view,

also as one who has tripped as well for the experience of opening the doors

of perception, i write down madly all that i thought all that has happened

all the memories,

first in prose

then in verse

again again again rehearse by pruning the garden and pulling the weeds out

of the  cracks in the eternal sidewalk, etc etc

also have found a wonderful editor on this list (who will remain nameless

to protect her from burial under poems, unless s/he decides to uncloak.)

mc

=========================================================================

Date:         Mon, 23 Jun 1997 07:43:01 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: corso(was lies, againg, and all that existential angst)

In-Reply-To:  <33AE2012.1416@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

someone somewhere in the endless scrolled message on this topic of

lies/aging etc

said that he wanted to know more about this 'corso guy' who is a poet who

at times dons the gonzo poet cap just as HST is gonzo journalism. i highly

recommend _elegiac feelings american_ to you, also, my favorite poem about

marriage

and, in meantime here is a more reflective corso piece:

HELLO

it is disastrous to be a wounded deer.

i'm the most wounded, wolves stalk,

and i have my failures, too.

my flesh is caught on the inevitable hook!

as i child i saw many things i did not want to be.

Am i the person i did not want to be?

that talks-to-himself person?

that - neighbours make-fun-of person?

am i he who, on museum steps, sleeps on his side?

do i wear the cloth of a man who has failed?

am i the looney man?

in the great serenade of things,

        am i the most cancelled passage?

_______

pome from elegaic feelings:

TWO WEATHER VANES

On the very top of St. Chapel there is a gold chicken

And next to it, on the point of a cone tower, there's a black

        boat-

Whenever the wind sails the boat toward the chicken

Clouds crash, and it rains, snows

And fogs, chimney pots, steeples, gargoyles sag like honey

-Hooray! In fact all Paris

                looks like a dropped plate of lumpy oatmeal

______

happy trails to you

mc

=========================================================================

Date:         Mon, 23 Jun 1997 07:51:00 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: forlorn rags of growing old

In-Reply-To:  <l03020901afd3a13e7879@[198.5.212.63]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

(apologies in advance if this had already been posted to list, sometimes

this list feels like i'm playing jeopardy, to hit the send button (buzzer)

before the next member)

 

 I grow old...I grow old...

I shall wear the bottoms of my trousers rolled,

 

Shall I part my hair behind? Do I dare to eat a peach?

 

I shall wear white flannel trousers, and walk upon the

        beach

I have heard the mermaids singing, each to each.

 

I do not think they will sing to me.

=========================================================================

Date:         Mon, 23 Jun 1997 07:23:23 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Drugs & Spontaneity

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> This is a good issue for discussion. Spontaneous writing . . . there is

> definately a value, great writing erupts - yet it is with revision, the

> discipline of the writing art form that the literature is perfected.

> When the muse erupts in the body, spontaneously rising, there is nothing

> else to do but document it. Perhaps if one is so perfected in his

> language that the right word rises for every thought / emotion / etc.,

> then stream of consciousness / spontaneous prose is an end to itself.

> ________

> this is exactly what i am finding out. as i can 'trip' w/o the chemicals,

> due to having a somewhat cracked and multi-faceted mind and world view,

> also as one who has tripped as well for the experience of opening the doors

> of perception, i write down madly all that i thought all that has happened

> all the memories,

> first in prose

> then in verse

> again again again rehearse by pruning the garden and pulling the weeds out

> of the  cracks in the eternal sidewalk, etc etc

> also have found a wonderful editor on this list (who will remain nameless

> to protect her from burial under poems, unless s/he decides to uncloak.)

> mc

 

it seems that the bursting muse does not pay much attention to linear

time.  if one spontaneously writes in one sitting about a

phenomenological event, it will appear as only a glance and not the full

spectacle of whatever it is.  another layer of spontaneity within and

around the original produces additional glances.  it is never possible

to present the spectacle to the reader but more layers connected to the

muse will certainly make the event appear far more present.  for me the

editing is primarily adding more flowers in the garden.  the pruning is

more like picking nose hairs.

 

david rhaesa

salina, Kansas

 

p.s. Salina Journal has a nice piece about Ginsberg tribute in LA this

morning nice big picture of Anne Waldman and some basic information.  i

imagine i'll write and add a few tidbits.  it might be nice for Salina

to know that more than just one tribute has happened since April.

=========================================================================

Date:         Mon, 23 Jun 1997 08:36:02 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: who was around in the 60's?

Comments: To: danneman@update.uu.se

 

In a message dated 97-06-21 06:46:57 EDT, you write:

 

<< 

 Sara Feustle wrote:

 >

 > I myself am a whopping 21, and I am soooooo pissed off about all the stuff

 > I missed for being born so late!!!! Anybody else in the same predicament?

 

 I am 23 and yes I am pissed, thinking about all that I missed. I'm also

 annoyed being born so early. Imagine what I won't see in the future.

 Still I wouldn't like to see myself in the mirror at the age of 200. I'd

 be reeeally ugly. So all things considered, I'm happy.

 

 -daniel

 

  >>

I don't get it.  I sed i was 22 before, but i don't feel like i should have

been born earlier or later.  I feel JUST right.  I guess knowing that i was a

gangsta chick in 1940's Chicago in my previous life helps.  I didn't miss a

thing.  It's all happening NOW as far as i'm concerned.  Sara---just think,

in a few years, you'll be saggy and wrinkly so enjoy yerself now, while you

can still get some!

=========================================================================

Date:         Mon, 23 Jun 1997 08:37:41 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Drugs & Spontaneity

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <33AE6ABB.7429@midusa.net>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 07:23 AM 6/23/97 -0500, RACE --- wrote:

>Marie Countryman wrote:

>> 

>> This is a good issue for discussion. Spontaneous writing . . . there is

>> definately a value, great writing erupts - yet it is with revision, the

>> discipline of the writing art form that the literature is perfected.

>> When the muse erupts in the body, spontaneously rising, there is nothing

>> else to do but document it. Perhaps if one is so perfected in his

>> language that the right word rises for every thought / emotion / etc.,

>> then stream of consciousness / spontaneous prose is an end to itself.

>> ________

>> this is exactly what i am finding out. as i can 'trip' w/o the chemicals,

>> due to having a somewhat cracked and multi-faceted mind and world view,

>> also as one who has tripped as well for the experience of opening the doors

>> of perception, i write down madly all that i thought all that has happened

>> all the memories,

>> first in prose

>> then in verse

>> again again again rehearse by pruning the garden and pulling the weeds out

>> of the  cracks in the eternal sidewalk, etc etc

>> also have found a wonderful editor on this list (who will remain nameless

>> to protect her from burial under poems, unless s/he decides to uncloak.)

>> mc

> 

>it seems that the bursting muse does not pay much attention to linear

>time.  if one spontaneously writes in one sitting about a

>phenomenological event, it will appear as only a glance and not the full

>spectacle of whatever it is.  another layer of spontaneity within and

>around the original produces additional glances.  it is never possible

>to present the spectacle to the reader but more layers connected to the

>muse will certainly make the event appear far more present.  for me the

>editing is primarily adding more flowers in the garden.  the pruning is

>more like picking nose hairs.

> 

>david rhaesa

>salina, Kansas

> 

>p.s. Salina Journal has a nice piece about Ginsberg tribute in LA this

>morning nice big picture of Anne Waldman and some basic information.  i

>imagine i'll write and add a few tidbits.  it might be nice for Salina

>to know that more than just one tribute has happened since April.

 

 

Some of us can "trip" on our own body chemistry. Speaking from experience,

that sort of spontanaeity is better than that obtained from any drug. --Sara

> 

=========================================================================

Date:         Mon, 23 Jun 1997 08:39:01 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: More Beat films...

Comments: To: stutz@dsl.org

 

check out Mystic Fire Video, at:

 

http://mosaic.echonyc.com/~mysticfire/index.html

 

they are a great source of Burroughs and other beat-related stuffs.

=========================================================================

Date:         Mon, 23 Jun 1997 08:52:53 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: corso(was lies, againg, and all that existential angst)

In-Reply-To:  <33AE6B65.47C2@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Marie Countryman wrote:

>> 

>> someone somewhere in the endless scrolled message on this topic of

>> lies/aging etc

>> said that he wanted to know more about this 'corso guy' who is a poet who

>> at times dons the gonzo poet cap just as HST is gonzo journalism. i highly

>> recommend _elegiac feelings american_ to you, also, my favorite poem about

>> marriage

>> and, in meantime here is a more reflective corso piece:

>> HELLO

>> it is disastrous to be a wounded deer.

>> i'm the most wounded, wolves stalk,

>> and i have my failures, too.

>> my flesh is caught on the inevitable hook!

>> as i child i saw many things i did not want to be.

>> Am i the person i did not want to be?

>> that talks-to-himself person?

>> that - neighbours make-fun-of person?

>> am i he who, on museum steps, sleeps on his side?

>> do i wear the cloth of a man who has failed?

>> am i the looney man?

>> in the great serenade of things,

>>         am i the most cancelled passage?

>> _______

>> pome from elegaic feelings:

>> TWO WEATHER VANES

>> On the very top of St. Chapel there is a gold chicken

>> And next to it, on the point of a cone tower, there's a black

>>         boat-

>> Whenever the wind sails the boat toward the chicken

>> Clouds crash, and it rains, snows

>> And fogs, chimney pots, steeples, gargoyles sag like honey

>> -Hooray! In fact all Paris

>>                 looks like a dropped plate of lumpy oatmeal

>> ______

>> happy trails to you

> 

=========================================================================

Date:         Mon, 23 Jun 1997 07:53:10 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      [Fwd: letter to editor - 'Howl' poet's life celebrated]

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------40FE4081E9C"

 

This is a multi-part message in MIME format.

 

--------------40FE4081E9C

Content-Type: text/plain; charset=us-ascii

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i'll enjoy seeing what if anything gets off the cutting room floor.

 

a bit self-serving i just hope they don't print my damn address.

 

david rhaesa

 

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Message-ID: <33AE7000.6CC7@midusa.net>

Date: Mon, 23 Jun 1997 07:45:52 -0500

From: RACE --- <race@midusa.net>

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: SJLetters@saljournal.com

Subject: letter to editor - 'Howl' poet's life celebrated

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i loved the photograph of Anne Waldman at the Los Angeles tribute.  i

understand she is still connected to teaching at the Jack Kerouac school

of Disembodied Poetics on Arapahoe in the Denver/Boulder area.  One can

see that she would be a naturally gifted teacher of the creative arts.

 

this Los Angeles tribute is by far not the first commemorative

celebration of Allen's influence on America.  last spring a boy wanted

to read 'Howl' in his high school as a commemoration.  the authorities

offered that he would be suspended.  he said suspend me.  and according

to rumor a ton of letters from Howlers across America hit the mail boxes

of the local authorities.  the young man was allowed to read the poem.

 

shortly after Ginsberg's death a memorial was held at St. Marks in New

York City.  the images i've read about that service are powerful.  the

strongest is of Patti Smith singing the old Hank Williams' mourning

song, "I'm So Lonesome I Could Cry."

 

Numerous web pages have memorialized Ginsberg.  The one i'm most

familiar with is Levi Asher's "Literary Kicks" which is also a great

source for additional information about Ginsberg.  He catalogued the

mourning which took place on the BeatGeneration Listserv after the news

of Allen's passing.  One writer named Charley Plymell that you will find

in Levi's memorial, from the Wichita area and now in Cherry Valley New

York, lived here in salina for a time in 1949, drove a Cadillac and

remembers the Fox Theatre.  This local boy's name can be found there as

well.  Anyone interested the slightest in learning about Beat Generation

literature, culture or biographical sketches should begin at Literary

Kicks with Levi's work.  He also seems to be a very nice guy in the

letters i've received from him.

 

Another tribute was held in Venice California on May 10th.  One of the

readings was an experimental cyberspace explosion of Ginsberg's "On

Burroughs Work".  The collaboration was printed by Rose of Sharon Press

of Los Angeles.  I believe the copies were all given away free that

night at Beyond Baroque in L.A.

 

Also Ginsberg tributes are coming out of the woodwork in small poetry

magazines around the country and in Canada.  One magazine named Second

Beat out of Mississippi or Alabama somewhere is apparently printing my

Ginsberg tribute titled "Salina, Kansas" in there next edition.

 

Ginsberg will be remembered for many many things and probably despised

for many as well.  what is clear to me from my interactions with

individuals who knew the man is that he might best be remembered as a

teacher of the poetry of life.

 

david rhaesa

salina, Kansas

 

[telephone 823-7969]

[ edit however you feel appropriate ]

 

--------------40FE4081E9C--

 

=========================================================================

Date:         Mon, 23 Jun 1997 07:59:48 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: lurker speaks

MIME-Version: 1.0

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Patricia Elliott wrote:

> 

> Mike & Barbara Wirtz wrote:

> >

> > Diane Carter wrote:

> > >

> > > Mike & Barbara Wirtz wrote:

> > > >

> > > > I reread Howl this afternoon...and I think not so much that it is

> > > > misunderstood as suffering from a very specialized and narrow

> > > > audience.   I read it and thought.....period piece...I don't think it

> > > > will transcend time... Usually people can empathsize and relate to

> > > > another's emotional trauma...but it is very difficult to connect to

> > > > Ginsberg in Howl.  I do have an appreciation for the poem...he does

> > > > convey some stunning ideas and displays verbal dexterity and wit...... I

> > > > feel as if people who can relate, would really hoist this poem as the

> > > > icon of the the time and/ or experience...it would be ...the emblem poem

> > > > that it is..  But as a reader, I'm an outsider, gawking  and

> > > > rubber-necking a tragedy I can only witness from afar and listen to the

> > > > howling without ever wanting to howl myself.

> > > > Barb

> > >

> > > Barb,

> > >

> > > Howl, as well as the rest of the poetry of Ginsberg, will stand the test

> > > of time.  You and I obviously come from very different experiences.  When

> > > I first discovered Howl, it literally saved my life.  It was not until he

> > > died and I read the hundreds of memorials posted on various web pages

> > > that I saw in writing what I had known intellectually all along.  That he

> > > truly touched the souls of masses of people, many whom would not be alive

> > > today if his words had not given them the freedom and power to be

> > > themselves.  And beyond that, to write of themselves.  Not only do I

> > > identify with Howl, although I wasn't born until the fifies, I knew that

> > > it marked the beginning of a time when poetry would no longer be the same

> > > again.  It marked a time when no longer would the same limits be placed

> > > on thought or the poetry that came from that thought.  In his incredible

> > > body of work, of which Howl is just the cornerstone, Ginsberg gave us a

> > > new definition of how humanness, every little speck of humanness, could

> > > indeed be poetic.  He also spoke of America, an imperfect America, and

> > > how it is necessary for poets to address the culture which is at their

> > > feet.  But the big thing about Ginsberg is that he was remained positive

> > > in addressing the darkness of the mind and what he saw as the darkness of

> > > America.  While he pointed the the dusty, rotting imageless locomotives,

> > > he also pointed to the sunflower of the soul.

> > >

> > > I cannot understand how you cannot relate to the emotional trauma of

> > > Howl!  How can you possibly not want to howl yourself?   Life is a howl.

> > > I would urge you to start to howl.  Find it inside of yourself.

> > > The rhythm of Ginsberg's poetry is the rhythm of life in America today.

> > > When you say that "I think that Howl and many of his major works...are

> > > limited, and honestly will end up, not as the major voice of the 20th c.,

> > > but a voice of a period for a particular subsect of the population,"  I

> > > have to wonder how much of Ginsberg you have read.  He was a major voice

> > > in the twentieth century but he obviously did not take poetry in the

> > > direction you want it to go.

> > >

> > > You are reading beat literature but you don't really see it as enduring.

> > >  Only time will tell. I for one think it will. But for that to happen

> > > beat literature has to keep being published, being taught in schools and

> > > colleges all over this country equally, so that people continue to read

> > > it, and whole new generations of writers develop their own voices from

> > > the influences of the beats.

> > >

> > > I seriously want to know what path your line of thought takes in terms of

> > > twentieth century poetry.  You mentioned, "I am awed by Plath, Sexton,

> > > Rich, Bishop, Levertov, Walker...Women with strong voices, writing on

> > > issues that concern not only women, but humanity."  What did these women

> > > say that inspired you in a way that Ginsberg does not?  The confessional

> > > mode of writing is a uniquely twentieth century development but although

> > > Plath and Sexton got their concerns out in words, it did not, could not,

> > > save their own lives.  I don't think that their writing will stand the

> > > test of time.  Do you?

> > > DC

> >

> > About the women standing the test of time...you or someone had asked

> > what was the most significant development/work of the 20th C....I think

> > that the voices as a whole is the most significant development...

> > Perhaps as individuals they may not endure...but they spoke up and wrote

> > from a perspective that had been long neglected.  I see it as the most

> > significant development...because I project that women will dominate

> > literature in the 21st C.... at least in America.

> >

> > As for literature saving lives...I have never once thought it was the

> > purpose.  I have never read literature, or chosen literature, on that

> > basis.  My life has not needed saving...and I'm not sure a poet is the

> > one for the job if it were the case.  I'm actually not even concerned

> > about literature as therapy.  I am much more concerned with the

> > expression of ideas and how well  ideas conveyed through

> > devices/technique.  A good idea should be expressed in a way that is

> > beyond compare...perfectly suited... an astounding  synthesis of sound

> > and meaning .

> >

> > As for howling....no thank you.  At times I do feel the need to applaud

> > and cheer... but howl, no.  If I don't like my life or situation, I do

> > something to change it.  And...we are from different worlds....I've

> > always been very lucky in many aspects. I've attended great schools,

> > always had diverse interests...extremely active in dance and

> > sports....and if I want to get high...I run in the desert or push

> > physical endurance somehow.  I do not glamourize drug use nor condone it

> > in any fashion.  I honestly think the beats were great

> > experimenters...and some truly were on quests, but their lives are

> > tragic as a whole.  (and where many thought they had attained

> > enlightenment...or epiphanies...they were just spewing the frazzled

> > synaptic mishaps of an overdose... It does NOT make for great art.  When

> > I read poetry where the poet is obviously wacked, I think "junk"

> > ...not revolutionary, novel, genius driven art)  Ok *grin*...everyone

> > jump on me now.....

> > Barb

> patricia wrote

>         I resist the flame, since you don't need your life saved, you don't

> appreciate the death and rebirth in beat literature that is so important

> to me.  I saw so many people living lifes not of quiet desperation but

> half lifes, zombies through careful little doses of being careful

> "normal" and denial > I burned, I felt i would rather die than live life

> asleep.

>  i don't dispise altered consciousness of the many forms, the most

> dangerous one being in love. I see a herd of women being goaded by

> culture to wear buffant hairdos and i thought beat literature helped the

> ladies let their curls run free like sunshine and summer. I don't know

> about taking my own temperature during the altered states of being but

> the reflections of light after helped illuminate the ideas that got me

> an inch past provincial, and god knows here in kansas where eisenhower

> didn't die and strange is a guy from arkansas, any concept that takes

> you past "taters should be fried" helps fight hate and fear. Perhaps the

> most important aspect of altered conciousness is that we have a "choice

> or even responsibility" of perspective, be it zen or dispair.  We even

> have the right. To experiment in words reflects the deepest experiment

> that in how we think and view the world and in that way all good

> literature affects me and changes me. but of course that is how i define

> good literature. and for me it saves my life every so often. curled in

> my soapbox like a cat, thinking that the great lie is the only sweet thing

 about death is the smell.

> p

=========================================================================

Date:         Mon, 23 Jun 1997 09:32:30 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: forlorn rags of growing old

Comments: To: race@midusa.net

 

In a message dated 97-06-23 05:34:25 EDT, you write:

 

<< 

 > >> "Lies! Lies! Lies! I lie, you lie, we all lie!

 > >> There is no us, there is no world, there is no universe,

 > >> there is no life, no death, no nothing--all is meaningless,

 > >> and this too is a lie--O damned 1959!" --Gregory Corso

 > >>

 > >> -leo jilk >>

 

this message has far too many ">>>"s. Nevertheless, i was just wondering if

anyone had seen that amazing painting of greg Corso that was featured in the

'Beat generation'  exhibit that passed through the Whitney about 1 year 1/2

ago? And do you remember who it was by? Anybody?

=========================================================================

Date:         Mon, 23 Jun 1997 09:39:14 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: the last time i committed suicide.

 

In a message dated 97-06-23 07:30:25 EDT, you write:

 

<<  At the end of the movie Harry convinces

 Neal to drink with him.  This is what Neal's step brother did in the "great

 sex letter" (The one that starts off "To have seen a specter isn't

 everything..)  At the beginning of the movie Harry is as you described,

 Neal's pool buddy.

  >>

 

Sorry but i couldn't help thinking it should be changed to "To have seen a

sphyncter isn't everything" I'm sorry i know that's childish but i couldn't

help it. My apologies to Allen Ginsberg or whoever might take this

personally.

=========================================================================

Date:         Mon, 23 Jun 1997 15:32:53 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Zabriskie Point revised

In-Reply-To:  <Pine.A32.3.93.970621105721.5506B-100000@srv1.freenet.calga

              ry.ab.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Derek A. Beaulieu writes:

>soundtrack for zabriski point also by the grateful dead's own prophet mr.

>jerome j. garcia. in case ya'll didnt know.

>derek

& when the policeman says what's yr name? Mark says "Karl Marx",

& the policeman typewrites "Marx        Carlo", this scene remember me

"On the Road" where Jack Kerouac describes "the dark mind that is

Carlo Marx", i cant' think Michelangelo Antonioni haven't read the

Kerouac's work... ( a quote & a tribute to JK dead a year before?)

 

btw who is really Carlo Marx in "On The Road"? this question is now

keep in my mind,

 

peace&happiness,

---

yrs

Rinaldo. * a beet is a beet *

=========================================================================

Date:         Mon, 23 Jun 1997 08:23:40 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Zabriskie Point revised

Comments: To: Rinaldo Rasa <rinaldo@GPNET.IT>

In-Reply-To:  <3.0.1.32.19970623153253.00be5594@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

as to the identity of poor carlo marx lost in the weeds:

well our own allen ginsberg.

the secrets out

there gonna be trouble.

keep yr trenchcoat on  yr fedora down low

derek

 

 

On Mon, 23 Jun 1997, Rinaldo Rasa wrote:

 

> 

> Derek A. Beaulieu writes:

> >soundtrack for zabriski point also by the grateful dead's own prophet mr.

> >jerome j. garcia. in case ya'll didnt know.

> >derek

> & when the policeman says what's yr name? Mark says "Karl Marx",

> & the policeman typewrites "Marx        Carlo", this scene remember me

> "On the Road" where Jack Kerouac describes "the dark mind that is

> Carlo Marx", i cant' think Michelangelo Antonioni haven't read the

> Kerouac's work... ( a quote & a tribute to JK dead a year before?)

> 

> btw who is really Carlo Marx in "On The Road"? this question is now

> keep in my mind,

> 

> peace&happiness,

> ---

> yrs

> Rinaldo. * a beet is a beet *

> 

=========================================================================

Date:         Mon, 23 Jun 1997 08:27:16 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Drugs & Spontaneity

In-Reply-To:  <l03020908afd3cd92dfd5@[206.25.67.117]>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

mc (& co)

aint something to be said about eaving the sidewalk alone - weeds & all.

first thot best thot? welli dont know about that - but the firstthough

captures the image as well as that moment of creation. dont editing

distance the creation from the act of creation? distances the child from

the orgasm (to use a strange metaphor.)?

derek

 

On Mon, 23 Jun 1997, Marie Countryman wrote:

 

> 

> This is a good issue for discussion. Spontaneous writing . . . there is

> definately a value, great writing erupts - yet it is with revision, the

> discipline of the writing art form that the literature is perfected.

> When the muse erupts in the body, spontaneously rising, there is nothing

> else to do but document it. Perhaps if one is so perfected in his

> language that the right word rises for every thought / emotion / etc.,

> then stream of consciousness / spontaneous prose is an end to itself.

> ________

> this is exactly what i am finding out. as i can 'trip' w/o the chemicals,

> due to having a somewhat cracked and multi-faceted mind and world view,

> also as one who has tripped as well for the experience of opening the doors

> of perception, i write down madly all that i thought all that has happened

> all the memories,

> first in prose

> then in verse

> again again again rehearse by pruning the garden and pulling the weeds out

> of the  cracks in the eternal sidewalk, etc etc

> also have found a wonderful editor on this list (who will remain nameless

> to protect her from burial under poems, unless s/he decides to uncloak.)

> mc

> 

=========================================================================

Date:         Mon, 23 Jun 1997 11:29:42 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: lurker speaks

In-Reply-To:  <33AE7344.45F4@sunflower.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

> patricia wrote

>         I resist the flame, since you don't need your life saved, you don't

> appreciate the death and rebirth in beat literature that is so important

> to me.  I saw so many people living lifes not of quiet desperation but

> half lifes, zombies through careful little doses of being careful

> "normal" and denial > I burned, I felt i would rather die than live life

> asleep.

>  i don't dispise altered consciousness of the many forms, the most

> dangerous one being in love. I see a herd of women being goaded by

> culture to wear buffant hairdos and i thought beat literature helped the

> ladies let their curls run free like sunshine and summer. I don't know

> about taking my own temperature during the altered states of being but

> the reflections of light after helped illuminate the ideas that got me

> an inch past provincial, and god knows here in kansas where eisenhower

> didn't die and strange is a guy from arkansas, any concept that takes

> you past "taters should be fried" helps fight hate and fear. Perhaps the

> most important aspect of altered conciousness is that we have a "choice

> or even responsibility" of perspective, be it zen or dispair.  We even

> have the right. To experiment in words reflects the deepest experiment

> that in how we think and view the world and in that way all good

> literature affects me and changes me. but of course that is how i define

> good literature. and for me it saves my life every so often. curled in

> my soapbox like a cat, thinking that the great lie is the only sweet thing

 about death is the smell.

> p

_________

three cheers for patricia. couldn't agree more. distubing the way sexton

and plath wrote their suicide notes time and time again, trapped in

solopstic universes, where only pain was reward.

so different from the reaching out, the broadening of social awareness and

tenderness evoked in AG's poems they are all about life and how to live it,

to all of us at large. i studied plath, i studied saxton i read the

biographies and all i could think of was how sad these women are and how 2

dimensional both personality and writings. technically marvelous poetry, no

doubt about technique. but so hermetically sealed in their gazing into own

navel and snarling at world outside of them.

trauma can make excellent poetry when broadened out to reach others in an

expansive world view that allows poet to write to others and not just to

self or lovers/husbands/shrinks..

as a confessional poet who is always building bridges to get to other side

and dance out the pain with friendship sharing and openess, i must say that

AG did such writing so superbly. his pain is not just for himself, his pain

is for all. i first 'saw' myself in HOWL. and i walk that line carefully

through revisions of my work.

mc

=========================================================================

Date:         Mon, 23 Jun 1997 08:31:53 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: who was around in the 60's?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Maya Gorton wrote:

> 

> In a message dated 97-06-21 06:46:57 EDT, you write:

> 

> <<

>  Sara Feustle wrote:

>  >

>  > I myself am a whopping 21, and I am soooooo pissed off about all the stuff

>  > I missed for being born so late!!!! Anybody else in the same predicament?

> 

>  I am 23 and yes I am pissed, thinking about all that I missed. I'm also

>  annoyed being born so early. Imagine what I won't see in the future.

>  Still I wouldn't like to see myself in the mirror at the age of 200. I'd

>  be reeeally ugly. So all things considered, I'm happy.

> 

>  -daniel

> 

>   >>

> I don't get it.  I sed i was 22 before, but i don't feel like i should have

> been born earlier or later.  I feel JUST right.  I guess knowing that i was a

> gangsta chick in 1940's Chicago in my previous life helps.  I didn't miss a

> thing.  It's all happening NOW as far as i'm concerned.  Sara---just think,

> in a few years, you'll be saggy and wrinkly so enjoy yerself now, while you

> can still get some!

 

Sounds a bit like Miniver Cheevy:

 

Miniver Cheevy, child of scorn,

        Grew lean while he assailed the seasons;

He wept that he was ever born,

        And he had reasons.

 

Miniver loved the days of old

        When swords were bright and steeds were prancing:

The visions of a warrior bold

        Would set him dancing.

 

Miniver sighted for what was not,

        And dreamed, and rested from his labors;

He dreamed of Thebes and Camelot,

        And Priam's neighbors.

 

Miniver mourned the ripe renown

        That made so many a name so fragrant;

He mourned Romance, now on the town,

        and Art, a vagrant.

 

Miniver loved the Medici,

        Albeit he had never seen one;

He would have sinned incessantly

        Could he have been one.

 

Miniver cursed the commonplace

        And eyed a khaki suit with loathing;

He missed the medieval grace

        Of iron clothing

 

Miniver scorned the gold he sought,

        But sore annoyed was he without it;

Miniver thought, and thought, and thought,

        And thought about it.

 

Miniver Cheevy, born too late,

        Scratched his head and kept on thinking;

Miniver coughed, and called it fate,

        And kept on drinking.

 

 

from Edwin Arlington Robinson......

 

Barb

=========================================================================

Date:         Mon, 23 Jun 1997 11:37:56 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Drugs & Spontaneity

In-Reply-To:  <Pine.A32.3.93.970623082432.29216A-100000@srv1.freenet.calgary.ab.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

d: first thought may be best thought, but to make the thought

understandable to others and to craft a poem takes revision, if only a

second draft. too many thoughts (good and otherwise) fill my first draft. i

then need to listen to the voices, and then prune away the extraneous

flying squirrels who shit out of my tree of knowledge. all this is done to

make clearer and more universal the first thought. the end = first

thought+heightened awareness and beauty of form of poem on page.

look for example, as i know you have both, the difference made in editing

the plattsburg pome from first to second drafts. first draft was first

thought; second draft was to make those thoughts leap more clearly onto

page into rhythm of childhood chants and more immediacy of the poet circle

and less fumbling about in my head (the me/not me stanza).

just my way of doing things. works for me,

it also worked for JK who unlike the legend, reworked and edited his first

thoughts  to elevation of art.

mc

 

 

>mc (& co)

>aint something to be said about eaving the sidewalk alone - weeds & all.

>first thot best thot? welli dont know about that - but the firstthough

>captures the image as well as that moment of creation. dont editing

>distance the creation from the act of creation? distances the child from

>the orgasm (to use a strange metaphor.)?

>derek

> 

>On Mon, 23 Jun 1997, Marie Countryman wrote:

> 

>> 

>> This is a good issue for discussion. Spontaneous writing . . . there is

>> definately a value, great writing erupts - yet it is with revision, the

>> discipline of the writing art form that the literature is perfected.

>> When the muse erupts in the body, spontaneously rising, there is nothing

>> else to do but document it. Perhaps if one is so perfected in his

>> language that the right word rises for every thought / emotion / etc.,

>> then stream of consciousness / spontaneous prose is an end to itself.

>> ________

>> this is exactly what i am finding out. as i can 'trip' w/o the chemicals,

>> due to having a somewhat cracked and multi-faceted mind and world view,

>> also as one who has tripped as well for the experience of opening the doors

>> of perception, i write down madly all that i thought all that has happened

>> all the memories,

>> first in prose

>> then in verse

>> again again again rehearse by pruning the garden and pulling the weeds out

>> of the  cracks in the eternal sidewalk, etc etc

>> also have found a wonderful editor on this list (who will remain nameless

>> to protect her from burial under poems, unless s/he decides to uncloak.)

>> mc

>> 

=========================================================================

Date:         Mon, 23 Jun 1997 11:41:18 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      first thought and revision

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

btw, insp. derek:

them weeds in the sidewalk obscure the cracks in universe in which i slip

with tiny pad .

some weed, some do not

("some cook some do not" ole ezra said this i believe somewhere in them cantos.

ok, enuf

mc

=========================================================================

Date:         Mon, 23 Jun 1997 10:40:10 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      TA-DA!

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from literary kicks webside (http://www.charmnet/~Brooklyn/LitKicks.html)

 

'Marriage' by Gregory Corso

 

Thanks to Gene R. Truex (gene.r.truex@dartmouth.edu) for typing this

wonderful poem in.

 

Should I get married? Should I be good?

Astound the girl next door with my velvet suit and faustus hood?

Don't take her to movies but to cemeteries

tell all about werewolf bathtubs and forked clarinets

then desire her and kiss her and all the preliminaries

and she going just so far and I understanding why

not getting angry saying You must feel! It's beautiful to feel!

Instead take her in my arms lean against an old crooked tombstone

and woo her the entire night the constellations in the sky-

 

When she introduces me to her parents

back straightened, hair finally combed, strangled by a tie,

should I sit with my knees together on their 3rd degree sofa

and not ask Where's the bathroom?

How else to feel other than I am,

often thinking Flash Gordon soap-

O how terrible it must be for a young man

seated before a family and the family thinking

We never saw him before! He wants our Mary Lou!

After tea and homemade cookies they ask What do you do for a living?

 

Should I tell them? Would they like me then?

Say All right get married, we're losing a daughter

but we're gaining a son-

And should I then ask Where's the bathroom?

 

O God, and the wedding! All her family and her friends

and only a handful of mine all scroungy and bearded

just wait to get at the drinks and food-

And the priest! he looking at me as if I masturbated

asking me Do you take this woman for your lawful wedded wife?

And I trembling what to say say Pie Glue!

I kiss the bride all those corny men slapping me on the back

She's all yours, boy! Ha-ha-ha!

And in their eyes you could see some obscene honeymoon going on-

Then all that absurd rice and clanky cans and shoes

Niagara Falls! Hordes of us! Husbands! Wives! Flowers! Chocolates!

All streaming into cozy hotels

All going to do the same thing tonight

The indifferent clerk he knowing what was going to happen

The lobby zombies they knowing what

The whistling elevator man he knowing

Everybody knowing! I'd almost be inclined not to do anything!

Stay up all night! Stare that hotel clerk in the eye!

Screaming: I deny honeymoon! I deny honeymoon!

running rampant into those almost climactic suites

yelling Radio belly! Cat shovel!

O I'd live in Niagara forever! in a dark cave beneath the Falls

I'd sit there the Mad Honeymooner

devising ways to break marriages, a scourge of bigamy

a saint of divorce-

 

But I should get married I should be good

How nice it'd be to come home to her

and sit by the fireplace and she in the kitchen

aproned young and lovely wanting my baby

and so happy about me she burns the roast beef

and comes crying to me and I get up from my big papa chair

saying Christmas teeth! Radiant brains! Apple deaf!

God what a husband I'd make! Yes, I should get married!

So much to do! Like sneaking into Mr Jones' house late at night

and cover his golf clubs with 1920 Norwegian books

Like hanging a picture of Rimbaud on the lawnmower

like pasting Tannu Tuva postage stamps all over the picket fence

like when Mrs Kindhead comes to collect for the Community Chest

grab her and tell her There are unfavorable omens in the sky!

And when the mayor comes to get my vote tell him

When are you going to stop people killing whales!

And when the milkman comes leave him a note in the bottle

Penguin dust, bring me penguin dust, I want penguin dust-

 

Yes if I should get married and it's Connecticut and snow

and she gives birth to a child and I am sleepless, worn,

up for nights, head bowed against a quiet window, the past behind me,

finding myself in the most common of situations a trembling man

knowledged with responsibility not twig-smear nor Roman coin soup-

O what would that be like!

Surely I'd give it for a nipple a rubber Tacitus

=46or a rattle a bag of broken Bach records

Tack Della Francesca all over its crib

Sew the Greek alphabet on its bib

And build for its playpen a roofless Parthenon

 

No, I doubt I'd be that kind of father

Not rural not snow no quiet window

but hot smelly tight New York City

seven flights up, roaches and rats in the walls

a fat Reichian wife screeching over potatoes Get a job!

And five nose running brats in love with Batman

And the neighbors all toothless and dry haired

like those hag masses of the 18th century

all wanting to come in and watch TV

The landlord wants his rent

Grocery store Blue Cross Gas & Electric Knights of Columbus

impossible to lie back and dream Telephone snow, ghost parking-

No! I should not get married! I should never get married!

But-imagine if I were married to a beautiful sophisticated woman

tall and pale wearing an elegant black dress and long black gloves

holding a cigarette holder in one hand and a highball in the other

and we lived high up in a penthouse with a huge window

from which we could see all of New York and even farther on clearer days

No, can't imagine myself married to that pleasant prison dream-

 

O but what about love? I forget love

not that I am incapable of love

It's just that I see love as odd as wearing shoes-

I never wanted to marry a girl who was like my mother

And Ingrid Bergman was always impossible

And there's maybe a girl now but she's already married

And I don't like men and-

But there's got to be somebody!

Because what if I'm 60 years old and not married,

all alone in a furnished room with pee stains on my underwear

and everybody else is married! All the universe married but me!

 

Ah, yet well I know that were a woman possible as I am possible

then marriage would be possible-

Like SHE in her lonely alien gaud waiting her Egyptian lover

so i wait-bereft of 2,000 years and the bath of life.

 

Literary Kicks

=========================================================================

Date:         Mon, 23 Jun 1997 12:01:21 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      i forgot the thread title -RACE, response to spontaniety

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dave

you pick yr nose hairs

i'll prune my pomes.

no difference.

mc

=========================================================================

Date:         Mon, 23 Jun 1997 11:18:47 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: lurker speaks

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Marie Countryman wrote:

> 

> > patricia wrote

> >         I resist the flame, since you don't need your life saved, you don't

> > appreciate the death and rebirth in beat literature that is so important

> > to me.  I saw so many people living lifes not of quiet desperation but

> > half lifes, zombies through careful little doses of being careful

> > "normal" and denial > I burned, I felt i would rather die than live life

> > asleep.

> >  i don't dispise altered consciousness of the many forms, the most

> > dangerous one being in love. I see a herd of women being goaded by

> > culture to wear buffant hairdos and i thought beat literature helped the

> > ladies let their curls run free like sunshine and summer. I don't know

> > about taking my own temperature during the altered states of being but

> > the reflections of light after helped illuminate the ideas that got me

> > an inch past provincial, and god knows here in kansas where eisenhower

> > didn't die and strange is a guy from arkansas, any concept that takes

> > you past "taters should be fried" helps fight hate and fear. Perhaps the

> > most important aspect of altered conciousness is that we have a "choice

> > or even responsibility" of perspective, be it zen or dispair.  We even

> > have the right. To experiment in words reflects the deepest experiment

> > that in how we think and view the world and in that way all good

> > literature affects me and changes me. but of course that is how i define

> > good literature. and for me it saves my life every so often. curled in

> > my soapbox like a cat, thinking that the great lie is the only sweet thing

>  about death is the smell.

> > p

> _________

> three cheers for patricia. couldn't agree more. distubing the way sexton

> and plath wrote their suicide notes time and time again, trapped in

> solopstic universes, where only pain was reward.

> so different from the reaching out, the broadening of social awareness and

> tenderness evoked in AG's poems they are all about life and how to live it,

> to all of us at large. i studied plath, i studied saxton i read the

> biographies and all i could think of was how sad these women are and how 2

> dimensional both personality and writings. technically marvelous poetry, no

> doubt about technique. but so hermetically sealed in their gazing into own

> navel and snarling at world outside of them.

> trauma can make excellent poetry when broadened out to reach others in an

> expansive world view that allows poet to write to others and not just to

> self or lovers/husbands/shrinks..

> as a confessional poet who is always building bridges to get to other side

> and dance out the pain with friendship sharing and openess, i must say that

> AG did such writing so superbly. his pain is not just for himself, his pain

> is for all. i first 'saw' myself in HOWL. and i walk that line carefully

> through revisions of my work.

> mc

 

my ex-wife was a big Virginia Woolf fan.  i don't know if that is in the

same women's lineage.  She said I had to read this - and the only time

she'd said that before was with Farina's "Been Down So Long It Looks

Like Up to Me" so i tried and i tried - something about a room bunch of

rants about freedom to be i guess.  hell the whole universe is the room

as far as i'm concerned.  I didn't get it really.  one day i was in

special collections at the University of Iowa and on a lark i looked up

Woolf.  they had this book about VW (the original bug) spending an

entire day shopping for a pencil.  then i got it.  the pencil book

should be Woolf's most famous.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 23 Jun 1997 11:22:22 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: first thought and revision

MIME-Version: 1.0

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Marie Countryman wrote:

> 

> btw, insp. derek:

> them weeds in the sidewalk obscure the cracks in universe in which i slip

> with tiny pad .

> some weed, some do not

> ("some cook some do not" ole ezra said this i believe somewhere in them

 cantos.

> ok, enuf

> mc

 

as an old gardener said "watch which weeds you pull up!"

in the same vein

step on a crack - break your mother's back.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 23 Jun 1997 11:44:04 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      question for david

Mime-Version: 1.0

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david r:

        is your comment about the "forest of arden" aspect of the beat

hotel related to the sexual connotation that AG and JK were always trying

to convey to JC Holmes?

        by the way, where is the beat hotel?  (sorry for the ignorance,

but inquiring minds want to know) *smile*

 

Jenn Thompson

=========================================================================

Date:         Mon, 23 Jun 1997 18:37:28 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Marcel Proust questionnaire (Re: does anyone here speak french?)

Mime-Version: 1.0

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Quel est pour vous le comble de la mise're?

[]

Ou' aimeriez-vous vivre?

[]

Votre ide'al de bonheur terrestre?

[]

Pour quelles fautes avez-vous le plus d'indulgence?

[]

Vos he'ros de romans pre'fe'res?

[]

Votre personnage historique pre'fe're'?

[]

Vos he'roi:nes dans le vie re'elle?

[]

Vos he'roi:nes dans la fiction?

[]

Votre peintre favori?

[]

Votre musicien pre'fe're'?

[]

Votre qualite' pre'fe're'e chez l'homme?

[]

Votre qualite' pre'fe're'e chez la femme?

[]

Votre vertu pre'fe're'e?

[]

Votre occupation pre'fe're'e?

[]

Qui auriez-vous aime' e^tre?

[]

Le trait principal de votre caracte're?

[]

Ce que vouz appre'ciez le plus chez des amis?

[]

Votre principal de'feaut?

[]

Votre re^ve de bonheur?

[]

Quel serait votre plus grand malheur?

[]

Ce que vous voudriez e^tre?

[]

Le couleur que vous pre'fe'rez?

[]

Le fleur que vous aimez?

[]

L'oiseau que vous pre'fe'rez?

[]

Vos auteurs favoris en prose?

[]

Vos poe'tes pre'fe're's?

[]

Vos noms favoris?

[]

Le caracte'res historiques que vous me'prisez le plus?

[]

Le fait militaire que vous admirez le plus?

[]

Le don de la nature que vous voudriez avoir?

[]

Ce que vous de'testez par dessus tout?

[]

Comment aimeriez-vous mourir?

[]

E'tat pre'sent de votre esprit?

[]

Votre devise?

[]

=========================================================================

Date:         Mon, 23 Jun 1997 18:07:37 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Genesis in nuce.

Mime-Version: 1.0

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                Yahweh  by John Cage

 

                 Jabal

                hE was

                tHe

                 Of

                haVE

                 nAme

                  He

 

                  Just

                walkEd

                 with

                   gOd

        filled with Violence

                        And

                flesH

=========================================================================

Date:         Mon, 23 Jun 1997 12:19:03 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: first thought and revision

In-Reply-To:  <33AEA2BE.5A60@midusa.net>

Mime-Version: 1.0

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RACE --- wrote:

 

>Marie Countryman wrote:

>> 

>> btw, insp. derek:

>> them weeds in the sidewalk obscure the cracks in universe in which i slip

>> with tiny pad .

>> some weed, some do not

>> ("some cook some do not" ole ezra said this i believe somewhere in them

> cantos.

>> ok, enuf

>> mc

> 

>as an old gardener said "watch which weeds you pull up!"

>in the same vein

>step on a crack - break your mother's back.

> 

there were always a lot of weeds in the sidewalk at my aunt's house in

oregon. it was also there that my cousin who had been beaten and sexually

molested by his father told me about the time he tried to kill his mother

with a knife. but somehow, the thing i rember most is the little silver

dish of candies that always sat on a dresser in the front room and my aunt

putting her cripppled legs up on a dark leather chair.

 

-leo

=========================================================================

Date:         Mon, 23 Jun 1997 14:14:46 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: lurker speaks

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>Mike & Barbara Wirtz wrote:

> About the women standing the test of time...you or someone had asked

> what was the most significant development/work of the 20th C....I think

> that the voices as a whole is the most significant development...

> Perhaps as individuals they may not endure...but they spoke up and

>wrote

> from a perspective that had been long neglected.  I see it as the most

> significant development...because I project that women will dominate

> literature in the 21st C.... at least in America.

> 

> As for literature saving lives...I have never once thought it was the

> purpose.  I have never read literature, or chosen literature, on that

> basis.  My life has not needed saving...and I'm not sure a poet is the

> one for the job if it were the case.  I'm actually not even concerned

> about literature as therapy.  I am much more concerned with the

> expression of ideas and how well  ideas conveyed through

> devices/technique.  A good idea should be expressed in a way that is

> beyond compare...perfectly suited... an astounding  synthesis of sound

> and meaning .

> 

> As for howling....no thank you.  At times I do feel the need to applaud

> and cheer... but howl, no.  If I don't like my life or situation, I do

> something to change it.  And...we are from different worlds....I've

> always been very lucky in many aspects. I've attended great schools,

> always had diverse interests...extremely active in dance and

> sports....and if I want to get high...I run in the desert or push

> physical endurance somehow.  I do not glamourize drug use nor condone

>it

> in any fashion.  I honestly think the beats were great

> experimenters...and some truly were on quests, but their lives are

> tragic as a whole.  (and where many thought they had attained

> enlightenment...or epiphanies...they were just spewing the frazzled

> synaptic mishaps of an overdose... It does NOT make for great art.

>When

> I read poetry where the poet is obviously wacked, I think "junk"

> ...not revolutionary, novel, genius driven art)  Ok *grin*...everyone

> jump on me now.....

> Barb

 

Hi Barb,

 

First of all, about women poets standing the test of time, I truly hope

that great poetry does continue to come from women, but not because they

are women.  There is no male or female in great poetry, only humanity, to

think that you can write from a female perspective and have it last as

female perspective, is a myth.  What you touch in yourself when you write

poetry is the great oneness of the human experience.  And you add to that

experience in one voice, that is neither male nor female, but one

that comes from the huge, expanding river of consciouness that passes

through and connects the minds of all of us.

 

You are lucky that your life has never needing saving, actually maybe not

so lucky, if your experience has kept your life safe and

compartmentalized, because that's not the way of things in the universe.

 No writer that has not touched the great despair of our humannness can

write about great joy.  I am not at all concerned with literature as

therapy but the quest of humanness in all its darkness and light is what

has propelled great literature to be written from Odysseus to now.  "A

good idea should be expressed in a way that is beyond compare...an

astounding synthesis of sound and meaning"...is from my perspective back

to the classical definition of creating a work of art outside of

yourself.  I would rather see each and every moment of life exalted and

poetic, in all its rambling and unrulely glory.

 

I don't think that beat writers glamourized drug use any more than Plath

or Sexton glamourized suicide.  It was a part of their world and a part

of an experimentation that covered all aspects of their lives.  You

should also consider that the use of drugs for some people is not that

different than the endorphin high that you might get from pushing

physical endurance.  Both take you to another level of consciousness, a

level that makes mind and body one, and gives you the space to be at

peace with the comings and goings of your daily existence. I spend my

days interviewing people about why they run or bike, why they incorporate

exercise into their lives, and that "sweet spot" that is reached in

pushing the human body is not that far removed from an addict getting

their hit for the day.  When I was in my twenties, I would have looked at

alcohol or drugs for an answer, now I look to my bicycle.  I would also

ask you to look at the epiphanies or enlightment of any writer and to

examine if they were any different if drugs were used or not. I think

not.  I thing that if you substracted the fact that Kerouac, Ginsberg or

Burroughs used drugs, you would still recognize the brilliance of their

work for what it is.   Have you read Finnegans Wake?  I see beat writers

as pushing the same stream of consciousness/mind into the heart of

American life.

DC

=========================================================================

Date:         Mon, 23 Jun 1997 14:27:58 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Drugs & Spontaneity

MIME-Version: 1.0

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Derek A. Beaulieu wrote:

> 

> mc (& co)

> aint something to be said about eaving the sidewalk alone - weeds & all.

> first thot best thot? welli dont know about that - but the firstthough

> captures the image as well as that moment of creation. dont editing

> distance the creation from the act of creation? distances the child from

> the orgasm (to use a strange metaphor.)?

> derek

> I think it depends on every individual as to whether the spontaneous flow

is best revised or not.  The key to good revision is to illuminate

without losing the spontaneity of the flow.  I tend to write and revise

in my head, kind of a mind that creates and revises simultaneously so

that by the time my creation hits paper, it is seldom revised again.

DC

=========================================================================

Date:         Mon, 23 Jun 1997 11:51:02 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Drugs & Spontaneity

In-Reply-To:  <33AEEA5E.2ED9@together.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 23 Jun 1997, Diane Carter wrote:

> Derek A. Beaulieu wrote:

> > mc (& co)

> > aint something to be said about eaving the sidewalk alone - weeds & all.

> > first thot best thot? welli dont know about that - but the firstthough

> > captures the image as well as that moment of creation. dont editing

> > distance the creation from the act of creation? distances the child from

> > the orgasm (to use a strange metaphor.)?

> > derek

> > I think it depends on every individual as to whether the spontaneous flow

> is best revised or not.  The key to good revision is to illuminate

> without losing the spontaneity of the flow.  I tend to write and revise

> in my head, kind of a mind that creates and revises simultaneously so

> that by the time my creation hits paper, it is seldom revised again.

> DC

dc (diane) and co.

by no means am i argueing that marie's way of composing is wrong or flawed

(flod) in any way. she & i been discussing poetry, etc for quite a while &

simply approach composition of poetry in different ways. several things at

play - what are you working at getting FROM yr poetry, what are you doing,

etc. for instance marie referred to herself as a "confessional" poet at

one point (dont remember where) and while that works for her & what she

needs to explore in poetry / words, it aint my bag. not that i cant

appreciate her poetry (exactly the opposite - in fact i'm frequently

humbled by her works)personally - at the moment ive been pushing around

words on page - words themselves - the way they *look*, feel, *act*, move

on the page almost sculpture of form not necessarily meaning. & what works

best for me is immediate interaction w/ page let the synapses fire where

they may & half (or more) falls flat - fine with me. i'll learn for

nexttime. the ACT, to me, is more important that the product (in my word

w(a)(o)nderings).

different ways of approaching wrds.

same core tho.

its all communication from a creator.

derek

=========================================================================

Date:         Mon, 23 Jun 1997 15:04:36 -0400

Reply-To:     Matthew W Barton <mwb201@IS5.NYU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew W Barton <mwb201@IS5.NYU.EDU>

Subject:      Re: Drugs & Spontaneity

Comments: To: "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

In-Reply-To:  <33AD8260.307C@discovland.net>

MIME-version: 1.0

Content-type: TEXT/PLAIN; charset=US-ASCII

 

        having ignored the world for a spell, i hope i'm not saying

anything that has been said a dozen times already or ignores previous

explanitory statements -- however...  each writer has their own style as

well as method.  one should not attempt to duplicate either.  because one

author feels drugs inversely effect their craftmanship, what leaves you to

assume it will adversely affect all.  such blanket statements have led

more scholars to dismiss the beats, new york's downtown writers and

countless other genres of art created in connection to drugs.  burroughs

does alright by me.  smack wouldn't inspire your failing mind though.  if

your shit stinks before drugs, it sure won't help.  hemingway used to

stand before a podium to write.  he said it focused his whole mind upon

the task at hand.  it could have just been to alleviate the discomfort of

hemroids.  whatever, i wouldn't tell anyone how to write or judge the

product by the means one shapes their medium.  i didn't stand while typing

this.

 

mwbarton.

 

 

On Sun, 22 Jun 1997, neudorf@discovland.net wrote:

 

> In response to Mike Skau's:

> 

> > Writing on drugs: often I feel that I create some of my best work stoned.

 The

> > problem is that when I look at it again the next morning, I'm so embarrassed

> > that I can only pray that I hadn't somehow shown it to anybody: Ginsberg's

> > "in the morning were stanzas of gibberish." A Hallucination Dissertation

> > Manifesto of Coca, Saturn, and Sun.

> 

> 

> To paraphrase Gary Snyder, he states that ("The Real Work" interviews)

> if you write

> *under the influence* of psychedelics, it is as if you are entering the

> cave and

> *stopping* at the first gold pieces, instead of experiencing the cave

> for the cave, reaching farther into the cave where the diamonds lie.

> Writing is a form of documentation, and if you are constantly

> documenting, the pure experience, the beauty of the trip is compromised.

> 

>         It is more rewarding to write after the fact - a little time for

> contemplation - understanding of the trip - Wordsworth writes: "poetry

> is the spontaneous overflow of powerful feelings [which is the trip] . .

> . recollected in tranquility" [after the trip].

> 

>         This is a good issue for discussion. Spontaneous writing . . . there

 is

> definately a value, great writing erupts - yet it is with revision, the

> discipline of the writing art form that the literature is perfected.

> When the muse erupts in the body, spontaneously rising, there is nothing

> else to do but document it. Perhaps if one is so perfected in his

> language that the right word rises for every thought / emotion / etc.,

> then stream of consciousness / spontaneous prose is an end to itself.

> 

> Joseph Neudorfer

> 

=========================================================================

Date:         Mon, 23 Jun 1997 16:02:57 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: first thought and revision

Comments: To: race@midusa.net

 

In a message dated 97-06-23 14:43:24 EDT, you write:

 

<< "watch which weeds you pull up

 in the same vein! ">>

 

I just edited you, race.  It makes a strange kind of sense this way, don't

you think

--------maya.

=========================================================================

Date:         Mon, 23 Jun 1997 15:06:18 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      spin

Content-Type: text

 

Hi!

The current issue of _Spin_ has a memorial on Ginsberg: July 1997

issue, pp. 52, 54-55.

Right now I'm only 250 e-mail messages behind. In a couple of

days, I hope to get caught up, so if you sent me a message, don't

think that I'm ignoring you. I just haven't gotten to you yet.

Happy summer to all!

Mike Skau

6/23/97

=========================================================================

Date:         Mon, 23 Jun 1997 15:14:03 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: Eliot and Ginsberg

Comments: To: Pamela Beach Plymell <CVEditions@AOL.COM>

In-Reply-To:  <970619221359_678499326@emout13.mail.aol.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 19 Jun 1997, Pamela Beach Plymell wrote:

 

> And both these boys ended up whores of Moloch.

> C. Plymell

> 

And Kerouac once either wrote or said, "We're all whores."  I found this

quotation in _Memory Babe_ and have been meaning to ask Gerry for the

original source.  This saying really struck me as insightful; we're all

sell-outs, politicians, master manipulators. wow.

 

Jenn Thompson

=========================================================================

Date:         Mon, 23 Jun 1997 16:20:10 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: forlorn rags of growing old

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33ADCA8B.55F7@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 22 Jun 1997, Diane Carter wrote:

 

> Just finished reading On the Road and saw it as pretty sad at the end.

> "...and nobody, nobody knows what's going to happen to anybody besides

> the forlorn rags of growing old..."  That line took me back to something

> that Gerald Nicosia said in the Kerouac, meaning of life thread, that

> "the knowledge that 'we are all going to die' was why he [Kerouac]

> wrote."

 

An aside: didn't Kerouac directly say that somewhere? I seem to recall

having heard his voice speak those words -- maybe in the 4-CD _Jack Kerouac

Collection_ [which is a must-have btw, and when my then-girlfriend gave this

to me for my birthday in '93 it was the moment that I somehow knew she'd end

up my wife].

 

> Isn't the knowledge that we are going to die the reason that any writer

> writes?  Isn't that the reason that we also grab onto life, every moment

> of life?  What maybe affected me more was "...all that road going, all

> the people dreaming in the immensity of it,..."  The way Kerouac said it,

> it was a kinda a great thing but a sad thing.  The way I see it, it's a

> great thing and a positive thing, because it is individual dreams that

> pull people out of dispair and what Kerouac came to see as the sadness of

> America.  Anyone out there got an feelings about this?

 

To me, this is the essence of Jack -- I think it was this emotion that was

at the core of what drove him to write. Yeah it's a great thing and a sad

thing at the same time; the chiaroscuro high-low orchestration of Jack

Kerouac prose describes postwar Americana like no other. I wasn't there but

reading him I actually felt it, and could apply it to the now and the

internal moments of my own life -- so he has to use the word "redbrick" a

million times in _Visions of Cody_ and gushes on about candy counters like a

goofball -- it doesn't matter, that starryeyed dreaminess was testament to

his existence as master of grabbing onto life and its every moment.

Self-awareness is knowledge of your own life and damnation, it begets joy

and therefore art.

 

m

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Mon, 23 Jun 1997 16:27:22 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: TA-DA!

 

In a message dated 97-06-23 16:21:18 EDT, you write:

 

<< 

 Ah, yet well I know that were a woman possible as I am possible

 then marriage would be possible-(corso) >>

 

yep, that pretty much sums it up for me.

=========================================================================

Date:         Mon, 23 Jun 1997 16:51:23 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Collage of songs, (Exit light, enter night.)

 

how 'bout a poem for mah bay-bee

ooh, ya look so good

just a-walkin downda street

singin "evryting's gonna bee ah-ight"

And you know it truly truly is sin

that villains, always, blink their eyes!

 

HEY!

been tryin' to meetcha.

Dontcha know that happiness is a warm gun?

Burnin' a hole in my pocket (silver rocket).

Some men do it for diamonds, some do it for gold.

We danced the Cemetery Polka all night

and partied ev-er-y day.

But momma,

i'm gonna leave it all behind and face the pain.

Under the bridge over troubled water.

'Cause it makes me feel like I'm a man

when... the streets have no name.

Base!

How low can you go?

Death Row?

Water buffalo!

So baybeh if ya feelin' good....

 

DISCLAIMER: THE LINES IN THIS POEM ARE NOT ORIGINAL THEY ARE INDIVIDUAL LINES

FROM DIFFERENT SONGS BY OTHER PEOPLE NOT ME.

so i don't wanna hear it ok?

 

Just for fun, how many of these lines can you identify?(singer and song!)

=========================================================================

Date:         Mon, 23 Jun 1997 17:06:46 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      madness

 

crate, crate, crate.

That's all i do anymore.

Mommee, why did i hafta be born so damn crative?

"Shut yer cake-hole ya fuckin' brat"

Oh god is this one of those poems where i talk to myself.

(not only that but i cuss myself too)

Somebody send me some mail

to keep me from tapping endlessly!

I would rather read your stuff than mine.

And rather than you reading mine, wouldn't you rather i read yours?

(i'll show you mine....)

 

(some people tell her 'oh, you must have a very interesting inner life')

 

WELL THEY'RE RIGHT, OK???!!!

(maya, is that little girl you?)

--------------------------------------maya( truly mad, not just faking it for

artistic purposes)

=========================================================================

Date:         Mon, 23 Jun 1997 14:09:55 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: forlorn rags of growing old

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:20 PM 6/23/97 -0400, you wrote:

>On Sun, 22 Jun 1997, Diane Carter wrote:

> 

>> Just finished reading On the Road and saw it as pretty sad at the end.

>> "...and nobody, nobody knows what's going to happen to anybody besides

>> the forlorn rags of growing old..."  That line took me back to something

>> that Gerald Nicosia said in the Kerouac, meaning of life thread, that

>> "the knowledge that 'we are all going to die' was why he [Kerouac]

>> wrote."

> 

>An aside: didn't Kerouac directly say that somewhere? I seem to recall

>having heard his voice speak those words -- maybe in the 4-CD _Jack Kerouac

>Collection_ [which is a must-have btw, and when my then-girlfriend gave this

>to me for my birthday in '93 it was the moment that I somehow knew she'd end

>up my wife].

 

Yeah,

 

I was wondering why someone didn't quote this.

 

It's from Visions of Cody and is part of the reading he did on the Steve

Allen Show (funny how Jay leno doesn't have any authors reading nowadays).

 

"I wrote the book cause we're all gonna die"

=========================================================================

Date:         Mon, 23 Jun 1997 15:23:49 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Collage of songs, (Exit light, enter night.)

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970623164937_1621369355@emout05.mail.aol.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> how 'bout a poem for mah bay-bee

> ooh, ya look so good                                  - PATTI SMITH (?)

> just a-walkin downda street

> singin "evryting's gonna bee ah-ight"

> And you know it truly truly is sin

> that villains, always, blink their eyes!

> HEY!

> been tryin' to meetcha.

> Dontcha know that happiness is a warm gun?            - BEATLES

> Burnin' a hole in my pocket (silver rocket).

> Some men do it for diamonds, some do it for gold.

> We danced the Cemetery Polka all night

> and partied ev-er-y day.

> But momma,

> i'm gonna leave it all behind and face the pain.

> Under the bridge over troubled water.                - SIMON &GARFUNKEL

> 'Cause it makes me feel like I'm a man

> when... the streets have no name.                     - U2

> Base!

> How low can you go?

> Death Row?

> Water buffalo!                                        - PUBLIC ENEMY

> So baybeh if ya feelin' good....

> 

> DISCLAIMER: THE LINES IN THIS POEM ARE NOT ORIGINAL THEY ARE INDIVIDUAL LINES

> FROM DIFFERENT SONGS BY OTHER PEOPLE NOT ME.

> so i don't wanna hear it ok?

> Just for fun, how many of these lines can you identify?(singer and song!)

=========================================================================

Date:         Mon, 23 Jun 1997 16:34:28 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: first thought and revision

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Maya Gorton wrote:

> 

> In a message dated 97-06-23 14:43:24 EDT, you write:

> 

> << "watch which weeds you pull up

>  in the same vein! ">>

> 

> I just edited you, race.  It makes a strange kind of sense this way, don't

> you think

> --------maya.

 

that particular arrangement is definitely one that consciously in my

mind but layers and layers of others through the foggy mist and bog of

my morning daze.  i recommend the previous wording.

 

imagine the old gardener and let me know what he looks like down to his

veins.  you are much better at such imagination than I.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 23 Jun 1997 17:35:33 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: forlorn rags of growing old

Comments: To: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

In-Reply-To:  <199706232109.OAA16732@hsc.usc.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 23 Jun 1997, Timothy K. Gallaher wrote:

 

> It's from Visions of Cody and is part of the reading he did on the Steve

> Allen Show (funny how Jay leno doesn't have any authors reading nowadays).

> 

> "I wrote the book cause we're all gonna die"

 

Ah -- yes -- also quoteed on back cover of Penguin VOC amid collage of

Neal/Jack/etc pics...

=========================================================================

Date:         Mon, 23 Jun 1997 17:48:58 -0400

Reply-To:     Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sisyphus <sisyphus@POLARIS.MINDPORT.NET>

Subject:      Re: who was around in the 60's?

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970623083601_-792219484@emout19.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 23 Jun 1997, Maya Gorton wrote:

 

> gangsta chick in 1940's Chicago in my previous life helps.  I didn't miss a

 

"moll" honey.  Gangsta chick is today.  "Moll" is 1940.

=========================================================================

Date:         Mon, 23 Jun 1997 15:06:03 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Charles Bukowski discussion List

Comments: To: chaingang@samurai.com

Comments: cc: bananafish@lists.nyu.edu

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Please excuse the following information. I don't normally like doing cross

postings to various groups nor do I like shameless promotion, but........

<i don't this doesn't excuse me, but what the hey!>

 

Anyways, several people have contacted me off these various lists about an

email list for the discussion of charles bukowski. I have done a web search

on him, and have not found a list that was currently up and running. A

friend of mine has donated his cpu time to creating a list for me for such

an event! ;)

 

So, if you are interested in the discussion of Charles Bukowski (his works,

et al), please send email

to:

    listproc@bigendian.com

In the body of the message, put:

 

   subscribe bukowski your name <your name being = your firstname your

lastname>

 

If you have any questions, please feel free to contact me via this address

OR at simunye@sekurity.org

 

thanks for your time :)

 

ttfn.

 

Lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

                 http://the.art.of.sekurity.org/simunye

=========================================================================

Date:         Mon, 23 Jun 1997 20:37:22 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: ketchup

 

In a message dated 97-06-23 07:49:38 EDT, you write:

 

<< Ginsberg's

 "in the morning were stanzas of gibberish." A Hallucination Dissertation

 Manifesto of Coca, Saturn, and Sun. >>

Could you tell me when this appeared and more about the context?

Charles Plymell

=========================================================================

Date:         Mon, 23 Jun 1997 20:48:06 -0400

Reply-To:     Hpark4@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Hunter Thompson 6/13 in DC

 

Since there have been a few inquiries of late about HST...

 

HST appeared at Olesson's Books near DuPont Circle in Washington on June 13.

 About 100 mostly GenX'ers were in line to await his not all that late

arrival.  HST did not sign the books, rather a bookstore employee gave out

supposedly signed (initials only) bookplates.

 

The line passed quickly as the amazingly awestruck crowd filed past HST,  a

little like catholic peasents meeting the Pope, drink and cigarette in his

hand (funny how the usual rules about no smaking or drinking don't apply to

celebrities, but I'm not complaining). He traveled with several aides,

probably from the publisher, who were there to ferry him around.  A boombox

played Donovan tunes, very softly, circa 1967 or so.  HST had little to say

and was kinda hard to hear, but he looks *fairly* well.

 

The funny thing was that after the crowd passed, about 25 people stayed just

to watch him sit there, doing very little.  The crowd seemed to view him from

a respectful distance, not at all unlike a rare animal in a zoo.  This was

really quite auckward as HST mumbled a few thoughts, rarely a sentence, to

his aides and bookstore employees as the crowd just stood there, no one

daring to get within about 10 feet of HST, who seemed bored.

 

Finally, one of the aides said "Dr. Thompson will only be here a few more

minutes, so if anyone wants to talk to him this is your chance."  That broke

the ice as the crowd approached him, much closer.  Thompson was VERY bored

with the usual "I love your books stuff" but he seemed a little interested

when I asked how Gary Hart was doing ("just fine...well

considering...fine...I saw him a few months ago...) and we talked about the

time I met him previously, 13 years ago, when I drove him around for a day

culminating in an episode when he, for no apparent reason, grabbed the

steering wheel of the car I was driving, disrupting the motorcade we were

in., and yelled at me to made a sudden turn as we kinda fought over the

steering wheel.  I can't tell if HST remembered that or not.  He said

something about he did it to protest that "negros" were not being allowed on

the campaign plane.  I said that I was talking about 1984 and that I did'nt

remember anything about racism in the Hart campaign (OK, Hart was not

perfect, but he certainly did not bar black folks from the plane!)   HST

muttered something like "must have been another campaign..."  While he did

listen he is not an easy guy to communicate with.  A very good looking woman

asked him if he wanted to have a drink later, which distracted him from me

(not surprisingly), but then an aide sort of muscled in to damper any notion

that HST would alter or change his schedule.  HST did not protest, but looked

just a little disappointed.  I was just a little disappointed that HST did

not acknowledge my Lowell Celebrates Kerouac" t-shirt that I had worn for

this special occasion.  A few more, barely intelligble musings sputtered

forth from HST, and then the aide announced it was time to go to the

Washington Post.

 

The book, "The Proud Highway" looks interesting.

 

Howard Park

=========================================================================

Date:         Mon, 23 Jun 1997 20:00:52 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      About to Play Solitaire

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Have finished the chores schedule for this day and am about to relax to

some evening solitaire on my computer Charlie (who is wearing a nice

black gangster hat right now) with this semi-beat poem in mind.

 

____________

 

"Well, ings die easy when nobody cares

and queens have smiled on the gallows

and dukes have vanished while saying their prayers

and heirs have drowned in the shallows

        and the lords have laughed while falling in flames

        and ladies have died of dishonor

        and counts have exploded while sunning in Spain

        and knights have stewed in their armor

 

but the jack, jack o'diamonds

jack o'diamonds is a hard card to play.

 

Now cowboys die in the arms of a friend

while the sun's conveniently setting

and Cherokees go to their feathery end

while everyone's home minuetting

        and generals fade very slowly away

        while golfing and drinking martinis

        and general's girlfriends have dropped in the grave

        while wearing highheels and bikinis

 

but the jack, the jack o'diamonds,

jack o'diamonds is a hard card to play.

 

Now presidents sink on schooners-of-state

and banks have failed from corruption

and congressman perish at open debate

and lawyers have choked on deductions

        and rich men die from sugary food

        and paupers die when they're reeling

        and wise men go out in a hungover mood

        and virgins die once, without feeling

 

but the jack, jack o'diamonds,

jack o'diamonds is a hard card to play."

 

                                == RICHARD FARINA, 1966

 

____________________________

 

solitaire and Jack

and going to Jill for a pale of water

and dreaming of

Lily and Rosemary

but -

that is a legend of hearts

not

diamonds or

rust.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 23 Jun 1997 21:21:22 -0400

Reply-To:     Ted Harms <tmharms@library.uwaterloo.ca>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ted Harms <tmharms@LIBRARY.UWATERLOO.CA>

Subject:      Beats and  Bacon

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Having spent untold hours playing the Kevin Bacon game (for more info, go

to http://www.cs.virginia.edu/~bct7m/bacon.html), I thought I'd just pass

along to everybody that Jack's Bacon number is 3, Allen's is 2, and Old

Bill's number is also 2.

 

 

Ted Harms                         Library, Univ. of Waterloo

tmharms@library.uwaterloo.ca              519.888.4567 x3761

"...it's elephants all the way down." - from Hindu cosmology

=========================================================================

Date:         Mon, 23 Jun 1997 22:20:09 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Help the beaten

Comments: To: Tom Baylor <tbaylor@forbin.com>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Can someone tell my good friend Tom Baylor (see email address above) how

to subscribe to the Beat list.  I would appreciate it very much.  Also,

if it is posted on the web please send it to me, I would like to put the

url on my link page.  Thanks,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 23 Jun 1997 22:28:18 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      howling is expression of life

 

In a message dated 97-06-23 09:08:46 EDT, you write:

 

<< 

 As for literature saving lives...I have never once thought it was the

 purpose.  I have never read literature, or chosen literature, on that

 basis.  My life has not needed saving...and I'm not sure a poet is the

 one for the job if it were the case.  I'm actually not even concerned

 about literature as therapy.  I am much more concerned with the

 expression of ideas and how well  ideas conveyed through

 devices/technique.  A good idea should be expressed in a way that is

 beyond compare...perfectly suited... an astounding  synthesis of sound

 and meaning . >>

 

I would be dead if it weren't for William S Burroughs.

 

Writing is not only about expressing ideas but also emotions.  In fact it is

a big myth that ideas and emotions are separate.  Writing is about finding

the right combination of words to express exactly what you feel/think.  If

you only feel/think happy thoughts, you are only writing about half of life.

 

 "shiny happy words" are so boring they make me want to die.

 Aesthetic Nihilism is so boring it makes me want to die.

 

I think Burroughs, for all his non-involvement in his friends' Buddhism

research, is the one who gets it better than anyone.  It's all about balance.

 

just thought of sumthing: Burroughs says he believes in the long shot.  when

you're down and been k.o.'d, you can still rise up and give one last

punch...and that's the most beautiful thing ever.  And that's the general

condition. To fight back.  That's the strength you need to be an artist.

 When no one thinks you can do it, you show them your creative biceps.  Flex

'em.  Say "yes, i HAVE been working out".  Nanny nanny boo boo, stick your

head in doo doo.

 

I believe in a more visceral definition of poetry.  not just writing pretty

words and feelings.  That's what I call "bad art". (that's what i'd be doing

if my mommy had been nice and stuff).

Putting it all down so that after you read it you say "there is such

sadness...but everything's gonna be OK.  Because even after the Apocalypse, a

little bitty flower can bloom"

It's a basic faith in life.  But to have it you need death too.

 

If you never howl, how can you appreciate laughter?

=========================================================================

Date:         Mon, 23 Jun 1997 23:25:30 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: corso(was lies, againg, and all that existential angst)

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Marie Countryman wrote:

> 

> someone somewhere in the endless scrolled message on this topic of

> lies/aging etc

> said that he wanted to know more about this 'corso guy' who is a poet who

> at times dons the gonzo poet cap just as HST is gonzo journalism. i highly

> recommend _elegiac feelings american_ to you, also, my favorite poem about

> marriage

> and, in meantime here is a more reflective corso piece:

> HELLO

> it is disastrous to be a wounded deer.

> i'm the most wounded, wolves stalk,

> and i have my failures, too.

> my flesh is caught on the inevitable hook!

> as i child i saw many things i did not want to be.

> Am i the person i did not want to be?

> that talks-to-himself person?

> that - neighbours make-fun-of person?

> am i he who, on museum steps, sleeps on his side?

> do i wear the cloth of a man who has failed?

> am i the looney man?

> in the great serenade of things,

>         am i the most cancelled passage?

> _______

God, that's a great line!--am I the most cancelled passage?

DC

=========================================================================

Date:         Mon, 23 Jun 1997 23:53:16 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Drugs & Spontaneity

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> Derek A. Beaulieu wrote:

> 

> 

>  dc (diane) and co.

>  by no means am i argueing that marie's way of composing is wrong or

> flawed

>  (flod) in any way. she & i been discussing poetry, etc for quite a

> while &

>  simply approach composition of poetry in different ways. several

>things

>at

> play - what are you working at getting FROM yr poetry, what are you

>doing,

> etc. for instance marie referred to herself as a "confessional" poet at

> one point (dont remember where) and while that works for her & what she

> needs to explore in poetry / words, it aint my bag. not that i cant

> appreciate her poetry (exactly the opposite - in fact i'm frequently

> humbled by her works)personally - at the moment ive been pushing around

> words on page - words themselves - the way they *look*, feel, *act*,

>move

> on the page almost sculpture of form not necessarily meaning. & what

>works

> best for me is immediate interaction w/ page let the synapses fire

>where

> they may & half (or more) falls flat - fine with me. i'll learn for

> nexttime. the ACT, to me, is more important that the product (in my

>word

>w(a)(o)nderings).

> different ways of approaching wrds.

> same core tho.

> its all communication from a creator.

> derek

>  It's all in the process and everyone's process is different.  I would

say that I write in the tradition of Ginsberg, people sometimes comment

they see Blakean and Joycean themes.  I don't think I would call it

confessional but try to address my own personal experience in the

framework of greater human experience.  But yes, there are a lot of I's

there and a lot of trauma. If I was to model someone in expressing my own

voice, it would be Ginsberg.  I work toward the emotional expression of

an idea, and not at all ever concerned about how the words look on the

page or how they got there, no sculpture of form, only meaning. I'm much

more concerned with the product as opposed to the act of creating. I just

trust that the voice of the creator will be there when I need it.

DC

=========================================================================

Date:         Tue, 24 Jun 1997 00:31:50 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Kerouac's sadness

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The following passages discuss what I find to be an interesting

comparison--as to why Kerouac seemed to embrace hopelessness more than

Ginsberg ever did.

 

>From Ginsberg Verbatim: (GB=Gordon Ball)

 

AG:  I keep thinking that Kerouac proposed--like Whitman--a sort of noble

ideal American open-minded sensibility, open road, open energy, with some

flaws in it, and some contradictions, but nothing unresolvable with

common sense; the direction America took was toward a military

hardheartedness and mass murder that even he disapproved of, so the

openhearted sensibility, the sensibility of 'the happy nut,' that Kerouac

was praising, the openhearted sensibility that he proposed, was rejected

by the nation, so his soul and his sense of soul was rejected, and his

art was also rejected for that reason--not only by the hardhearted

people, but also by, say, literate people who doubted the reality of

soul, finally, seeing around them the great mechanical robot monster of

the nation, thinking that force has to be met by force.  So the radical

left rejected Kerouac's open heart, the middle-class hippie book

reviewers of The Times rejected Kerouac's open heart, the

pseudo-bohemians wanted sumpin' smarter and more degenerate and terrible;

the weekly news magazines thought it was naive in the face of the giant

holocaust the military mind created and perpetuated; so Kerouac's art was

never really appreciated or understood or accepted, though it was the

right medicine for the nation.  So his whole sensibility was rejected,

and I think that crushed him in the sense of making him pessimistic,

making him realize how really unrelievably awful American destiny was,

and I think he just took the hint and retired from the scene, in a sense,

seeing that the condition of American was hopeless.  It's like what

Gregory says in his elegy for Kerouac: if Kerouac was the nation's

singer, or prophet, or the man who sings for the nation, and if the

nation itself dies, how can the singer live?  He gave himself to the

nation as its singer, and the nation rejected him.

 

GB:  The nation as a whole does not seemed to have followed your

prescriptions either, but your reaction has been different from

Kerouac's.

 

AG:  Well, I know, but my development was much slower, my maturity was

much slower than Jack's.  Jack was already mature around 1950, '51, and

had a complete visionary conception by '53, not only visionary but

complete metaphysical and visionary and Buddhist conception of the open

road, being on the road, and ghosts on the road and everything, and

already had produced like his great art work; it took me till years later

to slowly learn from him.  He went into the chaos ahead of other people

and saw ahead of other people and was perhaps more lonely, and was

wounded.

 

GB:  Do you think the longer time you spent before assuming something

like a nation singer role might have made the difference?

 

AG:  Except that the time has in a sense perhaps inured me to the social

lie and made be a part of the larger social lie of hope.  Kerouac was

essentially hopeless, finally, saw no hope.  And having accepted that he

could, you know, like drink himself to death. I still maintain this

perhaps false hope.  Don't wanna be moved out of my comforts, out of my

comfortable body, I don't know.  I think it's unanswerable.  But the very

simple, tiny point I wanna make is, as Gregory said, as the nation fell,

so did its singer, to the extent that he was the original singer of the

open heart open road for that generation, of the fifties, so it must make

him most raw and vulnerable to the poisoning of the body politic.

        It's his own role so what can he do, and in a nation which is

itself so messed up, what is he going to be--a happy singer?  Happy,

healthy singer of a dying, decadent, destructive world?  Happy joker?

        And I keep thinking I'm too comfortable in this chamber of

horrors, so my own future I think will be more mediative and ascetic.

 

DC

=========================================================================

Date:         Tue, 24 Jun 1997 00:48:29 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: forlorn rags of growing old

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Marie Countryman wrote:

> 

> (apologies in advance if this had already been posted to list, sometimes

> this list feels like i'm playing jeopardy, to hit the send button (buzzer)

> before the next member)

> 

>  I grow old...I grow old...

> I shall wear the bottoms of my trousers rolled,

> 

> Shall I part my hair behind? Do I dare to eat a peach?

> 

> I shall wear white flannel trousers, and walk upon the

>         beach

> I have heard the mermaids singing, each to each.

> 

> I do not think they will sing to me.

 

 

Did you write that from memory?  I think I must have been absent the day

everyone else in the universe memorized Eliot.  I just read an interview

on Mongo's Bearwulf's site www.ginzy.com, where Ginsberg had a nightmare

about Eliot reading his poems.

DC

=========================================================================

Date:         Tue, 24 Jun 1997 00:19:17 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      dear abby...MARRIAGE! (HELP!)

 

THIS RANT is on a more personal note than usual so feel free to delete right

now.

 

my not-so-fresh brain slurps and sloshes inside my skull as i shake my head

"no".

I'm too tired tonight for any damn boyfriend.

 

That Corso poem about marriage somehow stuck in my head all day today.  I

don't know which one scares the shit out of me more, Marriage or Aloneness.

 I know some happily married people---can't be all bad.  But i would miss...

 

  The thrill of talking to someone quietly alone and the tension before you

confess your affection in a kiss.  God sometimes i think that's what i live

for.

 

Then again, it all goes down-hill after that.  And i'm shaking my head to

avoid the fear of inevitably having to break his (tender young) heart after

the initial thrill is gone.  Am I the emotional vampire i never wanted to

become?

 

So many nights of rumpled sheets and i don't even remember all the names...

 

pale rail-thin boys

muscly backs,

visible ribs

tattooed skin

soft dark skin

scarred arms

smooth, unmarked skin

strong arms

green eyes

warm brown eyes

cold grey eyes (sometimes blue)

long hair short hair blue hair grey hair

shaved head

mmmm....skaters.

Punkers, hippies, intellectuals, rock stars.

Mostly disenchanted artists.

Pretending not to love me.

Hah!

Warm hands with long bony fingers

callusses on the tips from playing bass/welding/typing

paint under fingernails:

"Wash yer damn hands before you touch me!"

good gracious, even pierced nipples.

 

Could it possibly be time to settle down with only 1?

I have a friend, he's a writer...a real sweetheart.....

Jeesus, wha's wrong with me. SNAP OUT OF IT!!!

My solution: go live in ascetic seclusion in Thailand and think real hard

about something other than this.

 

They should invent "anti-sex" pills so that when you feel an inconvenient and

distracting urge you can just pop a pill and the mere thought of sex makes

you nauseous.  now THAT would be useful.

 

Until then i'll just feel like some kind of weird vampire-woman who needs

human closeness and affection (read: sex) to survive....to keep me strong and

rejuvenated. Without it I shrivel and wilt.

 

don't get me wrong: i love my boyfriend.  But I don't want to marry him.  Do

i really love him? And if so, why do i want to kiss every boy i meet?

 According to the books, i should be long past adolescence.  Someone please

tell me what the hell is going on.

---------maya

"Confusion is...sex"---Sonic Youth

=========================================================================

Date:         Mon, 23 Jun 1997 23:28:47 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: howling is expression of life

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Maya Gorton wrote:

> 

> I would be dead if it weren't for William S Burroughs.

> 

 

i would have to say that i am probably on the same ship here.  as i

ended Colt-45 i recounted how after i 'accidentally'(?) drank some

gasoline on an unknown balcony in an Illinois winter i heard the voice

of william burroughs quack "you can only call the doctor once".  my mind

screamed out doctor, doctor (just to test his singular theory).  i

lived.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 23 Jun 1997 23:51:28 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

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from a jesuit priest on the island

 

Remember that the ubiquitous, everlasting and infinite power of the Lord is

a double-edged sword.**

 

-leo

 

** whack whack, let it bleed.

 

 

 

 

"Zeus, most glorious and great, and you other immortal gods; may the brains

of whichever party beraks this treaty be poured out on the ground as that

wine is poured, and not only theirs but their childrens too; and may

foriegners possess their wives." -- war prayer from Homer's Iliad

 

 

"You scream, I steam, we all want egg cream." --Lou Reed, "Egg Cream"

 

 

"The air is dark, the night is sad

I lie sleepless and I groan

Nobody cares when a man goes mad.

He is sorry, God is glad.

Shadow changes into bone,

shadow changes into bone."

 

--Allen Ginsberg, from "Interlude"

 

"God said to Abraham, 'Kill me a son.' Abe said 'Man, you must be puttin'

me on' God said 'No.' Abe said, 'What?' God said 'You can do what you want

Abe but, next time you see me comin', man you better run.' Well, Abe said

'Where you want this killin' done?' God said 'Out on Highway 61.'" --Bob

Dylan

=========================================================================

Date:         Mon, 23 Jun 1997 22:06:43 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Blah, Blah, Blah

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Strange juxtapositions this pm.  Down at Kepler's in Menlo Park (the new

store, not the old one where Neal used to stalk the astrology section

for impressionable coeds).  Tried to listen for awhile to Naomi Woolfe

(sp? Wolf, Wolfe), self proclaimed 3rd Wave Feminist reading from her

new book "promescutities".  Could stand about five minutes thinking that

if one reversed the sexes on any of her remarks you could get sued on

any college campus.  Walked out feeling like Rodney King, "Can't we all

just get along."

 

Home watching Hopper and Jodie Foster in "Backtrack" where Hopper is a

sax playing hipster hit man and Foster a kidnapped computer artist.

Silly in parts, but a nice bit when Hopper tells Foster that what she

does isn't art. "Art is Charlie Parker and Hieronymous Bach or whoever

he was."  Some wonderful flirting.  Realized maybe sex isn't dead yet.

Only dying slowly.

 

J. Stauffer

=========================================================================

Date:         Tue, 24 Jun 1997 00:14:31 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: dear abby...MARRIAGE! (HELP!)

In-Reply-To:  <970624001916_-1562490373@emout19.mail.aol.com>

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>THIS RANT is on a more personal note than usual so feel free to delete righ=

t

>now.

> 

>my not-so-fresh brain slurps and sloshes inside my skull as i shake my head

>"no".

>I'm too tired tonight for any damn boyfriend.

> 

>That Corso poem about marriage somehow stuck in my head all day today.  I

>don't know which one scares the shit out of me more, Marriage or Aloneness.

> I know some happily married people---can't be all bad.  But i would miss..=

=2E

> 

>  The thrill of talking to someone quietly alone and the tension before you

>confess your affection in a kiss.  God sometimes i think that's what i live

>for.

> 

>Then again, it all goes down-hill after that.  And i'm shaking my head to

>avoid the fear of inevitably having to break his (tender young) heart after

>the initial thrill is gone.  Am I the emotional vampire i never wanted to

>become?

> 

>So many nights of rumpled sheets and i don't even remember all the names...

> 

>pale rail-thin boys

>muscly backs,

>visible ribs

>tattooed skin

>soft dark skin

>scarred arms

>smooth, unmarked skin

>strong arms

>green eyes

>warm brown eyes

>cold grey eyes (sometimes blue)

>long hair short hair blue hair grey hair

>shaved head

>mmmm....skaters.

>Punkers, hippies, intellectuals, rock stars.

>Mostly disenchanted artists.

>Pretending not to love me.

>Hah!

>Warm hands with long bony fingers

>callusses on the tips from playing bass/welding/typing

>paint under fingernails:

>"Wash yer damn hands before you touch me!"

>good gracious, even pierced nipples.

> 

>Could it possibly be time to settle down with only 1?

>I have a friend, he's a writer...a real sweetheart.....

>Jeesus, wha's wrong with me. SNAP OUT OF IT!!!

>My solution: go live in ascetic seclusion in Thailand and think real hard

>about something other than this.

> 

>They should invent "anti-sex" pills so that when you feel an inconvenient a=

nd

>distracting urge you can just pop a pill and the mere thought of sex makes

>you nauseous.  now THAT would be useful.

> 

>Until then i'll just feel like some kind of weird vampire-woman who needs

>human closeness and affection (read: sex) to survive....to keep me strong a=

nd

>rejuvenated. Without it I shrivel and wilt.

> 

>don't get me wrong: i love my boyfriend.  But I don't want to marry him.  D=

o

>i really love him? And if so, why do i want to kiss every boy i meet?

> According to the books, i should be long past adolescence.  Someone please

>tell me what the hell is going on.

>---------maya

>"Confusion is...sex"---Sonic Youth

 

many possible suggestions here: virgin birth, the beautiful permanent

longing, intoxication,then melancholy. i wonder sometimes whether this poem

has a meaning.

 

The Vestal Lady on Brattle --G. Corso

 

Within a delicate grey ruin

the vestal lady on Brattle

is up at dawn, as is her custom,

with the raise of a shade.

 

Swan-boned slippers revamp her aging feet;

she glides within an outer room...

pours old milk for an old cat.

 

=46ull-bodied and randomly young she clings,

peers down; hovers over a wine filled vat,

and outstretched arms like wings,

revels in the image of child below.

 

Despaired, she ripples a sunless finger

across the liquid eyes; in darkness

the child spirals down; drowns.

Pain leans her forward--face absorbing all--

mouth upon broken mouth, she drinks...

 

Within a delicate grey ruin

the vestal lady on Brattle

is up and about, as is her custom,

drunk with child.

 

-leo

 

 

 

 

"Zeus, most glorious and great, and you other immortal gods; may the brains

of whichever party beraks this treaty be poured out on the ground as that

wine is poured, and not only theirs but their childrens too; and may

foriegners possess their wives." -- war prayer from Homer's Iliad

 

 

"You scream, I steam, we all want egg cream." --Lou Reed, "Egg Cream"

 

 

"The air is dark, the night is sad

I lie sleepless and I groan

Nobody cares when a man goes mad.

He is sorry, God is glad.

Shadow changes into bone,

shadow changes into bone."

 

--Allen Ginsberg, from "Interlude"

 

"God said to Abraham, 'Kill me a son.' Abe said 'Man, you must be puttin'

me on' God said 'No.' Abe said, 'What?' God said 'You can do what you want

Abe but, next time you see me comin', man you better run.' Well, Abe said

'Where you want this killin' done?' God said 'Out on Highway 61.'" --Bob

Dylan

=========================================================================

Date:         Tue, 24 Jun 1997 00:42:01 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      The Role of the Poet

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Matthew W Barton wrote:

 

> . . . having ignored the world for a spell, i hope i'm not saying

> anything that has been said a dozen times already or ignores previous

> explanitory statements -- however...  each writer has their own style as

> well as method.  one should not attempt to duplicate either.  because one

> author feels drugs inversely effect their craftmanship, what leaves you to

> assume it will adversely affect all.  such blanket statements have led

> more scholars to dismiss the beats, new york's downtown writers and

> countless other genres of art created in connection to drugs.

 

        The purpose of highlighting diverse poetics is to be able to pick and

choose and mesh it into your own, so we are in basic agreement - even if

we don't agree with the poetics.

        The final criteria for art is if it is *genius* - no matter what the

baggage it came from.

 

Barb wrote:

 

> As for literature saving lives...I have never once thought it was the

> purpose.  I have never read literature, or chosen literature, on that

> basis.  My life has not needed saving...and I'm not sure a poet is the

> one for the job if it were the case.

 

The Chilean poet, Nicanor Parra, (simple, humourous, working class -

overshadowed by Pablo Neruda), writes:

 

        "The poet is there to see to it the tree does not grow crooked"

                [i forget the line structure]

 

Ralph Waldo Emerson writes ("The Poet" - essay):

 

        "Poets are thus liberating gods"

 

Why not? The poet documents experience, and is a master of experience.

If he is socially / politically inclined - and is balanced - he should

live the life of the boddhisatva, with his writings as his teachings.

        I know this is much to ask from the Poet, but then again, to be Poet is

to live difficult, and this difficulty is his reward.

 

        On another level, the Poet creates art for art's sake - beauty. A well

written howl is beautiful - regardless of subject matter.

 

Joseph Neudorfer

=========================================================================

Date:         Tue, 24 Jun 1997 02:17:06 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The Role of the Poet

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neudorf@discovland.net wrote:

> 

> Matthew W Barton wrote:

> 

> > . . . having ignored the world for a spell, i hope i'm not saying

> > anything that has been said a dozen times already or ignores previous

> > explanitory statements -- however...  each writer has their own style as

> > well as method.  one should not attempt to duplicate either.  because one

> > author feels drugs inversely effect their craftmanship, what leaves you to

> > assume it will adversely affect all.  such blanket statements have led

> > more scholars to dismiss the beats, new york's downtown writers and

> > countless other genres of art created in connection to drugs.

> 

>         The purpose of highlighting diverse poetics is to be able to pick and

> choose and mesh it into your own, so we are in basic agreement - even if

> we don't agree with the poetics.

>         The final criteria for art is if it is *genius* - no matter what the

> baggage it came from.

> 

> Barb wrote:

> 

> > As for literature saving lives...I have never once thought it was the

> > purpose.  I have never read literature, or chosen literature, on that

> > basis.  My life has not needed saving...and I'm not sure a poet is the

> > one for the job if it were the case.

> 

> The Chilean poet, Nicanor Parra, (simple, humourous, working class -

> overshadowed by Pablo Neruda), writes:

> 

>         "The poet is there to see to it the tree does not grow crooked"

>                 [i forget the line structure]

> 

> Ralph Waldo Emerson writes ("The Poet" - essay):

> 

>         "Poets are thus liberating gods"

> 

> Why not? The poet documents experience, and is a master of experience.

> If he is socially / politically inclined - and is balanced - he should

> live the life of the boddhisatva, with his writings as his teachings.

>         I know this is much to ask from the Poet, but then again, to be Poet

 is

> to live difficult, and this difficulty is his reward.

> 

>         On another level, the Poet creates art for art's sake - beauty. A well

> written howl is beautiful - regardless of subject matter.

> 

> Joseph Neudorfer

 

Colin Wilson writes in the Occult

 

The Poet is a man(sic) whom faculty X is naturally more developed than

in most people.  While most of us are ruthlessly "cutting out" whole

areas of perception, thus impoverishing our mental lives, the poet

retains the faculty to be suddenly delighted by the sheer REALITY of the

world "out there."

=========================================================================

Date:         Tue, 24 Jun 1997 00:52:32 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: The Role of the Poet

In-Reply-To:  <33AF7472.56DB@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:17 AM -0700 6/24/97, RACE --- wrote:

 

> The Poet is a man(sic) whom faculty X is naturally more developed than

> in most people.  While most of us are ruthlessly "cutting out" whole

> areas of perception, thus impoverishing our mental lives, the poet

> retains the faculty to be suddenly delighted by the sheer REALITY of the

> world "out there."

 

you're describing a middle aged man, fat with glasses, insomniac, drug

dependant, all around asshole.  don't forget these kind of fucking poets!

every word is loud and obscene.  vulger, foul, distorted.  a last breath

before a vowel...aaaaaaah.  that was it.  <<hehehe>>

 

oh, my inner child is screaming, "oh, my hair has been cut too short, I

must drive to Cleveland and pick up beer hall chicks...."  At this level,

everybody is poetic.  trains of thought, which you site as being hauled off

en masse by some anti-x faculty.  I think I went to school there.  fluent

in that yada yada way of talk.  yadya yada daya dyadya.  UClA

 

and no attention span.  That's the kind of poet you're describing.  Is that

what you meant??

 

cheers, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Tue, 24 Jun 1997 00:55:51 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: Blah, Blah, Blah

In-Reply-To:  <33AF55E3.1F3@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:06 PM -0700 6/23/97, James Stauffer wrote:

 

> Strange juxtapositions this pm.  <.....>

 

> Realized maybe sex isn't dead yet.

> Only dying slowly.

 

I get tired sometimes, but find the effort worth it.  dying slowly, I mean.

Queen Victoria, where are you?

 

 

> 

> J. Stauffer

 

cheers, Douglas

=========================================================================

Date:         Tue, 24 Jun 1997 03:53:37 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The Role of the Poet

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

runner911 wrote:

> 

> At 12:17 AM -0700 6/24/97, RACE --- wrote:

> 

> > The Poet is a man(sic) whom faculty X is naturally more developed than

> > in most people.  While most of us are ruthlessly "cutting out" whole

> > areas of perception, thus impoverishing our mental lives, the poet

> > retains the faculty to be suddenly delighted by the sheer REALITY of the

> > world "out there."

> 

> you're describing a middle aged man, fat with glasses, insomniac, drug

> dependant, all around asshole.  don't forget these kind of fucking poets!

> every word is loud and obscene.  vulger, foul, distorted.  a last breath

> before a vowel...aaaaaaah.  that was it.  <<hehehe>>

> 

> oh, my inner child is screaming, "oh, my hair has been cut too short, I

> must drive to Cleveland and pick up beer hall chicks...."  At this level,

> everybody is poetic.  trains of thought, which you site as being hauled off

> en masse by some anti-x faculty.  I think I went to school there.  fluent

> in that yada yada way of talk.  yadya yada daya dyadya.  UClA

> 

> and no attention span.  That's the kind of poet you're describing.  Is that

> what you meant??

> 

> cheers, Douglas

> 

> http://www.electriciti.com/babu/                summer

> save it, just keep it off my wave               is

>   -- ("my wave," soundgarden)                   here

 

 

actually, the answer  would be an EMPHATIC no.  The kind of poet being

described in that quotation is the poet as magician and most easily

understood as a word alchemist.  if one accepts the power of symbols in

shaping reality, the poet's ability to Perceive and then stir the

symbolic soup is a Real form of contemporary alchemy.  What you were

referring to is probably a real creature but my hunch is that the

alchemist can with some effort overcome the population of these middle

aged gentlement in terms of pure magic.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 24 Jun 1997 03:55:06 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Blah, Blah, Blah

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

runner911 wrote:

> 

> At 10:06 PM -0700 6/23/97, James Stauffer wrote:

> 

> > Strange juxtapositions this pm.  <.....>

> 

> > Realized maybe sex isn't dead yet.

> > Only dying slowly.

> 

> I get tired sometimes, but find the effort worth it.  dying slowly, I mean.

> Queen Victoria, where are you?

> 

> >

> > J. Stauffer

> 

> cheers, Douglas

 

i believe that Queen Victoria is permanently trapped in a Leonard Cohen

lyrical tune.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 24 Jun 1997 06:09:11 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      FireWalk flash back to the beginning....

MIME-Version: 1.0

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I'm pretty certain that i haven't let y'all in on the first two pieces

of FireWalk.  that's kind of like stepping in after the first act.=20

Here's the epigrams and title piece.  Colt-45 will be coming later this

evening or tomorrow.  I really appreciate the backchannel comments and

discussions i've been having over this material.  i'm now having serious

thoughts about doing an exploding text of the original firewalk

collection by myself as a form of 5 year retrospective on those events.=20

thanks again for all the constructive, destructive, deconstructive,

reconstructive and just damn friendly criticisms.

 

david rhaesa=20

salina, Kansas

>=20

> Firewalk Thru Madness Collection ... by David Rhaesa

> Copyright, December 1992

>=20

> =93He was insane.  And when you look directly an an insane man all you =

see

> is a reflection of your own knowledge that he=92s insane, which is not =

to

> see him at all.  To see him you must see what he saw ahd when you are

> trying to see the vision of an insane man, an oblique route is the only

> way to come at it.=94

> -- Robert Pirsig

>=20

> =93One must harbor chaos within to give birth to a dancing star=94

> -- Nietzsche

>=20

> =93I think present-day reason is an analogue of the flat earth of the

> medieval period.  If you go too far beyond it you=92re presumed to fall

> off, into insanity.  And people are very much afraid of that.  I think

> fear of insanity if comparable to the fear people once had of falling

> off the edge of the world.=94

> - Robert Pirsig

>=20

> =93Firewalk Thru Madness=94

>=20

> Fire - essential eleemnt/ Holy Spirit and Cigarette Ember connecting

> wind and death rain and life.  Lightning strikes my soul as I see the

> spark of a new idea.  strike another match start anew Dylan says and I

> ask him if he=92s seen her lately?  He just smiles and says Look what I=

=92ve

> done for you lately.

>=20

> I lost your pick and the insulin madman who gave it to me died last

> Winter.  I couldn=92t go to the funeral.  I was confined - mentally -

> physically....besides I=92d only met him once.  He was playing with fir=

e.

> ... Playing in the dark.

>=20

> Jim Morrison turns into Smokey Beat and his breath burns a National Par=

k

> in outer Mongolia somewhere between 18th Century princesses in phone

> booths striking the secret code of the rapture like it=92s something wo=

rth

> waiting for.

>=20

> Burn down the house.  Burn down the neighborhood.  Universal Implosion

> and my Mom appears on a Fire Truck, the Fire Lady she=92s called and sh=

e

> tells me not to play with matches but is she afraid of fire because of

> her Southern Baptist Hell-fire and damnation upbringing.  Fire is not

> evil.  Fire is essential.  It is the spark of life The burning candle

> that turns body into ashes so that it can return to dust.

>=20

> To Firewalk.

>=20

> Can you imagine Firewalking?  I have friends who have done it.  They

> have physically firewalked - not a scar on them.  But we tend to only

> see the physiological as literal and I must look deep into your soul an=

d

> ask

>=20

> have you ever Firewalked metaphysically?

>=20

> The FireWalk through the mind.  The FireWalk through the soul.  I have

> and there are scars but I can=92t say I regret the journey.  From the e=

nd

> of the journey one sees Chaos and Order meet for  tea over a white

> picket fence; Time evaporates like so much spilt milk in Tulsa at Oral

> Roberts University;  Reason and Insanity push and shove / fight and kic=

k

> / one dischordant tone for another until the pure sound - the sirens of

> beauty and truth hits my ear drum -- thump, thump, thump....Om, Om,

> Om... and the child in me looks up at the giant and asks if the Circle

> Will Be Unbroken? and the giant smiles a reassuring smile as he kicks m=

e

> back down the beanstalk.

>=20

> Landing at the bottom I see the whole world anew and I smile and kick

> myself for climbing the beanstalk in search of something when I found

> the answers by landing on a patch of clover in my own backyard - just

> like Dorothy.  They say seek and you shall find

>=20

> but I find that more comes when I want not and seek not when I am at

> peace with myself I am at peace with it all.

>=20

>                                 The bumper sticker

>                 on my mind                              during my

>                                 FireWalk reads:

>=20

>                         =93Think Universally - Act Intrapersonally=94.

>=20

> It is a saying I heard one day.  It came from the Mississippi River wit=

h

> Jim and Huck rafting by the Casino Rock Island and I tried to wave and

> tell them that they should stop here rather than going downstream to

> slave country and ....

>=20

> Huck looked at me, stared me in the eye, puffed on a corncob pipe and

> spoke:

>=20

> =93You=92ve got to face your worst fears to overcome them.  Are you afr=

aid

> of insanity?=94

>=20

> I said no and stepped through the door .... now the doorway has vanishe=

d

> and the divide between Reason and Madness is bridged.  I hope you enjoy

> some images of the FireWalk through Madness.

> 

=========================================================================

Date:         Tue, 24 Jun 1997 13:36:02 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beats' pseudonyms.

In-Reply-To:  <Pine.A32.3.93.970623082238.47066A-100000@srv1.freenet.calg

              ary.ab.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Derek A. Beaulieu writes:

> 

>as to the identity of poor carlo marx lost in the weeds:

>well our own allen ginsberg.

>the secrets out

>there gonna be trouble.

>keep yr trenchcoat on  yr fedora down low

>derek

> 

& jack kerouac changed the pseudonyms in each book,

a comedy seen thru the eyes of Ti Jean, (big sur),

btw only Lorenz Monsanto (Ferlinghetti) was the same,

other changedcuz'book trade matter

---

yrs

Rinaldo.        * be beet *

=========================================================================

Date:         Tue, 24 Jun 1997 13:37:41 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Help the beaten

In-Reply-To:  <33AF2ED9.91275D8A@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Tom,

u can see almost everything 'bout yr questions at web site

(Electronic Poetry Center)

http://wings.buffalo.edu/epc/connects/lists.htm

hope this help,

---

yrs

Rinaldo * a not competent beat *

=========================================================================

Date:         Tue, 24 Jun 1997 08:10:09 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Drugs & Spontaneity

In-Reply-To:  <Pine.A32.3.93.970623114237.2276A-100000@srv1.freenet.calgary.ab.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>> Derek A. Beaulieu wrote:

>nexttime. the ACT, to me, is more important that the product (in my word

>w(a)(o)nderings).

>different ways of approaching wrds.

>same core tho.

_______

revision or tightening up structure is as much an ACT as first thought

first word splatter/shower out of head. and sculpture is what i see as the

final part of my works when i put them in their place on the page.

mc

who really would like to be gonzo poet rather than 'confessional' have

decided to kick that damn catholic girl outta my head. so auto bio is

probably more accurate 'label' i dont write about ideas i write about my

life and all its little adventures....

mc

=========================================================================

Date:         Tue, 24 Jun 1997 09:41:32 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      The Proud Highway

In-Reply-To:  <970623204745_-327538483@emout14.mail.aol.com>

MIME-Version: 1.0

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On Mon, 23 Jun 1997, Howard Park wrote:

 

> The book, "The Proud Highway" looks interesting.

 

Over on the bohemian-l they're having a summer reading group talk on Pound,

and someone (Marie C) had expressed on talking about this one as an

alternate. It seems maybe that this list is the better place for such a

discussion (and Marie's on it too) so I'll repost here my thoughts after

reading the first chapter (year 1955):

 

I've recently become completely immersed in this book. These letters are as

good as many of Hunter's fine prose works, and reading them chronologically

serves to illuminate the years just before and during the time he "makes

it." A valuable document indeed.

 

I haven't read all of the Hunter bios that are out there, but the

introduction to this book is the first time I've seen it spelled out in

print that Hunter's shenanigans are almost completely fictitious. Not that

most would believe some of it, but I've always had trouble discerning where

the line between his fiction and reality is drawn -- well, yeah, as if there

_were_ any "objective reality" anyway.

 

m

=========================================================================

Date:         Tue, 24 Jun 1997 11:47:12 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: The Role of the Poet

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> runner911 wrote:

> >

> > At 12:17 AM -0700 6/24/97, RACE --- wrote:

> >

> > > The Poet is a man(sic) whom faculty X is naturally more developed than

> > > in most people.  While most of us are ruthlessly "cutting out" whole

> > > areas of perception, thus impoverishing our mental lives, the poet

> > > retains the faculty to be suddenly delighted by the sheer REALITY of the

> > > world "out there."

> >

> > you're describing a middle aged man, fat with glasses, insomniac, drug

> > dependant, all around asshole.  don't forget these kind of fucking poets!

> > every word is loud and obscene.  vulger, foul, distorted.  a last breath

> > before a vowel...aaaaaaah.  that was it.  <<hehehe>>

> >

> > oh, my inner child is screaming, "oh, my hair has been cut too short, I

> > must drive to Cleveland and pick up beer hall chicks...."  At this level,

> > everybody is poetic.  trains of thought, which you site as being hauled off

> > en masse by some anti-x faculty.  I think I went to school there.  fluent

> > in that yada yada way of talk.  yadya yada daya dyadya.  UClA

> >

> > and no attention span.  That's the kind of poet you're describing.  Is that

> > what you meant??

> >

> > cheers, Douglas

> >

> > http://www.electriciti.com/babu/                summer

> > save it, just keep it off my wave               is

> >   -- ("my wave," soundgarden)                   here

> 

> actually, the answer  would be an EMPHATIC no.  The kind of poet being

> described in that quotation is the poet as magician and most easily

> understood as a word alchemist.  if one accepts the power of symbols in

> shaping reality, the poet's ability to Perceive and then stir the

> symbolic soup is a Real form of contemporary alchemy.  What you were

> referring to is probably a real creature but my hunch is that the

> alchemist can with some effort overcome the population of these middle

> aged gentlement in terms of pure magic.

> 

> david rhaesa

> salina, Kansas

 

I agree with David's alchemist concept, and the idea that "the poet

retains the faculty to be suddenly delighted by the sheer REALITY of the

world 'out there.'  It actually leads to an awesome attention span,

because one is suddenly attentive to the smallest aspect of daily life as

a part of the greater whole of the universe.  Sometimes that leads to

screaming but only when encountering those who have limited their

perception of the poet.  Essentially the poet is god, creating out of the

unknown, speaking truth that transforms the daily experience.

DC

 

=========================================================================

Date:         Tue, 24 Jun 1997 11:09:25 -0500

Reply-To:     AARON CHIDAKEL/JMC2000 <chidake1@JEFLIN.TJU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         AARON CHIDAKEL/JMC2000 <chidake1@JEFLIN.TJU.EDU>

Subject:      question

In-Reply-To:  <338D204E.4C4A@sk.sympatico.ca>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Question for whoever wants to take this one.

 

I've been reading LF's "Coney Island of the Mind" (Thanks to Howard

for the sale) and I'm really getting into it- especially "I am Waiting".

There's one part in particular that keeps going through my head-

really like the ring to it.  "I am waiting for retribution for

what America did to Tom Sawyer."  Being more of a science-type

than a literary-type and not being too well read I'm not too

sure what it means.  But I really like it.

 

Who can enlighten me?

=========================================================================

Date:         Tue, 24 Jun 1997 12:32:14 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: The Role of the Poet

In-Reply-To:  <33B01630.33D1@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

re: spontaneous first thoughts and alchemical reactions through revisions

is at heart of my writing (apologies to all who have already deleted this

poem for at least the first or second time, it just spells out in verse

what poetry does, my only contribution coming from actual event

 

Friday the 13th, Plattsburgh, NY

Hava Java Poetry Reading

I sit, surrounded by men

        gentle men

                poet men

giving names to the unnameable

        and voice to the unspeakable,

opening  themselves up,

        using words as scapels.

Transcendental alchemy

        changing blood to ink-

                ink filling voids with words.

 

I sit, suddenly again the child i never was.

 

How many years now lost?

        how many fractured fine lines

                hold my selves

                        precariously,

                                together?

(stifled all these years,

        fearing words would crack me open

                only to find an empty shell)

 

tonight i sit with these gentle men

        whose poems bank the protective fire

                which holds us in its ring

 

and the universe cracks open

        inside my soul:

 

it isn't just me inside this ring

it isn't just me inside this ring,

it isn't just me inside this ring,

 

this ring of blood and fire

 

the grey smoke of the fire ring

        gives birth

                to metaphors stark

                        and shark naked facts,

as my  facts

        my metaphors

                my grey smoke

                        rises and merges

                                with all.

 

 

the poems alchemy

        begins its work,

                changing blood to ink.

 

Suddenly,

        a girl of seven,

                feet dangling off the floor,

                        appears in my chair,

                                all dressed up and no place to grow.

 

right now i'm only seven

        and awake long past my bed time

                staying up late with  boys

                        inside of poets' pockets.

 

we speak

        of hateful mothers

                of hurtful fathers

                        and winnie the pooh.

 

no bitterness remains.

 

        in this charmed circle

                this ring of fire

pain exchanged transmutes itself

        in this charmed circle,

                this ring of fire,

the alchemy of blood and pain:

        souls bared,

                souls shared.

 

it's bedtime now.

        would you tuck me in now,

                daddy?

- daddy isn't here.

 

would you be my fathers,

                if only for tonight?

 

mc 6/20/97

=========================================================================

Date:         Tue, 24 Jun 1997 09:42:48 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Role of the Poet

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

At 1:53 AM -0700 6/24/97, RACE --- wrote:

 

> actually, the answer  would be an EMPHATIC no.  The kind of poet being

> described in that quotation is the poet as magician and most easily

> understood as a word alchemist.  if one accepts the power of symbols in

> shaping reality, the poet's ability to Perceive and then stir the

> symbolic soup is a Real form of contemporary alchemy.  What you were

> referring to is probably a real creature but my hunch is that the

> alchemist can with some effort overcome the population of these middle

> aged gentlement in terms of pure magic.

 

yes, and my argument for the definition of a poet would necessitate that

this "magician" and "alchemist" spend time on the SHITLIST.  Oh, god

forbid, our poet should have a criminal record!  should be despised by a

great many.  From these latest clarifications, sounds like you're

describing some teenage african-american, sent-up for 5-10 on crack

related charges.  Is this what you meant???  :-)

 

> 

> david rhaesa

> salina, Kansas

 

cheers, Douglas

 

 

 

"the map is not the territory"                  babu@electriciti.com

  (attribution unknown)                 www.electriciti.com/babu/

=========================================================================

Date:         Tue, 24 Jun 1997 09:47:47 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Death of a Poet

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At 11:47 AM -0700 6/24/97, Diane Carter wrote:

 

> I agree with David's alchemist concept, and the idea that "the poet

> retains the faculty to be suddenly delighted by the sheer REALITY of the

> world 'out there.'  It actually leads to an awesome attention span,

> because one is suddenly attentive to the smallest aspect of daily life as

> a part of the greater whole of the universe.  Sometimes that leads to

> screaming but only when encountering those who have limited their

> perception of the poet.  Essentially the poet is god, creating out of the

> unknown, speaking truth that transforms the daily experience.

> DC

 

I think I saw your poet in Beverly Hills, pushing his cart, and calling

all the tourists whores and sluts.  god, my ass.  His long beard and

flagrant smell matched the rags and *sheer reality* of the situation.

I'm sorry, but I still say 'bullshit' to this type of interpretation.

You're describing a crazy motherfucker, paranoid and utterly angst

ridden from all the fear he perceives directed at his person.  Got

forbid he should be a transvestite, vietnam war veteran...  Is this who

(not *what*) you meant??   Are you prepared to limit your list of

"beautiful" people??

 

cheers, Douglas

 

PS:  I take your poet and dip it in my coffee and batter it with

Cherios.

 

 

"the map is not the territory"                  babu@electriciti.com

  (attribution unknown)                 www.electriciti.com/babu/

=========================================================================

Date:         Tue, 24 Jun 1997 12:00:53 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      question for Gerry

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Gerry (or anyone else who cares to answer),

I'm making a list of my favorite Kerouac quotations, and a few from

_Memory Babe_ have made the list.  If you can recall the original sources

and care to respond, I would appreciate it very much.

 

You've attributed him to having either written or said:

 

"We're all whores" (254)

 

"Mystic makes no mud" (255)

 

and, "All the gravity and glee and wonder of their lives and their loves

was forgotten for mere gold" (269).

 

thanks,

Jenn Thompson

=========================================================================

Date:         Tue, 24 Jun 1997 13:22:47 EST

Reply-To:     MORE OXY THAN MORON <breithau@KENYON.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Kesey web page

 

For all Kesey fans, check out this new web page which details the bus trek of

the Pranksters these months past; WWW.INTREPIDTRIPS.COM

 

Enjoy the ride,

 

Dave B.

=========================================================================

Date:         Tue, 24 Jun 1997 19:37:38 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      life and all its little adventures...

In-Reply-To:  <l03020914afd52b3204d1@[206.25.67.100]>

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Marie Countryman writes:

>>> Derek A. Beaulieu wrote:

>>nexttime. the ACT, to me, is more important that the product (in my word

>>w(a)(o)nderings).

>>different ways of approaching wrds.

>>same core tho.

>_______

>revision or tightening up structure is as much an ACT as first thought

>first word splatter/shower out of head. and sculpture is what i see as the

>final part of my works when i put them in their place on the page.

>mc

>who really would like to be gonzo poet rather than 'confessional' have

>decided to kick that damn catholic girl outta my head. so auto bio is

>probably more accurate 'label' i dont write about ideas i write about my

>life and all its little adventures....

>mc

> 

%                               %

        (                                                               )

                -                       [                               -

                        &                               &

                                )               (

                +]                      /

                                                |

                                        ^               ^

                                @                               @

                        #                                               #

                +                                                               +

        *                                                                               *

\...++*

(...my                                                  *       *%$""'

life and all its little adventures....)

        talkin'bout poetry &

\

(...kick

that damn catholic girl outta my head...)

                %       #                                       !|

        writing words

        is sometime

        like a panther

        & give words

        people almost

        not poets,

\\

\

(...be gonzo poet

rather than 'confessional'...)

%&(!\\

 

        i'm a gonzo

        (

        with re

        ference to i

        talian mean

        i       ng

        of th

        e wORd gonzo as a fool,

        F       O       O       L, -F- -O- -O- -L-

        )

        FOOL! FOOL!! fooOL!!!,

        f

        or poe

        ts t

+       he ja

        ils are al

        ways

        O

        OOOOOOpen

\"\"\)

%                               %

        (                                                               )

                -                       [                               -

                        &                               &       ==

        0                       )               (

                +]                      /

                                                |

                                        ^               ^

#000                            @                               @

                        #                                               #

                +               ###===???                                               +

        *                                                                               *

=========================================================================

Date:         Tue, 24 Jun 1997 12:56:16 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      raining punctuation....

Comments: To: Rinaldo Rasa <rinaldo@GPNET.IT>

In-Reply-To:  <3.0.1.32.19970624193738.0068ba64@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> %                               %

>         (                                                               )

>                 -                       [                               -

>                         &                               &

>                                 )               (

>                 +]                      /

>                                                 |

>                                         ^               ^

>                                 @                               @

>                         #                                               #

>                 +

  +

>         *

          *

> \...++*

> (...my                                                  *       *%$""'

> life and all its little adventures....)

>         talkin'bout poetry &

> \

> (...kick

> that damn catholic girl outta my head...)

>                 %       #                                       !|

>         writing words

>         is sometime

>         like a panther

>         & give words

>         people almost

>         not poets,

> \\

> \

> (...be gonzo poet

> rather than 'confessional'...)

> %&(!\\

> 

>         i'm a gonzo

>         (

>         with re

>         ference to i

>         talian mean

>         i       ng

>         of th

>         e wORd gonzo as a fool,

>         F       O       O       L, -F- -O- -O- -L-

>         )

>         FOOL! FOOL!! fooOL!!!,

>         f

>         or poe

>         ts t

> +       he ja

>         ils are al

>         ways

>         O

>         OOOOOOpen

> \"\"\)

> %                               %

>         (                                                               )

>                 -                       [                               -

>                         &                               &       ==

>         0                       )               (

>                 +]                      /

>                                                 |

>                                         ^               ^

> #000                            @                               @

>                         #                                               #

>                 +               ###===???

          +

>         *

          *

        "for poets the jails

        are always open,"

        i tried to convince

 

                garcia lorca.

 

        but

        franco wouldnt let me

                                 speak.

                and lorca held my hand and said

        "no,

        for poets the ails

        are always open,"

 

=========================================================================

Date:         Tue, 24 Jun 1997 17:24:34 -0400

Reply-To:     Matthew W Barton <mwb201@IS5.NYU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew W Barton <mwb201@IS5.NYU.EDU>

Subject:      Re: dear abby...MARRIAGE! (HELP!)

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970624001916_-1562490373@emout19.mail.aol.com>

MIME-version: 1.0

Content-type: TEXT/PLAIN; charset=US-ASCII

 

they say smack will take the longing away.  i won't imagine that any

relationship with any one person would satisfy your every need, nor should

it.  wait to marry.  must say you have an impressive list.

 

mwbarton.

 

On Tue, 24 Jun 1997, Maya Gorton wrote:

 

> THIS RANT is on a more personal note than usual so feel free to delete right

> now.

> 

> my not-so-fresh brain slurps and sloshes inside my skull as i shake my head

> "no".

> I'm too tired tonight for any damn boyfriend.

> 

> That Corso poem about marriage somehow stuck in my head all day today.  I

> don't know which one scares the shit out of me more, Marriage or Aloneness.

>  I know some happily married people---can't be all bad.  But i would miss...

> 

>   The thrill of talking to someone quietly alone and the tension before you

> confess your affection in a kiss.  God sometimes i think that's what i live

> for.

> 

> Then again, it all goes down-hill after that.  And i'm shaking my head to

> avoid the fear of inevitably having to break his (tender young) heart after

> the initial thrill is gone.  Am I the emotional vampire i never wanted to

> become?

> 

> So many nights of rumpled sheets and i don't even remember all the names...

> 

> pale rail-thin boys

> muscly backs,

> visible ribs

> tattooed skin

> soft dark skin

> scarred arms

> smooth, unmarked skin

> strong arms

> green eyes

> warm brown eyes

> cold grey eyes (sometimes blue)

> long hair short hair blue hair grey hair

> shaved head

> mmmm....skaters.

> Punkers, hippies, intellectuals, rock stars.

> Mostly disenchanted artists.

> Pretending not to love me.

> Hah!

> Warm hands with long bony fingers

> callusses on the tips from playing bass/welding/typing

> paint under fingernails:

> "Wash yer damn hands before you touch me!"

> good gracious, even pierced nipples.

> 

> Could it possibly be time to settle down with only 1?

> I have a friend, he's a writer...a real sweetheart.....

> Jeesus, wha's wrong with me. SNAP OUT OF IT!!!

> My solution: go live in ascetic seclusion in Thailand and think real hard

> about something other than this.

> 

> They should invent "anti-sex" pills so that when you feel an inconvenient and

> distracting urge you can just pop a pill and the mere thought of sex makes

> you nauseous.  now THAT would be useful.

> 

> Until then i'll just feel like some kind of weird vampire-woman who needs

> human closeness and affection (read: sex) to survive....to keep me strong and

> rejuvenated. Without it I shrivel and wilt.

> 

> don't get me wrong: i love my boyfriend.  But I don't want to marry him.  Do

> i really love him? And if so, why do i want to kiss every boy i meet?

>  According to the books, i should be long past adolescence.  Someone please

> tell me what the hell is going on.

> ---------maya

> "Confusion is...sex"---Sonic Youth

> 

=========================================================================

Date:         Tue, 24 Jun 1997 14:38:05 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: dear abby...MARRIAGE! (HELP!)

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The woman with email (Maya) wrote:

 

>> According to the books, i should be long past adolescence.  Someone

>> please tell me what the hell is going on.

> 

>> "Confusion is...sex"---Sonic Youth

 

Just got thru reading Doris Lessing's "Summer Before the Dark" which

deals with this very subject matter (the aging process, the general

goings on, and transformations).  A very neurotic, deeply thought/felt

book.  I finished the 250 odd pages in about a day.  Good hunting!

 

cheers, Douglas

> 

=========================================================================

Date:         Tue, 24 Jun 1997 23:40:58 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      !a)n)a)a)k)a)r(c(h(y)c)0)m)e)s(B(a(c(K! Re: raining

              punctuation....

In-Reply-To:  <Pine.A32.3.93.970624125103.56486A-100000@srv1.freenet.calg

              ary.ab.ca>

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..........mostOfmessageSnippedForBrevity..........pun.......

....................pun.....................................

>          *

>        "for poets the jails

>        are always open,"

>        i tried to convince

> 

>                garcia lorca.

> 

>        but

>        franco wouldnt let me

>                                 speak.

>                and lorca held my hand and said

>        "no,

>        for poets the ails

>        are always open,"

> 

> 

> 

!a)n)a) a)k)a)  r(c(h(y )c)0)m)e)s(B(a(c(K!

!

!!

!!!#

        Yo)I)i)u)yo)u)w(e(wE

%

                        s

%

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                        hu man  we      are

                        hu man s        we      err

        under           standing        wo      rds

        AS noT  individual      wo      rds

        is              going   to      get

        u               very far        in      unde

        r               standing        wh      y

        s               om              e       wooooooooooooRds

        are             go              (od     &

        so              me              are     ho(err R(Id

?

^

?       '       '       ||      00|||/\000000   $

%

10th    a.      k.      a.

        wo      Wo      WO      rds

        on      a       pa      ge      isnt'   muchmuch

                d       i       ff      er      (r

                                        r)ent

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        see(a=c ing     the     m spo

                                        kenBy

                                        live peo+       Poe

                                        ple on a st

                                        re(ER)et

^

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                                        di      ff      er(R

                                        en      ce

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!a)n)a) a)k)a)  r(c(h(y )c)0)m)e)s(B(a(c(K!

!

!!

!!!#

=========================================================================

Date:         Tue, 24 Jun 1997 17:06:59 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: raining punctuation....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Derek A. Beaulieu wrote:

> 

> > %                               %

> >         (                                                               )

> >                 -                       [                               -

> >                         &                               &

> >                                 )               (

> >                 +]                      /

> >                                                 |

> >                                         ^               ^

> >                                 @                               @

> >                         #                                               #

> >                 +

>   +

> >         *

>           *

> > \...++*

> > (...my                                                  *       *%$""'

> > life and all its little adventures....)

> >         talkin'bout poetry &

> > \

> > (...kick

> > that damn catholic girl outta my head...)

> >                 %       #                                       !|

> >         writing words

> >         is sometime

> >         like a panther

> >         & give words

> >         people almost

> >         not poets,

> > \\

> > \

> > (...be gonzo poet

> > rather than 'confessional'...)

> > %&(!\\

> >

> >         i'm a gonzo

> >         (

> >         with re

> >         ference to i

> >         talian mean

> >         i       ng

> >         of th

> >         e wORd gonzo as a fool,

> >         F       O       O       L, -F- -O- -O- -L-

> >         )

> >         FOOL! FOOL!! fooOL!!!,

> >         f

> >         or poe

> >         ts t

> > +       he ja

> >         ils are al

> >         ways

> >         O

> >         OOOOOOpen

> > \"\"\)

> > %                               %

> >         (                                                               )

> >                 -                       [                               -

> >                         &                               &       ==

> >         0                       )               (

> >                 +]                      /

> >                                                 |

> >                                         ^               ^

> > #000                            @                               @

> >                         #                                               #

> >                 +               ###===???

>           +

> >         *

>           *

>         "for poets the jails

>         are always open,"

>         i tried to convince

> 

>                 garcia lorca.

> 

>         but

>         franco wouldnt let me

>                                  speak.

>                 and lorca held my hand and said

>         "no,

>         for poets the ails

>         are always open,"

 

Just then on a dark and stormy night a mysterious anti-poet named

Erasura appears on the television screen of the collective unconscious

and wipes away all peyotic and poetic memory since the dawn of King

Arthur's ant collection.

 

 

 

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 24 Jun 1997 17:10:17 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Role of the Poet

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Penn, Douglas, K wrote:

> 

> At 1:53 AM -0700 6/24/97, RACE --- wrote:

> 

> > actually, the answer  would be an EMPHATIC no.  The kind of poet being

> > described in that quotation is the poet as magician and most easily

> > understood as a word alchemist.  if one accepts the power of symbols in

> > shaping reality, the poet's ability to Perceive and then stir the

> > symbolic soup is a Real form of contemporary alchemy.  What you were

> > referring to is probably a real creature but my hunch is that the

> > alchemist can with some effort overcome the population of these middle

> > aged gentlement in terms of pure magic.

> 

> yes, and my argument for the definition of a poet would necessitate that

> this "magician" and "alchemist" spend time on the SHITLIST.  Oh, god

> forbid, our poet should have a criminal record!  should be despised by a

> great many.  From these latest clarifications, sounds like you're

> describing some teenage african-american, sent-up for 5-10 on crack

> related charges.  Is this what you meant???  :-)

> 

> >

> > david rhaesa

> > salina, Kansas

> 

> cheers, Douglas

> 

> "the map is not the territory"                  babu@electriciti.com

>   (attribution unknown)                 www.electriciti.com/babu/

 

i didn't understand this.  i'm dense at times.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 24 Jun 1997 15:45:58 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Role of the Poet

MIME-Version: 1.0

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RACE writ:

> 

>> i didn't understand this.  i'm dense at times.

 

ah, good.  confusion is good.  To clarify, just wanted to point out that

those OUTSIDE OF SOCIETY are also poets.  that we should assume that a

poet is god, or even godlike.  human, thank you, is how I'll take mine.

I'll take six.  This whitebread Merlin image you folx were presenting

just can not be the only version of a poet that is acceptable.

Otherwise, you limit *your* option.  The big picture is not seen and all

we have left are "beautful" functions of an ideal that we call "poetry".

 

If you accept accidents as part of the process, you have to accept more

dirt and smut, I figure, as well.  And what you see as "poetic" and

"beautiful" I might see otherwise.  That's what I'm saying.

 

>> david rhaesa

>> salina, Kansas

 

cheers, Douglas

=========================================================================

Date:         Tue, 24 Jun 1997 18:41:49 -0400

Reply-To:     NICO88@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "(Ginny Browne)" <NICO88@AOL.COM>

Subject:      Re: question, ... ferlinghetti's tom sawyer

 

In a message dated 97-06-24 18:19:03 EDT, you write:

 

> I've been reading LF's "Coney Island of the Mind" (Thanks to Howard

>  for the sale) and I'm really getting into it- especially "I am Waiting".

>  There's one part in particular that keeps going through my head-

>  really like the ring to it.  "I am waiting for retribution for

>  what America did to Tom Sawyer."  Being more of a science-type

>  than a literary-type and not being too well read I'm not too

>  sure what it means.  But I really like it.

> 

 

   Tom was always the romantic. America made Tom beat, he was beat from

america, .. tho you may not always be in accordance with the character (i

wasnt, i preffered Huck) he was always looking for the purity of contentment

that you just cant find, especially since he always had some one after him,

the cops, parents, teachers, etc. He was more into the immediate craziness of

life, but Huck was more a "gotta light out for the territory ahead of the

rest", i dont know, i always related most to Huck. Tom was more a dean

moriarty and Huck, more a sal paradise.

        sorry, strayed a bit off topic...

just a thought.

-Ginny

=========================================================================

Date:         Tue, 24 Jun 1997 17:57:24 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Role of the Poet

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Penn, Douglas, K wrote:

> 

> RACE writ:

> >

> >> i didn't understand this.  i'm dense at times.

 

Density is really not even in the same food group as confusion.  both

are excuses for misunderstanding or non=understanding but they don't

even seem to be cousins beyond that.  perhaps my denseness is missing

something once again.

> 

> ah, good.  confusion is good.  To clarify, just wanted to point out that

> those OUTSIDE OF SOCIETY are also poets.

 

i don't at all understand how this notion undermines the notion of

poetry as a magical enterprise.  of course, as someone who is Very Much

outside of society at least by conventional notions i feel rather deeply

that i should be able to understand your perspective quite clearly.

unfortunately, your words still bounce off the dense unsmoked rock which

passes for a brain.

 

that we should assume that a

> poet is god, or even godlike.  human, thank you, is how I'll take mine.

 

i don't find poet's godlike at all.  quite to the contrary, it seems

that the notion of poetry as a natural exercise of humans from all

segments in or out of what one defines as society, it provides a notion

of art/expression/magic that treats individuals from all segments of

classification fairly equally in that we all possess the power to alter

the universe through our words.  talking with a gentleman on the porch

twenty minutes ago.  very angry.  angry at landlord/boss about money.

anger was deeper much deeper.  says his brain was destroyed thirty years

ago.  i asked how.  he mumbled about car crash destroying brain and

someone in Newton controlling his money.  i said he seemed to still have

a brain.  he said it had been erased.  i said sometimes i thought that

would be a blessing.  he looked me in the eye and shook his head a firm

no.  he was a very very powerful poet to my mind.  His name is Barry.

 

> I'll take six.  This whitebread Merlin image you folx were presenting

> just can not be the only version of a poet that is acceptable.

 

i believe that your stereotyping the alchemist as a Merlinesque figure.

perhaps that is part of the difficulty with contemporary society's

definitions altogether.  we try to protect those of us on the outside by

saying they have a voice but in the they-ness of this defense those of

us on the outside are once again made outsiders and perhaps in a

fundamentally more pernicious way.  why can't Barry or i be considered

an alchemist?

 

> Otherwise, you limit *your* option.  The big picture is not seen and all

> we have left are "beautful" functions of an ideal that we call "poetry".

 

My big picture goes into recesses of the abyss that are from from the

portrait you are painting here.  sometimes i honestly wish it didn't

that i could have the beautiful people worldview.  my experiences in

life no longer make that a realistic option.

> 

> If you accept accidents as part of the process, you have to accept more

> dirt and smut, I figure, as well.

 

You may recall in "Yahtzee" my position seems to me to be that

acceptance of accidents and non-acceptance of accidents are

fundamentally belief in the exact same thing.

 

And what you see as "poetic" and

> "beautiful" I might see otherwise.  That's what I'm saying.

 

and that is why you are an alchemist as well.

 

sincerely,

 

david rhaesa

salina, Kansas

> 

> >> david rhaesa

> >> salina, Kansas

> 

> cheers, Douglas

=========================================================================

Date:         Tue, 24 Jun 1997 19:04:49 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Eastward Journey

Comments: cc: kron_m@ns1.halny.hitachi.com, Karen_Gyenis@rld.bofa.com

 

Well, I have started the eastward journey, leaving Eureka, CA (named for the

goldminers), stopped off in San Francisco. Large full moon was rising, but

missed the great view of it rising over the golden gate bridge. Stopped off

on Saturday night at Vesuvio's, had a beer, the place was filled with

tourists (like me) who were just soaking in the ambiance. Vesuvio's is next

door to City Lights Book store, and has a bunch of Kerouac and other

poet/writers photos and posters. I've done most of  North Beach in the past,

including Swenson's Ice Cream, where Kerouac used to get his Rocky Road (this

is just around the corner from where he used to live in Neal and Carolyn's

attic).

 

Sunday drove down Route 101 to Route 1, Pacific Coast Hiway, and stopped off

at many of the fine beaches that line the coast. The hiway here is not as

nice as up near Monterey, but still some good beaches. Went through Santa

Barbara, Ventura, Leo Carillo Beach, Malibu. Saw them film BAYWATCH (saw some

pert action).

 

Stopped off, of course, in Venice Beach, home of the cheap sunglasses. There

is a guy there that jumps on glass-- takes him 1 hour and lots of dollars to

do it but great gab; a one man band-- he playes the bass guitar with his

feet, saxaphone, and drum sticks on his arms; and cool polyester dresses. Oh

yeah, muscle beach which is really a new modern building-- years ago it was

just a small chain-linked fenced-in area with old heavy weights and big bulky

guys with lots of tattoos. In general, on Venice Beach you see a lot of

tattoos and pierced body parts.

 

On Malibu Beach saw somebody making concentric circles in the sand, spilling

red dust into the circles, with a small gathering of men, all in blue, with

drums. I think they were trying to make reservations on Halle Bob.

 

Today trying to decide the general route east. We have no plan, but are

planning a southern route since we want to spend a couple of days in

Narlens-- you have to stay at least a couple of day because you have to sober

up before you continue driving. Does anybody know the address of where

Burroughs lived in Algiers (which is just across the Mississippi River)?

 

Maybe drive to Las Vegas tomorrow (already one day behind on the trip but how

is that possible if I don't have any schedule) but no money to gamble with.

Or I could take all the gas money and parley it. I had this dream once to bet

on 39 rouge (in roulette).

 

Right now at a friends house and swimming in their pool.

 

Wish I had air conditioner in the car. And I have to remember to buy milk.

 

Later, Attila

=========================================================================

Date:         Tue, 24 Jun 1997 19:13:32 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      privately raving in the aethenum

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

THIS IS NOT A GUILT TRIP    (johnny rotten: "this is not a love song"

albeit briefly)

or

warm voice / cold voice

 

I

come to your office

weekly

 

50 minutes

out of all the minutes

remaining in the week

 

it

seems hardly

barely

not

enough

 

i panic, overflowing,

 

screaming, throw us a rope!

or,

quick switchz:

 

>>>>>>>>>>ah go fuck yrself

 

II

i

gotta get down from this cross

i've been riding

all these long days

 

but, as long as i'm at it,

sit up and hear the truth!

 

i can't pay you

and in the economics of therapy

hierarchies thrive

 

money talks, or lets others talk for hours and years

no silver crosses your palm

hierarchies are maintained:

 

we are on c-rations:

the one 50 minute hour

 

III

"be grateful for what you've got!

rants the mother in my head

yep she's still up there

rent free.

talk family economics!

 

when we spoke last week

on the phone

your warm voice disappeared!

and a laconic attitude seemed to take its place

an 'oh well'

said in an 'oh well' sort of voice

 

guilty of everything

i

can't pull away from my reaction

 

your sound advice

cold voice

 dog in the background

 

(it was very obvious

 

lots of quiet/no speak moments

 

(that i had intruded)

 

obvious

that the week holds 50 minutes

for me.

no difference.

=========================================================================

Date:         Tue, 24 Jun 1997 19:53:19 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: howling is expression of life

 

Maya:

I forwarded your post to James Grauerholz at Burroughs Communications.

Pam Plymell

=========================================================================

Date:         Tue, 24 Jun 1997 17:00:23 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Role of the Poet <<craps>>

MIME-Version: 1.0

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RACE writ:

 

>> unfortunately, your words still bounce off the dense unsmoked rock which

>> passes for a brain.

 

perhaps it is my brain that is smoked like rock.  But no, that actually

is not true.  Smoked like salmon, perhaps, but rock, no....

 

>> i don't find poet's godlike at all.  quite to the contrary, it seems

 

Well, god.  I mean, good.  I can't stand idolizing.  If the poet needs a

position in the hierarchy of society, let us not forget the down and

out, as well.  Surely this is Beat Manifesto??  That's what I was

saying.  Personally, I'd rather discuss form, structure, anything else

than position in society.  fuck that.  Or perhaps I'm not ready to

discuss this.  That perhaps, is closer to the truth.  As Kenny Rogers

would say about gambling, now is not the time or place.  I'll wait until

the deal is done, thank you.

 

>> You may recall in "Yahtzee" my position seems to me to be that

>> acceptance of accidents and non-acceptance of accidents are

>> fundamentally belief in the exact same thing.

 

I didn't follow that thread, sorry.  If you're talking polemics, sure,

you're probably right about this equation.  But in the normal everyday

occurrence of things, we try to do what is quote unquote "right" and

oftentimes forget or avoid anything else.  As far as intention goes, I

figure the two are very different.

 

>> and that is why you are an alchemist as well.

 

and you, as well, sir.  Yet, I would resist placing such a label on

myself at this time.  I feel like the owner of Kentucky fried chicken

store, greasy, tired, and eager to get out of the whole "chicken and

egg" question quick.  Smells like adrenaline, aluminum, death.  Just

feed me and let me cuddle up beside you, dear.  I will fight the rush

hour gladiators for god and country in the morning, I promise.

 

>> david rhaesa

>> salina, Kansas

 

>>> cheers, Douglas

> 

=========================================================================

Date:         Tue, 24 Jun 1997 18:59:01 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Role of the Poet <<craps>>

MIME-Version: 1.0

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Penn, Douglas, K wrote:

> 

> RACE writ:

> 

> >> unfortunately, your words still bounce off the dense unsmoked rock which

> >> passes for a brain.

> 

> perhaps it is my brain that is smoked like rock.  But no, that actually

> is not true.  Smoked like salmon, perhaps, but rock, no....

> 

> >> i don't find poet's godlike at all.  quite to the contrary, it seems

> 

> Well, god.  I mean, good.  I can't stand idolizing.  If the poet needs a

> position in the hierarchy of society, let us not forget the down and

> out, as well.  Surely this is Beat Manifesto??  That's what I was

> saying.  Personally, I'd rather discuss form, structure, anything else

> than position in society.  fuck that.  Or perhaps I'm not ready to

> discuss this.  That perhaps, is closer to the truth.  As Kenny Rogers

> would say about gambling, now is not the time or place.  I'll wait until

> the deal is done, thank you.

> 

> >> You may recall in "Yahtzee" my position seems to me to be that

> >> acceptance of accidents and non-acceptance of accidents are

> >> fundamentally belief in the exact same thing.

> 

> I didn't follow that thread, sorry.  If you're talking polemics, sure,

> you're probably right about this equation.  But in the normal everyday

> occurrence of things, we try to do what is quote unquote "right" and

> oftentimes forget or avoid anything else.  As far as intention goes, I

> figure the two are very different.

> 

> >> and that is why you are an alchemist as well.

> 

> and you, as well, sir.  Yet, I would resist placing such a label on

> myself at this time.  I feel like the owner of Kentucky fried chicken

> store, greasy, tired, and eager to get out of the whole "chicken and

> egg" question quick.  Smells like adrenaline, aluminum, death.  Just

> feed me and let me cuddle up beside you, dear.  I will fight the rush

> hour gladiators for god and country in the morning, I promise.

> 

> >> david rhaesa

> >> salina, Kansas

> 

> >>> cheers, Douglas

> >

 

i was quite unclear.  it was my brain not yours that i was referring to

as rock-like.

 

not certain that i'm up for cuddling but would be more than happy to

share some Kentucky Fried anytime you're in town.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 24 Jun 1997 20:04:24 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: The Role of the Poet

 

An old and mutual acquaintance of mine and Ginsberg brought this quote to my

from the NY Times and wanted to know why?  Any answers.

 

In, short brains and minds, like neurons and ideas, demand separate and

different levels of discourse.

NY Times Book Review, The Talking Cure, reviewed by Richard Retak , Sunday,

June 22nd.

 

 

Charles Plymell

=========================================================================

Date:         Tue, 24 Jun 1997 17:16:36 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Role of the Cuddle

MIME-Version: 1.0

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>david rhaesa of salina, Kansas writ:

 

>>not certain that i'm up for cuddling but would be more than happy to

>> share some Kentucky Fried anytime you're in town.

> 

But *all* poets cuddle!!  didn't you know?? ;-)  This is the true

function and ultimate goal of a Poet.  better than a can opener.  better

than a 57 chevy.  Cuddles by a poet trained in the art and technique can

be quite heavenly!!

 

Can I have a witness?  I say, can I have a witness?!?

 

Hallelujah...

 

>Douglas

=========================================================================

Date:         Tue, 24 Jun 1997 17:20:02 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: The Role of the Poet

MIME-Version: 1.0

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>From:  Pamela Beach Plymell[SMTP:CVEditions@AOL.COM]

> 

>> In, short brains and minds, like neurons and ideas, demand separate and

>> different levels of discourse.

 

Well, my understand of the question:  there's the animal "brain" and the

human "mind".  One is more or less predetermined and the other left up

to invent for it's own sake.

 

expressions:  "We are of one mind" vs "oh my god, my brain is killing

me..."

 

>> Charles Plymell

 

Douglas (who has yet another hour of "work" left.... ug)

=========================================================================

Date:         Tue, 24 Jun 1997 20:17:39 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Blah, Blah, Blah

 

In a message dated 97-06-24 13:20:41 EDT, you write:

 

<< Some wonderful flirting.  Realized maybe sex isn't dead yet.

 Only dying slowly. >>

I had a young lady help me work on my manuscript today. Fresh picked flowers

were on the windowsill. I burned three kinds of incense. Listened to Elmore

James and the Sweet Inspirations. And we smoked a little. By the time Pam

came home I almost had her dressed in pieces of fine leather from my dad's

briefcase he got in Aztec country. She is the kind of beauty that a decadent

lifestyle only makes more beautiful. I asked her if she wanted to make a

movie of Thongs by Alexander Trocchi and if she could bear a heavy cross. I

was sifting through the pile of downloads for Dennis Hopper's address to ask

for his input. It was a kind of rainy cool day and the hanging petunias were

bright.

Charles Plymell

=========================================================================

Date:         Tue, 24 Jun 1997 17:32:02 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      How to love a woman long distance...

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As long as we're talking advice, flirting, and sex, perhaps someone

would like to take a stab at this dilemma:

 

"How to best love a woman who lives 125 miles away?"

 

Please respond in a BEAT manner.  cheers, Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (attribution unknown)                 www.electriciti.com/babu/

=========================================================================

Date:         Tue, 24 Jun 1997 17:55:32 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: How to love a woman long distance...

MIME-Version: 1.0

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>From:  Patricia Elliott[SMTP:pelliott@sunflower.com]

 

>> any knowledge. no getter courtship than laughter and tears.

 

ok, still at work.  tried calling, but got a message saying, "no longer

in service".  :-(  <<laugh>>  I must have the wrong number!  Hopefully

it gets "getter" than this.  Or I'm really gonna cry...

 

>> p

>thanx, Douglas

=========================================================================

Date:         Tue, 24 Jun 1997 19:59:22 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: How to love a woman long distance...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Penn, Douglas, K wrote:

> 

> As long as we're talking advice, flirting, and sex, perhaps someone

> would like to take a stab at this dilemma:

> 

> "How to best love a woman who lives 125 miles away?"

> 

> Please respond in a BEAT manner.  cheers, Douglas

> 

> "the map is not the territory"                  babu@electriciti.com

>   (attribution unknown)                 www.electriciti.com/babu/

 

buy her a standard transmission car ??????

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 24 Jun 1997 08:44:55 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: The Role of the Poet

In-Reply-To:  <33AF8B11.23B9@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 1:53 AM -0700 6/24/97, RACE --- wrote:

 

> actually, the answer  would be an EMPHATIC no.  The kind of poet being

> described in that quotation is the poet as magician and most easily

> understood as a word alchemist.  if one accepts the power of symbols in

> shaping reality, the poet's ability to Perceive and then stir the

> symbolic soup is a Real form of contemporary alchemy.  What you were

> referring to is probably a real creature but my hunch is that the

> alchemist can with some effort overcome the population of these middle

> aged gentlement in terms of pure magic.

 

yes, and my argument for the definition of a poet would necessitate that

this "magician" and "alchemist" spend time on the SHITLIST.  Oh, god

forbid, our poet should have a criminal record!  should be despised by a

great many.  From these latest clarifications, sounds like you're

describing some teenage african-american, sent-up for 5-10 on crack related

charges.  Is this what you meant???  :-)

 

> 

> david rhaesa

> salina, Kansas

 

cheers, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Tue, 24 Jun 1997 19:27:35 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: The Role of the Poet

MIME-Version: 1.0

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Diane Carter wrote:

 

 Essentially the poet is god, creating out of the

> unknown, speaking truth that transforms the daily experience.

> DC

 

Guys, it's been a long day.  A  poet is a person who can write poetry.

Tautalogical as it may sound.  Has more to do with craftsmanship than

divinity.  A "maker" of verse. A singer of stories.

 

In our world a poet is someone who can get at least a few other people

to agree that what he or she does is poetry.  Does anyone seriously

think that Chaucer or  Pope, for example, every thought of themselves as

Gods or Alchemists?

 

J Stauffer

=========================================================================

Date:         Tue, 24 Jun 1997 21:20:28 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      my bad poem delete

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say it ain't so

a poem can't make peace work, only missles

can't save lifes, makes you feel nice

nice people saying nice things.

not the chance line of real truth coming from

that horrible smelly homeless loser.

justify that life, do they make a paycheck

priest of garbage

i would rather my poets were within the frame,

 maybe right after a good game.

life is hard and dark and evil,and full of random love  why know

 clean noses is it,

that the truth. that resistance to antbiotics might mean

end of woman

=========================================================================

Date:         Tue, 24 Jun 1997 23:17:03 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Death of a Poet

MIME-Version: 1.0

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Penn, Douglas, K wrote:

> 

> At 11:47 AM -0700 6/24/97, Diane Carter wrote:

> 

> > I agree with David's alchemist concept, and the idea that "the poet

> > retains the faculty to be suddenly delighted by the sheer REALITY of the

> > world 'out there.'  It actually leads to an awesome attention span,

> > because one is suddenly attentive to the smallest aspect of daily life as

> > a part of the greater whole of the universe.  Sometimes that leads to

> > screaming but only when encountering those who have limited their

> > perception of the poet.  Essentially the poet is god, creating out of the

> > unknown, speaking truth that transforms the daily experience.

> > DC

> 

> I think I saw your poet in Beverly Hills, pushing his cart, and calling

> all the tourists whores and sluts.  god, my ass.  His long beard and

> flagrant smell matched the rags and *sheer reality* of the situation.

> I'm sorry, but I still say 'bullshit' to this type of interpretation.

> You're describing a crazy motherfucker, paranoid and utterly angst

> ridden from all the fear he perceives directed at his person.  Got

> forbid he should be a transvestite, vietnam war veteran...  Is this who

> (not *what*) you meant??   Are you prepared to limit your list of

> "beautiful" people??

> 

> cheers, Douglas

> 

> PS:  I take your poet and dip it in my coffee and batter it with

> Cherios.

> 

> "the map is not the territory"                  babu@electriciti.com

>   (attribution unknown)                 www.electriciti.com/babu/

 

I think you missed my point or perhaps I missed your's.  The idea of the

poet/artist as god creating a work out of nothing does not have much to

do with any stratus of society.  And I have no idea where your idea of

fear comes in.  The poet may be a whore, a crazy motherfucker, a

transvestite, a vietnam war veteran, a college professor, or the

president of general motors, for all I care about his background or where

he/she is seen on the ladder of social importance, inside or outside of

society. Writing a poem is a creative act, and in that act, man becomes

godlike, creating form and substance out of nothingness.

 

DC

=========================================================================

Date:         Tue, 24 Jun 1997 19:57:29 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Blah, Blah, Blah

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-06-24 13:20:41 EDT, you write:

> 

> << Some wonderful flirting.  Realized maybe sex isn't dead yet.

>  Only dying slowly. >>

> I had a young lady help me work on my manuscript today. Fresh picked flowers

> were on the windowsill. I burned three kinds of incense. Listened to Elmore

> James and the Sweet Inspirations. And we smoked a little. By the time Pam

> came home I almost had her dressed in pieces of fine leather from my dad's

> briefcase he got in Aztec country. She is the kind of beauty that a decadent

> lifestyle only makes more beautiful. I asked her if she wanted to make a

> movie of Thongs by Alexander Trocchi and if she could bear a heavy cross. I

> was sifting through the pile of downloads for Dennis Hopper's address to ask

> for his input. It was a kind of rainy cool day and the hanging petunias were

> bright.

> Charles Plymell

 

 

Sort of restores one's faith that the good things don't die.  Always

appreciate Dennis's work and a little leather and Elmore James

The kind of beauty that decadence enhances if rare and wonderful indeed.

 

J Stauffer

=========================================================================

Date:         Tue, 24 Jun 1997 22:58:10 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      the blood of a poet

 

Has anyone seen this delightful film ('Le Sang D'un Poete') by Jean Cocteau?

It's really early, like 1915 or something.  Black and white.  It is 'beat'

through and through, if such a label applies to a broader style and not to a

group of people.  does anyone know if it is mentioned anywhere that the beats

were influenced by him?  It looks the way I imagine a WSB novel would look on

film.  Is anybody here familiar with him?

=========================================================================

Date:         Wed, 25 Jun 1997 00:35:09 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: The Role of the Poet

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James Stauffer wrote:

> 

> Guys, it's been a long day.  A  poet is a person who can write poetry.

> Tautalogical as it may sound.  Has more to do with craftsmanship than

> divinity.  A "maker" of verse. A singer of stories.

> 

> In our world a poet is someone who can get at least a few other people

> to agree that what he or she does is poetry.  Does anyone seriously

> think that Chaucer or  Pope, for example, every thought of themselves as

> Gods or Alchemists?

> 

> J Stauffer

 

I don't know, but I bet Blake and Ginsberg did.  Why can't divinity be

found/invoked? in the craftmanship of creating?

DC

=========================================================================

Date:         Tue, 24 Jun 1997 22:46:04 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: Role of the Poet

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970624224558Z-4505@sd-mail.sd.oees.com>

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"Penn, Douglas, K" wrote

 

>RACE writ:

>> 

>>> i didn't understand this.  i'm dense at times.

> 

>ah, good.  confusion is good.  To clarify, just wanted to point out that

>those OUTSIDE OF SOCIETY are also poets.  that we should assume that a

>poet is god, or even godlike.  human, thank you, is how I'll take mine.

>I'll take six.

 

i'll take two dozen in lime green.

 

-leo

 

 

 

 

"Zeus, most glorious and great, and you other immortal gods; may the brains

of whichever party beraks this treaty be poured out on the ground as that

wine is poured, and not only theirs but their childrens too; and may

foriegners possess their wives." -- war prayer from Homer's Iliad

 

 

"You scream, I steam, we all want egg cream." --Lou Reed, "Egg Cream"

 

 

"The air is dark, the night is sad

I lie sleepless and I groan

Nobody cares when a man goes mad.

He is sorry, God is glad.

Shadow changes into bone,

shadow changes into bone."

 

--Allen Ginsberg, from "Interlude"

 

"God said to Abraham, 'Kill me a son.' Abe said 'Man, you must be puttin'

me on' God said 'No.' Abe said, 'What?' God said 'You can do what you want

Abe but, next time you see me comin', man you better run.' Well, Abe said

'Where you want this killin' done?' God said 'Out on Highway 61.'" --Bob

Dylan

=========================================================================

Date:         Tue, 24 Jun 1997 23:12:18 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: The Role of the Poet

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970625002002Z-4550@sd-mail.sd.oees.com>

Mime-Version: 1.0

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>>From:  Pamela Beach Plymell[SMTP:CVEditions@AOL.COM]

>> 

>>> In, short brains and minds, like neurons and ideas, demand separate and

>>> different levels of discourse.

> 

>Well, my understand of the question:  there's the animal "brain" and the

>human "mind".  One is more or less predetermined and the other left up

>to invent for it's own sake.

> 

I believe that humans retain the reptilian and mammalian portions of the

brain, which are more instinct driven, and also possess the neo-cortex, the

portion of the brain which is uniquely human, the part which works to

create images for us when we read. incidentally, thank god the animals

can't write poetry or think what kind of mess we'd be in.

 

-leo

 

 

 

 

 

"Zeus, most glorious and great, and you other immortal gods; may the brains

of whichever party beraks this treaty be poured out on the ground as that

wine is poured, and not only theirs but their childrens too; and may

foriegners possess their wives." -- war prayer from Homer's Iliad

 

 

"You scream, I steam, we all want egg cream." --Lou Reed, "Egg Cream"

 

 

"The air is dark, the night is sad

I lie sleepless and I groan

Nobody cares when a man goes mad.

He is sorry, God is glad.

Shadow changes into bone,

shadow changes into bone."

 

--Allen Ginsberg, from "Interlude"

 

"God said to Abraham, 'Kill me a son.' Abe said 'Man, you must be puttin'

me on' God said 'No.' Abe said, 'What?' God said 'You can do what you want

Abe but, next time you see me comin', man you better run.' Well, Abe said

'Where you want this killin' done?' God said 'Out on Highway 61.'" --Bob

Dylan

=========================================================================

Date:         Wed, 25 Jun 1997 00:17:10 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Huck

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In response to:

 

> . . . America made Tom beat . . .

 

 

Naw, man. America made Tom a dope. Our good friend Huck was the original

American archetype - he had that twitch that kept him restless, on the

go.

 

Here's a poem for the shoeless boy:

 

        The IT FANTASTIC

 

Make the best o  things the way you find  em, says I that s my motto.

This ain t no bad thing we ve struck here plenty grub and an easy

life come, give us your hand . . . and less all be friends.

                                                -Huck

 

     enjoy the ride

 

we hear it

go by downstream the Mississippi

we see it

go by downstream on raft /

canoe

with all its

adventures

and all its

creations

and all its

foundations

 

     enjoy the ride

     it, enjoy it

 

become of it

embrace it

it will come

 

     it is familiar

     it is

 

     because

     Huck knew of it

     without knowing it

 

can we say

he dug it?

we can

 cause he was /

is it

 

[this is primarily a performance piece, very simple to the point - BTW,

'it' should all be in italics - the phrasing is stretched with 'it']

 

Joseph Neudorfer

=========================================================================

Date:         Tue, 24 Jun 1997 22:58:34 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: Role of the Poet <<craps>>

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Penn, Douglas, K wrote:

> 

> RACE writ:

> 

> >> unfortunately, your words still bounce off the dense unsmoked rock which

> >> passes for a brain.

> 

> perhaps it is my brain that is smoked like rock.  But no, that actually

> is not true.  Smoked like salmon, perhaps, but rock, no....

> 

> >> i don't find poet's godlike at all.  quite to the contrary, it seems

> 

> Well, god.  I mean, good.  I can't stand idolizing.  If the poet needs a

> position in the hierarchy of society, let us not forget the down and

> out, as well.  Surely this is Beat Manifesto??  That's what I was

> saying.  Personally, I'd rather discuss form, structure, anything else

> than position in society.  fuck that.  Or perhaps I'm not ready to

> discuss this.  That perhaps, is closer to the truth.  As Kenny Rogers

> would say about gambling, now is not the time or place.  I'll wait until

> the deal is done, thank you.

> 

> >> You may recall in "Yahtzee" my position seems to me to be that

> >> acceptance of accidents and non-acceptance of accidents are

> >> fundamentally belief in the exact same thing.

> 

> I didn't follow that thread, sorry.  If you're talking polemics, sure,

> you're probably right about this equation.  But in the normal everyday

> occurrence of things, we try to do what is quote unquote "right" and

> oftentimes forget or avoid anything else.  As far as intention goes, I

> figure the two are very different.

> 

> >> and that is why you are an alchemist as well.

> 

> and you, as well, sir.  Yet, I would resist placing such a label on

> myself at this time.  I feel like the owner of Kentucky fried chicken

> store, greasy, tired, and eager to get out of the whole "chicken and

> egg" question quick.  Smells like adrenaline, aluminum, death.  Just

> feed me and let me cuddle up beside you, dear.  I will fight the rush

> hour gladiators for god and country in the morning, I promise.

> 

> >> david rhaesa

> >> salina, Kansas

> 

> >>> cheers, Douglas

 

David... "Just feed me and let me cuddle up beside you, dear.  I will

fight the rush hour gladiators for god and country in the morning. I

promise."  Thanks...I needed to smile today.

Barb

> >

=========================================================================

Date:         Tue, 24 Jun 1997 23:03:13 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: Role of the Cuddle

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Penn, Douglas, K wrote:

> 

> >david rhaesa of salina, Kansas writ:

> 

> >>not certain that i'm up for cuddling but would be more than happy to

> >> share some Kentucky Fried anytime you're in town.

> >

> But *all* poets cuddle!!  didn't you know?? ;-)  This is the true

> function and ultimate goal of a Poet.  better than a can opener.  better

> than a 57 chevy.  Cuddles by a poet trained in the art and technique can

> be quite heavenly!!

> 

> Can I have a witness?  I say, can I have a witness?!?

> 

> Hallelujah...

> 

> >Douglas

 

Cuddles with a poet?  hmmm...I've been known to cuddle up with a good

book of poetry. but despite the art and technique of the professional

cuddle, have ended up battered by corners of dark thought and newly

dimpled by sharp-witted lines...not heavenly...but good

nonetheless...and better for having slept on it.

 

Barb

=========================================================================

Date:         Tue, 24 Jun 1997 23:42:32 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: howling is expression of life

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Marioka7@aol.com wrote:

> 

> dear barb..

> 

>      I am so sorry. I never meant to come off as critical of you and your

> values.  I admire the fact that you are happy and confident in your

> lifestyle.  And I certainly do not glorify drug use, suicide,

> self-annihilation and the like.  I am merely interested in it because it

> seems to be the general condition of my peers.  In fact, i have repeatedly

> raged against it on this list, perhaps before you signed on.  Of course

> self-imposed misery and pain are ridiculous.  If you knew me, you would see

> that i am a basically happy person.  But as for the kind of poetry I like

> (and this may be purely a question of taste, in which case it is natural for

> you not to agree) I suppose i do prefer poets that speak of important

> spiritual matters while at the same time playing with words and creating

> beauty.  A specific feeling or thought that has behind it a larger truth.

>      If you review my previous messages you will see that i am actually quite

> critical of Ginsberg.  In fact, in one message i argued that Eliot was the

> better poet.

>      I certainly do have the "strength" to meet this lifestyle.  I am a

> teacher myself.

> I meant no disrespect to you and i hope that you will write this off as a

> misunderstanding.  if you would like to discuss the artistic and literary

> merits and innovations of William Burroughs, i am up for it, and believe me,

> there is a lot to say.  I would take pleasure in convincing you of his place

> in literature.

> ------------------------------------maya

> 

>Maya,

        Thank you for that response (gosh! I feel so warm and fuzzy, I think

I'll write a poem  about eating a peach...Whoops..I dare say it's been

done..)  Sincerely, it did much to alleviate my feelings of complete

pissiness and irksomeness, whose comparable intensity index would be

three days prior to my period, correlating with a full moon in the lunar

cycle, after ingesting 8,047% more sodium than the daily recommended

doses by the FDA.  In fact, was about to write a parody of Lady

Lazarus..except of course...the peanut munching beat crowd is waiting

for me to slit my wrists, not rise again *L*.  Anyhow, thanks...because

I really didn't want to write that particular poem...would rather drink

some beer, using it as a dirutic for all that salt.

        I think I'll stay awhile  *grin*....if only to annoy everyone (could

have used it in the Lady Lazarus schpiel).

Thanks again,

A dissenting voice among the dissenting voices

Barb

=========================================================================

Date:         Wed, 25 Jun 1997 00:36:01 -0700

Reply-To:     Malcolm Lawrence <Malcolm@WOLFENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Malcolm Lawrence <Malcolm@WOLFENET.COM>

Subject:      Berkeley summer '86

 

happy summer everyone!

 

I was effervescing not too long ago about the transplendent summer I

hitchhiked to Berkeley in the summer of '86. Well, I finally transcribed my

journal from that magical summer and put it on my web site. It may take a

minute or two to download because I put it all on one HTML page, but its

not the type of thing you can chop up too well. You'll know what I mean.

 

http://www.wolfenet.com/~malcolm/berkeley.htm

 

enjoy!

 

Malcs

=========================================================================

Date:         Wed, 25 Jun 1997 06:54:52 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Role of the Poet

In-Reply-To:  <33B050D4.2112@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

poet is not god; homer wrote of the gods had no claim to anything else. all

begins with early writings of men writing about gods

healing gods embedded in ritual and alchemical process does not make poet god

it isn't just me inside this ring

i itsn't just me inside this ring

it isn't just me inside this ring

this ring of blood and fire....

....the poems alchemy

        begins its work

                changing blood to ink

taking the spiritual inner experience

and putting it to paper, is i think, a singularly mortal task. universal.

no god best god.

gone

mc

=========================================================================

Date:         Wed, 25 Jun 1997 07:05:02 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Role of the Poet

In-Reply-To:  <l03010d00afd601709bb2@[204.248.112.70]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

"but to live outside the law you must be honest"

i think bob dylan sed that.

mc

=========================================================================

Date:         Wed, 25 Jun 1997 09:33:36 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: first thought and revision

 

In a message dated 97-06-24 02:50:45 EDT, you write:

"Watch which weeds you pull up in the same vein"

<< 

 imagine the old gardener and let me know what he looks like down to his

 veins.  you are much better at such imagination than I.

  >>

 

He looks like WIlliam Burroughs, of course.  He means 'don't pull up ALL the

weeds cause some of them may be good'.  Just like there are some good things

running through your veins and some bad.  Bad blood.  but that doesn't mean

you should cut your wrists and bleed yourself to death.  That's like throwing

out the baby with the dishwater or something.

=========================================================================

Date:         Wed, 25 Jun 1997 10:11:02 -0400

Reply-To:     Matthew W Barton <mwb201@IS5.NYU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew W Barton <mwb201@IS5.NYU.EDU>

Subject:      Re: Eastward Journey

Comments: To: Attila Gyenis <GYENIS@AOL.COM>

In-Reply-To:  <970624190448_537399705@emout11.mail.aol.com>

MIME-version: 1.0

Content-type: TEXT/PLAIN; charset=US-ASCII

 

appreciate the running road guide.  couldn't imagine taking a computer on

the cross country treck, much less signing on to sing it.  buy you a drink

when you get to nyc.

 

mwbarton.

 

On Tue, 24 Jun 1997, Attila Gyenis wrote:

 

> Well, I have started the eastward journey, leaving Eureka, CA (named for the

> goldminers), stopped off in San Francisco. Large full moon was rising, but

> missed the great view of it rising over the golden gate bridge. Stopped off

> on Saturday night at Vesuvio's, had a beer, the place was filled with

> tourists (like me) who were just soaking in the ambiance. Vesuvio's is next

> door to City Lights Book store, and has a bunch of Kerouac and other

> poet/writers photos and posters. I've done most of  North Beach in the past,

> including Swenson's Ice Cream, where Kerouac used to get his Rocky Road (this

> is just around the corner from where he used to live in Neal and Carolyn's

> attic).

> 

> Sunday drove down Route 101 to Route 1, Pacific Coast Hiway, and stopped off

> at many of the fine beaches that line the coast. The hiway here is not as

> nice as up near Monterey, but still some good beaches. Went through Santa

> Barbara, Ventura, Leo Carillo Beach, Malibu. Saw them film BAYWATCH (saw some

> pert action).

> 

> Stopped off, of course, in Venice Beach, home of the cheap sunglasses. There

> is a guy there that jumps on glass-- takes him 1 hour and lots of dollars to

> do it but great gab; a one man band-- he playes the bass guitar with his

> feet, saxaphone, and drum sticks on his arms; and cool polyester dresses. Oh

> yeah, muscle beach which is really a new modern building-- years ago it was

> just a small chain-linked fenced-in area with old heavy weights and big bulky

> guys with lots of tattoos. In general, on Venice Beach you see a lot of

> tattoos and pierced body parts.

> 

> On Malibu Beach saw somebody making concentric circles in the sand, spilling

> red dust into the circles, with a small gathering of men, all in blue, with

> drums. I think they were trying to make reservations on Halle Bob.

> 

> Today trying to decide the general route east. We have no plan, but are

> planning a southern route since we want to spend a couple of days in

> Narlens-- you have to stay at least a couple of day because you have to sober

> up before you continue driving. Does anybody know the address of where

> Burroughs lived in Algiers (which is just across the Mississippi River)?

> 

> Maybe drive to Las Vegas tomorrow (already one day behind on the trip but how

> is that possible if I don't have any schedule) but no money to gamble with.

> Or I could take all the gas money and parley it. I had this dream once to bet

> on 39 rouge (in roulette).

> 

> Right now at a friends house and swimming in their pool.

> 

> Wish I had air conditioner in the car. And I have to remember to buy milk.

> 

> Later, Attila

> 

=========================================================================

Date:         Wed, 25 Jun 1997 09:39:18 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@GUINAN.MPS.ORG>

Subject:      Re: Role of the Poet

In-Reply-To:  <l0302090cafd6726be666@[206.25.67.125]>

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>"but to live outside the law you must be honest"

>i think bob dylan sed that.

>mc

 

he also said, "in Jersey everything's legal, as long as you don't get caught=

"

 

-leo

 

 

 

 

"Zeus, most glorious and great, and you other immortal gods; may the brains

of whichever party beraks this treaty be poured out on the ground as that

wine is poured, and not only theirs but their childrens too; and may

foriegners possess their wives." -- war prayer from Homer's Iliad

 

 

"You scream, I steam, we all want egg cream." --Lou Reed, "Egg Cream"

 

 

"The air is dark, the night is sad

I lie sleepless and I groan

Nobody cares when a man goes mad.

He is sorry, God is glad.

Shadow changes into bone,

shadow changes into bone."

 

--Allen Ginsberg, from "Interlude"

 

"God said to Abraham, 'Kill me a son.' Abe said 'Man, you must be puttin'

me on' God said 'No.' Abe said, 'What?' God said 'You can do what you want

Abe but, next time you see me comin', man you better run.' Well, Abe said

'Where you want this killin' done?' God said 'Out on Highway 61.'" --Bob

Dylan

=========================================================================

Date:         Wed, 25 Jun 1997 11:03:00 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      if God is Pooh Bear, is Piglet St. Michael?

 

Hmmmmm....I'm reading _Off the Road_, & in chapter 40 Carolyn Cassady

includes part of a letter from Jack, written in 1954, I believe, & one of

the lines goes....

 

"Let me know about the little ones who know that God is Pooh-Bear and that

the rainbow went in the water...."

 

Reminded me of the God is Pooh-Bear conversation a few months back...

 

Diane.

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Wed, 25 Jun 1997 08:32:06 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: the blood of a poet

In-Reply-To:  <970624225724_1722108478@emout15.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 7:58 PM -0700 6/24/97, Maya Gorton wrote:

 

> Has anyone seen this delightful film ('Le Sang D'un Poete') by Jean Cocteau?

> It's really early, like 1915 or something.  Black and white.  It is 'beat'

> through and through, if such a label applies to a broader style and not to a

> group of people.  does anyone know if it is mentioned anywhere that the beats

> were influenced by him?  It looks the way I imagine a WSB novel would look on

> film.  Is anybody here familiar with him?

 

I always get the film confused with "Orpheus" (also by Cocteau?).  Love the

two scene (from either movie) where Orpheus is tuning the radio to hear

sounds from the dead side, and then, love the scene where he travels thru a

plane of water (blood?) to reach it.

 

If I reach, and completely malign my memory, perhaps one could draw

similarities to WSB's "towers open fire"??

 

cheers, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Wed, 25 Jun 1997 11:33:09 -0400

Reply-To:     Ken Ostrander <kenster@MIT.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ken Ostrander <kenster@MIT.EDU>

Subject:      Re: How to love a woman long distance...

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>As long as we're talking advice, flirting, and sex, perhaps someone

>would like to take a stab at this dilemma:

> 

>"How to best love a woman who lives 125 miles away?"

> 

>Please respond in a BEAT manner.  cheers, Douglas

> 

 

 

 

>>Online computer users often engage in what is affectionately known as

>>"cybersex". Often the fantasies typed into keyboards and shared through

>>Internet phone lines get pretty raunchy. However, as you'll see below,

>>one of the two cyber-surfers in the following transcript of an online

>>chat doesn't seem to quite get the point of cyber sex. Then again, maybe

>>he does....

>> 

>>Wellhung: Hello, Sweetheart. What do you look like?

>> 

>>Sweetheart: I am wearing a red silk blouse, a miniskirt and high heels.

>>I work out every day, I'm toned and perfect. My measurements are

>>36-24-36. What do you look like?

>> 

>>Wellhung: I'm 6'3" and about 250 pounds.I wear glasses and I have on a

>>pair of blue sweat pants I just bought from Walmart.I'm also wearing a

>>T-shirt with a few spots of barbecue sauce on it from dinner...it smells

>>funny..

>> 

>>Sweetheart: I want you.Would you like to screw me?

>> 

>>Wellhung: OK

>> 

>>Sweetheart: We're in my bedroom.There's soft music playing on the stereo

>>and candles on my dresser and night table.I'm looking up into your eyes,

>>smiling. My hand works its way down to your crotch and begins to fondle

>>your huge, swelling bulge..

>> 

>>Wellhung: I'm gulping, I'm beginning to sweat.

>> 

>>Sweetheart: I'm pulling up your shirt and kissing your chest.

>> 

>>Wellhung: Now I'm unbuttoning your blouse.My hands are trembling.

>> 

>>Sweetheart: I'm moaning softly..

>> 

>>Wellhung: I'm taking hold of your blouse and sliding it off slowly.

>> 

>>Sweetheart: I'm throwing my head back in pleasure.The cool silk slides

>>off my warm skin.I'm rubbing your bulge faster, pulling and rubbing..

>> 

>>Wellhung: My hand suddenly jerks spastically and accidentally rips a

>>hole in your blouse.I'm sorry..

>> 

>>Sweetheart: That's OK, it wasn't really too expensive.

>> 

>>Wellhung: I'll pay for it..

>> 

>>Sweetheart: Don't worry about it.I'm wearing a lacy black bra.My soft

>>breasts are rising and falling, as I breathe harder and harder..

>> 

>>Wellhung: I'm fumbling with the clasp on your bra.I think it's stuck. Do

>>you have any scissors?

>> 

>>Sweetheart: I take your hand and kiss it softly.I'm reaching back

>>undoing the clasp. The bra slides off my body. The air caresses my

>>breasts. My nipples are erect for you..

>> 

>>Wellhung: How did you do that? I'm picking up the bra and inspecting the

>>clasp..

>> 

>>Sweetheart: I'm arching my back. Oh baby. I just want to feel your

>>tongue all over me..

>> 

>>Wellhung: I'm dropping the bra. Now I'm licking your, you know, breasts.

>>They're neat!

>> 

>>Sweetheart: I'm running my fingers through your hair. Now I'm nibbling

>>your ear..

>> 

>>Wellhung: I suddenly sneeze. Your breasts are covered with spit and

>>phlegm..

>> 

>>Sweetheart: What?

>> 

>>Wellhung: I'm so sorry. Really..

>> 

>>Sweetheart: I'm wiping your phlegm off my breasts with the remains of my

>>blouse..

>> 

>>Wellhung: I'm taking the sopping wet blouse from you. I drop it with a

>>plop..

>> 

>>Sweetheart: OK. I'm pulling your sweat pants down and rubbing your hard

>>tool..

>> 

>>Wellhung: I'm screaming like a woman. Your hands are cold! Yeeee!

>> 

>>Sweetheart: I'm pulling up my miniskirt. Take off my panties.

>> 

>>Wellhung: I'm pulling off your panties. My tongue is going all over, in

>>and out nibbling on you...umm... wait a minute..

>> 

>>Sweetheart: What's the matter?

>> 

>>Wellhung: I've got a pubic hair caught in my throat. I'm choking.

>> 

>>Sweetheart: Are you OK?

>> 

>>Wellhung: I'm having a coughing fit. I'm turning all red.

>> 

>>Sweetheart: Can I help?

>> 

>>Wellhung: I'm running to the kitchen, choking wildly. I'm fumbling

>>through the cabinets, looking for a cup. Where do you keep your cups?

>> 

>>Sweetheart: In the cabinet to the right of the sink.

>> 

>>Wellhung: I'm drinking a cup of water. There, that's better.

>> 

>>Sweetheart: Come back to me, lover.

>> 

>>Wellhung: I'm washing the cup now..

>> 

>>Sweetheart: I'm on the bed arching for you.

>> 

>>Wellhung: I'm drying the cup. Now I'm putting it back in the cabinet.

>>And now I'm walking back to the bedroom. Wait, it's dark, I'm lost.

>>Where's the bedroom?

>> 

>>Sweetheart: Last door on the left at the end of the hall.

>> 

>>Wellhung: I found it..

>> 

>>Sweetheart: I'm tuggin' off your pants. I'm moaning. I want you so

>>badly..

>> 

>>Wellhung: Me too..

>> 

>>Sweetheart: Your pants are off. I kiss you passionately-our naked bodies

>>pressing each other..

>> 

>>Wellhung: Your face is pushing my glasses into my face. It hurts.

>> 

>>Sweetheart Why don't you take off your glasses?

>> 

>>Wellhung: OK, but I can't see very well without them. I place the

>>glasses on the night table..

>> 

>>Sweetheart: I'm bending over the bed. Give it to me, baby!

>> 

>>Wellhung: I have to pee. I'm fumbling my way blindly across the room and

>>toward the bathroom..

>> 

>>Sweetheart: Hurry back, lover..

>> 

>>Wellhung: I find the bathroom and it's dark. I'm feeling around for the

>>toilet. I lift the lid..

>> 

>>Sweetheart: I'm waiting eagerly for your return.

>> 

>>Wellhung: I'm done going. I'm feeling around for the flush handle, but I

>>can't find it. Uh-oh!

>> 

>>Sweetheart: What's the matter now?

>> 

>>Wellhung: I've realized that I've peed into your laundry hamper. Sorry

>>again. I'm walking back to the bedroom now, blindly feeling my way..

>> 

>>Sweetheart: Mmm, yes. Come on..

>> 

>>Wellhung: OK, now I'm going to put my...you know ...thing...in

>>your...you know...woman's thing..

>> 

>>Sweetheart: Yes! Do it, baby! Do it!

>> 

>>Wellhung: I'm touching your smooth butt. It feels so nice. I kiss your

>>neck. Umm, I'm having a little trouble here..

>> 

>>Sweetheart: I'm moving my ass back and forth, moaning. I can't stand it

>>another second! Slide in! Screw me now!

>> 

>>Wellhung: I'm flaccid..

>> 

>>Sweetheart: What?

>> 

>>Wellhung: I'm limp. I can't sustain an erection.

>> 

>>Sweetheart: I'm standing up and turning around; an incredulous look on

>>my face..

>> 

>>Wellhung: I'm shrugging with a sad look on my face, my weiner all

>>floppy. I'm going to get my glasses and see what's wrong..

>> 

>>Sweetheart: No, never mind. I'm getting dressed. I'm putting on my

>>underwear. Now I'm putting on my wet nasty blouse..

>> 

>>Wellhung: No wait! Now I'm squinting, trying to find the night table.

>>I'm feeling along the dresser, knocking over cans of hair spray, picture

>>frames and your candles..

>> 

>>Sweetheart: I'm buttoning my blouse. Now I'm putting on my shoes.

>> 

>>Wellhung: I've found my glasses. I'm putting them on. My God! One of our

>>candles fell on the curtain. The curtain is on fire! I'm pointing at it,

>>a shocked look on my face..

>> 

>>Sweetheart: Go to hell. I'm logging off, you loser!

>> 

>>Wellhung: Now the carpet is on fire! Oh noooo!

>> 

>>Sweetheart: --logged off--

> 

=========================================================================

Date:         Wed, 25 Jun 1997 09:38:37 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: How to love a woman long distance...

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Ken posted:

 

>>>Online computer users often engage in what is affectionately known as

>>>"cybersex". Often the fantasies typed into keyboards and shared through

>>>Internet phone lines get pretty raunchy. However, as you'll see below,

>>>one of the two cyber-surfers in the following transcript of an online

>>>chat doesn't seem to quite get the point of cyber sex. Then again, maybe

>>>he does....

 

reminds me of Elaine Mays and Mike Nichols doing their comedy routine.

And yes, I think he *does* get the point.  thanx for posting this!  Went

home, got the correct number of my LA Woman, and well, we talked.

Nothing to write home about.  I continue to wonder about the merits of

long distance relationships.  Don't think I could ever mail this woman a

raw fish.  just wouldn't appreciate it.  But hell, I don't know.

thinking about restraint, beat restraint. cheers, Douglas

=========================================================================

Date:         Wed, 25 Jun 1997 10:03:39 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re: How to love a woman long distance...

Comments: To: "Penn; Douglas; K" <dkpenn@OEES.COM>

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>Douglas Penn wrote:

 

>"How to best love a woman who lives 125 miles away?"

 

>Please respond in a BEAT manner.  cheers, Douglas

 

     I first met the island not long after my second wife and I got

     married.  (Beat enuf for ya?)

 

     My wife and I spent our first year apart (thanks to Uncle Sam's Abject

     Farce (or USAF for short).  I was at the end of the Aleutian chain

     (they called it Alaska tho I was closer to Tokyo than Anchorage).  I

     was over 2,000 miles from her but thanks to y'alls (and my) tax

     dollars I got to talk to her on the phone every night.

 

     Your sit'ation isn't quite the same.  125 miles at 85 miles per hour

     (wink to our friend Sir Speed Limit who perished in San Miguel de

     Allende) isn't but a blink (or 160,000-odd railroad ties).

 

     'Course if y'er vehicularly challenged (and can't steal them as good

     as our boy from Denver) then it might as well be the Pacific twixt ya.

      In that case write letters, long letters full of prosody and sweet

     talk of love things (there's Dean again).  Historically Beat authors

     (not "historically, beat authors", I'm referring to those

     traditionally considered "the Beats" as opposed to modern Beat

     authors)...ahem, yass, Historically Beat authors, of course, wrote

     wonderful love letters.  Glean a few lines from Grace Beats Karma

     (especially helpful if your 125 mile romance involves a woman who is

     aroused by the names of Popes) or simply quote a few lines from your

     current readings...leaving out the part about boys (in your case) and

     the fact that you've got two or more women on a rather intricate

     schedule and you'll make that 125 miles to arrive at precisely 3:17

     p.m. for seventeen minutes of passion.

 

     Jack said it best "Live your life through...naw, LOVE your life

     through".  I guess my advice to you, Mr. Penn is if you love her, 125

     miles is a perfect distance.

 

     Matt Hannan

=========================================================================

Date:         Wed, 25 Jun 1997 09:53:43 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: How to love a woman long distance...

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Matt writ:

 

>>     Jack said it best "Live your life through...naw, LOVE your life

>>     through".  I guess my advice to you, Mr. Penn is if you love her, 125

>>     miles is a perfect distance.

> 

ah.  perhaps I should keep my mouth shut for a while.  all these posts.

Love has always been a restrained thing in my book.  released slowly and

only if received carelessly.  ah, youth.  thoughts come to mind, "how to

BEAT a woman to love" [no, no, no, no], or "10 ways to tell if a BEAT is

in love" [ok, maybe].  But what's really on my mind is this "Can a BEAT

love a CARROT??"

 

still chuckling over Ken's post.  Am very much appreciative of

Sinverguenza's post that included the lines from "Interlude" : 'shadow

changes into bone'.  Anybody know the band, the Pixies, and their song

"bone machine"?  Am trying to figure out how this would *look*.

> 

>>     Matt Hannan

 

cheers, Douglas

=========================================================================

Date:         Wed, 25 Jun 1997 10:21:26 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Death of a Poet

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Diane writ:

 

>> society. Writing a poem is a creative act, and in that act, man becomes

>> godlike, creating form and substance out of nothingness.

 

yes, I completely agree.  yet, yet, hesitate to make such claims.

feeling that creative act in me, seeing it given form, *I* have fear.

yes.  *I* have fear.  Do not want a messiah complex.  do not want to

believe that such a "missle" (to quote patricia) could create or

destroy.  Do not want to ask, why me?, my lord, why me?

 

rather, I would distribute this gift accordingly, to everyone and

everything.  To those whose work goes unrecognized.  those who make

circuit boards for a living.  those who teach.  those who floss their

teeth.  Simply put, those who establish an act of being, those are

creative acts.  creative people.

 

I do not want to separate the creative act from normal quote unquote

life.  If god is in the details and true life is better than fiction,

then please, let us leave both there.  as they be, and let us be

grateful to recognize their existence.  amen.

 

A string of sayings floating thru me head, "power, absolute power [read

creative act] corrupts absolutely".  This is what I meant by fear [or

partially].

 

>DC

 

cheers, Douglas

=========================================================================

Date:         Wed, 25 Jun 1997 10:26:06 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Role of the Poet

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Leo writ:

 

>> i'll take two dozen in lime green.

 

It's not Easter yet, you'll have to wait.  ;-)  Douglas

=========================================================================

Date:         Wed, 25 Jun 1997 10:39:29 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Huck

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Joesph writ:

 

>>     because

>>     Huck knew of it

>>     without knowing it

 

Did Huck have a girl who lived 125 miles upstream, too??  ;-)

 

I like how _it_ reads and am curious how _it_ plays out performance

wise.  Any background images/sounds??  Fire and the sound of birds in a

jungle.... a newspaper being read in a cafe [flip, flip].... high rises

tracking the arc of the sun.... marshes and swamps dark with

fireflies...

> 

>> Joseph Neudorfer

 

>cheers, Douglas

=========================================================================

Date:         Wed, 25 Jun 1997 19:29:27 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Kerouac.

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DEAR friends,

Lowell Massachusetts on the tombstone:

"Ti Jean - John Kerouac who honored Life - his wife Stella"

 

---

yrs

Rinaldo.

=========================================================================

Date:         Wed, 25 Jun 1997 10:49:57 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Role of the Cuddle

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Barb writ:

 

>> Cuddles with a poet?  hmmm...I've been known to cuddle up with a good

>> book of poetry. but despite the art and technique of the professional

>> cuddle, have ended up battered by corners of dark thought and newly

>> dimpled by sharp-witted lines...not heavenly...but good

>> nonetheless...and better for having slept on it.

 

yes, then you have met the Collosus of poetry.  Ridden its bareback and

sceamed with joy.  perhaps been stuck on that merry go ride too long.

Sharp-tongued demons, yes, I have felt those via cuddle.  little buggers

sucking the sap right oughta ma breast. .... like knives gnawing into my

flesh, reflexively, as I loose the knots and need.  hm, purr.  and

grateful, yes, for the sleep, yes, the sleep that brought light into

those corners again.

 

Best to cuddle in a big empty house.  yes.  absolutely yes.

 

>> Barb

 

cheers, Douglas

=========================================================================

Date:         Wed, 25 Jun 1997 11:05:39 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Role of the Poet

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Marie writ:

 

>> no god best god.

>> gone

 

and might I add, "amen"??  Woke up this morning wanting to hear Leonard

Cohen's "Who by Fire" and now I have.  Thank you.

 

>> mc

 

Douglas

=========================================================================

Date:         Wed, 25 Jun 1997 12:36:53 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      back in a few days

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ya'll

just thought that i would let you all know thati am unsubscribing BUT only

for 10 days as i am going on vacation to montreal (jazz fest!, met

relatives, see antoine, etc) for 10 days and will be away from my 'puter.

do not dispair i will be back ;^)

if theres anything VITAL happening that i should know about it - forward

it on to me and i'll read it when i get back.

i'll fill ya'llin if anything exciting happens,

yrs

derek

=========================================================================

Date:         Wed, 25 Jun 1997 14:59:51 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Burroughs

 

In a message dated 97-06-22 00:58:20 EDT, CVEditions@AOL.COM (Pamela Beach

Plymell) writes:

 

<< I caught what was supposed to be a gaf of Dole during the campaign

 that tobbaco is sometimes less harmful than milk. >>

 

It's simple. Milk in a bottle crashing down on your head is bad. A cigarrette

crashing down on your head doesn't do anything, therefore cigarrettes are

better for you then milk. Unless of course you're eating peanut butter

sandwiches, in which case it is much better to drink milk then to drink

cigarrettes.

 

it's so simple, just like Dole was.

Attila

=========================================================================

Date:         Wed, 25 Jun 1997 09:42:34 -0700

Reply-To:     Jens Koch <jenskoch@POST1.TELE.DK>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      Kaddish as a play

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Does anyone know where to find Kaddish a script for a play? It is

supposed to have been performed in 1972.

=========================================================================

Date:         Wed, 25 Jun 1997 16:24:39 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: Death of a Poet

 

In a message dated 97-06-25 12:05:23 EDT, you write:

 

<<  Writing a poem is a creative act, and in that act, man becomes

 godlike, creating form and substance out of nothingness.

 

 DC

  >>

 

I don't think anyone creates out of nothingness.  Not even God (well he's

dead so it's irrelevant now, isn't it).  You can change things around, mix

them up a bit, but you can't make something out of nothing.

=========================================================================

Date:         Wed, 25 Jun 1997 17:18:18 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      love-sad and death-happy

 

In a message dated 97-06-25 00:32:04 EDT, you write:

 

<< 

 Just then on a dark and stormy night a mysterious anti-poet named

 Erasura appears on the television screen of the collective unconscious

 and wipes away all peyotic and poetic memory since the dawn of King

 Arthur's ant collection.

 

  >>

Race your words make me want to right a poem:(i don't kno why)

 

The Marquis de Sadness

 

each heartbeat hurts to ripples in chest

strumming pain with numb fingers

love and sadness are the same

in my book of the dead

i see the reflected image of my child

I mean my mother's mother

and my lover's lover.

I have come to think i don't exist,

And you have come to prove me wrong again.

I don't want your painted words

across the soft hole in my chest.

Between ribs

i bleed inky pools of lust.

The insects cry and i cover my eyes, needing.

it's a sweet death we all feel to discover.

=========================================================================

Date:         Wed, 25 Jun 1997 23:26:06 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Nero.

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        my black

        spaniel

        Nero,

 

        my dog

        is unplugged

 

        my dog

        goes

        by the vet

 

        my dog

        Nero

        isnt' stupid!

 

        my dog

        watched

        the telly

 

        my dog

        was a pet

        when ceausescu

        was killed

        in xmas day

 

        my dog Nero

        isnt' stupid!

 

        my dog

        now is

        near a bunch

        of trash,

        car plate,

        or in kennel

 

        my dog

        killed

        one hundred

        hens

 

        & when

        the wind

        is blowing

 

        on the right

        i hear his

        unplugged

        soul

 

---

yrs

Rinaldo.

=========================================================================

Date:         Wed, 25 Jun 1997 15:16:55 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: Death of a Poet

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     Oh boy, an "original thought" thread.....who's up for some Aristotle?

 

 

       Mari wrote:

     >I don't think anyone creates out of nothingness.  Not even God (well

     >he's dead so it's irrelevant now, isn't it).

=========================================================================

Date:         Wed, 25 Jun 1997 17:15:10 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Huck

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Douglas wrote:

 

> Did Huck have a girl who lived 125 miles upstream, too??  ;-)

 

We all know Huck had more girls than was physically possible. Twain was

smart enough not to focus on this side of the boy's life.

 

Joseph Neudorfer

=========================================================================

Date:         Wed, 25 Jun 1997 16:06:49 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: love-sad and death-happy

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Maya superbly writ:

 

><< The Marquis de Sadness

> 

>each heartbeat hurts to ripples in chest

>strumming pain with numb fingers

>love and sadness are the same

>in my book of the dead

>i see the reflected image of my child

>I mean my mother's mother

>and my lover's lover.

>I have come to think i don't exist,

>And you have come to prove me wrong again.

>I don't want your painted words

>across the soft hole in my chest.

>Between ribs

>i bleed inky pools of lust.

>The insects cry and i cover my eyes, needing.

it's a sweet death we all feel to discover.>>

 

=-=-=-=-=-=-=-=- I envy your compaction, your jumping stones, and that

marbled stuff you smear across your eyes, Maya.  A humble and hasty

reply:

 

>"paysage" (Miro, ~1925)

 

I hear you boxing with whispers

replacing underwear and outer garments

with ropes and bottle caps, oils, and registers

the reverberating sound of stereos and outboard motors

of gentlemen and piano bars tinkling

the worms eating up your shadow play

there's rooms to rent and mouths to feed, already!

the citing of evidence that glanced bare naked across

across across, oh, your aging and disintegrating body

licking your skin for technically edited necessities

charm to wit, and the not too gentle suggestions of of of of

sacrifice.... layoffs... and inflight movies...

bleeding my eyes for one gentle touch, one, ah damn!

who cares already?, oh!, just fuck me!  fuck me!

lying here waiting, god, this sterile madness, <<HELLO!!>>

<<HELLO!!>> sweating with desire... <<HELLO!!>>

"my lover's lover"... box him in here with me, please

I am destroyer, I AM DESTROYER!!

calm cool and casual,

yes, my long day at work continues....

 

------- douglas

 

<<hmmmm, breathing...>>

=========================================================================

Date:         Wed, 25 Jun 1997 19:37:56 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Role of the Poet <<craps>>

 

In a message dated 97-06-25 00:39:57 EDT, you write:

 

<< not certain that i'm up for cuddling but would be more than happy to

 share some Kentucky Fried >>

 

I heard on the news that one of our main exports to China is chicken feet

which they eat as a delicacy. Now we know the Colonel Sanders connection. I

don't how many chicken feet the Chinese will eat in Hong Kong next week.

C. Plymell

 

=========================================================================

Date:         Wed, 25 Jun 1997 19:41:57 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: forlorn rags of growing old

Comments: To: Sinverg|enza <ljilk@GUINAN.MPS.ORG>

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Sinverg=FCenza wrote:

=20

> yeah. the only reason we do anything is because we know we're going to =

die.

 

 

I agree, we we live and we die. And when our switch gets clicked, it

just gets clicked! What the hellare we supposed to do about it? Why try

ta fight fate. The light a lamp makes can't keep the lamp's switch

unclicked no more than street-light light can control dawn or dawn

control dusk. Click switching cycles just exist. Stars go supernova and

lightening bugs mind meld with windshields.=20

 

This kid about 3 weeks ago run head on into this electric pole. He was a

bit drunk so he survived the crash with just a few scratches. But fate

had predetermined to click his switch with that accident and when the

pole didn't click it, the live wire he stepped on did! A 50,000-volt

click. Or it was more like BZZZZZZZZZZZZZZZZZZZZZ......KKKKK zzzzzKKkkk=20

you know some sound like that and then some burning flesh smells and so

on. He was meant to die there one way or the other. Little exists one

could do to change it.

 

And then last July 4th in Reynoldsburg, Ohio this guy's switch was

predetermined off. This fireworks steel shell casing exploded like a

big-ass bomb rather than towards the sky. A nice size piece of this

steel shrapnel chunk of steel sharp and jagged from the blast commenced

retrorocketing parallel with the ground generally out towards all the

fireworks patrons of that nice Reynoldsburg community celebrating the

good ole USA's independence and fasten your seatbelt, drive 65 and don't

smoke dope justice for all concepts. It was like Russian Roulette with

all the fans as players. Whose gonna die today folks, let's see.... Well

this bullet-like chunk of iron at God Speed clinked off a steel swingset

there in that park ricocheting it off at an angle to its original

trajectory, tantalizing these roulette players, all in less than a split

second so fast no one could really see it no more than one can see a

bullet, it was there in the air looking for a life switch to click. This

guy had been laying on his back on a blanket with his daughter perched

upon his stomach both looking up at the sky oohing and awwwwing at the

red, white and blue explosions high above. He put his daughter aside,

sat up, and Ka-fuck'n-whack, his switch clicked!

 

The big-ass piece of sharp-ass, jagged-ass steel shrapnel buried itself

deep into his chest cavity. He died on the spot. I suppose a moment or

two elapsed between the initial contact and the time his switched

clicked off, but who would have noticed. It all happened so fast. That

shrapnel had that guy's name on it. It was a fate guided missile on a

mission to click that guy's switch. And it clicked it! Off! Think of the

odds and all the chaos theory that unfolded those events? It binged off

a playground swingset, barely missed some folks, the guy just sat up,

etc. If it would have went straight someone else would have got it. It

coulda peeled his daughter's head off and continued on to brutalize

other roulette participants--a serial kill'n chunk a iron! Fate clicked

that specific guy's switch and what could anyone do about that?

 

Nothing!

 

I have many other stories to support my click theory. I get them from

the newspaper all the time. Like this guy sit'n in his reclining chair

in his living room watching TV and reading the newspaper when a

meteorite burns through the roof, the rafters, the upstairs bedroom

floor, the living room ceiling, and welds itself to this guy's skull. A

damn meteorite from outer space! God Damn, what the hell can anyone

possibly do about that?

 

Nothing!

 

If a meteorite from space has your name on it, hell bent to click your

switch, it'll click it. It'll click it wherever you might be. It's all

not that much different than the choice we had as to when we were gonna

get born, or who we were gonna be, or even what we was gonna be. Fate

determines those things.

 

Fate.

 

Just like fate determined who we were to be born as, what our minds

would be like, etc. Fate probably even enrolled us inta school. That's

why I don't understand so easily why so many folks have all this

resentment inside, and sadness, and pain, and so on. What the hell

control did they have over anything that happened to them as a child?

What? How could they have changed anything? Why can't we as human beings

just look into ourselves, see who we are this damn time, and live on

with it as fate desires? Shit. We get a finite number of summertimes to

enjoy, bowls of homemade ice cream to swallow, fish to catch, mornings

to get up, prior to that one predeterminately privatized meteorite in

orbit up there in outer space loosing altitude and drag'n ass due to the

friction with the atmosphere and dip'n on in, blazing-ass burn'n through

the night sky--fall'n star--to click your switch! Off. And that's if

we're lucky to go out in such a CNN-

newsworthy blaze of glory. Most folks just get the hand clapper--clap

clap--and its clicked; a stroke sleeping, or a cancer dying, or old age

ending.

 

Ever remember throwing a pillow or something and it accidentally clicks

off the light switch? Well if some bug or amebocite or some life form

was in that room that needed light to sustain life, lived only while

light fed it, lived life cycles according to when and when not light fed

it, etc. it would die due to that damn accidental pillow click! Or if

someone slams inta a light pole a few blocks away and the lights go out

in a few city blocks, think of all those amebocites dying due to that

accidental power outage. And shit, that New York State blackout wiped

out amebocite civilizations! --a

Bubonic Plague-like epidemic. Fate works big and small.

 

Think of those poor innocently swimming fish humans catch, and then fry?

Would 'bout those guys? And the worm you feed that fated fish? Do you

think that worm likes to swim? If worms like water so much, why aren't

they in it? They stay in the dirt cuz they like the dirt. They don't

particularly enjoy get'n their guts hooked, a carpet knife-like, street

fight'n, gut wrench'n, jab with a barbed hook, and then wiggl'n ass'd,=20

tossed overboard 10 foot deep fish food so as to snare a baby blue gill,

just barely outta minnowhood! That's a handsome catch there, a 1-inch

fish! If we catch a couple more like that one, we can make us a fish

stick! --support a cliche.

 

Fate determines everything. And everything just exists. That is Mike's

Theory of Everything: The Fish stick TOE....stub'd on a rock, bit by an

ant, and fungus covered need'n some kind of pharmaceutically corporate

fungicide to clear it up! I knew this guy who dipped his feet into sheep

dip to kill his athlete's foot. Indeed, it burned that pesky-ass,

scratch-resistant fungus off along with several epidermal layers

including his hide! Burn't his feet blood red. Plus he got plenty of

dope there in the hospital while recovering from this third degree

encounter with fate... Some folks argue that this guy, Darrell, burn't

his feet on his own accord--that fate had nothing' to do with it. They

say, of course, the undiluted sheep dip did it, but Darrell put his feet

in it. And I counter example by asking how did Darrell come by that

chemical cocktail and then the high-octane, fast act'n Tatactin desire

to deep fry his damn feet? Did Darrell act alone? Sheep dip needs

diluted perhaps 100 gallons of water per one gallon of dip! What on

earth could have prompted Darrell to submerge his feet into undiluted

dip. Christ, when dipped diluted, sheep act nuts and Darrell has

witnessed the terror in their eyes numerous times--enough to know,

anyway, dipped ticks drop dead right off dipped sheep! Dip clicks ticks'

switches like gasolene ignites. Darrell knew dip demographics all too

well. Fate dipped Darrell's feet into that undiluted dip!=20

 

In the hospital, doped and pained, Darrell asked to no one in

particular, perhaps to himself, "what in the hell made me do it?"

 

Fate did it, Darrell, fate did it...

=========================================================================

Date:         Wed, 25 Jun 1997 20:08:02 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Drugs & Spontaneity

 

In a message dated 97-06-25 04:34:02 EDT, you write:

 

<< I'm much

 more concerned with the product as opposed to the act of creating. >>

 

I just finished listening to a CD Allen gave me last November Kronos Quartet

* HOWL, U.S.A.  Hmmmm..... Should I now hear Anne Sexton?

C. Plymell

=========================================================================

Date:         Wed, 25 Jun 1997 20:20:33 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: the last time i committed suicide.

 

In a message dated 97-06-25 04:35:43 EDT, you write:

 

<< (The one that starts off "To have seen a specter isn't

  everything..)  >>

 

When Allen and I "talked poetry" c 1963,  It was obivious he was a good

learner, which, I suppose one has to be, to be a good teacher. He kept asking

me the MEANING of the lines of Blake I had quoted. "Each man is in his

Specter's power/until the arrival of that hour/when his humanity awakes/and

castes that Specter in the lake."

(might not be exact...quoting from memory.) He was very persistent, like I

knew something about it. It was a big "thread" for a while. Neal often picked

up on  discussions and jumped the words to his own battery. I wondered if he

had discussed the same poem with Allen previously.

Charles Plymell

=========================================================================

Date:         Wed, 25 Jun 1997 20:26:21 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: dear abby...MARRIAGE! (HELP!)

 

Some one suggested adding more chlorine to the gene pool.

C. Plymell

=========================================================================

Date:         Wed, 25 Jun 1997 20:29:32 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: The Role of the Poet

 

In a message dated 97-06-25 05:12:19 EDT, you write:

 

<< I don't know, but I bet Blake and Ginsberg did.  Why can't divinity be

 found/invoked? in the craftmanship of creating? >>

 

I find Blake's madness sometimes boring. I love his shorter poems and liked

the story that he ran naked in his garden. I think Allen's "statement" of

nakedness was just the thing for the 50's culture vulture and eggheads.

Charles Plymell

=========================================================================

Date:         Wed, 25 Jun 1997 19:35:50 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      more ketchup

Content-Type: text

 

Hi again!

I still haven't completely caught up (about 100 messages behind now),

but I wanted to take a moment to address some responses to my previous

mailing.

Arthur: the _Junky_ quote strikes me as an allusion to Eliot's measured-

out life, but with a crucial difference: the junkie measures out his life by

putting it continually in a state of emergency. Prufrock's life is completely

bland, vanilla; he needs the coffee just to stay awake in his world. The

junky's situation may be also be a trap, but at the other extreme from

Prufrock's.

Diane: regarding Eliot's visionary qualities--I see him as resembling the

mystic's "dark night of the soul" (St. John of the Cross). "Prufrock"

concludes with the mermaid vision of escape from his drowning in the

world around him (I think Marie quoted the passage); _The Waste Land_

creates an apocalyptic world which has a number of significant parallels

to that of _Howl_, and the message of the thunder offers a trace of hope

in the sterile land. Part II of "Ash Wednesday" begins, "Lady, three

white leopards sat under a juniper-tree / In the cool of the day, having

fed to satiety / On my legs my heart my liver and that which had been

contained / In the hollow round of my skull. And God said / Shall these

bones live?" Is there a definition of _visionary_ which this does satisfy?

All 4 voices of the _Four Quartets_ also provide the spiritual visions,

particularly at the end of Little Gidding, where the sins of the garden

are purified and redeemed by the fire and the rose.

Joseph: Snyder's notion of documentation is one I find attractive, but

I cannot help but believe that the art I value goes beyond that (I will

elaborate more in my next mailing).

Charley: I had been glancing at an issue of _Soft Need_ (#9) at an article

of Burroughs about Brion Gysin's paintings, and I had noticed your "Coca,

Saturn, and Sun": Part 1 was entitled Hallucination Dissertation Manifesto,

and Part 2, interestingly enough, is titled Attila Over the Rooftops.

Sometimes my brain puts handcuffs on certain title, and I carry them around

with me for days on end. At any rate the first section's title occurred to me

in connection with the point I was making in my previous note, so I cited it.

 

To anyone who has read this far, a bonus on women writers: Edgar Allan Poe,

in reviewing a poetry anthology published in the 19th century, commented on

the small number of women included; he concluded that, if women are not well

represented among the great poets, it is because the great poems have yet

to be written. How's that for a compliment coming from a writer not usually

associated with the women's movement.

I would also like to comment on the issue of spontaneous writing, but I will use

another mailing.

Cordially,

Mike Skau

6/25/97

=========================================================================

Date:         Wed, 25 Jun 1997 20:36:12 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: How to love a woman long distance...

 

Marlene Dietrich said that: "In America sex is an obsession; in Europe it is

a fact."

C. Plymell

=========================================================================

Date:         Wed, 25 Jun 1997 20:35:33 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: the last time i committed suicide.

Comments: To: Pamela Beach Plymell <CVEditions@AOL.COM>

In-Reply-To:  <970625201949_1689248464@emout20.mail.aol.com>

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On Wed, 25 Jun 1997, Pamela Beach Plymell wrote:

 

> When Allen and I "talked poetry" c 1963,  It was obivious he was a good

> learner, which, I suppose one has to be, to be a good teacher. He kept asking

> me the MEANING of the lines of Blake I had quoted. "Each man is in his

> Specter's power/until the arrival of that hour/when his humanity awakes/and

> castes that Specter in the lake."

 

So what'd you say?

=========================================================================

Date:         Wed, 25 Jun 1997 20:05:02 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      spontaneity and writing

Content-Type: text

 

Hi again!

I've always felt uncomfortable with the whole first-thought-best-

thought concept, which not even Kerouac and Ginsberg seem to have

been able to adhere to.

Back when I was in college, I found myself very depressed at one point.

The woman I had been seeing had dumped me and now was dating one of my

friends. I felt doubly betrayed, and not having Maya's voodoo skills

I kept all my pain inside. One night when the bars closed, I was walking

home drunk and depressed. The night was bitterly cold, and I had about 5

miles to walk to get home. I came to the Newman House on campus and

decided that I needed to talk to a priest (I had been raised as a Catholic,

 but at this point in the story, I had not been to church for over 3

years), but the housekeeper would not wake the priest up. With this 3rd

betrayal, I returned to the wintry weather. About a mile from home, I had

to cross two parallel sets of railroad tracks, and in the distance I saw

the light of a train heading my way. I sat down in the middle of the tracks

and decided that if the train were on my tracks I was a goner. Well,

as you probably guessed, the train was on the other track. I picked myself

up and walked on home with my wet pants leg freezing to my thigh. The point

is that I don't think that my spontaneous decision was a very healthy one,

and I have difficulty endorsing as a principle for art a principle I could

not endorse for life. Years later, at a poetry reading at Naropa Institute

in Boulder, I heard Gregory Corso address the same principle of first-

thought-best-thought and arrive at virtually the same conclusion: he read a

poem which I think is still unpublished and concluded, "on second thought

I decided not to jump off the Empire State Building."

Someone earlier cited Burroughs's notion that the writer tells the reader

something the reader knows but does not know s/he knows; perhaps the same

thing works for the writer, who as artist writes something s/he knows but

does not know s/he knows. I believe that every great work of art (and even

many that are not great) is a learning experience for the artist, a moment

of growth. The work of art may "document" (Snyder's term, as Joseph Neudorfer

pointed out to us) that moment, but if the artist has truly grown, then

s/he ought to be able to improve upon it--the process then would be endless.

Tolstoy (not a Beat, but a great writer nonetheless) once said that a work

of art is never finished--it is only abandoned.

Well, I did not mean to go on at quite such length. Apologies.

Cordially,

Mike Skau

6/25/97

=========================================================================

Date:         Wed, 25 Jun 1997 20:59:19 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: Role of the Poet <<craps>>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

 

> I heard on the news that one of our main exports to China is chicken > feet

 which they eat as a delicacy. Now we know the Colonel Sanders  > connection. I

 don't how many chicken feet the Chinese will eat in Hong > Kong next week.

 

Here in Columbus, Ohio, a local vending machine company, Sanese, serves

Chicken Beak BBQ Sandwiches in vending machines for $1.50. They're not

bad as long as they grind 'er up real good. And a couple buddies, on a

couple occasions swore they'd bit into a piece a hoof in their BBQ Pork

Sandwiches.

 

When a hog or a chicken goes into Sanese, nothing comes out but

sandwiches....

-Mike

=========================================================================

Date:         Wed, 25 Jun 1997 21:23:37 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: spontaneity and writing

Comments: To: Michael Skau <mskau@cwis.unomaha.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I remember reading something about WSB, and he was saying that he wasn't a

big fan of spontaneity because he finds that by being spontaneous, he runs

out of stuff to write. He prefers to write a chapter, for example, and then

go back and revise it.  But, as it was mentioned earlier, each

writer/artist, or combonation of both, well whatever you do, each person

has their own method of doing whatever.

 

 

 

At 08:05 PM 6/25/97 -0500, Michael Skau wrote:

>Hi again!

>I've always felt uncomfortable with the whole first-thought-best-

>thought concept, which not even Kerouac and Ginsberg seem to have

>been able to adhere to.

>Back when I was in college, I found myself very depressed at one point.

>The woman I had been seeing had dumped me and now was dating one of my

>friends. I felt doubly betrayed, and not having Maya's voodoo skills

>I kept all my pain inside. One night when the bars closed, I was walking

>home drunk and depressed. The night was bitterly cold, and I had about 5

>miles to walk to get home. I came to the Newman House on campus and

>decided that I needed to talk to a priest (I had been raised as a Catholic,

> but at this point in the story, I had not been to church for over 3

>years), but the housekeeper would not wake the priest up. With this 3rd

>betrayal, I returned to the wintry weather. About a mile from home, I had

>to cross two parallel sets of railroad tracks, and in the distance I saw

>the light of a train heading my way. I sat down in the middle of the tracks

>and decided that if the train were on my tracks I was a goner. Well,

>as you probably guessed, the train was on the other track. I picked myself

>up and walked on home with my wet pants leg freezing to my thigh. The point

>is that I don't think that my spontaneous decision was a very healthy one,

>and I have difficulty endorsing as a principle for art a principle I could

>not endorse for life. Years later, at a poetry reading at Naropa Institute

>in Boulder, I heard Gregory Corso address the same principle of first-

>thought-best-thought and arrive at virtually the same conclusion: he read a

>poem which I think is still unpublished and concluded, "on second thought

>I decided not to jump off the Empire State Building."

>Someone earlier cited Burroughs's notion that the writer tells the reader

>something the reader knows but does not know s/he knows; perhaps the same

>thing works for the writer, who as artist writes something s/he knows but

>does not know s/he knows. I believe that every great work of art (and even

>many that are not great) is a learning experience for the artist, a moment

>of growth. The work of art may "document" (Snyder's term, as Joseph Neudorfer

>pointed out to us) that moment, but if the artist has truly grown, then

>s/he ought to be able to improve upon it--the process then would be endless.

>Tolstoy (not a Beat, but a great writer nonetheless) once said that a work

>of art is never finished--it is only abandoned.

>Well, I did not mean to go on at quite such length. Apologies.

>Cordially,

>Mike Skau

>6/25/97

> 

> 

ge                    elwellg@voicenet.com

=========================================================================

Date:         Wed, 25 Jun 1997 21:32:47 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      original thought

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If there is an original thought out there, I could use it right now.

 

Dylan/Shepard

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 25 Jun 1997 22:42:39 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Death of a Poet

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Penn, Douglas, K wrote:

> 

> yes, I completely agree.  yet, yet, hesitate to make such claims.

> feeling that creative act in me, seeing it given form, *I* have fear.

> yes.  *I* have fear.  Do not want a messiah complex.  do not want to

> believe that such a "missle" (to quote patricia) could create or

> destroy.  Do not want to ask, why me?, my lord, why me?

> rather, I would distribute this gift accordingly, to everyone and

> everything.  To those whose work goes unrecognized.  those who make

> circuit boards for a living.  those who teach.  those who floss their

> teeth.  Simply put, those who establish an act of being, those are

> creative acts.  creative people.

> 

> I do not want to separate the creative act from normal quote unquote

> life.  If god is in the details and true life is better than fiction,

> then please, let us leave both there.  as they be, and let us be

> grateful to recognize their existence.  amen.

> 

> A string of sayings floating thru me head, "power, absolute power [read

> creative act] corrupts absolutely".  This is what I meant by fear [or

> partially].

> 

> cheers, Douglas

 

I take it you do not want to follow the route of the tortured artist,

saying, "Why me, God?"  Not a route I would choose either. However, words

are powerful, any way you look at it, and from my view, all poets are

burdened with knowledge that can create or destroy.  In your second

paragraph, I see Ginsberg's work as applicable.  Poetry cannot be

separated from the act of being.  The subjects poetry addresses are not

necessarily higher or loftier than those of people getting up in the

morning and going to work, whatever their profession may be, or making

love or flossing your teeth.  In the voice of the poet, these acts that

make us human also take on new knowledge and meaning.  Absolute power

(read creative act/godlike) does not need to corrupt absolutely.  Godlike

does not necessarily mean messiah-like.  Perhaps it is the power to see

infinity and immortality in little acts of humanness.

DC

=========================================================================

Date:         Wed, 25 Jun 1997 22:51:48 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Drugs & Spontaneity

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Pamela Beach Plymell wrote:

> 

> In a message dated 97-06-25 04:34:02 EDT, you write:

> 

> I just finished listening to a CD Allen gave me last November Kronos Quartet

> * HOWL, U.S.A.  Hmmmm..... Should I now hear Anne Sexton?

> C. Plymell

 

I hope not.  I have to say that I went through a period long ago where I

read everything Anne Sexton wrote.  Today all I remember are similes of

life likened to moths and earthworms.  And although I vaguely remember

that she won the Pulitzer Prize at some point, my only vivid recollection

from her work and life is that she commited suicide.

DC

=========================================================================

Date:         Wed, 25 Jun 1997 22:09:40 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      messing 'round

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some antics

 

 

 

 Now  here

    is

  nowhere

    is

 a     God

    is

  a    dog

    as

 anywhere

    is

any   where

    is

  nowhere

 

Words  are

    not

doors  and

     i

 am    not

     a

word   but

     i

  am  also

    not

  a   door

    you

guess it's

   your

turn  still

 

 

 

 

 

 

 

 

Eric Sapp

rhs4@crystal.palace.net

=========================================================================

Date:         Wed, 25 Jun 1997 23:04:39 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: spontaneity and writing

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Michael Skau wrote:

> 

> Someone earlier cited Burroughs's notion that the writer tells the

>reader

> something the reader knows but does not know s/he knows; perhaps the

>same

> thing works for the writer, who as artist writes something s/he knows but

> does not know s/he knows.

 

I believe this often to be the case.  However, revision is not

necessarily the opposite of first-thought, best-thought.  The initial

idea or stream of first-thought, best-thought, can remain and only be

further illuminated. Doesn't mean you lose that first thought in the

revision process.

DC

=========================================================================

Date:         Wed, 25 Jun 1997 21:12:29 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      FireWalk saga again

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forgot to include this one before as well.  this is the second piece in

the collection.

 

from FireWalk Thru Madness copyright December 1992 David B. Rhaesa

 

 

COLT - 45

 

While reading Steppenwolf, Harry Haller=92s records -- =93for Madmen Only=

=94

-- the memory returned.  An auditory memory.

 

                                LAUGHTER !!!!!!!!

 

The sinister laughter, cackling laughter, angry - hateful - insane

laughter which came from her mouth, reflected a voice which was new to

me - a voice never heard from the auburn haired ghost before.  The

auburn haired man of stone, listening from the blue room, heard my stern

words, finally escaping my cowardice, finally standing up for myself,

standing up to the ghost who owned my soul.  But the stone man=92s ears

were deaf when it came to her laughter.  He did not witness the

insanity, the complete possession of her mind by irrational evil forces.

 

The forces of evil and insanity came in voices John had warned of ....

The voices of the pit, beckoning those who could hear to take the step

of faith into the realm of unreason to the joy of insanity.  She had

taken the step and in the laughs only I could hear a cry of help.

 

In a brief codependent moment, I foolishly believed that I was her

savior, that I was the only one on earth who could rescue her from the

caverns she had fallen into.  I conjured the abyss in my mind and leaped

in.

 

For nearly six months my mind slipped in and out of realities, fantasies

-- one never knew the real from the fiction. =20

 

I met the Biafran Jew

        who

                read my palm, discussing rainmaking he promised me a trip to meet his

medicine man and learn time travel.  A sorcerer....and threatened my

friends and I fought his mind and he made my body move through space and

time to places I have never known.  He distracted me momentarily with an

hallucination of Black Moses leading his people out of Egypt to a

promised land in the other direction from Israel; and then I saw a Black

Jesus nailed to a Black Cross and then a Woman Named Moses with Auburn

Hair ---- and they burned her at the stake like Joan of Arc ....... then

someone bumped me on the ped mall and I was safe and the sorcerer left

to torment someone else.

 

I sat at the river Styx -- day after day with a deck of cards playing

solitaire -- a game called patience/ a game called Idiot=92s delight.=20

Playing cards with myself.  Playing with myself.  Invisible to most. =20

 

I sang to myself as I turned the cards over and over again the last

lines from Shelter from the Storm - -

 

        =93If I could only turn back the clock

                        to when God and her were born.=94

 

And the wind would howl, and the Iowa river would shake the banks near

me and I would watch the people walk by unable to see me -- seeing

through them.

 

When the winds would die and the smell of tornadoes left the air, I

would begin to walk across the city to Dan and Mary=92s - the dog people =

-

shepherd people - who brought lightness to the dungeons and dragons

games .... games I never played, for I preferred solitaire, playing with

myself.

 

My best friends were sunflowers and when they died I cried and searched

for new sunflowers and one grew seven feet high at my mothers .... and I

went to the law building and taught the classes ... and laughed and

howled at the moon, as the students painted anarchy on the dorm windows

and the counselors cried at the insanity which filled the air.

 

And the priest declared that =93I=94 was Alpha and Omega and I accepted t=

he

part and split the universe in my mind -- angry at the abyss for

stealing the auburn ghost.  I spoke with her once that summer but she

could not see or hear me. =20

 

She read the lawbooks as I saw the black paint cover Danforth Chapel ...

 

And then

astral projection in my mind took me far beyond the galaxy and glancing

back at the Milky Way I saw the gateways to a parallel universe --

hidden doorways at the L-5 points/ gravity points between Earth and

Moon, where they want to put the space station -- and suddenly I

understood her abstinence, her fear of conceiving Captain James Kirk who

was to be born in the town where we lived -- Riverside Iowa, birthplace

of the Starfleet Captain -- Who spoke the prime directive of

non-interference in alien culture while fucking every alien woman he

could lure into the sack.

 

I crashed somewhere near the river.  The reentry was devestating.

 

After a while I took my place on the stone benches and turned the cards

and sang songs to myself.  Then she met me there at the River Styx and I

signed the paper and I was free.  Free at last.  Free at last.  Until

the magician at the Dead Wood aksed if it was what I wanted and I said

it was too late and he showed me his disappearing tricks and said maybe

not and I gave him a book called Miracles and left the decision to the

Universe and told him his magic could make the papers disappear from the

Courthouse if the divorce was not intended by the Fates.

 

Then I tripped down the street to see Batman but left before the Joker

died and talked with the student in the lobby who was reading Zen and

the Art of Motorcycle Maintenence.

 

And I retired to the Heartland to the banks of the Missouri River and

collected myself collected from people all around the country and played

Hanks Williams=92 songs =93I=92m so lonesome I could Cry=94 on Dan=92s Re=

d, White

and Blue Buck Owens=92 guitar and I helped Mary with her Alzheimer=92s by

trading minds with her and with her thoughts in my mind I was diagnosed.

 

So I escaped to the camp by the River and rested for a year preparing

for my journey from the pit.  The climb out of Hell would require all my

energy.  So I came to the banks of the Mississippi River - Highway 61

Revisited - After my father had sacrificed me to old Doc Whitehead and

his Haldol. =20

 

I abandoned solitaire for spades and played often with three Rock Island

Ghosts - one who=92d been to Woodstock and then to prison when his father

and brother sacrificed him on Highway 61 for a little marijuana.  And

then the divorce destroyed his mind just as mine had - so I gave him my

wedding band and he wore it as a pinky ring.  I still wear his stocking

cap to sleep for protection from the brainstorms.

 

His partner in spades was a homemaker not by choice - by fear.  A lover

once took some acid and then took a lighter and burned her vagina and

she protected herself with several quarts of Colt 45 each day and she

never left the house in the two years I knew her and once she took

twenty-five minutes to decide which card to place because her mind was

so distracted from the alcohol haze.

 

My partner was a giant ghost who saw Jimi Hendrix alive in Davenport and

thought Hitler was righteous and he explained the angel paintings and

deconstructed words to find hidden meanings.  The hospital was the true

pit, the clue was right there in the middle of the word -- hos-PIT-al --

so he didn=92t take his medications very often.

 

And we were playing spades and Fleetwood Mac was playing hypnotize and

then David Gilmore started playing out of this world and I left my body

and looked down and saw us playing cards and when I returned I was sick

for hours and passed out on the couch I gave them. =20

 

The next day I told a freind I almost died several times on that couch.=20

I felt my heart stop and start again.

 

Janis Joplin sang a funeral song while I read a clipping about AIDs not

knowing that the auburn ghost was working on quilts in San Francisco and

the brainstorm came and lasted four days .... no identity ... no sleep

... for four days walking aimlessly searching for hope

...........................

 

And I reached the white house long past midnight and the stairs were lit

by a Goddess and as I climbed the stairs I heard Led Zepelin in my mind=20

 

and each level reflected another stage of cosnciousness.  when I reached

the third level a huge American flag symbolized the New World Order ...=20

I saw a stairway going up and realized that the flag and the New Order

were a sham.

 

I went to the next level=20

sat on a lawn chair

threw a lightbulb=20

into the parking lot

my last bright idea

shattered on the pavement.

 

REM=92s =93It=92s the End of the World as we know it=94 played in my head=

. =20

 

I took the child=92s toy, the red chalice brought it to my lips and

quenched my thirst.  I heard William Burroughs voice:  =93A wise man once

said that you can only call the Doctor once.=94  I smelled the unleaded o=

n

my breath.  My mind screamed out : =93Doctor!  Doctor!=94

 

I lived.

=========================================================================

Date:         Wed, 25 Jun 1997 22:22:32 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      poesia and posies

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hello Beat-list folk, quite a busy time of cyberyear, i spend more time

seeking random bits of info before deleting, sad sad, well now i'm talkin'...

 

I always liked Kerouac's Spontaneous suggestions, though spontaneaeaity

aint limit ed to a particular set of circumstances -- i mean ya dont

haveta by hopped up on caffee n benny hunched o'er a typewriter or pen n

pad or blank wall or -- since spontaneaous writin is just Mind writin

cannot there be Spontaneous Revisions -- i mean, there CAN be -- isnt a

revision just another flash of insight in the brain, even if ya spend

hours years mulling over a problem often the solution comes in split

seconds, like writin a term paper fo' school, takes a lot of timewasting

and considerably few actual productive timeslots for me, tho sometimes

the reaction must simmer...

 

anyway, I personally, in my prolific (mostly unRead though i assure you

genius!) work of writing i generally stick with NO revisions, for several

or a few reasones:

 

1) i am lazy. proud slacker.

2) like to save shit.

3)no time, more stuff to compose.

 

etc,etc,etc.

 

i can sometimes think of my poetry as carrying on a conversation record

of thoughts for myself. like, in a conversation, you can't erase a

statement. you can ammend it, move on, say new things, but a statement

(though perhaps meaningless) is out there. So, in writing, i usually

leave things as they were when i was actively jotting a pieceafter maybe

adding the "s" 's i forgot or correcting it to the words i wanted to say

(that were said in my mind) and simply scribbled through cursively

reckless, whatever. I'll just compose another pome if i wanna say

somethin new rather than try to eradicate an earlier one. Great!

 

adios, A dios,

 

if any one cares,

Eric

rhs4@crystal.palace.net

=========================================================================

Date:         Wed, 25 Jun 1997 22:05:10 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      [Fwd: Re: The Role of the Poet]

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sent this sometime last night.  got the OVERDRAFT notice having exceeded

my number of post per day alotment.  i had been counting so carefully i

thought certainly i had one left.  but i was wrong.

 

so ... since i saved a bunch today i can waste one by resending these.

and if i can kick this sleepiness that is overcoming - i might just have

to shoot the rest of my wad for the day in the next few minutes.  but

sleepiness may win out.

 

david rhaesa

salina, Kansas

 

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Message-ID: <33B07ECD.1241@midusa.net>

Date: Tue, 24 Jun 1997 21:13:33 -0500

From: RACE --- <race@midusa.net>

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: Beat-L <BEAT-L@CUNYVM.CUNY.EDU>

Subject: Re: The Role of the Poet

References: <33AF17D9.AA6@discovland.net> <l03020900afd52a9e495b@[198.5.212.77]>

 <l03020902afd594cb57df@[198.5.212.108]>

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runner911 wrote:

> 

> At 1:53 AM -0700 6/24/97, RACE --- wrote:

> 

> > actually, the answer  would be an EMPHATIC no.  The kind of poet being

> > described in that quotation is the poet as magician and most easily

> > understood as a word alchemist.  if one accepts the power of symbols in

> > shaping reality, the poet's ability to Perceive and then stir the

> > symbolic soup is a Real form of contemporary alchemy.  What you were

> > referring to is probably a real creature but my hunch is that the

> > alchemist can with some effort overcome the population of these middle

> > aged gentlement in terms of pure magic.

> 

> yes, and my argument for the definition of a poet would necessitate that

> this "magician" and "alchemist" spend time on the SHITLIST.  Oh, god

> forbid, our poet should have a criminal record!  should be despised by a

> great many.  From these latest clarifications, sounds like you're

> describing some teenage african-american, sent-up for 5-10 on crack related

> charges.  Is this what you meant???  :-)

> 

> >

> > david rhaesa

> > salina, Kansas

> 

> cheers, Douglas

> 

> http://www.electriciti.com/babu/                summer

> save it, just keep it off my wave               is

>   -- ("my wave," soundgarden)                   here

 

to be perfectly honest i don't remember typing these words.

 

so i guess they can mean whatever you want them to mean.

 

if i typed them i can't believe that i wasn't joking.  of course, as the

day progressed i may have convinced myself as all too often happens that

humour is deadly serious.

 

david rhaesa

salina, Kansas

 

living in a state of perpetual dream-state

 

 

--------------7F7DBDC6F87--

=========================================================================

Date:         Wed, 25 Jun 1997 23:35:37 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Kronos and Glass

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Charles,

 

        If you enjoyed the Kronos Howl (what about the Harry Partch piece

too?  ...that's pretty beat.) you should listen to Hydrogen Jukebox by

Philip Glass which has some very apt readings by Allen. I've enjoyed it greatly.

 

        By the way, along with my T-shirt order from Jeffrey, I've ordered

"Last of the Mocassins" - the signed version. Haven't gotten it yet...it'll

come with the Breat list t-shirt.

 

        Speaking of which....listen up everyone...if you haven't yet gotten

your order in, do so now...immediately...do not pass go, do not collect $200

- don't wait...Jeffrey's depleted bank account awaits your order!

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 25 Jun 1997 22:44:45 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      lena wants to join the list and

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well the kid wants to join the list, i told her to send subscribe to

this address i had and it just bounced back.  If someone wants to help

her her e-mail address is

lena@sunflower.com.

i have mixed emotions, know if she gets on i probably should watch my

spelling because she will tut tut me.  She has shown such an interest in

reading and writing this summer i am thrilled. Her computer sits besides

mine and she and i discuss self censorship of material with her, well i

think that she will be fine.p

=========================================================================

Date:         Wed, 25 Jun 1997 21:49:38 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Kronos and Glass

Comments: To: Antoine Maloney <stratis@ODYSSEE.NET>

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Antoine Maloney wrote:

 

>         Speaking of which....listen up everyone...if you haven't yet gotten

> your order in, do so now...immediately...do not pass go, do not collect $200

> - don't wait...Jeffrey's depleted bank account awaits your order!

 

What do you need to do to order? I was cecking out Charley's page a few

days ago and saw a picture of the Beat-L shirt asvertised to the public

for 19.95 or something like that. How much are they for us?

 

leon

=========================================================================

Date:         Thu, 26 Jun 1997 01:27:04 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Perfection

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Mike Skau wrote:

 

> Tolstoy once said that a work of art is never finished--it is only abandoned.

 

Interesting - but if an artist is experimenting with a particular form,

and that form seems to have been perfected (i use 'seem', because

perfection is not objective), is it not finished? To become the Buddha

you must kill the Buddha. Perfect a style / project / work of art and

then drop it, move on to another. Perhaps this is just a matter of

terminology.

 

Joseph Neudorfer

=========================================================================

Date:         Thu, 26 Jun 1997 02:52:07 -0400

Reply-To:     Sean Kelley <skelley@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Kelley <skelley@VOICENET.COM>

Subject:      Hard-to-find videos for sale!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Beat Documentaries/Fiction

**************************

"Burroughs"  (1983, 87 min, Brookner)  ...  $74.99

"Commissioner of the Sewers"  (1986, 60 min, Maeck)  ...  $39.99

"Fried Shoes Cooked Diamonds" (1978, 55 min, Allione)  ...  $39.99

"Gang of Souls"  (1988, 60 min, Beatty)  ...  $59.99

"Heart Beat"  (1980, 109 min, Byrum)  ...  $29.99

"Jack Kerouac's Road"  (1987, 55 min, Chaisson)  ...  $59.99

"Kerouac"  (1984, 100 min, Allen & Burroughs)  ...  INQUIRE

"The Life and Times of Allen Ginsberg"  (1993, 83 min, Aronson)  ...  $39.99

"Naked Lunch"  (1991, 115 min, Cronenberg)  ...  $29.99

"Old Habits Die Hard"  (1990, 60 min, compilation)  ...  $49.99

"Poetry in Motion"  (1985, 90 min, Mann)  ...  $49.99

"Towers Open Fire"  (1962-72, 35 min, Balch)  ...  $39.99

"What Happened to Kerouac?"  (1986, 96 min, Lerner & MacAdams)  ...  $79.99

 

If there are Jim Jarmusch, Tom Waits, or other Beat-oriented video

titles you are looking for, please email a request at Aardvark Video

at http://www.voicenet.com/~skelley or simply respond to this message.

=========================================================================

Date:         Thu, 26 Jun 1997 02:38:17 -0400

Reply-To:     "Dean M. Palmer" <dean_palmer@JUNO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dean M. Palmer" <dean_palmer@JUNO.COM>

Subject:      Bukowski

 

Has anyone read much Bukowski? I was peruding my local book vendor when I

noticed "Pulp" and just basically thought it looked neat. I purchased,

read, and laughed my ass off. That is one hell of a read. Is anyone else

familiar with his work?

 

/\/\/\/\/\~Dean_Palmer@juno.com~/\/\/\/\/\

/\/\/\/\/\~Funny English Joke; man and wife in living room, phone rings,

man answers and says he wouldn't know, better call the coast guard, and

hangs up, wife says, "Who was it, dear?" and man says, "I don't know,

some damn fool who

wanted to know if the coast was clear." har-har-har (Neal

Cassady)~/\/\/\/\/\

=========================================================================

Date:         Thu, 26 Jun 1997 00:48:57 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      back from the ashes

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Hi all!

 

Glad to be back.

Couldn't stay away for long...

 

Adrien

=========================================================================

Date:         Wed, 25 Jun 1997 23:43:42 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      References to T-shirt

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

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Here are the URL's to save you some time if you don't have them handy

and  would like to have a look.

 

BTW My apologies to Charles Plymell. Shouldn't have called him Charley,

since I haven't met him. However, there was no disrespect intended. The

shirt is mentioned in his page http://www.buchenroth.com/cplymell.html

 

> April Fool's Day 1997 S. Clay Wilson, Cherry Valley, NY During this

 snow-storm'n, S.

> Clay Wilson visit to the Plymells, April, 1997, spawn the idea of the now

 famous S.   > Clay Wilson, BEAT-L, T-Shirt .... now available from Jeffrey H.

 Weinberg owner of     > Water Row Books. Jeffrey also sells Last of the

 Moccasins.

 

Wilson's drawing for the shirt is pictured at the Waterrow page:

http://www.waterrowbooks.com/shirtpage.html

 

leon

=========================================================================

Date:         Thu, 26 Jun 1997 01:17:04 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: Death of a Poet

In-Reply-To:  <33B2014F.788A@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:42 PM -0700 6/25/97, Diane Carter wrote:

 

> does not necessarily mean messiah-like.  Perhaps it is the power to see

> infinity and immortality in little acts of humanness.

 

perhaps.  am still pissy towards the idea, though. :-)

 

<<Part of me would still like to see James Dean strung out the window of

his car crash.  perhaps his body thrown clear from the wreckage?  a

chicklet, or slim jim snagging his tongue like a cigarette.  his fly open

and vultures picking apart his penis.>>

 

and the application of power, Diane, not just the "seeing"?  The work

applied?  what of that?  sorry to grind your beautiful idea into the

grindstone.  put it through all my ideological wringers.  perhaps under the

strain of our 10 ton questions, between our cuddling remarks (quote

unquote), perhaps our poetics shall meet??

 

"she'll touch your perfect body with her mind" - Leonard Cohen (Suzanne)

 

What'd you think of Maya's love-sad and death-happy poem?  awesome....

 

> DC

 

tired and strung out, insomniac Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Thu, 26 Jun 1997 01:18:43 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: [Fwd: Re: The Role of the Poet]

In-Reply-To:  <33B1DC66.1770@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

David writ:

 

> living in a state of perpetual dream-state

 

did you dream you were me?  I wrote that.

 

xoxo, Douglas

=========================================================================

Date:         Thu, 26 Jun 1997 11:09:08 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: messing 'round

In-Reply-To:  <Pine.BSD/.3.91.970625220315.524B-100000@crystal.palace.net >

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

"Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET> wrote:

>some antics

> 

> 

> 

> Now  here

>    is

>  nowhere

>    is

> a     God

>    is

>  a    dog

>    as

> anywhere

>    is

>any   where

>    is

>  nowhere

> 

>Words  are

>    not

>doors  and

>     i

> am    not

>     a

>word   but

>     i

>  am  also

>    not

>  a   door

>    you

>guess it's

>   your

>turn  still

> 

> 

> 

> 

> 

> 

> 

> 

>Eric Sapp

>rhs4@crystal.palace.net

> 

> 

&

gave Off sparks

On the stOne

dO      Or      s

"NO     One     Here    Get     Out     Alive"--jm

30yrs agO was nOt sO sad

are we wOrd-machine

Or

blurred sepia phOtos

Only    gOd knOws what we are

anyOne Offended by my wOrds

im' guilt & deeply apOlogies

but in all sincerity i lOve u

my friends-- yrs RinaldO

=========================================================================

Date:         Thu, 26 Jun 1997 08:03:59 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      dreams and chickens

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runner911 wrote:

> 

> David writ:

> 

> > living in a state of perpetual dream-state

> 

> did you dream you were me?  I wrote that.

> 

> xoxo, Douglas

 

there was a quoted portion from me that i didn't recall.  at least it

said RACE wrote somewhere at the top.  the writing appeared that it

could have been mine.  i just was not consciously writing anything on

that day ... except for the bit about Barry ... the rest was merely deam

typing.  so if you clipped yourself out of one of my posts where i'd

left part or whole of one of your posts so that it appeared that i had

written what you had actually written then it would have made a bit more

sense that i didn't recall the typing of it.  but i was still definitely

in a dream-world.  the last thing i really consciously remembered doing

in thewhole thing was saying well this thread with different quotes

about what poet is could use the perspective of Colin Wilson.  But i

wasn't going to say that it was definitive by any means.  just another

angle.  then the discussion between us took off and the rest of the

quotations were lost in this alchemical dialogue that led to the

wonderful notion of Kentucky Fried Chicken which unfortunately left me

quite hungry.

 

I think it will be interesting and i may go back to it today or tomorrow

to go back to the original thread with the quotations and see how they

weave together into something that is -- less divisive -- perhaps.

 

sincerely,

 

david rhaesa

salina, Kansas

 

p.s. around these parts the best chicken is called "Brookville Chicken".

After that comes "Jim's".  I imagine that Kentucky Fried is third on the

list.

=========================================================================

Date:         Thu, 26 Jun 1997 09:08:19 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: does anyone here speak french?

 

translation by greg e.:

<< 

 When the moon is full

 and my heart longing for you

 I think of you carressing me

 with more love(tenderness)

 than your cat.

 

  But the moon is rarely full

  and your cat spies me with his yellow eyes, full

  of hate.

  It is clear to whom you belong.

  >>

=========================================================================

Date:         Thu, 26 Jun 1997 10:58:43 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Role of the Poet <<craps>>

Comments: To: "Michael L. Buchenroth" <mike@infinet.com>

In-Reply-To:  <33B1E917.FFF@buchenroth.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 25 Jun 1997, Michael L. Buchenroth wrote:

 

> Pamela Beach Plymell wrote:

> 

> > I heard on the news that one of our main exports to China is chicken > feet

>  which they eat as a delicacy.

> 

> Here in Columbus, Ohio, a local vending machine company, Sanese, serves

> Chicken Beak BBQ Sandwiches in vending machines for $1.50. They're not

> bad as long as they grind 'er up real good. And a couple buddies, on a

> couple occasions swore they'd bit into a piece a hoof in their BBQ Pork

> Sandwiches.

 

Also in Columbus is a large Oriental food supply store (on N. High Street)

which sells a number of strange animal parts and whatnot. At a decent price,

too.

=========================================================================

Date:         Thu, 26 Jun 1997 11:31:03 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: SNET: Re: ADV Weekly Transcripts (fwd)

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Saw this on another list. Wasn't aware of this one...

 

---------- Forwarded message ----------

Date: Wed, 25 Jun 1997 23:49:53 -0400

From: Psyberdude <rturmel@clark.net>

Reply-To: snetnews@world.std.com

To: snetnews@world.std.com

Subject: RE: SNET: Re: ADV Weekly Transcripts

 

[snipped]

 

Don't forget that this wonderfully warm person named Ambrose Pierce

said:

 

>>The world would be a lot cleaner place if

>>all of his kind were swept up and buried in a deep hole somewhere.

 

>>Every newspaper writer who praised Ginsberg's trash,

>>every newspaper editor who allowed the praise to be published in his

>>paper, every university librarian who eagerly recommended Ginsberg's

>>filth as "poetry,"  every literary reviewer who treated Ginsberg

>>seriously every one of them should be rounded up and shot.

=========================================================================

Date:         Thu, 26 Jun 1997 12:05:10 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: Bukowski

Comments: To: "Dean M. Palmer" <dean_palmer@JUNO.COM>

In-Reply-To:  <19970626.023818.16198.0.dean_palmer@juno.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

havent read very much prose by him, but i love his poetry. he has a sort

of drunken clarity like being poked in the arm hard with a dull spoon.

 

~days in the library and nights in bars~

 

 

 

adios,

Eric

rhs4@crystal.palace.net

 

 

"you tell me why i'm on fire like old dry garbage" buk (from memory)

=========================================================================

Date:         Thu, 26 Jun 1997 12:18:54 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Bukowski

Comments: To: "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

In-Reply-To:  <Pine.BSD/.3.91.970626115948.20197B-100000@crystal.palace.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 26 Jun 1997, Robert H. Sapp wrote:

 

> havent read very much prose by him, but i love his poetry. he has a sort

> of drunken clarity like being poked in the arm hard with a dull spoon.

 

His prose is excellent (imho better than his poetry but maybe that's just

me, i like prose more in general anyway), very clean and tight -- like HST,

he's one of the better Beat-related writers when it comes to understanding

punctuation and writing clean, tight prose.

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Thu, 26 Jun 1997 09:51:12 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: spontaneity and writing

MIME-Version: 1.0

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Mike writ:

> 

><< Tolstoy (not a Beat, but a great writer nonetheless) once said that a work

>of art is never finished--it is only abandoned.

Well, I did not mean to go on at quite such length. Apologies.>>

 

Never read any of Tolstoy's work because of the length.  yours was

bearable.  Interesting to hear these ideas.  In a round a bout way,

spontaneity connects over to the thread on "accidents" and how these are

the same as "planned" events.  And coming late to this discussion, let

me only say that drugs (of all kinds) cause the mind to litter itself

with accidents.

 

ASIDE::You folx ever watch the "actor's studio" on Bravo TV?  Every

interview end with a question by Bernard Pevo (sp?) that includes the

question: "what is your favorite drug?  It can be a feeling, a chemical,

whatnot."  Some people might answer love, coffee, the smell of donuts in

the morning.

 

Well, my point being that the "best kind" of spontaneity sucks out all

the previous accidents and spills them together in a new form.  Takes up

all the abandoned pieces of earlier works, the shavings, the setasides,

and makes them work together.  Of course, if you've already wiped your

slate clean, you have no ideas, or are simply unable to hoover your mind

open - then well, that's a different story.

 

perhaps spontaneity is just a remembering of possibilities (abandoned

accidents, heavenly interventions, intiution, self-destruction...).

> 

>> Cordially,

>> Mike Skau

 

cheers, Douglas  <<looking forward to another 8 hours of spont..zzzzz

work)

=========================================================================

Date:         Thu, 26 Jun 1997 09:49:59 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: SNET: Re: ADV Weekly Transcripts (fwd)

Comments: To: Michael Stutz <stutz@DSL.ORG>

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

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Let me guess--a critic.  To paraphrase the Bard:

 

'First thing we do let's take all the critic's typewriters away'

 

(I don't advocate killing)

 

>>Don't forget that this wonderfully warm person named Ambrose Pierce

>>said:

     blah, blah blah

>>every literary reviewer who treated Ginsberg seriously every one of

>>them should be rounded up and shot.

     blah, blah, blah

 

     I'm trying desperately to decide if critics are building bad Karma or

     paying it off.

=========================================================================

Date:         Thu, 26 Jun 1997 10:05:34 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: poesia and posies

MIME-Version: 1.0

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Robert gives reasons for not revising:

 

>> 1) i am lazy. proud slacker.

>> 2) like to save shit.

>> 3)no time, more stuff to compose.

>> 

>> etc,etc,etc.

> 

perhaps I watch too much TV, but heard this movie studio exec commenting

on why certain films are readily accepted for distribution and why

others are not.  She went on record saying, "if only they included one

more car crash, one more scene with scantily clad women, more guns,

another.... then, they could recoup their investments, get money to make

the next film."  She seemed incredulous that more people didn't do that.

 Compromise.

 

I understand both sides.  Have always resisted outside forces telling me

to "polish" my work.  fuck em, I said, if they can't take a joke.  And I

just continued with #3, composing, composing.  Running down my own

track.  train of thought.

 

So what happens with all the stuff you save?  Ever go back and look at

it?  I've been scouring my archives recently, looking for inspiration,

ways to refurbish old ideas.  You might consider doing the same.  It's

kinda fun actually.  "I thought that?  I did that?  man, that was

stupid.... oh great, I'd thought I'd lost those..... I can use these....

trash, trash, trash."  As someone else was saying, the cleared space is

nice too.  Room for more shit!  ;-)

 

just wait till you *have* to move.  Your #1 reason will evaporate and

you'll be surprised at the results.  And come one, you revise, I know

you do.  Admit it!

 

><<slackers forever>>, Douglas

=========================================================================

Date:         Thu, 26 Jun 1997 11:43:17 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Dear Chickenheads:

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Dear Chickenheads, slackers, and fellow beat travellers:

 

Have received a message from god, <<hail almighty>>, to cease and desist

my non beat postings.  Ah, my line was at its end, this I knew, but to

receive a message from on high....  ah, this is a blessing, indeed.  I

can return to my gang now and feel satisfied that my work here is

complete.  <<Rack one for me boys, I'm comin' home!>>  :-)

 

Sorry to have plagued you all.  Will be sparse and to the point in the

future.

 

beat on, brother deep, Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (attribution unknown)                 www.electriciti.com/babu/

=========================================================================

Date:         Thu, 26 Jun 1997 12:24:52 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: The Role of the Poet (and education thereof)

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J. Stauffer wrote:

 

><<In our world a poet is someone who can get at least a few other people

>to agree that what he or she does is poetry.>>

 

Yes, but can a poet exist soley?  alone without recognition?  Before

they got published and commercially sanitized by Time Magazine, were the

beats "poets"?  Or were they just a bunch of educated whacks?  Before

every word became sacred, before the eyes of the world became them, I

wonder what the early years were like.  Any reading recommendations??

Something akin to Norman Mailer's "portait of picasso as a young man"

would be great.

 

>> J Stauffer

 

brother deep, Douglas

=========================================================================

Date:         Thu, 26 Jun 1997 21:26:24 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      Alchemist

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I don't know if any of you have read the book Alchemist by Paolo Koellio (I

think that the spelling is similar to that). It is deffinitely worth it. It

may answer some of everybody's dillemmas.

 

Ksenija

 

PS. You may have noticed by the name that I am not of American origin; as a

matter of fact, I live far, far away, in Yugoslavi (remember that country:

war, protests...). Well, maybe you will like to know that most of us have

grown up on Kerouac and the beatsm and that it doesn't matter where you

live, but HOW.

=========================================================================

Date:         Thu, 26 Jun 1997 15:29:59 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      the dance of the seven beggars

In-Reply-To:  <Pine.BSD/.3.91.970625220315.524B-100000@crystal.palace.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

it was meant to be centered on page. if you are interested, convert. loses

a lot with left justified. mc

 

THE DANCE OF THE SEVEN BEGGARS

 

 

1

i come to your office

weekly

 

50 minutes

out of all the minutes

in the week

 

it seems hardly

barely

not

enough

time

 

i panic,

as i spill out overflowing

in the minutes

outside

the

regulation

50

 

obvious

it's my fault

in the office your voice is warm

warm and helpful

you listen so well

and when i am able to look in your eyes

they are as warm

as your voice

 

but i am just a beggar here

one of many

seven or so

more or less:

no differrence

 

i

don't pay

you say

that's ok

 

but however i see it

i am a beggar

in the wall street

balance sheet

of psychotherapy

i

know

i have no right

to ask for

more

 

already beggar-woman

the woman in the shoe

too many children to know

just what to

do

 

beggar child woman

hears

 

"be grateful for what you get,

shut up about the rest!"

shrieksmother in my head

she's still there

she's angry

that secrets are being told

and that we all NEED so much

it frightens me

 

i live with my mother

 all the other

minutes in the week

i'm too

polite to kick her out

 

i've gotten better

at calling

and listening to your voice

without

asking for  rescue

 

i hardly call at all

anymore

 

but, last week i called

and no warmth in yr voice

an "oh well"

said in an "oh well" sort of voice

in fact

you did say

"oh well" that day

 

i needed a plumber and i called the electrician again.

you were right

dead right

one more black mark

i can't get it right

ah.....go fuck yourself

 

i hear you say,

reasonably,

"you need a lawyer not me "

you gave advice

i took the advice

 

your dog in background

obvious

you called from your home

i

called during office hours

i

i wanted only a few moments of

office time

 

the humiliation

of hearing your dog bark

in your house

 

my face still burns in shame

two things at once:

sound advice

cold voice

 

obvious in your voice,

distant

many quiet/no speak moments

obvious

i had intruded

obvious

i had intruded

obvious

that all the wes in me

have to be more invisible

in order

to be seen

 

this dance of the seven veils

the seven beggars

the seven children

the seven hellbentforleatherchicks

the

seven beggar child-women

 

this dance must be danced

in your

office only

 we yet don't know the steps outside

the regulation

50

we often stumble

beat is off

paradox:

we just called

to hear the

beat of your heart

 

obvious

that the week holds 50 minutes

and should hold no more

 

don't want to do the ' so unworthy'

dance

no more.

mc 6/26/97

 

 

 

2

THIS IS NOT A GUILT TRIP(works well with  this and this is not love song

sex ps)

i

come to your office

weekly

 

50 minutes

out of all the minutes

remaining in the week

 

it

seems hardly

barely

not

enough

 

i panic, overflowing,

 

screaming, throw us a rope!

or,

quick switchz:

 

>>>>>>>>>>ah go fuck yrself

 

i

gotta get down from this cross

i've been riding

all these long days

 

but, as long as i'm on it,

sit up and hear the truth!

 

i can't pay you

and in the economics of therapy

hierarchies thrive

 

money talks, or lets others talk for hours and years

no silver crosses your palm

hierarchies are maintained:

 

we are on c-rations:

the  50 minute hour

 

"be grateful for what you've got!

rants the mother in my head

yep she's still up there

rent free.

talk of family economies!

when we spoke last week

on the phone

your warm voice disappeared!

and a laconic attitude seemed to take its place

an 'oh well'

said in an 'oh well' sort of voice

 

your sound advice

cold voice

 dog in the background

 

(obvious

 

lots of quiet/no speak moments

 

( i had intruded)

 

obvious

that the week holds 50 minutes

for me.

no difference.

 

mc 6/26/97

=========================================================================

Date:         Thu, 26 Jun 1997 16:27:24 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: Dear Chickenheads:

Comments: To: "Penn, Douglas, K" <dkpenn@OEES.COM>

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970626184317Z-5152@sd-mail.sd.oees.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

speaking of the almighty --

                            i just heard

 

the ironing board drying

 

                                (crying)

 

 

 

"The Holy Spirit specializes in setting people free from crack." -- a

hispanic evangelist on a television church program on higher cable

 

 

 

What is the Warld

                 coming

                       too

                          ?

 

 

from,

Eric

rhs4@crystal.palace.net

 

 

On Thu, 26 Jun 1997, Penn, Douglas, K wrote:

 

> Dear Chickenheads, slackers, and fellow beat travellers:

> 

> Have received a message from god, <<hail almighty>>, to cease and desist

> my non beat postings.  Ah, my line was at its end, this I knew, but to

> receive a message from on high....  ah, this is a blessing, indeed.  I

> can return to my gang now and feel satisfied that my work here is

> complete.  <<Rack one for me boys, I'm comin' home!>>  :-)

> 

> Sorry to have plagued you all.  Will be sparse and to the point in the

> future.

> 

> beat on, brother deep, Douglas

> 

> 

> "the map is not the territory"                  babu@electriciti.com

>   (attribution unknown)                 www.electriciti.com/babu/

> 

=========================================================================

Date:         Thu, 26 Jun 1997 17:48:28 -0400

Reply-To:     Matthew W Barton <mwb201@IS5.NYU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew W Barton <mwb201@IS5.NYU.EDU>

Subject:      i say, i say chickenhawk

Comments: To: "Penn, Douglas, K" <dkpenn@OEES.COM>

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970626184317Z-5152@sd-mail.sd.oees.com>

MIME-version: 1.0

Content-type: TEXT/PLAIN; charset=US-ASCII

 

statement of intent:  i intend to post all information i feel relative to

this list-serve.  i belong to other lists which discuss topics which

do not directly touch upon beat literature.  content to

discuss the act of signing, binary opposites, and logocentrism elsewhere i

shall continue to post messages "beat".  each member opts to recieve this

mail, i have been sorry to see some leave the list, rather than recieve

the mail.  i've deleted your messages and railed against you publicly and

privately.  i will continue to delete those i find bothersome and not

respond to those that i would rather dissagree with privately.  i shall

not stop having opinions or intrests which conflicts with many of you, as

you i.  please ignore me if i bother you, as i you (sometimes).

bill will censor can censor me if he pleases.  were that i was the passive

poet.

        the process of information transferance in a post modern culture

requires canon makers.  whom have you read?  why?  what do we collect in

the libraries.  what shall we teach and create?  i did not come to this

list for idols, personally.  i have come to learn and share perceptions of

the word.  they will conflict with others, i will shake my fist, i will

argue, i will see, i may possibly apologize.

 

i just wanted to let everyone know how i will contine to post.  if i leave

the list, i have been kicked off.  you may contact me privately if it ever

happens.  should i ever offend you, please don't leave, fight back -- its

more beat.  we read tough books, some have lead tough lives.  how could

anyone possibly fucking expect anyone else on the list to mind the q's.

 

this is not addressed to douglas or anyone else.  i respect almost all

of you and i cannot thank you all enough for the steel taste of your work.

 

mwbarton.

 

On Thu, 26 Jun 1997, Penn, Douglas, K wrote:

 

> Dear Chickenheads, slackers, and fellow beat travellers:

> 

> Have received a message from god, <<hail almighty>>, to cease and desist

> my non beat postings.  Ah, my line was at its end, this I knew, but to

> receive a message from on high....  ah, this is a blessing, indeed.  I

> can return to my gang now and feel satisfied that my work here is

> complete.  <<Rack one for me boys, I'm comin' home!>>  :-)

> 

> Sorry to have plagued you all.  Will be sparse and to the point in the

> future.

> 

> beat on, brother deep, Douglas

> 

> 

> "the map is not the territory"                  babu@electriciti.com

>   (attribution unknown)                 www.electriciti.com/babu/

> 

=========================================================================

Date:         Thu, 26 Jun 1997 17:55:00 -0400

Reply-To:     Matthew W Barton <mwb201@IS5.NYU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew W Barton <mwb201@IS5.NYU.EDU>

Subject:      Re: Alchemist

Comments: To: Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

In-Reply-To:  <199706261926.VAA01717@galois.mi.sanu.ac.yu>

MIME-version: 1.0

Content-type: TEXT/PLAIN; charset=US-ASCII

 

could you tell me something about koellio?  don't mind the hometown

launguage games.  it seems through this general thread regarding the

creative process people have been lining up into various theory camps.

watch out, the romantics have claimed the sun for the poet, the

deconstuctions haven't spoken, the artists wave their products, and the

list-serve boils.

 

mwbarton.

 

On Thu, 26 Jun 1997, Ksenija Simic wrote:

 

> I don't know if any of you have read the book Alchemist by Paolo Koellio (I

> think that the spelling is similar to that). It is deffinitely worth it. It

> may answer some of everybody's dillemmas.

> 

> Ksenija

> 

> PS. You may have noticed by the name that I am not of American origin; as a

> matter of fact, I live far, far away, in Yugoslavi (remember that country:

> war, protests...). Well, maybe you will like to know that most of us have

> grown up on Kerouac and the beatsm and that it doesn't matter where you

> live, but HOW.

> 

=========================================================================

Date:         Thu, 26 Jun 1997 14:47:50 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: Bukowski

In-Reply-To:  <Pine.LNX.3.94.970626121724.10470U-100000@seka.nacs.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:18 PM 6/26/97 -0400, you wrote:

>On Thu, 26 Jun 1997, Robert H. Sapp wrote:

> 

>> havent read very much prose by him, but i love his poetry. he has a sort

>> of drunken clarity like being poked in the arm hard with a dull spoon.

> 

>His prose is excellent (imho better than his poetry but maybe that's just

>me, i like prose more in general anyway), very clean and tight -- like HST,

>he's one of the better Beat-related writers when it comes to understanding

>punctuation and writing clean, tight prose.

 

Actually, buk had a disdain dislike for the beats, and did not associate

himself with them. he was partial to a few, but all of the beats.

 

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

                 http://the.art.of.sekurity.org/simunye

=========================================================================

Date:         Thu, 26 Jun 1997 17:40:19 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      jacking off

Content-Type: text

 

Hi,

The June 9, 1997 issue of _Time_ had a cover feature on generation X.

One article, "Peace is an Xcellent Adventure," by Joshua Cooper Ramo,

begins in this fashion:

It's hard to judge a generation by its statistics. Five years ago, my

generation was a group of overstuffed slackers; today we're Gordon Gekkos.

An unlikely transformation. But there's at least one statistic that

resonates: more of us are taking a full five years to get through college.

Most of the country's parents look at this as a sort of slacker ritual--

the obligatory year of mosh pitting, coffee drinking and Kerouac reading

before graduation. (p. 69)

Cordially,

Mike Skau

6/26/97

=========================================================================

Date:         Thu, 26 Jun 1997 20:05:34 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Power of a Poet (was Death of a Poet)

MIME-Version: 1.0

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> At 10:42 PM -0700 6/25/97, Diane Carter wrote:

> 

> > Godlike does not necessarily mean messiah-like.  Perhaps it is the

>power to see

> > infinity and immortality in little acts of humanness.

> 

> runner911 wrote:

> and the application of power, Diane, not just the "seeing"?  The work

> applied?  what of that?  sorry to grind your beautiful idea into the

> grindstone.  put it through all my ideological wringers.  perhaps under the

> strain of our 10 ton questions, between our cuddling remarks (quote

> unquote), perhaps our poetics shall meet??

> Perhaps.  Have always loved that particular Leonard Cohen line.  But

first I want to discuss this power idea a little more.  When you say the

"work applied," are you referring to the power of the poem on the reader

that causes him to feel or act, or of the power of the poet in creating

the poem?  Both are essentially addressing the power of a thought or

idea to transform experience or transmit awareness.  Take this short poem

from Ginsberg:

 

Who

>From Great Consciousness vision Harlem 1948 buildings standing in

Eternity

I realized entire Universe was manifestation of One Mind--

My teacher was William Blake--my life work Poesy,

transmitting that spontaneous awareness to Mankind.

 

or, are we discussing power as in this passage from Transcription of

Organ Music,

 

I want people to bow when they see me and say he is gifted with poetry,

he has seen the presence of the Creator.

And the Creator gave me a shot of his presence to gratify my wish,

so as not to cheat me of my yearning for him.

 

DC

=========================================================================

Date:         Thu, 26 Jun 1997 17:10:55 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Power of a Poet (was Death of a Poet)

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Diane writ:

 

><<Perhaps.  Have always loved that particular Leonard Cohen line.  But

>first I want to discuss this power idea a little more.  When you say the

>"work applied," are you referring to [[1]] the power of the poem on the

>reader

>that causes him to feel or act, or of [[2]] the power of the poet in creating

>the poem?  Both are essentially addressing the power of a thought or

idea to transform experience or transmit awareness.>>

 

Hm.  <<thinking>>  I guess I'm concerned with [[1]] the power of the

>poet via poetry upon the reader and the resulting actions.

 

><<  Take this short poem

>from Ginsberg:>>  -- Good!  an actual example to wring ourselves over!!

> 

>> Who

>> From Great Consciousness vision Harlem 1948 buildings standing in

>> Eternity

>> I realized entire Universe was manifestation of One Mind--

>> My teacher was William Blake--my life work Poesy,

>> transmitting that spontaneous awareness to Mankind.

 

one mind --> Great Consciousness ---> Harlem 1948 buildings --->

Eternity  ---> realization of manifestation ---->  ah, attribution  (of

Blake)  ----> recognition (of life's work, Poesy) -----> purpose

(transmitting spont awareness) ----> reception (by us, reading the poem)

 

Is this his train of thought?  seeing the building and realizing it's

potential context, he attributes a social consciousness to his

reminiscences of Blake and his life's work of poetry.  Sees himself as

the receptor, as the channel to transmit the past into the present.

He's a high priest, then?  speaking for god to all mankind?

 

Well, my shackles go up when ever I see such generalizations (Universe,

Mankind, Eternity).  <<hm, thinking>  But what is he looking at?  He's

looking at a 1948 building in Harlem.  Don't know my history very well,

but can we assume it wasn't a pretty site?  Can we also assume this was

a Ghetto of some kind?  That he is saying such "social problems" have

continued throughout the centuries?  Well, why not just come out and say

so?!  Instead he makes himself a savior of sorts, sent out to save and

redeem [perhaps?].  Our 1980s/1990s critical thought classes ask us to

recognize our audience, to pick apart our motives.  I don't want to say

he was assuming the "white man's burden" because I don't know if this is

applicable or not.

 

But assuming he was declaring a burden to be fulfilled, let's now ask

what POWER he levied towards this issue.  How was it received?  What was

the "conversation" between him and this "great consciousness"?  That's

what I want to know.  Or is it enough to cite the train of thought and

the parameters for discourse?  [probably]

 

If one form of artistic power must be "acceptable" and another one not,

then yes, I would prefer god to speak and have us all hash out the

details amongst ourselves.  Let us dissent, argue, behave in

chickenheaded ways.  This form of power has the power to unite, to

embody, and sustain - rather than condescend, betray, and manipulate.

[at least I think that's what I mean... :-)]

 

><<or, are we discussing power as in this passage from Transcription of

>Organ Music,

> 

>I want people to bow when they see me and say he is gifted with poetry,

>he has seen the presence of the Creator.

>And the Creator gave me a shot of his presence to gratify my wish,

>so as not to cheat me of my yearning for him.>>

 

Well, it's a strange thing to be seen with as an image that coincides

with a yearning.  It's a "complete" feeling.  chest pumped out, eyes

level, and perhaps even a few moments of satisfaction.  This I have no

problem with.  And if I think multi-culturally and use "bow when they

see me" as a sign of respect, then ok.  BUT any other coercion, any

other arrogant remarks will get extreme vibes from me.  So yes, this

second example is what I'm concerned about when I hear god associated

with poetry and the act of creation.  And all Ginsberg is asking for is

recognition [not fame, fortune, record company deals, etc].  This I can

live with.  Would you characterize him as a "humble" man?  And for what

I know, I admire his support for other writers, poets, etc.  That is

power at its best.  Yes?

 

PEOPLE HAVE THE POWER or POWER TO THE PEOPLE

 

>> DC

 

thanx for tracking down and typing these examples!!!  cheers, Douglas

=========================================================================

Date:         Thu, 26 Jun 1997 22:03:55 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: first thought and revision

 

"Things rank and gross in nature possess it merely." Shakespeare

"There's a weed growing in the garden." Ferp an old rounder friend of Betty

and Frank's to signify there might be heat around.

"Say Heav'nly Muse, shall not thy sacred vein/Afford a Present to the Infant

God?" Milton

Charles Plymell

 

=========================================================================

Date:         Thu, 26 Jun 1997 23:27:49 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Power of a Poet (was Death of a Poet)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

>Penn, Douglas, K wrote:

> 

> I guess I'm concerned with [[1]] the power of the

> >poet via poetry upon the reader and the resulting actions.

> 

> ><<  Take this short poem

> >from Ginsberg:>>  -- Good!  an actual example to wring ourselves over!!

> >

> >> Who

> >> From Great Consciousness vision Harlem 1948 buildings standing in

> >> Eternity

> >> I realized entire Universe was manifestation of One Mind--

> >> My teacher was William Blake--my life work Poesy,

> >> transmitting that spontaneous awareness to Mankind.

> 

> one mind --> Great Consciousness ---> Harlem 1948 buildings --->

> Eternity  ---> realization of manifestation ---->  ah, attribution  (of

> Blake)  ----> recognition (of life's work, Poesy) -----> purpose

> (transmitting spont awareness) ----> reception (by us, reading the

>poem)

> 

> Is this his train of thought?  seeing the building and realizing it's

> potential context, he attributes a social consciousness to his

> reminiscences of Blake and his life's work of poetry.  Sees himself as

> the receptor, as the channel to transmit the past into the present.

> He's a high priest, then?  speaking for god to all mankind?

 

 

I do not think it is so much a social consciousness as a visionary

consciousness.  Mythic vision brought on by viewing the buildings, and

internally connecting it to Blake's prophetic visions, and in one instant

(separate from space/time), a moment of epiphany, enlightenment

connecting him, the poet, to the "universe as a manifestation of one

Mind." He sees himself as visionary poet, in the tradition of Blake (as

yes, a kind of high priest, speaking of his illumination for mankind to

understand.  An archetypal high priest (poet) transmitting spontaneous

awareness to us, the reader.

 

 

> Well, my shackles go up when ever I see such generalizations (Universe,

> Mankind, Eternity).  <<hm, thinking>  But what is he looking at?  He's

> looking at a 1948 building in Harlem.  Don't know my history very well,

> but can we assume it wasn't a pretty site?  Can we also assume this was

> a Ghetto of some kind?  That he is saying such "social problems" have

> continued throughout the centuries?  Well, why not just come out and

>say

> so?!  Instead he makes himself a savior of sorts, sent out to save and

> redeem [perhaps?].  Our 1980s/1990s critical thought classes ask us to

> recognize our audience, to pick apart our motives.  I don't want to say

> he was assuming the "white man's burden" because I don't know if this

>is

> applicable or not.

>  But assuming he was declaring a burden to be fulfilled, let's now ask

> what POWER he levied towards this issue.  How was it received?  What

>was

> the "conversation" between him and this "great consciousness"?  That's

> what I want to know.  Or is it enough to cite the train of thought and

> the parameters for discourse?  [probably]

> 

> If one form of artistic power must be "acceptable" and another one not,

> then yes, I would prefer god to speak and have us all hash out the

> details amongst ourselves.  Let us dissent, argue, behave in

> chickenheaded ways.  This form of power has the power to unite, to

> embody, and sustain - rather than condescend, betray, and manipulate.

> [at least I think that's what I mean... :-)]

 

 

 I think the generalizations, Universe, Mankind, Eternity, are part of

the direct line to the way Blake wrote.  I don't see any connections to

the black/white social problems.  View of Harlem probably was because he

lived in Harlem for a time (can't remember the exact years, but it was

early on, like 40's).  I don't see any direct social connection, only a

visionary consciousness-type one.  I also don't see any conversation

between him and the great consciousness, only an immediate mental

recognition that the entire universe was manifestation of one mind, the

poet as the receptor of this knowledge, feeling it the poet's burden, so

to speak, to reveal this knowledge to us the reader.  The ability to do

this, create this poem, is the power of the poet.

 

> ><<or, are we discussing power as in this passage from Transcription of

> >Organ Music,

> >

> >I want people to bow when they see me and say he is gifted with poetry,

> >he has seen the presence of the Creator.

> >And the Creator gave me a shot of his presence to gratify my wish,

> >so as not to cheat me of my yearning for him.>>

> 

> Well, it's a strange thing to be seen with as an image that coincides

> with a yearning.  It's a "complete" feeling.  chest pumped out, eyes

> level, and perhaps even a few moments of satisfaction.  This I have no

> problem with.  And if I think multi-culturally and use "bow when they

> see me" as a sign of respect, then ok.  BUT any other coercion, any

> other arrogant remarks will get extreme vibes from me.  So yes, this

> second example is what I'm concerned about when I hear god associated

> with poetry and the act of creation.  And all Ginsberg is asking for is

> recognition [not fame, fortune, record company deals, etc].  This I can

> live with.  Would you characterize him as a "humble" man?  And for what

> I know, I admire his support for other writers, poets, etc.  That is

> power at its best.  Yes?

> 

> PEOPLE HAVE THE POWER or POWER TO THE PEOPLE>

 

 

Yes, I think he was speaking of recognition as respect for the gift a

poet has.  Kind of back to the idea of speaking from god to all mankind,

the poet as the receptor.  Still, however, I think evoking godlike

creation in the poem.  As a person, I think Ginsberg was humble,

unselfishly promoting other writers and standing up with his voice for

many he saw as voiceless in society.  Also one cannot avoid the other

human side of that equation, that he did become enthralled by his own

fame at times, which is where Charles Plymell's suggestion that he became

 "a whore of Molach" to some extent.  Makes me think also that in the

vision of Harlem image, somewhere there was a recognition of man's

creations, buildings, being monuments of Molach, perhaps an equivalent in

Blake's system of Urizen, and how man lifts the man-created city,

("pavement, trees, radios, tons, lifting the city to heaven which exists

and is everywhere about us") while it is the responsibility of the poet

to use his power to transmit an awareness of the eternal, one-mind

universe in opposition to the man-created universe.

 

I guess I see in this the poet as god using his power to create in his

words a vision that expands humanness; a good kind of power, however, one

that leaves the poet burdened with visionary knowledge and

responsibility.

DC

=========================================================================

Date:         Thu, 26 Jun 1997 23:21:05 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: the last time i committed suicide.

 

Duh... I forget. I thought it was so obvious. I think the Kronos CD is full

of cacaphony.

C. Plymell

=========================================================================

Date:         Thu, 26 Jun 1997 23:23:53 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: References to T-shirt

 

Leon:

Thanks for mentioning my book. I'm writing a prologue for my new book which

goes from beat to gen-x.

Charley

=========================================================================

Date:         Thu, 26 Jun 1997 23:27:46 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Role of the Poet <<craps>>

 

In a message dated 97-06-26 11:29:12 EDT, you write:

 

<< swore they'd bit into a piece a hoof in their BBQ Pork

 > Sandwiches. >>

 

I notice they eat a lot of meat out west. It is the cheapest commodity. All

these farmers on their million dollar tractors paid for by the us government

farm welfare program to raise all this grain to transport freightened animals

in the night in rails cars and trucks across Kansas and Dakotas. And the

chickens in Arkansas strung by their millions of feet. Clinton and Colonel

Sanders are beginning to look alike. Maybe ate too many chicken feet in Hong

Kong.

Charles Plymell

=========================================================================

Date:         Thu, 26 Jun 1997 23:53:47 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Bukowski

 

In a message dated 97-06-26 08:00:49 EDT, you write:

 

<< Has anyone read much Bukowski? >>

 

John Fowler at Grist magazine had all his stories in little mags.(1960's)

Someone told me recently I was in his letters book from Black Sparrow. When I

first saw the mag Beat Scene from England, I was in with Buk on cover, I ask

why Buk was in it. I didn't know he hung with the beats. The Beat Scence is

more of a generic nostagia mag. Lot's of good coverage  and uncoverage of the

beats. I mentioned  Buk to Ferlinghetti once, asking why  he didn't publish

him. I guess he has by now. That was after City Lights turned down Naked

Lunch. I don't remember his being around beats much except that great story

of Neal meeting him right before Mexico.(A.D. Winans) Good description of

Neal's driving by Buk. Good phots of Buk in the German mag I'm in with him

called "TIP magazin from Berlin. This was just as Carl Weissner was making

him famous with an early version of "Bar Fly."

Charles Plymell

=========================================================================

Date:         Fri, 27 Jun 1997 00:00:46 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: References to T-shirt

 

In a message dated 97-06-26 12:33:15 EDT, you write:

 

<< BTW My apologies to Charles Plymell. Shouldn't have called him Charley,

 since I haven't met him. However, there was no disrespect intended. The

 shirt is mentioned in his page http://www.buchenroth.com/cplymell.html

 

 > April Fool's Day 1997 S. Clay Wilson, Cherry Valley, NY During this

  snow-storm'n, S.

 > Clay Wilson visit to the Plymells, April, 1997, spawn the idea of the now

  famous S.   > Clay Wilson, BEAT-L, T-Shirt .... now available from Jeffrey

H.

  Weinberg owner of     > Water Row Books. Jeffrey also sells Last of the

  Moccasins.

 

 Wilson's drawing for the shirt is pictured at the Waterrow page:

 http://www.waterrowbooks.com/shirtpage.html

 

 leon >>

No apology. I don't care what anyone calls me. The reason I print my name in

full is to make the distiction from my wife Pam, who also reads and replys on

the list. Sometimes we reply together when we don't fight.

Charles Plymell

=========================================================================

Date:         Fri, 27 Jun 1997 01:05:53 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Visionaries  (was more ketchup)

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Michael Skau wrote:

> 

> ...regarding Eliot's visionary qualities--I see him as resembling the

> mystic's "dark night of the soul" (St. John of the Cross). "Prufrock"

> concludes with the mermaid vision of escape from his drowning in the

> world around him (I think Marie quoted the passage); _The Waste Land_

> creates an apocalyptic world which has a number of significant

>parallels

> to that of _Howl_, and the message of the thunder offers a trace of

>hope

> in the sterile land. Part II of "Ash Wednesday" begins, "Lady, three

> white leopards sat under a juniper-tree / In the cool of the day,

>having

> fed to satiety / On my legs my heart my liver and that which had been

> contained / In the hollow round of my skull. And God said / Shall

>these

> bones live?" Is there a definition of _visionary_ which this does

>satisfy?

> All 4 voices of the _Four Quartets_ also provide the spiritual visions,

> particularly at the end of Little Gidding, where the sins of the garden

> are purified and redeemed by the fire and the rose.

 You do make a compelling argument for Eliot as a visionary.  Enough so

 that I need to reread some Eliot before responding specifically to your

 points.  Hope to get to it this weekend.  I am very interested in

 discussing what people think is visionary and how Ginsberg and any other

 poets of the century present these qualities (don't mean to exclude

 visionary qualities of Kerouac or Burroughs either).  Does being a

 visionary imply not only the idea of the prophetic voice but also a

 vision that links a higher consciousness(outside of time) and a social

 consciousness (in time), i.e. Blake's knowledge applied to the path of

 Albion/England and Ginsberg's knowledge applied to the path of America.

 Does the "dark night of the soul" not also necessitate that the

 struggler's/writer's vision incorporate a positive response that

 illuminates one to the plight of society,  as well as to the

 mental aspect, (above-and-beyond) awakening of consciousness as in the

 possibilities of the universe?  Are visionary poets simply conduits of

 mythical/mythic knowledge and how is that shaped by their personal

 experience?  Sorry for all the heavy questions in a row, sounds a little

 overwhelming now as I reread it.

 DC

=========================================================================

Date:         Thu, 26 Jun 1997 23:26:56 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Early years

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Douglas wrote:

 

> Yes, but can a poet exist soley?  alone without recognition?  Before

> they got published and commercially sanitized by Time Magazine, were the

> beats "poets"?  Or were they just a bunch of educated whacks?  Before

> every word became sacred, before the eyes of the world became them, I

> wonder what the early years were like.  Any reading recommendations??

> Something akin to Norman Mailer's "portait of picasso as a young man"

> would be great.

 

For early years, simple biographies are good. "Ginsberg", by Barry Miles

(he also wrote Burroughs bio - haven't read it yet). Especially for

Ginsberg, his bio opens his poetry up tremendously = many of the "who"s

in "Howl" are identified, and the whole family story is clarified for

better reading of "Kaddish".

 

As to the early years, they are probably very much like any of yours -

that is to say, if writing is all.

 

Joseph Neudorfer

=========================================================================

Date:         Thu, 26 Jun 1997 23:32:49 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      War

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Ksenija wrote:

 

> it doesn't matter where you live

> but HOW.

 

Good stuff.

I take it for granted you are an artist. How have <<war, protests...>>

affected your creations?

 

Joseph Neudorfer

=========================================================================

Date:         Fri, 27 Jun 1997 00:25:38 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: Bukowski

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

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Pamela Beach Plymell wrote:

> Neal's driving by Buk. Good phots of Buk in the German mag I'm in with him

> called "TIP magazin from Berlin. This was just as Carl Weissner was making

> him famous with an early version of "Bar Fly."

 

Charles:

Can you recall aproximately what year or issue of "Tip" magazine from

Berlin you were in? Your "Bar Fly" time reference went right by me as I

have not read Bukowski. (yet)

Thanks.

-Mike

=========================================================================

Date:         Fri, 27 Jun 1997 00:18:56 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Visionary poetry

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Diane Carter wrote:

 

> Are visionary poets simply conduits of mythical/mythic knowledge and how is >

 that shaped by their personal experience?

 

I write / speak out of my own experience and identity as Poet.

We all are visionaries, most do not tap into their powers = potential.

If the poet has a feel for mythology, and views himself as part of that

mythology, he is admitting to and joining a tradition. That tradition is

past down through the thousands of years by any number of art forms -

the written page, storytelling, dance, painting, the song, etc. - and

then through whatever else = instinct = intuition = the One =

Consciousness = imagination.

 

I often wonder, maybe it is the visionaries who are not whole. They need

to tap into the 'greater force' to be whole, whereas the vast masses

lead satisfactory lives with no need for the esoteric. (but history has

shown that the vast masses do not lead satisfactory lives . . . )

 

And according to certain schools of thought, there is no 'greater

force', there is only what is . . . which brings us back to: visionary =

abundant imagination, which is good.

 

J. Neudorfer = New Villager . . . perpetually on the look for archetypes

=========================================================================

Date:         Thu, 26 Jun 1997 12:25:47 -0700

Reply-To:     dumo13@EROLS.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <dumo13@EROLS.COM>

Subject:      An introduction and status of a poet

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Hi,

I'm fairly new to the list and this is my first post:

A) I'm interested to know what you folks think about the portrayal of

Kerouac and GInsberg in the movie Naked Lunch.  I thought that it was

ridiculous.

B)On the poet issue:

>Yes, but can a poet exist soley?  alone without recognition?  Before

>they got published and commercially sanitized by Time Magazine, were the

>beats "poets"?  Or were they just a bunch of educated whacks? -- or before I

 saw Ginsberg on eMTyV (puke) --

I believe there is a deeper question involved:

Poetry is art, it is not the hardest task in the world to sit down and

rhyme a few words together or wipe your ass on a notebook and call it a

poem.  The true test is "is it art?" When a man paints a portrait is he

not a painter?  Yes, but an artist... maybe?  The question is, do the

words move you beyond prosaic jumble of letters on paper?

To ask if a poet can exist alone is an impossible question.  Why does a

poet write?  If a poet writes for expression/communication then, that

poet will be unsatisfied if he is not recognized, but poets writing for

pure releaseoutlet don't often care one way or the other.

Just my opinion,

Nice to be here,

Chris

=========================================================================

Date:         Thu, 26 Jun 1997 23:30:29 -0700

Reply-To:     "s.a. griffin" <perrotta@CALVIN.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "s.a. griffin" <perrotta@CALVIN.USC.EDU>

Subject:      Re: The Role of the Poet (and education thereof)

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At 12:24 PM 6/26/97 -0700, you wrote:

>J. Stauffer wrote:

> 

>><<In our world a poet is someone who can get at least a few other people

>>to agree that what he or she does is poetry.>>

> 

>Yes, but can a poet exist soley?  alone without recognition?  Before

>they got published and commercially sanitized by Time Magazine, were the

>beats "poets"?  Or were they just a bunch of educated whacks?  Before

>every word became sacred, before the eyes of the world became them, I

>wonder what the early years were like.  Any reading recommendations??

>Something akin to Norman Mailer's "portait of picasso as a young man"

>would be great.

> 

>>> J Stauffer

> 

>brother deep, Douglas

> 

> 

I started to respond to this stuff a few days back but I trashed it.  this

what is poetry back and forth, role of the poet, poet, poet, poet stuff is

absurd.  I have tried to stay out of it because I just got nuts reading it

all.  you write poetry because you have to/need to/want to... fuck

everything else.  there is nothing to explain. fuck the money, fuck the

fucking, fuck it all.  poets are sick people that have the need like any

other fool human that needs.  it is there and you feed it, spontaneous or

sculpted w/chisel in stone, no matter.  it is the bastard child of letters,

the bottom rung on the entertainment food chain.  it is sincere and

delicious, wretched and sick.  it is glorious beyond all, it is magic.  it

is gambling from the inside.  James seems to be the most on target in

general (it's been a long day... especially w/the idea of poets make).  from

the greek I beleive : poet/maker.  I guess I feel the same about this that

some feel about discussing maybe, what is beat... all the best

 

 

xxxooo

s.a.

=========================================================================

Date:         Fri, 27 Jun 1997 09:51:59 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Kerouac.

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At 19.29 25/06/97 +0200, Rinaldo Rasa <rinaldo@gpnet.it> wrote:

>DEAR friends,

>Lowell Massachusetts on the tombstone:

>"Ti Jean - John Kerouac who honored Life - his wife Stella"

> 

>---

>yrs

>Rinaldo.

> 

"Please permit me to introduce myself...

My name is Henry Cru and my best friend "Jack Kerouac"

sent ne the enclosed postal card on my trip around the

world. I am an electrician on the President Jackson and

we are scheduled to arrive in Genoa June sixt or possibly

a day or two later. In Jack's best selling novel On The

Road he named himself "Sal Paradise" and he called me

"Remi Bon Coeur". According to his card he wishes for me

to tell you that I am Remi and then he sent me. I have no

idea why he wants me to tell you this but knowing Jack as

I do he must have some kind of mystical reason".

---

yrs

Rinaldo.

=========================================================================

Date:         Fri, 27 Jun 1997 01:22:32 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: Perfection

In-Reply-To:  <33B1C568.1FA1@discovland.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<<pulling thru my beal-l archives>>

 

At 6:27 PM -0700 6/25/97, neudorf@discovland.net wrote:

 

 

> Mike Skau wrote:

> 

> > Tolstoy once said that a work of art is never finished--it is only

>abandoned.

> 

> Interesting - but if an artist is experimenting with a particular form,

> and that form seems to have been perfected (i use 'seem', because

> perfection is not objective), is it not finished? To become the Buddha

> you must kill the Buddha. Perfect a style / project / work of art and

> then drop it, move on to another. Perhaps this is just a matter of

> terminology.

 

as a technology, terminology must be subjective.  Is this what you are

saying?  And to kill the Buddha.  oh my.  I have a problem with that.  He's

big.  my god, is he big.  I bet he sumo's.  It's enough to have the world

on yer shoulders, but him too!  Why can't perfection be objective?  no

blood, no weight... an easy going life.... if you can escape the

terminology....  :-)  and the experimenting...

 

 

> Joseph Neudorfer

 

<<breathing smoke>> Douglas <<sorry god, I know this is bad for me>>

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 01:03:13 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: The Role of the Poet (and education thereof)

In-Reply-To:  <199706270630.XAA16374@calvin.usc.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:30 PM -0700 6/26/97, s.a. griffin wrote:

 

> fucking, fuck it all.  poets are sick people that have the need like any

 

yes poets have needs.  and hopefully you'll believe me when I say this,

... partaking in all this discussion with the list has been very good for

my soul.  yes, poets do indeed have needs.  if anything, to be around

poets.  like minded souls.  <<breathing>>

 

> some feel about discussing maybe, what is beat... all the best

 

yes

 

> xxxooo

> s.a.

 

cheers, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 00:47:32 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: Visionary poetry

In-Reply-To:  <33B306F0.732A@discovland.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

J. Neudorfer writ:

 

> And according to certain schools of thought, there is no 'greater

> force', there is only what is . . . which brings us back to: visionary =

> abundant imagination, which is good.

 

ah, full force of that.  storm and shadow, hail and puddles.  amen. and

thank you as well for your book recommendations.  hopefully, they will be

good, but I can't imagine why not.,,

 

 

> J. Neudorfer = New Villager . . . perpetually on the look for archetypes

 

the architect is not the history = village idiot  . . . cheers, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 00:56:41 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: An introduction and status of a poet

In-Reply-To:  <33B2C23B.45F2@erols.com>

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At 12:25 PM -0700 6/26/97, Chris Dumond wrote:

 

> Hi,

> I'm fairly new to the list and this is my first post:

 

cool more virgins!!  <<laugh>. sorry, I am in a wicked humor mood... come

on in.  sit down, have drink, and lets us play a few rounds of pool...

 

> The question is, do the

> words move you beyond prosaic jumble of letters on paper?

> To ask if a poet can exist alone is an impossible question.  Why does a

> poet write?

 

why does a dog... <<no, can't tell that joke>> ... because he can.  That's

why.  because a poet *can*.  and yes, I have heard many stories from

friends less fortunate than I, that yes, indeed, when left alone with a

book, words have been known to jump off the page suddenly, do a little

dance, and indeed walk off the page.  of their own apparent volition.

leaving the poet, sitting all alone, <<breathing>> waiting for his feet to

start moving again....  [burroughs, naked lunch]

 

 

> pure releaseoutlet don't often care one way or the other.

> Just my opinion,

> Nice to be here,

 

No apologies needed, seems to be the general rule [cobain, unplugged]

 

> Chris

 

cheers, Douglas  <<suddenly stopped laughing, looking for cigarettes>>

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 00:37:53 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      ok, perhaps (was power of the poet)

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Diane,

 

ok, perhaps I like kerouac better than ginsberg.  In fact, am pretty sure I

do.  About a week or so ago, I went out and bought the "kicks joy darkness"

CD and I can't seem to get past track #3, "my gang" (the oration by M.

Stipe).  I see god all over this piece, and yet I don't have the same

shackles I had with the ginsberg you mentioned.  perhaps Kerouac doens't

have the same respect for god?  Have also been listening to Nirvana's

"Unplugged" which is basically a poets ode to death.  shame.  One song in

particular "Jesus doesn't want me for a sunbeam" stands out. What if the

poet rejects redemption?  redemption of the "one voice"?  Check out these

lined from "My Gang":

 

        "Why dont you like young Rondeau?"

        always I'm asked, because he boasts

        and boasts, brags, brags, ya, ya, ya,

        because he's crazy because he's mad

        and because he never gives us a chance to talk

 

And then Stipe has these organs, this circus music, this opening of the

gates into heaven/hell.  Who'se "Hotsatots" and what's this "footsie"

action?  a kick in the ass or the sacred labado dance?  I love the imagery

of the whole piece .... "to midnight by midnight riding roses"  .... [[ah,

thank god for lap cats, purring]]

 

still thinking about Cobain.  tragic mothfucking act.  "where I killed

700,000 flies or more".....  as an act of poesy, how do you explain his

actions?  In a way, it's kind of amazing.  Men of that generation didn't

really have consequences.  [of course that's a lie, but let me roll with

this...]  There was no AIDS, no real Cold War, post Cold War, environmental

movement.

 

Science has already been proven false.  God before that.  Is poetry next?

And this goes back to my original jest, that all these poets you were

praising were actually crazed, homicidal, maniacs!!  "because he's crazy

because he's mad and because he never gives us a chance to talk"

 

What are the responsibilities of a poet?  I don't know.  I must confess, I

feel myself walking into deep waters.  my knowledge of poetry is limited

(with moderns art history, I'm better).

 

It does seem like "my gang" is an ode to death, though.  And it's a lot

different than Cobain's.  gambling in his parents house, spitting out

windows -- no thought to the consequences.  He argues and cites

discrepancies.  But then I get lost towards the end of the piece.  It's all

leading up to the fact that he'll be pissed if god rejects him.  or maybe

he's not talking to god???  He'll be pissed if SATAN, satan the

DESTORYER!!!  <<laugh>> is actually calm cool and collected?   <<more

laughing>>  Won't that be a bust?  He'll have to go to sleep and actually

do his homework in the morning.  [or god forbid, actually get to work on

time....]

 

maybe you'll understand my relations to god better if you knew that my

mom's last husband was a minister.  TV shows, radios, seminars, the whole

bit.  bastard  ;-)  ah, a loving man all through and thru.  not.

 

I still need to review your last posting.  Will do so at work when I'm not

...... zzzzzzing.......

 

cheers, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 10:47:06 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: An introduction and status of a poet

MIME-Version: 1.0

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runner911 wrote:

> 

>  why does a dog... <<no, can't tell that joke>> ... because he can.  That's

> why.  because a poet *can*.  and yes, I have heard many stories from

> friends less fortunate than I, that yes, indeed, when left alone with a

> book, words have been known to jump off the page suddenly, do a little

> dance, and indeed walk off the page.  of their own apparent volition.

> leaving the poet, sitting all alone, <<breathing>> waiting for his feet to

> start moving again....  [burroughs, naked lunch]

> 

 

What about the words that walk off the side of the page when writing

them?

DC

=========================================================================

Date:         Fri, 27 Jun 1997 11:31:54 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: ok, perhaps (was power of the poet)

MIME-Version: 1.0

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runner911 wrote:

 

 > Science has already been proven false.  God before that.  Is poetry

 >next?

 > And this goes back to my original jest, that all these poets you were

 > praising were actually crazed, homicidal, maniacs!!  "because he's

 >crazy

 >because he's mad and because he never gives us a chance to talk"

 

 

 Well, in a way I do see poets as crazed, homicidal, maniacs, and as S.A.

  Griffin so well put, "you write poetry because you have to/need to/want

 to."  As when Ginsberg says, "I saw the best minds of my generation

 destroyed by madness..."  What if he could of joined them, gone over the

 edge, like his mother, like Carl Solomon, but didn't?  Instead grasped

 the voice of the poet inside, spilling out truth, poetry as his madness,

 way of touching the human world, naked bodies, loves, also the esoteric

 world, needing both, making both one.

 

 And Douglas, what if, for the sake of discussion, we treat god as

 removed from god of the bible, as more of an eternal oneness in all

 things.

 DC

=========================================================================

Date:         Fri, 27 Jun 1997 10:56:46 -0400

Reply-To:     Bruce Hartman <bwhartmanjr@INAME.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      Re: ok, perhaps (was power of the poet)

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Beat Friends,

 

        I realize I haven't been paying too much attention to this thread, but

when I see statements like:

 

>  > Science has already been proven false.  God before that.  Is poetry

>  >next?

 

made, I have to ask for some clarification. . .  Please, someone enlighten

me, how is it possible to disprove science?  What evidence is there to

support that statement?  And how is it possible to prove God false (or real

for that matter), if you know something the rest of us don't, please share.

. .

 

Bruce

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Fri, 27 Jun 1997 11:15:24 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      shameless

In-Reply-To:  <33B4071A.347@together.net>

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        now that i've got yr attention (what! something is shameless to

marie??)

anyway

does any one know the minimum set up to record own readings of own poems?

i've been reading them out loud, lately, and i think some are far more

powerful when read aloud.

i'm broke and damn near a technical idiot.

all responses welcome to my mailbox

thanks

mc

=========================================================================

Date:         Fri, 27 Jun 1997 11:10:03 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: Dear Chickenheads:

Comments: To: "Penn, Douglas, K" <dkpenn@OEES.COM>

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On Thu, 26 Jun 1997 11:43:17 -0700 you wrote:

 

>"the map is not the territory"

>(attribution unknown)

 

In "Science and Sanity, An Introduction to Non-Aristotelian Systems and

General Semantics," page 61 (4th edition 1958, 6th printing), Alfred

Korzybski writes, "There is no such thing as an object in absolute

isolation...if words are not the things, or maps are not the actual

territory..." Korzybski continues, (paraphrasing), a horse probably has

no concept as to crossing the border. The horse just walks. And neither

would a human rider without some sign or post to indicate "crossing."

The human just rides.

 

Korzybski wrote "the map is not the territory," and "the word is not the

thing."

 

"You men gonna eat cha dinner, eat cha pork and beans, I've ate more

chicken than any man ever seen, ...yeah, ...yeah, I'm a back door man...

I'm a back door man..."

--The Doors, Back Door Man

=========================================================================

Date:         Fri, 27 Jun 1997 11:37:36 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: shameless

Comments: To: Marie Countryman <country@SOVER.NET>

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On Fri, 27 Jun 1997 11:15:24 -0400 you wrote:

 

> does any one know the minimum set up to record own readings of own poems?

> i've been reading them out loud, lately, and i think some are far more

> powerful when read aloud.

 

A sound card, microphone, and speakers for your PC remains one of

probably many ways to record your poetry. And with the sound card, you

could even post the recording (.wav file) here on Beat-L. Sound files

get real large real quick, but it works. Sound Blaster by Creative sells

packages with all ingredients including the software "Monotone" which

reads back text for proofing, etc. I have seen other vendors sell sound

cards for $39.00, microphones for $10.00, and speakers for $19.00 or so.

Shop around. IBM sells "Voice Assist" now which has a special filtering

microphone. Another vendor sells a "Voice" WordProcessor now. And to add

real commericalization here, Phillips (and other vendors) sell both

recordable and even rerecordable CD drives for your PC. These drives now

sell for less than $500.00. You could sell CDs of your poetry! All for

easily around a thousand bucks or so, including the cost of the PC!

 

> i'm broke and damn near a technical idiot.

 

Aren't we all! PCs sell these days like gas ignites! These small PC

retailers these days make deals almost self-serve! If this sorta thing

interests you, go in, tell 'em what you want to do, and work out a deal.

They'll piece you together a PC that'll do it.

 

I just wanted to present one possibility, suggestion...

 

Thanks-

Mike

=========================================================================

Date:         Fri, 27 Jun 1997 11:52:00 -0600

Reply-To:     Sonya Kolowrat <skolowra@RYKODISC.MHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sonya Kolowrat <skolowra@RYKODISC.MHUB.COM>

Organization: MainStream Consulting Group, Inc

Subject:      Scorpios?

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Being a scorpio on the beat list, I thought this was weird. I NEVER

check my horoscope, and the one day I do, this is what pops up!

-----------------------------------

SCORPIO (Oct 23-Nov 21)

 

Week of June 26, 1997

 

If I ever resume my

education at an

institution of higher

learning, it'll probably

be at the Jack Kerouac

School of Disembodied

Poetics in Boulder. The

lineage of its teachers

is the "outrider"

tradition: "outrageous,

iconoclastic,

exploratory," in the

words of poet Anne

Waldman, "doing the work

to please the deities,

to keep the energies

dancing, not just to

have a safe and tenured

career." In honor of

your own entry into the

outrider phase of your

yearly cycle, dear

Scorpio, I offer you the

following visualization:

Imagine kissing a holy

freedom fighter. It

could be the Dalai Lama

or Burma's Nobel Peace

Prize winner Aung San

Suu Kyi or anyone who

inflames your desire to

experiment and dare and

struggle to bring more

beauty and truth and

justice into the world.

 

 

 

-Bye! Sonya.

=========================================================================

Date:         Fri, 27 Jun 1997 09:56:32 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: An introduction and status of a poet

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Diane poses:

 

><<What about the words that walk off the side of the page when writing

them?>>

 

Well, I've stolen several stories here.  Friend told me how under the

influence of LSD he took a final at UCLA and has this wonderful

experience.  perhaps he meant it metaphorically, but I assume not.  Boy

walks in, sits down - he's flying.  Teacher hands out test, boy wigs out

- stares at the page.  <hm>  and then the words leave him tabla rasa, he

waits - the words reappear with the answers accompanying them.  <ah>

the story is suspect for the miraculous intervention there at the end.

Says he got an "A" or something like that.  <<perhaps>> [[suspect

process]]

 

Then in Naked Lunch, correct me if I'm wrong, the opening bit tells alot

about the life of a junkie.  He goes on about how easy and entertaining

it is to get loaded and stare at your shoes for a good eight hours or

so.  perhaps this is also metaphorical in nature.  A nice suede,

perhaps.

 

and no, ah, re-reading your message, not *while* writing - before and

after; that's when they do their little dance.  No one ever said

anything about the actual act of creation, what happen to words at that

time.  Were they congealed from tiny proteins, their pattern skidded

sideways (as vision does horizontally).

 

>b ----->  x <-------  p

 

b ........xxxxxxoetry--->>>>xxxxxxxx........  p

 

<<ah, woke up to the sound of a screaming modem, demanding under the

strains of a half-power situation.  no alarms clocks reading past 12:00

... the fridge, poorly stocked already, seems to moan, filled with a

luke warm yellow.  went back to sleep regardless of being late, my pains

still subsiding, ah, a long beautiful day ahead...>>

 

>> DC

 

cheers, Douglas

=========================================================================

Date:         Fri, 27 Jun 1997 10:13:28 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: ok, perhaps (was power of the poet)

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Diane writ:

 

><< Well, in a way I do see poets as crazed, homicidal, maniacs, and as S.A.

>  Griffin so well put [[agreed]], "you write poetry because you have to/need

>to/want to."  As when Ginsberg says, "I saw the best minds of my generation

> destroyed by madness..."  What if he could of joined them, gone over the

> edge, like his mother, like Carl Solomon, but didn't?  Instead grasped

> the voice of the poet inside, spilling out truth, poetry as his madness,

> way of touching the human world, naked bodies, loves, also the esoteric

 world, needing both, making both one.>>

 

.... madness and the esoteric world....  <hm>  perhaps like M. Stipe who

I appreciate very much, Ginsberg did indeed *see* the mechanics, the

processes of these "best minds".  this is what you were saying earlier.

Yes.  but chose to remain living, to bear thru the pain and suffering.

to remain on the outside and deal with that inner/personal madness

through the conduct/conduits of other people.

 

That life itself was an option to choose [outside the self, in others].

working towards life.  pulling the esoteric in that general direction

[and thru the poors of others].  <<hm, just babbling now..>>  hm, I

guess the trick is being able to not *need* to write poetry.  to *not*

believe in "because" and "shoulds" all the time.  not all the time.

<<still thinking about Cobain, the DESTROYER of my generation>>  not all

the time and not only in the dark, cause then ya become a Vampiro,

>drinker of blood!!!  <<hm>>

> 

><< And Douglas, what if, for the sake of discussion, we treat god as

> removed from god of the bible, as more of an eternal oneness in all

 things.>>

 

Well, ok, but there we're talking about a god oughta context.  Don't

know how to deal with that.  A whole new ballgame.  <<objective vs

subjective god>> and perhaps perhaps perhaps this is more personal and

not so easily conveyed via email.  Oftentimes I do invoke god, quite

self-consciously.  Meaning exactly as you say: "more of an eternal

oneness in all things".  Which brings me train of thought back to

Ginsberg and his wish to be recognized.  to be within reach and on the

right path.  or walking, breathing, at least.  So where is god located

then, Diane?  If removed from the bible, where shall we find evidence of

>him??

[her, him, it.... you know what I mean....god]

 

> DC

 

cheers, Douglas

=========================================================================

Date:         Fri, 27 Jun 1997 10:19:36 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: ok, perhaps (was power of the poet)

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Bruce asks his Beat Friends:

 

><< [snip] I have to ask for some clarification. . .  Please, someone

>enlighten

>me, how is it possible to disprove science?  What evidence is there to

>support that statement?  And how is it possible to prove God false (or real

for that matter), if you know something the rest of us don't, please

share.>>

 

perhaps I'm relying on academic standards that have not yet been proven

in the workplace.  most assuredly.  neitchze proved god wrong [haven't

read the book].  the cold war and post-industrial culture proved science

not able to cure ills of manking [perhaps quite the opposite].  Who was

the sci-fi author who wrote about god being found floating in the Artic

Ocean??

 

"enlighten you" ... hm, yes.  that's what I'm talking about.  perhaps

this french revolutionary idea isn't so ideal after all?  Who has the

Power??  The people??  I think this is very much in question, these

days.

 

>but, I'm gonna shut up now.  Hope that helps!

> 

>> Bruce

>> bwhartmanjr@iname.com

>> http://www.geocities.com/~tranestation

 

cheers, Douglas

=========================================================================

Date:         Fri, 27 Jun 1997 10:27:20 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Dear Chickenheads:

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Michael, the attribution saver:

 

>>"the map is not the territory"

>> [[Alfred Korzybski]]

> 

><<"You men gonna eat cha dinner, eat cha pork and beans, I've ate more

>chicken than any man ever seen, ...yeah, ...yeah, I'm a back door man...

>I'm a back door man..."

--The Doors, Back Door Man>>

 

Ah, thank your for reminding me.  thank you very much indeed.  People

always ask the general question "how are you?" and never stick around

for the answer.  Always pisses me off.  So instead of an honest reply

(or at least the "fine" or "good" they are expecting), I insistently

reply "hungry."  I'm always hungry for something man.

 

<<gotta find a good Janis Joplin quote to fill in here...>>

 

>cheers, Douglas <<a little piece of my heart....SUMMERTIME>> ??

> 

=========================================================================

Date:         Fri, 27 Jun 1997 10:29:41 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: shameless

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Marie posits:

 

<<does any one know the minimum set up to record own readings of own

>poems?>>

 

use yer answering machine (if ya have one??)  I think your *maximum*

would be about 30 seconds and then a very loud beep.

 

>> thanks

>> mc

 

cheers, Douglas

=========================================================================

Date:         Fri, 27 Jun 1997 11:40:00 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      poets in a ring  <<square, actually>>

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<<ok, I'll be quiet soon>>

 

reading yesterdays LA Times, Sports section, headline:  "Can Tyson

Rewrite Script(ure)?"

 

snippet by Jim Murray: "So, Holyfield is the last hope of turning a

heavyweight championship fight into a morality play, a truimph of good

over evil, value over vice."

 

Anyone here subscribing to this idea of redemption?  poets not lovers or

a fighter?  and If god did exist, would he live in a "holy field"??  Is

this where you want to find evidence of god, Diane??  In the newspaper

(sports section) ??

 

I'm warning you, I  could talk about basketball till the cows came

home!!

 

he goes, he gone, goodbye  <<Douglas>>

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Fri, 27 Jun 1997 22:09:21 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Betty Shabazz.

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        Betty Shabazz, American

         civil rights worker, died

        of burns in a New York

         hospital aged 61.

        She was born in Detroit

         on May 28, 1936.

=========================================================================

Date:         Fri, 27 Jun 1997 13:24:48 -0700

Reply-To:     "s.a. griffin" <perrotta@CALVIN.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "s.a. griffin" <perrotta@CALVIN.USC.EDU>

Subject:      Re: The Role of the Poet (and education thereof)

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At 01:03 AM 6/27/97 -0700, you wrote:

>At 11:30 PM -0700 6/26/97, s.a. griffin wrote:

> 

>> fucking, fuck it all.  poets are sick people that have the need like any

> 

>yes poets have needs.  and hopefully you'll believe me when I say this,

>... partaking in all this discussion with the list has been very good for

>my soul.

 

yes, absolutely, I agree w/yourself and everyone having the right and need

to discuss poetry to the ends of the world.  I agree that it can be good for

any soul.  after awhile I just had to step in and defend the poor poem as I

felt it's own dear soul down for the count so to speak and needing a break :

needed that cut under the eye tended, some water, a towel, a chance for the

crowd to get some popcorn and beer...

everyone was dancing with and on it and not giving the poor baby a break.  I

was beginning to take it personal as if I were the thing in the ring being

poked and pushed.

 

yes, poets do indeed have needs.  if anything, to be around

>poets. like minded souls.

 

most all my friends, people I spend time with, are involved in the poetry

thing; poor unemployed to Phd. but all noble in their own way.  it's not

always good to be around them, they can make one truly insane as is often

the case.  but they are the only ones for me, the only ones that I feel

comfortable with to share the breath. there is often nothing, but then that

is the adventure, just when you think it's over... out comes a rabbit, or

someone forms a diamond from air, problem is, the crowd ordered a

cheesburger and a coke and they think the diamonds are worthless, and they

cook the poor magic rabbit.  never stops the poem or the poet, they just

keep making, like ants, like bees, like time...

 

>> some feel about discussing maybe, what is beat... all the best

> 

>yes

 

yes

  yes

 yes....

> 

 

<<breathing>>

 

             yes!

 

>cheers, Douglas

>> xxxooo

>> s.a.

> 

=========================================================================

Date:         Fri, 27 Jun 1997 15:50:53 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      ketchup & writing

Content-Type: text

 

/"The days glide by,strung on a syringe with a long thread of blood"

Arthur: Compare Prufrock's desire "To spit out all the butt ends of

my days and ways" (for those who might not see the image clearly, he

would have been smoking unfiltered cigarettes; the tobacco would

sometimes crawl out the end onto your lip; when it did, you would

spit it out)

/Perhaps the ultimate similarity between their situations is that

/death- spiritual and physical- awaits them, the common result of going

/over either edge.

Arthur: of course, physical death awaits all of us, whether we go

over any edges at all; more to the point, Prufrock is already spiritually

dead: he even compares himself to Lazarus (both Lazaruses of the New

Testament are probably relevany here), come back from the dead, and the

poem concludes with Prufrock accepting his death-in-life: "Till human

voices wake us and we drown."

 

Someone asked about the painting of Corso in the Beat Generation exhibit

at the Whitney: that would most likely have been Robert La Vigne's

_Portrait of Gregory Corso_ (1956).

 

To Michael Stutz:

Unfortunately, I was unable to attend the summer '94 Naropa fest for

Ginsberg (were you there?). No, the reading to which I was referring

was one which Corso gave with Baraka (LeRoi Jones) at Naropa on 4 August

1985. The poem Corso read was one which he called "Written at a Rock Star's

Gravesite, in Spontaneity"; the phrase "in Spontaneity" is then complicated

by the poem's introductory passage:

"Don't change a word

First thought best thought

advised dearest of Jacks

If the mind is shapely

the poem will come out shapely

advised dearest of Ginsy

On second thought I thought

not to jump off the Empire State"

(the line endings are approximations based on Corso's reading; the rock

star of the title, by the way, was Jim Morrison of the Doors: Corso goes

on to note that his tombstone reads: JIM MOORRISON  POET)

Cordially,

Mike Skau

6/27/97

=========================================================================

Date:         Fri, 27 Jun 1997 17:06:31 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      .driving past the hospital

 

The incision must be made at the precise point of intersection

where heart meets inner ear.

 

I turned right on her street as the car radio began to play.

there were three Arab gangsters in front of the seveneleven.

"Boys don't FEEL the same".  Where voiced and unvoiced anguish separate.

 

Yellowed sutures of nylon hand-polished in China.  I still have her scars.

Little parallel lines on my shoulderblade.

They say it went right through, just like Jesse James.

i don't believe Them.

I told them "Stop looking at my feet". Like Dillinger.

Or was it...

 

So many TURNS left.

you mean burns, right?

electromagnetic resonance spectrometers vascillate frantically---

it's so dark in here.

Sulphurous perfumes in the Doctor's promises.

=========================================================================

Date:         Fri, 27 Jun 1997 17:21:39 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      can i kick it?

 

today in my very very beat life i came across a really really cool website i

would like to share with you all 'cause i think you're just all so special.

 

I hope you will think it's neat too but there are some of you who will not

like it i know and i apologize in advance for wasting your precious internet

time so forgive me.

 

For your info it's a page of links to very very cool stuff that i'm

interested in and hey it can't hurt for you to take a look you might find

something you like or that will merely change your life.  It has WSB links

too.

 

here it is:

 

http://www-rci.rutgers.edu/~maldoror/links.html

 

it's just......i'm.....wordless.

--------maya

 

 

ps:

 

today i had to 'splain to my ESL students what "kickin' it" means.

I also had to explain what "honey bunny" means.

And what "mofo" stands for.

What a great intro for them to American culture, huh?

=========================================================================

Date:         Fri, 27 Jun 1997 18:04:14 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Notice to all beetles: June 27th 1997

 

Notice:

 

     It has recently come to my attention that certain elements in the mist

have been disobeying the Policies of our establishment and institutional Alma

Mater.  Reports of idolatry, incohesion, and dissimular thought-patterns have

been made to those with the authority to do something about it, i.e. mete out

punishment.  We strongly urge the perpetrators to come forward and turn

themselves over so they can tan the other side for all to see, in the form of

posters and other confessions of artistry.  Names will not be changed to

protect the guilty.    We all know, comrades and gentlewomen, that this type

of misbehavior will not be tolerated by God and all the angels at Heaven

Country Club.  We all pay taxes, in the end.  Except if you live in Virginia.

 Or Texas.  But any grandmother who wants to smoke pot should be rounded up

and shot.  This mess was brought to you by yours truly,

 

madly and deeply,

-----maya

=========================================================================

Date:         Fri, 27 Jun 1997 19:54:09 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Dear Chickenheads:

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Penn, Douglas, K wrote:

> 

> 

> Ah, thank your for reminding me.  thank you very much indeed.  People

> always ask the general question "how are you?" and never stick around

> for the answer.  Always pisses me off.  So instead of an honest reply

> (or at least the "fine" or "good" they are expecting), I insistently

> reply "hungry."  I'm always hungry for something man.

> 

 

i've found an amusing answer to "how are you" is -- "just living minute

to minute".  you can tell a lot about the questioner by the reaction to

this answer.  some you want to get to know better.  some you never want

to see again.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 28 Jun 1997 01:16:30 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Scorpios?

 

lol Sonya.... funny how the universe gives little hits of truth when you least

expect it, eh?  Sort of like 'wake up & smell the coffee, girl!'  hehe   Guess

Jung was right.... synchronicity...  It's all One  <grins>

 

Ciao,

Sherri

love_singing@msn.com

=========================================================================

Date:         Sat, 28 Jun 1997 01:37:12 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: ok, perhaps (was power of the poet)

 

Douglas,

 

Why do you relegate evidence of god to a book, and only one, at that?  Why

must god be something defined by man?   That seems antithetical to the idea of

god.  God Is.  The evidence is in everything, every particle, wave, atom,

blade of grass.  What we don't know is what god is.  Perhaps the whole notion

of it is that s/he/it cannot be defined by humankind, because we, as a part of

god, cannot fully experience the whole and, therefore, can only speculate

based on that portion of god which we can.

 

This is of course necessarily truncated, and barely scratches  the surface,

but hopefully you can read between the lines.

 

Btw, has anyone suggested a Beat chat room... would be alot easier to discuss

some of this stuff that way and a hell of alot more fun.

 

Ciao, Sherri

love_singing@msn.com

=========================================================================

Date:         Fri, 27 Jun 1997 23:30:53 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: ok, perhaps (was power of the poet)

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Penn, Douglas, K wrote:

> 

> Well, ok, but there we're talking about a god oughta context.  Don't

> know how to deal with that.  A whole new ballgame.  <<objective vs

> subjective god>> and perhaps perhaps perhaps this is more personal and

> not so easily conveyed via email.  Oftentimes I do invoke god, quite

> self-consciously.  Meaning exactly as you say: "more of an eternal

> oneness in all things".  Which brings me train of thought back to

> Ginsberg and his wish to be recognized.  to be within reach and on the

> right path.  or walking, breathing, at least.  So where is god located

> then, Diane?  If removed from the bible, where shall we find evidence

>of

> >him??

> [her, him, it.... you know what I mean....god]

 

Just want to get you out of the "because" and shoulds," too much baggage

associated with the god of the bible, wanted to get away from Blake's

visionary system as read by Ginsberg, and also away from any redemptive

notion attached to gods or poets or poetry.  From this new perspective

you find evidence of god in walking and breathing, in grass, trees,

rocks, in the godlike act of writing a poem, a oneness in you, in

everything.

 

Or in timeless moments as in this passage from Kerouac,

 

"It was perfect, the golden solitude, the golden emptiness,

Something-Or-Other, something surely humble.  There was a rapturous ring

of silence abiding perfectly.  There was no question of being alive, of

likes and dislikes, or near or far, no question of giving or gratitude,

no question of mercy or judgment, or of suffering or its opposite or

anything."

 

Does this relate back "to be within reach and on the right path, walking,

breathing, or are we back to killing the buddha...?"

DC

=========================================================================

Date:         Fri, 27 Jun 1997 23:43:15 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: poets in a ring  <<square, actually>>

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Penn, Douglas, K wrote:

> 

> reading yesterdays LA Times, Sports section, headline:  "Can Tyson

> Rewrite Script(ure)?"

> 

> snippet by Jim Murray: "So, Holyfield is the last hope of turning a

> heavyweight championship fight into a morality play, a truimph of good

> over evil, value over vice."

> 

> Anyone here subscribing to this idea of redemption?  poets not lovers

>or

> a fighter?  and If god did exist, would he live in a "holy field"??  Is

> this where you want to find evidence of god, Diane??  In the newspaper

> (sports section) ??

 

"The world is holy!  The soul is holy!  The skin is holy!  The nose is

holy! The tongue and cock and hand and asshole holy!

Everything is holy! everbody's holy! everywhere is holy!  everyday is in

eternity!  Everyman's an angel!

The bum as holy as the seraphin! the madman is holy as you my soul are

holy!

The typewriter is holy the poem is holy the voice is holy the hearers are

holy the esctasy is holy!"

 

from Ginsberg, Footnote to Howl,

I'm too lazy to type the whole thing but I think you get the idea...

DC

=========================================================================

Date:         Sat, 28 Jun 1997 00:02:18 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Visionary poetry

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neudorf@discovland.net wrote:

> 

> I write / speak out of my own experience and identity as Poet.

> We all are visionaries, most do not tap into their powers = potential.

> If the poet has a feel for mythology, and views himself as part of that

> mythology, he is admitting to and joining a tradition. That tradition

>is

> past down through the thousands of years by any number of art forms -

> the written page, storytelling, dance, painting, the song, etc. - and

> then through whatever else = instinct = intuition = the One =

> Consciousness = imagination.

> 

> I often wonder, maybe it is the visionaries who are not whole. They

>need

> to tap into the 'greater force' to be whole, whereas the vast masses

> lead satisfactory lives with no need for the esoteric. (but history has

> shown that the vast masses do not lead satisfactory lives . . . )

> 

> And according to certain schools of thought, there is no 'greater

> force', there is only what is . . . which brings us back to: visionary =

> abundant imagination, which is good.

> 

> J. Neudorfer = New Villager . . . perpetually on the look for archetypes

 

I think that visionary=abundant imagination is a great way to describe

it.  I also find some truth in the idea of the visionary not being whole

without the esoteric.  Or is it simply that the visionary was born

with a heightened consciousness?  A mind that can make the leap:

instinct=intuition=the One Consciousness=imagination? Many poets lead

very satisfactory lives, as you say, without the esoteric.  Many poets

write without looking for or understanding the nature of the archetypical

mind or images.

DC

DC

=========================================================================

Date:         Fri, 27 Jun 1997 23:23:08 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Bukowski

Comments: To: mike@infinet.com

 

Mike:

I'll send you those issues of TIP. I had an interview in Jul. 30, 1981 issue,

issue on Stevie Wonder and the Doors. Some great pictures of Jim Morrison.

 Nov. 11, 1982 issue, also great original pictures of Bukowski and Ben

Gazzara with Tanya Lopert.

And then a photo article,  "Plymells Amerika".  I wrote you a letter today

and with some thoughts on your click theory that was on the list last night.

Later,

Charley

=========================================================================

Date:         Sat, 28 Jun 1997 01:54:29 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: The Role of the Poet (and education thereof)

 

s.a.

seems to me that the role of the poet is to be the heart and soul of

humankind...  without the poet (and the philosopher) humankind would be too

caught up in simple survival to remember to think, feel, wonder...  not to say

that there isn't some of the poet/philosopher in all of us, but for most the

portion is to small and weak to fight the overwhelming survival and, perhaps

moreso, greed that seem to be inherent in most people.

 

For all that, I'm not truly cynical...  someday poesy will be the stronger

force <s>...

 

Ciao, Sherri

love_singing@msn.com

=========================================================================

Date:         Sat, 28 Jun 1997 03:38:50 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

 

[snip] Maya writes:

 

Notice:

 

     It has recently come to my attention that certain elements in the mist

have been disobeying the Policies of our establishment and institutional Alma

Mater.  Reports of idolatry, incohesion, and dissimular thought-patterns have

been made to those with the authority to do something about it, i.e. mete out

punishment.  We strongly urge the perpetrators to come forward and turn

themselves over so they can tan the other side for all to see, in the form of

posters and other confessions of artistry.  Names will not be changed to

protect the guilty.    We all know, comrades and gentlewomen, that this type

of misbehavior will not be tolerated by God and all the angels at Heaven

Country Club.  We all pay taxes, in the end.  Except if you live in Virginia.

 Or Texas.  But any grandmother who wants to smoke pot should be rounded up

and shot.  This mess was brought to you by yours truly,

 

madly and deeply,

-----maya

 

 

A woman after my own heart...  How prosaic the Beats have Beat police.  A

rousing cry of "CENSORSHIP"  may be in order.  I'm sure Jack, Neal & Allen are

tossing & turning in their graves; and it could lead to the demise of our

beloved WSB!!!!  Come on folks, if these guys hadn't dared to follow their own

hearts and minds, instead of the mind-numbing, foolish, cattle mentality of

American society, we would have nothing to discuss.

 

Forgive me if I step on toes, I'm really a nice person.  :)

But I refuse to have my mind dictated to by anyone.

 

Bon soir mes amies,

Sherri

=========================================================================

Date:         Sat, 28 Jun 1997 00:54:46 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: An introduction and status of a poet

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Chris Dumond wrote:

> 

> Poetry is art, it is not the hardest task in the world to sit down and

> rhyme a few words together or wipe your ass on a notebook and call it a

> poem.  The true test is "is it art?" When a man paints a portrait is he

> not a painter?  Yes, but an artist... maybe?  The question is, do the

> words move you beyond prosaic jumble of letters on paper?

 

 Welcome Chris.  And, you bring with you the opportunity to move into a

 discussion a work of art.   Did the beats re-define the work of art?

 There are readers/critics who would say Ginsberg wiped his ass on the

 page and it was not a work of art.  Others might see him and other beats

 pushing the limits of art, life, humnanness.   Those same critics would

 scoff at Kerouac's first-thought, best-thought, turn away from a work of

 art for lack of punctuation, or for invoking a different form of

 breathing, living.  Even many who read Joyce's Finnigans Wake saw a

 prosaic jumble of letters on the page and didn't take the time to

 understand the genius. Who puts the poem or prose to the true test--

 is it art?  The reader, the critic, the writer?

 DC

=========================================================================

Date:         Fri, 27 Jun 1997 23:13:37 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

In-Reply-To:  <970627180157_159519054@emout08.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Notice:

> 

>     It has recently come to my attention that certain elements in the mist

>have been disobeying the Policies of our establishment and institutional Alma

>Mater.  Reports of idolatry, incohesion, and dissimular thought-patterns have

>been made to those with the authority to do something about it, i.e. mete out

>punishment.  We strongly urge the perpetrators to come forward and turn

>themselves over so they can tan the other side for all to see, in the form of

>posters and other confessions of artistry.  Names will not be changed to

>protect the guilty.    We all know, comrades and gentlewomen, that this type

>of misbehavior will not be tolerated by God and all the angels at Heaven

>Country Club.  We all pay taxes, in the end.  Except if you live in Virginia.

> Or Texas.  But any grandmother who wants to smoke pot should be rounded up

>and shot.  This mess was brought to you by yours truly,

> 

>madly and deeply,

>-----maya

 

YIPES!

 

Attention  All Grandfathers!  Tell Granny to stash the stash and load your

muskets.

 

jo

 

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     372,191  visitors since July 1, 1996

=========================================================================

Date:         Fri, 27 Jun 1997 23:48:21 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      God

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With respects to God:

 

        -odd excerpts from a poem of mine titled "Mountain Tasting"

 

***

        Jehovah is crazy

        Jehovah is far out and hazy

***

        there are no limits

        but must have limits

 

        [ = there is nothing holding us back from knowing all, but there is no

physical possibility of reaching that 'all-knowledge', you would soon

swim in insanity . . . hense Jehovah is crazy . . . that is why even

Moses, the figure who was in Yahweh's presence, was not actually face to

face. When Moses asked Yahweh to reveal himself (one of the many times

on the mountains, after the burning bush), Yahweh only permitted Moses

to observe his back and shoulders - which on one level is a paradox in

itself.

 

Joseph Neudorfer

=========================================================================

Date:         Sat, 28 Jun 1997 04:48:09 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: ok, perhaps (was power of the poet)

 

Douglas... you're a kick.  Are you studying/teaching modern art history?  Even

if you don't know alot about poetry, the question of what art or an artist is

remains the same, regardless of his/her chosen medium of expression, don't you

think?

 

Btw, as far as I know there is no job description for a poet <grins>, not sure

that they have any responsibility other than to be honest about what they're

doing, like any other human being in any act of any kind... course who the

hell knows how many people are honest at all?

 

Anyway, enjoy your postings.  :)   Keep them coming.

 

Ciao,

Sherri

=========================================================================

Date:         Sat, 28 Jun 1997 00:02:23 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      BEAT-L@CUNYVM.CUNY.EDU

MIME-Version: 1.0

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<<breathing smoke>> Douglas wrote:

 

> And to kill the Buddha.  oh my.  I have a problem with that.  He's

> big.  my god, is he big.  I bet he sumo's.  It's enough to have the world

> on yer shoulders, but him too!

 

Isn't that part of the problem, that universal undefined problem, that

we see the buddha as being big. Siddhartha was a man like you, me. To

have the world on your shoulders is in part to be prophet, or

boddhisatva:

 

        from a poem of mine: "we are all boddhisatvas of the rebel lion

                *rebel lion* = Micheal McClure term and title of poetry publication

 

Speaking of Micheal McClure, just picked up his "Jaguar Skies" poetry

publication. McClure has a way with words. Another concept of his that I

have fooled around with is "biological mysticism" - the body is holy,

the stomach, skin, cells, everything.

 

Joseph Neudorfer

=========================================================================

Date:         Sat, 28 Jun 1997 04:57:40 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      God

 

Why the hell does everyone seem to need to have god be a human being with

magical powers... aren't we capable of expanding our imaginations/awareness a

little beyond our own puny little selves?

 

Ciao,

Sherri

=========================================================================

Date:         Sat, 28 Jun 1997 00:18:14 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      HUH?

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Douglas wrote:

 

> the architect is not the history = village idiot  . . . cheers . . .

 

I have tried, but . . . huh?

 

Joseph Neudorfer

=========================================================================

Date:         Sat, 28 Jun 1997 00:29:56 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      The Poet

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Diane Carter wrote:

 

> Many poets lead very satisfactory lives, as you say, without the esoteric.

> Many poets write without looking for or understanding the nature of the

> archetypical mind or images.

 

Very true. My twin brother is dedicated to the muse as i am, and with

constant interaction we are forced to mold our identities with respects

to each other. It is almost as if he is 'simplicity' and i am

'complexity'. Both of us are basically writing on the same subject, but

where he uses a word, i use two, etc.

 

A poet friend of ours, Jason Selman, trumpet player, has a line:

 

        reality is simplicity

        and complexity in a kiss of life

        and death

 

        [line structure may not be accurate]

=========================================================================

Date:         Fri, 27 Jun 1997 22:30:34 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

In-Reply-To:  <970627180157_159519054@emout08.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 3:04 PM -0700 6/27/97, Maya Gorton wrote:

 

> and shot.  This mess was brought to you by yours truly,

 

oh yeah, meet my gang!! http://www.electriciti.com/babu/

 

 

> madly and deeply,

> -----maya

 

Douglas <<nice linx>>

=========================================================================

Date:         Fri, 27 Jun 1997 22:41:42 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: God (cross-fertilizations)

In-Reply-To:  <33B45144.59B@discovland.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 4:48 PM -0700 6/27/97, neudorf@discovland.net wrote:

 

> With respects to God:

> 

>         -odd excerpts from a poem of mine titled "Mountain Tasting"

> 

> ***

>         Jehovah is crazy

>         Jehovah is far out and hazy

> ***

>         there are no limits

>         but must have limits

> 

 

and do we still have to kill Jehovah?  can the one kill the masses?  and to

kill without knowing of the experience?

 

and what if we did know of the one.  vice versa.  then what?  Is the idea

to sustain this as long as possible or instead, to let our shoulders and

feet clearly meet??

 

cheers, Douglas <<one lump only please>>

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sat, 28 Jun 1997 00:51:48 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      The Poet

MIME-Version: 1.0

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Diane Carter wrote:

 

> Who puts the poem or prose to the true test--is it art?  The reader, the

> critic, the writer?

 

Yeah . . . try defining art, feel the headache grow.

 

Here is a Marxist twist to the role of the Poet:

 

        the poets have only

        interpreted the world,

        the point however

        is to bang it

 

                - that is, performing and living the life of a "big bang visionary"

 

Taken from the inscription on Marx's tombstone: "The philosophers have

only interpreted the world, the point however, is to change it".

 

Joseph Neudorfer

=========================================================================

Date:         Fri, 27 Jun 1997 22:57:04 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: HUH?

In-Reply-To:  <33B45846.1694@discovland.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 5:18 PM -0700 6/27/97, neudorf@discovland.net wrote:

 

> Douglas wrote:

> 

> > the architect is not the history = village idiot  . . . cheers . . .

> 

> I have tried, but . . . huh?

 

Ok, my interpretation:  the man who builds the town doesn't know how it got

there.  he's the stupidist one in the bunch.  he's the village idiot.  you

might call him an "arch e' type" (foe of words).  and I reversed your

signature line to match.  <<whew>>

 

 

> Joseph Neudorfer

 

cheers, Douglas

=========================================================================

Date:         Fri, 27 Jun 1997 22:54:10 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: BEAT-L@CUNYVM.CUNY.EDU

In-Reply-To:  <33B4548F.75D8@discovland.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 5:02 PM -0700 6/27/97, neudorf@discovland.net wrote:

 

> Isn't that part of the problem, that universal undefined problem, that

> we see the buddha as being big. Siddhartha was a man like you, me. To

> have the world on your shoulders is in part to be prophet, or

> boddhisatva:

 

this is a <<heavy>> thought.  really.  <<hm>> you know, very often I feel

invisible.  and then the weight of personality seems to dawn on me.

Siddhartha is big as in my dreams, I can not get a clear grasp on him.  he

must be big.  or very small, able to escape the traps I have set for him.

WE SHALL FIND HIS SIZE.  Thomas Morrow?  Is that the author I was trying to

remember?  Big huge god tied to a raft, floating in the Antartic...

 

> Another concept of his that I

> have fooled around with is "biological mysticism" - the body is holy,

> the stomach, skin, cells, everything.

 

does this "biological mysticism" get you any discounts at fast food

restaurants?  or anything like that?  I guess it's your focus.  some people

are really into their bodies.  personally, I can't tell you the difference

between a kidney and a liver.  yet, I still drink water, purify my blood,

and pass fluids.  am I still Holy?

 

> Joseph Neudorfer

 

<<refusing to believe, refusing to accept the logic>> ------ Douglas

 

Who originally said (or what is attributed with the phrase) :: DEFEAT THE

DOMINANT PARADIGM  (or something "paradigm") -- I feel like strangling

them... yhea, and that guy named Murphy and his laws.,,,,, and charles

shultz, yeah, that's who......

 

<<Charlie Brown, he's a clown, Charlie Brown, he's a clown, that's who!>>

=========================================================================

Date:         Fri, 27 Jun 1997 23:08:13 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: ok, perhaps (was power of the poet)

In-Reply-To:  <UPMAIL14.199706280453140048@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 9:48 PM -0700 6/27/97, Sherri wrote:

 

> Douglas... you're a kick.

 

you're no shrinking violet, Sherri.  8-)

 

> Are you studying/teaching modern art history?

 

Nope.  but you could say that I word process for a living...

 

> Even

> if you don't know alot about poetry, the question of what art or an artist is

> remains the same, regardless of his/her chosen medium of expression,

>don't you

> think?

 

I've been thinking about that. people and their specialties.  and to get

two or more people together, all exhibiting "specialty".  Must have been

what Andy Warhol meant when he invented the term "superstar" during his

Factory days.

 

 

> Btw, as far as I know there is no job description for a poet <grins>, not

>sure

> that they have any responsibility other than to be honest about what they're

> doing, like any other human being in any act of any kind... course who the

> hell knows how many people are honest at all?

 

not me.  Do you know the story about the lion and the queen?  guy has to

pick between two doors?  a guard stands before each.  Only one question is

asked.  But here's the trick:  one guard always tells the truth and the

other one always lies.  and if he picks wrong :: <<kaching>>  :: he's lion

bait (to quote Joseph N.).  I always forget the right question, so don't

ask me for the answer.  I can tell you the riddle of the sphinx, though!!

 

 

> Anyway, enjoy your postings.  :)   Keep them coming.

 

yep.  cross-fertilizations are always good.

 

> Ciao,

> Sherri

 

Cheers, Douglas

=========================================================================

Date:         Fri, 27 Jun 1997 23:09:41 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: God

In-Reply-To:  <UPMAIL14.199706280502450033@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 9:57 PM -0700 6/27/97, Sherri wrote:

 

> Why the hell does everyone seem to need to have god be a human being with

> magical powers... aren't we capable of expanding our imaginations/awareness a

> little beyond our own puny little selves?

 

<<uh, my head hurts>>  what is imagination?  ;-)

 

> Ciao,

> Sherri

 

Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 23:19:34 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: ok, perhaps (was power of the poet)

In-Reply-To:  <33B4AF9D.E3A@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:30 PM -0700 6/27/97, Diane Carter wrote:

 

> Just want to get you out of the "because" and shoulds," too much baggage

> associated with the god of the bible, wanted to get away from Blake's

> visionary system as read by Ginsberg, and also away from any redemptive

> notion attached to gods or poets or poetry.  From this new perspective

> you find evidence of god in walking and breathing, in grass, trees,

> rocks, in the godlike act of writing a poem, a oneness in you, in

> everything.

 

not even a Ward Cleaver god?  someone who pays your allowance, puts a roof

over your head, and teaches you how to be strong??  oh, yeah, that's your

father.  the father figure.  <<mmmmm, steaming a little bit -- thinking

about my ex-father, the minister>>.  Ok.  I think once you settle down a

little, put down some weeds, and plant a few rose bushes then yes, then one

can appreciate this "new perspective."  ..... makes me think that this is

the only way to see, to live.  I feel what you are saying, but I just can't

accept it right now.  sorry.   <<feel like a juvenile delinquent, I'm

*cool* still....>>  ... puff, puff

 

> Or in timeless moments as in this passage from Kerouac,

> 

> "It was perfect, the golden solitude, the golden emptiness,

> Something-Or-Other, something surely humble.  There was a rapturous ring

> of silence abiding perfectly.  There was no question of being alive, of

> likes and dislikes, or near or far, no question of giving or gratitude,

> no question of mercy or judgment, or of suffering or its opposite or

> anything."

> 

> Does this relate back "to be within reach and on the right path, walking,

> breathing, or are we back to killing the buddha...?"

 

 

 

 

 

 

yes  <<ah, Kerouac>>

 

 

 

 

 

 

 

So what is beauty?  is this "beauty" as well?  <<a way of living??>>

 

Andre Breton: "beauty must be repulsive"

 

> DC

 

Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 23:21:31 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: poets in a ring  <<square, actually>>

In-Reply-To:  <33B4B283.5C72@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:43 PM -0700 6/27/97, Diane Carter wrote:

 

> from Ginsberg, Footnote to Howl,

> I'm too lazy to type the whole thing but I think you get the idea...

 

 

 

 

 

 

yes

 

 

 

 

 

<<ah, Ginsberg>>

 

> DC

 

Douglas <<beaming>>

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sat, 28 Jun 1997 06:18:49 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: God (cross-fertilizations)

 

Douglas,

 

At the risk of looking totally ignorant, what the hell do you mean "let our

shoulders meet our feet"?

 

----------

From:   BEAT-L: Beat Generation List on behalf of runner911

Sent:   Friday, June 27, 1997 10:41 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: God (cross-fertilizations)

 

At 4:48 PM -0700 6/27/97, neudorf@discovland.net wrote:

 

> With respects to God:

> 

>         -odd excerpts from a poem of mine titled "Mountain Tasting"

> 

> ***

>         Jehovah is crazy

>         Jehovah is far out and hazy

> ***

>         there are no limits

>         but must have limits

> 

 

and do we still have to kill Jehovah?  can the one kill the masses?  and to

kill without knowing of the experience?

 

and what if we did know of the one.  vice versa.  then what?  Is the idea

to sustain this as long as possible or instead, to let our shoulders and

feet clearly meet??

 

cheers, Douglas <<one lump only please>>

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 23:41:04 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: The Poet <<theoretically>>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 5:51 PM -0700 6/27/97, neudorf@discovland.net wrote:

 

> Yeah . . . try defining art, feel the headache grow.

 

> Taken from the inscription on Marx's tombstone: "The philosophers have

> only interpreted the world, the point however, is to change it".

 

yeah, as if artists dont live actual lives.  talk the talk and walk the

walk.  As a lapsed art history major, let me tell you that the definition

of art from an academic point of view does not include "walking or

breathing"  or even what kind of tattoos dennis rodman has... oops, wrong

about that last one.... and to change the world, we all know about

fashions... cater to the few rich folx with one of a kinds and then sell

the knockoffs and the scent to the farmers of Michigan for your real cents.

<<kaching!!>>

 

> Joseph Neudorfer

 

Douglas <<getting tired of writing -- goodnight!!>>

 

but PS:  I think Marx's tombstone might have been misinterpreted/ um,

translated.  Shouldn't it read "... is to chase it"  ... turn it into

butter and slide it over your penis..... zzzzzzzzzz

 

puts new meaning on the term "Rosetta Stone" (cousin of Sharon)

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Fri, 27 Jun 1997 23:44:33 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: God (cross-fertilizations)

In-Reply-To:  <UPMAIL14.199706280623520392@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:18 PM -0700 6/27/97, Sherri wrote:

 

 

> Douglas,

> 

> At the risk of looking totally ignorant, what the hell do you mean "let our

> shoulders meet our feet"?

 

hell, I don't know.  Ask Joseph, he's the one who brought up being able to

see shoulders and whatnot - how this is contradictory.  Personally, I say

let's sleep on it and we'll discuss it in the morning...  ;-)

 

<<the impossible dream - 125 miles and counting....>>

 

zzzzzzzzzzzzzzz Douglas

=========================================================================

Date:         Sat, 28 Jun 1997 06:20:42 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: role of poet

In-Reply-To:  <UPMAIL14.199706280330270017@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i dunno.

i just write down what is in my head demanding to be written.

or go insane

or,    ...... go insane and THEN write down what is in my head demanding to

be heard.

mc

=========================================================================

Date:         Sat, 28 Jun 1997 06:01:30 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: role of poet

MIME-Version: 1.0

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Marie Countryman wrote:

> 

> i dunno.

> i just write down what is in my head demanding to be written.

> or go insane

> or,    ...... go insane and THEN write down what is in my head demanding to

> be heard.

> mc

 

i think a lot of this speculation is not directly related to the Motives

or the Intentions of a poet, but the Affects and Effects of the power of

the creatively expressed word.  it seems that sitting down to the

keyboard and saying to oneself "i'm god" is a certain way for writer's

block ... far too much responsibility.

 

I'd be more interested and i recognize that some has been said already

along these lines, about what notions the core Beats held toward the

role of the poet for themselves, their families and friends, and society

at large?

 

essay exams will be due to the committee by Monday morning!!!  :)

 

The Committee

 

david rhaesa

salina, Kansas

 

p.s. to those i'd shared news about my conservator's heart situation.

things appear to be all clear.  he won't be driving for some time and i

am currently shopping for an appropriate taxi driver's hat.

=========================================================================

Date:         Sat, 28 Jun 1997 08:14:51 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Notice to all beetles: June 27th 1997

MIME-Version: 1.0

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Sherri wrote:

> 

> [snip] Maya writes:

> 

> Notice:

> 

>      It has recently come to my attention that certain elements in the mist

> have been disobeying the Policies of our establishment and institutional Alma

> Mater.  Reports of idolatry, incohesion, and dissimular thought-patterns have

> been made to those with the authority to do something about it, i.e. mete out

> punishment.  We strongly urge the perpetrators to come forward and turn

> themselves over so they can tan the other side for all to see, in the form of

> posters and other confessions of artistry.  Names will not be changed to

> protect the guilty.    We all know, comrades and gentlewomen, that this type

> of misbehavior will not be tolerated by God and all the angels at Heaven

> Country Club.  We all pay taxes, in the end.  Except if you live in Virginia.

>  Or Texas.  But any grandmother who wants to smoke pot should be rounded up

> and shot.  This mess was brought to you by yours truly,

> 

> madly and deeply,

> -----maya

> 

> A woman after my own heart...  How prosaic the Beats have Beat police.  A

> rousing cry of "CENSORSHIP"  may be in order.  I'm sure Jack, Neal & Allen are

> tossing & turning in their graves; and it could lead to the demise of our

> beloved WSB!!!!  Come on folks, if these guys hadn't dared to follow their own

> hearts and minds, instead of the mind-numbing, foolish, cattle mentality of

> American society, we would have nothing to discuss.

> 

> Forgive me if I step on toes, I'm really a nice person.  :)

> But I refuse to have my mind dictated to by anyone.

> 

> Bon soir mes amies,

> Sherri

 

police may be a universal that one can never escape.

=========================================================================

Date:         Sat, 28 Jun 1997 08:19:02 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: God

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri wrote:

> 

> Why the hell does everyone seem to need to have god be a human being with

> magical powers... aren't we capable of expanding our imaginations/awareness a

> little beyond our own puny little selves?

> 

> Ciao,

> Sherri

 

i believe the original biblical notion of god came in the words "I am no

name" and  "I am that I am" ... perhaps humans felt a need to take that

notion of I and connect it with their own.  For whatever the reason, it

seems that along the way that original namings and their wonder have

been misunderstood to the point of being forgotten.  a blade of grass

contains deity if it "is that it is".  just a preacher's boy laughing at

the universe.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 28 Jun 1997 09:20:20 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: An introduction and status of a poet

MIME-Version: 1.0

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Diane Carter wrote:

>  Who puts the poem or prose to the true test--

>  is it art?  The reader, the critic, the writer?

 

the old old gardener puts it to the test.

old old gardener ...

told him maya thought he'd look like William Burroughs

and he cackled a bit,

coughed three times and quacked

"that young whippersnapper"

through his toothless mouth!

 

Why do you garden?

It is a fairly good thing to do.

Could you teach me to garden.

NO!

Why not?

Last person i taught pulled All the Weeds!!!

Who will garden when you're gone?

Let's worry about that when the time comes.

The old old gardener walks away.

His back is a bit more hunched than the photos of burroughs i've seen.

I'm not sure but i think the old old gardener actually has

veto power over

the Committee.

 

david rhaesa

salina, Kansas

 

>  DC

=========================================================================

Date:         Sat, 28 Jun 1997 08:11:38 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Summer Reading Project

MIME-Version: 1.0

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Dear Beetles

 

Does anyone have any suggestions for reading projects that might help

restore some minimal level of Beat focus to the list before it

completely evaporates into the dissapearing ozone layer with more and

more Kozmic Kuestions like Poesey and Godliness? Beginning to sound like

what passes for intellectual discussion in a freshman dorm.

 

Dr. Sax vs. Mocassins?  A WSB thing like Western Lands?

 

We did a thing on "Wichita Vortex Sutra" that was good.

 

HELP!!

 

We need to find a way to keep this thing interesting without someone

dying.

 

J. Stauffer

=========================================================================

Date:         Sat, 28 Jun 1997 12:46:04 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: role of poet

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Marie Countryman wrote:

> 

> i dunno.

> i just write down what is in my head demanding to be written.

> or go insane

> or,    ...... go insane and THEN write down what is in my head demanding to

> be heard.

> mc

 

 

Actually that's the only that thing works, writing because you have

to, the idea being to swim in the poem, swim in the insanity, and if you

start to think about either, you say, what the hell am I doing out here

in the water, in the middle of the ocean, and in that instant you drown.

DC

=========================================================================

Date:         Sat, 28 Jun 1997 12:52:59 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: The Poet

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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neudorf@discovland.net wrote:

> 

>> Here is a Marxist twist to the role of the Poet:

> 

>         the poets have only

>         interpreted the world,

>         the point however

>         is to bang it

> 

>                 - that is, performing and living the life of a "big

>bang visionary"

 

Isn't that what beat writers do, bang it?

DC

=========================================================================

Date:         Sat, 28 Jun 1997 12:22:06 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Summer Reading Project

In-Reply-To:  <33B529AA.35C6@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

how bout keeping with anniversaries of sorts: (re: 25 th anniversary of F&L

in vegas,

HST: fear and loathing in vegas/hell's angesl

with first volume of fear and loathing letters

i'm just about done with rereading fear and loathing all set to jump into

hell's angels from what i can tell, this is the period of either writing or

gestation of first books.

mc

=========================================================================

Date:         Sat, 28 Jun 1997 12:15:23 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Bukowski

Comments: To: Michael Stutz <stutz@DSL.ORG>

MIME-Version: 1.0

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Michael Stutz wrote:

> 

> On Thu, 26 Jun 1997, Robert H. Sapp wrote:

> 

> > havent read very much prose by him, but i love his poetry. he has a sort

> > of drunken clarity like being poked in the arm hard with a dull spoon.

> 

> His prose is excellent (imho better than his poetry but maybe that's just

> me, i like prose more in general anyway), very clean and tight -- like HST,

> he's one of the better Beat-related writers when it comes to understanding

> punctuation and writing clean, tight prose.

> 

> Michael Stutz

> stutz@dsl.org

> http://dsl.org/m/

Get Burning in Water, Drowning in Flame and The Days Run Away Like Wild

Horses Over the Hills.  Both great books of poetry.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 28 Jun 1997 13:19:41 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: role of poet

MIME-Version: 1.0

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RACE --- wrote:

> 

> it seems that sitting down to the

> keyboard and saying to oneself "i'm god" is a certain way for writer's

> block ... far too much responsibility.

> 

 

Why wouldn't it be ultimate freedom, no blocks, no inhibitions, no one

dictating what it is OK to feel, what it is that is OK to write about in

a poem?  Totally resting on Ginsberg's idea that if the mind is shapely,

the poem will be shapely.

 

> I'd be more interested and i recognize that some has been said already

> along these lines, about what notions the core Beats held toward the

> role of the poet for themselves, their families and friends, and society

> at large?

 

Ginsberg writes,

"I began writing poetry 'cause I was a dope and my father wrote poetry

and my brother wrote poetry and I started writing rhymes, like them,

until I went to Columbia and fell in love with Jack Kerouac, and then got

into a a sort of emotional rapport, a much deeper sense of confession,

wanting to confess my feelings to him.  But he didn't want to hear them

so I had to find another way of expressing them, a way which would

entrance him, and make him see into my soul...And this process deepened

later on when as a result of reading poetry, other people's poetry, like

Blake's, another dimension of awareness dawned on my senses.  Besides the

tender intimacies of friendship and yearnings, another psychedelic sense

or modality of consciousness opened up within me, catalyzed by some short

texts of Blake.  Then I began seeing poetry as not merely a sharing of

human secrets, but a sharing of even the non-human, the cosmic,

universal, archetypal knowledge of something beyond my own life, you

know, beyond my own embarrassments, beyond my own loves."

 

DC

=========================================================================

Date:         Sat, 28 Jun 1997 12:30:14 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      the almighty hot dog

MIME-Version: 1.0

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I have been out of town and am clearing the posts.  But all this talk of

the Allmighty reminded me of the Firesign.  If someone could flesh this

out, I would appreciate it:

 

I am high, but on real life, not false drugs, a good shoe shine, a car

wash and ??? but now, I am coming down

n

 n

  n

   n

    n

I am down and I am hungry, let's eat,  A mighty hot dog is our lord!

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 28 Jun 1997 13:38:01 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Summer Reading Project

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James Stauffer wrote:

> 

> Dear Beetles

> 

> Does anyone have any suggestions for reading projects that might help

> restore some minimal level of Beat focus to the list before it

> completely evaporates into the dissapearing ozone layer with more and

> more Kozmic Kuestions like Poesey and Godliness? Beginning to sound like

> what passes for intellectual discussion in a freshman dorm.

> 

> Dr. Sax vs. Mocassins?  A WSB thing like Western Lands?

> 

> We did a thing on "Wichita Vortex Sutra" that was good.

> 

> HELP!!

> 

> We need to find a way to keep this thing interesting without someone

> dying.

> 

> J. Stauffer

 

I would be up for a Sax vs. Moccasins discussion.

DC

=========================================================================

Date:         Sat, 28 Jun 1997 15:12:21 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 97-06-28 06:59:49 EDT, you write:

 

<<  McClure has a way with words.  >>

 

Personally I have my way with words, then throw them away when I'm done.

------maya

=========================================================================

Date:         Sat, 28 Jun 1997 15:00:58 -0500

Reply-To:     Leo Jilk <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leo Jilk <ljilk@MAIL.MPS.ORG>

Subject:      Re: The Poet

In-Reply-To:  <33B56B9B.1EC6@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>neudorf@discovland.net wrote:

>> 

>>> Here is a Marxist twist to the role of the Poet:

>> 

>>         the poets have only

>>         interpreted the world,

>>         the point however

>>         is to bang it

>> 

>>                 - that is, performing and living the life of a "big

>>bang visionary"

> 

>Isn't that what beat writers do, bang it?

>DC

 

Ginsberg was quite successfull in that role, though i guess he considered

himself a failure as he hadn't fucked ever rosy-cheeked bearded boy he ever

jacked off over.

 

-leo

=========================================================================

Date:         Sat, 28 Jun 1997 17:10:22 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      is it art?

 

this is a quote from that website i told you about.  I think this person's

site is brilliant.  i think it's art.  you have no idea what to do and it

forces you to do something you never thought of doing.  And then it keeps

working by these inane rules.  CLICK ON THE BRAIN that's all i'm gonna say.

 There are pages and paages of really cool text and web-craziness, but you

gotta work for it.  here's a pretty tame quote, anyway. again, go to:

 

http://www-rci.rutgers.edu/~maldoror/links.html

 

for more. and remember to click on the brain, and click all over after that.

I think that he's talking about himself and his website here.

 

"Benjamin's notes for the Passagen-werk are

fragments of citations in which the great majority

of the project's themes are stated in abbreviated

fashion. Arcades (reconstructed), art-couture

fashion, hypersensitive boredom, dream-kitsch,

emotive souvenirs, mannequins, black neon lights,

VR-headsets, mimetic polyalloy architecture,

stop-frame animation, holographic prostitution,

millennial flaneurs, book arts collectors, data

counterfeiting, Montemartre alleyways, museum

casings, department store tele-displays, metros,

email postcards, sidewalk graffiti, reflections from

computer terminals, catacombs, interior industrial

design, MTV channels, ethernet connections,

neo-Gaudian urban planning, Baudelaire's opium

shock-urbanism. Central methodological concepts

are also present in the notes: dream image,

phantasmagoria, dreaming collective, ur-history,

now-of-recognition, dialectical image."

=========================================================================

Date:         Sat, 28 Jun 1997 17:12:16 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      hello i am stupod who are ewe

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

For someone who plans to read Moccasins when i get a chance, just what is

the connects or reasons for such a comparison in the first place to Sax?

 

respectfully,

Eric

rhs4@crystal.palace.net

=========================================================================

Date:         Sat, 28 Jun 1997 17:13:17 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      no such thing

 

there is no such thing as a poet.

 

=========================================================================

Date:         Sat, 28 Jun 1997 17:27:41 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: is it art?

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970628171021_203057940@emout18.mail.aol.com>

MIME-Version: 1.0

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thanks for posting this strange unrelated? post the reading of that list

was MiNDblowinG...

 

for some one who just reliezed that you can get lost on a computer like

someone walking on the street in life--and not just in virtuospace

either, i mean just on my frames windows in this computer as i wus tryin

to get to where i log in like a journey failer quest like real? life

(and thus al so with a mind separate from the reality controling the

movement of the show) and thru the dark woodsy forest i came to te land

of the Beat-list. wow i originally typed it as Berat-l.

heeeeheeeehheeeeehhhhheeeeeeeeeeeeehhheeehhhhhheeee.

 

now for your viewing pleasure or deleting pleasure:

 

a newborn poem, birth in process...

 

Im not going to be smoking no more

                cause i always think people misterpret me

which they do

                which i misinterpret

for a different misinterpretation

 

                misinterpretations of reality

!?

are you getting this??

 

 

                not so easy to write

about

                as can you think?

 

 

 

oh where did those moons go...oh where did these lil'

brains expire

i my head

in my missing mind

 

 

 

goofin sorry,

Eric

rhs4@crystal.palace.net

 

On Sat,

 

28 Jun 1997, Maya Gorton wrote:

 

> this is a quote from that website i told you about.  I think this person's

> site is brilliant.  i think it's art.  you have no idea what to do and it

> forces you to do something you never thought of doing.  And then it keeps

> working by these inane rules.  CLICK ON THE BRAIN that's all i'm gonna say.

>  There are pages and paages of really cool text and web-craziness, but you

> gotta work for it.  here's a pretty tame quote, anyway. again, go to:

> 

> http://www-rci.rutgers.edu/~maldoror/links.html

> 

> for more. and remember to click on the brain, and click all over after that.

> I think that he's talking about himself and his website here.

> 

> "Benjamin's notes for the Passagen-werk are

> fragments of citations in which the great majority

> of the project's themes are stated in abbreviated

> fashion. Arcades (reconstructed), art-couture

> fashion, hypersensitive boredom, dream-kitsch,

> emotive souvenirs, mannequins, black neon lights,

> VR-headsets, mimetic polyalloy architecture,

> stop-frame animation, holographic prostitution,

> millennial flaneurs, book arts collectors, data

> counterfeiting, Montemartre alleyways, museum

> casings, department store tele-displays, metros,

> email postcards, sidewalk graffiti, reflections from

> computer terminals, catacombs, interior industrial

> design, MTV channels, ethernet connections,

> neo-Gaudian urban planning, Baudelaire's opium

> shock-urbanism. Central methodological concepts

> are also present in the notes: dream image,

> phantasmagoria, dreaming collective, ur-history,

> now-of-recognition, dialectical image."

> 

=========================================================================

Date:         Sat, 28 Jun 1997 17:31:21 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: no such thing

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970628171316_1621886613@emout05.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

you cant probly see it in this poat but the subject heading" no such

thing" and did the messages "no such thing" lined up on my screen...

 

which means absoluteluy nothing by itself (for what are sreen lines and

rows anyhow)

 

But maybe there IS such a think as a poet? like God?

 

 

 

from,

Eric

rhs4@crystal.palace.net

 

On Sat, 28 Jun 1997, Maya Gorton wrote:

 

> there is no such thing as a poet.

> 

=========================================================================

Date:         Sat, 28 Jun 1997 18:33:58 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      God is neither true nor false

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I saw in a post where it is said that God and science have been proven

false.  I think our ideas of both may be proven false, but you can not

prove either of them to be false, except through science or faith.

 

It is all in the way you look at it.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 28 Jun 1997 17:48:13 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Beat core

MIME-Version: 1.0

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J. Stauffer wrote:

 

> Does anyone have any suggestions for reading projects that might help

> restore some minimal level of Beat focus to the list before it

> completely evaporates into the dissapearing ozone layer with more and

> more Kozmic Kuestions like Poesey and Godliness?

 

Just finished reading Kerouac's 'Mexico City Blues'. It gets stronger as

you read it. I have come to the conclusion that his Blues choruses must

be read drunk, or with at least a buzz, the rhythms jump out easier. It

is also closer to his state while writing them.

 

Anybody read Bob Kaufman? he's a real character.

=========================================================================

Date:         Sat, 28 Jun 1997 23:01:33 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

 

In a message dated 97-06-28 01:48:31 EDT, you write:

 

<< But I refuse to have my mind dictated to by anyone. >>

How about dictating to you.

C. Plymell

=========================================================================

Date:         Sat, 28 Jun 1997 23:08:07 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Role of the Poet <<craps>>

 

Yes, I was the Wesley Medical print shop while I was working my way through

college in 50s. I printed couple of mags and chapbooks.

Charles Plymell

=========================================================================

Date:         Sat, 28 Jun 1997 23:19:34 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Summer Reading Project

 

S. Clay just sent me a Poetry Flash with an interview of Allen Ginsberg by

Jack Foley. It seems like the same interview over and over. I hadn't seen the

Poetry Flash since it was a little rag in SF. Now it looks like a full-funded

governmental morality speak Orwellian new age poetry and completely boring

official word control thought police subsidized new-age time warp. I love SF,

but I would hate to live in its literary environment especially among all

those SF poetry munchkins whose thought waves never go beyond the city

lights.

Charles Plymell

=========================================================================

Date:         Sat, 28 Jun 1997 20:29:57 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Summer Reading Update

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Deer Beetles.

 

Some wonderful suggestions have started to pour into my the Summer

Reading Project World Head Quarters here by the dock of the Bay.

 

A Brief Synopsis of Todays Respondents

 

Dave Breithaupt offers

        Jack K.--Desolation Angels and Big Sur (easy to vote for this   one, for

me)

        WSB--Lunch or Place of Dead Roads

        Di Prima--Memoirs of a Beat Chick (is that right)

        Hettie Jones, How I became HJ

 

Marie Countryman weighed in for focusing on anniverseries and the

        HST letters and suggested

 

        "The Hells Angels" by HST (which J Stauffer feels should be

        paired with Freewheeling Franks book told to M. McClure

 

Mr Neurdorff mentioned Jack's "Mex City Blues" and Bob Kaufmann(Cranial

Guitar would make a good starting point here.)

 

Maya, seemingly concerned with ease of access suggests something from

        The Beat Reader which she thinks everyone has (I don't, but     could)

 

Race is undecided and wanting to check out his local library, good idea,

        and the women's basketball league.

 

William Rose sent a longer list.

        Nicocia's Memory Babe

        "Spontaneous Poetics

        Holy Goof

        Jack's Scattered poems.

        Johnson's Minor Characters.

 

Diane voted for Sax vs Mocassins.  Someone else wondered why this choice

of a coupling.  It arose earlier on the list in a proposed debate

between Mr. Plymell and Mr. Anastee in connection with a strong

quotation from a reviewer on the comparative worth of the two b ooks.

Mr. Plymell wrote a nice analysis of the two, a very nice piece on Sax

that is worth looking up.  Mr. Anastee as far as I know has not had his

round. /And seems to be silent on the list.

 

I am easy, most of these sound good to me, with the caveat that I would

like to at least see discussion center on the primary works rather than

scholarship or biography which is useful as an adjunct to discussing

the  works themselves.

 

Let's see if any of these pick up steam.  I love especially the idea of

getting a number of us reading and rereading a Big Sur or Mexico City

Blues, or a WSB or the HST Angels book.

 

Maybe nobody reads the way I do.  I hope not.  I currently am messing

around in the following.

 

        Dr. Sax

        Little Men--by Kevin Killian who used to make very helpful

                appearances on the list and has a book on Jack

                Spicer coming out soon. Kevin did a really fun play

                about the painter Jay DeFeo at the SF Art Institute

                last fall.

        The Lost Coast--by Steven Nightngale--warmed over Nicholls so           far

        Forever Wider--Charles Plymell.

        Firewalk through Madness and Beyond the Haldol Haze by David

                Rhaesa

        The Blood Countess by Robert Peters

        Cranial Guitar--Bob Kaufmann.

 

I noodle around with pieces of prose until one grabs me by the neck and

I finish it in a rush.  Poetry I almost always read in bits and pieces.

I would love to know what other people are reading, and get at least

thumbnail reviews.  This itself would make a good thread.

 

When we did Wichita Vortex it never really took off for long.  Bill

Gargan wrote a very nice thing on it, but it seemed to get everyone

focused on the work we were doing, and that itself is a good thing.

 

Let's see where the energy goes. I will gladly join any of my friends in

a good reading project.

 

James Stauffer

=========================================================================

Date:         Sun, 29 Jun 1997 03:30:45 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

 

I wrote:

<< But I refuse to have my mind dictated to by anyone. >>

 

You wrote:

<<How about dictating to you.>>

C. Plymell

 

I'm not sure, but do I detect a note of sarcasm here?  <G>

 

My mind does dictate to me, which is probably why it so dislikes others making

such attempts on it.  It is also responsible for telling me when acts and

ideas don't correlate.  If there is one GREAT thing the Beats did for us (and

certainly there more than one), it was to give us back our minds,thoughts,

hearts - to wake us up from our sheep-like stupor...  to pull us out of the

enervation with which society continues to seek to control the masses...  made

us see that the rules were made by fallable men whose only interests were to

maintain their positions of power and wealth...  Is it not then antithetical

to impose rules on discussion?  Were it not for the endless discussions

between WSB, Jack, Allen & Neal, et al, on topics of all sorts, I fear that

"Beat" literature/mindset would never have developed to the point of

publication.

 

Therefore, I suggest that, while we are all on this list due to a particular

attraction to this lifestyle/psyche/literature (however one chooses to define

it), the right to discuss that which is foremost on one's mind, so long as it

is not truly offensive to anyone, is paramount to the entire notion of this

discussion group.

 

Ok, enough of my moralizing... just had to get that off my chest.  Really, I'm

not a boring hack... and I promise to drop the subject, unless someone brings

it up to me again... <grins>

 

Bon soir,

Sherri

=========================================================================

Date:         Sun, 29 Jun 1997 05:37:27 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      god is neither true nor false - comment

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isn't God something that by definition isn't proved, but felt and believed

in?

 

ksenija

=========================================================================

Date:         Sun, 29 Jun 1997 05:42:20 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      gregory corso?

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today i read a sentence by gregory corso which completely fascinated me. it

was in serbian (my language), though, so i will roghly translate and i would

appreciate it if somebody could tell me the original text. it goes something

like this: it is not the same to die of a cobra bite and of spoiled pork (?)

 

ksenija

=========================================================================

Date:         Sun, 29 Jun 1997 03:37:00 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Summer Reading Project

 

Wow.. have you been living in San Francisco recently??  I don't find the

envirnment any more stifling than what I perceive to be going on elsewhere.

Yes there is always chaff and sell-out in the literary world as well as in

every other art medium, but I hardly think that SF need be indicted any more

than NY, Chicago or any other city.  SF's rather free environment still

promotes some very interesting and original expression...  And despite the New

Age pablum, much that is quite viable goes on here.

 

 

Ciao, Sherri

=========================================================================

Date:         Sat, 28 Jun 1997 20:46:48 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Notice to all beetles: June 27th 1997

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri wrote:

 

 If there is one GREAT thing the Beats did for us (and

> certainly there more than one), it was to give us back our minds,thoughts,

> hearts - to wake us up from our sheep-like stupor...

 

I don't remember ever being in this stupor.  Would you even really want

to talk to someone who was so out of it that it reading Burroughs,

Kerouac, Ginsberg or Cassidy to realize there was a world out there?

The experience of reading this stuff was to realize that there were more

than you thought of your own kind out there.

 

J. Stauffer

=========================================================================

Date:         Sun, 29 Jun 1997 03:39:52 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: god is neither true nor false - comment

 

isn't God something that by definition isn't proved, but felt and believed

in?

 

ksenija

 

Ksenija...   couldn't agree with you more!

 

Ciao,

Sherri

=========================================================================

Date:         Sun, 29 Jun 1997 00:05:01 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: god is neither true nor false - comment

Comments: To: Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Ksenija Simic wrote:

> 

> isn't God something that by definition isn't proved, but felt and believed

> in?

> 

> ksenija

 

It depends on how you look at it.  I would say that either you "know" or

you don't.  What God is not is a crutch.  She is the small still voice.

The male = father, the female = spirit, the children = us. It's an old

myth that is true, whether it happened or not.  If you feel it, you will

hear the spirit rush, you will feel the living waters, and Bob Dylan

said if there is a God it is the River, because it is the only thing

that is in the mountains, going around the bend and at the ocean all at

the same time.  And well, I believe, I feel, but I can not prove truth.

Ask Pilate, maybe he would like a second chance.  My kingdom is not of

this mail list!  Feed the hungry, heal the sick, visit those who are in

jail.

 

As Steppenwolf/John Kay once said, "We've got to go from here to there,

eventually."

 

 

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 28 Jun 1997 21:22:59 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      EXPLODING BEAT READING LIST AND MAO

MIME-Version: 1.0

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s.a. griffin's idea of a Beat List Reading List and mine of a Beat List

Literary Map.  Writers listed under locale.  Writer can appear in more

than one place, but must have important tie to area, not just passing

through.  I'll start with a very sketchy West Coast portrait. The list

should EXPLODE.  feel free to add, delete, move, etc.  Needs to have

favorite titles added somewhere

 

PORTLAND

 

Snyder, Gary

Welsh, Lew

Whalen, Phil

 

SAN FRANCISCO

 

Duncan, Robert

Spicer, Jack

Rexroth, Kenneth

Watts, Alan

Lamantia, Phillip

Kaufman, Bob

McClure, Michael

Snyder, Gary

Welsh, Lew

Whalen, Phil

Plymell, Charles

Reynolds, Frank

Kyger, Joanne

Kandel, Lenore

Micheline, Jack

 

LOS ANGELES

 

Lipton, Lawrence

Bukowski, Charles

Peters, Robert

griffin, s.a.

Selby, Herbert

Morrison, Jim

Huxley, Aldous

Kesey, Ken

 

 

SAN DIEGO

 

Gerlach, Fred

 

 

and on and on

 

James Stauffer

=========================================================================

Date:         Sun, 29 Jun 1997 00:50:35 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: god is neither true nor false - comment LONG

Comments: To: Sherri <love_singing@msn.com>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri wrote:

> 

> Beautifully said, Bentz.

> 

> God is the one thread that runs through everything... and is everything and

> nothing, simultaneously.  How can that be proved or disproved?  The evidence

> seems overwhelmingly in favor of this Spirit's existence... from Jung to

> Stephen Hawking we have the constant acknowledgment that there is "life" which

> goes beyond that which science define.

> 

> Ciao,

> Sherri

 

Thank you.  I live for the joy of knowing ONENESS and call it God, but I

do not know the name, only what rings true.  I know that God does not

boycott Disney World or appear on the 700 Club. And think about it, if

he did, Pat Robertson would probably have him arrested and taken off the

set.  Hey, if God parks in the First Baptist Church parking lot in

Columbia, SC, to work out at the Y, they tow his car, why, because he is

not a member.

 

The Day God Got Towed

Sherri wrote:

> 

> Beautifully said, Bentz.

> 

> God is the one thread that runs through everything... and is everything and

> nothing, simultaneously.  How can that be proved or disproved?  The evidence

> seems overwhelmingly in favor of this Spirit's existence... from Jung to

> Stephen Hawking we have the constant acknowledgment that there is "life" which

> goes beyond that which science define.

> 

> Ciao,

> Sherri

 

God was going to work out at the y.

He saw a big parking lot with 5 cars in it.

So, he pulled his Explorer in and parked.

(He used to have a Surbuban, but he changes brands every year.)

He was meeting Zeus for a handball game and was late.

He missed the sign that said, "This parking lot

is the property of First Baptist Church.  Non-member cars

will be towed away at the owner's expense."

He wondered why more people did not park there.

He noticed the Church was LOCKED up tight.

Zeus parked two blocks away, he read the sign.

Besides, Thor had been towed a week before.

And Zeus hated getting stuck with that bill.

(That was why Zeus suggested that he and God play

for $35.00 tonight.)

Anyway, God, scanned his Y card and the woman

Behind the desk noticed his membership had expired.

He wrote a check, but did not rejoin the health club.

Didn't have time for the massages or the steam bath.

Besides, he didn't feel right about the fact that

Miriam could not use the health club.

Lucky for God, Zeus was off his game and God won

the $35.00 bet.

Cause when he went out side, his car was towed away.

Zeus laughed his ass off.

God thought to himself, "I have to remember to

give Hera a call and tell her about that new girl

Zeus has been seeing."

Anyway, it cost God $35.00 to get his car back.

Years later, he told the First Baptist Church,

"Depart from me, I never knew you."

"And oh yeah, Peter, get $35.00 from them before they

hit the exit."

Zeus got in trouble again with Hera.

And Thor didn't get towed again,

But the City cops put a boot

On his Firebird because he didn't pay his

Parking tickets.  Zeus met the meter maid.

Then every thing was cool again.

 

Zeus never did win a handball game though.

 

Oh well, just a thought.  Not a Homer.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 00:56:38 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: god is neither true nor false- corrective post

Comments: To: Sherri <love_singing@msn.com>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sorry I botched the other post with the double quote.  Here is the work

of art by itself.  Delete it if you need it, or keep it if you dare.

And it's just the day God got towed.

> 

> The Day God Got Towed

 

> 

> God was going to work out at the y.

> He saw a big parking lot with 5 cars in it.

> So, he pulled his Explorer in and parked.

> (He used to have a Surbuban, but he changes brands every year.)

> He was meeting Zeus for a handball game and was late.

> He missed the sign that said, "This parking lot

> is the property of First Baptist Church.  Non-member cars

> will be towed away at the owner's expense."

> He wondered why more people did not park there.

> He noticed the Church was LOCKED up tight.

> Zeus parked two blocks away, he read the sign.

> Besides, Thor had been towed a week before.

> And Zeus hated getting stuck with that bill.

> (That was why Zeus suggested that he and God play

> for $35.00 tonight.)

> Anyway, God, scanned his Y card and the woman

> Behind the desk noticed his membership had expired.

> He wrote a check, but did not rejoin the health club.

> Didn't have time for the massages or the steam bath.

> Besides, he didn't feel right about the fact that

> Miriam could not use the health club.

> Lucky for God, Zeus was off his game and God won

> the $35.00 bet.

> Cause when he went out side, his car was towed away.

> Zeus laughed his ass off.

> God thought to himself, "I have to remember to

> give Hera a call and tell her about that new girl

> Zeus has been seeing."

> Anyway, it cost God $35.00 to get his car back.

> Years later, he told the First Baptist Church,

> "Depart from me, I never knew you."

> "And oh yeah, Peter, get $35.00 from them before they

> hit the exit."

> Zeus got in trouble again with Hera.

> And Thor didn't get towed again,

> But the City cops put a boot

> On his Firebird because he didn't pay his

> Parking tickets.  Zeus met the meter maid.

> Then every thing was cool again.

> 

> Zeus never did win a handball game though.

> 

> Oh well, just a thought.  Not a Homer.

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 01:05:12 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      PS

MIME-Version: 1.0

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I know that Zeus and Thor don't on the surface go together.  But, I just

happen to really like the old Thor comic books by Marvel, so I used Thor

instead of a Greek diety.  Besides, I just lump Jehovah on one side and

all the others on the other.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 00:21:54 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      The Charles Plymell Hwy & God

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Hello Charles,

 

I've been on the road doing a few blues gigs and tied up with my old

friend Luther Allison and ended-up writing an interview for him and

Alligator Records. It'll come out before July 11 (he'll be playing

here on that date). Pulse magazine interviewed me and I mentioned you

and AG. I'm not sure if I'll be censored or not so I'll mail you the

original before they fuck it up. Maybe the BEAT-L would like to see it.

Roxanne's been taking care of the e-mail and caught your description of

peyote tasting like bile out of the devil's asshole-man

we both agreed on that one. I ate 6 buttons once and thought I seen

god and when I looked again it was the neighbor kid doing it dog style

with his cousin Mary. From that day forth, I accepted his cousin Mary

as my personal savior.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Sun, 29 Jun 1997 01:23:51 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: The Charles Plymell Hwy & God

Comments: To: stand666@bitstream.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R&R Houff wrote:

> 

> Hello Charles,

> 

> I've been on the road doing a few blues gigs and tied up with my old

> friend Luther Allison and ended-up writing an interview for him and

> Alligator Records. It'll come out before July 11 (he'll be playing

> here on that date). Pulse magazine interviewed me and I mentioned you

> and AG. I'm not sure if I'll be censored or not so I'll mail you the

> original before they fuck it up. Maybe the BEAT-L would like to see it.

> Roxanne's been taking care of the e-mail and caught your description of

> peyote tasting like bile out of the devil's asshole-man

> we both agreed on that one. I ate 6 buttons once and thought I seen

> god and when I looked again it was the neighbor kid doing it dog style

> with his cousin Mary. From that day forth, I accepted his cousin Mary

> as my personal savior.

> 

> Richard Houff

> Pariah Press

Richard:

 

Once, I looked out the window of my bedroom.  I think I was 17 at the

time.  I saw God, he was coming to earth, and he was PISSED at all of

us.  If you see him again, or even Mary, would you ask him if there is

something we can do to help him chill.  I really don't want to see him

again right now.  I am busy and seeing God tends to disrupt one's life.

I know you and Charles know what I mean.  I mean we have to see him at

the gate when we check out, so, I figure, let's just get prepared or

something.  In the meantime, I would like to read the interview before

it gets edited.  Thanks.  It'll give me something to do and take my mind

off life in general.  Keep on keeping on.  But you really ought to

change your handle to stand777.  You know 666 is an encryption for the

Roman Emporers that did a lot of evil things and it might be bad karma

to use that, but then again, it might help you out in the long run.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 01:12:45 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      GO

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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James Stauffer wrote:

 

> Let's see where the energy goes. I will gladly join any of my friends > in a

 good reading project.

 

Sounds good.

Finished reading John Clellon Holmes' "GO". Not very impressive. The

history behind the book, its main characters, and publication make it a

good book for nostalgic reasons. Published in 1952, 4 yrs before

Ginsberg, 5 yrs before Kerouac's pop success. The characters included

Ginsberg, Kerouac, Neal & one of his wives, Huncke (found on street by

Ginsberg in shit state after much heroin), Holmes & wife, and many more

i could not identify. It is written with 3rd person narration with

himself as one of the characters, but i found the narration a little too

personal, too rapt up in action, not enough separation. There is an

interesting description of one of Ginsberg's Blakeian visions.

 

Joseph Neudorfer

=========================================================================

Date:         Sat, 28 Jun 1997 23:13:55 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      SPAIR OWS!  <<ca ca>>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

the spare (us)

[[birds running wildly]]

 

let it be, the space between us

 

        - beatle (george harrison)

 

 

-----------------------

 

        don't have fear

        this space between us

        spare us

        someting in conflict with

        -th-e-ou-ter-rea-ache=s, ow!~

                the outer reaches

 

(an anthropologists report ::

     deep from the heart of mother africa)

 

 

 

cheers, Douglas

=========================================================================

Date:         Sun, 29 Jun 1997 01:23:25 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      S.F. & Montreal

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I went down to San Francisco for first time in December 1996, visited

what must be visited, even performed at a couple of shows, and

thoroughly enjoyed the pastel hills. If there was an American city to

live in, it would be S.F. I'm from the other side of the continent:

Montreal - just came back from Jazz Fest. Montreal is up there in places

to live . . . at least in the summer (i think it is the city with the

most # of festivals in the world . . . grooving to free outdoor show

while far in background fireworks blast off from other festival . . .)

 

Joseph Neudorfer

=========================================================================

Date:         Sat, 28 Jun 1997 23:25:45 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

In-Reply-To:  <UPMAIL14.199706290538490255@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

because the sky is blue, that's why.  Am listening to this Beatle fest a

local radio station is having.  what fun.  grew up on these folx.  John,

George, Paul, and Ringo wrote some rockin' beat poetry.  "Dr. Roberts your

a new bred of man!"

 

and I always feel like I'm running

never satisfied to settle

neither in court nor in person

 

too often by email

and golden moments stolen from videos

starring angelic looking robber children

 

something has been taken from me

and I wont rest until I do

find that I must find

gotta keep running

 

Where is everyone?

then is phenomenal

oh, how I'm feeling?

<<breathing, breathing>>

 

and mary jane doesn't hurt that much

not that much, a few pains here and there

like my chest heaving against my pillows

late night movies on neighbors televisions

cars continuing to shuffle on the nearby highway

and the effervescent fridge, how that mean mother haunts me

continually, continually, the headless horseman

 

riding to find me, oh, running

oh, I must be still, not act

no breathing, oh, I must be dreaming

 

is that so?  Is that so?  I say, can I have a witness?

<<horns blowing>>

 

enjoying my dinner, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sat, 28 Jun 1997 23:35:51 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: PS

In-Reply-To:  <33B5ED08.E9BA234@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:05 PM -0700 6/28/97, R. Bentz Kirby wrote:

 

> I know that Zeus and Thor don't on the surface go together.  But, I just

> happen to really like the old Thor comic books by Marvel, so I used Thor

> instead of a Greek diety.  Besides, I just lump Jehovah on one side and

> all the others on the other.

 

yes, and I bet michael jordan could whup them all!  <<ha>>  Will he ever

stop his climb and enjoy the view from his perch?  "No, I'm just resting,"

he says <<gatorade commercial>>.  Is he climbing Mt. Olympus?

 

the game within the game.  inspiration.  his source.

 

<<....don't on the surface go together>>

         :: god has a surface???

                really????  CAN YOU SEE IT???

 

I'm just seeing stars over here... where do you live?

 

cheers, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sat, 28 Jun 1997 23:42:02 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      scholars of breathing

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

ok word fiends, beat literates, cut throad pirates::

 

does <<laughing>> = <<breathing>>

 

or is laughing something else, entirely?  I guess there's an exhale

involved, but what do you call the sound it makes?  breathing always seems

to have a flow to it.  a calm feeling.  laughing doesn't.  but you breath a

lot when your laughing, so the two must be connected.  some secret passway,

like the ones janitors have between the ladies and the gents.  <<laugh>>

 

Douglas  <<beating the god metaphor as hard as he's got>>

=========================================================================

Date:         Sun, 29 Jun 1997 00:01:26 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: PS

In-Reply-To:  <33B5ED08.E9BA234@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:05 PM -0700 6/28/97, R. Bentz Kirby wrote:

 

> I know that Zeus and Thor don't on the surface go together.

 

sorry, but I just had this crazy thought:  god and zues are going together?

What, are they spending time in the closet together?  exchanging pleasant

nothings?  I mean, when did they start seeing each other?  Does Jehovah

know?  <<this is a tragedy!!>>  Call a doctor! I think god must be a

woman!!??

 

 

 

 

 

<<%

 

100

 

percent

 

proof>>

 

 

 

 

 

Douglas  <<getting off now>>

=========================================================================

Date:         Sun, 29 Jun 1997 02:04:44 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      ginsberg link

Comments: cc: vpaul@gwdi.com

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

 when upon ginsberg's passing.  what brought me to this list.

 

http://www.electriciti.com/babu/fahrkle/collages/Various/Howl.html

 

Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sun, 29 Jun 1997 08:24:12 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Summer Reading Update

In-Reply-To:  <33B5D6B5.540F@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

just finished fear and loathing in los vegas, forgot how wonderfully

raunchy it all gets. am hopping on back of harley to join HST as he blasts

off with hells angels-and then onto the fear&loathing letters vol. 1

i could also be talked into doing the two kerouac novels as well.

other than that, i've been reading small press and chapbooks of friends

works, not readily available anywhere i dont think

my ability to read has been waxing and waning (cursed) so lately i've been

writing. but must haul head up out of own navel and discuss something

outside myself with others.

mc

=========================================================================

Date:         Sun, 29 Jun 1997 00:53:48 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Notice to all beetles: June 27th 1997

MIME-Version: 1.0

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James Stauffer wrote:

> 

> 

> I don't remember ever being in this stupor.  Would you even really want

> to talk to someone who was so out of it that it reading Burroughs,

> Kerouac, Ginsberg or Cassidy to realize there was a world out there?

> The experience of reading this stuff was to realize that there were

>more

> than you thought of your own kind out there.

> 

 

Absolutely, my line of thought exactly.  When I first read Ginsberg, for

the first time in my life, I knew that there was someone else out there

who thought like I did and was actually writing about it.  That, of

course, led to reading more beat lit, and realizing that there were lots

of other voices speaking the same thoughts as my voice.  That is why this

list is so great, because beyond what ever disagreements develop or

where ever the the discussion takes us, we all know that deep down we are

 connected my a common river of thought,  many little streams that all

way in some way are touching the same river.

DC

=========================================================================

Date:         Sun, 29 Jun 1997 00:58:54 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Notice to all beetles: June 27th 1997

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

runner911 wrote:

> 

> and I always feel like I'm running

> never satisfied to settle

> neither in court nor in person

> 

> too often by email

> and golden moments stolen from videos

> starring angelic looking robber children

> 

> something has been taken from me

> and I wont rest until I do

> find that I must find

> gotta keep running

> 

> Where is everyone?

> then is phenomenal

> oh, how I'm feeling?

> <<breathing, breathing>>

> 

> and mary jane doesn't hurt that much

> not that much, a few pains here and there

> like my chest heaving against my pillows

> late night movies on neighbors televisions

> cars continuing to shuffle on the nearby highway

> and the effervescent fridge, how that mean mother haunts me

> continually, continually, the headless horseman

> 

> riding to find me, oh, running

> oh, I must be still, not act

> no breathing, oh, I must be dreaming

> 

> is that so?  Is that so?  I say, can I have a witness?

> <<horns blowing>>

> 

> enjoying my dinner, Douglas

>   enjoying your thoughts, Douglas.  Clarifies the runner911 sig a lot.

  we are all running, breathing, dreaming, living, I hope.

=========================================================================

Date:         Sun, 29 Jun 1997 10:16:53 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Summer Reading Update

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Marie,

 

I have fairly foggy memories of the Hells Angels book, mostly the

account of the Kesey party.  As I mentioned you might look at

"Freewheeling Frank", by Frank Reynolds (as told to Michael McClure.)

Grove, 1967, have no idea how available it is.   Frank was one of Angels

who was most involved in the era in which the Angels were a part of the

SF hip scene.  It's a fun read, less intentionally sensational than

HST's book as I remember it.  Joanna McClure has a nice little poem

about Frank.

 

James Stauffer

 

Marie Countryman wrote:

> 

> just finished fear and loathing in los vegas, forgot how wonderfully

> raunchy it all gets. am hopping on back of harley to join HST as he blasts

> off with hells angels-and then onto the fear&loathing letters vol. 1

> i could also be talked into doing the two kerouac novels as well.

> other than that, i've been reading small press and chapbooks of friends

> works, not readily available anywhere i dont think

> my ability to read has been waxing and waning (cursed) so lately i've been

> writing. but must haul head up out of own navel and discuss something

> outside myself with others.

> mc

=========================================================================

Date:         Sun, 29 Jun 1997 14:52:51 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      reminder

 

> I am seeking collaborators for a 'Zine' project.  It will consist of the

> following:

> 

> ---poetry, poetic prose

> ---social ciriticism

> ---sociology of art and literature

> ---music and book and film reviews

> ---artwork (photos, drawings, paintings, ideas)

> 

> The end product will be printed on actual paper (remember that stuff?)  in

> black and white with color pages and real binding (not staples!!).  I would

> like to work on it this summer and print it in September, as I am leaving

> country indefinitely in October.

=========================================================================

Date:         Sun, 29 Jun 1997 12:02:25 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

In-Reply-To:  <33B615BE.2AA5@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:58 AM -0700 6/29/97, Diane Carter wrote:

 

> > Where is everyone?

> > then is phenomenal

 

> >   enjoying your thoughts, Douglas.  Clarifies the runner911 sig a lot.

>   we are all running, breathing, dreaming, living, I hope.

 

Well, I hope you liked my typo, too!  <<laugh>>

 

the line should have read:

 

> > Where is everyone?

> > *this* is phenomenal

 

but the mistake made me think of someone Shapiro, an art history theorist,

who said "let us not ask 'what is art', but '*when* is art!' "  (or

something like that).

 

And what does your .sig "Diane Carter" mean?  I'll track down one of those

anagram links and then we'll really see what you're made of.  And following

my train of thought, <<bringing this back to the beats>>, what of all the

pseudonames used by Ginsberg and Kerouac in their literature?  Anybody have

a list of em handy?  their inspiration?

 

<<oh, he almost cried, when they asked if he knew his name...

  -- david bowie (Ziggy Stardust)>>

 

cheers, Douglas

=========================================================================

Date:         Sun, 29 Jun 1997 14:05:41 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      JAMES/FRISCO/& BENTZ

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hello James,

 

If you catch Luther in Frisco you won't be disappointed-he'll be

playing a 1960 Les Paul (reissue). He tore up the 1995 Chicago Blues

Fest with that same guitar. I don't think you'll find him at City

Lights-but I'm willing to bet on the wharf-he loves his fish! Hey Bentz,

that's a pretty wild handle I carry. My kids thought it would

be good CYBERMOJO-it's good to be back and breathing.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Sun, 29 Jun 1997 15:04:39 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      spare us

 

I DONT WANNA HEAR ABOUT GOD ANYMORE

the bastard gets far more attention than he deserves.

 

And as someone already suggested, what are we, college freshmen? Staying up

late in the dorm hallway, thinking we're SO DEEP and the fate of the world

rests with us?  Jeesus Christ.  I am coming to the conclusion that there are

some things that should be thought but not articulated.

 

This may be one of them.

 

---maya  <<sighing>>

=========================================================================

Date:         Sun, 29 Jun 1997 16:17:13 -0000

Reply-To:     "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Subject:      Re: spare us

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Beat Friends & Philosophers:

 

        What's the problem, Maya?  How can he be such a bastard if he really

exists?  The problem, as I see it, is simple:  too many people claim to

have the goods on him, yet no one lives like they do. . .

        A few posts ago, someone (forgive me, my itchy delete finger got the best

of me) said our buddy Nietzche proved him dead a long time ago, well, I did

read the book, and Nietzche did no such proving.  All Nietzche did was make

a declaration and then live by it.  I wish more people would do the same,

meaning, I wish people would say something and then live up to it.

        I can think of plenty of things that get too much play, but God or the

lack of (in whatever form he/she does/doesn't exist) should be talked about

a hell of a lot more than it is, especially here.

        Who gives a shit what does or doesn't make a poet.  We'll sit here till

the cows come home debating that one, but God, well now, he gets too much

time on the old Beat-L, let's not talk about him anymore.  Fuck that.

 

Thinking himself SO DEEP,

 

Bruce

 

 

... Sin strongly.

     --Martin Luther

=========================================================================

Date:         Sun, 29 Jun 1997 22:24:51 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Philip Lamantia(?)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Poetry  by Philip Lamantia (?)

 

The real stuff.

Small presses.

(Mostly.)

Big thoughts.

Some with punctuation.

some without

All in love with language.

=========================================================================

Date:         Sun, 29 Jun 1997 16:34:00 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: spare us

In-Reply-To:  <199706292017.QAA25284@everest>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

yo, homeboy!

lets get off all this personal crap and in front of god and all, lets

talking about some <gasp> lit-er-a- chure!!!!

(a very broad hint from a bear of little brain)

mc

=========================================================================

Date:         Sun, 29 Jun 1997 22:31:10 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      wrong

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

friends apologies, i push the wrong button, ---Rinaldo.

=========================================================================

Date:         Sun, 29 Jun 1997 16:58:50 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      two beats in one state meet

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hi all. i dont want to make this into chatroom city, but did want to tell

you all that diane carter (my editor from mad magazine and journalist in

her own write) and i met for lunch. and diane kept her lunch down after

being assaulted verbally by my own recordings of my recent pomes. that's

bein in the trenches let me tell you. and a perceptive ear as well as a

comely eye, diane.

thanks

leon, you were right all along!

mc

=========================================================================

Date:         Sun, 29 Jun 1997 17:30:24 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      restless farewell

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Dearest Beat-lovers,

 

It's been an interesting season of happening on this here list, sad

occurances, battles, vibes, happy thoughts, pomes, community almost.

(This is not a literature post!)

 

I'm going on the road tommorrow, gonna be spending the summer mostly on

the Carolina beaches. I just wanted to say to everyone on this list that

i've enjoyed the "company," to say the least this list beats the hell

outa the evening news, and to say a little more i've learned alot hear.

 

To all the aspiring and perspiring and inspiring poets of the list: keep

up the work!

 

To all the members old and new: keep the list REAL!

 

There have been countless words of wisdom, intentional accidental shared

saved deleted, here over these lonely wires, from everybody and everyone,

even the watchful eyes of the lurkers can sumtimes be felt pounding thru

the screen.

 

Glad to have been an (in)active witness. I sall be rejoining the list in

the fall as a collegiate. if any brain cells survive the summer, that is.

 

 

 

"Goodbye momma and poppa

goodbye jack and jill

the grass aint greener, the wine aint sweeter

either side of the hill"  -- the dead

 

 

 

from,

Eric Sapp

rhs4@crystal.palace.net

 

 

 

"everybody's holy!" -- Ginsberg

 

 

 

"we'll hold hands and then we'll

watch the sun rise

from the bottom of the sea" -- Jimi Hendrix

=========================================================================

Date:         Sun, 29 Jun 1997 06:18:05 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: spare us

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> yo, homeboy!

> lets get off all this personal crap and in front of god and all, lets

> talking about some <gasp> lit-er-a- chure!!!!

> (a very broad hint from a bear of little brain)

> mc

 

OK, I' going to sum up my view of the god/poet debate with this poem from

Allen Ginsberg from Cosmopolitan Greetings.

 

Proclamation

 

I am the King of the Universe

I am the Messiah with a new dispensation

Excuse me I stepped on a nail.

A mistake

Perhaps I am not the Capitalist of Heaven

Perhaps I'm a gate keeper snoring

        beside the Pearl Columns--

No this isn't true, I really am God himself.

Not at all human.  Don't associate me

        w/that Crowd

In any case you can believe every word

        I say.

 

DC

=========================================================================

Date:         Sun, 29 Jun 1997 22:46:05 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

WOO HOO Bruce!  Couldn't have put it better myself!

 

----------

From:   BEAT-L: Beat Generation List on behalf of Bruce W. Hartman, Jr.

Sent:   Sunday, June 29, 1997 9:17 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

Beat Friends & Philosophers:

 

        What's the problem, Maya?  How can he be such a bastard if he really

exists?  The problem, as I see it, is simple:  too many people claim to

have the goods on him, yet no one lives like they do. . .

        A few posts ago, someone (forgive me, my itchy delete finger got the

best

of me) said our buddy Nietzche proved him dead a long time ago, well, I did

read the book, and Nietzche did no such proving.  All Nietzche did was make

a declaration and then live by it.  I wish more people would do the same,

meaning, I wish people would say something and then live up to it.

        I can think of plenty of things that get too much play, but God or the

lack of (in whatever form he/she does/doesn't exist) should be talked about

a hell of a lot more than it is, especially here.

        Who gives a shit what does or doesn't make a poet.  We'll sit here

till

the cows come home debating that one, but God, well now, he gets too much

time on the old Beat-L, let's not talk about him anymore.  Fuck that.

 

Thinking himself SO DEEP,

 

Bruce

 

 

... Sin strongly.

     --Martin Luther

=========================================================================

Date:         Sun, 29 Jun 1997 19:10:47 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: spare us

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> yo, homeboy!

> lets get off all this personal crap and in front of god and all, lets

> talking about some <gasp> lit-er-a- chure!!!!

> (a very broad hint from a bear of little brain)

> mc

Marie:

 

If Jack wrote because we are all going to die.  If we deny we are going

to die.  And if we made up god because we are all going to die.  Then

literature is about we are all going to die.  God is about we are all

going to die.  Beat is about we are all going to die.  It is all about

the same thing.  It is the same thing.  god = literature = poets =

nothing = dog (if you're dyslexic) = beat-l.  What do you want to talk

about?  I am thinking that lit-er-a-chure is very very personal.  I am

thinking that as my cyber pen pal charles plymell once said, I think I

am going to take a real shit.  That will be real.  It is not personal.

And it will be shared with all the alligators down in the sewer.  I

guess gravity's rainbow can help us tell shit from shinola, but which

yo-yos are going to catch the alligators that live down in a all the

real personal shit we send down the tube every day.  Have you ever

worshipped a white porcelain god?  I have.  It is one way to know the

wrath of god close up.  You always make a lot of promises you never keep

too.  I wonder if allen, jack, neal, charles, harold, lawrence, ann,

anias, phillip, gary, gary, etc ever WASTED time talking about god? or

religion?  If so, why can't we?

 

Maybe I just don't get it.  If so, please explain it to me back channel.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 17:03:04 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Luther Allison

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Richard,

 

Got my ticket and going up to the city in a few minutes.  Luther is

playing Great American Music Hall which is a nice venue.  Looking

forward to hearing that Les Paul rip.

 

James

 

R&R Houff wrote:

> 

> Hello James,

> 

> If you catch Luther in Frisco you won't be disappointed-he'll be

> playing a 1960 Les Paul (reissue). He tore up the 1995 Chicago Blues

> Fest with that same guitar. . .

> 

> Richard Houff

> Pariah Press

=========================================================================

Date:         Sun, 29 Jun 1997 17:14:05 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: EXPLODING BEAT READING LIST AND MAO

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

s.a. griffin wrote:

> 

> At 09:22 PM 6/28/97 -0700, you wrote:

> >s.a. griffin's idea of a Beat List Reading List and mine of a Beat List

> >Literary Map.  Writers listed under locale.  Writer can appear in more

> >than one place, but must have important tie to area, not just passing

> >through.  I'll start with a very sketchy West Coast portrait. The list

> >should EXPLODE.  feel free to add, delete, move, etc.  Needs to have

> >favorite titles added somewhere

> >

> >PORTLAND

> >

> >Snyder, Gary

> >Welsh, Lew

> >Whalen, Phil

> >

> >SAN FRANCISCO

> >

> >Duncan, Robert

> >Spicer, Jack

> >Rexroth, Kenneth

> >Watts, Alan

> >Lamantia, Phillip

> >Kaufman, Bob

> >McClure, Michael

> >Snyder, Gary

> >Welsh, Lew

> >Whalen, Phil

> >Plymell, Charles

> >Reynolds, Frank

> >Kyger, Joanne

> >Kandel, Lenore

> >Micheline, Jack

> >Kesey, Ken

Ferlinghetti, Lawrence

 

CENTRAL COAST

 

Miller, Henry

Patchen, Kenneth

> >

LOS ANGELES

> >

> >Lipton, Lawrence

> >Bukowski, Charles

> >Peters, Robert

> >griffin, s.a.

> >Selby, Herbert

> >Morrison, Jim

> >Huxley, Aldous

> Scibella, Tony

> Thomas, John

> Rios, Frank T.

> Long, Philomene

> Wannberg, Scott

> Maybe, Ellyn

> Abee, St

> >

> >

> >SAN DIEGO

> >

> >Gerlach, Fred (a great 12 string player, only San Diegan I could think of)

 

Someone needs to do the midwest.

> >

> >

> >and on and on

> >

> >James Stauffer

> >

> >

=========================================================================

Date:         Mon, 30 Jun 1997 00:14:52 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

----------

From:   BEAT-L: Beat Generation List on behalf of R. Bentz Kirby

Sent:   Sunday, June 29, 1997 4:10 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

Marie Countryman wrote:

> 

> yo, homeboy!

> lets get off all this personal crap and in front of god and all, lets

> talking about some <gasp> lit-er-a- chure!!!!

> (a very broad hint from a bear of little brain)

> mc

Marie:

 

If Jack wrote because we are all going to die.  If we deny we are going

to die.  And if we made up god because we are all going to die.  Then

literature is about we are all going to die.  God is about we are all

going to die.  Beat is about we are all going to die.  It is all about

the same thing.  It is the same thing.  god = literature = poets =

nothing = dog (if you're dyslexic) = beat-l.  What do you want to talk

about?  I am thinking that lit-er-a-chure is very very personal.  I am

thinking that as my cyber pen pal charles plymell once said, I think I

am going to take a real shit.  That will be real.  It is not personal.

And it will be shared with all the alligators down in the sewer.  I

guess gravity's rainbow can help us tell shit from shinola, but which

yo-yos are going to catch the alligators that live down in a all the

real personal shit we send down the tube every day.  Have you ever

worshipped a white porcelain god?  I have.  It is one way to know the

wrath of god close up.  You always make a lot of promises you never keep

too.  I wonder if allen, jack, neal, charles, harold, lawrence, ann,

anias, phillip, gary, gary, etc ever WASTED time talking about god? or

religion?  If so, why can't we?

 

Maybe I just don't get it.  If so, please explain it to me back channel.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

 

Thank you Bentz.

 

Maybe the suggestion should be:   if you don't like the book don't read it...

doesn't mean the book isn't worthwhile for others.  I don't think that because

I'm not particularly interested in something (or even think something's not

fit to wipe my ass for that matter) no one else should be.... and god forbid

that I should ever try to stuff someone else's self-expression (outside of

that which is harmful to any form of life... for Spirit is the anima, the

constant, the thread... god has anyone here read Jung's Aion?) regardless of

my opinion of it.  If I don't like it I'll ignore it, not engage....

 

By the way, I may be wrong, but I always thought that the very act of

publishing a work of literature was to open the collective conciousness to

something, because someone needed/wanted to get something very personal out

there for others to experience/feel/discuss....

 

for what it's worth,

Sherri

love_singing@msn.com

=========================================================================

Date:         Sun, 29 Jun 1997 21:45:59 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: The Charles Plymell Hwy & God

 

In a message dated 97-06-29 01:36:20 EDT, you write:

 

<< I've been on the road doing a few blues gigs and tied up with my old

 friend Luther Allison and ended-up writing an interview for him and

 Alligator Records. It'll come out before July 11 (he'll be playing

 here on that date). Pulse magazine interviewed me and I mentioned you

 and AG. I'm not sure if I'll be censored or not so I'll mail you the

 original before they fuck it up.  >>

 

Richard,

Thanks. I been wondern' who happen to ya. I wuz about to net you. Dibn't know

you were on Bad Blues Road. Been listening to Big Joe Turner's lyrics. "

Please Mr. Johnson, don't play the blues so sad."

Good hearing from you. Maybe the Beat-L would be interested in the interview,

too.

Charley

=========================================================================

Date:         Sun, 29 Jun 1997 09:52:40 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Kerouac names (was notice to all beetles)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

runner711 wrote:

>what of all the

> pseudonames used by Ginsberg and Kerouac in their literature?  Anybody

>have

> a list of em handy?  their inspiration?

I just bought The Portable Jack Kerouac and it has a two-page identity

key, too complex to type at the moment.  There have been other threads on

this topic that you could check out in the beat-l archive, if it

interests you.  The most interesting thing to me though was in Ann

Charters introduction, where she writes, "Kerouac enjoyed making large

claims for what he was attempting to achieve in his Legend of Duluoz, but

thinking about his writing in grandiose terms came naturally to him.  He

created his three-syllable pseudonym 'Duluoz' in 1942, when he was barely

twenty years old.  This was a decade before he began writing the books

that comprise the Legend of Duluoz.  Kerouac invented his pseudonym after

encountering the name 'Stephen Dedalus,' created by James Joyce for his

protagonist in Portrait of the Artist as a Young Man, which Kerouac read

after he dropped out of Columbia College and worked briefly as a sports

reporter for his hometown newspaper.  According to his journals and a

poem in 'Richmond Hill Blues'(1953), Kerouac noticed a story in the

Lowell Sun about a local man named 'Daoulas,' and he later played around

with several variations on it, like 'Dalouas,' 'Dalous,' and 'Duouoiz,'

before settling on 'Duluoz.'"

DC

=========================================================================

Date:         Sun, 29 Jun 1997 22:01:02 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Summer Reading Project

Comments: To: stauffer@pacbell.net

 

In a message dated 97-06-29 00:24:43 EDT, you write:

 

<<  I love the place, but these guys

 don't see past their own navels. >>

 

When I was there they were looking for their navels. There is strange sense

there and everywhere of fragmentation.  I was just raving about the uncanny

commercial aspect of the way Poetry Flash presented the soul of SF as well as

our current poetry milieu. Just wanted to see if anyone was listening.

Charles Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 22:19:11 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: The Charles Plymell Hwy & God

 

In a message dated 97-06-29 01:39:17 EDT, you write:

 

<< You know 666 is an encryption for the

 Roman Emporers that did a lot of evil things and it might be bad karma

 to use that, but then again, it might help you out in the long run.

  >>

How many Karmas since the Roman Empire?

I'll tell you many just since the word was hip

has to do with Ginsbergs, too--long a story for

now, sell a Karma/ Moloch  got you.

Chemical euphoria eats the Poetry Flash  paper!

Pegasus electrified in red

below the great signs shining

on the horizon...MOBIL

for travelers of the new dark ages

with superstitions, icons, symbols

talk of prophets, karma, golden rule

and all that old horseshit jazz

in a system that only eats its

younger generations who always

catch on about the time they're swallowed

while reading the new morality speak

in the New York Times.

Charles Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 22:21:05 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: GO

 

I've never read GO. I'll take your recommendation under consideration.

C. Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 22:30:47 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: spare us

 

In a message dated 97-06-29 15:15:41 EDT, you write:

 

<< I DONT WANNA HEAR ABOUT GOD ANYMORE >>

Thank you Jeazus and Bubba Buddha too.

C. Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 22:38:39 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: spare us

 

Throughout history Christians are not known for their reading of objective

literature.

C. Plymell

=========================================================================

Date:         Mon, 30 Jun 1997 02:58:42 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

This is true.... but are you assuming that cuz we're talkin bout god that it's

the simplistic Biblical one?  I for one can't accept that one dimensional

model...  However, I have known Christians who do read and have a much more

expanded view on this subject than the sheep-like majority...

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Pamela Beach Plymell

Sent:   Sunday, June 29, 1997 7:38 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

Throughout history Christians are not known for their reading of objective

literature.

C. Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 20:08:24 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: spare us

In-Reply-To:  <l03020900afdc3eb5a63c@[206.25.67.104]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 1:34 PM -0700 6/29/97, Marie Countryman wrote:

 

> yo, homeboy!

> lets get off all this personal crap and in front of god and all, lets

> talking about some <gasp> lit-er-a- chure!!!!

> (a very broad hint from a bear of little brain)

 

yes, have beat on god enough this past week.  feel better now.  still

thinking of his words, though, remembering how they touched me.  Grateful

to Diane for her consistent clarifications, my feeble replies, and the many

friends I've discovered in the process.  but yes, enough.  the seven days

are up.  but for the inspiration, the edge he provided,

 

  :-)   <<god>>

 

well, you know what I mean.  thank you.

 

> mc

 

cheers, Douglas

=========================================================================

Date:         Sun, 29 Jun 1997 22:05:56 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: spare us

MIME-Version: 1.0

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Patricia Elliott wrote:

> 

> Bruce W. Hartman, Jr. wrote:

> >

> > Beat Friends & Philosophers:

> >

> >         What's the problem, Maya?  How can he be such a bastard if he really

> > exists?  The problem, as I see it, is simple:  too many people claim to

> > have the goods on him, yet no one lives like they do. . .

> >         A few posts ago, someone (forgive me, my itchy delete finger got the

 best

> > of me) said our buddy Nietzche proved him dead a long time ago, well, I did

> > read the book, and Nietzche did no such proving.  All Nietzche did was make

> > a declaration and then live by it.  I wish more people would do the same,

> > meaning, I wish people would say something and then live up to it.

> >         I can think of plenty of things that get too much play, but God or

 the

> > lack of (in whatever form he/she does/doesn't exist) should be talked about

> > a hell of a lot more than it is, especially here.

> >         Who gives a shit what does or doesn't make a poet.  We'll sit here

 till

> > the cows come home debating that one, but God, well now, he gets too much

> > intime on the old Beat-L, let's not talk about him anymore.  Fuck that.

> >

> > Thinking himself SO DEEP,

> >

> > Bruce

> >

> > ... Sin strongly.

> >      --Martin Luther

> well actually i give a shit what makes  a poet and i don't give a shit

> about the christian god concept except possibly as something to compare

> to other, to my eyes, more benign dieties and fables, and i was really

> bored while deleting a lot of the recent posts which isn't that big a

> deal but if you need to talk about god a whole lot may a special god

> list, i really enjoy talking about beat literatures, characters,

> folklore and related items.

> p

=========================================================================

Date:         Sun, 29 Jun 1997 22:17:26 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Pulse interview (UNCENSORED)

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PULSE  MAGAZINE / HOLLY DAY  INTERVIEWS RICHARD D. HOUFF/ June 6, 1997

 

 

 

HOLLY:  Names of books you've written/published.

 

RICHARD:  The first actual collection of poems that was published in

book form, was called: "IF IT SHOULD RAIN," which had a page count of

120. The two follow-up collections: "STREET POEMS" / & "STATION 62" were

released as a two volume package consisting of 248 pages. All three

books were published in France by Louis Giroux Editions, of Paris, a now

defunct publishing house. Some of the poems from "STREET," were

bootlegged into the former Soviet Union, along with  excerpts from a

novel I wrote back in the '70's, called "TRIP: AN LSD ADVENTURE." The

novel, was also published in France under the Giroux imprint and became

an underground mainstay for a number of years. The nice thing about

choosing Europe as a publishing venture came about through friends who

for whatever reason, remained in Europe because of the literary

community. The media and the age of electronics was in its infancy

state. In other words people still purchased and read books versus the

latest video game or tickets to "Disney World." Europe was still a clean

place to publish=97of course that is rapidly changing, the "Golden Arches=

"

mentality has arrived so it's only a matter of time. I got involved at a

good time and I'm thankful. During the 80's I was submitting to European

mags almost exclusively and several volumes of short stories were

published at this time. Having established somewhat of a track record

"over there," I decided to try my hand at submitting manuscripts on

American soil and have had 4 volumes of poetry published: "AFTER HOURS,"

was a cooperative venture with Poor People & Poets Press, of Chicago=97no=

w

defunct, "PERPLEXITIES OF TAKING ALTERNATE ROUTES," was published in a

cheap edition from Bootleg Press, and wasn't one of my best efforts. A

failure in experimentation is what I would call it at this point. My

next book "USED SHOES" from Roving Anvil Press was a real success story

for me, and the response was very positive. Tom Clark, passed it around

Berkeley and faculty at New College, and was very supportive. For

poetry, three printings is=97and was quite remarkable. My Latest book

Exit(s) has been well received on the W. Coast as well=97but it won't

enjoy three printings I'm sure. Outside of the above, there have been 12

or 14 chaps published that I really don't count. At best, you give them

away for free. I've never taken them seriously unless they're hand

stitched and letter- press quality=97I only have a few that fit that mold.

 

HOLLY:  When did you start writing seriously (not necessarily

professionally) and what prompted you to start?

 

RICHARD:  Back in '67 (Summer Of Love) I started writing small poems and

journal entries. I was a hungry kid living in one dollar a night hotels

in and around downtown Mpls. Many of them=97if not all, have been knocked

down=97fewer places for the homeless to call home. At the time, I=20

 

was damn glad to have a roof over my head. What prompted me to become a

writer was the City Lights edition of Kenneth Patchen's, "Love Poems." A

childhood friend, Roger Kiemele put it in my hands back in '64 or

'65=97can't remember. All I know, is that I could sense and feel Patchen'=

s

love and his rage. I could identify with his poverty and felt alone in

an adult world where I was the enemy. Sometimes, I still feel this

way=97especially around suits and ties, a general mistrust.

 

HOLLY:  When did you start getting your writing published, and what

prompted you to do so? Did you know any other people at the time

publishing their work that might have influenced you to do so?

 

RICHARD: My first published piece was a small poem back in '67. I think

Cid Corman picked it up for Origin. When I was a kid, I never thought of

keeping records. I was more concerned about making some money. Survival

was for whatever reason, an important fact of life for me. Beneath the

"Reichean body armor," there was a hopeless romantic that wanted out.

Maybe that would explain the importance of survival=97curiosity? At the

time, I was really afraid to let people know that I was writing at

all=97and especially poetry. The middle sixties was divided into camps an=

d

kids still used their fists to settle up. If I would've even hinted

poetry, rest assured, my face would've been  pounded with faggot

accusations coming from all sides. I left home for good when I was 15

yrs old and never looked back. In answer to your question of what the

motivating factor of getting work published was=97for me, at that time

was/and still is quite complex. The need to connect was always a factor

and making some "quick" money. You sell a story=97you eat and keep your

head above water.

 =20

HOLLY:  Who/what have been some of the major influences in your life?

 

When I was 13 yrs old, I read "The Jungle" by Upton Sinclair. Coming

from a small slaughterhouse town, this single book completely altered my

life for the better=97one of the main reasons for leaving home. Reading

"Hunger" by Knut Hamsun, Sherwood Anderson, Richard Wright, and

Steinbeck were all childhood influences. I was a voracious reader=97a

habit  that's still with me. Discovering the 19 th. C. French romantics

was a breath of fresh air that kept my sanity in-check. Of course,

loosing it with Apollinaire, Breton, Cendrars, Celine, and the endless

list wasn't half bad. A lot of people seem to think Bukowski was an

influence on my later stages of development which isn't the case. Buk

was an early friend from '69 up till his death. We were being published

in the same mimeos in and around L.A. I was writing  juvenile articles

on the joys of doing acid and would sign a different name each week.

When we first met he called me an idiot and I called him an asshole.

After awhile, I would show up at his place (usually stoned) with some

beer. He would drink it and then throw me out. I would just laugh and

eventually we became friends=97a very slow process, I might add. When Cit=

y

Lights released Charles Plymell's, "The Last Of The Moccasins" in '71, I

was totally blown away. Here was a man that spoke to my soul and had

been thru similar hells. It was like discovering the "big brother" I

always wanted. I met Allen Ginsberg in '72, and he turned me onto some

of the Beat writers, but I always returned to Plymell as a Beat

source=97he had the edge that seemed to be lacking in other writers at th=

e

time.

 

HOLLY:  What was the stupidest thing (or one of the stupidest things)

you ever did?

 

RICHARD:  Growing up poor had its disadvantages and advantages. If you

wanted to look nice, have a set of wheels, money, and the other niceties

denied to the poor; you became a thief. In our town you could work like

a dog for shitty wages=97not counting the abuse from "the Boss," and the

community in general; or you could just say fuck-it and skim from the

top. We had a code of honor: "Never steal from the poor working stiff or

your own neighborhood. Steal from the rich and spread the booty ala

Robin Hood, and keep the rest!" Okay, now that I've justified my devious

ways=97here goes: The stupidest thing I did was get talked into breaking

into a farm implements store and using a 1954 Ford, Flathead 6 cylinder,

3 speed manual with a top-end of only 60 miles per hour, as the getaway

car. The car belonged to my older brother and we had switched the

license plates (the only smart thing we did). To make a long story

short, we botched the job and we were chased by an Iowan constable

driving a pickup on gravel roads. Being country, all us kids had

shotguns and squirrel rifles. I happened to have a 16 gauge in the back

so I shot the guys radiator and that was the end of the chase. We made

it across the border into Minnesota and hid the car in a friends garage.

I wasn't concerned about the guy being hurt; I knew that he would be

okay. What bothered me was the fact that I pulled a gun on a cop and

could've landed in some major trouble. Now that would qualify me as a

stupid bastard=97live and learn. I wised up with time, but the kids with

me on that night would be dead within several years of that particular

incident. I guess they didn't learn.

 

HOLLY:  Have you ever been hit so hard you shit yourself (standard

question I ask=97just to see if anyone else has had this experience)?

 

RICHARD:  I have taken many blows in my time and delved out as much and

then some. I have been knocked off my feet twice; once by a refrigerator

door, and once by a guys fist. I've been told that the guy who put me

down stood at 6'10 with a weight of 300 or more pounds=97no fat. I can't

remember much about the incident other than 3 weeks after the fact

someone had put a bullet thru his head. Apparently, he bullied the wrong

guy. They say that he liked picking out the "intoxicated" for punching

bag practice. However, in answer to your question about shitting my

pants, it hasn't happened as yet.

 

HOLLY:  Anything else you might like to add, maybe a pitch for Heeltap

or your anthology?

 

 

RICHARD:  Well, I am happy to report that the first issue of Heeltap

sold out before it hit the shelves. I distributed nationally and the

reviews are still rolling along with some excellent feedback. "Scorched

Hands: An Anthology Of Verse & Rage," took a year to complete. I

assembled five to six generations of poets from all walks of life, and

threw them under the same cover. From the well known to the obscure=97and

it worked! I was able to recover costs without shelf sales, and to date;

have sold over a thousand copies. Shelf sales on the W. Coast and E.

Coast have been steady, and you can obtain copies off the web as well at

various book sites. I haven't distributed on the local level. Locally,

the buying public has a rather conservative majority especially in

regards to poetry. However, if people are interested in obtaining a

copy, it can be ordered thru your local independent booksellers=97not too

many of them left. I would also like to point out, this work is

uncensored as is all Pariah Press titles=97including the magazine Heeltap.

=========================================================================

Date:         Sun, 29 Jun 1997 23:18:54 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: spare us

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> Throughout history Christians are not known for their reading of objective

> literature.

> C. Plymell

Hell Charles, they don't read it, they burn it.  I often why I keep

hanging on to this religion.  I mean, ask what's her name in Alexandria.

They burned her library, killed all the gnostics, and flayed her to

death  in public.  Thanks a lot for being literary.  Yeah, the

Christians just don't, as an organization, like good literature do they.

I hope my church never finds out that I think for myself.  It is an

uneasy truce at best.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 00:18:42 -0000

Reply-To:     "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Subject:      Re: spare us

MIME-Version: 1.0

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> > well actually i give a shit what makes  a poet and i don't give a shit

> > about the christian god concept except possibly as something to compare

> > to other, to my eyes, more benign dieties and fables, and i was really

> > bored while deleting a lot of the recent posts which isn't that big a

> > deal but if you need to talk about god a whole lot may a special god

> > list, i really enjoy talking about beat literatures, characters,

> > folklore and related items.

 

Patricia, and other Beat Friends,

 

        Why do you assume that my god is the hell-fire and brimstone god of

Christian lore?  To be honest, I haven't got a clue. . .  I've been pelted

with every image imaginable, two or three time over, and each time I find

something I detest about each one.  I'm sick and tired of the fast-food

style of spirituality that people seem to believe in nowadays. . .

 

        "I'll have a god combo number two, hold the pickle and the commitment."

        "Would you like a hot apple pie with that, sir?"

 

        I can just write off the almighty like the few of you would like me to.  I

can't believe there's no room for god (or your preferred moniker here) on

the Beat-L.  What about the spiritual side of the Beats?  Jack spent a good

part of his life either running to find god, or running away from him once

he found him.

        Suddenly I'm talking about god a whole lot. . .  I don't think so.  Since

when does a post asking for clarification of a statement like "god has been

proven dead" constitute "a whole lot"?  Spare ME.

        Go ahead, hit me with the stand-by: "Spirituality is relative. . ." so

what's the point of me going on about it here?  I'm tired of relativity,

relativity is bullshit, relativity is an excuse people use so they don't

have to confront whatever it is they think is so damn relative.

 

        If you don't like what I have to say, use the delete button. . .

 

Bruce

 

=========================================================================

Date:         Sun, 29 Jun 1997 11:18:52 -0700

Reply-To:     dumo13@EROLS.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <dumo13@EROLS.COM>

Subject:      tying it all together

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Hello again.

This discussion list is wonderfull.  I've been on many a mailing list

only to see it destroyed by ignorance and I'm excited to see the level of

intelligent conversation here!

Many of you have asked, "how can science be disproven?"

For example... the earth is not flat -- easy

but do you know that many of Newton's 'LAWS' of physics only apply to a

limited number of constants and that they are innaccurate in others...

that's where we get the genius of Einstein who was so nice as to fill in

the blanks.

Science is just another way man can justify things he can't honestly

explain.  Just like many religions.  The problem with science and

religion (GOD) is that the fundamental basics are unexplainable and

beyond comprehension... hell, most of the time they are based on guesses

or less.

****************

>Who puts the poem or prose to the true test--

>is it art?  The reader, the critic, the writer?

>DC

 

While I believe there are some mystical qualifications for being a poet,

it doesn't take much to become a critic.  The basic act of breathing once

released from the womb qualifies, I think... Beats, especially Ginsberg,

Kerouac and Ferlinghetti really challenged the question of "what is art?"

Allen Ginsberg, as you know, faced art v. obscenity -- along with

Ferlinghetti, but also re-opened art in literature for many people.  For

so long American writing has been stale and without vision!  Allen

Ginsberg is the atomic bomb at the center of it all.  Quote me on that...

Allen Ginsberg scared people -- he made them think

Ginsberg forced you  to experience life rather than walk the planet in

shell of flesh waiting to die.

Atomic Allen Ginsberg, unlike his nuclear Russia, exploded!

I know why Allen Ginsberg loved Walt Whitman.  They both loved life.

They injected life into poetry and made it beautiful again.

Poets to Come

- Walt Whitman

 

"Poets to come! orators, singers, musicians to come!

Not to-day is to justify me and answer what I am for,

But you, a new brood, native, athletic, continental, greater than before

        known,

Arouse!  For you must justify me.

 

I myself but write one or two indicative words for the future,

I but advance a moment only to wheel and hurry back in the darkness.

I am a man who, sauntering along without fully stopping, turns a casual

        look upon you and then averts his face,

Leaving it to you to prove and define it,

Expecting the main things from you."

 

Walt Whitman... the granddaddy-beat.  These men injected innovation into

a tired system of unmotivated and unchanging FORMS.  Life without

innovation is worthless!!!! Ferlinghetti with the unorthodox spatiality

of poetry and lord, the SUBJECTS are divine.  Jack with a real story to

read... who cares about CONVENTIONS?! and beatific Allen raining life,

pride and love on all of us.

 

Chris

http://www.geocities.com/SoHo/Studios/2124/

=========================================================================

Date:         Sun, 29 Jun 1997 11:49:32 -0700

Reply-To:     dumo13@EROLS.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <dumo13@EROLS.COM>

Subject:      Re: Kerouac Names(was notice to all beetles)

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>  According to his journals and a

>poem in 'Richmond Hill Blues'(1953), Kerouac noticed a story in the

>Lowell Sun about a local man named 'Daoulas,' and he later played around

>with several variations on it, like 'Dalouas,' 'Dalous,' and 'Duouoiz,'

>before settling on 'Duluoz.'"

>DC

 

 

Or it could be French/Canadian for 'Jack the Louse'

I honestly don't think Jack put too terribly much thought into selection

of names for characters.  Gregory Corso = Raphael Urso... It seems to me

like he used real names to inspire alias and nothing else... Desolation

Angels makes that pretty clear to me, but I'd be interested in hearing

more about 'Sal Paradise'

BTW Was Memere's maiden name Rioux?? My grandmother's maiden name is

Rioux.  If anyone with Kerouac geneology info could email me, I'd

appreciate it.

Very rooted in frenchcanadiannortheast,

Chris Dumond.

=========================================================================

Date:         Mon, 30 Jun 1997 07:08:51 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      chicago

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hi everybody,

i'm travelling to chicago this week (won't you please come to chicago noone

else can take your place - C,S,N&Y). i've never been there. is there

something really worth doing there?

also, where can i find the recordings of the poetry readings by kerouac and

ginsberg?

thanks.

=========================================================================

Date:         Sun, 29 Jun 1997 22:15:11 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: tying it all together

In-Reply-To:  <33B6A70C.7C56@erols.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:18 AM -0700 6/29/97, Walt Whitman wrote:

 

> I myself but write one or two indicative words for the future,

> I but advance a moment only to wheel and hurry back in the darkness.

> I am a man who, sauntering along without fully stopping, turns a casual

>         look upon you and then averts his face,

> Leaving it to you to prove and define it,

> Expecting the main things from you."

 

<<lurker mode on>>  Douglas <<keep up good work!!>>

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Mon, 30 Jun 1997 00:18:11 -0500

Reply-To:     Leo Jilk <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leo Jilk <ljilk@MAIL.MPS.ORG>

Subject:      Re: spare us

In-Reply-To:  <33B7259E.5EC0596B@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Pamela Beach Plymell wrote:

>> 

>> Throughout history Christians are not known for their reading of objective

>> literature.

>> C. Plymell

>Hell Charles, they don't read it, they burn it.  I often why I keep

>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>They burned her library, killed all the gnostics, and flayed her to

>death  in public.  Thanks a lot for being literary.  Yeah, the

>Christians just don't, as an organization, like good literature do they.

>I hope my church never finds out that I think for myself.  It is an

>uneasy truce at best.

> 

Thinking of holocaust, when they start burning books, people can't be far

behind.

-leo

=========================================================================

Date:         Mon, 30 Jun 1997 00:56:19 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Whitman

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Chris wrote:

 

> Walt Whitman... the granddaddy-beat.

 

Reading "Leaves of Grass" is like reading the Baghavad-Gita. However,

much of his democratic optimism and lust for future potential has been

brought down by 20th century reality. That's o.k. - all the more reason

to read more Whitman. Poems to read: "Song of Myself" - "Song of the

Open Road" - "I Sing the Body Electric" - etc.

 

Here's a short piece that i use, written by the Good Grey Poet:

 

TO YOU [line structure may be off]

 

Stranger, if you passing meet me desire to speak to me

why should you not speak to me?

and why should I not speak to you?

 

Joseph Neudorfer

 

=========================================================================

Date:         Mon, 30 Jun 1997 00:19:59 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      <<Diane>>, di prima, <<beauty>>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<<poetry provides many answers>>

 

Diane, gave away my di prima book, so instead I have patti smith.

hopefully she will pass this list's beat test.  <<and who's Anne Sexton??>>

 

  from "babel" I randomly turn to page .... 89/90.

 

judith revisited (fragments)

the ladies room is ravaged

=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-

 

parts i. ----> iv. <<snipped>>

 

v.

oh jesus write it out of your body patti.  wait wait all night.  weary day.

is snow too romantic?  we could do it in the snow.  washing your hair.

bending over the tub. running my soapy forefinger down your spine.  you on

your knees bent over the tub.  your breasts out of shape swaying like two

golden bells.  i'm the gardener you're the lady chatterly. i stand up. turn

around and suck my my dick.

 

washing your hair. maybe too romantic. so what clock. i imagine you on the

nile. that neck of yours enough to make Nefertiti blush [[english

patient??]].  the delicious white slump of your shoulder after lovemaking

after

 

love it wears off [[can the same be said of god?]] there's grass stains on

your dress  [[whitman?]].  we are nearly finished. a cold july with her. in

her sunsuit. her fleshy legs.  when I press my thumb against it makes a

white mark.  the powder on her wrist. how she never removes her heavy

bracelets (african) even to make love. her ballet scar. all things pure.

 

human?  no mam. go away from them. mistress is gelatin. atom.

 

she's a football player. one night. [[i.e., with Tom Verlaine]]. no its

dusk. in back of the bleachers. blondest sweetest football virgin. hardon

softest leather buttocks. lick it up her delicious teen-age sweat

[[Ginsberg??]] show her how.  make her again. leave her dazed confused

exhausted defiled spidered black as coal. oooy-gooey all over her high

school letter. kick her in the side. in the ear. words pour

 

i leave you laying there. i am intact. and i don't care

(rimbaud)

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Mon, 30 Jun 1997 11:40:46 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      Re: Whitman

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"Camarado,

this is not a book!

Who touches this, touches the man."

 

(i don't presently have the book with me, so the quote isn't accurate. the

point, however, is the same)

=========================================================================

Date:         Mon, 30 Jun 1997 07:51:45 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      the beat (en) horse/summer reading update

In-Reply-To:  <33B615BE.2AA5@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>> lets get off all this personal crap and in front of god and all,

 

was my reference to god. i was saying that god/goddesses exist -if only in

the minds of the believers and also reigns high in the ranks of the

existentialists, who need him/her if only to not believe.  no argument

here. just up to my ear lobes in it all

yes, there is a drive toward immortality which may fuel some(most?)

writers, but it ,

ok. this was not meant to be a flame.

now instead of reading about everyones personal reactions to or negating of

god,

let's talk about the literature.

 

i just finished feat&loathing in Los vegas;

have started reading hell's angels

but then i was waylaid by bob kaufman: out of sheer delight, but i seem to

have misplaced him,

so its back on the harley for me

mc

=========================================================================

Date:         Mon, 30 Jun 1997 10:47:36 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: spare us

 

In a message dated 97-06-29 19:52:22 EDT, you write:

 

<< but God, well now, he gets too much

 time on the old Beat-L, let's not talk about him anymore.  Fuck that.

 

 Thinking himself SO DEEP,

 

 Bruce

  >>

 

I'm sorry about my careless post.  But I guess I'm modest and don't like all

the attention i was receiving with everyone talking about Me and everything.

 By the way, I'm a woman.

------maya (kidding)

=========================================================================

Date:         Mon, 30 Jun 1997 15:01:32 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

<much laughter>

 

----------

From:   BEAT-L: Beat Generation List on behalf of Maya Gorton

Sent:   Monday, June 30, 1997 7:47 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

In a message dated 97-06-29 19:52:22 EDT, you write:

 

<< but God, well now, he gets too much

 time on the old Beat-L, let's not talk about him anymore.  Fuck that.

 

 Thinking himself SO DEEP,

 

 Bruce

  >>

 

I'm sorry about my careless post.  But I guess I'm modest and don't like all

the attention i was receiving with everyone talking about Me and everything.

 By the way, I'm a woman.

------maya (kidding)

=========================================================================

Date:         Mon, 30 Jun 1997 11:22:28 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Bukowski

Comments: To: "R. Bentz Kirby" <bocelts@scsn.net>

In-Reply-To:  <33B5389B.5D9A412C@scsn.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 28 Jun 1997, R. Bentz Kirby wrote:

 

> Burning in Water, Drowning in Flame

 

My first introduction to his poetry and to Buk in general). You're right,

this one's great. Sometimes I OD on him when I read a whole bookfull of his

poetry once but man he's damn good. Just small little honest snippets of

life, lined up in a simple column all lower case ... he makes it look so

easy to write great poetry.

=========================================================================

Date:         Sun, 29 Jun 1997 23:33:19 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

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>runner711 wrote:

> 

> <<poetry provides many answers>>

 

If poetry provides the answers, who asks the question?  The poet?  Ah,

sorry folks, won't follow that line of line of thought any farther...

 

> Diane, gave away my di prima book, so instead I have patti smith.

> hopefully she will pass this list's beat test.  <<and who's Anne

>Sexton??>>

Ginsberg performed with patti smith several times, I believe. Befriended

her when she needed a friend.  Certainly appropriate for beat-l

discussion.  As for Anne Sexton, poet, this century, often labeled

confessional, nothing redemptive in the confessional aspect, committed

suicide, and, I find, as I grab up my copy of the New Oxford Book of

American Verse, to find her dates, she's not even there.

 

>   from "babel" I randomly turn to page .... 89/90.

> 

> judith revisited (fragments)

> the ladies room is ravaged

> =-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-

> 

> parts i. ----> iv. <<snipped>> part V <<snipped for brevity of response>>

 

I find you are keying in now on the Ginsberg everything is holy theme,

but am I finding you still thinking Breton's "Beauty is repulsive," (not

sexually), as you are reading/typing?  I'm most moved by the paradox at

the end: "I leave you laying there.  I am intact..."  It's all a paradox,

Douglas, beginning with your random selection of this patti smith. beauty

is a paradox, Babble, a paradox.  As Ginsberg would say, what is beauty

but a six letter word? Babble, but a six letter word.  And only a stream

of archeytpal consciousness bringing it all here to this point where our

minds meet.

DC

=========================================================================

Date:         Sun, 29 Jun 1997 23:43:16 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: the beat (en) horse/summer reading update

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>Marie Countryman wrote:

> 

> now instead of reading about everyones personal reactions to or

> negating of

> god,

> let's talk about the literature.

> 

> i just finished feat&loathing in Los vegas;

> have started reading hell's angels

> but then i was waylaid by bob kaufman: out of sheer delight, but i seem to

> have misplaced him,

> so its back on the harley for me

> mc

 

Can some of us wildly grasp onto one Kerouac work, together, for the sake

of discussion,  and let comparisons/or lack thereof, relate to whatever

other writers we are reading at the moment?   I tend to have six books

going at the same time.  Start voting for Kerouac, and which ever book

gets the most votes wins. James, start counting...I vote for Visions of

Cody.

DC

=========================================================================

Date:         Mon, 30 Jun 1997 09:37:41 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: Kerouac Names(was notice to all beetles)

Comments: To: dumo13@EROLS.COM

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BTW Was Memere's maiden name Rioux?? My grandmother's maiden name is

Rioux.  If anyone with Kerouac geneology info could email me, I'd

appreciate it.

 

 

     If'n memory serves (and it may not always) her maiden name was

     Levesque (or some similar such spelling)--or am I quoting of a

     fictional name?

 

     matt

=========================================================================

Date:         Mon, 30 Jun 1997 10:49:30 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: spare us

In-Reply-To:  <UPMAIL14.199706300303490513@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

An elastic stretch on this thread--.

 

An article in the daily waterpump the other day told of a cloth bracelet

some christian group is selling. It has WWJD woven into it which means What

Would Jesus Do. Story tells that they can't make them fast enough to fill

the orders. A hot money-maker.

 

I was reminded of a theology course I sat in on at the University of Iowa

many years ago. I think it was a Forrell course. He urged the students to

read a book titled IN HIS SHOES.  Briefly, the minister of an affluent

mainline church asks congregants if they will join him in an experiement.

Before making decisions they would ask themselves "What would Jesus do?" It

goes on to tell the story of how the participant's lives were

affected--some very dramatically. It was a turn of the century setting, but

some of the characters (as I recall) ended up very Beat-like.

 

The book was powerfully Communistic without mentioning politics.  But what

stunned me was finding out that the book had sold over 25 million copies

(over 25 years ago) and I'd never seen it on any list of best sellers, nor

heard of it.

 

Suddenly, along come some jack-leg christians, ripping off an authors basic

idea and never mentioning where they got the idea. Out of curiosity, to

what degree(if any)  is this author's estate being ripped off.

 

j grant

 

>This is true.... but are you assuming that cuz we're talkin bout god that it's

>the simplistic Biblical one?  I for one can't accept that one dimensional

>model...  However, I have known Christians who do read and have a much more

>expanded view on this subject than the sheep-like majority...

> 

>Ciao,

>Sherri

> 

>----------

>From:   BEAT-L: Beat Generation List on behalf of Pamela Beach Plymell

>Sent:   Sunday, June 29, 1997 7:38 PM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:        Re: spare us

> 

>Throughout history Christians are not known for their reading of objective

>literature.

>C. Plymell

 

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     372,191  visitors since July 1, 1996

=========================================================================

Date:         Sun, 29 Jun 1997 23:54:13 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: tying it all together

MIME-Version: 1.0

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>Chris Dumond wrote:

> 

> Allen

> Ginsberg is the atomic bomb at the center of it all.  Quote me on

> that...

> Allen Ginsberg scared people -- he made them think

> Ginsberg forced you  to experience life rather than walk the planet in

> shell of flesh waiting to die.

> Atomic Allen Ginsberg, unlike his nuclear Russia, exploded!

> I know why Allen Ginsberg loved Walt Whitman.  They both loved life.

> They injected life into poetry and made it beautiful again.

 

Nothing but total agreement from me here.  Image of atomic bomb/fear is

an excellent one!

DC

=========================================================================

Date:         Mon, 30 Jun 1997 11:58:50 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: the beat (en) horse/summer reading update

In-Reply-To:  <33B75584.3415@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

> 

>Can some of us wildly grasp onto one Kerouac work, together, for the sake

>of discussion,  and let comparisons/or lack thereof, relate to whatever

>other writers we are reading at the moment?   I tend to have six books

>going at the same time.  Start voting for Kerouac, and which ever book

>gets the most votes wins. James, start counting...I vote for Visions of

>Cody.

>DC

@@@@@@@

i'm up for it. one of my favorites, and reads really well with cassady's

the first third, which tells frankly, and in my opinion, beautifully, of

his early childhood on the street with father.

mc

=========================================================================

Date:         Mon, 30 Jun 1997 12:10:50 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: spare us

Comments: To: Leo Jilk <ljilk@mail.mps.org>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:18 AM 6/30/97 -0500, Leo Jilk wrote:

>>Pamela Beach Plymell wrote:

>>> 

>>> Throughout history Christians are not known for their reading of objective

>>> literature.

>>> C. Plymell

>>Hell Charles, they don't read it, they burn it.  I often why I keep

>>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>>They burned her library, killed all the gnostics, and flayed her to

>>death  in public.  Thanks a lot for being literary.  Yeah, the

>>Christians just don't, as an organization, like good literature do they.

>>I hope my church never finds out that I think for myself.  It is an

>>uneasy truce at best.

>> 

>Thinking of holocaust, when they start burning books, people can't be far

>behind.

>-leo

> 

> 

I don't know how much this is relating to the subject, but I just

read(couple days ago) that In Oklahoma, a judge ruled a 1979 award winning

film "obscene."  Then, after the ruling, law enforcement officials tracked

down EVERY SINGLE copy of the film that they could get their hands on in

the state!  One guy recalls sitting down to watch it, and all of a sudden,

he hears a knock on his door.  Sure enough, the police were waiting there,

because they had gotten his name from a local video rental store, which

said that he had rented it!  Oh, the reason the film was obscene was

because it showed a minor partaking in some kind of sex act.  The film

itself dealt with the holocaust.

 

If they can "take away" this film, they can definately take away _Naked

Lunch_(the book).

 

 

ge                    elwellg@voicenet.com

=========================================================================

Date:         Mon, 30 Jun 1997 12:21:55 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: spare us

Comments: To: Marioka7@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Maya Gorton wrote:

> 

> In a message dated 97-06-29 19:52:22 EDT, you write:

> 

> << but God, well now, he gets too much

>  time on the old Beat-L, let's not talk about him anymore.  Fuck that.

> 

>  Thinking himself SO DEEP,

> 

>  Bruce

>   >>

> 

> I'm sorry about my careless post.  But I guess I'm modest and don't like all

> the attention i was receiving with everyone talking about Me and everything.

>  By the way, I'm a woman.

> ------maya (kidding)

 

All hail the triple goddess, or some such said Robert Graves.  I am she,

as you are she, as you are me, as we are all together, or some such said

John Lennon.  Daddy, what is God like, I have started to forget what she

was like when I was in heaven, or some such said Sarah Catherine Kirby,

age 6.  Maya, watch out, you might be more correct than you realize.

But, my question, are you the comely lass, the mature woman, or the olde

crone?

 

Peace,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 12:32:01 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: spare us

Comments: To: jo grant <jgrant@BOOKZEN.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

jo grant wrote:

> 

> An elastic stretch on this thread--.

> 

> An article in the daily waterpump the other day told of a cloth bracelet

> some christian group is selling. It has WWJD woven into it which means What

> Would Jesus Do. Story tells that they can't make them fast enough to fill

> the orders. A hot money-maker.

> 

> I was reminded of a theology course I sat in on at the University of Iowa

> many years ago. I think it was a Forrell course. He urged the students to

> read a book titled IN HIS SHOES.  Briefly, the minister of an affluent

> mainline church asks congregants if they will join him in an experiement.

> Before making decisions they would ask themselves "What would Jesus do?" It

> goes on to tell the story of how the participant's lives were

> affected--some very dramatically. It was a turn of the century setting, but

> some of the characters (as I recall) ended up very Beat-like.

> 

> The book was powerfully Communistic without mentioning politics.  But what

> stunned me was finding out that the book had sold over 25 million copies

> (over 25 years ago) and I'd never seen it on any list of best sellers, nor

> heard of it.

> 

> Suddenly, along come some jack-leg christians, ripping off an authors basic

> idea and never mentioning where they got the idea. Out of curiosity, to

> what degree(if any)  is this author's estate being ripped off.

> 

> j grant

 

Jo, actually, I have a copy of the book and if I can find it will let

you know any information that is on the title page.  It was a good book,

but a writer from Chicago wrote a better one in that line called Tell No

Man.  Down here in SC, when a minister opens up the doors of the church

to prostitutes and the homeless, not to mention AIDS, we fire them in a

hurry.  The Rev. Will B. Dunn in Kudzu is based upon a Baptist Minister

in NC that cared too much about reality and was defrocked.  The

established Church is about wordly power,  and God as we call it is

another.

 

My point in another post was that Kerouac and others were driven by a

sense of death, doom, and what the "answer" was.  They looked to "God"?

or what.  What should we look to?  Our collective selves, our "beat-l"?

I agree with Maya that discussion of "God" can be very sophmoric.  I

agree with Marie that it is easy to get off the literature track.  So,

what do we talk about then.  If we are going to discuss Kerouac, I vote

for Pic.

 

How about Ferlingetti's (sp?) new book.  That is a damn good book of

poems.  Anybody read it?

 

Peace,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 00:44:27 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Visionaries (Eliot/Ginsberg again, for Michael Skau &  et al)

MIME-Version: 1.0

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Now that I've reread some Eliot, I am ready to address a few points from

earlier Eliot/visionary discussion.

 

I think there needs to be a distinction between a poet that writes

symbolically and a visionary.  Eliot is really depressing.  Eliot saw

what was wrong, spiritually, but accepted "death-in-life,"

 

(Prufrock)

"Do I dare disturb the universe?"

 

"I am no prophet--and there's no great matter;

I have seen the moment of my greatness flicker,

And I have seen the eternal Footman hold my coat, and snicker.

And in short, I was afraid."

 

Eliot saw the vision, saw what was necessary to do, but could not rise to

the task.  The visionary poet must in some meaning of the term, be a

prophet, rail against the status quo, and in doing so put forth a his own

positive vision of what is possible.  He must as Chris Dumond, so

articulately put, in another post about Ginsberg, "[rain] life, pride,

and love on us all."   Blake took the work of other writers, like Milton,

and put his vision over their's in a way that spread out, and widened,

set up his own system, of what was and what could be.

 

The hope in the Wasteland is faint, really faint, the sound of thunder

there but not resonant, not awakening, at least not yet.  The grass is

singing but it is not fully alive.  Not in the way Whitman or Ginsberg

sang or were fully alive.  A visionary says "this is what I see" and

projects his vision out there, loudly.

 

Eliot writes,

"No! I am not Prince Hamlet, nor was meant to be;

Am an attendant lord, one that will do

To swell a progress, start a scene or two,

Advise the prince; no doubt, an easy tool,

Deferential, glad to be of use,

Politic, cautious, and meticulous;

Full of high sentence, but a bit obtuse"

 

Eliot used symbols well, layering in metaphoric and metaphysical

dimensions, the fire and rose are one, even cyclic sometimes in his view

of words and history, but often his words are devoid of power, the power

to change, to do anymore than accept his lot.  A true visionary

transforms experience, their experience and our experience.  In Howl,

Ginsberg raged against America, but he also saw the possibility for the

hope that rises up in our humanness.  Eliot is not grasping upon the

mermaid, rising with her cutching rebirth, he is looking at it from afar.

 I would describe his voice not so much as a visionary one as one that

saw what was possible, but was unable to grasp whatever he needed to

transcend his condition.

DC

=========================================================================

Date:         Mon, 30 Jun 1997 12:11:29 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: spare us

In-Reply-To:  <33B7259E.5EC0596B@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Bentz,

 

I think it was the the Vandals who were responsible for buring the greatest

library of that age. Men ran the library ballgame in those days and they

all fled. It was a woman who tried to reason with the Vandals (as I recall)

and failed. I've tried to find the folder with the research material but

it's packed someplace. When I come across it I'll share the sources.

 

There are so many instances of christians burning books tho, that you may

have the wrong yo yo, but you've certainly got the right string

 

j grant

 

>Pamela Beach Plymell wrote:

>> 

>> Throughout history Christians are not known for their reading of objective

>> literature.

>> C. Plymell

>Hell Charles, they don't read it, they burn it.  I often why I keep

>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>They burned her library, killed all the gnostics, and flayed her to

>death  in public.  Thanks a lot for being literary.  Yeah, the

>Christians just don't, as an organization, like good literature do they.

>I hope my church never finds out that I think for myself.  It is an

>uneasy truce at best.

> 

>Peace,

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     313,599 visitors since July 1, 1996

=========================================================================

Date:         Mon, 30 Jun 1997 10:28:55 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      > blade of grass  <<was:  ok, perhaps>>

MIME-Version: 1.0

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<<digging thru my exceeded mailbox space>>

 

Shari writ:

 

><<blade of grass.  What we don't know is what god is.  Perhaps the whole

>notion of it is that s/he/it cannot be defined by humankind, because we, as a

>part of god, cannot fully experience the whole and, therefore, can only

speculate based on that portion of god which we can.>>

 

yes and we must talk about the "portions of god we can see".  Not just

relegate him to a three letter word.  granted that's what he is.  but

>still... <<you know what I mean>>

> 

><<This is of course necessarily truncated, and barely scratches  the surface,

but hopefully you can read between the lines.>>

 

yes, I've think I've fallen in a couple.  my couch last night seemed to

>have a few.  <<or perhaps that was the cat???>>  ;-)

> 

><<Btw, has anyone suggested a Beat chat room... would be alot easier to

discuss some of this stuff that way and a hell of alot more fun.>>

 

yes, and it would get us youngsters [freshmen] out of your hair, too!!!

><<laugh>>

> 

><<Ciao, Sherri

love_singing@msn.com>>

 

>cheers, Douglas

> 

=========================================================================

Date:         Mon, 30 Jun 1997 12:27:01 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      PULSE INTERVIEW (UNCENSORED)

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

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Thanks Jo, and yes=97the town is Austin. Ever been there? It's a crazy

place I've managed to avoid. You don't see Hamsun's name come up to

often. It's like the other day, I had one of James Tate's grad students

at my place and he selected some books off the shelf: Maurice

Maeterlinck, Count Herman Keyserling, and Hamsun's "PAN" with a look

of confusion he asked me if he could borrow them, and that he wasn't

aware of them or the authors. I let him borrow "PAN," I thought that

was a good choice.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 30 Jun 1997 10:35:46 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: God  <<still digging>>

MIME-Version: 1.0

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<<still digging thru the beat backlog at work>>

 

Joseph Neudorfer writ

 

><<        [ = there is nothing holding us back from knowing all, but there is

>no

>physical possibility of reaching that 'all-knowledge', you would soon

>swim in insanity . . . hense Jehovah is crazy . . . that is why even

>Moses, the figure who was in Yahweh's presence, was not actually face to

>face. When Moses asked Yahweh to reveal himself (one of the many times

>on the mountains, after the burning bush), Yahweh only permitted Moses

>to observe his back and shoulders - which on one level is a paradox in

itself.>>

 

and is this why Andre Breton says "beauty must be repulsive"??  To reach

'all-beauty' would one soon be repulsed by everything??  and where to go

from there?  back down the mountain??  [[please don't let me ask about

the "burning bush" in this context, please don't let me ask, please...

<<laughing>>

 

Still wish you would explain that Yahweh/Moses ---> back/shoulders

paradox.  Maybe Yahweh was an ugly mofo, having a badhair day, and just

decided to be shy?  somewhat kidding, but curious  <<answer via

>backchannel if necessary>>

> 

>> Joseph Neudorfer

 

yours truly, Douglas

=========================================================================

Date:         Mon, 30 Jun 1997 10:35:58 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

MIME-Version: 1.0

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<<at work now>>

 

Diane writ:

 

<<I find you are keying in now on the Ginsberg everything is holy theme

>[[yes, thank you]], but am I finding you still thinking Breton's "Beauty is

>repulsive," (not sexually), as you are reading/typing?  I'm most moved by the

>paradox at

>the end: "I leave you laying there.  I am intact..."  It's all a paradox,

>Douglas, beginning with your random selection of this patti smith. beauty

>is a paradox, Babble, a paradox.  As Ginsberg would say, what is beauty

>but a six letter word? Babble, but a six letter word.  And only a stream

>of archeytpal consciousness bringing it all here to this point where our

minds meet.>>

 

ok. I'm a big fan of the river.  that much has been proven.  you could

turn the faucet on and off, little or large all day long, as far as I

care.  but words do have meanings.  and I hate wasting water.  can't

deny that.  words have meanings that change, that must be tracked, that

can be appropriated.  [[yes, therein lies the paradox.  Can we follow it

for a while?]]

 

what I love about patti smith (especially her earlier work) is that she

rambles, she brings in a beat train of thought.  In the work I quoted

(and the lines you liked) she's taken the male point of view (possibly

Rimbaud's).  taken it for a ride and seen what the possibilities

provided her.   <<amazing>>

 

old hag, middle aged hen, early cluck.  all the same some would say.

attitude is everything.  <<perhaps>>   relativity does apply at a

certain point.  at the speed of light, I might change into an old man,

flying back from outer space; while you and yours remain the same.

<<einstein proved that, yes?>>  words may be just a composite of

letters, counted and mounted; but when words gain human attributes

(i.e., "nigger"), we must put our heads together on the wall, and

honestly talk about what death and dying really mean.  the traces of

beauty we find in the world, and yes indeed, if beauty is *truly*

repulsive.  what would that mean?  [[and I wonder how it *looks*,

surrealist or not]]

 

I agree words can be nothing/everything holy (as Ginsberg would

apparently define), but I still must hold onto a societal view of

"beauty" (and a few other choice words).  beauty needs to go for a ride

with me for a while longer.  this I must see.  [[oh..exhale..]] why is

it so hard to give up words?  they answer so many questions.

 

        "what are words for, when nobody listens any more for

        [....] there's no use talking all..."  [missing persons]

 

>DC

 

cheers, Douglas

=========================================================================

Date:         Mon, 30 Jun 1997 12:36:48 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Thanks / BENTZ

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Thanks for the kind words and the feelings mutual. If I ever make it

out to SC, I'll look you up. And try putting down the poetry. When

I first started writing I borrowed Andre Breton's method of automatic

writing=97I think Jack K called it spontaneous prose or whatever. He

must've read Breton at some point; Celine, etc.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 30 Jun 1997 11:40:49 -0600

Reply-To:     Denis Alcock <dalcock@FALSTAFF.UNM.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Denis Alcock <dalcock@FALSTAFF.UNM.EDU>

Subject:      summer reading

In-Reply-To:  <33B7FCC0.4354@bitstream.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I vote for Dr. Sax!

=========================================================================

Date:         Mon, 30 Jun 1997 12:47:58 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      JAMES: FRISCO BOUND!

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

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Hey James,

 

I knew you'd dig the gig! I'll be playing unplugged with him

on July 11. I'll be using a vintage Circa 1937, Dobro and glass

slide-Luther will play a Martin and fill in the lead. Unfortunately,

this concert will probably take place in my living room. Luther loves

to fish with me and his buddies=97we're both a couple of chicken and

fish eating bastards!

 

Richard Houff

Pariah Press

 

P.S. Glad you gotta chance to read the Pulse interview.

=========================================================================

Date:         Mon, 30 Jun 1997 10:52:15 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Whitman

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

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<<still digging>>

 

>From:  Ksenija Simic[SMTP:ksenija@GALOIS.MI.SANU.AC.YU]

> 

>"Camarado,

>this is not a book!

>Who touches this, touches the man."

 

Note to myself:  explore book covers of beats.  first editions ---->

etc.  As a visual artist, how is "touching" presented.  in soft and hard

bind... ;-)  and if you eat the book.  lonely one night, alone in yer

room,  [[devour it whole]] have you "communed" with *The Man* as well???

 

Douglas  <<obese in thought, thin on restraint>>

=========================================================================

Date:         Mon, 30 Jun 1997 13:49:40 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Goodbye (not forever)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hello,

 

I am writing because I am leaving the list temporarily.  About three weeks

to be precise.  I'm going to France and Italy, and I won't be able to check

e-mail, so I must unsubscribe.  This list is a lot of fun, and very

informational.  I've learned a great deal by just reading what other people

wrote.  I hope that when I come back that there will be some good

discussion of literature, because I see that's what's brewing right now.

 

Anyway, have fun while I'm away!

 

Greg Elwell

elwellg@voicenet.com

                          Greg Elwell

            elwellg@voicenet.com||elwellgr@hotmail.com

                <http://www.voicenet.com/~elwellg>

 

--------------------------------------------------------

=========================================================================

Date:         Mon, 30 Jun 1997 11:03:46 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: the beat (en) horse/summer reading update

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Marie responded to Diane:

 

<< 

>>gets the most votes wins. James, start counting...I vote for Visions of

>>Cody.

>>DC

>@@@@@@@

>i'm up for it. one of my favorites, and reads really well with cassady's

>the first third, which tells frankly, and in my opinion, beautifully, of

his early childhood on the street with father.

>> 

 

Cool, don't know this book (Visions of Cody) but from Marie's

description [[early years, god, father, beauty, cassady, some guy named

>"frankly"]] - sounds good to me.  count my vote on this one.

 

Can someone via backchannel, please tell me how this relates to "On the

Road"?  <<Chronologically, thematically, etc...>>

 

>> mc

 

Douglas  <<and what does the @@@@ translate to? curious...>>

=========================================================================

Date:         Mon, 30 Jun 1997 17:45:34 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

Holy shit!!!  Since when did a judge's ruling allow confiscation...  there's

certainly no confiscation going on of hardcore porn, are the police within

their rights to do this????  Ray Bradbury may have been a prophet.  [Thinking

of  digging a huge hole in the basement, installing shelves & putting my books

down there under a hidden door.]

 

Thank god I live in San Francisco...

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Greg Elwell

Sent:   Monday, June 30, 1997 9:10 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

At 12:18 AM 6/30/97 -0500, Leo Jilk wrote:

>>Pamela Beach Plymell wrote:

>>> 

>>> Throughout history Christians are not known for their reading of objective

>>> literature.

>>> C. Plymell

>>Hell Charles, they don't read it, they burn it.  I often why I keep

>>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>>They burned her library, killed all the gnostics, and flayed her to

>>death  in public.  Thanks a lot for being literary.  Yeah, the

>>Christians just don't, as an organization, like good literature do they.

>>I hope my church never finds out that I think for myself.  It is an

>>uneasy truce at best.

>> 

>Thinking of holocaust, when they start burning books, people can't be far

>behind.

>-leo

> 

> 

I don't know how much this is relating to the subject, but I just

read(couple days ago) that In Oklahoma, a judge ruled a 1979 award winning

film "obscene."  Then, after the ruling, law enforcement officials tracked

down EVERY SINGLE copy of the film that they could get their hands on in

the state!  One guy recalls sitting down to watch it, and all of a sudden,

he hears a knock on his door.  Sure enough, the police were waiting there,

because they had gotten his name from a local video rental store, which

said that he had rented it!  Oh, the reason the film was obscene was

because it showed a minor partaking in some kind of sex act.  The film

itself dealt with the holocaust.

 

If they can "take away" this film, they can definately take away _Naked

Lunch_(the book).

 

 

ge                    elwellg@voicenet.com

=========================================================================

Date:         Mon, 30 Jun 1997 17:47:24 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: the beat (en) horse/summer reading update

 

I vote for Desolation Angels, Dharma Bums or Big Sur...  would love to do

this.  Great idea Diane.

 

Ciao, Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Sunday, June 29, 1997 11:43 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: the beat (en) horse/summer reading update

 

>Marie Countryman wrote:

> 

> now instead of reading about everyones personal reactions to or

> negating of

> god,

> let's talk about the literature.

> 

> i just finished feat&loathing in Los vegas;

> have started reading hell's angels

> but then i was waylaid by bob kaufman: out of sheer delight, but i seem to

> have misplaced him,

> so its back on the harley for me

> mc

 

Can some of us wildly grasp onto one Kerouac work, together, for the sake

of discussion,  and let comparisons/or lack thereof, relate to whatever

other writers we are reading at the moment?   I tend to have six books

going at the same time.  Start voting for Kerouac, and which ever book

gets the most votes wins. James, start counting...I vote for Visions of

Cody.

DC

=========================================================================

Date:         Mon, 30 Jun 1997 17:51:28 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      FW: please read this and vote

Comments: To: Stef <Ad_Libitum@msn.com>, HJW II <ArchibaldLeach@msn.com>,

          Stuart Crosby <BRAVES10@msn.com>, Ron Vassel <BlizzardKing@msn.com>,

          Michael Riddle <CENTERLINEDESIGN@msn.com>,

          Cari Who ELSE???? <CittiGirl@msn.com>, db <Dee-Bee@msn.com>,

          Homebrook <Homebrook@msn.com>, Jason Tinling <JTinlng@msn.com>,

          Joseph L <JoePlacebo@msn.com>, Kevin Mathers <KEVMATH@msn.com>,

          Kel Rayner <Manatbar@msn.com>,

          the little people <MarmaladeSkies@msn.com>,

          Kent <NoixDeGolf@msn.com>, Jim B <PBRUEGEL@msn.com>,

          Ask and I might tell you <Peaceful-Warrior2@msn.com>,

          R <ROcean@msn.com>, Blair <Reepoo@msn.com>,

          James Sims <SimbaJim@msn.com>, Sharon <SopAndBass@msn.com>,

          Tom Gummo <TGUMMO@msn.com>,

          Life is a sick joke and I'm the punchline <The_Boogey_Man@msn.com>,

          rico <UNIR1@msn.com>, Mark <Vox_Amicus@msn.com>,

          "e.e. cummings" <What-is_death@msn.com>,

          Tanya Ceccatto <_AngelBaby@msn.com>,

          _Prometheus1 <_Prometheus1@msn.com>, S Johnson <doc11@msn.com>,

          Drew Eskenazi <drewesk@msn.com>, Robert Lear <king_lear1@msn.com>,

          x <king_lear1@msn.com>, PAUL KOLJESKI <koljeski@msn.com>,

          Silver Surfer <mad-chatter@msn.com>, david simoni <oak123@msn.com>,

          Kash Philips <philkash@msn.com>,

          anthony osborne <rastafarian@msn.com>,

          Rico Mariani <ricom_ms@msn.com>, Robert Eback <rleback@msn.com>,

          Stephen Baldwin <sabaldwin@msn.com>, anniepoo <annh@ccrtc.com>,

          BigDaddyRico <Engelsguy@aol.com>, Don Green <NYCDBG@aol.com>,

          cj <sjohn111@aol.com>, Kent Smedley <Kent.Smedley@clorox.com>,

          THEBODYIS1@aol.com

 

This is important, please take the time.

Ciao, Sherri

 

----------

From:   Jamey Sims

Sent:   Monday, June 30, 1997 9:48 AM

To:     'sherry'; 'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer';

'Ralph'; 'David Lang'; 'boyeeeeeee'; 'Suzie & Robert'; 'Gary'; 'The Lang

Gang'; 'Brandon Wescott'; 'kevey'; 'Dr Cowan'; 'Renee'; 'bogie'; 'Tammy';

'Shari & Troy'; 'Yvonne'

Subject:        FW: please read this and vote

 

do this please

--Jamey

 

----------

From:   Marrow

Sent:   Saturday, June 28, 1997 3:35 PM

To:     Jamey Sims

Subject:        please read this and vote

 

 

 

>From: Marrow <mychajlo@pop.fast.net>

>Subject: please read this and vote

> 

>>From: J_DRUCK@prodigy.com (MR JEFFREY L DRUCKENMILLER)

>>Date: Thu, 26 Jun 1997 07:39:12, -0500

>>To: rrjwalz@integrityonline.com, mychajlo@fast.net

>>Subject: please read this and vote

>> 

>>for your interest

>> 

>> 

>> 

>><< Start of Forwarded message via Prodigy Mail >>

>> 

>>From:  (Warshie) DIANNE WARSHAVER

>>Subject:       please read this and vote

>>Date:  06/20

>>Time:  07:28 PM

>> 

>>so, we are never safe from crazies.....

>> 

>> 

>><< Start of Forwarded message via Prodigy Mail >>

>> 

>>From:  David Blum

>>Subject:       please read this and vote

>>Date:  06/20

>>Time:  06:55 PM

>> 

>>Return-Path: <davmark@mindspring.com>

>>Received: from brickbat8.mindspring.com (brickbat8.mindspring.com

>>[207.69.200.11])

>>      by pimaia1w.prodigy.com (8.8.5/8.8.5) with ESMTP id SAA106760

>>      for <Warshie@prodigy.com>; Fri, 20 Jun 1997 18:56:48 -0400

>>Received: from 38.26.20.135 (ip135.an9-new-york4.ny.pub-ip.psi.net

>>[38.26.20.135])

>>      by brickbat8.mindspring.com (8.8.5/8.8.5) with SMTP id SAA03646;

>>      Fri, 20 Jun 1997 18:55:11 -0400 (EDT)

>>Message-ID: <33AAC4FA.42EF@mindspring.com>

>>Date: Fri, 20 Jun 1997 18:59:22 +0100

>>From: David Blum <davmark@mindspring.com>

>>Reply-To: davmark@mindspring.com

>>X-Mailer: Mozilla 3.0 (Macintosh; U; 68K)

>>MIME-Version: 1.0

>>To: "artworks@concentric.net" <artworks@concentric.net>,

>>        "CHFriend@aol.com" <CHFriend@aol.com>,

>>        "joshperi@netvision.net.il" <joshperi@netvision.net.il>,

>>        MS DIANNE L WARSHAVER <Warshie@prodigy.com>,

>>        Sarah Barnett <phibarn@scisun.sci.ccny.cuny.edu>,

>>        Steve Zuckerman <szucker@isd.net>,

>>        "Susan E. Ranney" <sranney@azstarnet.com>,

>>        Suzie Dennis Ben David <marketingedge@msn.com>,

>>        "zin@juno.com" <zin@juno.com>

>>Subject: please read this and vote

>>Content-Type: text/plain; charset=us-ascii

>>Content-Transfer-Encoding: 7bit

>> 

>>>Forwarded message:

>>>Subj:    No Subject

>>>Date:    97-06-06 03:17:09 EDT

>>>From:    Jonapangai

>>>To:      CampNicole

>>> 

>>>We have understood that a few Neo-Nazi groups are trying to create

>>>(again) a usenet group where they want to keep in contact

>>>with each other regarding their activities. I believe it is not

>>>necessary to dwell further on these activities.

>>> 

>>>The group is rec.music.white-power

>>> 

>>>To create such a group, they have to win a referendum that is

>>>always organised when a new usenet group is created.

>>>All persons with an email address, and only those, can vote

>>>in this referendum.

>>> 

>>>It is IMPORTANT to vote only once, otherwise the vote is

>>>cancelled.

>>> 

>>>To prevent the creation of this group, you have to:

>>> 

>>>    1. Send this message to people you know

>>> 

>>>    2. Send an email to the following address:

>>> 

>>>           music-vote@sub-rosa.com

>>> 

>>>    3. In the body of your message (not in the 'subject' line)

>>>      include EXACTLY and ONLY the following line:

>>> 

>>>           I vote NO on rec.music.white-power

>>> 

>>>Since the vote is automatic, it is IMPORTANT to send the

>>>exact line as it is given above, without adding anything, not even

>>a

>>>name.

>>>And please send it only once or it becomes invalid ! Also,

>>> 

>>>PLEASE  FORWARD

>>>THIS LETTER TO EVERYONE YOU KNOW WITH AN E-MAIL ADDRESS TO

>>>PREVENT THE GROUP FOUNDERS FROM CREATING THIS GROUP.

>>> 

>>>*********************************************

>>> Israel Rubinstein

>>> Professor of Chemistry

>>> Department of Materials and Interfaces

>>>The Weizmann Institute of Science

>>> Rehovot 76100, Israel

>>>Phone: +972 8 9342678     Fax: +972 8 9344137

>>> E-mail: cprubin@weizmann.weizmann.ac.il

>>>http://www.weizmann.ac.il/weg

>>> 

>>> 

>>> 

>>Gerardo (Jerry) Rogoff

>>Field Applications Engineer

>>Exar Corporation

>>500 Clark Rd.

>>Tewksbury, MA 01876

>> 

>>Tel.:    (508) 640-8899

>>FAX:   (508) 640-6926

>>Pager: (800) 943-4064

>> 

>>email: jerry.rogoff@exar.com

>>Visit our Website @: http://www.exar.com

>> 

>> 

>><< End of Forwarded message >>

>> 

>><Distribution List>

>>      (FJHE36A), J DRUCKENMILLER

>>      (TVSG32A), STEVE BOGUS

>> 

>> 

>><< End of Forwarded message >>

>> 

>> 

 

 

Sincerely,

Michael T. Montgomery

mychajlo@fast.net

=========================================================================

Date:         Mon, 30 Jun 1997 10:48:47 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: the beat (en) horse/summer reading update

Mime-Version: 1.0

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>Can some of us wildly grasp onto one Kerouac work, together, for the sake

>of discussion,  and let comparisons/or lack thereof, relate to whatever

>other writers we are reading at the moment?   I tend to have six books

>going at the same time.  Start voting for Kerouac, and which ever book

>gets the most votes wins. James, start counting...I vote for Visions of

>Cody.

>DC

 

     VOC is fine with me (no lazy poetics intended) but we must do a rehash

     as we approach the 40th of OTR at the end of the summer.

 

     matt

=========================================================================

Date:         Mon, 30 Jun 1997 14:25:08 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: spare us

Comments: To: Sherri <love_singing@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Sherri,

 

I found an on-line archive of my local newspaper where I read the article.

It was in The Philadelphia Inquirer.  Here's the URL:

 

http://www2.phillynews.com/inquirer/97/Jun/28/national/DRUM28.htm

 

Now, you can read this insanity for yourself

 

At 05:45 PM 6/30/97 UT, you wrote:

>Holy shit!!!  Since when did a judge's ruling allow confiscation...  there's

>certainly no confiscation going on of hardcore porn, are the police within

>their rights to do this????  Ray Bradbury may have been a prophet.  [Thinking

>of  digging a huge hole in the basement, installing shelves & putting my

books

>down there under a hidden door.]

> 

>Thank god I live in San Francisco...

> 

>Ciao,

>Sherri

> 

>----------

>From:   BEAT-L: Beat Generation List on behalf of Greg Elwell

>Sent:   Monday, June 30, 1997 9:10 AM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:        Re: spare us

> 

>At 12:18 AM 6/30/97 -0500, Leo Jilk wrote:

>>>Pamela Beach Plymell wrote:

>>>> 

>>>> Throughout history Christians are not known for their reading of

objective

>>>> literature.

>>>> C. Plymell

>>>Hell Charles, they don't read it, they burn it.  I often why I keep

>>>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>>>They burned her library, killed all the gnostics, and flayed her to

>>>death  in public.  Thanks a lot for being literary.  Yeah, the

>>>Christians just don't, as an organization, like good literature do they.

>>>I hope my church never finds out that I think for myself.  It is an

>>>uneasy truce at best.

>>> 

>>Thinking of holocaust, when they start burning books, people can't be far

>>behind.

>>-leo

>> 

>> 

>I don't know how much this is relating to the subject, but I just

>read(couple days ago) that In Oklahoma, a judge ruled a 1979 award winning

>film "obscene."  Then, after the ruling, law enforcement officials tracked

>down EVERY SINGLE copy of the film that they could get their hands on in

>the state!  One guy recalls sitting down to watch it, and all of a sudden,

>he hears a knock on his door.  Sure enough, the police were waiting there,

>because they had gotten his name from a local video rental store, which

>said that he had rented it!  Oh, the reason the film was obscene was

>because it showed a minor partaking in some kind of sex act.  The film

>itself dealt with the holocaust.

> 

>If they can "take away" this film, they can definately take away _Naked

>Lunch_(the book).

> 

> 

>ge                    elwellg@voicenet.com

> 

> 

                          Greg Elwell

            elwellg@voicenet.com||elwellgr@hotmail.com

                <http://www.voicenet.com/~elwellg>

 

--------------------------------------------------------

=========================================================================

Date:         Mon, 30 Jun 1997 14:31:17 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Don't shoot the messenger

MIME-Version: 1.0

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     This is my first post to the list, although I've been off and on in

various incarnations for the last six months. I've been hoping to learn

something from the subscribers, and I have.

     I've also seen that the list offers a forum for people to express th=

eir

opinions, as well as their anger, and to advance agendas, whether factual=

ly

or in a way designed to manipulate with emotions.

     I'm a writer who lives in Seattle, and my credentials include

freelancing for NPR as well as numerous print publications. I have a long

association with jack, going back to the summer of Woodstock, when I turn=

ed

18 and read On The Road and contemplated grabbing my rucksack and running=

 off

with the lonesome traveler who'd given me the book and taken my virginity=

 (a

fair swap, I must say).

     The Road, for me, for the last near-30 years, has been as straight a=

s a

corkscrew, but jack was always there somewhere. Someday I'll tell that st=

ory.

Right now, I have something more important to say.

     In the passionate environment that surrounds all things Beat and

people's personal connections to them, and especially, to jack himself, a=

ll

of us who have come after the fact (not folks like Leon and Charles) seem=

 to

have staked claims and established turf.=20

     As principal characters in the kerouac saga burned bright and then

burned out, issues began to surface. The issue that has become the most

addressable is that one which was heatedly discussed here a month or so a=

go:

the *preservation* of jack's archives. It is part of that issue I wish to

address, with new information I acquired through research.

     I've been in touch with people who could only be described as second=

ary

to the life of jack kerouac, asking questions and assembling a feature st=

ory.

There are also many people I have not met or interviewed. But two of the

people I have interviewed by phone and through thousands of words in lett=

ers

are Rod Anstee and Gerry Nicosia. I had the opportunity to form opinions

about both these men independently, since I did not know, at first, their

history with one another. Because of their individual credentials, and as=

 I

learned the history they'd shared, determining reliability from either of

them (as sources for news or feature stories on archive or Estate issues)=

 was

essential to writing the most accurate possible account.

     Rod posted a letter to this list regarding the contents of Gerry's U=

Mass

archives, and I observed the claims and reactions that followed, without

comment. I was sad and upset, as I think most of us were, to witness the

conflict.=20

     After Rod voluntarily signed off the list and the rest of the confli=

ct

played itself out, I called Martha Mayo at UMass, for the specific purpos=

e of

verifying a) what Rod had claimed and b) what Gerry had claimed. Here are

some of my notes from that interview, for your edification:

 

***Martha Mayo interview, 1:40 to 1:48pm PDT, 17 June 1997 (Mogan Center,

UMass Lowell, 508/934-4997)****

 

     I gave my name and location, said I was a writer, said I was traveli=

ng

east later this year and wondered about my chances for seeing the Memory =

Babe

(MB) collection.

     "It's an open collection. Anyone can view it," Mayo said. "It carrie=

s

with it some standard restrictions. But the major restriction is that let=

ters

from authors cannot be photocopied, because they are copyrighted material=

s,

copyrighted by the Estate.

     "No photocopying is allowed of any of Kerouac's letters, because man=

y of

them are photocopies that came from other collections, and there are

copyright issues.=20

     "There is nothing original in this collection," she said. "These are

research notes gathered from many sources."

     She said they're very understaffed right now because school's out fo=

r

the summer, but that there is always someone available from 9am to 5pm,

Monday through Friday, to assist people who want to see the collection. S=

he

said people aren't really using it that much, but that someone had recent=

ly

come to town and spent time viewing the collection. "Just make an appoint=

ment

3 or 4 days in advance, letting us know when you'll be here."

     So, according to Martha Mayo a) the MB collection is not closed; b) =

the

MB collection contains photocopies from other collections; c) anyone who =

asks

permission can see the collection; d) the collection is composed of

photocopies only; and e) no one is allowed to photocopy these photocopies.

     In short, Rod Anstee is right about the MB collection and what=92s i=

n it.

     I invite you to check these facts on your own. If anyone in the Lowe=

ll

area could actually walk in and test this, that would be best.

     My point is this: when anyone claims anything, especially in matters

that are so potentially inflammatory as this one is, verify the facts, if

there are any. There=92s no need to become personally involved or defensi=

ve

about facts.

     One last note about threats of litigation regarding libel, slander a=

nd

copyright infringement: read the Associated Press Stylebook and Libel Man=

ual

for a broad overview of these legal terms and their ramifications. Truth =

is

always a legitimate defense.

     The rest of the information I=92ve gathered over the last few months=

 will

be submitted for publication to various markets. I will post a notice of =

any

impending publication to this list.=20

 

Diane De Rooy

ddrooy@aol.com

membabe@aol.com

=========================================================================

Date:         Mon, 30 Jun 1997 13:20:56 -0500

Reply-To:     Peyote Coyote <peyotecoyote@IAH.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Peyote Coyote <peyotecoyote@IAH.COM>

Subject:      summer reading and a welcome

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

Hi.  I'm new to the list.  My name is Joey Mellott, but you can call me

Peyote Coyote, a random name I thought up while reading a piece by Artaud.

I will be a senior in HS in August.  I've read On the Road and  Naked

Lunch, and am now reading Desolation Angels, with plans to read Dr. Sax,

Tristessa, and/or the Soft Machine by the end of summer.  I became

intrested in the Beats when a friend suggested I do my US History term

paper on Jack Kerouac.  Thirteen pages and an A+ later, I'm hooked.

Suggestions are welcome.

 

My vote:  Desolation Angels.  It's superduperific.

 

Joey Mellott : poet, writer, and word shaman

(peyotecoyote@iah.com)

"the socerers enter the ring, and the dancer with the six hundred little

bells (300 of horn, 300 of silver) shrieks his coyote call in the forest."

- Antonin Artaud

=========================================================================

Date:         Mon, 30 Jun 1997 18:32:31 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

 

douglas, i think that einstein proved that time essentially stands still at

the speed of light...  am i mistaken?

 

at home with the flu...

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Penn, Douglas, K

Sent:   Monday, June 30, 1997 10:35 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: <<Diane>>, di prima, <<beauty>>

 

<<at work now>>

 

<<old hag, middle aged hen, early cluck.  all the same some would say.

attitude is everything.  <<perhaps>>   relativity does apply at a

certain point.  at the speed of light, I might change into an old man,

flying back from outer space; while you and yours remain the same.

<<einstein proved that, yes?>>  words may be just a composite of

letters, counted and mounted; but when words gain human attributes

(i.e., "nigger"), we must put our heads together on the wall, and

honestly talk about what death and dying really mean.  the traces of

beauty we find in the world, and yes indeed, if beauty is *truly*

repulsive.  what would that mean?  [[and I wonder how it *looks*,

surrealist or not]]

 

I agree words can be nothing/everything holy (as Ginsberg would

apparently define), but I still must hold onto a societal view of

"beauty" (and a few other choice words).  beauty needs to go for a ride

with me for a while longer.  this I must see.  [[oh..exhale..]] why is

it so hard to give up words?  they answer so many questions.

 

        "what are words for, when nobody listens any more for

        [....] there's no use talking all..."  [missing persons]

 

>DC

 

cheers, Douglas>>

=========================================================================

Date:         Mon, 30 Jun 1997 13:05:10 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re: Don't shoot the messenger

Comments: To: Ddrooy@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Ddrooy@AOL.COM writ:

 

     >As principal characters in the kerouac saga burned bright and then

     >burned out

 

     Who burned out?

 

     Of the "big 5" (my definition) Jack died young (wrote until his

     death--albeit for a girly mag), Cassady died young (flipped hammers

     until his death...ok, but he did write), Ginsberg wrote until his

     death (and may still be writing), Burroughs is still writing (and may

     be preserved enough never to die), Snyder (in my big 5 because he was

     major character and subject) is still writing (wonderfully, and giving

     great lectures).

 

     After that...who?  Ferlinghetti (still going (thump, thump, thump))

     Hunke (wrote pretty much until death), Corso? Whalen? We're running

     out of names........(not really)

 

     The early Beats aren't dead,they're just resting.

 

     matt

=========================================================================

Date:         Mon, 30 Jun 1997 18:40:32 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Re[2]: the beat (en) horse/summer reading update

 

i agree matt... hope i won't be outta the country for that

 

----------

From:   BEAT-L: Beat Generation List on behalf of MATT HANNAN

Sent:   Monday, June 30, 1997 7:48 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re[2]: the beat (en) horse/summer reading update

 

>Can some of us wildly grasp onto one Kerouac work, together, for the sake

>of discussion,  and let comparisons/or lack thereof, relate to whatever

>other writers we are reading at the moment?   I tend to have six books

>going at the same time.  Start voting for Kerouac, and which ever book

>gets the most votes wins. James, start counting...I vote for Visions of

>Cody.

>DC

 

     VOC is fine with me (no lazy poetics intended) but we must do a rehash

     as we approach the 40th of OTR at the end of the summer.

 

     matt

=========================================================================

Date:         Mon, 30 Jun 1997 23:15:15 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      my vote

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

dharma bums.

 

ksenija

=========================================================================

Date:         Mon, 30 Jun 1997 16:07:30 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: Whitman

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970630175215Z-5828@sd-mail.sd.oees.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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Douglas wrote:

 

><<still digging>>

> 

>>From:  Ksenija Simic[SMTP:ksenija@GALOIS.MI.SANU.AC.YU]

>> 

>>"Camarado,

>>this is not a book!

>>Who touches this, touches the man."

> 

>Note to myself:  explore book covers of beats.  first editions ---->

>etc.  As a visual artist, how is "touching" presented.  in soft and hard

>bind... ;-)  and if you eat the book.  lonely one night, alone in yer

>room,  [[devour it whole]] have you "communed" with *The Man* as well???

> 

>Douglas  <<obese in thought, thin on restraint>>

 

I thought I could only be a

writer if I pushed a book against

my lips until i bled.

 

=46unny thought.

 

I dented my lip and tasted the

book, but I didn't bleed.

 

-leo

=========================================================================

Date:         Mon, 30 Jun 1997 23:20:52 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Be At Home.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        BE AT HOME!

 

        it is near

        a summer evening

        lavender flowers

        in the garden

 

                i'm afraid!     i'm afraid!

 

        at

        sunset

        honey bees

 

        they worked

        at

        the end of a day

 

                i'm afraid!     i'm afraid!

 

                be at home!

 

        why are you afraid

        by the bees?

 

        they yield honey!

        do you like the honey?

 

        without bees nothing honey

        do you like the honey?

 

                I DONT' LIKE HONEy!

 

        I DONT' LINE HONEY!

 

                I DONT' LIKE HONEy!

 

---

yrs

Rinaldo. * a bee beaten *

www.gpnet.it/rasa/home.htm

=========================================================================

Date:         Mon, 30 Jun 1997 16:37:59 -0500

Reply-To:     chizam@TRACE.IE.WISC.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zach Chisholm <chizam@TRACE.IE.WISC.EDU>

Subject:      self proclaimed poet

 

I am a self proclaimed poet

relatively new to beat-l

thought I'd promote

my site of poetry

(http://trace.ie.wisc.edu/chizam)

I'm a 19 year old male

living in Wisconsin

(when I'm not out traveling)

no formal teaching

have I recived

in the area of writing

but I enjoy it

I'm no Kerouac, Ginsberg, or Whitman

I'm just me writing

my opinions

my thoughts

my experiences

on paper and in computers

If you would

go and read my work

email me what you think

I'll keep on writing

because all in all

it is just for me

 

Zach Chisholm

=========================================================================

Date:         Mon, 30 Jun 1997 23:40:12 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      No Nazi On The Net was (Re: FW: please read this and vote)

Comments: cc: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199706301808480644@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 17.51 30/06/97 UT, you wrote:

>This is important, please take the time.

>Ciao, Sherri

> 

>----------

>From:   Jamey Sims

>Sent:   Monday, June 30, 1997 9:48 AM

>To:     'sherry'; 'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer';

>'Ralph'; 'David Lang'; 'boyeeeeeee'; 'Suzie & Robert'; 'Gary'; 'The Lang

>Gang'; 'Brandon Wescott'; 'kevey'; 'Dr Cowan'; 'Renee'; 'bogie'; 'Tammy';

>'Shari & Troy'; 'Yvonne'

>Subject:        FW: please read this and vote

> 

>do this please

>--Jamey

> 

>----------

>From:   Marrow

>Sent:   Saturday, June 28, 1997 3:35 PM

>To:     Jamey Sims

>Subject:        please read this and vote

> 

> 

> 

>>From: Marrow <mychajlo@pop.fast.net>

>>Subject: please read this and vote

>> 

>>>From: J_DRUCK@prodigy.com (MR JEFFREY L DRUCKENMILLER)

>>>Date: Thu, 26 Jun 1997 07:39:12, -0500

>>>To: rrjwalz@integrityonline.com, mychajlo@fast.net

>>>Subject: please read this and vote

>>> 

>>>for your interest

>>> 

>>> 

>>> 

>>><< Start of Forwarded message via Prodigy Mail >>

>>> 

>>>From:  (Warshie) DIANNE WARSHAVER

>>>Subject:       please read this and vote

>>>Date:  06/20

>>>Time:  07:28 PM

>>> 

>>>so, we are never safe from crazies.....

>>> 

>>> 

>>><< Start of Forwarded message via Prodigy Mail >>

>>> 

>>>From:  David Blum

>>>Subject:       please read this and vote

>>>Date:  06/20

>>>Time:  06:55 PM

>>> 

>>>Return-Path: <davmark@mindspring.com>

>>>Received: from brickbat8.mindspring.com (brickbat8.mindspring.com

>>>[207.69.200.11])

>>>      by pimaia1w.prodigy.com (8.8.5/8.8.5) with ESMTP id SAA106760

>>>      for <Warshie@prodigy.com>; Fri, 20 Jun 1997 18:56:48 -0400

>>>Received: from 38.26.20.135 (ip135.an9-new-york4.ny.pub-ip.psi.net

>>>[38.26.20.135])

>>>      by brickbat8.mindspring.com (8.8.5/8.8.5) with SMTP id SAA03646;

>>>      Fri, 20 Jun 1997 18:55:11 -0400 (EDT)

>>>Message-ID: <33AAC4FA.42EF@mindspring.com>

>>>Date: Fri, 20 Jun 1997 18:59:22 +0100

>>>From: David Blum <davmark@mindspring.com>

>>>Reply-To: davmark@mindspring.com

>>>X-Mailer: Mozilla 3.0 (Macintosh; U; 68K)

>>>MIME-Version: 1.0

>>>To: "artworks@concentric.net" <artworks@concentric.net>,

>>>        "CHFriend@aol.com" <CHFriend@aol.com>,

>>>        "joshperi@netvision.net.il" <joshperi@netvision.net.il>,

>>>        MS DIANNE L WARSHAVER <Warshie@prodigy.com>,

>>>        Sarah Barnett <phibarn@scisun.sci.ccny.cuny.edu>,

>>>        Steve Zuckerman <szucker@isd.net>,

>>>        "Susan E. Ranney" <sranney@azstarnet.com>,

>>>        Suzie Dennis Ben David <marketingedge@msn.com>,

>>>        "zin@juno.com" <zin@juno.com>

>>>Subject: please read this and vote

>>>Content-Type: text/plain; charset=us-ascii

>>>Content-Transfer-Encoding: 7bit

>>> 

>>>>Forwarded message:

>>>>Subj:    No Subject

>>>>Date:    97-06-06 03:17:09 EDT

>>>>From:    Jonapangai

>>>>To:      CampNicole

>>>> 

>>>>We have understood that a few Neo-Nazi groups are trying to create

>>>>(again) a usenet group where they want to keep in contact

>>>>with each other regarding their activities. I believe it is not

>>>>necessary to dwell further on these activities.

>>>> 

>>>>The group is rec.music.white-power

>>>> 

>>>>To create such a group, they have to win a referendum that is

>>>>always organised when a new usenet group is created.

>>>>All persons with an email address, and only those, can vote

>>>>in this referendum.

>>>> 

>>>>It is IMPORTANT to vote only once, otherwise the vote is

>>>>cancelled.

>>>> 

>>>>To prevent the creation of this group, you have to:

>>>> 

>>>>    1. Send this message to people you know

>>>> 

>>>>    2. Send an email to the following address:

>>>> 

>>>>           music-vote@sub-rosa.com

>>>> 

>>>>    3. In the body of your message (not in the 'subject' line)

>>>>      include EXACTLY and ONLY the following line:

>>>> 

>>>>           I vote NO on rec.music.white-power

>>>> 

>>>>Since the vote is automatic, it is IMPORTANT to send the

>>>>exact line as it is given above, without adding anything, not even

>>>a

>>>>name.

>>>>And please send it only once or it becomes invalid ! Also,

>>>> 

>>>>PLEASE  FORWARD

>>>>THIS LETTER TO EVERYONE YOU KNOW WITH AN E-MAIL ADDRESS TO

>>>>PREVENT THE GROUP FOUNDERS FROM CREATING THIS GROUP.

>>>> 

>>>>*********************************************

>>>> Israel Rubinstein

>>>> Professor of Chemistry

>>>> Department of Materials and Interfaces

>>>>The Weizmann Institute of Science

>>>> Rehovot 76100, Israel

>>>>Phone: +972 8 9342678     Fax: +972 8 9344137

>>>> E-mail: cprubin@weizmann.weizmann.ac.il

>>>>http://www.weizmann.ac.il/weg

>>>> 

>>>> 

>>>> 

>>>Gerardo (Jerry) Rogoff

>>>Field Applications Engineer

>>>Exar Corporation

>>>500 Clark Rd.

>>>Tewksbury, MA 01876

>>> 

>>>Tel.:    (508) 640-8899

>>>FAX:   (508) 640-6926

>>>Pager: (800) 943-4064

>>> 

>>>email: jerry.rogoff@exar.com

>>>Visit our Website @: http://www.exar.com

>>> 

>>> 

>>><< End of Forwarded message >>

>>> 

>>><Distribution List>

>>>      (FJHE36A), J DRUCKENMILLER

>>>      (TVSG32A), STEVE BOGUS

>>> 

>>> 

>>><< End of Forwarded message >>

>>> 

>>> 

> 

> 

>Sincerely,

>Michael T. Montgomery

>mychajlo@fast.net

> 

> 

Sherri,

i agree with yr fwd message, i have already posted likes

message in march 97 & now i dont' know if nazi are attempting

to re-vote 'bout this NG, if this the case, please send yr

fresh informaion, 'cuz i was pointed (in march 97) that the

vote was over & the nazi NG spin off the Usenet... but time

perhaps are a changin',

ciao e tanti saluti da

Rinaldo.

=========================================================================

Date:         Mon, 30 Jun 1997 23:45:08 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: self proclaimed poet

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>From:         Zach Chisholm <chizam@TRACE.IE.WISC.EDU>

>Subject:      self proclaimed poet

> 

>I am a self proclaimed poet

>relatively new to beat-l

>thought I'd promote

>my site of poetry

>(http://trace.ie.wisc.edu/chizam)

>I'm a 19 year old male

>living in Wisconsin

>(when I'm not out traveling)

>no formal teaching

>have I recived

>in the area of writing

>but I enjoy it

>I'm no Kerouac, Ginsberg, or Whitman

>I'm just me writing

>my opinions

>my thoughts

>my experiences

>on paper and in computers

>If you would

>go and read my work

>email me what you think

>I'll keep on writing

>because all in all

>it is just for me

> 

>Zach Chisholm

> 

> 

zach, nice performance! self proclaimed poet RIGHT ON!

if u Like my opinion!

---

yrs Rinaldo.

=========================================================================

Date:         Mon, 30 Jun 1997 17:50:42 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: Don't shoot the messenger

Comments: To: Ddrooy@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: 8bit

 

Diane De Rooy wrote:

> 

>      This is my first post to the list, although I've been off and on in

> various incarnations for the last six months. I've been hoping to learn

> something from the subscribers, and I have.

>      I've also seen that the list offers a forum for people to express their

> opinions, as well as their anger, and to advance agendas, whether factually

> or in a way designed to manipulate with emotions.

>      I'm a writer who lives in Seattle, and my credentials include

> freelancing for NPR as well as numerous print publications. I have a long

> association with jack, going back to the summer of Woodstock, when I turned

> 18 and read On The Road and contemplated grabbing my rucksack and running off

> with the lonesome traveler who'd given me the book and taken my virginity (a

> fair swap, I must say).

>      The Road, for me, for the last near-30 years, has been as straight as a

> corkscrew, but jack was always there somewhere. Someday I'll tell that story.

> Right now, I have something more important to say.

>      In the passionate environment that surrounds all things Beat and

> people's personal connections to them, and especially, to jack himself, all

> of us who have come after the fact (not folks like Leon and Charles) seem to

> have staked claims and established turf.

>      As principal characters in the kerouac saga burned bright and then

> burned out, issues began to surface. The issue that has become the most

> addressable is that one which was heatedly discussed here a month or so ago:

> the *preservation* of jack's archives. It is part of that issue I wish to

> address, with new information I acquired through research.

>      I've been in touch with people who could only be described as secondary

> to the life of jack kerouac, asking questions and assembling a feature story.

> There are also many people I have not met or interviewed. But two of the

> people I have interviewed by phone and through thousands of words in letters

> are Rod Anstee and Gerry Nicosia. I had the opportunity to form opinions

> about both these men independently, since I did not know, at first, their

> history with one another. Because of their individual credentials, and as I

> learned the history they'd shared, determining reliability from either of

> them (as sources for news or feature stories on archive or Estate issues) was

> essential to writing the most accurate possible account.

>      Rod posted a letter to this list regarding the contents of Gerry's UMass

> archives, and I observed the claims and reactions that followed, without

> comment. I was sad and upset, as I think most of us were, to witness the

> conflict.

>      After Rod voluntarily signed off the list and the rest of the conflict

> played itself out, I called Martha Mayo at UMass, for the specific purpose of

> verifying a) what Rod had claimed and b) what Gerry had claimed. Here are

> some of my notes from that interview, for your edification:

> 

> ***Martha Mayo interview, 1:40 to 1:48pm PDT, 17 June 1997 (Mogan Center,

> UMass Lowell, 508/934-4997)****

> 

>      I gave my name and location, said I was a writer, said I was traveling

> east later this year and wondered about my chances for seeing the Memory Babe

> (MB) collection.

>      "It's an open collection. Anyone can view it," Mayo said. "It carries

> with it some standard restrictions. But the major restriction is that letters

> from authors cannot be photocopied, because they are copyrighted materials,

> copyrighted by the Estate.

>      "No photocopying is allowed of any of Kerouac's letters, because many of

> them are photocopies that came from other collections, and there are

> copyright issues.

>      "There is nothing original in this collection," she said. "These are

> research notes gathered from many sources."

>      She said they're very understaffed right now because school's out for

> the summer, but that there is always someone available from 9am to 5pm,

> Monday through Friday, to assist people who want to see the collection. She

> said people aren't really using it that much, but that someone had recently

> come to town and spent time viewing the collection. "Just make an appointment

> 3 or 4 days in advance, letting us know when you'll be here."

>      So, according to Martha Mayo a) the MB collection is not closed; b) the

> MB collection contains photocopies from other collections; c) anyone who asks

> permission can see the collection; d) the collection is composed of

> photocopies only; and e) no one is allowed to photocopy these photocopies.

>      In short, Rod Anstee is right about the MB collection and what s in it.

>      I invite you to check these facts on your own. If anyone in the Lowell

> area could actually walk in and test this, that would be best.

>      My point is this: when anyone claims anything, especially in matters

> that are so potentially inflammatory as this one is, verify the facts, if

> there are any. There s no need to become personally involved or defensive

> about facts.

>      One last note about threats of litigation regarding libel, slander and

> copyright infringement: read the Associated Press Stylebook and Libel Manual

> for a broad overview of these legal terms and their ramifications. Truth is

> always a legitimate defense.

>      The rest of the information I ve gathered over the last few months will

> be submitted for publication to various markets. I will post a notice of any

> impending publication to this list.

> 

> Diane De Rooy

> ddrooy@aol.com

> membabe@aol.com

Well, I see that this ugly beast raises its head again.  I am in the

process of preparing a contract to represent Gerry N. with regard to

certain matters involving the collection.  Therefore, I do not wish to

comment many of the matters raised in this post, except to say, I note

that the author did not actually go and obtain access to the archives.

Also, I understand that the photocopies of letters contain Gerry's

notes.  They are not photocopies from other libraries, but from the

owner of the letter, ie, perhaps Allen Ginsburg, etc.  It is true that

you can make fair use of a letter, but you may not photocopy it unless

the library owns the original.  Thus, if Allen gave a letter to Lowell,

and Gerry had written notes on it, you could photocopy it.  But without

the original, the library can not let you copy it.

 

I also will note to the list that Martha Mayo did not respond to my

inquiry about the origin of the copies in the file.  Further, I have

copies of letters from scholars claiming that Martha Mayo denied them

access to the archives because of threats by third parties.  So, I do

not believe that this post and an telephone conversation with Martha

Mayo is sufficient to draw any conclusion such that Rod is right and

Gerry is wrong.

 

It also is worthy to note that UMass at Lowell has mixed in with Gerry's

archives other documents.  So, the fact that a document is in the

archives does not mean that it was placed there by Gerry.  Paul Marion,

and perhaps others have placed materials in the library.

 

These are objective facts, not my opinon.  Martha Mayo is correct to say

that photocopying of documents that they do not own the orginals of is

not permitted.  She is incorrect to say that permission of the author is

required to allow the copying of letters.  It is ownership of the

document that controls that issue.

 

I also note with interest that this post appears almost a day or two

after Gerry signed off the list.  Diane, do you have any affiliation

with Antsee, Chaput, Sampas etc.?  I know that there have been some

other developments in that arena lately, so I wonder about your timing.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 17:15:28 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      fear and loathing

Content-Type: text

 

the current (June/July 1997) issue of Facets Features, an update

published by Facets Multimedia has the following entry:

"Johnny Depp will star in _Fear and Loathing in Las Vegas_, which is

based on Hunter S. Thompson's novel and will be directed by Alex

Cox (_Sid and Nancy_)."

Whaddya think of that!

Cordially,

Mike Skau

6/30/97

=========================================================================

Date:         Mon, 30 Jun 1997 18:28:21 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      suspicious, but perhaps unfounded.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Has anyone on the list ever heard of Diane De Rooy.  I ran a 411 search

and turned up nothing.  I ran one on my email address and got me.  So, I

am very curious about this.  I know that there have been phantom posts

from aol before and that Jerry C. smoked some of those out.  If Diane is

a real person, I apologize to her, but this post seems very suspicious

and the timing makes it even more so.  I apologize, for an off topic

post.

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 22:38:22 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

 

Rinaldo wrote:

Sherri,

i agree with yr fwd message, i have already posted likes

message in march 97 & now i dont' know if nazi are attempting

to re-vote 'bout this NG, if this the case, please send yr

fresh informaion, 'cuz i was pointed (in march 97) that the

vote was over & the nazi NG spin off the Usenet... but time

perhaps are a changin',

ciao e tanti saluti da

Rinaldo.

 

Buona sera Rinaldo...

 

Thanks... don't vote again.  Someone on this beat-l list has informed me that

the thing is "legendary"... which I

took to mean.. not real.  He also pointed out something that had troubled me

when I sent it...  I wholeheartedly reject censorship... but i have a real big

problem with organized hate.

 

Where do we draw the line?  This is is definitely a literary issue. I think I

already have my personal answer, but would like to know from any and all of

you if you think there is ever a time when a group's ideology can be

considered harmful enough to humankind that its "propaganda" should be held

somewhat in check, not stifled or thwarted... maybe minimized.  I even ask

this question in trepidation because the notion of anyone's self expression

being limited really sticks in my craw. Yet still....

 

Ciao, mi amici,

Sherri

=========================================================================

Date:         Mon, 30 Jun 1997 22:47:35 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: fear and loathing

 

I say WAHOO!!!!!!!  thx for the info Mike

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Michael Skau

Sent:   Monday, June 30, 1997 3:15 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        fear and loathing

 

the current (June/July 1997) issue of Facets Features, an update

published by Facets Multimedia has the following entry:

"Johnny Depp will star in _Fear and Loathing in Las Vegas_, which is

based on Hunter S. Thompson's novel and will be directed by Alex

Cox (_Sid and Nancy_)."

Whaddya think of that!

Cordially,

Mike Skau

6/30/97

=========================================================================

Date:         Mon, 30 Jun 1997 16:25:11 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Puzzled by this censorship thread.  I thought the idea was that

expression of ideas, however dead wrong they are was permitted.  Action

was the problem.  Do we make the world a better place by outlawing

ideas?  Just asking.

 

J Stauffer

=========================================================================

Date:         Tue, 1 Jul 1997 07:16:27 -0400

Reply-To:     Andrew Szymczyk <trent@JANE.PENN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Andrew Szymczyk <trent@JANE.PENN.COM>

Subject:      unsubscribing...

Mime-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

oh geez,

 

                before everyone gets on my case about this

        i need to explain that i already know the commands,

        but for some reason the server won't accept my

        address meaning that it won't let me off.  i've also

        tried to contact the administrator, but my letter was

        returned with a vengence stating that there was no

        one on the other end of the address i tried.  so if

        you're reading this i'd like to know what i should

        try next.

=========================================================================

Date:         Mon, 30 Jun 1997 07:50:53 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

> 

> Puzzled by this censorship thread.  I thought the idea was that

> expression of ideas, however dead wrong they are was permitted.  Action

> was the problem.  Do we make the world a better place by outlawing

> ideas?  Just asking.

> 

 

Censorship of any kind cannot be permitted in books or on usenet.  The

free expression of ideas is what this country (and the beats) are about.

No matter how much you loathe someone's ideas, they have a right to

express them as much has you have a right to express your's.  An idea is

simply an idea. People try to ban ideas they fear. Your own freedom of

speech can only be protected by fighting for the free speech of all.

Enough said by me.

DC

=========================================================================

Date:         Tue, 1 Jul 1997 00:01:19 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

 

I know you're right, Diane...  guess emotions and loathing got the best of

me...  apologies.

 

Ciao Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Monday, June 30, 1997 7:50 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: No Nazi On The Net was (Re: FW: please read this and vote)

 

James Stauffer wrote:

> 

> Puzzled by this censorship thread.  I thought the idea was that

> expression of ideas, however dead wrong they are was permitted.  Action

> was the problem.  Do we make the world a better place by outlawing

> ideas?  Just asking.

> 

 

Censorship of any kind cannot be permitted in books or on usenet.  The

free expression of ideas is what this country (and the beats) are about.

No matter how much you loathe someone's ideas, they have a right to

express them as much has you have a right to express your's.  An idea is

simply an idea. People try to ban ideas they fear. Your own freedom of

speech can only be protected by fighting for the free speech of all.

Enough said by me.

DC

=========================================================================

Date:         Mon, 30 Jun 1997 21:09:29 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

Comments: To: stauffer@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

> 

> Puzzled by this censorship thread.  I thought the idea was that

> expression of ideas, however dead wrong they are was permitted.  Action

> was the problem.  Do we make the world a better place by outlawing

> ideas?  Just asking.

> 

> J Stauffer

As much as I despise the organized spread of hatred, I must say that I

have to agree with James here.  I don't want them in my world, but they

are here.  I suppose that teaching love and the truth will work better

than pretending like it is not real or censorship.  Lies like people

were not murdered are sad.  It is also sad that they continue.  But if

they get the Nazi's today, and academy award winning films tomorrow, I

suspect the beat list is not far behind.

 

ditto on that James, and I don't mean me too!

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 21:38:06 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> James Stauffer wrote:

> >

> > Puzzled by this censorship thread.  I thought the idea was that

> > expression of ideas, however dead wrong they are was permitted.  Action

> > was the problem.  Do we make the world a better place by outlawing

> > ideas?  Just asking.

> >

> > J Stauffer

> As much as I despise the organized spread of hatred, I must say that I

> have to agree with James here.  I don't want them in my world, but they

> are here.  I suppose that teaching love and the truth will work better

> than pretending like it is not real or censorship.  Lies like people

> were not murdered are sad.  It is also sad that they continue.  But if

> they get the Nazi's today, and academy award winning films tomorrow, I

> suspect the beat list is not far behind.

> 

> ditto on that James, and I don't mean me too!

> 

> Peace,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

just a brief note to let people know that i am alive.

a wonderful shift from God thread to Nazi thread.  amazing the extremes

in thought patterns and wonder if a middle is somewhere in between and

whether it would be worth typing about even if it were found.

am reading Eisenhower's autobiography cause he's a Kansan and i went to

his funeral and cause i read it and marked it all up once when i'd gone

far beyond the edge of reason and cause the title is At Ease and Ease is

something i long to find in life.

wonder sometimes about these neo-"Nazis".  not certain that they are

deserving of the label.  this is misunderstandable i imagine but frankly

from what i've seen and heard of these folks in America they are rank

amateurs without a clue what ultimate evil even looks like -- let alone

being anywhere close to gaining the influence and power that precedes

the actions of evil connected with the Nazis.  Not that i'm a big fan of

evil or anything - but let's give the devil and Hitler their due and not

let folks think they're in the same league just by shaving heads and

screaming insanities.  certain labels Nazis included really are

something one would have to earn i would think and i've not yet learned

of significant actions in the arena of evil taken by said folks that

puts them under the shadowy cloak of evil the Fuhrer presented to the

world.

 

of course here in Kansas i may be misinformed :)

 

take care all,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 30 Jun 1997 22:42:24 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      burroughs story

 

today my boss (an english teacher) told me that he went to a bar and had a

drink with william burroughs once.  I almost fainted.

 

     here is my sycophantic poem of unadulterated obsequiousness dedicated to

this great genius of the 20th century (other 20th cent. genii: picasso,

breton, duchamp...):

 

bill-ee bill

you de man

you de boss

you de boss-man

yes suh yes suh

3 bags full

 

Lawrence, Kansas is so far, so far, so far!

Why do i hafta work dis damn job?

all i wanna do is a boom-boom-boom

and a zoom-zoom!

(hand of doom)!

 

i'm goin' to see you in September cause i'm going away

(far away! far away!)

and i might not come back;

and right now Lawrence Kansas feels like the center of the universe.

a-boom, BIP-----a-boom-BIP!

 

I just want to look into your eyes and know that you are real.

just once.

You spin my synapses into extatic convulsions

of realization that there is the possibility

that maybe

and it's a big "IF"

....there's hope in a grain of sand.

I'l make you proud of me, daddy-o!

 

(this is possibly the worst poem ever written by a human being, maybe isn't a

poem at all, but hey, i'm not the only one who posts crappy stuff on this

list)

AHEM AHEM AHEM

(yes, i clear my throat in YOUR direction, my friend)

 

----------Maya<<<has frog in throat.  Reaches in and gropes around, finally

manages to grab frog by the leg. Pulls frog out.  Notices that frog's wisened

eyes have uncanny resmblance to William s Burroughs'.......>>>

=========================================================================

Date:         Mon, 30 Jun 1997 22:49:15 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: two beats in one state meet

 

In a message dated 97-06-29 17:01:38 EDT, you write:

 

<< 

 hi all. i dont want to make this into chatroom city, but did want to tell

 you all that diane carter (my editor from mad magazine and journalist in

 her own write) and i met for lunch. and diane kept her lunch down after

 being assaulted verbally by my own recordings of my recent pomes. that's

 bein in the trenches let me tell you. and a perceptive ear as well as a

 comely eye, diane.

 thanks

 leon, you were right all along!

 mc >>

 

I LOVE MAD MAGAZINE!!! Does anyone know any cool old comic books or mags? I

mean funny ones?  Ones that make fun of anything and everything

indiscriminately?

please let me know!

--maya

=========================================================================

Date:         Mon, 30 Jun 1997 23:16:07 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: chicago

 

The greatest book I've read on Chicago since Nelson Algren is: Beneath The

Empire of the Birds by Carl Watson, Apathy Press Poets, T. Diventi, ed. 409

Kent Ave. Brooklyn, NY  11211, 718-218-8634. Cover design by Joe Coleman who

did the cover for Jack Black's You Can't Win.

Charles Plymell

=========================================================================

Date:         Tue, 1 Jul 1997 03:19:31 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: burroughs story

 

too much, man...

i'm flying, flying

higher, higher

and a bippidy boppidy boo!!!   <tremendous laughter>

 

Great to have some good laughs... you go girl!

 

Ciao, Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Maya Gorton

Sent:   Monday, June 30, 1997 7:42 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        burroughs story

 

today my boss (an english teacher) told me that he went to a bar and had a

drink with william burroughs once.  I almost fainted.

 

     here is my sycophantic poem of unadulterated obsequiousness dedicated to

this great genius of the 20th century (other 20th cent. genii: picasso,

breton, duchamp...):

 

bill-ee bill

you de man

you de boss

you de boss-man

yes suh yes suh

3 bags full

 

Lawrence, Kansas is so far, so far, so far!

Why do i hafta work dis damn job?

all i wanna do is a boom-boom-boom

and a zoom-zoom!

(hand of doom)!

 

i'm goin' to see you in September cause i'm going away

(far away! far away!)

and i might not come back;

and right now Lawrence Kansas feels like the center of the universe.

a-boom, BIP-----a-boom-BIP!

 

I just want to look into your eyes and know that you are real.

just once.

You spin my synapses into extatic convulsions

of realization that there is the possibility

that maybe

and it's a big "IF"

....there's hope in a grain of sand.

I'l make you proud of me, daddy-o!

 

(this is possibly the worst poem ever written by a human being, maybe isn't a

poem at all, but hey, i'm not the only one who posts crappy stuff on this

list)

AHEM AHEM AHEM

(yes, i clear my throat in YOUR direction, my friend)

 

----------Maya<<<has frog in throat.  Reaches in and gropes around, finally

manages to grab frog by the leg. Pulls frog out.  Notices that frog's wisened

eyes have uncanny resmblance to William s Burroughs'.......>>>

=========================================================================

Date:         Mon, 30 Jun 1997 23:30:27 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      high coup (haiku)

 

the sweet smell of summer leaves,

dark green and steaming in the sunny, buzzing air.

 

m

=========================================================================

Date:         Mon, 30 Jun 1997 23:35:09 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Summer Reading Project

 

In a message dated 97-06-30 14:23:33 EDT, you write:

 

<< Charles,

 

 Cool... and although there is a lot of pablum, I hope you don't mind the

 medium growing and expanding beyond it origins... it would be dead if it

 didn't.

 

 By the way, I am somewhat new to Beat lit, although the ideologies are what

I

 cut my teeth on.  So please forgive me when I say that I am unfamiliar with

 your work, but would like to change that.  Does City Lights publish you?

 And

 what would you suggest as my first read? >>

 

City Lights published the first edition of Last of the Moccasins and the poem

Apocalypse in City Lights Journal which was later brought out as a chapbook

handset and designed by Dave Haselwood in SF. Since then I have had nothing

to do with City Lights.

Try the following site as a primer: www.buchenroth.com/cplymell.html, click

to Goblin, Room Temperature, etc.  My published work is out of print except

the second American edition of Last of the Moccasins which is available from

Jeff at Waterrow. That should cut you through the time warp.

Charles Plymell

=========================================================================

Date:         Mon, 30 Jun 1997 23:27:16 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Mad Magazine

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I always loved the word plays they did back in the 60's like:

 

She drove off in a huff.  and it would have a drawing of a woman in a

car that looked like a Nash Metropolitan. (Hey Charles, did you ever

have a Nash!!!!  Those were some cherry wheels.  Too bad they sold out

to Rambler, American, Chrysler.), etc.  Those were some of the best

intellectual stuff around on any level.  Til National Lampoon came

along.  It raised the ante.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 23:36:49 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Dreams

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Dreams

 

In a dream, God said to me:

"Don't you EVER mention my name on

the Beat List again."

I figured she was just joking!

Like when the animals were

Brought to Adam,

"He called it an elephant!!!"

"HaHaHaHaHaHaHaHaHaHaHa!"

Does God ever make idol threats

Against you in your sleep?

I dreamed I saw God and

Maya's face was on him.

Then I thought, I don't

Know Maya's face.

Then I thought, well,

This is a dream.

So, maybe it was her face?

Then I went behind the

Big screen where my cat

Was swatting at a roach,

And there was that guy

That looked like the guy

>From Mad Magazine.

He said, "What, God worry?"

So, I am wondering

If I should take it all

Seriously or not.

Hey, the phone just rang.

It's God, he wants to

Play handball.

Zeus is out of town.

Hera won't leave him home alone.

I told him one on one full court,

But I don't do handball.

We have a $35.00 bet.

I wonder where he is planning on parking?

 

rbk 6/30/97

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 23:58:22 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      WARNING! non-beat! do not read!

 

(I know i have a problem with my trigger-happy "send" finger, but you read

the warning and you did this to yourself, cats)

 

 

theremin nightmare swims through greenly closed eyes

the red dots are here again

llllllllike doppler test skinner boxes,

inkblots reading my mind in the dark

 

 so bad for your eyes the incision must be made at the precise point of damn

i forgot to save it again so it's lost forever but i remember to brush my

teeth.

the precise point of intersection between ear and soul#3.

Don't be afraid, you've been there all along.

 

There are many concepts of time which have not been explored sufficiently in

our flat, flat, flat western world and these are the following:

 

time as distance.  Time = how long it takes to get from A to B.

 

time as circular. No explanation needed we all know about hinduism, etc.

 what about mayas and aztecs, too? circular and repetitive. Sun moves in

circle.(some heretics suggest it is we who move! but this is obviously a lie)

 

time as defined by what you are doing, your activities.  For example, not 12

o'clock but "llunchtime", etc. we do it all the time.

 

time and whether or not you can do what you want with it, degree of choice of

what to do with it as reflecting your socio-economic class.  America today.

 

---maya (god is on the Evolutionary Level Above Human)

(Time as non-existent,non-expressable constant evolution of all things

always) (after all this time in our quantifiable view of life, our world is

still so very flat, so very flat!)

 

Resounding platitudes are not limited to this list.

 

=========================================================================

Date:         Mon, 30 Jun 1997 22:00:07 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: fear and loathing

MIME-Version: 1.0

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Actually, Depp and Cox had quite a difference in opinion of how the book

should be filmed, and Cox has been dropped. Last time I heard filming is

now set for early July with Terry Gilliam doing the honors.

 

Adrien

 

Michael Skau wrote:

> 

> the current (June/July 1997) issue of Facets Features, an update

> published by Facets Multimedia has the following entry:

> "Johnny Depp will star in _Fear and Loathing in Las Vegas_, which is

> based on Hunter S. Thompson's novel and will be directed by Alex

> Cox (_Sid and Nancy_)."

> Whaddya think of that!

> Cordially,

> Mike Skau

> 6/30/97

=========================================================================

Date:         Mon, 30 Jun 1997 21:09:51 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Beat core

Comments: To: "neudorf@discovland.net" <neudorf@MAINSERVER.DISCOVLAND.NET>

In-Reply-To:  <33B54E5D.5978@discovland.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 28 Jun 1997, neudorf@discovland.net wrote:

 

> J. Stauffer wrote:

> 

> > Does anyone have any suggestions for reading projects that might help

> > restore some minimal level of Beat focus to the list before it

> > completely evaporates into the dissapearing ozone layer with more and

> > more Kozmic Kuestions like Poesey and Godliness?

> 

> Just finished reading Kerouac's 'Mexico City Blues'. It gets stronger as

> you read it. I have come to the conclusion that his Blues choruses must

> be read drunk, or with at least a buzz, the rhythms jump out easier. It

> is also closer to his state while writing them.

> 

> Anybody read Bob Kaufman? he's a real character.

 

i see what you mean--at least partially; however, my beat lit students

have just waded through some of the choruses--and i think they found them

quite lucid and indeed huzzah magical even without weed or booze; of

course Jack wrote many (?) of them on a coffee and pot high...but then

again their tenor and tone and imagery and such are red and right for any

(well, pretty much any) state of mind. my students were very impressed

byt michael mcclure's notion that MCB is the greatest long religious poem

in the 20th century. quite an imprimateur. of course then MCB would beat

out Eliot's Wasteland--which is quite a wow religious poem in its own

right!

> 

 

Steve R. Smith

Dept. of English

Pacific University

Oregon

=========================================================================

Date:         Tue, 1 Jul 1997 00:12:52 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

 

In a message dated 97-06-30 13:59:50 EDT, you write:

 

<< ok. I'm a big fan of the river. >>

Well, I hate to be a bore, but sometimes it seems that those who discovered

the beats seem to frame them or freeze them in time like a fast food carry

out. One of the poet's poet who influenced them all wrote a poem titled The

River. It used to be in his Brooklyn Bridge collection. Harte Crane was

notoriously homosexual, though like Whitman it was deseminated throughout his

vision. He was the first poet I've read who so openly used the breath to end

lines, combined and invented words from what was around him, embraced his

lovers, relied heavily on spontenaeity for his images and vision. I think it

is The River that provides an example of all these things that made his poety

great and acknowledged rather secretly by all those who came later,

especially the beats. That poem, or one, begins with about a half page of

breath, combining ads "ripped in the guaranteed corner" and when the breath

runs out, the next breath softens with "and left three men sitting on the

tracks/watching tailights wizen and converge." I don't have his book, so this

is recalled from the 50's. But I'm sometimes perplexed with the "Alpha and

Omega" sense that surrounds the "discovery" of the beats?

Charles Plymell

=========================================================================

Date:         Mon, 30 Jun 1997 21:29:41 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Visionaries (Eliot/Ginsberg again, for Michael Skau & et al)

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33B763DB.63BC@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 30 Jun 1997, Diane Carter wrote:

 

> Now that I've reread some Eliot, I am ready to address a few points from

> earlier Eliot/visionary discussion.

> 

> I think there needs to be a distinction between a poet that writes

> symbolically and a visionary.  Eliot is really depressing.  Eliot saw

> what was wrong, spiritually, but accepted "death-in-life,"

> 

> (Prufrock)

> "Do I dare disturb the universe?"

> 

> "I am no prophet--and there's no great matter;

> I have seen the moment of my greatness flicker,

> And I have seen the eternal Footman hold my coat, and snicker.

> And in short, I was afraid."

> 

> Eliot saw the vision, saw what was necessary to do, but could not rise to

> the task.  The visionary poet must in some meaning of the term, be a

> prophet, rail against the status quo, and in doing so put forth a his own

> positive vision of what is possible.  He must as Chris Dumond, so

> articulately put, in another post about Ginsberg, "[rain] life, pride,

> and love on us all."   Blake took the work of other writers, like Milton,

> and put his vision over their's in a way that spread out, and widened,

> set up his own system, of what was and what could be.

> 

> The hope in the Wasteland is faint, really faint, the sound of thunder

> there but not resonant, not awakening, at least not yet.  The grass is

> singing but it is not fully alive.  Not in the way Whitman or Ginsberg

> sang or were fully alive.  A visionary says "this is what I see" and

> projects his vision out there, loudly.

> 

> Eliot writes,

> "No! I am not Prince Hamlet, nor was meant to be;

> Am an attendant lord, one that will do

> To swell a progress, start a scene or two,

> Advise the prince; no doubt, an easy tool,

> Deferential, glad to be of use,

> Politic, cautious, and meticulous;

> Full of high sentence, but a bit obtuse"

> 

> Eliot used symbols well, layering in metaphoric and metaphysical

> dimensions, the fire and rose are one, even cyclic sometimes in his view

> of words and history, but often his words are devoid of power, the power

> to change, to do anymore than accept his lot.  A true visionary

> transforms experience, their experience and our experience.  In Howl,

> Ginsberg raged against America, but he also saw the possibility for the

> hope that rises up in our humanness.  Eliot is not grasping upon the

> mermaid, rising with her cutching rebirth, he is looking at it from afar.

>  I would describe his voice not so much as a visionary one as one that

> saw what was possible, but was unable to grasp whatever he needed to

> transcend his condition.

> DC

> 

Hi, Diane. But there is the WAY in the Wasteland--the regenerative

spirit and flesh available through the grail and the knight moving

through the pilgrimage to it. yes, the Wasteland is bleak (blook,

perhaps, in Kerouac's term) (or blear!), but there is Eliot's own (yes,

the intentional fallacy rears up here) faith. this does come through the

poem. no question i see Eliot as a visionary--like Blake and Ginsberg.

It's just they saw visions in different tone and different tenor. Of

course Blake and Ginsberg would not see through the same glass as Eliot

in all his rather conservative protestantisms, but they all three of

them SAW visions, i tend to see "visionary" poet as poet who sees of

beyond and through the "veils"--whatever the veils may be. Eliot could be

such a stick in the bloody mud, but he saw the bloody mud and clear on

through the bloody comedy (Kerouac's note in Desolation Angels) to "what

came next."

 

i am blah blahing here, but...

 

 

Steve R. Smith

English Dept.

Pacific Univ.

Oregon

=========================================================================

Date:         Tue, 1 Jul 1997 04:10:45 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Dreams

 

Hahahahahaha!!

 

so why didn't you tell him to call Thor?  Bad news if god plays a joke on you

and moves the no parking signs, then wins the game.....  <hehehe>  you be

broke, big daddy

 

Thanks for the grins,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of R. Bentz Kirby

Sent:   Monday, June 30, 1997 8:36 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Dreams

 

Dreams

 

In a dream, God said to me:

"Don't you EVER mention my name on

the Beat List again."

I figured she was just joking!

Like when the animals were

Brought to Adam,

"He called it an elephant!!!"

"HaHaHaHaHaHaHaHaHaHaHa!"

Does God ever make idol threats

Against you in your sleep?

I dreamed I saw God and

Maya's face was on him.

Then I thought, I don't

Know Maya's face.

Then I thought, well,

This is a dream.

So, maybe it was her face?

Then I went behind the

Big screen where my cat

Was swatting at a roach,

And there was that guy

That looked like the guy

>From Mad Magazine.

He said, "What, God worry?"

So, I am wondering

If I should take it all

Seriously or not.

Hey, the phone just rang.

It's God, he wants to

Play handball.

Zeus is out of town.

Hera won't leave him home alone.

I told him one on one full court,

But I don't do handball.

We have a $35.00 bet.

I wonder where he is planning on parking?

 

rbk 6/30/97

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 00:53:39 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Standing here

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Standing Here

 

Standing here,

An outcast within.

Swim in light,

A well meant vow.

 

I lack the courage,

To maintain until

I meet my rebirth again.

I face my dreams,

They, so like an angry wife,

Who cannot be divorced,

Except.

 

The debasing night.

To become honest.

Moment's realized revelation,

Years of seconds,

Moments of years,

My demons ARE mine.

 

This stand, may not be unique,

But, it's the only one I have.

 

Hidden too long.

I lack the courage,

To maintain

Until my rebirth again.

 

Standing here.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 07:42:24 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      No Nazi AGAIN!!!.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dEAR fRIENDS,

i'm noticed in advance many people disagree with

censored the NG nazi, anyway i agree with people

who want that hate & dont' forget that hitler gang

was let talked in past & from word to word people

agree with the project & then olocausto became a reality,

word arent' facts, maybe but in politics there a bit

different matter i suppose,

tHanx alot for yr opinions my friends,

---

yrs

Rinaldo.

* I write peotry because Ezra Pound saw an ivory tower,

        [bet on one wrong horse... ---allen ginsberg *

=========================================================================

Date:         Mon, 30 Jun 1997 23:36:31 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: high coup (haiku)

In-Reply-To:  <970630233024_340215299@emout17.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<<oh my>>

 

At 8:30 PM -0700 6/30/97, Maya Gorton wrote:

 

 

> the sweet smell of summer leaves,

> dark green and steaming in the sunny, buzzing air.

> 

> m

=========================================================================

Date:         Mon, 30 Jun 1997 23:41:37 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Dreams

In-Reply-To:  <33B87B51.73D3527@scsn.net>

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<<nice>>

 

At 8:36 PM -0700 6/30/97, R. Bentz Kirby wrote:

 

 

> Dreams

> 

> In a dream, God said to me:

> "Don't you EVER mention my name on

> the Beat List again."

> I figured she was just joking!

> Like when the animals were

> Brought to Adam,

> "He called it an elephant!!!"

> "HaHaHaHaHaHaHaHaHaHaHa!"

> Does God ever make idol threats

> Against you in your sleep?

> I dreamed I saw God and

> Maya's face was on him.

> Then I thought, I don't

> Know Maya's face.

> Then I thought, well,

> This is a dream.

> So, maybe it was her face?

> Then I went behind the

> Big screen where my cat

> Was swatting at a roach,

> And there was that guy

> That looked like the guy

> >From Mad Magazine.

> He said, "What, God worry?"

> So, I am wondering

> If I should take it all

> Seriously or not.

> Hey, the phone just rang.

> It's God, he wants to

> Play handball.

> Zeus is out of town.

> Hera won't leave him home alone.

> I told him one on one full court,

> But I don't do handball.

> We have a $35.00 bet.

> I wonder where he is planning on parking?

> 

> rbk 6/30/97

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 23:46:38 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: WARNING! non-beat! do not read!

In-Reply-To:  <970630235821_523982585@emout18.mail.aol.com>

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<<laugh>>  <<good health, Maya>> <<hm>>

 

At 8:58 PM -0700 6/30/97, Maya Gorton wrote:

 

 

> (I know i have a problem with my trigger-happy "send" finger, but you read

> the warning and you did this to yourself, cats)

> 

> 

> theremin nightmare swims through greenly closed eyes

> the red dots are here again

> llllllllike doppler test skinner boxes,

> inkblots reading my mind in the dark

> 

>  so bad for your eyes the incision must be made at the precise point of damn

> i forgot to save it again so it's lost forever but i remember to brush my

> teeth.

> the precise point of intersection between ear and soul#3.

> Don't be afraid, you've been there all along.

> 

> There are many concepts of time which have not been explored sufficiently in

> our flat, flat, flat western world and these are the following:

> 

> time as distance.  Time = how long it takes to get from A to B.

> 

> time as circular. No explanation needed we all know about hinduism, etc.

>  what about mayas and aztecs, too? circular and repetitive. Sun moves in

> circle.(some heretics suggest it is we who move! but this is obviously a lie)

> 

> time as defined by what you are doing, your activities.  For example, not 12

> o'clock but "llunchtime", etc. we do it all the time.

> 

> time and whether or not you can do what you want with it, degree of choice of

> what to do with it as reflecting your socio-economic class.  America today.

> 

> ---maya (god is on the Evolutionary Level Above Human)

> (Time as non-existent,non-expressable constant evolution of all things

> always) (after all this time in our quantifiable view of life, our world is

> still so very flat, so very flat!)

> 

> Resounding platitudes are not limited to this list.

=========================================================================

Date:         Mon, 30 Jun 1997 23:50:21 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

In-Reply-To:  <970701001250_174279242@emout17.mail.aol.com>

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<<and what were we saying about critics, so few, so rare?>>

 

At 9:12 PM -0700 6/30/97, Pamela Beach Plymell wrote:

 

> In a message dated 97-06-30 13:59:50 EDT, you write:

> 

> << ok. I'm a big fan of the river. >>

> Well, I hate to be a bore, but sometimes it seems that those who discovered

> the beats seem to frame them or freeze them in time like a fast food carry

> out. One of the poet's poet who influenced them all wrote a poem titled The

> River. It used to be in his Brooklyn Bridge collection. Harte Crane was

> notoriously homosexual, though like Whitman it was deseminated throughout his

> vision. He was the first poet I've read who so openly used the breath to end

> lines, combined and invented words from what was around him, embraced his

> lovers, relied heavily on spontenaeity for his images and vision. I think it

> is The River that provides an example of all these things that made his poety

> great and acknowledged rather secretly by all those who came later,

> especially the beats. That poem, or one, begins with about a half page of

> breath, combining ads "ripped in the guaranteed corner" and when the breath

> runs out, the next breath softens with "and left three men sitting on the

> tracks/watching tailights wizen and converge." I don't have his book, so this

> is recalled from the 50's. But I'm sometimes perplexed with the "Alpha and

> Omega" sense that surrounds the "discovery" of the beats?

> Charles Plymell

=========================================================================

Date:         Mon, 30 Jun 1997 23:56:26 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Standing here

In-Reply-To:  <33B88D52.39EBA75F@scsn.net>

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I don't know what you poety freaks are all cryin about tonight.  I know

Xena's dead, I know. I know.  but tune in next week.  Xena will ride

again!!  <<ahem>> Douglas

 

At 9:53 PM -0700 6/30/97, R. Bentz Kirby wrote:

 

 

> Standing Here

> 

> Standing here,

> An outcast within.

> Swim in light,

> A well meant vow.

> 

> I lack the courage,

> To maintain until

> I meet my rebirth again.

> I face my dreams,

> They, so like an angry wife,

> Who cannot be divorced,

> Except.

> 

> The debasing night.

> To become honest.

> Moment's realized revelation,

> Years of seconds,

> Moments of years,

> My demons ARE mine.

> 

> This stand, may not be unique,

> But, it's the only one I have.

> 

> Hidden too long.

> I lack the courage,

> To maintain

> Until my rebirth again.

> 

> Standing here.

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Tue, 1 Jul 1997 03:18:28 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Poet

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Diane Carter wrote:

 

> If poetry provides the answers, who asks the question?  The poet?  Ah,

> sorry folks, won't follow that line of line of thought any farther...

 

We don't have to worry about the origins of the questions. The poet

provides the answers, his answers = his truth ; and there are many

answers = many truths. As a reader, you choose which answers fit you

best.

 

JN

=========================================================================

Date:         Tue, 1 Jul 1997 00:13:33 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: No Nazi AGAIN!!!.

In-Reply-To:  <3.0.1.32.19970701074224.00689a48@pop.gpnet.it>

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I think I feel

that people will watch and wait

see what happens because you can't

be everywhere be everything

certainly not against

everything

my god

 

life is about breathing

about swimming

<<peeing in the pool>>

and about running

always about running

 

time takes a cigarette <<david bowie>>

 

Nazies, what do I care?

I think I feel

olo cost

that's why people don't agree

censsssor ship is bad!!!

 

douglas

 

At 10:42 PM -0700 6/30/97, Rinaldo Rasa wrote:

 

 

> dEAR fRIENDS,

> i'm noticed in advance many people disagree with

> censored the NG nazi, anyway i agree with people

> who want that hate & dont' forget that hitler gang

> was let talked in past & from word to word people

> agree with the project & then olocausto became a reality,

> word arent' facts, maybe but in politics there a bit

> different matter i suppose,

> tHanx alot for yr opinions my friends,

> ---

> yrs

> Rinaldo.

> * I write peotry because Ezra Pound saw an ivory tower,

>         [bet on one wrong horse... ---allen ginsberg *

 

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Tue, 1 Jul 1997 00:25:23 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: fear and loathing

In-Reply-To:  <33B88EC4.4ABC@sk.sympatico.ca>

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our little surfer

surfer dude

he's come a long way

barns having fallen on him

riding buck back high rollin

freakin dancin death boogy in

little buddha, mister dylan's dog

a patti smith poem, thank you

 

future comotose future

can you take a guess

what would you do?

star makes the money

cutts the funny

gets the honey

fuck me?

fuck me?

fuck you

 

quit a difference of opinion, obviously.  on his way to <<vegas>>

gott any heroine?

need heroine?

<<get back in the car man>>

jagged paintings hanging loosely

droppin pills and pepsies

heroine  <<where the qualudes, man?>>

 

lawyers will have a mess with this one man

sharks!!  eat him up  sharks!! eat him up

<<shut up Nancy!!>> <<Nancy girl>> <<nancy girl>>

 

<<adrian!!>> <<rocky??>>  <<Dr. Scott!!>>  <<huh??>>

geez, what kinda of a fear and loathing can we be expecting now?  Terry

Gilliam's pretty cool...  if only River Phoenix hadn't died...  <<man>>

 

Douglas

 

At 10:00 PM -0700 6/30/97, Adrien Begrand wrote:

 

 

> Actually, Depp and Cox had quite a difference in opinion of how the book

> should be filmed, and Cox has been dropped. Last time I heard filming is

> now set for early July with Terry Gilliam doing the honors.

> 

> Adrien

> 

> Michael Skau wrote:

> >

> > the current (June/July 1997) issue of Facets Features, an update

> > published by Facets Multimedia has the following entry:

> > "Johnny Depp will star in _Fear and Loathing in Las Vegas_, which is

> > based on Hunter S. Thompson's novel and will be directed by Alex

> > Cox (_Sid and Nancy_)."

> > Whaddya think of that!

> > Cordially,

> > Mike Skau

> > 6/30/97

 

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Tue, 1 Jul 1997 03:27:58 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Genius

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Maya wrote:

 

> (this is possibly the worst poem ever written by a human being, maybe isn't a

> poem at all, but hey, i'm not the only one who posts crappy stuff on this

> list)

 

There's no need for this. Not enough time in the world to double doubt.

Remember #29 on Kerouac's list: everything you write is pure genius

[paraphrase].

 

JN

=========================================================================

Date:         Tue, 1 Jul 1997 13:12:03 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: No Nazi AGAIN!!!.

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>Date:         Tue, 1 Jul 1997 00:13:33 -0700

>From:         runner711 <babu@ELECTRICITI.COM>

>I think I feel

>that people will watch and wait

>see what happens because you can't

>be everywhere be everything

>certainly not against

>everything

>my god

> 

>life is about breathing

>about swimming

><<peeing in the pool>>

>and about running

>always about running

> 

>time takes a cigarette <<david bowie>>

> 

>Nazies, what do I care?

>I think I feel

>olo cost

>that's why people don't agree

>censsssor ship is bad!!!

> 

>douglas

> 

>At 10:42 PM -0700 6/30/97, Rinaldo Rasa wrote:

> 

> 

>> dEAR fRIENDS,

>> i'm noticed in advance many people disagree with

>> censored the NG nazi, anyway i agree with people

>> who want that hate & dont' forget that hitler gang

>> was let talked in past & from word to word people

>> agree with the project & then olocausto became a reality,

>> word arent' facts, maybe but in politics there a bit

>> different matter i suppose,

>> tHanx alot for yr opinions my friends,

>> ---

>> yrs

>> Rinaldo.

>> * I write peotry because Ezra Pound saw an ivory tower,

>>         [bet on one wrong horse... ---allen ginsberg *

> 

> 

>http://www.electriciti.com/babu/                summer

>save it, just keep it off my wave               is

>  -- ("my wave," soundgarden)                   here

> 

dEAR,

i agree with u but i forced myself to forget that

Ezra Pound IS a fascist & put a line between poetry

& politics, but this not possible in every case,

the poetry as i known born in italy with San Francesco

& then with Dante Alighieri & wasnt' so clear that

was ONLY lit, poetry was POLITICS at his dawn its' no

doubt, & what i must say 'cuz im' born in a patria who

was the land where fascism was grown...

have my love,

Rinaldo. * a not competent beet *

=========================================================================

Date:         Tue, 1 Jul 1997 07:46:58 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      desperately seeking dave breithaupt!/radio show tape!

Mime-Version: 1.0

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sorry folks tried to backchannel the info; couldnt;

does anyone have db(breithaupt)'s snail mail address?

db: i got a package for you with an empty address.

mc

=========================================================================

Date:         Tue, 1 Jul 1997 08:03:27 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: suspicious, but perhaps unfounded.

Comments: cc: membabe@aol.com

In-Reply-To:  <33B83305.BF9B50CB@scsn.net>

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R. Bentz Kirby wrote:

>Has anyone on the list ever heard of Diane De Rooy.

 

Yes.  Diane organized a virtual memorial for Allen Ginsberg within a week

of his death on the America Online Beat Generation Chat Room.  The several

of us who logged on that morning remembered the best of Allen's work and

life.  We shared stories and posted excerpts from his work.  It was one of

the better memorials I attended that month.

 

Since then, we have exchanged occasional emails; and I have tried to return

to the Beat Generation Chat Room, but I always seem to turn up when the

room is empty.

 

I have found Diane to be honest, considerate, compassionate--and a very

good writer.  She is a professional.  I do not know enough about the

details of the estate controversy to comment on the nuances of the

arguments.  I was one of those BEAT-L subscribers who was not turned off by

the arguments over the estate these past few weeks.  As a scholar who

periodically must make use of closed-stack library collections--and as a

former Rare Books staffer--I found the arguments worth reading.

 

And I found nothing in Diane's posting that was outrageous.  Your

disagreements are well taken, as was your reminder that an actual visit to

the Lowell archives would constitute stronger evidence than would a

telephone call to the archives.

 

>I also note with interest that this post appears almost a day or two

>after Gerry signed off the list.

 

Did Gerry post a notice to the list that he was signing off?  If so, then I

understand why you said the above, and I'm sorry that I missed Gerry's

posting.  I have been swamped with work lately, and I've been unable to do

more than save the postings I've wanted to respond to (visionary poetry,

Ginsberg & Eliot) and hope to respond later.

 

But if Gerry did not give public notice that he was leaving, then how would

Diane--or any of us--know he was gone?  I know that listservs have a

command (I can't remember right now because it is saved in another file)

that will allow you to get a list of all current subscribers.  I tried this

for BEAT-L about two years ago, and was told that this particular command

was blocked.  As far as I know, the subscriber list is confidential.  Thus,

I'm not sure how Diane would know Gerry had signed off.

 

>I ran a 411 search

>and turned up nothing.  I ran one on my email address and got me.

 

I am probably more technologically challenged than I think I am.  Please

explain what a "411" search is.  The closest analogue I can come up with is

a directory assistance telephone search, which we can do locally by

dialling "411."

 

Do you mean a finger search?  If so, then rest assured:  the various times

that I have tried finger searches on folks who belong to AOL, I have

received no information.  As far as I can tell, AOL blocks finger searches.

 Every "finger" attempt to find a login name--and information on login

frequency--for an AOL user will turn up nothing.

 

Again, maybe I'm missing the "411" code.  Or maybe there is a way to

subvert AOL's finger-blocking.

 

>So, I

>am very curious about this.  I know that there have been phantom posts

>from aol before and that Jerry C. smoked some of those out.  If Diane is

>a real person, I apologize to her, but this post seems very suspicious

>and the timing makes it even more so.  I apologize, for an off topic

>post.

 

I am sorry, too, for the off topic post.  I just wanted to write to let you

know what I know of Diane as a real person.  By writing this, I do not

intend to involve myself in the estate controversy, nor do I purport to

have relevant knowledge of the controversy. I am not taking sides on any of

the issues that have emerged from the estate arguments. I hope this helps.

Take care--

 

Peace--

Tony

atrigili@lynx.neu.edu

=========================================================================

Date:         Tue, 1 Jul 1997 09:37:39 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: WHITMAN

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Sherri wrote:

 

><grins> so then, leo, was your thot on the beam, were you too lazy or scare=

d

>of pain, or does it mean that blood-letting is not required?   <still

>giggling>  Ciao, Sherri

> 

>----------

>From:  BEAT-L: Beat Generation List on behalf of

>=3D?iso-8859-1?Q?Sinverg=3DFCenza?=3D

>Sent:  Monday, June 30, 1997 2:07 PM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Re: Whitman

> 

>Douglas wrote:

> 

>><<still digging>>

>> 

>>>From:  Ksenija Simic[SMTP:ksenija@GALOIS.MI.SANU.AC.YU]

>>> 

>>>"Camarado,

>>>this is not a book!

>>>Who touches this, touches the man."

>> 

>>Note to myself:  explore book covers of beats.  first editions ---->

>>etc.  As a visual artist, how is "touching" presented.  in soft and hard

>>bind... ;-)  and if you eat the book.  lonely one night, alone in yer

>>room,  [[devour it whole]] have you "communed" with *The Man* as well???

>> 

>>Douglas  <<obese in thought, thin on restraint>>

> 

>I thought I could only be a

>writer if I pushed a book against

>my lips until i bled.

> 

>=3D46unny thought.

> 

>I dented my lip and tasted the

>book, but I didn't bleed.

> 

>-leo

 

it was a silly thought. i should've been waiting for the book to bleed.

Emerson said something about words being vascular; anyway, if you cut them

they will bleed.

 

leo

=========================================================================

Date:         Mon, 30 Jun 1997 23:12:51 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: God  <<still digging>>

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>Joseph Neudorfer writ

> 

> >= there is nothing holding us back from knowing all, but there is

> >no

> >physical possibility of reaching that 'all-knowledge', you would soon

> >swim in insanity . . . hense Jehovah is crazy . . . that is why even

> >Moses, the figure who was in Yahweh's presence, was not actually face

>to

> >face. When Moses asked Yahweh to reveal himself (one of the many times

> >on the mountains, after the burning bush), Yahweh only permitted Moses

> >to observe his back and shoulders - which on one level is a paradox in

> itself.>>

> 

 

> Penn, Douglas, K wrote:

> and is this why Andre Breton says "beauty must be repulsive"??  To reach

> 'all-beauty' would one soon be repulsed by everything??  and where to

>go

> from there?  back down the mountain??  [[please don't let me ask about

> the "burning bush" in this context, please don't let me ask, please...

> <<laughing>>

> 

> Still wish you would explain that Yahweh/Moses ---> back/shoulders

> paradox.  Maybe Yahweh was an ugly mofo, having a badhair day, and just

> decided to be shy?  somewhat kidding, but curious  <<answer via

> >backchannel if necessary>>

> 

The more I think about Joseph's post of reaching all-knowledge as

swimming in insanity and hense Jehovah is crazy, the more right on target

I see it.  I took the Moses observing back & shoulders analogy to mean

that if Moses [we] saw the face of God, we would indeed go insane.  Can

you even start to imagine what grasping the wholeness of human knowledge

and the universe in one instant would be like?  Much better that we grasp

at meanings broken down into bits, the god talked about in churches seen

in human terms, the idea of father, children, Jesus, all put in a human

mythological context so our feeble minds can cope.

DC

=========================================================================

Date:         Tue, 1 Jul 1997 08:17:34 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

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Diane Carter wrote:

> 

> James Stauffer wrote:

> >

> > Puzzled by this censorship thread.  I thought the idea was that

> > expression of ideas, however dead wrong they are was permitted.  Action

> > was the problem.  Do we make the world a better place by outlawing

> > ideas?  Just asking.

> >

> 

> Censorship of any kind cannot be permitted in books or on usenet.  The

> free expression of ideas is what this country (and the beats) are about.

> No matter how much you loathe someone's ideas, they have a right to

> express them as much has you have a right to express your's.  An idea is

> simply an idea. People try to ban ideas they fear. Your own freedom of

> speech can only be protected by fighting for the free speech of all.

> Enough said by me.

> DC

 

just curious...this country? isn't this the net...and a world-wide list?

Couldn't anybody, even joe kerouac over in Somalia, join?  Are our first

amendmentment rights protected Throws the ball to Bentz :)

I am actually curious about this one, because I chat over at alamak at

think cafe, and I go a number of rounds on whether a public site, though

privately maintained, can censor ideas.  I would appreciate any insights

you could provide.

        also...I am sure I could get a Beat chat room set up at optichat for

folks that wanted to talk...but there is a cursing filter...so in order

to truly curse, you have to do so creatively.

barb

=========================================================================

Date:         Tue, 1 Jul 1997 08:24:31 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: No Nazi AGAIN!!!.

In-Reply-To:  <3.0.1.32.19970701131203.0068b834@pop.gpnet.it>

Mime-Version: 1.0

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<<fighting a poundig head>>  Rinaldo writ:

 

> dEAR,

> i agree with u but i forced myself to forget that

> Ezra Pound IS a fascist & put a line between poetry

> & politics, but this not possible in every case,

> the poetry as i known born in italy with San Francesco

> & then with Dante Alighieri & wasnt' so clear that

> was ONLY lit, poetry was POLITICS at his dawn its' no

> doubt, & what i must say 'cuz im' born in a patria who

> was the land where fascism was grown...

> have my love,

> Rinaldo. * a not competent beet *

 

sometimes the patient cannot be saved must be cutout

32 x 32 they stand in slide specimens lines //gris gris

then pasted and photoshoped later //no no no no

Robert Rauschenberg got his start with Dante too

a bunch of illustrated cantos that won him recognition

got the 1964? Venice Biennial

then picked a fight with M. Cunningham the dancer

Jasper Johns his lover

and he's been slightly drunk political since

travelling to china, chilie, russia indonesia?  <<ROCI>>

his visuals and hunchback versace smile

//weapons for peace

 

don't know Ezra Pound at all

"Salo" by piero pasolini has my love

a fetching carrot, // Douglas

 

 

 

"If you love your fun, die for it!"  --Jello Biafra

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Mon, 30 Jun 1997 23:22:09 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

MIME-Version: 1.0

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Penn, Douglas, K wrote:

> 

> I agree words can be nothing/everything holy (as Ginsberg would

> apparently define), but I still must hold onto a societal view of

> "beauty" (and a few other choice words).  beauty needs to go for a ride

> with me for a while longer.  this I must see.  [[oh..exhale..]] why is

> it so hard to give up words?  they answer so many questions.

> 

>         "what are words for, when nobody listens any more for

>         [....] there's no use talking all..."  [missing persons]

> 

 

What you will find is that if you think about a word long enough it will

lose all of it's meaning.  It will become frayed, and fragmented, and

suddenly you will be thrust into the potentional absurdity of the

collective unconscious.  You will see where Kerouac and Joyce were going,

the place where one word means a million things at many levels, syllables

thrown together in that vast space we call the mind, charting the course

of history and eternity in one word, one moment.  And then you will start

writing that way, in the language of the unconscious and people will

spend years of their lives picking out all the inherent meaning in the

way words and syllables are run together.

DC

=========================================================================

Date:         Tue, 1 Jul 1997 08:25:44 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: high coup (haiku)

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Maya Gorton wrote:

> 

> the sweet smell of summer leaves,

> dark green and steaming in the sunny, buzzing air.

> 

> m

 

haiku to you, too!

 

Lovers sandwiching

My peanutbutter lust wants

Welch's grape jelly

 

:)

barb

=========================================================================

Date:         Tue, 1 Jul 1997 08:30:12 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

In-Reply-To:  <33B8BD1E.273A@owens.ridgecrest.ca.us>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<<merde, I'm late for work!>>

 

At 1:17 AM -0700 7/1/97, _____ Barbara Wirtz wrote:

 

>         also...I am sure I could get a Beat chat room set up at optichat for

> folks that wanted to talk...but there is a cursing filter...so in order

> to truly curse, you have to do so creatively.

 

cool.  chickenheads,

 prepare your engines!!

 

> barb

 

Douglas

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Mon, 30 Jun 1997 23:33:08 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Eating the book of life (was Re: Whitman)

MIME-Version: 1.0

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Penn, Douglas, K wrote:

> 

>Note to myself:  explore book covers of beats.  first editions ---->

> etc.  As a visual artist, how is "touching" presented.  in soft and hard

> bind... ;-)  and if you eat the book.  lonely one night, alone in yer

> room,  [[devour it whole]] have you "communed" with *The Man* as well???

>    lines of Ginsberg come to mind, [from Howl] "with the absolute heart of

the poem of life butchered out of their own bodies good to eat a thousand

years."  Feeding on the body of life is a common thread in much modern

literature, probably dating back to the reference of communion as feeding

on the body of Christ.  Joyce was big on feeding on the body, that each

of us is connected to collective humanity in this way, feeding on the

the dead, finding there life/work which enlightens us, and connects each

of us one to the next.

DC

=========================================================================

Date:         Tue, 1 Jul 1997 09:24:21 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: burroughs story

Mime-Version: 1.0

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The other evening, after consuming my usual dinner of scrambled eggs

smothered in Gib's Nuclear Hell Hot Sauce, I had a dream that my wife and

I met AG (in his late-life form) in the basement of a New York City

Firehouse--seemingly by appointment.  Every time I began to ask him a

question he'd get up and walk to another room in this tiny building

decorated in early 1960's naugahide.  After about twenty repetitions of

this he morphed into a younger version of himself (India/Paris days) and

said simply "I have to go now" and I woke up.

 

Any Amateur Freudian Psychoanalysts (as opposed to Bournemouth and

District Amateur Gynecologists) wanna take a crack at that one?

 

love and lilies,

 

matt

=========================================================================

Date:         Tue, 1 Jul 1997 09:34:23 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: fear and loathing

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>Actually, Depp and Cox had quite a difference in opinion of how the book

>should be filmed, and Cox has been dropped. Last time I heard filming is

>now set for early July with Terry Gilliam doing the honors.

 

     I know Gilliam does a wonderful job and has directed outside his

     "Genesis" but I just can't help thinking of a HST/Python marriage:

 

     Act 1, Scene 1:  HST and the crazed Samoan at 125 mph on 15 between

     Baker and the NV line.  Pan to rear view of convertible as giant green

     foot stomps convertible to bits and topless queen Elizabeth II appears

     over butte to left, googly eyes all agoggle.

 

     Don't trust the movie biz....filming may start today but debut may be

     in 2001!

 

     love and lilies,

 

     matt

=========================================================================

Date:         Tue, 1 Jul 1997 09:53:21 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Re[2]: burroughs story

MIME-Version: 1.0

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yes, you weren't running fast enough.

 

IMHO, Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

 

>----------

>From:  MATT HANNAN[SMTP:MATT.HANNAN@OTC.USOC.CCHUB.COM]

>Sent:  Tuesday, July 01, 1997 6:24 AM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Re[2]: burroughs story

> 

>The other evening, after consuming my usual dinner of scrambled eggs

>smothered in Gib's Nuclear Hell Hot Sauce, I had a dream that my wife and

>I met AG (in his late-life form) in the basement of a New York City

>Firehouse--seemingly by appointment.  Every time I began to ask him a

>question he'd get up and walk to another room in this tiny building

>decorated in early 1960's naugahide.  After about twenty repetitions of

>this he morphed into a younger version of himself (India/Paris days) and

>said simply "I have to go now" and I woke up.

> 

>Any Amateur Freudian Psychoanalysts (as opposed to Bournemouth and

>District Amateur Gynecologists) wanna take a crack at that one?

> 

>love and lilies,

> 

>matt

> 

=========================================================================

Date:         Tue, 1 Jul 1997 16:35:56 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

 

would be cool to do beat chat, let's do it!  Thx, Barb

 

Ciao,

Sherri

=========================================================================

Date:         Tue, 1 Jul 1997 10:28:18 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      message play

MIME-Version: 1.0

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note to myself:  find URL of article originally published in Monday's LA

Times.

 

Why Men Just Have to Monkey Around  <<snippet>>

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=

by Kathleen Kelleher (special to the Times)

 

<< 

Chimpanzees-the best human anlogue because they must cooperate to combat

common enemies and compete for females and rank-do something called

"message play."

 

"Instead of beating up on an adolescent male, an adult male starts very

roughly tickling. . . playfully slapping him and shoving him but giving

him the message that he _could_ beat him up if he wanted to," says Frans

de Waal, a primatologist at the Yerkes center and author of several

books on primates.

 

"It is turning tension into play.  It is a bit like tension between guys

and they turn it into a joke."

>> 

 

Douglas  <<who never bit anybody's ear off....>>

 

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Tue, 1 Jul 1997 17:33:36 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      gregory corso?

Content-Type: text

 

Ksenija,

The Corso line you were asking about is from line 15 of Corso's

poem "Bomb"; in English it reads," To die by cobra is not to die

by bad pork." "Bomb" was originally published as a broadside, and

later was collected in _The Happy Birthday of Death_ as a foldout

in that volume, surely one of the few books of poetry ever published

with a centerfold.

Cordially,

Mike Skau

7/1/97

=========================================================================

Date:         Tue, 1 Jul 1997 19:50:26 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Don't shoot the messenger

Comments: cc: gnicosia@earthlink.net, Diane DeRooy <MemBabe@aol.com>

In-Reply-To:  <970630143115_-461032658@emout14.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Diane,

 

This is a fact.

 

Ph.D. candidate from the University of Michigan, writing her dissertation

on Keroauc, was denied access to the collection Gerry Sold to U.Mass.

 

If Martha Mayo stated that anyone has access to the collection of research

material that was used to write MEMORY BABE: A CRITICAL BIOGRAPHY OF JACK

KEROAUC, she is not telling the truth.

 

j grant

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     372,191  visitors since July 1, 1996

=========================================================================

Date:         Tue, 1 Jul 1997 18:31:45 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Kill Time, Save Vegetables

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I think I smell treble beats.

I just wanted to let the group know that I know God and Satan personally and

they've asked me to clear up a few things here.  They're actually really

good friends.  They made up a long time ago.

  Satan and I have this running bit where he flies by my balconey and says,

"See you soon James."  And I say, "Yeah sure Satan you joker you."  And I

look out at the lake of fire and the folks gnashing their teeth and crying

and I laugh.

  God takes me to heaven about every three weeks.  Don't get me wrong, we

talk in between visits.  When I go to heaven, God and I get drunk and we

talk about you guys and humanity in general.  Occasionally, other species

pop up but that's usually when we're really out of it and we're bored.  God

always asks me what I wanna do and I say, "I dunno, whadda you wanna do?"

and he says, "I dunno man, I've done everything."  We usually end up jerking

ourselves from one edge of the universe to another and God'll say, "Okay,

we're here.  Now we're here.  Now we're over here.  Oh.  Now we're here."

 

  Then we go back to heaven and God lets me make fun of Christ.  I say

things like, "Jesus Jesus, you shoulda, you know, made yourself tough as

nails.  Or if you didn't wanna do that, you shoulda told everybody not to

start a religion based on what you said because there's these guys with

really big hats and they tell everybody what you REALLY meant.  I mean, you

shoulda thought ahead man.  Why didn't you do a little writing yourself?

You know, make the message neon and eternal or something."  And Christ

invariably says, "I was just doing what Dad wanted."  And God says, "When

are you going to grow up?  Jesus Christ Jesus Christ."  Blashpemy is allowed

in heaven by the way.  God's always saying, "Medammit, time for another

earthquake."

  If anyone's interested, I'll relate more of what's been going on with God,

Satan and other religious figures and me later.

                                                 James M.

"I'm dying.  I hope you're dying too."

=========================================================================

Date:         Tue, 1 Jul 1997 18:44:21 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <33B83305.BF9B50CB@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

>Has anyone on the list ever heard of Diane De Rooy.

 

I have swapped mail with membabe@aol.com on various topics such as irc.

 

> I ran a 411 search

>and turned up nothing.  I ran one on my email address and got me.

 

I went to www.four11.com and did a NAME search on you. You did not show up

in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

mean youd on't exist? And as far as the web search engines work, they only

work if YOU yourself put your name in OR someone buys your name off the

list. just because someone does NOT show up in the web search means they do

not exist.

 

I also did a search on Charles Bukowski: Three email addresses

                           Charles Plymell: No matches

                           James Stauffer: 23 Matches

                           Jack Kerouac: No Match

                           William S. Burroughs: No match

So do these people not exist because you did not find them at

www.four11.com? Hardly.

 

> So, I

>am very curious about this.  I know that there have been phantom posts

>from aol before and that Jerry C. smoked some of those out.  If Diane is

>a real person, I apologize to her, but this post seems very suspicious

>and the timing makes it even more so.  I apologize, for an off topic

>post.

 

 

As for your "comptence" doing websearch, if you were my lawyer, I would

have fired you long ago for 'incomptence". Membabe is a very real person

and one *I* have corresponded with in the past about various and sundry

things.

 

SO before you go doing "searches" why don't you actually do a search. She

mentioned I believe that she lives in Seattle (or thereabouts) nothing to

look her up in the phonebook or do a search though DMV seeing as you are

such "the lawyer".

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 21:54:32 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Don't shoot the messenger

Comments: To: jo grant <jgrant@BOOKZEN.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

jo grant wrote:

> 

> Diane,

> 

> This is a fact.

> 

> Ph.D. candidate from the University of Michigan, writing her dissertation

> on Keroauc, was denied access to the collection Gerry Sold to U.Mass.

> 

> If Martha Mayo stated that anyone has access to the collection of research

> material that was used to write MEMORY BABE: A CRITICAL BIOGRAPHY OF JACK

> KEROAUC, she is not telling the truth.

> 

> j grant

 

Jo, she was not the only scholar.  Others have been turned away.  This

is the standard line given out by Mayo, but reality is different.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 21:10:59 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Next in the FireWalk line ... LONG

MIME-Version: 1.0

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some have shown interest in these ... if you're not one feel free to

delete quickly.

 

>From FireWalk Thru Madness, copyright December 1992 David B. Rhaesa

 

 

THE HISTORY OF TIME -- OR -- THE TIME OF HISTORY

                OR

HUMAN VEGETABLE TEACHES HISTORY TO COLLEGE STUDENTS

 

The wild eyed freshman walked upstairs to his history class.  First day

of college one class down one professor dead in the shadow of the wild

eyed boy=92s mind.  As he sat in the room waiting for the class to begin

he felt a strange sense of accomplishment - after years he was the first

the very first student that answered the Poetry Professor=92s question.=20

It was also strange because it left him feeling somewhat alienated,

somewhat isolated - well actually completely alienated and isolated

because he was different than all the other students - and it wasn=92t

just the students in that particular class.  He was different from all

the students who had brought their answers to the worn poetry professor

year after year.

 

He felt like an alien transported to wake the college from it=92s

intellectual slumber - shock the world out of it=92s one dimensional slee=

p

walking existence.  The wild eyed boy realized that the professor was

talking in the front of the room and he=92s saying something about

Santayana something about =93Those who refuse to learn from the past are

doomed to repeat it.=94  He=92s up there mumbling about doom thought the

wild eyed boy but doesn=92t know anything about doom.  What has this

middle aged man ever known about doom?  The wild eyed boy began to feel

the irritation building inside him the irritation that mean the alien

death force he harbored in his soul was beginning to surface. =20

 

He raised his hand and asked: =93Would it help a starving child in Somali=

a

to read a book about past famines, or perhaps a history of nutrition?=94=20

The professor looked annoyed in his cordouroy jacket with patches on the

sleeves.  Where did this question come from?  Students didn=92t ask real

questions.  Not in a history class.  Something about the boy=92s tone

annoyed him and tempted him kept him from brushing off the comment.  It

was asi if the rest of the class disappeared onlyy the middle-aged man

with all those books in his mind and the wild eyed boy with his angst

stood facing each other mind vs. mind, soul vs. soul a battle to the

death.

 

=93The history you teach is fiction,=94 said the wild eyed boy.  =93All y=

ou=92re

doing is telling his story as opposed to her story of the ant=92s story o=

r

some other guy=92s story or some other woman=92s story.  What makes you

think that the books you read are any truer than some Louis L=92Amour

Western?=94  He paused for a moment to witness the professor=92s response=

.=20

=93The history you study is just an extended Senate Confirmation Hearing

with Clarence Thomas telling his story and Anita Hill telling her story

and the witnesses telling their stories and a bunch of old white

straight males are sitting in the front holding court to decide which

story will be called the truth.  Woody Guthrie knew that the true

History wasn=92t what made it to the history books what made it to the Ne=

w

York Times - the true history was in the boxcars - it was Whitman asking

Woody to travel America and tell what he saw and that=92s what Woody did =

-

And he heard Irving Berlin=92s =91God Bless America=92 and he said that

shouldn=92t pass as history and he wrote =91God Blessed America=92 and th=

en

called it =91This Land is Your Land=92 and he wrote =91you can only write=

 what

you see=92 on the bottom of the page and it became the alternative

national anthem -- but even it wasn=92t the truth - some of the verses

were ignored, the capitalists hid the radical verses - just saved the

pretty ones - and U2 tried to excavate in the shared vision thing but I

don=92t know if the project was an archaeoogical success.  So you want me

to believve that history protects us in the future and if it was true,

if it wasn=92t fiction I might agree -- but what makes you believe George

Washington really crossed the Delaware or Jesus Christ really died on a

cross or even existed?  Is it because a book told you so.  If that naive

faith is all you have to protect you from the doom that lurks in the

future then I fear for your soul old man.=94

 

He stared at the history professor who was silent -- he was blank.  But

he seemed to still have life buried somewhere inside him so the wild

eyed boy waited patiently -- and he waited, and he waited --

occasionally he caught a glimpse of the student class President across

the room staring at the boy like he stared at Crazy Eddy or his little

sister when she told him about their Uncle and sexual abuse and some

would call it rape - but why bother.

 

The professor finally spoke.  =93How would you predict the future, if not

with the aid of history?=94 =20

 

The wild eyed boy stared at him, not flinching for a moment.  =93You=92re=

 so

fucking presumptious to believe you can predict the future anyway.  Or

for believing that the future is even predictable or that anything is

predictable.  What in your history could make you expect that we=92d be

engaged in this mental bloodsport right now, this instant, the present?=20

And what makes you think that even if things are predictable, that what

you call historiy is any more accurate, any more =91scientific=92 than Ta=

rot

Cards or Ouija Boards or Astrology?  Don=92t you get it old man.  That

thing you call history isn=92t the Truth -- it isn=92t History with a

capital H -- it=92s just some misguided excuse for one snapshot of the

billion possible snapshots of a feew points in time.  And studying all

these wars doesn=92t seem to make us not fight in them.  It makes as much

sense to say that our preoccupation with war in our history textbooks

perpetuates this war mentality like a self-fulfilling prophecy and we=92d

do better (or at lest as well) to roll some dice or call a 1-900 Psychic

line.=94

 

=93So you don=92t believe in History?=94 the professor responded.  His

response was almost immediate, almost presumptious, as if he thought

some intellectual trick -- a mind trap he=92d learned in graduate school

when his professor trapped him for being inquisitive -- was enough to

silence this strange creature that was passing off as a college

freshman.

 

The wild eyed boy recognized the simplicity of the response, he realized

that the middle-aged man had not listened to him, that the professor was

afraid to look into the mirror of his soul and see a big sign saying:

=93FRAUD=94, and was trying to protect himself with old tricks like a che=

ap

magician.

 

=93I believe in History, but it isn=92t whay you call history.  You=92re =

so

caught in your cage that you can=92t even listen to another angle -- see

another truth.  What are you afraid of old man?  Afraid of losing or

maybe even learning from a wild eyed freshman?  Would that be so

horrible?  -- Career ending/Soul wrenching blow to learn something from

a student.  I believe in history but not what you call history.  This is

history right now.  And what=92s happening at the Casey=92s over in Hills=

,

Iowa, that=92s history.  Your brand of history has some kind of

accredidation or application attached to it like for my life to be

meaningful I have to make history and that I have to try out for the

great play of history like trying out for some stupid high school

musical that nobody in the audience understands because they=92re only

there out of obligation to their children who are only in the play to

please their parents.  What makes you think that you=92re less

historically meaningful than George Washington?  Does it make you

insecure to look in the mirror and not see George Washington?  If I

write a book of history or a movie and call it =93It=92s a Wonderful Life=

,=94

and let you star and let you almost jump off the bridge because of your

insecurities, your belief in history and let Clarence save you will that

make you feel worthwhile?  Or will you wait to to read the movie

reviews?  Instead of living through old dead men, dead on black and

white paper -- a few pictures to try and prove something -- try living

through yourself.  Shave your head.  Get a tatoo.  Run through the

streets naked and see if anyone notices and if you care.  Learn to live

as if you are the characters in your prized history books and you=92ll do

well.  Or deal with the fact that you=92re just a speck of matter in the

Universe that doesn=92t amount to much of anything but what you decided t=

o

make for yourself.  Maybe then you can be happ0y and stop terrorizing

freshmen term after term making them think that they aren=92t as importan=

t

as these =91historical=92 figures.=94

 

The history professor now recognized that he faced a formidable

opponent.  This wild eyed boy -- fire of Jupiter flaming out like bolts

of lightning from the Heavens -- staring at him questioning his

legitimacy.  For years such a question had not even been considered by

the blurry eyed students who pass by his desk each term.  For years his

legitimacy rested in his position, his degrees, of course he knows more

than us freshman because he=92s in a position to know all that

information.  The wild eyed boy seemed to see through this mirage

realizing that anyone could be in this position that teaching was really

idiotic in many ways.  And he realized that his degrees and honors meant

nothing to this student because the boy was questioning all the classes

represented by those degrees by questioning this one moment in this one

class.  If he demonstrates that my class is a fraud -- for a moment --

he may expose the big fraud of the whole degree system.  This student

was digging deeper than any other in his sixteen years of teaching.  He

was questioning the professor=92s entire reason for believing -- his

reason for being.  It wasn=92t a question of his particular beliefs those

would be easy to defend in combat.  The wild eyed boy was questioning

the reason of it -- the sanity of it.  He was saying that the premise on

which the professor=92s entire existence was built was nothing but

shifting sand.  It was with this shaky foundation that the professor

turned to the boy and asked:

 

=93So if you believe in history, only a different history than mine,

-- What is the essence of History?=94

 

=93It=92s about time,=94 the wild eyed boy replied.  For a minute the

professor thought the student was scolding him for taking so long to get

around to questioning the essentials and he waited for the student to

continue.  Then he realized that it was the student=92s answer.  The

essence of history, as this student perceived it, was time.

 

The professor froze there for an historical moment -- an historical

instant.  In that one momenthe left his body into the collective mind of

his unconscious and from there he turned to look over his shoulder and

there before him was all of history -- all there at once -- everything

staring at him.

 

In his normal state of mind he would have thought this impossible.  How

could all of history be present to him in one instant -- in one moment.=20

But he was experiencing it and so he could understand all that came

before, in its wholeness and he could see all that was now and from this

atemporal vision the collage of this thing called history projected the

future into his mind.  And finally he learned what Santayana meant.

 

He was repeating history term after term doomed to the same mundane

existence because he refused to turn and face history, to look at the

historical instant and now that he had seen the vision he should return

and learn from it -- Teach others to learn from it, in a meaningful way,

in an essential way -- teach the truth about history, that history is

the interval between an instant and a moment and all of history is

contained therein.

 

The middle aged professor woke from his dream in a cold sweat.  He was

disoriented, but soon realized that he=92d slept through his alarm.  He

had fifteen minutes until his first class of the term.  He had stayed up

late preparing for the first day=92s lecture.  It was fairly commonplace

for the dirst day of class to be devoted to preliminary procedural

matters -- a brief description of the course, the ritual dispensing of

the syllabus -- signing add and drop slips and returning to the office

and home early.

 

This term the professor had decided that the first day required a

lecture.  The reason, he believed, for student apathy was rooted in the

tone of the class that first day.  The introduction to the class is of a

stale administrative course for academic credit paid for in cash.  All

of these considerations completely destroyed the importance of the

content of the material to be presented in this particular class.  It

was primarily the same as any other class regardless of the subject.=20

Any disagreements or disparities between classes clearly focused only on

procedural matters.

 

The Professor decided to change that.  On the first day of class he

would introduce history -- what it is, why it is so important, so

essential to our lives.  He=92d begun with the famous quotation =93Those =

who

choose to ignore history are doomed to repeat it.=94  From here the

lecture went on for nearly twelve pages illustrating the hazards of

historical ignorance.  The historically intelligent, the historically

aware, the historically conscious, individual can see past the blur of

everyday events at the archetypal plots -- life-scripts -- that are

played out day-in and day-out by people who don=92t even know that they

are in the play.

 

=93All the World=92s a stage and I am but a player on it=94 the professor

thinks and he explains to the students in the lecture that learning to

play at history is the test of understanding of knowledge just like in

any other endeavor.  The historical character can see the separate play

outside the ones which occupy most people=92s time.  The historical

character alters the present within the interior play by shifting

through the plots and actions in the larger play.  One must possess

historical awareness, historical consciousnes, historical Be-coming to

become a figure in the larger plane of history. =20

 

As he entered the room carrying a stack of papers and the notes for his

lecture scrawled on diner napkins from late night coffee the dream

returned to the middle-aged professor.  He was wearing his new corduoroy

jacket with the patched sleeves.  The nightmare returned.  The entire

dream returned and he saw the wild eyed boy standing over him and he

knew that he was a fraud.

 

He handed out the syllabus, asked if there were any questions, signed

some add and drop slips, walked downstairs to his office, shut the door,

turned on the radio to hear Carlos Santana playing God Bless America on

a forthcoming, historical patriotic album.  Berlin vs. Guthrie.  Germany

vs. Oklahoma.  in Football or War or is there a difference?  Of course

there is he thought and said he=92d take Germany in war but Oklahoma woul=

d

kick their ass in football.=20

 

His mind drifted further into the past and present.

 

Five hours later another professor stopped by to ask about a signature

on a travel voucher for their trip to the convention last week.  He

found the middle-aged history professor still in his corouroy jacket

staring blankly and smiling blankly and completely unaware of the

activities in his physical surroundings.

 

They took him to a hospital I=92m told.  They said he never recovered.

 

Occasionally he mutters something about the wild eyed boy and it is all

here, this one moment contains it all at once.  He was right -- time is

the essential component, transcend time - escape the quality of

temporality for an instant and you can see the history folding and

unfolding and repeating and skipping lice dice or domino=92s ....

 

and he goes on and on and the nurses just walk by without even looking

surprised by the insane patter from the retired old man.  And he tells

them he=92s a professor but nobody believes him....he=92s a crazy man.  T=

hey

think - sure, he=92s a professor.  Better double the Haldol and get out

the leather for this one says Lurch as he reads the description of

tonight=92s shift.  =93It looks like you=92re all going to finally get to=

 meet

the wild eyed boy.  Merry Chirstmas.=94

=========================================================================

Date:         Tue, 1 Jul 1997 22:17:17 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: suspicious, but perhaps unfounded.

Comments: To: "Lisa M. Rabey" <lisar@NET-LINK.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Lisa M. Rabey wrote:

> 

> At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

> >Has anyone on the list ever heard of Diane De Rooy.

> 

> I have swapped mail with membabe@aol.com on various topics such as irc.

> 

> > I ran a 411 search

> >and turned up nothing.  I ran one on my email address and got me.

> 

> I went to www.four11.com and did a NAME search on you. You did not show up

> in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

> mean youd on't exist? And as far as the web search engines work, they only

> work if YOU yourself put your name in OR someone buys your name off the

> list. just because someone does NOT show up in the web search means they do

> not exist.

> 

> I also did a search on Charles Bukowski: Three email addresses

>                            Charles Plymell: No matches

>                            James Stauffer: 23 Matches

>                            Jack Kerouac: No Match

>                            William S. Burroughs: No match

> So do these people not exist because you did not find them at

> www.four11.com? Hardly.

> 

> > So, I

> >am very curious about this.  I know that there have been phantom posts

> >from aol before and that Jerry C. smoked some of those out.  If Diane is

> >a real person, I apologize to her, but this post seems very suspicious

> >and the timing makes it even more so.  I apologize, for an off topic

> >post.

> 

> As for your "comptence" doing websearch, if you were my lawyer, I would

> have fired you long ago for 'incomptence". Membabe is a very real person

> and one *I* have corresponded with in the past about various and sundry

> things.

> 

> SO before you go doing "searches" why don't you actually do a search. She

> mentioned I believe that she lives in Seattle (or thereabouts) nothing to

> look her up in the phonebook or do a search though DMV seeing as you are

> such "the lawyer".

> 

> ttfn.

> 

> lisa

> --

> 

>         Lisa M. Rabey       Computer Consultant         UIN: 1231211

>          ************************************************************

>           words...1000's of words.. wrapped together like wire

>                    how easy it would be to hate you

>                  and yet that is all i can show you.

>                       Nothing lasts forever. -me

> 

>                http://www.bigendian.com/~simunye

>          mirror: http://the.art.of.sekurity.org/simunye

>        F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

Lisa:

 

If your flame had any information that was useable in it, I would use

it.  I asked if anyone knew if she was a real person.  If you know her

and she is, then, I would be more than happy to hear that.  I did not

claim to know the answer, but if you would type in bocelts@scsn.net into

411 you would get information on me, unless you have a different 411

search engine.  411 is for the living who have email address, phone

numbers etc,  it is not prefect.  Methinks you doth protest too much.

 

Maybe you just don't like lawyers.  Whatever it is, good luck working

your problem out.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 22:41:25 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: suspicious, but perhaps unfounded.

Comments: To: "Lisa M. Rabey" <lisar@NET-LINK.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Lisa M. Rabey wrote:

> 

> At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

> >Has anyone on the list ever heard of Diane De Rooy.

> 

> I have swapped mail with membabe@aol.com on various topics such as irc.

> 

> > I ran a 411 search

> >and turned up nothing.  I ran one on my email address and got me.

> 

> I went to www.four11.com and did a NAME search on you. You did not show up

> in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

> mean youd on't exist? And as far as the web search engines work, they only

> work if YOU yourself put your name in OR someone buys your name off the

> list. just because someone does NOT show up in the web search means they do

> not exist.

> 

> I also did a search on Charles Bukowski: Three email addresses

>                            Charles Plymell: No matches

>                            James Stauffer: 23 Matches

>                            Jack Kerouac: No Match

>                            William S. Burroughs: No match

> So do these people not exist because you did not find them at

> www.four11.com? Hardly.

> 

> > So, I

> >am very curious about this.  I know that there have been phantom posts

> >from aol before and that Jerry C. smoked some of those out.  If Diane is

> >a real person, I apologize to her, but this post seems very suspicious

> >and the timing makes it even more so.  I apologize, for an off topic

> >post.

> 

> As for your "comptence" doing websearch, if you were my lawyer, I would

> have fired you long ago for 'incomptence". Membabe is a very real person

> and one *I* have corresponded with in the past about various and sundry

> things.

> 

> SO before you go doing "searches" why don't you actually do a search. She

> mentioned I believe that she lives in Seattle (or thereabouts) nothing to

> look her up in the phonebook or do a search though DMV seeing as you are

> such "the lawyer".

> 

> ttfn.

> 

> lisa

> --

> 

>         Lisa M. Rabey       Computer Consultant         UIN: 1231211

>          ************************************************************

>           words...1000's of words.. wrapped together like wire

>                    how easy it would be to hate you

>                  and yet that is all i can show you.

>                       Nothing lasts forever. -me

> 

>                http://www.bigendian.com/~simunye

>          mirror: http://the.art.of.sekurity.org/simunye

>        F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

Lisa:

 

Funny you should have written this missive to the list moments before I

received this from an old college friend who is NOT on the beat list.

 

The message below was sent at 18:28 but received after Lisa's post.

 

 

 

>Subject: Four11 listing

>Date:   Tue, 1 Jul 1997 22:28:39 +0000

>From:    swhitney@gate.net

> To:     bocelts@scsn.net (R. Bentz Kirby)

 

 

 

 

>Hi Bentz,  When I managed to find your home page using a web search

>engine. I am certain that I had previously searched for you via the

>Four11 directory services. I found out that the only way to find you

>in Four11 is to enter "  R  "  for the first name and "  Kirby "  for

>the last name.  If you want people to be able to find you by Bentz

>Kirby then you might want to go back to Four11 and fill out an

>alternate first name field.

<snip>

--

Funny how poetry is in motion on the www sometimes, ain't it!  ;-)

Peace,

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 22:45:50 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Four11 listing

Comments: To: swhitney@gate.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

swhitney@gate.net wrote:

> 

> Hi Bentz,  When I managed to find your home page using a web search

> engine. I am certain that I had previously searched for you via the

> Four11 directory services. I found out that the only way to find you

> in Four11 is to enter "  R  "  for the first name and "  Kirby "  for

> the last name.  If you want people to be able to find you by Bentz

> Kirby then you might want to go back to Four11 and fill out an

> alternate first name field.

>         I was trying to figure out how in the world you got an email from

> Mike Miller so soon today, before I had emailed him your address,

> and finally figured it out when I visited my Guestbook page and

> realized Mike got your email address there. There are 6 of us online

> now, hope to find more.    Later  Steven

> 

> Steven Whitney   Naples FL.

> ( swhitney@gate.net ) or ( nfn00805@gator.naples.net )

> Home Page   http://gate.net/~swhitney/   or

>             http://naples.net/~nfn00805

> If I am online you can reach me with WebChat via the link on my Homepage

Steve:

 

Thanks for the message, when I get to work tomorrow, I will check to see

what time that your message was sent and what time Mike's was sent.  I

guess it depends on the routing that your email has to go through, I

guess.  Your message to me about 411 was very timely.  So, I am posting

a copy  of this email to you on the beat literature list.  I'll explain

later if you want to know.  BTW, I was looking at our annual today at

work.  Someone asked if I really used to weigh only 145.  Saw a picture

of you guys getting on the bus to go to Nationals.  Man, I may scan that

and post in on my www site for the track and field list to get to know

you better! ;-)

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 2 Jul 1997 02:50:02 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

My, my such a rabid response for a rather innocuous e-mail from Bentz...

 

Since this is not you personally being drawn under question, why so excited?

Also, how do you know that she's membabe?  How do I know that you're not  one

and the same person as "Diane De Rooy"?  She didn't state that in her posting.

 How do you know for certain she's a she, have you heard "her" voice, seen a

picture? Have you seen "her" published work, "her" credentials, met "her" for

coffee....

 

Since there is a controversy, it seems to me that it's good for people to

question events that might have an effect on the recovery of stolen items as

well as the mis-handling of the irreplaceable archives of Jack Kerouac's work.

 

 

I'm sorry, Lisa, but your e-mail seems suspect to me...  I would prefer to be

wrong on this, but at this point it certainly doesn't ring true.

 

Ciao,

Sherri

 

 

----------

From:   BEAT-L: Beat Generation List on behalf of Lisa M. Rabey

Sent:   Tuesday, July 01, 1997 6:44 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: suspicious, but perhaps unfounded.

 

At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

>Has anyone on the list ever heard of Diane De Rooy.

 

I have swapped mail with membabe@aol.com on various topics such as irc.

 

> I ran a 411 search

>and turned up nothing.  I ran one on my email address and got me.

 

I went to www.four11.com and did a NAME search on you. You did not show up

in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

mean youd on't exist? And as far as the web search engines work, they only

work if YOU yourself put your name in OR someone buys your name off the

list. just because someone does NOT show up in the web search means they do

not exist.

 

I also did a search on Charles Bukowski: Three email addresses

                           Charles Plymell: No matches

                           James Stauffer: 23 Matches

                           Jack Kerouac: No Match

                           William S. Burroughs: No match

So do these people not exist because you did not find them at

www.four11.com? Hardly.

 

> So, I

>am very curious about this.  I know that there have been phantom posts

>from aol before and that Jerry C. smoked some of those out.  If Diane is

>a real person, I apologize to her, but this post seems very suspicious

>and the timing makes it even more so.  I apologize, for an off topic

>post.

 

 

As for your "comptence" doing websearch, if you were my lawyer, I would

have fired you long ago for 'incomptence". Membabe is a very real person

and one *I* have corresponded with in the past about various and sundry

things.

 

SO before you go doing "searches" why don't you actually do a search. She

mentioned I believe that she lives in Seattle (or thereabouts) nothing to

look her up in the phonebook or do a search though DMV seeing as you are

such "the lawyer".

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 23:13:26 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      apology

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I apologize to the list for my overreaction to Lisa's flame.  I made two

posts off topic in reply, and again apologize. Tonight was my 14th

wedding anniversary, and I put my 12 year old son on a plane to spend

two weeks with my sister and her husband.  I have a sense of seperation

anxiety and am having a hard time dealing with all of this.  So, if I

was out of line in my three responses to Lisa, I apologize.

 

On the other hand, it seemed very poetic that while Lisa was busy

flaming me about 411 that a friend who found me for the first time since

1976, was writing me about finding me on 411 and suggesting that I add

Bentz to the listing.  To me that was poetry.  One of the last things

Steve and I did together, was to go on a road trip from Charleston, SC

to Columbia, SC to see Bruce and the E Street Band on the Born to Run

tour.  They played a 4000 seat arena in Columbia and it was just before

BTR broke out big time.  Now the circle is closed some 21 years later by

the www and 411.  In my mind, very cool.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 20:32:52 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <33B9BA2D.187E8541@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<snip>

 

>Lisa:

> 

>If your flame had any information that was useable in it, I would use

>it.

 

It wasn't a "flame" it was a critique. You stated that because the person

could not be found by www.four11.com, the person could not exist. I pointed

out to you that just because someone was NOT listed on www.four11.com does

not mean that they do not exist, hence my examples.

 

> I asked if anyone knew if she was a real person.  If you know her

>and she is, then, I would be more than happy to hear that.  I did not

>claim to know the answer, but if you would type in bocelts@scsn.net into

>411 you would get information on me, unless you have a different 411

>search engine.  411 is for the living who have email address, phone

>numbers etc,  it is not prefect.  Methinks you doth protest too much.

 

me thinks you jump to the gun too much. You were ready to haul membabe to

the stake and burn her because of an incident in the past that occurred

with *supposed* fake aol.com addresses.

 

> 

>Maybe you just don't like lawyers.  Whatever it is, good luck working

>your problem out.

 

Erm, why is it if you make a comment about something that does not agree

with yours that suddenly that someone has "problems". Now, that is mature.

 

 

ttfn.

 

Lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 20:37:24 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <33B9BFD5.D67D2695@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Before you get your accolades, why don't you READ what I wrote:

 

You wrote:

 

>>Hi Bentz,  When I managed to find your home page using a web search

>>engine. I am certain that I had previously searched for you via the

>>Four11 directory services. I found out that the only way to find you

>>in Four11 is to enter "  R  "  for the first name and "  Kirby "  for

>>the last name.  If you want people to be able to find you by Bentz

>>Kirby then you might want to go back to Four11 and fill out an

>>alternate first name field.

><snip>

 

I wrote:

 

> I went to www.four11.com and did a NAME search on you. You did not show up

> in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

> mean youd on't exist? And as far as the web search engines work, they only

> work if YOU yourself put your name in OR someone buys your name off the

> list. just because someone does NOT show up in the web search means they do

> not exist.

> 

 

 

I did a search on R. Bentz Kirby, Bentz Kirby, and the last name of Kirby.

Nothing. Your "Friend" found you by R. Kirby. So, I did *NOT* find you

because of the string pattern, its was not boolean enough. So *I* did not

find because of such.

 

And if you READ what your friend said, he says 'if you want people to be

able to find you by Bentz

Kirby then you might want to go back to Four11 and fill out an

alternate first name field."

 

So you can stop talking about poetry in motion on the www, because we were

both "right".

 

 

ttfn.

 

Lisa

 

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 20:53:57 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: suspicious, but perhaps unfounded.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri wrote:

 

> Also, how do you know that she's membabe?  How do I know that you're not  one

> and the same person as "Diane De Rooy"?  She didn't state that in her posting.

>  How do you know for certain she's a she, have you heard "her" voice, seen a

> picture? Have you seen "her" published work, "her" credentials, met "her" for

> coffee....

> 

How do we know that anyone is anyone if we haven't met them and even

then if they are who they say they are.  For all I know Benz Kirby is a

stage name for Gerry Nicosia.  I have never either one.  Maybe "sherri"

is a complete illusion.

 

The whole list may just be one big multiple personality illusion.

 

I cannot help but think that there is something about this debate that

produces dementia.  It's a trip to the twilight zone.  Everytime it

surfaces the strangest allegations start to be made.  So far we have

Lisa and Tony Triglio who have exchanged e-mails on other topics with

this person.  Somewhere out in cyberspace there is a "membabe" who was

interested enough in beat stuff to do a Ginsberg tribute on AOL.  Such

an entity might logically have an interest in the estate question.  But

somehow if this "person" disagrees with the Nicosia/Kirby position in

this matter they graduate to being part of the evil Sampas gang,  with

its tentacles reaching from Lowell to Seattle.  Funny, isn't it.

 

J Stauffer

> 

=========================================================================

Date:         Tue, 1 Jul 1997 20:44:16 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <UPMAIL14.199707020255290821@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:50 AM 7/2/97 UT, you wrote:

>My, my such a rabid response for a rather innocuous e-mail from Bentz...

> 

>Since this is not you personally being drawn under question, why so excited?

>Also, how do you know that she's membabe?  How do I know that you're not  one

>and the same person as "Diane De Rooy"?  She didn't state that in her

posting.

> How do you know for certain she's a she, have you heard "her" voice, seen a

>picture? Have you seen "her" published work, "her" credentials, met "her" for

>coffee....

 

Well according to your own theory Sherri, seeing as I never spoke to JD

Salinger, seen a picture of him, or met him, does that mean he does not exist?

 

> 

>Since there is a controversy, it seems to me that it's good for people to

>question events that might have an effect on the recovery of stolen items as

>well as the mis-handling of the irreplaceable archives of Jack Kerouac's

work.

> 

> 

>I'm sorry, Lisa, but your e-mail seems suspect to me...  I would prefer to be

>wrong on this, but at this point it certainly doesn't ring true.

 

 

And here is email I got from Membabe herself:

 

X-POP3-Rcpt: lisar@serv01

Return-Path: MemBabe@aol.com

From: MemBabe@aol.com

Date: Fri, 28 Mar 1997 00:38:23 -0500 (EST)

To: MemBabe@aol.com

Subject: beat generation chatroom updates

 

Note: you are one of 65 people receiving this letter. If you don't want to

continue to be one of 65 people receiving mail from me, please let me know

right away. You know how expensive postage is these days....

 

Hey, everybody...

Life goes too fast and I fall behind too quickly. Never entrust me with these

important tasks; I'm too easily overextended...

 

ANNOUNCEMENTS.................................................................

 

<snip>

 

And considering that I haven't spoken to 3/4 of the people on the list here

personally, met them, had coffee with them nor shared in their lives, which

includes you sherri, maybe you do not exist either.

 

ttfn.

 

lisa

 

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 23:54:51 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: suspicious, but perhaps unfounded.

Comments: To: stauffer@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

.  But

> somehow if this "person" disagrees with the Nicosia/Kirby position in

> this matter they graduate to being part of the evil Sampas gang,  with

> its tentacles reaching from Lowell to Seattle.  Funny, isn't it.

 

Well James, I am not Gerry Nicosia and I certainly don't agree with

everything he says.  But I also am interested in facts seeing the light

of day.  If Gerry is wrong about something, then prove it out.  No

problem.  But what if there is a conspiracy to damage Gerry?  How do you

know there is not?  So, let the thread die as it was before the other

post started me up again.  I will do my best to do so.

 

As Jo Grant has already pointed out tonight, if Martha Mayo did make

those statements, they are not true.  And the real problem is the lack

of care for the audio tapes, and barring people from listening to them.

 

So just because you disagree, or think Gerry sees a conspiracy behind

every tree, doesn't meant that one does not exist.  Maybe Gerry just

sees more than there are?

 

In any event, I hope this dies a death right now and will do my best to

let it die.

 

Let's get back to some vital discussion of vital literature.

 

How about his topic.  Poets view and treatment of God.  Let's start with

Ferlinghetti's new book, A Far Rockaway of the Heart.

 

Peace,

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 21:09:36 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <33B9D0D5.42E2@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I don't think an anonymous person would set up a website on their webpage

dedicated to Kerouac.

 

http://members.aol.com/membabe

 

But then again, im a smart ass, what do I know.

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Wed, 2 Jul 1997 04:27:01 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

My point exactly, Lisa...

 

I just think that perhaps the whole thing should be looked at very carefully

and objectively so the truth can come out.  The last thing I want to see is a

great writer's archives lost to the public, among other things...

 

Btw, I didn't mean to be offensive...  just wanted you to consider the

possibility that you may have been or are being duped ...

 

Let's let it die a noble death here  <hands Lisa the olive branch, and holds

out her hand>...

 

Ciao,

Sherri

----------

From:   BEAT-L: Beat Generation List on behalf of Lisa M. Rabey

Sent:   Tuesday, July 01, 1997 8:44 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: suspicious, but perhaps unfounded.

 

At 02:50 AM 7/2/97 UT, you wrote:

>My, my such a rabid response for a rather innocuous e-mail from Bentz...

> 

>Since this is not you personally being drawn under question, why so excited?

>Also, how do you know that she's membabe?  How do I know that you're not  one

>and the same person as "Diane De Rooy"?  She didn't state that in her

posting.

> How do you know for certain she's a she, have you heard "her" voice, seen a

>picture? Have you seen "her" published work, "her" credentials, met "her" for

>coffee....

 

Well according to your own theory Sherri, seeing as I never spoke to JD

Salinger, seen a picture of him, or met him, does that mean he does not exist?

 

> 

>Since there is a controversy, it seems to me that it's good for people to

>question events that might have an effect on the recovery of stolen items as

>well as the mis-handling of the irreplaceable archives of Jack Kerouac's

work.

> 

> 

>I'm sorry, Lisa, but your e-mail seems suspect to me...  I would prefer to be

>wrong on this, but at this point it certainly doesn't ring true.

 

 

And here is email I got from Membabe herself:

 

X-POP3-Rcpt: lisar@serv01

Return-Path: MemBabe@aol.com

From: MemBabe@aol.com

Date: Fri, 28 Mar 1997 00:38:23 -0500 (EST)

To: MemBabe@aol.com

Subject: beat generation chatroom updates

 

Note: you are one of 65 people receiving this letter. If you don't want to

continue to be one of 65 people receiving mail from me, please let me know

right away. You know how expensive postage is these days....

 

Hey, everybody...

Life goes too fast and I fall behind too quickly. Never entrust me with these

important tasks; I'm too easily overextended...

 

ANNOUNCEMENTS.................................................................

 

<snip>

 

And considering that I haven't spoken to 3/4 of the people on the list here

personally, met them, had coffee with them nor shared in their lives, which

includes you sherri, maybe you do not exist either.

 

ttfn.

 

lisa

 

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Wed, 2 Jul 1997 00:48:42 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      who am i?

 

I've spent the last 46 years asking myself that...

 

Is this the usual sort of response on newsgroups? I'm relatively new to this

and don't honestly know.

 

An excerpt from my post:

<<I've been in touch with people who could only be described as secondary to

the life of jack kerouac, asking questions and assembling a feature story.

There are also many people I have not met or interviewed. But two of the

people I have interviewed by phone and through thousands of words in letters

are Rod Anstee and Gerry Nicosia. I had the opportunity to form opinions

about both these men independently, si>>

 

I assume both Rod and Gerry would vouch for my existence, and the fact that

I'm female. I also have a listed phone number in Seattle and would certainly

be interested in hearing from anyone who had anything of value to contribute

to my own research, or to make factual corrections.

 

If, at any time I discover I've been misled, or that I am in any way wrong

about what I've found to be true, I will be overjoyed to make a corrective

post. I should think everyone would be, in the interest of truth.

 

Please don't duke it out on the list, though. Please feel free to address me

directly at either of my email addresses (membabe@aol.com or ddrooy@aol.com)

or by phone here in Seattle. I'm more than happy to respond, up to the point

where it would become a violation of my privacy.

 

ddr

=========================================================================

Date:         Wed, 2 Jul 1997 01:01:14 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      automatic writing

Comments: To: stand666@bitstream.net

MIME-Version: 1.0

Content-Type: text/plain; charset=unknown-8bit

Content-Transfer-Encoding: quoted-printable

 

In a message dated 97-07-01 12:08:32 EDT, you write:

 

<< When

 I first started writing I borrowed Andre Breton's method of automatic

 writing=97I think Jack K called it spontaneous prose or whatever. He

 must've read Breton at some point; Celine, etc.

  >>

 

     yes, i think automatic writing is great for getting a whole lot of s=

hit

out and juxtaposing things you normally wouldn't if you thought about it =

too

consciously...but then afterwards it help to "weed out" the boring crappy

stuff....

 

     some people may say that makes it less 'authentic', but I think they=

're

just not willing to admit that some of their thoughts might be boring and=

 not

worthy of others' reading them.

 

     automatic writing is an excellent exercise, esp. if you have writer'=

s

block.  First thing in the morning is best too, because you're still unde=

r

the influence of dreams.

 

---------------just a thought-----------maya

=========================================================================

Date:         Wed, 2 Jul 1997 01:04:31 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: God <<still digging>>

Comments: To: dcarter@together.net

 

In a message dated 97-07-01 11:22:13 EDT, you write:

 

<<  Can you even start to imagine what grasping the wholeness of human

knowledge

 and the universe in one instant would be like? >>

 

ummm.......actually?.......yes!

---maya

=========================================================================

Date:         Wed, 2 Jul 1997 01:53:35 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: the beat (en) horse/summer reading update

 

i vote visions of cody.  never read it, never even thought of reading it

before. i figure, 'what the hell' i might as well. never was much into

kerouac (on the road was too much like my life, and i don't like reading

about myself much! too boring)

 

so i will try it, and perhaps i will say, "i do! i do! I Iike VOC! I like it

here, there, and everywhere!"

 

---maya

 

ps: can someone please tell WSB to stop sneaking into my dreans? It's really

distracting me. I can't focus at work anymore.  I keep seeing his face.  He

even made me sit on his lap in one dream.  I can't take it any more.  I mean,

he doesn't even LIKE girls, right?  What a creep!

=========================================================================

Date:         Tue, 1 Jul 1997 08:39:54 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: suspicious, but perhaps unfounded.& then

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

i too, confess, i found much to interest me in the recent controversy,

I percieved diane to be sincere and much appreciated her post.  i

disagreed with her assumptions, as the idea that no original material

was in the memory babe archives.That didn't seeem likely to me.  I too

would like to see someone visit and be able to take notes. I have had

experiance with a library in missouri that had intervertantly lost half

of a small collection , they lied and covered up and blamed the poor

artist for lying, a big shot alum finally got involved and they finally

admitted that a staff person had let someone take material home and when

it was returned much was missing. Institutions are not as forthcoming as

one would hope.. I wish that i felt more secure about the memory babe

material but my primary concern in that controversy was not the theft of

materials and access to that collection (here i shout, pardon) IT IS THE

JK ARCHIVES. Unhappily the only thing i could sense we could do is to

communicate to all factors that jk material should be treated with

respect and be watchful.

 

archive poem

the old horse raises it head

once shot they believed it dead

struggling it rises

joins the ring of ponies

riding the necronauts

in their circle of fame.

patricia

=========================================================================

Date:         Tue, 1 Jul 1997 23:24:38 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Chat Site

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hi there,

        I spoke with the creator of Optichat, and he said he'd be glad to

create a room for those with Beat interests.  (awfully nice of him)

Anyhow, he maintains two sites: one which I prefer is an automatic

scroll...there are no private commands...it's public chat, but there are

no monitors..only a filter...can't say fuck etc ...but I have been

fairly lucky in being able to express my ideas without needing that

particular word...and it's so much fun being colorful in a new and

twisted way, anyhow.  The chat is fast there, too...almost like irc.

The other option is the beta room...where html commands work (so you can

talk privately)

        Well, I'm just acting on a suggestion I saw earlier...I think a good

one.  I'd like to see how you think/react/chat in "real" time.

Dan also said if someone who knows html wanted to design the entry page

(if beta were chosen) that would be just groovy.

Maybe those interested could go check it out tomorrow and we can see

what folks think.

        The address is http://www.optichat.com/

 

I will be in the first optichat (scroll down, choose the chat on the

left hand side of the page....I'll be there 7pm West Coast time...that

would be 10 East Coast time (those of you in the middle....you'll have

to do your own math!).  For now...lets meet in Babblemania (seems sort

of Kerouac-like anyhow)...Hope to meet some of you for some input.

Thanks,

Barb

=========================================================================

Date:         Wed, 2 Jul 1997 01:33:35 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Diane DeRooy: suspicious, but perhaps unfounded.

In-Reply-To:  <3.0.1.32.19970701184421.007c2300@smtp.net-link.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

RE: Diane De Rooy

 

I have communicated with Diane on a number of occasions. She has been

working on a Jan Kerouac article for quite some time, has had disagreements

with Gerry Nicosia regarding Keroauc material, sources, etc. Diane ended up

very "turned-off" by Gerry. Unfortunate IMO, but no big deal.  Gerry's busy

and Diane was taking up

 

Her latest post states that Martha Mayo, Special Collections librarian says

anypone--with a few days notice--can have access to the Memory Babe

Collection. Rod Anstee, according to Diane, confirms this. Diane may

believe what they tell her. I do not.

 

I know of scholars who have been turned away.

 

On another note, the recipe for Caesar salad dressing she sent me yesterday

looks like it might be a winner. since it's my daughters favorite dressing

I'll let her be the judge.

 

j grant

 

 

 

At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

>>Has anyone on the list ever heard of Diane De Rooy.

> 

>I have swapped mail with membabe@aol.com on various topics such as irc.

> 

>> I ran a 411 search

>>and turned up nothing.  I ran one on my email address and got me.

> 

>I went to www.four11.com and did a NAME search on you. You did not show up

>in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

>mean youd on't exist? And as far as the web search engines work, they only

>work if YOU yourself put your name in OR someone buys your name off the

>list. just because someone does NOT show up in the web search means they do

>not exist.

> 

>I also did a search on Charles Bukowski: Three email addresses

>                           Charles Plymell: No matches

>                           James Stauffer: 23 Matches

>                           Jack Kerouac: No Match

>                           William S. Burroughs: No match

>So do these people not exist because you did not find them at

>www.four11.com? Hardly.

> 

>> So, I

>>am very curious about this.  I know that there have been phantom posts

>>from aol before and that Jerry C. smoked some of those out.  If Diane is

>>a real person, I apologize to her, but this post seems very suspicious

>>and the timing makes it even more so.  I apologize, for an off topic

>>post.

> 

> 

>As for your "comptence" doing websearch, if you were my lawyer, I would

>have fired you long ago for 'incomptence". Membabe is a very real person

>and one *I* have corresponded with in the past about various and sundry

>things.

> 

>SO before you go doing "searches" why don't you actually do a search. She

>mentioned I believe that she lives in Seattle (or thereabouts) nothing to

>look her up in the phonebook or do a search though DMV seeing as you are

>such "the lawyer".

> 

>ttfn.

> 

>lisa

>--

> 

>        Lisa M. Rabey       Computer Consultant         UIN: 1231211

>         ************************************************************

>          words...1000's of words.. wrapped together like wire

>                   how easy it would be to hate you

>                 and yet that is all i can show you.

>                      Nothing lasts forever. -me

> 

>               http://www.bigendian.com/~simunye

>         mirror: http://the.art.of.sekurity.org/simunye

>       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     313,599 visitors since July 1, 1996

=========================================================================

Date:         Wed, 2 Jul 1997 10:38:32 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      morning sickness

 

morning sickness

 

what cancerous pregnancy ails me now?

I thought they had beaten it out of me,

but it seems my grotesque child

is still alive and kicking.

 

Oh, i would that I could expel it

instead of suffering the rest of the term

but it's tenacious like a tumor

and germinates like a germ.

 

Im not talking about the usual uterus

but a more fertile womb

the blood-red cavern within my skull

that will keep on birthing until the tomb.

 

my mind is aching...I think it will be soon!

 

(spontaneous poem written between 10:30 and 10:34 am today wednesday)

=========================================================================

Date:         Wed, 2 Jul 1997 08:30:56 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: suspicious, but perhaps unfounded.

Mime-Version: 1.0

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<snips>

How do we know that anyone is anyone if we haven't met them and even

then if they are who they say they are.

 

The whole list may just be one big multiple personality illusion.

 

I cannot help but think that there is something about this debate that

produces dementia.  It's a trip to the twilight zone.  Everytime it

surfaces the strangest allegations start to be made.

 

     graduate to being part of the evil Sampas gang,  with its tentacles

     reaching from Lowell to Seattle.  Funny, isn't it.

     <end el snips>

 

 

     Y'all have much more invested in this than me, that's for sure.  It

     brings to mind some of the great events in history:

 

     "Mr. Reagan"

     "Yes, Senator McCarthy"

     "Are you a communist?"

 

     or

 

     "Why can't we all just get along"

 

     or, best put

 

     Ginsberg (as Alvah Goldbook in DB) "I know my redeemer liveth"

     Kerouac (as Ray Smith) "What redeemer and what liveth?"

     (there, managed to work a Beat quote in that covers two recent hot

     topics on the list)

 

     love and lilies,

 

     matt

=========================================================================

Date:         Wed, 2 Jul 1997 10:49:33 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Diane

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Diane De Rooy:

 

Thank you for your posts back channel.  I have spoken through email with

Jo Grant and others who have quelled my unfounded suspions.  I hope that

you will continue your research.  I have reason to believe that what

Mayo told you is not necessarily true.  But for now, it does not matter.

Hopefully the tapes can be protected and made available within the

parameters of the law.

 

I apologize if my query offended you.  I did not intend to do that.  I

had hoped the thread you raised had died and intend to let it die

myself.

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 2 Jul 1997 10:53:19 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: who am i?

In-Reply-To:  <970702004805_-858194005@emout12.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Diane De Rooy: welcome! you are a breath of fresh air here, and i am

delighted to see that you wrote :

 

Please don't duke it out on the list, though. Please feel free to address me

directly at either of my email addresses (membabe@aol.com or ddrooy@aol.com)

or by phone here in Seattle. I'm more than happy to respond, up to the point

where it would become a violation of my privacy.

 

as flame wars have erupted and engulfed the list, this last ration of

ridiculousness re: your real/unreal presence only a small example.

like your style

mc

=========================================================================

Date:         Wed, 2 Jul 1997 10:53:22 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      summer reading update

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i vote for Cody. at the same time, on my HST jag, i've drugged and drunk

meself through fear and loathing in los vegas (i too failed to find the

american dream)

am now halfway through hog  heaven (hells angels) and soon to be rolling in

the letters.

so if it's visions of cody/first third

i'll keep up with discussion as it unfolds.

gotta go, they're at my door with timing chains and gallons of motor oil ..

mc

=========================================================================

Date:         Wed, 2 Jul 1997 07:57:15 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: Chat Site

MIME-Version: 1.0

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Sherri...once you type in your name..or pseudo..and hit enter, you will

go into the main menu where you can see the list of rooms and who is in

them.  Underneath will be a bar...click,hold,and scroll to the room you

want. click on it, and you're there!  See you!

 

Sherri wrote:

> 

> cool barb... how does one access Babblemania?  Sherri

> 

> ----------

> From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> Sent:   Tuesday, July 01, 1997 4:24 PM

> To:     BEAT-L@CUNYVM.CUNY.EDU

> Subject:        Chat Site

> 

> Hi there,

>         I spoke with the creator of Optichat, and he said he'd be glad to

> create a room for those with Beat interests.  (awfully nice of him)

> Anyhow, he maintains two sites: one which I prefer is an automatic

> scroll...there are no private commands...it's public chat, but there are

> no monitors..only a filter...can't say fuck etc ...but I have been

> fairly lucky in being able to express my ideas without needing that

> particular word...and it's so much fun being colorful in a new and

> twisted way, anyhow.  The chat is fast there, too...almost like irc.

> The other option is the beta room...where html commands work (so you can

> talk privately)

>         Well, I'm just acting on a suggestion I saw earlier...I think a good

> one.  I'd like to see how you think/react/chat in "real" time.

> Dan also said if someone who knows html wanted to design the entry page

> (if beta were chosen) that would be just groovy.

> Maybe those interested could go check it out tomorrow and we can see

> what folks think.

>         The address is http://www.optichat.com/

> 

> I will be in the first optichat (scroll down, choose the chat on the

> left hand side of the page....I'll be there 7pm West Coast time...that

> would be 10 East Coast time (those of you in the middle....you'll have

> to do your own math!).  For now...lets meet in Babblemania (seems sort

> of Kerouac-like anyhow)...Hope to meet some of you for some input.

> Thanks,

> Barb

=========================================================================

Date:         Tue, 1 Jul 1997 23:03:23 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: summer reading project

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James,

 

My unofficial calculations show Vision of Cody in the lead.  Should we

just go for it at this point?  What do you want to read?

 

DC

=========================================================================

Date:         Wed, 2 Jul 1997 08:21:10 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: God <<still digging>>

In-Reply-To:  <970702010429_-991644834@emout03.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:04 PM -0700 7/1/97, Maya Gorton wrote:

 

 

> In a message dated 97-07-01 11:22:13 EDT, you write:

> 

> <<  Can you even start to imagine what grasping the wholeness of human

> knowledge

>  and the universe in one instant would be like? >>

> 

> ummm.......actually?.......yes!

 

 

Maya, I've decided you're ugly lookin..... <<laugh>>  with my eyeballs

direcly at you <<smirk>>  ;-)

 

> ---maya

 

Douglas  <<still laughin, I might be dyin....>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Wed, 2 Jul 1997 08:21:36 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: automatic writing

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:01 PM -0700 7/1/97, Maya Gorton wrote:

 

>      automatic writing is an excellent exercise, esp. if you have writer's

> block.  First thing in the morning is best too, because you're still under

> the influence of dreams.

 

dreamed I was in chicago, trying to track down some friends.  they'd all

moved, I had the wrong apartments, or the city itself had changed.  there

were hills where I remembered none.  there were fields of weeds where there

should be none.  Who am I?  cops were chasing young kids down into dirt

lots.  They're that way, I said.

 

maybe automatic writing is a way to find your friends, the one's you've

lost for whatever reason, the what not.  and finding them, holding them,

fucking holding them, tight and tight and tight still I could squeeze the

life essence out of em.  that is my dream.  yes.  <<it is>>  Diana,

Claudine, Sean... where are you?

 

> 

> ---------------just a thought-----------maya

 

Douglas  <<on a thread of his own>>

 

PS:  Maya, what were those <<bells>> that you heard???

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Wed, 2 Jul 1997 18:02:12 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      btw

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dear friends, im' reading "La leggenda di Duluoz" [THE LEGEND OF DULUOZ]

by Jack Keroauc, edit by Ann Charters, JK works are a long bestseller here

in italy!--- yrs Rinaldo.

=========================================================================

Date:         Wed, 2 Jul 1997 18:05:28 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      pier paolo pasolini.

In-Reply-To:  <l03020901afdecd9a5505@[198.5.212.50]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Douglas wrote:

[s/thing snipped for brevity]

>don't know Ezra Pound at all

>"Salo" by piero pasolini has my love

>a fetching carrot, // Douglas

 

dear Douglas,

pier paolo has his brother killed by

fascists during the italian civil

war in 1945, this was,

a thread in his works (poetries&films),

his first film "Accattone" was a milestone

'cuz introduce the vernacular language &

actors street urchin (neorealismo).

pier paolo pasolini was killed in a cruel

way in 1975,

---

yrs

Rinaldo.

*

"E cosi' ce ne andremo perdendo a una a una

Anche le parole piu' care, ed arrivando

Fino a Dio con carte bianche, ma forse

con visi piu' sereni: mon lecteur, mon frere"

poetry by venetian poet Giacomo Noventa

*

=========================================================================

Date:         Wed, 2 Jul 1997 12:18:19 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Re[2]: suspicious, but perhaps unfounded.

Comments: To: MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

In-Reply-To:  <3BA68810.@otc.usoc.cchub.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 2 Jul 1997, MATT HANNAN wrote:

 

> <snips>

> How do we know that anyone is anyone if we haven't met them and even

> then if they are who they say they are.

 

<snip>

 

dementia is right

 

the secret is nobody is anything, the secret is that objectivity is never

there (except maybe in ayn rand's mind) and gregory corso "you never step in

the same river _once_."

 

or the voice that's either in or out of james cole's mind:

 

"no way to con_firm_ anything."

 

 

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Wed, 2 Jul 1997 16:51:10 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Re[2]: suspicious, but perhaps unfounded.

 

good one matt <grins>

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of MATT HANNAN

Sent:   Wednesday, July 02, 1997 5:30 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re[2]: suspicious, but perhaps unfounded.

 

<snips>

How do we know that anyone is anyone if we haven't met them and even

then if they are who they say they are.

 

The whole list may just be one big multiple personality illusion.

 

I cannot help but think that there is something about this debate that

produces dementia.  It's a trip to the twilight zone.  Everytime it

surfaces the strangest allegations start to be made.

 

     graduate to being part of the evil Sampas gang,  with its tentacles

     reaching from Lowell to Seattle.  Funny, isn't it.

     <end el snips>

 

 

     Y'all have much more invested in this than me, that's for sure.  It

     brings to mind some of the great events in history:

 

     "Mr. Reagan"

     "Yes, Senator McCarthy"

     "Are you a communist?"

 

     or

 

     "Why can't we all just get along"

 

     or, best put

 

     Ginsberg (as Alvah Goldbook in DB) "I know my redeemer liveth"

     Kerouac (as Ray Smith) "What redeemer and what liveth?"

     (there, managed to work a Beat quote in that covers two recent hot

     topics on the list)

 

     love and lilies,

 

     matt

=========================================================================

Date:         Wed, 2 Jul 1997 10:16:20 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Re[2]: suspicious tentacles

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Matt writ:

 

><<     or, best put

> 

>     Ginsberg (as Alvah Goldbook in DB) "I know my redeemer liveth"

>     Kerouac (as Ray Smith) "What redeemer and what liveth?"

>     (there, managed to work a Beat quote in that covers two recent hot

>     topics on the list)

>> 

 

Yes, but don't ask me to be the straight man.  Or the thin man.  He

cometh!

 

This list has a good mix of creative, academic, and pure Beat.  IMHO, we

should try to keep it like that.  AND FEED OFF EACH OTHER <ahem>.

Definitely appreciated the tie-in there, Matt.  Am on my way to the

bookstore tonite  <<VOC, Port o' Kerouac, ??>>.

> 

>>     love and lilies,

>> 

>>    matt

 

Douglas  <<tempting fate via backchannel, if necessary>>

=========================================================================

Date:         Wed, 2 Jul 1997 12:14:08 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: summer reading project

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> James,

> 

> My unofficial calculations show Vision of Cody in the lead.  Should we

> just go for it at this point?  What do you want to read?

> 

> DC

 

I unofficially checked out Cody today from the public library and will

probably at least get one paragraph done before the afternoon siesta

takes control of my being.

 

After the first paragraph depends on whether i go to Denver tomorrow

which is up to supernatural forces i'm not familiar with.  Certainly

will carry Cody along -- just not much certainty how many pages will be

digested.

 

If i go the Denver route i look forward to a return to a thread about

this Cody character and visions and whatnot.  If i don't make the Denver

expedition i imagine that i'll be participating in the thread by

afternoon tomorrow at this time.

 

if another book takes the lead -- please let me know so that i can stop

reading this one and go on a hunting expedition for that one.  if i go

to Denver i hope to increase my Beat library at used bookstores if they

exist.

 

shalom,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 2 Jul 1997 10:42:04 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: summer reading project

Comments: To: RACE --- <race@MIDUSA.NET>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:14 PM 7/2/97 -0500, you wrote:

>Diane Carter wrote:

>> 

>> James,

>> 

>> My unofficial calculations show Vision of Cody in the lead.  Should we

>> just go for it at this point?  What do you want to read?

>> 

>> DC

> 

>I unofficially checked out Cody today from the public library ...

 

What does "unoficially checked out" mean?

 

Does this mean you stole it?

 

If so, don't do that.  That messes things up for everyone.

 

If you want to steal this book steal it from a bookstore.

 

Or if you don't want to buy it, officially check it out from the library.

 

If the above doesn't mean you stole it then ignore this message.

 

=========================================================================

Date:         Wed, 2 Jul 1997 12:44:23 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: summer reading project

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Timothy K. Gallaher wrote:

> 

> At 12:14 PM 7/2/97 -0500, you wrote:

> >Diane Carter wrote:

> >>

> >> James,

> >>

> >> My unofficial calculations show Vision of Cody in the lead.  Should we

> >> just go for it at this point?  What do you want to read?

> >>

> >> DC

> >

> >I unofficially checked out Cody today from the public library ...

> 

> What does "unoficially checked out" mean?

> 

> Does this mean you stole it?

> 

> If so, don't do that.  That messes things up for everyone.

> 

> If you want to steal this book steal it from a bookstore.

> 

> Or if you don't want to buy it, officially check it out from the library.

> 

> If the above doesn't mean you stole it then ignore this message.

 

i did not "liberate" Cody.  the unofficially was a connection to the

previous post.  i did check it out according to normal library

procedures and have my month of month and a half to treat it with my

loving care.

 

i've not "liberated" books in a long time.  though it is something i

might have done back in the crazier days of my FireWalk years.  back

then it was not a wise idea to suggest i read something someday and

point to it in your personal collection.  but i'm reformed, i'm

reformed, i'm reformed!!!!  patricia can attest to my replacement of

burroughs' retreat diaries in the box in her basement where it was

stored before i read it.

 

hope all is well in the land of the where-ever and when-ever y'all are

today.  i'm about to lay down with ole Cody and get a paragraph at least

in my brain before drifting into siesta-ville.

 

thanks for the sermon tim.  us reformed "liberators" can use a good

reminder now and then.

 

take care all,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 2 Jul 1997 11:41:30 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      freshman clearing house

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

<<Ok, one thought and I'm oughta here>>

 

>     Kerouac (as Ray Smith) "What redeemer and what liveth?"

 

In "Kerouac" <hm> trying to get the spelling right, I noticed that the

only vowel missing from his name is "I".  Kerouac is missing an eye.

missing his i.  I think I feel we have his i and it should beat that

way.  chi-i-kerouac

 

>lickity spat, Douglas

=========================================================================

Date:         Wed, 2 Jul 1997 12:04:51 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: summer reading project

Comments: To: RACE --- <race@MIDUSA.NET>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:44 PM 7/2/97 -0500, you wrote:

>Timothy K. Gallaher wrote:

>> 

>> At 12:14 PM 7/2/97 -0500, you wrote:

>> >Diane Carter wrote:

>> >>

>> >> James,

>> >>

>> >> My unofficial calculations show Vision of Cody in the lead.  Should we

>> >> just go for it at this point?  What do you want to read?

>> >>

>> >> DC

>> >

>> >I unofficially checked out Cody today from the public library ...

>> 

>> What does "unoficially checked out" mean?

>> 

>> Does this mean you stole it?

>> 

>> If so, don't do that.  That messes things up for everyone.

>> 

>> If you want to steal this book steal it from a bookstore.

>> 

>> Or if you don't want to buy it, officially check it out from the library.

>> 

>> If the above doesn't mean you stole it then ignore this message.

> 

>i did not "liberate" Cody.  the unofficially was a connection to the

>previous post.  i did check it out according to normal library

>procedures and have my month of month and a half to treat it with my

>loving care.

> 

>i've not "liberated" books in a long time.  though it is something i

>might have done back in the crazier days of my FireWalk years.  back

>then it was not a wise idea to suggest i read something someday and

>point to it in your personal collection.  but i'm reformed, i'm

>reformed, i'm reformed!!!!  patricia can attest to my replacement of

>burroughs' retreat diaries in the box in her basement where it was

>stored before i read it.

> 

>hope all is well in the land of the where-ever and when-ever y'all are

>today.  i'm about to lay down with ole Cody and get a paragraph at least

>in my brain before drifting into siesta-ville.

> 

>thanks for the sermon tim.  us reformed "liberators" can use a good

>reminder now and then.

 

 

I became so sick of looking up articles on kerouac or the beats or related

topics in old magazines in libraries, going to the stacks, finding the old

issue and opening up the bound volume and finding out that the article had

been ropped out.

 

Also, the same sort of thing with these books being stolen from libraries.

 

I didn't read the other posts you referred to so I didn't know what

"unofficial" meant.

 

I must admit In my day I also stole books from stores.  And I never stole

any from a library but sometimes I didn't turn them back in.

 

So for you youngsters out there wonking is bad juju.  But today books are so

expensive.  They are all now in the large paperback format.

 

Find a good used book store and haunt it.

 

 

> 

>take care all,

> 

>david rhaesa

>salina, Kansas

> 

> 

=========================================================================

Date:         Wed, 2 Jul 1997 13:15:49 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: summer reading project

Comments: To: RACE --- <race@MIDUSA.NET>

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>After the first paragraph depends on whether i go to Denver tomorrow

 

Madam Butterfly is playing at the Central City Opera....you could

relive OTC (sure they didn't see Madam...however)

 

 

if i go to Denver i hope to increase my Beat library at used bookstores

if they exist.

 

 

     Tattered Cover in Denver of course....or The Beat Bookshop in Boulder

     (everything from First/Second Edition Town and City's to 99th run

     Subterraneans.  (and they have the coolest t-shirts....ooops, 2nd

     coolest next to the BEAT-L shirt....)

 

     love and lilies,

 

     matt

=========================================================================

Date:         Wed, 2 Jul 1997 12:43:14 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: Chat Site

MIME-Version: 1.0

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Sherri, I'm not sure I understand your question...it's the

internet...type in underlocation http://www.optichat.com/

It should take you there... (Are you behind a firewall or something?)

Barb

 

 

Sherri wrote:

> 

> Barb,  Thanks for the info.  I'm on msn... what website do i need to go to in

> the first place?  Ciao, Sherri

> 

> ----------

> From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> Sent:   Wednesday, July 02, 1997 12:57 AM

> To:     BEAT-L@CUNYVM.CUNY.EDU

> Subject:        Re: Chat Site

> 

> Sherri...once you type in your name..or pseudo..and hit enter, you will

> go into the main menu where you can see the list of rooms and who is in

> them.  Underneath will be a bar...click,hold,and scroll to the room you

> want. click on it, and you're there!  See you!

> 

> Sherri wrote:

> >

> > cool barb... how does one access Babblemania?  Sherri

> >

> > ----------

> > From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> > Sent:   Tuesday, July 01, 1997 4:24 PM

> > To:     BEAT-L@CUNYVM.CUNY.EDU

> > Subject:        Chat Site

> >

> > Hi there,

> >         I spoke with the creator of Optichat, and he said he'd be glad to

> > create a room for those with Beat interests.  (awfully nice of him)

> > Anyhow, he maintains two sites: one which I prefer is an automatic

> > scroll...there are no private commands...it's public chat, but there are

> > no monitors..only a filter...can't say fuck etc ...but I have been

> > fairly lucky in being able to express my ideas without needing that

> > particular word...and it's so much fun being colorful in a new and

> > twisted way, anyhow.  The chat is fast there, too...almost like irc.

> > The other option is the beta room...where html commands work (so you can

> > talk privately)

> >         Well, I'm just acting on a suggestion I saw earlier...I think a good

> > one.  I'd like to see how you think/react/chat in "real" time.

> > Dan also said if someone who knows html wanted to design the entry page

> > (if beta were chosen) that would be just groovy.

> > Maybe those interested could go check it out tomorrow and we can see

> > what folks think.

> >         The address is http://www.optichat.com/

> >

> > I will be in the first optichat (scroll down, choose the chat on the

> > left hand side of the page....I'll be there 7pm West Coast time...that

> > would be 10 East Coast time (those of you in the middle....you'll have

> > to do your own math!).  For now...lets meet in Babblemania (seems sort

> > of Kerouac-like anyhow)...Hope to meet some of you for some input.

> > Thanks,

> > Barb

=========================================================================

Date:         Wed, 2 Jul 1997 15:04:12 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Beauty and stuff

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Douglas wrote:

 

> and is this why Andre Breton says "beauty must be repulsive"?? To reach

>'all-beauty' would one soon be repulsed by everything??

 

Andre Breton is a man unto himself. I have never really completely dug

him (although his Surrealist Manifesto is interesting - read abridged

version off internet). His discipline and commitment can be seen as

having been political = Communist, which may have interfered with art:

playing the role of dictator to the Surrealist movement . . . so . . . I

am hesitant to fully give value to "beauty must be repulsive" . . .

shouldn't it be: 'beauty is overwhelming' ?

 

> Still wish you would explain that Yahweh/Moses ---> back/shoulders paradox.

 

'back/shoulders' of God is a personification. We have gone through how

personification of the celestial seems illusory = paradoxical, but then

again not really, it is just an easier symbol-system to comprehend the

powers that be through very human features - nothing wrong in that.

 

> and where to go from there?  back down the mountain??

 

we talk mountain

   we look up-

 the valley is deep

 

> please don't let me ask about the "burning bush" in this context, please don't

 let me ask, please... <<laughing>>

 

yeah . . . the only thing i can say is that the Hebrew Scriptures are

wonderful for fooling around poetically: biblical rhythm, themes,

characters . . .

I am trying to read through it . . . presently on "Numbers"; Genesis &

Exodus were good; Leviticus is mostly describing the intricacies of the

Law; Song of Songs attributed to King Solomon is nice - it uses

"Beloved", "Lover", & "Poet" speakers - i plan to fool around with this

concept ("Beloved" are the people of Israel, "Lover" is God, "Poet" is

author = myself)

 

 

JN

=========================================================================

Date:         Wed, 2 Jul 1997 16:16:40 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: How to love a woman long distance...

 

In a message dated 97-06-25 01:49:03 EDT, dkpenn@OEES.COM (Penn, Douglas, K)

writes:

 

<< "How to best love a woman who lives 125 miles away?"

 

 Please respond in a BEAT manner.  cheers, Douglas

  >>

 

I would say if you want to have a long distance relationship, you should try

to stretch it out for as long as you can.

=========================================================================

Date:         Wed, 2 Jul 1997 16:16:40 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Eastward Journey, part II

 

Well,

Still on the road. Left LA, after not really doing much there at all other

then drive. Was going to stop by the Viper Room in Beverly Hills, and ask

Johnny Depp if I could borrow his $50,000 raincoat.

 

Drove to Las Vegas on Wednesday, stayed at the Luxor Hotel, which is the

pyramid type building. Ask for the package deal, and they give you a free

lunch buffet voucher. But I will tell you this, the buffet on a scale 1 - 10

was about a 4. Not very good. Normally would cost $5.99.

 

Walked and drove around to many of the hotels/casinos. Won some money but

lost even more. Gambling was only a few dollars here and there (ok, I ended

up losing $37 which I am not too happy about). I can't say that I was feeling

very lucky but I thought I would do better.

 

Vegas is now half kids, half glitz, and half plaid shorts. I think the

building architecture and neon lights make up for it though.

 

Got off on a late start the next day and stopped off at the Hoover Dam. I was

glad, I thought it was named for Edgar Hoover, Under Cover man in women's

undercovers. But it is named for President Herbert Hoover. That was a lot of

cement poured into that valley.

 

Don't know how far I was suppose to get that day, but I found myself in

Laughlin at 8 pm, and saw the sign that said rooms $17, so I had to stay. It

is located right on the Colorado River, border of Arizona.

 

Next day went to Oatman Arizona (24 miles or so from Bullhead City). This was

my first jouney on to the mother road, Route 66. On the outskirts of town,

the tumbleweed bushes are decorated with x-mas stuff (tinsel and bulbs and

other x-mas stuff). Oatman  was a thriving mining community of 10,000 people

at one point, then a ghost town of 50 people, and now a tourist town of a few

100. And some wild burros that roam the street (I would say streets, but

there is only one street-- old Route 66). From there it was a twisty road to

Route 40. I don't think that even Neal could have cruised these roads at

faster then 30 miles an hour.  From there drove non-stop to Amarillo (yellow

in spanish), it was some 900 + miles.

 

About 63 miles from a town called Tumucari (was that in Texas or New Mexico,

who the hell knows) a giant something smashes into my windshield. It was the

biggest bug I have ever hit. Left a patch of goo and blob 4 inches by 5

inches.

 

Saw of course Caddillac Ranch, which is on the west side of Amarillo. It is

10 caddillacs buried next to what was Route 66, now Route 40, pointing west.

If you are traveling west, it will be on your left side (I think mile marker

86).

 

Also hiked in Palo Duro Canyon, which they say is the 2nd largest canyon in

the US. It is pretty wild because you can drive down to the bottom of the

canyon. It is about 24 miles outside of Amarillo.

 

Right now, living it up in a Motel 6.

 

Tom Bodell and I say, enjoy,

Attila

=========================================================================

Date:         Wed, 2 Jul 1997 16:52:31 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: suspicious, but perhaps unfounded.

 

Reply to message from lisar@NET-LINK.NET of Tue, 01 Jul

 

> 

>And considering that I haven't spoken to 3/4 of the people on the list here

>personally, met them, had coffee with them nor shared in their lives, which

>includes you sherri, maybe you do not exist either.

> 

 

 

According to Roland Barthes, none of us exist, since in order to truly

interpret literature the author must be "dead", and so as each of us reads

the others' messages the original author no longer exists; he/she/it must

give way--the reader has taken over.  The only good I ever found in that

essay was that BArthes didn't exist, either, then.

 

Diane.

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Wed, 2 Jul 1997 14:18:21 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

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JN wrote:

 

<<shouldn't it be: 'beauty is overwhelming' ?>>

 

but then the object of beauty wouldn't be "attractive" (as opposed to

repulsive).

 

Have been thinking about this a bit, since its inception here on the

list.  Are all women beautiful?  This question has dogged me for years.

<<I need more training, methodological and *physical*, ug!>>  Thinking

of the virgin/whore paradigm.  Mary who birthed him, while the other

brings him water and bathes him.

 

Look forward to hearing more about Jan Kerouac.

 

<<perhaps this should all be backchannel??>>

 

Have always been searching for beauty.  The perfect woman.  the perfect

mate.  even seriously considered men for a while.  An impossible task.

how fleeting, my past pursuits.  how eyes deceive us.  Have been talking

backchannel about art, process and results with a fellow beetle.  How

when the process is all through, all one really has is results :: when

beauty has been completed, one is left with a substance.  a solid

ground. hopefully a common ground.  Who knows?  <<still searching>>

 

yes, *I know*, perfection can not be achieved.............

 

<< 

>we talk mountain

>   we look up-

> the valley is deep

>> 

 

If you have the opportunity, listen to the Butthole Surfer's latest

musical hit, "pepper."  I only know bits of the lyrics: [[  ~~~ some

have died in hot pursuit, sifting thru my ashes, coming down the

mountain ~~~~ images I've seen, some can hit you through your eyes,

others in between. ]]   All atop a snake coiling backbeat, a guitar

melodic in its abstractions, high above the words.  and the video is

great!!  <<On my way to lunch, this song seemed very appropo.>>

> 

><<yeah . . . the only thing i can say is that the Hebrew Scriptures are

>wonderful for fooling around poetically: biblical rhythm, themes,

characters . . .>>

 

my grandfather worked in a garage his whole life.  learned to play piano

late in life.  took walks after dinner.  watched johnny carson, benny

hill.  Then sat down in his favorite chair and read the bible.  finally,

he went to sleep  <<prostate cancer>>.  Don't know what part he got up

to, but I imagine him there reading.  In my dreams he talks to me, and

all he usually says is "Douglas."  <<I'm waiting...>>

 

>gotta keep reading.  Let me know how it ends, Yes?  Cheers.

 

> JN

=========================================================================

Date:         Wed, 2 Jul 1997 16:24:39 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

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Penn, Douglas, K wrote:

> 

> JN wrote:

> 

> <<shouldn't it be: 'beauty is overwhelming' ?>>

> 

> but then the object of beauty wouldn't be "attractive" (as opposed to

> repulsive).

> 

> Have been thinking about this a bit, since its inception here on the

> list.  Are all women beautiful?  This question has dogged me for years.

> <<I need more training, methodological and *physical*, ug!>>  Thinking

> of the virgin/whore paradigm.  Mary who birthed him, while the other

> brings him water and bathes him.

> 

> Look forward to hearing more about Jan Kerouac.

> 

> <<perhaps this should all be backchannel??>>

> 

> Have always been searching for beauty.  The perfect woman.  the perfect

> mate.  even seriously considered men for a while.  An impossible task.

> how fleeting, my past pursuits.  how eyes deceive us.  Have been talking

> backchannel about art, process and results with a fellow beetle.  How

> when the process is all through, all one really has is results :: when

> beauty has been completed, one is left with a substance.  a solid

> ground. hopefully a common ground.  Who knows?  <<still searching>>

> 

> yes, *I know*, perfection can not be achieved.............

> 

> <<

> >we talk mountain

> >   we look up-

> > the valley is deep

> >>

> 

> If you have the opportunity, listen to the Butthole Surfer's latest

> musical hit, "pepper."  I only know bits of the lyrics: [[  ~~~ some

> have died in hot pursuit, sifting thru my ashes, coming down the

> mountain ~~~~ images I've seen, some can hit you through your eyes,

> others in between. ]]   All atop a snake coiling backbeat, a guitar

> melodic in its abstractions, high above the words.  and the video is

> great!!  <<On my way to lunch, this song seemed very appropo.>>

> >

> ><<yeah . . . the only thing i can say is that the Hebrew Scriptures are

> >wonderful for fooling around poetically: biblical rhythm, themes,

> characters . . .>>

> 

> my grandfather worked in a garage his whole life.  learned to play piano

> late in life.  took walks after dinner.  watched johnny carson, benny

> hill.  Then sat down in his favorite chair and read the bible.  finally,

> he went to sleep  <<prostate cancer>>.  Don't know what part he got up

> to, but I imagine him there reading.  In my dreams he talks to me, and

> all he usually says is "Douglas."  <<I'm waiting...>>

> 

> >gotta keep reading.  Let me know how it ends, Yes?  Cheers.

> 

> > JN

 

the teenagers are run out of BabbleMania if anyone interested in

chatting about this junk

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 2 Jul 1997 14:52:24 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: Chat Site

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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David.... the place is relatively new...and isn't used that much.  I

thought we could fill a vacuum! (which nature, of course, abhors)  It

would be an easy site to occupy, esp. if Dan sets up a Beat chat room.

I'm glad you stopped by...

barb

will be on tonight

 

RACE --- wrote:

> 

> Mike & Barbara Wirtz wrote:

> >

> > Sherri...once you type in your name..or pseudo..and hit enter, you will

> > go into the main menu where you can see the list of rooms and who is in

> > them.  Underneath will be a bar...click,hold,and scroll to the room you

> > want. click on it, and you're there!  See you!

> >

> > Sherri wrote:

> > >

> > > cool barb... how does one access Babblemania?  Sherri

> > >

> > > ----------

> > > From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> > > Sent:   Tuesday, July 01, 1997 4:24 PM

> > > To:     BEAT-L@CUNYVM.CUNY.EDU

> > > Subject:        Chat Site

> > >

> > > Hi there,

> > >         I spoke with the creator of Optichat, and he said he'd be glad to

> > > create a room for those with Beat interests.  (awfully nice of him)

> > > Anyhow, he maintains two sites: one which I prefer is an automatic

> > > scroll...there are no private commands...it's public chat, but there are

> > > no monitors..only a filter...can't say fuck etc ...but I have been

> > > fairly lucky in being able to express my ideas without needing that

> > > particular word...and it's so much fun being colorful in a new and

> > > twisted way, anyhow.  The chat is fast there, too...almost like irc.

> > > The other option is the beta room...where html commands work (so you can

> > > talk privately)

> > >         Well, I'm just acting on a suggestion I saw earlier...I think a

 good

> > > one.  I'd like to see how you think/react/chat in "real" time.

> > > Dan also said if someone who knows html wanted to design the entry page

> > > (if beta were chosen) that would be just groovy.

> > > Maybe those interested could go check it out tomorrow and we can see

> > > what folks think.

> > >         The address is http://www.optichat.com/

> > >

> > > I will be in the first optichat (scroll down, choose the chat on the

> > > left hand side of the page....I'll be there 7pm West Coast time...that

> > > would be 10 East Coast time (those of you in the middle....you'll have

> > > to do your own math!).  For now...lets meet in Babblemania (seems sort

> > > of Kerouac-like anyhow)...Hope to meet some of you for some input.

> > > Thanks,

> > > Barb

> 

> i went over to see what it was like at 4:00 central time.  certainly a

> lot of teenagers to run off.

> 

> teenagers that type slower than my Dead Grandmother i might add :)

> 

> david rhaesa

> salina, Kansas

> 

> p.s. i might be free at 9 to jump in the room I think i know how to get

> to Babblemania now.  thanks and all that.

=========================================================================

Date:         Wed, 2 Jul 1997 23:42:43 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      BOMB by Gregory Corso (was re:gregory corso?)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                                BOMB            by Gregory Corso

 

                Budger of history  Brake of time  You  Bomb

  Toy of universe  Grandest of all snatched-sky  I cannot hate you

    Do I hate the mischievous thunderlbolt  the jawbone of an ass

  The bumpy club of On Million B.C.  the mace  the flail  the axe

 Catapulte Da Vinci  tomahawke Cochise  flintlock Kidd dagger Rathbone

  Ah and the sad desperate gun of Verlaine  Pushkin  Dillinger  Bogart

 And hath not St. Michael a burning sword  St. George a lance David a sling

 Bomb  you are as cruel as man makes you  and you're no crueller than cancer

   All man hates you  the'd rather die by car-crash  lightining  drowing

  Falling off a roof  electric-chair  heart-attack  old age  old age O Bomb

        They'd rather die by anything but you  Death's finger is free-lance

 Not up to man wheter you boom or not  Death has long since distribuited its

 categorical blue  I sing thee Bomb  Death's extravagance  Death's jubilee

 Gem of Death's supremest blue  The flyer will crash  his death will differ

  with the climber who'll fall  To die by cobra is not to die by bad pork

Some die by swamp some by sea and some by the bushy-haired man in the night

   O there are deaths like witches of Arc  Scary deaths like Boris Karloff

   No-feeling deaths like birth-death  sadless deaths like old pain Bowery

 Abandoned deaths  like Capital Punishment stately deaths like senators

 And unthinkable deaths like Harpo Marx  girls on  vogue covers  my own

        I do not know just how orrible Bombdeath is  I can only image

        Yet no other death I know has so laughable a preview  I scope

        a city  New York City  streaming  starkeyed  subway  shelter

         Scores and scores  A fumble of humanity  High beels bend

                Hats whelming away  Youth forgetting their combs

            Ladies not knowing what to do with their shopping bags

                Unperturbed gum machines  Yet dangerous 3rd rail

            Ritz Brothers  from the Bronx  caught in the A train

                The smiling Schenley poster will always smile

                  Implish Death  Satyr Bomb  Bombdeath

                                Turtles exploding over Istambul

                                The jaguar's flying foot

                             soon to sink in arctic snow

                        Penguins plunged against the Sphinx

                        The top of the Empire State Bulding

                     arrowed in a broccoli field in Sicily

                    Eiffel shaped like C in Magnolia Gardens

                           St. Sophia peeling over Sudan

                          O athletic Death  Sportive Bomb

                            The temple of ancient times

                                their grand ruine ceased

                           Electrons   Protons   Neutrons

                                gathering Hesperean hair

                          walking the dolorous golf of Arcady

                                joing marble helmsmen

                         entering the final amphitheatre

                        with a hymnody feeling of all Troys

                           heralding cypressean torches

                             racing plumes and banners

                  and yet knowing Homer with a step of grace

                        Lo the visiting team of Present

                                the home team of Past

                         Lyre and tuba together joined

                        Hark the hotdog soda olive grape

                        gala galaxy  robed and uniformed

                        commissary  O the happy stands

                         Ethereal root and cheer and boo

                        The billioned all-time attendance

                             The Zeusian pandemonium

                                Hermes racing Owens

                             the Spitball of Buddha

                                 Christ striking out

                                Luther stealing third

                        Planetarium Death  Hosannah Bomb

                        Gush the final rose  O Spring Bomb

                     Come with thy gown of dynamite green

                        unmenance Nature's inviolate eye

                           Before you the wimpled Past

              behind you the hallooing Future O Bomb

                        Bound in the grassy clarion air

                         like the fox of the tally-ho

                   thy field the universe thy hedge the geo

                 Leap Bomb   bound Bomb   frolic zig and zag

                 The stars a swarm of bees in the binging bag

                        Stick angels on your jubilee feet

                   wheels of rainlight on your bunky seat

                    You are due and behold you are due

                        and the heavens are with you

                    hosannah incalescent glorious liaision

                   BOMB O avoc antiphony molten cleft BOOM

                        Bomb mark infinity a sudden furnace

                   spread thy multidinous encompassed Sweep

                                set forth awful agenda

                Carrion stars  charnel planets  carcass elements

          Corpse the universe  tee-hee  finger-in-the mounth hop

                        over its long long dead Nor

                  From thy nimbled matted spastic eye

                  exhsaust delegues of celestial ghouls

                        From thy appellational womb

                     spew birth-gusts of great worms

                          Rip open your belly Bomb

          from your belly  outflock vulturic salutations

            Battle forth your spangled hyena finger stumps

                        along the brick of Paradis

                        O Bomb  O final Pied Paradise

                both sun and firefly behind your shock waltz

                        God abandoned mock-nude

                beneath His thin false-talc'd apocalypse

                        He cannot hear thy flute's

                        happy-the-day profanation

                He is spilled deaf into the Silencer's warty ear

                    His Kingdom an eternity of crude wax

                        Clogged clarions untrumpet Him

                        Selead angels unsing Him

                        A thunderless God  A dead God

                        O Bomb  thy BOOM His tomb

                  That i lean forward on a desk of science

               an astrologer dabbling in dragon prose

                half-smart about wars  bombs  especially bombs

            That I am unable to hate what is necessary to love

                That i can't exist in a world that consents

            a child in a park  a man dying in an electric-chair

                    That I am able to laugh at all things

        all that I know and do not know  thus to conceal my pain

                That I say I am a poet and therefore love all man

                   and my unwords no less an acquaintanceship

                                That I am manifold

                        a man pursuing the big lies of gold

                        or a poet roaming in bright ashes

                      or that which I image myself to be

                a shark-toothed sleep  a man-eater od dreams

                  I need not then be all-smart about bombs

                Happily do  for it I felt bombs were caterpillars

                        I'd doubt not they'd become butterflies

                                There is a hell for bombs

                        They're there   I see them there

                        They sit in bits and sing songs

                                mostly German songs

                     and two very long American songs

                   and they wish there were more songs

                   especcialy Russian and Chinese songs

                  and some more very long American songs

                        Poor little Bomb that'll never be

                          an Eskimo song  I love thee

                           I want to put a lollipop

                                in thy furcal mouth

                   A wig of Goldilocks on thy baldy bean

                and have you skip with me Hansel and Gretel

                        along the Hollywoodian screen

                    O Bomb in which all lovely things

                  moral or phisical anxiously partecipate

                        O fairlyflake plucked from the

                           grandest universe tree

                        O piece of heaven which gives

                      both mountain and anthill a sun

                I am standing before your fantastic lily door

                I bring you Midgardian roses  Arcadian musk

                 Reputed cosmetics from the girls of heaven

                   Welcome me  fear not thy opened door

                     nor thy cold ghost's grey memory

                   nor the pimps of indefinite weather

                        their cruel terrestrial thaw

                             Oppenheimer is seated

                           in the dark pocket of Light

                        Fermi is dry in Death's Mozambique

                                Einstein his mythmouth

                a barnacled wreath on the moon-squid's head

        Let me in  Bomb  rise from thet pregnant-rat corner

            nor fear the raised-broom nations of the world

                                O Bomb I love you

                I want to kiss your clanck   eat your boom

                     You are a pean  an acme of scream

                        a lyric hat of Mister Thunder

                        O resound thy tanky knees

                     BOOM  BOOM  BOOM  BOOM  BOOM

                        BOOM ye skies and BOOM ye suns

                BOOM  BOOM ye moons  ye clouds  ye rains

                    go BANG ye lakes  ye oceans BING

                        Barracuda BOOM and coguar BOOM

                          Ubangi BANG  orangoutang

                   BIG BANG BONG BOOM   bee bear baboon

                          ye BANG ye BONG ye BING

                                the tail the fin the wing

                Yes     Yes  into our midst a bomb will fall

                Flowers will leap in joy their roots aching

        Pinkbombs will blossom  Elkbombs will perk their ears

        Ah many a bomb that day will awe the bird a gentle look

                Yet  not anough to say a bomb will fall

                or even contend celestial fire goes out

              Know that the earth will madonna the Bomb

        that in the hearts of men to come more bombs will be born

                magisterial bombs wrapped in ermine  all beatiful

                and they'll sit plunk on earth's grumpy empires

                        fierce with moustaches of gold

 

 

 

---

yrs

Rinaldo.

www.gpnet.it/rasa/home.htm

 

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Tue, 1 Jul 1997 17:33:36 -0500

>Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

>Subject:      gregory corso?

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>Ksenija,

>The Corso line you were asking about is from line 15 of Corso's

>poem "Bomb"; in English it reads," To die by cobra is not to die

>by bad pork." "Bomb" was originally published as a broadside, and

>later was collected in _The Happy Birthday of Death_ as a foldout

>in that volume, surely one of the few books of poetry ever published

>with a centerfold.

>Cordially,

>Mike Skau

>7/1/97

> 

=========================================================================

Date:         Wed, 2 Jul 1997 18:18:44 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: BOMB by Gregory Corso (was re:gregory corso?)

In-Reply-To:  <3.0.1.32.19970702234243.006a3f24@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

one of my favorites by  corso.

isn't that the poem he recites in fried shoes, or cookies or something at

naropa?

btw

hi rinaldo.

mc

think i'll spend some time with elegaic feelings tonite

mc

btw

how the hell are ya, R?

mc

=========================================================================

Date:         Wed, 2 Jul 1997 15:29:38 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

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David writ:

> 

><<the teenagers are run out of BabbleMania if anyone interested in

chatting about this junk>>

 

Douglas, pulling a quote from Joyce's Ulysses (p25), declines:

 

        ---How, sir?  Comyn asked.  A bridge is across a river.

        For Haines's chapbook.  No-one here to hear.  Tonight deftly amid wild

drink and talk, to pierce the polished mail of his mind.  What then?  A

jester at the court of his master, indulged and disesteemed, winning a

clement master's praise.  Why had they chosen all that part?  Not wholly

for the smooth caress.  For them too history was a tale like any other

too often heard, their land a pawnshop.

        Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar not

been knifed to death?  They are not to be thought away.  Time has

branded them and fettered  they are logded in the room of the infinite

possibilities  they have ousted.  But can those have been possible

seeing that they never were?  Or was that only possible which came to

pass?  Weave, weaver of the wind.

        ---Tell us a story, sir.

> 

=-=-=-=-=-

 

>> david rhaesa

>> salina, Kansas

 

<<sorry for the indulgence>> Douglas

=========================================================================

Date:         Wed, 2 Jul 1997 17:27:23 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Chat Site and Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mike & Barbara Wirtz wrote:

> 

> Sherri, I'm not sure I understand your question...it's the

> internet...type in underlocation http://www.optichat.com/

> It should take you there... (Are you behind a firewall or something?)

> Barb

> 

> Sherri wrote:

> >

> > Barb,  Thanks for the info.  I'm on msn... what website do i need to go to

 in

> > the first place?  Ciao, Sherri

> >

> > ----------

> > From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> > Sent:   Wednesday, July 02, 1997 12:57 AM

> > To:     BEAT-L@CUNYVM.CUNY.EDU

> > Subject:        Re: Chat Site

> >

> > Sherri...once you type in your name..or pseudo..and hit enter, you will

> > go into the main menu where you can see the list of rooms and who is in

> > them.  Underneath will be a bar...click,hold,and scroll to the room you

> > want. click on it, and you're there!  See you!

> >

> > Sherri wrote:

> > >

> > > cool barb... how does one access Babblemania?  Sherri

> > >

> > > ----------

> > > From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> > > Sent:   Tuesday, July 01, 1997 4:24 PM

> > > To:     BEAT-L@CUNYVM.CUNY.EDU

> > > Subject:        Chat Site

> > >

> > > Hi there,

> > >         I spoke with the creator of Optichat, and he said he'd be glad to

> > > create a room for those with Beat interests.  (awfully nice of him)

> > > Anyhow, he maintains two sites: one which I prefer is an automatic

> > > scroll...there are no private commands...it's public chat, but there are

> > > no monitors..only a filter...can't say fuck etc ...but I have been

> > > fairly lucky in being able to express my ideas without needing that

> > > particular word...and it's so much fun being colorful in a new and

> > > twisted way, anyhow.  The chat is fast there, too...almost like irc.

> > > The other option is the beta room...where html commands work (so you can

> > > talk privately)

> > >         Well, I'm just acting on a suggestion I saw earlier...I think a

 good

> > > one.  I'd like to see how you think/react/chat in "real" time.

> > > Dan also said if someone who knows html wanted to design the entry page

> > > (if beta were chosen) that would be just groovy.

> > > Maybe those interested could go check it out tomorrow and we can see

> > > what folks think.

> > >         The address is http://www.optichat.com/

> > >

> > > I will be in the first optichat (scroll down, choose the chat on the

> > > left hand side of the page....I'll be there 7pm West Coast time...that

> > > would be 10 East Coast time (those of you in the middle....you'll have

> > > to do your own math!).  For now...lets meet in Babblemania (seems sort

> > > of Kerouac-like anyhow)...Hope to meet some of you for some input.

> > > Thanks,

> > > Barb

 

well i chatted a bit -- it is OK.  my fingerspeed helps me in the sport

although my ignorance of the technology is a weakness.  i recommend it

to folks.  if several Beat-L'ers join it can easily overwhelm the

conversation to whatever subject we agree upon.  of course, agreement on

a subject will probably be about as easy as agreement on a summer

reading project :)

 

read the first paragraph of Cody.  it was olfactory.  a sense i have

little of.  but i kinda got the gist of it.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 2 Jul 1997 17:48:25 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Penn, Douglas, K wrote:

> 

> David writ:

> >

> ><<the teenagers are run out of BabbleMania if anyone interested in

> chatting about this junk>>

> 

> Douglas, pulling a quote from Joyce's Ulysses (p25), declines:

> 

>         ---How, sir?  Comyn asked.  A bridge is across a river unless it is

 across a train-track or a highway or a road.

>         For Haines's chapbook.  No-one here to hear.  Tonight deftly amid wild

> drink and talk, to pierce the polished mail of his mind -- he laughs to

 himself at the notion that anyone would find his mind polished.  He explores

 the mail metaphor through his various synapses for three hours and falls asleep

 in a snowstorm that the mental pony express could not deliver through.  What

 then?  The black nothingness of sleep follows.  A

> jester at the court of his master, indulged and disesteemed, winning a

> clement master's praise.  The jester picks up an electric guitar at Newport

 and is thrown out of the court for not being folky.  The jester smiles and

 flies far ahead of the crowd to a watchtower where he and Isaiah scope the

 scene of the centuries.  Why had they chosen all that part?  Isaiah questions

 whether it was much of a choice.  The other parts weren't worth crap anyway.

 Not wholly

> for the smooth caress.  The Jester laughs and imagines a rough caress or two

 as well.  For them too history was a tale like any other

> too often heard, their land a pawnshop.  And the trinkets of yesteryear were

 sold by a blind man with a silver tooth who never lost a bit to shoplifters and

 wasn't a bad pickpocket either.

>         Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar

 not

> been knifed to death?  Had they not, had they not, they would have died

 nonetheless.  They are not to be thought away.  Time has

> branded them and fettered  they are logded in the room of the infinite

> possibilities  they have ousted.  But a wormhole has taken them into the hive

 of a flat earth society gathering north of Parker Arizona near the Colorado

 River with a bridge over it like many bridges are.  But can those have been

 possible seeing that they never were?  Or was that only possible which came to

 pass?  Passing through the illusions of time and space over the river and

 through the woods we gather on the bridge and wonder whether we should perform

 a collective Jump.  Weave, weaver of the wind.

>         ---Tell us a story, sir.

> >

> =-=-=-=-=-

> 

> >> david rhaesa

> >> salina, Kansas

> 

> <<sorry for the indulgence>> Douglas

=========================================================================

Date:         Wed, 2 Jul 1997 16:12:00 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

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David writ:

 

<< 

>>         ---How, sir?  Comyn asked.  A bridge is across a river unless it is

> across a train-track or a highway or a road.

>> 

 

Yes, I hear them now.  short like stacks of smoke.  a sound of always

moving.  Are you there still, David?  David?  shoe, chew, chew, chew

 

<I know I can> Douglas

> 

=========================================================================

Date:         Wed, 2 Jul 1997 22:45:29 EDT

Reply-To:     Marcus Williamson <71333.1665@COMPUSERVE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marcus Williamson <71333.1665@COMPUSERVE.COM>

Subject:      Kenneth Patchen tribute

 

A tribute to the life and work of poet and artist Kenneth Patchen (1911-1972) is

being held at the Naropa Institute, Boulder, Colorado, July 9 - July 12 1997.

For further information please see :

 

http://ourworld.compuserve.com/homepages/Patchen/

 

Thanks & regards

Marcus Williamson

London, UK

=========================================================================

Date:         Wed, 2 Jul 1997 23:01:06 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: automatic writing

 

     i dreamt last night of an animal, furry with sharp teeth like a bat but

not a bat, more like a rabbit.  someone was holding it down and another

person, perhaps a biology graduate student, was prying its mouth open with

his or her index fingers, causing the animal to grin grotesquely and i looked

at the teeth oh my god those teeth what teeth and then it was all black and i

woke up.  No, i know, the animal was a monkey.  A baby monkey i think a

baboon or a marmoset.  Something with a long snout.  Sharp teeth. bloody

gums.

 

this is the dream i dreamed last night.  been thinking about it all day, it

haunts me.  Not a nightmare really, cause i didn't wake up shit-scared, but

it haunts me somehow.

 

Do you know the feeling?

---maya

=========================================================================

Date:         Wed, 2 Jul 1997 11:04:59 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: suspicious, but perhaps unfounded.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Diane M. Homza wrote:

> 

> According to Roland Barthes, none of us exist, since in order to truly

> interpret literature the author must be "dead", and so as each of us

> reads

> the others' messages the original author no longer exists; he/she/it

>must

> give way--the reader has taken over.  The only good I ever found in

>that

> essay was that BArthes didn't exist, either, then.

> 

> Diane.

> 

 

Sort of parallels the idea that the reader "finishes" the work, a concept

played out by Joyce and probably even Kerouac as he approached the idea

of taking words further.

DC

=========================================================================

Date:         Wed, 2 Jul 1997 23:24:24 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      happy poem about adolescence

 

i remember when we used to laugh

on the bench in the Garden

the whole thing sunny and buzzing.

 

Disgusting.

 

I remember crying as i watched your fingerprints darken on my bruising arm.

 The purple handprint developing like a polaroid through my blurred sight.

 Your hand's yellowing shadow stayed gripping my arm for a week.  Your

fingers, your hand!

 

I want to ask you now, what did it for you?

Was it that night in the cemetery watching tombstones float by?

Was it your bitch-for-a-mother? Your dad's coke problem?

Was it that nightmarish prom-night I dragged you to?

I mean, what crossed the line for you?

 

(Was it really worth it to you, you prick?)

 

'Cause you made a big black spot

                                                     on this the only life

i've got.

 

(The way I can't stop thinking about you, one might think i didn't hate you.)

=========================================================================

Date:         Wed, 2 Jul 1997 20:34:08 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Kenneth Patchen tribute

Comments: To: ">"@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

A Patchen tribute is a wonderful idea.  I don't know why I'm suprised

that Naropa is the one to think of this.

 

J Stauffer

 

Marcus Williamson wrote:

> 

> A tribute to the life and work of poet and artist Kenneth Patchen (1911-1972)

 is

> being held at the Naropa Institute, Boulder, Colorado, July 9 - July 12 1997.

> For further information please see :

> 

> http://ourworld.compuserve.com/homepages/Patchen/

> 

> Thanks & regards

> Marcus Williamson

> London, UK

=========================================================================

Date:         Wed, 2 Jul 1997 23:38:48 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: automatic writing

Comments: To: Becca91894@aol.com

 

In a message dated 97-07-02 23:16:46 EDT, you write:

 

<< 

 hey there--

 

 i'm new to the list and most of the time i don't know what'd going on.  i

read the posts about automatic writing or "spontaneous prose", but i'm not

familiar with these terms.  i'm intrigued--maybe you could take some time to

explain the concept to me?

 

 with advanced appreciation,

 

 becca

  >>

automatic writing is a term invented by the surrealists in the 1910's-20's or

thereabouts.  The surrealists were Andre Breton, Max Ernst, Bunuel, Dali,

etc,  mostly living in Paris.  Andre Breton is the one who actually invented

the term, i think.  He wrote the Surrealist Manifesto.

 

It means just writing whatever comes into your head.  Channelling the

unconscious thoughts.  the surrealists were very interested in the

unconscious and in dreams. (they were fascinated by Freud for example) So in

automatic writing you don't edit yourself.  Just write.  Doesn't have to make

"sense" to others.  It's "automatic" because you don't think about it, just

do it. (perhaps Nike's P.R. managers were into Breton?)

 

I think the beats were heavily influenced by the surrealists. In fact their

whole generation was.  While i'm making generalizations, i might as well say

that the whole 20th century is colored by the surrealists, as far as art is

concerned.

 

Does that answer you questions at all?

-------------maya

=========================================================================

Date:         Wed, 2 Jul 1997 21:53:08 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: automatic writing

In-Reply-To:  <970702233634_303434403@emout10.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 8:38 PM -0700 7/2/97, Maya Gorton wrote:

 

> automatic writing is a term invented by the surrealists in the 1910's-20's or

> thereabouts.  The surrealists were Andre Breton, Max Ernst, Bunuel, Dali,

> etc,  mostly living in Paris.  Andre Breton is the one who actually invented

> the term, i think.  He wrote the Surrealist Manifesto.

 

Don't forget Yves Tanguey, Lee Miller, Max Ernst, and Man Ray, to name a

few.  Personally, I like the "dadaists" who preceeded them.  The

Surrealists, in general, played a lot of games.  One game involved three or

four people and a folded sheet of paper.  One person would start with the

head, the next the body, the legs, feet, etc.  But nobody knew what the

others had done.  Amazing results.

 

and along the lines of writing, they would all take turns at a typewriter.

one would start the story, one would play middle, and perhaps another the

end.  just write and write and write.  a happy form of accidents, I suppose.

 

> I think the beats were heavily influenced by the surrealists. In fact their

> whole generation was.  While i'm making generalizations, i might as well say

> that the whole 20th century is colored by the surrealists, as far as art is

> concerned.

 

I'd be curious to tie this in with what Diane was saying about Kerouac and

the idea of "taking words farther."  I know David Bowie and Brian Eno used

a custom deck of cards to make a lot of their decisions [be contrary, be

harmonious, etc].  Did the beats, in general, play games during the process

of putting words to paper?  Again, I'm new to their literature and don't

know these things.

 

> 

> Does that answer you questions at all?

> -------------maya

 

raises more.  good.  cheers, Douglas  <<i.e., the impact of war upon

literature, art>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Thu, 3 Jul 1997 04:53:52 -0400

Reply-To:     Becca91894@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      what's going on?

 

hey there--

 

i'm pretty new to the list, so i think i probably don't have any right to

criticize, but i'm doing it anyways.  my fervent wish is that everyone takes

this in the best possible way.  now that i've built it up into something

huge, here's my question:  i've been getting a lot of duplicate mail.  i love

the list, and duplicate mail wouldn't be a problem if it weren't for the fact

that so much mail comes from this list without duplications, and i'm missing

other emails.  is anyone else having this problem?  or is there just

something wrong with my mail?

that's all there is to the criticism.  it wasn't so bad, now was it?

let me close by reiterating my fondness for the list-- i think it's great,

i'm learning a lot and am getting so much out of the conversations, even

though i'm not actively participating.  eventually i will, when i get over

being shy.

thanks for the list and thanks in advance to anyone who decides to address

this matter for me.

 

in friendship,

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 12:51:13 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      visions of cody (JK reading televised in los angels october 1959)

Mime-Version: 1.0

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"Vision of Cody" for jack kerouac was his preferred book

'cuz he wasnt' able to publish it,---Rinaldo.

*

Rarely, rarely comest

[thou Spirit of Delight"

---shelley

*

=========================================================================

Date:         Thu, 3 Jul 1997 12:52:51 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      ) & .

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>>From FireWalk Thru Madness, copyright December 1992 David B. Rhaesa

<|snip|>

 

David,

are you copirated?

---

yrs

Rinaldo * a beetle bottled *

=========================================================================

Date:         Wed, 2 Jul 1997 15:16:49 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re: freshman clearing house

Comments: To: "Penn; Douglas; K" <dkpenn@OEES.COM>

Mime-Version: 1.0

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>In "Kerouac" <hm> trying to get the spelling right, I noticed that the

>only vowel missing from his name is "I".  Kerouac is missing an eye.

>missing his i.  I think I feel we have his i and it should beat that

>way.  chi-i-kerouac

 

     I not I

     no I

 

     If you have his original face (from before he was born, of course)

     please return it to the library.

 

     I think JK was being facetious when he said "praised be man"...I

     really do.

 

     matt

=========================================================================

Date:         Thu, 3 Jul 1997 14:21:56 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: what's going on?

 

becca,

 

I've had that trouble on occasion myself, I believe it has to do with how the

server's functioning.  Not much anyone cna do abouot that unfortunately.

 

Welcome, I;m rather new here and just to, hopefully, allay you shyness,

everyone has made me feel very comfortable to be here, even though I jumped

right in and have had opinions differing from some folks.  So dive in, the

waters fine. <smiles>

 

Paix,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of FIRST_Rebecca LAST_ Last

Sent:   Thursday, July 03, 1997 1:53 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        what's going on?

 

hey there--

 

i'm pretty new to the list, so i think i probably don't have any right to

criticize, but i'm doing it anyways.  my fervent wish is that everyone takes

this in the best possible way.  now that i've built it up into something

huge, here's my question:  i've been getting a lot of duplicate mail.  i love

the list, and duplicate mail wouldn't be a problem if it weren't for the fact

that so much mail comes from this list without duplications, and i'm missing

other emails.  is anyone else having this problem?  or is there just

something wrong with my mail?

that's all there is to the criticism.  it wasn't so bad, now was it?

let me close by reiterating my fondness for the list-- i think it's great,

i'm learning a lot and am getting so much out of the conversations, even

though i'm not actively participating.  eventually i will, when i get over

being shy.

thanks for the list and thanks in advance to anyone who decides to address

this matter for me.

 

in friendship,

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 10:39:05 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      bad dream

 

lies and betrayals

 

Last night i dreamt she was lying on top of me, kissing me.

 I was suffocating, trying to get up but she was heavy.

I hate you, Keenan.

There, I've said it.

If only i had seen your true nature before.

You wear a mask of tranquility

but you have vampiric tendencies

and a suspect device.

Instead of a heart.

You don't see us

You don't see us

You don't see us

We strike in the dark.

In the dark well of my room, she knows i'm vulnerable,

and she pins me down.

In an inch of dirty water, my face pressed to the cold stone ground,

I drown, still kicking.

We are prisoners of our own thoughts,

We are prisoners of our selves.

 

--maya

=========================================================================

Date:         Wed, 2 Jul 1997 22:44:39 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: what's going on?

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FIRST_Rebecca LAST_ Last wrote:

> 

> here's my question:  i've been getting a lot of duplicate mail.  i love

> the list, and duplicate mail wouldn't be a problem if it weren't for

>the fact

> that so much mail comes from this list without duplications, and i'm

>missing

> other emails.  is anyone else having this problem?  or is there just

> something wrong with my mail?

> that's all there is to the criticism.  it wasn't so bad, now was it?

> let me close by reiterating my fondness for the list-- i think it's

>great,

> i'm learning a lot and am getting so much out of the conversations,

>even

> though i'm not actively participating.  eventually i will, when i get

>over

> being shy.

> thanks for the list and thanks in advance to anyone who decides to

>address

> this matter for me.

> 

> in friendship,

> 

> becca

 

The problem you are speaking of, duplicate posts, exists because of the

change in the way the listserve operates.  Unless you re-direct your post

to Beat-l, it will automatically go to the person who sent the post you

are responding to.  To avoid that, many people use the Re:all option on

their software, which means a copy goes to the beat-l and another copy to

the individual person whose ideas you responded to.  When you read your

mail, just delete one of the posts.  People who respond by erasing the

individual's name and inserting Beat-l are the ones from which you only

receive one list-directed post.  I doubt that you are missing any mail,

but sometimes someone responds on the list to something that got by

private e-mail, and thus you have never seen the quote they are

addressing.  Sorry this got so long.  Hope you understand.

DC

=========================================================================

Date:         Thu, 3 Jul 1997 08:46:28 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: automatic writing

Comments: To: runner711 <babu@ELECTRICITI.COM>

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

runner711 spaketh:

>Did the beats, in general, play games during the process of putting words

>to paper?  Again, I'm new to their literature and don't know these

>things.

 

     Is this what you mean?

 

     Our laird and processor, William S. Burroughs, invented (co-invented?)

     the process of cut-ups.  Basically taking text and cutting it into

     strips and sliding the strips of paper up and down, sliding text from

     line to line (hence reading between the lines?, I've always wondered,

     and is this where the term cut-up (as in clown) comes from?) to find

     the "true meaning".  It's a terrible amount of fun, especially using

     things like the Bible, Koran, and Hardy Boys/Nancy Drew mysteries

     combined (I discovered that the Hardy Boys wore cute outfits and

     danced all night with their father!).

 

     This is my freshman account of cut-ups, I'm sure others on the list

     can give much depth to my 6th grade education account.  Correct me if

     I'm wrong but isn't Naked Lunch the first cut-up novel?

 

     love and lilies,

 

     matt

=========================================================================

Date:         Thu, 3 Jul 1997 08:10:04 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Nice to meet you, becca

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Good Morning becca,

 

Another day starting on the right post. Nice to meet you. Glad you are

planning to move into our neighborhood.

Joining us for Visions of Cody for starters?

You  Remind me to say thank you again to Bill Gargan. He started this

baby. Healthy and growing.

By the way Bill, what is its birthday?

Lucky for me no twins here. First time I hear about doubles. Hmmm,

wonder what's going on with your software. Doubling this list can eat up

 

your mail box fast. Hope you solve the problem quickly.

leon

 

.-

=========================================================================

Date:         Thu, 3 Jul 1997 14:15:06 -0400

Reply-To:     "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      The Kerouac Quarterly Vol. I, No. @

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The Kerouac Quarterly Vol. I, No. 2 is in its final editing stage for its

Summer issue. It can be purchased by sending $2.95 to:

The Kerouac Quarterly

34 North Rd. #7

Chelmsford, MA. 01824

 

Issue #1 is still available from Water Row Books.

Issue #2 will have a different format than the first and thus, less costs!

More pages!

 

Thanks! Paul of TKQ

 

P.S. We need your submissions for the next issue which will center around

the release of Some of the Dharma on September 5th. Any essays on Kerouac

and Buddhism would be a plus! Thanks again. . .

=========================================================================

Date:         Thu, 3 Jul 1997 20:15:27 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      be at #2 haiku

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                blurred flies

                in his eyes

 

                poor man

 

                incognito like a

                multimillionaire

 

 

---

yrs

Rinaldo.

=========================================================================

Date:         Thu, 3 Jul 1997 22:28:32 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Rexroth

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 "Thou Shalt Not Kill" by Kenneth Rexroth

 

 

You,

The hyena with polished face and bow tie,

In the office of a billion dollar

Corporation devoted to service;

The vulture dripping with carrion,

Carefully and carelessly robed in imported tweeds,

Lecturing on the Age of Abundance;

The jackal in the double-breasted gabardine,

Barking by remote control,

In the United Nations...

The Superego in a thousand uniforms,

You, the finger man of the behemoth,

The murderer of the young men...

=========================================================================

Date:         Thu, 3 Jul 1997 22:36:01 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Visions of Cody JK speaks

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

http://www-hsc.usc.edu/~gallaher/k_speaks/soundsource.html

 

The Kerouac singing sound is an outtake from the Blues and Haikus session.

The "meaningless goof" sample is a passage from Visions of Cody called Neal

and the Three Stooges. Note how in this passage he says "Neal knows his

name" rather than "Cody knows his name." Kerouac wrote with using real

names and changed them later before publication. This recording was made

before Visions of Cody was published.

 

http://www-hsc.usc.edu/~gallaher/k_speaks/kerouacspeaks.html

=========================================================================

Date:         Thu, 3 Jul 1997 13:45:41 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: freshman clearing house

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<<hello freshman!!>>

 

Matt writ:

 

<< 

>>In "Kerouac" <hm> trying to get the spelling right, I noticed that the

>>only vowel missing from his name is "I".  Kerouac is missing an eye.

>>missing his i.  I think I feel we have his i and it should beat that

>>way.  chi-i-kerouac

> 

>     I not I

>     no I

> 

>     If you have his original face (from before he was born, of course)

>     please return it to the library.

> 

>     I think JK was being facetious when he said "praised be man"...I

>     really do.

> 

>> 

 

Well, I don't know that JK quote or its context.  You'll have school me.

 I do know, from my reading of Joyce, that it is possible to

mathematically prove that Shakespeare's son was actually Hamet's father

(or something like that).  And according to the "Ulysses" story, you'll

have to pepper me with a few pints to get the whole equation out o' me.

 

Thought of this 'cause you say <<I not I // no I>> which somewhat

reminds me of the "to be, or not to be" line from Hamlet.  Taking this

charade along, can it be said that when KEROUAC said "praised be man"

<<hmm>> maybe he was lamenting the fact that Juliet got the "B" in her

bonnet and not he.  All JK had was a good ending in "C"  <<hm>>.

 

wondering what Kerouac sounded like.  Will have to listen to more of my

"Kick Joy Darkness" album, I suppose.  Joyce reads nicely.  He doesn't

quote his characters when they are speaking, so you have to slow down

the reading pace, and decipher what is being <<thought>> and what is

being <<said>>.

 

Matt, you still there?  What are you reading these days??  OR seen any

good art exhibits recently??  equally curious.

 

>>     matt

 

Douglas <<who has a dog of an unborn face>>

> 

> 

=========================================================================

Date:         Thu, 3 Jul 1997 16:54:00 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      summer reading update: HST on an old thread

Mime-Version: 1.0

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am now dangerously careening down the hillside with HST and the angels,

about to break out into hoodlem circus/rape at bass lake

in the midst  of brawls and runs and sleeping in grease (not that these

subjects don't hold a some what wacky fascination)

anyway, she said impatiently to her brain get on with it!. ok , found

interesting passage that taps into many a beat-l think tank or actual flame

tank wars:

HST: HELLS ANGELS

to whatever extent the hell's angels may or may not be latent

sado-masochists or repressed homosexuals is to me --after nearly a year in

the constant company of outlaw motorcyclists--almost entirely irrelevant.

there are literary critics who insist that ernest hemingway was a tortured

queer and that mark twain wass haunted to he end of his days by a penchant

for interracial buggery. it is good way to stir up in a tempest in the

academic quarterlies but it wont change a word of what either man wrote,

nor alter the impact of their work on the world they were writing about.

perhaps manolete was a hoof fetiishist, or suffered from terrible hemmhoids

as a restly of long nights in spanish horn parlors..but he was a great

matador and it is hard to see how any amount of freudian theorizing can

have the slightes effect on the reality of the thing he did best.

1)sound familiar;

2)name that thread! (or 4 or 5..)

you will win absolutely nothing.

mc

=========================================================================

Date:         Thu, 3 Jul 1997 13:54:24 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: what's going on?

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Sherri writ:

 

>> waters fine. <smiles>

 

yes,

and if the waters _beat_ on you,

high above your head, well,

ride the waves instead.  :-)))))))))))))

 

>> Paix,

>> Sherri

 

Douglas <<everybody beat surfin'... >>  Hi Sherri!  Hi Becca!

 

> 

> 

=========================================================================

Date:         Thu, 3 Jul 1997 14:08:46 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: summer reading update: HST on an old thread

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Marie rode in and spit:

 

><< from HELLS ANGELS by HST]]

>for interracial buggery. it is good way to stir up in a tempest in the

>academic quarterlies but it wont change a word of what either man wrote,

>nor alter the impact of their work on the world they were writing about.

>perhaps manolete was a hoof fetiishist, or suffered from terrible hemmhoids

>as a restly of long nights in spanish horn parlors..but he was a great

>matador and it is hard to see how any amount of freudian theorizing can

>have the slightes effect on the reality of the thing he did best.

>> 

 

All I'm gonna say is that nobody ever told me in college that Warhol was

gay.  same for Robert Rauschenberg and a few choice others.  And besides

sexual preference, I'm sure I could remember a few other "overlooked"

bits.  Such facts might not "change a word" or "alter the impact"; yet

for interpretation's (and appreciation's) sake, these <<messy>> tidbits

are good to know.  Sure as hell explains the Liz Taylor and Judy Garland

fetishes.  Sure explains RR's relationship to Jasper Johns.  another

depth to plow.

 

and I'll need to go back and check my "fucking little boys Ginsberg"

beat-archives.  but really, this is important information on a certain

level.  Granted, there are many levels and and and the author is dead

yada yada.  But why not have all the facts and then discuss what is

relevant??  This is not intended as a flame or anything like that BTW.

:-)

 

>> you will win absolutely nothing.

 

How about a free issue of National Conquistador??

 

>> mc

 

cheers, "badass" Douglas  <<a former Honda moped boy>>

=========================================================================

Date:         Thu, 3 Jul 1997 15:30:21 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      jazz and the prairies

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Read this in the paper today, thought I'd share it with the rest of

you...

 

Ross Porter, host of CBC radio's jazz show, After Hours, on how living

on the prairies is like being a jazz musician:

*Everyone thinks you're crazy for doing it.

*Just when things seem like they can't get any worse, they do.

*Everyone keeps reminding you how things were better 30 years ago.

*You only get media attention when something bad happens.

*Upside: You're always one hour ahead of what's happening on the West

coast.

 

 

Adrien

=========================================================================

Date:         Thu, 3 Jul 1997 16:41:12 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      FireWalk thru Madness -- the endings...

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these three conclude the thing. =20

 

>From FireWalk Thru Madness, copyright December 1992 David B. Rhaesa

 

 

Random Songs.

 

Dylan sings Lily, Rosemary, and the Jack of Hearts -- it sounds

different than Joan=92s version when she dad to hope that she could know

the words.  =93Two doors down the boys finally made it through the wall=94

and I think of Pink Floyd and other walls -- boundaries between us that

seems like walls, Berlin Walls, Iron Curtains -- between our souls.

 

Thinking about the Jack of Hearts makes me think about solitaire by the

River.  It was the Iowa River when I started but it was the River Styx

when Anne found me to sign the papers.

 

A Simple Twist of Fate.  =93They sat together in the Park=94  Lucy and Da=

vid

-- she made him feel comfortable with open relationships ... =93a little

confused I remember well=94 I sat under a tree at Washington University

while she danced inside.  His mind danced outside and the words flowed

from his pen like they do now on the paper as fast as I can write.  In

St. Louis -- Boyhood home of Burroughs -- =93felt an emptiness inside to

which he just could not relate=94 when the car spun out of control on

Highway 61 and not a scratch on the car or on me.  =93I was born too late=

=94

he thinks of Twisting Fate as the harmonica drones.

 

Lucy=92s in New Mexico and Clapton sings His confession =93I shot the

sheriff=94 and I never can figure out who did shoot the deputy -- Unsolve=

d

Mysteries and America=92s Most Wanted.  Self Defense.  =93Capital Offense=

=94.=20

Self Offense.  Capital Defense.  =93Kill it before it Grows=94.  Capital

Defense.  Capital Punishment .  =93Hang him,=94 they scream in their whit=

e

sheets and the black man swings innocently from the tree -- Dead for his

innocence.  =93Reflexes got the better of me=94.

 

My reflexes fear.  Put up walls, boundaries to keep the bottom from

dropping out.  The bottomless pit when I fall through the wall I called

the floor of my soul.  No grounding.  No gravity.  Topsy-Turvy.  Crazy.=20

Inside and Out.  =93Just about to Lose My mind.=94  =93My Momma said I=92=

m

crazy=94. =20

 

She visited me in the hospital and brought me my sister=92s guitar and Da=

n

taught me Hank Williams=92 songs =93I=92m So Lonesome I could Cry=94 on h=

is Red,

White, and Blue Buck Owens=92 guitar -- living in the hospital in Saint

Joe on Tulsa Time in Franciscan living in a difference time zone beyond

time ... temporal dimension ... Interzone ... Naked Lunch ... and all I

wanted was a Naked Breakfast with Linda my high school sweetheart.

 

=93Lay Lady Lay=94 Linda ... Aunt Abby when I was Teddy =93You=92re a Big=

 Girl

Now=94 working for the Supreme Court  =93and I=92m just like that bird si=

nging

just for you.=94  =93I hope that you can hear me singing through these

tears.=94  And you=92ve moved to Nashville =93I can make it through.=94  =

I

scream to myself make it through the walls of my mind.

 

=93Love is so simple.=94  I=92m so simple.  Simply Complex. =20

 

=93What=92s the sense of changing horses.=94  =93I=92m going out of my mi=

nd.=94  =93A

corkscrew in my heart.=94  And I=92m still sitting on the Red Couch in th=

e

Salvation Army and it=92s Halloween and I=92m still there dressed as a

mannequin for Halloween.  I stayed home avoiding the Ritual.

 

=93If you see her say Hello.=94  I send this to all in San Francisco,

Jerusalem, =93Tangier.=94  =93She might think i=92ve forgotten her -- don=

=92t tell

her it isn=92t so.=94  But I want to call, to connect.  =93She still live=

s

inside of me.=94  Do I live inside of her?  I just want to know that I

still live there too.  I never wanted to own her or trap her.  I just

wanted her to be happy.

 

=93Now I hear her name here and there as I go from town to town=94 and

freeze up inside and I howl inside and at the yellow moon.  =93All went b=

y

so fast.=94  I wish she=92d find me.  Should I tell her I=92m moving? =20

 

I wish someone could understand why I loved her.

 

SCARED

November 1992

 

He looked a little like DeNiro in Angel Heart.  No red cape.  No horns.=20

Luficer in human form, surrounded by a fog -- a haze.  As I moved closer

the fog lifted from his face.  His eyes were Fire Red and lasers shot

from them cutting through the fog.  Face to Face with Satan -- And I

Wasn=92t Scared.

 

Then he waved his arm and the fog vanished and the cavern was lit by

fire and in the throne beside him I saw Anne.  Chained to the throne.=20

Cold, hard manacles connecting her wrists to the chair=92s arms.  Another

manacle around her neck with chains tied to the rungs of the chair

back. =20

 

And I looked at her face.  Her eyes were blood and the smile a devious

demented smile, an insane smile likes the sounds of laughter that came

from deep inside her that night at the farmhouse.  The voices that were

not hers, laughing at me -- Screaming that they had won -- that I was

broken.  The laughter I felt pierce through me before I dove into the

pit in my mind after her.  Trying to protect her.  Save her.  The woman

I loved.  And I Wasn=92t Scared.

 

I turned to him As I felt the Rage inside me boiling, the Rage of one

who takes anger inside, keeps it there, learns from it, draws on it -

like a power source.  And my eyes shot lasers back at him.  White

lasers.  White light.  Cleansing.  Love.  Energy. =20

 

And I started to speak and it was my words but it was like I was

watching myself.  Surprised that these feelings were coming out.=20

Surprised at my own power.  My own energy.  And I told him that I was

connected to all the Devil=92s Advocates on earth and they cared about me

more than him. =20

 

And then I laughed in his DeNiro-like face and just said: =93You Lose!=94

 

The manacles burst open on Anne=92s throne and the expressions on her fac=

e

changed and I saw the woman I loved.  The woman I married.  And I Wasn=92=

t

Scared.

 

Then she vanished and he turned back at me and the cavern turned inside

out, upside down.  And I heard his laughter, Her laughter from the

farmhouse and I tried to run away but the paths all ended before they

started.  Dead-ends.  Trapped.  And Anne was free, But I wasn=92t.  And I

Was Scared.

 

 

FRENCH FATIGUE FANTASY

 

Je Suis Fatigue

 

The only ine of French I know

 

So that if I ever visit France

 

I can be tired

 

And tell someone.

=========================================================================

Date:         Thu, 3 Jul 1997 16:43:37 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: >> respect and be watchful.

MIME-Version: 1.0

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Penn, Douglas, K wrote:

> 

> Patricia writ:

> 

> ><<the thing with brian was the best for me too.  I saw the show at the

> >spenser library here in lawrence,  I like his work on ply wood and glass

> >the best next to the collaboration.  Gyson was one of his most favorite

> >people and most important artistic influence.  I love one of his peices

> >which was a red door.

> i am very familiar with his art.>>

> 

> I spent a summer in Lawrence.  Both my cousins went there for school and

> I just hung out one summer.  Very cool town.

> 

> I also liked that 'light machine' (what was it called?) that twirled

> around and one was supposed to sit and be hypnotized by it.  Then the

> Robert Rauschenberg piece was good to see.  As was the Basquait piece

> (the movie had just come out).  Still haven't heard the Kurt

> Cobain/Burroughs CD.  Wish and Wish the short films would make it TV or

> video (would love to be able to rent them, easily).  For the longest

> time after that exhibit, I went around trying out my "Burroughs" voice

> on all my friends and relative.  <<very fun>>

> 

> Of Burroughs work, I've read about half of Naked Lunch, most of his

> recent dream book (love his "land of the dead" stories, not being able

> to find a good breakfast, etc), and some of the interviews in the Bunker

> book.  There must be more of a connotation to the "red door" than I am

> picking up from these scattered literary fragments.

> 

> Anytime you wanna talk art, I'm here!!

> 

> >> p

> 

> >cheers, Douglas

> 

> PS:  just about to sign off, when I remembered, looking up, that I have

> had a photograph of Burroughs on my office wall for about 2 years now.

> It's a xerox out of a Vanity Fair article (photo by Annie Leibovitz).  A

> prison sort of photo.  artistic criminal.  Was good to see the detail

> and shadow play in the originals.  People always ask me who that "old

> man" is.  I tell them he's my grandfather, of sorts.  Don't think they

> >really believe me.

 

patricia writes

I absolutly love doing his voice, the low timbre sugared with sacasim,

"well my dear, don't call the police unless you have some idea of what

they are most likely to do and if you want them to do that.

=========================================================================

Date:         Thu, 3 Jul 1997 15:07:00 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: >> respect and be watchful.

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

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><<patricia writes

>I absolutly love doing his voice, the low timbre sugared with sacasim,

>"well my dear, don't call the police unless you have some idea of what

they are most likely to do and if you want them to do that.>>

 

I wasn't aware you were going to post this to the list, p!  No matter.

Don't know the quote you cite, but I can hear it.  <<Wonderful>>  My

favorite piece to take-off from was his legendary "thanksgiving prayer"

reading.  I've forgotten how it goes, but something like "four score and

seven years ago, ......., I'd like to thank the indians [pause] for

getting slaughtered [slight sarcastic pause] by drunken englishmennnn

[that low timbre you mentioned]..." and then fast into his next line.

<<Wonderful>>  It's what makes his Dream book so enjoyable too.  Can

just see hunchback burroughs trying to find a good breakfast in the LOD:

 

~~~ "I'd like to thank the cook [pause]

        for deserting me [slight pause]

                in my deepest hour of need..."   <<laughing convulsively>>

 

It was interesting to read in the Bunker book how upon arriving in New

York, he began doing readings and was a smash hit.  This apparently shy

man found his audience and increased his appeal.  The power of the

voice.  Loved and saddened by the way Brion dressed him up then too.

What a freak!  <<my hero>>

 

>back to Joyce, Dogulas

=========================================================================

Date:         Thu, 3 Jul 1997 15:20:39 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

MIME-Version: 1.0

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Becca,

        Excuse me, but ...I think you're confused...In no way whatsover have I

participated in the Nazi thread discussion...have deleted all those with

an itchy trigger finger as the matter of fact...please aim your line of

fire somewhere else.

Barb

 

 

Becca91894@aol.com wrote:

> 

> barbara--

> 

> I read your post on the beat list.  although i am new to the list and not

> necessarily a great thinker, i thought maybe i would throw my ideas at you,

> since you seemed interested.

> about censorship:  this may be waffling, i'll just warn you about that now.

>  it seems to me that censorship in general is wrong.  and like doug (i think)

> said, we have to allow viewpoints we disagree with to be heard, or we

> endanger our own freedoms of speech.  however, when we are discussing nazis,

> i'm inclined to believe that censorship may have it's place.  nazi's are a

> dangerous group, they regularly kill and destroy people's lives because they

> are different.  i wouldn't say that a nazi party shouldn't be allowed to form

> (well, maybe i would, i haven't really thought about it), but allowing a nazi

> web-site where like-minded individuals can band together from all over is

> extremely risky.  i think we all can agree that heinous atrocities were

> commited under nazi leadership, and it seems irresponsible to me that we

> would help these people come together and create a stronger bond than already

> exists.  after all, one reason hitler came to power was because the rest of

> the world thought they should mind their own business and let germany do its

> thing.  i think many things would be done differently, in retrospect, but

> since there is nothing we can do about what's already happened, we should

> learn from our past mistakes and do everything possible to ensure that

> nothing like the holocaust will ever happen again.

> 

> i hope i haven't been too forward in responding to your post.

> 

> becca

=========================================================================

Date:         Thu, 3 Jul 1997 17:24:03 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: >> respect and be watchful.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Penn, Douglas, K wrote:

> 

> ><<patricia writes

> >I absolutly love doing his voice, the low timbre sugared with sacasim,

> >"well my dear, don't call the police unless you have some idea of what

> they are most likely to do and if you want them to do that.>>

> 

> I wasn't aware you were going to post this to the list, p!  No matter.

> Don't know the quote you cite, but I can hear it.  <<Wonderful>>  My

> favorite piece to take-off from was his legendary "thanksgiving prayer"

> reading.  I've forgotten how it goes, but something like "four score and

> seven years ago, ......., I'd like to thank the indians [pause] for

> getting slaughtered [slight sarcastic pause] by drunken englishmennnn

> [that low timbre you mentioned]..." and then fast into his next line.

> <<Wonderful>>  It's what makes his Dream book so enjoyable too.  Can

> just see hunchback burroughs trying to find a good breakfast in the LOD:

> 

> ~~~ "I'd like to thank the cook [pause]

>         for deserting me [slight pause]

>                 in my deepest hour of need..."   <<laughing convulsively>>

> 

> It was interesting to read in the Bunker book how upon arriving in New

> York, he began doing readings and was a smash hit.  This apparently shy

> man found his audience and increased his appeal.  The power of the

> voice.  Loved and saddened by the way Brion dressed him up then too.

> What a freak!  <<my hero>>

> 

> >back to Joyce, Dogulas

patricia writes

i forgot, i try to repost most of the stuff to to beat-l and should of

checked with you,  sorry. I wish there was more discussion of the beat

related arts, gyson being a good one to start with, i really love the

work of his that i have seen. but don't know much about the man except

he is gone. The "don't call the police" is a parapharase, i am terrible

about being exact.

p

=========================================================================

Date:         Thu, 3 Jul 1997 19:57:25 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      MAIL PROBLEMS

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Hello folks,

 

I've noticed a lot of posts having mail difficulties-either getting

or recieving posts-me too. Ironically, my net provider sent this post

out earlier in the day; I'm not sure if any of this info is helpful

or not so here goes:

 

Subject: Update

Date: Thu, 3 Jul 1997 08:57:40-0500 (CDT)

From: gods@bitstream.net

To: Stand666

 

Hello,

 

There are still a few people who are not getting our

daily messages. This is a holdover from our mail server

switchover and should not be the case very soon.

 

We are still having some trouble with USWEST concerning

connection quality issues from some locations. The modem

pool and mail server are working great--the people

having problems are mainly but not exclusivly in the 822

exchange. USWEST claims they are fixing it, but we should

all keep harassing them until it is so. Please see the

bsu.announce newsgroup for more info.

 

We will be closed tomorrow July 4th, and Saturday July 5th.

 

Thanks for your support.

 

Michael

 

Bitsteam Underground, Inc.

http://www.bitstream.net  gods@bitstream.net

=========================================================================

Date:         Thu, 3 Jul 1997 21:19:04 -0400

Reply-To:     Becca91894@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      Re: the beat (en) horse/summer reading update

Comments: To: Marioka7@aol.com

 

i'll go for voc as well.  i haven't read it but have meant to-- maybe this

will kick my butt into gear and i'll get it finished.

 

here's hoping

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 21:20:59 -0400

Reply-To:     Becca91894@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      Re: what's going on?

Comments: To: dkpenn@oees.com

 

hi douglas!  now i really feel like part of the list--somebody wrote my name

for all to see.... <sniff>  i'm so touched!!

 

heeheeheehee

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 21:39:11 -0400

Reply-To:     Becca91894@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      Re: what's going on?

Comments: To: love_singing@msn.com

 

sherri--

 

thanks so much.  everybody has been friendly and encouraging so far, so i'm

starting to feel more comfortable, if maybe a little intimidated by the

knowledge circulating around here. :)  that'll just give me more reason to

expand my beat library, right?  thanks for the welcome.  i'm sure you will

hear more from me as time goes on.

 

becca

=========================================================================

Date:         Fri, 4 Jul 1997 01:42:52 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: the beat (en) horse/summer reading update

 

ok gotta get out and buy voc... haven't read it yet either... that'll make 16

bboks i got goin now....  help i'm drowning in a sea of words!!!

 

gasping,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of FIRST_Rebecca LAST_ Last

Sent:   Thursday, July 03, 1997 6:19 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: the beat (en) horse/summer reading update

 

i'll go for voc as well.  i haven't read it but have meant to-- maybe this

will kick my butt into gear and i'll get it finished.

 

here's hoping

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 19:32:19 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: what's going on?

In-Reply-To:  <970703212057_136756683@emout02.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 6:20 PM -0700 7/3/97, FIRST_Rebecca LAST_ Last wrote:

 

> heeheeheehee

 

the trick, I'm told, is to figure out how this relates to some sort of beat

technology.  any quote unquote beat work.  this will keep the snails happy

and us permission to roam somewhat free.  I guess.  not a creative writing

class but an empassioned discourse.  <ahem, an brief example>::

 

trigger trigger

I think he got me in the liver

pork chop ad hoch

burroughs ate his dinner

 

he shot a door

bled it read

spoke about a river

arabesques in bed

 

little boys

with marks upon their face

hanging faciciously

their anus' a shout

for propriety

Start the chase!!

 

run becca, run!

the beats will get you!!

run to the bookstore becca

run run... <<ah, fuck this!>>

 

<<ahhhhhhh!!!, [[eaten by a snail]]

 

 

well....,

        I tried...>>  :-)

 

> becca

 

cheers, Douglas

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Thu, 3 Jul 1997 11:57:32 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: summer reading update: HST on an old thread

MIME-Version: 1.0

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Marie Countryman wrote:

> 

> am now dangerously careening down the hillside with HST and the angels,

> about to break out into hoodlem circus/rape at bass lake

> in the midst of brawls and runs and sleeping in grease (not that these

> subjects don't hold a some what wacky fascination)

> anyway, she said impatiently to her brain get on with it!. ok , found

> interesting passage that taps into many a beat-l think tank or actual

> flame tank wars:

> HST: HELLS ANGELS

> to whatever extent the hell's angels may or may not be latent

> sado-masochists or repressed homosexuals is to me --after nearly a year

>in the constant company of outlaw motorcyclists--almost entirely

>irrelevant. there are literary critics who insist that ernest hemingway

>was a tortured queer and that mark twain wass haunted to he end of his

>days by a penchant for interracial buggery. it is good way to stir up in

>a tempest in the academic quarterlies but it wont change a word of what

>either man wrote, nor alter the impact of their work on the world they

>were writing about. perhaps manolete was a hoof fetiishist, or suffered

>from terrible hemmhoids as a restly of long nights in spanish horn

>parlors..but he was a great matador and it is hard to see how any amount

>of freudian theorizing can have the slightes effect on the reality of

>the thing he did best.

> 1)sound familiar;

> 2)name that thread! (or 4 or 5..)

> you will win absolutely nothing.

> mc

 

Ah, shit, I wanted to win something. But, does it have an impact on the

reality of what we do best?  Some of us careen wildy down the hill with

the hell's angels.  Some of us read about it.  Some of us write about it.

Some of us theorize about it.  I live therefore I am.  I write therefore

I am.  I think therefore I am.  Some of us create life out of fiction and

fiction out of life.  Some of us want to write the biography or perhaps,

obituary, of the first guy that tells a hell's angel he's a repressed

homosexual.

DC

=========================================================================

Date:         Thu, 3 Jul 1997 21:38:10 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: summer reading update: HST on an old thread

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Marie--

 

I have to send you my "Freewheeling Frank".  I had forgotten that HST

also covers a Bass Lake rally as does Frank.  You will love the

parallels.

 

I'll reread my HST's book which I have pretty much forgotten and let you

borrow Franks.  Nice "inside--outside" comparison.

 

James Stauffer

 

Marie Countryman wrote:

> 

> am now dangerously careening down the hillside with HST and the angels,

> about to break out into hoodlem circus/rape at bass lake

> in the midst  of brawls and runs and sleeping in grease (not that these

> subjects don't hold a some what wacky fascination)

> anyway, she said impatiently to her brain get on with it!. ok , found

> interesting passage that taps into many a beat-l think tank or actual flame

> tank wars:

> HST: HELLS ANGELS

> to whatever extent the hell's angels may or may not be latent

> sado-masochists or repressed homosexuals is to me --after nearly a year in

> the constant company of outlaw motorcyclists--almost entirely irrelevant.

> there are literary critics who insist that ernest hemingway was a tortured

> queer and that mark twain wass haunted to he end of his days by a penchant

> for interracial buggery. it is good way to stir up in a tempest in the

> academic quarterlies but it wont change a word of what either man wrote,

> nor alter the impact of their work on the world they were writing about.

> perhaps manolete was a hoof fetiishist, or suffered from terrible hemmhoids

> as a restly of long nights in spanish horn parlors..but he was a great

> matador and it is hard to see how any amount of freudian theorizing can

> have the slightes effect on the reality of the thing he did best.

> 1)sound familiar;

> 2)name that thread! (or 4 or 5..)

> you will win absolutely nothing.

=========================================================================

Date:         Thu, 3 Jul 1997 21:59:32 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Visions of Cody--Notes and Queries

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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OK,  like a good boy I have started my Visions of Cody assignment

(though I think I have to throw in HST's Angel book with the other

things I am simultaneously reading.)

 

Getting myself into the rythm of VOC--enjoying Jacks high cholesterol

dinner reminsicences.  Struck by his mention of Al Collins on the radio

as Jack and "Tom" are driving around. (p. 13 or my McGraw Hill

paperback).

 

  Al "Jazbo" Collins is still doing his "Purple Grotto" bit,currently

heard in the SF area on KCSM-FM  in San Mateo. Don't know if it is

syndicated or strictly local. Friday or Saturday night if memory

serves.  I remember hearing Jazbo on alternative FM in LA during the

60's in the Phil Donohue,  B. Mitchell Reed era.  Seemed a flash from

the past at the time but hadn't realized he went back to the late

forties.

 

Have a good Independence Day everyone and take a toke for those of us

who will be working anyway.

 

J. Stauffer

=========================================================================

Date:         Thu, 3 Jul 1997 22:05:07 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      the complete beat (experiment)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I'm still not sure how to phrase.  this I'm not sure.  the exact meaning.

How to beat?  got to thinking about the term "beat technology"

 

sitting on my toilet, amusing myself.  flipping thru my "20th Century

Photography -- Museum Ludwig Cologne" book.  had another image first, then

sitting down to scan the image, came upon another [see link to .gif below].

 

 

see page 610, Eberhard Schrammen.

 

Following the following like to see his "Untitled (self-portrait)" (1930).

gelatin silver print, stencil photogram 23.8 x 17.9 cm

 

<<hm, how is this beat??>>  <<hm??>>

 

Here's what the text says:

 

        > Schrammen remained active as an artist, painter,

        . graphic artist, and writer.  There is little evidence

        . of his written work

 

So give me evidence of the complete beat!  Well, <<ahem>>, an example of

beat technology:  snails, gods, beets, carrots, beetles, chickenheads, and

original crispies ((all invited to snap crackle and pop))  Beat as it

survives today.  still don't know what that means  <<damn>>.  and am still

not sure how to even phrase the question <<double damn>>.  God help me

<<yes?>>.

 

Any suggestions??  <<and p. no gunshots thru doors will be accepted!>>

 

http://www.electriciti.com/babu/images/Schrammen.gif

 

Douglas  <<fireworks, homemade ice cream, good friends = weekend>>

=========================================================================

Date:         Fri, 4 Jul 1997 02:00:17 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Germs

 

came into life

like a puzzled panther

waiting to be caged

but something stood in the way

i was never...quite...

tamed

--------------the Germs

=========================================================================

Date:         Fri, 4 Jul 1997 02:03:59 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      correction

 

came into this world

like a puzzled panther

waiting to be caged

but something stood in the way

I was never

quite...

tamed...

-------the Germs

=========================================================================

Date:         Fri, 4 Jul 1997 00:34:49 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: correction

In-Reply-To:  <970704020359_-2113582237@emout15.mail.aol.com>

Mime-Version: 1.0

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At 11:03 PM -0700 7/3/97, Maya Gorton wrote:

 

> came into this world

> like a puzzled panther

> waiting to be caged

> but something stood in the way

> I was never

> quite...

> tamed...

> -------the Germs

 

yep.  you must be a "badass" too!?  something just doesn't fit

outside in

ah you were looking scuttled

outside in

  We already know you're ugly!

but do you know I'm joking, I'm joking!!]]

 

yours, Douglas

 

<< 

running

running

burning

 bright

>> 

 

from Jack Kerouac "angel mine"

 

        Angel mine be you fine

        Angel divine

 

        Angel milk what's your ilk

        Angel bilk

 

        Angel cash  Angel Smash

        Angel hash

 

from Pomes All Sizes

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 4 Jul 1997 09:19:40 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Scattered Poems

 

from Lucien Midnight   JK  1957

 

        Dying is ecstasy,

        I'm not a teacher, not a

Sage, not a Roshi, not a

writer or master or even

a giggling dharma bum I'm

my mother's son & my mother

is the universe --

        What is the universe

                but alot of waves               [was jack reading

        And a craving desire              about physics?]

                is a wave

        Belonging to a wave

                in a world of waves

        So why put any down

                wave?

        Come on wave, WAVE!

        The  heehaw's dobbin

                spring hoho

        Is a sad lonely yurk

                for your love

        Wave lover

 

And what is God?

The unspeakable, the untellable...

 

...No, -- what is God?

The impossible, the impeachable

Unimpeachable Prezi-dent

of the Pepsodent Universe

But with no body & no brain

no business and no tie

no candle and no high

no wise and no smart guy

no nothing, no no-nothing,

no anything, no-word, yes-word,

        everything, anything, God,

        the guy that ain't a guy,

        the thing that can't be

        and can

        and is

        and isn't...

 

How I wish I could have put it so eloquently....

 

Bon niut mes amies,

Sherri

=========================================================================

Date:         Fri, 4 Jul 1997 08:08:08 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      JK/ HST

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970703210846Z-134@sd-mail.sd.oees.com>

Mime-Version: 1.0

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douglas:

in addition to sexual preference:

there have been long discussions of what i call

 the jack and the bottle - and all speculation related to that. monday

morning quarterbacking in a way, years later.

my take on this (and you can insert any other behavior to it)

he drank.

and he wrote.

i dont think he wrote because he drank;

i dont think he drank because he wrote;

i think he wrote because he HAD to, was writing for years as child and

never stopped.

he may have started drinking to ease self in social situations (akward and

shy) or to medicate away the pain of his sensitivity and depressions.

but imho,

all speculation about what he coulda been if he didnt drink is all moot to me.

 ('i couldda be a contendor! (brando on the waterfront) and all that.

speaking of HST/motorcycles/bad boys/legends and real life:  watching the

wild bunch while i strip down my bicycle, wearing my 'colors' on this  day.

mc

=========================================================================

Date:         Fri, 4 Jul 1997 08:08:17 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: summer reading update: HST and JK

In-Reply-To:  <33BBF61C.52DE@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

it seems that the votes are for Cody. as i am hip deep in gonzo land, but

wanting to be part of the discussion,

i plan for the VOC thread to compare some passages from romantic JK re:

cassady's chilhood with passages from FIRST THIRD by cassady. should be

fun, at least will maybe stir up some interest in more folks to read  of

neal's childhood from neal himself. living on the denver equivalent of skid

row with drunken father, traumatic childhood to say the least.  i think it

gives good insight into how much can be changed in a novel from the reality

(or, at best, the memories of neal

vs JK's romanticizing.) it's really all theory and what you want to read

into things, but instructive and interesting never the less. and oh,

 by the way, this reading is being played out with HST parallel process:

between the much more journalistic  hells angels in comparison to the wild

novel/gonzo journalism of F&L in LV. i am pretty sure that the letters will

bear me out on this, just got to get to them.

off to join the wild bunch today.

mc

=========================================================================

Date:         Fri, 4 Jul 1997 08:08:22 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: the complete beat (experiment)

In-Reply-To:  <l03020900afe22fcbee3c@[208.193.147.131]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

in that category i think one must see bob kaufman as the compleat beat as well:

he threw himself on car hoods, declaimng poems and poetic manifesto . he

wrote his pomes with no plan for publishing them. many still exist solely

because friends would follow him, picking up pomes written on cocktail

napkins and the like...he was busted many times, (reminscent of lenny

bruce) and targeted by 'authorities' -socrates also comes to mind: gadfly

of the beats to the absolute end..

he spent countless days and nights in prison for his total devotion to

anarchy and true poetry. small quote from AG from intro to cranial guitair:

'he wasn't just political, he was metaphysical, psychological, surreealist,

and enlightened in extending his care into the whold society of poetry,

seeing that as the revolution..."

mc

=========================================================================

Date:         Fri, 4 Jul 1997 09:51:00 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      independence day

 

For three days the neighborhood has been sounding with bombs and whistles,

sirens of fire trucks, machine-gun retorting firecracker strings, all day,

all night, like a war, no cease-fire, like Beirut. Every two minutes a big

jet soars away from SeaTac, carrying people on holidays like torpedoes

launching from submarines, on target.

 

And evening comes on the third of July and the town is shutting down. You can

hear it. You can feel it. Everyone is gone somewhere. In ice chests

watermelons chill alongside beer and the sun stays up in the sky to stare

into people's windows, causing a breeze to run around it like a puppy looking

for a tussle, tossing up bamboo shades, weak ramparts against the unrelenting

horizontal rays of this star made of fire.

 

No cars on the streets... people walk right down the middle of the avenues,

some drinking from brown paper bags, others sweating in uniforms dying to get

home to have one day off, one lousy extra day off, for any reason at all.

Previously unheard bird calls issue forth from bushes, these birds now

willing to speak because they don't have to compete with cell phones and car

horns and beepers. Little children's voices are the only sounds of human

life, except the echoing of a basketball hard and hollow hitting the concrete

driveway over and over and over and over goddamit shoot goddamit... god.

 

Small planes, float planes, planes dragging signs through the thick blue air,

revving like lawnmower looking for clouds to trim, fly east to west, west to

east, at right angles to the jets where passengers hear, "This is the captain

speaking... if you'll look out the window to your left, you'll see Puget

Sound and the Olympic Mountains. And not to be outdone, to the right you'll

see the Cascades and Bill Gates' fortress on the shores of Medina, right here

in the Emerald City..."

 

It feels like I'm the only one left in town, although I know that isn't true,

but it's something I've always dreamed about, so it's okay with me. I'm

amazed at the quiet. I don't know when was the last time this town was so

still. I'm thinking about Central Washington, 100 degrees as usual, and this

little breeze... over there this breeze can whip a firecracker in the grass

into a wildfire before you can even get the garden hose turned on. I'm so

glad to be here, not in that place which is truly next door to hell, where

the smell of sulfur dominates chicken barbecuing on the grill and the heat

makes you sit in the kiddies' pool without shame, where borate bombers drop

their puny cargo with the efficacy of a wad shot into a condom, then drone on

back to base camp for another load of blood-red dust and lots of summer

overtime pay for the pilot.

 

5 a.m. on the 4th of July and I wake up to those birds; I hadn't even noticed

when they stopped singing. Now the sun breaks red over the ridge in the east,

still staring through jet streams but cool and bright, a joker setting this

town up for this day of uncertain weather. In a few minutes the jets will

start up again, firecrackers will accompany breakfast, flags will be

unfurled, maybe it'll start raining. Will I ponder the nature of freedom or

eat potato salad?

=========================================================================

Date:         Fri, 4 Jul 1997 15:05:58 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: summer reading update: HST and JK

 

while jack may have been romaticizing, let us never forget that human memory

is incredibly subjective and that much is played through the filter of who we

are ane what we have done/become over time.  i think neal's version would be

(haven't had a chance to read it yet) even more interesting for the insight

into hwo he views himself, in addition to who he really is.

 

thanks for reminding me that i need to "First Third".

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Marie Countryman

Sent:   Friday, July 04, 1997 5:08 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: summer reading update: HST and JK

 

it seems that the votes are for Cody. as i am hip deep in gonzo land, but

wanting to be part of the discussion,

i plan for the VOC thread to compare some passages from romantic JK re:

cassady's chilhood with passages from FIRST THIRD by cassady. should be

fun, at least will maybe stir up some interest in more folks to read  of

neal's childhood from neal himself. living on the denver equivalent of skid

row with drunken father, traumatic childhood to say the least.  i think it

gives good insight into how much can be changed in a novel from the reality

(or, at best, the memories of neal

vs JK's romanticizing.) it's really all theory and what you want to read

into things, but instructive and interesting never the less. and oh,

 by the way, this reading is being played out with HST parallel process:

between the much more journalistic  hells angels in comparison to the wild

novel/gonzo journalism of F&L in LV. i am pretty sure that the letters will

bear me out on this, just got to get to them.

off to join the wild bunch today.

mc

=========================================================================

Date:         Fri, 4 Jul 1997 12:01:46 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: summer reading update: HST and JK

In-Reply-To:  <UPMAIL14.199707041511150680@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>while jack may have been romaticizing, let us never forget that human memory

>is incredibly subjective and that much is played through the filter of who we

>are ane what we have done/become over time.  i think neal's version would be

>(haven't had a chance to read it yet) even more interesting for the insight

>into hwo he views himself, in addition to who he really is.

__________

i didnt forget: and i quote

  i think it

gives good insight into how much can be changed in a novel from the reality

(or, at best, the memories of neal

vs JK's romanticizing.)

the reality is not first third, but of neal's memories which make up the

first third.

reality vs romancizing *or* human memory.

i constantly question reality as much as i question my perceptions/memories

from the reality.

and then i get hung up wondrin'

what is reality? probably no more than a perception of an event action or

being on the part of the beholder.

so in doing this comparison there are always 3 particpants: the memorybabe

romantic jack; the life as a work of art itself neal; and the reader.

(my last career and what i face daily these days have everything to do with

memory from academic experiments to psychotherapy.)

,mc

=========================================================================

Date:         Fri, 4 Jul 1997 09:14:20 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: JK/ HST

In-Reply-To:  <l0302090aafe25516ddb3@[206.25.67.110]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 5:08 AM -0700 7/4/97, Marie Countryman wrote:

 

> but imho,

> all speculation about what he coulda been if he didnt drink is all moot

>to me.

>  ('i couldda be a contendor! (brando on the waterfront) and all that.

> speaking of HST/motorcycles/bad boys/legends and real life:  watching the

> wild bunch while i strip down my bicycle, wearing my 'colors' on this  day.

 

Today is my blood father's birthday.  such a 50 generations man.  love of

family, love of wild hares and practical jokes, and in the past -- the

drink.  Mum seperated from him at my early age (2), and we've just gotten

back in contact with each other, so I have yet to ask him, "hey paw, could

you have been a conquistador??"

 

and as one who has dabbled in a better life through chemicals, I would hope

that what you suppose about needing to write is true.  yes, writing is

true.  but there is no denying the color and half-back tone of the drink

(or what not) there as well.

 

[[there can be no denial of the truth]] -- a yoko ono marathon, a yoko ono

marathon, a yoko ono marathon, a yoko ono marathon, a yoko ono marathon

[[the sound in me head this morning quoting my friend diana and her siren

songs]]

 

sometimes I think my whole family is medicated.  all of us running from the

bulls.  does Michael Jordan just drink Gatorade?  ah questions about da

drink.  if the man intends on remaining an island, often times the only

recourse is to drink himself to land??  an isthmus of peace and

tranquility??  If anything, I must say that da drink only irritates the

mind, and very occassionally the reader.  With that said, and my own

patience exploded, it's time for my coffee (or perhaps orange juice) today.

 

happy 4th!, > mc

 

cheers, Douglas  <<preparing my run to Lala country>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 4 Jul 1997 00:14:15 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Visions of Cody--Notes and Queries

MIME-Version: 1.0

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James Stauffer wrote:

> 

> OK,  like a good boy I have started my Visions of Cody assignment

> (though I think I have to throw in HST's Angel book with the other

> things I am simultaneously reading.)

> 

> Getting myself into the rythm of VOC--enjoying Jacks high cholesterol

> dinner reminsicences.  Struck by his mention of Al Collins on the radio

> as Jack and "Tom" are driving around. (p. 13 or my McGraw Hill

> paperback).

> 

>   Al "Jazbo" Collins is still doing his "Purple Grotto" bit,currently

> heard in the SF area on KCSM-FM  in San Mateo. Don't know if it is

> syndicated or strictly local. Friday or Saturday night if memory

> serves.  I remember hearing Jazbo on alternative FM in LA during the

> 60's in the Phil Donohue,  B. Mitchell Reed era.  Seemed a flash from

> the past at the time but hadn't realized he went back to the late

> forties.

> 

> Have a good Independence Day everyone and take a toke for those of us

> who will be working anyway.

> 

> J. Stauffer

 

Will add my notes & queries on the first twenty or so pages to yours.

Things that particularly struck me (page #'s seem to correspond to

your's.

 

pg. 8--"and thinking 'Good thing I have my Proust--in case I should ever

follow him all the way which is apparantly Paradise Alley over on the

river they'd see not only how beat my copy is but that I seriously carry

it around because I'm really reading it, really bemused in the streets

with it like they'd be'--really a scholar, hip mystic..."

 

My copies of Proust, sit, unread, something I was always going to do,

never did, can anyone expound in a paragraph or so on Proust's style of

writing.  Also have rememberances here of Ginsberg, if I remember it

correctly, "who ate fire in paint hotels or drank turpentine in Paradise

Alley, death, or purgatoried their torsos night after night..."

 

pg.  10

"When I see a leaf fall, I always say goodbye--And that has a sound which

is lost unless there is country stillness at which time I'm sure it

really rattles the earth, like ants in orchestras..."

 

 

pg 16-18--where he talks about the immensity of reflection in window,

people and daily goings on reflected, cars reflected, seeing parts of

things that are there--distorted by wall of glass--("I know now that

paranoia is the vision of what's happening and psychosis is the

hallucinated vision of what's happening, that paranoia is reality, that

paranoia is the content of things, that paranoia's never satisfied.")

 

pg. 25--George Handy's "The Blues,"--"--'though there's joy in our souls

(bop interlude) we are nothing but shits and we'll all die and eat shit

in our graves and are dying now..' Pretty powerful talk!"

 

DC

=========================================================================

Date:         Fri, 4 Jul 1997 09:23:24 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Germs

Comments: To: Marioka7@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:00 AM 7/4/97 -0400, you wrote:

>came into life

 

Isn't it: I came into this world?

 

 

>like a puzzled panther

>waiting to be caged

>but something stood in the way

>i was never...quite...

>tamed

>--------------the Germs

> 

> 

=========================================================================

Date:         Fri, 4 Jul 1997 09:24:44 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: correction

Comments: To: Marioka7@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:03 AM 7/4/97 -0400, you wrote:

>came into this world

 

Oh,

 

I read the first one first, and replied before your correction.

 

Anyhow,

 

if you're even talking about darby you'd better hide your beer.

 

 

>like a puzzled panther

>waiting to be caged

>but something stood in the way

>I was never

>quite...

>tamed...

>-------the Germs

> 

> 

=========================================================================

Date:         Fri, 4 Jul 1997 09:36:20 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: FW: Visions of Cody JK speaks

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970703211233Z-136@sd-mail.sd.oees.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Rinaldo writ;

 

> >http://www-hsc.usc.edu/~gallaher/k_speaks/soundsource.html

> >

> >The Kerouac singing sound is an outtake from the Blues and Haikus session.

 

thanx for posting this.  especially enjoyed hearing:

 

        http://www-hsc.usc.edu/~gallaher/k_speaks/RRE2.au

 

I imagined his voice different.  and that cool jazz in the background

scrunches against my perceived memory.  it's such an even voice, almost

without inflection.  Am gonna have to hear more.  <<Rhino!!>>

 

cheers, Douglas

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 4 Jul 1997 00:39:40 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: summer reading update: HST and JK

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Marie Countryman wrote:

> 

> I didnt forget: and i quote

>   i think it

> gives good insight into how much can be changed in a novel from the

>reality

> (or, at best, the memories of neal

> vs JK's romanticizing.)

> the reality is not first third, but of neal's memories which make up

>the

> first third.

> reality vs romancizing *or* human memory.

> i constantly question reality as much as i question my

>perceptions/memories

> from the reality.

> and then i get hung up wondrin'

> what is reality? probably no more than a perception of an event action

>or

> being on the part of the beholder.

> so in doing this comparison there are always 3 particpants: the

>memorybabe

> romantic jack; the life as a work of art itself neal; and the reader.

> (my last career and what i face daily these days have everything to do with

> memory from academic experiments to psychotherapy.)

> ,mc

 

 

Your perceptions of this seem pretty 'right on to me.'  Reality can be no

more than "a perception of an event or action on the part of the

beholder."  We often tried to grasp hold of something and say, "see, here

is reality, look at it. But it doesn't work. There are always several

realities at play, one for each participant. Jack's romantic reality,

Neil's reality tempered by experience, and the reality of the reader.

And in discussing VOC, we all bring together each of our different

realities as readers.  Intriguing, isn't it?

DC

=========================================================================

Date:         Fri, 4 Jul 1997 13:14:46 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: summer reading update: HST and JK

In-Reply-To:  <33BCA8BC.26B0@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DC, kudos to you for succintly putting my gropings into sharp and clear words:

"There are always several

realities at play, one for each participant. Jack's romantic reality,

Neil's reality tempered by experience, and the reality of the reader."

mc

=========================================================================

Date:         Fri, 4 Jul 1997 16:12:06 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Bruce Cockburn

 

from Bruce's 1984 album "Stealing Fire"

 

Maybe the Poet

 

maybe the poet is gay

but he'll be heard anyway

 

maybe the poet is drugged

but he won't stay under the rug

 

maybe the voice of the spirit

in which case you'd better here it

 

maybe he's a woman

who can touch you where you're human

 

male female slave or free

peaceful or disorderly

maybe you and he will not agree

but you need him to show you new ways to see

 

don't let the system fool you

all it wants to do is rule you

pay attention to the poet

you need him and you know  it

 

put him up against the wall

shoot him up with pentothal

 

shoot him up with lead

you won't call back what's been said

 

put him in  the ground

but one day you'll look around

 

there'll be a face you don't know

voicing thoughts you've heard before

 

male female slave or free

peaceful or disorderly

maybe you and he will not agree

but you need him to show you new ways to see

 

don't let the system fool you

all it wants to do is rule you

pay attention to the poet

you need him and you know it

=========================================================================

Date:         Fri, 4 Jul 1997 17:04:14 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      More Bruce

 

from the same album, one of my faves...

 

Sahara Gold

 

dance music from the corner bar

over dogs barking at a passing car

and your hair tumbles down like sahara gold

 

hot night  streets are full of life

carnival faces in rembrandt light

and your hair tumbles down like sahara gold

 

half moon shining though the blind

paints a vision of a different kind

and your hair tumbles down like sahara gold

 

wet limbs striped with silver light

locked together at the center of the night

and your hair tumbles down like sahara gold

 

night bloom fillin up the room

with the salt and musk of lovers' rich perfume

and your hair tumbles down like sahara gold

 

animal grins and wild shining eyes -

laughing and shouting we're a hundred storeys high

and your hair tumbles down like sahara gold

 

just happen to like this song/poem...  maybe someday i'll get brave enough to

post some of my own pitiful poetry...

 

ciao,

sherri

=========================================================================

Date:         Fri, 4 Jul 1997 17:26:23 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: summer reading update: HST and JK

 

yeah, i think reality is only the moment, nothing more, nothing less, it's all

here and now, no past no future, all one...  who know's what's really

happened, or if anything's happened...?  i get caught in this cycle all the

time.

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Marie Countryman

Sent:   Friday, July 04, 1997 9:01 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: summer reading update: HST and JK

 

>while jack may have been romaticizing, let us never forget that human memory

>is incredibly subjective and that much is played through the filter of who we

>are ane what we have done/become over time.  i think neal's version would be

>(haven't had a chance to read it yet) even more interesting for the insight

>into hwo he views himself, in addition to who he really is.

__________

i didnt forget: and i quote

  i think it

gives good insight into how much can be changed in a novel from the reality

(or, at best, the memories of neal

vs JK's romanticizing.)

the reality is not first third, but of neal's memories which make up the

first third.

reality vs romancizing *or* human memory.

i constantly question reality as much as i question my perceptions/memories

from the reality.

and then i get hung up wondrin'

what is reality? probably no more than a perception of an event action or

being on the part of the beholder.

so in doing this comparison there are always 3 particpants: the memorybabe

romantic jack; the life as a work of art itself neal; and the reader.

(my last career and what i face daily these days have everything to do with

memory from academic experiments to psychotherapy.)

,mc

=========================================================================

Date:         Fri, 4 Jul 1997 13:39:26 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      the meaning of...

 

Reply to message from country@SOVER.NET of Fri, 04 Jul

> 

>in that category i think one must see bob kaufman as the compleat beat as well:

>he threw himself on car hoods, declaimng poems and poetic manifesto . he

>wrote his pomes with no plan for publishing them. many still exist solely

>because friends would follow him, picking up pomes written on cocktail

>napkins and the like...he was busted many times, (reminscent of lenny

>bruce) and targeted by 'authorities' -socrates also comes to mind:

 

 

and so on...what caught my attention was the line, "he wrote his poems with

no plan for publishing them."  A few years ago (okay, two) I took a course

at my college called  "The Moral Positions of Poetry," in which we

discussed poetry & its meaning, its purpose, its obligation to society, if

it had any at all.  And one day our conversation was over this: if you

write a poem, but don't publish it, don't let anyone else read it, can it

really be a poem?  If the words are written down but then never read, can

it really be a work of art?  Isn't there an obligation to let your work be

heard once it's been written? Which consequently leads to thoughts of who

makes the poem, the writer writing the words on paper with their feelings &

emotions, or the reader who reads the words and adds new feelings &

emotions?  Is a poem really a poem if it's not read?  Kind of like the

question about the tree in the woods...

 

Okay, my head hurts.  Happy fourth of July; going to my friends soon with a

gallon of OJ & a bottle of sloe gin...let the fireworks begin! :)

 

Diane. (H, as opposed to C or D)

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Fri, 4 Jul 1997 10:45:57 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: independence day

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane....still existing in unbeknownst pockets of civilization are those

thrilled by the Fourth of July... people haven't abandoned our

town..it's alive with sparkle of excitement....kids booming with

energy..the picnics and parties and swimming...the adults happy..glad to

live in this country.  And when the jets zoom overhead..or when I get a

glimpse of the ungainly stealth... I think....YEAH! I like my country,

the people here...and am grateful to the men and women and taxpayers who

are willing to sacrifice for it.  My son painted the American

flag....three red stripes and a splatter of blue in the corner. It's

hanging on my fridge. I love it.  That flag gives you the right...to

express your contempt for your country and fellow Americans.  I,

however, on this particular day, would like to say how damn,

dingle-dangle lucky I am to live here, and raise children here, and be a

part of something I can take pride in ...and change if I see a need.

Barbara

 Cheers for those who keep our freedom alive...and those who died

creating it.

 

 

Diane De Rooy wrote:

> 

> For three days the neighborhood has been sounding with bombs and whistles,

> sirens of fire trucks, machine-gun retorting firecracker strings, all day,

> all night, like a war, no cease-fire, like Beirut. Every two minutes a big

> jet soars away from SeaTac, carrying people on holidays like torpedoes

> launching from submarines, on target.

> 

> And evening comes on the third of July and the town is shutting down. You can

> hear it. You can feel it. Everyone is gone somewhere. In ice chests

> watermelons chill alongside beer and the sun stays up in the sky to stare

> into people's windows, causing a breeze to run around it like a puppy looking

> for a tussle, tossing up bamboo shades, weak ramparts against the unrelenting

> horizontal rays of this star made of fire.

> 

> No cars on the streets... people walk right down the middle of the avenues,

> some drinking from brown paper bags, others sweating in uniforms dying to get

> home to have one day off, one lousy extra day off, for any reason at all.

> Previously unheard bird calls issue forth from bushes, these birds now

> willing to speak because they don't have to compete with cell phones and car

> horns and beepers. Little children's voices are the only sounds of human

> life, except the echoing of a basketball hard and hollow hitting the concrete

> driveway over and over and over and over goddamit shoot goddamit... god.

> 

> Small planes, float planes, planes dragging signs through the thick blue air,

> revving like lawnmower looking for clouds to trim, fly east to west, west to

> east, at right angles to the jets where passengers hear, "This is the captain

> speaking... if you'll look out the window to your left, you'll see Puget

> Sound and the Olympic Mountains. And not to be outdone, to the right you'll

> see the Cascades and Bill Gates' fortress on the shores of Medina, right here

> in the Emerald City..."

> 

> It feels like I'm the only one left in town, although I know that isn't true,

> but it's something I've always dreamed about, so it's okay with me. I'm

> amazed at the quiet. I don't know when was the last time this town was so

> still. I'm thinking about Central Washington, 100 degrees as usual, and this

> little breeze... over there this breeze can whip a firecracker in the grass

> into a wildfire before you can even get the garden hose turned on. I'm so

> glad to be here, not in that place which is truly next door to hell, where

> the smell of sulfur dominates chicken barbecuing on the grill and the heat

> makes you sit in the kiddies' pool without shame, where borate bombers drop

> their puny cargo with the efficacy of a wad shot into a condom, then drone on

> back to base camp for another load of blood-red dust and lots of summer

> overtime pay for the pilot.

> 

> 5 a.m. on the 4th of July and I wake up to those birds; I hadn't even noticed

> when they stopped singing. Now the sun breaks red over the ridge in the east,

> still staring through jet streams but cool and bright, a joker setting this

> town up for this day of uncertain weather. In a few minutes the jets will

> start up again, firecrackers will accompany breakfast, flags will be

> unfurled, maybe it'll start raining. Will I ponder the nature of freedom or

> eat potato salad?

=========================================================================

Date:         Fri, 4 Jul 1997 15:09:59 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: the meaning of...

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane M. Homza wrote:

> A few years ago (okay, two) I took a course

> at my college called  "The Moral Positions of Poetry," in which we

> discussed poetry & its meaning, its purpose, its obligation to society, if

> it had any at all.  And one day our conversation was over this: if you

> write a poem, but don't publish it, don't let anyone else read it, can it

> really be a poem?  If the words are written down but then never read, can

> it really be a work of art?  Isn't there an obligation to let your work be

> heard once it's been written? Which consequently leads to thoughts of who

> makes the poem, the writer writing the words on paper with their feelings &

> emotions, or the reader who reads the words and adds new feelings &

> emotions?  Is a poem really a poem if it's not read?  Kind of like the

> question about the tree in the woods...

 

> 

> Diane. (H, as opposed to C or D)

 

Diane:

 

If you write it and it means something to you, then it is different from

the tree in the forest because you hear the poem.  The tree in the

forest is heard by no one.  There are poets who never get published,

even when they want to be.  There are poets who get published that never

should be.  So, it is the intent of the creator, isn't it?

 

Then again, maybe it is only a poem if it receives the American Poetry

Society Seal of Authentic Poetry and is approved by both Newt Gingrich

and Jesse Helms.  Then it is real poetry.

 

Or maybe only if it has been condemned to death by a reviewer at the New

York Times.

 

Or maybe only if David takes it on a Firewalk and it comes back

unsinged.

 

Or maybe only if WSB uses it for target practice.

 

Or maybe only if HST finds it to be gonzo.

 

BTW, speaking of HST, to those who have never read HST, the closing

portion of Fear and Loathing on the Campaign Trail contains some straght

ahead writing about politics.  It is one of the finest sociological

essays I have seen written.  It is not gonzo, but brilliant and

insightful.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 4 Jul 1997 19:23:55 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: the meaning of...

 

heard that Bentz.  art is an experience.  so even if it only occurs in one's

head, it's experienced... that's enough for it to exist.

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of R. Bentz Kirby

Sent:   Friday, July 04, 1997 12:09 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: the meaning of...

 

Diane M. Homza wrote:

> A few years ago (okay, two) I took a course

> at my college called  "The Moral Positions of Poetry," in which we

> discussed poetry & its meaning, its purpose, its obligation to society, if

> it had any at all.  And one day our conversation was over this: if you

> write a poem, but don't publish it, don't let anyone else read it, can it

> really be a poem?  If the words are written down but then never read, can

> it really be a work of art?  Isn't there an obligation to let your work be

> heard once it's been written? Which consequently leads to thoughts of who

> makes the poem, the writer writing the words on paper with their feelings &

> emotions, or the reader who reads the words and adds new feelings &

> emotions?  Is a poem really a poem if it's not read?  Kind of like the

> question about the tree in the woods...

 

> 

> Diane. (H, as opposed to C or D)

 

Diane:

 

If you write it and it means something to you, then it is different from

the tree in the forest because you hear the poem.  The tree in the

forest is heard by no one.  There are poets who never get published,

even when they want to be.  There are poets who get published that never

should be.  So, it is the intent of the creator, isn't it?

 

Then again, maybe it is only a poem if it receives the American Poetry

Society Seal of Authentic Poetry and is approved by both Newt Gingrich

and Jesse Helms.  Then it is real poetry.

 

Or maybe only if it has been condemned to death by a reviewer at the New

York Times.

 

Or maybe only if David takes it on a Firewalk and it comes back

unsinged.

 

Or maybe only if WSB uses it for target practice.

 

Or maybe only if HST finds it to be gonzo.

 

BTW, speaking of HST, to those who have never read HST, the closing

portion of Fear and Loathing on the Campaign Trail contains some straght

ahead writing about politics.  It is one of the finest sociological

essays I have seen written.  It is not gonzo, but brilliant and

insightful.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 3 Jul 1997 17:13:05 +0000

Reply-To:     birdies@ix.netcom.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Birdie <birdies@IX.NETCOM.COM>

Organization: The Day-Glo Techno Trouser Club

Subject:      Movies: Jack & Neil

Comments: To: Sherri <love_singing@MSN.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hi all,

 

Birdie here...new to the list.

 

Is there an archive of posts?  a faq?

 

Has anyone seen "The Last Time I Committed Suicide" ~ about a few months

in the life of Neal Cassady during the 50's in Colorado? Heard it did

well at The Sundance Film Festival and it has gotten a very good review

in The LA Weekly.

 

Also, I may have missed posts about all this, but I've heard there is to

be a film made of JK's "On The Road". Anyone know who is directing,

writing, producing, starring in?

 

Stay cool!

 

Cheers then,

 

Birdie

=========================================================================

Date:         Fri, 4 Jul 1997 21:01:17 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Cody

MIME-Version: 1.0

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Hey,

 

Halftime of WNBA so i'll take a moment to type a bit.

 

I have diligently read a few pages in Cody several times now.  Each time

i come back to it i end up starting over.  Each time i begin and end in

the same fog.  Maybe that's what it is supposed to be - but maybe i'm

missing something b/c i ain't as familiar with the larger context of all

of this as so many of y'all.

 

i guess the question that creates the fog in all of this is i have no

sense of what is going on.  it seems like JK is lost in memory in

several different cases - and maybe that is why i have no sense of place

or time or any real sense of (dare i say) Reality.

 

it isn't that i'm not alright with the a-reality of memory experience

but i'm having one of those fears that i'm missing something that i need

to recall later.  i remember having this feeling long ago the first time

i ever read anything by JK.

 

so if there is something more concrete than snapshots of memory and

longing for connection with Cody in the first few pages somebody let me

in on what's happening.  if not, i'll just plunge forward soon -

probably not until the morning.

 

unrelated, i'm gradually and slowly in a meandering style beginning a

retrospective five years after the firewalk writings.  so far the

protagonist is a bathroom that is becoming My bathroom in a particular

apartment named #23.  the title of the entire project is "Salina" and it

begins with epigrams by JK, WSB, and Kenneth Burke.  FireWalk was a mad

fit of typing into and out of insanities i'd been in and out of for

several years.  Salina is, so far, an attempt to employ creativity to

return from chaos.  The container called bathroom is the focal point of

return.  From this temple only time will tell how many rooms and blocks

away the tale will roam.

 

hope everyone enjoyed their independence from King George and

subservience to Bubba and Newt today.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 4 Jul 1997 22:20:40 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Bubba and Newt

MIME-Version: 1.0

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David:

 

Jesse Helms is the J Edgar Hoover of the 90's.  I don't know about his

preference for evening wear, but he has more power that Newt or Bubba

Bill.  I didn't do it, and if I did, it was only once.  Ask yourself,

would this country be half as amusing if Day Quayle was president?  No

way.  Long live Bubba.

 

And now, we have TAXATION DESPITE REPRESENTATION!!!!!!!

 

Thank God for that!

 

>From the Book of Dreams:  pg 121

 

WRITING DREAMS, TAKE NOTE OF THE WAY THE

DREAMING MIND CREATES

 

THE ANNALS OF JACK KEROUAC--Annals indeed--anal ones--the Mind wished

and dream'd itself a spate of San Jose where I'm taken to the parking

lot of work at a location I hadnt daydreamed, (word daydreamed

underlined) on that road leading North from Santa Clara towards the yard

office and the airport--and because I'm not drinking or smoking tea my

mind is very clear and I'm very friendly and direct with everyone and

play with the kids with a spirit of serenity etc.

 

Well, I think I'll get me an Anal Kerouac Beer.  Aged since 1969.

Eternal in its refreshing qualities and no more than a dime in US

currency.  Get yours before the orgones are gones.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 4 Jul 1997 19:43:34 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: JK/ HST

MIME-Version: 1.0

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marie--

 

Plaudits on far and away the best analysis of  Jack, the Bottle and

assorted dopes.

 

J Stauffer

 

Marie Countryman wrote:

 

> he drank.

> and he wrote.

> i dont think he wrote because he drank;

> i dont think he drank because he wrote;

> i think he wrote because he HAD to, was writing for years as child and

> never stopped.

> he may have started drinking to ease self in social situations (akward and

> shy) or to medicate away the pain of his sensitivity and depressions.

> but imho,

> all speculation about what he coulda been if he didnt drink is all moot to me.

>  ('i couldda be a contendor! (brando on the waterfront) and all that.

> speaking of HST/motorcycles/bad boys/legends and real life:  watching the

> wild bunch while i strip down my bicycle, wearing my 'colors' on this  day.

> mc

 

=========================================================================

Date:         Fri, 4 Jul 1997 21:56:50 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      BROTHER BENTZ

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Hey Bentz,

 

Helms is the new Hoover=97which speaking of=97you should see the

XXX Hoover from Slime Comix. Robert Peters sent me a copy for

$2.95. Robert's a helluva fine writer and poet-a good friend

of C. Plymell.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Fri, 4 Jul 1997 11:01:02 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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RACE --- wrote:

> 

> I have diligently read a few pages in Cody several times now.  Each

>time

> i come back to it i end up starting over.  Each time i begin and end in

> the same fog.  Maybe that's what it is supposed to be - but maybe i'm

> missing something b/c i ain't as familiar with the larger context of

>all

> of this as so many of y'all.

> 

> i guess the question that creates the fog in all of this is i have no

> sense of what is going on.  it seems like JK is lost in memory in

> several different cases - and maybe that is why i have no sense of

>place

> or time or any real sense of (dare i say) Reality.

> 

> it isn't that i'm not alright with the a-reality of memory experience

> but i'm having one of those fears that i'm missing something that i

>need

> to recall later.  i remember having this feeling long ago the first

>time

> i ever read anything by JK.

> 

> so if there is something more concrete than snapshots of memory and

> longing for connection with Cody in the first few pages somebody let me

> in on what's happening.  if not, i'll just plunge forward soon -

> probably not until the morning.

> 

 

My sense of the beginning of VOC is that it is supposed to be "out of

time."  No chronological sequence, just what is going on in his head in

each moment as he wanders around, remembering things, and describing in

great detail all that he sees.  Yes, longing for Cody at this point.  I

don't think we will see any chronological sequences.  My expectation is

that these short descriptive moments will just slowly turn into longer

ones that change somehow, moments that go on for more and more pages,

perhaps continual stream of consciousness or even beyond that.

DC

=========================================================================

Date:         Fri, 4 Jul 1997 21:55:54 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Bubba and Newt

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> David:

> 

> Jesse Helms is the J Edgar Hoover of the 90's.  I don't know about his

> preference for evening wear, but he has more power that Newt or Bubba

> Bill.  I didn't do it, and if I did, it was only once.  Ask yourself,

> would this country be half as amusing if Day Quayle was president?  No

> way.  Long live Bubba.

> 

> And now, we have TAXATION DESPITE REPRESENTATION!!!!!!!

> 

> Thank God for that!

> 

 

I think Bubba trumped Jesse when he picked a Dominatrix for Secretary of

State.  Amazing after that rendevouz how Jesse changed his tune on the

Chemical Weapons Treaty !!!!!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 4 Jul 1997 23:28:00 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

Comments: To: stand666@bitstream.net

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In a message dated 97-07-03 23:52:56 EDT, you write:

 

<< When we first met he called me an idiot and I called him an asshole.

 After awhile, I would show up at his place (usually stoned) with some

 beer. He would drink it and then throw me out. I would just laugh and

 eventually we became friends=97a very slow process, I might add. When Ci=

ty

 Lights released Charles Plymell's, "The Last Of The Moccasins" in '71, I

 was totally blown away. Here was a man that spoke to my soul and had

 been thru similar hells. It was like discovering the "big brother" I

 always wanted. I met Allen Ginsberg in '72, and he turned me onto some

 of the Beat writers, but I always returned to Plymell as a Beat

 source=97he had the edge that seemed to be lacking in other writers at t=

he

 time. >>

 

Richard:

How wonderful it is to be mentioned with the idiots and assholes. We just

read your Pulse interview.  I printed so I could study it a little more. =

I

read the list every night but I hadn't seen it posted. Someone was asking

about the 666 a while back. Maybe it was peeling off that "Reichian armor=

". I

wonder how many on the list know about Wilhelm. I have a neat picture of =

his

orgone energy luminating in an 0.5 micron pressure vacuum tube. =20

Be back in touch later.  I'll read the interview again tonight.

Charley

Someone sent us a new computer and we're just breaking it in.

=========================================================================

Date:         Fri, 4 Jul 1997 23:32:58 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Scattered Poems

 

Are angels coming back now?

C. Plymell

=========================================================================

Date:         Fri, 4 Jul 1997 23:37:57 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cody

 

Firewalking firetalking. I met a woman from Big Sur tonight.  Didn't think

I'd ever meet a woman from Big Sur and here she was in Cherry Valley.

Yours in the saline sunset.

An old salt.

Charles Plymell

=========================================================================

Date:         Fri, 4 Jul 1997 22:36:29 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Scattered Poems

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Pamela Beach Plymell wrote:

> 

> Are angels coming back now?

> C. Plymell

 

I think they made the cover of TIME magazine a few years back -- but i

don't think its the same crew of angels.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 4 Jul 1997 20:44:48 PDT

Reply-To:     Tamelyn Feinstein <sleepytam@HOTMAIL.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tamelyn Feinstein <sleepytam@HOTMAIL.COM>

Subject:      greetings

Content-Type: text/plain

 

greetings to all I'm new to the list. Am reading all I can about

Ginsburg and am completely in love.

 

please send your suggestions as to what I should read (I'm a bit of a

novice here) also any great stories you have.

 

_______________________________________________________

Get Private Web-Based Email Free http://www.hotmail.com

=========================================================================

Date:         Fri, 4 Jul 1997 21:11:38 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

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If listmembers are ignorant of W. Reich they should check him out.

Stricks me as the only Psych. theorist to be a useful basis for the

hipster revolution.  A revolutionary like Pound who looked to need

locking up.  Does WSB still use an orgone box?  I did some interesting

work with Chuck Kelley who was a Reich disciple in LA and Ojai.

 

J Stauffer

Charles Plymell wrote . . .

 

 Maybe it was peeling off that "Reichian armor". I

> wonder how many on the list know about Wilhelm. I have a neat picture of his

> orgone energy luminating in an 0.5 micron pressure vacuum tube.

=========================================================================

Date:         Fri, 4 Jul 1997 21:15:24 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Cody

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How fitting to have Big Sur come to Cherry Valley.  May crews of Angels

have given you all a good Fourth, I'm going forth to watch the

fireworks, do some firewalks,  a Marswalk or two, and maybe look for a

beer and a pool game.

 

James Stauffer

 

Pamela Beach Plymell wrote:

> 

> Firewalking firetalking. I met a woman from Big Sur tonight.  Didn't think

> I'd ever meet a woman from Big Sur and here she was in Cherry Valley.

> Yours in the saline sunset.

> An old salt.

> Charles Plymell

=========================================================================

Date:         Sat, 5 Jul 1997 00:30:12 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

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Pamela Beach Plymell wrote:

> 

> In a message dated 97-07-03 23:52:56 EDT, you write:

> 

> << When we first met he called me an idiot and I called him an asshole.

>  After awhile, I would show up at his place (usually stoned) with some

>  beer. He would drink it and then throw me out. I would just laugh and

>  eventually we became friends a very slow process, I might add. When City

>  Lights released Charles Plymell's, "The Last Of The Moccasins" in '71, I

>  was totally blown away. Here was a man that spoke to my soul and had

>  been thru similar hells. It was like discovering the "big brother" I

>  always wanted. I met Allen Ginsberg in '72, and he turned me onto some

>  of the Beat writers, but I always returned to Plymell as a Beat

>  source he had the edge that seemed to be lacking in other writers at the

>  time. >>

> 

> Richard:

> How wonderful it is to be mentioned with the idiots and assholes. We just

> read your Pulse interview.  I printed so I could study it a little more. I

> read the list every night but I hadn't seen it posted. Someone was asking

> about the 666 a while back. Maybe it was peeling off that "Reichian armor". I

> wonder how many on the list know about Wilhelm. I have a neat picture of his

> orgone energy luminating in an 0.5 micron pressure vacuum tube.

> Be back in touch later.  I'll read the interview again tonight.

> Charley

> Someone sent us a new computer and we're just breaking it in.

Charles:

 

They have now done experiments with electrical charges through cells.

If they keep it at the approriate level, good health.  If they raise or

lower it, then cancer grows.  If they take it back, the cancer is kaput.

Reich was right.  Alexander Lowen expanded on Reich's theories in a

conventional therapy way.  He developed certain exercises designed to

break up the armor.  Very good reading too.

 

peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 00:56:55 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      The Drummer

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THE DRUMMER

 

The Drummer beats out my rhythm

Dum-dum, Dum-da-da-Dum

Dum-dum, Dum-da-da-Dum,

Driving this machine higher,

Making me see fire,

Driving this machine higher!

Bam-bam, dum-dum-dum

Bam-bam, dum-dum-dum.

 

He carries the beat,

He makes the rhythm,

bum-da-bum-da-da-da-da

bum-bum-bum-da-dum-da-da

And the guitar can fly,

So high, so high, so high.

I feel electric,

My body is wracked by snares,

My body is tumbled by tom-toms.

 

And for three years he was the BEST in the world.

A little white boy,

Man, he was the best!

King of the hill.

 

Now, cheap hotels.

Week long drunks.

Stolen friendships.

Forged autographs.

Fraudulent deals for a drink.

Better that he had died.

Better than he had died.

 

Such is the ugly face,

Of bitterness revealed,

Such is 4/4 time ingrained,

That will not stop.

Such is the fame,

That was a stone,

Around his neck.

 

Better that he loved poppies.

Better that he popped lovers.

Better that he had disappeared.

Better that he had gone to Mars.

Better that he never saw Bars.

Better that he never loved cheap wine.

Better that his soul was saved.

Better that his ego was sucked up.

Better that his sticks had never beaten.

Better that his live had not been liven.

Better that his lies had not been given.

 

Better for me that his three years were liven,

But that was better for me, not him.

Better for me that he made the music,

But the muses ate his soul,

But refused his body.

 

The muses are not kind.

Nor are they blind,

They refused his body for a reason.

Death seemed too good for him.

As he had no life to live.

 

The drummer beat the rhythm

Of the best rock music

Has ever given.

Beat the rhythm,

Til he gave all he had for giving.

The drummer beat the rhythm,

But you listen and know not what you're given.

The drummer beat the rhythm.

 

 

 

 

 

 

 

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 00:52:11 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

In-Reply-To:  <33BDC97A.2B46@pacbell.net>

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>If listmembers are ignorant of W. Reich they should check him out.

>Stricks me as the only Psych. theorist to be a useful basis for the

>hipster revolution.

 

Orgones are cells that live and die dependent on a specific thing like

drugs? i read On the Road and Junkie by Burroughs where there is a lot of

mention of orgones, but don't remember a lot. Don't know anything about

Reich besides beat references, but am wondering can orgones be dependent on

say, artistic creation, or less material or organic things, or am i

completely wrong about what they are?

 

-leo

=========================================================================

Date:         Sat, 5 Jul 1997 02:52:46 -0500

Reply-To:     Natalie Foster <nfoster@SOUTHWIND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Natalie Foster <nfoster@SOUTHWIND.NET>

Subject:      *quiet

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one can only look at these posts so long without saying anything. =

sometimes I just want to beging typing wildly, anything and everything =

on my blank white computer screen and then send it in for it to appear =

curiously in each of your boxes and i to sit here in Kansas knowing that =

each one of you are in different time zones reading my thoughts and =

fears and judging them, and possibly replying but probably not.

and so I don't.

and so I flip the switch and got to bed...another

poem, story, line

lost

I just wanted to write in tonight, seeing that it isn't so busy...and =

voice the fact that all of you are so incredible in your ways...reading =

many of your posts, one can come to see the personalities take form. One =

can learn so very much. I have. from a quiet bystander on the list, =

thanks. Keep it up. I have received the reading list for my Great Books =

colloquiem (sp) in the Fall and realize that I won't be touching any of =

my favorites for a while~ It is quite extensive. So I am placing Jack =

and Allen and Gregory on the shelf for a while in favor of Milton, =

Sophocles and Sappho. :( I know I will be glad I did it in the end, but =

it sure is hard in the time being to read a set list that is placed =

before me!

Well, enjoy what is left of the fourth~

 

Quietly at the terminal,

 

natalie

=========================================================================

Date:         Sat, 5 Jul 1997 13:06:18 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Friday (afternoon, summer)

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        Friday          afternoon       summer

        blue collars    clean out       punching papers

        bank                    closed

 

        calm    calm

 

        hasty employees swarm           like ants

 

        calm    calm

 

        money has stopped working       (except credit card)

 

        &

        pensioners      have lost       the cork of the bottle

        &

        cats

        &

        cats are dozing on the patio

        &

        cats wont' eat the poor birdies fallen from the nest

        &

        clouds

 

        clouds?

 

        & the clouds turned pink from the brush of canaletto

 

        calm    calm    calm

 

        until

        MONDAY

 

---

yrs

Rinaldo.

 

*

"Io sono una forza del Passato.

Solo nella tradizione e' il mio amore."

Pier Paolo Pasolini

*

=========================================================================

Date:         Sat, 5 Jul 1997 07:19:54 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

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Sinverg=FCenza wrote:

>=20

> >If listmembers are ignorant of W. Reich they should check him out.

> >Stricks me as the only Psych. theorist to be a useful basis for the

> >hipster revolution.

>=20

> Orgones are cells that live and die dependent on a specific thing like

> drugs? i read On the Road and Junkie by Burroughs where there is a lot =

of

> mention of orgones, but don't remember a lot. Don't know anything about

> Reich besides beat references, but am wondering can orgones be dependen=

t on

> say, artistic creation, or less material or organic things, or am i

> completely wrong about what they are?

>=20

> -leo

 

i'd be very interested in reading tales and legends from folks who have

experience with these orgone notions.  i've seen and heard a bit over

years in theory.  always think the tales of the guinea pigs this-selfs

provide a very important angle.

 

hope to hear more tales of the legendary boxes.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 4 Jul 1997 22:13:04 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

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> Sinverg=FCenza wrote:

>=20

> Orgones are cells that live and die dependent on a specific thing like

> drugs? i read On the Road and Junkie by Burroughs where there is a lot=20

> of

> mention of orgones, but don't remember a lot. Don't know anything=20

> about

> Reich besides beat references, but am wondering can orgones be=20

> dependent on

> say, artistic creation, or less material or organic things, or am i

> completely wrong about what they are?

>=20

>  -leo

> RACE --- wrote:

>=20

> i'd be very interested in reading tales and legends from folks who have

> experience with these orgone notions.  i've seen and heard a bit over

> years in theory.  always think the tales of the guinea pigs this-selfs

> provide a very important angle.

>=20

> hope to hear more tales of the legendary boxes.

>=20

> david rhaesa

> salina, Kansas

 

The cell explanation makes some sense, but where does the box come in?

DC

=========================================================================

Date:         Fri, 4 Jul 1997 23:30:33 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody

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I'm now at the letter at the end of part 1, pgs. 38-43, seems like we are

finally being set up for JK's writing about Cody, which looks like

it's about to begin in part 2, getting past the yearning to the point

where we are told why Cody means so much to him.

 

Can you imagine receiving this letter? Reveals a tremendous amount about

what is going on in JK's head:

 

"anybody who knows the sum and substance of what I know and feel and cry

about in my secret self all the time when I don't feel strong, the

sorrows of time and personality, and can therefore on all levels make it

all the way with me...I am completely your friend, your 'lover,' he who

loves you and digs your greatness completely--haunted in the mind by

you..."

 

There have been quite a few Joycian references up to this point, was this

the time he was reading Joyce?

 

describing Swenson (does anyone who Swenson refers to?) as "wrapping

himself around doors, melting, like Bloom, most like Leopold Bloom in a

Dream..." (odyssey structure referred to later).

 

Then, "I dig Joyce and Proust above Melville and Celine, like you; and I

dig you as we together dig the lostness and the fact that of course

nothing's ever to be gained but our death..."

 

Also lots of personal consciousness of death, guilt, and needing

something beyond what he can find--soul-searching going on as in these

two passages:

 

"I am conscious of my own personal tragedy...I have the persistent

feeling that I'm going to die soon, only the feeling, no real I think

wish or 'premonition.' I feel like I've done wrong, to myself the most

wrong, I'm throwing away something that I can't even find in the

incredible clutter of my being, but it's going out with the refuse en

masse, buried in the middle of it, every now and then I think I get a

glimpse....

 

"I really know now, you'll see, of course everything is fine because I've

won (you see I almost lost this summer, if I had gone to Mexico with

Julien instead of re-remembering my soul in the hospital (Oh what things

I have or could tell you about the hospital!  what literatures out of

just that one month (remember the wheelchair letter?) for my big personal

knowledge of the Odyssey structure (this is apart from objective

fragments of my life to examine)--with Julien, Mexico, drunk, June dying,

I might have gone under, that is seriously, in the habit of dying and

started doing it and maybe even in the powerful gut feeling I had (and

still do, never had it before, it makes me lush) maybe even a habit

itself, junk, from sheer need to turn over before I kick the dog..."

 

DC

=========================================================================

Date:         Sat, 5 Jul 1997 11:53:22 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      AG, HST, HELL'S ANGELS, PRANKSTERS

Mime-Version: 1.0

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ok i'm just about down to turn my hog in for fast cars and women re:Cody,

but before i do here is a piece of history:

 

"during the weeks prceeding the second march on the oakland army terminal,

AG spent much of his time trying to persuade Barger and his people notto

attack the marchers. on the wednesday before the march ginsberg, kesey,

cassady, some of keysey's pranksters and a group of angels met at Barger's

housein oakland. A lot of lsd was taken, foolish political discussion was

resolved by phonograph voices of joan baez and bob dylan, all concluding

with the whole group chanting the text of the Prajnaparamitra Sutre, the

buddhist highest, perfect word sermon.

the outlaws had never seen anyone quite like Ginsberg: they considered him

otherwordly. 'that goddamn ginsverg is gonna fuck us *all* up' said terry.

'for a guy that aint straight at all, he's about the straightest son of a

bitch i ever seen. man, you shoulda been there when he told sonny he loved

him...sonny didnt know what the hell to say.'

the angels never really understood what ginsberg meantginsverg meant, but

his  unnerving frankness and the fact that kesey  liked him gave them

second thoughts about attacking a march that he obviously considered a

Right thing. shortly before the november march, ginsberg published this

speech in the berkeley barb (please ignore typos, no caps, etc.)

To The Angels

these are the thoughts-anxieties-of anxious marchers

        that the angels will attack them

                for kicks, or to get publicity, to take th heat off

                        themselves

                or to get the goodwill of police&press/or right

                        wing money

That a conscious deal has been made with oakland

        police

        or an unconscious rapport, tacit understanding

        mutual sympathy

        that oakland will laly off persecuting the angels

        if the angels attack & break up the march &

                make it a riot

Is any of this true, or is it the paranoia of the less

        stable-minded marchers?

As long as angels are ambivuous and don't give open

        reassurance that they could be trusted to be tranquil,

the anxious souls, the naturally violent, the insecure, the

hysterics among the marchers have an excuse for

policy of

        self-defense thru violence,

        a rationalization for their own inner violence

That leaves the marchers with choice of defending them-

        selves thru force on a ccount of fear & threat

        unleashing the more irrational minority of rebels

or at best, defending themselves cool, under control

        BUT CRITICIZED FOR BEING LAWLESS

or not defending selves,        and possible abandoned by plice

        (for we have no clear assurance from oakland police

                that they will sincerely try to maintain order and guard

                        our lawful right to march)

if you attack,&having innocent pacifists, youths

        &old ladies busted up

        AND CRITICIZED AS IRRESPONSIBLE COWARDS

        by you, by press, by public and by violence loving leftists

                & rightists

.........

You dont want to "change" you want to be yourselves

        & if that includes sadism, or forced hostility,

        here's a situation where you can get away with it.

BUT NOBODY WANTS TO REJECT THE SOULS OF

        THE HELL'S ANGELS

                or make them change-

                        WE JUST DON'T WANT TO GET BEAT UP

.......

what ELSE, besides this politics, will take the heat

        off the hell's angels?

that heat's on everybody, no just you

        to go to war, to be drafted,

                to make money on war jobs and &economy, to be destroyed

        by Bomb, to get busted

                for pot--

 

to take the heat off, you've got

        to take the heat off

                INSIDE YOURSELFVES--

        find peace means stop hating youself

                stop hating people who hate you

                stop reflecting HEAT

        THERE ARE PEOPLE WHO ARE NOT HEAT

        THE MOST OF PEACE MARCHERS ARE NOT HEAT

they want you to join them to relieve

        the heat on you & on all of us

...............

how much the march will be a free expression

        of calm people who have controlled

        their own hatreds

and are showing the american people

        how to control their own feat & hatred

and once and for all be done with the pressure

        building up to annhilate the planet

and take our part ENDING THE HEAT  on earth

(delivered as a speech at san jose state college

monday november 15, 1965

before students and representatives of

bay areas hell's angels

 

on nov. 19--day before the march--the angels called a pres conference to

announce that they would not counterdemonstrate "in the interest of public

safety and the good name of oakland....because our patriotic concern for

what these people are doing to our great nation may provoke us to violent

acts.. [and that] any physical encounter would only produce sympathy for

this mob of traitors."

 

mc.

=========================================================================

Date:         Sat, 5 Jul 1997 15:50:04 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody

 

Very frustrated that I haven't started reading VOC yet. Should be getting up

to City Lights today.  Looks amazing and fascinating, thanks for whetting my

appetite even further, Diane.  If there's one thing I can't resist, it's

anything that refers to Ulysses...  What a dunce I've been for not reading

Cody sooner.

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Friday, July 04, 1997 11:30 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Cody

 

I'm now at the letter at the end of part 1, pgs. 38-43, seems like we are

finally being set up for JK's writing about Cody, which looks like

it's about to begin in part 2, getting past the yearning to the point

where we are told why Cody means so much to him.

 

Can you imagine receiving this letter? Reveals a tremendous amount about

what is going on in JK's head:

 

"anybody who knows the sum and substance of what I know and feel and cry

about in my secret self all the time when I don't feel strong, the

sorrows of time and personality, and can therefore on all levels make it

all the way with me...I am completely your friend, your 'lover,' he who

loves you and digs your greatness completely--haunted in the mind by

you..."

 

There have been quite a few Joycian references up to this point, was this

the time he was reading Joyce?

 

describing Swenson (does anyone who Swenson refers to?) as "wrapping

himself around doors, melting, like Bloom, most like Leopold Bloom in a

Dream..." (odyssey structure referred to later).

 

Then, "I dig Joyce and Proust above Melville and Celine, like you; and I

dig you as we together dig the lostness and the fact that of course

nothing's ever to be gained but our death..."

 

Also lots of personal consciousness of death, guilt, and needing

something beyond what he can find--soul-searching going on as in these

two passages:

 

"I am conscious of my own personal tragedy...I have the persistent

feeling that I'm going to die soon, only the feeling, no real I think

wish or 'premonition.' I feel like I've done wrong, to myself the most

wrong, I'm throwing away something that I can't even find in the

incredible clutter of my being, but it's going out with the refuse en

masse, buried in the middle of it, every now and then I think I get a

glimpse....

 

"I really know now, you'll see, of course everything is fine because I've

won (you see I almost lost this summer, if I had gone to Mexico with

Julien instead of re-remembering my soul in the hospital (Oh what things

I have or could tell you about the hospital!  what literatures out of

just that one month (remember the wheelchair letter?) for my big personal

knowledge of the Odyssey structure (this is apart from objective

fragments of my life to examine)--with Julien, Mexico, drunk, June dying,

I might have gone under, that is seriously, in the habit of dying and

started doing it and maybe even in the powerful gut feeling I had (and

still do, never had it before, it makes me lush) maybe even a habit

itself, junk, from sheer need to turn over before I kick the dog..."

 

DC

=========================================================================

Date:         Sat, 5 Jul 1997 09:12:34 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: big apologies from a girl who talks too much (and to the

              wrong person!!)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Becca. absolutely no problem whatsoever...although you may want to

withdraw that offer of menial household work when you find out I have a

four yr old and three yr old...I get to pick all sorts of fun and

interesting  things out of the carpet! (did anyone know that Lucky

Charms and milk turn into superglue after 24 hours? its true...I've

stumbled onto a trade secret or something) :)

Barb

 

 

Becca91894@aol.com wrote:

> 

> barbara--

> 

> i'm sorry.  apparently i confused you with someone else when responding to

> "your" post.  i meant no harm and was not attempting to aim fire at

> anyone--it was just a thought of my own that sort of corresponded with what

> the post was about.

> i really has no intention of offending anyone, and if i did so with my reply

> (as i suspect i did) i'm truly sorry.  look at me, i'm on the list two weeks

> and i've already alienated someone!  i don't know what to say except to

> apologize profusely and hope you can accept that, since i can't be at your

> house to do any menial work as punishment for upsetting you. :)

> 

> hmmm.  i wonder who i meant to send that to?

> 

> again, i'm very sorry for any negative feelings i caused you to feel.

> 

> in contrition,

> 

> becca

=========================================================================

Date:         Sat, 5 Jul 1997 17:29:35 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

 

ok,  i'll show my ignorance, what's the name of the book? have to read it...

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of R. Bentz Kirby

Sent:   Friday, July 04, 1997 9:30 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: PULSE INTERVIEW (UNCENSORED)

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-07-03 23:52:56 EDT, you write:

> 

> << When we first met he called me an idiot and I called him an asshole.

>  After awhile, I would show up at his place (usually stoned) with some

>  beer. He would drink it and then throw me out. I would just laugh and

>  eventually we became friends a very slow process, I might add. When City

>  Lights released Charles Plymell's, "The Last Of The Moccasins" in '71, I

>  was totally blown away. Here was a man that spoke to my soul and had

>  been thru similar hells. It was like discovering the "big brother" I

>  always wanted. I met Allen Ginsberg in '72, and he turned me onto some

>  of the Beat writers, but I always returned to Plymell as a Beat

>  source he had the edge that seemed to be lacking in other writers at the

>  time. >>

> 

> Richard:

> How wonderful it is to be mentioned with the idiots and assholes. We just

> read your Pulse interview.  I printed so I could study it a little more. I

> read the list every night but I hadn't seen it posted. Someone was asking

> about the 666 a while back. Maybe it was peeling off that "Reichian armor".

I

> wonder how many on the list know about Wilhelm. I have a neat picture of his

> orgone energy luminating in an 0.5 micron pressure vacuum tube.

> Be back in touch later.  I'll read the interview again tonight.

> Charley

> Someone sent us a new computer and we're just breaking it in.

Charles:

 

They have now done experiments with electrical charges through cells.

If they keep it at the approriate level, good health.  If they raise or

lower it, then cancer grows.  If they take it back, the cancer is kaput.

Reich was right.  Alexander Lowen expanded on Reich's theories in a

conventional therapy way.  He developed certain exercises designed to

break up the armor.  Very good reading too.

 

peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 13:39:20 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Cody/memory/dr sax

In-Reply-To:  <33BDEA09.611C@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

ok down off the hogs for a while. in codyville (the imaginary place that

denver becomes in jack's mind -- hey for that matter, does anyone who has

heard the ryko tribute CD kicks, etc - enjoyed mike stipe's piece with the

sad little tinny music to accompany 'our gang' and the connection to jack's

brown room in pawtucketville when he played all his elaborate games and

kept meticulous records of, newspapers etc? as he says hello to his mother

and goes upstairs enters bedroom and tiny pool hall and bar and all his

gang in there? it collapses so much together of JK boyhood recollections

AND BY THE WAY

this is not out of line or subject:

on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

with whoever wrote that opening passages are 'visions' of cody and out of

space and time, which ok here comes the quote gets me back here:

p6

"building is ancient red-1880 redbrick--three stories--over its roof i can

see cosmic italian oldfashioned 18 story office block building with

ornaments and blueprint lights inside that reminds me of eternity, the

enormous house of dusk where everybody is putting on their coats--and going

down black stairs like fire eescapes to eat supper in the dungeon of Time

underneath just a few feet over the snake--and DR SAX clambers over the

wallsides as night falls, with his suction cups-and the superintendant is

sleeping."

=========================================================================

Date:         Sat, 5 Jul 1997 14:30:32 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

 

In a message dated 97-07-04 23:29:30 EDT, you write:

 

<< "Reichian armor". I

 wonder how many on the list know about Wilhelm. >>

 

I was just thinking about this film i saw where an Indonesian man could

control the electical energy in his body and was able to send electric

charges into people through needles like acupuncture and heal them.

 

I wonder to what extent it is possible to control one's orgone cells

consciously. ----maya

=========================================================================

Date:         Sat, 5 Jul 1997 13:27:01 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

In-Reply-To:  <33BDD7E0.364A@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Diane Carter wrote:

 

>> Sinverg=FCenza wrote:

>> 

>> Orgones are cells that live and die dependent on a specific thing like

>> drugs? i read On the Road and Junkie by Burroughs where there is a lot

>> of

>> mention of orgones, but don't remember a lot. Don't know anything

>> about

>> Reich besides beat references, but am wondering can orgones be

>> dependent on

>> say, artistic creation, or less material or organic things, or am i

>> completely wrong about what they are?

>> 

>>  -leo

>> RACE --- wrote:

>> 

>> i'd be very interested in reading tales and legends from folks who have

>> experience with these orgone notions.  i've seen and heard a bit over

>> years in theory.  always think the tales of the guinea pigs this-selfs

>> provide a very important angle.

>> 

>> hope to hear more tales of the legendary boxes.

>> 

>> david rhaesa

>> salina, Kansas

> 

>The cell explanation makes some sense, but where does the box come in?

>DC

 

In On the Road, Bull Lee (Burroughs) sits in one of these boxes which

supposedly channels orgone energy from the sun or something. Don't remember

all that very well either. i'd like to know more about the boxes.

 

-leo

=========================================================================

Date:         Sat, 5 Jul 1997 13:26:50 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: AG, HST, HELL'S ANGELS, PRANKSTERS

In-Reply-To:  <l03020906afe3d8b4ef9a@[206.25.67.118]>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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Marie Countryman wrote:

 

>ok i'm just about down to turn my hog in for fast cars and women re:Cody,

>but before i do here is a piece of history:

> 

>"during the weeks prceeding the second march on the oakland army terminal,

>AG spent much of his time trying to persuade Barger and his people notto

>attack the marchers. on the wednesday before the march ginsberg, kesey,

>cassady, some of keysey's pranksters and a group of angels met at Barger's

>housein oakland. A lot of lsd was taken, foolish political discussion was

>resolved by phonograph voices of joan baez and bob dylan, all concluding

>with the whole group chanting the text of the Prajnaparamitra Sutre, the

>buddhist highest, perfect word sermon.

>the outlaws had never seen anyone quite like Ginsberg: they considered him

>otherwordly. 'that goddamn ginsverg is gonna fuck us *all* up' said terry.

>'for a guy that aint straight at all, he's about the straightest son of a

>bitch i ever seen. man, you shoulda been there when he told sonny he loved

>him...sonny didnt know what the hell to say.'

>the angels never really understood what ginsberg meantginsverg meant, but

>his  unnerving frankness and the fact that kesey  liked him gave them

>second thoughts about attacking a march that he obviously considered a

>Right thing. shortly before the november march, ginsberg published this

>speech in the berkeley barb (please ignore typos, no caps, etc.)

>To The Angels

>these are the thoughts-anxieties-of anxious marchers

>        that the angels will attack them

>                for kicks, or to get publicity, to take th heat off

>                        themselves

>                or to get the goodwill of police&press/or right

>                        wing money

>That a conscious deal has been made with oakland

>        police

>        or an unconscious rapport, tacit understanding

>        mutual sympathy

>        that oakland will laly off persecuting the angels

>        if the angels attack & break up the march &

>                make it a riot

>Is any of this true, or is it the paranoia of the less

>        stable-minded marchers?

>As long as angels are ambivuous and don't give open

>        reassurance that they could be trusted to be tranquil,

>the anxious souls, the naturally violent, the insecure, the

>hysterics among the marchers have an excuse for

>policy of

>        self-defense thru violence,

>        a rationalization for their own inner violence

>That leaves the marchers with choice of defending them-

>        selves thru force on a ccount of fear & threat

>        unleashing the more irrational minority of rebels

>or at best, defending themselves cool, under control

>        BUT CRITICIZED FOR BEING LAWLESS

>or not defending selves,        and possible abandoned by plice

>        (for we have no clear assurance from oakland police

>                that they will sincerely try to maintain order and guard

>                        our lawful right to march)

>if you attack,&having innocent pacifists, youths

>        &old ladies busted up

>        AND CRITICIZED AS IRRESPONSIBLE COWARDS

>        by you, by press, by public and by violence loving leftists

>                & rightists

>.........

>You dont want to "change" you want to be yourselves

>        & if that includes sadism, or forced hostility,

>        here's a situation where you can get away with it.

>BUT NOBODY WANTS TO REJECT THE SOULS OF

>        THE HELL'S ANGELS

>                or make them change-

>                        WE JUST DON'T WANT TO GET BEAT UP

>.......

>what ELSE, besides this politics, will take the heat

>        off the hell's angels?

>that heat's on everybody, no just you

>        to go to war, to be drafted,

>                to make money on war jobs and &economy, to be destroyed

>        by Bomb, to get busted

>                for pot--

> 

>to take the heat off, you've got

>        to take the heat off

>                INSIDE YOURSELFVES--

>        find peace means stop hating youself

>                stop hating people who hate you

>                stop reflecting HEAT

>        THERE ARE PEOPLE WHO ARE NOT HEAT

>        THE MOST OF PEACE MARCHERS ARE NOT HEAT

>they want you to join them to relieve

>        the heat on you & on all of us

>...............

>how much the march will be a free expression

>        of calm people who have controlled

>        their own hatreds

>and are showing the american people

>        how to control their own feat & hatred

>and once and for all be done with the pressure

>        building up to annhilate the planet

>and take our part ENDING THE HEAT  on earth

>(delivered as a speech at san jose state college

>monday november 15, 1965

>before students and representatives of

>bay areas hell's angels

> 

>on nov. 19--day before the march--the angels called a pres conference to

>announce that they would not counterdemonstrate "in the interest of public

>safety and the good name of oakland....because our patriotic concern for

>what these people are doing to our great nation may provoke us to violent

>acts.. [and that] any physical encounter would only produce sympathy for

>this mob of traitors."

> 

>mc.

 

there's a short poem in Ginsberg Collected Poems '57-80 called party at Ken

Kesey's w/ Hells Angel's or something like that. i may be remembering the

title wrong. more of a mood/feeling piece.

 

-leo

=========================================================================

Date:         Sat, 5 Jul 1997 03:04:52 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: AG, HST, HELL'S ANGELS, PRANKSTERS

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Sinverg=FCenza wrote:

>=20

> there's a short poem in Ginsberg Collected Poems '57-80 called party at=

=20

> Ken

> Kesey's w/ Hells Angel's or something like that. i may be remembering=20

> the

> title wrong. more of a mood/feeling piece.

>=20

 

This is the poem you are thinking of, written by Ginsberg in 1965:

 

First Party at Ken Kesey's with Hell's Angels

 

Cool black night thru the redwoods

cars parked outside in shade

behind the gate, stars dim above

the ravine, a fire burning by the side

porch and a few tired souls hunched over

in black leather jackets.  In the huge

wooden house, a yellow chandelier

at 3 a.m. the blast of loudspeakers

hi-fi Rolling Stones Ray Charles Beatles

Jumping Joe Jackson and twenty youths

dancing to the vibration thru the floor,

a little weed in the bathroom, girls in scarlet

tights, one muscular smooth skinned man

sweating dancing for hours, beer cans

bent littering the yard, a hanged man

sculpture dangling from a high creek branch,

children sleeping softly in their bedroom bunks.

And 4 police cars parked outside the painted

gate, red lights revolving in the leaves.

 

DC

=========================================================================

Date:         Sat, 5 Jul 1997 15:23:59 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Washington, DC Independence day

Comments: To: babu@electriciti.com

 

my mind is drawing blank after blank after blank

like an unstudied exam where the clocks tick loud, sweating.

 

"Things stay the same, here", he said last night;

were my eyes full of kisses as he talked to me?

A sizzle, high-pitched hissing, the smell of sulfer.

 

"I like the smell of matches" his mouth radiated,

sending the words to float on the sulfer breeze.

somebody overheard and agreed softly, breathing.

 

At night, faces are flashes of white when lighting cigarrettes.

fireworks sound like bass drums, resonating in the chest.

 

The boy with the black hair looked at me from his seat on the steps,

while A. told me about ghosts she saw in a hotel in Mexico.

I snuck looks at him between "Really?"s.

 

The night was cool after a hot day.

our half of the Earth was now in the shade, i guess,

but the air was different.

It had a palpable presence against skin,

like the warm hand of a lover once missed.

The missed hand of a lover, once warm.

The missed warmth of a hand once loved.

 

I remembered the blues man from Mississippi

sitting on the re-creation of a porch,

the blonde woman saying "Sing us a cotton-picking song!"

"Sing us a cotton-picking blues song!", agreed the others.

 

Jest sittin' here thankin',

'bout someone I useta know.

"This song is called 'Sitting There Thankin'"

 

He showed me the Secret Staircase.

On the way down, some Puerto Rican kids were smoking a blunt

next to their motorbikes.

We wished them a happy one.

 

On the way up the staircase, I felt the stars laughing.

Residual firecrackers that take aeons to burn out.

"Happy 5th of July", said Mike with a kiss.

I didn't want to, and I knew I wouldn't, go home last night.

It's a new year for me.  God bless America.

=========================================================================

Date:         Sat, 5 Jul 1997 15:54:16 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

 

James:

 

You asked whether WSB still has an orgone accumulator.

 

During my visit with WSB at his home on February 18, 1995, he guided us

(myself and a friend who accompanied me) on a tour that included his

backyard.  As soon as we walked down to it from his enclosed back porch, one

of the first things I noticed was the outhouse-like orgone accumulator, right

near his goldfish pond.  I mentioned it to him and he acknowledged it with a

smile, nod and "yesssss" before educating us on feeding tips and digestion

processes for fish.  So, as recently as 2&1\2 years ago he still kept and

used it.  Having lived so long (he was 81 then, phsically in fairly good

shape and especially mentally sharp) and in such a legendary manner, he could

be the ultimate poster child for the beneficial effects of the orgone

accumulator and the veracity of Reich's theories.

 

Maya, if you're reading this:  I finally have gone public!

 

Happy Holidays,

 

Arthur S. Nusbaum

=========================================================================

Date:         Fri, 4 Jul 1997 13:16:28 +0000

Reply-To:     birdies@ix.netcom.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Birdie <birdies@IX.NETCOM.COM>

Organization: The Day-Glo Techno Trouser Club

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

Comments: To: Marioka7@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Maya Gorton wrote:

> 

> In a message dated 97-07-04 23:29:30 EDT, you write:

> 

> << "Reichian armor". I

>  wonder how many on the list know about Wilhelm. >>

> 

> I was just thinking about this film i saw where an Indonesian man could

> control the electical energy in his body and was able to send electric

> charges into people through needles like acupuncture and heal them.

> 

> I wonder to what extent it is possible to control one's orgone cells

> consciously. ----maya

 

Kate Bush wrote a song ~ Cloudbusting, from her Hounds Of Love CD:

 

In it, she sings from a young boy's perspective to a Reichian scientist

father,  who has built a Cloudbusting machine to create rain, and, the

government is after him for his experiments, and, it deals with paranioa

as well.

 

The cloudbusting machine charged the clouds with energy which made them

produce rain. Donald Sutherland plays the father in the video.

 

Cloudbusting

 

I still dream of Orgonon

I wake up crying

You're making rain

And you're just in reach

When you and sleep escape me

 

You're like my yo-yo

That glowed in the dark

 

What made it special

Made it dangerous

So I bury it and forget

 

Everytime it rains

You're here in my head

Like the sun coming out

Oooh, I just know something good is going to happen

And I dont know when

But just saying it could make it happen

 

On top of the world

Looking over the edge

You could see them coming

You looked too small

In their big black car

To be a threat to the men in power

 

I hid my yo-yo in the garden

I can't hide you from the government

Oh god, daddy - I wont forget

 

Your son's coming out

 

Kate Bush 1985

 

Cheers,

 

Birdie

=========================================================================

Date:         Sat, 5 Jul 1997 18:10:45 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      spelling beat

 

i apologize for my abhorrent error in spelling "sulfer" like this in my

previous post and would like to make an official correction to: SULPHUR

 

Sorry if I offended anyone.

------maya

=========================================================================

Date:         Sat, 5 Jul 1997 15:40:42 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: spelling beat

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 06:10 PM 7/5/97 -0400, you wrote:

>i apologize for my abhorrent error in spelling "sulfer" like this in my

>previous post and would like to make an official correction to: SULPHUR

> 

>Sorry if I offended anyone.

>------maya

> 

> 

 

I was appalled.  I could not believe anyone could ever be so insnsitive and

insulting as to misspell this wonderfull and smelly element.

 

O thhe shame.  The depths humankind has sunk to.

 

anyhoow one can spell sulfur with an f.  That is a perfectly legitimate

spelling as well.

 

I much prefer it with the f than the ph.

=========================================================================

Date:         Sat, 5 Jul 1997 18:54:29 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: spelling beat

Comments: To: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

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Timothy K. Gallaher wrote:

> 

> At 06:10 PM 7/5/97 -0400, you wrote:

> >i apologize for my abhorrent error in spelling "sulfer" like this in my

> >previous post and would like to make an official correction to: SULPHUR

> >

> >Sorry if I offended anyone.

> >------maya

> >

> >

> 

> I was appalled.  I could not believe anyone could ever be so insnsitive and

> insulting as to misspell this wonderfull and smelly element.

> 

> O thhe shame.  The depths humankind has sunk to.

> 

> anyhoow one can spell sulfur with an f.  That is a perfectly legitimate

> spelling as well.

> 

> I much prefer it with the f than the ph.

 

if u jest gut a spul chicker than this thungs donut  hippen.  some

prefur othur werds wid f's to ph's.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 19:55:50 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

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If I dug around I might be able to find an orgone box plan I had once.

I need to go back and look at orgone theory.  Most of Reich's disciples

such as Loewen and Kelley didn't follow up very much on the farther out

parts of orgone theory (for the simple reason that they preferred to

stay out of jail) and worked from his psych. theories in developing

techniques for dealing with "character armour."  Kelley told me he still

believed in the  orgone theory for the most part and I think used a

box.  Kelley was always something of a sexual outlaw as well. Loewen and

Bioenergetics always struck me as pretty square.  There are some

interesting Reichian therapists still around.  There was a guy in

Berkeley, name escapes me, who did great things with breathing sessions

that got you high as a kite, he moved on to using just straight oxygen

hits, and other inhalants.  Flash therapy.  That is the nice thing about

Reich, he fits with an interest in the visionary, estatic experience in

a way that Freud and Jung don't. Look at the titles to papers at a

Jungian conference and it will give you the bends.

 

I don't know where I got the idea but I had firmly in my head the

Burroughs used an orgone box, at least during the Texas pot farm phase

that Kerouac mentions.

 

J Stauffer

 

RACE --- wrote:

> 

> i'd be very interested in reading tales and legends from folks who have

> experience with these orgone notions.  i've seen and heard a bit over

> years in theory.  always think the tales of the guinea pigs this-selfs

> provide a very important angle.

> 

> hope to hear more tales of the legendary boxes.

> 

> david rhaesa

> salina, Kansas

=========================================================================

Date:         Sun, 6 Jul 1997 14:54:29 +0200

Reply-To:     Jean.ORY@hol.fr

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jean ORY <Jean.ORY@HOL.FR>

Organization: ORY Jean

Subject:      Wilhelm Reich

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Orgone is known in Eastern tradition since thousands years

It is called in Hinduist tradition: Prana - (Panayama)

In Chinese tradition: Chi (Tai CHI Chuan - Acupuncture)

In Japanese tradition: Ki (Ai KI Do)

 

Recommended lecture:

Yoga  - by T.K.V. Desikachar - University Press of America

Clear Light of Bliss - by Geshe Kelsang Gyatso - Snow Lion Publication -

 

Reich was put in jail.

Best way to learn about him is to read his books.

The more famous is "Function of the orgasm"

 

True that Wilhelm Reich had a great influence on the hipster culture,

but don't forget about C.G. Jung whose forewords were in the I Ching, in

the Secret of the Golden Flower, in the Tibetan Book of the Great

Liberation, in the Tibetan of the Dead, in Tibetan yoga and Secret

Doctrines, I am not sure but I think that Jung wrote forewords for some

Zen books too.

 

Jung, Richard Wilhelm (the translator of the I King), Hermann Hesse

(Siddharta) were good friends, I see them as one of the many grand

fathers and the uncles of the beats.

 

Just an idea about an old subject on the list: alcohol and Jack Kerouac.

May be there was too, somewhere in his unconscious the traditional

"poete maudit" (Damned Poet) programing.  Enlightened, visionary but

destroyed by the intensity of his own vision and by the misunderstanding

of his politically correct contemporaries.

Little bit like Antonin Artaud who didn't have such friends as Ginsberg

and Bill Burroughs to understand him and to stretch out a friendly hand

to him.

 

May be there are two ways to induce the poetic mood:

 

The first is by the "dereglement de tous les sens": creating

artificially by drugs, bad food, lack of sleep, strong emotions, a

disordered state of the senses almost near the death experience to

produce the vision experience of the absolute, like Gerard de Nerval,

Rimbaud, Artaud, Rene Daumal did.

 

The second by the harmonious adjusting of the senses through

meditation.  Like the great Zen or Taoist poets or like Allen Ginsberg

who had practiced meditative retreats under the guidance of Chogyam

Trungpa and wrote poems from the peaceful state of mind produced.

 

The reason why Wihelm Reich was persecuted was because his studies on

sexuality and because his commentaries on the political use of the

repression of the sexual impulse.

There is a difference beween repression and control.

 

It is still true: People don't even notice on TV someone killing

somebody else, but people would freak out if they were seeing on TV two

consenting adults making love.

 

That's one of many symptoms of the mental sickness of most of the main

cultures of the world.

 

At that point, visions and poets are indispensable to survive.

 

Jean

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:37 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      JK tribute/mike stipe&'my gang'/VOC/DR SAX:

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i'm sending this message out again for some response. response to a post

that will strike up a literary conversation. and not merely a flood of

posts from the youngsters who just talk about how much they wished they had

read the works. with exception of DC Dave and James S, i feel like i'm all

alone here writing to an empty home room in high school. and dont take this

as a flame, because flaming will only keep us further away from the beat

lit we are reading/etc. i know of several people leaving list for lack of

literay conversation, and would like to turn the tide.  SO PLEASE LET'S GET

OUT OF THE CHAT ROOM AND BACK IN THE CLASSROOM OF THE MIND, please.

enthusiasm is one thing but a ton of posts back and forth about spelling or

'oh i wish i read that' and the like are better off back-channeled directly

among yourselves, guys. i've been on the list for a year or two enjoying

immensely the debates, discussions and all, and a friendly chat or two

included in a more substantial post.

bill gargan: if you are reading this could you please repost the FAQ? or

could some one else?

we are falling by the way side and  hungry  for some discourse.

i am not scolding but i am getting somewhat exasperated.

REPOST ON LITERARY TOPICS - PLEASE JOIN IN!!!

ok down off the hogs for a while. in codyville (the imaginary place that

denver becomes in jack's mind -- hey for that matter, does anyone who has

heard the ryko tribute CD kicks, etc - enjoyed mike stipe's piece with the

sad little tinny music to accompany 'our gang' and the connection to jack's

brown room in pawtucketville when he played all his elaborate games and

kept meticulous records of, newspapers etc? as he says hello to his mother

and goes upstairs enters bedroom and tiny pool hall and bar and all his

gang in there? it collapses so much together of JK boyhood recollections

AND BY THE WAY

this is not out of line or subject:

on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

with whoever wrote that opening passages are 'visions' of cody and out of

space and time, which ok here comes the quote gets me back here:

p6

"building is ancient red-1880 redbrick--three stories--over its roof i can

see cosmic italian oldfashioned 18 story office block building with

ornaments and blueprint lights inside that reminds me of eternity, the

enormous house of dusk where everybody is putting on their coats--and going

down black stairs like fire eescapes to eat supper in the dungeon of Time

underneath just a few feet over the snake--and DR SAX clambers over the

wallsides as night falls, with his suction cups-and the superintendant is

sleeping."

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:40 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      parallels between dr sax and voc

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on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

with whoever wrote that opening passages are 'visions' of cody and out of

space and time, which ok here comes the quote gets me back here:

p6

"building is ancient red-1880 redbrick--three stories--over its roof i can

see cosmic italian oldfashioned 18 story office block building with

ornaments and blueprint lights inside that reminds me of eternity, the

enormous house of dusk where everybody is putting on their coats--and going

down black stairs like fire eescapes to eat supper in the dungeon of Time

underneath just a few feet over the snake--and DR SAX clambers over the

wallsides as night falls, with his suction cups-and the superintendant is

sleeping."

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:44 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      CODY AND THE GOOD DR SAX

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on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

with whoever wrote that opening passages are 'visions' of cody and out of

space and time, and would like to add that as he is having his visions of

cody, he is also moving back to lowell from west haven, ct., wandering the

streets of NY city, and evoking parallels of his childhood by description

of building in denver reminiscent of dr sax country(aka lowell)

p6

"building is ancient red-1880 redbrick--three stories--over its roof i can

see cosmic italian oldfashioned 18 story office block building with

ornaments and blueprint lights inside that reminds me of eternity, the

enormous house of dusk where everybody is putting on their coats--and going

down black stairs like fire eescapes to eat supper in the dungeon of Time

underneath just a few feet over the snake--and DR SAX clambers over the

wallsides as night falls, with his suction cups-and the superintendant is

sleeping."

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:48 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      JK tribute: kicks joy darkness

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any one out there listening to the JK tribute CD?

i have and would love to talk with anyone here on nays and yays and

everything in between.

personally, i am really loving maggie estap&spitters "skid row wine"--great

performance piece and the kind of readings i aspire to.

favorite of the day(s), however is the mike stipe reading of "my gang" it

is so DR SAX like especially the parallels to the tiny poolhall in his

bedroom where he played with great imagination solitary as a child. the

races and baseball games with meticulously kept records and his newspaper

that carried the sports news.

again, i'd really like to hear of someone's impressions of those who have

been listening. for those who haven't - and may like to join in on an

actual discussion, it is put out by rykodisc, title: JK: kicks joy darkness

i know i'm crabby but i want someone to play with.

mc

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:52 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      "where have all the scholars gone

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long time passing," where have all the scholars gone?

i know its summer, BUT

there is a remarkable change over on the list, from young folks chatting up

a storm and maybe a few posts to sink teeth into (or pomes or folks or

whatever)

hopefully the scholars have gone to take a break with summer and 4th july

and all that.  and if lurking, come out and play with me.

feeling cantankerous

mc

=========================================================================

Date:         Sun, 6 Jul 1997 11:11:33 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: JK tribute: kicks joy darkness--random thoughts in reply

Comments: To: Marie Countryman <country@SOVER.NET>

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Marie Countryman wrote:

> 

> any one out there listening to the JK tribute CD?

> i have and would love to talk with anyone here on nays and yays and

> everything in between.

> personally, i am really loving maggie estap&spitters "skid row wine"--great

> performance piece and the kind of readings i aspire to.

> favorite of the day(s), however is the mike stipe reading of "my gang" it

> is so DR SAX like especially the parallels to the tiny poolhall in his

> bedroom where he played with great imagination solitary as a child. the

> races and baseball games with meticulously kept records and his newspaper

> that carried the sports news.

> again, i'd really like to hear of someone's impressions of those who have

> been listening. for those who haven't - and may like to join in on an

> actual discussion, it is put out by rykodisc, title: JK: kicks joy darkness

> i know i'm crabby but i want someone to play with.

> mc

Marie:

 

Put on Bob Dylan, Absolutely Sweet Marie. I believe it is on Blonde on

Blonde.   He will play with you.  And watch out for the little old

crones with twisted pliers sent down from society to gouge out your

eyes.  Personally I walk upside down and kick off hand cuffs, but that

can be ruff.

 

I began visions of cody against my will.  I have an worn worn copy and

did not want to go back there.  The beginning is Jack's memory of every

little observation he recorded in his mind.  He is taking us back to old

Denver.  It jumps back to New York.  It is complete, but not necessarily

"good" writing.  Why, he is more interested in the exercise than the

art.  But, it is laying a foundation.  Easy to see why critics didn't

like Jack.  Easy to see.

 

Me, I want to discuss Pic.  Why, because it is the only published work I

was able to find that I never read.  So, let me know if you wanta go.

 

Stealing rock n roll lines as fast as I can remember them.  But, it's

allright now, ma, Im only typing.  But, I should go slow, because love

can last longer than shame, or can it.  Maybe shame does last longer

than love.  Have you ever had an original thought.  Doesn't it take more

than one person to have a thought?

 

I ain't no scholar, never hope to be one, but, if I saw one, I would

just let it be.  I have no words of wisdom.  I have no thougths of

depth.  I have no real drugs.  I have no false drugs.  I have no

identity that is not false.

 

What sides are there?  We are in space and it has no sides.  Jack Handy

has deep thoughts.  Do you?  I remember once my brother stole $5.00 out

of my bank.  My father refused to believe that I had saved $5.00.

Today, I won't save money.  Today, my brother is in jail, for stealing

drugs out of a pharmacy.  Today, my father says he has nothing to do

with either one.  I don't believe him.  I think he is lying.  It doesn't

matter what you think, because it won't change what I think.  I didn't

say, you don't matter, I said what you think about my father, me and my

brother doesn't matter, because it can't change any of this.  If I could

go back in time, I couldn't change it either.  How do you flush anger,

hurt etc out of your system.  How do you flush shame out of your system.

Where is the emotional toilet bowl of the universe.  Can you help me

find my way there?

 

I can not think.  I can not write about thinking.  I can feel, but I

don't know what I am feeling.  I wonder what everyone else is doing.

Everybody's gone away, heading to LA.  Me, I sat through a rainy night

in GA before, have you.  Maybe I wasn't in a box car, but I did have my

guitar.

 

So, someone else left LA and took the Midnight train.  Someone else left

his home in GA and went to San Francisco.  Someone else rode the rails

and highways everywhere and wrote books about it.  Someone else hit 61

homeruns and everyone hated him for doing it.  But, what kinda guy was

Babe Ruth.  Was he kind to his wife?  Was he considerate.  Was he a

glutton?  What made people love him so?  What made Roger Maris a bad

guy?  What would the press say about Babe Ruth now.   Would he wear Nike

shoes?  How can one escape TV?  Why can't we build it and they will

come?  Why can't we ease his pain?  Why can't he ease my pain?

 

Did you ever wish someone you loved would die, just so they would be put

out of their depression and you wouldn't have to hear about it anymore?

 

Folk rock, what is that?

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 11:25:58 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

Comments: To: Marie Countryman <country@SOVER.NET>

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Marie Countryman wrote:

 

> AND BY THE WAY

> this is not out of line or subject:

> on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

> with whoever wrote that opening passages are 'visions' of cody and out of

> space and time, which ok here comes the quote gets me back here:

> p6

> "building is ancient red-1880 redbrick--three stories--over its roof i can

> see cosmic italian oldfashioned 18 story office block building with

> ornaments and blueprint lights inside that reminds me of eternity, the

> enormous house of dusk where everybody is putting on their coats--and going

> down black stairs like fire eescapes to eat supper in the dungeon of Time

> underneath just a few feet over the snake--and DR SAX clambers over the

> wallsides as night falls, with his suction cups-and the superintendant is

> sleeping."

Just read that last night was was struck by the thread of Dr. Sax as I

had not read Dr. Sax last time I read Cody.  The haint his haunting

all.  Marie, where is your Dr. Sax?  Is he climbing over the email you

receive.  At night when you go to sleep, does he shrink down to the size

of a toy and dance on your keyboard.  When you wake up, does he climb

over the moinitor and hide close to the picture tube?  My Dr Sax climbed

out of my heart this morning.  He showed me  spot in my heart where I am

holding on to sadness that is killing me every day.  I let go of it and

am falling without a net.  I don't care what gets posted to the beat-l,

but you should read Jean Ory's post.  It wasn't high school.

 

Can you go back to high school?  Growth is a hard thing.  Sometimes the

list is not what we want.  A month ago, James said is was doing fine.

Today you say not.  What about your mood.  What about your doom.  What

about your room. Hum, well, I guess somethings go on within or without

us.  As for me, I am going to puke this sadness out of my body.  I am

going to retake my self from the ghosts of Dr. Sax. I have measured out

my life in emails from the beat list.  Humm, I wonder what Eliot thinks

about that?  Maybe he doesn't care.

 

Take it away, Dr. Sax.  Play on Train.  Wail on Roland Kirk.  Play on

Jazz man.  Anybody but Kenny G!

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 23:39:31 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

MIME-Version: 1.0

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Marie Countryman wrote:

> 

> ok down off the hogs for a while. in codyville (the imaginary place

>that

> denver becomes in jack's mind -- hey for that matter, does anyone who

>has

> heard the ryko tribute CD kicks, etc - enjoyed mike stipe's piece with

>the

> sad little tinny music to accompany 'our gang' and the connection to

>jack's

> brown room in pawtucketville when he played all his elaborate games and

> kept meticulous records of, newspapers etc? as he says hello to his

>mother

> and goes upstairs enters bedroom and tiny pool hall and bar and all his

> gang in there? it collapses so much together of JK boyhood

>recollections

> AND BY THE WAY

> this is not out of line or subject:

> on page 6 of VOC JK blends his childhood with codys, (oh and btw, i

>agree

> with whoever wrote that opening passages are 'visions' of cody and out

>of

> space and time, which ok here comes the quote gets me back here:

> p6

> "building is ancient red-1880 redbrick--three stories--over its roof i

>can

> see cosmic italian oldfashioned 18 story office block building with

> ornaments and blueprint lights inside that reminds me of eternity, the

> enormous house of dusk where everybody is putting on their coats--and

>going

> down black stairs like fire eescapes to eat supper in the dungeon of

>Time

> underneath just a few feet over the snake--and DR SAX clambers over the

> wallsides as night falls, with his suction cups-and the superintendant

>is

> sleeping."

 

Sorry I can't respond to the CD post, don't have any CDs or player for

them, but would like to hear what others have to say.  As far as being in

Codyville goes, I thought this thing really took off as you begin part 2,

starting with Cody meeting Tom Watson in the pool hall.  I'm ready for

any recollections anyone has of reading Neal's stuff to see how this

relates.  Going from being homeless and living by railroad tracks, to

having a dream one night that if he read books, knew enough, he could

escape the lot of his father.  Walking up to the pool player and saying

"Do you want to learn philosophy with me?"  All of a sudden having a suit

and a mentor and starting to fit in with the gang.  Great

descriptions of breasts scene, and voyeurs and throwing the football in

the middle of the street, with teacher/poet watching, like life going on

all around teachers trapped inside of themselves.

Lots of visions joined with other visions, Lowell, NY, Denver, and San

Francisco all positioned together in his memory banks.  Everything is

very romanticized and gushy, like JK writes, a lot of it though tempered

with reality about America, life and death, like finding the miscarriage

in grocery wrappers.  One big thing is K, packing to go seek Cody, like

his will to live is somehow critically intertwined with Cody's sense of

life.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 11:38:27 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      On the Road

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Did anyone notice that Charles Kuralt, of ON THE ROAD fame died.  So did

Robert Mitchum and Jimmy Stewart.  I loved all three for what they

brought.  Charles tried to bring us the finer and small moments of life

we missed.  Robert told them all to stick it, if they didn't like it.

James brought the ordinary to life as a hero.  What a week to lose three

icons of our society.  Maybe noone else cares.  But I do.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 23:52:10 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody/Ginsberg

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Hey--has anyone who bought the new paperback version of Cody noticed that

in the back is The Visions of the Great Rememberer by Allen Ginsberg,

page by page comments on his take of VOC?  Some of these are very

interesting.  Will have more to say about a couple of these later.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 11:50:45 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

 

Dear Marie:

 

In response to your plea for Serious Discussions of Literary Topics, I offer

this initial contribution to the budding VOC cyberseminar:

 

I finished VOC fairly recently, I read it over a long period with several

very long interruptions.  I don't recommend this, if ever a book demands

concentration and consistency, VOC does.  The longer I read it at a sitting,

the more I was able to flow with its groove, an authentic-feeling

transcription of JK's multilayered mental processes- memory, reflection,

commentary, pure observation and automatic poetry.  VOC really captures, more

than any other Kerouac book I have read so far, the feel from the inside of

the nascent Beat Generation before it became a legend/trademark, magnified

and insidiously stereotyped by the establishment, subversion subverted.  This

is the real thing for those who want to get past all that and see, feel and

hear Jack, Neal & co. and their world, outside the status quo and fully

inside the jugular vein of firsthand experience.

 

The verbatim transcription of an actual taped conversation, while I found it

hard to follow and stay with, is the heart both chronologically and

thematically of the book.  The reader can just as well write around it as the

author (I'm thinking of some of the VOC posts dealing with the different

perspectives - JK's romanticised Neal, Neal's hard-experienced realism, the

reader's impression and contributions).  I'm being called on to join the

family for a last-hurrah holiday weekend swim.  Let me conclude for now with

a favorite among many quotes that I think captures the feeling JK is always

trying to describe and hold onto simultaneously here and in his other works,

the "IT" of ON THE ROAD and the one long story of his life and work.  It's

lengthy, but can't be paraphrased or shortened without losing its momentum,

so here I go, from pgs. 15-16 of my hardcover first edition, which I believe

collates with the latest printing:

 

"No possible way of avoiding enigmas.  Like people in cafeterias smile when

they're arriving and sitting down at the table but when they're leaving, when

in unison their chairs scrape back they pick up their coats and things with

glum faces (all of them the same degree of semi-glumness which is a special

glumness that is disappointed that the promise of the first-arriving smiling

moment didn't come out or if it did it died after a short life)- and during

that short life which has the same blind  unconscious quality as the orgasm,

everything is happening to all their souls- this is the GO- the summation

pinnacle possible in human relationships- lasts a second- the vibratory

message is on- yet it's not so mystic either, it's love and sympathy in a

flash.  Similarly we who make the mad night all the way (four-way sex orgies,

three-day conversations, uninterrupted transcontinental drives) have that

momentary glumness that advertises the need for sleep- reminds us it is

possible to stop all this- more so reminds us that the moment is ungraspable,

is already gone and if we sleep we can call it up again mixing it with

unlimited other beautiful combinations- shuffle the old file cards of the

soul in demented hallucinated sleep- So the people in the cafeteria have that

look but only until their hats and things are picked up, because the glumness

is also a signal they send one another, a kind of a Goodnight Ladies" of

perhaps interior heart politeness.  What kind of friend would grin openly in

the faces of his friends when it's the time for glum coatpicking and bending

to leave?  So it's a sign of "Now we're leaving this table which had promised

so much- this is our obsequy to the sad."  The glumness goes as soon as

someone says something and they head for the door- laughing they fling back

echoes to the scene of their human disaster- they go off down the street in

the new air provided by the world.

Ah the mad hearts of all of us."

 

Arthur S. Nusbaum

=========================================================================

Date:         Sun, 6 Jul 1997 12:07:14 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      CODY PART ONE

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

 i've just finished part one of VOC and have a lot of shared passages

quoted before me by mr stauffer and DC: but these are some of the things

that struck me as i reread the opening of the novel: (mcgraw hill version)

my take on voc/dr sax in already spoken for in previous posts, am moving

on.

here are a few themes and passages which also struck my fancy:

p 8      in addition to the proustian thread intro'd by DC there is also

hint of love of thomas woolf and his own first novel in style (first novel

town and city) in "the time and the river"

p12       one of first many many return trips to lowell, "the truck rolled

on, bearing me sadly back to the scenes of my boyhood" brings to mind all

the return trips to memere ("aunt") in OTR)

12      as well as hints of mortality: "All you do is head straight for the

grave, a face just covers the skull for a while. stretch that skull-cover

and smile"

12      as well as ushering in ever present tone, mood, subject, liet

motive of sadness, loss, regret that permeates each of JK's books:

12      "ah me so sad that every year we have to lose our october!"

24      "a sad park of autumn, late saturday afternoon--leaves by now so

dry they make a general rattle all over ...--a trash wirebasket is half

full of dry, dry leaves--a pool of last night's rain lies in the gravell;

toninght it will be cold, clear, winter coming and who will haunt the

deserted park then?" (quoted in paragrah full of lively children and

mothers)

39      "i dont feel strong, the sorrows of time and personality

41      (in letter to cody) "I am conscous of my own personal tragedy....

                          "aware also of the tragedy the loneliness of my

mother...

                          " I feel like i've done wrong, to myself the most

wrong. i'm

 

 

                                                                throwing

away something that i can't even find in        the incredible clutter of

my being but it's going out with the refuse en masse, burieed in the middle

of it, every now and then i get a glimpse. i get so sick thinking of the

years i wasted...why did i waste my beatuiful mexcity on paranoias"

28: the catholic church and its churches(note color schemes)

        "now the window darkens to match the great transformations without,

refracting them inward to these kneelers, who can't stand ordinary glare of

life in musty meditations and guilty anxieties-people com to curch for

guilt now--"

        "the altar of st joseph at my right is a symphony in browns"(most

of Dr Sax

has  symphonies in brown  both inside and out.)

29:     i"i hear the chorus of prayers in a rickety mumble repeating the

moans of an accredited adjurer....--it can't be them make this ghostly

prayer--it's a novena in the innards of the church itself, it is locked in

the stone and realeased each night at this timeby the wizardly prayers of

some old hooknosed ribbon clerk who acts like a divining rod withal to draw

the innate sound out of the churchy-twosted chicago stone".

29      "(i had just noticed that the marble squares in the floor are also

separated by metal rims like in the MERIT food shop last night"-(care to

explicate that one, DC?)

        many years ago in a church just like this but smaller, holier, more

venerated by hearts, i came with hundreds of little *death-conscious* boys

of St Josephs Parochical school(churxh always fill us with the knowledge of

the gloom and horror of funerals even if we had learned to reconcile

ourselves to the shame and sadness of confession, confirmation, execises,

et al" (**mine)

33:     leit motives of shrouds and shitting .. p 33 only one of several

passages..take it for what it's worth. (or expound on excrement and death

y'all)

26:     proust and memory (memory babe hisself): "the, as Proust says god

bless him,  'inexpressibly delicious' sensation of of this memory--for as

memories are older theypre like wine rarer, till if you ind a real old

memory, one of infancy, not an established often tasted one, but a brand

new one! it would taste better than the napoleon brandy stendhal himself

must have stared at...while shaving in front of those napoleonic cannons"

26:     greon for green neon

35:     dreams of cody:  as opposed to  visions of cody and neal in other

novels, and interesting in that cody comes off well in dreams but hint of

some jealousy or impatience with neal in real life?

        "oh that cody dream, last night he was all attentive as he never

really or only rarely is"

        "cody, for first time, followed me and let me do things"

        "there sat cody and I -- i was looking at table cloth-thinking 'i'm

tired, we do too much, i must run away from cody to ever rest but now he's

folowing me i'll never can do it"

        "this was a dream last night. and cody let others do the talking,

for once he was a smiling and bemused listener"

27:     peak experience "that so seldom experience of seeing my whole

life's richness swimming in a palpable mothlike cloud, a cloud i can really

see and which i think is elfin due to my  celtic blood-coming only in

moments of *complete inspiration*... in my life number them probably below

five--at least on this level"(THE ELFS ARE AT IT AGAIN YOU GUYS!!!)

i also found interesting the unconscious foreshadowing of the beats and

their next generation of readers in the passages dealing with genet

also, struck by prejudices in the opening book, which took stereotyped pot

shots at "jews negros fags      "

________

awful lot of dulouz themes embedded in this short piece of writing, and

many differing thoughts/feelings re: cassady/cody

any and all comments welcome before moving to part 2

mc

=========================================================================

Date:         Sun, 6 Jul 1997 16:10:54 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Cody

 

well finally got Cody yesterday, beginning seems to me to be  Jack's version

of Leopold Bloom's walk to the church for Paddy Dignam's funeral.... mind

open, seeing everything, memories evoked by this person, event, place....

 

i love the atmosphere JK creates here, much more personal and misty than

Joyce's...  definitely gives the feel of a person whose conciousness has a

constant shadow and a longing that won't leave him in peace.

 

ciao,

sherri

=========================================================================

Date:         Sun, 6 Jul 1997 16:25:53 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Wilhelm Reich

 

Jean,

 

couldn't agree with you more... am reading Jung's Aion now and definitely have

the sense the JK read him and incorporated some of his thoughts....

 

don't know that i would call the writers/artists who use/used alcohol/drugs

and wrote, artificial...  we're all a little tortured and for some, repression

of the ego/emotions/mind are/were so great that the only way to let the self

(in Jung's definition) override the ego and express itself is/was to take the

ego off guard chemically... whether it be alcohol, lots of wild sex, lack of

food, drugs, lack of sleep.  and certainly when JK was writing, the american

social atmosphere was particularly oppressive/repressive, not too mention the

things in JK's own life that created his personal terrors.  i don't advocate

becoming an alcholic in order to write, but who's to say that that writing is

any less real than someone who is a near-Boddhisatva?  just a different

state... all is One, One is all.

 

paix,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Jean ORY

Sent:   Sunday, July 06, 1997 5:54 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Wilhelm Reich

 

Orgone is known in Eastern tradition since thousands years

It is called in Hinduist tradition: Prana - (Panayama)

In Chinese tradition: Chi (Tai CHI Chuan - Acupuncture)

In Japanese tradition: Ki (Ai KI Do)

 

Recommended lecture:

Yoga  - by T.K.V. Desikachar - University Press of America

Clear Light of Bliss - by Geshe Kelsang Gyatso - Snow Lion Publication -

 

Reich was put in jail.

Best way to learn about him is to read his books.

The more famous is "Function of the orgasm"

 

True that Wilhelm Reich had a great influence on the hipster culture,

but don't forget about C.G. Jung whose forewords were in the I Ching, in

the Secret of the Golden Flower, in the Tibetan Book of the Great

Liberation, in the Tibetan of the Dead, in Tibetan yoga and Secret

Doctrines, I am not sure but I think that Jung wrote forewords for some

Zen books too.

 

Jung, Richard Wilhelm (the translator of the I King), Hermann Hesse

(Siddharta) were good friends, I see them as one of the many grand

fathers and the uncles of the beats.

 

Just an idea about an old subject on the list: alcohol and Jack Kerouac.

May be there was too, somewhere in his unconscious the traditional

"poete maudit" (Damned Poet) programing.  Enlightened, visionary but

destroyed by the intensity of his own vision and by the misunderstanding

of his politically correct contemporaries.

Little bit like Antonin Artaud who didn't have such friends as Ginsberg

and Bill Burroughs to understand him and to stretch out a friendly hand

to him.

 

May be there are two ways to induce the poetic mood:

 

The first is by the "dereglement de tous les sens": creating

artificially by drugs, bad food, lack of sleep, strong emotions, a

disordered state of the senses almost near the death experience to

produce the vision experience of the absolute, like Gerard de Nerval,

Rimbaud, Artaud, Rene Daumal did.

 

The second by the harmonious adjusting of the senses through

meditation.  Like the great Zen or Taoist poets or like Allen Ginsberg

who had practiced meditative retreats under the guidance of Chogyam

Trungpa and wrote poems from the peaceful state of mind produced.

 

The reason why Wihelm Reich was persecuted was because his studies on

sexuality and because his commentaries on the political use of the

repression of the sexual impulse.

There is a difference beween repression and control.

 

It is still true: People don't even notice on TV someone killing

somebody else, but people would freak out if they were seeing on TV two

consenting adults making love.

 

That's one of many symptoms of the mental sickness of most of the main

cultures of the world.

 

At that point, visions and poets are indispensable to survive.

 

Jean

=========================================================================

Date:         Sun, 6 Jul 1997 12:32:09 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      i come in peace (codyville)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

to all who took my ranting too personally, i'm really not a junkyard dawg.

just wanted to get folks to readin and talking and debating.

cheers to mr. kirby who has begun to read VOC albeit reluctantly. it's

always more fun if more play.

(hey DC: we can listen to the CD when we get to gether next.)

i'm just now heading into part 2, may take awhile as i still have my HST

readings as well; i'll save yr post and get to it after reading part 2

in the meantime, i really loved what you had to say down below

 

One big thing is K, packing to go seek Cody, like

his will to live is somehow critically intertwined with Cody's sense of

life.

_____

mc

=========================================================================

Date:         Sun, 6 Jul 1997 12:32:13 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: On the Road

In-Reply-To:  <33BFBBF3.D7655CBC@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

no, i've been out of touch with the media. but yes, i do care. i know i am

at an age where most of my heros of humanity music innerspace and

literature are dying.  thanks, mr kirby

mc

 

>Did anyone notice that Charles Kuralt, of ON THE ROAD fame died.  So did

>Robert Mitchum and Jimmy Stewart.  I loved all three for what they

>brought.  Charles tried to bring us the finer and small moments of life

>we missed.  Robert told them all to stick it, if they didn't like it.

>James brought the ordinary to life as a hero.  What a week to lose three

>icons of our society.  Maybe noone else cares.  But I do.

> 

>Peace,

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 12:32:22 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

In-Reply-To:  <970706115044_-1527787300@emout08.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

pleased to make yer acquaintance, arthur nusbaum:

 

this is just wonderful writing and yes, i did start ranting a bit didn't i?

its pretty out of character for me but i find the occasional ranting good

for my soul, AND maybe i wouldnt have gotten such a piece of careful

reading and explicating such as yours. thanks so much. hope your

celebration is all you want it to be.

mc

 

 

>Dear Marie:

> 

>In response to your plea for Serious Discussions of Literary Topics, I offer

>this initial contribution to the budding VOC cyberseminar:

> 

>I finished VOC fairly recently, I read it over a long period with several

>very long interruptions.  I don't recommend this, if ever a book demands

>concentration and consistency, VOC does.  The longer I read it at a sitting,

>the more I was able to flow with its groove, an authentic-feeling

>transcription of JK's multilayered mental processes- memory, reflection,

>commentary, pure observation and automatic poetry.  VOC really captures, more

>than any other Kerouac book I have read so far, the feel from the inside of

>the nascent Beat Generation before it became a legend/trademark, magnified

>and insidiously stereotyped by the establishment, subversion subverted.  This

>is the real thing for those who want to get past all that and see, feel and

>hear Jack, Neal & co. and their world, outside the status quo and fully

>inside the jugular vein of firsthand experience.

> 

>The verbatim transcription of an actual taped conversation, while I found it

>hard to follow and stay with, is the heart both chronologically and

>thematically of the book.  The reader can just as well write around it as the

>author (I'm thinking of some of the VOC posts dealing with the different

>perspectives - JK's romanticised Neal, Neal's hard-experienced realism, the

>reader's impression and contributions).  I'm being called on to join the

>family for a last-hurrah holiday weekend swim.  Let me conclude for now with

>a favorite among many quotes that I think captures the feeling JK is always

>trying to describe and hold onto simultaneously here and in his other works,

>the "IT" of ON THE ROAD and the one long story of his life and work.  It's

>lengthy, but can't be paraphrased or shortened without losing its momentum,

>so here I go, from pgs. 15-16 of my hardcover first edition, which I believe

>collates with the latest printing:

> 

>"No possible way of avoiding enigmas.  Like people in cafeterias smile when

>they're arriving and sitting down at the table but when they're leaving, when

>in unison their chairs scrape back they pick up their coats and things with

>glum faces (all of them the same degree of semi-glumness which is a special

>glumness that is disappointed that the promise of the first-arriving smiling

>moment didn't come out or if it did it died after a short life)- and during

>that short life which has the same blind  unconscious quality as the orgasm,

>everything is happening to all their souls- this is the GO- the summation

>pinnacle possible in human relationships- lasts a second- the vibratory

>message is on- yet it's not so mystic either, it's love and sympathy in a

>flash.  Similarly we who make the mad night all the way (four-way sex orgies,

>three-day conversations, uninterrupted transcontinental drives) have that

>momentary glumness that advertises the need for sleep- reminds us it is

>possible to stop all this- more so reminds us that the moment is ungraspable,

>is already gone and if we sleep we can call it up again mixing it with

>unlimited other beautiful combinations- shuffle the old file cards of the

>soul in demented hallucinated sleep- So the people in the cafeteria have that

>look but only until their hats and things are picked up, because the glumness

>is also a signal they send one another, a kind of a Goodnight Ladies" of

>perhaps interior heart politeness.  What kind of friend would grin openly in

>the faces of his friends when it's the time for glum coatpicking and bending

>to leave?  So it's a sign of "Now we're leaving this table which had promised

>so much- this is our obsequy to the sad."  The glumness goes as soon as

>someone says something and they head for the door- laughing they fling back

>echoes to the scene of their human disaster- they go off down the street in

>the new air provided by the world.

>Ah the mad hearts of all of us."

> 

>Arthur S. Nusbaum

=========================================================================

Date:         Sun, 6 Jul 1997 16:52:50 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody/Ginsberg

 

DC,

 

Yes i did and am very anxious to read it, but thought i'd wait til i'd

finished Cody... let me know if you think it should be read parallel.  i have

pulled out Ulysses for comparisons, although it's damned hard to find stuff

quickly with the book being so long...

 

paix,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Saturday, July 05, 1997 11:52 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Cody/Ginsberg

 

Hey--has anyone who bought the new paperback version of Cody noticed that

in the back is The Visions of the Great Rememberer by Allen Ginsberg,

page by page comments on his take of VOC?  Some of these are very

interesting.  Will have more to say about a couple of these later.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 17:22:35 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Cody

 

btw, maybe this is stupid, or maybe it's old news, but does anyone else see

neal as a sort of mystical reincarnation, in JK's mind, of Gerard?

 

ciao,

sherri

=========================================================================

Date:         Sun, 6 Jul 1997 13:56:13 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      shopping carts & destruction...

 

just saw the new U2 video for "Last Day on Earth" with WSB pushing his

shopping cart around....I wonder how many folks know who he is; the very

end of the video freezes on his face.  Anyone's impressions? Esp. you

Burroughs lovers out there....

 

Diane. (H)

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Sun, 6 Jul 1997 03:50:00 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody/Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

>Sherri wrote:

> 

> Yes i did and am very anxious to read it, but thought i'd wait til i'd

> finished Cody... let me know if you think it should be read parallel.

>i have

> pulled out Ulysses for comparisons, although it's damned hard to find

>stuff

> quickly with the book being so long...

> 

 

If you want my advice, it is yes, read Ginsberg's observations as you

Read VOC, so you can think about it as you go along, rather than as an

addendum.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 16:30:33 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      For Bentz:  Measures, Jazz Giants, Obituaries, etc.

 

Bentz:

 

Compare this chronology:

 

"I have measured out my life with coffee spoons"

-T.S. Eliot, "The Love Song of J. Alfred Prufrock"

 

"I have seen life measured out in eyedroppers of morphine solution- I have

experienced the agonizing deprivation of junk sickness, and the pleasure of

relief when junk-thirsty cells drank from the needle."

-William S. Burroughs, "Junky", author's introduction

 

"I have measured out my life in emails from the beat list."

-R. Bentz Kirby, "97-07-06 11:37:45 EDT"

 

I really appreciate your jazz commentary at the end of your message.  As a

devotee of the Giants of the golden age ('40's-'60's) of bebop and beyond, I

can't believe the utter pap that passes for "jazz" by the cowed, cretinized

popular culture of today- the immaculately coiffed, substantially vacuous

Kenny G culture.  Coltrane, Davis, Parker, Monk, Mingus, Dolphy, Ayler,

McLean, Armstrong, Ellington (the latter 2 preceding the others but forming

the foundation for them) are among those in my pantheon.  Coltrane, Davis,

Parker and Monk (like Burroughs, Ginsberg, Kerouac and Huncke on the Beatific

Mt. Rushmore) are at the very top for me.  I have a very extensive

collection, beginning with LPs and mostly in the subsequent CD strata, of

these Masters and others.  Of the 4, I had the privelege of seeing only Davis

during his last '80's incarnation.  I missed the boat on the others, born and

enlightened too late.  But about 5 years ago, I did have a Coltrane

experience- I saw a band that featured his son Ravi ( as well as Elvin Jones,

the great drummer of the legendary JC quartet), whom I briefly met after the

set.  He closely resembled his father, it was a rather spooky experience and

I felt somewhat sorry for him having to pursue his path in the shadow of such

an immortal Giant.  He was good as I recall and probably has gotten better (I

think he was only in his mid-20's when I met him), but how can he ever get

out from under that shadow?  I admire him for doing what he must do

regardless of the circumstances.  What is your favorite Coltrane item or

album?  I would hate to have to answer that question, so I shouldn't be

asking it, should I?

 

I was aware of, and saddened by, the deaths of Robert Mitchum, James Stewart

and Charles Kurault, in such quick succession.  Have you seen RM in NIGHT OF

THE HUNTER?  It's one of the great stylish villian roles, right up there with

Richard Widmark's Tommy Yudo in KISS OF DEATH and Dennis Hopper's Frank Booth

in BLUE VELVET.  And I recently saw the newly restored version of VERTIGO on

the big screen at a grand old theatre here in Ann Arbor, a breathtaking

experience with an unforgettable, subtly complex and disturbing performance

by JS.  Speaking of the cowed, cretinized popular culture referred to above,

you failed to mention the death, by his own hand, of Brian Keith, separated

at birth from Robin Williams and my accountant, who looks like both of them

combined, and with some Ted Kennedy thrown in for outline.  As Vietnam and

the upheavals of the '60's raged, Uncle Bill blew off Buffy, Jody and Sissy

with his gruff, lethargic "go ask Mr. French" for 7 straight seasons.  It

took that many years for Kerouac to get ON THE ROAD published!  This is

shameful, what did BK ever do to me?  He was probably a very nice guy

following his path and making a living, and I never would have wished such a

terrifying and despairing end for him.

 

Well, I have written again as you suggested after not hearing from you after

our brief exchange a little while back ( you toggled me to get on my New

Urbanist soapbox as I recall).  This is a great and increasingly obsessive

list to be on, I'm getting to know the themes and MO's of the regulars,

separating the Beat Wheat from the Chatter Chaff.  Until very recently, my

own correspondence was one-on-one, such as my dispatches to you.  But I've

finally gone public and joined in on the VOC forum in direct response to

Marie Countryman and to the List at large.

 

Regards,

 

Arthur S. Nusbaum

=========================================================================

Date:         Sun, 6 Jul 1997 04:33:17 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: CODY PART ONE

MIME-Version: 1.0

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Marie Countryman wrote:

> 

> 29      "(i had just noticed that the marble squares in the floor are

>also separated by metal rims like in the MERIT food shop last

>night"-(care to

> explicate that one, DC?)

 

You know, that jumped out at me too when I read it, same floor as MERIT

FOOD SHOP, pg. 26, "The floor is all shades of brown and yellow 'pebbled'

marble with little thin metal lines separating the various sections;"

Shall we strip it to the surface level and surmise that the same workmen

were making similar floors everywhere, St. Patrick's Cathedral and MERIT

FOOD SHOP, a conspiracy of NY construction workers, or do we make a giant

leap beyond construction to the pebbled marble of the mind, and thoughts,

memories, built, pebbled on top of one another separated,or grouped

together, by thin metal lines of reality, metal rims, that cut through

the consciousness of all of us, like steel metal artifacts piercing into

the past?

 

 

>take it for what it's worth. (or expound on excrement and death

> y'all)

 

I still like the shit thing on pg. 26

"...we are nothing but shits and we'll all die and eat shit in graves..."

but hey, I'm not above taking it back to creation from excrement and

gaining immortality through eating the body in death, gaining knowledge,

shit fertilizes, doesn't it?

 

 

> moments of *complete inspiration*... in my life number them probably

>below

> five--at least on this level"(THE ELFS ARE AT IT AGAIN YOU GUYS!!!)

 

Makes me think we should be looking for his five epiphanies in these

visions.

 

One more thing related to part I--pg. 32-33, beginning with "She breaks

my heart just like X..." and ending with "Everything belongs to me

because I am poor."

 

Just to intersperse here what AG says about this section:

 

"Jack's candid observation of inner consciousness manifested in solitude,

the girl eating in the cafeteria, is a complete world satori.  Here as

distinct from his critic Podhoretz Kerouac is present in the world

solitary musing and observing actual event in the cafeteria 'mind clamped

down on objects' completely anonymous, in a single universe of perception

with no mental maneuvers or self-conscious manipulation of any reader's

mind (he writing for no reader but his own intelligent self)--completely

here, watching the world--"

DC

=========================================================================

Date:         Sun, 6 Jul 1997 05:03:06 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody, Part II

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Some more thoughts on Part II:

 

his desire to to create a body of work, like Joyce, Proust, others...

pg. 93

"And now to make up for the botch of my days I think I can create a great

universe and of course I can"

 

pg. 94

"the trouble with life it that it has its own laws and controls the souls

of men without regard for their least wish, and this is slavery."

 

pg. 96

"What kind of journey is the life of a human being that it has a

beginning and not end?--and that it gets worse and worse and darker all

the time till time disappears."

 

K's joy for life and living is constantly juxtapositioned agained a real

sorrow, sadness about America and a human's inability to get out from

under the load fate has seemed to have dumped on him.

 

similar thing on page 103

"...and so while I struggle in the dark with the enormity of my soul,

trying desperately to be a great rememberer redeeming life from

darkness.."

 

Stuff about his purpose in writing:

Pg. 98 "Now what I'm going to do is this--think things over one by one,

blowing on the visions of them and also excitedly discussing them as if

with friends as I did last night joyously drunk in the West End (see

actually I'm not old and sick at all but the maddest liver in the world

right now as well as the best watcher and that's no sneezing thing."

 

Pg. 99

"I'm going to talk about these things with guys but the main thing I

suppose will be this lifelong monologue which is begun in my

mind--lifelong complete contemplation..."

 

"Now events of this moment are so mad that of course I can't keep up but

worse they're as though they were fond memories that from my peaceful

hacienda of Proust-bed I was trying to recall in toto but couldn't becaus

like the real world so vast, so delugingly vast, I wish God had made me

vaster myself--I wish I had ten personalities, one hundred golden brains,

far more ports than there are ports, more energy than, the river, but I

must struggle to live it all in footm and in these little crepesole

shoes, ALL of it, or give up completely."

 

One other thing, after K starts packing for going to meet Cody, the

vision then spreads out into other times (moments) of leaving, like for

merchant marine, tons of stuff on the ship SS Pres. Adams, and then

shifting to brief spurts of memories about crossing country as in OTR,

wanting to catch the ship, but getting there too late.  I would think

this part would be incredibly hard to follow for anyone who had not read

OTR.

 

I'm getting read to enter part III, starting with the taped conversation.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 23:11:15 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Denise Levertov.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

PEOPLE AT NIGHT         by Denise LEVERTOV

 

 

A night that cuts between you and you

and you   and you   and you

and me : jostles us apart, a man elbowing

through a crowd.        We won't

                look for each other, either-

wander off, each alone, not looking

in the slow crowd. Among sideshows

                under movie signs,

                pictures made of a million lights,

                giants that move and again move

                again, above a cloud of thick smells,

                franks, roasted nutmeats-

 

Or going up to some apartment, yours

                    or yours, finding

someone sitting in the dark:

who is it really? So you switch the

light on to see: you know the name but

who is it ?

    But you won't see.

 

The fluorescent light flickers sullenly, a

pause. But you command. It grabs

each face and holds it up

by the hair for you, mask after mask.

                You   and   you and I   repeat

                gestures that make do when speech

                has failed      and talk

                and talk, laughing, saying

                'I', and 'I',

meaning 'Anybody'.

                             No one.

=========================================================================

Date:         Sun, 6 Jul 1997 05:23:48 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

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Arthur Nusbaum wrote:

> 

>Let me conclude now with a favorite among many quotes that I think

>captures the feeling JK is always

> trying to describe and hold onto simultaneously here and in his other

>works,

> the "IT" of ON THE ROAD and the one long story of his life and work.

 

Arthur,

 

Thanks for post which added a lot to the discussion, I hope you'll

continue to be vocal from now on.  I agree, the long quote on page 15-16

has much to say about Kerouac's understanding of these moments of

(epiphany?), which I snipped much here for brevity, "This is the GO--the

summation pinnacle possible in human relationships--lasts a

second--...the moment is ungraspable, is already gone..."  And with

sleeping on it, the dream adds different connotations out of time, I am

starting to see VOC as his way to take the moments out of On the Road,

and re-tell them, with more and more unconscious, out of time material,

and adding the sleep or unconscious dimension to everything.  It is hard,

however, sometimes to make the leaps from very descriptive "I am here now

writing this down," to the longer cloudier visionary-type moments.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 21:26:09 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: For Bentz:  Measures, Jazz Giants, Obituaries, etc.

 

Arthur,

 

thanks for such an intelligent post...  Kenny G makes my skin crawl... give me

Coltrane any day. so far, my favorite album is Blue Train, the title track in

particular - perfect music for reading the beats.

 

what's happened to all that heady jazz of the 40's to early 60's... is it

being stomped out by the almighty $$ catering to the masses, or is it just

barely there because social/cultural conditions have changed?  there is a

certain amount of it to be found in SF; otherwise it's mostly Latin jazz

(which i thoroughly enjoy) or this new age crap that they call lite jazz... i

guess they mean it's less filling for the mind.

 

and Frank Booth... now there's a guy you can truly be scared of.  loved that

flick and all that dark satire...  Willem Dafoe in Wild at Heart comes to mind

too...

 

anyway, glad you "went public".

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Arthur Nusbaum

Sent:   Sunday, July 06, 1997 1:30 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        For Bentz:  Measures, Jazz Giants, Obituaries, etc.

 

Bentz:

 

Compare this chronology:

 

"I have measured out my life with coffee spoons"

-T.S. Eliot, "The Love Song of J. Alfred Prufrock"

 

"I have seen life measured out in eyedroppers of morphine solution- I have

experienced the agonizing deprivation of junk sickness, and the pleasure of

relief when junk-thirsty cells drank from the needle."

-William S. Burroughs, "Junky", author's introduction

 

"I have measured out my life in emails from the beat list."

-R. Bentz Kirby, "97-07-06 11:37:45 EDT"

 

I really appreciate your jazz commentary at the end of your message.  As a

devotee of the Giants of the golden age ('40's-'60's) of bebop and beyond, I

can't believe the utter pap that passes for "jazz" by the cowed, cretinized

popular culture of today- the immaculately coiffed, substantially vacuous

Kenny G culture.  Coltrane, Davis, Parker, Monk, Mingus, Dolphy, Ayler,

McLean, Armstrong, Ellington (the latter 2 preceding the others but forming

the foundation for them) are among those in my pantheon.  Coltrane, Davis,

Parker and Monk (like Burroughs, Ginsberg, Kerouac and Huncke on the Beatific

Mt. Rushmore) are at the very top for me.  I have a very extensive

collection, beginning with LPs and mostly in the subsequent CD strata, of

these Masters and others.  Of the 4, I had the privelege of seeing only Davis

during his last '80's incarnation.  I missed the boat on the others, born and

enlightened too late.  But about 5 years ago, I did have a Coltrane

experience- I saw a band that featured his son Ravi ( as well as Elvin Jones,

the great drummer of the legendary JC quartet), whom I briefly met after the

set.  He closely resembled his father, it was a rather spooky experience and

I felt somewhat sorry for him having to pursue his path in the shadow of such

an immortal Giant.  He was good as I recall and probably has gotten better (I

think he was only in his mid-20's when I met him), but how can he ever get

out from under that shadow?  I admire him for doing what he must do

regardless of the circumstances.  What is your favorite Coltrane item or

album?  I would hate to have to answer that question, so I shouldn't be

asking it, should I?

 

I was aware of, and saddened by, the deaths of Robert Mitchum, James Stewart

and Charles Kurault, in such quick succession.  Have you seen RM in NIGHT OF

THE HUNTER?  It's one of the great stylish villian roles, right up there with

Richard Widmark's Tommy Yudo in KISS OF DEATH and Dennis Hopper's Frank Booth

in BLUE VELVET.  And I recently saw the newly restored version of VERTIGO on

the big screen at a grand old theatre here in Ann Arbor, a breathtaking

experience with an unforgettable, subtly complex and disturbing performance

by JS.  Speaking of the cowed, cretinized popular culture referred to above,

you failed to mention the death, by his own hand, of Brian Keith, separated

at birth from Robin Williams and my accountant, who looks like both of them

combined, and with some Ted Kennedy thrown in for outline.  As Vietnam and

the upheavals of the '60's raged, Uncle Bill blew off Buffy, Jody and Sissy

with his gruff, lethargic "go ask Mr. French" for 7 straight seasons.  It

took that many years for Kerouac to get ON THE ROAD published!  This is

shameful, what did BK ever do to me?  He was probably a very nice guy

following his path and making a living, and I never would have wished such a

terrifying and despairing end for him.

 

Well, I have written again as you suggested after not hearing from you after

our brief exchange a little while back ( you toggled me to get on my New

Urbanist soapbox as I recall).  This is a great and increasingly obsessive

list to be on, I'm getting to know the themes and MO's of the regulars,

separating the Beat Wheat from the Chatter Chaff.  Until very recently, my

own correspondence was one-on-one, such as my dispatches to you.  But I've

finally gone public and joined in on the VOC forum in direct response to

Marie Countryman and to the List at large.

 

Regards,

 

Arthur S. Nusbaum

=========================================================================

Date:         Sun, 6 Jul 1997 18:38:24 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      JK/OTR/CODY

In-Reply-To:  <33BF8E54.37AE@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DC wrote, among other things

(snip)

 I am

starting to see VOC as his way to take the moments out of On the Road,

and re-tell them, with more and more unconscious, out of time material,

and adding the sleep or unconscious dimension to everything.  It is hard,

however, sometimes to make the leaps from very descriptive "I am here now

writing this down," to the longer cloudier visionary-type moments.

_____________

yes yes yes. also the difference in the physical realm : for me OTR is like

a silverery skipping  rock, which whooosssshhhesss across the lake

gracefully touching down from peaks to get momentum back up and down and up

and down, always at a destination and yet moving even in head to new one-

as well as fast  pace more action and etc.

and, in comparision, VOC is like rowing in an old beat rowboar out to the

middle of that very same lake, and at the same site as allof those touched

by the pebble  in OTR, dropping overboard a large rock and it sinks all the

way to the bottom and then some stirring up the bottom and investigating

each of those skips.

or sumpin like that.

=========================================================================

Date:         Mon, 7 Jul 1997 00:37:56 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      proletariat #3

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        shopping

        bags

        come

        back

        home

        killing

        me!

---

yrs

Rinaldo.

=========================================================================

Date:         Sun, 6 Jul 1997 18:51:51 -0400

Reply-To:     Hpark4@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Another Beat Bites the Dust

 

I definately think that Charles Kuralt was a Beat, in the best and sweetest

sense.  I morn his passing.

 

I believe the core of "beat" was not sex, drugs and rock 'n jazz, though I

can appreciate the positive qualities of those activities, to say the least.

 

Kuralt was about exploration and finding joy in simple things, not so simple

but unrecognized people and the beauty that is everywhere that we frequently

miss in the day-to-day hubub of our lives - things like the Daisy in the

railroad yard that AG wrote a poem about, the apple pie of the midwest in On

The Road, and the exceptional "ordinary" prople profiled by Charles Kuralt

 Beat Indeed!

 

It is not well known that Kuralt was a friend and sometimes mentor to Dr.

Hunter S. Thompson and was also a lifelong Greenwhich Villager (and rural

North Carolina).  His passing leaves no one on the media who did what he did

- chasing the good in ordinary folks instead of scandel and gossip.

 

Take time to smell the roses today, and remember Charles Kuralt.

 

Howard Park

=========================================================================

Date:         Sun, 6 Jul 1997 19:05:59 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: For Bentz:  Measures, Jazz Giants, Obituaries, etc.

Comments: To: SSASN@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Arthur Nusbaum wrote:

> 

> Bentz:

> 

> Compare this chronology:

> 

> "I have measured out my life with coffee spoons"

> -T.S. Eliot, "The Love Song of J. Alfred Prufrock"

> 

> "I have seen life measured out in eyedroppers of morphine solution- I have

> experienced the agonizing deprivation of junk sickness, and the pleasure of

> relief when junk-thirsty cells drank from the needle."

> -William S. Burroughs, "Junky", author's introduction

> 

> "I have measured out my life in emails from the beat list."

> -R. Bentz Kirby, "97-07-06 11:37:45 EDT"

> 

> I really appreciate your jazz commentary at the end of your message.  As a

> devotee of the Giants of the golden age ('40's-'60's) of bebop and beyond, I

> can't believe the utter pap that passes for "jazz" by the cowed, cretinized

> popular culture of today- the immaculately coiffed, substantially vacuous

> Kenny G culture.  Coltrane, Davis, Parker, Monk, Mingus, Dolphy, Ayler,

> McLean, Armstrong, Ellington (the latter 2 preceding the others but forming

> the foundation for them) are among those in my pantheon.  Coltrane, Davis,

> Parker and Monk (like Burroughs, Ginsberg, Kerouac and Huncke on the Beatific

> Mt. Rushmore) are at the ver=========================================================================

Date:         Sun, 6 Jul 1997 17:07:45 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Another Beat?

MIME-Version: 1.0

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Not here to say ill of the dead, but beat for Kuralt seems a mighty

stretch.  There is a long a wonderful tradition of describing the by

ways of American life that goes way way back.  In  our century think of

John Dos Passos, Sandburg,  Frost,  Grant Wood and a lot of

socio-realist painters, etc, even Norman Rockwell (who reminds me more

of Kuralt than the others do.)  This is not something the beats invented

tho some of them did it very well.  Kuralt always struck me as

saccharine, but then I rarely watched him except for hating his

commentary for the Lilihammer Winter Olympics. But then I don't think

I've ever liked anyone on morning TV so maybe I am the wrong guy to

comment.

 

J. Stauffer

 

Howard Park wrote:

> 

> I definately think that Charles Kuralt was a Beat, in the best and sweetest

> sense.  I morn his passing.

> 

> I believe the core of "beat" was not sex, drugs and rock 'n jazz, though I

> can appreciate the positive qualities of those activities, to say the least.

> 

> Kuralt was about exploration and finding joy in simple things, not so simple

> but unrecognized people and the beauty that is everywhere that we frequently

> miss in the day-to-day hubub of our lives - things like the Daisy in the

> railroad yard that AG wrote a poem about, the apple pie of the midwest in On

> The Road, and the exceptional "ordinary" prople profiled by Charles Kuralt

>  Beat Indeed!

> 

> It is not well known that Kuralt was a friend and sometimes mentor to Dr.

> Hunter S. Thompson and was also a lifelong Greenwhich Villager (and rural

> North Carolina).  His passing leaves no one on the media who did what he did

> - chasing the good in ordinary folks instead of scandel and gossip.

> 

> Take time to smell the roses today, and remember Charles Kuralt.

> 

> Howard Park

=========================================================================

Date:         Sun, 6 Jul 1997 20:06:12 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Wilhelm Reich

 

Reich probably didn't realized that he was getting into the number one

American obsession.  It is true this obsession borders could be insane.  The

new morality speak of the New York Times and the current politics of

political correctness will always cover up a reality that we haven't dealt

with in this country.  However it is secondary to our karma with the tribal

peoples which must also be dealt with. Unfortunately for gen-x and beyond

things may get more difficult for those who can't fend for themselves on the

bottom of our class and economic beliefs which are a shedding of that same

sexual armor.

Charles Plymell

=========================================================================

Date:         Sun, 6 Jul 1997 17:14:37 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: "The Playful Poets"

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Someone certainly didn't forget any of his perscriptions this morning. =

 

I take it art is pretty grand stuff.

 

William H. Rose, III wrote:

> =

 

> The Playful Poets

> by William H. Rose, III

> =

 

> Kerouac ruck-sack back-pack Buddha-Jack beat-back run-on James Joyce fi=

rst-choice

> odd-voice free-fall flowing, you know, come on. (In cosmic slums Jack w=

rote the bums

> and beat upon his clever-kicked and hobo drums in search of wide-eyed l=

overs who

> would hum.) On the road his story told in non-stop verse so nudely bold=

=2E Kicks and

> chicks and movin=92 on; swimmin=92 in women and carryin=92 on. Kerouac =

road-knack

> Dharma-pack mystic poet of our past. . . .

=========================================================================

Date:         Sun, 6 Jul 1997 17:24:09 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: "where have all the scholars gone

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Marie,

 

shame on you.  Here I was getting ready to enjoy some feel good posts

about "Death" and "Life" and "Poetry" and "ART" and "Bursting Hormones"

and how hip and wonderful I feel after discovering the Beats and you go

and turn the discussion back to boring old specific books which I might

have to read unless I can find a Comics Classics or a Cliff's Notes.

What a cranky old Beat Chick you are.

 

I am going to have to renew my subscription to Seventeen if this keeps

up.

 

"Teen Angel, can you see me

Teen Angel, can you hear me

Are you somewhere up above

And are you still my own True Love"

 

Bif (and Muffy)

 

Marie Countryman wrote:

> 

> long time passing," where have all the scholars gone?

> i know its summer, BUT

> there is a remarkable change over on the list, from young folks chatting up

> a storm and maybe a few posts to sink teeth into (or pomes or folks or

> whatever) . . .

=========================================================================

Date:         Sun, 6 Jul 1997 20:22:16 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: On the Road

 

In a message dated 97-07-06 12:33:51 EDT, you write:

 

<<   Robert told them all to stick it, if they didn't like it. >>

 

An article that really impressed me when I was a kid, was Mitchum being

busted for pot and there was a picture of him doing time at the LA county

prison farm. A reporter or someone was asking him questions when he was

milking a cow. He aimed her tit at the person's face and squirted a stream of

milk.

Charles Plymell

=========================================================================

Date:         Sun, 6 Jul 1997 20:36:54 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: CODY PART ONE

 

In a message dated 97-07-06 17:16:43 EDT, you write:

 

<< I still like the shit thing on pg. 26

 "...we are nothing but shits and we'll all die and eat shit in graves..." >>

 

A little off-thread here, but a while back Claude Peleiu said he read an

article in Rolling Stone about Chuck Berry and copraphelia. Did anyone read

it?

Charles Plymell

=========================================================================

Date:         Sun, 6 Jul 1997 20:39:00 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Denise Levertov.

 

Worse than discourse!

Charles Plymell

=========================================================================

Date:         Sun, 6 Jul 1997 19:41:17 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      FireWorks and FireWalks and rusty strings

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The Independence Day

Fireworks

opened a universal

wormhole

that connected

the cybernetic grapevine

to graveyards of memory

which i'd just recently unearthed.

archeaology of memory

is an old habit.

After FireWalk

was done

and i read it

and mailed it around

and read it aloud

here and there

i realized that it

wasn't about

the ghosts in the words

but

a ghost

hidden behind all the words

and

that Anne

was right all along

about where

my heart

abided

despite my vows to the contrary

and

now after typing the

saga

onto this cybernetic

highway

the FireWorks hit me

another

grand irony

as the Independence

day

celebrations in DC

bring together

young maya

with the princess

who was this

ghost

and i wrote of her memory

to maya

as maya met the princess

at an Independence Day Celebration

and i hear

through the grapevine

that it is just

two weeks

to the princess'

wedding

to another David

one of so many

in the universe

and i must

am compelled to create

a fitting

wedding gift

which may or may not ever reach them.

so

i pull out my old

Ovation

and a garage sale

tape recorder

and

spend an hour and a half

that seemed

like

a decade or two

singing and playing

on rusty strings

with softened fingers

and a growling voice

and create

a package

and fear the rusted strings

may create

infection but

the artistic expression

is perhaps my best

birthing

in many many many years

and as the package is being finished

i can barely barely

type with my left hand

for the soreness

from the rust

and

i thank the Beat-L

grapevine

for creating the

wormhole

that let me into this

happy celebration

in two weeks

even though i'm a faded memory

in faded jeans

and

firmly planted in the Midwest.

Somewhere on the first

side of the tape

i started into

You are My Sunshine

my

only Sunshine

and left time completely

and i returned

to wonder just

where it came from

cuz

i'd never ever

played that song

or sang that song while playing

and the muse just

laughed and Hank Williams coughed

and gave me a good kick

and i

let the tape run out while

i went to the kitchen

for a cup of coffee

and an Old Gold Light

 

Now the second side

winds to an end

with my reflection

and her reflection

so high

above these walls

in an eternity in the woods of Vermont

that is always there

but is thankfully now

pleasantly passed along

to another

David more oriented to her East coast ways.

 

david rhaesa

salina, Kansas

 

p.s.  this whole experience has put me hopelessly behind on Visions of

Cody but i've had my own visions so i ain't gonna cry over spilt blood.

=========================================================================

Date:         Sun, 6 Jul 1997 21:10:57 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Great Rememberer

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Someone posted about Ginsburg's notes appearing in the back of VoC.  My

copy is the First McGraw-Hill Paperback Edition, 1974.  In the

beginning, it contains The Great Rememberer, which is the introduction

and was written by Allen May 17, 1972-Denver -- June 9, 1972, Rendezvous

Mountain, Tetons, Wyo.  Is this the same, or did Allen write another

piece for VoC?  Thanks for your help.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 20:33:57 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: JK tribute: kicks joy darkness--random thoughts in reply

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R. Bentz Kirby wrote:

 

  I have no identity that is not false.

> 

> 

 

still out of time

meandering through posts between X-files show

found this line

of particularly wise scholarly merit !!!!

 

shalom,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 6 Jul 1997 21:40:13 -0500

Reply-To:     Bob Fox <bfox@SIU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bob Fox <bfox@SIU.EDU>

Subject:      Kicks, Joy, Darkness

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Marie Countryman was soliciting thoughts about the Kerouac tribute

CD, KICKS, JOY, DARKNESS.  For anyone who might be interested, I have

reviewed the disc for the electronic journal POSTMODERN CULTURE, which can

be accessed at http://jefferson.village.virginia.edu/pmc/contents.all.html.

Click the icon reading "This Issue" (it's 7.3 [May 1997]) and scroll down

to the reviews.

=========================================================================

Date:         Sun, 6 Jul 1997 21:42:02 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      skimming Part 1 Cody

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funny ... if i counted correctly, "Cody" appears PRECISELY 50 times in

Part One.  wonder if such a round number was consciously planned??? :)

 

Most meaningful line so far (but mostly cuz of fireworks escapade)

p.9 (of the salina public library edition)

"So it sit in Jamaica, Long Island in the night, thinking of Cody and

the road -- happens to be a fog - distant low of kaxon moaning horn -

sudden swash of locomotive steam, either that or crash of steel rods - a

car washing by with the sound we all know from city dawns - reminds me

of Cambridge, Mass. at dawn and i didn't go to Harvard -- ...."

 

so perhaps some got caught in this foggy book.  The princess i wrote of

earlier this evening lived in Jamaica and the memories of Jamaica are

striking here (and throughout part one).  but this line especially cuz

we had more than one rendevouz in Cambridge that were a fog where the

entire world left and just us nobody else (except i do recall hearing

Dallas bitching about us out in the parking lot fucking in my Toyota and

i believe a van was scratched when in orgasmic confusion i attempted to

park a very tall van in a very short parking garage and a dinner at

Legal Seafood with two indians from the bronx)....

 

at any rate.  i may actually read part one again when i re-enter time

myself to see what i missed but i know where he's at in Jamaica and how

it can play with memories and whatnot!

 

bye bye -- off to count the number of times Henry Fonda appears in Part

One (i didn't catch Jimmy Stewart in there at all - damn shame!)....

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 8 Jul 1997 00:00:56 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      VoC

MIME-Version: 1.0

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A couple of things.  I'll save what I think is my best for last.

 

1.      I am only to page 10.  I spent a lot of time trying to digest Allen's

introduction.  I like the way that Allen points out that Jack wrote

history 15 years before.  That is the way I always felt.

 

2.      I like the line on page 9

 

(ever so far, in the hush, you can hear the tiny SQUEE of something, the

nameless asthmas of the throat of Time)

 

That is poetic.

 

3.      We recently talked about the tree in the forest, the poem unread, and

Jack points out on page 10 that:

 

"When I see a leaf fall, I always say goodbye -- And that has a sound

that is lost unless there is a country silence at which time I'm sure it

really rattles the earth, ..."

 

That blows me away to think of the sound of the leaf letting go and

hitting the earth and on one level, the leaf does rattle the earth.

 

But the best to me is in the middle of the description of the food on

page 10 where he says, putting us on and raking the reviewers, and

paying homage:

 

-- of deepdish strudel, of time and the river -- of freshly baked

powdered cookies --

 

And if you have read Of Time and the River, you know what he means and

to me, this is an incredibly funny funny funny thing.  If you haven't

read it, I think it is about 916, or 912 pages long, though I may be off

so slightly.  Jack is jerking our chains hard hard hard.  I am LOL.

 

Much better than the jerk off scene.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 8 Jul 1997 00:27:54 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      VoC

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Sorry about the number of posts here, but, this is so sublime and scary

at the same time.  On page 12:

 

We find the bar, rolling through the October climaxes of leaves falling

and Halloween soon and I got red October shirt ah me so sad that every

year we have to lose our October!

 

and this in the paragraph right after he says:

 

All you do is head straight for the grave, a face just covers a skull

awhile.  Stretch that skull-cover and make it smile.

 

Prophet or poet, or both?

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 23:28:17 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: VoC

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R. Bentz Kirby wrote:

> 

> Sorry about the number of posts here, but, this is so sublime and scary

> at the same time.  On page 12:

> 

> We find the bar, rolling through the October climaxes of leaves falling

> and Halloween soon and I got red October shirt ah me so sad that every

> year we have to lose our October!

> 

> and this in the paragraph right after he says:

> 

> All you do is head straight for the grave, a face just covers a skull

> awhile.  Stretch that skull-cover and make it smile.

> 

> Prophet or poet, or both?

> 

> Peace,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

prophet

of Dylan at his grave!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:05 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Visionaries (Eliot/Ginsberg again, for Michael Skau & et al)

 

In a message dated 97-06-30 13:02:48 EDT, dcarter@TOGETHER.NET (Diane Carter)

writes:

 

<< (Prufrock)

 "Do I dare disturb the universe?"

  >>

 

Disturb it all you want. It still won't change one mother-fuckin fucken

thing.

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:09 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

In a message dated 97-07-01 08:05:11 EDT, atrigili@LYNX.DAC.NEU.EDU (Tony

Trigilio) writes:

 

<< R. Bentz Kirby wrote:

 >Has anyone on the list ever heard of Diane De Rooy.

 

 Yes.

...snip...

 

 I have found Diane to be honest, considerate, compassionate--and a very

 good writer.  She is a professional.   >>

 

Is she real or Memorex?

 

Am I Attila the Hun

or Tilly the bum.

Why do I keep ducking the question

when all I really want is a little respect.

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:14 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

In a message dated 97-07-02 00:14:48 EDT, lisar@NET-LINK.NET (Lisa M. Rabey)

writes:

 

<< And considering that I haven't spoken to 3/4 of the people on the list

here

 personally, met them, had coffee with them nor shared in their lives, which

 includes you sherri, maybe you do not exist either. >>

 

I just checked and I am not on any of the lists and have therefore determined

that I do not exist.

I am not Attila

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:17 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

 

In a message dated 97-07-01 09:04:10 EDT, love_singing@MSN.COM (Sherri)

writes:

 

<< douglas, i think that einstein proved that time essentially stands still

at

 the speed of light...  am i mistaken?

  >>

 

 I remember speeding through the light one time.

 

 $100 dollars later, I now stand still at the light.

 

 Red means stop, yellow means stop, green means proceed with caution.

 

yieldingly,

Attila

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:26 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Kill Time, Save Vegetables

 

In a message dated 97-07-02 18:33:49 EDT, iamio@MAIL.NETSHOP.NET (James

William Marshall) writes:

 

<< If anyone's interested, I'll relate more of what's been going on with God,

 Satan and other religious figures and me later.  >>

 

Shouldn't god be making child support payments or something?

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:32 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: suspicious, but perhaps unfounded.& then

 

In a message dated 97-07-02 02:38:43 EDT, pelliott@SUNFLOWER.COM (Patricia

Elliott) writes:

 

<<  I wish that i felt more secure about the memory babe

 material but my primary concern in that controversy was not the theft of

 materials and access to that collection (here i shout, pardon) IT IS THE

 JK ARCHIVES. >>

 

The JK Archives? What's up with that?

=========================================================================

Date:         Sun, 6 Jul 1997 22:21:58 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Cody

Comments: To: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199707061728350733@msn.com>

MIME-Version: 1.0

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On Sun, 6 Jul 1997, Sherri wrote:

 

> btw, maybe this is stupid, or maybe it's old news, but does anyone else see

> neal as a sort of mystical reincarnation, in JK's mind, of Gerard?

> 

> ciao,

> sherri

> 

Hi, Sherri. Yes, I do see C a bit this way. In fact, look at K's

references/descriptions of C in OTR--and he is referred as an "older

brother" type (those are my q marks, not K's). C is what K has

lost--G--and what in a very real way America has lost--the adonis from

the snowy mystical west of the ol' luminous Dream. It always breaks my

heart to read and see K's intensity of feeling for and trust in the

spirit energy of Neal---but then we find that their relationship and even

Neal's soul and daybreak days are like evrything else wheeling around on

the "quivering meat conception" and are therefore mutable and always

already going away and changed.

 

best,

 

steve

 

Pacific University

Forest Grove, Oregon

=========================================================================

Date:         Mon, 7 Jul 1997 00:44:16 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Jazz-poetics

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Please brace yourself,

 

Coltrane has been my man for a little while now . . . touched him with

'a love supreme' . . . the saxophone being his rendition of the divine .

. . the documentation of religious experience is not found through

theology, but through art, through creation . . .

 

i have been trying to understand 'Om', but having some difficulty . . .

must be patient . . . 'Kulu Se Mama' (?) is also up there . . .

 

With the jazz-poetry group, Rhythmic Missionaries, my brother performed

a piece unofficially titled 'Jazzku' = he recites haiku then the

instruments interpret / respond, etc . . . a bunch of traditional nature

/ seasonal haiku, haiku centred on the spirits (beer, tequila, etc):

 

                too much tequila

                has been drunk this evening

                composing haiku

 

Gautama (the Buddha) haiku, and the final haiku in climax:

 

                bid-de-deeeeee-de-bop

                oh how i wd like to stop

                writing haiku flop!

 

With regards to Coltrane, this is part of my own writing, 'Winter' from

'Mountain Tasting':

 

        these questions pour out now able to pronounce,

        last season s hurrying through eternity

        has slowed to the beat of Eternal Slowdown,

    boomerang trajectories of John Coltrane Om fantastic

        envelop my body with Trinity translations,

        Church persuasions are not my affiliation,

        (but i continue to dig in relaxation)

 

i realise much of this is given out of context . . . however . . .

'Eternal Slowdown' is a Kerouac term found in Mexico City Blues

describing Charlie Parker . . . 'hurrying through eternity' is a

Lawrence Ferlinghetti word combination from the poem 'After the Birds

Have Cried' (?) . . . the line structure is originally simply one line,

instead of commas there are dashes (Ginsberg's 'dash of consciousness').

The one line is spread out into numerous lines simply because the page

is not wide enough, (although the way it is written in this letter is

just as good) . . . i interpret the use of Ginsberg's dashes as the

combination of diverse thoughts. The mind thinks a thousand thoughts at

one time, why not document it that way. The problem with using

punctuation, etc. is that you have to be consistent with it = system /

pattern (in the one poem at least), or else there is no coherency, which

is needed if the piece is written for an audience,  (punctuation is used

to aid the reader; yes / no ?).

 

As well, certain poems of mine i view as purely jazz pieces - not with

jazz themes, but jazz itself - the long line, although having a rhythm

implied, is written without the rhythm being visual, giving the reader

freedom to interpret the rhythm, similar to Coltrane's rendition of the

traditional 'Greensleeves', or any artist performing a cover piece =

which means, the reader himself is a creator . . . as well, certain word

combinations are repeated throughout a poem, similar to a repeated riff,

implying similar rhythm for those syllables = notes . . .

 

o.k. . . . here we go: poem titled "Days Gone By Remembered Now". The

long dash does not come out properly on email, so will settle with "  -

", it is not to be confused with the hyphen ( ex. rainbow-chasing).

Italycs don't come out either . . .

 

Days Gone By Remembered Now

27/12/96 - 22/1/97

 

    1

 

days gone by remembered now while rainbow-chasing in Nappa Valley

     California on wet-wet winding 2-lane highway - passing vineyard

after

     vineyard

as if gold and maybe more lay hidden behind trees in misty mountain

range

     just beyond finger reach   must get closer   or, drink bottle after

bottle

green attire and children-giggle further fascination into multi-coloured

realm

     where all is illusory and all is imaginary in the all-real world of

the mind-

     diversion   or, in the all-real world of the secret language of the

body

 

     2

 

days gone by remembered now while separated from young heart relations

         her curley blond locks of fabled proportions   strong jawed, strong

         limbed   wonderfully waisted and fantastic

as if dreams could capture laughter, teeth, hair and majestic all   to

swim

     with her voice in candle-lit bathtub   to promenade naked in

cemetery with

     firm limbs of youth   there is only youth in love, only strength

fingers locked in fingers to winter cool-breeze gallivanting the

immensity of

     it all   two bodies, genitalia cloaked into one rhythm   one pulse

  one

     body, mind: thought   one joy, bliss, elation   illumination

union and

     formation in non-thought   the holy silence of sex

 

     3

 

days gone by remembered now while back in bilingual city of

flake-covered

     stark-lit avenues   they being urban passageways made by man

returning

     now to awakened status after months of decay   salt and sand being

the main

     things expected

as if white climate returned man to earth in new beginning where clean

holy ash

     washes dirt and sin and repulsive reality off   must get head

straight before

     day of reckoning   or, at least must get head straight before last

winter snow-

     fall

ice-sheets turn layer of earth into cold blue experience with night

howls

     descended from the gods of the arctic coast   where did they hail

from? where

     do they go?   tempting me in this land of plenty in season empty

the gods

     and their terror-hollow howls   (slap head to understand)   the

holy silence of

     death

 

     4

 

days gone by remembered now while digesting waves of clear-mind

afterthought

     from wind-swept disorder   harmony discovered in dry crunching snow

  or,

     harmony discovered in wet snowball snow

as if weather was a factor   it being sense-delicious and rambunctious -

it being

     the IT FANTASTIC where in mid-street, naked and alive, the pressing

of fingers

     on virgin snow is felt under ice-sheets, felt under layer of cold

blue earth

         felt to the burning core!

from base of spine to solar plexus, inside throat to top of head

emotions in

     motion   emotions in motion   burning, rising, rising to stomach

in between

     eyebrows, in between thighs   emotions in motion   emotions in

motion

     the weight of love: awaiting fortune   the burden of solitude: the

birds of

     utopia   where did this hail from? where does it go?   does the man

at the

     corner hold the knife of redemption?

 

                                --------

 

('the weight of love' & 'the burden of solitude' = from a Ginsberg poem:

'Song' )

 

I use this medium (email) to help me document my own poetics.

I know this has been wordy.

Thank you for listening - would like some feedback from poem, if

possible.

 

JN

=========================================================================

Date:         Mon, 7 Jul 1997 01:55:32 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      visions of codeine

 

i have not started voc yet.  I'm too lazy to go to the library.  there, I've

said it.

 

I saw that movie, Men In Black tonight.  I usually never see anything that

isn't either foreign or an "art film" or better yet both.  But, you know

what? i thought MIB was a great movie.  Except that i had to pay for both

myself and my goddam boyfriend.

 

words like statues crack and crumble

 exposed to oxygen.

spurious claims of love

spoken into stale bedroom air

have come back to haunt and destroy their creator.

 

---maya "when i say i'm in love, you best believe I mean I'm in luv, L-U-V."

 

DISCLAIMER: THE POST YOU HAVE JUST READ IS ENTIRELY UN-BEAT-RELATED, THANK

YOU AND HAVE A GREAT NIGHT

=========================================================================

Date:         Mon, 7 Jul 1997 05:49:38 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody

 

thx for the reply steve...  y'know the other thing i been thinkin bout is

Jung's anima and animus archetypes.  maybe the whole thing was JK's constant

search for wholeness by knowing his own archetypes from outside himself; i.e.,

 Neal is his animus self and Gerard his anima.  this then is transmuted to

America -  the upright, uptight, established, religious, oppressive majority

vs. the wild, brave, daring, beat, living, questioning, mocking minority...

 

paix,

sherri

 

----------

From:   Steve Smith a.k.a. Whiskey Wordsmith

Sent:   Sunday, July 06, 1997 10:21 PM

To:     Sherri

Cc:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: Cody

 

On Sun, 6 Jul 1997, Sherri wrote:

 

> btw, maybe this is stupid, or maybe it's old news, but does anyone else see

> neal as a sort of mystical reincarnation, in JK's mind, of Gerard?

> 

> ciao,

> sherri

> 

Hi, Sherri. Yes, I do see C a bit this way. In fact, look at K's

references/descriptions of C in OTR--and he is referred as an "older

brother" type (those are my q marks, not K's). C is what K has

lost--G--and what in a very real way America has lost--the adonis from

the snowy mystical west of the ol' luminous Dream. It always breaks my

heart to read and see K's intensity of feeling for and trust in the

spirit energy of Neal---but then we find that their relationship and even

Neal's soul and daybreak days are like evrything else wheeling around on

the "quivering meat conception" and are therefore mutable and always

already going away and changed.

 

best,

 

steve

 

Pacific University

Forest Grove, Oregon

=========================================================================

Date:         Mon, 7 Jul 1997 01:07:22 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      the beat

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: 8bit

 

Bentz wrote:

 

> Take it away, Dr. Sax.  Play on Train.  Wail on Roland Kirk.  Play on

> Jazz man.  Anybody but Kenny G!

 

=

 

take it away

        Dr. Sax /

 

                        play on train / /

 

                        wail on

                                Roland Kirk

 

                        play on

                                Jazz man /

 

                                                        Anybody

                                                                but Kenny G!

 

slashes [ / ] = syllable pause

in a 5/5 time signature (?)

 

                --------

 

"Ode to a Queen Mary Birthday Bash Reunion"

1997

 

. . . promised          /

her a

poem

that night

i drank . . .                   /

 

    gin after gin after                     - -       - -

    dream-

    ing of

    gin

 

. . . and was lucky             /           - -

enough                                  - -

t  have her

pour me

the rounds . . .                        /

 

 

JN

=========================================================================

Date:         Mon, 7 Jul 1997 02:05:33 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      rhymers

 

bones dry faster in the sand,

my promised land.

 

Ancient columns of black granite

other senses, from other planets.

 

Where the highway turns to rubble,

an electric, metal, shining bubble.

 

Rising softly in the loudness,

the sea, the night, the sky is cloudless.

 

When I say I ain't gonna shove,

you best believe I mean I'm in love.

 

-m

=========================================================================

Date:         Mon, 7 Jul 1997 02:46:42 -0400

Reply-To:     Tajimapena@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Renee Tajima <Tajimapena@AOL.COM>

Subject:      unsubscribe

 

Dear Beat-L, please cancel my subscription to Beat-L temporarily.  I will be

travelling for a while and cannot get to my email.  Thank you! Renee Tajima

=========================================================================

Date:         Mon, 7 Jul 1997 02:36:21 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: CODY PART ONE

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I don't know if anyone has brought this up (forgive me, Marie, if you

did), but the biggest thing I noticed in rereading the first portion of

VOC is JK's stunning use of colour (colour spelled the Canadian way cos

we have yet to pry ourselves from the claws of the Commonwealth). In

nearly every sketch in the first 32 pages colours play a vital role:

 

'Coffee is served in white porcelain mugs-sometimes brown and cracked.

An old pot with a half inch of black fat sits on the grill...' (p.3-4)

 

'a torn rubber carpet leading to ticket box...painted gaudy orange

brown; [marble counter] was once painted brown...now has a shapeless

color like shit against the gray, almost shit-gray sidewalk' (p.4)

 

'In the raw wood wall a strange beautiful window with blue and red

stained glass fringes; sprawling "alpine lodge" crazy crooked wood

house...pale shapeless snot green, stained with ages of rain and snow,

onetime red (now forlorn hint of red)' (p.5)

 

'Western Music Co. written in white against green glass with lights

behind but so sooty is the white part it makes a dirty sad effect; the

Harmony Bar and Grill in crimson neon upon the gray sidewalk' (p.5-6)

 

'The Men's room in Third Avenue El has wood walls painted green...yellow

up to old carved wooden ceiling' (p.6)

 

'noble old ceiling of ancient decorated in fact almost baroque (Louis

XV?) plaster now browned a smoky rich tan color' (p.10)

 

'she wears low-cut green sexy dress under red coat...her green dress has

ribbon collar then opens below to reveal bosom breastbone which is no

longer milkwhite but weather red.' (p.11)

 

'the sky looking like it had been sugar cured, peppered and cloved and

smoked during the night like a ham and was retaining hints of glistening

moisture in the skin-somewhere in its pigmentation.' (p.14)

 

'I see a Negro cat wearing an ordinary gray felt hat but a deep blue, or

purplish shirt with white shiny pearl-type buttons-a gray sharkskin suit

jacket over it-but brown pants, black shoes, deep blue ordinary

one-stripe socks and gabardine topper short and beat,..carrying brown

paper bag...-dark brownskin- his big hands hang, his fingernails are

pink (not white) and are soiled from a laboring job...' (p.18)

 

'a bleak rectory...is that peculiarly pale orange brick, color of puke,

cat's puke...the oaken door but pale brown oaken not dark...' (p.20)

 

'the MERIT Food Shop, written in green neon (greon) in the window, MERIT

is, and Food Shop in orange-now why?-...the floor is all shades of brown

and yellow "pebbled" marble...'(p.26)

 

And the best colour description...Jack's stained-glass window at St.

Patrick's Cathedral:

'a lonely icy congealed blue with streaks of hot pink-little blue

holes-painted with an immeasureable blue ink, noir comme bleu, black

like blue...the other windows grow rich, brown, dark, secret, get better

with age of light like wine with age of Time-...my holy blue window, the

one like the window at 94-21 that made me so often think there was a

weird blue light in the railyards...taking the ordinary corner

steetlamp...and giving it inky blue hues like that

apocalyptic-end-of-the-world blue light, the light of subterranean

stars...these glass windows refract NIGHT too for now I see nothing but

the rich-dim recollections of what at dusk was a Rembrandt barrel of ale

in a Dublin saloon when Joyce was young...'

 

JK's use of colour continues through all his books, and certain colours

are associated with different feelings:

white, blue, gray-coldness, bleakness...stemming from the cold Lowell

winters of Jack's youth

red, brown-warmth, comfort...for instance the 'browns' in his family's

old house and the redbrick of the factories in Lowell.

(so where does 'mauve boilermakers' fit among these definitions???)

 

As far as Kerouac's spontaneous prose goes, the two standout pieces are

his reverie over the girl at the cafeteria (which has been covered so

I'll skip that) and his brilliant latenight musing in the deserted Times

Square cafe (p.16-18).

 

In the first part he watches an Arabic-looking man, and falls into an

'Aly Khan' Egyptian-themed reverie, fantasizing the man is about to be

dragged back through the door and offered as sacrifice, the door being

'a big green door [which] holds itself up like a lamb to sacrifice to

the sun at sea dawn over him, and it has wings.'

 

Soon, however, the huge plate glass window catches Jack's eye and he

starts a mesmerizing hallucinatory spiel about the images he sees, both

the latenight street scene on 6th Ave. and the images from inside the

cafe reflected in the nighttime window: 'a great scene of New York at

night with cars and cabs and people rushing by and Amusement center,

Bookstore, Leo's Clothing, Printing, and Ward's Hamburger and all of it

November clear and dark is riddled by these diaphanous hanging neons,

Japanese walls, door, exit signs-'

 

Jack begins to lose himself in the window before him ('like kaleidoscope

over kaleidoscope'), then muse upon a fourth-story window across the

street, and lose himself in the window again, the backwards cafe signs,

the shiny flashes of passing cars, distorted images in a parked car's

round fender. Finally, after a good half-hour or so of watching (and

writing some absolutely amazing prose) he is brought back to the real

world by the sounds around him, and he concludes his sketch with a

romantic, heart-felt sentence that shows Jack as happy as he's ever

been: 'I hear above the clatter and sleepiness of cafeteria dishes (and

swish of revolving door with flapping rubbers) and voices moaning, I

hear above this the faint klaxons and moving rushes of the city and I

have my great immortal metropolitan inside-the-city feeling that I first

dug (and all of us) as an infant...smack in the heart of shiny

glitters.'

 

Pardon my language, but I had nearly forgotten what a fucking incredible

masterpiece Visions of Cody is. And still 350 pages to go!

 

having a blast retuning to my ole buddy Jack,

 

Adrien

=========================================================================

Date:         Mon, 7 Jul 1997 02:55:09 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: JK tribute: kicks joy darkness

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

Hi there Marie,

> 

> any one out there listening to the JK tribute CD?

 

yup...a fine cd, isn't it?

 

> personally, i am really loving maggie estap&spitters "skid row wine"--great

> performance piece and the kind of readings i aspire to.

 

That's my least favorite cut on the cd, one of the three or so

disappointments (Eddie Vedder, you're totally clueless!). I don't think

much of Maggie Estep. Too much shtick. All this whiny, loud,

semi-yelling, New York caterwauling is grating to my ears. Enough

already! Her artistic high point (in my very narrow opinion) was that

heybaby-yobaby-heybaby-yobaby-yoyoyo-baby-yoyoyo song a few years back.

But that's just me.

 

What's my favorite? I love so many of the tracks...Juliana is her usual

adorable self, a wonderful reading, kinda like kid's story time at the

library, people don't realize Jack was a big kid at heart and could

write with a lot of whimsy...Warren Zevon is great, love how he says

"wiiinnnne" (he should do a Kerouac book-on-tape with that great

voice)...HST is, well, his usual inimitable drunken mumbling hilarious

self...Richard Lewis is surprisingly good...Allen, Ferlinghetti, and

Uncle Bill are in top form...Jack reading MacDougal St. Blooze is

wonderful, totally relaxed compared to his reading of the same pome

(different excerpt) on the Steve Allen album...Robert Hunter and Johnny

Depp are good at reading the VOC bits...

 

In all, though, the one that steals the show is John Cale's "The Moon".

Truly awesome and majestic.

 

Agh, been writing all night. Time for bed. I'll come out to play

tomorrow.

 

Good night.

 

Adrien

=========================================================================

Date:         Mon, 7 Jul 1997 06:14:14 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri wrote:

> 

> thx for the reply steve...  y'know the other thing i been thinkin bout is

> Jung's anima and animus archetypes.  maybe the whole thing was JK's constant

> search for wholeness by knowing his own archetypes from outside himself; i.e.,

>  Neal is his animus self and Gerard his anima.  this then is transmuted to

> America -  the upright, uptight, established, religious, oppressive majority

> vs. the wild, brave, daring, beat, living, questioning, mocking minority...

> 

> paix,

> sherri

> 

> ----------

> From:   Steve Smith a.k.a. Whiskey Wordsmith

> Sent:   Sunday, July 06, 1997 10:21 PM

> To:     Sherri

> Cc:     BEAT-L@CUNYVM.CUNY.EDU

> Subject:        Re: Cody

> 

> On Sun, 6 Jul 1997, Sherri wrote:

> 

> > btw, maybe this is stupid, or maybe it's old news, but does anyone else see

> > neal as a sort of mystical reincarnation, in JK's mind, of Gerard?

> >

> > ciao,

> > sherri

> >

> Hi, Sherri. Yes, I do see C a bit this way. In fact, look at K's

> references/descriptions of C in OTR--and he is referred as an "older

> brother" type (those are my q marks, not K's). C is what K has

> lost--G--and what in a very real way America has lost--the adonis from

> the snowy mystical west of the ol' luminous Dream. It always breaks my

> heart to read and see K's intensity of feeling for and trust in the

> spirit energy of Neal---but then we find that their relationship and even

> Neal's soul and daybreak days are like evrything else wheeling around on

> the "quivering meat conception" and are therefore mutable and always

> already going away and changed.

> 

> best,

> 

> steve

> 

> Pacific University

> Forest Grove, Oregon

 

And Dr. Sax would be his shadow then i suppose.

How are you coming along in Aion?

it's across the room and i'm too far away to check and see where i'm at

on that one.

 

I am awake and alive here on planet earth

(to any who might have wondered)

my excursion out of time

was a brief

beautiful excursion.

 

there is but one tape and

some cyber-conversation

that even can

show that i was gone at all.

 

so hopefully

the tape will go off

snail mail

and the collective delete

buttons will have worked

their charms

 

and i'll be back

in the old

Independence Day

gruff

growling

mood

i was in before

overtaken by nostalgia.

 

i intend to get Damn serious about reading Cody today.

i intend

but rome weren't built on one good day of good intentions

and

so who knows ..... gotta play taxi for step-Dad with the bypassed

heart.  perhaps i can read a page between each stop.

 

Good morning

to y'all where-ever you are!

 

It smell out the window like the Harvest best hurry in the gathering

cause within a day or two we're gonna have us one hell of a good old

Harvest season Kansas storm (the kind movies are made about!)

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 08:13:34 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      HST and hell's angels

In-Reply-To:  <199707062308.TAA07664@pike.sover.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DC asked me off list if HST really hung with the angels or psuedo'd himself

through, and since it is part of my summer reading project might as well

post here as well

 

yes he lived and rode with them for over two years. the book is a wonderful

piece of journalism in which events are filtered through the consciousness

of the journalist. it makes a great comparison piece to the

explosion/gonzo/novel/journalism of F&L.

mc

=========================================================================

Date:         Mon, 7 Jul 1997 08:13:49 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: CODY PART ONE

In-Reply-To:  <33C0B895.11B5@sk.sympatico.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

wonderful! i only zeroed in on brown, (reminscent of Dr SAX brown)., and

JK's word "greon" for green neon. this is wonderful reading and also brings

up "word sketches" of JK again. if you are going to sketch in words you

best be aware of colours et al. thanks so much adrien, great post.

mc

 

>I don't know if anyone has brought this up (forgive me, Marie, if you

>did), but the biggest thing I noticed in rereading the first portion of

>VOC is JK's stunning use of colour (colour spelled the Canadian way cos

>we have yet to pry ourselves from the claws of the Commonwealth). In

>nearly every sketch in the first 32 pages colours play a vital role:

> 

>'Coffee is served in white porcelain mugs-sometimes brown and cracked.

>An old pot with a half inch of black fat sits on the grill...' (p.3-4)

> 

>'a torn rubber carpet leading to ticket box...painted gaudy orange

>brown; [marble counter] was once painted brown...now has a shapeless

>color like shit against the gray, almost shit-gray sidewalk' (p.4)

> 

>'In the raw wood wall a strange beautiful window with blue and red

>stained glass fringes; sprawling "alpine lodge" crazy crooked wood

>house...pale shapeless snot green, stained with ages of rain and snow,

>onetime red (now forlorn hint of red)' (p.5)

> 

>'Western Music Co. written in white against green glass with lights

>behind but so sooty is the white part it makes a dirty sad effect; the

>Harmony Bar and Grill in crimson neon upon the gray sidewalk' (p.5-6)

> 

>'The Men's room in Third Avenue El has wood walls painted green...yellow

>up to old carved wooden ceiling' (p.6)

> 

>'noble old ceiling of ancient decorated in fact almost baroque (Louis

>XV?) plaster now browned a smoky rich tan color' (p.10)

> 

>'she wears low-cut green sexy dress under red coat...her green dress has

>ribbon collar then opens below to reveal bosom breastbone which is no

>longer milkwhite but weather red.' (p.11)

> 

>'the sky looking like it had been sugar cured, peppered and cloved and

>smoked during the night like a ham and was retaining hints of glistening

>moisture in the skin-somewhere in its pigmentation.' (p.14)

> 

>'I see a Negro cat wearing an ordinary gray felt hat but a deep blue, or

>purplish shirt with white shiny pearl-type buttons-a gray sharkskin suit

>jacket over it-but brown pants, black shoes, deep blue ordinary

>one-stripe socks and gabardine topper short and beat,..carrying brown

>paper bag...-dark brownskin- his big hands hang, his fingernails are

>pink (not white) and are soiled from a laboring job...' (p.18)

> 

>'a bleak rectory...is that peculiarly pale orange brick, color of puke,

>cat's puke...the oaken door but pale brown oaken not dark...' (p.20)

> 

>'the MERIT Food Shop, written in green neon (greon) in the window, MERIT

>is, and Food Shop in orange-now why?-...the floor is all shades of brown

>and yellow "pebbled" marble...'(p.26)

> 

>And the best colour description...Jack's stained-glass window at St.

>Patrick's Cathedral:

>'a lonely icy congealed blue with streaks of hot pink-little blue

>holes-painted with an immeasureable blue ink, noir comme bleu, black

>like blue...the other windows grow rich, brown, dark, secret, get better

>with age of light like wine with age of Time-...my holy blue window, the

>one like the window at 94-21 that made me so often think there was a

>weird blue light in the railyards...taking the ordinary corner

>steetlamp...and giving it inky blue hues like that

>apocalyptic-end-of-the-world blue light, the light of subterranean

>stars...these glass windows refract NIGHT too for now I see nothing but

>the rich-dim recollections of what at dusk was a Rembrandt barrel of ale

>in a Dublin saloon when Joyce was young...'

> 

>JK's use of colour continues through all his books, and certain colours

>are associated with different feelings:

>white, blue, gray-coldness, bleakness...stemming from the cold Lowell

>winters of Jack's youth

>red, brown-warmth, comfort...for instance the 'browns' in his family's

>old house and the redbrick of the factories in Lowell.

>(so where does 'mauve boilermakers' fit among these definitions???)

> 

>As far as Kerouac's spontaneous prose goes, the two standout pieces are

>his reverie over the girl at the cafeteria (which has been covered so

>I'll skip that) and his brilliant latenight musing in the deserted Times

>Square cafe (p.16-18).

> 

>In the first part he watches an Arabic-looking man, and falls into an

>'Aly Khan' Egyptian-themed reverie, fantasizing the man is about to be

>dragged back through the door and offered as sacrifice, the door being

>'a big green door [which] holds itself up like a lamb to sacrifice to

>the sun at sea dawn over him, and it has wings.'

> 

>Soon, however, the huge plate glass window catches Jack's eye and he

>starts a mesmerizing hallucinatory spiel about the images he sees, both

>the latenight street scene on 6th Ave. and the images from inside the

>cafe reflected in the nighttime window: 'a great scene of New York at

>night with cars and cabs and people rushing by and Amusement center,

>Bookstore, Leo's Clothing, Printing, and Ward's Hamburger and all of it

>November clear and dark is riddled by these diaphanous hanging neons,

>Japanese walls, door, exit signs-'

> 

>Jack begins to lose himself in the window before him ('like kaleidoscope

>over kaleidoscope'), then muse upon a fourth-story window across the

>street, and lose himself in the window again, the backwards cafe signs,

>the shiny flashes of passing cars, distorted images in a parked car's

>round fender. Finally, after a good half-hour or so of watching (and

>writing some absolutely amazing prose) he is brought back to the real

>world by the sounds around him, and he concludes his sketch with a

>romantic, heart-felt sentence that shows Jack as happy as he's ever

>been: 'I hear above the clatter and sleepiness of cafeteria dishes (and

>swish of revolving door with flapping rubbers) and voices moaning, I

>hear above this the faint klaxons and moving rushes of the city and I

>have my great immortal metropolitan inside-the-city feeling that I first

>dug (and all of us) as an infant...smack in the heart of shiny

>glitters.'

> 

>Pardon my language, but I had nearly forgotten what a fucking incredible

>masterpiece Visions of Cody is. And still 350 pages to go!

> 

>having a blast retuning to my ole buddy Jack,

> 

>Adrien

=========================================================================

Date:         Mon, 7 Jul 1997 08:13:55 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: JK tribute: kicks joy darkness

In-Reply-To:  <33C0BCFD.3B66@sk.sympatico.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Marie Countryman wrote:

>Hi there Marie,

>> 

>> any one out there listening to the JK tribute CD?

> 

>yup...a fine cd, isn't it?

> 

>> personally, i am really loving maggie estap&spitters "skid row wine"--great

>> performance piece and the kind of readings i aspire to.

> 

>That's my least favorite cut on the cd, one of the three or so

>disappointments (Eddie Vedder, you're totally clueless!).

_______

i dont care for her voice so much as i like the way the band moves in and

out. and the rhythm. and the stop start between lines or phrases. but i

conceed in general re: worn out scene.

> 

>What's my favorite? I love so many of the tracks...Juliana is her usual

>adorable self, a wonderful reading, kinda like kid's story time at the

>library, people don't realize Jack was a big kid at heart and could

>write with a lot of whimsy...

___________

absolutely. silly goofball poems seems to be written for her, although i

can hear JK also in background . the clarity of her voice and the capturing

of child wonder is a joy.

 

Warren Zevon is great, love how he says

>"wiiinnnne" (he should do a Kerouac book-on-tape with that great

>voice)...HST is, well, his usual inimitable drunken mumbling hilarious

>self...Richard Lewis is surprisingly good...Allen, Ferlinghetti, and

>Uncle Bill are in top form...Jack reading MacDougal St. Blooze is

>wonderful, totally relaxed compared to his reading of the same pome

>(different excerpt) on the Steve Allen album...Robert Hunter and Johnny

>Depp are good at reading the VOC bits...

_________

agreed. I love the mcdougal st. blues and would like to have been in sound

room listening to them edit joe strummer and jack.

> 

>In all, though, the one that steals the show is John Cale's "The Moon".

>Truly awesome and majestic.

_____________

just re-listened to the track. yes i have to agree. ok maggie et al can

take their places in line, john cale just got moved up to the front row, at

least. more i listen, i think the more i will appreciate. thanks

> 

>Agh, been writing all night. Time for bed. I'll come out to play

>tomorrow.

> 

>Good night.

>__________

g'nightadrien!(it's now morning on east coast) when you listen again,

listen as carefully to michael stipe's "our gang" which has lodged in my

head and won't get out. how carefully he enuciates (a miracle, for those

who listened to REM a few years back),  but also how the music adds to the

little scene and to me reflects back to dr sax bedroom imagination.

AND,

thanks for coming out to play with me.

mc

=========================================================================

Date:         Mon, 7 Jul 1997 13:57:50 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      a poetess in the early peace movement Re: Denise Levertov.

In-Reply-To:  <970706203859_191982931@emout20.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 20.39 06/07/97 -0400, Pamela Beach Plymell <CVEditions@AOL.COM> wrote:

>Worse than discourse!

>Charles Plymell

> 

Buona giornata Charles, can i get better?

 

SUMMER 1961             by DENISE LEVERTOV

 

This is the year when the old ones,

the old great ones,

leave us alone on the road.

 

The road leads to the sea.

We have the words in our pockets,

obscure directions. The old ones

 

have taken away the light of their presence,

we see it moving away over a hill

off to one side.

 

They are not dying,

they are withdrawn

into a painful privacy

 

learning to live without words.

E.P., "it looks like dying"-Williams: "I can't

describe to you what has been

 

happening to me"-

H.D. "unable to speak."

The darkness

 

twists itself in the wind, the stars

are small, the horizon

ringed with confused urban light-haze.

 

They have told us

the road lead to the sea,

and given

 

the language into our hands.

We hear

our footsteps each time a truck

 

has dazzled past us and gone

leaving us new silence.

One can't reach

 

the sea on this endless

road to the sea unless

one turns aside at the end, it seems,

 

follows

the owl that silently glides above it

aslant, back and forth,

 

and away into deep woods.

 

But for us the road

unfurls itself, we count the

words in our pockets, we wonder

 

how it will be without them, we don't

stop walking, we know

there is far to go, sometimes

 

we think the night wind carries

a smell of the sea...

 

 

---

yrs

Rinaldo. * not a competent beat *

=========================================================================

Date:         Mon, 7 Jul 1997 10:17:49 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      unsubscribe/fyi

 

i noticed many people seem to have forgotten:

You may leave the list at any  time by sending a "SIGNOFF BEAT-L" command

to  LISTSERV@CUNYVM.CUNY.EDU (or  LISTSERV@CUNYVM.BITNET).

 

this is not a hint to anybody so please don't jump on me.  I just wanted to

provide this info to those who are unsubscibing, so they don't find 10000

messages and wonder what the hell happened.

--maya

=========================================================================

Date:         Mon, 7 Jul 1997 10:43:45 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: JK tribute: kicks joy darkness

Comments: To: vic.begrand@sk.sympatico.ca

In-Reply-To:  <33C0BCFD.3B66@sk.sympatico.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

adrien:

have listened to the CD again, and you are so right about the john cale:

which you called awesome and majestic. awe  some.

mc

thanks for adding to my enjoyment of the CD and that of others, who may be

interested enough by now to buy or listen, as poetry is moving toward

spoken word and music, AG and Burroughs, having both explored and

experimented with and i believe opened the door, homer.

mc

=========================================================================

Date:         Mon, 7 Jul 1997 10:44:44 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      more dreams

 

she had long light brown hair and such white skin that you want to taste it

to see if it isn't ice after all.  We were running from....I mean towards, I

mean from, something; I was pulling her hand, we stumbled along a very high,

very rickety wooden walkway, the only way out. she kept falling.

 

suddenly the realization that we are children.

 

running in the poppy field, wearing black dresses.  late for school. Such

sadness!

 

the sun made her skin steam. her eyes turned green when she experienced

pleasure, red when she wanted to.... drink.

 

I was confused, something in her face told me she was my reflection.  We

ceased being two, outside each other.  We had become one person, ME, just

before i woke up.

 

Unfortunately she is the type that drowns easily.  Before they made the

revisions in their notebooks.

 

Now, all i see are footsteps: men's trouser legs, shiny shoes.  I somehow

know he's wearing a hat.  His feet move one in front of the other endlessly.

It's raining.

 

Zoom onto the ground.  That's how i know he has a hat! because it's reflected

in the blurred, moving ground, in the rainwater.  Also reflected are the neon

signs.  it's night on East 7th street, but it's really hot in the sense of

there being a lot of cops around.  Undercover.

 

But you can tell it's the cops 'cause they all drive the same kind of car.

 

Fade to black.

 

-------maya

=========================================================================

Date:         Sun, 6 Jul 1997 22:51:01 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody, Part III

MIME-Version: 1.0

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Hi everyone.  Am twenty or so pages into taped conversation, and in spite

of Ginsberg's comments on the intent of this part, I am incredibly bored

and yes, this is tedius going, the total disconnection of thought when

one is high.  Doesn't make me want to tape any of my friends high. Makes

me want to go back and read parts I & II again, if only to find a

coherent word.  Most of it is complete dribble and not being able to

recall anything at all.  Going over Bull shooting at a dead tree and

Irwin constructing a bed, with lots of incoherent yea, yea, hee hee hees

in the middle.  The only thing Cody really remembered so far is that he

has to go out to buy more pot.  Striking contrast the to the absolute

gushy, wordiness of parts I and II.  Does remind me of that Ginsberg line

where he says "rocking and rolling all night over lofty incantations

which in the morning were stanzas of gibberish."  Also, here for the

first time we are meeting the hero, Cody, in his own words and thinking,

my god, how can this guy possibly be a hero for anyone?  However, I will

continue to plow on, hoping the development of this initial fugue will

lead somewhere else, like jazz, gathering more voices as it goes along.

DC

=========================================================================

Date:         Mon, 7 Jul 1997 11:20:47 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Colors

 

Great comments on Kerouac's use of color.  This has always been

something that has struck me in K's work.  He was a real word painter.

I suppose it goes along with his idea of starting with the "jewel image"

etc.  Be interesting at some point to compare the colors he uses in  his

writings with those of his paintings.

=========================================================================

Date:         Mon, 7 Jul 1997 08:54:32 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: freshman clearing house

Comments: To: "Penn; Douglas; K" <dkpenn@OEES.COM>

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

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>Matt, you still there?  What are you reading these days??  OR seen any

>good art exhibits recently??  equally curious.

 

I can't be still "there", there only exists for one second and then I'm

somewhere else (paraphrasing part 1 of Dharma Bums).

 

Strangely enough I'm reading Joyce's Portrait of the Artist..., rereading Dharma

Bums (for a discussion of mountain climbing with the gang here in Colorado), and

trying to track down my copy of VOC for the list.

 

Art?  There's a decent exhibit by the Joyce Society at the Tutt Library at

Colorado College, there's also some good stuff at the Psychiatric Hospital I

work at on weekends.

 

I'm only on the list during the week.

 

matt

=========================================================================

Date:         Mon, 7 Jul 1997 11:53:53 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: skimming Part 1 Cody

 

Dear David:

 

At the end of your "skimming part 1 Cody" message, you write:

 

"bye bye- off to count the number of times Henry Fonda appears in Part One (i

didn't catch Jimmy Stewart in there at all- damn shame!)....

 

Since we're on the subject of such references, did you notice the description

of JK running into a movie scene being filmed in front of a San Francisco

apartment building?  By coincidence, I saw the movie SUDDEN FEAR with Joan

Crawford and Jack Palance just before encountering the passage, and put 2&2

together- he is describing a scene from that movie being shot on location.  I

don't have the book with me now but I will try to locate it, I think but am

not sure that it's in part 1, and he uses a thinly-disguised name for Joan

Crawford who's at the center of the anecdote, it's a great description of the

weirdness and tension he experiences when he bumps into this scene.

 

Regards,

 

Arthur S. Nusbaum

=========================================================================

Date:         Mon, 7 Jul 1997 12:36:51 -0400

Reply-To:     Ken Ostrander <kenster@MIT.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ken Ostrander <kenster@MIT.EDU>

Subject:      HENRY MILLER

Mime-Version: 1.0

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        Once you have given up the ghost, everything follows with dead

certainty, even in the midst of chaos.  From the beginning it was never

anything but chaos:  it was a fluid which enveloped me, which I breathed in

through the gills.  In the substrata, where the moon shone steady and

opaque, it was smooth and fecunding; above it was a jangle and a discord.

In everything I quickly saw the opposite, the contradiction, and between

the real and the unreal the irony, the paradox.  I was my own worst enemy.

There was nothing I wished to do which I could just as well not do.  Even

as a child, when I lacked for nothing, I wanted to die:  I wanted to

surrender because I saw no sense in struggling.  I felt that nothing would

be proved, substantiated, added or subtracted by continuing an existence

which I had not asked for.  Everybody around me was a failure, or if not a

failure, ridiculous.  Especially the successful ones.  The successful ones

bored me to tears.  I was sympathetic to a fault, but it was not sympathy

that made me so.  It was a purely negative quality, a weakness which

blossomed at the mere sight of human misery.  I never helped any one

expecting that it would do any good; I helped because I was helpless to do

otherwise.  To want to change the condition of affairs seemed futile to me;

nothing would be altered, I was convinced, except by a change of heart, and

who could change the hearts of men?  Now and then a friend was converted:

it was something to make me puke.  I had no more need of God than He of me,

and if there were one, I often said to myself, I would meet Him calmly and

spit in his face.

 

 

-from TROPIC OF CAPRICORN

=========================================================================

Date:         Mon, 7 Jul 1997 11:47:41 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Cody and visions

MIME-Version: 1.0

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Hmmmm.

 

... i guess this one is slightly more serious than last post on Cody so

probably not as meaningful.

 

as i skim over and over thru part one (i find skimming a great way to

capture the fleetiness of the visionaryiness) i keep being struck by the

"kind" of vision being talked about or typed about here.

 

this is in some regards an "out of time" experience in the longing and

memories but almost a daydreamy feeling to it.  the thing that i'm

amazed by and wonder about a bit is how completely "in space" JK is

during these periods.  the daydreaminess and memory take him away from

the now but the imagery -- so specific -- of sensual experience in the

here of the situation is vividly typed.

 

so i'm wondering a bit about this whole notion of visions as i begin to

wind down to my afternoon siesta.  i vaguely recall reading some junk in

some biographies about JK's notion of vision in contrast to others but

the thing i catch that is impressive to me is his ability to

functionally be out-of-time yet present-in-space together AND to be able

to put it into words.

 

i will probably skim it more and more to compleat the vision.  someday i

might even move on to Part 2 !!!!!!

 

hope all is well with everyone else who have fallen into this book to

live for awhile.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 10:20:23 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Washington, DC Independence day

MIME-Version: 1.0

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<<beautiful>>

 

Maya writ:

> 

><<my mind is drawing blank after blank after blank

like an unstudied exam where the clocks tick loud, sweating.>>

 

>[......]

 

><<I didn't want to, and I knew I wouldn't, go home last night.

It's a new year for me.  God bless America.>>

 

not much to report from on here in San Diego.  spent the fourth new

years eve in Lala with a bunch of stoner cronies.  fireworks as promised

displayed prominently.  no frisbee  :-(  homemade icecream was brown

sugar and a few other spices  sitting around talking  my warm oatmeal

beer tight in my stomach  sherman's cigarettes compounding a coming

attraction headache.

 

wrapped my arms around her.  not even a kiss.  nice.  no, don't know

where I'm staying.  perhaps where I've been.

 

missed Joyce and young Werther at the party.  sounds were happening thru

the stereo cord, but nothing much to note.  kind of a let down actually.

 good host, good people, poor party technology.  a casual affair.

 

what is said.  and what is not.  so many comments and declarations on

the silence.  my hardened leather shell crippled this monday morning.

sick of metaphors.  woke up in the middle of the night, dreaming I was

being watched like suzanne and the elders.  church bells and the fucking

sound of lawn mowers at eight in the morning.

 

Douglas

 

sailed thru the night

how the beat was won there

gauranteed prizes

sacrifice, condoms, and virginity

lighters without child safety devices

star trek toasts that involve forgotten replies

bathrooms like the back of a barn

latches and hooks and unexpected piercings

>tight and tighter thru the night

 

and the flag was still there....

o save us you scholar bound hero

carrying letters from the headmaster

jesuit fucking liar how I hate you

corrupting the latch

and the branch

and the snake skin you crawled in on

despise and mourn

kick and denounce

hate mother fucker

ah, joyce be with me

cody unbroken and and and

closing the gates with carrots

damning the works with

unheard of insights

no no

<<toss and tumble>>

 

good morning, good night

 

><<Douglas>>

=========================================================================

Date:         Mon, 7 Jul 1997 13:24:58 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: For Bentz:  Measures, Jazz Giants, Obituaries, etc.

In-Reply-To:  <UPMAIL14.199707062131350398@msn.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 6 Jul 1997, Sherri wrote:

 

> what's happened to all that heady jazz of the 40's to early 60's... is it

> being stomped out by the almighty $$ catering to the masses, or is it just

> barely there because social/cultural conditions have changed?

 

There's lots of great shit out there -- as wild as that heady 40s-60s jazz,

just as great but different too. I don't think we've entered a time where

great music is gone; if anything there's more great music out now than ever

before -- certainly more than I could ever hear in one lifetime ("you'll

never hear it all," <http://dsl.org/m/doc/rev/>). Music constantly changes

or else it would all be the same thing, an infinite repeat copy of itself --

completely sterile & boring. Which is where I think "jazz copy" music comes

from -- an original work (such as early wild jazz) is recognized and the

patterns simply copied and further homogenized, turning into that crap we

know. So where it's at right now is definitely _not_ "jazz," just as modern

wild writing isn't the Beat Generation anymore; but some great music's out

there nonetheless and if you like old jazz I'd recommend you run out and buy

some Tortoise LPs, especially _Millions Now Living Will Never Die_ and the

first self-titled record. Also search out these bands: Directions in Music,

the Sea & Cake, and the impossible to find "free jazz" stuff that Thurston

Moore's in love with. Do a search for "free jazz" on altavista to get a list

of those records.

 

 

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Mon, 7 Jul 1997 10:47:09 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Wilhelm Reich

MIME-Version: 1.0

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Sherri writ:

 

><<things in JK's own life that created his personal terrors.  i don't

>advocate

>becoming an alcholic in order to write, but who's to say that that writing is

>any less real than someone who is a near-Boddhisatva?  just a different

state... all is One, One is all.>>

 

because there is the down side, Sherri.  pot, lsd, mushrooms, alcohol,

cigarettes, wine coolers, bubble gum, <<breathing>> <<prayer>>

<<fucking>>  ah, each has it's down side.  personally, I prefer blood

sugar.  the best of highs.  a good BS buzz will bring you up gradually,

give you peak exercise of body and mind, good breathing, then a slight

recline and the gradual falling out to sleep.

 

there might be a one, a one end point.  a concerted force of chi, semen,

and watered down by products of the mind, but no, well, yes, <<maybe>>

 

can you sustain?  can you interact?  can you bring back the key from

your dreams?   was driving back from Lala this Sunday evening.  couldn't

even bear to turn on the radio.  nor the tape player.  a struggle even

to admit a few hummed bars into my company.  a truly centered feeling.

 

chi-i-kerouac hannah hoch dorris lessing.  bought "on the road" and

"memoirs of a survivor" (doris lessing) as gifts for my lala lover.

feel like I'm beginning to lead a double life.  a secret life.  another

life.  yes  <<thank you, thank you, thank you, thank you, yes, oh yes,

yes, oh yes, oh oh, hmmmmm [[eyes wide open, ah, exhale

 

>truly the start of another snake skin long moan and die year.

> 

>> paix,

>> sherri

> 

>Douglas  <<kick out the clowns -- MC5>>

=========================================================================

Date:         Mon, 7 Jul 1997 17:46:38 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody and visions

 

David,

 

i'm not skimming it, but am reading it by sinking in, if you will.  i try to

let the imagery and atmosphere wash over and surround me, swallow me up as

much as possible, so i can try to be JK or at least as close to his head as

possible.  at any rate, i'm struck the same way... he has found a way to let

his subconcious come to the fore while allowing what i refer to as the

objective observer to continue to function at it's fullest - no mean feat.

the beauty of it is that it allows him to use images/words to describe what

might otherwise be nearly formless, nameless...  a vague sense of something...

in such a way that my own subconcious can respond, get inside it and relate it

to some of my own vision/remembering times, giving me more understanding.

 

(btw, Aion has, somewhat unfortunately, been tabled in favor of Cody, The

Rememberer and reference to Ulysses.  i intend to return to it during or after

what i hope will be a group read of OTR for its anniversary.)

 

the other thing that strikes me particularly in part 1 is JK's freedom and

facility of mind.  he truly is raw, balls on, out there, no barriers, no

limits, brave enough to follow his own uncharted paths...  perhaps that is

what makes this book so overwhelmingly enticing and amazing: the daring to go

completely into the unknown recesses of mind/life...  how many of us really go

that far?  i, for one, find that it makes me want to be braver, closer to the

edge than i already am...

 

well i'm beginning to ramble, so i'll shut up now.

 

paix,

sherri

=========================================================================

Date:         Mon, 7 Jul 1997 18:46:53 -0700

Reply-To:     Jens Koch <jenskoch@POST1.TELE.DK>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      So happy to be joining the reading of Cody

Comments: cc: kpsnej@hotmail.com

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Hi

I'm Jens from Denmark, and after at first asking a couple of questions, and then

 just

reading this quite extensive listserv for about a month, I am now very happy to

 come

forward and introduce myself by way of saying how happy I was to see the list's

 "joint"

reading of VOC. I have had this book for about 15 years, and while I have never

 actually

read the whole thing, that doesn't mean that I haven't started a few times...

I enjoy your comments, and perhaps I'll make some of my own eventually.

I might make some on Kicks Joy Darkness as well - I received this CD a few days

 ago -

it's a little hard to come by in this part of the world. So far I enjoy it

 immensely,

although I tend to listen only, I haven't really read the small print lyrics

 yet. I like

the variety of the  participants; Juliana Hatfield's take on "Silly Goofball

 Pomes" is

great fun, while Maggie Estep really rocks. Would Jack Kerouac have been a

rock'n'roller ? Probably not, but the music works. The performances of the old

 brigade:

Ginsberg, Thompson, Hunter, Ferlinghetti, and I suppose Smith, Strummer and

 Andersen,

are much as one would expect, Burroughs never ceases to impress. Matt Dillon's

 "reading"

is an unexpected surprise, I didn't enjoy his recent performance as a Brian

 Wilson-clone

in Grace of My Heart, but this adds volumes to his character.

I am a teacher BTW, though out of a job at the moment, and have been using

 sections of

HOWL, OTR, DB and Interzone, as well as poems by Corso, McCLure and Snyder, and

 with

quite some "success". I am hoping to publish material on the beats soon; in fact

 I

already have, and it's online:

 http://www.sektornet.dk/gym/en/anglowww/kerouac.htm - but

it's in Danish, of course ! The illustration used is unashamedly robbed from

 Levi

Asher's page.

The amount of mail posted is impressive, I just came back from holiday a few

 days ago; I

still haven't caught up on all the posts, but now I have made one lengthy post

 of my

own, and I haven't even finished yet, because I would like to acquaint you with

 poet Don

Paterson who writes about a dog-eared Kerouac in his recently published God's

 Gift to

Women(Faber and Faber, 1997):

from 1001 Nights: The Early Years

(Quote:) The male muse is paid in silences. Shahrazad could not have been bought

  for

less than minor Auschwitz

                                Erszebet Szanto

 

Dawn, and I woke up grieving for my arm

long dead below the little drunken carcass

still shut in her drunk dream. In mine, I recall,

I was fixing a stamp in a savings-book, half-full

of the same heavenly profile, a vast harem

of sisters, each one day younger than the last...

 

Heaven, to bed the same new wife each night!

And I try; but morning always brings her back

changed, although I recognize the room:

my puddled suit, her dog-eared Kerouac,

the snot-stream of a knotted Fetherlite

draped on the wineglass. I killed the alarm,

 

then took her head off with the kitchen knife

and no more malice than I might a rose

for my daily buttonhole. One hand, like a leaf,

still flutters in half-hearted valediction.

I am presently facing the wall, nose-to-nose

with Keanu Reeves. It is a sad reflection.

=========================================================================

Date:         Mon, 7 Jul 1997 11:32:06 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: "The Playful Poets"

MIME-Version: 1.0

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<<ah, apple pie>>

 

>William H. Rose, III writ The Playful Poets:

 

<< 

>"The fastest

>man alive" some say when pryed, others say he lived the way he died.

>> 

 

...."lived the way he died"  yes.  yes.  can't stop saying yes.  must

keep running.  but I've stopped haven't I.  no.  still running.  nyet.

59 more beat-list posts to dig thru, then my morning prayer.  a few deep

thoughts, and onto Ulysses and VOC if work prevails.  <<sex>>

 

Liked your approach, William H. Rose, III.  you bring the complete beat.

 bottom of my screen shows your "Tom Waits impatiently I've found for

pasties, g-strings, beer and blue" line.  Hm.  step right up and speak

into the mic, it's karaoke night::

 

"stuck in a cafe when you've live too long

oh, oh, oh,

you're a rock n roll suicide

you're not alone

looking at yourself and you're too unfair

oh, all tangled up

don't know who you are or where've you been"

        -- david bowie from ziggy stardust

 

 

"don't get strung out

by the way I look

by night I'm one hell of a

[[scholar]]  har har

I'm just a sweet transvestite

from transexual

transelvania a a ah ha"

        -- tim curry as dr. frankenfurter in "rocky horror"

 

>[....]  bye bye sweet transbeat-i-chi-i  <<Douglas>>

=========================================================================

Date:         Mon, 7 Jul 1997 20:42:24 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Vote For FERNANDA PIVANO SENATRICE A VITA.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                                        Al Presidente della

                                        Repubblica Italiana

                                        on. Oscar Luigi Scalfaro.

 

"Egregio Presidente,

visto l'articolo 59 della Costituzione della Repubblica

italiana vogliamo proporLe di prendere in considerazione

la nomina di senatrice a vita di Fernanda Pivano.

Fernanda Pivano, che compie quest'anno ottanta anni, ha

dedicato la vita alla cultura e con il suo impegno di

scrittrice e traduttrice ha contribuito a far conoscere

la cultura e la letteratura americana, a valorizzare

autori altrimenti sconosciuti in Italia ed a qualificare

la cultura italiana in America. Considerata in tutto il

mondo un simbolo della cultura italiana, riteniamo sia

doveroso riconoscerle questi altissimi meriti che hanno

illustrato la nostra Patria".

 

Chi volesse sottoscrivere questo appello aggiungendo il

proprio nome puo' indirizzare a:

 

(address)

 

        Gaia Maschi

        via di Propaganda 16

        00187 ROMA

        ITALIA

 

(text)

 

        "

        FERNANDA PIVANO E' UNA GRANDE ITALIANA,

        SIGNOR PRESIDENTE

        "

 

(end text)

 

 

---

yrs

Rinaldo.

*

Allen Ginsberg, The Hydrogen Jukebox

Traduzione di Fernanda Pivano (1968)

"Jukebox all'idrogeno",

 

Jack Kerouac, On the Road,

Traduzione di Fernanda Pivano (1959)

"Sulla Strada"

*

=========================================================================

Date:         Mon, 7 Jul 1997 14:35:40 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Cody, Part III

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33C083C5.1933@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 6 Jul 1997, Diane Carter wrote:

 

> Hi everyone.  Am twenty or so pages into taped conversation, and in spite

> of Ginsberg's comments on the intent of this part, I am incredibly bored

> and yes, this is tedius going, the total disconnection of thought when

> one is high.

[snip]

> Makes me want to go back and read parts I & II again, if only to find a

> coherent word.  Most of it is complete dribble and not being able to

> recall anything at all.

 

Good to hear someone say this. VOC is one of my favorite novels, maybe my

favorite Kerouac work (surely one of his most ambitious, no?), but upon my

first read found it incredibly boring and hard to go through at points. I

had to think, What makes this so great? How the hell did he get this

[eventually] published? Who the hell reads this?

 

I loved his evocative descriptions, mastery of inner thought-voice and

ability to get it on paper -- just long thoughts for hours nonstop,

transcribed, open, honest, done just to do. But would I have read it and

spent the time with it if it was written by Joe Blow? I think a lot of my

patience in dealing with this work was due to my knowledge of JK, to his

reputation. I agree with whoever said OTR was like an outline or summary of

what would be expressed in total detail in VOC ... also OTR was his biggest

commercial success; it's like OTR had to come first in terms of being

published because it's readable, it presents the standard plot and structure

-- then after fame and infamy he was free to have looser, more "free-form"

or experimental works such as VOC published.

 

OTR was the book that "inspired a generation" or whatever it says on my old

sunset paperback copy. It did this a mere what, 5 years after it was written?

VOC, on the other hand...

 

Something else about these guys that I just now for the first time suspect

might apply to VOC: my wife doesn't care for Ginsberg's homoerotic poetry,

citing much of his "i want to suck a cock / your dick as hard as a rock"

brand of verse as the work of an extremely arrogant man ("You'd _have_ to be

arrogant to put that stuff on a page and call it poetry! _I_ could write

poetry like that," she'd say, and come up with her own Ginsberg-style poem

that would rival his). While Ginsberg's life is now looked at as one of

"candor" -- that also being applied to his poetry, the effect of which did a

Good Thing for modern poetry etc., it has a flip side, as it seems to have

inspired a generation or three of terrible pseudo-beatnik "poets" that

nobody cares about except their pseudo-beatnik friends. Again, Joe Blow

writes a poem befitting his name: "i want to suck a cock." Nobody cares, but

Ginsberg does it and everybody buys the book. Something like VOC couldn't

have been written by just anyone, could it? And if someone did, would they

be able to get it published (and get people to _read_ it) or would they need

20 years and the help of a marketing agent?

 

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Mon, 7 Jul 1997 11:48:26 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: "The Playful Poets"

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yep, he beat it pretty hard.  the art of living.  hard up my lily white

ass.  ompholos deep brother, Douglas.  a tower of thought.  cowering

under the pressure.  Maori tribal land skinned locks.  this daylight.

thoughts are still thoughts.  don't betray me, all honesty.  <<god,

having problems breathing a single sentence out completly>>

 

for silence, Douglas  [[and the dark chamber pots]]

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

 

>----------

>From:  James Stauffer[SMTP:stauffer@PACBELL.NET]

>Sent:  Sunday, July 06, 1997 5:14 PM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Re: "The Playful Poets"

> 

>Someone certainly didn't forget any of his perscriptions this morning.

>I take it art is pretty grand stuff.

> 

>William H. Rose, III wrote:

>> 

>> The Playful Poets

>> by William H. Rose, III

>> 

>> Kerouac ruck-sack back-pack Buddha-Jack beat-back run-on James Joyce

>>first-choice

>> odd-voice free-fall flowing, you know, come on. (In cosmic slums Jack wrote

>>the bums

>> and beat upon his clever-kicked and hobo drums in search of wide-eyed

>>lovers who

>> would hum.) On the road his story told in non-stop verse so nudely bold.

>>Kicks and

>> chicks and movin' on; swimmin' in women and carryin' on. Kerouac road-knack

>> Dharma-pack mystic poet of our past. . . .

> 

=========================================================================

Date:         Mon, 7 Jul 1997 14:57:08 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Fwd: For Bentz: Measures, Jazz Giants, Obituaries, etc.

 

---------------------

Forwarded message:

Subj:    Re: For Bentz: Measures, Jazz Giants, Obituaries, etc.

Date:    97-07-07 14:56:44 EDT

From:    Marioka7

To:      stutz@dsl.org

 

In a message dated 97-07-07 14:52:33 EDT, you write:

 

<< 

 > what's happened to all that heady jazz of the 40's to early 60's... is it

 > being stomped out by the almighty $$ catering to the masses, or is it just

 > barely there because social/cultural conditions have changed?

 

 There's lots of great shit out there -- as wild as that heady 40s-60s jazz,

 just as great but different too. >>

 

I agree, and also many hiphop bands use jazz loops, which one could say is a

combo of Jazz (from beat era) and william burroughs' cut-up method (from beat

era), working together to create something new.

-maya

=========================================================================

Date:         Mon, 7 Jul 1997 12:05:36 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Jazz-poetics

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

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JN writ:

 

>> Please brace yourself,

 

trying

 

><<As well, certain poems of mine i view as purely jazz pieces - not with

>jazz themes, but jazz itself - the long line, although having a rhythm

>implied, is written without the rhythm being visual, giving the reader

>freedom to interpret the rhythm, similar to Coltrane's rendition of the

>traditional 'Greensleeves', or any artist performing a cover piece =

>which means, the reader himself is a creator . . . as well, certain word

>combinations are repeated throughout a poem, similar to a repeated riff,

implying similar rhythm for those syllables = notes . . .>>

 

along with the gift "on the road" and VOC, I bought a nice used copy of

Matisse's "Jazz" series.  a medium sized art book documenting his

>beautiful end of life art pieces.

> 

 

<< 

>     utopia   where did this hail from? where does it go?   does the man

>at the

>     corner hold the knife of redemption?

>>> 

 

don't have the patience to concentrate right now.  sorry for all those

reading this.  but did spend a good couple of hours seeing the Hannah

Hoch photomontage exhibt at the LACMA this weekend.  highly recommend

for all those searching for a strong woman in their life.  One of her

more famous works, if not her defining moment, is the piece "cut with

the kitchen knife something something thru the last days of the weimer

republic beer belly something something" (yes, the complete title --

something like that).

 

the sword of damacles?  the stinging fingers of fate?  and No, not if

you live there.  the man gives you a discount and let's you thru the

door for free.  but there's some test or something like that, which you

have to pass first.  firewalking, ass-kissing, or something like that.

Haven't been paying enough attention recently.  Hopefully the academics

can pick up the pace and provide better directions.

 

>> JN

 

Douglas <<oughta be at home sleeping>>

=========================================================================

Date:         Mon, 7 Jul 1997 15:14:49 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Fwd: For Bentz: Measures, Jazz Giants, Obituaries, etc.

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970707145641_357594274@emout07.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 7 Jul 1997, Maya Gorton wrote:

 

> I agree, and also many hiphop bands use jazz loops, which one could say is a

> combo of Jazz (from beat era) and william burroughs' cut-up method (from beat

> era), working together to create something new.

 

Yeah, right on -- as well as the use of feedback & noise in many bands to

produce a "droney" effect and/or extend the sound spectrum used in the song.

=========================================================================

Date:         Mon, 7 Jul 1997 12:23:50 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Cody, Part III

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You raise the issue that has been troubling me through Part 1 and at

least half of part 2.  If I didn't bring my already developed ideas

about Jack and Neal to this book would I read it?  So far for me the

book fails badly in this regard.  Without all this outside stuff we

bring from the other books and bios and our own knowledge of these

people I am not at all sure the book works.  Part One is certainly an

amazing display of memory but we are given little reason as to why to

care about these particular memories.  I think the point you raise about

AG's more ephemeral stuff is also very valid.  A lot of Beat stuff falls

victim to relying on already developed notions  of what is hip.  Sort of

preaching to the choir.  JK's best stuff stands on it's own.  This one,

I am not at all sure yet.

 

James Stauffer

 

Michael Stutz wrote:

 

> had to think, What makes this so great? How the hell did he get this

> [eventually] published? Who the hell reads this?

> 

> I loved his evocative descriptions, mastery of inner thought-voice and

> ability to get it on paper -- just long thoughts for hours nonstop,

> transcribed, open, honest, done just to do. But would I have read it and

> spent the time with it if it was written by Joe Blow?

=========================================================================

Date:         Mon, 7 Jul 1997 12:35:51 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      god wants to know

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Ok, I'm in a cranky mood.  <<sorry>>

 

just got another posting from god saying that I should backchannel all

of my postings.  that I should join a "wanna be beat" list.  He's sick

and tired of hearing all my shit.  <<yes, I am cranky, MC, I blame this

on you!! :-)>>

 

so, inquiring minds wanna know:  Is god right?

 

my thoughts on the matter, quoting from the great poly sterene of the

band X-ray Specs ("o bondage, up yours"):

 

        some people think little girls should be seen and not heard

        but I say, o bondage, up yours  [one, two, three, four]

 

However, except that I would say, more pointedly with civility,

 

        some snails think some poets should be listed but not heard

        screw this argument, let's take VOC for dessert

 

cheers, Douglas  <<with 47 more posts to filter before VOC beginning>>

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Mon, 7 Jul 1997 14:57:35 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: ok, perhaps (was power of the poet)

Comments: To: Bruce Hartman <bwhartmanjr@INAME.COM>

In-Reply-To:  <199706271459.KAA24385@everest>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 27 Jun 1997, Bruce Hartman wrote:

 

> Beat Friends,

> 

>         I realize I haven't been paying too much attention to this thread, but

> when I see statements like:

> 

> >  > Science has already been proven false.  God before that.  Is poetry

> >  >next?

> 

> made, I have to ask for some clarification. . .  Please, someone enlighten

> me, how is it possible to disprove science?  What evidence is there to

> support that statement?  And how is it possible to prove God false (or real

> for that matter), if you know something the rest of us don't, please share.

> . .

> 

> Bruce

> bwhartmanjr@iname.com

> http://www.geocities.com/~tranestation

> 

Without wanting to put words, or ideas for that matter, into the original

author's "mouth," I assume that he or she was referring to Nietsche's "God

is dead."

Jenn Thompson

I'm not sure about the science referrence, however.  Maybe from Poe?

=========================================================================

Date:         Mon, 7 Jul 1997 15:07:54 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: God

Comments: To: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199706280502450033@msn.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 28 Jun 1997, Sherri wrote:

 

> Why the hell does everyone seem to need to have god be a human being with

> magical powers... aren't we capable of expanding our imaginations/awareness a

> little beyond our own puny little selves?

> 

> Ciao,

> Sherri

> 

i couldn't agree more.  i've often said as much to friends and collegues.

to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

to me, it's impossible to picture God at all.  The fact that we even

attempt to name God is puzzling.  God is a mind more powerful than we

can even begin to conceive.  Maybe.

Jenn Thompson

=========================================================================

Date:         Mon, 7 Jul 1997 15:15:57 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: Summer Reading Project

Comments: To: James Stauffer <stauffer@pacbell.net>

In-Reply-To:  <33B529AA.35C6@pacbell.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 28 Jun 1997, James Stauffer wrote:

 

> Dear Beetles

> 

> Does anyone have any suggestions for reading projects that might help

> restore some minimal level of Beat focus to the list before it

> completely evaporates into the dissapearing ozone layer with more and

> more Kozmic Kuestions like Poesey and Godliness? Beginning to sound like

> what passes for intellectual discussion in a freshman dorm.

> 

> Dr. Sax vs. Mocassins?  A WSB thing like Western Lands?

> 

> We did a thing on "Wichita Vortex Sutra" that was good.

> 

> HELP!!

> 

> We need to find a way to keep this thing interesting without someone

> dying.

> 

> J. Stauffer

> 

well, this may not be an original suggestion, but here goes:

what about looking at E.A. Poe in comparison to Kerouac.  I'm reading

Poe again for a class now, and once read that he (Poe) was a slight

influence on Kerouac.  I can see it.  Poe's confessional elements.  Also,

his prose reads like poetry (or one could term it "prosody").

 

i apologize if this suggestion sounds juvenile (freshman dorm-like), but

it's just a thought.

Jenn Thompson

=========================================================================

Date:         Mon, 7 Jul 1997 15:20:54 -0500

Reply-To:     "William H. Rose, III" <schpill@EXECPC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose, III" <schpill@EXECPC.COM>

Subject:      "Beat Streets"

Comments: cc: tpadgett@sbuniv.edu

MIME-Version: 1.0

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Beat Streets

by William H. Rose, III

July 3-6, 1997

(for Al, Bill, Jack, and Neal

and all the other beaten rogues of the third vision)

 

Gesticulating tongue

The open vision mouth

Warped muse

In a daydreamed location

Incense, jasmine and roses

Curling up my head

Chair-scattered haphazard clothes

You and I thus bookmarked

And scattered to the poems

Made real.

 

But he explained

His Bostaon-Harvard exploits

Not as an island

But as a sea of phrases

And I thought of my own place

Street-wise.

I have no poetry readings to miss

Except, of course,

When I sit down to beat-read.

I do not understand

The Buddha "om"

And have no time for dissertations

Which I waste intermittently.

No S.F. City Lights this

Nor dome-vaulted Imax rides

Nor tome-tomb renaissanced in books

But downtowned blue-waved

And lake-front driven.

I sensed this jazzed out

Poet and I

Are not so separate

He envisions his world

And tempts the Muse

As I impale her passionately

On Hamlet's sword and poison.

 

Speak beat

Plaudits on far and high

And rapid innocuous accolades

For all the writers readers.

Have you heard the voice of reason?

Are angels coming back now?

A reunion of sorts?

Automatic writing

In beat technology

Beat pornography

For Kerouac's scattered kicks

In Ginsbergesque howls trebled

And Neal's crazy visions cut-up.

 

Naked lunched and injected

Non-menthol heroin

Roach powder Interzone runaway routine

At the foot of release.

Where does the paranoia of words begin

And the addiction end?

Oh, and Bill.....

     They're still watching you!

=========================================================================

Date:         Mon, 7 Jul 1997 13:56:54 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: God

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

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Jennifer writ:

 

><<i couldn't agree more.  i've often said as much to friends and collegues.

>to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

>to me, it's impossible to picture God at all.  The fact that we even

>attempt to name God is puzzling.  God is a mind more powerful than we

can even begin to conceive.  Maybe.>>

 

Well, I keep trying to get off this thread.  God, however, has my name

and number.  Keeps dragging me back to a certain reality.  <<and I thank

him, sincerely>>  that process be damned, we are expected to live and

die by the reality of our posts.  our actions.  and in that manner, no,

god is corporeal.  He is quite real and if need by, I can direct you

towards him.

 

However, I have a sneaky suspicion that my God is not yours.  or yours.

and yours.  and mine.

> 

>> Jenn Thompson

 

Douglas <<eating>>

=========================================================================

Date:         Mon, 7 Jul 1997 20:10:47 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody, Part III

 

while i can see both your points, i think Cody can stand on its own, just as

Ulysses did...  once one realizes what's being done, it's amazing writing,

even without the benefit of "who" the author is.  granted, though, the knowing

does increase it's understanding and depth for the reader.  maybe it all comes

down to how one reads it?  (it's almost like reading poetry to me.)

hhhmmmmm...

 

a bigger question is begged, though.  does it have to stand on its own?

perhaps it could be viewed as part of  a trilogy...OTR, VOC, VOG.  dunno, just

speculating here...

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of James Stauffer

Sent:   Monday, July 07, 1997 12:23 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: Cody, Part III

 

You raise the issue that has been troubling me through Part 1 and at

least half of part 2.  If I didn't bring my already developed ideas

about Jack and Neal to this book would I read it?  So far for me the

book fails badly in this regard.  Without all this outside stuff we

bring from the other books and bios and our own knowledge of these

people I am not at all sure the book works.  Part One is certainly an

amazing display of memory but we are given little reason as to why to

care about these particular memories.  I think the point you raise about

AG's more ephemeral stuff is also very valid.  A lot of Beat stuff falls

victim to relying on already developed notions  of what is hip.  Sort of

preaching to the choir.  JK's best stuff stands on it's own.  This one,

I am not at all sure yet.

 

James Stauffer

 

Michael Stutz wrote:

 

> had to think, What makes this so great? How the hell did he get this

> [eventually] published? Who the hell reads this?

> 

> I loved his evocative descriptions, mastery of inner thought-voice and

> ability to get it on paper -- just long thoughts for hours nonstop,

> transcribed, open, honest, done just to do. But would I have read it and

> spent the time with it if it was written by Joe Blow?

=========================================================================

Date:         Mon, 7 Jul 1997 17:30:48 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Cody, Part III

In-Reply-To:  <UPMAIL14.199707072113520176@msn.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 7 Jul 1997, Sherri spoke of VOC:

 

> (it's almost like reading poetry to me.)

 

Yeah, VERY much so. It's like a hybrid between poetry and prose -- or is all

good lit like this? Hmm... [thinking out loud] do the best lit works (prose)

read like poetry anyway?

=========================================================================

Date:         Mon, 7 Jul 1997 23:01:57 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Caro diario.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dear diary,

i today have read a very poetic phrase in "On the Road":

"climbing trees to get into attics of buddies

where he spent days

                        reading or hiding

from the law" written by jack keroauc depicting the life

of NEAL CASSADY,        reading or hiding

                        very poetic

                        reading or hiding

=========================================================================

Date:         Mon, 7 Jul 1997 15:06:29 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Cody, Part III

Comments: To: Sherri <love_singing@MSN.COM>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I tend to agree with Sherri and also see the points of the others.

 

Joyce is a good analogy.  Who would read Ulysses or Finnegans Wake?  Answer:

a lot of people.

 

I think it does need to be seen as part of Kerouac's oeurve.  Yet it can

stand alone, but like Ulyssess and Finnegans wake was not meant to only

stand alone.

 

It tries to do more than only tell a story but also to capture an essence

(many essences) as well.

 

It is also a great catalog.

 

I don't have a copy of the book anymore.  You guys've inspired me to hit the

library after work.

 

At 08:10 PM 7/7/97 UT, Sherri wrote:

>while i can see both your points, i think Cody can stand on its own, just as

>Ulysses did...  once one realizes what's being done, it's amazing writing,

>even without the benefit of "who" the author is.  granted, though, the knowing

>does increase it's understanding and depth for the reader.  maybe it all comes

>down to how one reads it?  (it's almost like reading poetry to me.)

>hhhmmmmm...

> 

>a bigger question is begged, though.  does it have to stand on its own?

>perhaps it could be viewed as part of  a trilogy...OTR, VOC, VOG.  dunno, just

>speculating here...

> 

>ciao,

>sherri

> 

>----------

>From:   BEAT-L: Beat Generation List on behalf of James Stauffer

>Sent:   Monday, July 07, 1997 12:23 PM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:        Re: Cody, Part III

> 

>You raise the issue that has been troubling me through Part 1 and at

>least half of part 2.  If I didn't bring my already developed ideas

>about Jack and Neal to this book would I read it?  So far for me the

>book fails badly in this regard.  Without all this outside stuff we

>bring from the other books and bios and our own knowledge of these

>people I am not at all sure the book works.  Part One is certainly an

>amazing display of memory but we are given little reason as to why to

>care about these particular memories.  I think the point you raise about

>AG's more ephemeral stuff is also very valid.  A lot of Beat stuff falls

>victim to relying on already developed notions  of what is hip.  Sort of

>preaching to the choir.  JK's best stuff stands on it's own.  This one,

>I am not at all sure yet.

> 

>James Stauffer

> 

>Michael Stutz wrote:

> 

>> had to think, What makes this so great? How the hell did he get this

>> [eventually] published? Who the hell reads this?

>> 

>> I loved his evocative descriptions, mastery of inner thought-voice and

>> ability to get it on paper -- just long thoughts for hours nonstop,

>> transcribed, open, honest, done just to do. But would I have read it and

>> spent the time with it if it was written by Joe Blow?

> 

> 

=========================================================================

Date:         Mon, 7 Jul 1997 18:09:41 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: God

Comments: To: "Penn, Douglas, K" <dkpenn@OEES.COM>

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970707205654Z-279@sd-mail.sd.oee s.com>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 01:56 PM 7/7/97 -0700, Penn, Douglas, K wrote:

>Jennifer writ:

> 

>><<i couldn't agree more.  i've often said as much to friends and collegues.

>>to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

>>to me, it's impossible to picture God at all.  The fact that we even

>>attempt to name God is puzzling.  God is a mind more powerful than we

>can even begin to conceive.  Maybe.>>

> 

>Well, I keep trying to get off this thread.  God, however, has my name

>and number.  Keeps dragging me back to a certain reality.  <<and I thank

>him, sincerely>>  that process be damned, we are expected to live and

>die by the reality of our posts.  our actions.  and in that manner, no,

>god is corporeal.  He is quite real and if need by, I can direct you

>towards him.

> 

>However, I have a sneaky suspicion that my God is not yours.  or yours.

>and yours.  and mine.

>> 

>>> Jenn Thompson

> 

>Douglas <<eating>>

 

        There is no "God." Case closed. --Sara

> 

=========================================================================

Date:         Mon, 7 Jul 1997 17:25:26 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: God

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sara Feustle wrote:

> 

> At 01:56 PM 7/7/97 -0700, Penn, Douglas, K wrote:

> >Jennifer writ:

> >

> >><<i couldn't agree more.  i've often said as much to friends and collegues.

> >>to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

> >>to me, it's impossible to picture God at all.  The fact that we even

> >>attempt to name God is puzzling.  God is a mind more powerful than we

> >can even begin to conceive.  Maybe.>>

> >

> >Well, I keep trying to get off this thread.  God, however, has my name

> >and number.  Keeps dragging me back to a certain reality.  <<and I thank

> >him, sincerely>>  that process be damned, we are expected to live and

> >die by the reality of our posts.  our actions.  and in that manner, no,

> >god is corporeal.  He is quite real and if need by, I can direct you

> >towards him.

> >

> >However, I have a sneaky suspicion that my God is not yours.  or yours.

> >and yours.  and mine.

> >>

> >>> Jenn Thompson

> >

> >Douglas <<eating>>

> 

>         There is no "God." Case closed. --Sara

> >

 

The Committee will seriously consider all of your beliefs and

disbeliefs.

 

sincerely,

 

The Committee.

 

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 15:50:15 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: JK tribute: kicks joy darkness

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Marie writ:

 

><<g'nightadrien!(it's now morning on east coast) when you listen again,

>listen as carefully to michael stipe's "our gang" which has lodged in my

>head and won't get out. how carefully he enuciates (a miracle, for those

>who listened to REM a few years back),  but also how the music adds to the

little scene and to me reflects back to dr sax bedroom imagination.>>

 

regarding Stipes annunciation, I liked how at the end, he starts to fade

away.  It becomes hard to hear him as if if if the dream is ending and a

decision has come nigh.  Hell or Heaven awaits?!  Surely this is

blurring and fading is intentional, yes?

 

>> mc

 

Douglas <<cruel, gruel, cog>>

=========================================================================

Date:         Mon, 7 Jul 1997 19:04:30 -0400

Reply-To:     Tread37@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jenn Fedor <Tread37@AOL.COM>

Subject:      greeting from jenn - disregard crap at beginning(mailing error!:))

 

---------------------

Forwarded message:

From:   MAILER-DAEMON@aol.com (Mail Delivery Subsystem)

To:     Tread37@aol.com

Date: 97-07-07 03:10:37 EDT

 

The original message was received at Mon, 7 Jul 1997 01:41:42 -0400 (EDT)

from root@localhost

 

   ----- The following addresses have delivery notifications -----

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   ----- Transcript of session follows -----

553 BEAT-L@cunyvm>cuny.edu... Unbalanced '>'

550 BEAT-L@cunyvm>cuny.edu... Host unknown (Name server: cunyvmcuny.edu: host

not found)

 

   ----- Original message follows -----

 

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          Mon, 7 Jul 1997 01:41:42 -0400 (EDT)

Date: Mon, 7 Jul 1997 01:41:42 -0400 (EDT)

From: Tread37@aol.com

Message-ID: <970707014140_-57794407@emout04.mail.aol.com>

To: BEAT-L@cunyvmcuny.edu

Subject: greeting from Jenn

 

hello all involved with this mailing list.  i just became a member two days

ago and am thrilled at all of the insightful and intelligent mail i have

received.  i would really like to become an active member of this group, but

i am a little hazy on how exactly i can participate.  i guess i'll just have

to jump into the middle and hope i can swim.  i have to confess that, yes, i

am merely a college student and have very recently discovered the wonders of

beat writing.  but it was love at first sight i must say, and i am trying to

suck up as much info. as i can.  i am currently reading OTR and JK letters

(1940-1956).  i also have been reading as much AG and JK poetry as i can get

my hands on.  The First Third and Visions of Cody are next on my list.  all i

am saying now is that i apologize if i ask stupid and naiive questions, but

soon i will fall into the swing of things, so bare with me!!:)

 

my first two offers for discussion may seem a lttle graphic and severe, but

their raw innocence and lust and love realy struck me: AG's Many Loves and

Please Master (1968).  Many Loves really brought out for me the intense love

that AG possessed for  NC and how freely this love made him a sort of slave

to it and in turn to Neal.  But the innocence and admiration that came with

the experience is so well defined by the newness and apprehension depicted as

they begin this exploration.  Please Master accomplishes this with a

different, yet equally effective approach.  the raw, graphic nature of the

piece shows the extent to how allen was a slave to this passion, and the

cycle of it is thoroughly illustrated through the repetition. yet the love he

felt for neal is so clear through his blind obedience and willingness to

submit to neal's (as well as his) wishes, as unacceptable as they might seem.

 he treats it as a priviledge to be able to share this intimacy, however

purely lustful and physical the graphic language might initially convey.

signing off for now,

jenn (JF)

=========================================================================

Date:         Mon, 7 Jul 1997 19:32:24 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Fwd: more dreams

 

---------------------

Forwarded message:

Subj:    Re: more dreams

Date:    97-07-07 19:32:06 EDT

From:    Marioka7

To:      pelliott@sunflower.com

 

In a message dated 97-07-07 17:07:59 EDT, you write:

 

<< 

 Maya, i fail to understand the beat connection. Is this related or in

 reference to a book or something. respectfully

 patricia >>

 

 

Patricia: this is something I've been wondering about, just thought I'd use

your comment as a jumping-off point to ask the list in general.

 

 

      i'm afraid there is no direct beat reference/connection.  You didn't

like it?  Sorry.

 

If you want i could say that i was exploring the beat method of pulling

together the conscious and unconsious.  And the cut-up method of narrative

(yes, cut-up can be used with narrative, not only words) and of images,

started by burroughs and brion gysin.  In fact, dreams are often dreamt in

cut-up, where images/thoughts/feelings are juxtaposed and associated in a

seemingly 'disorderly' manner because they make a different kind of sense

than when you're awake.

 

      In general, I try to experiment with words on this list, and I try to

do so in a way that reflects the depth of the influence the beats have had on

me.  If this is not an acceptable thing to do on this list, please let me

know and i will cease doing so.

 

      Is this list only for discussing the beats' persons and writings or

also for exploring their ideas, and, perhaps, applying them to other, new and

different, things?

 

     Perhaps those of us who are serious writers/artists/whatevers could

start a new list in which we discuss beat theory in relation to our own work.

 Or we could form two sides on beat-l,

                 the Artists      vs.      the Critics

 

please let me know if i should take my dreams/poems/etc elsewhere or at least

where I should shove them.

 

hasta la vista,

maya

=========================================================================

Date:         Mon, 7 Jul 1997 16:49:48 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: God

Comments: To: RACE --- <race@MIDUSA.NET>

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Sara Feustle and david rhaesa wrote (respectively):

>         There is no "God." Case closed. --Sara

 

>The Committee will seriously consider all of your beliefs and

>disbeliefs.

 

     You mean god is not the pooh-bear?  My daughter and I are greatly

     confused and awaiting the Committee's decision before burning the

     hundred acre woods and skunking out the heretics; wondering how roast

     piglet would go with donkey giblets.

 

     matt

=========================================================================

Date:         Mon, 7 Jul 1997 20:04:50 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      opium=buddha of the masses

 

i once heard the "om" of the universe, tripping on 3 hits of

bart-simpson-stamped acid in New York city.   it was under a tree in

Riverside Park, around 113th street.  I mean, that wasn't the SOURCE or

anything, that's just where it came to me.

 

I felt like He (Buddha) was calling me and asking me to come.  I was

suspicious (wouldn't you?) and declined, but only after seriously considering

it. I mean it's not the kind of opportunity one gets every day, to become a

boddhisatva.  I knew it would be a lot of work, constantly having to, like,

convert people and stuff.  You know, the Unenlightened ones.

 

He said it was my only chance, and after he faded away, i wondered if i had

done the right thing.  What would have happened to me if i had said yes?

 

Just to try it out, i tried to get my friends to hear the "Om", but they just

looked at me funny.

 

Missed vocation? Drug-induced hallucination? Perhaps a combination?

 

(((((((((((((((((((((((nobody knows))))))))))))))))))))))))))))

=========================================================================

Date:         Mon, 7 Jul 1997 20:10:01 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: For Bentz: Measures, Jazz Giants, Obituaries, etc.

 

"The Creator has a master plan."

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 20:20:41 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: a poetess in the early peace movement Re: Denise Levertov.

 

Much better! Though I can't get the image of dazzling trucks. And now it is

not the old who have their own linguistic privacies!

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 20:24:26 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Scope of Beat-l

 

There have been some questions recently concerning the scope of Beat-l.

As it states in the "Welcome" message, "Beat-l is an online discussion

forum devoted to the study of the lives and works of the writers of the

Beat Generation, especially Jack Kerouac, Allen Ginsberg, and William

Burroughs.  In addition to serving as an outlet for discussion, Beat-l

is intended to facilitate scholarly communication and to serve as a

bulletin board or calendar for poetry readings, announcements of new

publications, upcoming conferences, and related events.  It is NOT

 a chat room.  Recent posts have tended to veer too far in that

direction.  Postings to Beat-l should be of interest to a substantial

portion of listmembers.  During a discussion, a thread may emerge that

is not directly related to the list's concerns but that may be of

interest to two or three members.  Such a topic should be taken off the

list and discussed privately by those interested parties.   Likewise,

comments directed at a specific listmember rather than the group as a

whole should be sent directly to that person.  Recently, someone asked

about posting poetry to the list.  This can be a gray area.  Certainly,

those poems written in tribute to Allen Ginsberg after his death were

appropriate. Likewise, poems written on Beat thems or in a Beat style

might be of interest to the list as a whole.  I guess common sense has

to prevail.  Fair of not, most people on the list would probably enjoy a

poem by Gary Snyder but they might not be as receptive to work by John

Doe.  I doubt that a poem now and again will be objected to by most

listmembers but we don't want to turn the list into "dial a poem."

Also, please be careful about not posting copyrighted material to the

list (including poems) without the author's permission.  For those new

to the list, I will repost the "Guidelines for Discourse" that were

developed to recently to bring some order and civility to our

discussions.  Look for this in the next day or two.  Those already

familiar with the guidelines can hit the delete key.Thanks for your

attention and for your continued interest in Beat-l.

William Gargan, Listowner

=========================================================================

Date:         Mon, 7 Jul 1997 20:56:09 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cody, Part III

 

Good questions, Michael. Do you really want them answered? We'd have to pack

a lunch for this beatnik picknik, naked or not.

I don't have VOC. Never read it. My wife read it when she was a teenager and

liked it. I've listened to the Krono disc that Allen gave me. Too hysterical

for my tastes. A young woman helping me with my mss brought me Holy Soul

Jelly Roll cd . I'm listening to it a little at a time. Some of the poems

I've heard read before. Read with Allen on some of them. I'm trying to get a

"time-perspective" on them. I've heard the first cd, and the poem I like best

so far is Van Gogh's Ear. But your wife's comments are valid about the

'cock.' The tone reminds me of  when I was a little kid and another boy

wanted to get under the bed with me to "play". There is a sense of juvenalia

to Allen's homoeroticism that he seems to be hiding from that same "grown-up

Amerika'' that he seemed to succumb to.

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 21:06:17 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Re[2]: God

 

"That book is good

Which puts me in a working mood.

Unless to Thought is added Will,

Apollo is an imbecile."

                              Emerson

=========================================================================

Date:         Mon, 7 Jul 1997 21:13:53 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

In a message dated 97-07-07 16:55:48 EDT, you write:

 

<< I also did a search on Charles Bukowski: Three email addresses

 >                            Charles Plymell: No matches >>

I have no email address, just cveditions@aol.com or

www.buchenroth.com/cplymell.html

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 09:38:12 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody, Part III

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Michael Stutz wrote:

> 

>  Good to hear someone say this. VOC is one of my favorite novels, maybe

> my

> favorite Kerouac work (surely one of his most ambitious, no?), but upon

> my

> first read found it incredibly boring and hard to go through at points.

 

I liked parts I and II, can sort of see where K is going with this, and I

think I will probably be fine when I get beyond the tape.  Ginsberg

writes about this section"

 

"Thus the tape may be read not as hung-up and boring which it sometimes

is, but as a spontaneous Ritual performed once & never repeated, in full

consciousness that every yawn & syllable uttered would be eternal--and

here it is immortalized after all by the Great Rememberer and his Cast of

Characters remembering themselves while still alive.

        Dramatically, what's interesting is that we catch Neal at a time

when self-questioning and early exhaustion of lyric love, self-abuse,

have dried up his expositional flow & he's considering (as many do at his

age) the futility & repetitiveness of most of his own talk.  This is a

moment when Kerouac is expecting Saintly Discourse; a moment frustrating

for all.  Also at a time early in T-consciousness in U.S. when Neal was

smoking experimentally excessively, that is all the time. & experiencing

such aphasia or language disconnection & emotional alienation as that

experiment might cause, as well as awe and emptinesxs of mind which

simultaneous is both mystical Virtue, & psychological pathology.  'Man

I'm thinking.  I've just spent the last minute thinking and I had a

complete block.'"

 

I have trouble with "ritual" and the "every yawn and syllable being

eternal" part.  And also, from what AG said, it seems that K had more of

a vision for this part than actually developed, because Neal was so high

and disconnected.  The hero (Neal) talking here, can't express himself

with his own words.  Where does that leave K in terms of the hero

expressing himself?  K has to do it for him later on by developing this

theme. It leaves K with the necessity of taking the writing back to prose

and back to a romanticization of the hero again, which I assume we get

into again after this part.  I don't have trouble with there being few

actions here, with visions, or unconscious language, only with the idea

that every syllable is eternal simply because it comes from the mouth of

the hero."

DC

=========================================================================

Date:         Mon, 7 Jul 1997 10:03:05 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody, Part III

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> Michael Stutz wrote:

> Something else about these guys that I just now for the first time

>suspect

> might apply to VOC: my wife doesn't care for Ginsberg's homoerotic

>poetry,

> citing much of his "i want to suck a cock / your dick as hard as a

>rock"

> brand of verse as the work of an extremely arrogant man ("You'd _have_

>to be

> arrogant to put that stuff on a page and call it poetry! _I_ could

>write

> poetry like that," she'd say, and come up with her own Ginsberg-style

>poem

> that would rival his). While Ginsberg's life is now looked at as one of

> "candor" -- that also being applied to his poetry, the effect of which

>did a

> Good Thing for modern poetry etc., it has a flip side, as it seems to

>have

> inspired a generation or three of terrible pseudo-beatnik "poets" that

> nobody cares about except their pseudo-beatnik friends. Again, Joe Blow

> writes a poem befitting his name: "i want to suck a cock." Nobody

>cares, but

> Ginsberg does it and everybody buys the book. Something like VOC

>couldn't

> have been written by just anyone, could it? And if someone did, would

>they

> be able to get it published (and get people to _read_ it) or would they

>need

> 20 years and the help of a marketing agent?

> 

 

 

First of all, I don't think VOC fits into this category.  I think K did

have a vision of his own for the work that was meant to perhaps take

language out of time in much the same way that Joyce did; that he wanted

to take many only 3-4 human actions in the whole work and have those

dispersed with all of the out-of-time memories and unconscious material

that daily floats through the mind?  Did he accomplish that? I won't form

an opinion on that till I get to the end.

        But I think what you are talking about with regards to Ginsberg

is a different thing.  A lot of people disregard AG's poetry because they

find it self-indulgent and arrogant that he would write about, for

example, his cock.  Does that leave it open for anyone to call

himself/herself a poet and start writing about genitalia and think that

that makes them a great poet?  Any poet needs to ground their

intellectualness in their humanness.  For Ginsberg, perhaps there is a

line between self-indulgence and self-expressiveness.  He broke barriors

in modern poetry but it wasn't because he just wrote about the human body

or sexuality.  Even what many call formless had a larger structural

form, all part of a larger framework.

DC

 

y top for me.  I have a very extensive

 

 

> collection, beginning with LPs and mostly in the subsequent CD strata, of

> these Masters and others.  Of the 4, I had the privelege of seeing only Davis

> during his last '80's incarnation.  I missed the boat on the others, born and

> enlightened too late.  But about 5 years ago, I did have a Coltrane

> experience- I saw a band that featured his son Ravi ( as well as Elvin Jones,

> the great drummer of the legendary JC quartet), whom I briefly met after the

> set.  He closely resembled his father, it was a rather spooky experience and

> I felt somewhat sorry for him having to pursue his path in the shadow of such

> an immortal Giant.  He was good as I recall and probably has gotten better (I

> think he was only in his mid-20's when I met him), but how can he ever get

> out from under that shadow?  I admire him for doing what he must do

> regardless of the circumstances.  What is your favorite Coltrane item or

> album?  I would hate to have to answer that question, so I shouldn't be

> asking it, should I?

> 

> I was aware of, and saddened by, the deaths of Robert Mitchum, James Stewart

> and Charles Kurault, in such quick succession.  Have you seen RM in NIGHT OF

> THE HUNTER?  It's one of the great stylish villian roles, right up there with

> Richard Widmark's Tommy Yudo in KISS OF DEATH and Dennis Hopper's Frank Booth

> in BLUE VELVET.  And I recently saw the newly restored version of VERTIGO on

> the big screen at a grand old theatre here in Ann Arbor, a breathtaking

> experience with an unforgettable, subtly complex and disturbing performance

> by JS.  Speaking of the cowed, cretinized popular culture referred to above,

> you failed to mention the death, by his own hand, of Brian Keith, separated

> at birth from Robin Williams and my accountant, who looks like both of them

> combined, and with some Ted Kennedy thrown in for outline.  As Vietnam and

> the upheavals of the '60's raged, Uncle Bill blew off Buffy, Jody and Sissy

> with his gruff, lethargic "go ask Mr. French" for 7 straight seasons.  It

> took that many years for Kerouac to get ON THE ROAD published!  This is

> shameful, what did BK ever do to me?  He was probably a very nice guy

> following his path and making a living, and I never would have wished such a

> terrifying and despairing end for him.

> 

> Well, I have written again as you suggested after not hearing from you after

> our brief exchange a little while back ( you toggled me to get on my New

> Urbanist soapbox as I recall).  This is a great and increasingly obsessive

> list to be on, I'm getting to know the themes and MO's of the regulars,

> separating the Beat Wheat from the Chatter Chaff.  Until very recently, my

> own correspondence was one-on-one, such as my dispatches to you.  But I've

> finally gone public and joined in on the VOC forum in direct response to

> Marie Countryman and to the List at large.

> 

> Regards,

> 

> Arthur S. Nusbaum

Arthur:

 

When you delurk you do not mess around. I always assumed Dr. Sax was

named that by Jack for the jazz sax players who can haunt you like a

mystery in your brain.  What was the man who just quit playing and went

out every night and played on the Brooklyn bridge?  There is something

about the sax that is lost in today's music.  Whether you like them or

not, Train and others were the boss, and noone has picked up the

challenge.  But I mean, lock Kenny G and Yanni in a room together and

see what happens.  Maybe they could force each other to play!!!!

 

Glad to help someone delurk, but wow, what a powerful beginning today.

 

I love this list!  It is the only thing I know of on the internet that

requires thought.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 18:18:45 -0500

Reply-To:     "William H. Rose, III" <schpill@EXECPC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose, III" <schpill@EXECPC.COM>

Subject:      "The Playful Poets"

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The Playful Poets

by William H. Rose, III

 

Kerouac ruck-sack back-pack Buddha-Jack beat-back run-on James Joyce firs=

t-choice

odd-voice free-fall flowing, you know, come on. (In cosmic slums Jack wro=

te the bums

and beat upon his clever-kicked and hobo drums in search of wide-eyed lov=

ers who

would hum.) On the road his story told in non-stop verse so nudely bold. =

Kicks and

chicks and movin=92 on; swimmin=92 in women and carryin=92 on. Kerouac ro=

ad-knack

Dharma-pack mystic poet of our past.

 

Dharma lion, love-crazed cryin=92, house of Zion, outlived dyin=92. Allen=

 Ginsberg phallic-

rimsword, fault gestalt Whitman Walt, no man, everyman, woman, man! Kaddi=

sh,

Kaddish, Kaddish, rave and reel, the secret hero of the =93Howl=94 was Ne=

al. =93The fastest

man alive=94 some say when pryed, others say he lived the way he died. Ke=

n Kessy testing

LSD the bus =93Furthur=94 on a spree in colors all a-glow; Neal=92s drivi=

n=92, the Dead are

thrivin=92 in the Merry Prankster Show. Further, Furthur, further, off to=

 the extreme;

deeper, steeper, deeper at the edge of my beat-dream. Flower-power acid-t=

ower

peace-hour, free; The Electric-Koolaid-Acid-Test and 1963.

 

Generation, inspiration, imagination, confirmation; When did I find time =

for this beat

emancipation?

 

J.S. Bach turned waltz to rock and Hendrix played it loud; The Grateful D=

ead they spun

some heads but Mozart stunned the crowds (at only 4!). Courtney Love and =

Kurt Cobain,

Perry Farrell and Alice In Chains. Bob Dylan was distillin=92 the essence=

 of folk rock while

Iggy Popp the stage he hopped naked all a-swingin=92-bopped. Carol King, =

Prince, and

Queen, royalty the music scene. And Bo and Bird without a word the sweete=

st sounds

I=92ve ever heard. Tom Waits impatiently I=92ve found for pasties, g-stri=

ngs, beer and blue

sound.

 

Hip-hop (give it away now), Punk Rock (in your face, wow!), Raggae (Rasta=

fari, man),

Techno (music in a can), Ragtime (Joplin=92s slammin=92 keys), The Blues =

(B.B.=92s on his

knees), Classic (music for the head), Cool Jazz (from the heart is fed), =

Rock =91N Roll (the

time has come), Slow Souls (melts them into one).

 

Thomas Stearns (T.S.) Eliot cosmic burn poetic delicate free-verse letter=

s Wasteland

empty it. e.e. cummings, he be cunning, words so stunning, see me coming,=

 poetry with

wit. Salvador Dali Llama, Dharma blues and bums with news, William Shakes=

peare did

you all hear Elvis has blue shoes (watch your step now!). Buddha, Christ,=

 and Allah

praises; Genghis, Vlad, and Hitler crazes, ashes death to dust. Lord Byro=

n I=92m admirin=92,

Socrates philosophies please, and Charlemagne made quite a name while Nea=

l Young

slept in rust. Robert Frost was never lost while Whitman=92s truth was su=

ddenly tossed at

Henry and June two lovers star-crossed. Ezra Pound China-found canto-boun=

d full of

sound, Yao! And Emily a mystery wrote poetry for all to see, wow! Ferling=

hetti word

confetti, scat-back ready, beatnik steady, City Lights heady, the =93Howl=

=94 was so much fun;

James Dean was such a scream and Morrison was filled with dreams and both=

 died much

too young. Jim Carroll lives with Randal Jarrell my bookshelf won with Le=

wis Carol. The

Hobohemian hepcat-hipster tried to make it with a twister. And Leonard Co=

hen wrote all

alone =93her perfect body=94 Suzanne poem.

 

Bus-stop red-hot flip-flop last-stop dew-drop bop-hop flick of the lovers=

 tongue; stop-gap

beat-rap sex-trap hip-wrap sound-tap flap-clap pose of the rebel young. A=

nd in the 1990=92s

we are confused =91bout lust, can we, should we, would we tender touch, o=

f lovers who are

loving not enough, or, perhaps, maybe, of course, too much?

 

Claude Monet no pallet gray, colors rich and full of May. Vincent painted=

 Starry Nights

and softly unveiled the world=92s rights. da Vinci gave us mirrored hands=

 and all the

wonders of the land. And Gustav Klimt the kissers primped within his arms=

 her body

limp (waiting for =93The Kiss=94); for Lenny Kaye and Patti=92s way they =

=93Ask The Angels=94

come and play (sweet poetic bliss).

=========================================================================

Date:         Sun, 6 Jul 1997 19:25:22 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      MC--I salute you

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MC:

 

Today, had more good posts than I could digest.  You go girl.  I salute

your wonderful handling of your mood and obtaining what you wanted

without being, well, you know what I am trying to say here.  Damn good

job.  Good list and I just felt VoC was such a hard book to read because

of the way I read and the way Jack wrote it.  He wants to recreate

reality with words, and I read it that way, and it takes my energy.  I

want to read Pic though, so I will read VoC in hopes someone else will

go there with me.  Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

=========================================================================

Date:         Sat, 28 Jun 1997 17:27:41 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: is it art?

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970628171021_203057940@emout18.mail.aol.com>

MIME-Version: 1.0

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thanks for posting this strange unrelated? post the reading of that list

was MiNDblowinG...

 

for some one who just reliezed that you can get lost on a computer like

someone walking on the street in life--and not just in virtuospace

either, i mean just on my frames windows in this computer as i wus tryin

to get to where i log in like a journey failer quest like real? life

(and thus al so with a mind separate from the reality controling the

movement of the show) and thru the dark woodsy forest i came to te land

of the Beat-list. wow i originally typed it as Berat-l.

heeeeheeeehheeeeehhhhheeeeeeeeeeeeehhheeehhhhhheeee.

 

now for your viewing pleasure or deleting pleasure:

 

a newborn poem, birth in process...

 

Im not going to be smoking no more

                cause i always think people misterpret me

which they do

                which i misinterpret

for a different misinterpretation

 

                misinterpretations of reality

!?

are you getting this??

 

 

                not so easy to write

about

                as can you think?

 

 

 

oh where did those moons go...oh where did these lil'

brains expire

i my head

in my missing mind

 

 

 

goofin sorry,

Eric

rhs4@crystal.palace.net

 

On Sat,

 

28 Jun 1997, Maya Gorton wrote:

 

> this is a quote from that website i told you about.  I think this person's

> site is brilliant.  i think it's art.  you have no idea what to do and it

> forces you to do something you never thought of doing.  And then it keeps

> working by these inane rules.  CLICK ON THE BRAIN that's all i'm gonna say.

>  There are pages and paages of really cool text and web-craziness, but you

> gotta work for it.  here's a pretty tame quote, anyway. again, go to:

> 

> http://www-rci.rutgers.edu/~maldoror/links.html

> 

> for more. and remember to click on the brain, and click all over after that.

> I think that he's talking about himself and his website here.

> 

> "Benjamin's notes for the Passagen-werk are

> fragments of citations in which the great majority

> of the project's themes are stated in abbreviated

> fashion. Arcades (reconstructed), art-couture

> fashion, hypersensitive boredom, dream-kitsch,

> emotive souvenirs, mannequins, black neon lights,

> VR-headsets, mimetic polyalloy architecture,

> stop-frame animation, holographic prostitution,

> millennial flaneurs, book arts collectors, data

> counterfeiting, Montemartre alleyways, museum

> casings, department store tele-displays, metros,

> email postcards, sidewalk graffiti, reflections from

> computer terminals, catacombs, interior industrial

> design, MTV channels, ethernet connections,

> neo-Gaudian urban planning, Baudelaire's opium

> shock-urbanism. Central methodological concepts

> are also present in the notes: dream image,

> phantasmagoria, dreaming collective, ur-history,

> now-of-recognition, dialectical image."

> 

=========================================================================

Date:         Sat, 28 Jun 1997 17:31:21 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      Re: no such thing

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970628171316_1621886613@emout05.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

you cant probly see it in this poat but the subject heading" no such

thing" and did the messages "no such thing" lined up on my screen...

 

which means absoluteluy nothing by itself (for what are sreen lines and

rows anyhow)

 

But maybe there IS such a think as a poet? like God?

 

 

 

from,

Eric

rhs4@crystal.palace.net

 

On Sat, 28 Jun 1997, Maya Gorton wrote:

 

> there is no such thing as a poet.

> 

=========================================================================

Date:         Sat, 28 Jun 1997 18:33:58 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      God is neither true nor false

MIME-Version: 1.0

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I saw in a post where it is said that God and science have been proven

false.  I think our ideas of both may be proven false, but you can not

prove either of them to be false, except through science or faith.

 

It is all in the way you look at it.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 28 Jun 1997 17:48:13 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Beat core

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J. Stauffer wrote:

 

> Does anyone have any suggestions for reading projects that might help

> restore some minimal level of Beat focus to the list before it

> completely evaporates into the dissapearing ozone layer with more and

> more Kozmic Kuestions like Poesey and Godliness?

 

Just finished reading Kerouac's 'Mexico City Blues'. It gets stronger as

you read it. I have come to the conclusion that his Blues choruses must

be read drunk, or with at least a buzz, the rhythms jump out easier. It

is also closer to his state while writing them.

 

Anybody read Bob Kaufman? he's a real character.

=========================================================================

Date:         Sat, 28 Jun 1997 23:01:33 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

 

In a message dated 97-06-28 01:48:31 EDT, you write:

 

<< But I refuse to have my mind dictated to by anyone. >>

How about dictating to you.

C. Plymell

=========================================================================

Date:         Sat, 28 Jun 1997 23:08:07 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Role of the Poet <<craps>>

 

Yes, I was the Wesley Medical print shop while I was working my way through

college in 50s. I printed couple of mags and chapbooks.

Charles Plymell

=========================================================================

Date:         Sat, 28 Jun 1997 23:19:34 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Summer Reading Project

 

S. Clay just sent me a Poetry Flash with an interview of Allen Ginsberg by

Jack Foley. It seems like the same interview over and over. I hadn't seen the

Poetry Flash since it was a little rag in SF. Now it looks like a full-funded

governmental morality speak Orwellian new age poetry and completely boring

official word control thought police subsidized new-age time warp. I love SF,

but I would hate to live in its literary environment especially among all

those SF poetry munchkins whose thought waves never go beyond the city

lights.

Charles Plymell

=========================================================================

Date:         Sat, 28 Jun 1997 20:29:57 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Summer Reading Update

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Deer Beetles.

 

Some wonderful suggestions have started to pour into my the Summer

Reading Project World Head Quarters here by the dock of the Bay.

 

A Brief Synopsis of Todays Respondents

 

Dave Breithaupt offers

        Jack K.--Desolation Angels and Big Sur (easy to vote for this   one, for

me)

        WSB--Lunch or Place of Dead Roads

        Di Prima--Memoirs of a Beat Chick (is that right)

        Hettie Jones, How I became HJ

 

Marie Countryman weighed in for focusing on anniverseries and the

        HST letters and suggested

 

        "The Hells Angels" by HST (which J Stauffer feels should be

        paired with Freewheeling Franks book told to M. McClure

 

Mr Neurdorff mentioned Jack's "Mex City Blues" and Bob Kaufmann(Cranial

Guitar would make a good starting point here.)

 

Maya, seemingly concerned with ease of access suggests something from

        The Beat Reader which she thinks everyone has (I don't, but     could)

 

Race is undecided and wanting to check out his local library, good idea,

        and the women's basketball league.

 

William Rose sent a longer list.

        Nicocia's Memory Babe

        "Spontaneous Poetics

        Holy Goof

        Jack's Scattered poems.

        Johnson's Minor Characters.

 

Diane voted for Sax vs Mocassins.  Someone else wondered why this choice

of a coupling.  It arose earlier on the list in a proposed debate

between Mr. Plymell and Mr. Anastee in connection with a strong

quotation from a reviewer on the comparative worth of the two b ooks.

Mr. Plymell wrote a nice analysis of the two, a very nice piece on Sax

that is worth looking up.  Mr. Anastee as far as I know has not had his

round. /And seems to be silent on the list.

 

I am easy, most of these sound good to me, with the caveat that I would

like to at least see discussion center on the primary works rather than

scholarship or biography which is useful as an adjunct to discussing

the  works themselves.

 

Let's see if any of these pick up steam.  I love especially the idea of

getting a number of us reading and rereading a Big Sur or Mexico City

Blues, or a WSB or the HST Angels book.

 

Maybe nobody reads the way I do.  I hope not.  I currently am messing

around in the following.

 

        Dr. Sax

        Little Men--by Kevin Killian who used to make very helpful

                appearances on the list and has a book on Jack

                Spicer coming out soon. Kevin did a really fun play

                about the painter Jay DeFeo at the SF Art Institute

                last fall.

        The Lost Coast--by Steven Nightngale--warmed over Nicholls so           far

        Forever Wider--Charles Plymell.

        Firewalk through Madness and Beyond the Haldol Haze by David

                Rhaesa

        The Blood Countess by Robert Peters

        Cranial Guitar--Bob Kaufmann.

 

I noodle around with pieces of prose until one grabs me by the neck and

I finish it in a rush.  Poetry I almost always read in bits and pieces.

I would love to know what other people are reading, and get at least

thumbnail reviews.  This itself would make a good thread.

 

When we did Wichita Vortex it never really took off for long.  Bill

Gargan wrote a very nice thing on it, but it seemed to get everyone

focused on the work we were doing, and that itself is a good thing.

 

Let's see where the energy goes. I will gladly join any of my friends in

a good reading project.

 

James Stauffer

=========================================================================

Date:         Sun, 29 Jun 1997 03:30:45 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

 

I wrote:

<< But I refuse to have my mind dictated to by anyone. >>

 

You wrote:

<<How about dictating to you.>>

C. Plymell

 

I'm not sure, but do I detect a note of sarcasm here?  <G>

 

My mind does dictate to me, which is probably why it so dislikes others making

such attempts on it.  It is also responsible for telling me when acts and

ideas don't correlate.  If there is one GREAT thing the Beats did for us (and

certainly there more than one), it was to give us back our minds,thoughts,

hearts - to wake us up from our sheep-like stupor...  to pull us out of the

enervation with which society continues to seek to control the masses...  made

us see that the rules were made by fallable men whose only interests were to

maintain their positions of power and wealth...  Is it not then antithetical

to impose rules on discussion?  Were it not for the endless discussions

between WSB, Jack, Allen & Neal, et al, on topics of all sorts, I fear that

"Beat" literature/mindset would never have developed to the point of

publication.

 

Therefore, I suggest that, while we are all on this list due to a particular

attraction to this lifestyle/psyche/literature (however one chooses to define

it), the right to discuss that which is foremost on one's mind, so long as it

is not truly offensive to anyone, is paramount to the entire notion of this

discussion group.

 

Ok, enough of my moralizing... just had to get that off my chest.  Really, I'm

not a boring hack... and I promise to drop the subject, unless someone brings

it up to me again... <grins>

 

Bon soir,

Sherri

=========================================================================

Date:         Sun, 29 Jun 1997 05:37:27 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      god is neither true nor false - comment

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isn't God something that by definition isn't proved, but felt and believed

in?

 

ksenija

=========================================================================

Date:         Sun, 29 Jun 1997 05:42:20 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      gregory corso?

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today i read a sentence by gregory corso which completely fascinated me. it

was in serbian (my language), though, so i will roghly translate and i would

appreciate it if somebody could tell me the original text. it goes something

like this: it is not the same to die of a cobra bite and of spoiled pork (?)

 

ksenija

=========================================================================

Date:         Sun, 29 Jun 1997 03:37:00 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Summer Reading Project

 

Wow.. have you been living in San Francisco recently??  I don't find the

envirnment any more stifling than what I perceive to be going on elsewhere.

Yes there is always chaff and sell-out in the literary world as well as in

every other art medium, but I hardly think that SF need be indicted any more

than NY, Chicago or any other city.  SF's rather free environment still

promotes some very interesting and original expression...  And despite the New

Age pablum, much that is quite viable goes on here.

 

 

Ciao, Sherri

=========================================================================

Date:         Sat, 28 Jun 1997 20:46:48 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Notice to all beetles: June 27th 1997

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Sherri wrote:

 

 If there is one GREAT thing the Beats did for us (and

> certainly there more than one), it was to give us back our minds,thoughts,

> hearts - to wake us up from our sheep-like stupor...

 

I don't remember ever being in this stupor.  Would you even really want

to talk to someone who was so out of it that it reading Burroughs,

Kerouac, Ginsberg or Cassidy to realize there was a world out there?

The experience of reading this stuff was to realize that there were more

than you thought of your own kind out there.

 

J. Stauffer

=========================================================================

Date:         Sun, 29 Jun 1997 03:39:52 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: god is neither true nor false - comment

 

isn't God something that by definition isn't proved, but felt and believed

in?

 

ksenija

 

Ksenija...   couldn't agree with you more!

 

Ciao,

Sherri

=========================================================================

Date:         Sun, 29 Jun 1997 00:05:01 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: god is neither true nor false - comment

Comments: To: Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

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Ksenija Simic wrote:

> 

> isn't God something that by definition isn't proved, but felt and believed

> in?

> 

> ksenija

 

It depends on how you look at it.  I would say that either you "know" or

you don't.  What God is not is a crutch.  She is the small still voice.

The male = father, the female = spirit, the children = us. It's an old

myth that is true, whether it happened or not.  If you feel it, you will

hear the spirit rush, you will feel the living waters, and Bob Dylan

said if there is a God it is the River, because it is the only thing

that is in the mountains, going around the bend and at the ocean all at

the same time.  And well, I believe, I feel, but I can not prove truth.

Ask Pilate, maybe he would like a second chance.  My kingdom is not of

this mail list!  Feed the hungry, heal the sick, visit those who are in

jail.

 

As Steppenwolf/John Kay once said, "We've got to go from here to there,

eventually."

 

 

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 28 Jun 1997 21:22:59 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      EXPLODING BEAT READING LIST AND MAO

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s.a. griffin's idea of a Beat List Reading List and mine of a Beat List

Literary Map.  Writers listed under locale.  Writer can appear in more

than one place, but must have important tie to area, not just passing

through.  I'll start with a very sketchy West Coast portrait. The list

should EXPLODE.  feel free to add, delete, move, etc.  Needs to have

favorite titles added somewhere

 

PORTLAND

 

Snyder, Gary

Welsh, Lew

Whalen, Phil

 

SAN FRANCISCO

 

Duncan, Robert

Spicer, Jack

Rexroth, Kenneth

Watts, Alan

Lamantia, Phillip

Kaufman, Bob

McClure, Michael

Snyder, Gary

Welsh, Lew

Whalen, Phil

Plymell, Charles

Reynolds, Frank

Kyger, Joanne

Kandel, Lenore

Micheline, Jack

 

LOS ANGELES

 

Lipton, Lawrence

Bukowski, Charles

Peters, Robert

griffin, s.a.

Selby, Herbert

Morrison, Jim

Huxley, Aldous

Kesey, Ken

 

 

SAN DIEGO

 

Gerlach, Fred

 

 

and on and on

 

James Stauffer

=========================================================================

Date:         Sun, 29 Jun 1997 00:50:35 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: god is neither true nor false - comment LONG

Comments: To: Sherri <love_singing@msn.com>

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Sherri wrote:

> 

> Beautifully said, Bentz.

> 

> God is the one thread that runs through everything... and is everything and

> nothing, simultaneously.  How can that be proved or disproved?  The evidence

> seems overwhelmingly in favor of this Spirit's existence... from Jung to

> Stephen Hawking we have the constant acknowledgment that there is "life" which

> goes beyond that which science define.

> 

> Ciao,

> Sherri

 

Thank you.  I live for the joy of knowing ONENESS and call it God, but I

do not know the name, only what rings true.  I know that God does not

boycott Disney World or appear on the 700 Club. And think about it, if

he did, Pat Robertson would probably have him arrested and taken off the

set.  Hey, if God parks in the First Baptist Church parking lot in

Columbia, SC, to work out at the Y, they tow his car, why, because he is

not a member.

 

The Day God Got Towed

Sherri wrote:

> 

> Beautifully said, Bentz.

> 

> God is the one thread that runs through everything... and is everything and

> nothing, simultaneously.  How can that be proved or disproved?  The evidence

> seems overwhelmingly in favor of this Spirit's existence... from Jung to

> Stephen Hawking we have the constant acknowledgment that there is "life" which

> goes beyond that which science define.

> 

> Ciao,

> Sherri

 

God was going to work out at the y.

He saw a big parking lot with 5 cars in it.

So, he pulled his Explorer in and parked.

(He used to have a Surbuban, but he changes brands every year.)

He was meeting Zeus for a handball game and was late.

He missed the sign that said, "This parking lot

is the property of First Baptist Church.  Non-member cars

will be towed away at the owner's expense."

He wondered why more people did not park there.

He noticed the Church was LOCKED up tight.

Zeus parked two blocks away, he read the sign.

Besides, Thor had been towed a week before.

And Zeus hated getting stuck with that bill.

(That was why Zeus suggested that he and God play

for $35.00 tonight.)

Anyway, God, scanned his Y card and the woman

Behind the desk noticed his membership had expired.

He wrote a check, but did not rejoin the health club.

Didn't have time for the massages or the steam bath.

Besides, he didn't feel right about the fact that

Miriam could not use the health club.

Lucky for God, Zeus was off his game and God won

the $35.00 bet.

Cause when he went out side, his car was towed away.

Zeus laughed his ass off.

God thought to himself, "I have to remember to

give Hera a call and tell her about that new girl

Zeus has been seeing."

Anyway, it cost God $35.00 to get his car back.

Years later, he told the First Baptist Church,

"Depart from me, I never knew you."

"And oh yeah, Peter, get $35.00 from them before they

hit the exit."

Zeus got in trouble again with Hera.

And Thor didn't get towed again,

But the City cops put a boot

On his Firebird because he didn't pay his

Parking tickets.  Zeus met the meter maid.

Then every thing was cool again.

 

Zeus never did win a handball game though.

 

Oh well, just a thought.  Not a Homer.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 00:56:38 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: god is neither true nor false- corrective post

Comments: To: Sherri <love_singing@msn.com>

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Sorry I botched the other post with the double quote.  Here is the work

of art by itself.  Delete it if you need it, or keep it if you dare.

And it's just the day God got towed.

> 

> The Day God Got Towed

 

> 

> God was going to work out at the y.

> He saw a big parking lot with 5 cars in it.

> So, he pulled his Explorer in and parked.

> (He used to have a Surbuban, but he changes brands every year.)

> He was meeting Zeus for a handball game and was late.

> He missed the sign that said, "This parking lot

> is the property of First Baptist Church.  Non-member cars

> will be towed away at the owner's expense."

> He wondered why more people did not park there.

> He noticed the Church was LOCKED up tight.

> Zeus parked two blocks away, he read the sign.

> Besides, Thor had been towed a week before.

> And Zeus hated getting stuck with that bill.

> (That was why Zeus suggested that he and God play

> for $35.00 tonight.)

> Anyway, God, scanned his Y card and the woman

> Behind the desk noticed his membership had expired.

> He wrote a check, but did not rejoin the health club.

> Didn't have time for the massages or the steam bath.

> Besides, he didn't feel right about the fact that

> Miriam could not use the health club.

> Lucky for God, Zeus was off his game and God won

> the $35.00 bet.

> Cause when he went out side, his car was towed away.

> Zeus laughed his ass off.

> God thought to himself, "I have to remember to

> give Hera a call and tell her about that new girl

> Zeus has been seeing."

> Anyway, it cost God $35.00 to get his car back.

> Years later, he told the First Baptist Church,

> "Depart from me, I never knew you."

> "And oh yeah, Peter, get $35.00 from them before they

> hit the exit."

> Zeus got in trouble again with Hera.

> And Thor didn't get towed again,

> But the City cops put a boot

> On his Firebird because he didn't pay his

> Parking tickets.  Zeus met the meter maid.

> Then every thing was cool again.

> 

> Zeus never did win a handball game though.

> 

> Oh well, just a thought.  Not a Homer.

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 01:05:12 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      PS

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I know that Zeus and Thor don't on the surface go together.  But, I just

happen to really like the old Thor comic books by Marvel, so I used Thor

instead of a Greek diety.  Besides, I just lump Jehovah on one side and

all the others on the other.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 00:21:54 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      The Charles Plymell Hwy & God

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Hello Charles,

 

I've been on the road doing a few blues gigs and tied up with my old

friend Luther Allison and ended-up writing an interview for him and

Alligator Records. It'll come out before July 11 (he'll be playing

here on that date). Pulse magazine interviewed me and I mentioned you

and AG. I'm not sure if I'll be censored or not so I'll mail you the

original before they fuck it up. Maybe the BEAT-L would like to see it.

Roxanne's been taking care of the e-mail and caught your description of

peyote tasting like bile out of the devil's asshole-man

we both agreed on that one. I ate 6 buttons once and thought I seen

god and when I looked again it was the neighbor kid doing it dog style

with his cousin Mary. From that day forth, I accepted his cousin Mary

as my personal savior.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Sun, 29 Jun 1997 01:23:51 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: The Charles Plymell Hwy & God

Comments: To: stand666@bitstream.net

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R&R Houff wrote:

> 

> Hello Charles,

> 

> I've been on the road doing a few blues gigs and tied up with my old

> friend Luther Allison and ended-up writing an interview for him and

> Alligator Records. It'll come out before July 11 (he'll be playing

> here on that date). Pulse magazine interviewed me and I mentioned you

> and AG. I'm not sure if I'll be censored or not so I'll mail you the

> original before they fuck it up. Maybe the BEAT-L would like to see it.

> Roxanne's been taking care of the e-mail and caught your description of

> peyote tasting like bile out of the devil's asshole-man

> we both agreed on that one. I ate 6 buttons once and thought I seen

> god and when I looked again it was the neighbor kid doing it dog style

> with his cousin Mary. From that day forth, I accepted his cousin Mary

> as my personal savior.

> 

> Richard Houff

> Pariah Press

Richard:

 

Once, I looked out the window of my bedroom.  I think I was 17 at the

time.  I saw God, he was coming to earth, and he was PISSED at all of

us.  If you see him again, or even Mary, would you ask him if there is

something we can do to help him chill.  I really don't want to see him

again right now.  I am busy and seeing God tends to disrupt one's life.

I know you and Charles know what I mean.  I mean we have to see him at

the gate when we check out, so, I figure, let's just get prepared or

something.  In the meantime, I would like to read the interview before

it gets edited.  Thanks.  It'll give me something to do and take my mind

off life in general.  Keep on keeping on.  But you really ought to

change your handle to stand777.  You know 666 is an encryption for the

Roman Emporers that did a lot of evil things and it might be bad karma

to use that, but then again, it might help you out in the long run.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 01:12:45 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      GO

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James Stauffer wrote:

 

> Let's see where the energy goes. I will gladly join any of my friends > in a

 good reading project.

 

Sounds good.

Finished reading John Clellon Holmes' "GO". Not very impressive. The

history behind the book, its main characters, and publication make it a

good book for nostalgic reasons. Published in 1952, 4 yrs before

Ginsberg, 5 yrs before Kerouac's pop success. The characters included

Ginsberg, Kerouac, Neal & one of his wives, Huncke (found on street by

Ginsberg in shit state after much heroin), Holmes & wife, and many more

i could not identify. It is written with 3rd person narration with

himself as one of the characters, but i found the narration a little too

personal, too rapt up in action, not enough separation. There is an

interesting description of one of Ginsberg's Blakeian visions.

 

Joseph Neudorfer

=========================================================================

Date:         Sat, 28 Jun 1997 23:13:55 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      SPAIR OWS!  <<ca ca>>

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the spare (us)

[[birds running wildly]]

 

let it be, the space between us

 

        - beatle (george harrison)

 

 

-----------------------

 

        don't have fear

        this space between us

        spare us

        someting in conflict with

        -th-e-ou-ter-rea-ache=s, ow!~

                the outer reaches

 

(an anthropologists report ::

     deep from the heart of mother africa)

 

 

 

cheers, Douglas

=========================================================================

Date:         Sun, 29 Jun 1997 01:23:25 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      S.F. & Montreal

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I went down to San Francisco for first time in December 1996, visited

what must be visited, even performed at a couple of shows, and

thoroughly enjoyed the pastel hills. If there was an American city to

live in, it would be S.F. I'm from the other side of the continent:

Montreal - just came back from Jazz Fest. Montreal is up there in places

to live . . . at least in the summer (i think it is the city with the

most # of festivals in the world . . . grooving to free outdoor show

while far in background fireworks blast off from other festival . . .)

 

Joseph Neudorfer

=========================================================================

Date:         Sat, 28 Jun 1997 23:25:45 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

In-Reply-To:  <UPMAIL14.199706290538490255@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

because the sky is blue, that's why.  Am listening to this Beatle fest a

local radio station is having.  what fun.  grew up on these folx.  John,

George, Paul, and Ringo wrote some rockin' beat poetry.  "Dr. Roberts your

a new bred of man!"

 

and I always feel like I'm running

never satisfied to settle

neither in court nor in person

 

too often by email

and golden moments stolen from videos

starring angelic looking robber children

 

something has been taken from me

and I wont rest until I do

find that I must find

gotta keep running

 

Where is everyone?

then is phenomenal

oh, how I'm feeling?

<<breathing, breathing>>

 

and mary jane doesn't hurt that much

not that much, a few pains here and there

like my chest heaving against my pillows

late night movies on neighbors televisions

cars continuing to shuffle on the nearby highway

and the effervescent fridge, how that mean mother haunts me

continually, continually, the headless horseman

 

riding to find me, oh, running

oh, I must be still, not act

no breathing, oh, I must be dreaming

 

is that so?  Is that so?  I say, can I have a witness?

<<horns blowing>>

 

enjoying my dinner, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sat, 28 Jun 1997 23:35:51 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      Re: PS

In-Reply-To:  <33B5ED08.E9BA234@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:05 PM -0700 6/28/97, R. Bentz Kirby wrote:

 

> I know that Zeus and Thor don't on the surface go together.  But, I just

> happen to really like the old Thor comic books by Marvel, so I used Thor

> instead of a Greek diety.  Besides, I just lump Jehovah on one side and

> all the others on the other.

 

yes, and I bet michael jordan could whup them all!  <<ha>>  Will he ever

stop his climb and enjoy the view from his perch?  "No, I'm just resting,"

he says <<gatorade commercial>>.  Is he climbing Mt. Olympus?

 

the game within the game.  inspiration.  his source.

 

<<....don't on the surface go together>>

         :: god has a surface???

                really????  CAN YOU SEE IT???

 

I'm just seeing stars over here... where do you live?

 

cheers, Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sat, 28 Jun 1997 23:42:02 -0700

Reply-To:     runner911 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner911 <babu@ELECTRICITI.COM>

Subject:      scholars of breathing

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ok word fiends, beat literates, cut throad pirates::

 

does <<laughing>> = <<breathing>>

 

or is laughing something else, entirely?  I guess there's an exhale

involved, but what do you call the sound it makes?  breathing always seems

to have a flow to it.  a calm feeling.  laughing doesn't.  but you breath a

lot when your laughing, so the two must be connected.  some secret passway,

like the ones janitors have between the ladies and the gents.  <<laugh>>

 

Douglas  <<beating the god metaphor as hard as he's got>>

=========================================================================

Date:         Sun, 29 Jun 1997 00:01:26 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: PS

In-Reply-To:  <33B5ED08.E9BA234@scsn.net>

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At 10:05 PM -0700 6/28/97, R. Bentz Kirby wrote:

 

> I know that Zeus and Thor don't on the surface go together.

 

sorry, but I just had this crazy thought:  god and zues are going together?

What, are they spending time in the closet together?  exchanging pleasant

nothings?  I mean, when did they start seeing each other?  Does Jehovah

know?  <<this is a tragedy!!>>  Call a doctor! I think god must be a

woman!!??

 

 

 

 

 

<<%

 

100

 

percent

 

proof>>

 

 

 

 

 

Douglas  <<getting off now>>

=========================================================================

Date:         Sun, 29 Jun 1997 02:04:44 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      ginsberg link

Comments: cc: vpaul@gwdi.com

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 when upon ginsberg's passing.  what brought me to this list.

 

http://www.electriciti.com/babu/fahrkle/collages/Various/Howl.html

 

Douglas

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Sun, 29 Jun 1997 08:24:12 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Summer Reading Update

In-Reply-To:  <33B5D6B5.540F@pacbell.net>

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just finished fear and loathing in los vegas, forgot how wonderfully

raunchy it all gets. am hopping on back of harley to join HST as he blasts

off with hells angels-and then onto the fear&loathing letters vol. 1

i could also be talked into doing the two kerouac novels as well.

other than that, i've been reading small press and chapbooks of friends

works, not readily available anywhere i dont think

my ability to read has been waxing and waning (cursed) so lately i've been

writing. but must haul head up out of own navel and discuss something

outside myself with others.

mc

=========================================================================

Date:         Sun, 29 Jun 1997 00:53:48 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Notice to all beetles: June 27th 1997

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James Stauffer wrote:

> 

> 

> I don't remember ever being in this stupor.  Would you even really want

> to talk to someone who was so out of it that it reading Burroughs,

> Kerouac, Ginsberg or Cassidy to realize there was a world out there?

> The experience of reading this stuff was to realize that there were

>more

> than you thought of your own kind out there.

> 

 

Absolutely, my line of thought exactly.  When I first read Ginsberg, for

the first time in my life, I knew that there was someone else out there

who thought like I did and was actually writing about it.  That, of

course, led to reading more beat lit, and realizing that there were lots

of other voices speaking the same thoughts as my voice.  That is why this

list is so great, because beyond what ever disagreements develop or

where ever the the discussion takes us, we all know that deep down we are

 connected my a common river of thought,  many little streams that all

way in some way are touching the same river.

DC

=========================================================================

Date:         Sun, 29 Jun 1997 00:58:54 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Notice to all beetles: June 27th 1997

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runner911 wrote:

> 

> and I always feel like I'm running

> never satisfied to settle

> neither in court nor in person

> 

> too often by email

> and golden moments stolen from videos

> starring angelic looking robber children

> 

> something has been taken from me

> and I wont rest until I do

> find that I must find

> gotta keep running

> 

> Where is everyone?

> then is phenomenal

> oh, how I'm feeling?

> <<breathing, breathing>>

> 

> and mary jane doesn't hurt that much

> not that much, a few pains here and there

> like my chest heaving against my pillows

> late night movies on neighbors televisions

> cars continuing to shuffle on the nearby highway

> and the effervescent fridge, how that mean mother haunts me

> continually, continually, the headless horseman

> 

> riding to find me, oh, running

> oh, I must be still, not act

> no breathing, oh, I must be dreaming

> 

> is that so?  Is that so?  I say, can I have a witness?

> <<horns blowing>>

> 

> enjoying my dinner, Douglas

>   enjoying your thoughts, Douglas.  Clarifies the runner911 sig a lot.

  we are all running, breathing, dreaming, living, I hope.

=========================================================================

Date:         Sun, 29 Jun 1997 10:16:53 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Summer Reading Update

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Marie,

 

I have fairly foggy memories of the Hells Angels book, mostly the

account of the Kesey party.  As I mentioned you might look at

"Freewheeling Frank", by Frank Reynolds (as told to Michael McClure.)

Grove, 1967, have no idea how available it is.   Frank was one of Angels

who was most involved in the era in which the Angels were a part of the

SF hip scene.  It's a fun read, less intentionally sensational than

HST's book as I remember it.  Joanna McClure has a nice little poem

about Frank.

 

James Stauffer

 

Marie Countryman wrote:

> 

> just finished fear and loathing in los vegas, forgot how wonderfully

> raunchy it all gets. am hopping on back of harley to join HST as he blasts

> off with hells angels-and then onto the fear&loathing letters vol. 1

> i could also be talked into doing the two kerouac novels as well.

> other than that, i've been reading small press and chapbooks of friends

> works, not readily available anywhere i dont think

> my ability to read has been waxing and waning (cursed) so lately i've been

> writing. but must haul head up out of own navel and discuss something

> outside myself with others.

> mc

=========================================================================

Date:         Sun, 29 Jun 1997 14:52:51 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      reminder

 

> I am seeking collaborators for a 'Zine' project.  It will consist of the

> following:

> 

> ---poetry, poetic prose

> ---social ciriticism

> ---sociology of art and literature

> ---music and book and film reviews

> ---artwork (photos, drawings, paintings, ideas)

> 

> The end product will be printed on actual paper (remember that stuff?)  in

> black and white with color pages and real binding (not staples!!).  I would

> like to work on it this summer and print it in September, as I am leaving

> country indefinitely in October.

=========================================================================

Date:         Sun, 29 Jun 1997 12:02:25 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Notice to all beetles: June 27th 1997

In-Reply-To:  <33B615BE.2AA5@together.net>

Mime-Version: 1.0

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At 12:58 AM -0700 6/29/97, Diane Carter wrote:

 

> > Where is everyone?

> > then is phenomenal

 

> >   enjoying your thoughts, Douglas.  Clarifies the runner911 sig a lot.

>   we are all running, breathing, dreaming, living, I hope.

 

Well, I hope you liked my typo, too!  <<laugh>>

 

the line should have read:

 

> > Where is everyone?

> > *this* is phenomenal

 

but the mistake made me think of someone Shapiro, an art history theorist,

who said "let us not ask 'what is art', but '*when* is art!' "  (or

something like that).

 

And what does your .sig "Diane Carter" mean?  I'll track down one of those

anagram links and then we'll really see what you're made of.  And following

my train of thought, <<bringing this back to the beats>>, what of all the

pseudonames used by Ginsberg and Kerouac in their literature?  Anybody have

a list of em handy?  their inspiration?

 

<<oh, he almost cried, when they asked if he knew his name...

  -- david bowie (Ziggy Stardust)>>

 

cheers, Douglas

=========================================================================

Date:         Sun, 29 Jun 1997 14:05:41 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      JAMES/FRISCO/& BENTZ

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Hello James,

 

If you catch Luther in Frisco you won't be disappointed-he'll be

playing a 1960 Les Paul (reissue). He tore up the 1995 Chicago Blues

Fest with that same guitar. I don't think you'll find him at City

Lights-but I'm willing to bet on the wharf-he loves his fish! Hey Bentz,

that's a pretty wild handle I carry. My kids thought it would

be good CYBERMOJO-it's good to be back and breathing.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Sun, 29 Jun 1997 15:04:39 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      spare us

 

I DONT WANNA HEAR ABOUT GOD ANYMORE

the bastard gets far more attention than he deserves.

 

And as someone already suggested, what are we, college freshmen? Staying up

late in the dorm hallway, thinking we're SO DEEP and the fate of the world

rests with us?  Jeesus Christ.  I am coming to the conclusion that there are

some things that should be thought but not articulated.

 

This may be one of them.

 

---maya  <<sighing>>

=========================================================================

Date:         Sun, 29 Jun 1997 16:17:13 -0000

Reply-To:     "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Subject:      Re: spare us

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Beat Friends & Philosophers:

 

        What's the problem, Maya?  How can he be such a bastard if he really

exists?  The problem, as I see it, is simple:  too many people claim to

have the goods on him, yet no one lives like they do. . .

        A few posts ago, someone (forgive me, my itchy delete finger got the best

of me) said our buddy Nietzche proved him dead a long time ago, well, I did

read the book, and Nietzche did no such proving.  All Nietzche did was make

a declaration and then live by it.  I wish more people would do the same,

meaning, I wish people would say something and then live up to it.

        I can think of plenty of things that get too much play, but God or the

lack of (in whatever form he/she does/doesn't exist) should be talked about

a hell of a lot more than it is, especially here.

        Who gives a shit what does or doesn't make a poet.  We'll sit here till

the cows come home debating that one, but God, well now, he gets too much

time on the old Beat-L, let's not talk about him anymore.  Fuck that.

 

Thinking himself SO DEEP,

 

Bruce

 

 

... Sin strongly.

     --Martin Luther

=========================================================================

Date:         Sun, 29 Jun 1997 22:24:51 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Philip Lamantia(?)

Mime-Version: 1.0

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Poetry  by Philip Lamantia (?)

 

The real stuff.

Small presses.

(Mostly.)

Big thoughts.

Some with punctuation.

some without

All in love with language.

=========================================================================

Date:         Sun, 29 Jun 1997 16:34:00 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: spare us

In-Reply-To:  <199706292017.QAA25284@everest>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

yo, homeboy!

lets get off all this personal crap and in front of god and all, lets

talking about some <gasp> lit-er-a- chure!!!!

(a very broad hint from a bear of little brain)

mc

=========================================================================

Date:         Sun, 29 Jun 1997 22:31:10 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      wrong

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

friends apologies, i push the wrong button, ---Rinaldo.

=========================================================================

Date:         Sun, 29 Jun 1997 16:58:50 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      two beats in one state meet

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hi all. i dont want to make this into chatroom city, but did want to tell

you all that diane carter (my editor from mad magazine and journalist in

her own write) and i met for lunch. and diane kept her lunch down after

being assaulted verbally by my own recordings of my recent pomes. that's

bein in the trenches let me tell you. and a perceptive ear as well as a

comely eye, diane.

thanks

leon, you were right all along!

mc

=========================================================================

Date:         Sun, 29 Jun 1997 17:30:24 -0400

Reply-To:     "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET>

Subject:      restless farewell

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Dearest Beat-lovers,

 

It's been an interesting season of happening on this here list, sad

occurances, battles, vibes, happy thoughts, pomes, community almost.

(This is not a literature post!)

 

I'm going on the road tommorrow, gonna be spending the summer mostly on

the Carolina beaches. I just wanted to say to everyone on this list that

i've enjoyed the "company," to say the least this list beats the hell

outa the evening news, and to say a little more i've learned alot hear.

 

To all the aspiring and perspiring and inspiring poets of the list: keep

up the work!

 

To all the members old and new: keep the list REAL!

 

There have been countless words of wisdom, intentional accidental shared

saved deleted, here over these lonely wires, from everybody and everyone,

even the watchful eyes of the lurkers can sumtimes be felt pounding thru

the screen.

 

Glad to have been an (in)active witness. I sall be rejoining the list in

the fall as a collegiate. if any brain cells survive the summer, that is.

 

 

 

"Goodbye momma and poppa

goodbye jack and jill

the grass aint greener, the wine aint sweeter

either side of the hill"  -- the dead

 

 

 

from,

Eric Sapp

rhs4@crystal.palace.net

 

 

 

"everybody's holy!" -- Ginsberg

 

 

 

"we'll hold hands and then we'll

watch the sun rise

from the bottom of the sea" -- Jimi Hendrix

=========================================================================

Date:         Sun, 29 Jun 1997 06:18:05 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: spare us

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Marie Countryman wrote:

> 

> yo, homeboy!

> lets get off all this personal crap and in front of god and all, lets

> talking about some <gasp> lit-er-a- chure!!!!

> (a very broad hint from a bear of little brain)

> mc

 

OK, I' going to sum up my view of the god/poet debate with this poem from

Allen Ginsberg from Cosmopolitan Greetings.

 

Proclamation

 

I am the King of the Universe

I am the Messiah with a new dispensation

Excuse me I stepped on a nail.

A mistake

Perhaps I am not the Capitalist of Heaven

Perhaps I'm a gate keeper snoring

        beside the Pearl Columns--

No this isn't true, I really am God himself.

Not at all human.  Don't associate me

        w/that Crowd

In any case you can believe every word

        I say.

 

DC

=========================================================================

Date:         Sun, 29 Jun 1997 22:46:05 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

WOO HOO Bruce!  Couldn't have put it better myself!

 

----------

From:   BEAT-L: Beat Generation List on behalf of Bruce W. Hartman, Jr.

Sent:   Sunday, June 29, 1997 9:17 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

Beat Friends & Philosophers:

 

        What's the problem, Maya?  How can he be such a bastard if he really

exists?  The problem, as I see it, is simple:  too many people claim to

have the goods on him, yet no one lives like they do. . .

        A few posts ago, someone (forgive me, my itchy delete finger got the

best

of me) said our buddy Nietzche proved him dead a long time ago, well, I did

read the book, and Nietzche did no such proving.  All Nietzche did was make

a declaration and then live by it.  I wish more people would do the same,

meaning, I wish people would say something and then live up to it.

        I can think of plenty of things that get too much play, but God or the

lack of (in whatever form he/she does/doesn't exist) should be talked about

a hell of a lot more than it is, especially here.

        Who gives a shit what does or doesn't make a poet.  We'll sit here

till

the cows come home debating that one, but God, well now, he gets too much

time on the old Beat-L, let's not talk about him anymore.  Fuck that.

 

Thinking himself SO DEEP,

 

Bruce

 

 

... Sin strongly.

     --Martin Luther

=========================================================================

Date:         Sun, 29 Jun 1997 19:10:47 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: spare us

Comments: To: Marie Countryman <country@SOVER.NET>

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Marie Countryman wrote:

> 

> yo, homeboy!

> lets get off all this personal crap and in front of god and all, lets

> talking about some <gasp> lit-er-a- chure!!!!

> (a very broad hint from a bear of little brain)

> mc

Marie:

 

If Jack wrote because we are all going to die.  If we deny we are going

to die.  And if we made up god because we are all going to die.  Then

literature is about we are all going to die.  God is about we are all

going to die.  Beat is about we are all going to die.  It is all about

the same thing.  It is the same thing.  god = literature = poets =

nothing = dog (if you're dyslexic) = beat-l.  What do you want to talk

about?  I am thinking that lit-er-a-chure is very very personal.  I am

thinking that as my cyber pen pal charles plymell once said, I think I

am going to take a real shit.  That will be real.  It is not personal.

And it will be shared with all the alligators down in the sewer.  I

guess gravity's rainbow can help us tell shit from shinola, but which

yo-yos are going to catch the alligators that live down in a all the

real personal shit we send down the tube every day.  Have you ever

worshipped a white porcelain god?  I have.  It is one way to know the

wrath of god close up.  You always make a lot of promises you never keep

too.  I wonder if allen, jack, neal, charles, harold, lawrence, ann,

anias, phillip, gary, gary, etc ever WASTED time talking about god? or

religion?  If so, why can't we?

 

Maybe I just don't get it.  If so, please explain it to me back channel.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 29 Jun 1997 17:03:04 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Luther Allison

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Richard,

 

Got my ticket and going up to the city in a few minutes.  Luther is

playing Great American Music Hall which is a nice venue.  Looking

forward to hearing that Les Paul rip.

 

James

 

R&R Houff wrote:

> 

> Hello James,

> 

> If you catch Luther in Frisco you won't be disappointed-he'll be

> playing a 1960 Les Paul (reissue). He tore up the 1995 Chicago Blues

> Fest with that same guitar. . .

> 

> Richard Houff

> Pariah Press

=========================================================================

Date:         Sun, 29 Jun 1997 17:14:05 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: EXPLODING BEAT READING LIST AND MAO

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s.a. griffin wrote:

> 

> At 09:22 PM 6/28/97 -0700, you wrote:

> >s.a. griffin's idea of a Beat List Reading List and mine of a Beat List

> >Literary Map.  Writers listed under locale.  Writer can appear in more

> >than one place, but must have important tie to area, not just passing

> >through.  I'll start with a very sketchy West Coast portrait. The list

> >should EXPLODE.  feel free to add, delete, move, etc.  Needs to have

> >favorite titles added somewhere

> >

> >PORTLAND

> >

> >Snyder, Gary

> >Welsh, Lew

> >Whalen, Phil

> >

> >SAN FRANCISCO

> >

> >Duncan, Robert

> >Spicer, Jack

> >Rexroth, Kenneth

> >Watts, Alan

> >Lamantia, Phillip

> >Kaufman, Bob

> >McClure, Michael

> >Snyder, Gary

> >Welsh, Lew

> >Whalen, Phil

> >Plymell, Charles

> >Reynolds, Frank

> >Kyger, Joanne

> >Kandel, Lenore

> >Micheline, Jack

> >Kesey, Ken

Ferlinghetti, Lawrence

 

CENTRAL COAST

 

Miller, Henry

Patchen, Kenneth

> >

LOS ANGELES

> >

> >Lipton, Lawrence

> >Bukowski, Charles

> >Peters, Robert

> >griffin, s.a.

> >Selby, Herbert

> >Morrison, Jim

> >Huxley, Aldous

> Scibella, Tony

> Thomas, John

> Rios, Frank T.

> Long, Philomene

> Wannberg, Scott

> Maybe, Ellyn

> Abee, St

> >

> >

> >SAN DIEGO

> >

> >Gerlach, Fred (a great 12 string player, only San Diegan I could think of)

 

Someone needs to do the midwest.

> >

> >

> >and on and on

> >

> >James Stauffer

> >

> >

=========================================================================

Date:         Mon, 30 Jun 1997 00:14:52 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

----------

From:   BEAT-L: Beat Generation List on behalf of R. Bentz Kirby

Sent:   Sunday, June 29, 1997 4:10 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

Marie Countryman wrote:

> 

> yo, homeboy!

> lets get off all this personal crap and in front of god and all, lets

> talking about some <gasp> lit-er-a- chure!!!!

> (a very broad hint from a bear of little brain)

> mc

Marie:

 

If Jack wrote because we are all going to die.  If we deny we are going

to die.  And if we made up god because we are all going to die.  Then

literature is about we are all going to die.  God is about we are all

going to die.  Beat is about we are all going to die.  It is all about

the same thing.  It is the same thing.  god = literature = poets =

nothing = dog (if you're dyslexic) = beat-l.  What do you want to talk

about?  I am thinking that lit-er-a-chure is very very personal.  I am

thinking that as my cyber pen pal charles plymell once said, I think I

am going to take a real shit.  That will be real.  It is not personal.

And it will be shared with all the alligators down in the sewer.  I

guess gravity's rainbow can help us tell shit from shinola, but which

yo-yos are going to catch the alligators that live down in a all the

real personal shit we send down the tube every day.  Have you ever

worshipped a white porcelain god?  I have.  It is one way to know the

wrath of god close up.  You always make a lot of promises you never keep

too.  I wonder if allen, jack, neal, charles, harold, lawrence, ann,

anias, phillip, gary, gary, etc ever WASTED time talking about god? or

religion?  If so, why can't we?

 

Maybe I just don't get it.  If so, please explain it to me back channel.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

 

Thank you Bentz.

 

Maybe the suggestion should be:   if you don't like the book don't read it...

doesn't mean the book isn't worthwhile for others.  I don't think that because

I'm not particularly interested in something (or even think something's not

fit to wipe my ass for that matter) no one else should be.... and god forbid

that I should ever try to stuff someone else's self-expression (outside of

that which is harmful to any form of life... for Spirit is the anima, the

constant, the thread... god has anyone here read Jung's Aion?) regardless of

my opinion of it.  If I don't like it I'll ignore it, not engage....

 

By the way, I may be wrong, but I always thought that the very act of

publishing a work of literature was to open the collective conciousness to

something, because someone needed/wanted to get something very personal out

there for others to experience/feel/discuss....

 

for what it's worth,

Sherri

love_singing@msn.com

=========================================================================

Date:         Sun, 29 Jun 1997 21:45:59 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: The Charles Plymell Hwy & God

 

In a message dated 97-06-29 01:36:20 EDT, you write:

 

<< I've been on the road doing a few blues gigs and tied up with my old

 friend Luther Allison and ended-up writing an interview for him and

 Alligator Records. It'll come out before July 11 (he'll be playing

 here on that date). Pulse magazine interviewed me and I mentioned you

 and AG. I'm not sure if I'll be censored or not so I'll mail you the

 original before they fuck it up.  >>

 

Richard,

Thanks. I been wondern' who happen to ya. I wuz about to net you. Dibn't know

you were on Bad Blues Road. Been listening to Big Joe Turner's lyrics. "

Please Mr. Johnson, don't play the blues so sad."

Good hearing from you. Maybe the Beat-L would be interested in the interview,

too.

Charley

=========================================================================

Date:         Sun, 29 Jun 1997 09:52:40 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Kerouac names (was notice to all beetles)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

runner711 wrote:

>what of all the

> pseudonames used by Ginsberg and Kerouac in their literature?  Anybody

>have

> a list of em handy?  their inspiration?

I just bought The Portable Jack Kerouac and it has a two-page identity

key, too complex to type at the moment.  There have been other threads on

this topic that you could check out in the beat-l archive, if it

interests you.  The most interesting thing to me though was in Ann

Charters introduction, where she writes, "Kerouac enjoyed making large

claims for what he was attempting to achieve in his Legend of Duluoz, but

thinking about his writing in grandiose terms came naturally to him.  He

created his three-syllable pseudonym 'Duluoz' in 1942, when he was barely

twenty years old.  This was a decade before he began writing the books

that comprise the Legend of Duluoz.  Kerouac invented his pseudonym after

encountering the name 'Stephen Dedalus,' created by James Joyce for his

protagonist in Portrait of the Artist as a Young Man, which Kerouac read

after he dropped out of Columbia College and worked briefly as a sports

reporter for his hometown newspaper.  According to his journals and a

poem in 'Richmond Hill Blues'(1953), Kerouac noticed a story in the

Lowell Sun about a local man named 'Daoulas,' and he later played around

with several variations on it, like 'Dalouas,' 'Dalous,' and 'Duouoiz,'

before settling on 'Duluoz.'"

DC

=========================================================================

Date:         Sun, 29 Jun 1997 22:01:02 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Summer Reading Project

Comments: To: stauffer@pacbell.net

 

In a message dated 97-06-29 00:24:43 EDT, you write:

 

<<  I love the place, but these guys

 don't see past their own navels. >>

 

When I was there they were looking for their navels. There is strange sense

there and everywhere of fragmentation.  I was just raving about the uncanny

commercial aspect of the way Poetry Flash presented the soul of SF as well as

our current poetry milieu. Just wanted to see if anyone was listening.

Charles Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 22:19:11 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: The Charles Plymell Hwy & God

 

In a message dated 97-06-29 01:39:17 EDT, you write:

 

<< You know 666 is an encryption for the

 Roman Emporers that did a lot of evil things and it might be bad karma

 to use that, but then again, it might help you out in the long run.

  >>

How many Karmas since the Roman Empire?

I'll tell you many just since the word was hip

has to do with Ginsbergs, too--long a story for

now, sell a Karma/ Moloch  got you.

Chemical euphoria eats the Poetry Flash  paper!

Pegasus electrified in red

below the great signs shining

on the horizon...MOBIL

for travelers of the new dark ages

with superstitions, icons, symbols

talk of prophets, karma, golden rule

and all that old horseshit jazz

in a system that only eats its

younger generations who always

catch on about the time they're swallowed

while reading the new morality speak

in the New York Times.

Charles Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 22:21:05 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: GO

 

I've never read GO. I'll take your recommendation under consideration.

C. Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 22:30:47 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: spare us

 

In a message dated 97-06-29 15:15:41 EDT, you write:

 

<< I DONT WANNA HEAR ABOUT GOD ANYMORE >>

Thank you Jeazus and Bubba Buddha too.

C. Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 22:38:39 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: spare us

 

Throughout history Christians are not known for their reading of objective

literature.

C. Plymell

=========================================================================

Date:         Mon, 30 Jun 1997 02:58:42 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

This is true.... but are you assuming that cuz we're talkin bout god that it's

the simplistic Biblical one?  I for one can't accept that one dimensional

model...  However, I have known Christians who do read and have a much more

expanded view on this subject than the sheep-like majority...

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Pamela Beach Plymell

Sent:   Sunday, June 29, 1997 7:38 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

Throughout history Christians are not known for their reading of objective

literature.

C. Plymell

=========================================================================

Date:         Sun, 29 Jun 1997 20:08:24 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: spare us

In-Reply-To:  <l03020900afdc3eb5a63c@[206.25.67.104]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 1:34 PM -0700 6/29/97, Marie Countryman wrote:

 

> yo, homeboy!

> lets get off all this personal crap and in front of god and all, lets

> talking about some <gasp> lit-er-a- chure!!!!

> (a very broad hint from a bear of little brain)

 

yes, have beat on god enough this past week.  feel better now.  still

thinking of his words, though, remembering how they touched me.  Grateful

to Diane for her consistent clarifications, my feeble replies, and the many

friends I've discovered in the process.  but yes, enough.  the seven days

are up.  but for the inspiration, the edge he provided,

 

  :-)   <<god>>

 

well, you know what I mean.  thank you.

 

> mc

 

cheers, Douglas

=========================================================================

Date:         Sun, 29 Jun 1997 22:05:56 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: spare us

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> Bruce W. Hartman, Jr. wrote:

> >

> > Beat Friends & Philosophers:

> >

> >         What's the problem, Maya?  How can he be such a bastard if he really

> > exists?  The problem, as I see it, is simple:  too many people claim to

> > have the goods on him, yet no one lives like they do. . .

> >         A few posts ago, someone (forgive me, my itchy delete finger got the

 best

> > of me) said our buddy Nietzche proved him dead a long time ago, well, I did

> > read the book, and Nietzche did no such proving.  All Nietzche did was make

> > a declaration and then live by it.  I wish more people would do the same,

> > meaning, I wish people would say something and then live up to it.

> >         I can think of plenty of things that get too much play, but God or

 the

> > lack of (in whatever form he/she does/doesn't exist) should be talked about

> > a hell of a lot more than it is, especially here.

> >         Who gives a shit what does or doesn't make a poet.  We'll sit here

 till

> > the cows come home debating that one, but God, well now, he gets too much

> > intime on the old Beat-L, let's not talk about him anymore.  Fuck that.

> >

> > Thinking himself SO DEEP,

> >

> > Bruce

> >

> > ... Sin strongly.

> >      --Martin Luther

> well actually i give a shit what makes  a poet and i don't give a shit

> about the christian god concept except possibly as something to compare

> to other, to my eyes, more benign dieties and fables, and i was really

> bored while deleting a lot of the recent posts which isn't that big a

> deal but if you need to talk about god a whole lot may a special god

> list, i really enjoy talking about beat literatures, characters,

> folklore and related items.

> p

=========================================================================

Date:         Sun, 29 Jun 1997 22:17:26 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Pulse interview (UNCENSORED)

MIME-Version: 1.0

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Content-Transfer-Encoding: quoted-printable

 

PULSE  MAGAZINE / HOLLY DAY  INTERVIEWS RICHARD D. HOUFF/ June 6, 1997

 

 

 

HOLLY:  Names of books you've written/published.

 

RICHARD:  The first actual collection of poems that was published in

book form, was called: "IF IT SHOULD RAIN," which had a page count of

120. The two follow-up collections: "STREET POEMS" / & "STATION 62" were

released as a two volume package consisting of 248 pages. All three

books were published in France by Louis Giroux Editions, of Paris, a now

defunct publishing house. Some of the poems from "STREET," were

bootlegged into the former Soviet Union, along with  excerpts from a

novel I wrote back in the '70's, called "TRIP: AN LSD ADVENTURE." The

novel, was also published in France under the Giroux imprint and became

an underground mainstay for a number of years. The nice thing about

choosing Europe as a publishing venture came about through friends who

for whatever reason, remained in Europe because of the literary

community. The media and the age of electronics was in its infancy

state. In other words people still purchased and read books versus the

latest video game or tickets to "Disney World." Europe was still a clean

place to publish=97of course that is rapidly changing, the "Golden Arches=

"

mentality has arrived so it's only a matter of time. I got involved at a

good time and I'm thankful. During the 80's I was submitting to European

mags almost exclusively and several volumes of short stories were

published at this time. Having established somewhat of a track record

"over there," I decided to try my hand at submitting manuscripts on

American soil and have had 4 volumes of poetry published: "AFTER HOURS,"

was a cooperative venture with Poor People & Poets Press, of Chicago=97no=

w

defunct, "PERPLEXITIES OF TAKING ALTERNATE ROUTES," was published in a

cheap edition from Bootleg Press, and wasn't one of my best efforts. A

failure in experimentation is what I would call it at this point. My

next book "USED SHOES" from Roving Anvil Press was a real success story

for me, and the response was very positive. Tom Clark, passed it around

Berkeley and faculty at New College, and was very supportive. For

poetry, three printings is=97and was quite remarkable. My Latest book

Exit(s) has been well received on the W. Coast as well=97but it won't

enjoy three printings I'm sure. Outside of the above, there have been 12

or 14 chaps published that I really don't count. At best, you give them

away for free. I've never taken them seriously unless they're hand

stitched and letter- press quality=97I only have a few that fit that mold.

 

HOLLY:  When did you start writing seriously (not necessarily

professionally) and what prompted you to start?

 

RICHARD:  Back in '67 (Summer Of Love) I started writing small poems and

journal entries. I was a hungry kid living in one dollar a night hotels

in and around downtown Mpls. Many of them=97if not all, have been knocked

down=97fewer places for the homeless to call home. At the time, I=20

 

was damn glad to have a roof over my head. What prompted me to become a

writer was the City Lights edition of Kenneth Patchen's, "Love Poems." A

childhood friend, Roger Kiemele put it in my hands back in '64 or

'65=97can't remember. All I know, is that I could sense and feel Patchen'=

s

love and his rage. I could identify with his poverty and felt alone in

an adult world where I was the enemy. Sometimes, I still feel this

way=97especially around suits and ties, a general mistrust.

 

HOLLY:  When did you start getting your writing published, and what

prompted you to do so? Did you know any other people at the time

publishing their work that might have influenced you to do so?

 

RICHARD: My first published piece was a small poem back in '67. I think

Cid Corman picked it up for Origin. When I was a kid, I never thought of

keeping records. I was more concerned about making some money. Survival

was for whatever reason, an important fact of life for me. Beneath the

"Reichean body armor," there was a hopeless romantic that wanted out.

Maybe that would explain the importance of survival=97curiosity? At the

time, I was really afraid to let people know that I was writing at

all=97and especially poetry. The middle sixties was divided into camps an=

d

kids still used their fists to settle up. If I would've even hinted

poetry, rest assured, my face would've been  pounded with faggot

accusations coming from all sides. I left home for good when I was 15

yrs old and never looked back. In answer to your question of what the

motivating factor of getting work published was=97for me, at that time

was/and still is quite complex. The need to connect was always a factor

and making some "quick" money. You sell a story=97you eat and keep your

head above water.

 =20

HOLLY:  Who/what have been some of the major influences in your life?

 

When I was 13 yrs old, I read "The Jungle" by Upton Sinclair. Coming

from a small slaughterhouse town, this single book completely altered my

life for the better=97one of the main reasons for leaving home. Reading

"Hunger" by Knut Hamsun, Sherwood Anderson, Richard Wright, and

Steinbeck were all childhood influences. I was a voracious reader=97a

habit  that's still with me. Discovering the 19 th. C. French romantics

was a breath of fresh air that kept my sanity in-check. Of course,

loosing it with Apollinaire, Breton, Cendrars, Celine, and the endless

list wasn't half bad. A lot of people seem to think Bukowski was an

influence on my later stages of development which isn't the case. Buk

was an early friend from '69 up till his death. We were being published

in the same mimeos in and around L.A. I was writing  juvenile articles

on the joys of doing acid and would sign a different name each week.

When we first met he called me an idiot and I called him an asshole.

After awhile, I would show up at his place (usually stoned) with some

beer. He would drink it and then throw me out. I would just laugh and

eventually we became friends=97a very slow process, I might add. When Cit=

y

Lights released Charles Plymell's, "The Last Of The Moccasins" in '71, I

was totally blown away. Here was a man that spoke to my soul and had

been thru similar hells. It was like discovering the "big brother" I

always wanted. I met Allen Ginsberg in '72, and he turned me onto some

of the Beat writers, but I always returned to Plymell as a Beat

source=97he had the edge that seemed to be lacking in other writers at th=

e

time.

 

HOLLY:  What was the stupidest thing (or one of the stupidest things)

you ever did?

 

RICHARD:  Growing up poor had its disadvantages and advantages. If you

wanted to look nice, have a set of wheels, money, and the other niceties

denied to the poor; you became a thief. In our town you could work like

a dog for shitty wages=97not counting the abuse from "the Boss," and the

community in general; or you could just say fuck-it and skim from the

top. We had a code of honor: "Never steal from the poor working stiff or

your own neighborhood. Steal from the rich and spread the booty ala

Robin Hood, and keep the rest!" Okay, now that I've justified my devious

ways=97here goes: The stupidest thing I did was get talked into breaking

into a farm implements store and using a 1954 Ford, Flathead 6 cylinder,

3 speed manual with a top-end of only 60 miles per hour, as the getaway

car. The car belonged to my older brother and we had switched the

license plates (the only smart thing we did). To make a long story

short, we botched the job and we were chased by an Iowan constable

driving a pickup on gravel roads. Being country, all us kids had

shotguns and squirrel rifles. I happened to have a 16 gauge in the back

so I shot the guys radiator and that was the end of the chase. We made

it across the border into Minnesota and hid the car in a friends garage.

I wasn't concerned about the guy being hurt; I knew that he would be

okay. What bothered me was the fact that I pulled a gun on a cop and

could've landed in some major trouble. Now that would qualify me as a

stupid bastard=97live and learn. I wised up with time, but the kids with

me on that night would be dead within several years of that particular

incident. I guess they didn't learn.

 

HOLLY:  Have you ever been hit so hard you shit yourself (standard

question I ask=97just to see if anyone else has had this experience)?

 

RICHARD:  I have taken many blows in my time and delved out as much and

then some. I have been knocked off my feet twice; once by a refrigerator

door, and once by a guys fist. I've been told that the guy who put me

down stood at 6'10 with a weight of 300 or more pounds=97no fat. I can't

remember much about the incident other than 3 weeks after the fact

someone had put a bullet thru his head. Apparently, he bullied the wrong

guy. They say that he liked picking out the "intoxicated" for punching

bag practice. However, in answer to your question about shitting my

pants, it hasn't happened as yet.

 

HOLLY:  Anything else you might like to add, maybe a pitch for Heeltap

or your anthology?

 

 

RICHARD:  Well, I am happy to report that the first issue of Heeltap

sold out before it hit the shelves. I distributed nationally and the

reviews are still rolling along with some excellent feedback. "Scorched

Hands: An Anthology Of Verse & Rage," took a year to complete. I

assembled five to six generations of poets from all walks of life, and

threw them under the same cover. From the well known to the obscure=97and

it worked! I was able to recover costs without shelf sales, and to date;

have sold over a thousand copies. Shelf sales on the W. Coast and E.

Coast have been steady, and you can obtain copies off the web as well at

various book sites. I haven't distributed on the local level. Locally,

the buying public has a rather conservative majority especially in

regards to poetry. However, if people are interested in obtaining a

copy, it can be ordered thru your local independent booksellers=97not too

many of them left. I would also like to point out, this work is

uncensored as is all Pariah Press titles=97including the magazine Heeltap.

=========================================================================

Date:         Sun, 29 Jun 1997 23:18:54 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: spare us

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> Throughout history Christians are not known for their reading of objective

> literature.

> C. Plymell

Hell Charles, they don't read it, they burn it.  I often why I keep

hanging on to this religion.  I mean, ask what's her name in Alexandria.

They burned her library, killed all the gnostics, and flayed her to

death  in public.  Thanks a lot for being literary.  Yeah, the

Christians just don't, as an organization, like good literature do they.

I hope my church never finds out that I think for myself.  It is an

uneasy truce at best.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 00:18:42 -0000

Reply-To:     "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Subject:      Re: spare us

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

> > well actually i give a shit what makes  a poet and i don't give a shit

> > about the christian god concept except possibly as something to compare

> > to other, to my eyes, more benign dieties and fables, and i was really

> > bored while deleting a lot of the recent posts which isn't that big a

> > deal but if you need to talk about god a whole lot may a special god

> > list, i really enjoy talking about beat literatures, characters,

> > folklore and related items.

 

Patricia, and other Beat Friends,

 

        Why do you assume that my god is the hell-fire and brimstone god of

Christian lore?  To be honest, I haven't got a clue. . .  I've been pelted

with every image imaginable, two or three time over, and each time I find

something I detest about each one.  I'm sick and tired of the fast-food

style of spirituality that people seem to believe in nowadays. . .

 

        "I'll have a god combo number two, hold the pickle and the commitment."

        "Would you like a hot apple pie with that, sir?"

 

        I can just write off the almighty like the few of you would like me to.  I

can't believe there's no room for god (or your preferred moniker here) on

the Beat-L.  What about the spiritual side of the Beats?  Jack spent a good

part of his life either running to find god, or running away from him once

he found him.

        Suddenly I'm talking about god a whole lot. . .  I don't think so.  Since

when does a post asking for clarification of a statement like "god has been

proven dead" constitute "a whole lot"?  Spare ME.

        Go ahead, hit me with the stand-by: "Spirituality is relative. . ." so

what's the point of me going on about it here?  I'm tired of relativity,

relativity is bullshit, relativity is an excuse people use so they don't

have to confront whatever it is they think is so damn relative.

 

        If you don't like what I have to say, use the delete button. . .

 

Bruce

 

=========================================================================

Date:         Sun, 29 Jun 1997 11:18:52 -0700

Reply-To:     dumo13@EROLS.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <dumo13@EROLS.COM>

Subject:      tying it all together

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Hello again.

This discussion list is wonderfull.  I've been on many a mailing list

only to see it destroyed by ignorance and I'm excited to see the level of

intelligent conversation here!

Many of you have asked, "how can science be disproven?"

For example... the earth is not flat -- easy

but do you know that many of Newton's 'LAWS' of physics only apply to a

limited number of constants and that they are innaccurate in others...

that's where we get the genius of Einstein who was so nice as to fill in

the blanks.

Science is just another way man can justify things he can't honestly

explain.  Just like many religions.  The problem with science and

religion (GOD) is that the fundamental basics are unexplainable and

beyond comprehension... hell, most of the time they are based on guesses

or less.

****************

>Who puts the poem or prose to the true test--

>is it art?  The reader, the critic, the writer?

>DC

 

While I believe there are some mystical qualifications for being a poet,

it doesn't take much to become a critic.  The basic act of breathing once

released from the womb qualifies, I think... Beats, especially Ginsberg,

Kerouac and Ferlinghetti really challenged the question of "what is art?"

Allen Ginsberg, as you know, faced art v. obscenity -- along with

Ferlinghetti, but also re-opened art in literature for many people.  For

so long American writing has been stale and without vision!  Allen

Ginsberg is the atomic bomb at the center of it all.  Quote me on that...

Allen Ginsberg scared people -- he made them think

Ginsberg forced you  to experience life rather than walk the planet in

shell of flesh waiting to die.

Atomic Allen Ginsberg, unlike his nuclear Russia, exploded!

I know why Allen Ginsberg loved Walt Whitman.  They both loved life.

They injected life into poetry and made it beautiful again.

Poets to Come

- Walt Whitman

 

"Poets to come! orators, singers, musicians to come!

Not to-day is to justify me and answer what I am for,

But you, a new brood, native, athletic, continental, greater than before

        known,

Arouse!  For you must justify me.

 

I myself but write one or two indicative words for the future,

I but advance a moment only to wheel and hurry back in the darkness.

I am a man who, sauntering along without fully stopping, turns a casual

        look upon you and then averts his face,

Leaving it to you to prove and define it,

Expecting the main things from you."

 

Walt Whitman... the granddaddy-beat.  These men injected innovation into

a tired system of unmotivated and unchanging FORMS.  Life without

innovation is worthless!!!! Ferlinghetti with the unorthodox spatiality

of poetry and lord, the SUBJECTS are divine.  Jack with a real story to

read... who cares about CONVENTIONS?! and beatific Allen raining life,

pride and love on all of us.

 

Chris

http://www.geocities.com/SoHo/Studios/2124/

=========================================================================

Date:         Sun, 29 Jun 1997 11:49:32 -0700

Reply-To:     dumo13@EROLS.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <dumo13@EROLS.COM>

Subject:      Re: Kerouac Names(was notice to all beetles)

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>  According to his journals and a

>poem in 'Richmond Hill Blues'(1953), Kerouac noticed a story in the

>Lowell Sun about a local man named 'Daoulas,' and he later played around

>with several variations on it, like 'Dalouas,' 'Dalous,' and 'Duouoiz,'

>before settling on 'Duluoz.'"

>DC

 

 

Or it could be French/Canadian for 'Jack the Louse'

I honestly don't think Jack put too terribly much thought into selection

of names for characters.  Gregory Corso = Raphael Urso... It seems to me

like he used real names to inspire alias and nothing else... Desolation

Angels makes that pretty clear to me, but I'd be interested in hearing

more about 'Sal Paradise'

BTW Was Memere's maiden name Rioux?? My grandmother's maiden name is

Rioux.  If anyone with Kerouac geneology info could email me, I'd

appreciate it.

Very rooted in frenchcanadiannortheast,

Chris Dumond.

=========================================================================

Date:         Mon, 30 Jun 1997 07:08:51 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      chicago

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hi everybody,

i'm travelling to chicago this week (won't you please come to chicago noone

else can take your place - C,S,N&Y). i've never been there. is there

something really worth doing there?

also, where can i find the recordings of the poetry readings by kerouac and

ginsberg?

thanks.

=========================================================================

Date:         Sun, 29 Jun 1997 22:15:11 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: tying it all together

In-Reply-To:  <33B6A70C.7C56@erols.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:18 AM -0700 6/29/97, Walt Whitman wrote:

 

> I myself but write one or two indicative words for the future,

> I but advance a moment only to wheel and hurry back in the darkness.

> I am a man who, sauntering along without fully stopping, turns a casual

>         look upon you and then averts his face,

> Leaving it to you to prove and define it,

> Expecting the main things from you."

 

<<lurker mode on>>  Douglas <<keep up good work!!>>

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Mon, 30 Jun 1997 00:18:11 -0500

Reply-To:     Leo Jilk <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leo Jilk <ljilk@MAIL.MPS.ORG>

Subject:      Re: spare us

In-Reply-To:  <33B7259E.5EC0596B@scsn.net>

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>Pamela Beach Plymell wrote:

>> 

>> Throughout history Christians are not known for their reading of objective

>> literature.

>> C. Plymell

>Hell Charles, they don't read it, they burn it.  I often why I keep

>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>They burned her library, killed all the gnostics, and flayed her to

>death  in public.  Thanks a lot for being literary.  Yeah, the

>Christians just don't, as an organization, like good literature do they.

>I hope my church never finds out that I think for myself.  It is an

>uneasy truce at best.

> 

Thinking of holocaust, when they start burning books, people can't be far

behind.

-leo

=========================================================================

Date:         Mon, 30 Jun 1997 00:56:19 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Whitman

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Chris wrote:

 

> Walt Whitman... the granddaddy-beat.

 

Reading "Leaves of Grass" is like reading the Baghavad-Gita. However,

much of his democratic optimism and lust for future potential has been

brought down by 20th century reality. That's o.k. - all the more reason

to read more Whitman. Poems to read: "Song of Myself" - "Song of the

Open Road" - "I Sing the Body Electric" - etc.

 

Here's a short piece that i use, written by the Good Grey Poet:

 

TO YOU [line structure may be off]

 

Stranger, if you passing meet me desire to speak to me

why should you not speak to me?

and why should I not speak to you?

 

Joseph Neudorfer

 

=========================================================================

Date:         Mon, 30 Jun 1997 00:19:59 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      <<Diane>>, di prima, <<beauty>>

Mime-Version: 1.0

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<<poetry provides many answers>>

 

Diane, gave away my di prima book, so instead I have patti smith.

hopefully she will pass this list's beat test.  <<and who's Anne Sexton??>>

 

  from "babel" I randomly turn to page .... 89/90.

 

judith revisited (fragments)

the ladies room is ravaged

=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-

 

parts i. ----> iv. <<snipped>>

 

v.

oh jesus write it out of your body patti.  wait wait all night.  weary day.

is snow too romantic?  we could do it in the snow.  washing your hair.

bending over the tub. running my soapy forefinger down your spine.  you on

your knees bent over the tub.  your breasts out of shape swaying like two

golden bells.  i'm the gardener you're the lady chatterly. i stand up. turn

around and suck my my dick.

 

washing your hair. maybe too romantic. so what clock. i imagine you on the

nile. that neck of yours enough to make Nefertiti blush [[english

patient??]].  the delicious white slump of your shoulder after lovemaking

after

 

love it wears off [[can the same be said of god?]] there's grass stains on

your dress  [[whitman?]].  we are nearly finished. a cold july with her. in

her sunsuit. her fleshy legs.  when I press my thumb against it makes a

white mark.  the powder on her wrist. how she never removes her heavy

bracelets (african) even to make love. her ballet scar. all things pure.

 

human?  no mam. go away from them. mistress is gelatin. atom.

 

she's a football player. one night. [[i.e., with Tom Verlaine]]. no its

dusk. in back of the bleachers. blondest sweetest football virgin. hardon

softest leather buttocks. lick it up her delicious teen-age sweat

[[Ginsberg??]] show her how.  make her again. leave her dazed confused

exhausted defiled spidered black as coal. oooy-gooey all over her high

school letter. kick her in the side. in the ear. words pour

 

i leave you laying there. i am intact. and i don't care

(rimbaud)

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Mon, 30 Jun 1997 11:40:46 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      Re: Whitman

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"Camarado,

this is not a book!

Who touches this, touches the man."

 

(i don't presently have the book with me, so the quote isn't accurate. the

point, however, is the same)

=========================================================================

Date:         Mon, 30 Jun 1997 07:51:45 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      the beat (en) horse/summer reading update

In-Reply-To:  <33B615BE.2AA5@together.net>

Mime-Version: 1.0

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>> lets get off all this personal crap and in front of god and all,

 

was my reference to god. i was saying that god/goddesses exist -if only in

the minds of the believers and also reigns high in the ranks of the

existentialists, who need him/her if only to not believe.  no argument

here. just up to my ear lobes in it all

yes, there is a drive toward immortality which may fuel some(most?)

writers, but it ,

ok. this was not meant to be a flame.

now instead of reading about everyones personal reactions to or negating of

god,

let's talk about the literature.

 

i just finished feat&loathing in Los vegas;

have started reading hell's angels

but then i was waylaid by bob kaufman: out of sheer delight, but i seem to

have misplaced him,

so its back on the harley for me

mc

=========================================================================

Date:         Mon, 30 Jun 1997 10:47:36 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: spare us

 

In a message dated 97-06-29 19:52:22 EDT, you write:

 

<< but God, well now, he gets too much

 time on the old Beat-L, let's not talk about him anymore.  Fuck that.

 

 Thinking himself SO DEEP,

 

 Bruce

  >>

 

I'm sorry about my careless post.  But I guess I'm modest and don't like all

the attention i was receiving with everyone talking about Me and everything.

 By the way, I'm a woman.

------maya (kidding)

=========================================================================

Date:         Mon, 30 Jun 1997 15:01:32 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

<much laughter>

 

----------

From:   BEAT-L: Beat Generation List on behalf of Maya Gorton

Sent:   Monday, June 30, 1997 7:47 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

In a message dated 97-06-29 19:52:22 EDT, you write:

 

<< but God, well now, he gets too much

 time on the old Beat-L, let's not talk about him anymore.  Fuck that.

 

 Thinking himself SO DEEP,

 

 Bruce

  >>

 

I'm sorry about my careless post.  But I guess I'm modest and don't like all

the attention i was receiving with everyone talking about Me and everything.

 By the way, I'm a woman.

------maya (kidding)

=========================================================================

Date:         Mon, 30 Jun 1997 11:22:28 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Bukowski

Comments: To: "R. Bentz Kirby" <bocelts@scsn.net>

In-Reply-To:  <33B5389B.5D9A412C@scsn.net>

MIME-Version: 1.0

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On Sat, 28 Jun 1997, R. Bentz Kirby wrote:

 

> Burning in Water, Drowning in Flame

 

My first introduction to his poetry and to Buk in general). You're right,

this one's great. Sometimes I OD on him when I read a whole bookfull of his

poetry once but man he's damn good. Just small little honest snippets of

life, lined up in a simple column all lower case ... he makes it look so

easy to write great poetry.

=========================================================================

Date:         Sun, 29 Jun 1997 23:33:19 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

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>runner711 wrote:

> 

> <<poetry provides many answers>>

 

If poetry provides the answers, who asks the question?  The poet?  Ah,

sorry folks, won't follow that line of line of thought any farther...

 

> Diane, gave away my di prima book, so instead I have patti smith.

> hopefully she will pass this list's beat test.  <<and who's Anne

>Sexton??>>

Ginsberg performed with patti smith several times, I believe. Befriended

her when she needed a friend.  Certainly appropriate for beat-l

discussion.  As for Anne Sexton, poet, this century, often labeled

confessional, nothing redemptive in the confessional aspect, committed

suicide, and, I find, as I grab up my copy of the New Oxford Book of

American Verse, to find her dates, she's not even there.

 

>   from "babel" I randomly turn to page .... 89/90.

> 

> judith revisited (fragments)

> the ladies room is ravaged

> =-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-

> 

> parts i. ----> iv. <<snipped>> part V <<snipped for brevity of response>>

 

I find you are keying in now on the Ginsberg everything is holy theme,

but am I finding you still thinking Breton's "Beauty is repulsive," (not

sexually), as you are reading/typing?  I'm most moved by the paradox at

the end: "I leave you laying there.  I am intact..."  It's all a paradox,

Douglas, beginning with your random selection of this patti smith. beauty

is a paradox, Babble, a paradox.  As Ginsberg would say, what is beauty

but a six letter word? Babble, but a six letter word.  And only a stream

of archeytpal consciousness bringing it all here to this point where our

minds meet.

DC

=========================================================================

Date:         Sun, 29 Jun 1997 23:43:16 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: the beat (en) horse/summer reading update

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>Marie Countryman wrote:

> 

> now instead of reading about everyones personal reactions to or

> negating of

> god,

> let's talk about the literature.

> 

> i just finished feat&loathing in Los vegas;

> have started reading hell's angels

> but then i was waylaid by bob kaufman: out of sheer delight, but i seem to

> have misplaced him,

> so its back on the harley for me

> mc

 

Can some of us wildly grasp onto one Kerouac work, together, for the sake

of discussion,  and let comparisons/or lack thereof, relate to whatever

other writers we are reading at the moment?   I tend to have six books

going at the same time.  Start voting for Kerouac, and which ever book

gets the most votes wins. James, start counting...I vote for Visions of

Cody.

DC

=========================================================================

Date:         Mon, 30 Jun 1997 09:37:41 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: Kerouac Names(was notice to all beetles)

Comments: To: dumo13@EROLS.COM

Mime-Version: 1.0

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BTW Was Memere's maiden name Rioux?? My grandmother's maiden name is

Rioux.  If anyone with Kerouac geneology info could email me, I'd

appreciate it.

 

 

     If'n memory serves (and it may not always) her maiden name was

     Levesque (or some similar such spelling)--or am I quoting of a

     fictional name?

 

     matt

=========================================================================

Date:         Mon, 30 Jun 1997 10:49:30 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: spare us

In-Reply-To:  <UPMAIL14.199706300303490513@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

An elastic stretch on this thread--.

 

An article in the daily waterpump the other day told of a cloth bracelet

some christian group is selling. It has WWJD woven into it which means What

Would Jesus Do. Story tells that they can't make them fast enough to fill

the orders. A hot money-maker.

 

I was reminded of a theology course I sat in on at the University of Iowa

many years ago. I think it was a Forrell course. He urged the students to

read a book titled IN HIS SHOES.  Briefly, the minister of an affluent

mainline church asks congregants if they will join him in an experiement.

Before making decisions they would ask themselves "What would Jesus do?" It

goes on to tell the story of how the participant's lives were

affected--some very dramatically. It was a turn of the century setting, but

some of the characters (as I recall) ended up very Beat-like.

 

The book was powerfully Communistic without mentioning politics.  But what

stunned me was finding out that the book had sold over 25 million copies

(over 25 years ago) and I'd never seen it on any list of best sellers, nor

heard of it.

 

Suddenly, along come some jack-leg christians, ripping off an authors basic

idea and never mentioning where they got the idea. Out of curiosity, to

what degree(if any)  is this author's estate being ripped off.

 

j grant

 

>This is true.... but are you assuming that cuz we're talkin bout god that it's

>the simplistic Biblical one?  I for one can't accept that one dimensional

>model...  However, I have known Christians who do read and have a much more

>expanded view on this subject than the sheep-like majority...

> 

>Ciao,

>Sherri

> 

>----------

>From:   BEAT-L: Beat Generation List on behalf of Pamela Beach Plymell

>Sent:   Sunday, June 29, 1997 7:38 PM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:        Re: spare us

> 

>Throughout history Christians are not known for their reading of objective

>literature.

>C. Plymell

 

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     372,191  visitors since July 1, 1996

=========================================================================

Date:         Sun, 29 Jun 1997 23:54:13 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: tying it all together

MIME-Version: 1.0

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>Chris Dumond wrote:

> 

> Allen

> Ginsberg is the atomic bomb at the center of it all.  Quote me on

> that...

> Allen Ginsberg scared people -- he made them think

> Ginsberg forced you  to experience life rather than walk the planet in

> shell of flesh waiting to die.

> Atomic Allen Ginsberg, unlike his nuclear Russia, exploded!

> I know why Allen Ginsberg loved Walt Whitman.  They both loved life.

> They injected life into poetry and made it beautiful again.

 

Nothing but total agreement from me here.  Image of atomic bomb/fear is

an excellent one!

DC

=========================================================================

Date:         Mon, 30 Jun 1997 11:58:50 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: the beat (en) horse/summer reading update

In-Reply-To:  <33B75584.3415@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

> 

>Can some of us wildly grasp onto one Kerouac work, together, for the sake

>of discussion,  and let comparisons/or lack thereof, relate to whatever

>other writers we are reading at the moment?   I tend to have six books

>going at the same time.  Start voting for Kerouac, and which ever book

>gets the most votes wins. James, start counting...I vote for Visions of

>Cody.

>DC

@@@@@@@

i'm up for it. one of my favorites, and reads really well with cassady's

the first third, which tells frankly, and in my opinion, beautifully, of

his early childhood on the street with father.

mc

=========================================================================

Date:         Mon, 30 Jun 1997 12:10:50 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: spare us

Comments: To: Leo Jilk <ljilk@mail.mps.org>

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At 12:18 AM 6/30/97 -0500, Leo Jilk wrote:

>>Pamela Beach Plymell wrote:

>>> 

>>> Throughout history Christians are not known for their reading of objective

>>> literature.

>>> C. Plymell

>>Hell Charles, they don't read it, they burn it.  I often why I keep

>>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>>They burned her library, killed all the gnostics, and flayed her to

>>death  in public.  Thanks a lot for being literary.  Yeah, the

>>Christians just don't, as an organization, like good literature do they.

>>I hope my church never finds out that I think for myself.  It is an

>>uneasy truce at best.

>> 

>Thinking of holocaust, when they start burning books, people can't be far

>behind.

>-leo

> 

> 

I don't know how much this is relating to the subject, but I just

read(couple days ago) that In Oklahoma, a judge ruled a 1979 award winning

film "obscene."  Then, after the ruling, law enforcement officials tracked

down EVERY SINGLE copy of the film that they could get their hands on in

the state!  One guy recalls sitting down to watch it, and all of a sudden,

he hears a knock on his door.  Sure enough, the police were waiting there,

because they had gotten his name from a local video rental store, which

said that he had rented it!  Oh, the reason the film was obscene was

because it showed a minor partaking in some kind of sex act.  The film

itself dealt with the holocaust.

 

If they can "take away" this film, they can definately take away _Naked

Lunch_(the book).

 

 

ge                    elwellg@voicenet.com

=========================================================================

Date:         Mon, 30 Jun 1997 12:21:55 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: spare us

Comments: To: Marioka7@AOL.COM

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Maya Gorton wrote:

> 

> In a message dated 97-06-29 19:52:22 EDT, you write:

> 

> << but God, well now, he gets too much

>  time on the old Beat-L, let's not talk about him anymore.  Fuck that.

> 

>  Thinking himself SO DEEP,

> 

>  Bruce

>   >>

> 

> I'm sorry about my careless post.  But I guess I'm modest and don't like all

> the attention i was receiving with everyone talking about Me and everything.

>  By the way, I'm a woman.

> ------maya (kidding)

 

All hail the triple goddess, or some such said Robert Graves.  I am she,

as you are she, as you are me, as we are all together, or some such said

John Lennon.  Daddy, what is God like, I have started to forget what she

was like when I was in heaven, or some such said Sarah Catherine Kirby,

age 6.  Maya, watch out, you might be more correct than you realize.

But, my question, are you the comely lass, the mature woman, or the olde

crone?

 

Peace,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 12:32:01 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: spare us

Comments: To: jo grant <jgrant@BOOKZEN.COM>

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jo grant wrote:

> 

> An elastic stretch on this thread--.

> 

> An article in the daily waterpump the other day told of a cloth bracelet

> some christian group is selling. It has WWJD woven into it which means What

> Would Jesus Do. Story tells that they can't make them fast enough to fill

> the orders. A hot money-maker.

> 

> I was reminded of a theology course I sat in on at the University of Iowa

> many years ago. I think it was a Forrell course. He urged the students to

> read a book titled IN HIS SHOES.  Briefly, the minister of an affluent

> mainline church asks congregants if they will join him in an experiement.

> Before making decisions they would ask themselves "What would Jesus do?" It

> goes on to tell the story of how the participant's lives were

> affected--some very dramatically. It was a turn of the century setting, but

> some of the characters (as I recall) ended up very Beat-like.

> 

> The book was powerfully Communistic without mentioning politics.  But what

> stunned me was finding out that the book had sold over 25 million copies

> (over 25 years ago) and I'd never seen it on any list of best sellers, nor

> heard of it.

> 

> Suddenly, along come some jack-leg christians, ripping off an authors basic

> idea and never mentioning where they got the idea. Out of curiosity, to

> what degree(if any)  is this author's estate being ripped off.

> 

> j grant

 

Jo, actually, I have a copy of the book and if I can find it will let

you know any information that is on the title page.  It was a good book,

but a writer from Chicago wrote a better one in that line called Tell No

Man.  Down here in SC, when a minister opens up the doors of the church

to prostitutes and the homeless, not to mention AIDS, we fire them in a

hurry.  The Rev. Will B. Dunn in Kudzu is based upon a Baptist Minister

in NC that cared too much about reality and was defrocked.  The

established Church is about wordly power,  and God as we call it is

another.

 

My point in another post was that Kerouac and others were driven by a

sense of death, doom, and what the "answer" was.  They looked to "God"?

or what.  What should we look to?  Our collective selves, our "beat-l"?

I agree with Maya that discussion of "God" can be very sophmoric.  I

agree with Marie that it is easy to get off the literature track.  So,

what do we talk about then.  If we are going to discuss Kerouac, I vote

for Pic.

 

How about Ferlingetti's (sp?) new book.  That is a damn good book of

poems.  Anybody read it?

 

Peace,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 00:44:27 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Visionaries (Eliot/Ginsberg again, for Michael Skau &  et al)

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Now that I've reread some Eliot, I am ready to address a few points from

earlier Eliot/visionary discussion.

 

I think there needs to be a distinction between a poet that writes

symbolically and a visionary.  Eliot is really depressing.  Eliot saw

what was wrong, spiritually, but accepted "death-in-life,"

 

(Prufrock)

"Do I dare disturb the universe?"

 

"I am no prophet--and there's no great matter;

I have seen the moment of my greatness flicker,

And I have seen the eternal Footman hold my coat, and snicker.

And in short, I was afraid."

 

Eliot saw the vision, saw what was necessary to do, but could not rise to

the task.  The visionary poet must in some meaning of the term, be a

prophet, rail against the status quo, and in doing so put forth a his own

positive vision of what is possible.  He must as Chris Dumond, so

articulately put, in another post about Ginsberg, "[rain] life, pride,

and love on us all."   Blake took the work of other writers, like Milton,

and put his vision over their's in a way that spread out, and widened,

set up his own system, of what was and what could be.

 

The hope in the Wasteland is faint, really faint, the sound of thunder

there but not resonant, not awakening, at least not yet.  The grass is

singing but it is not fully alive.  Not in the way Whitman or Ginsberg

sang or were fully alive.  A visionary says "this is what I see" and

projects his vision out there, loudly.

 

Eliot writes,

"No! I am not Prince Hamlet, nor was meant to be;

Am an attendant lord, one that will do

To swell a progress, start a scene or two,

Advise the prince; no doubt, an easy tool,

Deferential, glad to be of use,

Politic, cautious, and meticulous;

Full of high sentence, but a bit obtuse"

 

Eliot used symbols well, layering in metaphoric and metaphysical

dimensions, the fire and rose are one, even cyclic sometimes in his view

of words and history, but often his words are devoid of power, the power

to change, to do anymore than accept his lot.  A true visionary

transforms experience, their experience and our experience.  In Howl,

Ginsberg raged against America, but he also saw the possibility for the

hope that rises up in our humanness.  Eliot is not grasping upon the

mermaid, rising with her cutching rebirth, he is looking at it from afar.

 I would describe his voice not so much as a visionary one as one that

saw what was possible, but was unable to grasp whatever he needed to

transcend his condition.

DC

=========================================================================

Date:         Mon, 30 Jun 1997 12:11:29 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: spare us

In-Reply-To:  <33B7259E.5EC0596B@scsn.net>

Mime-Version: 1.0

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Bentz,

 

I think it was the the Vandals who were responsible for buring the greatest

library of that age. Men ran the library ballgame in those days and they

all fled. It was a woman who tried to reason with the Vandals (as I recall)

and failed. I've tried to find the folder with the research material but

it's packed someplace. When I come across it I'll share the sources.

 

There are so many instances of christians burning books tho, that you may

have the wrong yo yo, but you've certainly got the right string

 

j grant

 

>Pamela Beach Plymell wrote:

>> 

>> Throughout history Christians are not known for their reading of objective

>> literature.

>> C. Plymell

>Hell Charles, they don't read it, they burn it.  I often why I keep

>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>They burned her library, killed all the gnostics, and flayed her to

>death  in public.  Thanks a lot for being literary.  Yeah, the

>Christians just don't, as an organization, like good literature do they.

>I hope my church never finds out that I think for myself.  It is an

>uneasy truce at best.

> 

>Peace,

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     313,599 visitors since July 1, 1996

=========================================================================

Date:         Mon, 30 Jun 1997 10:28:55 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      > blade of grass  <<was:  ok, perhaps>>

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<<digging thru my exceeded mailbox space>>

 

Shari writ:

 

><<blade of grass.  What we don't know is what god is.  Perhaps the whole

>notion of it is that s/he/it cannot be defined by humankind, because we, as a

>part of god, cannot fully experience the whole and, therefore, can only

speculate based on that portion of god which we can.>>

 

yes and we must talk about the "portions of god we can see".  Not just

relegate him to a three letter word.  granted that's what he is.  but

>still... <<you know what I mean>>

> 

><<This is of course necessarily truncated, and barely scratches  the surface,

but hopefully you can read between the lines.>>

 

yes, I've think I've fallen in a couple.  my couch last night seemed to

>have a few.  <<or perhaps that was the cat???>>  ;-)

> 

><<Btw, has anyone suggested a Beat chat room... would be alot easier to

discuss some of this stuff that way and a hell of alot more fun.>>

 

yes, and it would get us youngsters [freshmen] out of your hair, too!!!

><<laugh>>

> 

><<Ciao, Sherri

love_singing@msn.com>>

 

>cheers, Douglas

> 

=========================================================================

Date:         Mon, 30 Jun 1997 12:27:01 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      PULSE INTERVIEW (UNCENSORED)

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Thanks Jo, and yes=97the town is Austin. Ever been there? It's a crazy

place I've managed to avoid. You don't see Hamsun's name come up to

often. It's like the other day, I had one of James Tate's grad students

at my place and he selected some books off the shelf: Maurice

Maeterlinck, Count Herman Keyserling, and Hamsun's "PAN" with a look

of confusion he asked me if he could borrow them, and that he wasn't

aware of them or the authors. I let him borrow "PAN," I thought that

was a good choice.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 30 Jun 1997 10:35:46 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: God  <<still digging>>

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<<still digging thru the beat backlog at work>>

 

Joseph Neudorfer writ

 

><<        [ = there is nothing holding us back from knowing all, but there is

>no

>physical possibility of reaching that 'all-knowledge', you would soon

>swim in insanity . . . hense Jehovah is crazy . . . that is why even

>Moses, the figure who was in Yahweh's presence, was not actually face to

>face. When Moses asked Yahweh to reveal himself (one of the many times

>on the mountains, after the burning bush), Yahweh only permitted Moses

>to observe his back and shoulders - which on one level is a paradox in

itself.>>

 

and is this why Andre Breton says "beauty must be repulsive"??  To reach

'all-beauty' would one soon be repulsed by everything??  and where to go

from there?  back down the mountain??  [[please don't let me ask about

the "burning bush" in this context, please don't let me ask, please...

<<laughing>>

 

Still wish you would explain that Yahweh/Moses ---> back/shoulders

paradox.  Maybe Yahweh was an ugly mofo, having a badhair day, and just

decided to be shy?  somewhat kidding, but curious  <<answer via

>backchannel if necessary>>

> 

>> Joseph Neudorfer

 

yours truly, Douglas

=========================================================================

Date:         Mon, 30 Jun 1997 10:35:58 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

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<<at work now>>

 

Diane writ:

 

<<I find you are keying in now on the Ginsberg everything is holy theme

>[[yes, thank you]], but am I finding you still thinking Breton's "Beauty is

>repulsive," (not sexually), as you are reading/typing?  I'm most moved by the

>paradox at

>the end: "I leave you laying there.  I am intact..."  It's all a paradox,

>Douglas, beginning with your random selection of this patti smith. beauty

>is a paradox, Babble, a paradox.  As Ginsberg would say, what is beauty

>but a six letter word? Babble, but a six letter word.  And only a stream

>of archeytpal consciousness bringing it all here to this point where our

minds meet.>>

 

ok. I'm a big fan of the river.  that much has been proven.  you could

turn the faucet on and off, little or large all day long, as far as I

care.  but words do have meanings.  and I hate wasting water.  can't

deny that.  words have meanings that change, that must be tracked, that

can be appropriated.  [[yes, therein lies the paradox.  Can we follow it

for a while?]]

 

what I love about patti smith (especially her earlier work) is that she

rambles, she brings in a beat train of thought.  In the work I quoted

(and the lines you liked) she's taken the male point of view (possibly

Rimbaud's).  taken it for a ride and seen what the possibilities

provided her.   <<amazing>>

 

old hag, middle aged hen, early cluck.  all the same some would say.

attitude is everything.  <<perhaps>>   relativity does apply at a

certain point.  at the speed of light, I might change into an old man,

flying back from outer space; while you and yours remain the same.

<<einstein proved that, yes?>>  words may be just a composite of

letters, counted and mounted; but when words gain human attributes

(i.e., "nigger"), we must put our heads together on the wall, and

honestly talk about what death and dying really mean.  the traces of

beauty we find in the world, and yes indeed, if beauty is *truly*

repulsive.  what would that mean?  [[and I wonder how it *looks*,

surrealist or not]]

 

I agree words can be nothing/everything holy (as Ginsberg would

apparently define), but I still must hold onto a societal view of

"beauty" (and a few other choice words).  beauty needs to go for a ride

with me for a while longer.  this I must see.  [[oh..exhale..]] why is

it so hard to give up words?  they answer so many questions.

 

        "what are words for, when nobody listens any more for

        [....] there's no use talking all..."  [missing persons]

 

>DC

 

cheers, Douglas

=========================================================================

Date:         Mon, 30 Jun 1997 12:36:48 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      Thanks / BENTZ

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Thanks for the kind words and the feelings mutual. If I ever make it

out to SC, I'll look you up. And try putting down the poetry. When

I first started writing I borrowed Andre Breton's method of automatic

writing=97I think Jack K called it spontaneous prose or whatever. He

must've read Breton at some point; Celine, etc.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Mon, 30 Jun 1997 11:40:49 -0600

Reply-To:     Denis Alcock <dalcock@FALSTAFF.UNM.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Denis Alcock <dalcock@FALSTAFF.UNM.EDU>

Subject:      summer reading

In-Reply-To:  <33B7FCC0.4354@bitstream.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I vote for Dr. Sax!

=========================================================================

Date:         Mon, 30 Jun 1997 12:47:58 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      JAMES: FRISCO BOUND!

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Hey James,

 

I knew you'd dig the gig! I'll be playing unplugged with him

on July 11. I'll be using a vintage Circa 1937, Dobro and glass

slide-Luther will play a Martin and fill in the lead. Unfortunately,

this concert will probably take place in my living room. Luther loves

to fish with me and his buddies=97we're both a couple of chicken and

fish eating bastards!

 

Richard Houff

Pariah Press

 

P.S. Glad you gotta chance to read the Pulse interview.

=========================================================================

Date:         Mon, 30 Jun 1997 10:52:15 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Whitman

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<<still digging>>

 

>From:  Ksenija Simic[SMTP:ksenija@GALOIS.MI.SANU.AC.YU]

> 

>"Camarado,

>this is not a book!

>Who touches this, touches the man."

 

Note to myself:  explore book covers of beats.  first editions ---->

etc.  As a visual artist, how is "touching" presented.  in soft and hard

bind... ;-)  and if you eat the book.  lonely one night, alone in yer

room,  [[devour it whole]] have you "communed" with *The Man* as well???

 

Douglas  <<obese in thought, thin on restraint>>

=========================================================================

Date:         Mon, 30 Jun 1997 13:49:40 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Goodbye (not forever)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hello,

 

I am writing because I am leaving the list temporarily.  About three weeks

to be precise.  I'm going to France and Italy, and I won't be able to check

e-mail, so I must unsubscribe.  This list is a lot of fun, and very

informational.  I've learned a great deal by just reading what other people

wrote.  I hope that when I come back that there will be some good

discussion of literature, because I see that's what's brewing right now.

 

Anyway, have fun while I'm away!

 

Greg Elwell

elwellg@voicenet.com

                          Greg Elwell

            elwellg@voicenet.com||elwellgr@hotmail.com

                <http://www.voicenet.com/~elwellg>

 

--------------------------------------------------------

=========================================================================

Date:         Mon, 30 Jun 1997 11:03:46 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: the beat (en) horse/summer reading update

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Marie responded to Diane:

 

<< 

>>gets the most votes wins. James, start counting...I vote for Visions of

>>Cody.

>>DC

>@@@@@@@

>i'm up for it. one of my favorites, and reads really well with cassady's

>the first third, which tells frankly, and in my opinion, beautifully, of

his early childhood on the street with father.

>> 

 

Cool, don't know this book (Visions of Cody) but from Marie's

description [[early years, god, father, beauty, cassady, some guy named

>"frankly"]] - sounds good to me.  count my vote on this one.

 

Can someone via backchannel, please tell me how this relates to "On the

Road"?  <<Chronologically, thematically, etc...>>

 

>> mc

 

Douglas  <<and what does the @@@@ translate to? curious...>>

=========================================================================

Date:         Mon, 30 Jun 1997 17:45:34 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: spare us

 

Holy shit!!!  Since when did a judge's ruling allow confiscation...  there's

certainly no confiscation going on of hardcore porn, are the police within

their rights to do this????  Ray Bradbury may have been a prophet.  [Thinking

of  digging a huge hole in the basement, installing shelves & putting my books

down there under a hidden door.]

 

Thank god I live in San Francisco...

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Greg Elwell

Sent:   Monday, June 30, 1997 9:10 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: spare us

 

At 12:18 AM 6/30/97 -0500, Leo Jilk wrote:

>>Pamela Beach Plymell wrote:

>>> 

>>> Throughout history Christians are not known for their reading of objective

>>> literature.

>>> C. Plymell

>>Hell Charles, they don't read it, they burn it.  I often why I keep

>>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>>They burned her library, killed all the gnostics, and flayed her to

>>death  in public.  Thanks a lot for being literary.  Yeah, the

>>Christians just don't, as an organization, like good literature do they.

>>I hope my church never finds out that I think for myself.  It is an

>>uneasy truce at best.

>> 

>Thinking of holocaust, when they start burning books, people can't be far

>behind.

>-leo

> 

> 

I don't know how much this is relating to the subject, but I just

read(couple days ago) that In Oklahoma, a judge ruled a 1979 award winning

film "obscene."  Then, after the ruling, law enforcement officials tracked

down EVERY SINGLE copy of the film that they could get their hands on in

the state!  One guy recalls sitting down to watch it, and all of a sudden,

he hears a knock on his door.  Sure enough, the police were waiting there,

because they had gotten his name from a local video rental store, which

said that he had rented it!  Oh, the reason the film was obscene was

because it showed a minor partaking in some kind of sex act.  The film

itself dealt with the holocaust.

 

If they can "take away" this film, they can definately take away _Naked

Lunch_(the book).

 

 

ge                    elwellg@voicenet.com

=========================================================================

Date:         Mon, 30 Jun 1997 17:47:24 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: the beat (en) horse/summer reading update

 

I vote for Desolation Angels, Dharma Bums or Big Sur...  would love to do

this.  Great idea Diane.

 

Ciao, Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Sunday, June 29, 1997 11:43 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: the beat (en) horse/summer reading update

 

>Marie Countryman wrote:

> 

> now instead of reading about everyones personal reactions to or

> negating of

> god,

> let's talk about the literature.

> 

> i just finished feat&loathing in Los vegas;

> have started reading hell's angels

> but then i was waylaid by bob kaufman: out of sheer delight, but i seem to

> have misplaced him,

> so its back on the harley for me

> mc

 

Can some of us wildly grasp onto one Kerouac work, together, for the sake

of discussion,  and let comparisons/or lack thereof, relate to whatever

other writers we are reading at the moment?   I tend to have six books

going at the same time.  Start voting for Kerouac, and which ever book

gets the most votes wins. James, start counting...I vote for Visions of

Cody.

DC

=========================================================================

Date:         Mon, 30 Jun 1997 17:51:28 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      FW: please read this and vote

Comments: To: Stef <Ad_Libitum@msn.com>, HJW II <ArchibaldLeach@msn.com>,

          Stuart Crosby <BRAVES10@msn.com>, Ron Vassel <BlizzardKing@msn.com>,

          Michael Riddle <CENTERLINEDESIGN@msn.com>,

          Cari Who ELSE???? <CittiGirl@msn.com>, db <Dee-Bee@msn.com>,

          Homebrook <Homebrook@msn.com>, Jason Tinling <JTinlng@msn.com>,

          Joseph L <JoePlacebo@msn.com>, Kevin Mathers <KEVMATH@msn.com>,

          Kel Rayner <Manatbar@msn.com>,

          the little people <MarmaladeSkies@msn.com>,

          Kent <NoixDeGolf@msn.com>, Jim B <PBRUEGEL@msn.com>,

          Ask and I might tell you <Peaceful-Warrior2@msn.com>,

          R <ROcean@msn.com>, Blair <Reepoo@msn.com>,

          James Sims <SimbaJim@msn.com>, Sharon <SopAndBass@msn.com>,

          Tom Gummo <TGUMMO@msn.com>,

          Life is a sick joke and I'm the punchline <The_Boogey_Man@msn.com>,

          rico <UNIR1@msn.com>, Mark <Vox_Amicus@msn.com>,

          "e.e. cummings" <What-is_death@msn.com>,

          Tanya Ceccatto <_AngelBaby@msn.com>,

          _Prometheus1 <_Prometheus1@msn.com>, S Johnson <doc11@msn.com>,

          Drew Eskenazi <drewesk@msn.com>, Robert Lear <king_lear1@msn.com>,

          x <king_lear1@msn.com>, PAUL KOLJESKI <koljeski@msn.com>,

          Silver Surfer <mad-chatter@msn.com>, david simoni <oak123@msn.com>,

          Kash Philips <philkash@msn.com>,

          anthony osborne <rastafarian@msn.com>,

          Rico Mariani <ricom_ms@msn.com>, Robert Eback <rleback@msn.com>,

          Stephen Baldwin <sabaldwin@msn.com>, anniepoo <annh@ccrtc.com>,

          BigDaddyRico <Engelsguy@aol.com>, Don Green <NYCDBG@aol.com>,

          cj <sjohn111@aol.com>, Kent Smedley <Kent.Smedley@clorox.com>,

          THEBODYIS1@aol.com

 

This is important, please take the time.

Ciao, Sherri

 

----------

From:   Jamey Sims

Sent:   Monday, June 30, 1997 9:48 AM

To:     'sherry'; 'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer';

'Ralph'; 'David Lang'; 'boyeeeeeee'; 'Suzie & Robert'; 'Gary'; 'The Lang

Gang'; 'Brandon Wescott'; 'kevey'; 'Dr Cowan'; 'Renee'; 'bogie'; 'Tammy';

'Shari & Troy'; 'Yvonne'

Subject:        FW: please read this and vote

 

do this please

--Jamey

 

----------

From:   Marrow

Sent:   Saturday, June 28, 1997 3:35 PM

To:     Jamey Sims

Subject:        please read this and vote

 

 

 

>From: Marrow <mychajlo@pop.fast.net>

>Subject: please read this and vote

> 

>>From: J_DRUCK@prodigy.com (MR JEFFREY L DRUCKENMILLER)

>>Date: Thu, 26 Jun 1997 07:39:12, -0500

>>To: rrjwalz@integrityonline.com, mychajlo@fast.net

>>Subject: please read this and vote

>> 

>>for your interest

>> 

>> 

>> 

>><< Start of Forwarded message via Prodigy Mail >>

>> 

>>From:  (Warshie) DIANNE WARSHAVER

>>Subject:       please read this and vote

>>Date:  06/20

>>Time:  07:28 PM

>> 

>>so, we are never safe from crazies.....

>> 

>> 

>><< Start of Forwarded message via Prodigy Mail >>

>> 

>>From:  David Blum

>>Subject:       please read this and vote

>>Date:  06/20

>>Time:  06:55 PM

>> 

>>Return-Path: <davmark@mindspring.com>

>>Received: from brickbat8.mindspring.com (brickbat8.mindspring.com

>>[207.69.200.11])

>>      by pimaia1w.prodigy.com (8.8.5/8.8.5) with ESMTP id SAA106760

>>      for <Warshie@prodigy.com>; Fri, 20 Jun 1997 18:56:48 -0400

>>Received: from 38.26.20.135 (ip135.an9-new-york4.ny.pub-ip.psi.net

>>[38.26.20.135])

>>      by brickbat8.mindspring.com (8.8.5/8.8.5) with SMTP id SAA03646;

>>      Fri, 20 Jun 1997 18:55:11 -0400 (EDT)

>>Message-ID: <33AAC4FA.42EF@mindspring.com>

>>Date: Fri, 20 Jun 1997 18:59:22 +0100

>>From: David Blum <davmark@mindspring.com>

>>Reply-To: davmark@mindspring.com

>>X-Mailer: Mozilla 3.0 (Macintosh; U; 68K)

>>MIME-Version: 1.0

>>To: "artworks@concentric.net" <artworks@concentric.net>,

>>        "CHFriend@aol.com" <CHFriend@aol.com>,

>>        "joshperi@netvision.net.il" <joshperi@netvision.net.il>,

>>        MS DIANNE L WARSHAVER <Warshie@prodigy.com>,

>>        Sarah Barnett <phibarn@scisun.sci.ccny.cuny.edu>,

>>        Steve Zuckerman <szucker@isd.net>,

>>        "Susan E. Ranney" <sranney@azstarnet.com>,

>>        Suzie Dennis Ben David <marketingedge@msn.com>,

>>        "zin@juno.com" <zin@juno.com>

>>Subject: please read this and vote

>>Content-Type: text/plain; charset=us-ascii

>>Content-Transfer-Encoding: 7bit

>> 

>>>Forwarded message:

>>>Subj:    No Subject

>>>Date:    97-06-06 03:17:09 EDT

>>>From:    Jonapangai

>>>To:      CampNicole

>>> 

>>>We have understood that a few Neo-Nazi groups are trying to create

>>>(again) a usenet group where they want to keep in contact

>>>with each other regarding their activities. I believe it is not

>>>necessary to dwell further on these activities.

>>> 

>>>The group is rec.music.white-power

>>> 

>>>To create such a group, they have to win a referendum that is

>>>always organised when a new usenet group is created.

>>>All persons with an email address, and only those, can vote

>>>in this referendum.

>>> 

>>>It is IMPORTANT to vote only once, otherwise the vote is

>>>cancelled.

>>> 

>>>To prevent the creation of this group, you have to:

>>> 

>>>    1. Send this message to people you know

>>> 

>>>    2. Send an email to the following address:

>>> 

>>>           music-vote@sub-rosa.com

>>> 

>>>    3. In the body of your message (not in the 'subject' line)

>>>      include EXACTLY and ONLY the following line:

>>> 

>>>           I vote NO on rec.music.white-power

>>> 

>>>Since the vote is automatic, it is IMPORTANT to send the

>>>exact line as it is given above, without adding anything, not even

>>a

>>>name.

>>>And please send it only once or it becomes invalid ! Also,

>>> 

>>>PLEASE  FORWARD

>>>THIS LETTER TO EVERYONE YOU KNOW WITH AN E-MAIL ADDRESS TO

>>>PREVENT THE GROUP FOUNDERS FROM CREATING THIS GROUP.

>>> 

>>>*********************************************

>>> Israel Rubinstein

>>> Professor of Chemistry

>>> Department of Materials and Interfaces

>>>The Weizmann Institute of Science

>>> Rehovot 76100, Israel

>>>Phone: +972 8 9342678     Fax: +972 8 9344137

>>> E-mail: cprubin@weizmann.weizmann.ac.il

>>>http://www.weizmann.ac.il/weg

>>> 

>>> 

>>> 

>>Gerardo (Jerry) Rogoff

>>Field Applications Engineer

>>Exar Corporation

>>500 Clark Rd.

>>Tewksbury, MA 01876

>> 

>>Tel.:    (508) 640-8899

>>FAX:   (508) 640-6926

>>Pager: (800) 943-4064

>> 

>>email: jerry.rogoff@exar.com

>>Visit our Website @: http://www.exar.com

>> 

>> 

>><< End of Forwarded message >>

>> 

>><Distribution List>

>>      (FJHE36A), J DRUCKENMILLER

>>      (TVSG32A), STEVE BOGUS

>> 

>> 

>><< End of Forwarded message >>

>> 

>> 

 

 

Sincerely,

Michael T. Montgomery

mychajlo@fast.net

=========================================================================

Date:         Mon, 30 Jun 1997 10:48:47 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: the beat (en) horse/summer reading update

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>Can some of us wildly grasp onto one Kerouac work, together, for the sake

>of discussion,  and let comparisons/or lack thereof, relate to whatever

>other writers we are reading at the moment?   I tend to have six books

>going at the same time.  Start voting for Kerouac, and which ever book

>gets the most votes wins. James, start counting...I vote for Visions of

>Cody.

>DC

 

     VOC is fine with me (no lazy poetics intended) but we must do a rehash

     as we approach the 40th of OTR at the end of the summer.

 

     matt

=========================================================================

Date:         Mon, 30 Jun 1997 14:25:08 -0400

Reply-To:     Greg Elwell <elwellg@VOICENET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: spare us

Comments: To: Sherri <love_singing@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Sherri,

 

I found an on-line archive of my local newspaper where I read the article.

It was in The Philadelphia Inquirer.  Here's the URL:

 

http://www2.phillynews.com/inquirer/97/Jun/28/national/DRUM28.htm

 

Now, you can read this insanity for yourself

 

At 05:45 PM 6/30/97 UT, you wrote:

>Holy shit!!!  Since when did a judge's ruling allow confiscation...  there's

>certainly no confiscation going on of hardcore porn, are the police within

>their rights to do this????  Ray Bradbury may have been a prophet.  [Thinking

>of  digging a huge hole in the basement, installing shelves & putting my

books

>down there under a hidden door.]

> 

>Thank god I live in San Francisco...

> 

>Ciao,

>Sherri

> 

>----------

>From:   BEAT-L: Beat Generation List on behalf of Greg Elwell

>Sent:   Monday, June 30, 1997 9:10 AM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:        Re: spare us

> 

>At 12:18 AM 6/30/97 -0500, Leo Jilk wrote:

>>>Pamela Beach Plymell wrote:

>>>> 

>>>> Throughout history Christians are not known for their reading of

objective

>>>> literature.

>>>> C. Plymell

>>>Hell Charles, they don't read it, they burn it.  I often why I keep

>>>hanging on to this religion.  I mean, ask what's her name in Alexandria.

>>>They burned her library, killed all the gnostics, and flayed her to

>>>death  in public.  Thanks a lot for being literary.  Yeah, the

>>>Christians just don't, as an organization, like good literature do they.

>>>I hope my church never finds out that I think for myself.  It is an

>>>uneasy truce at best.

>>> 

>>Thinking of holocaust, when they start burning books, people can't be far

>>behind.

>>-leo

>> 

>> 

>I don't know how much this is relating to the subject, but I just

>read(couple days ago) that In Oklahoma, a judge ruled a 1979 award winning

>film "obscene."  Then, after the ruling, law enforcement officials tracked

>down EVERY SINGLE copy of the film that they could get their hands on in

>the state!  One guy recalls sitting down to watch it, and all of a sudden,

>he hears a knock on his door.  Sure enough, the police were waiting there,

>because they had gotten his name from a local video rental store, which

>said that he had rented it!  Oh, the reason the film was obscene was

>because it showed a minor partaking in some kind of sex act.  The film

>itself dealt with the holocaust.

> 

>If they can "take away" this film, they can definately take away _Naked

>Lunch_(the book).

> 

> 

>ge                    elwellg@voicenet.com

> 

> 

                          Greg Elwell

            elwellg@voicenet.com||elwellgr@hotmail.com

                <http://www.voicenet.com/~elwellg>

 

--------------------------------------------------------

=========================================================================

Date:         Mon, 30 Jun 1997 14:31:17 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Don't shoot the messenger

MIME-Version: 1.0

Content-Type: text/plain; charset=unknown-8bit

Content-Transfer-Encoding: quoted-printable

 

     This is my first post to the list, although I've been off and on in

various incarnations for the last six months. I've been hoping to learn

something from the subscribers, and I have.

     I've also seen that the list offers a forum for people to express th=

eir

opinions, as well as their anger, and to advance agendas, whether factual=

ly

or in a way designed to manipulate with emotions.

     I'm a writer who lives in Seattle, and my credentials include

freelancing for NPR as well as numerous print publications. I have a long

association with jack, going back to the summer of Woodstock, when I turn=

ed

18 and read On The Road and contemplated grabbing my rucksack and running=

 off

with the lonesome traveler who'd given me the book and taken my virginity=

 (a

fair swap, I must say).

     The Road, for me, for the last near-30 years, has been as straight a=

s a

corkscrew, but jack was always there somewhere. Someday I'll tell that st=

ory.

Right now, I have something more important to say.

     In the passionate environment that surrounds all things Beat and

people's personal connections to them, and especially, to jack himself, a=

ll

of us who have come after the fact (not folks like Leon and Charles) seem=

 to

have staked claims and established turf.=20

     As principal characters in the kerouac saga burned bright and then

burned out, issues began to surface. The issue that has become the most

addressable is that one which was heatedly discussed here a month or so a=

go:

the *preservation* of jack's archives. It is part of that issue I wish to

address, with new information I acquired through research.

     I've been in touch with people who could only be described as second=

ary

to the life of jack kerouac, asking questions and assembling a feature st=

ory.

There are also many people I have not met or interviewed. But two of the

people I have interviewed by phone and through thousands of words in lett=

ers

are Rod Anstee and Gerry Nicosia. I had the opportunity to form opinions

about both these men independently, since I did not know, at first, their

history with one another. Because of their individual credentials, and as=

 I

learned the history they'd shared, determining reliability from either of

them (as sources for news or feature stories on archive or Estate issues)=

 was

essential to writing the most accurate possible account.

     Rod posted a letter to this list regarding the contents of Gerry's U=

Mass

archives, and I observed the claims and reactions that followed, without

comment. I was sad and upset, as I think most of us were, to witness the

conflict.=20

     After Rod voluntarily signed off the list and the rest of the confli=

ct

played itself out, I called Martha Mayo at UMass, for the specific purpos=

e of

verifying a) what Rod had claimed and b) what Gerry had claimed. Here are

some of my notes from that interview, for your edification:

 

***Martha Mayo interview, 1:40 to 1:48pm PDT, 17 June 1997 (Mogan Center,

UMass Lowell, 508/934-4997)****

 

     I gave my name and location, said I was a writer, said I was traveli=

ng

east later this year and wondered about my chances for seeing the Memory =

Babe

(MB) collection.

     "It's an open collection. Anyone can view it," Mayo said. "It carrie=

s

with it some standard restrictions. But the major restriction is that let=

ters

from authors cannot be photocopied, because they are copyrighted material=

s,

copyrighted by the Estate.

     "No photocopying is allowed of any of Kerouac's letters, because man=

y of

them are photocopies that came from other collections, and there are

copyright issues.=20

     "There is nothing original in this collection," she said. "These are

research notes gathered from many sources."

     She said they're very understaffed right now because school's out fo=

r

the summer, but that there is always someone available from 9am to 5pm,

Monday through Friday, to assist people who want to see the collection. S=

he

said people aren't really using it that much, but that someone had recent=

ly

come to town and spent time viewing the collection. "Just make an appoint=

ment

3 or 4 days in advance, letting us know when you'll be here."

     So, according to Martha Mayo a) the MB collection is not closed; b) =

the

MB collection contains photocopies from other collections; c) anyone who =

asks

permission can see the collection; d) the collection is composed of

photocopies only; and e) no one is allowed to photocopy these photocopies.

     In short, Rod Anstee is right about the MB collection and what=92s i=

n it.

     I invite you to check these facts on your own. If anyone in the Lowe=

ll

area could actually walk in and test this, that would be best.

     My point is this: when anyone claims anything, especially in matters

that are so potentially inflammatory as this one is, verify the facts, if

there are any. There=92s no need to become personally involved or defensi=

ve

about facts.

     One last note about threats of litigation regarding libel, slander a=

nd

copyright infringement: read the Associated Press Stylebook and Libel Man=

ual

for a broad overview of these legal terms and their ramifications. Truth =

is

always a legitimate defense.

     The rest of the information I=92ve gathered over the last few months=

 will

be submitted for publication to various markets. I will post a notice of =

any

impending publication to this list.=20

 

Diane De Rooy

ddrooy@aol.com

membabe@aol.com

=========================================================================

Date:         Mon, 30 Jun 1997 13:20:56 -0500

Reply-To:     Peyote Coyote <peyotecoyote@IAH.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Peyote Coyote <peyotecoyote@IAH.COM>

Subject:      summer reading and a welcome

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Hi.  I'm new to the list.  My name is Joey Mellott, but you can call me

Peyote Coyote, a random name I thought up while reading a piece by Artaud.

I will be a senior in HS in August.  I've read On the Road and  Naked

Lunch, and am now reading Desolation Angels, with plans to read Dr. Sax,

Tristessa, and/or the Soft Machine by the end of summer.  I became

intrested in the Beats when a friend suggested I do my US History term

paper on Jack Kerouac.  Thirteen pages and an A+ later, I'm hooked.

Suggestions are welcome.

 

My vote:  Desolation Angels.  It's superduperific.

 

Joey Mellott : poet, writer, and word shaman

(peyotecoyote@iah.com)

"the socerers enter the ring, and the dancer with the six hundred little

bells (300 of horn, 300 of silver) shrieks his coyote call in the forest."

- Antonin Artaud

=========================================================================

Date:         Mon, 30 Jun 1997 18:32:31 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

 

douglas, i think that einstein proved that time essentially stands still at

the speed of light...  am i mistaken?

 

at home with the flu...

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Penn, Douglas, K

Sent:   Monday, June 30, 1997 10:35 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: <<Diane>>, di prima, <<beauty>>

 

<<at work now>>

 

<<old hag, middle aged hen, early cluck.  all the same some would say.

attitude is everything.  <<perhaps>>   relativity does apply at a

certain point.  at the speed of light, I might change into an old man,

flying back from outer space; while you and yours remain the same.

<<einstein proved that, yes?>>  words may be just a composite of

letters, counted and mounted; but when words gain human attributes

(i.e., "nigger"), we must put our heads together on the wall, and

honestly talk about what death and dying really mean.  the traces of

beauty we find in the world, and yes indeed, if beauty is *truly*

repulsive.  what would that mean?  [[and I wonder how it *looks*,

surrealist or not]]

 

I agree words can be nothing/everything holy (as Ginsberg would

apparently define), but I still must hold onto a societal view of

"beauty" (and a few other choice words).  beauty needs to go for a ride

with me for a while longer.  this I must see.  [[oh..exhale..]] why is

it so hard to give up words?  they answer so many questions.

 

        "what are words for, when nobody listens any more for

        [....] there's no use talking all..."  [missing persons]

 

>DC

 

cheers, Douglas>>

=========================================================================

Date:         Mon, 30 Jun 1997 13:05:10 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re: Don't shoot the messenger

Comments: To: Ddrooy@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Ddrooy@AOL.COM writ:

 

     >As principal characters in the kerouac saga burned bright and then

     >burned out

 

     Who burned out?

 

     Of the "big 5" (my definition) Jack died young (wrote until his

     death--albeit for a girly mag), Cassady died young (flipped hammers

     until his death...ok, but he did write), Ginsberg wrote until his

     death (and may still be writing), Burroughs is still writing (and may

     be preserved enough never to die), Snyder (in my big 5 because he was

     major character and subject) is still writing (wonderfully, and giving

     great lectures).

 

     After that...who?  Ferlinghetti (still going (thump, thump, thump))

     Hunke (wrote pretty much until death), Corso? Whalen? We're running

     out of names........(not really)

 

     The early Beats aren't dead,they're just resting.

 

     matt

=========================================================================

Date:         Mon, 30 Jun 1997 18:40:32 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Re[2]: the beat (en) horse/summer reading update

 

i agree matt... hope i won't be outta the country for that

 

----------

From:   BEAT-L: Beat Generation List on behalf of MATT HANNAN

Sent:   Monday, June 30, 1997 7:48 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re[2]: the beat (en) horse/summer reading update

 

>Can some of us wildly grasp onto one Kerouac work, together, for the sake

>of discussion,  and let comparisons/or lack thereof, relate to whatever

>other writers we are reading at the moment?   I tend to have six books

>going at the same time.  Start voting for Kerouac, and which ever book

>gets the most votes wins. James, start counting...I vote for Visions of

>Cody.

>DC

 

     VOC is fine with me (no lazy poetics intended) but we must do a rehash

     as we approach the 40th of OTR at the end of the summer.

 

     matt

=========================================================================

Date:         Mon, 30 Jun 1997 23:15:15 +0200

Reply-To:     Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <ksenija@GALOIS.MI.SANU.AC.YU>

Subject:      my vote

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

dharma bums.

 

ksenija

=========================================================================

Date:         Mon, 30 Jun 1997 16:07:30 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: Whitman

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970630175215Z-5828@sd-mail.sd.oees.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Douglas wrote:

 

><<still digging>>

> 

>>From:  Ksenija Simic[SMTP:ksenija@GALOIS.MI.SANU.AC.YU]

>> 

>>"Camarado,

>>this is not a book!

>>Who touches this, touches the man."

> 

>Note to myself:  explore book covers of beats.  first editions ---->

>etc.  As a visual artist, how is "touching" presented.  in soft and hard

>bind... ;-)  and if you eat the book.  lonely one night, alone in yer

>room,  [[devour it whole]] have you "communed" with *The Man* as well???

> 

>Douglas  <<obese in thought, thin on restraint>>

 

I thought I could only be a

writer if I pushed a book against

my lips until i bled.

 

=46unny thought.

 

I dented my lip and tasted the

book, but I didn't bleed.

 

-leo

=========================================================================

Date:         Mon, 30 Jun 1997 23:20:52 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Be At Home.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        BE AT HOME!

 

        it is near

        a summer evening

        lavender flowers

        in the garden

 

                i'm afraid!     i'm afraid!

 

        at

        sunset

        honey bees

 

        they worked

        at

        the end of a day

 

                i'm afraid!     i'm afraid!

 

                be at home!

 

        why are you afraid

        by the bees?

 

        they yield honey!

        do you like the honey?

 

        without bees nothing honey

        do you like the honey?

 

                I DONT' LIKE HONEy!

 

        I DONT' LINE HONEY!

 

                I DONT' LIKE HONEy!

 

---

yrs

Rinaldo. * a bee beaten *

www.gpnet.it/rasa/home.htm

=========================================================================

Date:         Mon, 30 Jun 1997 16:37:59 -0500

Reply-To:     chizam@TRACE.IE.WISC.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zach Chisholm <chizam@TRACE.IE.WISC.EDU>

Subject:      self proclaimed poet

 

I am a self proclaimed poet

relatively new to beat-l

thought I'd promote

my site of poetry

(http://trace.ie.wisc.edu/chizam)

I'm a 19 year old male

living in Wisconsin

(when I'm not out traveling)

no formal teaching

have I recived

in the area of writing

but I enjoy it

I'm no Kerouac, Ginsberg, or Whitman

I'm just me writing

my opinions

my thoughts

my experiences

on paper and in computers

If you would

go and read my work

email me what you think

I'll keep on writing

because all in all

it is just for me

 

Zach Chisholm

=========================================================================

Date:         Mon, 30 Jun 1997 23:40:12 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      No Nazi On The Net was (Re: FW: please read this and vote)

Comments: cc: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199706301808480644@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 17.51 30/06/97 UT, you wrote:

>This is important, please take the time.

>Ciao, Sherri

> 

>----------

>From:   Jamey Sims

>Sent:   Monday, June 30, 1997 9:48 AM

>To:     'sherry'; 'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer';

>'Ralph'; 'David Lang'; 'boyeeeeeee'; 'Suzie & Robert'; 'Gary'; 'The Lang

>Gang'; 'Brandon Wescott'; 'kevey'; 'Dr Cowan'; 'Renee'; 'bogie'; 'Tammy';

>'Shari & Troy'; 'Yvonne'

>Subject:        FW: please read this and vote

> 

>do this please

>--Jamey

> 

>----------

>From:   Marrow

>Sent:   Saturday, June 28, 1997 3:35 PM

>To:     Jamey Sims

>Subject:        please read this and vote

> 

> 

> 

>>From: Marrow <mychajlo@pop.fast.net>

>>Subject: please read this and vote

>> 

>>>From: J_DRUCK@prodigy.com (MR JEFFREY L DRUCKENMILLER)

>>>Date: Thu, 26 Jun 1997 07:39:12, -0500

>>>To: rrjwalz@integrityonline.com, mychajlo@fast.net

>>>Subject: please read this and vote

>>> 

>>>for your interest

>>> 

>>> 

>>> 

>>><< Start of Forwarded message via Prodigy Mail >>

>>> 

>>>From:  (Warshie) DIANNE WARSHAVER

>>>Subject:       please read this and vote

>>>Date:  06/20

>>>Time:  07:28 PM

>>> 

>>>so, we are never safe from crazies.....

>>> 

>>> 

>>><< Start of Forwarded message via Prodigy Mail >>

>>> 

>>>From:  David Blum

>>>Subject:       please read this and vote

>>>Date:  06/20

>>>Time:  06:55 PM

>>> 

>>>Return-Path: <davmark@mindspring.com>

>>>Received: from brickbat8.mindspring.com (brickbat8.mindspring.com

>>>[207.69.200.11])

>>>      by pimaia1w.prodigy.com (8.8.5/8.8.5) with ESMTP id SAA106760

>>>      for <Warshie@prodigy.com>; Fri, 20 Jun 1997 18:56:48 -0400

>>>Received: from 38.26.20.135 (ip135.an9-new-york4.ny.pub-ip.psi.net

>>>[38.26.20.135])

>>>      by brickbat8.mindspring.com (8.8.5/8.8.5) with SMTP id SAA03646;

>>>      Fri, 20 Jun 1997 18:55:11 -0400 (EDT)

>>>Message-ID: <33AAC4FA.42EF@mindspring.com>

>>>Date: Fri, 20 Jun 1997 18:59:22 +0100

>>>From: David Blum <davmark@mindspring.com>

>>>Reply-To: davmark@mindspring.com

>>>X-Mailer: Mozilla 3.0 (Macintosh; U; 68K)

>>>MIME-Version: 1.0

>>>To: "artworks@concentric.net" <artworks@concentric.net>,

>>>        "CHFriend@aol.com" <CHFriend@aol.com>,

>>>        "joshperi@netvision.net.il" <joshperi@netvision.net.il>,

>>>        MS DIANNE L WARSHAVER <Warshie@prodigy.com>,

>>>        Sarah Barnett <phibarn@scisun.sci.ccny.cuny.edu>,

>>>        Steve Zuckerman <szucker@isd.net>,

>>>        "Susan E. Ranney" <sranney@azstarnet.com>,

>>>        Suzie Dennis Ben David <marketingedge@msn.com>,

>>>        "zin@juno.com" <zin@juno.com>

>>>Subject: please read this and vote

>>>Content-Type: text/plain; charset=us-ascii

>>>Content-Transfer-Encoding: 7bit

>>> 

>>>>Forwarded message:

>>>>Subj:    No Subject

>>>>Date:    97-06-06 03:17:09 EDT

>>>>From:    Jonapangai

>>>>To:      CampNicole

>>>> 

>>>>We have understood that a few Neo-Nazi groups are trying to create

>>>>(again) a usenet group where they want to keep in contact

>>>>with each other regarding their activities. I believe it is not

>>>>necessary to dwell further on these activities.

>>>> 

>>>>The group is rec.music.white-power

>>>> 

>>>>To create such a group, they have to win a referendum that is

>>>>always organised when a new usenet group is created.

>>>>All persons with an email address, and only those, can vote

>>>>in this referendum.

>>>> 

>>>>It is IMPORTANT to vote only once, otherwise the vote is

>>>>cancelled.

>>>> 

>>>>To prevent the creation of this group, you have to:

>>>> 

>>>>    1. Send this message to people you know

>>>> 

>>>>    2. Send an email to the following address:

>>>> 

>>>>           music-vote@sub-rosa.com

>>>> 

>>>>    3. In the body of your message (not in the 'subject' line)

>>>>      include EXACTLY and ONLY the following line:

>>>> 

>>>>           I vote NO on rec.music.white-power

>>>> 

>>>>Since the vote is automatic, it is IMPORTANT to send the

>>>>exact line as it is given above, without adding anything, not even

>>>a

>>>>name.

>>>>And please send it only once or it becomes invalid ! Also,

>>>> 

>>>>PLEASE  FORWARD

>>>>THIS LETTER TO EVERYONE YOU KNOW WITH AN E-MAIL ADDRESS TO

>>>>PREVENT THE GROUP FOUNDERS FROM CREATING THIS GROUP.

>>>> 

>>>>*********************************************

>>>> Israel Rubinstein

>>>> Professor of Chemistry

>>>> Department of Materials and Interfaces

>>>>The Weizmann Institute of Science

>>>> Rehovot 76100, Israel

>>>>Phone: +972 8 9342678     Fax: +972 8 9344137

>>>> E-mail: cprubin@weizmann.weizmann.ac.il

>>>>http://www.weizmann.ac.il/weg

>>>> 

>>>> 

>>>> 

>>>Gerardo (Jerry) Rogoff

>>>Field Applications Engineer

>>>Exar Corporation

>>>500 Clark Rd.

>>>Tewksbury, MA 01876

>>> 

>>>Tel.:    (508) 640-8899

>>>FAX:   (508) 640-6926

>>>Pager: (800) 943-4064

>>> 

>>>email: jerry.rogoff@exar.com

>>>Visit our Website @: http://www.exar.com

>>> 

>>> 

>>><< End of Forwarded message >>

>>> 

>>><Distribution List>

>>>      (FJHE36A), J DRUCKENMILLER

>>>      (TVSG32A), STEVE BOGUS

>>> 

>>> 

>>><< End of Forwarded message >>

>>> 

>>> 

> 

> 

>Sincerely,

>Michael T. Montgomery

>mychajlo@fast.net

> 

> 

Sherri,

i agree with yr fwd message, i have already posted likes

message in march 97 & now i dont' know if nazi are attempting

to re-vote 'bout this NG, if this the case, please send yr

fresh informaion, 'cuz i was pointed (in march 97) that the

vote was over & the nazi NG spin off the Usenet... but time

perhaps are a changin',

ciao e tanti saluti da

Rinaldo.

=========================================================================

Date:         Mon, 30 Jun 1997 23:45:08 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: self proclaimed poet

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>From:         Zach Chisholm <chizam@TRACE.IE.WISC.EDU>

>Subject:      self proclaimed poet

> 

>I am a self proclaimed poet

>relatively new to beat-l

>thought I'd promote

>my site of poetry

>(http://trace.ie.wisc.edu/chizam)

>I'm a 19 year old male

>living in Wisconsin

>(when I'm not out traveling)

>no formal teaching

>have I recived

>in the area of writing

>but I enjoy it

>I'm no Kerouac, Ginsberg, or Whitman

>I'm just me writing

>my opinions

>my thoughts

>my experiences

>on paper and in computers

>If you would

>go and read my work

>email me what you think

>I'll keep on writing

>because all in all

>it is just for me

> 

>Zach Chisholm

> 

> 

zach, nice performance! self proclaimed poet RIGHT ON!

if u Like my opinion!

---

yrs Rinaldo.

=========================================================================

Date:         Mon, 30 Jun 1997 17:50:42 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Re: Don't shoot the messenger

Comments: To: Ddrooy@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: 8bit

 

Diane De Rooy wrote:

> 

>      This is my first post to the list, although I've been off and on in

> various incarnations for the last six months. I've been hoping to learn

> something from the subscribers, and I have.

>      I've also seen that the list offers a forum for people to express their

> opinions, as well as their anger, and to advance agendas, whether factually

> or in a way designed to manipulate with emotions.

>      I'm a writer who lives in Seattle, and my credentials include

> freelancing for NPR as well as numerous print publications. I have a long

> association with jack, going back to the summer of Woodstock, when I turned

> 18 and read On The Road and contemplated grabbing my rucksack and running off

> with the lonesome traveler who'd given me the book and taken my virginity (a

> fair swap, I must say).

>      The Road, for me, for the last near-30 years, has been as straight as a

> corkscrew, but jack was always there somewhere. Someday I'll tell that story.

> Right now, I have something more important to say.

>      In the passionate environment that surrounds all things Beat and

> people's personal connections to them, and especially, to jack himself, all

> of us who have come after the fact (not folks like Leon and Charles) seem to

> have staked claims and established turf.

>      As principal characters in the kerouac saga burned bright and then

> burned out, issues began to surface. The issue that has become the most

> addressable is that one which was heatedly discussed here a month or so ago:

> the *preservation* of jack's archives. It is part of that issue I wish to

> address, with new information I acquired through research.

>      I've been in touch with people who could only be described as secondary

> to the life of jack kerouac, asking questions and assembling a feature story.

> There are also many people I have not met or interviewed. But two of the

> people I have interviewed by phone and through thousands of words in letters

> are Rod Anstee and Gerry Nicosia. I had the opportunity to form opinions

> about both these men independently, since I did not know, at first, their

> history with one another. Because of their individual credentials, and as I

> learned the history they'd shared, determining reliability from either of

> them (as sources for news or feature stories on archive or Estate issues) was

> essential to writing the most accurate possible account.

>      Rod posted a letter to this list regarding the contents of Gerry's UMass

> archives, and I observed the claims and reactions that followed, without

> comment. I was sad and upset, as I think most of us were, to witness the

> conflict.

>      After Rod voluntarily signed off the list and the rest of the conflict

> played itself out, I called Martha Mayo at UMass, for the specific purpose of

> verifying a) what Rod had claimed and b) what Gerry had claimed. Here are

> some of my notes from that interview, for your edification:

> 

> ***Martha Mayo interview, 1:40 to 1:48pm PDT, 17 June 1997 (Mogan Center,

> UMass Lowell, 508/934-4997)****

> 

>      I gave my name and location, said I was a writer, said I was traveling

> east later this year and wondered about my chances for seeing the Memory Babe

> (MB) collection.

>      "It's an open collection. Anyone can view it," Mayo said. "It carries

> with it some standard restrictions. But the major restriction is that letters

> from authors cannot be photocopied, because they are copyrighted materials,

> copyrighted by the Estate.

>      "No photocopying is allowed of any of Kerouac's letters, because many of

> them are photocopies that came from other collections, and there are

> copyright issues.

>      "There is nothing original in this collection," she said. "These are

> research notes gathered from many sources."

>      She said they're very understaffed right now because school's out for

> the summer, but that there is always someone available from 9am to 5pm,

> Monday through Friday, to assist people who want to see the collection. She

> said people aren't really using it that much, but that someone had recently

> come to town and spent time viewing the collection. "Just make an appointment

> 3 or 4 days in advance, letting us know when you'll be here."

>      So, according to Martha Mayo a) the MB collection is not closed; b) the

> MB collection contains photocopies from other collections; c) anyone who asks

> permission can see the collection; d) the collection is composed of

> photocopies only; and e) no one is allowed to photocopy these photocopies.

>      In short, Rod Anstee is right about the MB collection and what s in it.

>      I invite you to check these facts on your own. If anyone in the Lowell

> area could actually walk in and test this, that would be best.

>      My point is this: when anyone claims anything, especially in matters

> that are so potentially inflammatory as this one is, verify the facts, if

> there are any. There s no need to become personally involved or defensive

> about facts.

>      One last note about threats of litigation regarding libel, slander and

> copyright infringement: read the Associated Press Stylebook and Libel Manual

> for a broad overview of these legal terms and their ramifications. Truth is

> always a legitimate defense.

>      The rest of the information I ve gathered over the last few months will

> be submitted for publication to various markets. I will post a notice of any

> impending publication to this list.

> 

> Diane De Rooy

> ddrooy@aol.com

> membabe@aol.com

Well, I see that this ugly beast raises its head again.  I am in the

process of preparing a contract to represent Gerry N. with regard to

certain matters involving the collection.  Therefore, I do not wish to

comment many of the matters raised in this post, except to say, I note

that the author did not actually go and obtain access to the archives.

Also, I understand that the photocopies of letters contain Gerry's

notes.  They are not photocopies from other libraries, but from the

owner of the letter, ie, perhaps Allen Ginsburg, etc.  It is true that

you can make fair use of a letter, but you may not photocopy it unless

the library owns the original.  Thus, if Allen gave a letter to Lowell,

and Gerry had written notes on it, you could photocopy it.  But without

the original, the library can not let you copy it.

 

I also will note to the list that Martha Mayo did not respond to my

inquiry about the origin of the copies in the file.  Further, I have

copies of letters from scholars claiming that Martha Mayo denied them

access to the archives because of threats by third parties.  So, I do

not believe that this post and an telephone conversation with Martha

Mayo is sufficient to draw any conclusion such that Rod is right and

Gerry is wrong.

 

It also is worthy to note that UMass at Lowell has mixed in with Gerry's

archives other documents.  So, the fact that a document is in the

archives does not mean that it was placed there by Gerry.  Paul Marion,

and perhaps others have placed materials in the library.

 

These are objective facts, not my opinon.  Martha Mayo is correct to say

that photocopying of documents that they do not own the orginals of is

not permitted.  She is incorrect to say that permission of the author is

required to allow the copying of letters.  It is ownership of the

document that controls that issue.

 

I also note with interest that this post appears almost a day or two

after Gerry signed off the list.  Diane, do you have any affiliation

with Antsee, Chaput, Sampas etc.?  I know that there have been some

other developments in that arena lately, so I wonder about your timing.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 17:15:28 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      fear and loathing

Content-Type: text

 

the current (June/July 1997) issue of Facets Features, an update

published by Facets Multimedia has the following entry:

"Johnny Depp will star in _Fear and Loathing in Las Vegas_, which is

based on Hunter S. Thompson's novel and will be directed by Alex

Cox (_Sid and Nancy_)."

Whaddya think of that!

Cordially,

Mike Skau

6/30/97

=========================================================================

Date:         Mon, 30 Jun 1997 18:28:21 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      suspicious, but perhaps unfounded.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Has anyone on the list ever heard of Diane De Rooy.  I ran a 411 search

and turned up nothing.  I ran one on my email address and got me.  So, I

am very curious about this.  I know that there have been phantom posts

from aol before and that Jerry C. smoked some of those out.  If Diane is

a real person, I apologize to her, but this post seems very suspicious

and the timing makes it even more so.  I apologize, for an off topic

post.

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 22:38:22 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

 

Rinaldo wrote:

Sherri,

i agree with yr fwd message, i have already posted likes

message in march 97 & now i dont' know if nazi are attempting

to re-vote 'bout this NG, if this the case, please send yr

fresh informaion, 'cuz i was pointed (in march 97) that the

vote was over & the nazi NG spin off the Usenet... but time

perhaps are a changin',

ciao e tanti saluti da

Rinaldo.

 

Buona sera Rinaldo...

 

Thanks... don't vote again.  Someone on this beat-l list has informed me that

the thing is "legendary"... which I

took to mean.. not real.  He also pointed out something that had troubled me

when I sent it...  I wholeheartedly reject censorship... but i have a real big

problem with organized hate.

 

Where do we draw the line?  This is is definitely a literary issue. I think I

already have my personal answer, but would like to know from any and all of

you if you think there is ever a time when a group's ideology can be

considered harmful enough to humankind that its "propaganda" should be held

somewhat in check, not stifled or thwarted... maybe minimized.  I even ask

this question in trepidation because the notion of anyone's self expression

being limited really sticks in my craw. Yet still....

 

Ciao, mi amici,

Sherri

=========================================================================

Date:         Mon, 30 Jun 1997 22:47:35 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: fear and loathing

 

I say WAHOO!!!!!!!  thx for the info Mike

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Michael Skau

Sent:   Monday, June 30, 1997 3:15 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        fear and loathing

 

the current (June/July 1997) issue of Facets Features, an update

published by Facets Multimedia has the following entry:

"Johnny Depp will star in _Fear and Loathing in Las Vegas_, which is

based on Hunter S. Thompson's novel and will be directed by Alex

Cox (_Sid and Nancy_)."

Whaddya think of that!

Cordially,

Mike Skau

6/30/97

=========================================================================

Date:         Mon, 30 Jun 1997 16:25:11 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Puzzled by this censorship thread.  I thought the idea was that

expression of ideas, however dead wrong they are was permitted.  Action

was the problem.  Do we make the world a better place by outlawing

ideas?  Just asking.

 

J Stauffer

=========================================================================

Date:         Tue, 1 Jul 1997 07:16:27 -0400

Reply-To:     Andrew Szymczyk <trent@JANE.PENN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Andrew Szymczyk <trent@JANE.PENN.COM>

Subject:      unsubscribing...

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oh geez,

 

                before everyone gets on my case about this

        i need to explain that i already know the commands,

        but for some reason the server won't accept my

        address meaning that it won't let me off.  i've also

        tried to contact the administrator, but my letter was

        returned with a vengence stating that there was no

        one on the other end of the address i tried.  so if

        you're reading this i'd like to know what i should

        try next.

=========================================================================

Date:         Mon, 30 Jun 1997 07:50:53 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

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James Stauffer wrote:

> 

> Puzzled by this censorship thread.  I thought the idea was that

> expression of ideas, however dead wrong they are was permitted.  Action

> was the problem.  Do we make the world a better place by outlawing

> ideas?  Just asking.

> 

 

Censorship of any kind cannot be permitted in books or on usenet.  The

free expression of ideas is what this country (and the beats) are about.

No matter how much you loathe someone's ideas, they have a right to

express them as much has you have a right to express your's.  An idea is

simply an idea. People try to ban ideas they fear. Your own freedom of

speech can only be protected by fighting for the free speech of all.

Enough said by me.

DC

=========================================================================

Date:         Tue, 1 Jul 1997 00:01:19 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

 

I know you're right, Diane...  guess emotions and loathing got the best of

me...  apologies.

 

Ciao Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Monday, June 30, 1997 7:50 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: No Nazi On The Net was (Re: FW: please read this and vote)

 

James Stauffer wrote:

> 

> Puzzled by this censorship thread.  I thought the idea was that

> expression of ideas, however dead wrong they are was permitted.  Action

> was the problem.  Do we make the world a better place by outlawing

> ideas?  Just asking.

> 

 

Censorship of any kind cannot be permitted in books or on usenet.  The

free expression of ideas is what this country (and the beats) are about.

No matter how much you loathe someone's ideas, they have a right to

express them as much has you have a right to express your's.  An idea is

simply an idea. People try to ban ideas they fear. Your own freedom of

speech can only be protected by fighting for the free speech of all.

Enough said by me.

DC

=========================================================================

Date:         Mon, 30 Jun 1997 21:09:29 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

Comments: To: stauffer@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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James Stauffer wrote:

> 

> Puzzled by this censorship thread.  I thought the idea was that

> expression of ideas, however dead wrong they are was permitted.  Action

> was the problem.  Do we make the world a better place by outlawing

> ideas?  Just asking.

> 

> J Stauffer

As much as I despise the organized spread of hatred, I must say that I

have to agree with James here.  I don't want them in my world, but they

are here.  I suppose that teaching love and the truth will work better

than pretending like it is not real or censorship.  Lies like people

were not murdered are sad.  It is also sad that they continue.  But if

they get the Nazi's today, and academy award winning films tomorrow, I

suspect the beat list is not far behind.

 

ditto on that James, and I don't mean me too!

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 21:38:06 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

MIME-Version: 1.0

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R. Bentz Kirby wrote:

> 

> James Stauffer wrote:

> >

> > Puzzled by this censorship thread.  I thought the idea was that

> > expression of ideas, however dead wrong they are was permitted.  Action

> > was the problem.  Do we make the world a better place by outlawing

> > ideas?  Just asking.

> >

> > J Stauffer

> As much as I despise the organized spread of hatred, I must say that I

> have to agree with James here.  I don't want them in my world, but they

> are here.  I suppose that teaching love and the truth will work better

> than pretending like it is not real or censorship.  Lies like people

> were not murdered are sad.  It is also sad that they continue.  But if

> they get the Nazi's today, and academy award winning films tomorrow, I

> suspect the beat list is not far behind.

> 

> ditto on that James, and I don't mean me too!

> 

> Peace,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

just a brief note to let people know that i am alive.

a wonderful shift from God thread to Nazi thread.  amazing the extremes

in thought patterns and wonder if a middle is somewhere in between and

whether it would be worth typing about even if it were found.

am reading Eisenhower's autobiography cause he's a Kansan and i went to

his funeral and cause i read it and marked it all up once when i'd gone

far beyond the edge of reason and cause the title is At Ease and Ease is

something i long to find in life.

wonder sometimes about these neo-"Nazis".  not certain that they are

deserving of the label.  this is misunderstandable i imagine but frankly

from what i've seen and heard of these folks in America they are rank

amateurs without a clue what ultimate evil even looks like -- let alone

being anywhere close to gaining the influence and power that precedes

the actions of evil connected with the Nazis.  Not that i'm a big fan of

evil or anything - but let's give the devil and Hitler their due and not

let folks think they're in the same league just by shaving heads and

screaming insanities.  certain labels Nazis included really are

something one would have to earn i would think and i've not yet learned

of significant actions in the arena of evil taken by said folks that

puts them under the shadowy cloak of evil the Fuhrer presented to the

world.

 

of course here in Kansas i may be misinformed :)

 

take care all,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 30 Jun 1997 22:42:24 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      burroughs story

 

today my boss (an english teacher) told me that he went to a bar and had a

drink with william burroughs once.  I almost fainted.

 

     here is my sycophantic poem of unadulterated obsequiousness dedicated to

this great genius of the 20th century (other 20th cent. genii: picasso,

breton, duchamp...):

 

bill-ee bill

you de man

you de boss

you de boss-man

yes suh yes suh

3 bags full

 

Lawrence, Kansas is so far, so far, so far!

Why do i hafta work dis damn job?

all i wanna do is a boom-boom-boom

and a zoom-zoom!

(hand of doom)!

 

i'm goin' to see you in September cause i'm going away

(far away! far away!)

and i might not come back;

and right now Lawrence Kansas feels like the center of the universe.

a-boom, BIP-----a-boom-BIP!

 

I just want to look into your eyes and know that you are real.

just once.

You spin my synapses into extatic convulsions

of realization that there is the possibility

that maybe

and it's a big "IF"

....there's hope in a grain of sand.

I'l make you proud of me, daddy-o!

 

(this is possibly the worst poem ever written by a human being, maybe isn't a

poem at all, but hey, i'm not the only one who posts crappy stuff on this

list)

AHEM AHEM AHEM

(yes, i clear my throat in YOUR direction, my friend)

 

----------Maya<<<has frog in throat.  Reaches in and gropes around, finally

manages to grab frog by the leg. Pulls frog out.  Notices that frog's wisened

eyes have uncanny resmblance to William s Burroughs'.......>>>

=========================================================================

Date:         Mon, 30 Jun 1997 22:49:15 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: two beats in one state meet

 

In a message dated 97-06-29 17:01:38 EDT, you write:

 

<< 

 hi all. i dont want to make this into chatroom city, but did want to tell

 you all that diane carter (my editor from mad magazine and journalist in

 her own write) and i met for lunch. and diane kept her lunch down after

 being assaulted verbally by my own recordings of my recent pomes. that's

 bein in the trenches let me tell you. and a perceptive ear as well as a

 comely eye, diane.

 thanks

 leon, you were right all along!

 mc >>

 

I LOVE MAD MAGAZINE!!! Does anyone know any cool old comic books or mags? I

mean funny ones?  Ones that make fun of anything and everything

indiscriminately?

please let me know!

--maya

=========================================================================

Date:         Mon, 30 Jun 1997 23:16:07 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: chicago

 

The greatest book I've read on Chicago since Nelson Algren is: Beneath The

Empire of the Birds by Carl Watson, Apathy Press Poets, T. Diventi, ed. 409

Kent Ave. Brooklyn, NY  11211, 718-218-8634. Cover design by Joe Coleman who

did the cover for Jack Black's You Can't Win.

Charles Plymell

=========================================================================

Date:         Tue, 1 Jul 1997 03:19:31 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: burroughs story

 

too much, man...

i'm flying, flying

higher, higher

and a bippidy boppidy boo!!!   <tremendous laughter>

 

Great to have some good laughs... you go girl!

 

Ciao, Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Maya Gorton

Sent:   Monday, June 30, 1997 7:42 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        burroughs story

 

today my boss (an english teacher) told me that he went to a bar and had a

drink with william burroughs once.  I almost fainted.

 

     here is my sycophantic poem of unadulterated obsequiousness dedicated to

this great genius of the 20th century (other 20th cent. genii: picasso,

breton, duchamp...):

 

bill-ee bill

you de man

you de boss

you de boss-man

yes suh yes suh

3 bags full

 

Lawrence, Kansas is so far, so far, so far!

Why do i hafta work dis damn job?

all i wanna do is a boom-boom-boom

and a zoom-zoom!

(hand of doom)!

 

i'm goin' to see you in September cause i'm going away

(far away! far away!)

and i might not come back;

and right now Lawrence Kansas feels like the center of the universe.

a-boom, BIP-----a-boom-BIP!

 

I just want to look into your eyes and know that you are real.

just once.

You spin my synapses into extatic convulsions

of realization that there is the possibility

that maybe

and it's a big "IF"

....there's hope in a grain of sand.

I'l make you proud of me, daddy-o!

 

(this is possibly the worst poem ever written by a human being, maybe isn't a

poem at all, but hey, i'm not the only one who posts crappy stuff on this

list)

AHEM AHEM AHEM

(yes, i clear my throat in YOUR direction, my friend)

 

----------Maya<<<has frog in throat.  Reaches in and gropes around, finally

manages to grab frog by the leg. Pulls frog out.  Notices that frog's wisened

eyes have uncanny resmblance to William s Burroughs'.......>>>

=========================================================================

Date:         Mon, 30 Jun 1997 23:30:27 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      high coup (haiku)

 

the sweet smell of summer leaves,

dark green and steaming in the sunny, buzzing air.

 

m

=========================================================================

Date:         Mon, 30 Jun 1997 23:35:09 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Summer Reading Project

 

In a message dated 97-06-30 14:23:33 EDT, you write:

 

<< Charles,

 

 Cool... and although there is a lot of pablum, I hope you don't mind the

 medium growing and expanding beyond it origins... it would be dead if it

 didn't.

 

 By the way, I am somewhat new to Beat lit, although the ideologies are what

I

 cut my teeth on.  So please forgive me when I say that I am unfamiliar with

 your work, but would like to change that.  Does City Lights publish you?

 And

 what would you suggest as my first read? >>

 

City Lights published the first edition of Last of the Moccasins and the poem

Apocalypse in City Lights Journal which was later brought out as a chapbook

handset and designed by Dave Haselwood in SF. Since then I have had nothing

to do with City Lights.

Try the following site as a primer: www.buchenroth.com/cplymell.html, click

to Goblin, Room Temperature, etc.  My published work is out of print except

the second American edition of Last of the Moccasins which is available from

Jeff at Waterrow. That should cut you through the time warp.

Charles Plymell

=========================================================================

Date:         Mon, 30 Jun 1997 23:27:16 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Mad Magazine

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I always loved the word plays they did back in the 60's like:

 

She drove off in a huff.  and it would have a drawing of a woman in a

car that looked like a Nash Metropolitan. (Hey Charles, did you ever

have a Nash!!!!  Those were some cherry wheels.  Too bad they sold out

to Rambler, American, Chrysler.), etc.  Those were some of the best

intellectual stuff around on any level.  Til National Lampoon came

along.  It raised the ante.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 23:36:49 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Dreams

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Dreams

 

In a dream, God said to me:

"Don't you EVER mention my name on

the Beat List again."

I figured she was just joking!

Like when the animals were

Brought to Adam,

"He called it an elephant!!!"

"HaHaHaHaHaHaHaHaHaHaHa!"

Does God ever make idol threats

Against you in your sleep?

I dreamed I saw God and

Maya's face was on him.

Then I thought, I don't

Know Maya's face.

Then I thought, well,

This is a dream.

So, maybe it was her face?

Then I went behind the

Big screen where my cat

Was swatting at a roach,

And there was that guy

That looked like the guy

>From Mad Magazine.

He said, "What, God worry?"

So, I am wondering

If I should take it all

Seriously or not.

Hey, the phone just rang.

It's God, he wants to

Play handball.

Zeus is out of town.

Hera won't leave him home alone.

I told him one on one full court,

But I don't do handball.

We have a $35.00 bet.

I wonder where he is planning on parking?

 

rbk 6/30/97

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 23:58:22 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      WARNING! non-beat! do not read!

 

(I know i have a problem with my trigger-happy "send" finger, but you read

the warning and you did this to yourself, cats)

 

 

theremin nightmare swims through greenly closed eyes

the red dots are here again

llllllllike doppler test skinner boxes,

inkblots reading my mind in the dark

 

 so bad for your eyes the incision must be made at the precise point of damn

i forgot to save it again so it's lost forever but i remember to brush my

teeth.

the precise point of intersection between ear and soul#3.

Don't be afraid, you've been there all along.

 

There are many concepts of time which have not been explored sufficiently in

our flat, flat, flat western world and these are the following:

 

time as distance.  Time = how long it takes to get from A to B.

 

time as circular. No explanation needed we all know about hinduism, etc.

 what about mayas and aztecs, too? circular and repetitive. Sun moves in

circle.(some heretics suggest it is we who move! but this is obviously a lie)

 

time as defined by what you are doing, your activities.  For example, not 12

o'clock but "llunchtime", etc. we do it all the time.

 

time and whether or not you can do what you want with it, degree of choice of

what to do with it as reflecting your socio-economic class.  America today.

 

---maya (god is on the Evolutionary Level Above Human)

(Time as non-existent,non-expressable constant evolution of all things

always) (after all this time in our quantifiable view of life, our world is

still so very flat, so very flat!)

 

Resounding platitudes are not limited to this list.

 

=========================================================================

Date:         Mon, 30 Jun 1997 22:00:07 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: fear and loathing

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Actually, Depp and Cox had quite a difference in opinion of how the book

should be filmed, and Cox has been dropped. Last time I heard filming is

now set for early July with Terry Gilliam doing the honors.

 

Adrien

 

Michael Skau wrote:

> 

> the current (June/July 1997) issue of Facets Features, an update

> published by Facets Multimedia has the following entry:

> "Johnny Depp will star in _Fear and Loathing in Las Vegas_, which is

> based on Hunter S. Thompson's novel and will be directed by Alex

> Cox (_Sid and Nancy_)."

> Whaddya think of that!

> Cordially,

> Mike Skau

> 6/30/97

=========================================================================

Date:         Mon, 30 Jun 1997 21:09:51 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Beat core

Comments: To: "neudorf@discovland.net" <neudorf@MAINSERVER.DISCOVLAND.NET>

In-Reply-To:  <33B54E5D.5978@discovland.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 28 Jun 1997, neudorf@discovland.net wrote:

 

> J. Stauffer wrote:

> 

> > Does anyone have any suggestions for reading projects that might help

> > restore some minimal level of Beat focus to the list before it

> > completely evaporates into the dissapearing ozone layer with more and

> > more Kozmic Kuestions like Poesey and Godliness?

> 

> Just finished reading Kerouac's 'Mexico City Blues'. It gets stronger as

> you read it. I have come to the conclusion that his Blues choruses must

> be read drunk, or with at least a buzz, the rhythms jump out easier. It

> is also closer to his state while writing them.

> 

> Anybody read Bob Kaufman? he's a real character.

 

i see what you mean--at least partially; however, my beat lit students

have just waded through some of the choruses--and i think they found them

quite lucid and indeed huzzah magical even without weed or booze; of

course Jack wrote many (?) of them on a coffee and pot high...but then

again their tenor and tone and imagery and such are red and right for any

(well, pretty much any) state of mind. my students were very impressed

byt michael mcclure's notion that MCB is the greatest long religious poem

in the 20th century. quite an imprimateur. of course then MCB would beat

out Eliot's Wasteland--which is quite a wow religious poem in its own

right!

> 

 

Steve R. Smith

Dept. of English

Pacific University

Oregon

=========================================================================

Date:         Tue, 1 Jul 1997 00:12:52 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

 

In a message dated 97-06-30 13:59:50 EDT, you write:

 

<< ok. I'm a big fan of the river. >>

Well, I hate to be a bore, but sometimes it seems that those who discovered

the beats seem to frame them or freeze them in time like a fast food carry

out. One of the poet's poet who influenced them all wrote a poem titled The

River. It used to be in his Brooklyn Bridge collection. Harte Crane was

notoriously homosexual, though like Whitman it was deseminated throughout his

vision. He was the first poet I've read who so openly used the breath to end

lines, combined and invented words from what was around him, embraced his

lovers, relied heavily on spontenaeity for his images and vision. I think it

is The River that provides an example of all these things that made his poety

great and acknowledged rather secretly by all those who came later,

especially the beats. That poem, or one, begins with about a half page of

breath, combining ads "ripped in the guaranteed corner" and when the breath

runs out, the next breath softens with "and left three men sitting on the

tracks/watching tailights wizen and converge." I don't have his book, so this

is recalled from the 50's. But I'm sometimes perplexed with the "Alpha and

Omega" sense that surrounds the "discovery" of the beats?

Charles Plymell

=========================================================================

Date:         Mon, 30 Jun 1997 21:29:41 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Visionaries (Eliot/Ginsberg again, for Michael Skau & et al)

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33B763DB.63BC@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 30 Jun 1997, Diane Carter wrote:

 

> Now that I've reread some Eliot, I am ready to address a few points from

> earlier Eliot/visionary discussion.

> 

> I think there needs to be a distinction between a poet that writes

> symbolically and a visionary.  Eliot is really depressing.  Eliot saw

> what was wrong, spiritually, but accepted "death-in-life,"

> 

> (Prufrock)

> "Do I dare disturb the universe?"

> 

> "I am no prophet--and there's no great matter;

> I have seen the moment of my greatness flicker,

> And I have seen the eternal Footman hold my coat, and snicker.

> And in short, I was afraid."

> 

> Eliot saw the vision, saw what was necessary to do, but could not rise to

> the task.  The visionary poet must in some meaning of the term, be a

> prophet, rail against the status quo, and in doing so put forth a his own

> positive vision of what is possible.  He must as Chris Dumond, so

> articulately put, in another post about Ginsberg, "[rain] life, pride,

> and love on us all."   Blake took the work of other writers, like Milton,

> and put his vision over their's in a way that spread out, and widened,

> set up his own system, of what was and what could be.

> 

> The hope in the Wasteland is faint, really faint, the sound of thunder

> there but not resonant, not awakening, at least not yet.  The grass is

> singing but it is not fully alive.  Not in the way Whitman or Ginsberg

> sang or were fully alive.  A visionary says "this is what I see" and

> projects his vision out there, loudly.

> 

> Eliot writes,

> "No! I am not Prince Hamlet, nor was meant to be;

> Am an attendant lord, one that will do

> To swell a progress, start a scene or two,

> Advise the prince; no doubt, an easy tool,

> Deferential, glad to be of use,

> Politic, cautious, and meticulous;

> Full of high sentence, but a bit obtuse"

> 

> Eliot used symbols well, layering in metaphoric and metaphysical

> dimensions, the fire and rose are one, even cyclic sometimes in his view

> of words and history, but often his words are devoid of power, the power

> to change, to do anymore than accept his lot.  A true visionary

> transforms experience, their experience and our experience.  In Howl,

> Ginsberg raged against America, but he also saw the possibility for the

> hope that rises up in our humanness.  Eliot is not grasping upon the

> mermaid, rising with her cutching rebirth, he is looking at it from afar.

>  I would describe his voice not so much as a visionary one as one that

> saw what was possible, but was unable to grasp whatever he needed to

> transcend his condition.

> DC

> 

Hi, Diane. But there is the WAY in the Wasteland--the regenerative

spirit and flesh available through the grail and the knight moving

through the pilgrimage to it. yes, the Wasteland is bleak (blook,

perhaps, in Kerouac's term) (or blear!), but there is Eliot's own (yes,

the intentional fallacy rears up here) faith. this does come through the

poem. no question i see Eliot as a visionary--like Blake and Ginsberg.

It's just they saw visions in different tone and different tenor. Of

course Blake and Ginsberg would not see through the same glass as Eliot

in all his rather conservative protestantisms, but they all three of

them SAW visions, i tend to see "visionary" poet as poet who sees of

beyond and through the "veils"--whatever the veils may be. Eliot could be

such a stick in the bloody mud, but he saw the bloody mud and clear on

through the bloody comedy (Kerouac's note in Desolation Angels) to "what

came next."

 

i am blah blahing here, but...

 

 

Steve R. Smith

English Dept.

Pacific Univ.

Oregon

=========================================================================

Date:         Tue, 1 Jul 1997 04:10:45 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Dreams

 

Hahahahahaha!!

 

so why didn't you tell him to call Thor?  Bad news if god plays a joke on you

and moves the no parking signs, then wins the game.....  <hehehe>  you be

broke, big daddy

 

Thanks for the grins,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of R. Bentz Kirby

Sent:   Monday, June 30, 1997 8:36 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Dreams

 

Dreams

 

In a dream, God said to me:

"Don't you EVER mention my name on

the Beat List again."

I figured she was just joking!

Like when the animals were

Brought to Adam,

"He called it an elephant!!!"

"HaHaHaHaHaHaHaHaHaHaHa!"

Does God ever make idol threats

Against you in your sleep?

I dreamed I saw God and

Maya's face was on him.

Then I thought, I don't

Know Maya's face.

Then I thought, well,

This is a dream.

So, maybe it was her face?

Then I went behind the

Big screen where my cat

Was swatting at a roach,

And there was that guy

That looked like the guy

>From Mad Magazine.

He said, "What, God worry?"

So, I am wondering

If I should take it all

Seriously or not.

Hey, the phone just rang.

It's God, he wants to

Play handball.

Zeus is out of town.

Hera won't leave him home alone.

I told him one on one full court,

But I don't do handball.

We have a $35.00 bet.

I wonder where he is planning on parking?

 

rbk 6/30/97

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 00:53:39 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Standing here

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Standing Here

 

Standing here,

An outcast within.

Swim in light,

A well meant vow.

 

I lack the courage,

To maintain until

I meet my rebirth again.

I face my dreams,

They, so like an angry wife,

Who cannot be divorced,

Except.

 

The debasing night.

To become honest.

Moment's realized revelation,

Years of seconds,

Moments of years,

My demons ARE mine.

 

This stand, may not be unique,

But, it's the only one I have.

 

Hidden too long.

I lack the courage,

To maintain

Until my rebirth again.

 

Standing here.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 07:42:24 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      No Nazi AGAIN!!!.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dEAR fRIENDS,

i'm noticed in advance many people disagree with

censored the NG nazi, anyway i agree with people

who want that hate & dont' forget that hitler gang

was let talked in past & from word to word people

agree with the project & then olocausto became a reality,

word arent' facts, maybe but in politics there a bit

different matter i suppose,

tHanx alot for yr opinions my friends,

---

yrs

Rinaldo.

* I write peotry because Ezra Pound saw an ivory tower,

        [bet on one wrong horse... ---allen ginsberg *

=========================================================================

Date:         Mon, 30 Jun 1997 23:36:31 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: high coup (haiku)

In-Reply-To:  <970630233024_340215299@emout17.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<<oh my>>

 

At 8:30 PM -0700 6/30/97, Maya Gorton wrote:

 

 

> the sweet smell of summer leaves,

> dark green and steaming in the sunny, buzzing air.

> 

> m

=========================================================================

Date:         Mon, 30 Jun 1997 23:41:37 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Dreams

In-Reply-To:  <33B87B51.73D3527@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<<nice>>

 

At 8:36 PM -0700 6/30/97, R. Bentz Kirby wrote:

 

 

> Dreams

> 

> In a dream, God said to me:

> "Don't you EVER mention my name on

> the Beat List again."

> I figured she was just joking!

> Like when the animals were

> Brought to Adam,

> "He called it an elephant!!!"

> "HaHaHaHaHaHaHaHaHaHaHa!"

> Does God ever make idol threats

> Against you in your sleep?

> I dreamed I saw God and

> Maya's face was on him.

> Then I thought, I don't

> Know Maya's face.

> Then I thought, well,

> This is a dream.

> So, maybe it was her face?

> Then I went behind the

> Big screen where my cat

> Was swatting at a roach,

> And there was that guy

> That looked like the guy

> >From Mad Magazine.

> He said, "What, God worry?"

> So, I am wondering

> If I should take it all

> Seriously or not.

> Hey, the phone just rang.

> It's God, he wants to

> Play handball.

> Zeus is out of town.

> Hera won't leave him home alone.

> I told him one on one full court,

> But I don't do handball.

> We have a $35.00 bet.

> I wonder where he is planning on parking?

> 

> rbk 6/30/97

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 30 Jun 1997 23:46:38 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: WARNING! non-beat! do not read!

In-Reply-To:  <970630235821_523982585@emout18.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<<laugh>>  <<good health, Maya>> <<hm>>

 

At 8:58 PM -0700 6/30/97, Maya Gorton wrote:

 

 

> (I know i have a problem with my trigger-happy "send" finger, but you read

> the warning and you did this to yourself, cats)

> 

> 

> theremin nightmare swims through greenly closed eyes

> the red dots are here again

> llllllllike doppler test skinner boxes,

> inkblots reading my mind in the dark

> 

>  so bad for your eyes the incision must be made at the precise point of damn

> i forgot to save it again so it's lost forever but i remember to brush my

> teeth.

> the precise point of intersection between ear and soul#3.

> Don't be afraid, you've been there all along.

> 

> There are many concepts of time which have not been explored sufficiently in

> our flat, flat, flat western world and these are the following:

> 

> time as distance.  Time = how long it takes to get from A to B.

> 

> time as circular. No explanation needed we all know about hinduism, etc.

>  what about mayas and aztecs, too? circular and repetitive. Sun moves in

> circle.(some heretics suggest it is we who move! but this is obviously a lie)

> 

> time as defined by what you are doing, your activities.  For example, not 12

> o'clock but "llunchtime", etc. we do it all the time.

> 

> time and whether or not you can do what you want with it, degree of choice of

> what to do with it as reflecting your socio-economic class.  America today.

> 

> ---maya (god is on the Evolutionary Level Above Human)

> (Time as non-existent,non-expressable constant evolution of all things

> always) (after all this time in our quantifiable view of life, our world is

> still so very flat, so very flat!)

> 

> Resounding platitudes are not limited to this list.

=========================================================================

Date:         Mon, 30 Jun 1997 23:50:21 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

In-Reply-To:  <970701001250_174279242@emout17.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<<and what were we saying about critics, so few, so rare?>>

 

At 9:12 PM -0700 6/30/97, Pamela Beach Plymell wrote:

 

> In a message dated 97-06-30 13:59:50 EDT, you write:

> 

> << ok. I'm a big fan of the river. >>

> Well, I hate to be a bore, but sometimes it seems that those who discovered

> the beats seem to frame them or freeze them in time like a fast food carry

> out. One of the poet's poet who influenced them all wrote a poem titled The

> River. It used to be in his Brooklyn Bridge collection. Harte Crane was

> notoriously homosexual, though like Whitman it was deseminated throughout his

> vision. He was the first poet I've read who so openly used the breath to end

> lines, combined and invented words from what was around him, embraced his

> lovers, relied heavily on spontenaeity for his images and vision. I think it

> is The River that provides an example of all these things that made his poety

> great and acknowledged rather secretly by all those who came later,

> especially the beats. That poem, or one, begins with about a half page of

> breath, combining ads "ripped in the guaranteed corner" and when the breath

> runs out, the next breath softens with "and left three men sitting on the

> tracks/watching tailights wizen and converge." I don't have his book, so this

> is recalled from the 50's. But I'm sometimes perplexed with the "Alpha and

> Omega" sense that surrounds the "discovery" of the beats?

> Charles Plymell

=========================================================================

Date:         Mon, 30 Jun 1997 23:56:26 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Standing here

In-Reply-To:  <33B88D52.39EBA75F@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I don't know what you poety freaks are all cryin about tonight.  I know

Xena's dead, I know. I know.  but tune in next week.  Xena will ride

again!!  <<ahem>> Douglas

 

At 9:53 PM -0700 6/30/97, R. Bentz Kirby wrote:

 

 

> Standing Here

> 

> Standing here,

> An outcast within.

> Swim in light,

> A well meant vow.

> 

> I lack the courage,

> To maintain until

> I meet my rebirth again.

> I face my dreams,

> They, so like an angry wife,

> Who cannot be divorced,

> Except.

> 

> The debasing night.

> To become honest.

> Moment's realized revelation,

> Years of seconds,

> Moments of years,

> My demons ARE mine.

> 

> This stand, may not be unique,

> But, it's the only one I have.

> 

> Hidden too long.

> I lack the courage,

> To maintain

> Until my rebirth again.

> 

> Standing here.

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Tue, 1 Jul 1997 03:18:28 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Poet

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

 

> If poetry provides the answers, who asks the question?  The poet?  Ah,

> sorry folks, won't follow that line of line of thought any farther...

 

We don't have to worry about the origins of the questions. The poet

provides the answers, his answers = his truth ; and there are many

answers = many truths. As a reader, you choose which answers fit you

best.

 

JN

=========================================================================

Date:         Tue, 1 Jul 1997 00:13:33 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: No Nazi AGAIN!!!.

In-Reply-To:  <3.0.1.32.19970701074224.00689a48@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I think I feel

that people will watch and wait

see what happens because you can't

be everywhere be everything

certainly not against

everything

my god

 

life is about breathing

about swimming

<<peeing in the pool>>

and about running

always about running

 

time takes a cigarette <<david bowie>>

 

Nazies, what do I care?

I think I feel

olo cost

that's why people don't agree

censsssor ship is bad!!!

 

douglas

 

At 10:42 PM -0700 6/30/97, Rinaldo Rasa wrote:

 

 

> dEAR fRIENDS,

> i'm noticed in advance many people disagree with

> censored the NG nazi, anyway i agree with people

> who want that hate & dont' forget that hitler gang

> was let talked in past & from word to word people

> agree with the project & then olocausto became a reality,

> word arent' facts, maybe but in politics there a bit

> different matter i suppose,

> tHanx alot for yr opinions my friends,

> ---

> yrs

> Rinaldo.

> * I write peotry because Ezra Pound saw an ivory tower,

>         [bet on one wrong horse... ---allen ginsberg *

 

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Tue, 1 Jul 1997 00:25:23 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: fear and loathing

In-Reply-To:  <33B88EC4.4ABC@sk.sympatico.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

our little surfer

surfer dude

he's come a long way

barns having fallen on him

riding buck back high rollin

freakin dancin death boogy in

little buddha, mister dylan's dog

a patti smith poem, thank you

 

future comotose future

can you take a guess

what would you do?

star makes the money

cutts the funny

gets the honey

fuck me?

fuck me?

fuck you

 

quit a difference of opinion, obviously.  on his way to <<vegas>>

gott any heroine?

need heroine?

<<get back in the car man>>

jagged paintings hanging loosely

droppin pills and pepsies

heroine  <<where the qualudes, man?>>

 

lawyers will have a mess with this one man

sharks!!  eat him up  sharks!! eat him up

<<shut up Nancy!!>> <<Nancy girl>> <<nancy girl>>

 

<<adrian!!>> <<rocky??>>  <<Dr. Scott!!>>  <<huh??>>

geez, what kinda of a fear and loathing can we be expecting now?  Terry

Gilliam's pretty cool...  if only River Phoenix hadn't died...  <<man>>

 

Douglas

 

At 10:00 PM -0700 6/30/97, Adrien Begrand wrote:

 

 

> Actually, Depp and Cox had quite a difference in opinion of how the book

> should be filmed, and Cox has been dropped. Last time I heard filming is

> now set for early July with Terry Gilliam doing the honors.

> 

> Adrien

> 

> Michael Skau wrote:

> >

> > the current (June/July 1997) issue of Facets Features, an update

> > published by Facets Multimedia has the following entry:

> > "Johnny Depp will star in _Fear and Loathing in Las Vegas_, which is

> > based on Hunter S. Thompson's novel and will be directed by Alex

> > Cox (_Sid and Nancy_)."

> > Whaddya think of that!

> > Cordially,

> > Mike Skau

> > 6/30/97

 

 

http://www.electriciti.com/babu/                summer

save it, just keep it off my wave               is

  -- ("my wave," soundgarden)                   here

=========================================================================

Date:         Tue, 1 Jul 1997 03:27:58 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Genius

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Maya wrote:

 

> (this is possibly the worst poem ever written by a human being, maybe isn't a

> poem at all, but hey, i'm not the only one who posts crappy stuff on this

> list)

 

There's no need for this. Not enough time in the world to double doubt.

Remember #29 on Kerouac's list: everything you write is pure genius

[paraphrase].

 

JN

=========================================================================

Date:         Tue, 1 Jul 1997 13:12:03 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: No Nazi AGAIN!!!.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Date:         Tue, 1 Jul 1997 00:13:33 -0700

>From:         runner711 <babu@ELECTRICITI.COM>

>I think I feel

>that people will watch and wait

>see what happens because you can't

>be everywhere be everything

>certainly not against

>everything

>my god

> 

>life is about breathing

>about swimming

><<peeing in the pool>>

>and about running

>always about running

> 

>time takes a cigarette <<david bowie>>

> 

>Nazies, what do I care?

>I think I feel

>olo cost

>that's why people don't agree

>censsssor ship is bad!!!

> 

>douglas

> 

>At 10:42 PM -0700 6/30/97, Rinaldo Rasa wrote:

> 

> 

>> dEAR fRIENDS,

>> i'm noticed in advance many people disagree with

>> censored the NG nazi, anyway i agree with people

>> who want that hate & dont' forget that hitler gang

>> was let talked in past & from word to word people

>> agree with the project & then olocausto became a reality,

>> word arent' facts, maybe but in politics there a bit

>> different matter i suppose,

>> tHanx alot for yr opinions my friends,

>> ---

>> yrs

>> Rinaldo.

>> * I write peotry because Ezra Pound saw an ivory tower,

>>         [bet on one wrong horse... ---allen ginsberg *

> 

> 

>http://www.electriciti.com/babu/                summer

>save it, just keep it off my wave               is

>  -- ("my wave," soundgarden)                   here

> 

dEAR,

i agree with u but i forced myself to forget that

Ezra Pound IS a fascist & put a line between poetry

& politics, but this not possible in every case,

the poetry as i known born in italy with San Francesco

& then with Dante Alighieri & wasnt' so clear that

was ONLY lit, poetry was POLITICS at his dawn its' no

doubt, & what i must say 'cuz im' born in a patria who

was the land where fascism was grown...

have my love,

Rinaldo. * a not competent beet *

=========================================================================

Date:         Tue, 1 Jul 1997 07:46:58 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      desperately seeking dave breithaupt!/radio show tape!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

sorry folks tried to backchannel the info; couldnt;

does anyone have db(breithaupt)'s snail mail address?

db: i got a package for you with an empty address.

mc

=========================================================================

Date:         Tue, 1 Jul 1997 08:03:27 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: suspicious, but perhaps unfounded.

Comments: cc: membabe@aol.com

In-Reply-To:  <33B83305.BF9B50CB@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

R. Bentz Kirby wrote:

>Has anyone on the list ever heard of Diane De Rooy.

 

Yes.  Diane organized a virtual memorial for Allen Ginsberg within a week

of his death on the America Online Beat Generation Chat Room.  The several

of us who logged on that morning remembered the best of Allen's work and

life.  We shared stories and posted excerpts from his work.  It was one of

the better memorials I attended that month.

 

Since then, we have exchanged occasional emails; and I have tried to return

to the Beat Generation Chat Room, but I always seem to turn up when the

room is empty.

 

I have found Diane to be honest, considerate, compassionate--and a very

good writer.  She is a professional.  I do not know enough about the

details of the estate controversy to comment on the nuances of the

arguments.  I was one of those BEAT-L subscribers who was not turned off by

the arguments over the estate these past few weeks.  As a scholar who

periodically must make use of closed-stack library collections--and as a

former Rare Books staffer--I found the arguments worth reading.

 

And I found nothing in Diane's posting that was outrageous.  Your

disagreements are well taken, as was your reminder that an actual visit to

the Lowell archives would constitute stronger evidence than would a

telephone call to the archives.

 

>I also note with interest that this post appears almost a day or two

>after Gerry signed off the list.

 

Did Gerry post a notice to the list that he was signing off?  If so, then I

understand why you said the above, and I'm sorry that I missed Gerry's

posting.  I have been swamped with work lately, and I've been unable to do

more than save the postings I've wanted to respond to (visionary poetry,

Ginsberg & Eliot) and hope to respond later.

 

But if Gerry did not give public notice that he was leaving, then how would

Diane--or any of us--know he was gone?  I know that listservs have a

command (I can't remember right now because it is saved in another file)

that will allow you to get a list of all current subscribers.  I tried this

for BEAT-L about two years ago, and was told that this particular command

was blocked.  As far as I know, the subscriber list is confidential.  Thus,

I'm not sure how Diane would know Gerry had signed off.

 

>I ran a 411 search

>and turned up nothing.  I ran one on my email address and got me.

 

I am probably more technologically challenged than I think I am.  Please

explain what a "411" search is.  The closest analogue I can come up with is

a directory assistance telephone search, which we can do locally by

dialling "411."

 

Do you mean a finger search?  If so, then rest assured:  the various times

that I have tried finger searches on folks who belong to AOL, I have

received no information.  As far as I can tell, AOL blocks finger searches.

 Every "finger" attempt to find a login name--and information on login

frequency--for an AOL user will turn up nothing.

 

Again, maybe I'm missing the "411" code.  Or maybe there is a way to

subvert AOL's finger-blocking.

 

>So, I

>am very curious about this.  I know that there have been phantom posts

>from aol before and that Jerry C. smoked some of those out.  If Diane is

>a real person, I apologize to her, but this post seems very suspicious

>and the timing makes it even more so.  I apologize, for an off topic

>post.

 

I am sorry, too, for the off topic post.  I just wanted to write to let you

know what I know of Diane as a real person.  By writing this, I do not

intend to involve myself in the estate controversy, nor do I purport to

have relevant knowledge of the controversy. I am not taking sides on any of

the issues that have emerged from the estate arguments. I hope this helps.

Take care--

 

Peace--

Tony

atrigili@lynx.neu.edu

=========================================================================

Date:         Tue, 1 Jul 1997 09:37:39 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: WHITMAN

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Sherri wrote:

 

><grins> so then, leo, was your thot on the beam, were you too lazy or scare=

d

>of pain, or does it mean that blood-letting is not required?   <still

>giggling>  Ciao, Sherri

> 

>----------

>From:  BEAT-L: Beat Generation List on behalf of

>=3D?iso-8859-1?Q?Sinverg=3DFCenza?=3D

>Sent:  Monday, June 30, 1997 2:07 PM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Re: Whitman

> 

>Douglas wrote:

> 

>><<still digging>>

>> 

>>>From:  Ksenija Simic[SMTP:ksenija@GALOIS.MI.SANU.AC.YU]

>>> 

>>>"Camarado,

>>>this is not a book!

>>>Who touches this, touches the man."

>> 

>>Note to myself:  explore book covers of beats.  first editions ---->

>>etc.  As a visual artist, how is "touching" presented.  in soft and hard

>>bind... ;-)  and if you eat the book.  lonely one night, alone in yer

>>room,  [[devour it whole]] have you "communed" with *The Man* as well???

>> 

>>Douglas  <<obese in thought, thin on restraint>>

> 

>I thought I could only be a

>writer if I pushed a book against

>my lips until i bled.

> 

>=3D46unny thought.

> 

>I dented my lip and tasted the

>book, but I didn't bleed.

> 

>-leo

 

it was a silly thought. i should've been waiting for the book to bleed.

Emerson said something about words being vascular; anyway, if you cut them

they will bleed.

 

leo

=========================================================================

Date:         Mon, 30 Jun 1997 23:12:51 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: God  <<still digging>>

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>Joseph Neudorfer writ

> 

> >= there is nothing holding us back from knowing all, but there is

> >no

> >physical possibility of reaching that 'all-knowledge', you would soon

> >swim in insanity . . . hense Jehovah is crazy . . . that is why even

> >Moses, the figure who was in Yahweh's presence, was not actually face

>to

> >face. When Moses asked Yahweh to reveal himself (one of the many times

> >on the mountains, after the burning bush), Yahweh only permitted Moses

> >to observe his back and shoulders - which on one level is a paradox in

> itself.>>

> 

 

> Penn, Douglas, K wrote:

> and is this why Andre Breton says "beauty must be repulsive"??  To reach

> 'all-beauty' would one soon be repulsed by everything??  and where to

>go

> from there?  back down the mountain??  [[please don't let me ask about

> the "burning bush" in this context, please don't let me ask, please...

> <<laughing>>

> 

> Still wish you would explain that Yahweh/Moses ---> back/shoulders

> paradox.  Maybe Yahweh was an ugly mofo, having a badhair day, and just

> decided to be shy?  somewhat kidding, but curious  <<answer via

> >backchannel if necessary>>

> 

The more I think about Joseph's post of reaching all-knowledge as

swimming in insanity and hense Jehovah is crazy, the more right on target

I see it.  I took the Moses observing back & shoulders analogy to mean

that if Moses [we] saw the face of God, we would indeed go insane.  Can

you even start to imagine what grasping the wholeness of human knowledge

and the universe in one instant would be like?  Much better that we grasp

at meanings broken down into bits, the god talked about in churches seen

in human terms, the idea of father, children, Jesus, all put in a human

mythological context so our feeble minds can cope.

DC

=========================================================================

Date:         Tue, 1 Jul 1997 08:17:34 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

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Diane Carter wrote:

> 

> James Stauffer wrote:

> >

> > Puzzled by this censorship thread.  I thought the idea was that

> > expression of ideas, however dead wrong they are was permitted.  Action

> > was the problem.  Do we make the world a better place by outlawing

> > ideas?  Just asking.

> >

> 

> Censorship of any kind cannot be permitted in books or on usenet.  The

> free expression of ideas is what this country (and the beats) are about.

> No matter how much you loathe someone's ideas, they have a right to

> express them as much has you have a right to express your's.  An idea is

> simply an idea. People try to ban ideas they fear. Your own freedom of

> speech can only be protected by fighting for the free speech of all.

> Enough said by me.

> DC

 

just curious...this country? isn't this the net...and a world-wide list?

Couldn't anybody, even joe kerouac over in Somalia, join?  Are our first

amendmentment rights protected Throws the ball to Bentz :)

I am actually curious about this one, because I chat over at alamak at

think cafe, and I go a number of rounds on whether a public site, though

privately maintained, can censor ideas.  I would appreciate any insights

you could provide.

        also...I am sure I could get a Beat chat room set up at optichat for

folks that wanted to talk...but there is a cursing filter...so in order

to truly curse, you have to do so creatively.

barb

=========================================================================

Date:         Tue, 1 Jul 1997 08:24:31 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: No Nazi AGAIN!!!.

In-Reply-To:  <3.0.1.32.19970701131203.0068b834@pop.gpnet.it>

Mime-Version: 1.0

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<<fighting a poundig head>>  Rinaldo writ:

 

> dEAR,

> i agree with u but i forced myself to forget that

> Ezra Pound IS a fascist & put a line between poetry

> & politics, but this not possible in every case,

> the poetry as i known born in italy with San Francesco

> & then with Dante Alighieri & wasnt' so clear that

> was ONLY lit, poetry was POLITICS at his dawn its' no

> doubt, & what i must say 'cuz im' born in a patria who

> was the land where fascism was grown...

> have my love,

> Rinaldo. * a not competent beet *

 

sometimes the patient cannot be saved must be cutout

32 x 32 they stand in slide specimens lines //gris gris

then pasted and photoshoped later //no no no no

Robert Rauschenberg got his start with Dante too

a bunch of illustrated cantos that won him recognition

got the 1964? Venice Biennial

then picked a fight with M. Cunningham the dancer

Jasper Johns his lover

and he's been slightly drunk political since

travelling to china, chilie, russia indonesia?  <<ROCI>>

his visuals and hunchback versace smile

//weapons for peace

 

don't know Ezra Pound at all

"Salo" by piero pasolini has my love

a fetching carrot, // Douglas

 

 

 

"If you love your fun, die for it!"  --Jello Biafra

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Mon, 30 Jun 1997 23:22:09 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

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Penn, Douglas, K wrote:

> 

> I agree words can be nothing/everything holy (as Ginsberg would

> apparently define), but I still must hold onto a societal view of

> "beauty" (and a few other choice words).  beauty needs to go for a ride

> with me for a while longer.  this I must see.  [[oh..exhale..]] why is

> it so hard to give up words?  they answer so many questions.

> 

>         "what are words for, when nobody listens any more for

>         [....] there's no use talking all..."  [missing persons]

> 

 

What you will find is that if you think about a word long enough it will

lose all of it's meaning.  It will become frayed, and fragmented, and

suddenly you will be thrust into the potentional absurdity of the

collective unconscious.  You will see where Kerouac and Joyce were going,

the place where one word means a million things at many levels, syllables

thrown together in that vast space we call the mind, charting the course

of history and eternity in one word, one moment.  And then you will start

writing that way, in the language of the unconscious and people will

spend years of their lives picking out all the inherent meaning in the

way words and syllables are run together.

DC

=========================================================================

Date:         Tue, 1 Jul 1997 08:25:44 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: high coup (haiku)

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Maya Gorton wrote:

> 

> the sweet smell of summer leaves,

> dark green and steaming in the sunny, buzzing air.

> 

> m

 

haiku to you, too!

 

Lovers sandwiching

My peanutbutter lust wants

Welch's grape jelly

 

:)

barb

=========================================================================

Date:         Tue, 1 Jul 1997 08:30:12 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

In-Reply-To:  <33B8BD1E.273A@owens.ridgecrest.ca.us>

Mime-Version: 1.0

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<<merde, I'm late for work!>>

 

At 1:17 AM -0700 7/1/97, _____ Barbara Wirtz wrote:

 

>         also...I am sure I could get a Beat chat room set up at optichat for

> folks that wanted to talk...but there is a cursing filter...so in order

> to truly curse, you have to do so creatively.

 

cool.  chickenheads,

 prepare your engines!!

 

> barb

 

Douglas

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Mon, 30 Jun 1997 23:33:08 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Eating the book of life (was Re: Whitman)

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Penn, Douglas, K wrote:

> 

>Note to myself:  explore book covers of beats.  first editions ---->

> etc.  As a visual artist, how is "touching" presented.  in soft and hard

> bind... ;-)  and if you eat the book.  lonely one night, alone in yer

> room,  [[devour it whole]] have you "communed" with *The Man* as well???

>    lines of Ginsberg come to mind, [from Howl] "with the absolute heart of

the poem of life butchered out of their own bodies good to eat a thousand

years."  Feeding on the body of life is a common thread in much modern

literature, probably dating back to the reference of communion as feeding

on the body of Christ.  Joyce was big on feeding on the body, that each

of us is connected to collective humanity in this way, feeding on the

the dead, finding there life/work which enlightens us, and connects each

of us one to the next.

DC

=========================================================================

Date:         Tue, 1 Jul 1997 09:24:21 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: burroughs story

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The other evening, after consuming my usual dinner of scrambled eggs

smothered in Gib's Nuclear Hell Hot Sauce, I had a dream that my wife and

I met AG (in his late-life form) in the basement of a New York City

Firehouse--seemingly by appointment.  Every time I began to ask him a

question he'd get up and walk to another room in this tiny building

decorated in early 1960's naugahide.  After about twenty repetitions of

this he morphed into a younger version of himself (India/Paris days) and

said simply "I have to go now" and I woke up.

 

Any Amateur Freudian Psychoanalysts (as opposed to Bournemouth and

District Amateur Gynecologists) wanna take a crack at that one?

 

love and lilies,

 

matt

=========================================================================

Date:         Tue, 1 Jul 1997 09:34:23 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: fear and loathing

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>Actually, Depp and Cox had quite a difference in opinion of how the book

>should be filmed, and Cox has been dropped. Last time I heard filming is

>now set for early July with Terry Gilliam doing the honors.

 

     I know Gilliam does a wonderful job and has directed outside his

     "Genesis" but I just can't help thinking of a HST/Python marriage:

 

     Act 1, Scene 1:  HST and the crazed Samoan at 125 mph on 15 between

     Baker and the NV line.  Pan to rear view of convertible as giant green

     foot stomps convertible to bits and topless queen Elizabeth II appears

     over butte to left, googly eyes all agoggle.

 

     Don't trust the movie biz....filming may start today but debut may be

     in 2001!

 

     love and lilies,

 

     matt

=========================================================================

Date:         Tue, 1 Jul 1997 09:53:21 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Re[2]: burroughs story

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yes, you weren't running fast enough.

 

IMHO, Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

 

>----------

>From:  MATT HANNAN[SMTP:MATT.HANNAN@OTC.USOC.CCHUB.COM]

>Sent:  Tuesday, July 01, 1997 6:24 AM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Re[2]: burroughs story

> 

>The other evening, after consuming my usual dinner of scrambled eggs

>smothered in Gib's Nuclear Hell Hot Sauce, I had a dream that my wife and

>I met AG (in his late-life form) in the basement of a New York City

>Firehouse--seemingly by appointment.  Every time I began to ask him a

>question he'd get up and walk to another room in this tiny building

>decorated in early 1960's naugahide.  After about twenty repetitions of

>this he morphed into a younger version of himself (India/Paris days) and

>said simply "I have to go now" and I woke up.

> 

>Any Amateur Freudian Psychoanalysts (as opposed to Bournemouth and

>District Amateur Gynecologists) wanna take a crack at that one?

> 

>love and lilies,

> 

>matt

> 

=========================================================================

Date:         Tue, 1 Jul 1997 16:35:56 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

 

would be cool to do beat chat, let's do it!  Thx, Barb

 

Ciao,

Sherri

=========================================================================

Date:         Tue, 1 Jul 1997 10:28:18 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      message play

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note to myself:  find URL of article originally published in Monday's LA

Times.

 

Why Men Just Have to Monkey Around  <<snippet>>

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=

by Kathleen Kelleher (special to the Times)

 

<< 

Chimpanzees-the best human anlogue because they must cooperate to combat

common enemies and compete for females and rank-do something called

"message play."

 

"Instead of beating up on an adolescent male, an adult male starts very

roughly tickling. . . playfully slapping him and shoving him but giving

him the message that he _could_ beat him up if he wanted to," says Frans

de Waal, a primatologist at the Yerkes center and author of several

books on primates.

 

"It is turning tension into play.  It is a bit like tension between guys

and they turn it into a joke."

>> 

 

Douglas  <<who never bit anybody's ear off....>>

 

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Tue, 1 Jul 1997 17:33:36 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      gregory corso?

Content-Type: text

 

Ksenija,

The Corso line you were asking about is from line 15 of Corso's

poem "Bomb"; in English it reads," To die by cobra is not to die

by bad pork." "Bomb" was originally published as a broadside, and

later was collected in _The Happy Birthday of Death_ as a foldout

in that volume, surely one of the few books of poetry ever published

with a centerfold.

Cordially,

Mike Skau

7/1/97

=========================================================================

Date:         Tue, 1 Jul 1997 19:50:26 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Don't shoot the messenger

Comments: cc: gnicosia@earthlink.net, Diane DeRooy <MemBabe@aol.com>

In-Reply-To:  <970630143115_-461032658@emout14.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Diane,

 

This is a fact.

 

Ph.D. candidate from the University of Michigan, writing her dissertation

on Keroauc, was denied access to the collection Gerry Sold to U.Mass.

 

If Martha Mayo stated that anyone has access to the collection of research

material that was used to write MEMORY BABE: A CRITICAL BIOGRAPHY OF JACK

KEROAUC, she is not telling the truth.

 

j grant

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     372,191  visitors since July 1, 1996

=========================================================================

Date:         Tue, 1 Jul 1997 18:31:45 -0700

Reply-To:     James William Marshall <iamio@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <iamio@MAIL.NETSHOP.NET>

Subject:      Kill Time, Save Vegetables

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I think I smell treble beats.

I just wanted to let the group know that I know God and Satan personally and

they've asked me to clear up a few things here.  They're actually really

good friends.  They made up a long time ago.

  Satan and I have this running bit where he flies by my balconey and says,

"See you soon James."  And I say, "Yeah sure Satan you joker you."  And I

look out at the lake of fire and the folks gnashing their teeth and crying

and I laugh.

  God takes me to heaven about every three weeks.  Don't get me wrong, we

talk in between visits.  When I go to heaven, God and I get drunk and we

talk about you guys and humanity in general.  Occasionally, other species

pop up but that's usually when we're really out of it and we're bored.  God

always asks me what I wanna do and I say, "I dunno, whadda you wanna do?"

and he says, "I dunno man, I've done everything."  We usually end up jerking

ourselves from one edge of the universe to another and God'll say, "Okay,

we're here.  Now we're here.  Now we're over here.  Oh.  Now we're here."

 

  Then we go back to heaven and God lets me make fun of Christ.  I say

things like, "Jesus Jesus, you shoulda, you know, made yourself tough as

nails.  Or if you didn't wanna do that, you shoulda told everybody not to

start a religion based on what you said because there's these guys with

really big hats and they tell everybody what you REALLY meant.  I mean, you

shoulda thought ahead man.  Why didn't you do a little writing yourself?

You know, make the message neon and eternal or something."  And Christ

invariably says, "I was just doing what Dad wanted."  And God says, "When

are you going to grow up?  Jesus Christ Jesus Christ."  Blashpemy is allowed

in heaven by the way.  God's always saying, "Medammit, time for another

earthquake."

  If anyone's interested, I'll relate more of what's been going on with God,

Satan and other religious figures and me later.

                                                 James M.

"I'm dying.  I hope you're dying too."

=========================================================================

Date:         Tue, 1 Jul 1997 18:44:21 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <33B83305.BF9B50CB@scsn.net>

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At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

>Has anyone on the list ever heard of Diane De Rooy.

 

I have swapped mail with membabe@aol.com on various topics such as irc.

 

> I ran a 411 search

>and turned up nothing.  I ran one on my email address and got me.

 

I went to www.four11.com and did a NAME search on you. You did not show up

in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

mean youd on't exist? And as far as the web search engines work, they only

work if YOU yourself put your name in OR someone buys your name off the

list. just because someone does NOT show up in the web search means they do

not exist.

 

I also did a search on Charles Bukowski: Three email addresses

                           Charles Plymell: No matches

                           James Stauffer: 23 Matches

                           Jack Kerouac: No Match

                           William S. Burroughs: No match

So do these people not exist because you did not find them at

www.four11.com? Hardly.

 

> So, I

>am very curious about this.  I know that there have been phantom posts

>from aol before and that Jerry C. smoked some of those out.  If Diane is

>a real person, I apologize to her, but this post seems very suspicious

>and the timing makes it even more so.  I apologize, for an off topic

>post.

 

 

As for your "comptence" doing websearch, if you were my lawyer, I would

have fired you long ago for 'incomptence". Membabe is a very real person

and one *I* have corresponded with in the past about various and sundry

things.

 

SO before you go doing "searches" why don't you actually do a search. She

mentioned I believe that she lives in Seattle (or thereabouts) nothing to

look her up in the phonebook or do a search though DMV seeing as you are

such "the lawyer".

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 21:54:32 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Don't shoot the messenger

Comments: To: jo grant <jgrant@BOOKZEN.COM>

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jo grant wrote:

> 

> Diane,

> 

> This is a fact.

> 

> Ph.D. candidate from the University of Michigan, writing her dissertation

> on Keroauc, was denied access to the collection Gerry Sold to U.Mass.

> 

> If Martha Mayo stated that anyone has access to the collection of research

> material that was used to write MEMORY BABE: A CRITICAL BIOGRAPHY OF JACK

> KEROAUC, she is not telling the truth.

> 

> j grant

 

Jo, she was not the only scholar.  Others have been turned away.  This

is the standard line given out by Mayo, but reality is different.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 21:10:59 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Next in the FireWalk line ... LONG

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some have shown interest in these ... if you're not one feel free to

delete quickly.

 

>From FireWalk Thru Madness, copyright December 1992 David B. Rhaesa

 

 

THE HISTORY OF TIME -- OR -- THE TIME OF HISTORY

                OR

HUMAN VEGETABLE TEACHES HISTORY TO COLLEGE STUDENTS

 

The wild eyed freshman walked upstairs to his history class.  First day

of college one class down one professor dead in the shadow of the wild

eyed boy=92s mind.  As he sat in the room waiting for the class to begin

he felt a strange sense of accomplishment - after years he was the first

the very first student that answered the Poetry Professor=92s question.=20

It was also strange because it left him feeling somewhat alienated,

somewhat isolated - well actually completely alienated and isolated

because he was different than all the other students - and it wasn=92t

just the students in that particular class.  He was different from all

the students who had brought their answers to the worn poetry professor

year after year.

 

He felt like an alien transported to wake the college from it=92s

intellectual slumber - shock the world out of it=92s one dimensional slee=

p

walking existence.  The wild eyed boy realized that the professor was

talking in the front of the room and he=92s saying something about

Santayana something about =93Those who refuse to learn from the past are

doomed to repeat it.=94  He=92s up there mumbling about doom thought the

wild eyed boy but doesn=92t know anything about doom.  What has this

middle aged man ever known about doom?  The wild eyed boy began to feel

the irritation building inside him the irritation that mean the alien

death force he harbored in his soul was beginning to surface. =20

 

He raised his hand and asked: =93Would it help a starving child in Somali=

a

to read a book about past famines, or perhaps a history of nutrition?=94=20

The professor looked annoyed in his cordouroy jacket with patches on the

sleeves.  Where did this question come from?  Students didn=92t ask real

questions.  Not in a history class.  Something about the boy=92s tone

annoyed him and tempted him kept him from brushing off the comment.  It

was asi if the rest of the class disappeared onlyy the middle-aged man

with all those books in his mind and the wild eyed boy with his angst

stood facing each other mind vs. mind, soul vs. soul a battle to the

death.

 

=93The history you teach is fiction,=94 said the wild eyed boy.  =93All y=

ou=92re

doing is telling his story as opposed to her story of the ant=92s story o=

r

some other guy=92s story or some other woman=92s story.  What makes you

think that the books you read are any truer than some Louis L=92Amour

Western?=94  He paused for a moment to witness the professor=92s response=

.=20

=93The history you study is just an extended Senate Confirmation Hearing

with Clarence Thomas telling his story and Anita Hill telling her story

and the witnesses telling their stories and a bunch of old white

straight males are sitting in the front holding court to decide which

story will be called the truth.  Woody Guthrie knew that the true

History wasn=92t what made it to the history books what made it to the Ne=

w

York Times - the true history was in the boxcars - it was Whitman asking

Woody to travel America and tell what he saw and that=92s what Woody did =

-

And he heard Irving Berlin=92s =91God Bless America=92 and he said that

shouldn=92t pass as history and he wrote =91God Blessed America=92 and th=

en

called it =91This Land is Your Land=92 and he wrote =91you can only write=

 what

you see=92 on the bottom of the page and it became the alternative

national anthem -- but even it wasn=92t the truth - some of the verses

were ignored, the capitalists hid the radical verses - just saved the

pretty ones - and U2 tried to excavate in the shared vision thing but I

don=92t know if the project was an archaeoogical success.  So you want me

to believve that history protects us in the future and if it was true,

if it wasn=92t fiction I might agree -- but what makes you believe George

Washington really crossed the Delaware or Jesus Christ really died on a

cross or even existed?  Is it because a book told you so.  If that naive

faith is all you have to protect you from the doom that lurks in the

future then I fear for your soul old man.=94

 

He stared at the history professor who was silent -- he was blank.  But

he seemed to still have life buried somewhere inside him so the wild

eyed boy waited patiently -- and he waited, and he waited --

occasionally he caught a glimpse of the student class President across

the room staring at the boy like he stared at Crazy Eddy or his little

sister when she told him about their Uncle and sexual abuse and some

would call it rape - but why bother.

 

The professor finally spoke.  =93How would you predict the future, if not

with the aid of history?=94 =20

 

The wild eyed boy stared at him, not flinching for a moment.  =93You=92re=

 so

fucking presumptious to believe you can predict the future anyway.  Or

for believing that the future is even predictable or that anything is

predictable.  What in your history could make you expect that we=92d be

engaged in this mental bloodsport right now, this instant, the present?=20

And what makes you think that even if things are predictable, that what

you call historiy is any more accurate, any more =91scientific=92 than Ta=

rot

Cards or Ouija Boards or Astrology?  Don=92t you get it old man.  That

thing you call history isn=92t the Truth -- it isn=92t History with a

capital H -- it=92s just some misguided excuse for one snapshot of the

billion possible snapshots of a feew points in time.  And studying all

these wars doesn=92t seem to make us not fight in them.  It makes as much

sense to say that our preoccupation with war in our history textbooks

perpetuates this war mentality like a self-fulfilling prophecy and we=92d

do better (or at lest as well) to roll some dice or call a 1-900 Psychic

line.=94

 

=93So you don=92t believe in History?=94 the professor responded.  His

response was almost immediate, almost presumptious, as if he thought

some intellectual trick -- a mind trap he=92d learned in graduate school

when his professor trapped him for being inquisitive -- was enough to

silence this strange creature that was passing off as a college

freshman.

 

The wild eyed boy recognized the simplicity of the response, he realized

that the middle-aged man had not listened to him, that the professor was

afraid to look into the mirror of his soul and see a big sign saying:

=93FRAUD=94, and was trying to protect himself with old tricks like a che=

ap

magician.

 

=93I believe in History, but it isn=92t whay you call history.  You=92re =

so

caught in your cage that you can=92t even listen to another angle -- see

another truth.  What are you afraid of old man?  Afraid of losing or

maybe even learning from a wild eyed freshman?  Would that be so

horrible?  -- Career ending/Soul wrenching blow to learn something from

a student.  I believe in history but not what you call history.  This is

history right now.  And what=92s happening at the Casey=92s over in Hills=

,

Iowa, that=92s history.  Your brand of history has some kind of

accredidation or application attached to it like for my life to be

meaningful I have to make history and that I have to try out for the

great play of history like trying out for some stupid high school

musical that nobody in the audience understands because they=92re only

there out of obligation to their children who are only in the play to

please their parents.  What makes you think that you=92re less

historically meaningful than George Washington?  Does it make you

insecure to look in the mirror and not see George Washington?  If I

write a book of history or a movie and call it =93It=92s a Wonderful Life=

,=94

and let you star and let you almost jump off the bridge because of your

insecurities, your belief in history and let Clarence save you will that

make you feel worthwhile?  Or will you wait to to read the movie

reviews?  Instead of living through old dead men, dead on black and

white paper -- a few pictures to try and prove something -- try living

through yourself.  Shave your head.  Get a tatoo.  Run through the

streets naked and see if anyone notices and if you care.  Learn to live

as if you are the characters in your prized history books and you=92ll do

well.  Or deal with the fact that you=92re just a speck of matter in the

Universe that doesn=92t amount to much of anything but what you decided t=

o

make for yourself.  Maybe then you can be happ0y and stop terrorizing

freshmen term after term making them think that they aren=92t as importan=

t

as these =91historical=92 figures.=94

 

The history professor now recognized that he faced a formidable

opponent.  This wild eyed boy -- fire of Jupiter flaming out like bolts

of lightning from the Heavens -- staring at him questioning his

legitimacy.  For years such a question had not even been considered by

the blurry eyed students who pass by his desk each term.  For years his

legitimacy rested in his position, his degrees, of course he knows more

than us freshman because he=92s in a position to know all that

information.  The wild eyed boy seemed to see through this mirage

realizing that anyone could be in this position that teaching was really

idiotic in many ways.  And he realized that his degrees and honors meant

nothing to this student because the boy was questioning all the classes

represented by those degrees by questioning this one moment in this one

class.  If he demonstrates that my class is a fraud -- for a moment --

he may expose the big fraud of the whole degree system.  This student

was digging deeper than any other in his sixteen years of teaching.  He

was questioning the professor=92s entire reason for believing -- his

reason for being.  It wasn=92t a question of his particular beliefs those

would be easy to defend in combat.  The wild eyed boy was questioning

the reason of it -- the sanity of it.  He was saying that the premise on

which the professor=92s entire existence was built was nothing but

shifting sand.  It was with this shaky foundation that the professor

turned to the boy and asked:

 

=93So if you believe in history, only a different history than mine,

-- What is the essence of History?=94

 

=93It=92s about time,=94 the wild eyed boy replied.  For a minute the

professor thought the student was scolding him for taking so long to get

around to questioning the essentials and he waited for the student to

continue.  Then he realized that it was the student=92s answer.  The

essence of history, as this student perceived it, was time.

 

The professor froze there for an historical moment -- an historical

instant.  In that one momenthe left his body into the collective mind of

his unconscious and from there he turned to look over his shoulder and

there before him was all of history -- all there at once -- everything

staring at him.

 

In his normal state of mind he would have thought this impossible.  How

could all of history be present to him in one instant -- in one moment.=20

But he was experiencing it and so he could understand all that came

before, in its wholeness and he could see all that was now and from this

atemporal vision the collage of this thing called history projected the

future into his mind.  And finally he learned what Santayana meant.

 

He was repeating history term after term doomed to the same mundane

existence because he refused to turn and face history, to look at the

historical instant and now that he had seen the vision he should return

and learn from it -- Teach others to learn from it, in a meaningful way,

in an essential way -- teach the truth about history, that history is

the interval between an instant and a moment and all of history is

contained therein.

 

The middle aged professor woke from his dream in a cold sweat.  He was

disoriented, but soon realized that he=92d slept through his alarm.  He

had fifteen minutes until his first class of the term.  He had stayed up

late preparing for the first day=92s lecture.  It was fairly commonplace

for the dirst day of class to be devoted to preliminary procedural

matters -- a brief description of the course, the ritual dispensing of

the syllabus -- signing add and drop slips and returning to the office

and home early.

 

This term the professor had decided that the first day required a

lecture.  The reason, he believed, for student apathy was rooted in the

tone of the class that first day.  The introduction to the class is of a

stale administrative course for academic credit paid for in cash.  All

of these considerations completely destroyed the importance of the

content of the material to be presented in this particular class.  It

was primarily the same as any other class regardless of the subject.=20

Any disagreements or disparities between classes clearly focused only on

procedural matters.

 

The Professor decided to change that.  On the first day of class he

would introduce history -- what it is, why it is so important, so

essential to our lives.  He=92d begun with the famous quotation =93Those =

who

choose to ignore history are doomed to repeat it.=94  From here the

lecture went on for nearly twelve pages illustrating the hazards of

historical ignorance.  The historically intelligent, the historically

aware, the historically conscious, individual can see past the blur of

everyday events at the archetypal plots -- life-scripts -- that are

played out day-in and day-out by people who don=92t even know that they

are in the play.

 

=93All the World=92s a stage and I am but a player on it=94 the professor

thinks and he explains to the students in the lecture that learning to

play at history is the test of understanding of knowledge just like in

any other endeavor.  The historical character can see the separate play

outside the ones which occupy most people=92s time.  The historical

character alters the present within the interior play by shifting

through the plots and actions in the larger play.  One must possess

historical awareness, historical consciousnes, historical Be-coming to

become a figure in the larger plane of history. =20

 

As he entered the room carrying a stack of papers and the notes for his

lecture scrawled on diner napkins from late night coffee the dream

returned to the middle-aged professor.  He was wearing his new corduoroy

jacket with the patched sleeves.  The nightmare returned.  The entire

dream returned and he saw the wild eyed boy standing over him and he

knew that he was a fraud.

 

He handed out the syllabus, asked if there were any questions, signed

some add and drop slips, walked downstairs to his office, shut the door,

turned on the radio to hear Carlos Santana playing God Bless America on

a forthcoming, historical patriotic album.  Berlin vs. Guthrie.  Germany

vs. Oklahoma.  in Football or War or is there a difference?  Of course

there is he thought and said he=92d take Germany in war but Oklahoma woul=

d

kick their ass in football.=20

 

His mind drifted further into the past and present.

 

Five hours later another professor stopped by to ask about a signature

on a travel voucher for their trip to the convention last week.  He

found the middle-aged history professor still in his corouroy jacket

staring blankly and smiling blankly and completely unaware of the

activities in his physical surroundings.

 

They took him to a hospital I=92m told.  They said he never recovered.

 

Occasionally he mutters something about the wild eyed boy and it is all

here, this one moment contains it all at once.  He was right -- time is

the essential component, transcend time - escape the quality of

temporality for an instant and you can see the history folding and

unfolding and repeating and skipping lice dice or domino=92s ....

 

and he goes on and on and the nurses just walk by without even looking

surprised by the insane patter from the retired old man.  And he tells

them he=92s a professor but nobody believes him....he=92s a crazy man.  T=

hey

think - sure, he=92s a professor.  Better double the Haldol and get out

the leather for this one says Lurch as he reads the description of

tonight=92s shift.  =93It looks like you=92re all going to finally get to=

 meet

the wild eyed boy.  Merry Chirstmas.=94

=========================================================================

Date:         Tue, 1 Jul 1997 22:17:17 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: suspicious, but perhaps unfounded.

Comments: To: "Lisa M. Rabey" <lisar@NET-LINK.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Lisa M. Rabey wrote:

> 

> At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

> >Has anyone on the list ever heard of Diane De Rooy.

> 

> I have swapped mail with membabe@aol.com on various topics such as irc.

> 

> > I ran a 411 search

> >and turned up nothing.  I ran one on my email address and got me.

> 

> I went to www.four11.com and did a NAME search on you. You did not show up

> in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

> mean youd on't exist? And as far as the web search engines work, they only

> work if YOU yourself put your name in OR someone buys your name off the

> list. just because someone does NOT show up in the web search means they do

> not exist.

> 

> I also did a search on Charles Bukowski: Three email addresses

>                            Charles Plymell: No matches

>                            James Stauffer: 23 Matches

>                            Jack Kerouac: No Match

>                            William S. Burroughs: No match

> So do these people not exist because you did not find them at

> www.four11.com? Hardly.

> 

> > So, I

> >am very curious about this.  I know that there have been phantom posts

> >from aol before and that Jerry C. smoked some of those out.  If Diane is

> >a real person, I apologize to her, but this post seems very suspicious

> >and the timing makes it even more so.  I apologize, for an off topic

> >post.

> 

> As for your "comptence" doing websearch, if you were my lawyer, I would

> have fired you long ago for 'incomptence". Membabe is a very real person

> and one *I* have corresponded with in the past about various and sundry

> things.

> 

> SO before you go doing "searches" why don't you actually do a search. She

> mentioned I believe that she lives in Seattle (or thereabouts) nothing to

> look her up in the phonebook or do a search though DMV seeing as you are

> such "the lawyer".

> 

> ttfn.

> 

> lisa

> --

> 

>         Lisa M. Rabey       Computer Consultant         UIN: 1231211

>          ************************************************************

>           words...1000's of words.. wrapped together like wire

>                    how easy it would be to hate you

>                  and yet that is all i can show you.

>                       Nothing lasts forever. -me

> 

>                http://www.bigendian.com/~simunye

>          mirror: http://the.art.of.sekurity.org/simunye

>        F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

Lisa:

 

If your flame had any information that was useable in it, I would use

it.  I asked if anyone knew if she was a real person.  If you know her

and she is, then, I would be more than happy to hear that.  I did not

claim to know the answer, but if you would type in bocelts@scsn.net into

411 you would get information on me, unless you have a different 411

search engine.  411 is for the living who have email address, phone

numbers etc,  it is not prefect.  Methinks you doth protest too much.

 

Maybe you just don't like lawyers.  Whatever it is, good luck working

your problem out.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 22:41:25 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: suspicious, but perhaps unfounded.

Comments: To: "Lisa M. Rabey" <lisar@NET-LINK.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Lisa M. Rabey wrote:

> 

> At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

> >Has anyone on the list ever heard of Diane De Rooy.

> 

> I have swapped mail with membabe@aol.com on various topics such as irc.

> 

> > I ran a 411 search

> >and turned up nothing.  I ran one on my email address and got me.

> 

> I went to www.four11.com and did a NAME search on you. You did not show up

> in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

> mean youd on't exist? And as far as the web search engines work, they only

> work if YOU yourself put your name in OR someone buys your name off the

> list. just because someone does NOT show up in the web search means they do

> not exist.

> 

> I also did a search on Charles Bukowski: Three email addresses

>                            Charles Plymell: No matches

>                            James Stauffer: 23 Matches

>                            Jack Kerouac: No Match

>                            William S. Burroughs: No match

> So do these people not exist because you did not find them at

> www.four11.com? Hardly.

> 

> > So, I

> >am very curious about this.  I know that there have been phantom posts

> >from aol before and that Jerry C. smoked some of those out.  If Diane is

> >a real person, I apologize to her, but this post seems very suspicious

> >and the timing makes it even more so.  I apologize, for an off topic

> >post.

> 

> As for your "comptence" doing websearch, if you were my lawyer, I would

> have fired you long ago for 'incomptence". Membabe is a very real person

> and one *I* have corresponded with in the past about various and sundry

> things.

> 

> SO before you go doing "searches" why don't you actually do a search. She

> mentioned I believe that she lives in Seattle (or thereabouts) nothing to

> look her up in the phonebook or do a search though DMV seeing as you are

> such "the lawyer".

> 

> ttfn.

> 

> lisa

> --

> 

>         Lisa M. Rabey       Computer Consultant         UIN: 1231211

>          ************************************************************

>           words...1000's of words.. wrapped together like wire

>                    how easy it would be to hate you

>                  and yet that is all i can show you.

>                       Nothing lasts forever. -me

> 

>                http://www.bigendian.com/~simunye

>          mirror: http://the.art.of.sekurity.org/simunye

>        F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

Lisa:

 

Funny you should have written this missive to the list moments before I

received this from an old college friend who is NOT on the beat list.

 

The message below was sent at 18:28 but received after Lisa's post.

 

 

 

>Subject: Four11 listing

>Date:   Tue, 1 Jul 1997 22:28:39 +0000

>From:    swhitney@gate.net

> To:     bocelts@scsn.net (R. Bentz Kirby)

 

 

 

 

>Hi Bentz,  When I managed to find your home page using a web search

>engine. I am certain that I had previously searched for you via the

>Four11 directory services. I found out that the only way to find you

>in Four11 is to enter "  R  "  for the first name and "  Kirby "  for

>the last name.  If you want people to be able to find you by Bentz

>Kirby then you might want to go back to Four11 and fill out an

>alternate first name field.

<snip>

--

Funny how poetry is in motion on the www sometimes, ain't it!  ;-)

Peace,

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 22:45:50 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Four11 listing

Comments: To: swhitney@gate.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

swhitney@gate.net wrote:

> 

> Hi Bentz,  When I managed to find your home page using a web search

> engine. I am certain that I had previously searched for you via the

> Four11 directory services. I found out that the only way to find you

> in Four11 is to enter "  R  "  for the first name and "  Kirby "  for

> the last name.  If you want people to be able to find you by Bentz

> Kirby then you might want to go back to Four11 and fill out an

> alternate first name field.

>         I was trying to figure out how in the world you got an email from

> Mike Miller so soon today, before I had emailed him your address,

> and finally figured it out when I visited my Guestbook page and

> realized Mike got your email address there. There are 6 of us online

> now, hope to find more.    Later  Steven

> 

> Steven Whitney   Naples FL.

> ( swhitney@gate.net ) or ( nfn00805@gator.naples.net )

> Home Page   http://gate.net/~swhitney/   or

>             http://naples.net/~nfn00805

> If I am online you can reach me with WebChat via the link on my Homepage

Steve:

 

Thanks for the message, when I get to work tomorrow, I will check to see

what time that your message was sent and what time Mike's was sent.  I

guess it depends on the routing that your email has to go through, I

guess.  Your message to me about 411 was very timely.  So, I am posting

a copy  of this email to you on the beat literature list.  I'll explain

later if you want to know.  BTW, I was looking at our annual today at

work.  Someone asked if I really used to weigh only 145.  Saw a picture

of you guys getting on the bus to go to Nationals.  Man, I may scan that

and post in on my www site for the track and field list to get to know

you better! ;-)

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 2 Jul 1997 02:50:02 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

My, my such a rabid response for a rather innocuous e-mail from Bentz...

 

Since this is not you personally being drawn under question, why so excited?

Also, how do you know that she's membabe?  How do I know that you're not  one

and the same person as "Diane De Rooy"?  She didn't state that in her posting.

 How do you know for certain she's a she, have you heard "her" voice, seen a

picture? Have you seen "her" published work, "her" credentials, met "her" for

coffee....

 

Since there is a controversy, it seems to me that it's good for people to

question events that might have an effect on the recovery of stolen items as

well as the mis-handling of the irreplaceable archives of Jack Kerouac's work.

 

 

I'm sorry, Lisa, but your e-mail seems suspect to me...  I would prefer to be

wrong on this, but at this point it certainly doesn't ring true.

 

Ciao,

Sherri

 

 

----------

From:   BEAT-L: Beat Generation List on behalf of Lisa M. Rabey

Sent:   Tuesday, July 01, 1997 6:44 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: suspicious, but perhaps unfounded.

 

At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

>Has anyone on the list ever heard of Diane De Rooy.

 

I have swapped mail with membabe@aol.com on various topics such as irc.

 

> I ran a 411 search

>and turned up nothing.  I ran one on my email address and got me.

 

I went to www.four11.com and did a NAME search on you. You did not show up

in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

mean youd on't exist? And as far as the web search engines work, they only

work if YOU yourself put your name in OR someone buys your name off the

list. just because someone does NOT show up in the web search means they do

not exist.

 

I also did a search on Charles Bukowski: Three email addresses

                           Charles Plymell: No matches

                           James Stauffer: 23 Matches

                           Jack Kerouac: No Match

                           William S. Burroughs: No match

So do these people not exist because you did not find them at

www.four11.com? Hardly.

 

> So, I

>am very curious about this.  I know that there have been phantom posts

>from aol before and that Jerry C. smoked some of those out.  If Diane is

>a real person, I apologize to her, but this post seems very suspicious

>and the timing makes it even more so.  I apologize, for an off topic

>post.

 

 

As for your "comptence" doing websearch, if you were my lawyer, I would

have fired you long ago for 'incomptence". Membabe is a very real person

and one *I* have corresponded with in the past about various and sundry

things.

 

SO before you go doing "searches" why don't you actually do a search. She

mentioned I believe that she lives in Seattle (or thereabouts) nothing to

look her up in the phonebook or do a search though DMV seeing as you are

such "the lawyer".

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 23:13:26 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      apology

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I apologize to the list for my overreaction to Lisa's flame.  I made two

posts off topic in reply, and again apologize. Tonight was my 14th

wedding anniversary, and I put my 12 year old son on a plane to spend

two weeks with my sister and her husband.  I have a sense of seperation

anxiety and am having a hard time dealing with all of this.  So, if I

was out of line in my three responses to Lisa, I apologize.

 

On the other hand, it seemed very poetic that while Lisa was busy

flaming me about 411 that a friend who found me for the first time since

1976, was writing me about finding me on 411 and suggesting that I add

Bentz to the listing.  To me that was poetry.  One of the last things

Steve and I did together, was to go on a road trip from Charleston, SC

to Columbia, SC to see Bruce and the E Street Band on the Born to Run

tour.  They played a 4000 seat arena in Columbia and it was just before

BTR broke out big time.  Now the circle is closed some 21 years later by

the www and 411.  In my mind, very cool.

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 20:32:52 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <33B9BA2D.187E8541@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

<snip>

 

>Lisa:

> 

>If your flame had any information that was useable in it, I would use

>it.

 

It wasn't a "flame" it was a critique. You stated that because the person

could not be found by www.four11.com, the person could not exist. I pointed

out to you that just because someone was NOT listed on www.four11.com does

not mean that they do not exist, hence my examples.

 

> I asked if anyone knew if she was a real person.  If you know her

>and she is, then, I would be more than happy to hear that.  I did not

>claim to know the answer, but if you would type in bocelts@scsn.net into

>411 you would get information on me, unless you have a different 411

>search engine.  411 is for the living who have email address, phone

>numbers etc,  it is not prefect.  Methinks you doth protest too much.

 

me thinks you jump to the gun too much. You were ready to haul membabe to

the stake and burn her because of an incident in the past that occurred

with *supposed* fake aol.com addresses.

 

> 

>Maybe you just don't like lawyers.  Whatever it is, good luck working

>your problem out.

 

Erm, why is it if you make a comment about something that does not agree

with yours that suddenly that someone has "problems". Now, that is mature.

 

 

ttfn.

 

Lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 20:37:24 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <33B9BFD5.D67D2695@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Before you get your accolades, why don't you READ what I wrote:

 

You wrote:

 

>>Hi Bentz,  When I managed to find your home page using a web search

>>engine. I am certain that I had previously searched for you via the

>>Four11 directory services. I found out that the only way to find you

>>in Four11 is to enter "  R  "  for the first name and "  Kirby "  for

>>the last name.  If you want people to be able to find you by Bentz

>>Kirby then you might want to go back to Four11 and fill out an

>>alternate first name field.

><snip>

 

I wrote:

 

> I went to www.four11.com and did a NAME search on you. You did not show up

> in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

> mean youd on't exist? And as far as the web search engines work, they only

> work if YOU yourself put your name in OR someone buys your name off the

> list. just because someone does NOT show up in the web search means they do

> not exist.

> 

 

 

I did a search on R. Bentz Kirby, Bentz Kirby, and the last name of Kirby.

Nothing. Your "Friend" found you by R. Kirby. So, I did *NOT* find you

because of the string pattern, its was not boolean enough. So *I* did not

find because of such.

 

And if you READ what your friend said, he says 'if you want people to be

able to find you by Bentz

Kirby then you might want to go back to Four11 and fill out an

alternate first name field."

 

So you can stop talking about poetry in motion on the www, because we were

both "right".

 

 

ttfn.

 

Lisa

 

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 20:53:57 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: suspicious, but perhaps unfounded.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri wrote:

 

> Also, how do you know that she's membabe?  How do I know that you're not  one

> and the same person as "Diane De Rooy"?  She didn't state that in her posting.

>  How do you know for certain she's a she, have you heard "her" voice, seen a

> picture? Have you seen "her" published work, "her" credentials, met "her" for

> coffee....

> 

How do we know that anyone is anyone if we haven't met them and even

then if they are who they say they are.  For all I know Benz Kirby is a

stage name for Gerry Nicosia.  I have never either one.  Maybe "sherri"

is a complete illusion.

 

The whole list may just be one big multiple personality illusion.

 

I cannot help but think that there is something about this debate that

produces dementia.  It's a trip to the twilight zone.  Everytime it

surfaces the strangest allegations start to be made.  So far we have

Lisa and Tony Triglio who have exchanged e-mails on other topics with

this person.  Somewhere out in cyberspace there is a "membabe" who was

interested enough in beat stuff to do a Ginsberg tribute on AOL.  Such

an entity might logically have an interest in the estate question.  But

somehow if this "person" disagrees with the Nicosia/Kirby position in

this matter they graduate to being part of the evil Sampas gang,  with

its tentacles reaching from Lowell to Seattle.  Funny, isn't it.

 

J Stauffer

> 

=========================================================================

Date:         Tue, 1 Jul 1997 20:44:16 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <UPMAIL14.199707020255290821@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:50 AM 7/2/97 UT, you wrote:

>My, my such a rabid response for a rather innocuous e-mail from Bentz...

> 

>Since this is not you personally being drawn under question, why so excited?

>Also, how do you know that she's membabe?  How do I know that you're not  one

>and the same person as "Diane De Rooy"?  She didn't state that in her

posting.

> How do you know for certain she's a she, have you heard "her" voice, seen a

>picture? Have you seen "her" published work, "her" credentials, met "her" for

>coffee....

 

Well according to your own theory Sherri, seeing as I never spoke to JD

Salinger, seen a picture of him, or met him, does that mean he does not exist?

 

> 

>Since there is a controversy, it seems to me that it's good for people to

>question events that might have an effect on the recovery of stolen items as

>well as the mis-handling of the irreplaceable archives of Jack Kerouac's

work.

> 

> 

>I'm sorry, Lisa, but your e-mail seems suspect to me...  I would prefer to be

>wrong on this, but at this point it certainly doesn't ring true.

 

 

And here is email I got from Membabe herself:

 

X-POP3-Rcpt: lisar@serv01

Return-Path: MemBabe@aol.com

From: MemBabe@aol.com

Date: Fri, 28 Mar 1997 00:38:23 -0500 (EST)

To: MemBabe@aol.com

Subject: beat generation chatroom updates

 

Note: you are one of 65 people receiving this letter. If you don't want to

continue to be one of 65 people receiving mail from me, please let me know

right away. You know how expensive postage is these days....

 

Hey, everybody...

Life goes too fast and I fall behind too quickly. Never entrust me with these

important tasks; I'm too easily overextended...

 

ANNOUNCEMENTS.................................................................

 

<snip>

 

And considering that I haven't spoken to 3/4 of the people on the list here

personally, met them, had coffee with them nor shared in their lives, which

includes you sherri, maybe you do not exist either.

 

ttfn.

 

lisa

 

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Tue, 1 Jul 1997 23:54:51 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: suspicious, but perhaps unfounded.

Comments: To: stauffer@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

.  But

> somehow if this "person" disagrees with the Nicosia/Kirby position in

> this matter they graduate to being part of the evil Sampas gang,  with

> its tentacles reaching from Lowell to Seattle.  Funny, isn't it.

 

Well James, I am not Gerry Nicosia and I certainly don't agree with

everything he says.  But I also am interested in facts seeing the light

of day.  If Gerry is wrong about something, then prove it out.  No

problem.  But what if there is a conspiracy to damage Gerry?  How do you

know there is not?  So, let the thread die as it was before the other

post started me up again.  I will do my best to do so.

 

As Jo Grant has already pointed out tonight, if Martha Mayo did make

those statements, they are not true.  And the real problem is the lack

of care for the audio tapes, and barring people from listening to them.

 

So just because you disagree, or think Gerry sees a conspiracy behind

every tree, doesn't meant that one does not exist.  Maybe Gerry just

sees more than there are?

 

In any event, I hope this dies a death right now and will do my best to

let it die.

 

Let's get back to some vital discussion of vital literature.

 

How about his topic.  Poets view and treatment of God.  Let's start with

Ferlinghetti's new book, A Far Rockaway of the Heart.

 

Peace,

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 1 Jul 1997 21:09:36 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: suspicious, but perhaps unfounded.

In-Reply-To:  <33B9D0D5.42E2@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I don't think an anonymous person would set up a website on their webpage

dedicated to Kerouac.

 

http://members.aol.com/membabe

 

But then again, im a smart ass, what do I know.

 

ttfn.

 

lisa

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Wed, 2 Jul 1997 04:27:01 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

My point exactly, Lisa...

 

I just think that perhaps the whole thing should be looked at very carefully

and objectively so the truth can come out.  The last thing I want to see is a

great writer's archives lost to the public, among other things...

 

Btw, I didn't mean to be offensive...  just wanted you to consider the

possibility that you may have been or are being duped ...

 

Let's let it die a noble death here  <hands Lisa the olive branch, and holds

out her hand>...

 

Ciao,

Sherri

----------

From:   BEAT-L: Beat Generation List on behalf of Lisa M. Rabey

Sent:   Tuesday, July 01, 1997 8:44 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: suspicious, but perhaps unfounded.

 

At 02:50 AM 7/2/97 UT, you wrote:

>My, my such a rabid response for a rather innocuous e-mail from Bentz...

> 

>Since this is not you personally being drawn under question, why so excited?

>Also, how do you know that she's membabe?  How do I know that you're not  one

>and the same person as "Diane De Rooy"?  She didn't state that in her

posting.

> How do you know for certain she's a she, have you heard "her" voice, seen a

>picture? Have you seen "her" published work, "her" credentials, met "her" for

>coffee....

 

Well according to your own theory Sherri, seeing as I never spoke to JD

Salinger, seen a picture of him, or met him, does that mean he does not exist?

 

> 

>Since there is a controversy, it seems to me that it's good for people to

>question events that might have an effect on the recovery of stolen items as

>well as the mis-handling of the irreplaceable archives of Jack Kerouac's

work.

> 

> 

>I'm sorry, Lisa, but your e-mail seems suspect to me...  I would prefer to be

>wrong on this, but at this point it certainly doesn't ring true.

 

 

And here is email I got from Membabe herself:

 

X-POP3-Rcpt: lisar@serv01

Return-Path: MemBabe@aol.com

From: MemBabe@aol.com

Date: Fri, 28 Mar 1997 00:38:23 -0500 (EST)

To: MemBabe@aol.com

Subject: beat generation chatroom updates

 

Note: you are one of 65 people receiving this letter. If you don't want to

continue to be one of 65 people receiving mail from me, please let me know

right away. You know how expensive postage is these days....

 

Hey, everybody...

Life goes too fast and I fall behind too quickly. Never entrust me with these

important tasks; I'm too easily overextended...

 

ANNOUNCEMENTS.................................................................

 

<snip>

 

And considering that I haven't spoken to 3/4 of the people on the list here

personally, met them, had coffee with them nor shared in their lives, which

includes you sherri, maybe you do not exist either.

 

ttfn.

 

lisa

 

--

 

        Lisa M. Rabey       Computer Consultant         UIN: 1231211

         ************************************************************

          words...1000's of words.. wrapped together like wire

                   how easy it would be to hate you

                 and yet that is all i can show you.

                      Nothing lasts forever. -me

 

               http://www.bigendian.com/~simunye

         mirror: http://the.art.of.sekurity.org/simunye

       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

=========================================================================

Date:         Wed, 2 Jul 1997 00:48:42 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      who am i?

 

I've spent the last 46 years asking myself that...

 

Is this the usual sort of response on newsgroups? I'm relatively new to this

and don't honestly know.

 

An excerpt from my post:

<<I've been in touch with people who could only be described as secondary to

the life of jack kerouac, asking questions and assembling a feature story.

There are also many people I have not met or interviewed. But two of the

people I have interviewed by phone and through thousands of words in letters

are Rod Anstee and Gerry Nicosia. I had the opportunity to form opinions

about both these men independently, si>>

 

I assume both Rod and Gerry would vouch for my existence, and the fact that

I'm female. I also have a listed phone number in Seattle and would certainly

be interested in hearing from anyone who had anything of value to contribute

to my own research, or to make factual corrections.

 

If, at any time I discover I've been misled, or that I am in any way wrong

about what I've found to be true, I will be overjoyed to make a corrective

post. I should think everyone would be, in the interest of truth.

 

Please don't duke it out on the list, though. Please feel free to address me

directly at either of my email addresses (membabe@aol.com or ddrooy@aol.com)

or by phone here in Seattle. I'm more than happy to respond, up to the point

where it would become a violation of my privacy.

 

ddr

=========================================================================

Date:         Wed, 2 Jul 1997 01:01:14 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      automatic writing

Comments: To: stand666@bitstream.net

MIME-Version: 1.0

Content-Type: text/plain; charset=unknown-8bit

Content-Transfer-Encoding: quoted-printable

 

In a message dated 97-07-01 12:08:32 EDT, you write:

 

<< When

 I first started writing I borrowed Andre Breton's method of automatic

 writing=97I think Jack K called it spontaneous prose or whatever. He

 must've read Breton at some point; Celine, etc.

  >>

 

     yes, i think automatic writing is great for getting a whole lot of s=

hit

out and juxtaposing things you normally wouldn't if you thought about it =

too

consciously...but then afterwards it help to "weed out" the boring crappy

stuff....

 

     some people may say that makes it less 'authentic', but I think they=

're

just not willing to admit that some of their thoughts might be boring and=

 not

worthy of others' reading them.

 

     automatic writing is an excellent exercise, esp. if you have writer'=

s

block.  First thing in the morning is best too, because you're still unde=

r

the influence of dreams.

 

---------------just a thought-----------maya

=========================================================================

Date:         Wed, 2 Jul 1997 01:04:31 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: God <<still digging>>

Comments: To: dcarter@together.net

 

In a message dated 97-07-01 11:22:13 EDT, you write:

 

<<  Can you even start to imagine what grasping the wholeness of human

knowledge

 and the universe in one instant would be like? >>

 

ummm.......actually?.......yes!

---maya

=========================================================================

Date:         Wed, 2 Jul 1997 01:53:35 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: the beat (en) horse/summer reading update

 

i vote visions of cody.  never read it, never even thought of reading it

before. i figure, 'what the hell' i might as well. never was much into

kerouac (on the road was too much like my life, and i don't like reading

about myself much! too boring)

 

so i will try it, and perhaps i will say, "i do! i do! I Iike VOC! I like it

here, there, and everywhere!"

 

---maya

 

ps: can someone please tell WSB to stop sneaking into my dreans? It's really

distracting me. I can't focus at work anymore.  I keep seeing his face.  He

even made me sit on his lap in one dream.  I can't take it any more.  I mean,

he doesn't even LIKE girls, right?  What a creep!

=========================================================================

Date:         Tue, 1 Jul 1997 08:39:54 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: suspicious, but perhaps unfounded.& then

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i too, confess, i found much to interest me in the recent controversy,

I percieved diane to be sincere and much appreciated her post.  i

disagreed with her assumptions, as the idea that no original material

was in the memory babe archives.That didn't seeem likely to me.  I too

would like to see someone visit and be able to take notes. I have had

experiance with a library in missouri that had intervertantly lost half

of a small collection , they lied and covered up and blamed the poor

artist for lying, a big shot alum finally got involved and they finally

admitted that a staff person had let someone take material home and when

it was returned much was missing. Institutions are not as forthcoming as

one would hope.. I wish that i felt more secure about the memory babe

material but my primary concern in that controversy was not the theft of

materials and access to that collection (here i shout, pardon) IT IS THE

JK ARCHIVES. Unhappily the only thing i could sense we could do is to

communicate to all factors that jk material should be treated with

respect and be watchful.

 

archive poem

the old horse raises it head

once shot they believed it dead

struggling it rises

joins the ring of ponies

riding the necronauts

in their circle of fame.

patricia

=========================================================================

Date:         Tue, 1 Jul 1997 23:24:38 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Chat Site

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Hi there,

        I spoke with the creator of Optichat, and he said he'd be glad to

create a room for those with Beat interests.  (awfully nice of him)

Anyhow, he maintains two sites: one which I prefer is an automatic

scroll...there are no private commands...it's public chat, but there are

no monitors..only a filter...can't say fuck etc ...but I have been

fairly lucky in being able to express my ideas without needing that

particular word...and it's so much fun being colorful in a new and

twisted way, anyhow.  The chat is fast there, too...almost like irc.

The other option is the beta room...where html commands work (so you can

talk privately)

        Well, I'm just acting on a suggestion I saw earlier...I think a good

one.  I'd like to see how you think/react/chat in "real" time.

Dan also said if someone who knows html wanted to design the entry page

(if beta were chosen) that would be just groovy.

Maybe those interested could go check it out tomorrow and we can see

what folks think.

        The address is http://www.optichat.com/

 

I will be in the first optichat (scroll down, choose the chat on the

left hand side of the page....I'll be there 7pm West Coast time...that

would be 10 East Coast time (those of you in the middle....you'll have

to do your own math!).  For now...lets meet in Babblemania (seems sort

of Kerouac-like anyhow)...Hope to meet some of you for some input.

Thanks,

Barb

=========================================================================

Date:         Wed, 2 Jul 1997 01:33:35 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Diane DeRooy: suspicious, but perhaps unfounded.

In-Reply-To:  <3.0.1.32.19970701184421.007c2300@smtp.net-link.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

RE: Diane De Rooy

 

I have communicated with Diane on a number of occasions. She has been

working on a Jan Kerouac article for quite some time, has had disagreements

with Gerry Nicosia regarding Keroauc material, sources, etc. Diane ended up

very "turned-off" by Gerry. Unfortunate IMO, but no big deal.  Gerry's busy

and Diane was taking up

 

Her latest post states that Martha Mayo, Special Collections librarian says

anypone--with a few days notice--can have access to the Memory Babe

Collection. Rod Anstee, according to Diane, confirms this. Diane may

believe what they tell her. I do not.

 

I know of scholars who have been turned away.

 

On another note, the recipe for Caesar salad dressing she sent me yesterday

looks like it might be a winner. since it's my daughters favorite dressing

I'll let her be the judge.

 

j grant

 

 

 

At 06:28 PM 6/30/97 -0400, R. Bentz Kirby wrote:

>>Has anyone on the list ever heard of Diane De Rooy.

> 

>I have swapped mail with membabe@aol.com on various topics such as irc.

> 

>> I ran a 411 search

>>and turned up nothing.  I ran one on my email address and got me.

> 

>I went to www.four11.com and did a NAME search on you. You did not show up

>in R. Bentz Kirby, Bentz Kirby, or the last name of Kirby. So does this

>mean youd on't exist? And as far as the web search engines work, they only

>work if YOU yourself put your name in OR someone buys your name off the

>list. just because someone does NOT show up in the web search means they do

>not exist.

> 

>I also did a search on Charles Bukowski: Three email addresses

>                           Charles Plymell: No matches

>                           James Stauffer: 23 Matches

>                           Jack Kerouac: No Match

>                           William S. Burroughs: No match

>So do these people not exist because you did not find them at

>www.four11.com? Hardly.

> 

>> So, I

>>am very curious about this.  I know that there have been phantom posts

>>from aol before and that Jerry C. smoked some of those out.  If Diane is

>>a real person, I apologize to her, but this post seems very suspicious

>>and the timing makes it even more so.  I apologize, for an off topic

>>post.

> 

> 

>As for your "comptence" doing websearch, if you were my lawyer, I would

>have fired you long ago for 'incomptence". Membabe is a very real person

>and one *I* have corresponded with in the past about various and sundry

>things.

> 

>SO before you go doing "searches" why don't you actually do a search. She

>mentioned I believe that she lives in Seattle (or thereabouts) nothing to

>look her up in the phonebook or do a search though DMV seeing as you are

>such "the lawyer".

> 

>ttfn.

> 

>lisa

>--

> 

>        Lisa M. Rabey       Computer Consultant         UIN: 1231211

>         ************************************************************

>          words...1000's of words.. wrapped together like wire

>                   how easy it would be to hate you

>                 and yet that is all i can show you.

>                      Nothing lasts forever. -me

> 

>               http://www.bigendian.com/~simunye

>         mirror: http://the.art.of.sekurity.org/simunye

>       F.U.C.K. mirror: http://www.samurai.com/~lisa/f.u.c.k

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

     313,599 visitors since July 1, 1996

=========================================================================

Date:         Wed, 2 Jul 1997 10:38:32 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      morning sickness

 

morning sickness

 

what cancerous pregnancy ails me now?

I thought they had beaten it out of me,

but it seems my grotesque child

is still alive and kicking.

 

Oh, i would that I could expel it

instead of suffering the rest of the term

but it's tenacious like a tumor

and germinates like a germ.

 

Im not talking about the usual uterus

but a more fertile womb

the blood-red cavern within my skull

that will keep on birthing until the tomb.

 

my mind is aching...I think it will be soon!

 

(spontaneous poem written between 10:30 and 10:34 am today wednesday)

=========================================================================

Date:         Wed, 2 Jul 1997 08:30:56 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: suspicious, but perhaps unfounded.

Mime-Version: 1.0

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<snips>

How do we know that anyone is anyone if we haven't met them and even

then if they are who they say they are.

 

The whole list may just be one big multiple personality illusion.

 

I cannot help but think that there is something about this debate that

produces dementia.  It's a trip to the twilight zone.  Everytime it

surfaces the strangest allegations start to be made.

 

     graduate to being part of the evil Sampas gang,  with its tentacles

     reaching from Lowell to Seattle.  Funny, isn't it.

     <end el snips>

 

 

     Y'all have much more invested in this than me, that's for sure.  It

     brings to mind some of the great events in history:

 

     "Mr. Reagan"

     "Yes, Senator McCarthy"

     "Are you a communist?"

 

     or

 

     "Why can't we all just get along"

 

     or, best put

 

     Ginsberg (as Alvah Goldbook in DB) "I know my redeemer liveth"

     Kerouac (as Ray Smith) "What redeemer and what liveth?"

     (there, managed to work a Beat quote in that covers two recent hot

     topics on the list)

 

     love and lilies,

 

     matt

=========================================================================

Date:         Wed, 2 Jul 1997 10:49:33 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      Diane

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Diane De Rooy:

 

Thank you for your posts back channel.  I have spoken through email with

Jo Grant and others who have quelled my unfounded suspions.  I hope that

you will continue your research.  I have reason to believe that what

Mayo told you is not necessarily true.  But for now, it does not matter.

Hopefully the tapes can be protected and made available within the

parameters of the law.

 

I apologize if my query offended you.  I did not intend to do that.  I

had hoped the thread you raised had died and intend to let it die

myself.

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 2 Jul 1997 10:53:19 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: who am i?

In-Reply-To:  <970702004805_-858194005@emout12.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Diane De Rooy: welcome! you are a breath of fresh air here, and i am

delighted to see that you wrote :

 

Please don't duke it out on the list, though. Please feel free to address me

directly at either of my email addresses (membabe@aol.com or ddrooy@aol.com)

or by phone here in Seattle. I'm more than happy to respond, up to the point

where it would become a violation of my privacy.

 

as flame wars have erupted and engulfed the list, this last ration of

ridiculousness re: your real/unreal presence only a small example.

like your style

mc

=========================================================================

Date:         Wed, 2 Jul 1997 10:53:22 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      summer reading update

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i vote for Cody. at the same time, on my HST jag, i've drugged and drunk

meself through fear and loathing in los vegas (i too failed to find the

american dream)

am now halfway through hog  heaven (hells angels) and soon to be rolling in

the letters.

so if it's visions of cody/first third

i'll keep up with discussion as it unfolds.

gotta go, they're at my door with timing chains and gallons of motor oil ..

mc

=========================================================================

Date:         Wed, 2 Jul 1997 07:57:15 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: Chat Site

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri...once you type in your name..or pseudo..and hit enter, you will

go into the main menu where you can see the list of rooms and who is in

them.  Underneath will be a bar...click,hold,and scroll to the room you

want. click on it, and you're there!  See you!

 

Sherri wrote:

> 

> cool barb... how does one access Babblemania?  Sherri

> 

> ----------

> From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> Sent:   Tuesday, July 01, 1997 4:24 PM

> To:     BEAT-L@CUNYVM.CUNY.EDU

> Subject:        Chat Site

> 

> Hi there,

>         I spoke with the creator of Optichat, and he said he'd be glad to

> create a room for those with Beat interests.  (awfully nice of him)

> Anyhow, he maintains two sites: one which I prefer is an automatic

> scroll...there are no private commands...it's public chat, but there are

> no monitors..only a filter...can't say fuck etc ...but I have been

> fairly lucky in being able to express my ideas without needing that

> particular word...and it's so much fun being colorful in a new and

> twisted way, anyhow.  The chat is fast there, too...almost like irc.

> The other option is the beta room...where html commands work (so you can

> talk privately)

>         Well, I'm just acting on a suggestion I saw earlier...I think a good

> one.  I'd like to see how you think/react/chat in "real" time.

> Dan also said if someone who knows html wanted to design the entry page

> (if beta were chosen) that would be just groovy.

> Maybe those interested could go check it out tomorrow and we can see

> what folks think.

>         The address is http://www.optichat.com/

> 

> I will be in the first optichat (scroll down, choose the chat on the

> left hand side of the page....I'll be there 7pm West Coast time...that

> would be 10 East Coast time (those of you in the middle....you'll have

> to do your own math!).  For now...lets meet in Babblemania (seems sort

> of Kerouac-like anyhow)...Hope to meet some of you for some input.

> Thanks,

> Barb

=========================================================================

Date:         Tue, 1 Jul 1997 23:03:23 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: summer reading project

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James,

 

My unofficial calculations show Vision of Cody in the lead.  Should we

just go for it at this point?  What do you want to read?

 

DC

=========================================================================

Date:         Wed, 2 Jul 1997 08:21:10 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: God <<still digging>>

In-Reply-To:  <970702010429_-991644834@emout03.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:04 PM -0700 7/1/97, Maya Gorton wrote:

 

 

> In a message dated 97-07-01 11:22:13 EDT, you write:

> 

> <<  Can you even start to imagine what grasping the wholeness of human

> knowledge

>  and the universe in one instant would be like? >>

> 

> ummm.......actually?.......yes!

 

 

Maya, I've decided you're ugly lookin..... <<laugh>>  with my eyeballs

direcly at you <<smirk>>  ;-)

 

> ---maya

 

Douglas  <<still laughin, I might be dyin....>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Wed, 2 Jul 1997 08:21:36 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: automatic writing

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:01 PM -0700 7/1/97, Maya Gorton wrote:

 

>      automatic writing is an excellent exercise, esp. if you have writer's

> block.  First thing in the morning is best too, because you're still under

> the influence of dreams.

 

dreamed I was in chicago, trying to track down some friends.  they'd all

moved, I had the wrong apartments, or the city itself had changed.  there

were hills where I remembered none.  there were fields of weeds where there

should be none.  Who am I?  cops were chasing young kids down into dirt

lots.  They're that way, I said.

 

maybe automatic writing is a way to find your friends, the one's you've

lost for whatever reason, the what not.  and finding them, holding them,

fucking holding them, tight and tight and tight still I could squeeze the

life essence out of em.  that is my dream.  yes.  <<it is>>  Diana,

Claudine, Sean... where are you?

 

> 

> ---------------just a thought-----------maya

 

Douglas  <<on a thread of his own>>

 

PS:  Maya, what were those <<bells>> that you heard???

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Wed, 2 Jul 1997 18:02:12 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      btw

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dear friends, im' reading "La leggenda di Duluoz" [THE LEGEND OF DULUOZ]

by Jack Keroauc, edit by Ann Charters, JK works are a long bestseller here

in italy!--- yrs Rinaldo.

=========================================================================

Date:         Wed, 2 Jul 1997 18:05:28 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      pier paolo pasolini.

In-Reply-To:  <l03020901afdecd9a5505@[198.5.212.50]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Douglas wrote:

[s/thing snipped for brevity]

>don't know Ezra Pound at all

>"Salo" by piero pasolini has my love

>a fetching carrot, // Douglas

 

dear Douglas,

pier paolo has his brother killed by

fascists during the italian civil

war in 1945, this was,

a thread in his works (poetries&films),

his first film "Accattone" was a milestone

'cuz introduce the vernacular language &

actors street urchin (neorealismo).

pier paolo pasolini was killed in a cruel

way in 1975,

---

yrs

Rinaldo.

*

"E cosi' ce ne andremo perdendo a una a una

Anche le parole piu' care, ed arrivando

Fino a Dio con carte bianche, ma forse

con visi piu' sereni: mon lecteur, mon frere"

poetry by venetian poet Giacomo Noventa

*

=========================================================================

Date:         Wed, 2 Jul 1997 12:18:19 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Re[2]: suspicious, but perhaps unfounded.

Comments: To: MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

In-Reply-To:  <3BA68810.@otc.usoc.cchub.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 2 Jul 1997, MATT HANNAN wrote:

 

> <snips>

> How do we know that anyone is anyone if we haven't met them and even

> then if they are who they say they are.

 

<snip>

 

dementia is right

 

the secret is nobody is anything, the secret is that objectivity is never

there (except maybe in ayn rand's mind) and gregory corso "you never step in

the same river _once_."

 

or the voice that's either in or out of james cole's mind:

 

"no way to con_firm_ anything."

 

 

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Wed, 2 Jul 1997 16:51:10 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Re[2]: suspicious, but perhaps unfounded.

 

good one matt <grins>

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of MATT HANNAN

Sent:   Wednesday, July 02, 1997 5:30 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re[2]: suspicious, but perhaps unfounded.

 

<snips>

How do we know that anyone is anyone if we haven't met them and even

then if they are who they say they are.

 

The whole list may just be one big multiple personality illusion.

 

I cannot help but think that there is something about this debate that

produces dementia.  It's a trip to the twilight zone.  Everytime it

surfaces the strangest allegations start to be made.

 

     graduate to being part of the evil Sampas gang,  with its tentacles

     reaching from Lowell to Seattle.  Funny, isn't it.

     <end el snips>

 

 

     Y'all have much more invested in this than me, that's for sure.  It

     brings to mind some of the great events in history:

 

     "Mr. Reagan"

     "Yes, Senator McCarthy"

     "Are you a communist?"

 

     or

 

     "Why can't we all just get along"

 

     or, best put

 

     Ginsberg (as Alvah Goldbook in DB) "I know my redeemer liveth"

     Kerouac (as Ray Smith) "What redeemer and what liveth?"

     (there, managed to work a Beat quote in that covers two recent hot

     topics on the list)

 

     love and lilies,

 

     matt

=========================================================================

Date:         Wed, 2 Jul 1997 10:16:20 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Re[2]: suspicious tentacles

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Matt writ:

 

><<     or, best put

> 

>     Ginsberg (as Alvah Goldbook in DB) "I know my redeemer liveth"

>     Kerouac (as Ray Smith) "What redeemer and what liveth?"

>     (there, managed to work a Beat quote in that covers two recent hot

>     topics on the list)

>> 

 

Yes, but don't ask me to be the straight man.  Or the thin man.  He

cometh!

 

This list has a good mix of creative, academic, and pure Beat.  IMHO, we

should try to keep it like that.  AND FEED OFF EACH OTHER <ahem>.

Definitely appreciated the tie-in there, Matt.  Am on my way to the

bookstore tonite  <<VOC, Port o' Kerouac, ??>>.

> 

>>     love and lilies,

>> 

>>    matt

 

Douglas  <<tempting fate via backchannel, if necessary>>

=========================================================================

Date:         Wed, 2 Jul 1997 12:14:08 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: summer reading project

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Diane Carter wrote:

> 

> James,

> 

> My unofficial calculations show Vision of Cody in the lead.  Should we

> just go for it at this point?  What do you want to read?

> 

> DC

 

I unofficially checked out Cody today from the public library and will

probably at least get one paragraph done before the afternoon siesta

takes control of my being.

 

After the first paragraph depends on whether i go to Denver tomorrow

which is up to supernatural forces i'm not familiar with.  Certainly

will carry Cody along -- just not much certainty how many pages will be

digested.

 

If i go the Denver route i look forward to a return to a thread about

this Cody character and visions and whatnot.  If i don't make the Denver

expedition i imagine that i'll be participating in the thread by

afternoon tomorrow at this time.

 

if another book takes the lead -- please let me know so that i can stop

reading this one and go on a hunting expedition for that one.  if i go

to Denver i hope to increase my Beat library at used bookstores if they

exist.

 

shalom,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 2 Jul 1997 10:42:04 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: summer reading project

Comments: To: RACE --- <race@MIDUSA.NET>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:14 PM 7/2/97 -0500, you wrote:

>Diane Carter wrote:

>> 

>> James,

>> 

>> My unofficial calculations show Vision of Cody in the lead.  Should we

>> just go for it at this point?  What do you want to read?

>> 

>> DC

> 

>I unofficially checked out Cody today from the public library ...

 

What does "unoficially checked out" mean?

 

Does this mean you stole it?

 

If so, don't do that.  That messes things up for everyone.

 

If you want to steal this book steal it from a bookstore.

 

Or if you don't want to buy it, officially check it out from the library.

 

If the above doesn't mean you stole it then ignore this message.

 

=========================================================================

Date:         Wed, 2 Jul 1997 12:44:23 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: summer reading project

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Timothy K. Gallaher wrote:

> 

> At 12:14 PM 7/2/97 -0500, you wrote:

> >Diane Carter wrote:

> >>

> >> James,

> >>

> >> My unofficial calculations show Vision of Cody in the lead.  Should we

> >> just go for it at this point?  What do you want to read?

> >>

> >> DC

> >

> >I unofficially checked out Cody today from the public library ...

> 

> What does "unoficially checked out" mean?

> 

> Does this mean you stole it?

> 

> If so, don't do that.  That messes things up for everyone.

> 

> If you want to steal this book steal it from a bookstore.

> 

> Or if you don't want to buy it, officially check it out from the library.

> 

> If the above doesn't mean you stole it then ignore this message.

 

i did not "liberate" Cody.  the unofficially was a connection to the

previous post.  i did check it out according to normal library

procedures and have my month of month and a half to treat it with my

loving care.

 

i've not "liberated" books in a long time.  though it is something i

might have done back in the crazier days of my FireWalk years.  back

then it was not a wise idea to suggest i read something someday and

point to it in your personal collection.  but i'm reformed, i'm

reformed, i'm reformed!!!!  patricia can attest to my replacement of

burroughs' retreat diaries in the box in her basement where it was

stored before i read it.

 

hope all is well in the land of the where-ever and when-ever y'all are

today.  i'm about to lay down with ole Cody and get a paragraph at least

in my brain before drifting into siesta-ville.

 

thanks for the sermon tim.  us reformed "liberators" can use a good

reminder now and then.

 

take care all,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 2 Jul 1997 11:41:30 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      freshman clearing house

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<<Ok, one thought and I'm oughta here>>

 

>     Kerouac (as Ray Smith) "What redeemer and what liveth?"

 

In "Kerouac" <hm> trying to get the spelling right, I noticed that the

only vowel missing from his name is "I".  Kerouac is missing an eye.

missing his i.  I think I feel we have his i and it should beat that

way.  chi-i-kerouac

 

>lickity spat, Douglas

=========================================================================

Date:         Wed, 2 Jul 1997 12:04:51 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: summer reading project

Comments: To: RACE --- <race@MIDUSA.NET>

Mime-Version: 1.0

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At 12:44 PM 7/2/97 -0500, you wrote:

>Timothy K. Gallaher wrote:

>> 

>> At 12:14 PM 7/2/97 -0500, you wrote:

>> >Diane Carter wrote:

>> >>

>> >> James,

>> >>

>> >> My unofficial calculations show Vision of Cody in the lead.  Should we

>> >> just go for it at this point?  What do you want to read?

>> >>

>> >> DC

>> >

>> >I unofficially checked out Cody today from the public library ...

>> 

>> What does "unoficially checked out" mean?

>> 

>> Does this mean you stole it?

>> 

>> If so, don't do that.  That messes things up for everyone.

>> 

>> If you want to steal this book steal it from a bookstore.

>> 

>> Or if you don't want to buy it, officially check it out from the library.

>> 

>> If the above doesn't mean you stole it then ignore this message.

> 

>i did not "liberate" Cody.  the unofficially was a connection to the

>previous post.  i did check it out according to normal library

>procedures and have my month of month and a half to treat it with my

>loving care.

> 

>i've not "liberated" books in a long time.  though it is something i

>might have done back in the crazier days of my FireWalk years.  back

>then it was not a wise idea to suggest i read something someday and

>point to it in your personal collection.  but i'm reformed, i'm

>reformed, i'm reformed!!!!  patricia can attest to my replacement of

>burroughs' retreat diaries in the box in her basement where it was

>stored before i read it.

> 

>hope all is well in the land of the where-ever and when-ever y'all are

>today.  i'm about to lay down with ole Cody and get a paragraph at least

>in my brain before drifting into siesta-ville.

> 

>thanks for the sermon tim.  us reformed "liberators" can use a good

>reminder now and then.

 

 

I became so sick of looking up articles on kerouac or the beats or related

topics in old magazines in libraries, going to the stacks, finding the old

issue and opening up the bound volume and finding out that the article had

been ropped out.

 

Also, the same sort of thing with these books being stolen from libraries.

 

I didn't read the other posts you referred to so I didn't know what

"unofficial" meant.

 

I must admit In my day I also stole books from stores.  And I never stole

any from a library but sometimes I didn't turn them back in.

 

So for you youngsters out there wonking is bad juju.  But today books are so

expensive.  They are all now in the large paperback format.

 

Find a good used book store and haunt it.

 

 

> 

>take care all,

> 

>david rhaesa

>salina, Kansas

> 

> 

=========================================================================

Date:         Wed, 2 Jul 1997 13:15:49 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: summer reading project

Comments: To: RACE --- <race@MIDUSA.NET>

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>After the first paragraph depends on whether i go to Denver tomorrow

 

Madam Butterfly is playing at the Central City Opera....you could

relive OTC (sure they didn't see Madam...however)

 

 

if i go to Denver i hope to increase my Beat library at used bookstores

if they exist.

 

 

     Tattered Cover in Denver of course....or The Beat Bookshop in Boulder

     (everything from First/Second Edition Town and City's to 99th run

     Subterraneans.  (and they have the coolest t-shirts....ooops, 2nd

     coolest next to the BEAT-L shirt....)

 

     love and lilies,

 

     matt

=========================================================================

Date:         Wed, 2 Jul 1997 12:43:14 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: Chat Site

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Sherri, I'm not sure I understand your question...it's the

internet...type in underlocation http://www.optichat.com/

It should take you there... (Are you behind a firewall or something?)

Barb

 

 

Sherri wrote:

> 

> Barb,  Thanks for the info.  I'm on msn... what website do i need to go to in

> the first place?  Ciao, Sherri

> 

> ----------

> From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> Sent:   Wednesday, July 02, 1997 12:57 AM

> To:     BEAT-L@CUNYVM.CUNY.EDU

> Subject:        Re: Chat Site

> 

> Sherri...once you type in your name..or pseudo..and hit enter, you will

> go into the main menu where you can see the list of rooms and who is in

> them.  Underneath will be a bar...click,hold,and scroll to the room you

> want. click on it, and you're there!  See you!

> 

> Sherri wrote:

> >

> > cool barb... how does one access Babblemania?  Sherri

> >

> > ----------

> > From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> > Sent:   Tuesday, July 01, 1997 4:24 PM

> > To:     BEAT-L@CUNYVM.CUNY.EDU

> > Subject:        Chat Site

> >

> > Hi there,

> >         I spoke with the creator of Optichat, and he said he'd be glad to

> > create a room for those with Beat interests.  (awfully nice of him)

> > Anyhow, he maintains two sites: one which I prefer is an automatic

> > scroll...there are no private commands...it's public chat, but there are

> > no monitors..only a filter...can't say fuck etc ...but I have been

> > fairly lucky in being able to express my ideas without needing that

> > particular word...and it's so much fun being colorful in a new and

> > twisted way, anyhow.  The chat is fast there, too...almost like irc.

> > The other option is the beta room...where html commands work (so you can

> > talk privately)

> >         Well, I'm just acting on a suggestion I saw earlier...I think a good

> > one.  I'd like to see how you think/react/chat in "real" time.

> > Dan also said if someone who knows html wanted to design the entry page

> > (if beta were chosen) that would be just groovy.

> > Maybe those interested could go check it out tomorrow and we can see

> > what folks think.

> >         The address is http://www.optichat.com/

> >

> > I will be in the first optichat (scroll down, choose the chat on the

> > left hand side of the page....I'll be there 7pm West Coast time...that

> > would be 10 East Coast time (those of you in the middle....you'll have

> > to do your own math!).  For now...lets meet in Babblemania (seems sort

> > of Kerouac-like anyhow)...Hope to meet some of you for some input.

> > Thanks,

> > Barb

=========================================================================

Date:         Wed, 2 Jul 1997 15:04:12 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Beauty and stuff

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Douglas wrote:

 

> and is this why Andre Breton says "beauty must be repulsive"?? To reach

>'all-beauty' would one soon be repulsed by everything??

 

Andre Breton is a man unto himself. I have never really completely dug

him (although his Surrealist Manifesto is interesting - read abridged

version off internet). His discipline and commitment can be seen as

having been political = Communist, which may have interfered with art:

playing the role of dictator to the Surrealist movement . . . so . . . I

am hesitant to fully give value to "beauty must be repulsive" . . .

shouldn't it be: 'beauty is overwhelming' ?

 

> Still wish you would explain that Yahweh/Moses ---> back/shoulders paradox.

 

'back/shoulders' of God is a personification. We have gone through how

personification of the celestial seems illusory = paradoxical, but then

again not really, it is just an easier symbol-system to comprehend the

powers that be through very human features - nothing wrong in that.

 

> and where to go from there?  back down the mountain??

 

we talk mountain

   we look up-

 the valley is deep

 

> please don't let me ask about the "burning bush" in this context, please don't

 let me ask, please... <<laughing>>

 

yeah . . . the only thing i can say is that the Hebrew Scriptures are

wonderful for fooling around poetically: biblical rhythm, themes,

characters . . .

I am trying to read through it . . . presently on "Numbers"; Genesis &

Exodus were good; Leviticus is mostly describing the intricacies of the

Law; Song of Songs attributed to King Solomon is nice - it uses

"Beloved", "Lover", & "Poet" speakers - i plan to fool around with this

concept ("Beloved" are the people of Israel, "Lover" is God, "Poet" is

author = myself)

 

 

JN

=========================================================================

Date:         Wed, 2 Jul 1997 16:16:40 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: How to love a woman long distance...

 

In a message dated 97-06-25 01:49:03 EDT, dkpenn@OEES.COM (Penn, Douglas, K)

writes:

 

<< "How to best love a woman who lives 125 miles away?"

 

 Please respond in a BEAT manner.  cheers, Douglas

  >>

 

I would say if you want to have a long distance relationship, you should try

to stretch it out for as long as you can.

=========================================================================

Date:         Wed, 2 Jul 1997 16:16:40 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Eastward Journey, part II

 

Well,

Still on the road. Left LA, after not really doing much there at all other

then drive. Was going to stop by the Viper Room in Beverly Hills, and ask

Johnny Depp if I could borrow his $50,000 raincoat.

 

Drove to Las Vegas on Wednesday, stayed at the Luxor Hotel, which is the

pyramid type building. Ask for the package deal, and they give you a free

lunch buffet voucher. But I will tell you this, the buffet on a scale 1 - 10

was about a 4. Not very good. Normally would cost $5.99.

 

Walked and drove around to many of the hotels/casinos. Won some money but

lost even more. Gambling was only a few dollars here and there (ok, I ended

up losing $37 which I am not too happy about). I can't say that I was feeling

very lucky but I thought I would do better.

 

Vegas is now half kids, half glitz, and half plaid shorts. I think the

building architecture and neon lights make up for it though.

 

Got off on a late start the next day and stopped off at the Hoover Dam. I was

glad, I thought it was named for Edgar Hoover, Under Cover man in women's

undercovers. But it is named for President Herbert Hoover. That was a lot of

cement poured into that valley.

 

Don't know how far I was suppose to get that day, but I found myself in

Laughlin at 8 pm, and saw the sign that said rooms $17, so I had to stay. It

is located right on the Colorado River, border of Arizona.

 

Next day went to Oatman Arizona (24 miles or so from Bullhead City). This was

my first jouney on to the mother road, Route 66. On the outskirts of town,

the tumbleweed bushes are decorated with x-mas stuff (tinsel and bulbs and

other x-mas stuff). Oatman  was a thriving mining community of 10,000 people

at one point, then a ghost town of 50 people, and now a tourist town of a few

100. And some wild burros that roam the street (I would say streets, but

there is only one street-- old Route 66). From there it was a twisty road to

Route 40. I don't think that even Neal could have cruised these roads at

faster then 30 miles an hour.  From there drove non-stop to Amarillo (yellow

in spanish), it was some 900 + miles.

 

About 63 miles from a town called Tumucari (was that in Texas or New Mexico,

who the hell knows) a giant something smashes into my windshield. It was the

biggest bug I have ever hit. Left a patch of goo and blob 4 inches by 5

inches.

 

Saw of course Caddillac Ranch, which is on the west side of Amarillo. It is

10 caddillacs buried next to what was Route 66, now Route 40, pointing west.

If you are traveling west, it will be on your left side (I think mile marker

86).

 

Also hiked in Palo Duro Canyon, which they say is the 2nd largest canyon in

the US. It is pretty wild because you can drive down to the bottom of the

canyon. It is about 24 miles outside of Amarillo.

 

Right now, living it up in a Motel 6.

 

Tom Bodell and I say, enjoy,

Attila

=========================================================================

Date:         Wed, 2 Jul 1997 16:52:31 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: suspicious, but perhaps unfounded.

 

Reply to message from lisar@NET-LINK.NET of Tue, 01 Jul

 

> 

>And considering that I haven't spoken to 3/4 of the people on the list here

>personally, met them, had coffee with them nor shared in their lives, which

>includes you sherri, maybe you do not exist either.

> 

 

 

According to Roland Barthes, none of us exist, since in order to truly

interpret literature the author must be "dead", and so as each of us reads

the others' messages the original author no longer exists; he/she/it must

give way--the reader has taken over.  The only good I ever found in that

essay was that BArthes didn't exist, either, then.

 

Diane.

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Wed, 2 Jul 1997 14:18:21 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

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JN wrote:

 

<<shouldn't it be: 'beauty is overwhelming' ?>>

 

but then the object of beauty wouldn't be "attractive" (as opposed to

repulsive).

 

Have been thinking about this a bit, since its inception here on the

list.  Are all women beautiful?  This question has dogged me for years.

<<I need more training, methodological and *physical*, ug!>>  Thinking

of the virgin/whore paradigm.  Mary who birthed him, while the other

brings him water and bathes him.

 

Look forward to hearing more about Jan Kerouac.

 

<<perhaps this should all be backchannel??>>

 

Have always been searching for beauty.  The perfect woman.  the perfect

mate.  even seriously considered men for a while.  An impossible task.

how fleeting, my past pursuits.  how eyes deceive us.  Have been talking

backchannel about art, process and results with a fellow beetle.  How

when the process is all through, all one really has is results :: when

beauty has been completed, one is left with a substance.  a solid

ground. hopefully a common ground.  Who knows?  <<still searching>>

 

yes, *I know*, perfection can not be achieved.............

 

<< 

>we talk mountain

>   we look up-

> the valley is deep

>> 

 

If you have the opportunity, listen to the Butthole Surfer's latest

musical hit, "pepper."  I only know bits of the lyrics: [[  ~~~ some

have died in hot pursuit, sifting thru my ashes, coming down the

mountain ~~~~ images I've seen, some can hit you through your eyes,

others in between. ]]   All atop a snake coiling backbeat, a guitar

melodic in its abstractions, high above the words.  and the video is

great!!  <<On my way to lunch, this song seemed very appropo.>>

> 

><<yeah . . . the only thing i can say is that the Hebrew Scriptures are

>wonderful for fooling around poetically: biblical rhythm, themes,

characters . . .>>

 

my grandfather worked in a garage his whole life.  learned to play piano

late in life.  took walks after dinner.  watched johnny carson, benny

hill.  Then sat down in his favorite chair and read the bible.  finally,

he went to sleep  <<prostate cancer>>.  Don't know what part he got up

to, but I imagine him there reading.  In my dreams he talks to me, and

all he usually says is "Douglas."  <<I'm waiting...>>

 

>gotta keep reading.  Let me know how it ends, Yes?  Cheers.

 

> JN

=========================================================================

Date:         Wed, 2 Jul 1997 16:24:39 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Penn, Douglas, K wrote:

> 

> JN wrote:

> 

> <<shouldn't it be: 'beauty is overwhelming' ?>>

> 

> but then the object of beauty wouldn't be "attractive" (as opposed to

> repulsive).

> 

> Have been thinking about this a bit, since its inception here on the

> list.  Are all women beautiful?  This question has dogged me for years.

> <<I need more training, methodological and *physical*, ug!>>  Thinking

> of the virgin/whore paradigm.  Mary who birthed him, while the other

> brings him water and bathes him.

> 

> Look forward to hearing more about Jan Kerouac.

> 

> <<perhaps this should all be backchannel??>>

> 

> Have always been searching for beauty.  The perfect woman.  the perfect

> mate.  even seriously considered men for a while.  An impossible task.

> how fleeting, my past pursuits.  how eyes deceive us.  Have been talking

> backchannel about art, process and results with a fellow beetle.  How

> when the process is all through, all one really has is results :: when

> beauty has been completed, one is left with a substance.  a solid

> ground. hopefully a common ground.  Who knows?  <<still searching>>

> 

> yes, *I know*, perfection can not be achieved.............

> 

> <<

> >we talk mountain

> >   we look up-

> > the valley is deep

> >>

> 

> If you have the opportunity, listen to the Butthole Surfer's latest

> musical hit, "pepper."  I only know bits of the lyrics: [[  ~~~ some

> have died in hot pursuit, sifting thru my ashes, coming down the

> mountain ~~~~ images I've seen, some can hit you through your eyes,

> others in between. ]]   All atop a snake coiling backbeat, a guitar

> melodic in its abstractions, high above the words.  and the video is

> great!!  <<On my way to lunch, this song seemed very appropo.>>

> >

> ><<yeah . . . the only thing i can say is that the Hebrew Scriptures are

> >wonderful for fooling around poetically: biblical rhythm, themes,

> characters . . .>>

> 

> my grandfather worked in a garage his whole life.  learned to play piano

> late in life.  took walks after dinner.  watched johnny carson, benny

> hill.  Then sat down in his favorite chair and read the bible.  finally,

> he went to sleep  <<prostate cancer>>.  Don't know what part he got up

> to, but I imagine him there reading.  In my dreams he talks to me, and

> all he usually says is "Douglas."  <<I'm waiting...>>

> 

> >gotta keep reading.  Let me know how it ends, Yes?  Cheers.

> 

> > JN

 

the teenagers are run out of BabbleMania if anyone interested in

chatting about this junk

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 2 Jul 1997 14:52:24 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: Chat Site

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

David.... the place is relatively new...and isn't used that much.  I

thought we could fill a vacuum! (which nature, of course, abhors)  It

would be an easy site to occupy, esp. if Dan sets up a Beat chat room.

I'm glad you stopped by...

barb

will be on tonight

 

RACE --- wrote:

> 

> Mike & Barbara Wirtz wrote:

> >

> > Sherri...once you type in your name..or pseudo..and hit enter, you will

> > go into the main menu where you can see the list of rooms and who is in

> > them.  Underneath will be a bar...click,hold,and scroll to the room you

> > want. click on it, and you're there!  See you!

> >

> > Sherri wrote:

> > >

> > > cool barb... how does one access Babblemania?  Sherri

> > >

> > > ----------

> > > From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> > > Sent:   Tuesday, July 01, 1997 4:24 PM

> > > To:     BEAT-L@CUNYVM.CUNY.EDU

> > > Subject:        Chat Site

> > >

> > > Hi there,

> > >         I spoke with the creator of Optichat, and he said he'd be glad to

> > > create a room for those with Beat interests.  (awfully nice of him)

> > > Anyhow, he maintains two sites: one which I prefer is an automatic

> > > scroll...there are no private commands...it's public chat, but there are

> > > no monitors..only a filter...can't say fuck etc ...but I have been

> > > fairly lucky in being able to express my ideas without needing that

> > > particular word...and it's so much fun being colorful in a new and

> > > twisted way, anyhow.  The chat is fast there, too...almost like irc.

> > > The other option is the beta room...where html commands work (so you can

> > > talk privately)

> > >         Well, I'm just acting on a suggestion I saw earlier...I think a

 good

> > > one.  I'd like to see how you think/react/chat in "real" time.

> > > Dan also said if someone who knows html wanted to design the entry page

> > > (if beta were chosen) that would be just groovy.

> > > Maybe those interested could go check it out tomorrow and we can see

> > > what folks think.

> > >         The address is http://www.optichat.com/

> > >

> > > I will be in the first optichat (scroll down, choose the chat on the

> > > left hand side of the page....I'll be there 7pm West Coast time...that

> > > would be 10 East Coast time (those of you in the middle....you'll have

> > > to do your own math!).  For now...lets meet in Babblemania (seems sort

> > > of Kerouac-like anyhow)...Hope to meet some of you for some input.

> > > Thanks,

> > > Barb

> 

> i went over to see what it was like at 4:00 central time.  certainly a

> lot of teenagers to run off.

> 

> teenagers that type slower than my Dead Grandmother i might add :)

> 

> david rhaesa

> salina, Kansas

> 

> p.s. i might be free at 9 to jump in the room I think i know how to get

> to Babblemania now.  thanks and all that.

=========================================================================

Date:         Wed, 2 Jul 1997 23:42:43 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      BOMB by Gregory Corso (was re:gregory corso?)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                                BOMB            by Gregory Corso

 

                Budger of history  Brake of time  You  Bomb

  Toy of universe  Grandest of all snatched-sky  I cannot hate you

    Do I hate the mischievous thunderlbolt  the jawbone of an ass

  The bumpy club of On Million B.C.  the mace  the flail  the axe

 Catapulte Da Vinci  tomahawke Cochise  flintlock Kidd dagger Rathbone

  Ah and the sad desperate gun of Verlaine  Pushkin  Dillinger  Bogart

 And hath not St. Michael a burning sword  St. George a lance David a sling

 Bomb  you are as cruel as man makes you  and you're no crueller than cancer

   All man hates you  the'd rather die by car-crash  lightining  drowing

  Falling off a roof  electric-chair  heart-attack  old age  old age O Bomb

        They'd rather die by anything but you  Death's finger is free-lance

 Not up to man wheter you boom or not  Death has long since distribuited its

 categorical blue  I sing thee Bomb  Death's extravagance  Death's jubilee

 Gem of Death's supremest blue  The flyer will crash  his death will differ

  with the climber who'll fall  To die by cobra is not to die by bad pork

Some die by swamp some by sea and some by the bushy-haired man in the night

   O there are deaths like witches of Arc  Scary deaths like Boris Karloff

   No-feeling deaths like birth-death  sadless deaths like old pain Bowery

 Abandoned deaths  like Capital Punishment stately deaths like senators

 And unthinkable deaths like Harpo Marx  girls on  vogue covers  my own

        I do not know just how orrible Bombdeath is  I can only image

        Yet no other death I know has so laughable a preview  I scope

        a city  New York City  streaming  starkeyed  subway  shelter

         Scores and scores  A fumble of humanity  High beels bend

                Hats whelming away  Youth forgetting their combs

            Ladies not knowing what to do with their shopping bags

                Unperturbed gum machines  Yet dangerous 3rd rail

            Ritz Brothers  from the Bronx  caught in the A train

                The smiling Schenley poster will always smile

                  Implish Death  Satyr Bomb  Bombdeath

                                Turtles exploding over Istambul

                                The jaguar's flying foot

                             soon to sink in arctic snow

                        Penguins plunged against the Sphinx

                        The top of the Empire State Bulding

                     arrowed in a broccoli field in Sicily

                    Eiffel shaped like C in Magnolia Gardens

                           St. Sophia peeling over Sudan

                          O athletic Death  Sportive Bomb

                            The temple of ancient times

                                their grand ruine ceased

                           Electrons   Protons   Neutrons

                                gathering Hesperean hair

                          walking the dolorous golf of Arcady

                                joing marble helmsmen

                         entering the final amphitheatre

                        with a hymnody feeling of all Troys

                           heralding cypressean torches

                             racing plumes and banners

                  and yet knowing Homer with a step of grace

                        Lo the visiting team of Present

                                the home team of Past

                         Lyre and tuba together joined

                        Hark the hotdog soda olive grape

                        gala galaxy  robed and uniformed

                        commissary  O the happy stands

                         Ethereal root and cheer and boo

                        The billioned all-time attendance

                             The Zeusian pandemonium

                                Hermes racing Owens

                             the Spitball of Buddha

                                 Christ striking out

                                Luther stealing third

                        Planetarium Death  Hosannah Bomb

                        Gush the final rose  O Spring Bomb

                     Come with thy gown of dynamite green

                        unmenance Nature's inviolate eye

                           Before you the wimpled Past

              behind you the hallooing Future O Bomb

                        Bound in the grassy clarion air

                         like the fox of the tally-ho

                   thy field the universe thy hedge the geo

                 Leap Bomb   bound Bomb   frolic zig and zag

                 The stars a swarm of bees in the binging bag

                        Stick angels on your jubilee feet

                   wheels of rainlight on your bunky seat

                    You are due and behold you are due

                        and the heavens are with you

                    hosannah incalescent glorious liaision

                   BOMB O avoc antiphony molten cleft BOOM

                        Bomb mark infinity a sudden furnace

                   spread thy multidinous encompassed Sweep

                                set forth awful agenda

                Carrion stars  charnel planets  carcass elements

          Corpse the universe  tee-hee  finger-in-the mounth hop

                        over its long long dead Nor

                  From thy nimbled matted spastic eye

                  exhsaust delegues of celestial ghouls

                        From thy appellational womb

                     spew birth-gusts of great worms

                          Rip open your belly Bomb

          from your belly  outflock vulturic salutations

            Battle forth your spangled hyena finger stumps

                        along the brick of Paradis

                        O Bomb  O final Pied Paradise

                both sun and firefly behind your shock waltz

                        God abandoned mock-nude

                beneath His thin false-talc'd apocalypse

                        He cannot hear thy flute's

                        happy-the-day profanation

                He is spilled deaf into the Silencer's warty ear

                    His Kingdom an eternity of crude wax

                        Clogged clarions untrumpet Him

                        Selead angels unsing Him

                        A thunderless God  A dead God

                        O Bomb  thy BOOM His tomb

                  That i lean forward on a desk of science

               an astrologer dabbling in dragon prose

                half-smart about wars  bombs  especially bombs

            That I am unable to hate what is necessary to love

                That i can't exist in a world that consents

            a child in a park  a man dying in an electric-chair

                    That I am able to laugh at all things

        all that I know and do not know  thus to conceal my pain

                That I say I am a poet and therefore love all man

                   and my unwords no less an acquaintanceship

                                That I am manifold

                        a man pursuing the big lies of gold

                        or a poet roaming in bright ashes

                      or that which I image myself to be

                a shark-toothed sleep  a man-eater od dreams

                  I need not then be all-smart about bombs

                Happily do  for it I felt bombs were caterpillars

                        I'd doubt not they'd become butterflies

                                There is a hell for bombs

                        They're there   I see them there

                        They sit in bits and sing songs

                                mostly German songs

                     and two very long American songs

                   and they wish there were more songs

                   especcialy Russian and Chinese songs

                  and some more very long American songs

                        Poor little Bomb that'll never be

                          an Eskimo song  I love thee

                           I want to put a lollipop

                                in thy furcal mouth

                   A wig of Goldilocks on thy baldy bean

                and have you skip with me Hansel and Gretel

                        along the Hollywoodian screen

                    O Bomb in which all lovely things

                  moral or phisical anxiously partecipate

                        O fairlyflake plucked from the

                           grandest universe tree

                        O piece of heaven which gives

                      both mountain and anthill a sun

                I am standing before your fantastic lily door

                I bring you Midgardian roses  Arcadian musk

                 Reputed cosmetics from the girls of heaven

                   Welcome me  fear not thy opened door

                     nor thy cold ghost's grey memory

                   nor the pimps of indefinite weather

                        their cruel terrestrial thaw

                             Oppenheimer is seated

                           in the dark pocket of Light

                        Fermi is dry in Death's Mozambique

                                Einstein his mythmouth

                a barnacled wreath on the moon-squid's head

        Let me in  Bomb  rise from thet pregnant-rat corner

            nor fear the raised-broom nations of the world

                                O Bomb I love you

                I want to kiss your clanck   eat your boom

                     You are a pean  an acme of scream

                        a lyric hat of Mister Thunder

                        O resound thy tanky knees

                     BOOM  BOOM  BOOM  BOOM  BOOM

                        BOOM ye skies and BOOM ye suns

                BOOM  BOOM ye moons  ye clouds  ye rains

                    go BANG ye lakes  ye oceans BING

                        Barracuda BOOM and coguar BOOM

                          Ubangi BANG  orangoutang

                   BIG BANG BONG BOOM   bee bear baboon

                          ye BANG ye BONG ye BING

                                the tail the fin the wing

                Yes     Yes  into our midst a bomb will fall

                Flowers will leap in joy their roots aching

        Pinkbombs will blossom  Elkbombs will perk their ears

        Ah many a bomb that day will awe the bird a gentle look

                Yet  not anough to say a bomb will fall

                or even contend celestial fire goes out

              Know that the earth will madonna the Bomb

        that in the hearts of men to come more bombs will be born

                magisterial bombs wrapped in ermine  all beatiful

                and they'll sit plunk on earth's grumpy empires

                        fierce with moustaches of gold

 

 

 

---

yrs

Rinaldo.

www.gpnet.it/rasa/home.htm

 

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Tue, 1 Jul 1997 17:33:36 -0500

>Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

>Subject:      gregory corso?

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>Ksenija,

>The Corso line you were asking about is from line 15 of Corso's

>poem "Bomb"; in English it reads," To die by cobra is not to die

>by bad pork." "Bomb" was originally published as a broadside, and

>later was collected in _The Happy Birthday of Death_ as a foldout

>in that volume, surely one of the few books of poetry ever published

>with a centerfold.

>Cordially,

>Mike Skau

>7/1/97

> 

=========================================================================

Date:         Wed, 2 Jul 1997 18:18:44 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: BOMB by Gregory Corso (was re:gregory corso?)

In-Reply-To:  <3.0.1.32.19970702234243.006a3f24@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

one of my favorites by  corso.

isn't that the poem he recites in fried shoes, or cookies or something at

naropa?

btw

hi rinaldo.

mc

think i'll spend some time with elegaic feelings tonite

mc

btw

how the hell are ya, R?

mc

=========================================================================

Date:         Wed, 2 Jul 1997 15:29:38 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

David writ:

> 

><<the teenagers are run out of BabbleMania if anyone interested in

chatting about this junk>>

 

Douglas, pulling a quote from Joyce's Ulysses (p25), declines:

 

        ---How, sir?  Comyn asked.  A bridge is across a river.

        For Haines's chapbook.  No-one here to hear.  Tonight deftly amid wild

drink and talk, to pierce the polished mail of his mind.  What then?  A

jester at the court of his master, indulged and disesteemed, winning a

clement master's praise.  Why had they chosen all that part?  Not wholly

for the smooth caress.  For them too history was a tale like any other

too often heard, their land a pawnshop.

        Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar not

been knifed to death?  They are not to be thought away.  Time has

branded them and fettered  they are logded in the room of the infinite

possibilities  they have ousted.  But can those have been possible

seeing that they never were?  Or was that only possible which came to

pass?  Weave, weaver of the wind.

        ---Tell us a story, sir.

> 

=-=-=-=-=-

 

>> david rhaesa

>> salina, Kansas

 

<<sorry for the indulgence>> Douglas

=========================================================================

Date:         Wed, 2 Jul 1997 17:27:23 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Chat Site and Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mike & Barbara Wirtz wrote:

> 

> Sherri, I'm not sure I understand your question...it's the

> internet...type in underlocation http://www.optichat.com/

> It should take you there... (Are you behind a firewall or something?)

> Barb

> 

> Sherri wrote:

> >

> > Barb,  Thanks for the info.  I'm on msn... what website do i need to go to

 in

> > the first place?  Ciao, Sherri

> >

> > ----------

> > From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> > Sent:   Wednesday, July 02, 1997 12:57 AM

> > To:     BEAT-L@CUNYVM.CUNY.EDU

> > Subject:        Re: Chat Site

> >

> > Sherri...once you type in your name..or pseudo..and hit enter, you will

> > go into the main menu where you can see the list of rooms and who is in

> > them.  Underneath will be a bar...click,hold,and scroll to the room you

> > want. click on it, and you're there!  See you!

> >

> > Sherri wrote:

> > >

> > > cool barb... how does one access Babblemania?  Sherri

> > >

> > > ----------

> > > From:   BEAT-L: Beat Generation List on behalf of Mike & Barbara Wirtz

> > > Sent:   Tuesday, July 01, 1997 4:24 PM

> > > To:     BEAT-L@CUNYVM.CUNY.EDU

> > > Subject:        Chat Site

> > >

> > > Hi there,

> > >         I spoke with the creator of Optichat, and he said he'd be glad to

> > > create a room for those with Beat interests.  (awfully nice of him)

> > > Anyhow, he maintains two sites: one which I prefer is an automatic

> > > scroll...there are no private commands...it's public chat, but there are

> > > no monitors..only a filter...can't say fuck etc ...but I have been

> > > fairly lucky in being able to express my ideas without needing that

> > > particular word...and it's so much fun being colorful in a new and

> > > twisted way, anyhow.  The chat is fast there, too...almost like irc.

> > > The other option is the beta room...where html commands work (so you can

> > > talk privately)

> > >         Well, I'm just acting on a suggestion I saw earlier...I think a

 good

> > > one.  I'd like to see how you think/react/chat in "real" time.

> > > Dan also said if someone who knows html wanted to design the entry page

> > > (if beta were chosen) that would be just groovy.

> > > Maybe those interested could go check it out tomorrow and we can see

> > > what folks think.

> > >         The address is http://www.optichat.com/

> > >

> > > I will be in the first optichat (scroll down, choose the chat on the

> > > left hand side of the page....I'll be there 7pm West Coast time...that

> > > would be 10 East Coast time (those of you in the middle....you'll have

> > > to do your own math!).  For now...lets meet in Babblemania (seems sort

> > > of Kerouac-like anyhow)...Hope to meet some of you for some input.

> > > Thanks,

> > > Barb

 

well i chatted a bit -- it is OK.  my fingerspeed helps me in the sport

although my ignorance of the technology is a weakness.  i recommend it

to folks.  if several Beat-L'ers join it can easily overwhelm the

conversation to whatever subject we agree upon.  of course, agreement on

a subject will probably be about as easy as agreement on a summer

reading project :)

 

read the first paragraph of Cody.  it was olfactory.  a sense i have

little of.  but i kinda got the gist of it.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 2 Jul 1997 17:48:25 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Penn, Douglas, K wrote:

> 

> David writ:

> >

> ><<the teenagers are run out of BabbleMania if anyone interested in

> chatting about this junk>>

> 

> Douglas, pulling a quote from Joyce's Ulysses (p25), declines:

> 

>         ---How, sir?  Comyn asked.  A bridge is across a river unless it is

 across a train-track or a highway or a road.

>         For Haines's chapbook.  No-one here to hear.  Tonight deftly amid wild

> drink and talk, to pierce the polished mail of his mind -- he laughs to

 himself at the notion that anyone would find his mind polished.  He explores

 the mail metaphor through his various synapses for three hours and falls asleep

 in a snowstorm that the mental pony express could not deliver through.  What

 then?  The black nothingness of sleep follows.  A

> jester at the court of his master, indulged and disesteemed, winning a

> clement master's praise.  The jester picks up an electric guitar at Newport

 and is thrown out of the court for not being folky.  The jester smiles and

 flies far ahead of the crowd to a watchtower where he and Isaiah scope the

 scene of the centuries.  Why had they chosen all that part?  Isaiah questions

 whether it was much of a choice.  The other parts weren't worth crap anyway.

 Not wholly

> for the smooth caress.  The Jester laughs and imagines a rough caress or two

 as well.  For them too history was a tale like any other

> too often heard, their land a pawnshop.  And the trinkets of yesteryear were

 sold by a blind man with a silver tooth who never lost a bit to shoplifters and

 wasn't a bad pickpocket either.

>         Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar

 not

> been knifed to death?  Had they not, had they not, they would have died

 nonetheless.  They are not to be thought away.  Time has

> branded them and fettered  they are logded in the room of the infinite

> possibilities  they have ousted.  But a wormhole has taken them into the hive

 of a flat earth society gathering north of Parker Arizona near the Colorado

 River with a bridge over it like many bridges are.  But can those have been

 possible seeing that they never were?  Or was that only possible which came to

 pass?  Passing through the illusions of time and space over the river and

 through the woods we gather on the bridge and wonder whether we should perform

 a collective Jump.  Weave, weaver of the wind.

>         ---Tell us a story, sir.

> >

> =-=-=-=-=-

> 

> >> david rhaesa

> >> salina, Kansas

> 

> <<sorry for the indulgence>> Douglas

=========================================================================

Date:         Wed, 2 Jul 1997 16:12:00 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Beauty and stuff

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

David writ:

 

<< 

>>         ---How, sir?  Comyn asked.  A bridge is across a river unless it is

> across a train-track or a highway or a road.

>> 

 

Yes, I hear them now.  short like stacks of smoke.  a sound of always

moving.  Are you there still, David?  David?  shoe, chew, chew, chew

 

<I know I can> Douglas

> 

=========================================================================

Date:         Wed, 2 Jul 1997 22:45:29 EDT

Reply-To:     Marcus Williamson <71333.1665@COMPUSERVE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marcus Williamson <71333.1665@COMPUSERVE.COM>

Subject:      Kenneth Patchen tribute

 

A tribute to the life and work of poet and artist Kenneth Patchen (1911-1972) is

being held at the Naropa Institute, Boulder, Colorado, July 9 - July 12 1997.

For further information please see :

 

http://ourworld.compuserve.com/homepages/Patchen/

 

Thanks & regards

Marcus Williamson

London, UK

=========================================================================

Date:         Wed, 2 Jul 1997 23:01:06 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: automatic writing

 

     i dreamt last night of an animal, furry with sharp teeth like a bat but

not a bat, more like a rabbit.  someone was holding it down and another

person, perhaps a biology graduate student, was prying its mouth open with

his or her index fingers, causing the animal to grin grotesquely and i looked

at the teeth oh my god those teeth what teeth and then it was all black and i

woke up.  No, i know, the animal was a monkey.  A baby monkey i think a

baboon or a marmoset.  Something with a long snout.  Sharp teeth. bloody

gums.

 

this is the dream i dreamed last night.  been thinking about it all day, it

haunts me.  Not a nightmare really, cause i didn't wake up shit-scared, but

it haunts me somehow.

 

Do you know the feeling?

---maya

=========================================================================

Date:         Wed, 2 Jul 1997 11:04:59 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: suspicious, but perhaps unfounded.

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Diane M. Homza wrote:

> 

> According to Roland Barthes, none of us exist, since in order to truly

> interpret literature the author must be "dead", and so as each of us

> reads

> the others' messages the original author no longer exists; he/she/it

>must

> give way--the reader has taken over.  The only good I ever found in

>that

> essay was that BArthes didn't exist, either, then.

> 

> Diane.

> 

 

Sort of parallels the idea that the reader "finishes" the work, a concept

played out by Joyce and probably even Kerouac as he approached the idea

of taking words further.

DC

=========================================================================

Date:         Wed, 2 Jul 1997 23:24:24 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      happy poem about adolescence

 

i remember when we used to laugh

on the bench in the Garden

the whole thing sunny and buzzing.

 

Disgusting.

 

I remember crying as i watched your fingerprints darken on my bruising arm.

 The purple handprint developing like a polaroid through my blurred sight.

 Your hand's yellowing shadow stayed gripping my arm for a week.  Your

fingers, your hand!

 

I want to ask you now, what did it for you?

Was it that night in the cemetery watching tombstones float by?

Was it your bitch-for-a-mother? Your dad's coke problem?

Was it that nightmarish prom-night I dragged you to?

I mean, what crossed the line for you?

 

(Was it really worth it to you, you prick?)

 

'Cause you made a big black spot

                                                     on this the only life

i've got.

 

(The way I can't stop thinking about you, one might think i didn't hate you.)

=========================================================================

Date:         Wed, 2 Jul 1997 20:34:08 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Kenneth Patchen tribute

Comments: To: ">"@pacbell.net

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A Patchen tribute is a wonderful idea.  I don't know why I'm suprised

that Naropa is the one to think of this.

 

J Stauffer

 

Marcus Williamson wrote:

> 

> A tribute to the life and work of poet and artist Kenneth Patchen (1911-1972)

 is

> being held at the Naropa Institute, Boulder, Colorado, July 9 - July 12 1997.

> For further information please see :

> 

> http://ourworld.compuserve.com/homepages/Patchen/

> 

> Thanks & regards

> Marcus Williamson

> London, UK

=========================================================================

Date:         Wed, 2 Jul 1997 23:38:48 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: automatic writing

Comments: To: Becca91894@aol.com

 

In a message dated 97-07-02 23:16:46 EDT, you write:

 

<< 

 hey there--

 

 i'm new to the list and most of the time i don't know what'd going on.  i

read the posts about automatic writing or "spontaneous prose", but i'm not

familiar with these terms.  i'm intrigued--maybe you could take some time to

explain the concept to me?

 

 with advanced appreciation,

 

 becca

  >>

automatic writing is a term invented by the surrealists in the 1910's-20's or

thereabouts.  The surrealists were Andre Breton, Max Ernst, Bunuel, Dali,

etc,  mostly living in Paris.  Andre Breton is the one who actually invented

the term, i think.  He wrote the Surrealist Manifesto.

 

It means just writing whatever comes into your head.  Channelling the

unconscious thoughts.  the surrealists were very interested in the

unconscious and in dreams. (they were fascinated by Freud for example) So in

automatic writing you don't edit yourself.  Just write.  Doesn't have to make

"sense" to others.  It's "automatic" because you don't think about it, just

do it. (perhaps Nike's P.R. managers were into Breton?)

 

I think the beats were heavily influenced by the surrealists. In fact their

whole generation was.  While i'm making generalizations, i might as well say

that the whole 20th century is colored by the surrealists, as far as art is

concerned.

 

Does that answer you questions at all?

-------------maya

=========================================================================

Date:         Wed, 2 Jul 1997 21:53:08 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: automatic writing

In-Reply-To:  <970702233634_303434403@emout10.mail.aol.com>

Mime-Version: 1.0

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At 8:38 PM -0700 7/2/97, Maya Gorton wrote:

 

> automatic writing is a term invented by the surrealists in the 1910's-20's or

> thereabouts.  The surrealists were Andre Breton, Max Ernst, Bunuel, Dali,

> etc,  mostly living in Paris.  Andre Breton is the one who actually invented

> the term, i think.  He wrote the Surrealist Manifesto.

 

Don't forget Yves Tanguey, Lee Miller, Max Ernst, and Man Ray, to name a

few.  Personally, I like the "dadaists" who preceeded them.  The

Surrealists, in general, played a lot of games.  One game involved three or

four people and a folded sheet of paper.  One person would start with the

head, the next the body, the legs, feet, etc.  But nobody knew what the

others had done.  Amazing results.

 

and along the lines of writing, they would all take turns at a typewriter.

one would start the story, one would play middle, and perhaps another the

end.  just write and write and write.  a happy form of accidents, I suppose.

 

> I think the beats were heavily influenced by the surrealists. In fact their

> whole generation was.  While i'm making generalizations, i might as well say

> that the whole 20th century is colored by the surrealists, as far as art is

> concerned.

 

I'd be curious to tie this in with what Diane was saying about Kerouac and

the idea of "taking words farther."  I know David Bowie and Brian Eno used

a custom deck of cards to make a lot of their decisions [be contrary, be

harmonious, etc].  Did the beats, in general, play games during the process

of putting words to paper?  Again, I'm new to their literature and don't

know these things.

 

> 

> Does that answer you questions at all?

> -------------maya

 

raises more.  good.  cheers, Douglas  <<i.e., the impact of war upon

literature, art>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Thu, 3 Jul 1997 04:53:52 -0400

Reply-To:     Becca91894@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      what's going on?

 

hey there--

 

i'm pretty new to the list, so i think i probably don't have any right to

criticize, but i'm doing it anyways.  my fervent wish is that everyone takes

this in the best possible way.  now that i've built it up into something

huge, here's my question:  i've been getting a lot of duplicate mail.  i love

the list, and duplicate mail wouldn't be a problem if it weren't for the fact

that so much mail comes from this list without duplications, and i'm missing

other emails.  is anyone else having this problem?  or is there just

something wrong with my mail?

that's all there is to the criticism.  it wasn't so bad, now was it?

let me close by reiterating my fondness for the list-- i think it's great,

i'm learning a lot and am getting so much out of the conversations, even

though i'm not actively participating.  eventually i will, when i get over

being shy.

thanks for the list and thanks in advance to anyone who decides to address

this matter for me.

 

in friendship,

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 12:51:13 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      visions of cody (JK reading televised in los angels october 1959)

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"Vision of Cody" for jack kerouac was his preferred book

'cuz he wasnt' able to publish it,---Rinaldo.

*

Rarely, rarely comest

[thou Spirit of Delight"

---shelley

*

=========================================================================

Date:         Thu, 3 Jul 1997 12:52:51 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      ) & .

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>>From FireWalk Thru Madness, copyright December 1992 David B. Rhaesa

<|snip|>

 

David,

are you copirated?

---

yrs

Rinaldo * a beetle bottled *

=========================================================================

Date:         Wed, 2 Jul 1997 15:16:49 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re: freshman clearing house

Comments: To: "Penn; Douglas; K" <dkpenn@OEES.COM>

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>In "Kerouac" <hm> trying to get the spelling right, I noticed that the

>only vowel missing from his name is "I".  Kerouac is missing an eye.

>missing his i.  I think I feel we have his i and it should beat that

>way.  chi-i-kerouac

 

     I not I

     no I

 

     If you have his original face (from before he was born, of course)

     please return it to the library.

 

     I think JK was being facetious when he said "praised be man"...I

     really do.

 

     matt

=========================================================================

Date:         Thu, 3 Jul 1997 14:21:56 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: what's going on?

 

becca,

 

I've had that trouble on occasion myself, I believe it has to do with how the

server's functioning.  Not much anyone cna do abouot that unfortunately.

 

Welcome, I;m rather new here and just to, hopefully, allay you shyness,

everyone has made me feel very comfortable to be here, even though I jumped

right in and have had opinions differing from some folks.  So dive in, the

waters fine. <smiles>

 

Paix,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of FIRST_Rebecca LAST_ Last

Sent:   Thursday, July 03, 1997 1:53 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        what's going on?

 

hey there--

 

i'm pretty new to the list, so i think i probably don't have any right to

criticize, but i'm doing it anyways.  my fervent wish is that everyone takes

this in the best possible way.  now that i've built it up into something

huge, here's my question:  i've been getting a lot of duplicate mail.  i love

the list, and duplicate mail wouldn't be a problem if it weren't for the fact

that so much mail comes from this list without duplications, and i'm missing

other emails.  is anyone else having this problem?  or is there just

something wrong with my mail?

that's all there is to the criticism.  it wasn't so bad, now was it?

let me close by reiterating my fondness for the list-- i think it's great,

i'm learning a lot and am getting so much out of the conversations, even

though i'm not actively participating.  eventually i will, when i get over

being shy.

thanks for the list and thanks in advance to anyone who decides to address

this matter for me.

 

in friendship,

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 10:39:05 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      bad dream

 

lies and betrayals

 

Last night i dreamt she was lying on top of me, kissing me.

 I was suffocating, trying to get up but she was heavy.

I hate you, Keenan.

There, I've said it.

If only i had seen your true nature before.

You wear a mask of tranquility

but you have vampiric tendencies

and a suspect device.

Instead of a heart.

You don't see us

You don't see us

You don't see us

We strike in the dark.

In the dark well of my room, she knows i'm vulnerable,

and she pins me down.

In an inch of dirty water, my face pressed to the cold stone ground,

I drown, still kicking.

We are prisoners of our own thoughts,

We are prisoners of our selves.

 

--maya

=========================================================================

Date:         Wed, 2 Jul 1997 22:44:39 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: what's going on?

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FIRST_Rebecca LAST_ Last wrote:

> 

> here's my question:  i've been getting a lot of duplicate mail.  i love

> the list, and duplicate mail wouldn't be a problem if it weren't for

>the fact

> that so much mail comes from this list without duplications, and i'm

>missing

> other emails.  is anyone else having this problem?  or is there just

> something wrong with my mail?

> that's all there is to the criticism.  it wasn't so bad, now was it?

> let me close by reiterating my fondness for the list-- i think it's

>great,

> i'm learning a lot and am getting so much out of the conversations,

>even

> though i'm not actively participating.  eventually i will, when i get

>over

> being shy.

> thanks for the list and thanks in advance to anyone who decides to

>address

> this matter for me.

> 

> in friendship,

> 

> becca

 

The problem you are speaking of, duplicate posts, exists because of the

change in the way the listserve operates.  Unless you re-direct your post

to Beat-l, it will automatically go to the person who sent the post you

are responding to.  To avoid that, many people use the Re:all option on

their software, which means a copy goes to the beat-l and another copy to

the individual person whose ideas you responded to.  When you read your

mail, just delete one of the posts.  People who respond by erasing the

individual's name and inserting Beat-l are the ones from which you only

receive one list-directed post.  I doubt that you are missing any mail,

but sometimes someone responds on the list to something that got by

private e-mail, and thus you have never seen the quote they are

addressing.  Sorry this got so long.  Hope you understand.

DC

=========================================================================

Date:         Thu, 3 Jul 1997 08:46:28 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: automatic writing

Comments: To: runner711 <babu@ELECTRICITI.COM>

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runner711 spaketh:

>Did the beats, in general, play games during the process of putting words

>to paper?  Again, I'm new to their literature and don't know these

>things.

 

     Is this what you mean?

 

     Our laird and processor, William S. Burroughs, invented (co-invented?)

     the process of cut-ups.  Basically taking text and cutting it into

     strips and sliding the strips of paper up and down, sliding text from

     line to line (hence reading between the lines?, I've always wondered,

     and is this where the term cut-up (as in clown) comes from?) to find

     the "true meaning".  It's a terrible amount of fun, especially using

     things like the Bible, Koran, and Hardy Boys/Nancy Drew mysteries

     combined (I discovered that the Hardy Boys wore cute outfits and

     danced all night with their father!).

 

     This is my freshman account of cut-ups, I'm sure others on the list

     can give much depth to my 6th grade education account.  Correct me if

     I'm wrong but isn't Naked Lunch the first cut-up novel?

 

     love and lilies,

 

     matt

=========================================================================

Date:         Thu, 3 Jul 1997 08:10:04 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Nice to meet you, becca

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Good Morning becca,

 

Another day starting on the right post. Nice to meet you. Glad you are

planning to move into our neighborhood.

Joining us for Visions of Cody for starters?

You  Remind me to say thank you again to Bill Gargan. He started this

baby. Healthy and growing.

By the way Bill, what is its birthday?

Lucky for me no twins here. First time I hear about doubles. Hmmm,

wonder what's going on with your software. Doubling this list can eat up

 

your mail box fast. Hope you solve the problem quickly.

leon

 

.-

=========================================================================

Date:         Thu, 3 Jul 1997 14:15:06 -0400

Reply-To:     "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      The Kerouac Quarterly Vol. I, No. @

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The Kerouac Quarterly Vol. I, No. 2 is in its final editing stage for its

Summer issue. It can be purchased by sending $2.95 to:

The Kerouac Quarterly

34 North Rd. #7

Chelmsford, MA. 01824

 

Issue #1 is still available from Water Row Books.

Issue #2 will have a different format than the first and thus, less costs!

More pages!

 

Thanks! Paul of TKQ

 

P.S. We need your submissions for the next issue which will center around

the release of Some of the Dharma on September 5th. Any essays on Kerouac

and Buddhism would be a plus! Thanks again. . .

=========================================================================

Date:         Thu, 3 Jul 1997 20:15:27 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      be at #2 haiku

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                blurred flies

                in his eyes

 

                poor man

 

                incognito like a

                multimillionaire

 

 

---

yrs

Rinaldo.

=========================================================================

Date:         Thu, 3 Jul 1997 22:28:32 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Rexroth

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 "Thou Shalt Not Kill" by Kenneth Rexroth

 

 

You,

The hyena with polished face and bow tie,

In the office of a billion dollar

Corporation devoted to service;

The vulture dripping with carrion,

Carefully and carelessly robed in imported tweeds,

Lecturing on the Age of Abundance;

The jackal in the double-breasted gabardine,

Barking by remote control,

In the United Nations...

The Superego in a thousand uniforms,

You, the finger man of the behemoth,

The murderer of the young men...

=========================================================================

Date:         Thu, 3 Jul 1997 22:36:01 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Visions of Cody JK speaks

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Content-Type: text/plain; charset="us-ascii"

 

http://www-hsc.usc.edu/~gallaher/k_speaks/soundsource.html

 

The Kerouac singing sound is an outtake from the Blues and Haikus session.

The "meaningless goof" sample is a passage from Visions of Cody called Neal

and the Three Stooges. Note how in this passage he says "Neal knows his

name" rather than "Cody knows his name." Kerouac wrote with using real

names and changed them later before publication. This recording was made

before Visions of Cody was published.

 

http://www-hsc.usc.edu/~gallaher/k_speaks/kerouacspeaks.html

=========================================================================

Date:         Thu, 3 Jul 1997 13:45:41 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: freshman clearing house

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<<hello freshman!!>>

 

Matt writ:

 

<< 

>>In "Kerouac" <hm> trying to get the spelling right, I noticed that the

>>only vowel missing from his name is "I".  Kerouac is missing an eye.

>>missing his i.  I think I feel we have his i and it should beat that

>>way.  chi-i-kerouac

> 

>     I not I

>     no I

> 

>     If you have his original face (from before he was born, of course)

>     please return it to the library.

> 

>     I think JK was being facetious when he said "praised be man"...I

>     really do.

> 

>> 

 

Well, I don't know that JK quote or its context.  You'll have school me.

 I do know, from my reading of Joyce, that it is possible to

mathematically prove that Shakespeare's son was actually Hamet's father

(or something like that).  And according to the "Ulysses" story, you'll

have to pepper me with a few pints to get the whole equation out o' me.

 

Thought of this 'cause you say <<I not I // no I>> which somewhat

reminds me of the "to be, or not to be" line from Hamlet.  Taking this

charade along, can it be said that when KEROUAC said "praised be man"

<<hmm>> maybe he was lamenting the fact that Juliet got the "B" in her

bonnet and not he.  All JK had was a good ending in "C"  <<hm>>.

 

wondering what Kerouac sounded like.  Will have to listen to more of my

"Kick Joy Darkness" album, I suppose.  Joyce reads nicely.  He doesn't

quote his characters when they are speaking, so you have to slow down

the reading pace, and decipher what is being <<thought>> and what is

being <<said>>.

 

Matt, you still there?  What are you reading these days??  OR seen any

good art exhibits recently??  equally curious.

 

>>     matt

 

Douglas <<who has a dog of an unborn face>>

> 

> 

=========================================================================

Date:         Thu, 3 Jul 1997 16:54:00 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      summer reading update: HST on an old thread

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am now dangerously careening down the hillside with HST and the angels,

about to break out into hoodlem circus/rape at bass lake

in the midst  of brawls and runs and sleeping in grease (not that these

subjects don't hold a some what wacky fascination)

anyway, she said impatiently to her brain get on with it!. ok , found

interesting passage that taps into many a beat-l think tank or actual flame

tank wars:

HST: HELLS ANGELS

to whatever extent the hell's angels may or may not be latent

sado-masochists or repressed homosexuals is to me --after nearly a year in

the constant company of outlaw motorcyclists--almost entirely irrelevant.

there are literary critics who insist that ernest hemingway was a tortured

queer and that mark twain wass haunted to he end of his days by a penchant

for interracial buggery. it is good way to stir up in a tempest in the

academic quarterlies but it wont change a word of what either man wrote,

nor alter the impact of their work on the world they were writing about.

perhaps manolete was a hoof fetiishist, or suffered from terrible hemmhoids

as a restly of long nights in spanish horn parlors..but he was a great

matador and it is hard to see how any amount of freudian theorizing can

have the slightes effect on the reality of the thing he did best.

1)sound familiar;

2)name that thread! (or 4 or 5..)

you will win absolutely nothing.

mc

=========================================================================

Date:         Thu, 3 Jul 1997 13:54:24 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: what's going on?

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Sherri writ:

 

>> waters fine. <smiles>

 

yes,

and if the waters _beat_ on you,

high above your head, well,

ride the waves instead.  :-)))))))))))))

 

>> Paix,

>> Sherri

 

Douglas <<everybody beat surfin'... >>  Hi Sherri!  Hi Becca!

 

> 

> 

=========================================================================

Date:         Thu, 3 Jul 1997 14:08:46 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: summer reading update: HST on an old thread

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Marie rode in and spit:

 

><< from HELLS ANGELS by HST]]

>for interracial buggery. it is good way to stir up in a tempest in the

>academic quarterlies but it wont change a word of what either man wrote,

>nor alter the impact of their work on the world they were writing about.

>perhaps manolete was a hoof fetiishist, or suffered from terrible hemmhoids

>as a restly of long nights in spanish horn parlors..but he was a great

>matador and it is hard to see how any amount of freudian theorizing can

>have the slightes effect on the reality of the thing he did best.

>> 

 

All I'm gonna say is that nobody ever told me in college that Warhol was

gay.  same for Robert Rauschenberg and a few choice others.  And besides

sexual preference, I'm sure I could remember a few other "overlooked"

bits.  Such facts might not "change a word" or "alter the impact"; yet

for interpretation's (and appreciation's) sake, these <<messy>> tidbits

are good to know.  Sure as hell explains the Liz Taylor and Judy Garland

fetishes.  Sure explains RR's relationship to Jasper Johns.  another

depth to plow.

 

and I'll need to go back and check my "fucking little boys Ginsberg"

beat-archives.  but really, this is important information on a certain

level.  Granted, there are many levels and and and the author is dead

yada yada.  But why not have all the facts and then discuss what is

relevant??  This is not intended as a flame or anything like that BTW.

:-)

 

>> you will win absolutely nothing.

 

How about a free issue of National Conquistador??

 

>> mc

 

cheers, "badass" Douglas  <<a former Honda moped boy>>

=========================================================================

Date:         Thu, 3 Jul 1997 15:30:21 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      jazz and the prairies

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Read this in the paper today, thought I'd share it with the rest of

you...

 

Ross Porter, host of CBC radio's jazz show, After Hours, on how living

on the prairies is like being a jazz musician:

*Everyone thinks you're crazy for doing it.

*Just when things seem like they can't get any worse, they do.

*Everyone keeps reminding you how things were better 30 years ago.

*You only get media attention when something bad happens.

*Upside: You're always one hour ahead of what's happening on the West

coast.

 

 

Adrien

=========================================================================

Date:         Thu, 3 Jul 1997 16:41:12 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      FireWalk thru Madness -- the endings...

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these three conclude the thing. =20

 

>From FireWalk Thru Madness, copyright December 1992 David B. Rhaesa

 

 

Random Songs.

 

Dylan sings Lily, Rosemary, and the Jack of Hearts -- it sounds

different than Joan=92s version when she dad to hope that she could know

the words.  =93Two doors down the boys finally made it through the wall=94

and I think of Pink Floyd and other walls -- boundaries between us that

seems like walls, Berlin Walls, Iron Curtains -- between our souls.

 

Thinking about the Jack of Hearts makes me think about solitaire by the

River.  It was the Iowa River when I started but it was the River Styx

when Anne found me to sign the papers.

 

A Simple Twist of Fate.  =93They sat together in the Park=94  Lucy and Da=

vid

-- she made him feel comfortable with open relationships ... =93a little

confused I remember well=94 I sat under a tree at Washington University

while she danced inside.  His mind danced outside and the words flowed

from his pen like they do now on the paper as fast as I can write.  In

St. Louis -- Boyhood home of Burroughs -- =93felt an emptiness inside to

which he just could not relate=94 when the car spun out of control on

Highway 61 and not a scratch on the car or on me.  =93I was born too late=

=94

he thinks of Twisting Fate as the harmonica drones.

 

Lucy=92s in New Mexico and Clapton sings His confession =93I shot the

sheriff=94 and I never can figure out who did shoot the deputy -- Unsolve=

d

Mysteries and America=92s Most Wanted.  Self Defense.  =93Capital Offense=

=94.=20

Self Offense.  Capital Defense.  =93Kill it before it Grows=94.  Capital

Defense.  Capital Punishment .  =93Hang him,=94 they scream in their whit=

e

sheets and the black man swings innocently from the tree -- Dead for his

innocence.  =93Reflexes got the better of me=94.

 

My reflexes fear.  Put up walls, boundaries to keep the bottom from

dropping out.  The bottomless pit when I fall through the wall I called

the floor of my soul.  No grounding.  No gravity.  Topsy-Turvy.  Crazy.=20

Inside and Out.  =93Just about to Lose My mind.=94  =93My Momma said I=92=

m

crazy=94. =20

 

She visited me in the hospital and brought me my sister=92s guitar and Da=

n

taught me Hank Williams=92 songs =93I=92m So Lonesome I could Cry=94 on h=

is Red,

White, and Blue Buck Owens=92 guitar -- living in the hospital in Saint

Joe on Tulsa Time in Franciscan living in a difference time zone beyond

time ... temporal dimension ... Interzone ... Naked Lunch ... and all I

wanted was a Naked Breakfast with Linda my high school sweetheart.

 

=93Lay Lady Lay=94 Linda ... Aunt Abby when I was Teddy =93You=92re a Big=

 Girl

Now=94 working for the Supreme Court  =93and I=92m just like that bird si=

nging

just for you.=94  =93I hope that you can hear me singing through these

tears.=94  And you=92ve moved to Nashville =93I can make it through.=94  =

I

scream to myself make it through the walls of my mind.

 

=93Love is so simple.=94  I=92m so simple.  Simply Complex. =20

 

=93What=92s the sense of changing horses.=94  =93I=92m going out of my mi=

nd.=94  =93A

corkscrew in my heart.=94  And I=92m still sitting on the Red Couch in th=

e

Salvation Army and it=92s Halloween and I=92m still there dressed as a

mannequin for Halloween.  I stayed home avoiding the Ritual.

 

=93If you see her say Hello.=94  I send this to all in San Francisco,

Jerusalem, =93Tangier.=94  =93She might think i=92ve forgotten her -- don=

=92t tell

her it isn=92t so.=94  But I want to call, to connect.  =93She still live=

s

inside of me.=94  Do I live inside of her?  I just want to know that I

still live there too.  I never wanted to own her or trap her.  I just

wanted her to be happy.

 

=93Now I hear her name here and there as I go from town to town=94 and

freeze up inside and I howl inside and at the yellow moon.  =93All went b=

y

so fast.=94  I wish she=92d find me.  Should I tell her I=92m moving? =20

 

I wish someone could understand why I loved her.

 

SCARED

November 1992

 

He looked a little like DeNiro in Angel Heart.  No red cape.  No horns.=20

Luficer in human form, surrounded by a fog -- a haze.  As I moved closer

the fog lifted from his face.  His eyes were Fire Red and lasers shot

from them cutting through the fog.  Face to Face with Satan -- And I

Wasn=92t Scared.

 

Then he waved his arm and the fog vanished and the cavern was lit by

fire and in the throne beside him I saw Anne.  Chained to the throne.=20

Cold, hard manacles connecting her wrists to the chair=92s arms.  Another

manacle around her neck with chains tied to the rungs of the chair

back. =20

 

And I looked at her face.  Her eyes were blood and the smile a devious

demented smile, an insane smile likes the sounds of laughter that came

from deep inside her that night at the farmhouse.  The voices that were

not hers, laughing at me -- Screaming that they had won -- that I was

broken.  The laughter I felt pierce through me before I dove into the

pit in my mind after her.  Trying to protect her.  Save her.  The woman

I loved.  And I Wasn=92t Scared.

 

I turned to him As I felt the Rage inside me boiling, the Rage of one

who takes anger inside, keeps it there, learns from it, draws on it -

like a power source.  And my eyes shot lasers back at him.  White

lasers.  White light.  Cleansing.  Love.  Energy. =20

 

And I started to speak and it was my words but it was like I was

watching myself.  Surprised that these feelings were coming out.=20

Surprised at my own power.  My own energy.  And I told him that I was

connected to all the Devil=92s Advocates on earth and they cared about me

more than him. =20

 

And then I laughed in his DeNiro-like face and just said: =93You Lose!=94

 

The manacles burst open on Anne=92s throne and the expressions on her fac=

e

changed and I saw the woman I loved.  The woman I married.  And I Wasn=92=

t

Scared.

 

Then she vanished and he turned back at me and the cavern turned inside

out, upside down.  And I heard his laughter, Her laughter from the

farmhouse and I tried to run away but the paths all ended before they

started.  Dead-ends.  Trapped.  And Anne was free, But I wasn=92t.  And I

Was Scared.

 

 

FRENCH FATIGUE FANTASY

 

Je Suis Fatigue

 

The only ine of French I know

 

So that if I ever visit France

 

I can be tired

 

And tell someone.

=========================================================================

Date:         Thu, 3 Jul 1997 16:43:37 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: >> respect and be watchful.

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Penn, Douglas, K wrote:

> 

> Patricia writ:

> 

> ><<the thing with brian was the best for me too.  I saw the show at the

> >spenser library here in lawrence,  I like his work on ply wood and glass

> >the best next to the collaboration.  Gyson was one of his most favorite

> >people and most important artistic influence.  I love one of his peices

> >which was a red door.

> i am very familiar with his art.>>

> 

> I spent a summer in Lawrence.  Both my cousins went there for school and

> I just hung out one summer.  Very cool town.

> 

> I also liked that 'light machine' (what was it called?) that twirled

> around and one was supposed to sit and be hypnotized by it.  Then the

> Robert Rauschenberg piece was good to see.  As was the Basquait piece

> (the movie had just come out).  Still haven't heard the Kurt

> Cobain/Burroughs CD.  Wish and Wish the short films would make it TV or

> video (would love to be able to rent them, easily).  For the longest

> time after that exhibit, I went around trying out my "Burroughs" voice

> on all my friends and relative.  <<very fun>>

> 

> Of Burroughs work, I've read about half of Naked Lunch, most of his

> recent dream book (love his "land of the dead" stories, not being able

> to find a good breakfast, etc), and some of the interviews in the Bunker

> book.  There must be more of a connotation to the "red door" than I am

> picking up from these scattered literary fragments.

> 

> Anytime you wanna talk art, I'm here!!

> 

> >> p

> 

> >cheers, Douglas

> 

> PS:  just about to sign off, when I remembered, looking up, that I have

> had a photograph of Burroughs on my office wall for about 2 years now.

> It's a xerox out of a Vanity Fair article (photo by Annie Leibovitz).  A

> prison sort of photo.  artistic criminal.  Was good to see the detail

> and shadow play in the originals.  People always ask me who that "old

> man" is.  I tell them he's my grandfather, of sorts.  Don't think they

> >really believe me.

 

patricia writes

I absolutly love doing his voice, the low timbre sugared with sacasim,

"well my dear, don't call the police unless you have some idea of what

they are most likely to do and if you want them to do that.

=========================================================================

Date:         Thu, 3 Jul 1997 15:07:00 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: >> respect and be watchful.

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><<patricia writes

>I absolutly love doing his voice, the low timbre sugared with sacasim,

>"well my dear, don't call the police unless you have some idea of what

they are most likely to do and if you want them to do that.>>

 

I wasn't aware you were going to post this to the list, p!  No matter.

Don't know the quote you cite, but I can hear it.  <<Wonderful>>  My

favorite piece to take-off from was his legendary "thanksgiving prayer"

reading.  I've forgotten how it goes, but something like "four score and

seven years ago, ......., I'd like to thank the indians [pause] for

getting slaughtered [slight sarcastic pause] by drunken englishmennnn

[that low timbre you mentioned]..." and then fast into his next line.

<<Wonderful>>  It's what makes his Dream book so enjoyable too.  Can

just see hunchback burroughs trying to find a good breakfast in the LOD:

 

~~~ "I'd like to thank the cook [pause]

        for deserting me [slight pause]

                in my deepest hour of need..."   <<laughing convulsively>>

 

It was interesting to read in the Bunker book how upon arriving in New

York, he began doing readings and was a smash hit.  This apparently shy

man found his audience and increased his appeal.  The power of the

voice.  Loved and saddened by the way Brion dressed him up then too.

What a freak!  <<my hero>>

 

>back to Joyce, Dogulas

=========================================================================

Date:         Thu, 3 Jul 1997 15:20:39 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: No Nazi On The Net was (Re: FW: please read this and vote)

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Becca,

        Excuse me, but ...I think you're confused...In no way whatsover have I

participated in the Nazi thread discussion...have deleted all those with

an itchy trigger finger as the matter of fact...please aim your line of

fire somewhere else.

Barb

 

 

Becca91894@aol.com wrote:

> 

> barbara--

> 

> I read your post on the beat list.  although i am new to the list and not

> necessarily a great thinker, i thought maybe i would throw my ideas at you,

> since you seemed interested.

> about censorship:  this may be waffling, i'll just warn you about that now.

>  it seems to me that censorship in general is wrong.  and like doug (i think)

> said, we have to allow viewpoints we disagree with to be heard, or we

> endanger our own freedoms of speech.  however, when we are discussing nazis,

> i'm inclined to believe that censorship may have it's place.  nazi's are a

> dangerous group, they regularly kill and destroy people's lives because they

> are different.  i wouldn't say that a nazi party shouldn't be allowed to form

> (well, maybe i would, i haven't really thought about it), but allowing a nazi

> web-site where like-minded individuals can band together from all over is

> extremely risky.  i think we all can agree that heinous atrocities were

> commited under nazi leadership, and it seems irresponsible to me that we

> would help these people come together and create a stronger bond than already

> exists.  after all, one reason hitler came to power was because the rest of

> the world thought they should mind their own business and let germany do its

> thing.  i think many things would be done differently, in retrospect, but

> since there is nothing we can do about what's already happened, we should

> learn from our past mistakes and do everything possible to ensure that

> nothing like the holocaust will ever happen again.

> 

> i hope i haven't been too forward in responding to your post.

> 

> becca

=========================================================================

Date:         Thu, 3 Jul 1997 17:24:03 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: >> respect and be watchful.

MIME-Version: 1.0

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Penn, Douglas, K wrote:

> 

> ><<patricia writes

> >I absolutly love doing his voice, the low timbre sugared with sacasim,

> >"well my dear, don't call the police unless you have some idea of what

> they are most likely to do and if you want them to do that.>>

> 

> I wasn't aware you were going to post this to the list, p!  No matter.

> Don't know the quote you cite, but I can hear it.  <<Wonderful>>  My

> favorite piece to take-off from was his legendary "thanksgiving prayer"

> reading.  I've forgotten how it goes, but something like "four score and

> seven years ago, ......., I'd like to thank the indians [pause] for

> getting slaughtered [slight sarcastic pause] by drunken englishmennnn

> [that low timbre you mentioned]..." and then fast into his next line.

> <<Wonderful>>  It's what makes his Dream book so enjoyable too.  Can

> just see hunchback burroughs trying to find a good breakfast in the LOD:

> 

> ~~~ "I'd like to thank the cook [pause]

>         for deserting me [slight pause]

>                 in my deepest hour of need..."   <<laughing convulsively>>

> 

> It was interesting to read in the Bunker book how upon arriving in New

> York, he began doing readings and was a smash hit.  This apparently shy

> man found his audience and increased his appeal.  The power of the

> voice.  Loved and saddened by the way Brion dressed him up then too.

> What a freak!  <<my hero>>

> 

> >back to Joyce, Dogulas

patricia writes

i forgot, i try to repost most of the stuff to to beat-l and should of

checked with you,  sorry. I wish there was more discussion of the beat

related arts, gyson being a good one to start with, i really love the

work of his that i have seen. but don't know much about the man except

he is gone. The "don't call the police" is a parapharase, i am terrible

about being exact.

p

=========================================================================

Date:         Thu, 3 Jul 1997 19:57:25 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      MAIL PROBLEMS

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Hello folks,

 

I've noticed a lot of posts having mail difficulties-either getting

or recieving posts-me too. Ironically, my net provider sent this post

out earlier in the day; I'm not sure if any of this info is helpful

or not so here goes:

 

Subject: Update

Date: Thu, 3 Jul 1997 08:57:40-0500 (CDT)

From: gods@bitstream.net

To: Stand666

 

Hello,

 

There are still a few people who are not getting our

daily messages. This is a holdover from our mail server

switchover and should not be the case very soon.

 

We are still having some trouble with USWEST concerning

connection quality issues from some locations. The modem

pool and mail server are working great--the people

having problems are mainly but not exclusivly in the 822

exchange. USWEST claims they are fixing it, but we should

all keep harassing them until it is so. Please see the

bsu.announce newsgroup for more info.

 

We will be closed tomorrow July 4th, and Saturday July 5th.

 

Thanks for your support.

 

Michael

 

Bitsteam Underground, Inc.

http://www.bitstream.net  gods@bitstream.net

=========================================================================

Date:         Thu, 3 Jul 1997 21:19:04 -0400

Reply-To:     Becca91894@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      Re: the beat (en) horse/summer reading update

Comments: To: Marioka7@aol.com

 

i'll go for voc as well.  i haven't read it but have meant to-- maybe this

will kick my butt into gear and i'll get it finished.

 

here's hoping

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 21:20:59 -0400

Reply-To:     Becca91894@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      Re: what's going on?

Comments: To: dkpenn@oees.com

 

hi douglas!  now i really feel like part of the list--somebody wrote my name

for all to see.... <sniff>  i'm so touched!!

 

heeheeheehee

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 21:39:11 -0400

Reply-To:     Becca91894@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      Re: what's going on?

Comments: To: love_singing@msn.com

 

sherri--

 

thanks so much.  everybody has been friendly and encouraging so far, so i'm

starting to feel more comfortable, if maybe a little intimidated by the

knowledge circulating around here. :)  that'll just give me more reason to

expand my beat library, right?  thanks for the welcome.  i'm sure you will

hear more from me as time goes on.

 

becca

=========================================================================

Date:         Fri, 4 Jul 1997 01:42:52 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: the beat (en) horse/summer reading update

 

ok gotta get out and buy voc... haven't read it yet either... that'll make 16

bboks i got goin now....  help i'm drowning in a sea of words!!!

 

gasping,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of FIRST_Rebecca LAST_ Last

Sent:   Thursday, July 03, 1997 6:19 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: the beat (en) horse/summer reading update

 

i'll go for voc as well.  i haven't read it but have meant to-- maybe this

will kick my butt into gear and i'll get it finished.

 

here's hoping

 

becca

=========================================================================

Date:         Thu, 3 Jul 1997 19:32:19 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: what's going on?

In-Reply-To:  <970703212057_136756683@emout02.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 6:20 PM -0700 7/3/97, FIRST_Rebecca LAST_ Last wrote:

 

> heeheeheehee

 

the trick, I'm told, is to figure out how this relates to some sort of beat

technology.  any quote unquote beat work.  this will keep the snails happy

and us permission to roam somewhat free.  I guess.  not a creative writing

class but an empassioned discourse.  <ahem, an brief example>::

 

trigger trigger

I think he got me in the liver

pork chop ad hoch

burroughs ate his dinner

 

he shot a door

bled it read

spoke about a river

arabesques in bed

 

little boys

with marks upon their face

hanging faciciously

their anus' a shout

for propriety

Start the chase!!

 

run becca, run!

the beats will get you!!

run to the bookstore becca

run run... <<ah, fuck this!>>

 

<<ahhhhhhh!!!, [[eaten by a snail]]

 

 

well....,

        I tried...>>  :-)

 

> becca

 

cheers, Douglas

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Thu, 3 Jul 1997 11:57:32 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: summer reading update: HST on an old thread

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Marie Countryman wrote:

> 

> am now dangerously careening down the hillside with HST and the angels,

> about to break out into hoodlem circus/rape at bass lake

> in the midst of brawls and runs and sleeping in grease (not that these

> subjects don't hold a some what wacky fascination)

> anyway, she said impatiently to her brain get on with it!. ok , found

> interesting passage that taps into many a beat-l think tank or actual

> flame tank wars:

> HST: HELLS ANGELS

> to whatever extent the hell's angels may or may not be latent

> sado-masochists or repressed homosexuals is to me --after nearly a year

>in the constant company of outlaw motorcyclists--almost entirely

>irrelevant. there are literary critics who insist that ernest hemingway

>was a tortured queer and that mark twain wass haunted to he end of his

>days by a penchant for interracial buggery. it is good way to stir up in

>a tempest in the academic quarterlies but it wont change a word of what

>either man wrote, nor alter the impact of their work on the world they

>were writing about. perhaps manolete was a hoof fetiishist, or suffered

>from terrible hemmhoids as a restly of long nights in spanish horn

>parlors..but he was a great matador and it is hard to see how any amount

>of freudian theorizing can have the slightes effect on the reality of

>the thing he did best.

> 1)sound familiar;

> 2)name that thread! (or 4 or 5..)

> you will win absolutely nothing.

> mc

 

Ah, shit, I wanted to win something. But, does it have an impact on the

reality of what we do best?  Some of us careen wildy down the hill with

the hell's angels.  Some of us read about it.  Some of us write about it.

Some of us theorize about it.  I live therefore I am.  I write therefore

I am.  I think therefore I am.  Some of us create life out of fiction and

fiction out of life.  Some of us want to write the biography or perhaps,

obituary, of the first guy that tells a hell's angel he's a repressed

homosexual.

DC

=========================================================================

Date:         Thu, 3 Jul 1997 21:38:10 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: summer reading update: HST on an old thread

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Marie--

 

I have to send you my "Freewheeling Frank".  I had forgotten that HST

also covers a Bass Lake rally as does Frank.  You will love the

parallels.

 

I'll reread my HST's book which I have pretty much forgotten and let you

borrow Franks.  Nice "inside--outside" comparison.

 

James Stauffer

 

Marie Countryman wrote:

> 

> am now dangerously careening down the hillside with HST and the angels,

> about to break out into hoodlem circus/rape at bass lake

> in the midst  of brawls and runs and sleeping in grease (not that these

> subjects don't hold a some what wacky fascination)

> anyway, she said impatiently to her brain get on with it!. ok , found

> interesting passage that taps into many a beat-l think tank or actual flame

> tank wars:

> HST: HELLS ANGELS

> to whatever extent the hell's angels may or may not be latent

> sado-masochists or repressed homosexuals is to me --after nearly a year in

> the constant company of outlaw motorcyclists--almost entirely irrelevant.

> there are literary critics who insist that ernest hemingway was a tortured

> queer and that mark twain wass haunted to he end of his days by a penchant

> for interracial buggery. it is good way to stir up in a tempest in the

> academic quarterlies but it wont change a word of what either man wrote,

> nor alter the impact of their work on the world they were writing about.

> perhaps manolete was a hoof fetiishist, or suffered from terrible hemmhoids

> as a restly of long nights in spanish horn parlors..but he was a great

> matador and it is hard to see how any amount of freudian theorizing can

> have the slightes effect on the reality of the thing he did best.

> 1)sound familiar;

> 2)name that thread! (or 4 or 5..)

> you will win absolutely nothing.

=========================================================================

Date:         Thu, 3 Jul 1997 21:59:32 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Visions of Cody--Notes and Queries

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

OK,  like a good boy I have started my Visions of Cody assignment

(though I think I have to throw in HST's Angel book with the other

things I am simultaneously reading.)

 

Getting myself into the rythm of VOC--enjoying Jacks high cholesterol

dinner reminsicences.  Struck by his mention of Al Collins on the radio

as Jack and "Tom" are driving around. (p. 13 or my McGraw Hill

paperback).

 

  Al "Jazbo" Collins is still doing his "Purple Grotto" bit,currently

heard in the SF area on KCSM-FM  in San Mateo. Don't know if it is

syndicated or strictly local. Friday or Saturday night if memory

serves.  I remember hearing Jazbo on alternative FM in LA during the

60's in the Phil Donohue,  B. Mitchell Reed era.  Seemed a flash from

the past at the time but hadn't realized he went back to the late

forties.

 

Have a good Independence Day everyone and take a toke for those of us

who will be working anyway.

 

J. Stauffer

=========================================================================

Date:         Thu, 3 Jul 1997 22:05:07 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      the complete beat (experiment)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I'm still not sure how to phrase.  this I'm not sure.  the exact meaning.

How to beat?  got to thinking about the term "beat technology"

 

sitting on my toilet, amusing myself.  flipping thru my "20th Century

Photography -- Museum Ludwig Cologne" book.  had another image first, then

sitting down to scan the image, came upon another [see link to .gif below].

 

 

see page 610, Eberhard Schrammen.

 

Following the following like to see his "Untitled (self-portrait)" (1930).

gelatin silver print, stencil photogram 23.8 x 17.9 cm

 

<<hm, how is this beat??>>  <<hm??>>

 

Here's what the text says:

 

        > Schrammen remained active as an artist, painter,

        . graphic artist, and writer.  There is little evidence

        . of his written work

 

So give me evidence of the complete beat!  Well, <<ahem>>, an example of

beat technology:  snails, gods, beets, carrots, beetles, chickenheads, and

original crispies ((all invited to snap crackle and pop))  Beat as it

survives today.  still don't know what that means  <<damn>>.  and am still

not sure how to even phrase the question <<double damn>>.  God help me

<<yes?>>.

 

Any suggestions??  <<and p. no gunshots thru doors will be accepted!>>

 

http://www.electriciti.com/babu/images/Schrammen.gif

 

Douglas  <<fireworks, homemade ice cream, good friends = weekend>>

=========================================================================

Date:         Fri, 4 Jul 1997 02:00:17 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Germs

 

came into life

like a puzzled panther

waiting to be caged

but something stood in the way

i was never...quite...

tamed

--------------the Germs

=========================================================================

Date:         Fri, 4 Jul 1997 02:03:59 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      correction

 

came into this world

like a puzzled panther

waiting to be caged

but something stood in the way

I was never

quite...

tamed...

-------the Germs

=========================================================================

Date:         Fri, 4 Jul 1997 00:34:49 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: correction

In-Reply-To:  <970704020359_-2113582237@emout15.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:03 PM -0700 7/3/97, Maya Gorton wrote:

 

> came into this world

> like a puzzled panther

> waiting to be caged

> but something stood in the way

> I was never

> quite...

> tamed...

> -------the Germs

 

yep.  you must be a "badass" too!?  something just doesn't fit

outside in

ah you were looking scuttled

outside in

  We already know you're ugly!

but do you know I'm joking, I'm joking!!]]

 

yours, Douglas

 

<< 

running

running

burning

 bright

>> 

 

from Jack Kerouac "angel mine"

 

        Angel mine be you fine

        Angel divine

 

        Angel milk what's your ilk

        Angel bilk

 

        Angel cash  Angel Smash

        Angel hash

 

from Pomes All Sizes

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 4 Jul 1997 09:19:40 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Scattered Poems

 

from Lucien Midnight   JK  1957

 

        Dying is ecstasy,

        I'm not a teacher, not a

Sage, not a Roshi, not a

writer or master or even

a giggling dharma bum I'm

my mother's son & my mother

is the universe --

        What is the universe

                but alot of waves               [was jack reading

        And a craving desire              about physics?]

                is a wave

        Belonging to a wave

                in a world of waves

        So why put any down

                wave?

        Come on wave, WAVE!

        The  heehaw's dobbin

                spring hoho

        Is a sad lonely yurk

                for your love

        Wave lover

 

And what is God?

The unspeakable, the untellable...

 

...No, -- what is God?

The impossible, the impeachable

Unimpeachable Prezi-dent

of the Pepsodent Universe

But with no body & no brain

no business and no tie

no candle and no high

no wise and no smart guy

no nothing, no no-nothing,

no anything, no-word, yes-word,

        everything, anything, God,

        the guy that ain't a guy,

        the thing that can't be

        and can

        and is

        and isn't...

 

How I wish I could have put it so eloquently....

 

Bon niut mes amies,

Sherri

=========================================================================

Date:         Fri, 4 Jul 1997 08:08:08 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      JK/ HST

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970703210846Z-134@sd-mail.sd.oees.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

douglas:

in addition to sexual preference:

there have been long discussions of what i call

 the jack and the bottle - and all speculation related to that. monday

morning quarterbacking in a way, years later.

my take on this (and you can insert any other behavior to it)

he drank.

and he wrote.

i dont think he wrote because he drank;

i dont think he drank because he wrote;

i think he wrote because he HAD to, was writing for years as child and

never stopped.

he may have started drinking to ease self in social situations (akward and

shy) or to medicate away the pain of his sensitivity and depressions.

but imho,

all speculation about what he coulda been if he didnt drink is all moot to me.

 ('i couldda be a contendor! (brando on the waterfront) and all that.

speaking of HST/motorcycles/bad boys/legends and real life:  watching the

wild bunch while i strip down my bicycle, wearing my 'colors' on this  day.

mc

=========================================================================

Date:         Fri, 4 Jul 1997 08:08:17 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: summer reading update: HST and JK

In-Reply-To:  <33BBF61C.52DE@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

it seems that the votes are for Cody. as i am hip deep in gonzo land, but

wanting to be part of the discussion,

i plan for the VOC thread to compare some passages from romantic JK re:

cassady's chilhood with passages from FIRST THIRD by cassady. should be

fun, at least will maybe stir up some interest in more folks to read  of

neal's childhood from neal himself. living on the denver equivalent of skid

row with drunken father, traumatic childhood to say the least.  i think it

gives good insight into how much can be changed in a novel from the reality

(or, at best, the memories of neal

vs JK's romanticizing.) it's really all theory and what you want to read

into things, but instructive and interesting never the less. and oh,

 by the way, this reading is being played out with HST parallel process:

between the much more journalistic  hells angels in comparison to the wild

novel/gonzo journalism of F&L in LV. i am pretty sure that the letters will

bear me out on this, just got to get to them.

off to join the wild bunch today.

mc

=========================================================================

Date:         Fri, 4 Jul 1997 08:08:22 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: the complete beat (experiment)

In-Reply-To:  <l03020900afe22fcbee3c@[208.193.147.131]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

in that category i think one must see bob kaufman as the compleat beat as well:

he threw himself on car hoods, declaimng poems and poetic manifesto . he

wrote his pomes with no plan for publishing them. many still exist solely

because friends would follow him, picking up pomes written on cocktail

napkins and the like...he was busted many times, (reminscent of lenny

bruce) and targeted by 'authorities' -socrates also comes to mind: gadfly

of the beats to the absolute end..

he spent countless days and nights in prison for his total devotion to

anarchy and true poetry. small quote from AG from intro to cranial guitair:

'he wasn't just political, he was metaphysical, psychological, surreealist,

and enlightened in extending his care into the whold society of poetry,

seeing that as the revolution..."

mc

=========================================================================

Date:         Fri, 4 Jul 1997 09:51:00 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      independence day

 

For three days the neighborhood has been sounding with bombs and whistles,

sirens of fire trucks, machine-gun retorting firecracker strings, all day,

all night, like a war, no cease-fire, like Beirut. Every two minutes a big

jet soars away from SeaTac, carrying people on holidays like torpedoes

launching from submarines, on target.

 

And evening comes on the third of July and the town is shutting down. You can

hear it. You can feel it. Everyone is gone somewhere. In ice chests

watermelons chill alongside beer and the sun stays up in the sky to stare

into people's windows, causing a breeze to run around it like a puppy looking

for a tussle, tossing up bamboo shades, weak ramparts against the unrelenting

horizontal rays of this star made of fire.

 

No cars on the streets... people walk right down the middle of the avenues,

some drinking from brown paper bags, others sweating in uniforms dying to get

home to have one day off, one lousy extra day off, for any reason at all.

Previously unheard bird calls issue forth from bushes, these birds now

willing to speak because they don't have to compete with cell phones and car

horns and beepers. Little children's voices are the only sounds of human

life, except the echoing of a basketball hard and hollow hitting the concrete

driveway over and over and over and over goddamit shoot goddamit... god.

 

Small planes, float planes, planes dragging signs through the thick blue air,

revving like lawnmower looking for clouds to trim, fly east to west, west to

east, at right angles to the jets where passengers hear, "This is the captain

speaking... if you'll look out the window to your left, you'll see Puget

Sound and the Olympic Mountains. And not to be outdone, to the right you'll

see the Cascades and Bill Gates' fortress on the shores of Medina, right here

in the Emerald City..."

 

It feels like I'm the only one left in town, although I know that isn't true,

but it's something I've always dreamed about, so it's okay with me. I'm

amazed at the quiet. I don't know when was the last time this town was so

still. I'm thinking about Central Washington, 100 degrees as usual, and this

little breeze... over there this breeze can whip a firecracker in the grass

into a wildfire before you can even get the garden hose turned on. I'm so

glad to be here, not in that place which is truly next door to hell, where

the smell of sulfur dominates chicken barbecuing on the grill and the heat

makes you sit in the kiddies' pool without shame, where borate bombers drop

their puny cargo with the efficacy of a wad shot into a condom, then drone on

back to base camp for another load of blood-red dust and lots of summer

overtime pay for the pilot.

 

5 a.m. on the 4th of July and I wake up to those birds; I hadn't even noticed

when they stopped singing. Now the sun breaks red over the ridge in the east,

still staring through jet streams but cool and bright, a joker setting this

town up for this day of uncertain weather. In a few minutes the jets will

start up again, firecrackers will accompany breakfast, flags will be

unfurled, maybe it'll start raining. Will I ponder the nature of freedom or

eat potato salad?

=========================================================================

Date:         Fri, 4 Jul 1997 15:05:58 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: summer reading update: HST and JK

 

while jack may have been romaticizing, let us never forget that human memory

is incredibly subjective and that much is played through the filter of who we

are ane what we have done/become over time.  i think neal's version would be

(haven't had a chance to read it yet) even more interesting for the insight

into hwo he views himself, in addition to who he really is.

 

thanks for reminding me that i need to "First Third".

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Marie Countryman

Sent:   Friday, July 04, 1997 5:08 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: summer reading update: HST and JK

 

it seems that the votes are for Cody. as i am hip deep in gonzo land, but

wanting to be part of the discussion,

i plan for the VOC thread to compare some passages from romantic JK re:

cassady's chilhood with passages from FIRST THIRD by cassady. should be

fun, at least will maybe stir up some interest in more folks to read  of

neal's childhood from neal himself. living on the denver equivalent of skid

row with drunken father, traumatic childhood to say the least.  i think it

gives good insight into how much can be changed in a novel from the reality

(or, at best, the memories of neal

vs JK's romanticizing.) it's really all theory and what you want to read

into things, but instructive and interesting never the less. and oh,

 by the way, this reading is being played out with HST parallel process:

between the much more journalistic  hells angels in comparison to the wild

novel/gonzo journalism of F&L in LV. i am pretty sure that the letters will

bear me out on this, just got to get to them.

off to join the wild bunch today.

mc

=========================================================================

Date:         Fri, 4 Jul 1997 12:01:46 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: summer reading update: HST and JK

In-Reply-To:  <UPMAIL14.199707041511150680@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>while jack may have been romaticizing, let us never forget that human memory

>is incredibly subjective and that much is played through the filter of who we

>are ane what we have done/become over time.  i think neal's version would be

>(haven't had a chance to read it yet) even more interesting for the insight

>into hwo he views himself, in addition to who he really is.

__________

i didnt forget: and i quote

  i think it

gives good insight into how much can be changed in a novel from the reality

(or, at best, the memories of neal

vs JK's romanticizing.)

the reality is not first third, but of neal's memories which make up the

first third.

reality vs romancizing *or* human memory.

i constantly question reality as much as i question my perceptions/memories

from the reality.

and then i get hung up wondrin'

what is reality? probably no more than a perception of an event action or

being on the part of the beholder.

so in doing this comparison there are always 3 particpants: the memorybabe

romantic jack; the life as a work of art itself neal; and the reader.

(my last career and what i face daily these days have everything to do with

memory from academic experiments to psychotherapy.)

,mc

=========================================================================

Date:         Fri, 4 Jul 1997 09:14:20 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: JK/ HST

In-Reply-To:  <l0302090aafe25516ddb3@[206.25.67.110]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 5:08 AM -0700 7/4/97, Marie Countryman wrote:

 

> but imho,

> all speculation about what he coulda been if he didnt drink is all moot

>to me.

>  ('i couldda be a contendor! (brando on the waterfront) and all that.

> speaking of HST/motorcycles/bad boys/legends and real life:  watching the

> wild bunch while i strip down my bicycle, wearing my 'colors' on this  day.

 

Today is my blood father's birthday.  such a 50 generations man.  love of

family, love of wild hares and practical jokes, and in the past -- the

drink.  Mum seperated from him at my early age (2), and we've just gotten

back in contact with each other, so I have yet to ask him, "hey paw, could

you have been a conquistador??"

 

and as one who has dabbled in a better life through chemicals, I would hope

that what you suppose about needing to write is true.  yes, writing is

true.  but there is no denying the color and half-back tone of the drink

(or what not) there as well.

 

[[there can be no denial of the truth]] -- a yoko ono marathon, a yoko ono

marathon, a yoko ono marathon, a yoko ono marathon, a yoko ono marathon

[[the sound in me head this morning quoting my friend diana and her siren

songs]]

 

sometimes I think my whole family is medicated.  all of us running from the

bulls.  does Michael Jordan just drink Gatorade?  ah questions about da

drink.  if the man intends on remaining an island, often times the only

recourse is to drink himself to land??  an isthmus of peace and

tranquility??  If anything, I must say that da drink only irritates the

mind, and very occassionally the reader.  With that said, and my own

patience exploded, it's time for my coffee (or perhaps orange juice) today.

 

happy 4th!, > mc

 

cheers, Douglas  <<preparing my run to Lala country>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 4 Jul 1997 00:14:15 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Visions of Cody--Notes and Queries

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

> 

> OK,  like a good boy I have started my Visions of Cody assignment

> (though I think I have to throw in HST's Angel book with the other

> things I am simultaneously reading.)

> 

> Getting myself into the rythm of VOC--enjoying Jacks high cholesterol

> dinner reminsicences.  Struck by his mention of Al Collins on the radio

> as Jack and "Tom" are driving around. (p. 13 or my McGraw Hill

> paperback).

> 

>   Al "Jazbo" Collins is still doing his "Purple Grotto" bit,currently

> heard in the SF area on KCSM-FM  in San Mateo. Don't know if it is

> syndicated or strictly local. Friday or Saturday night if memory

> serves.  I remember hearing Jazbo on alternative FM in LA during the

> 60's in the Phil Donohue,  B. Mitchell Reed era.  Seemed a flash from

> the past at the time but hadn't realized he went back to the late

> forties.

> 

> Have a good Independence Day everyone and take a toke for those of us

> who will be working anyway.

> 

> J. Stauffer

 

Will add my notes & queries on the first twenty or so pages to yours.

Things that particularly struck me (page #'s seem to correspond to

your's.

 

pg. 8--"and thinking 'Good thing I have my Proust--in case I should ever

follow him all the way which is apparantly Paradise Alley over on the

river they'd see not only how beat my copy is but that I seriously carry

it around because I'm really reading it, really bemused in the streets

with it like they'd be'--really a scholar, hip mystic..."

 

My copies of Proust, sit, unread, something I was always going to do,

never did, can anyone expound in a paragraph or so on Proust's style of

writing.  Also have rememberances here of Ginsberg, if I remember it

correctly, "who ate fire in paint hotels or drank turpentine in Paradise

Alley, death, or purgatoried their torsos night after night..."

 

pg.  10

"When I see a leaf fall, I always say goodbye--And that has a sound which

is lost unless there is country stillness at which time I'm sure it

really rattles the earth, like ants in orchestras..."

 

 

pg 16-18--where he talks about the immensity of reflection in window,

people and daily goings on reflected, cars reflected, seeing parts of

things that are there--distorted by wall of glass--("I know now that

paranoia is the vision of what's happening and psychosis is the

hallucinated vision of what's happening, that paranoia is reality, that

paranoia is the content of things, that paranoia's never satisfied.")

 

pg. 25--George Handy's "The Blues,"--"--'though there's joy in our souls

(bop interlude) we are nothing but shits and we'll all die and eat shit

in our graves and are dying now..' Pretty powerful talk!"

 

DC

=========================================================================

Date:         Fri, 4 Jul 1997 09:23:24 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Germs

Comments: To: Marioka7@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:00 AM 7/4/97 -0400, you wrote:

>came into life

 

Isn't it: I came into this world?

 

 

>like a puzzled panther

>waiting to be caged

>but something stood in the way

>i was never...quite...

>tamed

>--------------the Germs

> 

> 

=========================================================================

Date:         Fri, 4 Jul 1997 09:24:44 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: correction

Comments: To: Marioka7@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:03 AM 7/4/97 -0400, you wrote:

>came into this world

 

Oh,

 

I read the first one first, and replied before your correction.

 

Anyhow,

 

if you're even talking about darby you'd better hide your beer.

 

 

>like a puzzled panther

>waiting to be caged

>but something stood in the way

>I was never

>quite...

>tamed...

>-------the Germs

> 

> 

=========================================================================

Date:         Fri, 4 Jul 1997 09:36:20 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: FW: Visions of Cody JK speaks

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970703211233Z-136@sd-mail.sd.oees.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Rinaldo writ;

 

> >http://www-hsc.usc.edu/~gallaher/k_speaks/soundsource.html

> >

> >The Kerouac singing sound is an outtake from the Blues and Haikus session.

 

thanx for posting this.  especially enjoyed hearing:

 

        http://www-hsc.usc.edu/~gallaher/k_speaks/RRE2.au

 

I imagined his voice different.  and that cool jazz in the background

scrunches against my perceived memory.  it's such an even voice, almost

without inflection.  Am gonna have to hear more.  <<Rhino!!>>

 

cheers, Douglas

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 4 Jul 1997 00:39:40 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: summer reading update: HST and JK

MIME-Version: 1.0

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Marie Countryman wrote:

> 

> I didnt forget: and i quote

>   i think it

> gives good insight into how much can be changed in a novel from the

>reality

> (or, at best, the memories of neal

> vs JK's romanticizing.)

> the reality is not first third, but of neal's memories which make up

>the

> first third.

> reality vs romancizing *or* human memory.

> i constantly question reality as much as i question my

>perceptions/memories

> from the reality.

> and then i get hung up wondrin'

> what is reality? probably no more than a perception of an event action

>or

> being on the part of the beholder.

> so in doing this comparison there are always 3 particpants: the

>memorybabe

> romantic jack; the life as a work of art itself neal; and the reader.

> (my last career and what i face daily these days have everything to do with

> memory from academic experiments to psychotherapy.)

> ,mc

 

 

Your perceptions of this seem pretty 'right on to me.'  Reality can be no

more than "a perception of an event or action on the part of the

beholder."  We often tried to grasp hold of something and say, "see, here

is reality, look at it. But it doesn't work. There are always several

realities at play, one for each participant. Jack's romantic reality,

Neil's reality tempered by experience, and the reality of the reader.

And in discussing VOC, we all bring together each of our different

realities as readers.  Intriguing, isn't it?

DC

=========================================================================

Date:         Fri, 4 Jul 1997 13:14:46 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: summer reading update: HST and JK

In-Reply-To:  <33BCA8BC.26B0@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DC, kudos to you for succintly putting my gropings into sharp and clear words:

"There are always several

realities at play, one for each participant. Jack's romantic reality,

Neil's reality tempered by experience, and the reality of the reader."

mc

=========================================================================

Date:         Fri, 4 Jul 1997 16:12:06 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Bruce Cockburn

 

from Bruce's 1984 album "Stealing Fire"

 

Maybe the Poet

 

maybe the poet is gay

but he'll be heard anyway

 

maybe the poet is drugged

but he won't stay under the rug

 

maybe the voice of the spirit

in which case you'd better here it

 

maybe he's a woman

who can touch you where you're human

 

male female slave or free

peaceful or disorderly

maybe you and he will not agree

but you need him to show you new ways to see

 

don't let the system fool you

all it wants to do is rule you

pay attention to the poet

you need him and you know  it

 

put him up against the wall

shoot him up with pentothal

 

shoot him up with lead

you won't call back what's been said

 

put him in  the ground

but one day you'll look around

 

there'll be a face you don't know

voicing thoughts you've heard before

 

male female slave or free

peaceful or disorderly

maybe you and he will not agree

but you need him to show you new ways to see

 

don't let the system fool you

all it wants to do is rule you

pay attention to the poet

you need him and you know it

=========================================================================

Date:         Fri, 4 Jul 1997 17:04:14 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      More Bruce

 

from the same album, one of my faves...

 

Sahara Gold

 

dance music from the corner bar

over dogs barking at a passing car

and your hair tumbles down like sahara gold

 

hot night  streets are full of life

carnival faces in rembrandt light

and your hair tumbles down like sahara gold

 

half moon shining though the blind

paints a vision of a different kind

and your hair tumbles down like sahara gold

 

wet limbs striped with silver light

locked together at the center of the night

and your hair tumbles down like sahara gold

 

night bloom fillin up the room

with the salt and musk of lovers' rich perfume

and your hair tumbles down like sahara gold

 

animal grins and wild shining eyes -

laughing and shouting we're a hundred storeys high

and your hair tumbles down like sahara gold

 

just happen to like this song/poem...  maybe someday i'll get brave enough to

post some of my own pitiful poetry...

 

ciao,

sherri

=========================================================================

Date:         Fri, 4 Jul 1997 17:26:23 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: summer reading update: HST and JK

 

yeah, i think reality is only the moment, nothing more, nothing less, it's all

here and now, no past no future, all one...  who know's what's really

happened, or if anything's happened...?  i get caught in this cycle all the

time.

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Marie Countryman

Sent:   Friday, July 04, 1997 9:01 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: summer reading update: HST and JK

 

>while jack may have been romaticizing, let us never forget that human memory

>is incredibly subjective and that much is played through the filter of who we

>are ane what we have done/become over time.  i think neal's version would be

>(haven't had a chance to read it yet) even more interesting for the insight

>into hwo he views himself, in addition to who he really is.

__________

i didnt forget: and i quote

  i think it

gives good insight into how much can be changed in a novel from the reality

(or, at best, the memories of neal

vs JK's romanticizing.)

the reality is not first third, but of neal's memories which make up the

first third.

reality vs romancizing *or* human memory.

i constantly question reality as much as i question my perceptions/memories

from the reality.

and then i get hung up wondrin'

what is reality? probably no more than a perception of an event action or

being on the part of the beholder.

so in doing this comparison there are always 3 particpants: the memorybabe

romantic jack; the life as a work of art itself neal; and the reader.

(my last career and what i face daily these days have everything to do with

memory from academic experiments to psychotherapy.)

,mc

=========================================================================

Date:         Fri, 4 Jul 1997 13:39:26 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      the meaning of...

 

Reply to message from country@SOVER.NET of Fri, 04 Jul

> 

>in that category i think one must see bob kaufman as the compleat beat as well:

>he threw himself on car hoods, declaimng poems and poetic manifesto . he

>wrote his pomes with no plan for publishing them. many still exist solely

>because friends would follow him, picking up pomes written on cocktail

>napkins and the like...he was busted many times, (reminscent of lenny

>bruce) and targeted by 'authorities' -socrates also comes to mind:

 

 

and so on...what caught my attention was the line, "he wrote his poems with

no plan for publishing them."  A few years ago (okay, two) I took a course

at my college called  "The Moral Positions of Poetry," in which we

discussed poetry & its meaning, its purpose, its obligation to society, if

it had any at all.  And one day our conversation was over this: if you

write a poem, but don't publish it, don't let anyone else read it, can it

really be a poem?  If the words are written down but then never read, can

it really be a work of art?  Isn't there an obligation to let your work be

heard once it's been written? Which consequently leads to thoughts of who

makes the poem, the writer writing the words on paper with their feelings &

emotions, or the reader who reads the words and adds new feelings &

emotions?  Is a poem really a poem if it's not read?  Kind of like the

question about the tree in the woods...

 

Okay, my head hurts.  Happy fourth of July; going to my friends soon with a

gallon of OJ & a bottle of sloe gin...let the fireworks begin! :)

 

Diane. (H, as opposed to C or D)

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Fri, 4 Jul 1997 10:45:57 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: independence day

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Diane....still existing in unbeknownst pockets of civilization are those

thrilled by the Fourth of July... people haven't abandoned our

town..it's alive with sparkle of excitement....kids booming with

energy..the picnics and parties and swimming...the adults happy..glad to

live in this country.  And when the jets zoom overhead..or when I get a

glimpse of the ungainly stealth... I think....YEAH! I like my country,

the people here...and am grateful to the men and women and taxpayers who

are willing to sacrifice for it.  My son painted the American

flag....three red stripes and a splatter of blue in the corner. It's

hanging on my fridge. I love it.  That flag gives you the right...to

express your contempt for your country and fellow Americans.  I,

however, on this particular day, would like to say how damn,

dingle-dangle lucky I am to live here, and raise children here, and be a

part of something I can take pride in ...and change if I see a need.

Barbara

 Cheers for those who keep our freedom alive...and those who died

creating it.

 

 

Diane De Rooy wrote:

> 

> For three days the neighborhood has been sounding with bombs and whistles,

> sirens of fire trucks, machine-gun retorting firecracker strings, all day,

> all night, like a war, no cease-fire, like Beirut. Every two minutes a big

> jet soars away from SeaTac, carrying people on holidays like torpedoes

> launching from submarines, on target.

> 

> And evening comes on the third of July and the town is shutting down. You can

> hear it. You can feel it. Everyone is gone somewhere. In ice chests

> watermelons chill alongside beer and the sun stays up in the sky to stare

> into people's windows, causing a breeze to run around it like a puppy looking

> for a tussle, tossing up bamboo shades, weak ramparts against the unrelenting

> horizontal rays of this star made of fire.

> 

> No cars on the streets... people walk right down the middle of the avenues,

> some drinking from brown paper bags, others sweating in uniforms dying to get

> home to have one day off, one lousy extra day off, for any reason at all.

> Previously unheard bird calls issue forth from bushes, these birds now

> willing to speak because they don't have to compete with cell phones and car

> horns and beepers. Little children's voices are the only sounds of human

> life, except the echoing of a basketball hard and hollow hitting the concrete

> driveway over and over and over and over goddamit shoot goddamit... god.

> 

> Small planes, float planes, planes dragging signs through the thick blue air,

> revving like lawnmower looking for clouds to trim, fly east to west, west to

> east, at right angles to the jets where passengers hear, "This is the captain

> speaking... if you'll look out the window to your left, you'll see Puget

> Sound and the Olympic Mountains. And not to be outdone, to the right you'll

> see the Cascades and Bill Gates' fortress on the shores of Medina, right here

> in the Emerald City..."

> 

> It feels like I'm the only one left in town, although I know that isn't true,

> but it's something I've always dreamed about, so it's okay with me. I'm

> amazed at the quiet. I don't know when was the last time this town was so

> still. I'm thinking about Central Washington, 100 degrees as usual, and this

> little breeze... over there this breeze can whip a firecracker in the grass

> into a wildfire before you can even get the garden hose turned on. I'm so

> glad to be here, not in that place which is truly next door to hell, where

> the smell of sulfur dominates chicken barbecuing on the grill and the heat

> makes you sit in the kiddies' pool without shame, where borate bombers drop

> their puny cargo with the efficacy of a wad shot into a condom, then drone on

> back to base camp for another load of blood-red dust and lots of summer

> overtime pay for the pilot.

> 

> 5 a.m. on the 4th of July and I wake up to those birds; I hadn't even noticed

> when they stopped singing. Now the sun breaks red over the ridge in the east,

> still staring through jet streams but cool and bright, a joker setting this

> town up for this day of uncertain weather. In a few minutes the jets will

> start up again, firecrackers will accompany breakfast, flags will be

> unfurled, maybe it'll start raining. Will I ponder the nature of freedom or

> eat potato salad?

=========================================================================

Date:         Fri, 4 Jul 1997 15:09:59 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: the meaning of...

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane M. Homza wrote:

> A few years ago (okay, two) I took a course

> at my college called  "The Moral Positions of Poetry," in which we

> discussed poetry & its meaning, its purpose, its obligation to society, if

> it had any at all.  And one day our conversation was over this: if you

> write a poem, but don't publish it, don't let anyone else read it, can it

> really be a poem?  If the words are written down but then never read, can

> it really be a work of art?  Isn't there an obligation to let your work be

> heard once it's been written? Which consequently leads to thoughts of who

> makes the poem, the writer writing the words on paper with their feelings &

> emotions, or the reader who reads the words and adds new feelings &

> emotions?  Is a poem really a poem if it's not read?  Kind of like the

> question about the tree in the woods...

 

> 

> Diane. (H, as opposed to C or D)

 

Diane:

 

If you write it and it means something to you, then it is different from

the tree in the forest because you hear the poem.  The tree in the

forest is heard by no one.  There are poets who never get published,

even when they want to be.  There are poets who get published that never

should be.  So, it is the intent of the creator, isn't it?

 

Then again, maybe it is only a poem if it receives the American Poetry

Society Seal of Authentic Poetry and is approved by both Newt Gingrich

and Jesse Helms.  Then it is real poetry.

 

Or maybe only if it has been condemned to death by a reviewer at the New

York Times.

 

Or maybe only if David takes it on a Firewalk and it comes back

unsinged.

 

Or maybe only if WSB uses it for target practice.

 

Or maybe only if HST finds it to be gonzo.

 

BTW, speaking of HST, to those who have never read HST, the closing

portion of Fear and Loathing on the Campaign Trail contains some straght

ahead writing about politics.  It is one of the finest sociological

essays I have seen written.  It is not gonzo, but brilliant and

insightful.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 4 Jul 1997 19:23:55 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: the meaning of...

 

heard that Bentz.  art is an experience.  so even if it only occurs in one's

head, it's experienced... that's enough for it to exist.

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of R. Bentz Kirby

Sent:   Friday, July 04, 1997 12:09 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: the meaning of...

 

Diane M. Homza wrote:

> A few years ago (okay, two) I took a course

> at my college called  "The Moral Positions of Poetry," in which we

> discussed poetry & its meaning, its purpose, its obligation to society, if

> it had any at all.  And one day our conversation was over this: if you

> write a poem, but don't publish it, don't let anyone else read it, can it

> really be a poem?  If the words are written down but then never read, can

> it really be a work of art?  Isn't there an obligation to let your work be

> heard once it's been written? Which consequently leads to thoughts of who

> makes the poem, the writer writing the words on paper with their feelings &

> emotions, or the reader who reads the words and adds new feelings &

> emotions?  Is a poem really a poem if it's not read?  Kind of like the

> question about the tree in the woods...

 

> 

> Diane. (H, as opposed to C or D)

 

Diane:

 

If you write it and it means something to you, then it is different from

the tree in the forest because you hear the poem.  The tree in the

forest is heard by no one.  There are poets who never get published,

even when they want to be.  There are poets who get published that never

should be.  So, it is the intent of the creator, isn't it?

 

Then again, maybe it is only a poem if it receives the American Poetry

Society Seal of Authentic Poetry and is approved by both Newt Gingrich

and Jesse Helms.  Then it is real poetry.

 

Or maybe only if it has been condemned to death by a reviewer at the New

York Times.

 

Or maybe only if David takes it on a Firewalk and it comes back

unsinged.

 

Or maybe only if WSB uses it for target practice.

 

Or maybe only if HST finds it to be gonzo.

 

BTW, speaking of HST, to those who have never read HST, the closing

portion of Fear and Loathing on the Campaign Trail contains some straght

ahead writing about politics.  It is one of the finest sociological

essays I have seen written.  It is not gonzo, but brilliant and

insightful.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 3 Jul 1997 17:13:05 +0000

Reply-To:     birdies@ix.netcom.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Birdie <birdies@IX.NETCOM.COM>

Organization: The Day-Glo Techno Trouser Club

Subject:      Movies: Jack & Neil

Comments: To: Sherri <love_singing@MSN.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hi all,

 

Birdie here...new to the list.

 

Is there an archive of posts?  a faq?

 

Has anyone seen "The Last Time I Committed Suicide" ~ about a few months

in the life of Neal Cassady during the 50's in Colorado? Heard it did

well at The Sundance Film Festival and it has gotten a very good review

in The LA Weekly.

 

Also, I may have missed posts about all this, but I've heard there is to

be a film made of JK's "On The Road". Anyone know who is directing,

writing, producing, starring in?

 

Stay cool!

 

Cheers then,

 

Birdie

=========================================================================

Date:         Fri, 4 Jul 1997 21:01:17 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hey,

 

Halftime of WNBA so i'll take a moment to type a bit.

 

I have diligently read a few pages in Cody several times now.  Each time

i come back to it i end up starting over.  Each time i begin and end in

the same fog.  Maybe that's what it is supposed to be - but maybe i'm

missing something b/c i ain't as familiar with the larger context of all

of this as so many of y'all.

 

i guess the question that creates the fog in all of this is i have no

sense of what is going on.  it seems like JK is lost in memory in

several different cases - and maybe that is why i have no sense of place

or time or any real sense of (dare i say) Reality.

 

it isn't that i'm not alright with the a-reality of memory experience

but i'm having one of those fears that i'm missing something that i need

to recall later.  i remember having this feeling long ago the first time

i ever read anything by JK.

 

so if there is something more concrete than snapshots of memory and

longing for connection with Cody in the first few pages somebody let me

in on what's happening.  if not, i'll just plunge forward soon -

probably not until the morning.

 

unrelated, i'm gradually and slowly in a meandering style beginning a

retrospective five years after the firewalk writings.  so far the

protagonist is a bathroom that is becoming My bathroom in a particular

apartment named #23.  the title of the entire project is "Salina" and it

begins with epigrams by JK, WSB, and Kenneth Burke.  FireWalk was a mad

fit of typing into and out of insanities i'd been in and out of for

several years.  Salina is, so far, an attempt to employ creativity to

return from chaos.  The container called bathroom is the focal point of

return.  From this temple only time will tell how many rooms and blocks

away the tale will roam.

 

hope everyone enjoyed their independence from King George and

subservience to Bubba and Newt today.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 4 Jul 1997 22:20:40 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Bubba and Newt

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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David:

 

Jesse Helms is the J Edgar Hoover of the 90's.  I don't know about his

preference for evening wear, but he has more power that Newt or Bubba

Bill.  I didn't do it, and if I did, it was only once.  Ask yourself,

would this country be half as amusing if Day Quayle was president?  No

way.  Long live Bubba.

 

And now, we have TAXATION DESPITE REPRESENTATION!!!!!!!

 

Thank God for that!

 

>From the Book of Dreams:  pg 121

 

WRITING DREAMS, TAKE NOTE OF THE WAY THE

DREAMING MIND CREATES

 

THE ANNALS OF JACK KEROUAC--Annals indeed--anal ones--the Mind wished

and dream'd itself a spate of San Jose where I'm taken to the parking

lot of work at a location I hadnt daydreamed, (word daydreamed

underlined) on that road leading North from Santa Clara towards the yard

office and the airport--and because I'm not drinking or smoking tea my

mind is very clear and I'm very friendly and direct with everyone and

play with the kids with a spirit of serenity etc.

 

Well, I think I'll get me an Anal Kerouac Beer.  Aged since 1969.

Eternal in its refreshing qualities and no more than a dime in US

currency.  Get yours before the orgones are gones.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 4 Jul 1997 19:43:34 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: JK/ HST

MIME-Version: 1.0

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marie--

 

Plaudits on far and away the best analysis of  Jack, the Bottle and

assorted dopes.

 

J Stauffer

 

Marie Countryman wrote:

 

> he drank.

> and he wrote.

> i dont think he wrote because he drank;

> i dont think he drank because he wrote;

> i think he wrote because he HAD to, was writing for years as child and

> never stopped.

> he may have started drinking to ease self in social situations (akward and

> shy) or to medicate away the pain of his sensitivity and depressions.

> but imho,

> all speculation about what he coulda been if he didnt drink is all moot to me.

>  ('i couldda be a contendor! (brando on the waterfront) and all that.

> speaking of HST/motorcycles/bad boys/legends and real life:  watching the

> wild bunch while i strip down my bicycle, wearing my 'colors' on this  day.

> mc

 

=========================================================================

Date:         Fri, 4 Jul 1997 21:56:50 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      BROTHER BENTZ

MIME-Version: 1.0

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Hey Bentz,

 

Helms is the new Hoover=97which speaking of=97you should see the

XXX Hoover from Slime Comix. Robert Peters sent me a copy for

$2.95. Robert's a helluva fine writer and poet-a good friend

of C. Plymell.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Fri, 4 Jul 1997 11:01:02 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody

MIME-Version: 1.0

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RACE --- wrote:

> 

> I have diligently read a few pages in Cody several times now.  Each

>time

> i come back to it i end up starting over.  Each time i begin and end in

> the same fog.  Maybe that's what it is supposed to be - but maybe i'm

> missing something b/c i ain't as familiar with the larger context of

>all

> of this as so many of y'all.

> 

> i guess the question that creates the fog in all of this is i have no

> sense of what is going on.  it seems like JK is lost in memory in

> several different cases - and maybe that is why i have no sense of

>place

> or time or any real sense of (dare i say) Reality.

> 

> it isn't that i'm not alright with the a-reality of memory experience

> but i'm having one of those fears that i'm missing something that i

>need

> to recall later.  i remember having this feeling long ago the first

>time

> i ever read anything by JK.

> 

> so if there is something more concrete than snapshots of memory and

> longing for connection with Cody in the first few pages somebody let me

> in on what's happening.  if not, i'll just plunge forward soon -

> probably not until the morning.

> 

 

My sense of the beginning of VOC is that it is supposed to be "out of

time."  No chronological sequence, just what is going on in his head in

each moment as he wanders around, remembering things, and describing in

great detail all that he sees.  Yes, longing for Cody at this point.  I

don't think we will see any chronological sequences.  My expectation is

that these short descriptive moments will just slowly turn into longer

ones that change somehow, moments that go on for more and more pages,

perhaps continual stream of consciousness or even beyond that.

DC

=========================================================================

Date:         Fri, 4 Jul 1997 21:55:54 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Bubba and Newt

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> David:

> 

> Jesse Helms is the J Edgar Hoover of the 90's.  I don't know about his

> preference for evening wear, but he has more power that Newt or Bubba

> Bill.  I didn't do it, and if I did, it was only once.  Ask yourself,

> would this country be half as amusing if Day Quayle was president?  No

> way.  Long live Bubba.

> 

> And now, we have TAXATION DESPITE REPRESENTATION!!!!!!!

> 

> Thank God for that!

> 

 

I think Bubba trumped Jesse when he picked a Dominatrix for Secretary of

State.  Amazing after that rendevouz how Jesse changed his tune on the

Chemical Weapons Treaty !!!!!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 4 Jul 1997 23:28:00 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

Comments: To: stand666@bitstream.net

MIME-Version: 1.0

Content-Type: text/plain; charset=unknown-8bit

Content-Transfer-Encoding: quoted-printable

 

In a message dated 97-07-03 23:52:56 EDT, you write:

 

<< When we first met he called me an idiot and I called him an asshole.

 After awhile, I would show up at his place (usually stoned) with some

 beer. He would drink it and then throw me out. I would just laugh and

 eventually we became friends=97a very slow process, I might add. When Ci=

ty

 Lights released Charles Plymell's, "The Last Of The Moccasins" in '71, I

 was totally blown away. Here was a man that spoke to my soul and had

 been thru similar hells. It was like discovering the "big brother" I

 always wanted. I met Allen Ginsberg in '72, and he turned me onto some

 of the Beat writers, but I always returned to Plymell as a Beat

 source=97he had the edge that seemed to be lacking in other writers at t=

he

 time. >>

 

Richard:

How wonderful it is to be mentioned with the idiots and assholes. We just

read your Pulse interview.  I printed so I could study it a little more. =

I

read the list every night but I hadn't seen it posted. Someone was asking

about the 666 a while back. Maybe it was peeling off that "Reichian armor=

". I

wonder how many on the list know about Wilhelm. I have a neat picture of =

his

orgone energy luminating in an 0.5 micron pressure vacuum tube. =20

Be back in touch later.  I'll read the interview again tonight.

Charley

Someone sent us a new computer and we're just breaking it in.

=========================================================================

Date:         Fri, 4 Jul 1997 23:32:58 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Scattered Poems

 

Are angels coming back now?

C. Plymell

=========================================================================

Date:         Fri, 4 Jul 1997 23:37:57 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cody

 

Firewalking firetalking. I met a woman from Big Sur tonight.  Didn't think

I'd ever meet a woman from Big Sur and here she was in Cherry Valley.

Yours in the saline sunset.

An old salt.

Charles Plymell

=========================================================================

Date:         Fri, 4 Jul 1997 22:36:29 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Scattered Poems

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> Are angels coming back now?

> C. Plymell

 

I think they made the cover of TIME magazine a few years back -- but i

don't think its the same crew of angels.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 4 Jul 1997 20:44:48 PDT

Reply-To:     Tamelyn Feinstein <sleepytam@HOTMAIL.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tamelyn Feinstein <sleepytam@HOTMAIL.COM>

Subject:      greetings

Content-Type: text/plain

 

greetings to all I'm new to the list. Am reading all I can about

Ginsburg and am completely in love.

 

please send your suggestions as to what I should read (I'm a bit of a

novice here) also any great stories you have.

 

_______________________________________________________

Get Private Web-Based Email Free http://www.hotmail.com

=========================================================================

Date:         Fri, 4 Jul 1997 21:11:38 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

If listmembers are ignorant of W. Reich they should check him out.

Stricks me as the only Psych. theorist to be a useful basis for the

hipster revolution.  A revolutionary like Pound who looked to need

locking up.  Does WSB still use an orgone box?  I did some interesting

work with Chuck Kelley who was a Reich disciple in LA and Ojai.

 

J Stauffer

Charles Plymell wrote . . .

 

 Maybe it was peeling off that "Reichian armor". I

> wonder how many on the list know about Wilhelm. I have a neat picture of his

> orgone energy luminating in an 0.5 micron pressure vacuum tube.

=========================================================================

Date:         Fri, 4 Jul 1997 21:15:24 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

How fitting to have Big Sur come to Cherry Valley.  May crews of Angels

have given you all a good Fourth, I'm going forth to watch the

fireworks, do some firewalks,  a Marswalk or two, and maybe look for a

beer and a pool game.

 

James Stauffer

 

Pamela Beach Plymell wrote:

> 

> Firewalking firetalking. I met a woman from Big Sur tonight.  Didn't think

> I'd ever meet a woman from Big Sur and here she was in Cherry Valley.

> Yours in the saline sunset.

> An old salt.

> Charles Plymell

=========================================================================

Date:         Sat, 5 Jul 1997 00:30:12 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: 8bit

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-07-03 23:52:56 EDT, you write:

> 

> << When we first met he called me an idiot and I called him an asshole.

>  After awhile, I would show up at his place (usually stoned) with some

>  beer. He would drink it and then throw me out. I would just laugh and

>  eventually we became friends a very slow process, I might add. When City

>  Lights released Charles Plymell's, "The Last Of The Moccasins" in '71, I

>  was totally blown away. Here was a man that spoke to my soul and had

>  been thru similar hells. It was like discovering the "big brother" I

>  always wanted. I met Allen Ginsberg in '72, and he turned me onto some

>  of the Beat writers, but I always returned to Plymell as a Beat

>  source he had the edge that seemed to be lacking in other writers at the

>  time. >>

> 

> Richard:

> How wonderful it is to be mentioned with the idiots and assholes. We just

> read your Pulse interview.  I printed so I could study it a little more. I

> read the list every night but I hadn't seen it posted. Someone was asking

> about the 666 a while back. Maybe it was peeling off that "Reichian armor". I

> wonder how many on the list know about Wilhelm. I have a neat picture of his

> orgone energy luminating in an 0.5 micron pressure vacuum tube.

> Be back in touch later.  I'll read the interview again tonight.

> Charley

> Someone sent us a new computer and we're just breaking it in.

Charles:

 

They have now done experiments with electrical charges through cells.

If they keep it at the approriate level, good health.  If they raise or

lower it, then cancer grows.  If they take it back, the cancer is kaput.

Reich was right.  Alexander Lowen expanded on Reich's theories in a

conventional therapy way.  He developed certain exercises designed to

break up the armor.  Very good reading too.

 

peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 00:56:55 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      The Drummer

MIME-Version: 1.0

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THE DRUMMER

 

The Drummer beats out my rhythm

Dum-dum, Dum-da-da-Dum

Dum-dum, Dum-da-da-Dum,

Driving this machine higher,

Making me see fire,

Driving this machine higher!

Bam-bam, dum-dum-dum

Bam-bam, dum-dum-dum.

 

He carries the beat,

He makes the rhythm,

bum-da-bum-da-da-da-da

bum-bum-bum-da-dum-da-da

And the guitar can fly,

So high, so high, so high.

I feel electric,

My body is wracked by snares,

My body is tumbled by tom-toms.

 

And for three years he was the BEST in the world.

A little white boy,

Man, he was the best!

King of the hill.

 

Now, cheap hotels.

Week long drunks.

Stolen friendships.

Forged autographs.

Fraudulent deals for a drink.

Better that he had died.

Better than he had died.

 

Such is the ugly face,

Of bitterness revealed,

Such is 4/4 time ingrained,

That will not stop.

Such is the fame,

That was a stone,

Around his neck.

 

Better that he loved poppies.

Better that he popped lovers.

Better that he had disappeared.

Better that he had gone to Mars.

Better that he never saw Bars.

Better that he never loved cheap wine.

Better that his soul was saved.

Better that his ego was sucked up.

Better that his sticks had never beaten.

Better that his live had not been liven.

Better that his lies had not been given.

 

Better for me that his three years were liven,

But that was better for me, not him.

Better for me that he made the music,

But the muses ate his soul,

But refused his body.

 

The muses are not kind.

Nor are they blind,

They refused his body for a reason.

Death seemed too good for him.

As he had no life to live.

 

The drummer beat the rhythm

Of the best rock music

Has ever given.

Beat the rhythm,

Til he gave all he had for giving.

The drummer beat the rhythm,

But you listen and know not what you're given.

The drummer beat the rhythm.

 

 

 

 

 

 

 

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 00:52:11 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

In-Reply-To:  <33BDC97A.2B46@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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>If listmembers are ignorant of W. Reich they should check him out.

>Stricks me as the only Psych. theorist to be a useful basis for the

>hipster revolution.

 

Orgones are cells that live and die dependent on a specific thing like

drugs? i read On the Road and Junkie by Burroughs where there is a lot of

mention of orgones, but don't remember a lot. Don't know anything about

Reich besides beat references, but am wondering can orgones be dependent on

say, artistic creation, or less material or organic things, or am i

completely wrong about what they are?

 

-leo

=========================================================================

Date:         Sat, 5 Jul 1997 02:52:46 -0500

Reply-To:     Natalie Foster <nfoster@SOUTHWIND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Natalie Foster <nfoster@SOUTHWIND.NET>

Subject:      *quiet

MIME-Version: 1.0

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one can only look at these posts so long without saying anything. =

sometimes I just want to beging typing wildly, anything and everything =

on my blank white computer screen and then send it in for it to appear =

curiously in each of your boxes and i to sit here in Kansas knowing that =

each one of you are in different time zones reading my thoughts and =

fears and judging them, and possibly replying but probably not.

and so I don't.

and so I flip the switch and got to bed...another

poem, story, line

lost

I just wanted to write in tonight, seeing that it isn't so busy...and =

voice the fact that all of you are so incredible in your ways...reading =

many of your posts, one can come to see the personalities take form. One =

can learn so very much. I have. from a quiet bystander on the list, =

thanks. Keep it up. I have received the reading list for my Great Books =

colloquiem (sp) in the Fall and realize that I won't be touching any of =

my favorites for a while~ It is quite extensive. So I am placing Jack =

and Allen and Gregory on the shelf for a while in favor of Milton, =

Sophocles and Sappho. :( I know I will be glad I did it in the end, but =

it sure is hard in the time being to read a set list that is placed =

before me!

Well, enjoy what is left of the fourth~

 

Quietly at the terminal,

 

natalie

=========================================================================

Date:         Sat, 5 Jul 1997 13:06:18 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Friday (afternoon, summer)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Friday          afternoon       summer

        blue collars    clean out       punching papers

        bank                    closed

 

        calm    calm

 

        hasty employees swarm           like ants

 

        calm    calm

 

        money has stopped working       (except credit card)

 

        &

        pensioners      have lost       the cork of the bottle

        &

        cats

        &

        cats are dozing on the patio

        &

        cats wont' eat the poor birdies fallen from the nest

        &

        clouds

 

        clouds?

 

        & the clouds turned pink from the brush of canaletto

 

        calm    calm    calm

 

        until

        MONDAY

 

---

yrs

Rinaldo.

 

*

"Io sono una forza del Passato.

Solo nella tradizione e' il mio amore."

Pier Paolo Pasolini

*

=========================================================================

Date:         Sat, 5 Jul 1997 07:19:54 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

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Sinverg=FCenza wrote:

>=20

> >If listmembers are ignorant of W. Reich they should check him out.

> >Stricks me as the only Psych. theorist to be a useful basis for the

> >hipster revolution.

>=20

> Orgones are cells that live and die dependent on a specific thing like

> drugs? i read On the Road and Junkie by Burroughs where there is a lot =

of

> mention of orgones, but don't remember a lot. Don't know anything about

> Reich besides beat references, but am wondering can orgones be dependen=

t on

> say, artistic creation, or less material or organic things, or am i

> completely wrong about what they are?

>=20

> -leo

 

i'd be very interested in reading tales and legends from folks who have

experience with these orgone notions.  i've seen and heard a bit over

years in theory.  always think the tales of the guinea pigs this-selfs

provide a very important angle.

 

hope to hear more tales of the legendary boxes.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 4 Jul 1997 22:13:04 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

> Sinverg=FCenza wrote:

>=20

> Orgones are cells that live and die dependent on a specific thing like

> drugs? i read On the Road and Junkie by Burroughs where there is a lot=20

> of

> mention of orgones, but don't remember a lot. Don't know anything=20

> about

> Reich besides beat references, but am wondering can orgones be=20

> dependent on

> say, artistic creation, or less material or organic things, or am i

> completely wrong about what they are?

>=20

>  -leo

> RACE --- wrote:

>=20

> i'd be very interested in reading tales and legends from folks who have

> experience with these orgone notions.  i've seen and heard a bit over

> years in theory.  always think the tales of the guinea pigs this-selfs

> provide a very important angle.

>=20

> hope to hear more tales of the legendary boxes.

>=20

> david rhaesa

> salina, Kansas

 

The cell explanation makes some sense, but where does the box come in?

DC

=========================================================================

Date:         Fri, 4 Jul 1997 23:30:33 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody

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I'm now at the letter at the end of part 1, pgs. 38-43, seems like we are

finally being set up for JK's writing about Cody, which looks like

it's about to begin in part 2, getting past the yearning to the point

where we are told why Cody means so much to him.

 

Can you imagine receiving this letter? Reveals a tremendous amount about

what is going on in JK's head:

 

"anybody who knows the sum and substance of what I know and feel and cry

about in my secret self all the time when I don't feel strong, the

sorrows of time and personality, and can therefore on all levels make it

all the way with me...I am completely your friend, your 'lover,' he who

loves you and digs your greatness completely--haunted in the mind by

you..."

 

There have been quite a few Joycian references up to this point, was this

the time he was reading Joyce?

 

describing Swenson (does anyone who Swenson refers to?) as "wrapping

himself around doors, melting, like Bloom, most like Leopold Bloom in a

Dream..." (odyssey structure referred to later).

 

Then, "I dig Joyce and Proust above Melville and Celine, like you; and I

dig you as we together dig the lostness and the fact that of course

nothing's ever to be gained but our death..."

 

Also lots of personal consciousness of death, guilt, and needing

something beyond what he can find--soul-searching going on as in these

two passages:

 

"I am conscious of my own personal tragedy...I have the persistent

feeling that I'm going to die soon, only the feeling, no real I think

wish or 'premonition.' I feel like I've done wrong, to myself the most

wrong, I'm throwing away something that I can't even find in the

incredible clutter of my being, but it's going out with the refuse en

masse, buried in the middle of it, every now and then I think I get a

glimpse....

 

"I really know now, you'll see, of course everything is fine because I've

won (you see I almost lost this summer, if I had gone to Mexico with

Julien instead of re-remembering my soul in the hospital (Oh what things

I have or could tell you about the hospital!  what literatures out of

just that one month (remember the wheelchair letter?) for my big personal

knowledge of the Odyssey structure (this is apart from objective

fragments of my life to examine)--with Julien, Mexico, drunk, June dying,

I might have gone under, that is seriously, in the habit of dying and

started doing it and maybe even in the powerful gut feeling I had (and

still do, never had it before, it makes me lush) maybe even a habit

itself, junk, from sheer need to turn over before I kick the dog..."

 

DC

=========================================================================

Date:         Sat, 5 Jul 1997 11:53:22 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      AG, HST, HELL'S ANGELS, PRANKSTERS

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Content-Type: text/plain; charset="us-ascii"

 

ok i'm just about down to turn my hog in for fast cars and women re:Cody,

but before i do here is a piece of history:

 

"during the weeks prceeding the second march on the oakland army terminal,

AG spent much of his time trying to persuade Barger and his people notto

attack the marchers. on the wednesday before the march ginsberg, kesey,

cassady, some of keysey's pranksters and a group of angels met at Barger's

housein oakland. A lot of lsd was taken, foolish political discussion was

resolved by phonograph voices of joan baez and bob dylan, all concluding

with the whole group chanting the text of the Prajnaparamitra Sutre, the

buddhist highest, perfect word sermon.

the outlaws had never seen anyone quite like Ginsberg: they considered him

otherwordly. 'that goddamn ginsverg is gonna fuck us *all* up' said terry.

'for a guy that aint straight at all, he's about the straightest son of a

bitch i ever seen. man, you shoulda been there when he told sonny he loved

him...sonny didnt know what the hell to say.'

the angels never really understood what ginsberg meantginsverg meant, but

his  unnerving frankness and the fact that kesey  liked him gave them

second thoughts about attacking a march that he obviously considered a

Right thing. shortly before the november march, ginsberg published this

speech in the berkeley barb (please ignore typos, no caps, etc.)

To The Angels

these are the thoughts-anxieties-of anxious marchers

        that the angels will attack them

                for kicks, or to get publicity, to take th heat off

                        themselves

                or to get the goodwill of police&press/or right

                        wing money

That a conscious deal has been made with oakland

        police

        or an unconscious rapport, tacit understanding

        mutual sympathy

        that oakland will laly off persecuting the angels

        if the angels attack & break up the march &

                make it a riot

Is any of this true, or is it the paranoia of the less

        stable-minded marchers?

As long as angels are ambivuous and don't give open

        reassurance that they could be trusted to be tranquil,

the anxious souls, the naturally violent, the insecure, the

hysterics among the marchers have an excuse for

policy of

        self-defense thru violence,

        a rationalization for their own inner violence

That leaves the marchers with choice of defending them-

        selves thru force on a ccount of fear & threat

        unleashing the more irrational minority of rebels

or at best, defending themselves cool, under control

        BUT CRITICIZED FOR BEING LAWLESS

or not defending selves,        and possible abandoned by plice

        (for we have no clear assurance from oakland police

                that they will sincerely try to maintain order and guard

                        our lawful right to march)

if you attack,&having innocent pacifists, youths

        &old ladies busted up

        AND CRITICIZED AS IRRESPONSIBLE COWARDS

        by you, by press, by public and by violence loving leftists

                & rightists

.........

You dont want to "change" you want to be yourselves

        & if that includes sadism, or forced hostility,

        here's a situation where you can get away with it.

BUT NOBODY WANTS TO REJECT THE SOULS OF

        THE HELL'S ANGELS

                or make them change-

                        WE JUST DON'T WANT TO GET BEAT UP

.......

what ELSE, besides this politics, will take the heat

        off the hell's angels?

that heat's on everybody, no just you

        to go to war, to be drafted,

                to make money on war jobs and &economy, to be destroyed

        by Bomb, to get busted

                for pot--

 

to take the heat off, you've got

        to take the heat off

                INSIDE YOURSELFVES--

        find peace means stop hating youself

                stop hating people who hate you

                stop reflecting HEAT

        THERE ARE PEOPLE WHO ARE NOT HEAT

        THE MOST OF PEACE MARCHERS ARE NOT HEAT

they want you to join them to relieve

        the heat on you & on all of us

...............

how much the march will be a free expression

        of calm people who have controlled

        their own hatreds

and are showing the american people

        how to control their own feat & hatred

and once and for all be done with the pressure

        building up to annhilate the planet

and take our part ENDING THE HEAT  on earth

(delivered as a speech at san jose state college

monday november 15, 1965

before students and representatives of

bay areas hell's angels

 

on nov. 19--day before the march--the angels called a pres conference to

announce that they would not counterdemonstrate "in the interest of public

safety and the good name of oakland....because our patriotic concern for

what these people are doing to our great nation may provoke us to violent

acts.. [and that] any physical encounter would only produce sympathy for

this mob of traitors."

 

mc.

=========================================================================

Date:         Sat, 5 Jul 1997 15:50:04 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody

 

Very frustrated that I haven't started reading VOC yet. Should be getting up

to City Lights today.  Looks amazing and fascinating, thanks for whetting my

appetite even further, Diane.  If there's one thing I can't resist, it's

anything that refers to Ulysses...  What a dunce I've been for not reading

Cody sooner.

 

Ciao,

Sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Friday, July 04, 1997 11:30 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Cody

 

I'm now at the letter at the end of part 1, pgs. 38-43, seems like we are

finally being set up for JK's writing about Cody, which looks like

it's about to begin in part 2, getting past the yearning to the point

where we are told why Cody means so much to him.

 

Can you imagine receiving this letter? Reveals a tremendous amount about

what is going on in JK's head:

 

"anybody who knows the sum and substance of what I know and feel and cry

about in my secret self all the time when I don't feel strong, the

sorrows of time and personality, and can therefore on all levels make it

all the way with me...I am completely your friend, your 'lover,' he who

loves you and digs your greatness completely--haunted in the mind by

you..."

 

There have been quite a few Joycian references up to this point, was this

the time he was reading Joyce?

 

describing Swenson (does anyone who Swenson refers to?) as "wrapping

himself around doors, melting, like Bloom, most like Leopold Bloom in a

Dream..." (odyssey structure referred to later).

 

Then, "I dig Joyce and Proust above Melville and Celine, like you; and I

dig you as we together dig the lostness and the fact that of course

nothing's ever to be gained but our death..."

 

Also lots of personal consciousness of death, guilt, and needing

something beyond what he can find--soul-searching going on as in these

two passages:

 

"I am conscious of my own personal tragedy...I have the persistent

feeling that I'm going to die soon, only the feeling, no real I think

wish or 'premonition.' I feel like I've done wrong, to myself the most

wrong, I'm throwing away something that I can't even find in the

incredible clutter of my being, but it's going out with the refuse en

masse, buried in the middle of it, every now and then I think I get a

glimpse....

 

"I really know now, you'll see, of course everything is fine because I've

won (you see I almost lost this summer, if I had gone to Mexico with

Julien instead of re-remembering my soul in the hospital (Oh what things

I have or could tell you about the hospital!  what literatures out of

just that one month (remember the wheelchair letter?) for my big personal

knowledge of the Odyssey structure (this is apart from objective

fragments of my life to examine)--with Julien, Mexico, drunk, June dying,

I might have gone under, that is seriously, in the habit of dying and

started doing it and maybe even in the powerful gut feeling I had (and

still do, never had it before, it makes me lush) maybe even a habit

itself, junk, from sheer need to turn over before I kick the dog..."

 

DC

=========================================================================

Date:         Sat, 5 Jul 1997 09:12:34 +0000

Reply-To:     wirtz@ridgecrest.ca.us

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike & Barbara Wirtz <wirtz@RIDGECREST.CA.US>

Subject:      Re: big apologies from a girl who talks too much (and to the

              wrong person!!)

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

Becca. absolutely no problem whatsoever...although you may want to

withdraw that offer of menial household work when you find out I have a

four yr old and three yr old...I get to pick all sorts of fun and

interesting  things out of the carpet! (did anyone know that Lucky

Charms and milk turn into superglue after 24 hours? its true...I've

stumbled onto a trade secret or something) :)

Barb

 

 

Becca91894@aol.com wrote:

> 

> barbara--

> 

> i'm sorry.  apparently i confused you with someone else when responding to

> "your" post.  i meant no harm and was not attempting to aim fire at

> anyone--it was just a thought of my own that sort of corresponded with what

> the post was about.

> i really has no intention of offending anyone, and if i did so with my reply

> (as i suspect i did) i'm truly sorry.  look at me, i'm on the list two weeks

> and i've already alienated someone!  i don't know what to say except to

> apologize profusely and hope you can accept that, since i can't be at your

> house to do any menial work as punishment for upsetting you. :)

> 

> hmmm.  i wonder who i meant to send that to?

> 

> again, i'm very sorry for any negative feelings i caused you to feel.

> 

> in contrition,

> 

> becca

=========================================================================

Date:         Sat, 5 Jul 1997 17:29:35 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

 

ok,  i'll show my ignorance, what's the name of the book? have to read it...

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of R. Bentz Kirby

Sent:   Friday, July 04, 1997 9:30 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: PULSE INTERVIEW (UNCENSORED)

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-07-03 23:52:56 EDT, you write:

> 

> << When we first met he called me an idiot and I called him an asshole.

>  After awhile, I would show up at his place (usually stoned) with some

>  beer. He would drink it and then throw me out. I would just laugh and

>  eventually we became friends a very slow process, I might add. When City

>  Lights released Charles Plymell's, "The Last Of The Moccasins" in '71, I

>  was totally blown away. Here was a man that spoke to my soul and had

>  been thru similar hells. It was like discovering the "big brother" I

>  always wanted. I met Allen Ginsberg in '72, and he turned me onto some

>  of the Beat writers, but I always returned to Plymell as a Beat

>  source he had the edge that seemed to be lacking in other writers at the

>  time. >>

> 

> Richard:

> How wonderful it is to be mentioned with the idiots and assholes. We just

> read your Pulse interview.  I printed so I could study it a little more. I

> read the list every night but I hadn't seen it posted. Someone was asking

> about the 666 a while back. Maybe it was peeling off that "Reichian armor".

I

> wonder how many on the list know about Wilhelm. I have a neat picture of his

> orgone energy luminating in an 0.5 micron pressure vacuum tube.

> Be back in touch later.  I'll read the interview again tonight.

> Charley

> Someone sent us a new computer and we're just breaking it in.

Charles:

 

They have now done experiments with electrical charges through cells.

If they keep it at the approriate level, good health.  If they raise or

lower it, then cancer grows.  If they take it back, the cancer is kaput.

Reich was right.  Alexander Lowen expanded on Reich's theories in a

conventional therapy way.  He developed certain exercises designed to

break up the armor.  Very good reading too.

 

peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 13:39:20 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Cody/memory/dr sax

In-Reply-To:  <33BDEA09.611C@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

ok down off the hogs for a while. in codyville (the imaginary place that

denver becomes in jack's mind -- hey for that matter, does anyone who has

heard the ryko tribute CD kicks, etc - enjoyed mike stipe's piece with the

sad little tinny music to accompany 'our gang' and the connection to jack's

brown room in pawtucketville when he played all his elaborate games and

kept meticulous records of, newspapers etc? as he says hello to his mother

and goes upstairs enters bedroom and tiny pool hall and bar and all his

gang in there? it collapses so much together of JK boyhood recollections

AND BY THE WAY

this is not out of line or subject:

on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

with whoever wrote that opening passages are 'visions' of cody and out of

space and time, which ok here comes the quote gets me back here:

p6

"building is ancient red-1880 redbrick--three stories--over its roof i can

see cosmic italian oldfashioned 18 story office block building with

ornaments and blueprint lights inside that reminds me of eternity, the

enormous house of dusk where everybody is putting on their coats--and going

down black stairs like fire eescapes to eat supper in the dungeon of Time

underneath just a few feet over the snake--and DR SAX clambers over the

wallsides as night falls, with his suction cups-and the superintendant is

sleeping."

=========================================================================

Date:         Sat, 5 Jul 1997 14:30:32 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

 

In a message dated 97-07-04 23:29:30 EDT, you write:

 

<< "Reichian armor". I

 wonder how many on the list know about Wilhelm. >>

 

I was just thinking about this film i saw where an Indonesian man could

control the electical energy in his body and was able to send electric

charges into people through needles like acupuncture and heal them.

 

I wonder to what extent it is possible to control one's orgone cells

consciously. ----maya

=========================================================================

Date:         Sat, 5 Jul 1997 13:27:01 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

In-Reply-To:  <33BDD7E0.364A@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

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Diane Carter wrote:

 

>> Sinverg=FCenza wrote:

>> 

>> Orgones are cells that live and die dependent on a specific thing like

>> drugs? i read On the Road and Junkie by Burroughs where there is a lot

>> of

>> mention of orgones, but don't remember a lot. Don't know anything

>> about

>> Reich besides beat references, but am wondering can orgones be

>> dependent on

>> say, artistic creation, or less material or organic things, or am i

>> completely wrong about what they are?

>> 

>>  -leo

>> RACE --- wrote:

>> 

>> i'd be very interested in reading tales and legends from folks who have

>> experience with these orgone notions.  i've seen and heard a bit over

>> years in theory.  always think the tales of the guinea pigs this-selfs

>> provide a very important angle.

>> 

>> hope to hear more tales of the legendary boxes.

>> 

>> david rhaesa

>> salina, Kansas

> 

>The cell explanation makes some sense, but where does the box come in?

>DC

 

In On the Road, Bull Lee (Burroughs) sits in one of these boxes which

supposedly channels orgone energy from the sun or something. Don't remember

all that very well either. i'd like to know more about the boxes.

 

-leo

=========================================================================

Date:         Sat, 5 Jul 1997 13:26:50 -0500

Reply-To:     =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: AG, HST, HELL'S ANGELS, PRANKSTERS

In-Reply-To:  <l03020906afe3d8b4ef9a@[206.25.67.118]>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Marie Countryman wrote:

 

>ok i'm just about down to turn my hog in for fast cars and women re:Cody,

>but before i do here is a piece of history:

> 

>"during the weeks prceeding the second march on the oakland army terminal,

>AG spent much of his time trying to persuade Barger and his people notto

>attack the marchers. on the wednesday before the march ginsberg, kesey,

>cassady, some of keysey's pranksters and a group of angels met at Barger's

>housein oakland. A lot of lsd was taken, foolish political discussion was

>resolved by phonograph voices of joan baez and bob dylan, all concluding

>with the whole group chanting the text of the Prajnaparamitra Sutre, the

>buddhist highest, perfect word sermon.

>the outlaws had never seen anyone quite like Ginsberg: they considered him

>otherwordly. 'that goddamn ginsverg is gonna fuck us *all* up' said terry.

>'for a guy that aint straight at all, he's about the straightest son of a

>bitch i ever seen. man, you shoulda been there when he told sonny he loved

>him...sonny didnt know what the hell to say.'

>the angels never really understood what ginsberg meantginsverg meant, but

>his  unnerving frankness and the fact that kesey  liked him gave them

>second thoughts about attacking a march that he obviously considered a

>Right thing. shortly before the november march, ginsberg published this

>speech in the berkeley barb (please ignore typos, no caps, etc.)

>To The Angels

>these are the thoughts-anxieties-of anxious marchers

>        that the angels will attack them

>                for kicks, or to get publicity, to take th heat off

>                        themselves

>                or to get the goodwill of police&press/or right

>                        wing money

>That a conscious deal has been made with oakland

>        police

>        or an unconscious rapport, tacit understanding

>        mutual sympathy

>        that oakland will laly off persecuting the angels

>        if the angels attack & break up the march &

>                make it a riot

>Is any of this true, or is it the paranoia of the less

>        stable-minded marchers?

>As long as angels are ambivuous and don't give open

>        reassurance that they could be trusted to be tranquil,

>the anxious souls, the naturally violent, the insecure, the

>hysterics among the marchers have an excuse for

>policy of

>        self-defense thru violence,

>        a rationalization for their own inner violence

>That leaves the marchers with choice of defending them-

>        selves thru force on a ccount of fear & threat

>        unleashing the more irrational minority of rebels

>or at best, defending themselves cool, under control

>        BUT CRITICIZED FOR BEING LAWLESS

>or not defending selves,        and possible abandoned by plice

>        (for we have no clear assurance from oakland police

>                that they will sincerely try to maintain order and guard

>                        our lawful right to march)

>if you attack,&having innocent pacifists, youths

>        &old ladies busted up

>        AND CRITICIZED AS IRRESPONSIBLE COWARDS

>        by you, by press, by public and by violence loving leftists

>                & rightists

>.........

>You dont want to "change" you want to be yourselves

>        & if that includes sadism, or forced hostility,

>        here's a situation where you can get away with it.

>BUT NOBODY WANTS TO REJECT THE SOULS OF

>        THE HELL'S ANGELS

>                or make them change-

>                        WE JUST DON'T WANT TO GET BEAT UP

>.......

>what ELSE, besides this politics, will take the heat

>        off the hell's angels?

>that heat's on everybody, no just you

>        to go to war, to be drafted,

>                to make money on war jobs and &economy, to be destroyed

>        by Bomb, to get busted

>                for pot--

> 

>to take the heat off, you've got

>        to take the heat off

>                INSIDE YOURSELFVES--

>        find peace means stop hating youself

>                stop hating people who hate you

>                stop reflecting HEAT

>        THERE ARE PEOPLE WHO ARE NOT HEAT

>        THE MOST OF PEACE MARCHERS ARE NOT HEAT

>they want you to join them to relieve

>        the heat on you & on all of us

>...............

>how much the march will be a free expression

>        of calm people who have controlled

>        their own hatreds

>and are showing the american people

>        how to control their own feat & hatred

>and once and for all be done with the pressure

>        building up to annhilate the planet

>and take our part ENDING THE HEAT  on earth

>(delivered as a speech at san jose state college

>monday november 15, 1965

>before students and representatives of

>bay areas hell's angels

> 

>on nov. 19--day before the march--the angels called a pres conference to

>announce that they would not counterdemonstrate "in the interest of public

>safety and the good name of oakland....because our patriotic concern for

>what these people are doing to our great nation may provoke us to violent

>acts.. [and that] any physical encounter would only produce sympathy for

>this mob of traitors."

> 

>mc.

 

there's a short poem in Ginsberg Collected Poems '57-80 called party at Ken

Kesey's w/ Hells Angel's or something like that. i may be remembering the

title wrong. more of a mood/feeling piece.

 

-leo

=========================================================================

Date:         Sat, 5 Jul 1997 03:04:52 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: AG, HST, HELL'S ANGELS, PRANKSTERS

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Sinverg=FCenza wrote:

>=20

> there's a short poem in Ginsberg Collected Poems '57-80 called party at=

=20

> Ken

> Kesey's w/ Hells Angel's or something like that. i may be remembering=20

> the

> title wrong. more of a mood/feeling piece.

>=20

 

This is the poem you are thinking of, written by Ginsberg in 1965:

 

First Party at Ken Kesey's with Hell's Angels

 

Cool black night thru the redwoods

cars parked outside in shade

behind the gate, stars dim above

the ravine, a fire burning by the side

porch and a few tired souls hunched over

in black leather jackets.  In the huge

wooden house, a yellow chandelier

at 3 a.m. the blast of loudspeakers

hi-fi Rolling Stones Ray Charles Beatles

Jumping Joe Jackson and twenty youths

dancing to the vibration thru the floor,

a little weed in the bathroom, girls in scarlet

tights, one muscular smooth skinned man

sweating dancing for hours, beer cans

bent littering the yard, a hanged man

sculpture dangling from a high creek branch,

children sleeping softly in their bedroom bunks.

And 4 police cars parked outside the painted

gate, red lights revolving in the leaves.

 

DC

=========================================================================

Date:         Sat, 5 Jul 1997 15:23:59 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Washington, DC Independence day

Comments: To: babu@electriciti.com

 

my mind is drawing blank after blank after blank

like an unstudied exam where the clocks tick loud, sweating.

 

"Things stay the same, here", he said last night;

were my eyes full of kisses as he talked to me?

A sizzle, high-pitched hissing, the smell of sulfer.

 

"I like the smell of matches" his mouth radiated,

sending the words to float on the sulfer breeze.

somebody overheard and agreed softly, breathing.

 

At night, faces are flashes of white when lighting cigarrettes.

fireworks sound like bass drums, resonating in the chest.

 

The boy with the black hair looked at me from his seat on the steps,

while A. told me about ghosts she saw in a hotel in Mexico.

I snuck looks at him between "Really?"s.

 

The night was cool after a hot day.

our half of the Earth was now in the shade, i guess,

but the air was different.

It had a palpable presence against skin,

like the warm hand of a lover once missed.

The missed hand of a lover, once warm.

The missed warmth of a hand once loved.

 

I remembered the blues man from Mississippi

sitting on the re-creation of a porch,

the blonde woman saying "Sing us a cotton-picking song!"

"Sing us a cotton-picking blues song!", agreed the others.

 

Jest sittin' here thankin',

'bout someone I useta know.

"This song is called 'Sitting There Thankin'"

 

He showed me the Secret Staircase.

On the way down, some Puerto Rican kids were smoking a blunt

next to their motorbikes.

We wished them a happy one.

 

On the way up the staircase, I felt the stars laughing.

Residual firecrackers that take aeons to burn out.

"Happy 5th of July", said Mike with a kiss.

I didn't want to, and I knew I wouldn't, go home last night.

It's a new year for me.  God bless America.

=========================================================================

Date:         Sat, 5 Jul 1997 15:54:16 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

 

James:

 

You asked whether WSB still has an orgone accumulator.

 

During my visit with WSB at his home on February 18, 1995, he guided us

(myself and a friend who accompanied me) on a tour that included his

backyard.  As soon as we walked down to it from his enclosed back porch, one

of the first things I noticed was the outhouse-like orgone accumulator, right

near his goldfish pond.  I mentioned it to him and he acknowledged it with a

smile, nod and "yesssss" before educating us on feeding tips and digestion

processes for fish.  So, as recently as 2&1\2 years ago he still kept and

used it.  Having lived so long (he was 81 then, phsically in fairly good

shape and especially mentally sharp) and in such a legendary manner, he could

be the ultimate poster child for the beneficial effects of the orgone

accumulator and the veracity of Reich's theories.

 

Maya, if you're reading this:  I finally have gone public!

 

Happy Holidays,

 

Arthur S. Nusbaum

=========================================================================

Date:         Fri, 4 Jul 1997 13:16:28 +0000

Reply-To:     birdies@ix.netcom.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Birdie <birdies@IX.NETCOM.COM>

Organization: The Day-Glo Techno Trouser Club

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

Comments: To: Marioka7@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Maya Gorton wrote:

> 

> In a message dated 97-07-04 23:29:30 EDT, you write:

> 

> << "Reichian armor". I

>  wonder how many on the list know about Wilhelm. >>

> 

> I was just thinking about this film i saw where an Indonesian man could

> control the electical energy in his body and was able to send electric

> charges into people through needles like acupuncture and heal them.

> 

> I wonder to what extent it is possible to control one's orgone cells

> consciously. ----maya

 

Kate Bush wrote a song ~ Cloudbusting, from her Hounds Of Love CD:

 

In it, she sings from a young boy's perspective to a Reichian scientist

father,  who has built a Cloudbusting machine to create rain, and, the

government is after him for his experiments, and, it deals with paranioa

as well.

 

The cloudbusting machine charged the clouds with energy which made them

produce rain. Donald Sutherland plays the father in the video.

 

Cloudbusting

 

I still dream of Orgonon

I wake up crying

You're making rain

And you're just in reach

When you and sleep escape me

 

You're like my yo-yo

That glowed in the dark

 

What made it special

Made it dangerous

So I bury it and forget

 

Everytime it rains

You're here in my head

Like the sun coming out

Oooh, I just know something good is going to happen

And I dont know when

But just saying it could make it happen

 

On top of the world

Looking over the edge

You could see them coming

You looked too small

In their big black car

To be a threat to the men in power

 

I hid my yo-yo in the garden

I can't hide you from the government

Oh god, daddy - I wont forget

 

Your son's coming out

 

Kate Bush 1985

 

Cheers,

 

Birdie

=========================================================================

Date:         Sat, 5 Jul 1997 18:10:45 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      spelling beat

 

i apologize for my abhorrent error in spelling "sulfer" like this in my

previous post and would like to make an official correction to: SULPHUR

 

Sorry if I offended anyone.

------maya

=========================================================================

Date:         Sat, 5 Jul 1997 15:40:42 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: spelling beat

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 06:10 PM 7/5/97 -0400, you wrote:

>i apologize for my abhorrent error in spelling "sulfer" like this in my

>previous post and would like to make an official correction to: SULPHUR

> 

>Sorry if I offended anyone.

>------maya

> 

> 

 

I was appalled.  I could not believe anyone could ever be so insnsitive and

insulting as to misspell this wonderfull and smelly element.

 

O thhe shame.  The depths humankind has sunk to.

 

anyhoow one can spell sulfur with an f.  That is a perfectly legitimate

spelling as well.

 

I much prefer it with the f than the ph.

=========================================================================

Date:         Sat, 5 Jul 1997 18:54:29 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: spelling beat

Comments: To: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Timothy K. Gallaher wrote:

> 

> At 06:10 PM 7/5/97 -0400, you wrote:

> >i apologize for my abhorrent error in spelling "sulfer" like this in my

> >previous post and would like to make an official correction to: SULPHUR

> >

> >Sorry if I offended anyone.

> >------maya

> >

> >

> 

> I was appalled.  I could not believe anyone could ever be so insnsitive and

> insulting as to misspell this wonderfull and smelly element.

> 

> O thhe shame.  The depths humankind has sunk to.

> 

> anyhoow one can spell sulfur with an f.  That is a perfectly legitimate

> spelling as well.

> 

> I much prefer it with the f than the ph.

 

if u jest gut a spul chicker than this thungs donut  hippen.  some

prefur othur werds wid f's to ph's.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 19:55:50 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: PULSE INTERVIEW (UNCENSORED)

MIME-Version: 1.0

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If I dug around I might be able to find an orgone box plan I had once.

I need to go back and look at orgone theory.  Most of Reich's disciples

such as Loewen and Kelley didn't follow up very much on the farther out

parts of orgone theory (for the simple reason that they preferred to

stay out of jail) and worked from his psych. theories in developing

techniques for dealing with "character armour."  Kelley told me he still

believed in the  orgone theory for the most part and I think used a

box.  Kelley was always something of a sexual outlaw as well. Loewen and

Bioenergetics always struck me as pretty square.  There are some

interesting Reichian therapists still around.  There was a guy in

Berkeley, name escapes me, who did great things with breathing sessions

that got you high as a kite, he moved on to using just straight oxygen

hits, and other inhalants.  Flash therapy.  That is the nice thing about

Reich, he fits with an interest in the visionary, estatic experience in

a way that Freud and Jung don't. Look at the titles to papers at a

Jungian conference and it will give you the bends.

 

I don't know where I got the idea but I had firmly in my head the

Burroughs used an orgone box, at least during the Texas pot farm phase

that Kerouac mentions.

 

J Stauffer

 

RACE --- wrote:

> 

> i'd be very interested in reading tales and legends from folks who have

> experience with these orgone notions.  i've seen and heard a bit over

> years in theory.  always think the tales of the guinea pigs this-selfs

> provide a very important angle.

> 

> hope to hear more tales of the legendary boxes.

> 

> david rhaesa

> salina, Kansas

=========================================================================

Date:         Sun, 6 Jul 1997 14:54:29 +0200

Reply-To:     Jean.ORY@hol.fr

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jean ORY <Jean.ORY@HOL.FR>

Organization: ORY Jean

Subject:      Wilhelm Reich

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Orgone is known in Eastern tradition since thousands years

It is called in Hinduist tradition: Prana - (Panayama)

In Chinese tradition: Chi (Tai CHI Chuan - Acupuncture)

In Japanese tradition: Ki (Ai KI Do)

 

Recommended lecture:

Yoga  - by T.K.V. Desikachar - University Press of America

Clear Light of Bliss - by Geshe Kelsang Gyatso - Snow Lion Publication -

 

Reich was put in jail.

Best way to learn about him is to read his books.

The more famous is "Function of the orgasm"

 

True that Wilhelm Reich had a great influence on the hipster culture,

but don't forget about C.G. Jung whose forewords were in the I Ching, in

the Secret of the Golden Flower, in the Tibetan Book of the Great

Liberation, in the Tibetan of the Dead, in Tibetan yoga and Secret

Doctrines, I am not sure but I think that Jung wrote forewords for some

Zen books too.

 

Jung, Richard Wilhelm (the translator of the I King), Hermann Hesse

(Siddharta) were good friends, I see them as one of the many grand

fathers and the uncles of the beats.

 

Just an idea about an old subject on the list: alcohol and Jack Kerouac.

May be there was too, somewhere in his unconscious the traditional

"poete maudit" (Damned Poet) programing.  Enlightened, visionary but

destroyed by the intensity of his own vision and by the misunderstanding

of his politically correct contemporaries.

Little bit like Antonin Artaud who didn't have such friends as Ginsberg

and Bill Burroughs to understand him and to stretch out a friendly hand

to him.

 

May be there are two ways to induce the poetic mood:

 

The first is by the "dereglement de tous les sens": creating

artificially by drugs, bad food, lack of sleep, strong emotions, a

disordered state of the senses almost near the death experience to

produce the vision experience of the absolute, like Gerard de Nerval,

Rimbaud, Artaud, Rene Daumal did.

 

The second by the harmonious adjusting of the senses through

meditation.  Like the great Zen or Taoist poets or like Allen Ginsberg

who had practiced meditative retreats under the guidance of Chogyam

Trungpa and wrote poems from the peaceful state of mind produced.

 

The reason why Wihelm Reich was persecuted was because his studies on

sexuality and because his commentaries on the political use of the

repression of the sexual impulse.

There is a difference beween repression and control.

 

It is still true: People don't even notice on TV someone killing

somebody else, but people would freak out if they were seeing on TV two

consenting adults making love.

 

That's one of many symptoms of the mental sickness of most of the main

cultures of the world.

 

At that point, visions and poets are indispensable to survive.

 

Jean

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:37 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      JK tribute/mike stipe&'my gang'/VOC/DR SAX:

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i'm sending this message out again for some response. response to a post

that will strike up a literary conversation. and not merely a flood of

posts from the youngsters who just talk about how much they wished they had

read the works. with exception of DC Dave and James S, i feel like i'm all

alone here writing to an empty home room in high school. and dont take this

as a flame, because flaming will only keep us further away from the beat

lit we are reading/etc. i know of several people leaving list for lack of

literay conversation, and would like to turn the tide.  SO PLEASE LET'S GET

OUT OF THE CHAT ROOM AND BACK IN THE CLASSROOM OF THE MIND, please.

enthusiasm is one thing but a ton of posts back and forth about spelling or

'oh i wish i read that' and the like are better off back-channeled directly

among yourselves, guys. i've been on the list for a year or two enjoying

immensely the debates, discussions and all, and a friendly chat or two

included in a more substantial post.

bill gargan: if you are reading this could you please repost the FAQ? or

could some one else?

we are falling by the way side and  hungry  for some discourse.

i am not scolding but i am getting somewhat exasperated.

REPOST ON LITERARY TOPICS - PLEASE JOIN IN!!!

ok down off the hogs for a while. in codyville (the imaginary place that

denver becomes in jack's mind -- hey for that matter, does anyone who has

heard the ryko tribute CD kicks, etc - enjoyed mike stipe's piece with the

sad little tinny music to accompany 'our gang' and the connection to jack's

brown room in pawtucketville when he played all his elaborate games and

kept meticulous records of, newspapers etc? as he says hello to his mother

and goes upstairs enters bedroom and tiny pool hall and bar and all his

gang in there? it collapses so much together of JK boyhood recollections

AND BY THE WAY

this is not out of line or subject:

on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

with whoever wrote that opening passages are 'visions' of cody and out of

space and time, which ok here comes the quote gets me back here:

p6

"building is ancient red-1880 redbrick--three stories--over its roof i can

see cosmic italian oldfashioned 18 story office block building with

ornaments and blueprint lights inside that reminds me of eternity, the

enormous house of dusk where everybody is putting on their coats--and going

down black stairs like fire eescapes to eat supper in the dungeon of Time

underneath just a few feet over the snake--and DR SAX clambers over the

wallsides as night falls, with his suction cups-and the superintendant is

sleeping."

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:40 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      parallels between dr sax and voc

Mime-Version: 1.0

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on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

with whoever wrote that opening passages are 'visions' of cody and out of

space and time, which ok here comes the quote gets me back here:

p6

"building is ancient red-1880 redbrick--three stories--over its roof i can

see cosmic italian oldfashioned 18 story office block building with

ornaments and blueprint lights inside that reminds me of eternity, the

enormous house of dusk where everybody is putting on their coats--and going

down black stairs like fire eescapes to eat supper in the dungeon of Time

underneath just a few feet over the snake--and DR SAX clambers over the

wallsides as night falls, with his suction cups-and the superintendant is

sleeping."

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:44 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      CODY AND THE GOOD DR SAX

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

with whoever wrote that opening passages are 'visions' of cody and out of

space and time, and would like to add that as he is having his visions of

cody, he is also moving back to lowell from west haven, ct., wandering the

streets of NY city, and evoking parallels of his childhood by description

of building in denver reminiscent of dr sax country(aka lowell)

p6

"building is ancient red-1880 redbrick--three stories--over its roof i can

see cosmic italian oldfashioned 18 story office block building with

ornaments and blueprint lights inside that reminds me of eternity, the

enormous house of dusk where everybody is putting on their coats--and going

down black stairs like fire eescapes to eat supper in the dungeon of Time

underneath just a few feet over the snake--and DR SAX clambers over the

wallsides as night falls, with his suction cups-and the superintendant is

sleeping."

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:48 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      JK tribute: kicks joy darkness

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

any one out there listening to the JK tribute CD?

i have and would love to talk with anyone here on nays and yays and

everything in between.

personally, i am really loving maggie estap&spitters "skid row wine"--great

performance piece and the kind of readings i aspire to.

favorite of the day(s), however is the mike stipe reading of "my gang" it

is so DR SAX like especially the parallels to the tiny poolhall in his

bedroom where he played with great imagination solitary as a child. the

races and baseball games with meticulously kept records and his newspaper

that carried the sports news.

again, i'd really like to hear of someone's impressions of those who have

been listening. for those who haven't - and may like to join in on an

actual discussion, it is put out by rykodisc, title: JK: kicks joy darkness

i know i'm crabby but i want someone to play with.

mc

=========================================================================

Date:         Sun, 6 Jul 1997 09:06:52 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      "where have all the scholars gone

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

long time passing," where have all the scholars gone?

i know its summer, BUT

there is a remarkable change over on the list, from young folks chatting up

a storm and maybe a few posts to sink teeth into (or pomes or folks or

whatever)

hopefully the scholars have gone to take a break with summer and 4th july

and all that.  and if lurking, come out and play with me.

feeling cantankerous

mc

=========================================================================

Date:         Sun, 6 Jul 1997 11:11:33 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: JK tribute: kicks joy darkness--random thoughts in reply

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> any one out there listening to the JK tribute CD?

> i have and would love to talk with anyone here on nays and yays and

> everything in between.

> personally, i am really loving maggie estap&spitters "skid row wine"--great

> performance piece and the kind of readings i aspire to.

> favorite of the day(s), however is the mike stipe reading of "my gang" it

> is so DR SAX like especially the parallels to the tiny poolhall in his

> bedroom where he played with great imagination solitary as a child. the

> races and baseball games with meticulously kept records and his newspaper

> that carried the sports news.

> again, i'd really like to hear of someone's impressions of those who have

> been listening. for those who haven't - and may like to join in on an

> actual discussion, it is put out by rykodisc, title: JK: kicks joy darkness

> i know i'm crabby but i want someone to play with.

> mc

Marie:

 

Put on Bob Dylan, Absolutely Sweet Marie. I believe it is on Blonde on

Blonde.   He will play with you.  And watch out for the little old

crones with twisted pliers sent down from society to gouge out your

eyes.  Personally I walk upside down and kick off hand cuffs, but that

can be ruff.

 

I began visions of cody against my will.  I have an worn worn copy and

did not want to go back there.  The beginning is Jack's memory of every

little observation he recorded in his mind.  He is taking us back to old

Denver.  It jumps back to New York.  It is complete, but not necessarily

"good" writing.  Why, he is more interested in the exercise than the

art.  But, it is laying a foundation.  Easy to see why critics didn't

like Jack.  Easy to see.

 

Me, I want to discuss Pic.  Why, because it is the only published work I

was able to find that I never read.  So, let me know if you wanta go.

 

Stealing rock n roll lines as fast as I can remember them.  But, it's

allright now, ma, Im only typing.  But, I should go slow, because love

can last longer than shame, or can it.  Maybe shame does last longer

than love.  Have you ever had an original thought.  Doesn't it take more

than one person to have a thought?

 

I ain't no scholar, never hope to be one, but, if I saw one, I would

just let it be.  I have no words of wisdom.  I have no thougths of

depth.  I have no real drugs.  I have no false drugs.  I have no

identity that is not false.

 

What sides are there?  We are in space and it has no sides.  Jack Handy

has deep thoughts.  Do you?  I remember once my brother stole $5.00 out

of my bank.  My father refused to believe that I had saved $5.00.

Today, I won't save money.  Today, my brother is in jail, for stealing

drugs out of a pharmacy.  Today, my father says he has nothing to do

with either one.  I don't believe him.  I think he is lying.  It doesn't

matter what you think, because it won't change what I think.  I didn't

say, you don't matter, I said what you think about my father, me and my

brother doesn't matter, because it can't change any of this.  If I could

go back in time, I couldn't change it either.  How do you flush anger,

hurt etc out of your system.  How do you flush shame out of your system.

Where is the emotional toilet bowl of the universe.  Can you help me

find my way there?

 

I can not think.  I can not write about thinking.  I can feel, but I

don't know what I am feeling.  I wonder what everyone else is doing.

Everybody's gone away, heading to LA.  Me, I sat through a rainy night

in GA before, have you.  Maybe I wasn't in a box car, but I did have my

guitar.

 

So, someone else left LA and took the Midnight train.  Someone else left

his home in GA and went to San Francisco.  Someone else rode the rails

and highways everywhere and wrote books about it.  Someone else hit 61

homeruns and everyone hated him for doing it.  But, what kinda guy was

Babe Ruth.  Was he kind to his wife?  Was he considerate.  Was he a

glutton?  What made people love him so?  What made Roger Maris a bad

guy?  What would the press say about Babe Ruth now.   Would he wear Nike

shoes?  How can one escape TV?  Why can't we build it and they will

come?  Why can't we ease his pain?  Why can't he ease my pain?

 

Did you ever wish someone you loved would die, just so they would be put

out of their depression and you wouldn't have to hear about it anymore?

 

Folk rock, what is that?

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 11:25:58 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

Comments: To: Marie Countryman <country@SOVER.NET>

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Marie Countryman wrote:

 

> AND BY THE WAY

> this is not out of line or subject:

> on page 6 of VOC JK blends his childhood with codys, (oh and btw, i agree

> with whoever wrote that opening passages are 'visions' of cody and out of

> space and time, which ok here comes the quote gets me back here:

> p6

> "building is ancient red-1880 redbrick--three stories--over its roof i can

> see cosmic italian oldfashioned 18 story office block building with

> ornaments and blueprint lights inside that reminds me of eternity, the

> enormous house of dusk where everybody is putting on their coats--and going

> down black stairs like fire eescapes to eat supper in the dungeon of Time

> underneath just a few feet over the snake--and DR SAX clambers over the

> wallsides as night falls, with his suction cups-and the superintendant is

> sleeping."

Just read that last night was was struck by the thread of Dr. Sax as I

had not read Dr. Sax last time I read Cody.  The haint his haunting

all.  Marie, where is your Dr. Sax?  Is he climbing over the email you

receive.  At night when you go to sleep, does he shrink down to the size

of a toy and dance on your keyboard.  When you wake up, does he climb

over the moinitor and hide close to the picture tube?  My Dr Sax climbed

out of my heart this morning.  He showed me  spot in my heart where I am

holding on to sadness that is killing me every day.  I let go of it and

am falling without a net.  I don't care what gets posted to the beat-l,

but you should read Jean Ory's post.  It wasn't high school.

 

Can you go back to high school?  Growth is a hard thing.  Sometimes the

list is not what we want.  A month ago, James said is was doing fine.

Today you say not.  What about your mood.  What about your doom.  What

about your room. Hum, well, I guess somethings go on within or without

us.  As for me, I am going to puke this sadness out of my body.  I am

going to retake my self from the ghosts of Dr. Sax. I have measured out

my life in emails from the beat list.  Humm, I wonder what Eliot thinks

about that?  Maybe he doesn't care.

 

Take it away, Dr. Sax.  Play on Train.  Wail on Roland Kirk.  Play on

Jazz man.  Anybody but Kenny G!

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 23:39:31 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

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Marie Countryman wrote:

> 

> ok down off the hogs for a while. in codyville (the imaginary place

>that

> denver becomes in jack's mind -- hey for that matter, does anyone who

>has

> heard the ryko tribute CD kicks, etc - enjoyed mike stipe's piece with

>the

> sad little tinny music to accompany 'our gang' and the connection to

>jack's

> brown room in pawtucketville when he played all his elaborate games and

> kept meticulous records of, newspapers etc? as he says hello to his

>mother

> and goes upstairs enters bedroom and tiny pool hall and bar and all his

> gang in there? it collapses so much together of JK boyhood

>recollections

> AND BY THE WAY

> this is not out of line or subject:

> on page 6 of VOC JK blends his childhood with codys, (oh and btw, i

>agree

> with whoever wrote that opening passages are 'visions' of cody and out

>of

> space and time, which ok here comes the quote gets me back here:

> p6

> "building is ancient red-1880 redbrick--three stories--over its roof i

>can

> see cosmic italian oldfashioned 18 story office block building with

> ornaments and blueprint lights inside that reminds me of eternity, the

> enormous house of dusk where everybody is putting on their coats--and

>going

> down black stairs like fire eescapes to eat supper in the dungeon of

>Time

> underneath just a few feet over the snake--and DR SAX clambers over the

> wallsides as night falls, with his suction cups-and the superintendant

>is

> sleeping."

 

Sorry I can't respond to the CD post, don't have any CDs or player for

them, but would like to hear what others have to say.  As far as being in

Codyville goes, I thought this thing really took off as you begin part 2,

starting with Cody meeting Tom Watson in the pool hall.  I'm ready for

any recollections anyone has of reading Neal's stuff to see how this

relates.  Going from being homeless and living by railroad tracks, to

having a dream one night that if he read books, knew enough, he could

escape the lot of his father.  Walking up to the pool player and saying

"Do you want to learn philosophy with me?"  All of a sudden having a suit

and a mentor and starting to fit in with the gang.  Great

descriptions of breasts scene, and voyeurs and throwing the football in

the middle of the street, with teacher/poet watching, like life going on

all around teachers trapped inside of themselves.

Lots of visions joined with other visions, Lowell, NY, Denver, and San

Francisco all positioned together in his memory banks.  Everything is

very romanticized and gushy, like JK writes, a lot of it though tempered

with reality about America, life and death, like finding the miscarriage

in grocery wrappers.  One big thing is K, packing to go seek Cody, like

his will to live is somehow critically intertwined with Cody's sense of

life.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 11:38:27 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      On the Road

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Did anyone notice that Charles Kuralt, of ON THE ROAD fame died.  So did

Robert Mitchum and Jimmy Stewart.  I loved all three for what they

brought.  Charles tried to bring us the finer and small moments of life

we missed.  Robert told them all to stick it, if they didn't like it.

James brought the ordinary to life as a hero.  What a week to lose three

icons of our society.  Maybe noone else cares.  But I do.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 5 Jul 1997 23:52:10 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody/Ginsberg

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Hey--has anyone who bought the new paperback version of Cody noticed that

in the back is The Visions of the Great Rememberer by Allen Ginsberg,

page by page comments on his take of VOC?  Some of these are very

interesting.  Will have more to say about a couple of these later.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 11:50:45 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

 

Dear Marie:

 

In response to your plea for Serious Discussions of Literary Topics, I offer

this initial contribution to the budding VOC cyberseminar:

 

I finished VOC fairly recently, I read it over a long period with several

very long interruptions.  I don't recommend this, if ever a book demands

concentration and consistency, VOC does.  The longer I read it at a sitting,

the more I was able to flow with its groove, an authentic-feeling

transcription of JK's multilayered mental processes- memory, reflection,

commentary, pure observation and automatic poetry.  VOC really captures, more

than any other Kerouac book I have read so far, the feel from the inside of

the nascent Beat Generation before it became a legend/trademark, magnified

and insidiously stereotyped by the establishment, subversion subverted.  This

is the real thing for those who want to get past all that and see, feel and

hear Jack, Neal & co. and their world, outside the status quo and fully

inside the jugular vein of firsthand experience.

 

The verbatim transcription of an actual taped conversation, while I found it

hard to follow and stay with, is the heart both chronologically and

thematically of the book.  The reader can just as well write around it as the

author (I'm thinking of some of the VOC posts dealing with the different

perspectives - JK's romanticised Neal, Neal's hard-experienced realism, the

reader's impression and contributions).  I'm being called on to join the

family for a last-hurrah holiday weekend swim.  Let me conclude for now with

a favorite among many quotes that I think captures the feeling JK is always

trying to describe and hold onto simultaneously here and in his other works,

the "IT" of ON THE ROAD and the one long story of his life and work.  It's

lengthy, but can't be paraphrased or shortened without losing its momentum,

so here I go, from pgs. 15-16 of my hardcover first edition, which I believe

collates with the latest printing:

 

"No possible way of avoiding enigmas.  Like people in cafeterias smile when

they're arriving and sitting down at the table but when they're leaving, when

in unison their chairs scrape back they pick up their coats and things with

glum faces (all of them the same degree of semi-glumness which is a special

glumness that is disappointed that the promise of the first-arriving smiling

moment didn't come out or if it did it died after a short life)- and during

that short life which has the same blind  unconscious quality as the orgasm,

everything is happening to all their souls- this is the GO- the summation

pinnacle possible in human relationships- lasts a second- the vibratory

message is on- yet it's not so mystic either, it's love and sympathy in a

flash.  Similarly we who make the mad night all the way (four-way sex orgies,

three-day conversations, uninterrupted transcontinental drives) have that

momentary glumness that advertises the need for sleep- reminds us it is

possible to stop all this- more so reminds us that the moment is ungraspable,

is already gone and if we sleep we can call it up again mixing it with

unlimited other beautiful combinations- shuffle the old file cards of the

soul in demented hallucinated sleep- So the people in the cafeteria have that

look but only until their hats and things are picked up, because the glumness

is also a signal they send one another, a kind of a Goodnight Ladies" of

perhaps interior heart politeness.  What kind of friend would grin openly in

the faces of his friends when it's the time for glum coatpicking and bending

to leave?  So it's a sign of "Now we're leaving this table which had promised

so much- this is our obsequy to the sad."  The glumness goes as soon as

someone says something and they head for the door- laughing they fling back

echoes to the scene of their human disaster- they go off down the street in

the new air provided by the world.

Ah the mad hearts of all of us."

 

Arthur S. Nusbaum

=========================================================================

Date:         Sun, 6 Jul 1997 12:07:14 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      CODY PART ONE

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 i've just finished part one of VOC and have a lot of shared passages

quoted before me by mr stauffer and DC: but these are some of the things

that struck me as i reread the opening of the novel: (mcgraw hill version)

my take on voc/dr sax in already spoken for in previous posts, am moving

on.

here are a few themes and passages which also struck my fancy:

p 8      in addition to the proustian thread intro'd by DC there is also

hint of love of thomas woolf and his own first novel in style (first novel

town and city) in "the time and the river"

p12       one of first many many return trips to lowell, "the truck rolled

on, bearing me sadly back to the scenes of my boyhood" brings to mind all

the return trips to memere ("aunt") in OTR)

12      as well as hints of mortality: "All you do is head straight for the

grave, a face just covers the skull for a while. stretch that skull-cover

and smile"

12      as well as ushering in ever present tone, mood, subject, liet

motive of sadness, loss, regret that permeates each of JK's books:

12      "ah me so sad that every year we have to lose our october!"

24      "a sad park of autumn, late saturday afternoon--leaves by now so

dry they make a general rattle all over ...--a trash wirebasket is half

full of dry, dry leaves--a pool of last night's rain lies in the gravell;

toninght it will be cold, clear, winter coming and who will haunt the

deserted park then?" (quoted in paragrah full of lively children and

mothers)

39      "i dont feel strong, the sorrows of time and personality

41      (in letter to cody) "I am conscous of my own personal tragedy....

                          "aware also of the tragedy the loneliness of my

mother...

                          " I feel like i've done wrong, to myself the most

wrong. i'm

 

 

                                                                throwing

away something that i can't even find in        the incredible clutter of

my being but it's going out with the refuse en masse, burieed in the middle

of it, every now and then i get a glimpse. i get so sick thinking of the

years i wasted...why did i waste my beatuiful mexcity on paranoias"

28: the catholic church and its churches(note color schemes)

        "now the window darkens to match the great transformations without,

refracting them inward to these kneelers, who can't stand ordinary glare of

life in musty meditations and guilty anxieties-people com to curch for

guilt now--"

        "the altar of st joseph at my right is a symphony in browns"(most

of Dr Sax

has  symphonies in brown  both inside and out.)

29:     i"i hear the chorus of prayers in a rickety mumble repeating the

moans of an accredited adjurer....--it can't be them make this ghostly

prayer--it's a novena in the innards of the church itself, it is locked in

the stone and realeased each night at this timeby the wizardly prayers of

some old hooknosed ribbon clerk who acts like a divining rod withal to draw

the innate sound out of the churchy-twosted chicago stone".

29      "(i had just noticed that the marble squares in the floor are also

separated by metal rims like in the MERIT food shop last night"-(care to

explicate that one, DC?)

        many years ago in a church just like this but smaller, holier, more

venerated by hearts, i came with hundreds of little *death-conscious* boys

of St Josephs Parochical school(churxh always fill us with the knowledge of

the gloom and horror of funerals even if we had learned to reconcile

ourselves to the shame and sadness of confession, confirmation, execises,

et al" (**mine)

33:     leit motives of shrouds and shitting .. p 33 only one of several

passages..take it for what it's worth. (or expound on excrement and death

y'all)

26:     proust and memory (memory babe hisself): "the, as Proust says god

bless him,  'inexpressibly delicious' sensation of of this memory--for as

memories are older theypre like wine rarer, till if you ind a real old

memory, one of infancy, not an established often tasted one, but a brand

new one! it would taste better than the napoleon brandy stendhal himself

must have stared at...while shaving in front of those napoleonic cannons"

26:     greon for green neon

35:     dreams of cody:  as opposed to  visions of cody and neal in other

novels, and interesting in that cody comes off well in dreams but hint of

some jealousy or impatience with neal in real life?

        "oh that cody dream, last night he was all attentive as he never

really or only rarely is"

        "cody, for first time, followed me and let me do things"

        "there sat cody and I -- i was looking at table cloth-thinking 'i'm

tired, we do too much, i must run away from cody to ever rest but now he's

folowing me i'll never can do it"

        "this was a dream last night. and cody let others do the talking,

for once he was a smiling and bemused listener"

27:     peak experience "that so seldom experience of seeing my whole

life's richness swimming in a palpable mothlike cloud, a cloud i can really

see and which i think is elfin due to my  celtic blood-coming only in

moments of *complete inspiration*... in my life number them probably below

five--at least on this level"(THE ELFS ARE AT IT AGAIN YOU GUYS!!!)

i also found interesting the unconscious foreshadowing of the beats and

their next generation of readers in the passages dealing with genet

also, struck by prejudices in the opening book, which took stereotyped pot

shots at "jews negros fags      "

________

awful lot of dulouz themes embedded in this short piece of writing, and

many differing thoughts/feelings re: cassady/cody

any and all comments welcome before moving to part 2

mc

=========================================================================

Date:         Sun, 6 Jul 1997 16:10:54 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Cody

 

well finally got Cody yesterday, beginning seems to me to be  Jack's version

of Leopold Bloom's walk to the church for Paddy Dignam's funeral.... mind

open, seeing everything, memories evoked by this person, event, place....

 

i love the atmosphere JK creates here, much more personal and misty than

Joyce's...  definitely gives the feel of a person whose conciousness has a

constant shadow and a longing that won't leave him in peace.

 

ciao,

sherri

=========================================================================

Date:         Sun, 6 Jul 1997 16:25:53 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Wilhelm Reich

 

Jean,

 

couldn't agree with you more... am reading Jung's Aion now and definitely have

the sense the JK read him and incorporated some of his thoughts....

 

don't know that i would call the writers/artists who use/used alcohol/drugs

and wrote, artificial...  we're all a little tortured and for some, repression

of the ego/emotions/mind are/were so great that the only way to let the self

(in Jung's definition) override the ego and express itself is/was to take the

ego off guard chemically... whether it be alcohol, lots of wild sex, lack of

food, drugs, lack of sleep.  and certainly when JK was writing, the american

social atmosphere was particularly oppressive/repressive, not too mention the

things in JK's own life that created his personal terrors.  i don't advocate

becoming an alcholic in order to write, but who's to say that that writing is

any less real than someone who is a near-Boddhisatva?  just a different

state... all is One, One is all.

 

paix,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Jean ORY

Sent:   Sunday, July 06, 1997 5:54 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Wilhelm Reich

 

Orgone is known in Eastern tradition since thousands years

It is called in Hinduist tradition: Prana - (Panayama)

In Chinese tradition: Chi (Tai CHI Chuan - Acupuncture)

In Japanese tradition: Ki (Ai KI Do)

 

Recommended lecture:

Yoga  - by T.K.V. Desikachar - University Press of America

Clear Light of Bliss - by Geshe Kelsang Gyatso - Snow Lion Publication -

 

Reich was put in jail.

Best way to learn about him is to read his books.

The more famous is "Function of the orgasm"

 

True that Wilhelm Reich had a great influence on the hipster culture,

but don't forget about C.G. Jung whose forewords were in the I Ching, in

the Secret of the Golden Flower, in the Tibetan Book of the Great

Liberation, in the Tibetan of the Dead, in Tibetan yoga and Secret

Doctrines, I am not sure but I think that Jung wrote forewords for some

Zen books too.

 

Jung, Richard Wilhelm (the translator of the I King), Hermann Hesse

(Siddharta) were good friends, I see them as one of the many grand

fathers and the uncles of the beats.

 

Just an idea about an old subject on the list: alcohol and Jack Kerouac.

May be there was too, somewhere in his unconscious the traditional

"poete maudit" (Damned Poet) programing.  Enlightened, visionary but

destroyed by the intensity of his own vision and by the misunderstanding

of his politically correct contemporaries.

Little bit like Antonin Artaud who didn't have such friends as Ginsberg

and Bill Burroughs to understand him and to stretch out a friendly hand

to him.

 

May be there are two ways to induce the poetic mood:

 

The first is by the "dereglement de tous les sens": creating

artificially by drugs, bad food, lack of sleep, strong emotions, a

disordered state of the senses almost near the death experience to

produce the vision experience of the absolute, like Gerard de Nerval,

Rimbaud, Artaud, Rene Daumal did.

 

The second by the harmonious adjusting of the senses through

meditation.  Like the great Zen or Taoist poets or like Allen Ginsberg

who had practiced meditative retreats under the guidance of Chogyam

Trungpa and wrote poems from the peaceful state of mind produced.

 

The reason why Wihelm Reich was persecuted was because his studies on

sexuality and because his commentaries on the political use of the

repression of the sexual impulse.

There is a difference beween repression and control.

 

It is still true: People don't even notice on TV someone killing

somebody else, but people would freak out if they were seeing on TV two

consenting adults making love.

 

That's one of many symptoms of the mental sickness of most of the main

cultures of the world.

 

At that point, visions and poets are indispensable to survive.

 

Jean

=========================================================================

Date:         Sun, 6 Jul 1997 12:32:09 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      i come in peace (codyville)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

to all who took my ranting too personally, i'm really not a junkyard dawg.

just wanted to get folks to readin and talking and debating.

cheers to mr. kirby who has begun to read VOC albeit reluctantly. it's

always more fun if more play.

(hey DC: we can listen to the CD when we get to gether next.)

i'm just now heading into part 2, may take awhile as i still have my HST

readings as well; i'll save yr post and get to it after reading part 2

in the meantime, i really loved what you had to say down below

 

One big thing is K, packing to go seek Cody, like

his will to live is somehow critically intertwined with Cody's sense of

life.

_____

mc

=========================================================================

Date:         Sun, 6 Jul 1997 12:32:13 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: On the Road

In-Reply-To:  <33BFBBF3.D7655CBC@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

no, i've been out of touch with the media. but yes, i do care. i know i am

at an age where most of my heros of humanity music innerspace and

literature are dying.  thanks, mr kirby

mc

 

>Did anyone notice that Charles Kuralt, of ON THE ROAD fame died.  So did

>Robert Mitchum and Jimmy Stewart.  I loved all three for what they

>brought.  Charles tried to bring us the finer and small moments of life

>we missed.  Robert told them all to stick it, if they didn't like it.

>James brought the ordinary to life as a hero.  What a week to lose three

>icons of our society.  Maybe noone else cares.  But I do.

> 

>Peace,

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 12:32:22 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

In-Reply-To:  <970706115044_-1527787300@emout08.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

pleased to make yer acquaintance, arthur nusbaum:

 

this is just wonderful writing and yes, i did start ranting a bit didn't i?

its pretty out of character for me but i find the occasional ranting good

for my soul, AND maybe i wouldnt have gotten such a piece of careful

reading and explicating such as yours. thanks so much. hope your

celebration is all you want it to be.

mc

 

 

>Dear Marie:

> 

>In response to your plea for Serious Discussions of Literary Topics, I offer

>this initial contribution to the budding VOC cyberseminar:

> 

>I finished VOC fairly recently, I read it over a long period with several

>very long interruptions.  I don't recommend this, if ever a book demands

>concentration and consistency, VOC does.  The longer I read it at a sitting,

>the more I was able to flow with its groove, an authentic-feeling

>transcription of JK's multilayered mental processes- memory, reflection,

>commentary, pure observation and automatic poetry.  VOC really captures, more

>than any other Kerouac book I have read so far, the feel from the inside of

>the nascent Beat Generation before it became a legend/trademark, magnified

>and insidiously stereotyped by the establishment, subversion subverted.  This

>is the real thing for those who want to get past all that and see, feel and

>hear Jack, Neal & co. and their world, outside the status quo and fully

>inside the jugular vein of firsthand experience.

> 

>The verbatim transcription of an actual taped conversation, while I found it

>hard to follow and stay with, is the heart both chronologically and

>thematically of the book.  The reader can just as well write around it as the

>author (I'm thinking of some of the VOC posts dealing with the different

>perspectives - JK's romanticised Neal, Neal's hard-experienced realism, the

>reader's impression and contributions).  I'm being called on to join the

>family for a last-hurrah holiday weekend swim.  Let me conclude for now with

>a favorite among many quotes that I think captures the feeling JK is always

>trying to describe and hold onto simultaneously here and in his other works,

>the "IT" of ON THE ROAD and the one long story of his life and work.  It's

>lengthy, but can't be paraphrased or shortened without losing its momentum,

>so here I go, from pgs. 15-16 of my hardcover first edition, which I believe

>collates with the latest printing:

> 

>"No possible way of avoiding enigmas.  Like people in cafeterias smile when

>they're arriving and sitting down at the table but when they're leaving, when

>in unison their chairs scrape back they pick up their coats and things with

>glum faces (all of them the same degree of semi-glumness which is a special

>glumness that is disappointed that the promise of the first-arriving smiling

>moment didn't come out or if it did it died after a short life)- and during

>that short life which has the same blind  unconscious quality as the orgasm,

>everything is happening to all their souls- this is the GO- the summation

>pinnacle possible in human relationships- lasts a second- the vibratory

>message is on- yet it's not so mystic either, it's love and sympathy in a

>flash.  Similarly we who make the mad night all the way (four-way sex orgies,

>three-day conversations, uninterrupted transcontinental drives) have that

>momentary glumness that advertises the need for sleep- reminds us it is

>possible to stop all this- more so reminds us that the moment is ungraspable,

>is already gone and if we sleep we can call it up again mixing it with

>unlimited other beautiful combinations- shuffle the old file cards of the

>soul in demented hallucinated sleep- So the people in the cafeteria have that

>look but only until their hats and things are picked up, because the glumness

>is also a signal they send one another, a kind of a Goodnight Ladies" of

>perhaps interior heart politeness.  What kind of friend would grin openly in

>the faces of his friends when it's the time for glum coatpicking and bending

>to leave?  So it's a sign of "Now we're leaving this table which had promised

>so much- this is our obsequy to the sad."  The glumness goes as soon as

>someone says something and they head for the door- laughing they fling back

>echoes to the scene of their human disaster- they go off down the street in

>the new air provided by the world.

>Ah the mad hearts of all of us."

> 

>Arthur S. Nusbaum

=========================================================================

Date:         Sun, 6 Jul 1997 16:52:50 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody/Ginsberg

 

DC,

 

Yes i did and am very anxious to read it, but thought i'd wait til i'd

finished Cody... let me know if you think it should be read parallel.  i have

pulled out Ulysses for comparisons, although it's damned hard to find stuff

quickly with the book being so long...

 

paix,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Saturday, July 05, 1997 11:52 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Cody/Ginsberg

 

Hey--has anyone who bought the new paperback version of Cody noticed that

in the back is The Visions of the Great Rememberer by Allen Ginsberg,

page by page comments on his take of VOC?  Some of these are very

interesting.  Will have more to say about a couple of these later.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 17:22:35 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Cody

 

btw, maybe this is stupid, or maybe it's old news, but does anyone else see

neal as a sort of mystical reincarnation, in JK's mind, of Gerard?

 

ciao,

sherri

=========================================================================

Date:         Sun, 6 Jul 1997 13:56:13 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      shopping carts & destruction...

 

just saw the new U2 video for "Last Day on Earth" with WSB pushing his

shopping cart around....I wonder how many folks know who he is; the very

end of the video freezes on his face.  Anyone's impressions? Esp. you

Burroughs lovers out there....

 

Diane. (H)

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Sun, 6 Jul 1997 03:50:00 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody/Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

>Sherri wrote:

> 

> Yes i did and am very anxious to read it, but thought i'd wait til i'd

> finished Cody... let me know if you think it should be read parallel.

>i have

> pulled out Ulysses for comparisons, although it's damned hard to find

>stuff

> quickly with the book being so long...

> 

 

If you want my advice, it is yes, read Ginsberg's observations as you

Read VOC, so you can think about it as you go along, rather than as an

addendum.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 16:30:33 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      For Bentz:  Measures, Jazz Giants, Obituaries, etc.

 

Bentz:

 

Compare this chronology:

 

"I have measured out my life with coffee spoons"

-T.S. Eliot, "The Love Song of J. Alfred Prufrock"

 

"I have seen life measured out in eyedroppers of morphine solution- I have

experienced the agonizing deprivation of junk sickness, and the pleasure of

relief when junk-thirsty cells drank from the needle."

-William S. Burroughs, "Junky", author's introduction

 

"I have measured out my life in emails from the beat list."

-R. Bentz Kirby, "97-07-06 11:37:45 EDT"

 

I really appreciate your jazz commentary at the end of your message.  As a

devotee of the Giants of the golden age ('40's-'60's) of bebop and beyond, I

can't believe the utter pap that passes for "jazz" by the cowed, cretinized

popular culture of today- the immaculately coiffed, substantially vacuous

Kenny G culture.  Coltrane, Davis, Parker, Monk, Mingus, Dolphy, Ayler,

McLean, Armstrong, Ellington (the latter 2 preceding the others but forming

the foundation for them) are among those in my pantheon.  Coltrane, Davis,

Parker and Monk (like Burroughs, Ginsberg, Kerouac and Huncke on the Beatific

Mt. Rushmore) are at the very top for me.  I have a very extensive

collection, beginning with LPs and mostly in the subsequent CD strata, of

these Masters and others.  Of the 4, I had the privelege of seeing only Davis

during his last '80's incarnation.  I missed the boat on the others, born and

enlightened too late.  But about 5 years ago, I did have a Coltrane

experience- I saw a band that featured his son Ravi ( as well as Elvin Jones,

the great drummer of the legendary JC quartet), whom I briefly met after the

set.  He closely resembled his father, it was a rather spooky experience and

I felt somewhat sorry for him having to pursue his path in the shadow of such

an immortal Giant.  He was good as I recall and probably has gotten better (I

think he was only in his mid-20's when I met him), but how can he ever get

out from under that shadow?  I admire him for doing what he must do

regardless of the circumstances.  What is your favorite Coltrane item or

album?  I would hate to have to answer that question, so I shouldn't be

asking it, should I?

 

I was aware of, and saddened by, the deaths of Robert Mitchum, James Stewart

and Charles Kurault, in such quick succession.  Have you seen RM in NIGHT OF

THE HUNTER?  It's one of the great stylish villian roles, right up there with

Richard Widmark's Tommy Yudo in KISS OF DEATH and Dennis Hopper's Frank Booth

in BLUE VELVET.  And I recently saw the newly restored version of VERTIGO on

the big screen at a grand old theatre here in Ann Arbor, a breathtaking

experience with an unforgettable, subtly complex and disturbing performance

by JS.  Speaking of the cowed, cretinized popular culture referred to above,

you failed to mention the death, by his own hand, of Brian Keith, separated

at birth from Robin Williams and my accountant, who looks like both of them

combined, and with some Ted Kennedy thrown in for outline.  As Vietnam and

the upheavals of the '60's raged, Uncle Bill blew off Buffy, Jody and Sissy

with his gruff, lethargic "go ask Mr. French" for 7 straight seasons.  It

took that many years for Kerouac to get ON THE ROAD published!  This is

shameful, what did BK ever do to me?  He was probably a very nice guy

following his path and making a living, and I never would have wished such a

terrifying and despairing end for him.

 

Well, I have written again as you suggested after not hearing from you after

our brief exchange a little while back ( you toggled me to get on my New

Urbanist soapbox as I recall).  This is a great and increasingly obsessive

list to be on, I'm getting to know the themes and MO's of the regulars,

separating the Beat Wheat from the Chatter Chaff.  Until very recently, my

own correspondence was one-on-one, such as my dispatches to you.  But I've

finally gone public and joined in on the VOC forum in direct response to

Marie Countryman and to the List at large.

 

Regards,

 

Arthur S. Nusbaum

=========================================================================

Date:         Sun, 6 Jul 1997 04:33:17 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: CODY PART ONE

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> 29      "(i had just noticed that the marble squares in the floor are

>also separated by metal rims like in the MERIT food shop last

>night"-(care to

> explicate that one, DC?)

 

You know, that jumped out at me too when I read it, same floor as MERIT

FOOD SHOP, pg. 26, "The floor is all shades of brown and yellow 'pebbled'

marble with little thin metal lines separating the various sections;"

Shall we strip it to the surface level and surmise that the same workmen

were making similar floors everywhere, St. Patrick's Cathedral and MERIT

FOOD SHOP, a conspiracy of NY construction workers, or do we make a giant

leap beyond construction to the pebbled marble of the mind, and thoughts,

memories, built, pebbled on top of one another separated,or grouped

together, by thin metal lines of reality, metal rims, that cut through

the consciousness of all of us, like steel metal artifacts piercing into

the past?

 

 

>take it for what it's worth. (or expound on excrement and death

> y'all)

 

I still like the shit thing on pg. 26

"...we are nothing but shits and we'll all die and eat shit in graves..."

but hey, I'm not above taking it back to creation from excrement and

gaining immortality through eating the body in death, gaining knowledge,

shit fertilizes, doesn't it?

 

 

> moments of *complete inspiration*... in my life number them probably

>below

> five--at least on this level"(THE ELFS ARE AT IT AGAIN YOU GUYS!!!)

 

Makes me think we should be looking for his five epiphanies in these

visions.

 

One more thing related to part I--pg. 32-33, beginning with "She breaks

my heart just like X..." and ending with "Everything belongs to me

because I am poor."

 

Just to intersperse here what AG says about this section:

 

"Jack's candid observation of inner consciousness manifested in solitude,

the girl eating in the cafeteria, is a complete world satori.  Here as

distinct from his critic Podhoretz Kerouac is present in the world

solitary musing and observing actual event in the cafeteria 'mind clamped

down on objects' completely anonymous, in a single universe of perception

with no mental maneuvers or self-conscious manipulation of any reader's

mind (he writing for no reader but his own intelligent self)--completely

here, watching the world--"

DC

=========================================================================

Date:         Sun, 6 Jul 1997 05:03:06 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody, Part II

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Some more thoughts on Part II:

 

his desire to to create a body of work, like Joyce, Proust, others...

pg. 93

"And now to make up for the botch of my days I think I can create a great

universe and of course I can"

 

pg. 94

"the trouble with life it that it has its own laws and controls the souls

of men without regard for their least wish, and this is slavery."

 

pg. 96

"What kind of journey is the life of a human being that it has a

beginning and not end?--and that it gets worse and worse and darker all

the time till time disappears."

 

K's joy for life and living is constantly juxtapositioned agained a real

sorrow, sadness about America and a human's inability to get out from

under the load fate has seemed to have dumped on him.

 

similar thing on page 103

"...and so while I struggle in the dark with the enormity of my soul,

trying desperately to be a great rememberer redeeming life from

darkness.."

 

Stuff about his purpose in writing:

Pg. 98 "Now what I'm going to do is this--think things over one by one,

blowing on the visions of them and also excitedly discussing them as if

with friends as I did last night joyously drunk in the West End (see

actually I'm not old and sick at all but the maddest liver in the world

right now as well as the best watcher and that's no sneezing thing."

 

Pg. 99

"I'm going to talk about these things with guys but the main thing I

suppose will be this lifelong monologue which is begun in my

mind--lifelong complete contemplation..."

 

"Now events of this moment are so mad that of course I can't keep up but

worse they're as though they were fond memories that from my peaceful

hacienda of Proust-bed I was trying to recall in toto but couldn't becaus

like the real world so vast, so delugingly vast, I wish God had made me

vaster myself--I wish I had ten personalities, one hundred golden brains,

far more ports than there are ports, more energy than, the river, but I

must struggle to live it all in footm and in these little crepesole

shoes, ALL of it, or give up completely."

 

One other thing, after K starts packing for going to meet Cody, the

vision then spreads out into other times (moments) of leaving, like for

merchant marine, tons of stuff on the ship SS Pres. Adams, and then

shifting to brief spurts of memories about crossing country as in OTR,

wanting to catch the ship, but getting there too late.  I would think

this part would be incredibly hard to follow for anyone who had not read

OTR.

 

I'm getting read to enter part III, starting with the taped conversation.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 23:11:15 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Denise Levertov.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

PEOPLE AT NIGHT         by Denise LEVERTOV

 

 

A night that cuts between you and you

and you   and you   and you

and me : jostles us apart, a man elbowing

through a crowd.        We won't

                look for each other, either-

wander off, each alone, not looking

in the slow crowd. Among sideshows

                under movie signs,

                pictures made of a million lights,

                giants that move and again move

                again, above a cloud of thick smells,

                franks, roasted nutmeats-

 

Or going up to some apartment, yours

                    or yours, finding

someone sitting in the dark:

who is it really? So you switch the

light on to see: you know the name but

who is it ?

    But you won't see.

 

The fluorescent light flickers sullenly, a

pause. But you command. It grabs

each face and holds it up

by the hair for you, mask after mask.

                You   and   you and I   repeat

                gestures that make do when speech

                has failed      and talk

                and talk, laughing, saying

                'I', and 'I',

meaning 'Anybody'.

                             No one.

=========================================================================

Date:         Sun, 6 Jul 1997 05:23:48 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: JK tribute/mike stipe&'my gang'/VOC/DR SAX:

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Arthur Nusbaum wrote:

> 

>Let me conclude now with a favorite among many quotes that I think

>captures the feeling JK is always

> trying to describe and hold onto simultaneously here and in his other

>works,

> the "IT" of ON THE ROAD and the one long story of his life and work.

 

Arthur,

 

Thanks for post which added a lot to the discussion, I hope you'll

continue to be vocal from now on.  I agree, the long quote on page 15-16

has much to say about Kerouac's understanding of these moments of

(epiphany?), which I snipped much here for brevity, "This is the GO--the

summation pinnacle possible in human relationships--lasts a

second--...the moment is ungraspable, is already gone..."  And with

sleeping on it, the dream adds different connotations out of time, I am

starting to see VOC as his way to take the moments out of On the Road,

and re-tell them, with more and more unconscious, out of time material,

and adding the sleep or unconscious dimension to everything.  It is hard,

however, sometimes to make the leaps from very descriptive "I am here now

writing this down," to the longer cloudier visionary-type moments.

DC

=========================================================================

Date:         Sun, 6 Jul 1997 21:26:09 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: For Bentz:  Measures, Jazz Giants, Obituaries, etc.

 

Arthur,

 

thanks for such an intelligent post...  Kenny G makes my skin crawl... give me

Coltrane any day. so far, my favorite album is Blue Train, the title track in

particular - perfect music for reading the beats.

 

what's happened to all that heady jazz of the 40's to early 60's... is it

being stomped out by the almighty $$ catering to the masses, or is it just

barely there because social/cultural conditions have changed?  there is a

certain amount of it to be found in SF; otherwise it's mostly Latin jazz

(which i thoroughly enjoy) or this new age crap that they call lite jazz... i

guess they mean it's less filling for the mind.

 

and Frank Booth... now there's a guy you can truly be scared of.  loved that

flick and all that dark satire...  Willem Dafoe in Wild at Heart comes to mind

too...

 

anyway, glad you "went public".

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Arthur Nusbaum

Sent:   Sunday, July 06, 1997 1:30 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        For Bentz:  Measures, Jazz Giants, Obituaries, etc.

 

Bentz:

 

Compare this chronology:

 

"I have measured out my life with coffee spoons"

-T.S. Eliot, "The Love Song of J. Alfred Prufrock"

 

"I have seen life measured out in eyedroppers of morphine solution- I have

experienced the agonizing deprivation of junk sickness, and the pleasure of

relief when junk-thirsty cells drank from the needle."

-William S. Burroughs, "Junky", author's introduction

 

"I have measured out my life in emails from the beat list."

-R. Bentz Kirby, "97-07-06 11:37:45 EDT"

 

I really appreciate your jazz commentary at the end of your message.  As a

devotee of the Giants of the golden age ('40's-'60's) of bebop and beyond, I

can't believe the utter pap that passes for "jazz" by the cowed, cretinized

popular culture of today- the immaculately coiffed, substantially vacuous

Kenny G culture.  Coltrane, Davis, Parker, Monk, Mingus, Dolphy, Ayler,

McLean, Armstrong, Ellington (the latter 2 preceding the others but forming

the foundation for them) are among those in my pantheon.  Coltrane, Davis,

Parker and Monk (like Burroughs, Ginsberg, Kerouac and Huncke on the Beatific

Mt. Rushmore) are at the very top for me.  I have a very extensive

collection, beginning with LPs and mostly in the subsequent CD strata, of

these Masters and others.  Of the 4, I had the privelege of seeing only Davis

during his last '80's incarnation.  I missed the boat on the others, born and

enlightened too late.  But about 5 years ago, I did have a Coltrane

experience- I saw a band that featured his son Ravi ( as well as Elvin Jones,

the great drummer of the legendary JC quartet), whom I briefly met after the

set.  He closely resembled his father, it was a rather spooky experience and

I felt somewhat sorry for him having to pursue his path in the shadow of such

an immortal Giant.  He was good as I recall and probably has gotten better (I

think he was only in his mid-20's when I met him), but how can he ever get

out from under that shadow?  I admire him for doing what he must do

regardless of the circumstances.  What is your favorite Coltrane item or

album?  I would hate to have to answer that question, so I shouldn't be

asking it, should I?

 

I was aware of, and saddened by, the deaths of Robert Mitchum, James Stewart

and Charles Kurault, in such quick succession.  Have you seen RM in NIGHT OF

THE HUNTER?  It's one of the great stylish villian roles, right up there with

Richard Widmark's Tommy Yudo in KISS OF DEATH and Dennis Hopper's Frank Booth

in BLUE VELVET.  And I recently saw the newly restored version of VERTIGO on

the big screen at a grand old theatre here in Ann Arbor, a breathtaking

experience with an unforgettable, subtly complex and disturbing performance

by JS.  Speaking of the cowed, cretinized popular culture referred to above,

you failed to mention the death, by his own hand, of Brian Keith, separated

at birth from Robin Williams and my accountant, who looks like both of them

combined, and with some Ted Kennedy thrown in for outline.  As Vietnam and

the upheavals of the '60's raged, Uncle Bill blew off Buffy, Jody and Sissy

with his gruff, lethargic "go ask Mr. French" for 7 straight seasons.  It

took that many years for Kerouac to get ON THE ROAD published!  This is

shameful, what did BK ever do to me?  He was probably a very nice guy

following his path and making a living, and I never would have wished such a

terrifying and despairing end for him.

 

Well, I have written again as you suggested after not hearing from you after

our brief exchange a little while back ( you toggled me to get on my New

Urbanist soapbox as I recall).  This is a great and increasingly obsessive

list to be on, I'm getting to know the themes and MO's of the regulars,

separating the Beat Wheat from the Chatter Chaff.  Until very recently, my

own correspondence was one-on-one, such as my dispatches to you.  But I've

finally gone public and joined in on the VOC forum in direct response to

Marie Countryman and to the List at large.

 

Regards,

 

Arthur S. Nusbaum

=========================================================================

Date:         Sun, 6 Jul 1997 18:38:24 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      JK/OTR/CODY

In-Reply-To:  <33BF8E54.37AE@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DC wrote, among other things

(snip)

 I am

starting to see VOC as his way to take the moments out of On the Road,

and re-tell them, with more and more unconscious, out of time material,

and adding the sleep or unconscious dimension to everything.  It is hard,

however, sometimes to make the leaps from very descriptive "I am here now

writing this down," to the longer cloudier visionary-type moments.

_____________

yes yes yes. also the difference in the physical realm : for me OTR is like

a silverery skipping  rock, which whooosssshhhesss across the lake

gracefully touching down from peaks to get momentum back up and down and up

and down, always at a destination and yet moving even in head to new one-

as well as fast  pace more action and etc.

and, in comparision, VOC is like rowing in an old beat rowboar out to the

middle of that very same lake, and at the same site as allof those touched

by the pebble  in OTR, dropping overboard a large rock and it sinks all the

way to the bottom and then some stirring up the bottom and investigating

each of those skips.

or sumpin like that.

=========================================================================

Date:         Mon, 7 Jul 1997 00:37:56 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      proletariat #3

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        shopping

        bags

        come

        back

        home

        killing

        me!

---

yrs

Rinaldo.

=========================================================================

Date:         Sun, 6 Jul 1997 18:51:51 -0400

Reply-To:     Hpark4@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Another Beat Bites the Dust

 

I definately think that Charles Kuralt was a Beat, in the best and sweetest

sense.  I morn his passing.

 

I believe the core of "beat" was not sex, drugs and rock 'n jazz, though I

can appreciate the positive qualities of those activities, to say the least.

 

Kuralt was about exploration and finding joy in simple things, not so simple

but unrecognized people and the beauty that is everywhere that we frequently

miss in the day-to-day hubub of our lives - things like the Daisy in the

railroad yard that AG wrote a poem about, the apple pie of the midwest in On

The Road, and the exceptional "ordinary" prople profiled by Charles Kuralt

 Beat Indeed!

 

It is not well known that Kuralt was a friend and sometimes mentor to Dr.

Hunter S. Thompson and was also a lifelong Greenwhich Villager (and rural

North Carolina).  His passing leaves no one on the media who did what he did

- chasing the good in ordinary folks instead of scandel and gossip.

 

Take time to smell the roses today, and remember Charles Kuralt.

 

Howard Park

=========================================================================

Date:         Sun, 6 Jul 1997 19:05:59 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: For Bentz:  Measures, Jazz Giants, Obituaries, etc.

Comments: To: SSASN@AOL.COM

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Arthur Nusbaum wrote:

> 

> Bentz:

> 

> Compare this chronology:

> 

> "I have measured out my life with coffee spoons"

> -T.S. Eliot, "The Love Song of J. Alfred Prufrock"

> 

> "I have seen life measured out in eyedroppers of morphine solution- I have

> experienced the agonizing deprivation of junk sickness, and the pleasure of

> relief when junk-thirsty cells drank from the needle."

> -William S. Burroughs, "Junky", author's introduction

> 

> "I have measured out my life in emails from the beat list."

> -R. Bentz Kirby, "97-07-06 11:37:45 EDT"

> 

> I really appreciate your jazz commentary at the end of your message.  As a

> devotee of the Giants of the golden age ('40's-'60's) of bebop and beyond, I

> can't believe the utter pap that passes for "jazz" by the cowed, cretinized

> popular culture of today- the immaculately coiffed, substantially vacuous

> Kenny G culture.  Coltrane, Davis, Parker, Monk, Mingus, Dolphy, Ayler,

> McLean, Armstrong, Ellington (the latter 2 preceding the others but forming

> the foundation for them) are among those in my pantheon.  Coltrane, Davis,

> Parker and Monk (like Burroughs, Ginsberg, Kerouac and Huncke on the Beatific

> Mt. Rushmore) are at the very top for me.  I have a very extensive

> collection, beginning with LPs and mostly in the subsequent CD strata, of

> these Masters and others.  Of the 4, I had the privelege of seeing only Davis

> during his last '80's incarnation.  I missed the boat on the others, born and

> enlightened too late.  But about 5 years ago, I did have a Coltrane

> experience- I saw a band that featured his son Ravi ( as well as Elvin Jones,

> the great drummer of the legendary JC quartet), whom I briefly met after the

> set.  He closely resembled his father, it was a rather spooky experience and

> I felt somewhat sorry for him having to pursue his path in the shadow of such

> an immortal Giant.  He was good as I recall and probably has gotten better (I

> think he was only in his mid-20's when I met him), but how can he ever get

> out from under that shadow?  I admire him for doing what he must do

> regardless of the circumstances.  What is your favorite Coltrane item or

> album?  I would hate to have to answer that question, so I shouldn't be

> asking it, should I?

> 

> I was aware of, and saddened by, the deaths of Robert Mitchum, James Stewart

> and Charles Kurault, in such quick succession.  Have you seen RM in NIGHT OF

> THE HUNTER?  It's one of the great stylish villian roles, right up there with

> Richard Widmark's Tommy Yudo in KISS OF DEATH and Dennis Hopper's Frank Booth

> in BLUE VELVET.  And I recently saw the newly restored version of VERTIGO on

> the big screen at a grand old theatre here in Ann Arbor, a breathtaking

> experience with an unforgettable, subtly complex and disturbing performance

> by JS.  Speaking of the cowed, cretinized popular culture referred to above,

> you failed to mention the death, by his own hand, of Brian Keith, separated

> at birth from Robin Williams and my accountant, who looks like both of them

> combined, and with some Ted Kennedy thrown in for outline.  As Vietnam and

> the upheavals of the '60's raged, Uncle Bill blew off Buffy, Jody and Sissy

> with his gruff, lethargic "go ask Mr. French" for 7 straight seasons.  It

> took that many years for Kerouac to get ON THE ROAD published!  This is

> shameful, what did BK ever do to me?  He was probably a very nice guy

> following his path and making a living, and I never would have wished such a

> terrifying and despairing end for him.

> 

> Well, I have written again as you suggested after not hearing from you after

> our brief exchange a little while back ( you toggled me to get on my New

> Urbanist soapbox as I recall).  This is a great and increasingly obsessive

> list to be on, I'm getting to know the themes and MO's of the regulars,

> separating the Beat Wheat from the Chatter Chaff.  Until very recently, my

> own correspondence was one-on-one, such as my dispatches to you.  But I've

> finally gone public and joined in on the VOC forum in direct response to

> Marie Countryman and to the List at large.

> 

> Regards,

> 

> Arthur S. Nusbaum

Arthur:

 

When you delurk you do not mess around. I always assumed Dr. Sax was

named that by Jack for the jazz sax players who can haunt you like a

mystery in your brain.  What was the man who just quit playing and went

out every night and played on the Brooklyn bridge?  There is something

about the sax that is lost in today's music.  Whether you like them or

not, Train and others were the boss, and noone has picked up the

challenge.  But I mean, lock Kenny G and Yanni in a room together and

see what happens.  Maybe they could force each other to play!!!!

 

Glad to help someone delurk, but wow, what a powerful beginning today.

 

I love this list!  It is the only thing I know of on the internet that

requires thought.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 18:18:45 -0500

Reply-To:     "William H. Rose, III" <schpill@EXECPC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose, III" <schpill@EXECPC.COM>

Subject:      "The Playful Poets"

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The Playful Poets

by William H. Rose, III

 

Kerouac ruck-sack back-pack Buddha-Jack beat-back run-on James Joyce firs=

t-choice

odd-voice free-fall flowing, you know, come on. (In cosmic slums Jack wro=

te the bums

and beat upon his clever-kicked and hobo drums in search of wide-eyed lov=

ers who

would hum.) On the road his story told in non-stop verse so nudely bold. =

Kicks and

chicks and movin=92 on; swimmin=92 in women and carryin=92 on. Kerouac ro=

ad-knack

Dharma-pack mystic poet of our past.

 

Dharma lion, love-crazed cryin=92, house of Zion, outlived dyin=92. Allen=

 Ginsberg phallic-

rimsword, fault gestalt Whitman Walt, no man, everyman, woman, man! Kaddi=

sh,

Kaddish, Kaddish, rave and reel, the secret hero of the =93Howl=94 was Ne=

al. =93The fastest

man alive=94 some say when pryed, others say he lived the way he died. Ke=

n Kessy testing

LSD the bus =93Furthur=94 on a spree in colors all a-glow; Neal=92s drivi=

n=92, the Dead are

thrivin=92 in the Merry Prankster Show. Further, Furthur, further, off to=

 the extreme;

deeper, steeper, deeper at the edge of my beat-dream. Flower-power acid-t=

ower

peace-hour, free; The Electric-Koolaid-Acid-Test and 1963.

 

Generation, inspiration, imagination, confirmation; When did I find time =

for this beat

emancipation?

 

J.S. Bach turned waltz to rock and Hendrix played it loud; The Grateful D=

ead they spun

some heads but Mozart stunned the crowds (at only 4!). Courtney Love and =

Kurt Cobain,

Perry Farrell and Alice In Chains. Bob Dylan was distillin=92 the essence=

 of folk rock while

Iggy Popp the stage he hopped naked all a-swingin=92-bopped. Carol King, =

Prince, and

Queen, royalty the music scene. And Bo and Bird without a word the sweete=

st sounds

I=92ve ever heard. Tom Waits impatiently I=92ve found for pasties, g-stri=

ngs, beer and blue

sound.

 

Hip-hop (give it away now), Punk Rock (in your face, wow!), Raggae (Rasta=

fari, man),

Techno (music in a can), Ragtime (Joplin=92s slammin=92 keys), The Blues =

(B.B.=92s on his

knees), Classic (music for the head), Cool Jazz (from the heart is fed), =

Rock =91N Roll (the

time has come), Slow Souls (melts them into one).

 

Thomas Stearns (T.S.) Eliot cosmic burn poetic delicate free-verse letter=

s Wasteland

empty it. e.e. cummings, he be cunning, words so stunning, see me coming,=

 poetry with

wit. Salvador Dali Llama, Dharma blues and bums with news, William Shakes=

peare did

you all hear Elvis has blue shoes (watch your step now!). Buddha, Christ,=

 and Allah

praises; Genghis, Vlad, and Hitler crazes, ashes death to dust. Lord Byro=

n I=92m admirin=92,

Socrates philosophies please, and Charlemagne made quite a name while Nea=

l Young

slept in rust. Robert Frost was never lost while Whitman=92s truth was su=

ddenly tossed at

Henry and June two lovers star-crossed. Ezra Pound China-found canto-boun=

d full of

sound, Yao! And Emily a mystery wrote poetry for all to see, wow! Ferling=

hetti word

confetti, scat-back ready, beatnik steady, City Lights heady, the =93Howl=

=94 was so much fun;

James Dean was such a scream and Morrison was filled with dreams and both=

 died much

too young. Jim Carroll lives with Randal Jarrell my bookshelf won with Le=

wis Carol. The

Hobohemian hepcat-hipster tried to make it with a twister. And Leonard Co=

hen wrote all

alone =93her perfect body=94 Suzanne poem.

 

Bus-stop red-hot flip-flop last-stop dew-drop bop-hop flick of the lovers=

 tongue; stop-gap

beat-rap sex-trap hip-wrap sound-tap flap-clap pose of the rebel young. A=

nd in the 1990=92s

we are confused =91bout lust, can we, should we, would we tender touch, o=

f lovers who are

loving not enough, or, perhaps, maybe, of course, too much?

 

Claude Monet no pallet gray, colors rich and full of May. Vincent painted=

 Starry Nights

and softly unveiled the world=92s rights. da Vinci gave us mirrored hands=

 and all the

wonders of the land. And Gustav Klimt the kissers primped within his arms=

 her body

limp (waiting for =93The Kiss=94); for Lenny Kaye and Patti=92s way they =

=93Ask The Angels=94

come and play (sweet poetic bliss).

=========================================================================

Date:         Sun, 6 Jul 1997 19:25:22 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      MC--I salute you

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MC:

 

Today, had more good posts than I could digest.  You go girl.  I salute

your wonderful handling of your mood and obtaining what you wanted

without being, well, you know what I am trying to say here.  Damn good

job.  Good list and I just felt VoC was such a hard book to read because

of the way I read and the way Jack wrote it.  He wants to recreate

reality with words, and I read it that way, and it takes my energy.  I

want to read Pic though, so I will read VoC in hopes someone else will

go there with me.  Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

=========================================================================

Date:         Sun, 6 Jul 1997 17:07:45 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Another Beat?

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Not here to say ill of the dead, but beat for Kuralt seems a mighty

stretch.  There is a long a wonderful tradition of describing the by

ways of American life that goes way way back.  In  our century think of

John Dos Passos, Sandburg,  Frost,  Grant Wood and a lot of

socio-realist painters, etc, even Norman Rockwell (who reminds me more

of Kuralt than the others do.)  This is not something the beats invented

tho some of them did it very well.  Kuralt always struck me as

saccharine, but then I rarely watched him except for hating his

commentary for the Lilihammer Winter Olympics. But then I don't think

I've ever liked anyone on morning TV so maybe I am the wrong guy to

comment.

 

J. Stauffer

 

Howard Park wrote:

> 

> I definately think that Charles Kuralt was a Beat, in the best and sweetest

> sense.  I morn his passing.

> 

> I believe the core of "beat" was not sex, drugs and rock 'n jazz, though I

> can appreciate the positive qualities of those activities, to say the least.

> 

> Kuralt was about exploration and finding joy in simple things, not so simple

> but unrecognized people and the beauty that is everywhere that we frequently

> miss in the day-to-day hubub of our lives - things like the Daisy in the

> railroad yard that AG wrote a poem about, the apple pie of the midwest in On

> The Road, and the exceptional "ordinary" prople profiled by Charles Kuralt

>  Beat Indeed!

> 

> It is not well known that Kuralt was a friend and sometimes mentor to Dr.

> Hunter S. Thompson and was also a lifelong Greenwhich Villager (and rural

> North Carolina).  His passing leaves no one on the media who did what he did

> - chasing the good in ordinary folks instead of scandel and gossip.

> 

> Take time to smell the roses today, and remember Charles Kuralt.

> 

> Howard Park

=========================================================================

Date:         Sun, 6 Jul 1997 20:06:12 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Wilhelm Reich

 

Reich probably didn't realized that he was getting into the number one

American obsession.  It is true this obsession borders could be insane.  The

new morality speak of the New York Times and the current politics of

political correctness will always cover up a reality that we haven't dealt

with in this country.  However it is secondary to our karma with the tribal

peoples which must also be dealt with. Unfortunately for gen-x and beyond

things may get more difficult for those who can't fend for themselves on the

bottom of our class and economic beliefs which are a shedding of that same

sexual armor.

Charles Plymell

=========================================================================

Date:         Sun, 6 Jul 1997 17:14:37 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: "The Playful Poets"

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Someone certainly didn't forget any of his perscriptions this morning. =

 

I take it art is pretty grand stuff.

 

William H. Rose, III wrote:

> =

 

> The Playful Poets

> by William H. Rose, III

> =

 

> Kerouac ruck-sack back-pack Buddha-Jack beat-back run-on James Joyce fi=

rst-choice

> odd-voice free-fall flowing, you know, come on. (In cosmic slums Jack w=

rote the bums

> and beat upon his clever-kicked and hobo drums in search of wide-eyed l=

overs who

> would hum.) On the road his story told in non-stop verse so nudely bold=

=2E Kicks and

> chicks and movin=92 on; swimmin=92 in women and carryin=92 on. Kerouac =

road-knack

> Dharma-pack mystic poet of our past. . . .

=========================================================================

Date:         Sun, 6 Jul 1997 17:24:09 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: "where have all the scholars gone

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Marie,

 

shame on you.  Here I was getting ready to enjoy some feel good posts

about "Death" and "Life" and "Poetry" and "ART" and "Bursting Hormones"

and how hip and wonderful I feel after discovering the Beats and you go

and turn the discussion back to boring old specific books which I might

have to read unless I can find a Comics Classics or a Cliff's Notes.

What a cranky old Beat Chick you are.

 

I am going to have to renew my subscription to Seventeen if this keeps

up.

 

"Teen Angel, can you see me

Teen Angel, can you hear me

Are you somewhere up above

And are you still my own True Love"

 

Bif (and Muffy)

 

Marie Countryman wrote:

> 

> long time passing," where have all the scholars gone?

> i know its summer, BUT

> there is a remarkable change over on the list, from young folks chatting up

> a storm and maybe a few posts to sink teeth into (or pomes or folks or

> whatever) . . .

=========================================================================

Date:         Sun, 6 Jul 1997 20:22:16 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: On the Road

 

In a message dated 97-07-06 12:33:51 EDT, you write:

 

<<   Robert told them all to stick it, if they didn't like it. >>

 

An article that really impressed me when I was a kid, was Mitchum being

busted for pot and there was a picture of him doing time at the LA county

prison farm. A reporter or someone was asking him questions when he was

milking a cow. He aimed her tit at the person's face and squirted a stream of

milk.

Charles Plymell

=========================================================================

Date:         Sun, 6 Jul 1997 20:36:54 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: CODY PART ONE

 

In a message dated 97-07-06 17:16:43 EDT, you write:

 

<< I still like the shit thing on pg. 26

 "...we are nothing but shits and we'll all die and eat shit in graves..." >>

 

A little off-thread here, but a while back Claude Peleiu said he read an

article in Rolling Stone about Chuck Berry and copraphelia. Did anyone read

it?

Charles Plymell

=========================================================================

Date:         Sun, 6 Jul 1997 20:39:00 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Denise Levertov.

 

Worse than discourse!

Charles Plymell

=========================================================================

Date:         Sun, 6 Jul 1997 19:41:17 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      FireWorks and FireWalks and rusty strings

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The Independence Day

Fireworks

opened a universal

wormhole

that connected

the cybernetic grapevine

to graveyards of memory

which i'd just recently unearthed.

archeaology of memory

is an old habit.

After FireWalk

was done

and i read it

and mailed it around

and read it aloud

here and there

i realized that it

wasn't about

the ghosts in the words

but

a ghost

hidden behind all the words

and

that Anne

was right all along

about where

my heart

abided

despite my vows to the contrary

and

now after typing the

saga

onto this cybernetic

highway

the FireWorks hit me

another

grand irony

as the Independence

day

celebrations in DC

bring together

young maya

with the princess

who was this

ghost

and i wrote of her memory

to maya

as maya met the princess

at an Independence Day Celebration

and i hear

through the grapevine

that it is just

two weeks

to the princess'

wedding

to another David

one of so many

in the universe

and i must

am compelled to create

a fitting

wedding gift

which may or may not ever reach them.

so

i pull out my old

Ovation

and a garage sale

tape recorder

and

spend an hour and a half

that seemed

like

a decade or two

singing and playing

on rusty strings

with softened fingers

and a growling voice

and create

a package

and fear the rusted strings

may create

infection but

the artistic expression

is perhaps my best

birthing

in many many many years

and as the package is being finished

i can barely barely

type with my left hand

for the soreness

from the rust

and

i thank the Beat-L

grapevine

for creating the

wormhole

that let me into this

happy celebration

in two weeks

even though i'm a faded memory

in faded jeans

and

firmly planted in the Midwest.

Somewhere on the first

side of the tape

i started into

You are My Sunshine

my

only Sunshine

and left time completely

and i returned

to wonder just

where it came from

cuz

i'd never ever

played that song

or sang that song while playing

and the muse just

laughed and Hank Williams coughed

and gave me a good kick

and i

let the tape run out while

i went to the kitchen

for a cup of coffee

and an Old Gold Light

 

Now the second side

winds to an end

with my reflection

and her reflection

so high

above these walls

in an eternity in the woods of Vermont

that is always there

but is thankfully now

pleasantly passed along

to another

David more oriented to her East coast ways.

 

david rhaesa

salina, Kansas

 

p.s.  this whole experience has put me hopelessly behind on Visions of

Cody but i've had my own visions so i ain't gonna cry over spilt blood.

=========================================================================

Date:         Sun, 6 Jul 1997 21:10:57 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Great Rememberer

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Someone posted about Ginsburg's notes appearing in the back of VoC.  My

copy is the First McGraw-Hill Paperback Edition, 1974.  In the

beginning, it contains The Great Rememberer, which is the introduction

and was written by Allen May 17, 1972-Denver -- June 9, 1972, Rendezvous

Mountain, Tetons, Wyo.  Is this the same, or did Allen write another

piece for VoC?  Thanks for your help.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 20:33:57 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: JK tribute: kicks joy darkness--random thoughts in reply

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R. Bentz Kirby wrote:

 

  I have no identity that is not false.

> 

> 

 

still out of time

meandering through posts between X-files show

found this line

of particularly wise scholarly merit !!!!

 

shalom,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 6 Jul 1997 21:40:13 -0500

Reply-To:     Bob Fox <bfox@SIU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bob Fox <bfox@SIU.EDU>

Subject:      Kicks, Joy, Darkness

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Marie Countryman was soliciting thoughts about the Kerouac tribute

CD, KICKS, JOY, DARKNESS.  For anyone who might be interested, I have

reviewed the disc for the electronic journal POSTMODERN CULTURE, which can

be accessed at http://jefferson.village.virginia.edu/pmc/contents.all.html.

Click the icon reading "This Issue" (it's 7.3 [May 1997]) and scroll down

to the reviews.

=========================================================================

Date:         Sun, 6 Jul 1997 21:42:02 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      skimming Part 1 Cody

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funny ... if i counted correctly, "Cody" appears PRECISELY 50 times in

Part One.  wonder if such a round number was consciously planned??? :)

 

Most meaningful line so far (but mostly cuz of fireworks escapade)

p.9 (of the salina public library edition)

"So it sit in Jamaica, Long Island in the night, thinking of Cody and

the road -- happens to be a fog - distant low of kaxon moaning horn -

sudden swash of locomotive steam, either that or crash of steel rods - a

car washing by with the sound we all know from city dawns - reminds me

of Cambridge, Mass. at dawn and i didn't go to Harvard -- ...."

 

so perhaps some got caught in this foggy book.  The princess i wrote of

earlier this evening lived in Jamaica and the memories of Jamaica are

striking here (and throughout part one).  but this line especially cuz

we had more than one rendevouz in Cambridge that were a fog where the

entire world left and just us nobody else (except i do recall hearing

Dallas bitching about us out in the parking lot fucking in my Toyota and

i believe a van was scratched when in orgasmic confusion i attempted to

park a very tall van in a very short parking garage and a dinner at

Legal Seafood with two indians from the bronx)....

 

at any rate.  i may actually read part one again when i re-enter time

myself to see what i missed but i know where he's at in Jamaica and how

it can play with memories and whatnot!

 

bye bye -- off to count the number of times Henry Fonda appears in Part

One (i didn't catch Jimmy Stewart in there at all - damn shame!)....

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 8 Jul 1997 00:00:56 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      VoC

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

A couple of things.  I'll save what I think is my best for last.

 

1.      I am only to page 10.  I spent a lot of time trying to digest Allen's

introduction.  I like the way that Allen points out that Jack wrote

history 15 years before.  That is the way I always felt.

 

2.      I like the line on page 9

 

(ever so far, in the hush, you can hear the tiny SQUEE of something, the

nameless asthmas of the throat of Time)

 

That is poetic.

 

3.      We recently talked about the tree in the forest, the poem unread, and

Jack points out on page 10 that:

 

"When I see a leaf fall, I always say goodbye -- And that has a sound

that is lost unless there is a country silence at which time I'm sure it

really rattles the earth, ..."

 

That blows me away to think of the sound of the leaf letting go and

hitting the earth and on one level, the leaf does rattle the earth.

 

But the best to me is in the middle of the description of the food on

page 10 where he says, putting us on and raking the reviewers, and

paying homage:

 

-- of deepdish strudel, of time and the river -- of freshly baked

powdered cookies --

 

And if you have read Of Time and the River, you know what he means and

to me, this is an incredibly funny funny funny thing.  If you haven't

read it, I think it is about 916, or 912 pages long, though I may be off

so slightly.  Jack is jerking our chains hard hard hard.  I am LOL.

 

Much better than the jerk off scene.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 8 Jul 1997 00:27:54 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      VoC

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sorry about the number of posts here, but, this is so sublime and scary

at the same time.  On page 12:

 

We find the bar, rolling through the October climaxes of leaves falling

and Halloween soon and I got red October shirt ah me so sad that every

year we have to lose our October!

 

and this in the paragraph right after he says:

 

All you do is head straight for the grave, a face just covers a skull

awhile.  Stretch that skull-cover and make it smile.

 

Prophet or poet, or both?

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 6 Jul 1997 23:28:17 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: VoC

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Sorry about the number of posts here, but, this is so sublime and scary

> at the same time.  On page 12:

> 

> We find the bar, rolling through the October climaxes of leaves falling

> and Halloween soon and I got red October shirt ah me so sad that every

> year we have to lose our October!

> 

> and this in the paragraph right after he says:

> 

> All you do is head straight for the grave, a face just covers a skull

> awhile.  Stretch that skull-cover and make it smile.

> 

> Prophet or poet, or both?

> 

> Peace,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

prophet

of Dylan at his grave!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:05 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Visionaries (Eliot/Ginsberg again, for Michael Skau & et al)

 

In a message dated 97-06-30 13:02:48 EDT, dcarter@TOGETHER.NET (Diane Carter)

writes:

 

<< (Prufrock)

 "Do I dare disturb the universe?"

  >>

 

Disturb it all you want. It still won't change one mother-fuckin fucken

thing.

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:09 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

In a message dated 97-07-01 08:05:11 EDT, atrigili@LYNX.DAC.NEU.EDU (Tony

Trigilio) writes:

 

<< R. Bentz Kirby wrote:

 >Has anyone on the list ever heard of Diane De Rooy.

 

 Yes.

...snip...

 

 I have found Diane to be honest, considerate, compassionate--and a very

 good writer.  She is a professional.   >>

 

Is she real or Memorex?

 

Am I Attila the Hun

or Tilly the bum.

Why do I keep ducking the question

when all I really want is a little respect.

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:14 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

In a message dated 97-07-02 00:14:48 EDT, lisar@NET-LINK.NET (Lisa M. Rabey)

writes:

 

<< And considering that I haven't spoken to 3/4 of the people on the list

here

 personally, met them, had coffee with them nor shared in their lives, which

 includes you sherri, maybe you do not exist either. >>

 

I just checked and I am not on any of the lists and have therefore determined

that I do not exist.

I am not Attila

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:17 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: <<Diane>>, di prima, <<beauty>>

 

In a message dated 97-07-01 09:04:10 EDT, love_singing@MSN.COM (Sherri)

writes:

 

<< douglas, i think that einstein proved that time essentially stands still

at

 the speed of light...  am i mistaken?

  >>

 

 I remember speeding through the light one time.

 

 $100 dollars later, I now stand still at the light.

 

 Red means stop, yellow means stop, green means proceed with caution.

 

yieldingly,

Attila

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:26 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Kill Time, Save Vegetables

 

In a message dated 97-07-02 18:33:49 EDT, iamio@MAIL.NETSHOP.NET (James

William Marshall) writes:

 

<< If anyone's interested, I'll relate more of what's been going on with God,

 Satan and other religious figures and me later.  >>

 

Shouldn't god be making child support payments or something?

=========================================================================

Date:         Mon, 7 Jul 1997 00:59:32 -0400

Reply-To:     GYENIS@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: suspicious, but perhaps unfounded.& then

 

In a message dated 97-07-02 02:38:43 EDT, pelliott@SUNFLOWER.COM (Patricia

Elliott) writes:

 

<<  I wish that i felt more secure about the memory babe

 material but my primary concern in that controversy was not the theft of

 materials and access to that collection (here i shout, pardon) IT IS THE

 JK ARCHIVES. >>

 

The JK Archives? What's up with that?

=========================================================================

Date:         Sun, 6 Jul 1997 22:21:58 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Cody

Comments: To: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199707061728350733@msn.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 6 Jul 1997, Sherri wrote:

 

> btw, maybe this is stupid, or maybe it's old news, but does anyone else see

> neal as a sort of mystical reincarnation, in JK's mind, of Gerard?

> 

> ciao,

> sherri

> 

Hi, Sherri. Yes, I do see C a bit this way. In fact, look at K's

references/descriptions of C in OTR--and he is referred as an "older

brother" type (those are my q marks, not K's). C is what K has

lost--G--and what in a very real way America has lost--the adonis from

the snowy mystical west of the ol' luminous Dream. It always breaks my

heart to read and see K's intensity of feeling for and trust in the

spirit energy of Neal---but then we find that their relationship and even

Neal's soul and daybreak days are like evrything else wheeling around on

the "quivering meat conception" and are therefore mutable and always

already going away and changed.

 

best,

 

steve

 

Pacific University

Forest Grove, Oregon

=========================================================================

Date:         Mon, 7 Jul 1997 00:44:16 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Jazz-poetics

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: 8bit

 

Please brace yourself,

 

Coltrane has been my man for a little while now . . . touched him with

'a love supreme' . . . the saxophone being his rendition of the divine .

. . the documentation of religious experience is not found through

theology, but through art, through creation . . .

 

i have been trying to understand 'Om', but having some difficulty . . .

must be patient . . . 'Kulu Se Mama' (?) is also up there . . .

 

With the jazz-poetry group, Rhythmic Missionaries, my brother performed

a piece unofficially titled 'Jazzku' = he recites haiku then the

instruments interpret / respond, etc . . . a bunch of traditional nature

/ seasonal haiku, haiku centred on the spirits (beer, tequila, etc):

 

                too much tequila

                has been drunk this evening

                composing haiku

 

Gautama (the Buddha) haiku, and the final haiku in climax:

 

                bid-de-deeeeee-de-bop

                oh how i wd like to stop

                writing haiku flop!

 

With regards to Coltrane, this is part of my own writing, 'Winter' from

'Mountain Tasting':

 

        these questions pour out now able to pronounce,

        last season s hurrying through eternity

        has slowed to the beat of Eternal Slowdown,

    boomerang trajectories of John Coltrane Om fantastic

        envelop my body with Trinity translations,

        Church persuasions are not my affiliation,

        (but i continue to dig in relaxation)

 

i realise much of this is given out of context . . . however . . .

'Eternal Slowdown' is a Kerouac term found in Mexico City Blues

describing Charlie Parker . . . 'hurrying through eternity' is a

Lawrence Ferlinghetti word combination from the poem 'After the Birds

Have Cried' (?) . . . the line structure is originally simply one line,

instead of commas there are dashes (Ginsberg's 'dash of consciousness').

The one line is spread out into numerous lines simply because the page

is not wide enough, (although the way it is written in this letter is

just as good) . . . i interpret the use of Ginsberg's dashes as the

combination of diverse thoughts. The mind thinks a thousand thoughts at

one time, why not document it that way. The problem with using

punctuation, etc. is that you have to be consistent with it = system /

pattern (in the one poem at least), or else there is no coherency, which

is needed if the piece is written for an audience,  (punctuation is used

to aid the reader; yes / no ?).

 

As well, certain poems of mine i view as purely jazz pieces - not with

jazz themes, but jazz itself - the long line, although having a rhythm

implied, is written without the rhythm being visual, giving the reader

freedom to interpret the rhythm, similar to Coltrane's rendition of the

traditional 'Greensleeves', or any artist performing a cover piece =

which means, the reader himself is a creator . . . as well, certain word

combinations are repeated throughout a poem, similar to a repeated riff,

implying similar rhythm for those syllables = notes . . .

 

o.k. . . . here we go: poem titled "Days Gone By Remembered Now". The

long dash does not come out properly on email, so will settle with "  -

", it is not to be confused with the hyphen ( ex. rainbow-chasing).

Italycs don't come out either . . .

 

Days Gone By Remembered Now

27/12/96 - 22/1/97

 

    1

 

days gone by remembered now while rainbow-chasing in Nappa Valley

     California on wet-wet winding 2-lane highway - passing vineyard

after

     vineyard

as if gold and maybe more lay hidden behind trees in misty mountain

range

     just beyond finger reach   must get closer   or, drink bottle after

bottle

green attire and children-giggle further fascination into multi-coloured

realm

     where all is illusory and all is imaginary in the all-real world of

the mind-

     diversion   or, in the all-real world of the secret language of the

body

 

     2

 

days gone by remembered now while separated from young heart relations

         her curley blond locks of fabled proportions   strong jawed, strong

         limbed   wonderfully waisted and fantastic

as if dreams could capture laughter, teeth, hair and majestic all   to

swim

     with her voice in candle-lit bathtub   to promenade naked in

cemetery with

     firm limbs of youth   there is only youth in love, only strength

fingers locked in fingers to winter cool-breeze gallivanting the

immensity of

     it all   two bodies, genitalia cloaked into one rhythm   one pulse

  one

     body, mind: thought   one joy, bliss, elation   illumination

union and

     formation in non-thought   the holy silence of sex

 

     3

 

days gone by remembered now while back in bilingual city of

flake-covered

     stark-lit avenues   they being urban passageways made by man

returning

     now to awakened status after months of decay   salt and sand being

the main

     things expected

as if white climate returned man to earth in new beginning where clean

holy ash

     washes dirt and sin and repulsive reality off   must get head

straight before

     day of reckoning   or, at least must get head straight before last

winter snow-

     fall

ice-sheets turn layer of earth into cold blue experience with night

howls

     descended from the gods of the arctic coast   where did they hail

from? where

     do they go?   tempting me in this land of plenty in season empty

the gods

     and their terror-hollow howls   (slap head to understand)   the

holy silence of

     death

 

     4

 

days gone by remembered now while digesting waves of clear-mind

afterthought

     from wind-swept disorder   harmony discovered in dry crunching snow

  or,

     harmony discovered in wet snowball snow

as if weather was a factor   it being sense-delicious and rambunctious -

it being

     the IT FANTASTIC where in mid-street, naked and alive, the pressing

of fingers

     on virgin snow is felt under ice-sheets, felt under layer of cold

blue earth

         felt to the burning core!

from base of spine to solar plexus, inside throat to top of head

emotions in

     motion   emotions in motion   burning, rising, rising to stomach

in between

     eyebrows, in between thighs   emotions in motion   emotions in

motion

     the weight of love: awaiting fortune   the burden of solitude: the

birds of

     utopia   where did this hail from? where does it go?   does the man

at the

     corner hold the knife of redemption?

 

                                --------

 

('the weight of love' & 'the burden of solitude' = from a Ginsberg poem:

'Song' )

 

I use this medium (email) to help me document my own poetics.

I know this has been wordy.

Thank you for listening - would like some feedback from poem, if

possible.

 

JN

=========================================================================

Date:         Mon, 7 Jul 1997 01:55:32 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      visions of codeine

 

i have not started voc yet.  I'm too lazy to go to the library.  there, I've

said it.

 

I saw that movie, Men In Black tonight.  I usually never see anything that

isn't either foreign or an "art film" or better yet both.  But, you know

what? i thought MIB was a great movie.  Except that i had to pay for both

myself and my goddam boyfriend.

 

words like statues crack and crumble

 exposed to oxygen.

spurious claims of love

spoken into stale bedroom air

have come back to haunt and destroy their creator.

 

---maya "when i say i'm in love, you best believe I mean I'm in luv, L-U-V."

 

DISCLAIMER: THE POST YOU HAVE JUST READ IS ENTIRELY UN-BEAT-RELATED, THANK

YOU AND HAVE A GREAT NIGHT

=========================================================================

Date:         Mon, 7 Jul 1997 05:49:38 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody

 

thx for the reply steve...  y'know the other thing i been thinkin bout is

Jung's anima and animus archetypes.  maybe the whole thing was JK's constant

search for wholeness by knowing his own archetypes from outside himself; i.e.,

 Neal is his animus self and Gerard his anima.  this then is transmuted to

America -  the upright, uptight, established, religious, oppressive majority

vs. the wild, brave, daring, beat, living, questioning, mocking minority...

 

paix,

sherri

 

----------

From:   Steve Smith a.k.a. Whiskey Wordsmith

Sent:   Sunday, July 06, 1997 10:21 PM

To:     Sherri

Cc:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: Cody

 

On Sun, 6 Jul 1997, Sherri wrote:

 

> btw, maybe this is stupid, or maybe it's old news, but does anyone else see

> neal as a sort of mystical reincarnation, in JK's mind, of Gerard?

> 

> ciao,

> sherri

> 

Hi, Sherri. Yes, I do see C a bit this way. In fact, look at K's

references/descriptions of C in OTR--and he is referred as an "older

brother" type (those are my q marks, not K's). C is what K has

lost--G--and what in a very real way America has lost--the adonis from

the snowy mystical west of the ol' luminous Dream. It always breaks my

heart to read and see K's intensity of feeling for and trust in the

spirit energy of Neal---but then we find that their relationship and even

Neal's soul and daybreak days are like evrything else wheeling around on

the "quivering meat conception" and are therefore mutable and always

already going away and changed.

 

best,

 

steve

 

Pacific University

Forest Grove, Oregon

=========================================================================

Date:         Mon, 7 Jul 1997 01:07:22 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      the beat

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: 8bit

 

Bentz wrote:

 

> Take it away, Dr. Sax.  Play on Train.  Wail on Roland Kirk.  Play on

> Jazz man.  Anybody but Kenny G!

 

=

 

take it away

        Dr. Sax /

 

                        play on train / /

 

                        wail on

                                Roland Kirk

 

                        play on

                                Jazz man /

 

                                                        Anybody

                                                                but Kenny G!

 

slashes [ / ] = syllable pause

in a 5/5 time signature (?)

 

                --------

 

"Ode to a Queen Mary Birthday Bash Reunion"

1997

 

. . . promised          /

her a

poem

that night

i drank . . .                   /

 

    gin after gin after                     - -       - -

    dream-

    ing of

    gin

 

. . . and was lucky             /           - -

enough                                  - -

t  have her

pour me

the rounds . . .                        /

 

 

JN

=========================================================================

Date:         Mon, 7 Jul 1997 02:05:33 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      rhymers

 

bones dry faster in the sand,

my promised land.

 

Ancient columns of black granite

other senses, from other planets.

 

Where the highway turns to rubble,

an electric, metal, shining bubble.

 

Rising softly in the loudness,

the sea, the night, the sky is cloudless.

 

When I say I ain't gonna shove,

you best believe I mean I'm in love.

 

-m

=========================================================================

Date:         Mon, 7 Jul 1997 02:46:42 -0400

Reply-To:     Tajimapena@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Renee Tajima <Tajimapena@AOL.COM>

Subject:      unsubscribe

 

Dear Beat-L, please cancel my subscription to Beat-L temporarily.  I will be

travelling for a while and cannot get to my email.  Thank you! Renee Tajima

=========================================================================

Date:         Mon, 7 Jul 1997 02:36:21 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: CODY PART ONE

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I don't know if anyone has brought this up (forgive me, Marie, if you

did), but the biggest thing I noticed in rereading the first portion of

VOC is JK's stunning use of colour (colour spelled the Canadian way cos

we have yet to pry ourselves from the claws of the Commonwealth). In

nearly every sketch in the first 32 pages colours play a vital role:

 

'Coffee is served in white porcelain mugs-sometimes brown and cracked.

An old pot with a half inch of black fat sits on the grill...' (p.3-4)

 

'a torn rubber carpet leading to ticket box...painted gaudy orange

brown; [marble counter] was once painted brown...now has a shapeless

color like shit against the gray, almost shit-gray sidewalk' (p.4)

 

'In the raw wood wall a strange beautiful window with blue and red

stained glass fringes; sprawling "alpine lodge" crazy crooked wood

house...pale shapeless snot green, stained with ages of rain and snow,

onetime red (now forlorn hint of red)' (p.5)

 

'Western Music Co. written in white against green glass with lights

behind but so sooty is the white part it makes a dirty sad effect; the

Harmony Bar and Grill in crimson neon upon the gray sidewalk' (p.5-6)

 

'The Men's room in Third Avenue El has wood walls painted green...yellow

up to old carved wooden ceiling' (p.6)

 

'noble old ceiling of ancient decorated in fact almost baroque (Louis

XV?) plaster now browned a smoky rich tan color' (p.10)

 

'she wears low-cut green sexy dress under red coat...her green dress has

ribbon collar then opens below to reveal bosom breastbone which is no

longer milkwhite but weather red.' (p.11)

 

'the sky looking like it had been sugar cured, peppered and cloved and

smoked during the night like a ham and was retaining hints of glistening

moisture in the skin-somewhere in its pigmentation.' (p.14)

 

'I see a Negro cat wearing an ordinary gray felt hat but a deep blue, or

purplish shirt with white shiny pearl-type buttons-a gray sharkskin suit

jacket over it-but brown pants, black shoes, deep blue ordinary

one-stripe socks and gabardine topper short and beat,..carrying brown

paper bag...-dark brownskin- his big hands hang, his fingernails are

pink (not white) and are soiled from a laboring job...' (p.18)

 

'a bleak rectory...is that peculiarly pale orange brick, color of puke,

cat's puke...the oaken door but pale brown oaken not dark...' (p.20)

 

'the MERIT Food Shop, written in green neon (greon) in the window, MERIT

is, and Food Shop in orange-now why?-...the floor is all shades of brown

and yellow "pebbled" marble...'(p.26)

 

And the best colour description...Jack's stained-glass window at St.

Patrick's Cathedral:

'a lonely icy congealed blue with streaks of hot pink-little blue

holes-painted with an immeasureable blue ink, noir comme bleu, black

like blue...the other windows grow rich, brown, dark, secret, get better

with age of light like wine with age of Time-...my holy blue window, the

one like the window at 94-21 that made me so often think there was a

weird blue light in the railyards...taking the ordinary corner

steetlamp...and giving it inky blue hues like that

apocalyptic-end-of-the-world blue light, the light of subterranean

stars...these glass windows refract NIGHT too for now I see nothing but

the rich-dim recollections of what at dusk was a Rembrandt barrel of ale

in a Dublin saloon when Joyce was young...'

 

JK's use of colour continues through all his books, and certain colours

are associated with different feelings:

white, blue, gray-coldness, bleakness...stemming from the cold Lowell

winters of Jack's youth

red, brown-warmth, comfort...for instance the 'browns' in his family's

old house and the redbrick of the factories in Lowell.

(so where does 'mauve boilermakers' fit among these definitions???)

 

As far as Kerouac's spontaneous prose goes, the two standout pieces are

his reverie over the girl at the cafeteria (which has been covered so

I'll skip that) and his brilliant latenight musing in the deserted Times

Square cafe (p.16-18).

 

In the first part he watches an Arabic-looking man, and falls into an

'Aly Khan' Egyptian-themed reverie, fantasizing the man is about to be

dragged back through the door and offered as sacrifice, the door being

'a big green door [which] holds itself up like a lamb to sacrifice to

the sun at sea dawn over him, and it has wings.'

 

Soon, however, the huge plate glass window catches Jack's eye and he

starts a mesmerizing hallucinatory spiel about the images he sees, both

the latenight street scene on 6th Ave. and the images from inside the

cafe reflected in the nighttime window: 'a great scene of New York at

night with cars and cabs and people rushing by and Amusement center,

Bookstore, Leo's Clothing, Printing, and Ward's Hamburger and all of it

November clear and dark is riddled by these diaphanous hanging neons,

Japanese walls, door, exit signs-'

 

Jack begins to lose himself in the window before him ('like kaleidoscope

over kaleidoscope'), then muse upon a fourth-story window across the

street, and lose himself in the window again, the backwards cafe signs,

the shiny flashes of passing cars, distorted images in a parked car's

round fender. Finally, after a good half-hour or so of watching (and

writing some absolutely amazing prose) he is brought back to the real

world by the sounds around him, and he concludes his sketch with a

romantic, heart-felt sentence that shows Jack as happy as he's ever

been: 'I hear above the clatter and sleepiness of cafeteria dishes (and

swish of revolving door with flapping rubbers) and voices moaning, I

hear above this the faint klaxons and moving rushes of the city and I

have my great immortal metropolitan inside-the-city feeling that I first

dug (and all of us) as an infant...smack in the heart of shiny

glitters.'

 

Pardon my language, but I had nearly forgotten what a fucking incredible

masterpiece Visions of Cody is. And still 350 pages to go!

 

having a blast retuning to my ole buddy Jack,

 

Adrien

=========================================================================

Date:         Mon, 7 Jul 1997 02:55:09 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: JK tribute: kicks joy darkness

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

Hi there Marie,

> 

> any one out there listening to the JK tribute CD?

 

yup...a fine cd, isn't it?

 

> personally, i am really loving maggie estap&spitters "skid row wine"--great

> performance piece and the kind of readings i aspire to.

 

That's my least favorite cut on the cd, one of the three or so

disappointments (Eddie Vedder, you're totally clueless!). I don't think

much of Maggie Estep. Too much shtick. All this whiny, loud,

semi-yelling, New York caterwauling is grating to my ears. Enough

already! Her artistic high point (in my very narrow opinion) was that

heybaby-yobaby-heybaby-yobaby-yoyoyo-baby-yoyoyo song a few years back.

But that's just me.

 

What's my favorite? I love so many of the tracks...Juliana is her usual

adorable self, a wonderful reading, kinda like kid's story time at the

library, people don't realize Jack was a big kid at heart and could

write with a lot of whimsy...Warren Zevon is great, love how he says

"wiiinnnne" (he should do a Kerouac book-on-tape with that great

voice)...HST is, well, his usual inimitable drunken mumbling hilarious

self...Richard Lewis is surprisingly good...Allen, Ferlinghetti, and

Uncle Bill are in top form...Jack reading MacDougal St. Blooze is

wonderful, totally relaxed compared to his reading of the same pome

(different excerpt) on the Steve Allen album...Robert Hunter and Johnny

Depp are good at reading the VOC bits...

 

In all, though, the one that steals the show is John Cale's "The Moon".

Truly awesome and majestic.

 

Agh, been writing all night. Time for bed. I'll come out to play

tomorrow.

 

Good night.

 

Adrien

=========================================================================

Date:         Mon, 7 Jul 1997 06:14:14 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri wrote:

> 

> thx for the reply steve...  y'know the other thing i been thinkin bout is

> Jung's anima and animus archetypes.  maybe the whole thing was JK's constant

> search for wholeness by knowing his own archetypes from outside himself; i.e.,

>  Neal is his animus self and Gerard his anima.  this then is transmuted to

> America -  the upright, uptight, established, religious, oppressive majority

> vs. the wild, brave, daring, beat, living, questioning, mocking minority...

> 

> paix,

> sherri

> 

> ----------

> From:   Steve Smith a.k.a. Whiskey Wordsmith

> Sent:   Sunday, July 06, 1997 10:21 PM

> To:     Sherri

> Cc:     BEAT-L@CUNYVM.CUNY.EDU

> Subject:        Re: Cody

> 

> On Sun, 6 Jul 1997, Sherri wrote:

> 

> > btw, maybe this is stupid, or maybe it's old news, but does anyone else see

> > neal as a sort of mystical reincarnation, in JK's mind, of Gerard?

> >

> > ciao,

> > sherri

> >

> Hi, Sherri. Yes, I do see C a bit this way. In fact, look at K's

> references/descriptions of C in OTR--and he is referred as an "older

> brother" type (those are my q marks, not K's). C is what K has

> lost--G--and what in a very real way America has lost--the adonis from

> the snowy mystical west of the ol' luminous Dream. It always breaks my

> heart to read and see K's intensity of feeling for and trust in the

> spirit energy of Neal---but then we find that their relationship and even

> Neal's soul and daybreak days are like evrything else wheeling around on

> the "quivering meat conception" and are therefore mutable and always

> already going away and changed.

> 

> best,

> 

> steve

> 

> Pacific University

> Forest Grove, Oregon

 

And Dr. Sax would be his shadow then i suppose.

How are you coming along in Aion?

it's across the room and i'm too far away to check and see where i'm at

on that one.

 

I am awake and alive here on planet earth

(to any who might have wondered)

my excursion out of time

was a brief

beautiful excursion.

 

there is but one tape and

some cyber-conversation

that even can

show that i was gone at all.

 

so hopefully

the tape will go off

snail mail

and the collective delete

buttons will have worked

their charms

 

and i'll be back

in the old

Independence Day

gruff

growling

mood

i was in before

overtaken by nostalgia.

 

i intend to get Damn serious about reading Cody today.

i intend

but rome weren't built on one good day of good intentions

and

so who knows ..... gotta play taxi for step-Dad with the bypassed

heart.  perhaps i can read a page between each stop.

 

Good morning

to y'all where-ever you are!

 

It smell out the window like the Harvest best hurry in the gathering

cause within a day or two we're gonna have us one hell of a good old

Harvest season Kansas storm (the kind movies are made about!)

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 08:13:34 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      HST and hell's angels

In-Reply-To:  <199707062308.TAA07664@pike.sover.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DC asked me off list if HST really hung with the angels or psuedo'd himself

through, and since it is part of my summer reading project might as well

post here as well

 

yes he lived and rode with them for over two years. the book is a wonderful

piece of journalism in which events are filtered through the consciousness

of the journalist. it makes a great comparison piece to the

explosion/gonzo/novel/journalism of F&L.

mc

=========================================================================

Date:         Mon, 7 Jul 1997 08:13:49 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: CODY PART ONE

In-Reply-To:  <33C0B895.11B5@sk.sympatico.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

wonderful! i only zeroed in on brown, (reminscent of Dr SAX brown)., and

JK's word "greon" for green neon. this is wonderful reading and also brings

up "word sketches" of JK again. if you are going to sketch in words you

best be aware of colours et al. thanks so much adrien, great post.

mc

 

>I don't know if anyone has brought this up (forgive me, Marie, if you

>did), but the biggest thing I noticed in rereading the first portion of

>VOC is JK's stunning use of colour (colour spelled the Canadian way cos

>we have yet to pry ourselves from the claws of the Commonwealth). In

>nearly every sketch in the first 32 pages colours play a vital role:

> 

>'Coffee is served in white porcelain mugs-sometimes brown and cracked.

>An old pot with a half inch of black fat sits on the grill...' (p.3-4)

> 

>'a torn rubber carpet leading to ticket box...painted gaudy orange

>brown; [marble counter] was once painted brown...now has a shapeless

>color like shit against the gray, almost shit-gray sidewalk' (p.4)

> 

>'In the raw wood wall a strange beautiful window with blue and red

>stained glass fringes; sprawling "alpine lodge" crazy crooked wood

>house...pale shapeless snot green, stained with ages of rain and snow,

>onetime red (now forlorn hint of red)' (p.5)

> 

>'Western Music Co. written in white against green glass with lights

>behind but so sooty is the white part it makes a dirty sad effect; the

>Harmony Bar and Grill in crimson neon upon the gray sidewalk' (p.5-6)

> 

>'The Men's room in Third Avenue El has wood walls painted green...yellow

>up to old carved wooden ceiling' (p.6)

> 

>'noble old ceiling of ancient decorated in fact almost baroque (Louis

>XV?) plaster now browned a smoky rich tan color' (p.10)

> 

>'she wears low-cut green sexy dress under red coat...her green dress has

>ribbon collar then opens below to reveal bosom breastbone which is no

>longer milkwhite but weather red.' (p.11)

> 

>'the sky looking like it had been sugar cured, peppered and cloved and

>smoked during the night like a ham and was retaining hints of glistening

>moisture in the skin-somewhere in its pigmentation.' (p.14)

> 

>'I see a Negro cat wearing an ordinary gray felt hat but a deep blue, or

>purplish shirt with white shiny pearl-type buttons-a gray sharkskin suit

>jacket over it-but brown pants, black shoes, deep blue ordinary

>one-stripe socks and gabardine topper short and beat,..carrying brown

>paper bag...-dark brownskin- his big hands hang, his fingernails are

>pink (not white) and are soiled from a laboring job...' (p.18)

> 

>'a bleak rectory...is that peculiarly pale orange brick, color of puke,

>cat's puke...the oaken door but pale brown oaken not dark...' (p.20)

> 

>'the MERIT Food Shop, written in green neon (greon) in the window, MERIT

>is, and Food Shop in orange-now why?-...the floor is all shades of brown

>and yellow "pebbled" marble...'(p.26)

> 

>And the best colour description...Jack's stained-glass window at St.

>Patrick's Cathedral:

>'a lonely icy congealed blue with streaks of hot pink-little blue

>holes-painted with an immeasureable blue ink, noir comme bleu, black

>like blue...the other windows grow rich, brown, dark, secret, get better

>with age of light like wine with age of Time-...my holy blue window, the

>one like the window at 94-21 that made me so often think there was a

>weird blue light in the railyards...taking the ordinary corner

>steetlamp...and giving it inky blue hues like that

>apocalyptic-end-of-the-world blue light, the light of subterranean

>stars...these glass windows refract NIGHT too for now I see nothing but

>the rich-dim recollections of what at dusk was a Rembrandt barrel of ale

>in a Dublin saloon when Joyce was young...'

> 

>JK's use of colour continues through all his books, and certain colours

>are associated with different feelings:

>white, blue, gray-coldness, bleakness...stemming from the cold Lowell

>winters of Jack's youth

>red, brown-warmth, comfort...for instance the 'browns' in his family's

>old house and the redbrick of the factories in Lowell.

>(so where does 'mauve boilermakers' fit among these definitions???)

> 

>As far as Kerouac's spontaneous prose goes, the two standout pieces are

>his reverie over the girl at the cafeteria (which has been covered so

>I'll skip that) and his brilliant latenight musing in the deserted Times

>Square cafe (p.16-18).

> 

>In the first part he watches an Arabic-looking man, and falls into an

>'Aly Khan' Egyptian-themed reverie, fantasizing the man is about to be

>dragged back through the door and offered as sacrifice, the door being

>'a big green door [which] holds itself up like a lamb to sacrifice to

>the sun at sea dawn over him, and it has wings.'

> 

>Soon, however, the huge plate glass window catches Jack's eye and he

>starts a mesmerizing hallucinatory spiel about the images he sees, both

>the latenight street scene on 6th Ave. and the images from inside the

>cafe reflected in the nighttime window: 'a great scene of New York at

>night with cars and cabs and people rushing by and Amusement center,

>Bookstore, Leo's Clothing, Printing, and Ward's Hamburger and all of it

>November clear and dark is riddled by these diaphanous hanging neons,

>Japanese walls, door, exit signs-'

> 

>Jack begins to lose himself in the window before him ('like kaleidoscope

>over kaleidoscope'), then muse upon a fourth-story window across the

>street, and lose himself in the window again, the backwards cafe signs,

>the shiny flashes of passing cars, distorted images in a parked car's

>round fender. Finally, after a good half-hour or so of watching (and

>writing some absolutely amazing prose) he is brought back to the real

>world by the sounds around him, and he concludes his sketch with a

>romantic, heart-felt sentence that shows Jack as happy as he's ever

>been: 'I hear above the clatter and sleepiness of cafeteria dishes (and

>swish of revolving door with flapping rubbers) and voices moaning, I

>hear above this the faint klaxons and moving rushes of the city and I

>have my great immortal metropolitan inside-the-city feeling that I first

>dug (and all of us) as an infant...smack in the heart of shiny

>glitters.'

> 

>Pardon my language, but I had nearly forgotten what a fucking incredible

>masterpiece Visions of Cody is. And still 350 pages to go!

> 

>having a blast retuning to my ole buddy Jack,

> 

>Adrien

=========================================================================

Date:         Mon, 7 Jul 1997 08:13:55 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: JK tribute: kicks joy darkness

In-Reply-To:  <33C0BCFD.3B66@sk.sympatico.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Marie Countryman wrote:

>Hi there Marie,

>> 

>> any one out there listening to the JK tribute CD?

> 

>yup...a fine cd, isn't it?

> 

>> personally, i am really loving maggie estap&spitters "skid row wine"--great

>> performance piece and the kind of readings i aspire to.

> 

>That's my least favorite cut on the cd, one of the three or so

>disappointments (Eddie Vedder, you're totally clueless!).

_______

i dont care for her voice so much as i like the way the band moves in and

out. and the rhythm. and the stop start between lines or phrases. but i

conceed in general re: worn out scene.

> 

>What's my favorite? I love so many of the tracks...Juliana is her usual

>adorable self, a wonderful reading, kinda like kid's story time at the

>library, people don't realize Jack was a big kid at heart and could

>write with a lot of whimsy...

___________

absolutely. silly goofball poems seems to be written for her, although i

can hear JK also in background . the clarity of her voice and the capturing

of child wonder is a joy.

 

Warren Zevon is great, love how he says

>"wiiinnnne" (he should do a Kerouac book-on-tape with that great

>voice)...HST is, well, his usual inimitable drunken mumbling hilarious

>self...Richard Lewis is surprisingly good...Allen, Ferlinghetti, and

>Uncle Bill are in top form...Jack reading MacDougal St. Blooze is

>wonderful, totally relaxed compared to his reading of the same pome

>(different excerpt) on the Steve Allen album...Robert Hunter and Johnny

>Depp are good at reading the VOC bits...

_________

agreed. I love the mcdougal st. blues and would like to have been in sound

room listening to them edit joe strummer and jack.

> 

>In all, though, the one that steals the show is John Cale's "The Moon".

>Truly awesome and majestic.

_____________

just re-listened to the track. yes i have to agree. ok maggie et al can

take their places in line, john cale just got moved up to the front row, at

least. more i listen, i think the more i will appreciate. thanks

> 

>Agh, been writing all night. Time for bed. I'll come out to play

>tomorrow.

> 

>Good night.

>__________

g'nightadrien!(it's now morning on east coast) when you listen again,

listen as carefully to michael stipe's "our gang" which has lodged in my

head and won't get out. how carefully he enuciates (a miracle, for those

who listened to REM a few years back),  but also how the music adds to the

little scene and to me reflects back to dr sax bedroom imagination.

AND,

thanks for coming out to play with me.

mc

=========================================================================

Date:         Mon, 7 Jul 1997 13:57:50 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      a poetess in the early peace movement Re: Denise Levertov.

In-Reply-To:  <970706203859_191982931@emout20.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 20.39 06/07/97 -0400, Pamela Beach Plymell <CVEditions@AOL.COM> wrote:

>Worse than discourse!

>Charles Plymell

> 

Buona giornata Charles, can i get better?

 

SUMMER 1961             by DENISE LEVERTOV

 

This is the year when the old ones,

the old great ones,

leave us alone on the road.

 

The road leads to the sea.

We have the words in our pockets,

obscure directions. The old ones

 

have taken away the light of their presence,

we see it moving away over a hill

off to one side.

 

They are not dying,

they are withdrawn

into a painful privacy

 

learning to live without words.

E.P., "it looks like dying"-Williams: "I can't

describe to you what has been

 

happening to me"-

H.D. "unable to speak."

The darkness

 

twists itself in the wind, the stars

are small, the horizon

ringed with confused urban light-haze.

 

They have told us

the road lead to the sea,

and given

 

the language into our hands.

We hear

our footsteps each time a truck

 

has dazzled past us and gone

leaving us new silence.

One can't reach

 

the sea on this endless

road to the sea unless

one turns aside at the end, it seems,

 

follows

the owl that silently glides above it

aslant, back and forth,

 

and away into deep woods.

 

But for us the road

unfurls itself, we count the

words in our pockets, we wonder

 

how it will be without them, we don't

stop walking, we know

there is far to go, sometimes

 

we think the night wind carries

a smell of the sea...

 

 

---

yrs

Rinaldo. * not a competent beat *

=========================================================================

Date:         Mon, 7 Jul 1997 10:17:49 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      unsubscribe/fyi

 

i noticed many people seem to have forgotten:

You may leave the list at any  time by sending a "SIGNOFF BEAT-L" command

to  LISTSERV@CUNYVM.CUNY.EDU (or  LISTSERV@CUNYVM.BITNET).

 

this is not a hint to anybody so please don't jump on me.  I just wanted to

provide this info to those who are unsubscibing, so they don't find 10000

messages and wonder what the hell happened.

--maya

=========================================================================

Date:         Mon, 7 Jul 1997 10:43:45 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: JK tribute: kicks joy darkness

Comments: To: vic.begrand@sk.sympatico.ca

In-Reply-To:  <33C0BCFD.3B66@sk.sympatico.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

adrien:

have listened to the CD again, and you are so right about the john cale:

which you called awesome and majestic. awe  some.

mc

thanks for adding to my enjoyment of the CD and that of others, who may be

interested enough by now to buy or listen, as poetry is moving toward

spoken word and music, AG and Burroughs, having both explored and

experimented with and i believe opened the door, homer.

mc

=========================================================================

Date:         Mon, 7 Jul 1997 10:44:44 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      more dreams

 

she had long light brown hair and such white skin that you want to taste it

to see if it isn't ice after all.  We were running from....I mean towards, I

mean from, something; I was pulling her hand, we stumbled along a very high,

very rickety wooden walkway, the only way out. she kept falling.

 

suddenly the realization that we are children.

 

running in the poppy field, wearing black dresses.  late for school. Such

sadness!

 

the sun made her skin steam. her eyes turned green when she experienced

pleasure, red when she wanted to.... drink.

 

I was confused, something in her face told me she was my reflection.  We

ceased being two, outside each other.  We had become one person, ME, just

before i woke up.

 

Unfortunately she is the type that drowns easily.  Before they made the

revisions in their notebooks.

 

Now, all i see are footsteps: men's trouser legs, shiny shoes.  I somehow

know he's wearing a hat.  His feet move one in front of the other endlessly.

It's raining.

 

Zoom onto the ground.  That's how i know he has a hat! because it's reflected

in the blurred, moving ground, in the rainwater.  Also reflected are the neon

signs.  it's night on East 7th street, but it's really hot in the sense of

there being a lot of cops around.  Undercover.

 

But you can tell it's the cops 'cause they all drive the same kind of car.

 

Fade to black.

 

-------maya

=========================================================================

Date:         Sun, 6 Jul 1997 22:51:01 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody, Part III

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hi everyone.  Am twenty or so pages into taped conversation, and in spite

of Ginsberg's comments on the intent of this part, I am incredibly bored

and yes, this is tedius going, the total disconnection of thought when

one is high.  Doesn't make me want to tape any of my friends high. Makes

me want to go back and read parts I & II again, if only to find a

coherent word.  Most of it is complete dribble and not being able to

recall anything at all.  Going over Bull shooting at a dead tree and

Irwin constructing a bed, with lots of incoherent yea, yea, hee hee hees

in the middle.  The only thing Cody really remembered so far is that he

has to go out to buy more pot.  Striking contrast the to the absolute

gushy, wordiness of parts I and II.  Does remind me of that Ginsberg line

where he says "rocking and rolling all night over lofty incantations

which in the morning were stanzas of gibberish."  Also, here for the

first time we are meeting the hero, Cody, in his own words and thinking,

my god, how can this guy possibly be a hero for anyone?  However, I will

continue to plow on, hoping the development of this initial fugue will

lead somewhere else, like jazz, gathering more voices as it goes along.

DC

=========================================================================

Date:         Mon, 7 Jul 1997 11:20:47 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Colors

 

Great comments on Kerouac's use of color.  This has always been

something that has struck me in K's work.  He was a real word painter.

I suppose it goes along with his idea of starting with the "jewel image"

etc.  Be interesting at some point to compare the colors he uses in  his

writings with those of his paintings.

=========================================================================

Date:         Mon, 7 Jul 1997 08:54:32 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: freshman clearing house

Comments: To: "Penn; Douglas; K" <dkpenn@OEES.COM>

Mime-Version: 1.0

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>Matt, you still there?  What are you reading these days??  OR seen any

>good art exhibits recently??  equally curious.

 

I can't be still "there", there only exists for one second and then I'm

somewhere else (paraphrasing part 1 of Dharma Bums).

 

Strangely enough I'm reading Joyce's Portrait of the Artist..., rereading Dharma

Bums (for a discussion of mountain climbing with the gang here in Colorado), and

trying to track down my copy of VOC for the list.

 

Art?  There's a decent exhibit by the Joyce Society at the Tutt Library at

Colorado College, there's also some good stuff at the Psychiatric Hospital I

work at on weekends.

 

I'm only on the list during the week.

 

matt

=========================================================================

Date:         Mon, 7 Jul 1997 11:53:53 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: skimming Part 1 Cody

 

Dear David:

 

At the end of your "skimming part 1 Cody" message, you write:

 

"bye bye- off to count the number of times Henry Fonda appears in Part One (i

didn't catch Jimmy Stewart in there at all- damn shame!)....

 

Since we're on the subject of such references, did you notice the description

of JK running into a movie scene being filmed in front of a San Francisco

apartment building?  By coincidence, I saw the movie SUDDEN FEAR with Joan

Crawford and Jack Palance just before encountering the passage, and put 2&2

together- he is describing a scene from that movie being shot on location.  I

don't have the book with me now but I will try to locate it, I think but am

not sure that it's in part 1, and he uses a thinly-disguised name for Joan

Crawford who's at the center of the anecdote, it's a great description of the

weirdness and tension he experiences when he bumps into this scene.

 

Regards,

 

Arthur S. Nusbaum

=========================================================================

Date:         Mon, 7 Jul 1997 12:36:51 -0400

Reply-To:     Ken Ostrander <kenster@MIT.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ken Ostrander <kenster@MIT.EDU>

Subject:      HENRY MILLER

Mime-Version: 1.0

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        Once you have given up the ghost, everything follows with dead

certainty, even in the midst of chaos.  From the beginning it was never

anything but chaos:  it was a fluid which enveloped me, which I breathed in

through the gills.  In the substrata, where the moon shone steady and

opaque, it was smooth and fecunding; above it was a jangle and a discord.

In everything I quickly saw the opposite, the contradiction, and between

the real and the unreal the irony, the paradox.  I was my own worst enemy.

There was nothing I wished to do which I could just as well not do.  Even

as a child, when I lacked for nothing, I wanted to die:  I wanted to

surrender because I saw no sense in struggling.  I felt that nothing would

be proved, substantiated, added or subtracted by continuing an existence

which I had not asked for.  Everybody around me was a failure, or if not a

failure, ridiculous.  Especially the successful ones.  The successful ones

bored me to tears.  I was sympathetic to a fault, but it was not sympathy

that made me so.  It was a purely negative quality, a weakness which

blossomed at the mere sight of human misery.  I never helped any one

expecting that it would do any good; I helped because I was helpless to do

otherwise.  To want to change the condition of affairs seemed futile to me;

nothing would be altered, I was convinced, except by a change of heart, and

who could change the hearts of men?  Now and then a friend was converted:

it was something to make me puke.  I had no more need of God than He of me,

and if there were one, I often said to myself, I would meet Him calmly and

spit in his face.

 

 

-from TROPIC OF CAPRICORN

=========================================================================

Date:         Mon, 7 Jul 1997 11:47:41 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Cody and visions

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Hmmmm.

 

... i guess this one is slightly more serious than last post on Cody so

probably not as meaningful.

 

as i skim over and over thru part one (i find skimming a great way to

capture the fleetiness of the visionaryiness) i keep being struck by the

"kind" of vision being talked about or typed about here.

 

this is in some regards an "out of time" experience in the longing and

memories but almost a daydreamy feeling to it.  the thing that i'm

amazed by and wonder about a bit is how completely "in space" JK is

during these periods.  the daydreaminess and memory take him away from

the now but the imagery -- so specific -- of sensual experience in the

here of the situation is vividly typed.

 

so i'm wondering a bit about this whole notion of visions as i begin to

wind down to my afternoon siesta.  i vaguely recall reading some junk in

some biographies about JK's notion of vision in contrast to others but

the thing i catch that is impressive to me is his ability to

functionally be out-of-time yet present-in-space together AND to be able

to put it into words.

 

i will probably skim it more and more to compleat the vision.  someday i

might even move on to Part 2 !!!!!!

 

hope all is well with everyone else who have fallen into this book to

live for awhile.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 10:20:23 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Washington, DC Independence day

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<<beautiful>>

 

Maya writ:

> 

><<my mind is drawing blank after blank after blank

like an unstudied exam where the clocks tick loud, sweating.>>

 

>[......]

 

><<I didn't want to, and I knew I wouldn't, go home last night.

It's a new year for me.  God bless America.>>

 

not much to report from on here in San Diego.  spent the fourth new

years eve in Lala with a bunch of stoner cronies.  fireworks as promised

displayed prominently.  no frisbee  :-(  homemade icecream was brown

sugar and a few other spices  sitting around talking  my warm oatmeal

beer tight in my stomach  sherman's cigarettes compounding a coming

attraction headache.

 

wrapped my arms around her.  not even a kiss.  nice.  no, don't know

where I'm staying.  perhaps where I've been.

 

missed Joyce and young Werther at the party.  sounds were happening thru

the stereo cord, but nothing much to note.  kind of a let down actually.

 good host, good people, poor party technology.  a casual affair.

 

what is said.  and what is not.  so many comments and declarations on

the silence.  my hardened leather shell crippled this monday morning.

sick of metaphors.  woke up in the middle of the night, dreaming I was

being watched like suzanne and the elders.  church bells and the fucking

sound of lawn mowers at eight in the morning.

 

Douglas

 

sailed thru the night

how the beat was won there

gauranteed prizes

sacrifice, condoms, and virginity

lighters without child safety devices

star trek toasts that involve forgotten replies

bathrooms like the back of a barn

latches and hooks and unexpected piercings

>tight and tighter thru the night

 

and the flag was still there....

o save us you scholar bound hero

carrying letters from the headmaster

jesuit fucking liar how I hate you

corrupting the latch

and the branch

and the snake skin you crawled in on

despise and mourn

kick and denounce

hate mother fucker

ah, joyce be with me

cody unbroken and and and

closing the gates with carrots

damning the works with

unheard of insights

no no

<<toss and tumble>>

 

good morning, good night

 

><<Douglas>>

=========================================================================

Date:         Mon, 7 Jul 1997 13:24:58 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: For Bentz:  Measures, Jazz Giants, Obituaries, etc.

In-Reply-To:  <UPMAIL14.199707062131350398@msn.com>

MIME-Version: 1.0

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On Sun, 6 Jul 1997, Sherri wrote:

 

> what's happened to all that heady jazz of the 40's to early 60's... is it

> being stomped out by the almighty $$ catering to the masses, or is it just

> barely there because social/cultural conditions have changed?

 

There's lots of great shit out there -- as wild as that heady 40s-60s jazz,

just as great but different too. I don't think we've entered a time where

great music is gone; if anything there's more great music out now than ever

before -- certainly more than I could ever hear in one lifetime ("you'll

never hear it all," <http://dsl.org/m/doc/rev/>). Music constantly changes

or else it would all be the same thing, an infinite repeat copy of itself --

completely sterile & boring. Which is where I think "jazz copy" music comes

from -- an original work (such as early wild jazz) is recognized and the

patterns simply copied and further homogenized, turning into that crap we

know. So where it's at right now is definitely _not_ "jazz," just as modern

wild writing isn't the Beat Generation anymore; but some great music's out

there nonetheless and if you like old jazz I'd recommend you run out and buy

some Tortoise LPs, especially _Millions Now Living Will Never Die_ and the

first self-titled record. Also search out these bands: Directions in Music,

the Sea & Cake, and the impossible to find "free jazz" stuff that Thurston

Moore's in love with. Do a search for "free jazz" on altavista to get a list

of those records.

 

 

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Mon, 7 Jul 1997 10:47:09 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Wilhelm Reich

MIME-Version: 1.0

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Sherri writ:

 

><<things in JK's own life that created his personal terrors.  i don't

>advocate

>becoming an alcholic in order to write, but who's to say that that writing is

>any less real than someone who is a near-Boddhisatva?  just a different

state... all is One, One is all.>>

 

because there is the down side, Sherri.  pot, lsd, mushrooms, alcohol,

cigarettes, wine coolers, bubble gum, <<breathing>> <<prayer>>

<<fucking>>  ah, each has it's down side.  personally, I prefer blood

sugar.  the best of highs.  a good BS buzz will bring you up gradually,

give you peak exercise of body and mind, good breathing, then a slight

recline and the gradual falling out to sleep.

 

there might be a one, a one end point.  a concerted force of chi, semen,

and watered down by products of the mind, but no, well, yes, <<maybe>>

 

can you sustain?  can you interact?  can you bring back the key from

your dreams?   was driving back from Lala this Sunday evening.  couldn't

even bear to turn on the radio.  nor the tape player.  a struggle even

to admit a few hummed bars into my company.  a truly centered feeling.

 

chi-i-kerouac hannah hoch dorris lessing.  bought "on the road" and

"memoirs of a survivor" (doris lessing) as gifts for my lala lover.

feel like I'm beginning to lead a double life.  a secret life.  another

life.  yes  <<thank you, thank you, thank you, thank you, yes, oh yes,

yes, oh yes, oh oh, hmmmmm [[eyes wide open, ah, exhale

 

>truly the start of another snake skin long moan and die year.

> 

>> paix,

>> sherri

> 

>Douglas  <<kick out the clowns -- MC5>>

=========================================================================

Date:         Mon, 7 Jul 1997 17:46:38 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody and visions

 

David,

 

i'm not skimming it, but am reading it by sinking in, if you will.  i try to

let the imagery and atmosphere wash over and surround me, swallow me up as

much as possible, so i can try to be JK or at least as close to his head as

possible.  at any rate, i'm struck the same way... he has found a way to let

his subconcious come to the fore while allowing what i refer to as the

objective observer to continue to function at it's fullest - no mean feat.

the beauty of it is that it allows him to use images/words to describe what

might otherwise be nearly formless, nameless...  a vague sense of something...

in such a way that my own subconcious can respond, get inside it and relate it

to some of my own vision/remembering times, giving me more understanding.

 

(btw, Aion has, somewhat unfortunately, been tabled in favor of Cody, The

Rememberer and reference to Ulysses.  i intend to return to it during or after

what i hope will be a group read of OTR for its anniversary.)

 

the other thing that strikes me particularly in part 1 is JK's freedom and

facility of mind.  he truly is raw, balls on, out there, no barriers, no

limits, brave enough to follow his own uncharted paths...  perhaps that is

what makes this book so overwhelmingly enticing and amazing: the daring to go

completely into the unknown recesses of mind/life...  how many of us really go

that far?  i, for one, find that it makes me want to be braver, closer to the

edge than i already am...

 

well i'm beginning to ramble, so i'll shut up now.

 

paix,

sherri

=========================================================================

Date:         Mon, 7 Jul 1997 18:46:53 -0700

Reply-To:     Jens Koch <jenskoch@POST1.TELE.DK>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      So happy to be joining the reading of Cody

Comments: cc: kpsnej@hotmail.com

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Hi

I'm Jens from Denmark, and after at first asking a couple of questions, and then

 just

reading this quite extensive listserv for about a month, I am now very happy to

 come

forward and introduce myself by way of saying how happy I was to see the list's

 "joint"

reading of VOC. I have had this book for about 15 years, and while I have never

 actually

read the whole thing, that doesn't mean that I haven't started a few times...

I enjoy your comments, and perhaps I'll make some of my own eventually.

I might make some on Kicks Joy Darkness as well - I received this CD a few days

 ago -

it's a little hard to come by in this part of the world. So far I enjoy it

 immensely,

although I tend to listen only, I haven't really read the small print lyrics

 yet. I like

the variety of the  participants; Juliana Hatfield's take on "Silly Goofball

 Pomes" is

great fun, while Maggie Estep really rocks. Would Jack Kerouac have been a

rock'n'roller ? Probably not, but the music works. The performances of the old

 brigade:

Ginsberg, Thompson, Hunter, Ferlinghetti, and I suppose Smith, Strummer and

 Andersen,

are much as one would expect, Burroughs never ceases to impress. Matt Dillon's

 "reading"

is an unexpected surprise, I didn't enjoy his recent performance as a Brian

 Wilson-clone

in Grace of My Heart, but this adds volumes to his character.

I am a teacher BTW, though out of a job at the moment, and have been using

 sections of

HOWL, OTR, DB and Interzone, as well as poems by Corso, McCLure and Snyder, and

 with

quite some "success". I am hoping to publish material on the beats soon; in fact

 I

already have, and it's online:

 http://www.sektornet.dk/gym/en/anglowww/kerouac.htm - but

it's in Danish, of course ! The illustration used is unashamedly robbed from

 Levi

Asher's page.

The amount of mail posted is impressive, I just came back from holiday a few

 days ago; I

still haven't caught up on all the posts, but now I have made one lengthy post

 of my

own, and I haven't even finished yet, because I would like to acquaint you with

 poet Don

Paterson who writes about a dog-eared Kerouac in his recently published God's

 Gift to

Women(Faber and Faber, 1997):

from 1001 Nights: The Early Years

(Quote:) The male muse is paid in silences. Shahrazad could not have been bought

  for

less than minor Auschwitz

                                Erszebet Szanto

 

Dawn, and I woke up grieving for my arm

long dead below the little drunken carcass

still shut in her drunk dream. In mine, I recall,

I was fixing a stamp in a savings-book, half-full

of the same heavenly profile, a vast harem

of sisters, each one day younger than the last...

 

Heaven, to bed the same new wife each night!

And I try; but morning always brings her back

changed, although I recognize the room:

my puddled suit, her dog-eared Kerouac,

the snot-stream of a knotted Fetherlite

draped on the wineglass. I killed the alarm,

 

then took her head off with the kitchen knife

and no more malice than I might a rose

for my daily buttonhole. One hand, like a leaf,

still flutters in half-hearted valediction.

I am presently facing the wall, nose-to-nose

with Keanu Reeves. It is a sad reflection.

=========================================================================

Date:         Mon, 7 Jul 1997 11:32:06 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: "The Playful Poets"

MIME-Version: 1.0

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<<ah, apple pie>>

 

>William H. Rose, III writ The Playful Poets:

 

<< 

>"The fastest

>man alive" some say when pryed, others say he lived the way he died.

>> 

 

...."lived the way he died"  yes.  yes.  can't stop saying yes.  must

keep running.  but I've stopped haven't I.  no.  still running.  nyet.

59 more beat-list posts to dig thru, then my morning prayer.  a few deep

thoughts, and onto Ulysses and VOC if work prevails.  <<sex>>

 

Liked your approach, William H. Rose, III.  you bring the complete beat.

 bottom of my screen shows your "Tom Waits impatiently I've found for

pasties, g-strings, beer and blue" line.  Hm.  step right up and speak

into the mic, it's karaoke night::

 

"stuck in a cafe when you've live too long

oh, oh, oh,

you're a rock n roll suicide

you're not alone

looking at yourself and you're too unfair

oh, all tangled up

don't know who you are or where've you been"

        -- david bowie from ziggy stardust

 

 

"don't get strung out

by the way I look

by night I'm one hell of a

[[scholar]]  har har

I'm just a sweet transvestite

from transexual

transelvania a a ah ha"

        -- tim curry as dr. frankenfurter in "rocky horror"

 

>[....]  bye bye sweet transbeat-i-chi-i  <<Douglas>>

=========================================================================

Date:         Mon, 7 Jul 1997 20:42:24 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Vote For FERNANDA PIVANO SENATRICE A VITA.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                                        Al Presidente della

                                        Repubblica Italiana

                                        on. Oscar Luigi Scalfaro.

 

"Egregio Presidente,

visto l'articolo 59 della Costituzione della Repubblica

italiana vogliamo proporLe di prendere in considerazione

la nomina di senatrice a vita di Fernanda Pivano.

Fernanda Pivano, che compie quest'anno ottanta anni, ha

dedicato la vita alla cultura e con il suo impegno di

scrittrice e traduttrice ha contribuito a far conoscere

la cultura e la letteratura americana, a valorizzare

autori altrimenti sconosciuti in Italia ed a qualificare

la cultura italiana in America. Considerata in tutto il

mondo un simbolo della cultura italiana, riteniamo sia

doveroso riconoscerle questi altissimi meriti che hanno

illustrato la nostra Patria".

 

Chi volesse sottoscrivere questo appello aggiungendo il

proprio nome puo' indirizzare a:

 

(address)

 

        Gaia Maschi

        via di Propaganda 16

        00187 ROMA

        ITALIA

 

(text)

 

        "

        FERNANDA PIVANO E' UNA GRANDE ITALIANA,

        SIGNOR PRESIDENTE

        "

 

(end text)

 

 

---

yrs

Rinaldo.

*

Allen Ginsberg, The Hydrogen Jukebox

Traduzione di Fernanda Pivano (1968)

"Jukebox all'idrogeno",

 

Jack Kerouac, On the Road,

Traduzione di Fernanda Pivano (1959)

"Sulla Strada"

*

=========================================================================

Date:         Mon, 7 Jul 1997 14:35:40 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Cody, Part III

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

In-Reply-To:  <33C083C5.1933@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 6 Jul 1997, Diane Carter wrote:

 

> Hi everyone.  Am twenty or so pages into taped conversation, and in spite

> of Ginsberg's comments on the intent of this part, I am incredibly bored

> and yes, this is tedius going, the total disconnection of thought when

> one is high.

[snip]

> Makes me want to go back and read parts I & II again, if only to find a

> coherent word.  Most of it is complete dribble and not being able to

> recall anything at all.

 

Good to hear someone say this. VOC is one of my favorite novels, maybe my

favorite Kerouac work (surely one of his most ambitious, no?), but upon my

first read found it incredibly boring and hard to go through at points. I

had to think, What makes this so great? How the hell did he get this

[eventually] published? Who the hell reads this?

 

I loved his evocative descriptions, mastery of inner thought-voice and

ability to get it on paper -- just long thoughts for hours nonstop,

transcribed, open, honest, done just to do. But would I have read it and

spent the time with it if it was written by Joe Blow? I think a lot of my

patience in dealing with this work was due to my knowledge of JK, to his

reputation. I agree with whoever said OTR was like an outline or summary of

what would be expressed in total detail in VOC ... also OTR was his biggest

commercial success; it's like OTR had to come first in terms of being

published because it's readable, it presents the standard plot and structure

-- then after fame and infamy he was free to have looser, more "free-form"

or experimental works such as VOC published.

 

OTR was the book that "inspired a generation" or whatever it says on my old

sunset paperback copy. It did this a mere what, 5 years after it was written?

VOC, on the other hand...

 

Something else about these guys that I just now for the first time suspect

might apply to VOC: my wife doesn't care for Ginsberg's homoerotic poetry,

citing much of his "i want to suck a cock / your dick as hard as a rock"

brand of verse as the work of an extremely arrogant man ("You'd _have_ to be

arrogant to put that stuff on a page and call it poetry! _I_ could write

poetry like that," she'd say, and come up with her own Ginsberg-style poem

that would rival his). While Ginsberg's life is now looked at as one of

"candor" -- that also being applied to his poetry, the effect of which did a

Good Thing for modern poetry etc., it has a flip side, as it seems to have

inspired a generation or three of terrible pseudo-beatnik "poets" that

nobody cares about except their pseudo-beatnik friends. Again, Joe Blow

writes a poem befitting his name: "i want to suck a cock." Nobody cares, but

Ginsberg does it and everybody buys the book. Something like VOC couldn't

have been written by just anyone, could it? And if someone did, would they

be able to get it published (and get people to _read_ it) or would they need

20 years and the help of a marketing agent?

 

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Mon, 7 Jul 1997 11:48:26 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: "The Playful Poets"

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yep, he beat it pretty hard.  the art of living.  hard up my lily white

ass.  ompholos deep brother, Douglas.  a tower of thought.  cowering

under the pressure.  Maori tribal land skinned locks.  this daylight.

thoughts are still thoughts.  don't betray me, all honesty.  <<god,

having problems breathing a single sentence out completly>>

 

for silence, Douglas  [[and the dark chamber pots]]

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

 

>----------

>From:  James Stauffer[SMTP:stauffer@PACBELL.NET]

>Sent:  Sunday, July 06, 1997 5:14 PM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Re: "The Playful Poets"

> 

>Someone certainly didn't forget any of his perscriptions this morning.

>I take it art is pretty grand stuff.

> 

>William H. Rose, III wrote:

>> 

>> The Playful Poets

>> by William H. Rose, III

>> 

>> Kerouac ruck-sack back-pack Buddha-Jack beat-back run-on James Joyce

>>first-choice

>> odd-voice free-fall flowing, you know, come on. (In cosmic slums Jack wrote

>>the bums

>> and beat upon his clever-kicked and hobo drums in search of wide-eyed

>>lovers who

>> would hum.) On the road his story told in non-stop verse so nudely bold.

>>Kicks and

>> chicks and movin' on; swimmin' in women and carryin' on. Kerouac road-knack

>> Dharma-pack mystic poet of our past. . . .

> 

=========================================================================

Date:         Mon, 7 Jul 1997 14:57:08 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Fwd: For Bentz: Measures, Jazz Giants, Obituaries, etc.

 

---------------------

Forwarded message:

Subj:    Re: For Bentz: Measures, Jazz Giants, Obituaries, etc.

Date:    97-07-07 14:56:44 EDT

From:    Marioka7

To:      stutz@dsl.org

 

In a message dated 97-07-07 14:52:33 EDT, you write:

 

<< 

 > what's happened to all that heady jazz of the 40's to early 60's... is it

 > being stomped out by the almighty $$ catering to the masses, or is it just

 > barely there because social/cultural conditions have changed?

 

 There's lots of great shit out there -- as wild as that heady 40s-60s jazz,

 just as great but different too. >>

 

I agree, and also many hiphop bands use jazz loops, which one could say is a

combo of Jazz (from beat era) and william burroughs' cut-up method (from beat

era), working together to create something new.

-maya

=========================================================================

Date:         Mon, 7 Jul 1997 12:05:36 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Jazz-poetics

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JN writ:

 

>> Please brace yourself,

 

trying

 

><<As well, certain poems of mine i view as purely jazz pieces - not with

>jazz themes, but jazz itself - the long line, although having a rhythm

>implied, is written without the rhythm being visual, giving the reader

>freedom to interpret the rhythm, similar to Coltrane's rendition of the

>traditional 'Greensleeves', or any artist performing a cover piece =

>which means, the reader himself is a creator . . . as well, certain word

>combinations are repeated throughout a poem, similar to a repeated riff,

implying similar rhythm for those syllables = notes . . .>>

 

along with the gift "on the road" and VOC, I bought a nice used copy of

Matisse's "Jazz" series.  a medium sized art book documenting his

>beautiful end of life art pieces.

> 

 

<< 

>     utopia   where did this hail from? where does it go?   does the man

>at the

>     corner hold the knife of redemption?

>>> 

 

don't have the patience to concentrate right now.  sorry for all those

reading this.  but did spend a good couple of hours seeing the Hannah

Hoch photomontage exhibt at the LACMA this weekend.  highly recommend

for all those searching for a strong woman in their life.  One of her

more famous works, if not her defining moment, is the piece "cut with

the kitchen knife something something thru the last days of the weimer

republic beer belly something something" (yes, the complete title --

something like that).

 

the sword of damacles?  the stinging fingers of fate?  and No, not if

you live there.  the man gives you a discount and let's you thru the

door for free.  but there's some test or something like that, which you

have to pass first.  firewalking, ass-kissing, or something like that.

Haven't been paying enough attention recently.  Hopefully the academics

can pick up the pace and provide better directions.

 

>> JN

 

Douglas <<oughta be at home sleeping>>

=========================================================================

Date:         Mon, 7 Jul 1997 15:14:49 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Fwd: For Bentz: Measures, Jazz Giants, Obituaries, etc.

Comments: To: Maya Gorton <Marioka7@AOL.COM>

In-Reply-To:  <970707145641_357594274@emout07.mail.aol.com>

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On Mon, 7 Jul 1997, Maya Gorton wrote:

 

> I agree, and also many hiphop bands use jazz loops, which one could say is a

> combo of Jazz (from beat era) and william burroughs' cut-up method (from beat

> era), working together to create something new.

 

Yeah, right on -- as well as the use of feedback & noise in many bands to

produce a "droney" effect and/or extend the sound spectrum used in the song.

=========================================================================

Date:         Mon, 7 Jul 1997 12:23:50 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Cody, Part III

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You raise the issue that has been troubling me through Part 1 and at

least half of part 2.  If I didn't bring my already developed ideas

about Jack and Neal to this book would I read it?  So far for me the

book fails badly in this regard.  Without all this outside stuff we

bring from the other books and bios and our own knowledge of these

people I am not at all sure the book works.  Part One is certainly an

amazing display of memory but we are given little reason as to why to

care about these particular memories.  I think the point you raise about

AG's more ephemeral stuff is also very valid.  A lot of Beat stuff falls

victim to relying on already developed notions  of what is hip.  Sort of

preaching to the choir.  JK's best stuff stands on it's own.  This one,

I am not at all sure yet.

 

James Stauffer

 

Michael Stutz wrote:

 

> had to think, What makes this so great? How the hell did he get this

> [eventually] published? Who the hell reads this?

> 

> I loved his evocative descriptions, mastery of inner thought-voice and

> ability to get it on paper -- just long thoughts for hours nonstop,

> transcribed, open, honest, done just to do. But would I have read it and

> spent the time with it if it was written by Joe Blow?

=========================================================================

Date:         Mon, 7 Jul 1997 12:35:51 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      god wants to know

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Ok, I'm in a cranky mood.  <<sorry>>

 

just got another posting from god saying that I should backchannel all

of my postings.  that I should join a "wanna be beat" list.  He's sick

and tired of hearing all my shit.  <<yes, I am cranky, MC, I blame this

on you!! :-)>>

 

so, inquiring minds wanna know:  Is god right?

 

my thoughts on the matter, quoting from the great poly sterene of the

band X-ray Specs ("o bondage, up yours"):

 

        some people think little girls should be seen and not heard

        but I say, o bondage, up yours  [one, two, three, four]

 

However, except that I would say, more pointedly with civility,

 

        some snails think some poets should be listed but not heard

        screw this argument, let's take VOC for dessert

 

cheers, Douglas  <<with 47 more posts to filter before VOC beginning>>

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Mon, 7 Jul 1997 14:57:35 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: ok, perhaps (was power of the poet)

Comments: To: Bruce Hartman <bwhartmanjr@INAME.COM>

In-Reply-To:  <199706271459.KAA24385@everest>

Mime-Version: 1.0

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On Fri, 27 Jun 1997, Bruce Hartman wrote:

 

> Beat Friends,

> 

>         I realize I haven't been paying too much attention to this thread, but

> when I see statements like:

> 

> >  > Science has already been proven false.  God before that.  Is poetry

> >  >next?

> 

> made, I have to ask for some clarification. . .  Please, someone enlighten

> me, how is it possible to disprove science?  What evidence is there to

> support that statement?  And how is it possible to prove God false (or real

> for that matter), if you know something the rest of us don't, please share.

> . .

> 

> Bruce

> bwhartmanjr@iname.com

> http://www.geocities.com/~tranestation

> 

Without wanting to put words, or ideas for that matter, into the original

author's "mouth," I assume that he or she was referring to Nietsche's "God

is dead."

Jenn Thompson

I'm not sure about the science referrence, however.  Maybe from Poe?

=========================================================================

Date:         Mon, 7 Jul 1997 15:07:54 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: God

Comments: To: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199706280502450033@msn.com>

Mime-Version: 1.0

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On Sat, 28 Jun 1997, Sherri wrote:

 

> Why the hell does everyone seem to need to have god be a human being with

> magical powers... aren't we capable of expanding our imaginations/awareness a

> little beyond our own puny little selves?

> 

> Ciao,

> Sherri

> 

i couldn't agree more.  i've often said as much to friends and collegues.

to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

to me, it's impossible to picture God at all.  The fact that we even

attempt to name God is puzzling.  God is a mind more powerful than we

can even begin to conceive.  Maybe.

Jenn Thompson

=========================================================================

Date:         Mon, 7 Jul 1997 15:15:57 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: Summer Reading Project

Comments: To: James Stauffer <stauffer@pacbell.net>

In-Reply-To:  <33B529AA.35C6@pacbell.net>

Mime-Version: 1.0

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On Sat, 28 Jun 1997, James Stauffer wrote:

 

> Dear Beetles

> 

> Does anyone have any suggestions for reading projects that might help

> restore some minimal level of Beat focus to the list before it

> completely evaporates into the dissapearing ozone layer with more and

> more Kozmic Kuestions like Poesey and Godliness? Beginning to sound like

> what passes for intellectual discussion in a freshman dorm.

> 

> Dr. Sax vs. Mocassins?  A WSB thing like Western Lands?

> 

> We did a thing on "Wichita Vortex Sutra" that was good.

> 

> HELP!!

> 

> We need to find a way to keep this thing interesting without someone

> dying.

> 

> J. Stauffer

> 

well, this may not be an original suggestion, but here goes:

what about looking at E.A. Poe in comparison to Kerouac.  I'm reading

Poe again for a class now, and once read that he (Poe) was a slight

influence on Kerouac.  I can see it.  Poe's confessional elements.  Also,

his prose reads like poetry (or one could term it "prosody").

 

i apologize if this suggestion sounds juvenile (freshman dorm-like), but

it's just a thought.

Jenn Thompson

=========================================================================

Date:         Mon, 7 Jul 1997 15:20:54 -0500

Reply-To:     "William H. Rose, III" <schpill@EXECPC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose, III" <schpill@EXECPC.COM>

Subject:      "Beat Streets"

Comments: cc: tpadgett@sbuniv.edu

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Beat Streets

by William H. Rose, III

July 3-6, 1997

(for Al, Bill, Jack, and Neal

and all the other beaten rogues of the third vision)

 

Gesticulating tongue

The open vision mouth

Warped muse

In a daydreamed location

Incense, jasmine and roses

Curling up my head

Chair-scattered haphazard clothes

You and I thus bookmarked

And scattered to the poems

Made real.

 

But he explained

His Bostaon-Harvard exploits

Not as an island

But as a sea of phrases

And I thought of my own place

Street-wise.

I have no poetry readings to miss

Except, of course,

When I sit down to beat-read.

I do not understand

The Buddha "om"

And have no time for dissertations

Which I waste intermittently.

No S.F. City Lights this

Nor dome-vaulted Imax rides

Nor tome-tomb renaissanced in books

But downtowned blue-waved

And lake-front driven.

I sensed this jazzed out

Poet and I

Are not so separate

He envisions his world

And tempts the Muse

As I impale her passionately

On Hamlet's sword and poison.

 

Speak beat

Plaudits on far and high

And rapid innocuous accolades

For all the writers readers.

Have you heard the voice of reason?

Are angels coming back now?

A reunion of sorts?

Automatic writing

In beat technology

Beat pornography

For Kerouac's scattered kicks

In Ginsbergesque howls trebled

And Neal's crazy visions cut-up.

 

Naked lunched and injected

Non-menthol heroin

Roach powder Interzone runaway routine

At the foot of release.

Where does the paranoia of words begin

And the addiction end?

Oh, and Bill.....

     They're still watching you!

=========================================================================

Date:         Mon, 7 Jul 1997 13:56:54 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: God

MIME-Version: 1.0

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Jennifer writ:

 

><<i couldn't agree more.  i've often said as much to friends and collegues.

>to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

>to me, it's impossible to picture God at all.  The fact that we even

>attempt to name God is puzzling.  God is a mind more powerful than we

can even begin to conceive.  Maybe.>>

 

Well, I keep trying to get off this thread.  God, however, has my name

and number.  Keeps dragging me back to a certain reality.  <<and I thank

him, sincerely>>  that process be damned, we are expected to live and

die by the reality of our posts.  our actions.  and in that manner, no,

god is corporeal.  He is quite real and if need by, I can direct you

towards him.

 

However, I have a sneaky suspicion that my God is not yours.  or yours.

and yours.  and mine.

> 

>> Jenn Thompson

 

Douglas <<eating>>

=========================================================================

Date:         Mon, 7 Jul 1997 20:10:47 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody, Part III

 

while i can see both your points, i think Cody can stand on its own, just as

Ulysses did...  once one realizes what's being done, it's amazing writing,

even without the benefit of "who" the author is.  granted, though, the knowing

does increase it's understanding and depth for the reader.  maybe it all comes

down to how one reads it?  (it's almost like reading poetry to me.)

hhhmmmmm...

 

a bigger question is begged, though.  does it have to stand on its own?

perhaps it could be viewed as part of  a trilogy...OTR, VOC, VOG.  dunno, just

speculating here...

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of James Stauffer

Sent:   Monday, July 07, 1997 12:23 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: Cody, Part III

 

You raise the issue that has been troubling me through Part 1 and at

least half of part 2.  If I didn't bring my already developed ideas

about Jack and Neal to this book would I read it?  So far for me the

book fails badly in this regard.  Without all this outside stuff we

bring from the other books and bios and our own knowledge of these

people I am not at all sure the book works.  Part One is certainly an

amazing display of memory but we are given little reason as to why to

care about these particular memories.  I think the point you raise about

AG's more ephemeral stuff is also very valid.  A lot of Beat stuff falls

victim to relying on already developed notions  of what is hip.  Sort of

preaching to the choir.  JK's best stuff stands on it's own.  This one,

I am not at all sure yet.

 

James Stauffer

 

Michael Stutz wrote:

 

> had to think, What makes this so great? How the hell did he get this

> [eventually] published? Who the hell reads this?

> 

> I loved his evocative descriptions, mastery of inner thought-voice and

> ability to get it on paper -- just long thoughts for hours nonstop,

> transcribed, open, honest, done just to do. But would I have read it and

> spent the time with it if it was written by Joe Blow?

=========================================================================

Date:         Mon, 7 Jul 1997 17:30:48 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Cody, Part III

In-Reply-To:  <UPMAIL14.199707072113520176@msn.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 7 Jul 1997, Sherri spoke of VOC:

 

> (it's almost like reading poetry to me.)

 

Yeah, VERY much so. It's like a hybrid between poetry and prose -- or is all

good lit like this? Hmm... [thinking out loud] do the best lit works (prose)

read like poetry anyway?

=========================================================================

Date:         Mon, 7 Jul 1997 23:01:57 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Caro diario.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dear diary,

i today have read a very poetic phrase in "On the Road":

"climbing trees to get into attics of buddies

where he spent days

                        reading or hiding

from the law" written by jack keroauc depicting the life

of NEAL CASSADY,        reading or hiding

                        very poetic

                        reading or hiding

=========================================================================

Date:         Mon, 7 Jul 1997 15:06:29 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Cody, Part III

Comments: To: Sherri <love_singing@MSN.COM>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I tend to agree with Sherri and also see the points of the others.

 

Joyce is a good analogy.  Who would read Ulysses or Finnegans Wake?  Answer:

a lot of people.

 

I think it does need to be seen as part of Kerouac's oeurve.  Yet it can

stand alone, but like Ulyssess and Finnegans wake was not meant to only

stand alone.

 

It tries to do more than only tell a story but also to capture an essence

(many essences) as well.

 

It is also a great catalog.

 

I don't have a copy of the book anymore.  You guys've inspired me to hit the

library after work.

 

At 08:10 PM 7/7/97 UT, Sherri wrote:

>while i can see both your points, i think Cody can stand on its own, just as

>Ulysses did...  once one realizes what's being done, it's amazing writing,

>even without the benefit of "who" the author is.  granted, though, the knowing

>does increase it's understanding and depth for the reader.  maybe it all comes

>down to how one reads it?  (it's almost like reading poetry to me.)

>hhhmmmmm...

> 

>a bigger question is begged, though.  does it have to stand on its own?

>perhaps it could be viewed as part of  a trilogy...OTR, VOC, VOG.  dunno, just

>speculating here...

> 

>ciao,

>sherri

> 

>----------

>From:   BEAT-L: Beat Generation List on behalf of James Stauffer

>Sent:   Monday, July 07, 1997 12:23 PM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:        Re: Cody, Part III

> 

>You raise the issue that has been troubling me through Part 1 and at

>least half of part 2.  If I didn't bring my already developed ideas

>about Jack and Neal to this book would I read it?  So far for me the

>book fails badly in this regard.  Without all this outside stuff we

>bring from the other books and bios and our own knowledge of these

>people I am not at all sure the book works.  Part One is certainly an

>amazing display of memory but we are given little reason as to why to

>care about these particular memories.  I think the point you raise about

>AG's more ephemeral stuff is also very valid.  A lot of Beat stuff falls

>victim to relying on already developed notions  of what is hip.  Sort of

>preaching to the choir.  JK's best stuff stands on it's own.  This one,

>I am not at all sure yet.

> 

>James Stauffer

> 

>Michael Stutz wrote:

> 

>> had to think, What makes this so great? How the hell did he get this

>> [eventually] published? Who the hell reads this?

>> 

>> I loved his evocative descriptions, mastery of inner thought-voice and

>> ability to get it on paper -- just long thoughts for hours nonstop,

>> transcribed, open, honest, done just to do. But would I have read it and

>> spent the time with it if it was written by Joe Blow?

> 

> 

=========================================================================

Date:         Mon, 7 Jul 1997 18:09:41 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: God

Comments: To: "Penn, Douglas, K" <dkpenn@OEES.COM>

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970707205654Z-279@sd-mail.sd.oee s.com>

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

At 01:56 PM 7/7/97 -0700, Penn, Douglas, K wrote:

>Jennifer writ:

> 

>><<i couldn't agree more.  i've often said as much to friends and collegues.

>>to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

>>to me, it's impossible to picture God at all.  The fact that we even

>>attempt to name God is puzzling.  God is a mind more powerful than we

>can even begin to conceive.  Maybe.>>

> 

>Well, I keep trying to get off this thread.  God, however, has my name

>and number.  Keeps dragging me back to a certain reality.  <<and I thank

>him, sincerely>>  that process be damned, we are expected to live and

>die by the reality of our posts.  our actions.  and in that manner, no,

>god is corporeal.  He is quite real and if need by, I can direct you

>towards him.

> 

>However, I have a sneaky suspicion that my God is not yours.  or yours.

>and yours.  and mine.

>> 

>>> Jenn Thompson

> 

>Douglas <<eating>>

 

        There is no "God." Case closed. --Sara

> 

=========================================================================

Date:         Mon, 7 Jul 1997 17:25:26 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: God

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sara Feustle wrote:

> 

> At 01:56 PM 7/7/97 -0700, Penn, Douglas, K wrote:

> >Jennifer writ:

> >

> >><<i couldn't agree more.  i've often said as much to friends and collegues.

> >>to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

> >>to me, it's impossible to picture God at all.  The fact that we even

> >>attempt to name God is puzzling.  God is a mind more powerful than we

> >can even begin to conceive.  Maybe.>>

> >

> >Well, I keep trying to get off this thread.  God, however, has my name

> >and number.  Keeps dragging me back to a certain reality.  <<and I thank

> >him, sincerely>>  that process be damned, we are expected to live and

> >die by the reality of our posts.  our actions.  and in that manner, no,

> >god is corporeal.  He is quite real and if need by, I can direct you

> >towards him.

> >

> >However, I have a sneaky suspicion that my God is not yours.  or yours.

> >and yours.  and mine.

> >>

> >>> Jenn Thompson

> >

> >Douglas <<eating>>

> 

>         There is no "God." Case closed. --Sara

> >

 

The Committee will seriously consider all of your beliefs and

disbeliefs.

 

sincerely,

 

The Committee.

 

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 15:50:15 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: JK tribute: kicks joy darkness

MIME-Version: 1.0

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Marie writ:

 

><<g'nightadrien!(it's now morning on east coast) when you listen again,

>listen as carefully to michael stipe's "our gang" which has lodged in my

>head and won't get out. how carefully he enuciates (a miracle, for those

>who listened to REM a few years back),  but also how the music adds to the

little scene and to me reflects back to dr sax bedroom imagination.>>

 

regarding Stipes annunciation, I liked how at the end, he starts to fade

away.  It becomes hard to hear him as if if if the dream is ending and a

decision has come nigh.  Hell or Heaven awaits?!  Surely this is

blurring and fading is intentional, yes?

 

>> mc

 

Douglas <<cruel, gruel, cog>>

=========================================================================

Date:         Mon, 7 Jul 1997 19:04:30 -0400

Reply-To:     Tread37@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jenn Fedor <Tread37@AOL.COM>

Subject:      greeting from jenn - disregard crap at beginning(mailing error!:))

 

---------------------

Forwarded message:

From:   MAILER-DAEMON@aol.com (Mail Delivery Subsystem)

To:     Tread37@aol.com

Date: 97-07-07 03:10:37 EDT

 

The original message was received at Mon, 7 Jul 1997 01:41:42 -0400 (EDT)

from root@localhost

 

   ----- The following addresses have delivery notifications -----

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   ----- Transcript of session follows -----

553 BEAT-L@cunyvm>cuny.edu... Unbalanced '>'

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not found)

 

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          Mon, 7 Jul 1997 01:41:42 -0400 (EDT)

Date: Mon, 7 Jul 1997 01:41:42 -0400 (EDT)

From: Tread37@aol.com

Message-ID: <970707014140_-57794407@emout04.mail.aol.com>

To: BEAT-L@cunyvmcuny.edu

Subject: greeting from Jenn

 

hello all involved with this mailing list.  i just became a member two days

ago and am thrilled at all of the insightful and intelligent mail i have

received.  i would really like to become an active member of this group, but

i am a little hazy on how exactly i can participate.  i guess i'll just have

to jump into the middle and hope i can swim.  i have to confess that, yes, i

am merely a college student and have very recently discovered the wonders of

beat writing.  but it was love at first sight i must say, and i am trying to

suck up as much info. as i can.  i am currently reading OTR and JK letters

(1940-1956).  i also have been reading as much AG and JK poetry as i can get

my hands on.  The First Third and Visions of Cody are next on my list.  all i

am saying now is that i apologize if i ask stupid and naiive questions, but

soon i will fall into the swing of things, so bare with me!!:)

 

my first two offers for discussion may seem a lttle graphic and severe, but

their raw innocence and lust and love realy struck me: AG's Many Loves and

Please Master (1968).  Many Loves really brought out for me the intense love

that AG possessed for  NC and how freely this love made him a sort of slave

to it and in turn to Neal.  But the innocence and admiration that came with

the experience is so well defined by the newness and apprehension depicted as

they begin this exploration.  Please Master accomplishes this with a

different, yet equally effective approach.  the raw, graphic nature of the

piece shows the extent to how allen was a slave to this passion, and the

cycle of it is thoroughly illustrated through the repetition. yet the love he

felt for neal is so clear through his blind obedience and willingness to

submit to neal's (as well as his) wishes, as unacceptable as they might seem.

 he treats it as a priviledge to be able to share this intimacy, however

purely lustful and physical the graphic language might initially convey.

signing off for now,

jenn (JF)

=========================================================================

Date:         Mon, 7 Jul 1997 19:32:24 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Fwd: more dreams

 

---------------------

Forwarded message:

Subj:    Re: more dreams

Date:    97-07-07 19:32:06 EDT

From:    Marioka7

To:      pelliott@sunflower.com

 

In a message dated 97-07-07 17:07:59 EDT, you write:

 

<< 

 Maya, i fail to understand the beat connection. Is this related or in

 reference to a book or something. respectfully

 patricia >>

 

 

Patricia: this is something I've been wondering about, just thought I'd use

your comment as a jumping-off point to ask the list in general.

 

 

      i'm afraid there is no direct beat reference/connection.  You didn't

like it?  Sorry.

 

If you want i could say that i was exploring the beat method of pulling

together the conscious and unconsious.  And the cut-up method of narrative

(yes, cut-up can be used with narrative, not only words) and of images,

started by burroughs and brion gysin.  In fact, dreams are often dreamt in

cut-up, where images/thoughts/feelings are juxtaposed and associated in a

seemingly 'disorderly' manner because they make a different kind of sense

than when you're awake.

 

      In general, I try to experiment with words on this list, and I try to

do so in a way that reflects the depth of the influence the beats have had on

me.  If this is not an acceptable thing to do on this list, please let me

know and i will cease doing so.

 

      Is this list only for discussing the beats' persons and writings or

also for exploring their ideas, and, perhaps, applying them to other, new and

different, things?

 

     Perhaps those of us who are serious writers/artists/whatevers could

start a new list in which we discuss beat theory in relation to our own work.

 Or we could form two sides on beat-l,

                 the Artists      vs.      the Critics

 

please let me know if i should take my dreams/poems/etc elsewhere or at least

where I should shove them.

 

hasta la vista,

maya

=========================================================================

Date:         Mon, 7 Jul 1997 16:49:48 -0400

Reply-To:     MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@OTC.USOC.CCHUB.COM>

Subject:      Re[2]: God

Comments: To: RACE --- <race@MIDUSA.NET>

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Sara Feustle and david rhaesa wrote (respectively):

>         There is no "God." Case closed. --Sara

 

>The Committee will seriously consider all of your beliefs and

>disbeliefs.

 

     You mean god is not the pooh-bear?  My daughter and I are greatly

     confused and awaiting the Committee's decision before burning the

     hundred acre woods and skunking out the heretics; wondering how roast

     piglet would go with donkey giblets.

 

     matt

=========================================================================

Date:         Mon, 7 Jul 1997 20:04:50 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      opium=buddha of the masses

 

i once heard the "om" of the universe, tripping on 3 hits of

bart-simpson-stamped acid in New York city.   it was under a tree in

Riverside Park, around 113th street.  I mean, that wasn't the SOURCE or

anything, that's just where it came to me.

 

I felt like He (Buddha) was calling me and asking me to come.  I was

suspicious (wouldn't you?) and declined, but only after seriously considering

it. I mean it's not the kind of opportunity one gets every day, to become a

boddhisatva.  I knew it would be a lot of work, constantly having to, like,

convert people and stuff.  You know, the Unenlightened ones.

 

He said it was my only chance, and after he faded away, i wondered if i had

done the right thing.  What would have happened to me if i had said yes?

 

Just to try it out, i tried to get my friends to hear the "Om", but they just

looked at me funny.

 

Missed vocation? Drug-induced hallucination? Perhaps a combination?

 

(((((((((((((((((((((((nobody knows))))))))))))))))))))))))))))

=========================================================================

Date:         Mon, 7 Jul 1997 20:10:01 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: For Bentz: Measures, Jazz Giants, Obituaries, etc.

 

"The Creator has a master plan."

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 20:20:41 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: a poetess in the early peace movement Re: Denise Levertov.

 

Much better! Though I can't get the image of dazzling trucks. And now it is

not the old who have their own linguistic privacies!

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 20:24:26 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Scope of Beat-l

 

There have been some questions recently concerning the scope of Beat-l.

As it states in the "Welcome" message, "Beat-l is an online discussion

forum devoted to the study of the lives and works of the writers of the

Beat Generation, especially Jack Kerouac, Allen Ginsberg, and William

Burroughs.  In addition to serving as an outlet for discussion, Beat-l

is intended to facilitate scholarly communication and to serve as a

bulletin board or calendar for poetry readings, announcements of new

publications, upcoming conferences, and related events.  It is NOT

 a chat room.  Recent posts have tended to veer too far in that

direction.  Postings to Beat-l should be of interest to a substantial

portion of listmembers.  During a discussion, a thread may emerge that

is not directly related to the list's concerns but that may be of

interest to two or three members.  Such a topic should be taken off the

list and discussed privately by those interested parties.   Likewise,

comments directed at a specific listmember rather than the group as a

whole should be sent directly to that person.  Recently, someone asked

about posting poetry to the list.  This can be a gray area.  Certainly,

those poems written in tribute to Allen Ginsberg after his death were

appropriate. Likewise, poems written on Beat thems or in a Beat style

might be of interest to the list as a whole.  I guess common sense has

to prevail.  Fair of not, most people on the list would probably enjoy a

poem by Gary Snyder but they might not be as receptive to work by John

Doe.  I doubt that a poem now and again will be objected to by most

listmembers but we don't want to turn the list into "dial a poem."

Also, please be careful about not posting copyrighted material to the

list (including poems) without the author's permission.  For those new

to the list, I will repost the "Guidelines for Discourse" that were

developed to recently to bring some order and civility to our

discussions.  Look for this in the next day or two.  Those already

familiar with the guidelines can hit the delete key.Thanks for your

attention and for your continued interest in Beat-l.

William Gargan, Listowner

=========================================================================

Date:         Mon, 7 Jul 1997 20:56:09 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cody, Part III

 

Good questions, Michael. Do you really want them answered? We'd have to pack

a lunch for this beatnik picknik, naked or not.

I don't have VOC. Never read it. My wife read it when she was a teenager and

liked it. I've listened to the Krono disc that Allen gave me. Too hysterical

for my tastes. A young woman helping me with my mss brought me Holy Soul

Jelly Roll cd . I'm listening to it a little at a time. Some of the poems

I've heard read before. Read with Allen on some of them. I'm trying to get a

"time-perspective" on them. I've heard the first cd, and the poem I like best

so far is Van Gogh's Ear. But your wife's comments are valid about the

'cock.' The tone reminds me of  when I was a little kid and another boy

wanted to get under the bed with me to "play". There is a sense of juvenalia

to Allen's homoeroticism that he seems to be hiding from that same "grown-up

Amerika'' that he seemed to succumb to.

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 21:06:17 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Re[2]: God

 

"That book is good

Which puts me in a working mood.

Unless to Thought is added Will,

Apollo is an imbecile."

                              Emerson

=========================================================================

Date:         Mon, 7 Jul 1997 21:13:53 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: suspicious, but perhaps unfounded.

 

In a message dated 97-07-07 16:55:48 EDT, you write:

 

<< I also did a search on Charles Bukowski: Three email addresses

 >                            Charles Plymell: No matches >>

I have no email address, just cveditions@aol.com or

www.buchenroth.com/cplymell.html

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 09:38:12 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody, Part III

MIME-Version: 1.0

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> Michael Stutz wrote:

> 

>  Good to hear someone say this. VOC is one of my favorite novels, maybe

> my

> favorite Kerouac work (surely one of his most ambitious, no?), but upon

> my

> first read found it incredibly boring and hard to go through at points.

 

I liked parts I and II, can sort of see where K is going with this, and I

think I will probably be fine when I get beyond the tape.  Ginsberg

writes about this section"

 

"Thus the tape may be read not as hung-up and boring which it sometimes

is, but as a spontaneous Ritual performed once & never repeated, in full

consciousness that every yawn & syllable uttered would be eternal--and

here it is immortalized after all by the Great Rememberer and his Cast of

Characters remembering themselves while still alive.

        Dramatically, what's interesting is that we catch Neal at a time

when self-questioning and early exhaustion of lyric love, self-abuse,

have dried up his expositional flow & he's considering (as many do at his

age) the futility & repetitiveness of most of his own talk.  This is a

moment when Kerouac is expecting Saintly Discourse; a moment frustrating

for all.  Also at a time early in T-consciousness in U.S. when Neal was

smoking experimentally excessively, that is all the time. & experiencing

such aphasia or language disconnection & emotional alienation as that

experiment might cause, as well as awe and emptinesxs of mind which

simultaneous is both mystical Virtue, & psychological pathology.  'Man

I'm thinking.  I've just spent the last minute thinking and I had a

complete block.'"

 

I have trouble with "ritual" and the "every yawn and syllable being

eternal" part.  And also, from what AG said, it seems that K had more of

a vision for this part than actually developed, because Neal was so high

and disconnected.  The hero (Neal) talking here, can't express himself

with his own words.  Where does that leave K in terms of the hero

expressing himself?  K has to do it for him later on by developing this

theme. It leaves K with the necessity of taking the writing back to prose

and back to a romanticization of the hero again, which I assume we get

into again after this part.  I don't have trouble with there being few

actions here, with visions, or unconscious language, only with the idea

that every syllable is eternal simply because it comes from the mouth of

the hero."

DC

=========================================================================

Date:         Mon, 7 Jul 1997 10:03:05 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody, Part III

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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> Michael Stutz wrote:

> Something else about these guys that I just now for the first time

>suspect

> might apply to VOC: my wife doesn't care for Ginsberg's homoerotic

>poetry,

> citing much of his "i want to suck a cock / your dick as hard as a

>rock"

> brand of verse as the work of an extremely arrogant man ("You'd _have_

>to be

> arrogant to put that stuff on a page and call it poetry! _I_ could

>write

> poetry like that," she'd say, and come up with her own Ginsberg-style

>poem

> that would rival his). While Ginsberg's life is now looked at as one of

> "candor" -- that also being applied to his poetry, the effect of which

>did a

> Good Thing for modern poetry etc., it has a flip side, as it seems to

>have

> inspired a generation or three of terrible pseudo-beatnik "poets" that

> nobody cares about except their pseudo-beatnik friends. Again, Joe Blow

> writes a poem befitting his name: "i want to suck a cock." Nobody

>cares, but

> Ginsberg does it and everybody buys the book. Something like VOC

>couldn't

> have been written by just anyone, could it? And if someone did, would

>they

> be able to get it published (and get people to _read_ it) or would they

>need

> 20 years and the help of a marketing agent?

> 

 

 

First of all, I don't think VOC fits into this category.  I think K did

have a vision of his own for the work that was meant to perhaps take

language out of time in much the same way that Joyce did; that he wanted

to take many only 3-4 human actions in the whole work and have those

dispersed with all of the out-of-time memories and unconscious material

that daily floats through the mind?  Did he accomplish that? I won't form

an opinion on that till I get to the end.

        But I think what you are talking about with regards to Ginsberg

is a different thing.  A lot of people disregard AG's poetry because they

find it self-indulgent and arrogant that he would write about, for

example, his cock.  Does that leave it open for anyone to call

himself/herself a poet and start writing about genitalia and think that

that makes them a great poet?  Any poet needs to ground their

intellectualness in their humanness.  For Ginsberg, perhaps there is a

line between self-indulgence and self-expressiveness.  He broke barriors

in modern poetry but it wasn't because he just wrote about the human body

or sexuality.  Even what many call formless had a larger structural

form, all part of a larger framework.

DC

=========================================================================

Date:         Mon, 7 Jul 1997 10:29:05 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody, Part III

MIME-Version: 1.0

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Timothy K. Gallaher wrote:

> 

> Joyce is a good analogy.  Who would read Ulysses or Finnegans Wake?  >

> Answer:a lot of people.

> 

> I think it does need to be seen as part of Kerouac's oeurve.  Yet it

> can

> stand alone, but like Ulyssess and Finnegans wake was not meant to only

> stand alone.

> 

> It tries to do more than only tell a story but also to capture an

>essence

> (many essences) as well.

> 

> It is also a great catalog.

> 

 

I'm not sure yet what I think about this book standing alone.  I think

it's best to be familiar with Kerouac before reading it.  In the same

line of thought, I don't think many people would make it through

Finnegans Wake without being familiar with Joyce and having read his

earlier stuff, especially Ulysses.  As it is even some people who love

Ulysses find Finnegans Wake beyond them.  What I would like to address is

whether Kerouac had in mind his own version of a Joycean work here.  The

similarity in the out of time material is striking, but there are huge

differences in writing methods.  Joyce was a mastermind when it came to

construction.  He revised endlessly.  He wanted the reader to think about

every single word in and out of consciousness.  I think Kerouac often

attempts this kind of mastermind plan but the spontaneous prose throws

him off. He's constantly playing with the idea but can't quite pull it

off.  The highness of the characters in part three is quite a different

kind of consciousness as compared to dream-like unconscious images that

take things out of time and place.  I keep hoping for more of a flow

between the parts. It seems like the visions should flow without total

disconnection at any point.

DC

DC

=========================================================================

Date:         Tue, 8 Jul 1997 23:05:02 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Neil

MIME-Version: 1.0

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Someone came close to touching on this, but why is Neal the hero?  To me

Jack is the hero.  He is the one that actually does it.  I never find my

self liking the image Jack projects of Neal.  He would not be very

likable, and is a person in action.   But for what or why.  He must have

been a very charasmatic person when you were with him.  But his actions

tend not to be likable.

 

I wonder if WSB, Charles or others that knew him found him to be a

"hero" type, or just a hustler.

 

I always saw a homosexual type attachment, and a longing to be willing

to do what Neal did.  Jack talks about it, writes it, but push come to

shove, he would go down and buy a ticket rather than ride the box car.

So, there is a desire to be "real" instead of a writer.  Dylan said

somewhere he wished he'd been a doctor so he could have done some good

in the world.

 

But, Jack is the prophet.  He took all he saw and learned and turned it

into something bigger stretching it out to include every leave.  He even

pays homage to Thomas Wolfe in the middle of the food scene.  So when he

is writing, his confidence flows and grows.

 

VoC is his attempt to record reality just the way he saw it.  It is

worthy.

 

Peace,

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 7 Jul 1997 22:10:18 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Cody ---- the letter

MIME-Version: 1.0

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that is Quite the letter.

 

gotta wonder though.  if i got that letter in the mail part of me would

be saying:

 

"that fish has caught the bait for life.  he'll do anything for me now!"

 

devil in me i guess.

 

jack's friendship with Cody just seems so naive.

 

my glass house is shattering around me as i type.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 7 Jul 1997 23:15:21 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      HST

 

Finally caught up with HST  site.  This was who my  new friend helping me

with my mss went to see in NYC? Warmed over edge. The interview with P. J.

O'Rourke  was cute. P.J. used to sit in prof. Coleman's class  across from me

all pimply and afraid to  say anything about the beats or respond to whuts

happenin in the academe.  Now the profs take him for gospel right next to New

Yorker , Look, Ma  I'm hip.Tired of this dated crap. Reading Carl Watson's

Empire of the Birds tonight. He said the only religion  left is "Be Careful".

 At least he's current. Who wanted to compare Poe? My, my, can't get by.

Charles Plymell

=========================================================================

Date:         Mon, 7 Jul 1997 23:22:30 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cody, Part III

 

In a message dated 97-07-07 22:28:32 EDT, you write:

 

<<  It seems like the visions should flow without total

 disconnection at any point. >>

Just a thread

=========================================================================

Date:         Mon, 7 Jul 1997 11:35:48 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody ---- the letter

MIME-Version: 1.0

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>RACE --- wrote:

> 

> that is Quite the letter.

> 

> gotta wonder though.  if i got that letter in the mail part of me would

> be saying:

> 

> "that fish has caught the bait for life.  he'll do anything for me

> now!"

> 

> devil in me i guess.

> 

> jack's friendship with Cody just seems so naive.

> 

> my glass house is shattering around me as i type.

> 

> david rhaesa

> salina, Kansas

 

I agree about Jack's friendship kinda being naive.

 

look at page 39:

"anybody who knows the sum and substance of what I know and feel and cry

about in my secret self all the time when I don't feel strong, the

sorrows of time and personality,, and can therefore on all levels make it

all the way with me...I'm completely your friend, your 'lover,' he who

loves and digs your greatness completely."

 

What more can you possibly say to someone?  Was Jack's trust ever

misplaced? There were a couple places in OTR where Jack said, 'I'm done

with you,' but he always came back.  I do think, as I said before, that

to some extent Jack's will to live is intertwined with Neal's sense of

life. Then again, maybe growing up in America later than these guys,

makes us see things more corruptly???

DC

=========================================================================

Date:         Tue, 8 Jul 1997 11:28:47 -0400

Reply-To:     Andrew Szymczyk <trent@JANE.PENN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Andrew Szymczyk <trent@JANE.PENN.COM>

Mime-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

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would the listowner please contact me privately or could a

beat-l member please send me an address where the

listowner could be reached.  it's imperative that i get ahold

of him.

 

 

                                        thanks,

                                        andrew

=========================================================================

Date:         Tue, 8 Jul 1997 03:56:35 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Cody ---- the letter

 

not only more corruptly, but more cynically and selfishly.  there is a beauty

in loving in this pure and innocent way that perhaps none of us are capable of

any more. and the feeling derived from it is unparalleled.

 

innocence was something that greatly appealed to JK, it seems to me:  the way

he refers to young girls and what seems to thrill him about them, his

comparison of the "Negro cat" in the subway (pg 19, my edition) to

Dostoyevsky's Prince Myshkin ( i can't think of a more endearing, sweet,

innocent, prophet-like character in literature, at least not at this moment).

 

and, in fact, isn't it that very innocence/romanticism that we adore in JK in

the first place?  what is more intriguing than a great mind blended with a

heart also capable of sheer simplicity of feeling?

 

and doesn't hero worship require a certain innocence?  JK knew NC's many

flaws, but chose to love the greatness in him, perhaps as his alterego.

 

ciao,

sherri

----------

From:   BEAT-L: Beat Generation List on behalf of Diane Carter

Sent:   Monday, July 07, 1997 11:35 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: Cody ---- the letter

 

>RACE --- wrote:

> 

> that is Quite the letter.

> 

> gotta wonder though.  if i got that letter in the mail part of me would

> be saying:

> 

> "that fish has caught the bait for life.  he'll do anything for me

> now!"

> 

> devil in me i guess.

> 

> jack's friendship with Cody just seems so naive.

> 

> my glass house is shattering around me as i type.

> 

> david rhaesa

> salina, Kansas

 

I agree about Jack's friendship kinda being naive.

 

look at page 39:

"anybody who knows the sum and substance of what I know and feel and cry

about in my secret self all the time when I don't feel strong, the

sorrows of time and personality,, and can therefore on all levels make it

all the way with me...I'm completely your friend, your 'lover,' he who

loves and digs your greatness completely."

 

What more can you possibly say to someone?  Was Jack's trust ever

misplaced? There were a couple places in OTR where Jack said, 'I'm done

with you,' but he always came back.  I do think, as I said before, that

to some extent Jack's will to live is intertwined with Neal's sense of

life. Then again, maybe growing up in America later than these guys,

makes us see things more corruptly???

DC

=========================================================================

Date:         Tue, 8 Jul 1997 01:11:28 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      ATTN: BEAT-LIST POETS

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

AND PS:  OK POETS of BEAT-LIST, -- LISTEN UP!

 

the snails have us running for cover

it's time to organize and develop our own channels

I'm still trying to figure out who is out there

in the 200+ of us on this list

 

as the beat-list introduction says,

let's talk about opportunities to publish

let's talk about beat poetics, the beat process

poets we like and why  <<loved that vs-Elliot thread!>>

the visual and sound arts of these writers and [[people

the mistakes they made and why certain poems are important

 

and if we're gonna stay and be civil, beat-list poets

let's keep our posts on topic.  right?

or damn straight close right on, near it!!

maybe stick to a universal thread title or two

[[e.g., freshman debates, dear diarie, notes to myself

that can be easily marked as deletable, scrap heap, expungeable

 

 

our process of being beat is different than an academic approach

it takes practice and focused energy to bring our shoes closer

we have to be able to make mistakes and stand by them, publically

to flaunt our foibles, our speed chases, our random pastimes

our life in the beat molde, the "wanna be beat" list

isn't a half bad idea after all beating breathing beating hard

w/kerouacs,  ginsberg,  burroughs.  patti smith. etc.

 

I've thought about this a lot.

have obsessed about it really,

honesty, probably too much

but I depend on this list

and the poets, friends, and <<ahem>> scholars therein

for the exchange of punctuation, prose styles, and beat licks

that gets me up in the morning

 

[[for the visions of cody

 

----- I look forward to getting off this thread ========

----- sorry to have taken up your precious time ========

 

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Tue, 8 Jul 1997 12:50:06 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      ceasefire #3

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                im'

                pathfinder

                ranger

                sojourner

 

                im' thinking

                Shhh    Shhh

 

                Uhmm    Uhmm

                is there life?

 

                is there

                intellingent

                life?

 

                im' back

 

                my name is

                sojourner

 

                Shhh    Shhh

                Uhmm    Uhmm

 

                Shhh    Shhh

 

---

yrs

Rinaldo.

=========================================================================

Date:         Tue, 8 Jul 1997 08:52:14 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      cody II

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

not much discussion about cody part 2; wonder if it is because there is a

sense of been there/read that before. between the timeless geography of the

soul of part I and the densely unmitigated dialogue of burp and fart and

scratch of part III?

anyhoo:

there is a longish quote on pgs 98-100 of macgraw hill edition: from which

i will snip and snap ,[all of elipses mine]  it seems to me the heart of

part II and perhaps the heart of JK always in his books: (and once again we

are in the world of colors, primarily but not exclusively brown. passage is

his experience as signing on for merchant marine as he continues to have

visions of cody having visions)! (i've snipped the merchant marine reality

to focus in on JK's perceptions of realities:

 

brown halls of men--now by god many hours and events later i am finally

entrenched in the vision that i re-discovered my soul with, the 'crwoded

events of men' only now it's me, myself smack in it....I saw 'brown bar'

not in jest, red neons or pink ones too shine in the smoke and reflect off

dark browned panels, the beer is brown, table tops, the lights are white

but embrowned, the tile floor too ....now what i'm going to do is this,

think things over one by one blowing on the vsions of them and also

excitedly discussing them as with friends as i did last night joyously

drunk in the west end.....

(lots of brown ale, brown sighns white capped seamen's halls)

,,, now i'm going to be interested in these things al my life but in order

to really involve myself as  a man on the other level of man-to-man

communication i'm also going to talk about theset things with people if i

can, like for instance Deni's beautiful story last night...i'm going to

talk about thesse things with guys but the main thing i suppose will be

this lifelong monologue which  is begun in my mind-lifelong complete

contemplation--what ilse on earth do i really know unless i'm depriving

myself of kinds of knowledge that would bring out those qualities in

me....--last night in the west end bar was mad(can't think fast enough)(do

need a recorder)...then i could keep the most complete record in the world

which in itself could be divided into twenty massive and pretty interesting

volumes of tapes describing activities everywhere and excitements and

thoughts of mad valuable me and it would really have a shape but a crazy

bit shape yet just as logical as a novel by proust because i do keep

harkening back though i might be nervous on the mike and even tell too

much)....now events of this moment are so mad that of course i can't keep

up but worse they're as though they were fond memories that from my

peaceful hacienda or proust-bed i was trying to recall in toto but couldn't

because like the  real world so vast, so delugingly vast, i wish i god had

made me vaster myself--i wish i had ten personalities, one hundred golden

brains, far more ports than are ports, more energy than the river, but i

must struggle to live it all, and on foot, and in these little crepesole

shoes,  ALL of it or give up completely.

____

what i see here is JK's edgy  am i hero/am i narrator thread which is seen

more clearly here than in OTR.also,  in the face of the visionary cody, he

wishes he were bigger smarter faster ... which i noted in part I: the

dreams in which cody were not center of attention, cody letting others

talk, etc. among other things, like seeing his work like proust, and the

recorder wish brings us to the infamous burp fart space out tape of part III

more to come, but the sunshine beckons

mc

=========================================================================

Date:         Mon, 7 Jul 1997 21:54:31 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Neal

MIME-Version: 1.0

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R. Bentz Kirby wrote:

> 

> Someone came close to touching on this, but why is Neal the hero?  To

>me

> Jack is the hero.  He is the one that actually does it.  I never find

>my

> self liking the image Jack projects of Neal.  He would not be very

> likable, and is a person in action.   But for what or why.  He must

>have

> been a very charasmatic person when you were with him.  But his actions

> tend not to be likable.

> 

> I wonder if WSB, Charles or others that knew him found him to be a

> "hero" type, or just a hustler.

> 

 

I think there's no doubt that both Kerouac and Ginsberg saw Neal as a

hero, way beyond the homosexual attachment kind of thing.  Ginsberg

writes in Howl, "NC, secret hero of these poems,"  and here in VOC, the

whole work is set up with Neal as the hero.  But it's true, if you set

the lives together, it brings up some questions:  What did Neal

accomplish in his life?  What did Ginsberg and Kerouac accomplish in

their's in comparison?  No doubt if none of these guys had met Neal, they

would have still been writers, but how much different?  In many ways,

early on, they wrote about life through the experience of being around

Neal living life.  To some people Neal was a hustler, in every sense of

the word, but I have often thought it was in a good way, a way to get

what he wanted, needed without hurting anyone else.  I agree, it's time

to hear from some people that knew Neal personally, and some that have

read stuff that Neal wrote.

DC

> VoC is his attempt to record reality just the way he saw it.  It is

> worthy.

> 

> Peace,

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 7 Jul 1997 22:39:46 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      rumors of my death

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Dear Beat-L Friends:      July 7, 1997

 

        As Mark Twain said, "Rumors of my death have been greatly exaggerated."

        I'm back briefly because it appalls me to see the kind of lies that

just got printed here by one Ms. Diane De Rooy, in my absence.

        According to Ms. DeRooy, quoting Ms. Mayo, "there is nothing

original in this [MEMORY BABE] collection" at U Mass Lowell.  According to

Ms. De Rooy, Mr. Rod Anstee agrees totally with this.

        Oh no, nothing original?  What would you call 3 drafts of Memory

Babe, in my own handwriting and typewriting?  What would you call THOUSANDS

of pages of my own handwritten notes?  What would you call 100 letters

written to me by the likes of Ginsberg, Ferlinghetti, Burroughs, Snyder,

Holmes, Carolyn Cassady, et al. (in their handwriting and typewriting NOT

XEROX)?  60 of those have been stolen, but about 40 still remain (as far as

I know) in the collection.

        What would you call 300 original interviews, taped firsthand with

300 different people?  Not copies of the interviews, but the ORIGINAL TAPES

THEMSELVES?

        All this is not original material?

        Now bethink yourself (as they used to say).  If Ms. De Rooy and Ms.

Mayo and (apparently) Mr. Anstee can lie about the content of the

collection, might they not also be capable of lying about the fact that

people are being prevented from viewing and listening to it?

        How can these people lie so baldly?  Is it just because Nicosia got

offline for a few weeks to try to get some work done?

        Since I obviously can't keep up with the Beat-List right now on a

regular basis, and still make my writing commitments (Veterans book and

autobiography for CONTEMPORARY AUTHORS), I can only appear here

sporadically, but if anyone has any questions when such outrageous claims

are made, please feel free to email me directly.  Dirk Vulgate need not apply.

        Thanks and my best to everyone, Gerry Nicosia

=========================================================================

Date:         Thu, 3 Jul 1997 21:34:22 +0200

Reply-To:     Per Kjellin <kjellin@MBOX301.SWIPNET.SE>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Per Kjellin <kjellin@MBOX301.SWIPNET.SE>

Subject:      411

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

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Did you found God on the Four11?

=========================================================================

Date:         Tue, 8 Jul 1997 10:55:31 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz kirby

Subject:      [Fwd: suspicious, but perhaps unfounded.]

MIME-Version: 1.0

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This is a multi-part message in MIME format.

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My post that lead to Lisa's flame.

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

--------------8D5FDB9EB84469087559EB16

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Message-ID: <33B83305.BF9B50CB@scsn.net>

Date: Mon, 30 Jun 1997 18:28:21 -0400

From: "R. Bentz Kirby" <bocelts@scsn.net>

Organization: Law Office of R. Bentz kirby

X-Mailer: Mozilla 4.0b4 [en] (Win95; I)

MIME-Version: 1.0

To: Mail to BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

Subject: suspicious, but perhaps unfounded.

X-Priority: 3 (Normal)

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Has anyone on the list ever heard of Diane De Rooy.  I ran a 411 search

and turned up nothing.  I ran one on my email address and got me.  So, I

am very curious about this.  I know that there have been phantom posts

from aol before and that Jerry C. smoked some of those out.  If Diane is

a real person, I apologize to her, but this post seems very suspicious

and the timing makes it even more so.  I apologize, for an off topic

post.

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

--------------8D5FDB9EB84469087559EB16--

=========================================================================

Date:         Tue, 8 Jul 1997 11:33:16 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Michael Stutz: Who -vs- What

 

Dear Michael:

 

Your discussion of the baggage we carry as to WHO is writing something,

rather than what has been written itself, really hits a chord.  Your example

of Ginsberg  reminds me of the January 1994 reading we attended, prior to

which we first met each other in the autograph line at Shaman Drum Bookshop.

 I can honestly say that his reading of HOWL would have riveted and inspired

me even if I had not known anything about who was reading it or the whole

history and mythology surrounding it and its creator.  It is still as freshly

groundbreaking as ever.  But, if you recall, he then launched into other

poems, some of which were of the "homoerotic" nature you mentioned.  One in

particular was like a proctoscope's-eye-view of his rectum and its adventures

(a personalized take on WSB's "talking asshole" routine?), which I found

tasteless, exhibitionistic and very uninspired in its language, especially

compared to his great earlier poems.  This was definitely an example of him

getting away with something because he was the world-famous AG whose audience

carried all the baggage that went along with that.  I'm sure he was quite

consciously aware of what he was doing and was having fun with his unique

status as a provocateur-institution hybrid.

 

I am always haunted by the concern that I'm skipping over worthy items simply

because I don't know about them and their creators aren't famous.  Like your

recent post about music, there could indeed be artists out there the caliber

of and going forward from those Giants of the past whom I still haven't

assimilated completely or yet recovered from.  It's a forlorn cliche repeated

throughout human history- so many great people from each era go nearly or

completely unrecognized until long after they've gone, those getting all the

attention during their frustrated lifetimes now the ones justly forgotten.

 Van Gogh owed money to the subject of his painting that recently fetched

$53,000,000, and so on ad infinitum.

 

This also dovetails with a recent post by Diane Carter about particular works

within and outside of the context of the authors' whole ouvre, using JK's VOC

and Joyce's FINNEGANS WAKE as examples.  How do they stand on their own vs.

within the larger context and evolution?  As you know, I'm particularly

devoted to WSB among all the Beat writers.  But what if I encountered one of

his '60's cut-up novels in a vacuum with no context as to how he arrived at

it, what came before or after?  In a case like this, understanding of the

larger context is critical, without it puzzlement and rejection are almost

inevitable.

 

Well, I'm really starting to get into this List- you may have encountered

some of my public posts, I've come in from the cold, having just written

one-on-one until recently.  It's a great exercise and potentially has no end,

I'm constantly toggled as with your post that compelled me to write this.  A

fascinating intellectual exchange and a galloping addiction- will I end up

losing my family and business and end up in the cybergutter, unkempt and

glued to the screen, still tapping the keys when the power is turned off?

 

I will call you soon for a conversation in the antiquated phone medium,

unless you Beat me to it.

 

Regards,

 

Arthur

=========================================================================

Date:         Tue, 8 Jul 1997 08:48:18 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: ATTN: BEAT-LIST POETS

In-Reply-To:  <UPMAIL14.199707081342260088@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Some late night idiot wrote:

 

> 

> AND PS:  OK POETS of BEAT-LIST, -- LISTEN UP!

> 

> the snails have us running for cover

> it's time to organize and develop our own channels

> I'm still trying to figure out who is out there

> in the 200+ of us on this list

 

as someone suggested backchannel, perhaps I do need therapy.  <laugh>  Am

thinking I should just keep my mouth quiet and wait a while, see what

happens.  get some reading done.  So taking a couple of breathes, and a few

steps back, let me apologize if I've offended anyone, and please send

related messages backchannel, if possible.

 

thanx, Douglas

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Tue, 8 Jul 1997 09:59:51 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: 411

MIME-Version: 1.0

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No, but I found him on page 40 of James Joyce's "Ulysses":

 

        What about what?  What else were they invented for?

        Reading two pages apiece of seven books every night, eh?  I was young.

You bowed to yourself in the mirror, stepping forward to applause

earnestly, striking face.  Hurray for the God-damned idiot!  Hray!

No-one saw: tell no-one.  Books you were going to write with letters for

titles.  Have you read this F?  O yes, but I prefer Q.  Yes, but W is

wonderful.  O yes, W.  Remember your epiphanies on green oval leaves,

deeply deep, copies to be sent if you died to all the great libraries of

the world, including Alexandria?  Someone was to read them there after a

few thousand years, a mahamanvantara.  Pico della Mirandola like.  Ay,

very like a whale.  When one reads these strange pages of one long gone

one feels that one is at one with one who once....

        The grainy sand had gone from under his feet.  [...]

 

Douglas  <<professional loon>>

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

 

>----------

>From:  Per Kjellin[SMTP:kjellin@MBOX301.SWIPNET.SE]

>Sent:  Thursday, July 03, 1997 12:34 PM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       411

> 

>Did you found God on the Four11?

> 

=========================================================================

Date:         Tue, 8 Jul 1997 13:02:59 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      My reply

 

I'm not going to debate Gerry Nicosia here on the list. I can't see any

compelling reason why there should be another polarizing flame war like the

previous one.

 

Nor am I going to defend my research into the story I'm currently writing. I

will continue my research, in person and over the telephone, and if I am fed

alleged "misinformation" by any interview subjects, I will allow for fair

response from dissenting parties.

 

My interest has always been in writing an objective accounting of a very

emotional issue. For the record, I don't have any intention at this time of

including information about Gerry's archive at all. That's not my story, and

it's already been reported upon by others.

 

I don't profess to be an expert on the contents of that collection. If Martha

Mayo is not being truthful, that's for Gerry and Martha to work out. I have

no reason to trust my life to either of them.

 

I posted that partial interview to the BEAT-L list simply to demonstrate what

sort of information one can get when going to a "source," rather than solely

listening to emotional hyperbole. Martha Mayo confirmed what Rod Anstee had

asked Gerry to explain: that there are, in fact, photocopies of letters from

authors which came from other collections, in Gerry's research archive.

 

I certainly welcome your questions and comments, challenging and informative.

I have no interest in this particular archive issue, except as a footnote to

the larger story of the disposition of jack kerouac's writings. All I ask is

that people contact me directly, and don't use the BEAT-L list to argue this

thing.

 

Again, please know that you are all welcome to comment or send feedback to me

at ddrooy@aol.com or membabe@aol.com.

 

Diane De Rooy

=========================================================================

Date:         Tue, 8 Jul 1997 13:37:14 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Neal

 

Kerouac certainly paints Neal in heroic strokes but I think it's a

mistake to only focus on Neal Cassady, the human being.  Kerouac is

turning Neal into a symbol if you will, making a mythology out of his

life.  Whether or not Neal was really heroic is the wrong question to

ask.  A more appropriate question is what does Dean Moriarty or Cody

stand for.

=========================================================================

Date:         Tue, 8 Jul 1997 13:50:23 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: Neil

 

Bentz:

 

You wrote:

 

"I wonder if WSB, Charles or others that knew him found (Neal Cassady) to be

a "hero" type, or just a hustler."

 

>From what I' recall reading in biographies, interviews and the thinly guised

biographical works (including ON THE ROAD itself), WSB was wary of and

annoyed by NC during the time the Beats were living what became their legend.

 He protectively warned the younger Kerouac to be careful, like a concerned

older brother, about the friend he was so infatuated with and who inspired

his works.  He instinctively perceived NC as a moocher, con man and thief,

and was not happy to have him as a guest, such as when he came along with

Kerouac and co. in early 1949 to visit WSB and his ill-fated family outside

New Orleans, as recounted in OTR.

 

Of course, it's no big secret that NC came from a deprived and delinquent

background and that this was an integral part of his own legend as

mythologized by JK-  his car thefts, etc.  From what I have read so far,

especially in OFF THE ROAD, the memoirs of his widow Carolyn, he was a

complex and many-faceted personality, with pronounced conflicts, in the

"beautiful loser" vein, a reckless trouble-magnet, romantic, family & steady

job lover and tragic martyr all in one.  Artistically, he had much more of an

impact as a subject of JK,  Allen Ginsberg & Ken Kesey/Tom Wolfe than from

his own fragmented and small output.  A disturbing phenomenon indispensable

to the Beats' development but ultimately consumed by the very legend they

cultivated and his own demons.

 

Regards,

 

Arthur

=========================================================================

Date:         Tue, 8 Jul 1997 10:55:37 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      HOWL question--help!

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I have a quick question about a line in HOWL. I'm working with the City

Lights Pocket Poets edition 28th printing 1976.

 

Towards the end of section I of the poem, here is the line:

 

"with mother finally ******, and the last fantastic book flung out"

 

my students asked me what the asterisks mask out---but I couldn't answer.

One wondered if missing word might be "fucked." well, it has the right

letter to asterisk ratio.

 

do the asterisks appear in most current printings/editions of the poem???

who placed them there? ginsberg? ferlinghetti?

 

thanks for any info you can provide...anyone out there.

 

Steve R. Smith

Department of English

Pacific University

Forest Grove, OR

=========================================================================

Date:         Tue, 8 Jul 1997 11:13:08 -0700

Reply-To:     "Lisa M. Rabey" <lisar@NET-LINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lisa M. Rabey" <lisar@NET-LINK.NET>

Subject:      Re: [Fwd: suspicious, but perhaps unfounded.]

In-Reply-To:  <33C254E3.3A72AFE6@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Was this really relevent?

You could not send this to the person who requested it directly?

 

of course not.

 

 

 

 

At 10:55 AM 7/8/97 -0400, R. Bentz Kirby wrote:

>My post that lead to Lisa's flame.

> 

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclawMessage-ID: <33B83305.BF9B50CB@scsn.net>

>Date: Mon, 30 Jun 1997 18:28:21 -0400

>From: "R. Bentz Kirby" <bocelts@scsn.net>

>Organization: Law Office of R. Bentz kirby

>X-Mailer: Mozilla 4.0b4 [en] (Win95; I)

>MIME-Version: 1.0

>To: Mail to BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

>Subject: suspicious, but perhaps unfounded.

>X-Priority: 3 (Normal)

>Content-Type: text/plain; charset=us-ascii

>Content-Transfer-Encoding: 7bit

> 

>Has anyone on the list ever heard of Diane De Rooy.  I ran a 411 search

>and turned up nothing.  I ran one on my email address and got me.  So, I

>am very curious about this.  I know that there have been phantom posts

>from aol before and that Jerry C. smoked some of those out.  If Diane is

>a real person, I apologize to her, but this post seems very suspicious

>and the timing makes it even more so.  I apologize, for an off topic

>post.

> 

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

> 

--

 

Lisa M. Rabey

Simunye Design

http://www.bigendian.com/~simunye

---------------------------------

words...1000's of words...wrapped together like wire

how easy it would be to hate you, and yet that is all

I can show you. Nothing lasts forever. -me

=========================================================================

Date:         Tue, 8 Jul 1997 14:30:16 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: HOWL question--help!

In-Reply-To:  <Pine.PTX.3.91.970708104841.15940A-100000@odin.cc.pdx.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Steve Smith a.k.a. Whiskey Wordsmith wrote:

>I have a quick question about a line in HOWL. I'm working with the City

>Lights Pocket Poets edition 28th printing 1976.

> 

>Towards the end of section I of the poem, here is the line:

> 

>"with mother finally ******, and the last fantastic book flung out"

> 

>my students asked me what the asterisks mask out---but I couldn't answer.

>One wondered if missing word might be "fucked." well, it has the right

>letter to asterisk ratio.

 

It is "fucked" in the original drafts (see p.31 of *Howl:  Facsimile

Edition*).  But asterisks (only 3) are inserted in a later draft (see p.

42).  Every published copy I have seen uses the asterisks--and, as you

note, uses exactly 6 of them.

 

On p. 131 of the Facsimile Edition, Ginsberg says in his annotations to

that line:  "Author replaced letters withe asterisks in final draft of poem

to introduce appropriate element of uncertainty."

 

Tony

 

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

"Oh, mechanical men.  They walk around, they set the table

and don't say nothin'.  They bring you your underwear and

they put you to bed.  They take out a cigar and smoke cigars.

They stand there and watch you.  Mechanical men.  Christ, they

wash windows, shovel snow, give you a cigar, put out the lights.

And then they wave Good Night."

--Larry Green

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

=========================================================================

Date:         Tue, 8 Jul 1997 12:45:28 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: HOWL question--help!

Comments: To: "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

In-Reply-To:  <Pine.PTX.3.91.970708104841.15940A-100000@odin.cc.pdx.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

steve

as far as i know the asterisks appear in all editions, in fact the reading

of howl that is on the "holy soul jelly roll" box set, hasginsberg read

the line as "with mother finally asterisked, and the last fantastic book

flung out". im sure that after the obscenity trial, and the approval of

so much of what is said and the way it is stated in howl, that the ******

is not a censoring job, but rather the way it was written. ( and those

asterisks,AS asterisks could be more along the lines of "silenced" or

"marginalized" as opposed to necessarily an "obscenity" - use the

asterisks as symbols for asterisks and what they do, as opposed to

asterisks as replacements...?)

just a few thoughts, as i have wondering the same about that strange, ut

of character punctuation, in howl.

yrs

derek

 

On Tue, 8 Jul 1997, Steve Smith a.k.a. Whiskey Wordsmith wrote:

 

> 

> I have a quick question about a line in HOWL. I'm working with the City

> Lights Pocket Poets edition 28th printing 1976.

> 

> Towards the end of section I of the poem, here is the line:

> 

> "with mother finally ******, and the last fantastic book flung out"

> 

> my students asked me what the asterisks mask out---but I couldn't answer.

> One wondered if missing word might be "fucked." well, it has the right

> letter to asterisk ratio.

> 

> do the asterisks appear in most current printings/editions of the poem???

> who placed them there? ginsberg? ferlinghetti?

> 

> thanks for any info you can provide...anyone out there.

> 

> Steve R. Smith

> Department of English

> Pacific University

> Forest Grove, OR

> 

=========================================================================

Date:         Tue, 8 Jul 1997 12:49:47 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Neal

Comments: To: Bill Gargan <WXGBC@CUNYVM.BITNET>

In-Reply-To:  <BEAT-L%1997070813405164@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

bill

certainly a very conscious effort i think on behalf of several beat

authors (esp. ginsberg) in creating myth. the repitition of stories and

tales, the idolizing of freinds and situations thru lit & poetry - almost

brings to mind greek & oral storytelling. creation of myth thru repitition

of stories, passed around the fire and thru everyday life. replacing the

myth of "america the just" (or whatevr) with myth of the individual ad the

group. creation of the XX C paul bunyan & his big blue ox?

beat as american mythmaking?

yrs

derek

 

On Tue, 8 Jul 1997, Bill Gargan wrote:

 

> 

> Kerouac certainly paints Neal in heroic strokes but I think it's a

> mistake to only focus on Neal Cassady, the human being.  Kerouac is

> turning Neal into a symbol if you will, making a mythology out of his

> life.  Whether or not Neal was really heroic is the wrong question to

> ask.  A more appropriate question is what does Dean Moriarty or Cody

> stand for.

> 

=========================================================================

Date:         Tue, 8 Jul 1997 13:58:53 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: My reply then patricia adds 2cents

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane De Rooy wrote:

> 

> I'm not going to debate Gerry Nicosia here on the list. I can't see any

 compelling reason why there should be another polarizing flame war like the

 previous one.

> patricia writes

I did not find geralds response to you as a flame, i saw it as a

resonable presentation of what was contained in his archive. i found

mayos assertion that no original material being there rather bizarre.

d wrote

> Nor am I going to defend my research into the story I'm currently writing. I

 will continue my research, in person and over the telephone, and if I am fed

 alleged "misinformation" by any interview subjects, I will allow for fair

 response from dissenting parties.My interest has always been in writing an

 objective accounting of a very> emotional issue. For the record, I don't have

 any intention at this time of

 including information about Gerry's archive at all. That's not my

story, and it's already been reported upon by others. I don't profess to

be an expert on the contents of that collection. If Martha Mayo is not

being truthful, that's for Gerry and Martha to work out. I have no

reason to trust my life to either of them.

 

patricia writes

you posted one side of an account of geralds archives to this public

forum. You ve trusted some of your credibility as a reporter to how you

report and what.  i don not mean to be insulting i feel you were hoping

to balance some of the information.

> d wrote

> I posted that partial interview to the BEAT-L list simply to demonstrate what

 sort of information one can get when going to a "source," rather than solely

 listening to emotional hyperbole.

 

patricia writes

i hope that the phrase emotional hyperbole is not in refernce to gerald

in regard to his own archives.

d wrote

 Martha Mayo confirmed what Rod Anstee had asked Gerry to explain: that

there are, in fact, photocopies of letters from authors which came from

other collections, in Gerry's research archive. I certainly welcome your

questions and comments, challenging and informative. I have no interest

in this particular archive issue, except as a footnote to the larger

story of the disposition of jack kerouac's writings. All I ask is that

people contact me directly, and don't use the BEAT-L list to argue this

thing.

 

patricia writes

i felt no desire to take this off the beat list since it is list

related.  You stated that mayo said that there were no original material

in the archives and then you restate that somehow that was only a

confirmation of rod anstees assertions. I do not mean this post as a

flame but to post to the list such personal conclusions and then beg no

list postings in response underestimates the population you are

addressing.. I plan to stay civil but open. I have no knowledge of miss

mayo or gerald as persons that would sway me but the history of my own

writing leads me to think  no original material in gn's archives isn't

likely.

> d wrote

> Again, please know that you are all welcome to comment or send feedback to me

> at ddrooy@aol.com or membabe@aol.com.

> 

> Diane De Rooy

 patricia writes

i sincerely hope that no war results from this as the last one was

creepy and boring. but i am uncomfortable with  off list clarifications

of what one really meant when speaking of a third party and his

reputation

p

=========================================================================

Date:         Tue, 8 Jul 1997 13:01:47 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: HOWL question--help!

Comments: To: "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Steve Smith a.k.a. Whiskey Wordsmith wrote:

> 

> I have a quick question about a line in HOWL. I'm working with the City

> Lights Pocket Poets edition 28th printing 1976.

> 

> Towards the end of section I of the poem, here is the line:

> 

> "with mother finally ******, and the last fantastic book flung out"

> 

> my students asked me what the asterisks mask out---but I couldn't answer.

> One wondered if missing word might be "fucked." well, it has the right

> letter to asterisk ratio.

> 

> do the asterisks appear in most current printings/editions of the poem???

> who placed them there? ginsberg? ferlinghetti?

 

That's a very interesting question. There's no mention of it in the

Dharma Lion biography.

 

It's a curious little omission, cos all through the rest of Howl

Ginsberg is uncensored ("who let themselves be fucked in the ass",

"vision of ultimate cunt and come eluding the last gyzm of

consciousness").

 

I have three recordings of Ginsberg reading Howl...on the Holy Soul

Jelly Roll version (Berkeley '56) he says "fucked"; on the Kronos cd

('96) he says "asterisked"; and on the original Howl lp ('59) there's

nothing, just a sloppy edit (ruining his vocal rhythm) where he

undoubtedly said "fucked."

 

Could it be that Allen, in this incredible purging of his soul, censored

this line himself out of respect for his mother Naomi, who was still

alive at the time? But if that was the reason, why did he say "fucked"

at the public readings? I think in the end he probably put the asterisks

in for his father's benefit. Louis hated Allen's frequent use of

profanity (he was outraged over the language in Kaddish, mainly the

"pubic beard" line) and with this being Allen's first major published

work, Allen probably didn't want to upset his father, despite feeling

confident enough to read it publicly (probably cos his dad wasn't there

to scrutinize him!). It's interesting to hear him say "asterisked" in

the '96 recording...in his old age Allen had probably come to the

decision that the asterisks should remain where they were and he

wouldn't associate his beloved mother, whom held in the highest regard,

with gutter language.

 

That's just me speculating, I could be wrong!

 

Adrien

=========================================================================

Date:         Tue, 8 Jul 1997 12:17:30 -0700

Reply-To:     B medeiros <brianpm@UCLINK4.BERKELEY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         B medeiros <brianpm@UCLINK4.BERKELEY.EDU>

Subject:      Re: HOWL question--help!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Regarding the asterisks in "Howl", I was thinking that there may be a

linguistic influence.  The asterisk mark in linguistics signals a

grammatically incorrect passage/fragment, perhaps these asterisks are

marking "mother" as being incorrect, or her actions as incorrect.  Then

again, this Linguistic convention may not have been adopted until after AG

wrote "Howl."

 

Just giving options,

Brian Medeiros

=========================================================================

Date:         Tue, 8 Jul 1997 15:42:21 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: HOWL question--help!

In-Reply-To:  <199707081917.MAA28789@uclink4.berkeley.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I think the Howl asterisks are funny -- here he lets it all hang out, pages

and pages of obscene smut (oh whoops they proved it had literary value,

right?) and there's this one line no dirty word there just ****** who knows

=========================================================================

Date:         Tue, 8 Jul 1997 19:34:06 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Neal

 

well put, Neal/Cody takes the place of the icons used since the dawn of time

to explain who and what we are and what kind of greatness lies in Everyman,

regardless of how "human" he is.

 

----------

From:   BEAT-L: Beat Generation List on behalf of Bill Gargan

Sent:   Tuesday, July 08, 1997 10:37 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Neal

 

Kerouac certainly paints Neal in heroic strokes but I think it's a

mistake to only focus on Neal Cassady, the human being.  Kerouac is

turning Neal into a symbol if you will, making a mythology out of his

life.  Whether or not Neal was really heroic is the wrong question to

ask.  A more appropriate question is what does Dean Moriarty or Cody

stand for.

=========================================================================

Date:         Tue, 8 Jul 1997 16:17:32 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: God

 

Reply to message from thomjj01@HOLMES.IPFW.INDIANA.EDU of Mon, 07 Jul

> 

>On Sat, 28 Jun 1997, Sherri wrote:

> 

>> Why the hell does everyone seem to need to have god be a human being with

>> magical powers... aren't we capable of expanding our imaginations/awareness a

>> little beyond our own puny little selves?

>> 

>> Ciao,

>> Sherri

>> 

>i couldn't agree more.  i've often said as much to friends and collegues.

>to me, God isn't corporeal.  I don't picture God as corporeal.  in fact,

>to me, it's impossible to picture God at all.  The fact that we even

>attempt to name God is puzzling.  God is a mind more powerful than we

>can even begin to conceive.  Maybe.

>Jenn Thompson

 

 

"If God did not exist, it would be necessary to invent Him"

        Voltaire (??)

 

"If Lemons did not exist, it would be necessary to invent them."

        Stoppard (as in Tom, of Rosen & Guil are Dead Fame)

 

Diane. (H)

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Tue, 8 Jul 1997 14:56:19 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      hello again back from vacation, etc

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

hello yall

i just thought i would drop a note to all here saying that im back from

vacation if anyone is trying to get a hold of me or whatever. spent 10

days in montreal and (to keep it all beat related, etc) met up with

beat-L's very own Antoine Maloney, spent a great afternoon/evening

wandering around his bookshelves, talking, drinking wine, wandering for

bookstores on ste-catherine and generally talking and meeting eachotehr in

person (only person from beat-L that ive actually MET in the flesh. pretty

damn fun)going on at the same time i was there was the Ontreal

interational jazz festival (of which i didnt get achance to take in

anything, latho i heard they had a great turn out) as well as an

incredible show at the musee des beaux-arts de montreal entitles "exiles &

emigrees: artists who fled hitler 1933-1941" which included ( and hense

the beat connection) early dadaist andre breton (surrealist) and kurt

schwitters (of "merz" and collage fame). its a great show if anyone out

there gets a chance to take it in (i dont think its travelling

 tho, so you'll have to trip up to montreal). schwitters and bretons (as

well as the ther dadaists, like tristan tzara) had a huge influence on

wsburroughs and his cut-up method and the way that he approached cut-up as

anti-lit. (altho it could be argued that his exposure & enthusiasm for

dada could be justification after the fact for his cut-up, i dont know

that he was exposed to them before he started his own work with cut-up,

but was exposed early on none the less).

great show. great vacation. great day w/ antoine. great city.

gadzooks

yrs

derek

=========================================================================

Date:         Tue, 8 Jul 1997 17:46:07 +0000

Reply-To:     "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "neudorf@discovland.net" <neudorf@DISCOVLAND.NET>

Subject:      Mythmaking

MIME-Version: 1.0

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derek wrote:

 

> the repitition of stories and tales, the idolizing of freinds and situations

> thru lit & poetry - almost brings to mind greek & oral storytelling.

 

sounds good

 

JN

=========================================================================

Date:         Tue, 8 Jul 1997 20:31:09 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Cody Part 2

MIME-Version: 1.0

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this whole time i was reading this i kept thinking about the comments

posted about Burroughs warning Jack about "cody" and kept thinking that

this was something of a reply to WSB - not for WSB but for Jack and the

rest of the world - to try and understand why "cody" was the way "cody"

was.

 

but

i also got this yucky feeling the whole time like i was supposed to feel

for "cody" b/c he'd had such a hard life and all that.....

 

i think charley's remark about the inversion of the hustler-hero labels

pretty fascinating.  i think he has a definite point.  one person's

hustler is another's hero and vice versa and maybe the whole idea of

labeling hustlers and heroes and creating legends(and victims) icons and

myths is ............ feudal, futile ??????

 

no clue.  started Part 3.

both seem much less Mythic in the dialogues.

i wanted to color code my book for sections written on different drugs

different colors but didn't know where to start......

 

oops got to go change the laundry i tend to forget about things like

that.  oops that was chatroom so delete that sentence.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 8 Jul 1997 22:18:58 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      Re: opium=buddha of the masses

Comments: To: race@midusa.net

 

In a message dated 97-07-08 14:52:20 EDT, you write:

 

<< 

 it is nice to dream again.  i can attest to that.  funny funny dreams.

  >>

 

i just bought William burroughs' latest novel.."my education, a book of

dreams".

I actually went to the store to buy Visions of Codeine but felt a draw toward

the "B" section in the fiction aisle and I couldn't resist.  And i spent my

money on bill, again.  i feel like as long as there are books of his (WSB) i

haven't yet read, buying Kerouac would be a waste. gotta haul my ass over to

the Library in the mornin' and cross my fingas there's VOC somewhere between

the harlequin romances and the childrens books in that pathetic excuse for a

library.

------maya

=========================================================================

Date:         Tue, 8 Jul 1997 10:47:54 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody Part 2

MIME-Version: 1.0

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RACE --- wrote:

> 

> this whole time i was reading this i kept thinking about the comments

> posted about Burroughs warning Jack about "cody" and kept thinking that

> this was something of a reply to WSB - not for WSB but for Jack and the

> rest of the world - to try and understand why "cody" was the way "cody"

> was.

> 

> but

> i also got this yucky feeling the whole time like i was supposed to

> feel

> for "cody" b/c he'd had such a hard life and all that.....

> 

> i think charley's remark about the inversion of the hustler-hero labels

> pretty fascinating.  i think he has a definite point.  one person's

> hustler is another's hero and vice versa and maybe the whole idea of

> labeling hustlers and heroes and creating legends(and victims) icons

> and

> myths is ............ feudal, futile ??????

> 

 

Maybe, but let's go from there to what Bill posted earlier about "Whether

or not Neal is really heroic is the wrong question to ask.  A more

appropriate question is what does Dean Moriarty or Cody stand for."

 

Hero or not, lets assume Cody is the main character and ask the question,

what does he stand for?  What is at the center of the myth Kerouac is

creating.  First of all you have someone who grew up in pretty dire

circumstances, son of a bum, drunk, who in reform school has a dream that

if only he educates himself, reads enough books, will avoid a similar

plight.  But, as of yet nothing about formal schooling only

self-education from library books.  He hangs out in poolhalls, bars,

drives fast cars fast, steals cars, has girls wherever he goes, loves

jazz, uses lots of different drugs, travels incessantly back and forth

across the country, has a family but isn't what many would call

responsible about it, we have some stuff coming up about how he's never

home when he should be, always out partying with other women and his wife

is constantly yelling at him about it.

 

Here somewhere lies the difference between beaten and beatific.

In K's somewhat inomancticized version of this story, which we are

reading, does Cody stand for some inversion of the American dream where

indomitable spirit and disparity go hand in hand?  For all his desires to

be otherwise, Cody still stands more or less on the wrong side of the

tracks, finding joy. life in simple pleasures but not really ever casting

America off his back.  Anyone got some more thoughts here?

DC

=========================================================================

Date:         Tue, 8 Jul 1997 11:03:23 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Part III still going

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This part of the book definitely takes some persistence.  I noted two

things in the last several pages that seems to sum up where we are.

 

pg. 156

CODY:  You're not gonna get hardly any of this recorded you know

JACK:  Well, that's the sadness of it all

 

 

pg. 159

JIMMY: You're now a profound thinker

CODY:  Man, no, I'm just--

JIMMY:  You're just found

CODY:  --trying to remember what transpired before the beginning of that

       there cigarette

 

DC

=========================================================================

Date:         Tue, 8 Jul 1997 23:35:19 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      no reason!

 

today i say Howl misquoted in a horrible book called "The Fifties". It said,

"best minds of my generation starving mystical naked" etc.....

I mean, if he had written THAT, it wouldn't be GOOD, would it?  oh, for

chrissake.  Maybe there's reason to despair after all.

 

3 young people my age were brutally murdered in the Starbucks across the

street from where i work in DC.

 

I bought WSB's book of dreams today.  I guess i can now find out what makes

his dreams good and mine....well....undesirable to Beat-l.

 

My dry eyes ache for somewhere to bleed to

But you're all out of kleenex tonight.

 

If anyone is interested in continuing to receive my posts or in staying in

touch please let me know.  Otherwise i will no longer post anything that

doesn't have the word "Ginsberg", "Burroughs", or "Kerouac" in it.  I'm sorry

for the inconvenience I have caused by posting my own writing and not that of

others.  i see what an effort and consumption of time it is for some people

to click on the delete key.

 

am unabashedly nasty sourpuss tonight, for no reason, and, yes, I'm taking it

out on YOU,

love,

maya<<sick of apologizing>>: ) : ) : ) : ) (note the ironic smiley)

=========================================================================

Date:         Tue, 8 Jul 1997 23:41:14 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Kerouac on Pound

Comments: To: BOHEMIAN@maelstrom.stjohns.edu

 

In a message dated 97-07-08 21:46:14 EDT, you write:

 

<< we have different tastes, thank goodness, otherwise these discussions

 would be pretty bland. i'm not put off by Pound's personal views, or

 even strongly offended. i could sit in front of a tv on any given day

 and see worse things labeled as pure entertainment. i realize that a

 danger, if you will, of going deep and writing it down is that some,

 well...distasteful things are revealed. isn't that the point? this is

 earth, after all, and slimy things live under some of these good solid

 rocks. to think otherwise is naive. >>

 

A discussion on the boh-list might interest those on the beat-l . Not that

classification means that much in art, but Emerson wrote:

"There are two classes of poets--the poets by education and practice, these

we respect; and poets by nature, these we love."

Charles Plymell

=========================================================================

Date:         Tue, 8 Jul 1997 23:46:41 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Michael Stutz: Who -vs- What

 

In a message dated 97-07-08 22:06:51 EDT, you write:

 

<< But what if I encountered one of

 his '60's cut-up novels in a vacuum with no context as to how he arrived at

 it, what came before or after? >>

Arthur:

In your message to Michael you mentioned some of Ginsberg poems that sank to

Bathos, that did happen even with AG. Also you may not have caught Burroughs

unless you had a background. I don't know the exact passage or text, but I

would disagree as an artist that you have to have the "surround" before you

can detect great writing.

Charles Plymell

=========================================================================

Date:         Tue, 8 Jul 1997 23:54:24 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: ******

 

I recall Allen saying something about taking that word out about his mother.

It may have been between the time he and Louis and his other relatives

visited us in Cherry Valley, and the time he gave Pam a poetry manuscript

when we had lunch with his stepmother. Also I think he was aware of his

father's feelings. He talked it lightly and one of us may have mentioned it

ruined the alliteration.

During my time with the beats we usually didn't regard our discussions as

documents. At least I didn't though there was always a sense of history being

made.

Charles Plymell

=========================================================================

Date:         Tue, 8 Jul 1997 23:20:12 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: no reason!

In-Reply-To:  <970708233513_-1427488426@emout15.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 8:35 PM -0700 7/8/97, Maya Gorton wrote:

 

> am unabashedly nasty sourpuss tonight, for no reason, and, yes, I'm taking it

> out on YOU,

 

Take it out Maya-o.  take it out.

There's a ballpark somewhere.

It's playing your song.  <<ahem::

 

        taking it out Maya-O

        taking it out on yoU

        gonna get whipped by pokka dots

        i don't care if that ****** ever does bark

 

        cause it's root root listed in the f.a.q.

        and yes, your dreams aren't the same

        as ginsberg and kerouac and what's his luck

        won't ever get breakfast at your starbucks

 

        cause it's root root listed in the f.a.q.

        the one where those children were slain

        a river in thailand with circus wheels

        a gallons of coffee and three clips in my brain

 

o Maya, o Maya  have a bawl baby

have em all     in the LOD-waiting room

walking tall and proud and poetic

butt you still be ugly!  my darlin, saccharine

 

> love,

> maya<<sick of apologizing>>: ) : ) : ) : ) (note the ironic smiley)

 

LET'S PLAY BAWL!  LOD-POETS Doug  :-(((((

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Wed, 9 Jul 1997 13:47:33 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      ...

In-Reply-To:  <970708235422_-1829546063@emout04.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dear friends,

...

with mother finally ******, and the last fantastic

...

maybe it so happens that Allen Ginsberg

didn't he want another accuse of obscenity?

keep in mind that also Jack Kerouac changed

names with pseudonyms rightly or wrongly, to

not offended some people characterized in his

works,

 

---

yrs

Rinaldo. * a not competent beat *

=========================================================================

Date:         Wed, 9 Jul 1997 08:24:16 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: no reason!

Comments: To: Marioka7@AOL.COM

In-Reply-To:  <970708233513_-1427488426@emout15.mail.aol.com> from "Maya

              Gorton" at Jul 8, 97 11:35:19 pm

MIME-Version: 1.0

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> 

> today i say Howl misquoted in a horrible book called "The Fifties". It said,

> "best minds of my generation starving mystical naked" etc.....

> I mean, if he had written THAT, it wouldn't be GOOD, would it?  oh, for

> chrissake.  Maybe there's reason to despair after all.

 

Maya--Which book on the fifties are you reading?  Ginsberg's original

draft actually read "starving mystical naked," but he revised this in later

drafts. I'm curious how this revision was presented in the book you're

reading--and if it was presented as part of a discussion of revision at

all.  Thanks--

 

Tony

=========================================================================

Date:         Tue, 8 Jul 1997 21:46:09 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Michael Stutz: Who -vs- What

MIME-Version: 1.0

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Pamela Beach Plymell wrote:

> 

> I don't know the exact passage or text, but I

> would disagree as an artist that you have to have the "surround" before

> you

> can detect great writing.

 

Charles,

 

I agree that you don't need background to "detect" great writing.  But

the background or previous work sometimes lends itself to the unfolding

of greater understanding in what is read.  Many times it provides more

levels to what might only have been read one way by itself.

DC

=========================================================================

Date:         Wed, 9 Jul 1997 09:39:19 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JWHasbrouck <jhasbro@TEZCAT.COM>

Subject:      HOWL misquoted?

Comments: To: Maya Gorton <Marioka7@AOL.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Maya wrote:

 

today i say Howl misquoted in a horrible book called "The Fifties". It

said,

"best minds of my generation starving mystical naked" etc.....

I mean, if he had written THAT, it wouldn't be GOOD, would it?  oh, for

chrissake.  Maybe there's reason to despair after all.

 

Maya:

That's from the first draft of HOWL. Consult the facsimile edition. I

made the same mistake a while back.

 

John Hasbrouck

--

 

 

*** JOHN HASBROUCK

*** Graphic Design & Fingerstyle Guitar in Chicago

*** http://www.tezcat.com/~jhasbro

=========================================================================

Date:         Wed, 9 Jul 1997 11:20:56 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: Cody Part 2

 

Diane:

 

Here are my thoughts on your CODY PART 2 post from 7/9/97 9:32:58EDT:

 

As I mentioned on an earlier posting that you may have seen, Neal was a

contradictory character to say the least, as established in the

unromanticized biographical writings, especially OFF THE ROAD, by his widow

Carolyn.  His contradictory impulses were irreconcilable and at odds with

each other, in the "beautiful loser" tradition where he wanted his "home and

security" and wanted "to live like a sailor at sea" (or a bat out of hell

driving on the road, etc.), as Bob Seger would belt out.  The extremity of

how far he went with his contradictory inclinations is I think one of the

sources of JK and the other Beats' fascination with him- the sheer energy

with which he conducted his perilously complex life, the reckless audacity,

never saying no to anyone or anything, blew them away in and of itself.  JK's

romanticizing and mythologizing of NC as Cody, Dean, etc. can on one level be

seen as simply a celebratory description of this phenomenon, even with an

implicit understanding of the ultimate irreconcilability and consequential

irresponsibility of his behavior.

 

What ingredients created the explosive combination that burned so brightly

and impressed so many as to create a legend?  We can never know the answer

fully, but there is enough evidence to come to some speculative conclusions.

 Certainly, NC's traumatic childhood must be a key factor- I think his father

both represented a certain attractive freedom and self-determination while at

the same time failed him and caused him to suffer the consequences of

parental irresponsibility- the line was crossed between freedom and being

left out in the cold.  His closeness to and bonding with his father fused

these two aspects into a personality where they uneasily co-existed within

and were acted out by him, with rollercoaster results for himself and all the

others in his life.  Interestingly, at least one of his sons, as interviewed

in LITERARY KICKS, seems to have it together and perhaps broken the cycle.

 Anyway, this is just my speculation, NC's kaleidescopic case is best left to

the psychologists, such as my wife.

 

JK's take on NC in OTR, VOC and elsewhere should not, in my opinion, be

received as some guide or lessons about how to live or a judgement, good bad

or indifferent, about NC's conduct- it is ART and POETRY extracted from LIFE.

 When I first read OFF THE ROAD, it made me appreciate the very unromantic

consequences of the behavior that JK romanticizes, for those left behind.

 But upon further reflection, as I have said above, I think that JK & co. are

not making excuses for or validating NC, or their own complicity with him, no

one is more or less qualified for that, what they have done is presented a

picture that we can all interpret or just enjoy the ride.

 

I'll reply to your 7/8/97 1:56:05 EDT message from yesterday separately to

you personally, in respect of the perimeters that have been set for this

List.

 

Regards,

 

Arthur

=========================================================================

Date:         Wed, 9 Jul 1997 17:54:34 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: God

In-Reply-To:  <3.0.1.32.19970707180941.0069b81c@uoft02.utoledo.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 18.09 07/07/97 -0400, Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU> wrote:

>        There is no "God." Case closed. --Sara

...

        eli

        eli lamma lamma sabachtani

...                                             --allen ginsberg, howl, I

 

 

---

yrs

Rinaldo.

=========================================================================

Date:         Wed, 9 Jul 1997 08:19:51 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Michael Stutz: Who -vs- What

In-Reply-To:  <33C31791.4363@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 9:46 PM -0700 7/8/97, Diane Carter wrote:

 

> Pamela Beach Plymell wrote:

> >

> > I don't know the exact passage or text, but I

> > would disagree as an artist that you have to have the "surround" before

> > you

> > can detect great writing.

> 

> Charles,

> 

> I agree that you don't need background to "detect" great writing.  But

> the background or previous work sometimes lends itself to the unfolding

> of greater understanding in what is read.  Many times it provides more

> levels to what might only have been read one way by itself.

 

Duchamp at one point gave up art and decided upon a life of chess.  He'd

lied of course. The act of designation by the artist was enough to make

something an "art object".  [see readymades]

 

 As far as appreciation goes, yes, the artist, were he a single drop of

water, a single drop of water hinged somewhere and descending, suddenly to

hit a concrete surface... well, the sound might not be that interesting.

the resonance might not carry that far.  poor little artist might not even

get absorbed into the ground.  till the next drop falls. and the next drop.

 

and that first step, that first instance of surround.  that single

perception of duality, of outside paradoxes, *that appreciation of levels.

=well, that's enough of a foundation for anyone.  to be an artist.

 

people have the power.  Douglas  <<ahem: ginsberg, kerouac, burroughs>>

 

> DC

 

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Wed, 9 Jul 1997 10:39:10 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: HOWL question--help!

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Adrien writ:

 

><<work, Allen probably didn't want to upset his father, despite feeling

>confident enough to read it publicly (probably cos his dad wasn't there

>to scrutinize him!). It's interesting to hear him say "asterisked" in

>the '96 recording...in his old age Allen had probably come to the

>decision that the asterisks should remain where they were and he

>wouldn't associate his beloved mother, whom held in the highest regard,

with gutter language.>>

 

yes, and this written omission, this disruptive poetic mistake, this

outside control over his own mind and work; surely Ginsberg recognized

and respected how it lived a life of its own.  The asterisks were public

property [riddled with private thoughts].   and in their benign

simplicity must have been a great supporter.  The respect for others,

within himself.  The ability to censor, what power!  In the hands of a

poet!  and scholar!

 

>[[exploring the grey areas, making semi-intentional "mistakes" --

>publically]]

 

for the purpose of discourse.  the act of being human.   *****  what a

great process!

 

>> That's just me speculating, I could be wrong!

 

>> Adrien

 

Douglas

=========================================================================

Date:         Wed, 9 Jul 1997 13:42:01 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: HOWL question--help!

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

 Adrien writ:

> > ...in his old age Allen had probably come to the

> > >decision that the asterisks should remain where they were and he

> > >wouldn't associate his beloved mother, whom held in the highest regard,

> > with gutter language.>>

> >

> > >> Adrien

> patricia writes

> i don't know if allen did consider the word fucked as gutter language

>  i could see him using the ****  out of respect for his parents feelings but i

 don't see him having or sharing those supposted feelings about the word fucked.

 just to be puckish i like that dear old word fucked, see as a verb with verve.

 Now he might have but he might of left the ***s  out of a sense of the history

 or just liked to see people try and pronounce it.

p

> patricia

=========================================================================

Date:         Wed, 9 Jul 1997 14:44:16 -0400

Reply-To:     Goose Bumping Records <frsn@INTAC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Goose Bumping Records <frsn@INTAC.COM>

Subject:      Beat Writing Contributions

MIME-Version: 1.0

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I've been on this list for a couple of weeks, and would now like to

contribute to it.  My name's Steve Voss, and I have recently completed my

High School Senior Project, a web site devoted to the Beat Generation,

while it's no Literary Kicks, I am proud of it, and interested in

expanding it.  One way I would like to do so is with writing

contributions from writers today.  So, what I'm asking, is if anyone has

something that they've written that they're especially proud of, and

would like to see published on the web, to please send it to me, in a

.txt file, or simply via e-mail at this address.

 

The address of the page is http://www.geocities.com/~beatgeneration/

 

Thanks for your time,

Steve Voss

=========================================================================

Date:         Wed, 9 Jul 1997 14:05:34 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: cody II

Comments: To: Marie Countryman <country@SOVER.NET>

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Marie Countryman wrote:

> not much discussion about cody part 2; wonder if it is because there is a

> sense of been there/read that before.

 

That's probably the truth, instead of first impressions it's more like

third or fourth impressions for me.

 

> what i see here is JK's edgy  am i hero/am i narrator thread which is seen

> more clearly here than in OTR.also,  in the face of the visionary cody, he

> wishes he were bigger smarter faster ...

 

Good point. He always asks himself this question...it's in every book.

He always seemed to beat himself up with those thoughts, always wanted

to run, enjoy life, DO instead of merely observe, but home always pulled

him back just enough to not let him pursue that to the fullest.

 

In part 2 Jack is paralleling Neal's (ewps, I mean Cody) early life with

his own. He describes Cody wooing girls, slyly conning his new friends,

and showing his athletic prowess (another high point: the football

scene!). On the oter hand, Jack is moping around, wishing he did this n

that, and he describes his own sorry attempt at getting on the ship,

hoping to start a new adventure that would end up in Indochina...well,

it's the usual wishful thinking on his part, big big plans but never

following through on them.

 

Jack's insecurities are right there for everyone to see in part 2. Above

all else is his insecurity with women. Every so often he regales us with

semi-boastful tales of who he fucked, who he wished he fucked, etc.

Seems to obsess about it a bit too much, making it look like he was

desperately trying to cover up his inadequacy with women (another part

of his hero-worshipping of Neal/Cody...Mr. Cassady/Pomeray the famous

cocksman and adonis of Denver).

 

The best example of this writing is his big spiel about the two racy

photos...he totally loses himself in the photos as he stands on the

street on Times Square, standing there with all the other older lechers.

It's an interesting piece cos it's so unlike anything Jack ever wrote,

sort of from a dirty old man's point of view (he's no Henry Miller!),

contrasting from his incredibly romantic few weeks with the Mexican girl

a few years earlier, and his self-imposed "chastity" vow during his

mid-fifties Buddhist period. His breast obsession starts to get a bit

funny and he seems to notice it himself:

 

"pulled cloth down but only one end so that instead of one-fourth upper

left of a breast showing (with valley) now we see three-fifths full

upper breast with valley expanding-Ah those gorgeous breasts-I stand

here among the religious dirty old men of the world, chewing gum, like

them, with a horrible beating heart-I can hardly think or control

myself-" (p.76)

 

[five minute pause to rescue a cute little mousey from our basement

window well]

 

anyway, where was I?

Jack's description of him and other men holding up traffic just to look

at a photo in a window is not only funny, but also hints at his feelings

of inadequacy and lack of confidence with women. he always did his best

writing either alone or with guys around, funny enough.

 

As for his pitiful struggle to get on the S.S. John Adams, he describes

meeting the ship again in California. In Lonesome Traveler there's a

piece called Piers of the Homeless Night, and I think it further

describes that same L.A. sojourn. It's an absolutly hilarious piece

about his running around town with Henri Cru (Deni Bleu) and how Deni

hooks Jack up with someone who'll give him a gun, and tells him to meet

the ship and "cover" Deni as he tries to escape two sailors who want to

kill him. I think that's the same trip, and I suggest anyone who hasn't

read it lately and who is reading VOC just take a break before the

grueling part 3 (ugh, it's a little too much but barely tolerable...I

suggest don't overanalyze it, just read it quickly and you'll get the

general idea) and have a nice larf courtesy of Jack.

 

On to 29 Russell street and part 3...

 

Adrien

=========================================================================

Date:         Wed, 9 Jul 1997 16:29:18 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: HOWL misquoted?

 

Reply to message from jhasbro@TEZCAT.COM of Wed, 09 Jul

> 

>Maya wrote:

> 

>today i say Howl misquoted in a horrible book called "The Fifties". It

>said,

>"best minds of my generation starving mystical naked" etc.....

>I mean, if he had written THAT, it wouldn't be GOOD, would it?  oh, for

>chrissake.  Maybe there's reason to despair after all.

> 

>Maya:

>That's from the first draft of HOWL. Consult the facsimile edition. I

>made the same mistake a while back.

> 

>John Hasbrouck

 

I thought Ginsberg "bragged" that teh first part of Howl was written

without revision....or did the writers of those nasty time/life articles

from teh fifties try to play up a no-revision poem to "prove" how horrible

NORMAL society thought it was?....

 

Diane. (H)

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Wed, 9 Jul 1997 16:38:40 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: cody 2

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arthur you continue to delight me since climbing aboard this ship of fools.

having just re-read the first third by casady in reading section II, i was

struck at how many traumatic, never mind downtrodding incidents formed his

early life. not being able to jump off a freight cab in the freezing dark,

father on the rails, days getting back, of being smothered in the hollywood

style bed, the stark deprivation and the busy mind and tough survior

explorer of everything he could in life. and the sociopathy, who could have

survived such a childhood with out developing the mindset and behaviors

which caused such a split in personality/as seen by friends and others.

 

What ingredients created the explosive combination that burned so brightly

and impressed so many as to create a legend?  We can never know the answer

fully, but there is enough evidence to come to some speculative conclusions.

 Certainly, NC's traumatic childhood must be a key factor- I think his father

both represented a certain attractive freedom and self-determination while at

the same time failed him and caused him to suffer the consequences of

parental irresponsibility- the line was crossed between freedom and being

left out in the cold.  His closeness to and bonding with his father fused

these two aspects into a personality where they uneasily co-existed within

and were acted out by him, with rollercoaster results for himself and all the

others in his life.  Interestingly, at least one of his sons, as interviewed

in LITERARY KICKS, seems to have it together and perhaps broken the cycle.

 Anyway, this is just my speculation, NC's kaleidescopic case is best left to

the psychologists, such as my wife.

=========================================================================

Date:         Wed, 9 Jul 1997 22:35:11 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Wed blues.

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        priest

        confessor

 

        u get

        married

        my confessor

 

        an angel

        has pissed

        on my head

 

        my imaginary

        friend

 

 

---

yrs

Rinaldo.

 

 

=========================================================================

Date:         Wed, 9 Jul 1997 17:58:15 -0400

Reply-To:     Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: HOWL misquoted?

In-Reply-To:  <199707092029.QAA13993@piglet.INS.CWRU.Edu>

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At 04:29 PM 7/9/97 -0400, Diane M. Homza wrote:

>>Maya:

>>That's from the first draft of HOWL. Consult the facsimile edition. I

>>made the same mistake a while back.

>> 

>>John Hasbrouck

> 

>I thought Ginsberg "bragged" that teh first part of Howl was written

>without revision....or did the writers of those nasty time/life articles

>from teh fifties try to play up a no-revision poem to "prove" how horrible

>NORMAL society thought it was?....

 

>Diane. (H)

> 

>--

>Life is weird.  Remember to brush your teeth.

>--Heidi A. Emhoff

 

Diane--I think it's the latter.  This is why I asked Maya if the book she

was reading simply misquotes an early draft as if it were a final draft . .

. or whether the book actually takes Ginsberg's revisions as seriously as

he did.  From my own research--and from what I've read in a few others

(Miles & Schumacher included)--Ginsberg's was as serious about revision as

most professional writers are, and he understood revision to be compatible

with maxims like "First Thought, Best Thought."

 

Tony

 

******************************************************************

"The beetles are the beetles.  They clean up all the vermin.  They're

not very friendly, but they clean up all the vermin.  They don't do

much else, but they make holes in your house.  Beetles--they're like

mice, they're like rats.  They ARE rats.  Beetles are alright.  They

ruin a lot of things, but they're good for us."

--William "Fergie" Ferguson

******************************************************************

=========================================================================

Date:         Wed, 9 Jul 1997 17:36:10 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      asterisks

Content-Type: text

 

To elaborate on Tony's post: in _Howl: Original Draft Facsimile,

Transcript & Variant Versions, etc._, ed. Barry Miles (this is a

really fine book, even though Ginsberg sometimes seems to be

providing explanations of his allusions that seem more creative than

the allusions themselves), the process follows this pattern:

p. 27 (draft 2): "with mother finally fucked"

p. 31 (draft 3): same as above

p. 42 (draft 4): "finally ***" (just 3, as Tony noted)

p. 53 (draft 5): same as 4

p. 58 (draft page, apparently early: "his own mother finally fucked"

In addition to the comment Ginsberg made about the asterisks, in "Author's

Annotations" (pp.131-32), he adds, "In a letter regarding this project

received September 29, 1985, Carl Solomon wrote: 'Mother finally ***.

Crap. Sorry Allen.'"

Perhaps the asterisks reveal the power of the Oedipal taboo.

On the other hand, a number of years ago at the Naropa Institute in

Boulder, CO, I once specifically asked Ginsberg why he used the asterisks,

and he, earnestly and defensively, told me, "Because it didn't really

happen." His logic escapes me.

Methinks the lady doth protest too much?

Cordially,

Mike Skau

7/9/97

=========================================================================

Date:         Wed, 9 Jul 1997 19:54:52 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: ATTN: BEAT-LIST POETS

Comments: To: baculum@mci2000.com

 

The chairman of an English dept. asked me to design a course that I wanted to

teach. After all these years. Now that I have lost my mind.

Charles Plymell

=========================================================================

Date:         Wed, 9 Jul 1997 09:41:28 -0700

Reply-To:     Jens Koch <jenskoch@POST1.TELE.DK>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      Cody Bound for Glory On the Road

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In my somewhat slower reading of VOC I finally stumbled on a reference I guess I

 have

been looking for for a long time. On p.41 (McGrawHill HB) in Jack's letter to

 Cody, he

says:

"...Peaches Martin(!) - who's back playing guitar and singing folk songs in

 Village..."

Kerouac and Cassady's interest in jazz is well-documented, and the rock

 connection is

hinted at in Kicks Joy Darkness, but would they have been aware of the folk

 scene in the

40s and 50s ?

To take it a bit further Woody Guthrie's autobiography/novel Bound for Glory

 reads much

like a down to earth kind of road experience, and again I wonder if Kerouac

 would have

known/liked, say, "This Land is Your Land" or "Pastures of Plenty"?

Guthrie was a hobo, perhaps exactly not the kind described in "The Vanishing

 American

Hobo", but similar anyway.

And what about Ginsberg ? He's been presented as a father figure for a young Bob

 Dylan,

and he recorded on Folkways, but would he with his more leftist political

 leanings have

been associated with, say, Pete Seeger ?

=========================================================================

Date:         Wed, 9 Jul 1997 09:48:03 -0700

Reply-To:     Jens Koch <jenskoch@POST1.TELE.DK>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      HOWL! - a farewell compilation

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Does anyone know anything about this CD titled Howl ? Does it have any

connection with THE Howl ?

In Europe it is released on Glitterhouse Records GRCD 352, and as far as

the notes say there are no texts by Ginsberg, although some titles hint

at BEAT/jazz connections: "Route 66" and "Dexter Gordon".

Featured artists include: Giant Sand, Russ Tolman, Steve Wynn, Joe Henry,

Victoria Williams and more.

=========================================================================

Date:         Wed, 9 Jul 1997 09:51:49 -0700

Reply-To:     Jens Koch <jenskoch@POST1.TELE.DK>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      Leroi Jones/Amiri Baraka

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To what extent is Jones/Baraka seen as a Beat writer ?

I have been reading "The Dutchman" and certainly references are made to a

jazzy beat environment, but was he a part of the "circle" of beats ?

=========================================================================

Date:         Wed, 9 Jul 1997 19:26:02 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      another textual question--this time, calling all hebrew-ists!

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my students have been reading and really getting into Kaddish...

i have done workmanlike job of trying to trace out allusions and such

that seem fuzzy or blurry to them (and to me).

 

they have asked that i get at the following line, from my page 89 of of

Portable Beat Reader edition/version, from Part II:

 

Yisborach, v'yistabach, v'yispoar, v'yisroman, v'yisnaseh,/v'yishador,

v'yishalleh, v'yishallol, sh'meh d'kudsho, b'rich hu."

 

i suspect of course that this line is from the Kaddish prayer itself--but

want to be sure of that--and it would not be bad to get translation!!! No

dictionaries in our little library to take me to the words in words, so

to speak.

 

can someone help? maybe the person(s) who posted the Kaddish on the list

when AG left this meat wheel can be of special help.

 

also, when searching under term "kaddish" on the web, I "learned" that

there is really another prayer which takes care of the notion/need for

mourning. therefor, Kaddish of AG may be more the poem which does indeed

ask for blessing and finally nod to power and good of god??? the good of

death, obliteration, etc. now out of this and into the void or eternity

or whatever?

 

thanks in advance for your helps....

 

best always,

 

steve

 

pacific u.

forest grove, oregon

=========================================================================

Date:         Wed, 9 Jul 1997 21:27:41 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Cody Bound for Glory On the Road

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Jens Koch wrote:

> 

> In my somewhat slower reading of VOC I finally stumbled on a reference I guess

 I

>  have

> been looking for for a long time. On p.41 (McGrawHill HB) in Jack's letter to

>  Cody, he

> says:

> "...Peaches Martin(!) - who's back playing guitar and singing folk songs in

>  Village..."

> Kerouac and Cassady's interest in jazz is well-documented, and the rock

>  connection is

> hinted at in Kicks Joy Darkness, but would they have been aware of the folk

>  scene in the

> 40s and 50s ?

> To take it a bit further Woody Guthrie's autobiography/novel Bound for Glory

>  reads much

> like a down to earth kind of road experience, and again I wonder if Kerouac

>  would have

> known/liked, say, "This Land is Your Land" or "Pastures of Plenty"?

> Guthrie was a hobo, perhaps exactly not the kind described in "The Vanishing

>  American

> Hobo", but similar anyway.

> And what about Ginsberg ? He's been presented as a father figure for a young

 Bob

>  Dylan,

> and he recorded on Folkways, but would he with his more leftist political

>  leanings have

> been associated with, say, Pete Seeger ?

 

Recording for Folkways means being associated with Moses Asch (sp?) [i

have an old copy of one of his Broadside magazines somewhere around

here]  also Sis Cunningham who ran Broadside lived on the upper west

side of Manhattan.  These were the spiritual grandparents of the entire

New York folk scene.  It seems difficult to believe that all of these

would be unconnected and unknown .......

 

interesting ideas and glad you pointed them out.  i'm really curious

about it.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 9 Jul 1997 10:34:29 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody Part 2

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Arthur Nusbaum wrote:

> 

> JK's take on NC in OTR, VOC and elsewhere should not, in my opinion, be

> received as some guide or lessons about how to live or a judgement,

> good bad or indifferent, about NC's conduct- it is ART and POETRY

> extracted from LIFE.  When I first read OFF THE ROAD, it made me

> appreciate the very unromantic

> consequences of the behavior that JK romanticizes, for those left

> behind. But upon further reflection, as I have said above, I think that

>JK & co. are not making excuses for or validating NC, or their own complicity

 with him, no one is more or less qualified for that, what they

have done is presented a picture that we can all interpret or just enjoy

the ride.

 

 

I agree largely with your assessment.  None of the beats in life can be

revered as models for having a particularly stable family life, if that

is one's goal.  It is the "art and poetry extracted from life" that I

find fascinating and intriguing.  And that applies to the treatment thus

far of Cody in VOC.  I guess I am wondering about a couple of things in

the presentation of Cody.  Part II is definitely still a romantic

presentation of the protagonist and perhaps what is in the mind of Jack

the writer, as Marie quoted in another post,

 

"...but the main thing I suppose will be this life-long monologue which

is begun in my mind--life lifelong complete contemplation...(do need a

recorder)...then I could keep the most complete record in the world which

in itself could be divided into twenty massive and pretty interesting

volumes of tapes describing activities everywhere and excitements and

thoughts of mad valuable to me..."

 

So when you get to part three, which seems like probably the central part

of the work, we have the tape.  Cody is not presented in a favorable way

in the tape, he is for the most part incoherent.  Makes one wonder about

the motive of the writer. Is this planned as an introduction to the

downside of Cody, romanticized hero hits reality.  Or, is it supposed to

be a recording of what Jack saw as a valuable moment in time, a bonding

of sorts with the protaganist that still presents him in a favorable

light?  Perhaps I am looking for too much, but there seems to be some

planned order to the way things unfold.

DC

DC

=========================================================================

Date:         Wed, 9 Jul 1997 10:48:24 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: cody 2

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> Marie Countryman wrote:

> 

> having just re-read the first third by casady in reading section II, i

> was struck at how many traumatic, never mind downtrodding incidents

> formed his early life. not being able to jump off a freight cab in the

> freezing dark, father on the rails, days getting back, of being

> smothered in the hollywood style bed, the stark deprivation and the

> busy mind and tough survior explorer of everything he could in life

> and the sociopathy, who could have survived such a childhood with out

> developing the mindset and behaviors which caused such a split in

> personality/as seen by friends and others.

 

 

It often makes me wonder though, given his childhood, why NC did not in

fact turn out the opposite of his father.  Why he didn't have an aversion

to the freedom of the rail, or automobile cross-country wanderings, the

rollercoaster type of life that was so traumatic for himself.

DC

=========================================================================

Date:         Wed, 9 Jul 1997 20:01:52 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: HOWL question--help!

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The times I have heard Howl in person (late 60's) and on tape is was

"fucked".  I find it hard to visualize AG seeing the word as obscene,

given the descriptions of Naomi in Kaddish.  I think you come up with a

valiant explanation of the asterisks, maybe as good as there is, but

maybe he saw the asterisks as letting the reader fill in the blanks and

being as graphic as he or she felt like being, or to be a little cute

and ironic.

 

J Stauffer

 

Adrien Begrand wrote:

 . . .

 I think in the end he probably put the asterisks

> in for his father's benefit. Louis hated Allen's frequent use of

> profanity (he was outraged over the language in Kaddish, mainly the

> "pubic beard" line) and with this being Allen's first major published

> work, Allen probably didn't want to upset his father, despite feeling

> confident enough to read it publicly (probably cos his dad wasn't there

> to scrutinize him!). It's interesting to hear him say "asterisked" in

> the '96 recording...in his old age Allen had probably come to the

> decision that the asterisks should remain where they were and he

> wouldn't associate his beloved mother, whom held in the highest regard,

> with gutter language.

> 

> That's just me speculating, I could be wrong!

> 

> Adrien

=========================================================================

Date:         Wed, 9 Jul 1997 11:02:14 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: asterisks

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Michael Skau wrote:

> 

> To elaborate on Tony's post: in _Howl: Original Draft Facsimile,

> Transcript & Variant Versions, etc._, ed. Barry Miles (this is a

> really fine book, even though Ginsberg sometimes seems to be

> providing explanations of his allusions that seem more creative than

> the allusions themselves), the process follows this pattern:

> p. 27 (draft 2): "with mother finally fucked"

> p. 31 (draft 3): same as above

> p. 42 (draft 4): "finally ***" (just 3, as Tony noted)

> p. 53 (draft 5): same as 4

> p. 58 (draft page, apparently early: "his own mother finally fucked"

> In addition to the comment Ginsberg made about the asterisks, in

>"Author's

> Annotations" (pp.131-32), he adds, "In a letter regarding this project

> received September 29, 1985, Carl Solomon wrote: 'Mother finally ***.

> Crap. Sorry Allen.'"

> Perhaps the asterisks reveal the power of the Oedipal taboo.

> On the other hand, a number of years ago at the Naropa Institute in

> Boulder, CO, I once specifically asked Ginsberg why he used the

> asterisks,

> and he, earnestly and defensively, told me, "Because it didn't really

> happen." His logic escapes me.

> Methinks the lady doth protest too much?

> Cordially,

> Mike Skau

> 7/9/97

 

It seems ironic but Ginsberg's comments to you make sense in light of the

way I always interpreted the asterisks, which I read as meaning more than

fucked.  I always interpreted the meaning to be with mother finally "out

of my head" meaning I've dealt with the "succumbed to her madness" aspect

of life.

DC

=========================================================================

Date:         Wed, 9 Jul 1997 21:57:08 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: another textual question--this time, calling all hebrew-ists!

Comments: To: "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Steve Smith a.k.a. Whiskey Wordsmith wrote:

> 

> my students have been reading and really getting into Kaddish...

> i have done workmanlike job of trying to trace out allusions and such

> that seem fuzzy or blurry to them (and to me).

> 

> they have asked that i get at the following line, from my page 89 of of

> Portable Beat Reader edition/version, from Part II:

> 

> Yisborach, v'yistabach, v'yispoar, v'yisroman, v'yisnaseh,/v'yishador,

> v'yishalleh, v'yishallol, sh'meh d'kudsho, b'rich hu."

> 

> can someone help?

 

Here's all I can offer:

 

>From Collected Poems:

"YISBORACH...B'RICH HU: Heart of Kaddish Prayer for the dead, for

translation see lines 1-2, "Hymmnn" section of Kaddish."

 

...where we find...

 

"In the world which He has created according to his will Blessed Praised

Magnified Lauded Exalted the Name of the Holy One Blessed is He!"

 

Hope that helped.

 

Adrien

=========================================================================

Date:         Thu, 10 Jul 1997 00:40:25 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: asterisks

Comments: To: Michael Skau <mskau@CWIS.UNOMAHA.EDU>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Skau wrote:

> ******

> To elaborate on Tony's post: in _Howl: Original Draft Facsimile,

> Transcript & Variant Versions, etc._, ed. Barry Miles...

 

I find this an incredible thread! This, the VOC discussion, etc. must

represent the guts of the List! I'm an intestine digesting your

incredible Beat information. I rate this thread as intensely

informational as  "Spit in the Ocean" No. 6; or Pam and Charles

Plymell's posts, etc!

Thanks!

-Michael Buchenroth

=========================================================================

Date:         Thu, 10 Jul 1997 00:56:56 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: ATTN: BEAT-LIST POETS

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> The chairman of an English dept. asked me to design a course that I wanted to

 teach. After all these years. Now that I have lost my mind.

> Charles Plymell

 

Would you mind elaborating... Will they possibly offer this course via

the internet?

 

-Michael Buchenroth

=========================================================================

Date:         Thu, 10 Jul 1997 00:22:28 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: ATTN: BEAT-LIST POETS

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> Michael L. Buchenroth wrote:

> >

> > Pamela Beach Plymell wrote:

> > >

> > > The chairman of an English dept. asked me to design a course that I wanted

 to

> >  teach. After all these years. Now that I have lost my mind.

> > > Charles Plymell

> >

> > Would you mind elaborating... Will they possibly offer this course via

> > the internet?

> >

> > -Michael Buchenroth

> good question

> by the way, mr buchenroth, after all these years your little web site

> with the exploding text has added something to my reading. kool! ouch,

> my mind it keeps expanding.

> p

=========================================================================

Date:         Wed, 9 Jul 1997 23:16:23 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: asterisks

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

These threads have been great.  So good to see all this wonderful

erudition back at play.

 

The best of list is back.

 

James Stauffer

Michael L. Buchenroth wrote:

> 

> Michael Skau wrote:

> > ******

> > To elaborate on Tony's post: in _Howl: Original Draft Facsimile,

> > Transcript & Variant Versions, etc._, ed. Barry Miles...

> 

> I find this an incredible thread! This, the VOC discussion, etc. must

> represent the guts of the List! I'm an intestine digesting your

> incredible Beat information. I rate this thread as intensely

> informational as  "Spit in the Ocean" No. 6; or Pam and Charles

> Plymell's posts, etc!

> Thanks!

> -Michael Buchenroth

=========================================================================

Date:         Thu, 10 Jul 1997 10:44:52 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Life after the ***th.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        ahem    ahem

        i aint' ready

        Father

 

        my dad's car

        is

        better

        than

        yr Dad's car

 

i take note that howl by allen ginsberg is a bloody

poem

        when i read times ago

        i havent' the same eyes

 

        i have now,

 

right!  but now just when i read howl&kaddish

i see cutted heads      &       blood           everywhere

 

        5.30 a.m. thu

 

i aint' ready   i aint' ready

i have a vision i see           i aint ready

 

        6:00 a.m. thu

 

i sing in my mind a nursery rhyme

        i aint' readY!

 

        6:00 a.m. thu

        6:00 a.m. thu

                        6:00 am thu

                                6:00 am thu

 

 

---

yrs

Rinaldo.        *       ciao            *

=========================================================================

Date:         Thu, 10 Jul 1997 07:40:12 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: asterisks

In-Reply-To:  <33C47E37.3021@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>These threads have been great.  So good to see all this wonderful

>erudition back at play.

> 

>The best of list is back.

>___________

and so it is!

mc (who is happy not to have touched off flame war)

=========================================================================

Date:         Thu, 10 Jul 1997 09:42:40 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Tape

In-Reply-To:  <33C3CBA5.3DAB@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 9 Jul 1997, Diane Carter wrote:

 

> So when you get to part three, which seems like probably the central part

> of the work, we have the tape.  Cody is not presented in a favorable way

> in the tape, he is for the most part incoherent.  Makes one wonder about

> the motive of the writer.

 

Writers get infinitely more pleasure out of pressing REC than pressing PLAY.

Could this simply have been "yet another" recording of the two of them that

he arbitrarily picked for the novel? Also am I stretching here to think that

the technology of the magnetic tape -- first available to consumers around

the time the Beats started writing -- was an integral part of much of their

work? We have Jack recording Neal and reading his Blues into wire tape

reels, early Allen practicing Drakar Doldrums on tape and bringing tape in

car across America to write Sutras, Burroughs writing extensively on the

science of the tape recorder and later Hunter Thompson running wildly

through the dens of politicos, rambling and mumbling incoherently into

high-tech microcassette recorder with bystanders looking at him in

amazement, "Like, _what_ are you doing?" To which he stops a sec to answer:

"I'm writing."

 

 

Michael Stutz

stutz@dsl.org

http://dsl.org/m/

=========================================================================

Date:         Thu, 10 Jul 1997 10:28:27 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: hello again back from vacation, etc

 

Derek:

 

Thanks for mentioning the museum show.  We are planning a Vermont vacation

for next month that will include a day trip to Montreal, about an hour's

drive.

 

As for whether WSB had been exposed to these proto-practitioners of the cutup

method, he may have been but he does not mention it anywhere that I'm aware

of.  He credits the cutups entirely to his longtime friend and collaborator,

the late Brion Gysin, who in turn credits his discovery of it to a "happy

accident" in which he inadvertantly cut up newspaper articles that were under

some items he was working on, and was amused by the results.  WSB quotes BG

as saying "writing is 50 years behind painting" at the time (Paris Beat Hotel

period circa 1959), implying that his intention was to bring the techniques

of collage, etc. found in modern visual art to writing.  WSB believes that

his experiments with the cutup method have succeeded in subverting the

"pre-recorded universe".  My own dabbling in cutups had interesting results-

amidst the incoherence were some scarily relevant and meaningful phrases,

like the subconscious bobbing its head above the water to get to the deeper

crux of a matter.

 

It is possible, as with many phenomenon, that WSB & BG's discovery of cutups

was serendipitously separate from the surrealists' and dadaists' discovery of

it several generations earlier, the conceptual synchronicity of open-minded

visionaries.

 

Pleased to meet you,

 

Arthur S. Nusbaum

=========================================================================

Date:         Wed, 9 Jul 1997 22:37:10 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      [Fwd: Re: Neal]

MIME-Version: 1.0

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Date: Thu, 10 Jul 1997 00:46:00 -0400 (EDT)

Message-ID: <970710004557_-1125679709@emout13.mail.aol.com>

To: dcarter@together.net

Subject: Re: Neal

X-UIDL: 8a521724393be45372a3ccabc80e859c

X-Mozilla-Status: 0015

 

although i don't think, from what i've read of him in Off theRoad (carolyn

c), letters between JK and NC, OTR, and poems, that neal was a /the "hero" in

the idealized sense that he was portryed by JK and AG, but as DC said, he did

possess a sort pf heroism.  although JK and AG accomplished worlds more in

their writing (neal was quite a procrastinator) and careers than neal did,

neal was the one they looked up to because he was the one who was "living."

 he went out and lived life to its fullest, never having a moment to rest,

while , to some extent, JK and AG just wrote about what they saw him doing.

 they let him do the living, and they immortalized it all in their work.  so

neal was a sort of hero in living how he did and "sucking the marrow out of

life" and the such, although in the long run, JK and AG formed a heroism of

their own.

carpe diem,

jenn

=========================================================================

Date:         Thu, 10 Jul 1997 10:56:54 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: tape

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

great story, michael, and relevant to reading of VOC transition from II to

III. at end of part II he is wanting a "recorder" to capture everything in

the moment.

mc

=========================================================================

Date:         Thu, 10 Jul 1997 14:55:03 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: hello again back from vacation, etc

 

Arthur,

 

my thought exactly - syncrhonicity.  for what it's worth, here at the

Exploratorium there is an "experiment" with blocks with words on them, one

chooses them randomly and makes phrases/sentences with them... i have,

unfortunately, forgotten whom this notion is attributed to, but i think it was

WSB...  at any rate it is uncanny how often i have found them to have some

meaning for what's going on in my life.  if nothing else, it definitely opens

the mind to endless possibilities....

 

Thanks for your most interesting and intelligent posts, i'm learning quite a

bit as a result of this thread.

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Arthur Nusbaum

Sent:   Thursday, July 10, 1997 7:28 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: hello again back from vacation, etc

 

Derek:

 

Thanks for mentioning the museum show.  We are planning a Vermont vacation

for next month that will include a day trip to Montreal, about an hour's

drive.

 

As for whether WSB had been exposed to these proto-practitioners of the cutup

method, he may have been but he does not mention it anywhere that I'm aware

of.  He credits the cutups entirely to his longtime friend and collaborator,

the late Brion Gysin, who in turn credits his discovery of it to a "happy

accident" in which he inadvertantly cut up newspaper articles that were under

some items he was working on, and was amused by the results.  WSB quotes BG

as saying "writing is 50 years behind painting" at the time (Paris Beat Hotel

period circa 1959), implying that his intention was to bring the techniques

of collage, etc. found in modern visual art to writing.  WSB believes that

his experiments with the cutup method have succeeded in subverting the

"pre-recorded universe".  My own dabbling in cutups had interesting results-

amidst the incoherence were some scarily relevant and meaningful phrases,

like the subconscious bobbing its head above the water to get to the deeper

crux of a matter.

 

It is possible, as with many phenomenon, that WSB & BG's discovery of cutups

was serendipitously separate from the surrealists' and dadaists' discovery of

it several generations earlier, the conceptual synchronicity of open-minded

visionaries.

 

Pleased to meet you,

 

Arthur S. Nusbaum

=========================================================================

Date:         Wed, 9 Jul 1997 23:06:18 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      CODY: what murder?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

There have been a couple of references so far to something about Bull and

June and a murder.  Can't find the other references at the moment

but here again on page 186, we have: "...on into August, and in between

June and August everything happened, the murder took place."  Is this

ever explicated?

=========================================================================

Date:         Thu, 10 Jul 1997 09:27:28 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: hello again back from vacation, etc

Comments: To: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199707101500300776@msn.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

arthur/sherri/co.

well i think that burroughs DOES mention tristan tzara and the dadaists,

esp the cut-up work, spontaneous poems (i think he refers to tzara as the

"man from nowhere" who was thrown off the stage for pulling random words

outta a hat and proclaiming them poems...) and also makes reference to

"exquisite corpse" as well as far as i know.

        now while i cant remeber what book in particular he refers to

tzara and dada it may be in either _brion gysin let the mice in_, _the

burroughs file_ or _interzone_. no no no wait - now i remember - try

having a flip thru and reading _the third mind_ thats where burroughs and

gysin went thu and kinda explained cut-up & fold in and the made to order

deja vu that interested burroughs.

        i think that both burroughs/gysin and the dadas were interested in

breaking down barriers on the ownership and class of art. dada as anti-art

and the cut-up in which anyone (altho burruoghs does say that it works

best in the hands of a "master")can create viable texts thru "recycling"

other pieces....

        yrs

        derek

 

=========================================================================

Date:         Thu, 10 Jul 1997 13:05:56 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: CODY: what murder?

In-Reply-To:  <33C47BDA.74EA@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>There have been a couple of references so far to something about Bull and

>June and a murder.  Can't find the other references at the moment

>but here again on page 186, we have: "...on into August, and in between

>June and August everything happened, the murder took place."  Is this

>ever explicated?

_____________

murder of demented stalker of lucien carr by same. forget his name. andy

wharhol was right/

mc

=========================================================================

Date:         Thu, 10 Jul 1997 11:18:25 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: CODY: what murder?

Comments: To: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> _____________

> murder of demented stalker of lucien carr by same. forget his name. andy

> wharhol was right/

> mc

 

David Kamerrer. Carr's obsessive gym coach or something like that...

 

adrien

=========================================================================

Date:         Thu, 10 Jul 1997 09:11:19 -0700

Reply-To:     Jens Koch <jenskoch@POST1.TELE.DK>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      To Cody it was a vision..

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I still haven't caught up with all the posts on beat-l AND reading VOC at the

 same time

as this nation is going berserk over the heatwave and the

deeds of Danish cyclists "on the road" in Tour de France, and on top of that the

upcoming Copenhagen visit by Bill Clinton, so if someone has already brought up

 this

subject please bear with me. Anyway, on p.64 (McGrawHill), it says, "To Cody it

 was a

vision, the moment of his arrival that everybody was waiting for, yet even

 though he

stood in the door at the side of the great cool Tom Watson the Virgil of this

 big

Inferno..."

My first question is who Tom Watson is supposed to be? My second, and most

 important

question, is to do with what "role" Dante, Virgil and the Divine Comedy can be

 said to

have had for Kerouac's own poetic vision ?

My own only input, really, is that I know from the JK ROMnibus that Dante was

 way up

high on his own reading list; the second thing is that Kerouac's understanding

 of beat

and beatitude must have been inspired to some extent at least by Beatrice, the

 women

Dante was supposed to have fallen in love with as a child, and even though they

 barely

knew each other Dante was on a lifelong quest to regain her, finally meeting her

 in

Paradiso. When he first went to hell he was met by Virgil, his guide through the

 many

layers.

Has anyone any thoughts or information on this matter ?

=========================================================================

Date:         Thu, 10 Jul 1997 10:38:26 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: CODY: what murder?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:05 PM 7/10/97 -0400, you wrote:

>>There have been a couple of references so far to something about Bull and

>>June and a murder.  Can't find the other references at the moment

>>but here again on page 186, we have: "...on into August, and in between

>>June and August everything happened, the murder took place."  Is this

>>ever explicated?

>_____________

>murder of demented stalker of lucien carr by same. forget his name. andy

>wharhol was right/

>mc

> 

> 

 

In the tapes they were talking about Burroughs (Bull) killing his wife

(June).  A lot of the tape is ttheir conversation of what it was like when

Cody was staying at Bull's farm in Texas with Irwin and Huck.  Later they

are talking about what happened in Mexico when Bull killed June.  Cody asks

the pretinent question of what Bull feels when he hears the William Tell

Overture.  Bull's first story was that they were doing a William Tell trick

where he tried to shoot a glass off his wife's head but missed and killed

here.  In the tape they talk later of how Bull changed his story and said

the gun went of accidentally.

 

There is a lot of discussion in the tape about Bull.  Of course Bull is

William Burroughs who killed his wife in Mexico City by shooting her at

close range in the head.  He was never prosecuted for this.

=========================================================================

Date:         Thu, 10 Jul 1997 13:47:50 -0400

Reply-To:     Alex Howard <kh14586@ACS.APPSTATE.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: CODY: what murder?

In-Reply-To:  <l03020901afea8e8589d3@[206.25.67.129]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 10 Jul 1997, Marie Countryman wrote:

 

> >There have been a couple of references so far to something about Bull and

> >June and a murder.  Can't find the other references at the moment

> >but here again on page 186, we have: "...on into August, and in between

> >June and August everything happened, the murder took place."  Is this

> >ever explicated?

> _____________

> murder of demented stalker of lucien carr by same. forget his name. andy

> wharhol was right/

David Krammerer <sp?> or something like that.  The reason Kerouac and

Ginsberg, I think, went to jail (asylum for Ginsy) and Kerouac got out by

marrying.  Chronicled, I'm told, in the unpublished (soon to be published

I thinks I heard somewhere) _And_The_Hippos_Were_Boilded_in_Their_Tanks_.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Thu, 10 Jul 1997 16:13:34 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Diane De Rooy & MemBabeCollection

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Diane De Rooy wrote to G. Nicosia:

>>And let me caution you here: you are certainly free to write me one response

>>to this letter, personally, at this address. If you opt for that, I will

>>accept the letter, but after that, I'm blocking you from my email, and will

>>consider any other contact from you to be harassment. If you infer, imply,

>>directly state or otherwise opine in any public forum, in writing or

>>verbally, that I am lying or am a liar, or attempt to discredit me or harm my

>>reputation in any way, I will not demonstrate to you the good will and

>>tolerance you've enjoyed from all the other people you've libeled and

>>slandered.

>> 

>>Diane De Rooy

 

 Gerry Nicosia's answer was right to the point. No need to repeat it.

 

Diane:

 

I'm taking Patricia Elliots response to heart and sending this to the list.

 

I have tried to give all parties to this conflict the benefit of the doubt.

I don't like to judge. However, since I think I was the person who put you

in touch with Gerry Nicosia when you told meyou were involved with writing

a story about JK and/or Jan K , I have to state that I am completely

perplexed at  where this has gone and seems to be going.

 

I do not question that you have authored articles and done some features

for NPR--although I have not read any of them, nor heard them. You tellme

youhave. I believe you. Yet there are so many elements that would have

provided you with answers to questions you were asking that seem to have

been missed.

 

The catalogue, of what U.MassLowell purchased from Gerry, had to be a key

element in your research. The catalogue has been mentioned frequrently over

the past couple of months. You know that most collections are catalogued

yet it appears you have never requested a copy from the library. This would

have shown that Gerry's description of the collection was true, and that

what you have been told--that the collection contained no original

material--was a lie. That alone, should have made you suspect of some of

your sources.

 

Sometimes, when a person gets caught up in a story--a story that's

important to them--and the information they want isn't forthcoming, they

allow a not-unusual-incident (such as Gerry refusing you access to certain

information/material) to adversely affect your judgement about that person.

I think this has happened to you.

 

I can claim no succes as a writer, but I have some skills at research. As a

researcher I would advise you to reevaluate the direction your research is

taking you and to step back for an objective look at where you find

yourself and who you appear to be aligning yourself with.

 

THIS TO GERRY NICOSIA:

 

Gerry,

 

There appear to be a few people who are going to be taking shots at you

regardless  of what the facts are. Sometimes it's difficult to ignore

unwarrented accusations. Please try to do so. I, as a Korean War vet, along

with vets from all recent wars and particularly the vets from the Vietnam

War, are waiting for one of the most important publishing events to come

out of that war, the history of the Vietnam Veterans Against the War--the

VVAW movement. With 58,000 dead in that war and another 58,000 suicides and

drug deaths of returned Vietnam Vets, HOME TO WAR is being counted on to

provide desperately needed information about the indespensible role

veterans played in ending that war. Hopefully it will provide a closure to

the suffering of those to talk, but are seldom heard, and those who

demonstrate, but are seldom seen.

 

Write On Gerry. Ignore the distractions. At least for now.

 

j grant

 

 

 

 

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

    375,913 visitors from 07-96 to 07-97

=========================================================================

Date:         Thu, 10 Jul 1997 16:23:37 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      chat

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

i tried the chat room.  no one there.  i asked some people if they

were list members, and received several "huhs?" in response.

 

anyhow, i'll probably be lurking there on mon.s and thurs.  around 2 p.m.

indiana time, whatever that is.

 

hope to see some of you there.

jenn

=========================================================================

Date:         Thu, 10 Jul 1997 17:24:08 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Diane DeRooy & Membabe Collection

 

It seems to me that the letter forwarded to the list by Jo Grant was a

private communication between two people and should not have been

reposted to the list.  I urge listmembers with any feelings on this

matter to communicate them directly to Mr. Grant rather than to post

such replies to the list.

=========================================================================

Date:         Thu, 10 Jul 1997 17:33:08 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      jo grant/nicosia

In-Reply-To:  <v03007802afe96a48dc7e@[156.46.45.77]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i would like to add my voice to jo grant's request that you forge on with

the book that so many vets AND nonvets have waited for so long. your Memory

Babe, despite all the whoolawhoola that has come to pass on this list, is

one of the most brillant pieces of literary autobiography written and in my

opinion the best.

mc

 

>>Gerry,

> 

>There appear to be a few people who are going to be taking shots at you

>regardless  of what the facts are. Sometimes it's difficult to ignore

>unwarrented accusations. Please try to do so. I, as a Korean War vet, along

>with vets from all recent wars and particularly the vets from the Vietnam

>War, are waiting for one of the most important publishing events to come

>out of that war, the history of the Vietnam Veterans Against the War--the

>VVAW movement. With 58,000 dead in that war and another 58,000 suicides and

>drug deaths of returned Vietnam Vets, HOME TO WAR is being counted on to

>provide desperately needed information about the indespensible role

>veterans played in ending that war. Hopefully it will provide a closure to

>the suffering of those to talk, but are seldom heard, and those who

>demonstrate, but are seldom seen.

> 

>Write On Gerry. Ignore the distractions. At least for now.

> 

>j grant

> 

> 

> 

> 

> 

>                BE ON THE WATCH

>for items stolen from the Keroauc Collection

>        O'Leary Library, U Mass, Lowell

>http://www.bookzen.com/kerouac.theft.html

> 

>Academic & Small Press Authors & publishers

>                display books free at

>           <http://www.bookzen.com>

>    375,913 visitors from 07-96 to 07-97

=========================================================================

Date:         Thu, 10 Jul 1997 16:34:58 -0500

Reply-To:     thomjj01@HOLMES.IPFW.INDIANA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      not beat related list question

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

WARNING: this question isn't beat related, feel free to delete.

 

well, for the few of you left.  does anyone know of a list, or chat room,

that would be appropriate for a would-be, wanna be, Poe scholar. (not me,

a friend).

 

i'd appreciate any input.

jenn

=========================================================================

Date:         Thu, 10 Jul 1997 17:21:00 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Bill Gargon

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Bill,

 

Regarding the De Rooy - Nicosia post. I must have missed where the post

came from. Thought it was the Beat-L. Must have been sent directly to me.

 

Sorry for the inconvenience.

 

j grant

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

    375,913 visitors from 07-96 to 07-97

=========================================================================

Date:         Thu, 10 Jul 1997 20:32:25 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Course

 

Yeah, good idea. He wants me to do anything I think up.

Charley

=========================================================================

Date:         Thu, 10 Jul 1997 20:48:57 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Fwd: CORNIX and VORTEX

MIME-Version: 1.0

Content-Type: text/plain; charset=unknown-8bit

Content-Transfer-Encoding: quoted-printable

 

My vortex has been glommed onto.  The following post should be of relevan=

ce

to some on the beat-list which started me and Buchenroth on this train.  =

I

don't know if it relates to beat poetry; it might be too fast.

Charles Plymell

---------------------

Forwarded message:

From:   mike@infinet.com (Michael L. Buchenroth)

Reply-to:       mike@infinet.com

To:     CVEditions@aol.com

Date: 97-07-10 08:43:41 EDT

 

CVEditions@aol.com wrote:

>=20

> PS: What does glom mean?

 

Wow! That's a real good question. I could only find the following

contexts to try to get a meaning...

As near as I can figure, I think, this personal example might represent

what they mean by glom...

 

At Ross I can not get the Cornix Java Scripts to run. I can only get

them to run here at home. At work I have to have all necessary files in

a subdirectory along with the cornix file and run the cornix file with

my browser (I use Netscape) right off my hard drive rather than the

internet... I guess glom might be synomous with "works." I'm not being

sarcastic, just attempting, as you, to figure out what they use 'glom'

to mean!

 

Perhaps glomming will allow AOL web users to run the scripts, "In the

new AOL glom version, all other text fields or views within the AOL

interface are accessable to the Vortex. This includes the AOL email

reader. As well as news and other displays which are local to AOL and

not accessed via the internet."

 

Note: Vortex, NG (Next Generation) will have the ability to glom your

browser the same way that we are today glomming email readers in our

current versions. Anyone accepted for the beta test version of the

Cornix applet has already had their name added to the beta test group

for Vortex NG.

Letters of notification will be sent out soon.=20

 

***

 

The unique Vortex display is currently being altered to provide glomming

support to Lotus ccMail. Preliminary tests are underway with an

expectation that this new version will be available by the 29th of July,

1997.=20

 

Vortex now can glom AOL 3.0! Read your AOL email and news with Vortex!

Please note that Vortex support for the AOL interface is limited to

version 3.0 of their program and does not support their internet

browser. As is done in the currently shipping versions, you must save

web pages to disk in order to open and read them in Vortex. In the new

AOL glom version, all other text fields or views within the AOL

interface are accessable to the Vortex. This includes the

AOL email reader. As well as news and other displays which are local to

AOL and not accessed via the internet.

 

***

Here's another contet: (I especially like this line, "...glom onto it

like some space alien software, and suck out the contents of the message

to be read."

***

 

Glomming Eudora! with Vortex=99=20

 

Quick Reference

To glom your Vortex reading tool onto Eudora for reading your email,

please follow the steps below.

 

1 - Start Vortex.=20

a - When Vortex is up and running, click on the =91Attach=92 menu item. T=

his

menu item will then change to =91Detach=92 to indicate readiness and to

allow you to go back to regular file mode.=20

b - Minimize Vortex.=20

 

2 - Start Eudora.=20

a - Using Eudora normally, retrieve your email for reading.=20

b - Choose an email to read. When it comes into its regular Eudora

window, you can either progress to

step 3 or to 2- c.=20

c - For long emails, you can locate the section that you wish to read,

and highlight it. Then proceed to step 3.=20

 

3 - Maximize Vortex.=20

It is the act of maximizing Vortex that is the trigger to hunt for

Eudora, glom onto it like some space alien software, and suck out the

contents of the message to be read.=20

 

4 - Return to Eudora.=20

When Vortex has finished the display of the email message, it will

return to a minimized state unless in stopped mode.=20

 

Internet browser support

Our plans for glomming and control ability for internet browsers are on

track and still to schedule. We expect that a release of the new Vortex

Win32 version featuring internet browser glom and remote control will

hip on schedule in early August.=20

 

This version will work only with Windows 95 and Windows NT.

 

***

I looked 'glom' up in Princeton's WordNet. I get only verb with this one

sense:

Sense 1

steal, hook, snitch, thieve, cop, knock off, glom, take illegally --

(take by theft)

=3D> take -- (take by force; "Hitler took the Baltic Republics"; "The arm=

y

took the fort on the hill")

***

 

I hoped to get a word that related to Cornix's web pages... The army

glommed the fort on the hill???? Certainly new to me!!!

 

***

I just got this beta version of an interface to the WordNet database. It

searches words that ryhme with nother word and at same time within a

specifed semantical context or whatever. =20

http://www.cs.cmu.edu/~dougb/rhyme.html

WordNet is at http://www.cogsci.princeton.edu/~wn/

I use WordNet frequently! I have used its "grep" search which is an old

Unix command for searching out "all" occurances of character

combinations within a database. WordNet contains the largest English

Lexicon electronic database I have yet found out there! So when wordNet

grep searches for some letters, it searches the English language!

Consequently, it can consume some serious time if the letters occur

commonly. For example, a search of all occurances of the characters red,

WordNet would take a while, but would display every occurance,

hyphenated included... I used it to find rhymes. Now these folks are

writing interfaces to do this, but defined or with semantical

boundaries. What could Poe have written with such tools?

***

I sure don't intend to preach or teach, just share stuff I've found on

web useful... If Charles hadn't written to me about the Cornix site, I

would not have found it. It really interests me. As I wrote earlier, I

have used machines (file stripe projectors modified) that did same thing

but projected on screen. I have researched subliminal projection, even

talked to Dr Becker several times on phone and corresponded by letters,

and he and Vicary patented the original subliminal projection device!

This type of stuff 100% interests me. I have a huge huge collection of

photocopies of research on subliminal perception and effect. Dr. Wilson

B Key told me once after a lecture in Michigan, I had the largest such

bibliography he'd ever heard about. He had invited me to that lecture at

Albion College in 1980. I was extremely grateful Charles and Michael

shared this cornix site with me!!!!=20

-Mike

=========================================================================

Date:         Thu, 10 Jul 1997 20:56:48 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: ATTN: BEAT-LIST POETS

 

In a message dated 97-07-10 09:36:04 EDT, you write:

 

<< by the way, mr buchenroth, after all these years your little web site

 > with the exploding text has added something to my reading. kool! ouch,

 > my mind it keeps expanding.

 > p >>

It might end up with Lord Buckley, that old wig stretcher himself.

Charley

=========================================================================

Date:         Fri, 11 Jul 1997 01:19:22 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Course

 

I would be very very interested in this... please keep me posted!!

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Pamela Beach Plymell

Sent:   Thursday, July 10, 1997 5:32 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Course

 

Yeah, good idea. He wants me to do anything I think up.

Charley

=========================================================================

Date:         Fri, 11 Jul 1997 01:28:26 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: ATTN: BEAT-LIST POETS

 

His Lordship!!!!!  yasss, yasss dig that cat, man

for those of you interested:

 

http://www.industrialhaiku.com/Lord_Buckley_Online.html

 

----------

From:   BEAT-L: Beat Generation List on behalf of Pamela Beach Plymell

Sent:   Thursday, July 10, 1997 5:56 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: ATTN: BEAT-LIST POETS

 

In a message dated 97-07-10 09:36:04 EDT, you write:

 

<< by the way, mr buchenroth, after all these years your little web site

 > with the exploding text has added something to my reading. kool! ouch,

 > my mind it keeps expanding.

 > p >>

It might end up with Lord Buckley, that old wig stretcher himself.

Charley

=========================================================================

Date:         Thu, 10 Jul 1997 22:56:01 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: asterisks

 

It may have been that the metaphor with the "fucked over' connotation came in

spontanieous hipster language; then the "sex  act" meaning came so something

had to be done. While fuck got past the censors  literal motherfucking would

have caused publishers to back off. Better to follow the bouncing asterisks

and Allen could have all the connotations. He made tradeoffs. Literary

gamesmanship for censorship. What fun we have with this.

=========================================================================

Date:         Thu, 10 Jul 1997 11:20:38 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody: the tape

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Finally made it to the end of the taped section, am beginning Imitation

of the Tape section.  These are the things I found most interesting in

the very slow going taped part.

 

pg. 170-173  When they are reading a letter from Cody's father, three

pages of speculation about the words he has trouble spelling combined

with a few of Codys memories, like "We went fouteen thousand miles

according to what he tells me..."

 

Pg. 182

Jack bragging like he needs to fit in, after all of Cody's stories,

"--because all I thought about then was eating and fucking, see, as I

should, as all men should all the time."

 

Pg. 187

Jack's description of quitting sports for writing: "One afternoon it

started to snow, Beethoven came on, it was time for me to go to

scrimmage...I said to myself, 'Scrimmage my ass...I'm gonna sit here in

this room and dig Beethoven, I'm gonna write noble words,' you

know'--that's the way I quit football (laughing) nothing more logical or

less...logical"

 

pg. 189-190

Jack's discussion with Bull about dying: "'Bull,', I'm saying, 'Jesus

Christ, people die don't they, I mean, what happens when you die? What

happens after you're dead? what goes on?' Bull says, 'Well, when you die,

you're dead, that's all'..."

 

Pg. 207

Cody's memory of his father: "Well, I can't remember much, it seems to me

we'd sit and talk on the bus, I was embarrassed by his stupidity and that

people could dig, you know, and perhaps by his appearance, and I remember

it was very cold and everything was awful because one of the buses broke

down--

 

Pg. 215

Cody's philosopher/poet discussion

"...I said 'Well Val, course I think the most important men in the world,

the most important thing in the world of course and the thing that really

counts of course is philosophy,' and he said, 'Oh, why no it's, ah, to me

I should think that the...poet is much more important than the

philosopher.' I said 'What?' and I was so stupefied and astounded and

nullified and disturbed that anyone could honestly believe that, that I,

well I--you know, I really was, ah, upset about it..."

 

Then at the end of his thought process, Cody says, "...suddenly I

realized that the philosopher was not--that the poet was more important

than the philosopher, you see--"

 

Pg. 216

Cody says, "...well I did of course live in a very strange frantic

world..."

 

Pg 218-219

When Cody discusses his own experience with writing (in contrast to Jack,

who is writing): "I said to myself 'At last I'm going to begin my

novel,'--been thinkin about it for a year or two, not thinking about it

at all completely, I just knew I'd be doing it, it never occurred to me I

couldn't write.  So I sat down, I said, ah, 'Cody Pomeray was born on

February eighth, ah, 'twenty-six, ah, well?...'couldn't get past

that--and from that day until fours years later I never wrote another

word, 'cause I realized I couldn't--it never occurred to me the problems

of the writer, or problems of anything, I just--it never, it was

completely blind, I'd have never imagined, I'd never--can't believe that

I was so naive..."

 

Pgs. 233-236

The speculation about the murder of Bull's wife, combined with their

theorizing about when death happens is, I think, the best part of the

whole tape.  Questioning about what Bull thinks when he hears the William

Tell Overture, whether Bull or June herself put the apple on her head,

whether it was that he killed her trying to shoot the apple off, and then

lied about it being an accident when his gun unintentially went off.

 

This blends with other thoughts of 'sudden death,' including Finistra

(whoever he is) who tried to commit suicide several times and never died,

and it was then really a joke on him, so to speak, because he then died

accidentally.  And talking about Irwin (Ginsberg):

 

Jack:  And Irwin, nothing'll happen to him either

Cody: No, he's afraid and calculating--

Evelyn: He's cautious

 

(By the way, who is Evelyn supposed to represent?)

 

And last of all, Cody's own thoughts on being normal (after being put on

probation):

 

Cody: ...I was just normal young kid going around you know

Evelyn: Normal!

Cody: Well, I mean, you know, normal-seeming. I'd go to work, and go

home, go and try to get a girl or somethin, only thing was, these

cars..."

 

 

Neat the end of the taped section, the reading got a little easier,

seemed more like two guys sitting around talking about the stuff they'd

done, very reminscent of OTR.  There is a lot of garbage thrown in, still

makes one wonder if the every moment/word is eternal really plays itself

out.

DC

=========================================================================

Date:         Fri, 11 Jul 1997 03:11:33 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: asterisks

 

of all the explanations, this one strikes me as THE ONE

 

----------

From:   BEAT-L: Beat Generation List on behalf of Pamela Beach Plymell

Sent:   Thursday, July 10, 1997 7:56 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: asterisks

 

It may have been that the metaphor with the "fucked over' connotation came in

spontanieous hipster language; then the "sex  act" meaning came so something

had to be done. While fuck got past the censors  literal motherfucking would

have caused publishers to back off. Better to follow the bouncing asterisks

and Allen could have all the connotations. He made tradeoffs. Literary

gamesmanship for censorship. What fun we have with this.

=========================================================================

Date:         Thu, 10 Jul 1997 20:31:03 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Cody: the tape

Comments: To: Diane Carter <dcarter@TOGETHER.NET>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Pgs. 233-236

>The speculation about the murder of Bull's wife, combined with their

>theorizing about when death happens is, I think, the best part of the

>whole tape.  Questioning about what Bull thinks when he hears the William

>Tell Overture, whether Bull or June herself put the apple on her head,

>whether it was that he killed her trying to shoot the apple off, and then

>lied about it being an accident when his gun unintentially went off.

> 

>This blends with other thoughts of 'sudden death,' including Finistra

>(whoever he is) who tried to commit suicide several times and never died,

>and it was then really a joke on him, so to speak, because he then died

>accidentally.

 

This staement of yours, "who is finnestra" indicates to me that the book can

stand on its' own.

 

Not knowing who finstra was you still floowed it very well and made these

great observations we are enjoying reading.

 

Finestra was Bill Cannestra, a friend of "the gang"  He lived in a loft they

partied at a lot.  Apparently he was a pretty wild and crazy guy.  He got

himself killed trying to climb out of the window of a subway car and halfway

out the train came to a tunnel and he was smashed to death.

 

Of note is that Finestra/Canastra's girlfriend was Joan Haverty, Kerouac's

furure second wife and mother of Jan Kerouac.  She was living in the loft

after he died.  It was her and that loft that is mentioned at the end of On

The Road where she calls down to Paradise.

 

Evelyn of course is Cody's wife, carolyn Cassady.  If you mean who is she

supposed to represent mythicly or whatver, I don't know.

=========================================================================

Date:         Fri, 11 Jul 1997 02:39:53 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      sojourner beat

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Charles Plymell wrote:

 

THE HIDDEN EQUINOX

 

A hothouse of idiots makes

liquid skin flash next to me

while a voice from France calls

"buy me a bicycle and cut my skin"

billboards on that third fall day

saw a keen equinox frigid and delightful

move through the cables of Brooklyn Bridge

where someone carved a heart to Crane.

 

That changed the seasons and the veins

which brought desire in me to change.

(Like a translation from an esoteric script.)

 

 

I wanted a 10 cent custard

 

 

I felt bold walking down Delancey

with the Brooklyn yellow pages

under my arm looking for a number

that wouldn't help me anyway.

 

I strayed beyond the season's shear

walked up to the vendor standing there

shook his vegetables and the cart

beside the wrought iron park

while he listened to Caruso's voice

shaking the brick streets

like the big truck fleets.

 

***

 

Charles,

I find your poem, THE HIDDEN EQUINOX, taken from Charles Plymell's

"Robbing The Pillars ~ For Generation X in the Age of Apostasy," which I

have copied and pasted into this post, purely enchanting, harnessingly

raw BEAT, poetry! I read this poem repeatedly as it so eloquently

speaks... I compare this poem to Frost's "The Road Not Taken."

http://www.columbia.edu/acis/bartleby/frost/60.html

 

gopher://gopher.vt.edu:10010/02/67/3 Crane: THE COLD PASSED RELUCTANTLY

FROM THE earth, and the retiring fogs revealed an army stretched out on

the hills, resting... "... Don't forgit about the socks and the shirts,

child; and I've put a cup of blackberry jam with yer bundle, because I

know yeh like it above all things. Good-by, Henry. Watch out, and be a

good boy ..."

 

Does Henry's blackberry jam seem similar to 10-cent custard?

Does "a voice from France" belong to Pam? Elizabeth? (because of

bicycle/cut) Both?

Does liquid skin refer to the Jones?

What number (looking for a number that wouldn't help me anyway) did you

seek?

 

The way the equinox moved through the bridge cables channels

physiological reaction via my spine, my intestines, up through my gut,

and onto into some distant limbic system synapse! --past Henry's

[frigid] Civil War fog, through veins "To where it bent in the

undergrowth;" there, where "TWO roads diverged in a yellow wood," in the

Brooklyn Yellow Page's mental image, mirrored, alive, change... God

Damn!

 

I consider your "THE HIDDEN EQUINOX" classic!

 

PS

Sense 2

classic -- (an artist who has created classic works)

=> artist, creative person -- (a person whose creative work shows

sensitivity and imagination)

--------------

-Michael L. Buchenroth

=========================================================================

Date:         Fri, 11 Jul 1997 02:17:54 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: sojourner beat

In-Reply-To:  <33C5FF69.9E0@buchenroth.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 2:39 AM -0700 7/11/97, Michael L. Buchenroth wrote:

 

> Charles Plymell wrote:

> 

> THE HIDDEN EQUINOX

 

> move through the cables of Brooklyn Bridge

> where someone carved a heart to Crane.

> 

 

> gopher://gopher.vt.edu:10010/02/67/3 Crane: THE COLD PASSED RELUCTANTLY

> FROM THE earth, and the retiring fogs revealed an army stretched out on

> the hills, resting... "... Don't forgit about the socks and the shirts,

> child; and I've put a cup of blackberry jam with yer bundle, because I

> know yeh like it above all things. Good-by, Henry. Watch out, and be a

> good boy ..."

 

am starving, raving tired here <<2:15am>>.

 

Terribly curious who this "Crane" person is.  Can't gopher and don't

recognize the above passage that Michael has so graciously posted <<thank

you, thank you and CP both!>>  I'm thinking this is Arthur Crane, a

painter/photographer related to the Steiglitz group.  Of course, I'm

starving, raving tired here.  Any further annotation most appreciated.

 

        crane = a species of bird

        crane = machine used to lift

        heart of crane ~= heart of Cain

 

cheers, Douglas  <<I saw the best desktops of my generation fail to rebuild...

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 11 Jul 1997 09:59:54 -0400

Reply-To:     Joe Buschini <joeb@SMPLANET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe Buschini <joeb@SMPLANET.COM>

Subject:      Re: sojourner beat

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

The gopher reference quotes Stephen Crane  (whose influence as a beat

progenitor might be worthy of discussion). The HIDDEN EQUINOX, however,

apparently alludes to Hart ("heart") Crane.

 

>Terribly curious who this "Crane" person is.  Can't gopher...

=========================================================================

Date:         Fri, 11 Jul 1997 15:54:10 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      who is MemBabe?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i wrote:

help

MemBabe@aol.com wrote:

>que pasa?

> 

=========================================================================

Date:         Fri, 11 Jul 1997 08:44:54 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      eye heart crane

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

ok, pulled out one of my art history compendium books.  can't find the one

I'm looking for (must have tossed it).  Sew eye heart crane with my one

good eye:

 

        from pg 327 of "the shock of the new" by Robert Hughes:

 

<< 

"[...] Their environment was not as message-laden as ours, but they were

not used to it, and so its vividness has not stalled.

        The true home of the quick message, after World War I, as New York

City.  It's shapes were already a subject for American artists by 1920.

For Joseph Stella, an Italian migrant painter --as, in the late twenties,

for the Ohio-born Hart Crane--the Brooklyn Bridge was the supreme image of

collective creativity, tying past and present into one epigram of social

coherence (plate 219).  It was the New World's answer to the Eiffel Tower;

or, as Stella put it, "the shrine containing all the efforts of the new

assertion of their powers; an opotheosis".

>> 

 

--well, that passage mostly talks about Stella, but the Brooklyn Bridge

info is good.

 

cheers, Douglas  <<running>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 11 Jul 1997 13:37:09 -0400

Reply-To:     Ken Ostrander <kenster@MIT.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ken Ostrander <kenster@MIT.EDU>

Subject:      Re: no reason!

Comments: To: Marioka7@AOL.COM

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>If anyone is interested in continuing to receive my posts or in staying in

>touch please let me know.  Otherwise i will no longer post anything that

>doesn't have the word "Ginsberg", "Burroughs", or "Kerouac" in it.  I'm sorry

>for the inconvenience I have caused by posting my own writing and not that of

>others.  i see what an effort and consumption of time it is for some people

>to click on the delete key.

> 

>am unabashedly nasty sourpuss tonight, for no reason, and, yes, I'm taking it

>out on YOU,

>love,

>maya<<sick of apologizing>>: ) : ) : ) : ) (note the ironic smiley)

 

 

        oh maya, don't apologize.  you're not the only one; and besides, i

think that your posts are what this list is all about.  just let it happen.

i'm guessing that somebody got to you with some comment; but screw 'em i

say.  for every jerk that complains there are many silent folk like myself

that have no trouble with the delete button.  i've got no sympathy for such

whiny bastards when i get from one to two hundred e-mails a day (summer's

the slow time).  i will say that you have more time on your hands to scribe

than i seem to. and i sit in front of the computer all day!

 

no regrets!

 

KEN

=========================================================================

Date:         Fri, 11 Jul 1997 13:27:03 -0400

Reply-To:     "Michael L. Buchenroth" <mike@INFINET.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: eye heart crane

Comments: To: runner711 <babu@ELECTRICITI.COM>

In-Reply-To:  <l03020900afec0416c35b@[198.5.212.52]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 11 Jul 1997, runner711 wrot

 

> for the Ohio-born Hart Crane--the Brooklyn Bridge was the supreme image of

> collective creativity, tying past and present into one epigram of social

> coherence (plate 219).  It was the New World's answer to the Eiffel Tower;

> or, as Stella put it, "the shrine containing all the efforts of the new

> assertion of their powers; an opotheosis".

> >>

> 

> --well, that passage mostly talks about Stella, but the Brooklyn Bridge

> info is good.

 

Interesting stuff. Until today, I didn't know about Hart Crane or these

Brooklyn Bridge references. Who is Stella? What in poem indicates this?

Why do the billboards see the keen equinox frigid and delightful?

Why the third fall day?

And I meant to ask this earlier, Is Delancey a street? And what would

this street, if so, contribute? And I know this question is most likely

gonna hurt later, but I searched Alta Vista for "caruso," but got so many

different hits, it left me confused--what does the vendor listen to if

the vendor listens to Caruso's voice? It must contain bass enough, or

significance enough to "shaek the brick streets."

 

To date, I have read this poem as change, the kind of change that only

goes one way, or that produces archetypal influences, like when Gatsby

first met and fell in love with Daisy...that event change produced an

outcome immeasurably different than had the event not occured as we all

know...

***

If so, what change(s) have occured? Why is the equinox both frigid and

cole similar to that little girl riding in that stage coach who was "awfully

good."

I'm confused, but confusion is good...

***

Help...

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Fri, 11 Jul 1997 17:40:45 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: no reason!

 

Ken - i'm with you... and i miss maya....

 

ciao,

sherri

=========================================================================

Date:         Fri, 11 Jul 1997 19:42:50 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      beat poet jack kerouac on CD && mM

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Beatspotting at Melody Maker, june 28, 1997, at page #29,

i found this ''ad'' poem:

 

"

        MUTE COMMUNION

        Patrick Jones, Rev Press

 

        12:06:97

 

        I am critic

        I am corrupt

        I have blood of countless

        generations of artists on my h@nds

        I am not sotty

        the INK

        spills from my h@nds and causes

        tears to flow ceaselessly like a stern

        m@nic street preachers fan's mum

        read    read this       read this

        and you will find

        three seconds meaning in a book of

        non/sense

 

        your approval

        means nothing to me

        to me means nothing

        nothing means to me     would

        would           would           that I could

        extract any meaning

        i recently bought the collected

        works of famous beat poet jack

        kerouac on CD

        and even                that

        even            that,

        laughable as it seemed set to the

        jazzy textures of the blown sax

        was

        genius

        compared to this, this          the second

        anthology of work from Nicky

        Wire-endorsed Ninenties beat poet

        successor       EXCESSor        patrick

        jones

 

        INK drips from my pen onto

        sullen pages of white

        i fear for the youth's/         future

        you can purchase this TWO

        POUNDS from rev press,

        10 coronation rd blackwood NP2

        1EA/            wales

        i do not        not     NOT     recommend

        it/ it is

        b

        o

        l

        l

        o

        c

        k

        s

 

        E(vere)TT TRUE

 

"

 

---

yrs

Rinaldo.        * Da! Da! DaDa i love you! *

=========================================================================

Date:         Fri, 11 Jul 1997 14:06:15 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Andy Warhol

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

>murder of demented stalker of lucien carr by same. forget his name.

andy

>wharhol was right/

 

was writ to the list.  That reminded me of an interesting thing that

happended two nights ago.  My mother had given to me a series of books

she purchased for me as a child.  They were called "Best in Children's

Books".   I sat down to read my girls the story of the Porridge pot that

would produce porridge when told to "boil pot boil" and would stop when

told "stop pot stop".   Anyway, I noticed that the drawings with the

story seemed to have a unique flair.  I looked to the credits and the

artist was Andy Warhol.  The copyright was 1959.  Just an interesting

little twist.

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 11 Jul 1997 18:08:55 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: eye heart crane

 

thanks for posting this, Michael.  poem has a lovely feel.

i'm probably totally off, but here's my puny & humble take ( i don't get the

bicycle/cut my skin thing though):

 

"...keen equinox frigid and delightful" -   third day after a sunny, sharp,

cold, but lovely fall equinox in NYC

 

".... Brooklyn Bridge" - thankfully Douglas has enlightened us on this one

 

"That changed... esoteric script" - the  feeling many of us have when the

seasons change, after the langorous days of summer a time perhaps to be

brisker...  like how translators of ancient spiritual texts often tighten up

the language and ideas and filter through their own interpretations (for

better or worse) for those for whom they are translating

 

"...10 cent custard..."  given the price, i'd say we're referring to a time

long ago, perhaps charles' halcyon days?

 

"I felt bold....help me anyway" - Delancey St. is a pretty well-known NYC

thoroughfare.  i confess i'm mystified by what it is he's looking for...

maybe an acquaintance who's last name & number he's lost?  that idea seems too

prosaic to me...  your notion of Frost may be more to the point (hhhmmm,

that's an interesting juxtaposition in the quotes above, wonder if it's

relevant to the meaning here?)

 

last stanza  - used to be alot of cart vendors in NYC.  sounds like he walked

out of the wind's range to this vendor, maybe bought some of his vegetables.

this guy's got the legendary tenor of all operatic tenors blasting from his

portable radio or something.  believe me, caruso's voice could shake the

streets like a truck and shake you down to the roots of your soul.

 

help, charles... fill in the blanks.  and please forgive me if the above is

idiotic.

 

ciao,

sherri

=========================================================================

Date:         Fri, 11 Jul 1997 11:32:28 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: eye heart crane (was: sojourner beat)

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Michael writ:

 

>> Who is Stella? What in poem indicates this?

 

The quote from the Hughes book was mighty slim on Hart, so I included

Stella as well.   (Thanks to Joe Buschini for the name clarification).

You might do a search and see what happens, or even better checkout the

local library/bookstore.  _Gardner's_ gigantic World of Art is what I

was looking for this morning, but couldn't find.

 

>> Why do the billboards see the keen equinox frigid and delightful?

 

a cold winter day, walking stoically from one part of town to another,

seeing the light quote unquote?  Billboards and grafitti marking out a

personal space?

 

><<And I know this question is most likely

>gonna hurt later, but I searched Alta Vista for "caruso," but got so many

>different hits, it left me confused--what does the vendor listen to if

>the vendor listens to Caruso's voice? It must contain bass enough, or

significance enough to "shaek the brick streets.">>

 

The voice of one man, making his presence known.  Gregory Caruso, the

beat writer/poet?  The reverberating voice conclusion ties in nicely

with the "liquid skin flash", bicycle cut skin, moving cables of the

brooklyn bridge, and the walk down Delancey.  A path taken by foot, not

car or bus, apparently.  Different kinds of 'movement' through various

'territories'.

 

Shocks and realizations reaching a far destination.  <<france>>  CP

thinking of phone call from Caruso, speaking in Caruso's voice to the

>vendor.  An adoption, translation, an esoteric skin??

> 

><<To date, I have read this poem as change, the kind of change that only

>goes one way, or that produces archetypal influences, like when Gatsby

>first met and fell in love with Daisy...that event change produced an

>outcome immeasurably different than had the event not occured as we all

know...>>

 

yes, and in the movie with Mia Farrow and Robert Redford, don't forget

the scenes with the optometrist's billboards.  the one with the gigantic

pictogram eye, that seems to loom over, look at everything.  <<god?>>

> 

>> I'm confused, but confusion is good...

>> ***

>> Help...

 

yep.  been down that road recently myself.  It's been raining sandstorms

in my neck of the woods.  Personally, I'm wondering what Caruso's voice

is saying?  "go the distance" ??

 

and Sherri, have just received your post, :: the phonebook is "yellow"

so I suspect ol' CP was looking for a bike to mail to france.  some

biking accident?  and sneaking back to Michael's interpretation, CP

realized it wasn't going to do him any good anyway.  The changing of

seasons being a nice metaphor for a personal journey.  <<perhaps>>??

 

>> Michael L. Buchenroth

> Sherri

 

>cheers, Douglas

=========================================================================

Date:         Fri, 11 Jul 1997 12:22:07 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: sojourner beat

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

<<more thoughts while getting my lunch>>

 

sorry to pounce on this.  one more post on CP's poem "the hidden

equinox" and then I'm out.

 

Don't know the context of its publishing "for gen x".  but::

 

Caruso's voice from france = a bridge to art, with the force of a truck,

able to make the streets rumble with his fallings/failures

 

equinox = september 23 = equal lenghts = twice a year = friendship?

 

walking & biking = methods of transversing life and only the "hothouse

of idiots' and their "liquid skins" (billboards) don't understand that

it's not the method that's important, but the distance travelled (and

sights seen along the way: grafitti).

 

life = 10c custard

 

<<Man I'm hungry>> Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Fri, 11 Jul 1997 14:47:43 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      FW: eye heart crane (was: sojourner beat)

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

via backchannel, Sherri (thank you very much!!) states <ahem>, that:

> 

><<the beat poet is gregroy corso... caruso is enrico caruso, considered to be

>the greatest operatic tenor of all time by most people.>>

 

ah!  I therefore retract all I said, pulling up all stakes.  I'm keeping

the burrito I had for lunch though!  <<yum>>

 

Charles Plymell, where are you you you you you [[SD calling...

 

> ciao, sherri [[hope you don't mind me posting this??

 

>Douglas

> 

=========================================================================

Date:         Fri, 11 Jul 1997 19:19:16 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: sojourner beat

Comments: To: mike@infinet.com

 

Thanks for catching that poem. It wasn't in Forever Wider and I had forgotten

all about it. It's fun to look at my own work fresh. I think it would be a

flashy poem. I'm learning from your poems you sent me.  It takes me a while

to study them.

Charley

=========================================================================

Date:         Fri, 11 Jul 1997 19:51:11 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: jo grant/nicosia

 

I second the motion.

Charley

=========================================================================

Date:         Fri, 11 Jul 1997 20:05:24 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: sojourner beat

 

Thank you joe for being literate.  Hart Crane was the poets' poet.  Even

Ginsy's.

Charley

=========================================================================

Date:         Sat, 12 Jul 1997 00:25:36 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: eye heart crane (was: sojourner beat)

 

don't mind you posting that at all, i meant it for beat-l, forgot to change

where to respond  <grins>

=========================================================================

Date:         Fri, 11 Jul 1997 19:42:08 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: eye heart crane (was: sojourner beat)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Gentleman,

 

The whole world is not yet available through the major search engines.

 

Libraries are still helpful.

 

Hart Crane, very important early 20th century Am poetry, look him up

 

Frank Stella, equally important ab ex painter.

 

Enrico Caruso, The ultimate tenor, on all the better jukeboxes in lthe

great italian neighborhoods that became Bohemia's, be they the Village

in NY or North Beach in SF.

 

J Stauffer

 

Penn, Douglas, K wrote:

> 

> Michael writ:

> 

> >> Who is Stella? What in poem indicates this?

=========================================================================

Date:         Fri, 11 Jul 1997 23:36:20 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Fwd: eye heart crane

 

---------------------

Forwarded message:

Subj:    Re: eye heart crane

Date:    97-07-11 23:36:13 EDT

From:    CVEditions

To:      love_singing@msn.com

 

In a message dated 97-07-11 23:06:02 EDT, you write:

 

<<  your notion of Frost may be more to the point >>

 

Fuck Frost that old fool, just because I have a beard and and on site under a

craggy tree, i don't wanna be no Frost industry!

 

He got a few lines going. Had to go to England to get ol crazy Pound to

publish him. he was to far out for the academe. Can you imagine that? He

began on the S.F. beach where I wrote REBA. He had a consession. Then moved

to Vermont. Built a fence or something. Read at Camelot's inaguration. Then

all the little cillen started writing frostpomes. Please don't associate me

with him. Exect for a prize of somekind. Oh why you make it hard for me?

Old Joe Turner sang "Please Mr, Johnson/don't play the blues so sad"

Charles Plymell

=========================================================================

Date:         Fri, 11 Jul 1997 22:55:03 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Fwd: eye heart crane

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Two roads

diverged

in a narrow wood

i looked down one as far

as my eye could see

i looked down the other as far

as my eye could see

i looked back to the first

then back at the second

i stood

silent

frozen

in indecision

hours passed

my mentor's words

"choice is tragic"

sounded in my brain

i looked to the first

i looked to the second

Fuck It

i screamed

turned

and sauntered back home

and took a

cold

shower!

 

david rhaesa

salina, Kansas

 

 

 

Pamela Beach Plymell wrote:

> 

> ---------------------

> Forwarded message:

> Subj:    Re: eye heart crane

> Date:    97-07-11 23:36:13 EDT

> From:    CVEditions

> To:      love_singing@msn.com

> 

> In a message dated 97-07-11 23:06:02 EDT, you write:

> 

> <<  your notion of Frost may be more to the point >>

> 

> Fuck Frost that old fool, just because I have a beard and and on site under a

> craggy tree, i don't wanna be no Frost industry!

> 

> He got a few lines going. Had to go to England to get ol crazy Pound to

> publish him. he was to far out for the academe. Can you imagine that? He

> began on the S.F. beach where I wrote REBA. He had a consession. Then moved

> to Vermont. Built a fence or something. Read at Camelot's inaguration. Then

> all the little cillen started writing frostpomes. Please don't associate me

> with him. Exect for a prize of somekind. Oh why you make it hard for me?

> Old Joe Turner sang "Please Mr, Johnson/don't play the blues so sad"

> Charles Plymell

=========================================================================

Date:         Sat, 12 Jul 1997 03:59:02 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: eye heart crane

 

i'm sorry, i just thought it was a helluva alot better notion than my stupid

one  <grins>  it was Michael's idea!!! <whining>

 

<poor girl freaks, hides her face in her hands>

 

was the rest of what i said totally off too?

 

i really want to lay my hands on some of your books, is there no place you can

suggest in the Bay Area?

 

humbly and sheepishly hoping you'll forget my faux pas.

 

ciao,

sherri

=========================================================================

Date:         Fri, 11 Jul 1997 21:27:48 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      "buy me a bicycle and cut my skin"

Comments: To: Pamela Beach Plymell <CVEditions@AOL.COM>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Charles Plymell [[and beat-list:

 

You sir, have made my day.  been thinking about that poem of yours recently

posted to the beat-list, "the hidden equinox."  just now (*:$$() figured

out, at least another focal point, this line

 

        "buy me a bicycle and cut my skin"

 

and how it relates to the sound of corso... caruso

pumping out a radio down on Chauncey street

how walking across this bridge, girders bouncing

<<beaming>> progress and identity - death

life unescorted, headed for the straight life

breaking beams:: sharks sir, sharks

 

sir, sharks are attracted to blood

they come upon you fast, making lots of turns

and twists, and tumbles as the water pulls you down

 

<<hm>> breathe -- I'm asking you

"buy me a bicycle and cut my skin"

 

calling to ask you in

to hear your voice

to come home a little

.... quicker

the sound of your unborn child

bouncing and quivering -- mother

 

How much faster can that sound come

oh, the violent twitch that propels it

the crackles and spits of a torrent wind

<<twisting, tumbling, pulling you down>>

 

<<hm>> breathe -- I'm asking you

"buy me a skin and cut my bicycle"

"bicycle skin and buy me a cut"

"me skin cut buy bicycle and my"

 

 

--==+ so thanx Charley Plymell

http://www.electriciti.com/babu/images/Hidden_equinox.html

 

Douglas

=========================================================================

Date:         Fri, 11 Jul 1997 21:28:06 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: eye heart crane (was: sojourner beat)

In-Reply-To:  <33C6EEFF.62C4@pacbell.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 7:42 PM -0700 7/11/97, James Stauffer wrote:

 

> Gentlema[e]n,

> 

> The whole world is not yet available through the major search engines.

 

ah, not yet....

but I hear it...

what's your number?

mine's runner711

I'm running <<yet>>

be patient, don't worry

--you'll hear it

.... rumbling

by the year 2010??

 

 

> Libraries are still helpful.

 

yep.  friends are better.

can you dig it, brother?

deep brother, James?

 

 

 

 

 

 

        [["buy me a bicycle and cut my skin"  --who said this??

 

 

 

 

 

 

Douglas  [[I think it was god....?

 

 

 

<<laugh>>>>

=========================================================================

Date:         Sat, 12 Jul 1997 00:31:16 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: CODY: what murder?

 

Diane:

 

By now you have learned from other posts that the murder referred to in the

taped conversation was none other than one of the most infamous incidents in

the whole Beat mythology- WSB's accidental killing of his wife Joan in a

drunken "William Tell" incident, excrutiatingly recounted in many books, as

well as in the BURROUGHS documentary and even (repeatedly) in David

Cronenberg's film version of NAKED LUNCH ( a noble failure, I respect him for

trying).  The doomed WSB, Jr. was present, age 4, among many other details

that make this one of the most appalling/fascinating occurrences in the

collective Beat saga.  The most poignant recounting of and reflection on this

that I can think of now is by WSB himself, in his introduction to QUEER.

 

All I can add at this time is, first, the observation that "....in between

June and August....the murder took place" is wrong, it happened on September

6, 1951.  But the fact that other Beat legends (Cassady and Kerouac) are

speculating like this, less accurately than us current scholars from the

distance of decades and a mountain of sources, is itself very interesting and

significant.  This is how it really was, how history is really made before it

is "history" in the discord and immediacy of the moment.  How do I put it-

there is both a demystification of a well-established and documented legend,

and a message that our own  relatively anonymous cosmic huddles have the same

legendary qualities that we project by popular consensus onto this now-famous

group.  There's more to this I can't quite get at, it's late and enough for

now.

 

Secondly, I recall from my visit with WSB in early 1995 that gun magazines

and boxes of ammunition were scattered in his home.  A gentleman who we

visited earlier the same day was his favorite shooting partner, with whom he

was going to shoot the next day.  I even have a set of 3 t-shirts personally

shot at and signed by him.  Many of his artworks that he has been producing

over the last decade or so are the result of shooting paint &or bullets at

boards, doors, etc.  Shooting, whether guns or junk, is a constant through

his life and work.  How can he shoot at targets and not think of the tragedy?

 Read the QUEER introduction and try to tell me he isn't sensitive to its

significance. I think I know why the shooting continues- He was both freed

and "grounded" (as Ginsberg put it) by what happened, he had nothing to lose

and became the brave pioneer I revere and enjoy and have learned so much

from, he had "no choice except to write my way out" and has been doing so

ever since, it was the Big Bang, indeed.

 

Regards,

 

Arthur

=========================================================================

Date:         Fri, 11 Jul 1997 22:14:02 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: eye heart crane

In-Reply-To:  <UPMAIL14.199707120413100511@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 8:59 PM -0700 7/11/97, Sherri wrote:

 

> i really want to lay my hands on some of your books, is there no place

>you can

> suggest in the Bay Area?

 

Sherri, lesson #1: don't ask the man, go find it your f'in self!

 

Surely this is beat methodology?  Just get in your f'in car and go!  Or

take the BART.  God, I miss San Francisco.  Where is it?  --right next to

china town and the condor strip club??  and there's a bar right next door.

get loaded and head up to the church just above the park.  smoke one for me

and f'in yell as much of "howl" as you possibly can.  da tourists will

meander over, and when they do, take out your hat, or your cup, and kindly

inform them that they just had the pleasuring of hearing some eternal

<<Allen Ginsberg>>.  Would they care to make a small donation??  and even

though you're standing on the steps of the church, I don't think God or

Jesus will mind.  geez.

 

yeah, so go to City Lights.  Or over to Berkeley and the used shops along

Telegraph street.  and check out the housing coops on the UCSB campus while

you're there.  Tell em DIY sent ya.

 

 

> ciao,

> sherri

 

DIY Douglas  :-)))))))hungry!

 

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Sun, 13 Jul 1997 01:17:12 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Visions of Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I have been searching for an answer to my question about what Jack saw

in Neal and why he made him a hero.  Tonight, I went to Memory Babe and

found the following which appears to be from the Gregory McDonald:

 

Page 689:

 

He (JK) talked so long and lovingly of Gerard that McDonald was moved to

inquire whether Jack had any satisfying relationships with living

people.  He had none to speak of.  Finally McDonald asked, "Jack have

you ever felt one-on-one with anybody?"  Without a second's thought,

Jack answered, "Yeah, Cassady," and began to talk of Neal as he had

talked about Gerard, describing their trips together but concentrating

on Neal's eyes and the rare communication that had passed between them

and his own.  At the same time he kept apologizind for his obsession

with Neal, as though their relationship also deeply frightened him.  Yet

he didn't want Neal to be dead; he spoke of his belief that Neal might

be alive, but also talked of meeting him in the afterlife."

 

 

If we assume that Nicosia's comments are accurate, then we can see a

picture developing that explains why Neal is the hero.  He is Jack's

"brother" in the sense that they connected on the deepest of levels

where we do not use words.  This would explain the tapes as well.

 

Just a thought.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 12 Jul 1997 05:29:57 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: eye heart crane

 

did City Lights, even tho da man already tole me they ain't  publishin it no

more, just in case... checked out the used books section, too.

 

most beat stuff is hard to come by in used book stores round here cuz it's

either not there cuz folks don't wanna part wid it or cuz it gets snatched up

PDQ.  next thing is da library... haven't had a chance to do dat yet, man.

tomorrow checkin at da great used bookstore a blcok from my apt.  maybe i'll

get lucky, but only thing so far i've come up wid is nicoia's MemoryBabe.

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of runner711

Sent:   Friday, July 11, 1997 10:14 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: eye heart crane

 

At 8:59 PM -0700 7/11/97, Sherri wrote:

 

> i really want to lay my hands on some of your books, is there no place

>you can

> suggest in the Bay Area?

 

Sherri, lesson #1: don't ask the man, go find it your f'in self!

 

Surely this is beat methodology?  Just get in your f'in car and go!  Or

take the BART.  God, I miss San Francisco.  Where is it?  --right next to

china town and the condor strip club??  and there's a bar right next door.

get loaded and head up to the church just above the park.  smoke one for me

and f'in yell as much of "howl" as you possibly can.  da tourists will

meander over, and when they do, take out your hat, or your cup, and kindly

inform them that they just had the pleasuring of hearing some eternal

<<Allen Ginsberg>>.  Would they care to make a small donation??  and even

though you're standing on the steps of the church, I don't think God or

Jesus will mind.  geez.

 

yeah, so go to City Lights.  Or over to Berkeley and the used shops along

Telegraph street.  and check out the housing coops on the UCSB campus while

you're there.  Tell em DIY sent ya.

 

 

> ciao,

> sherri

 

DIY Douglas  :-)))))))hungry!

 

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 11 Jul 1997 22:43:50 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: eye heart crane

In-Reply-To:  <UPMAIL14.199707120535260495@msn.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:29 PM -0700 7/11/97, Sherri wrote:

 

> maybe i'll

> get lucky, but only thing so far i've come up wid is nicoia's MemoryBabe.

 

gee, if you can't find it online <<hm>> maybe you could look in the

archives everyone on this list is talking about?  <<hm....

 

> ciao,

> sherri

 

Douglas  <<getting off now>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Fri, 11 Jul 1997 23:17:12 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Cody Notes and Queries

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sloshing my way still through Part 2.

 

Find myself wondering whether the real Neal was really a good pool

player.  Doesn't seem the right type.  I have watched some great 9 ball

players.  Most are really idiot savants.  Great concentration and hand

and eye.  Good sense of just how good they need to play at a given time

to keep the fish on. Can't remember any that were talkers. travel with a

horse who gets the game up, carries money, and can sense how deep the

pockets are.  Neal strikes me as maybe a decent bar eightball player on

a table where shots don't have to be called.  Lot's of serendipitous

slop shots and a good patter.    Don't trust Jack as a reliable witness

on this as he was clearly way too infatuated.    Ginsberg even less

credible.

 

Charley, Leon, and all you historians, help me out on this cunnumdrum.

 

J. Stauffer

=========================================================================

Date:         Sat, 12 Jul 1997 01:08:06 -0500

Reply-To:     LISA VEDROS <2ndbeat@TELAPEX.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LISA VEDROS <2ndbeat@TELAPEX.COM>

Subject:      Second Beat #3

Comments: To: BEAT-L@CUNYVM.CUNY.EDU.

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

The Allen Ginsberg Memorial Issue of Second Beat is available for $1.00,

and is full of poetry and articles about the "Best Mind of Our Generation."

 

Send a buck to:

Camelia City Books

2034 Johnston Station Road

Summit, Ms 39666

 

Thanks,

Thadeus D'Angelo, Camelia City Books

=========================================================================

Date:         Sat, 12 Jul 1997 06:29:20 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: eye heart crane

 

didn't say i couldn't find it online - i want to buy it here.  i don't buy

over the web, not secure enough...

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of runner711

Sent:   Friday, July 11, 1997 10:43 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: eye heart crane

 

At 10:29 PM -0700 7/11/97, Sherri wrote:

 

> maybe i'll

> get lucky, but only thing so far i've come up wid is nicoia's MemoryBabe.

 

gee, if you can't find it online <<hm>> maybe you could look in the

archives everyone on this list is talking about?  <<hm....

 

> ciao,

> sherri

 

Douglas  <<getting off now>>

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Sat, 12 Jul 1997 09:26:50 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      cody thoughts

 

that thread bout NC being hero, antihero, not worthy hero, whatever, keeps

beatin around in my brain....

 

#1 - whatever one might say bout NC - he seems to me to have had a very big

lionheart.  hearts and spirits that big are generally a huge attraction to

like individuals, especially those of a romantic/idealistic bent, and bespeak

a certain nobility...  the heart to be true to oneself, no matter how wrong

one might be.  mythology/religion/history are full of heroes with

weaknesses.... let us not forget Achilles.

 

#2 - it seems to me thatNC, to some extent, can be likened to those famous

muses who inspired/modelled for great paintings or inspired great lit,

regardless of what they may or may not have achieved in their own rights.

sometimes the chemistry is the most important factor

 

#3 - seems to me that JK is parallelling Cody's gradual slip from greatness in

his own mind, as he began to be  more and more fully aware of the darker side

of NC, to that of America's slide from idyllic  dream....

 

additional thoughts:

 

a)  i wonder if this use of color should be tied to hindu/buddhist meanings

for colors...  i don't know the meanings for all of them, but those i do

remember seem fitting to JK's usage - can anyone help me out on this?

 

b)  part 2 - i'm surprised nobody picked up on what a hoot this is... again

like Ulysses...  bunch of ribald humor... like Bloom and the various women he

meets (eg., woman at fish market) .  does anyone know if this

vision/dream/recollection is all supposed to take place in one day like

Ulyssses?  i mean, is this "A Day in the Life Of" so to speak?  if so, then

the book is really bout JK and not NC.

 

c)  love this line  "These imaginings lead me backwards to my original

poipose"   and the "food example"  (pg 75 Penguin '93 edition) got a good te

hee when i came across them and they lead right into the whole Ruth/Ella

tits/legs thing...

 

Cody says "Have this picture, I've used it."

 

pg 76: "I even know this is infinitely more delicious than touching Ruth's

breast itself (though I'd do anything for the chance) - But more, more about

the breast itself - all my life i've dreamed on breasts ( and of course

thighs, but now we're talking of breasts, hold your Venus, we're talking about

Mars, and your water, we're talking about milk)..."  this, while hilarious (

to me at least), speaks volumes about his outlook on women and his feelings

towards his mother.  and all this leads straight into what appear to be

strings of events failed, desires unrequited.  always the promise but never

the dream come true.  the constant, futile chasing of the disappearing

American dream.

 

c)  i know that death was always an undercurrent to JK"s life due to Gerard's

death, but i wonder if it was more heavily on his mind due to his month in the

hospital, not long before writing this book... his own uncertainty about his

health, aware of his own mortality and the general depression that often

follows a long illness and being around so many others who are ill or dying.

 

well, enough from me...

 

ciao,

sherri

=========================================================================

Date:         Sat, 12 Jul 1997 06:57:51 -0400

Reply-To:     cosmicat@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         cosmicat@EROLS.COM

Subject:      Beat-L T-shirt

Comments: cc: Waterrow@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Jeffrey,

This needs saying:

I received my shirt yesterday along with a refund check and explanatory

letter. I agree that the shirt is not well-printed. Much could have been

done to improve the result, but this is what we get. No real problem.

However, I do have a problem with the refund check. First, it was

hastily scribbled. I realise that you probably had to write nearly a

hundred checks at once, but it is far from your best work. Seriously, it

displays the best of intentions, indeed it exemplifies fine qualities

and character attributes mostly absent in the 1990's, but it won't do.

I, for one, am unwilling to let you and WRB bear the brunt of the

expense of the Beat-L T-shirt venture alone. The gesture is much

appreciated but you are going to have to take back the check. If you

feel so strongly that we, the Beat-L, have been maligned, cheated,

rooked plenty, abused, etc. by the printers, you can send me another

shirt in exchange for YOUR check. (I think I just stepped into an event

loop with that line.) Mr.Weinberg, I have laid out far more for far less

many times in the past. Thank you for your efforts, the outcome is more

than satisfactory.

Your check is in the mail,

Michael Nally

=========================================================================

Date:         Sat, 12 Jul 1997 07:40:16 -0400

Reply-To:     Marioka7@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      sionara, babies

 

Dear Beetles,

 

It's been a long, winding, often very productive(for me) road, but my beetle

time has come to an end.  Lets just say that it no longer serves my purposes.

 so I am saying "ciao" until another lifetime, when perhaps the mood will

strike me again.

 

I especially appreciated the informative posts from people who really know

what they're talking about (you know who you are).  And also thanks to the

many creative people who posted their own work, it was often really good

(though sometimes everyone falters, this is normal).  I still feel privileged

to have met some of you and there are some I expect to see in print at the

bookstore in a few years.

 

Thanks Charles Plymell, you are a voice of reason among much voiced unreason.

 

Been nice knowin' yas.

 

take care,

---maya

=========================================================================

Date:         Fri, 11 Jul 1997 23:09:02 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Fwd: eye heart crane

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Pamela Beach Plymell wrote:

> 

> ---------------------

> Forwarded message:

> Subj:    Re: eye heart crane

> Date:    97-07-11 23:36:13 EDT

> From:    CVEditions

> To:      love_singing@msn.com

> 

> In a message dated 97-07-11 23:06:02 EDT, you write:

> 

>  Fuck Frost that old fool, just because I have a beard and and on site

> under a

> craggy tree, i don't wanna be no Frost industry!

> 

 

You should thank God you didn't grow up in the state where Frost was not

only the state poet for a kazillion years, but where every Vermont poet

is measured against his style of writing.  I remember when I was in high

school I submitted my first poem to a state contest, I don't have a copy

anymore, but as I recall it was about the insanity of the Vietnam War.

The woman in charge of sending the poems gave it back to me with a

lecture about how politics had no place in poetry and couldn't I pen

something about stone walls in a pasture.  Kinda makes it clear how

choosing the beats as a model, particularly Ginsberg, can put you outside

the mainstream, and make you say, thank God, there is somebody else out

there with like-minded thoughts and writing.

DC

=========================================================================

Date:         Fri, 11 Jul 1997 23:57:01 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: eye heart crane

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>Sherri wrote:

> 

> i'm sorry, i just thought it was a helluva alot better notion than my

>stupid

> one  <grins>  it was Michael's idea!!! <whining>

> 

> <poor girl freaks, hides her face in her hands>

> 

> was the rest of what i said totally off too?

> 

> i really want to lay my hands on some of your books, is there no place

> you can

> suggest in the Bay Area?

> 

> humbly and sheepishly hoping you'll forget my faux pas.

> 

> ciao,

> sherri

 

 

Sherri,

 

Particularly in poetry, there a place where over-analysis starts to

overide the impact of one's initial response emotionally to a poem.

That's the feeling I get with where you guys are going with this one.

 I don't suggest that you not continue to look for books of Charles'

poems, but in the meantime, check out his web site,

http://www.buchenroth.com/cplymell.html

There you will find much of his writing including a 148K file of the

poems in Robbin the Pillars for Generation X in the Age of Apostasy,

including the one you are discussing.

DC

=========================================================================

Date:         Sat, 12 Jul 1997 00:21:11 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: CODY: what murder?

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Arthur Nusbaum wrote:

> 

> But the fact that other Beat legends (Cassady and Kerouac) >are

> speculating like this, less accurately than us current scholars from

> the

> distance of decades and a mountain of sources, is itself very

> interesting and

> significant.

Arthur,

 

I shall have to find the intro to Queer, because I find this whole

situation incredible.  How could one's whole life not be totally affected

by such an incident?

 

And I think you may have given me insight into the importance of the tape

for the first time--"This is how it really was, how history is really

made before it is 'history' in the discord and immediancy of the

moment...There is both a demystification of a well-established and

documented legend, and a message that our own relatively anonymous cosmic

huddles have the same legendary qualities that we project by popular

concensus onto this now-famous group."

 

Somehow in all of this, the mind, memories, Cody's and Jack's thoughts

and speculations on actual situations alter the reality, and then

recording the actual moments of the memories, adds a new level of the

immediacy of the moment.  We as readers are already twice-removed from

the immediacy, and caught in our own orientation, from our particular

perspective on the history at this point.  From this angle, the tape

makes a lot of sense in a book where visions, moments out of time, are at

the center of the work.  I'm not sure I articulately have gotten at this

element either, but I have a sense of what you mean.

DC

=========================================================================

Date:         Fri, 11 Jul 1997 12:21:37 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: unsubscribe/fyi

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> Date:          Mon, 7 Jul 1997 10:17:49 -0400

> Reply-to:      Marioka7@AOL.COM

> From:          Maya Gorton <Marioka7@AOL.COM>

> Subject:       unsubscribe/fyi

> To:            BEAT-L@CUNYVM.CUNY.EDU

 

> i noticed many people seem to have forgotten:

> You may leave the list at any  time by sending a "SIGNOFF BEAT-L" command

> to  LISTSERV@CUNYVM.CUNY.EDU (or  LISTSERV@CUNYVM.BITNET).

> 

> this is not a hint to anybody so please don't jump on me.  I just wanted to

> provide this info to those who are unsubscibing, so they don't find 10000

> messages and wonder what the hell happened.

> --maya

> 

> 

this is serious shit!! i leave for vacation and come back to 411

(that no. just keeps on popping up!)

messages during one week!! i wish i would've signed off! anyway,

thanx- i will remeber next time. cya~randy

=========================================================================

Date:         Sat, 12 Jul 1997 00:59:27 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody: Imitation of the Tape

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After having struggled with the tape a bit, I didn't have overly high

hopes going into this section, but for me, this is the best part of the

book thus far.  It starts out with an excellent, Americanized imitation

of the style of Joyce's interior monologue of Ulysses.  Then you have

imitations of Wolfe and Poe (I think) all exquisitely drawn together by

Jack's own recollections of Lowell, college, New York, etc, through

hurricanes and baseball leagues.  You have the words and places of great

American writers, all through together in stream of consciousness.

 

And this take on the sins of America and going to college is great--

pg. 259

 

"I read the Sunday comics one afternoon on a Riverside Drive parkbench;

it was pleasant, it was an early moment of mine in New York when reading

the funnies on a bench was synonymous, like an idea, with baby carriages

and maids and mothers.  I've since learned that they'll hide machine guns

in baby carriages--who put suspicion in--what was the name of that bum

who stole the housewife's steaming pie from her kitchen windersill? In

America, the idea of going to college is just like the idea of prosperity

is just around the corner, it was supposed to solve something or

everything or something because all you had to do was larn what they

taught and then everything else was going to be handled; instead of that,

and just like prosperity that was never around the corner but a couple of

miles at least (and false prosperity--) going to college by acquainting

me with all the mad elements of life, such as the sensibilities, books,

arts, histories of madness, and fashions, has not only made it impossibe

for me to learn simple tricks of how to earn a living but has deprived me

of my one-time innocent belief in my own thoughts that used to make me

handle my own destiny.  So now I sit and stew in a sophistication which

has taken hold of me just exactly like a disease and makes me lie around

like a bum all day long and stay up all night goofing with myself.  I had

thought, in and before college, that to be a writer was like being, of

course, the Emile Zola of the film they made about him with Paul Muni

shouting angrily in the streets at the dumb and stupid masses, as if he

knew everything and they didn't know a damn thing; instead of that I

wonder what working people think of me when they hear my typewriter

clacking in the middle of the night or what they think I'm up to when I

take walks at 2 a.m. in outlying surburban neighborhoods--the truth is I

haven't a single thing to wr--feel foolish...How I wish I could grow corn

tomorrow morning! How I wish I had enough patience to go and meet Farmer

Brown in two hours from now, 5 a.m., and go learn early morning farming

matters from him, and sober, too; and not high on tea, either.  Instead

of that I give myself tremendous headeaches and I am also less paid than

a Mexican in New Mexico, and at least the Mexican in New Mexico has the

right to get angry and to feel truly righteous in his heart, if I went

for righteousness at the face of God on what grounds could I make such a

claim?--where plant my stick?"

 

DC

=========================================================================

Date:         Sat, 12 Jul 1997 12:26:50 -0500

Reply-To:     "Ann J.M.S. Harlan" <annh@CCRTC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Ann J.M.S. Harlan" <annh@CCRTC.COM>

Subject:      Re: please read this and vote

Comments: To: Sherri <love_singing@msn.com>, Stef <Ad_Libitum@msn.com>,

          HJW II <ArchibaldLeach@msn.com>, Stuart Crosby <BRAVES10@msn.com>,

          Ron Vassel <BlizzardKing@msn.com>,

          Michael Riddle <CENTERLINEDESIGN@msn.com>,

          Cari Who ELSE???? <CittiGirl@msn.com>, db <Dee-Bee@msn.com>,

          Homebrook <Homebrook@msn.com>, Jason Tinling <JTinlng@msn.com>,

          Joseph L <JoePlacebo@msn.com>, Kevin Mathers <KEVMATH@msn.com>,

          Kel Rayner <Manatbar@msn.com>,

          the little people <MarmaladeSkies@msn.com>,

          Kent <NoixDeGolf@msn.com>, Jim B <PBRUEGEL@msn.com>,

          Ask and I might tell you <Peaceful-Warrior2@msn.com>,

          R <ROcean@msn.com>, Blair <Reepoo@msn.com>,

          James Sims <SimbaJim@msn.com>, Sharon <SopAndBass@msn.com>,

          Tom Gummo <TGUMMO@msn.com>,

          Life is a sick joke and I'm the punchline <The_Boogey_Man@msn.com>,

          rico <UNIR1@msn.com>, Mark <Vox_Amicus@msn.com>,

          "e.e. cummings" <What-is_death@msn.com>,

          Tanya Ceccatto <_AngelBaby@msn.com>,

          _Prometheus1 <_Prometheus1@msn.com>, S Johnson <doc11@msn.com>,

          Drew Eskenazi <drewesk@msn.com>, Robert Lear <king_lear1@msn.com>,

          PAUL KOLJESKI <koljeski@msn.com>,

          Silver Surfer <mad-chatter@msn.com>, david simoni <oak123@msn.com>,

          Kash Philips <philkash@msn.com>,

          anthony osborne <rastafarian@msn.com>,

          Rico Mariani <ricom_ms@msn.com>, Robert Eback <rleback@msn.com>,

          Stephen Baldwin <sabaldwin@msn.com>,

          BigDaddyRico <Engelsguy@aol.com>, Don Green <NYCDBG@aol.com>,

          cj <sjohn111@aol.com>, Kent Smedley <Kent.Smedley@clorox.com>,

          THEBODYIS1@aol.com

Comments: cc: mychajlo@fast.net, J_DRUCK@prodigy.com,

          rrjwalz@integrityonline.com, davmark@mindspring.com,

          Warshie@prodigy.com, artworks@concentric.net, CHFriend@aol.com,

          joshperi@netvision.net.il, phibarn@scisun.sci.ccny.cuny.edu,

          szucker@isd.net, sranney@azstarnet.com, zin@juno.com,

          marketingedge@msn.com, cprubin@weizmann.weizmann.ac.il,

          jerry.rogoff@exar.com

MIME-Version: 1.0

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hmmmmmmmmm, into censorship now?

1. I believe in freedom of speech

2. If they are plotting in the open, you can keep an eye on them ;-)

Ann J.M.S. Harlan

annh@ccrtc.com

 

----------

From: Sherri  <love_singing@msn.com>

To: Stef  <Ad_Libitum@msn.com>; HJW II  <ArchibaldLeach@msn.com>; Stuart

Crosby <BRAVES10@msn.com>; Ron Vassel <BlizzardKing@msn.com>; Michael

Riddle <CENTERLINEDESIGN@msn.com>; Cari Who ELSE???? <CittiGirl@msn.com>;

db  <Dee-Bee@msn.com>; Homebrook  <Homebrook@msn.com>; Jason Tinling

<JTinlng@msn.com>; Joseph L <JoePlacebo@msn.com>; Kevin Mathers

<KEVMATH@msn.com>; Kel Rayner <Manatbar@msn.com>; the little people

<MarmaladeSkies@msn.com>; Kent  <NoixDeGolf@msn.com>; Jim B

<PBRUEGEL@msn.com>; Ask and I might tell you <Peaceful-Warrior2@msn.com>; R

 <ROcean@msn.com>; Blair  <Reepoo@msn.com>; James Sims <SimbaJim@msn.com>;

Sharon  <SopAndBass@msn.com>; Tom Gummo <TGUMMO@msn.com>; Life is a sick

joke and I'm the punchline <The_Boogey_Man@msn.com>; rico  <UNIR1@msn.com>;

Mark  <Vox_Amicus@msn.com>; e.e. cummings <What-is_death@msn.com>; Tanya

Ceccatto <_AngelBaby@msn.com>; _Prometheus1  <_Prometheus1@msn.com>; S

Johnson <doc11@msn.com>; Drew Eskenazi <drewesk@msn.com>; Robert Lear

<king_lear1@msn.com>; x  <king_lear1@msn.com>; PAUL KOLJESKI

<koljeski@msn.com>; Silver Surfer <mad-chatter@msn.com>; david simoni

<oak123@msn.com>; Kash Philips  <philkash@msn.com>; anthony osborne

<rastafarian@msn.com>; Rico Mariani <ricom_ms@msn.com>; Robert Eback

<rleback@msn.com>; Stephen Baldwin <sabaldwin@msn.com>; anniepoo

<annh@ccrtc.com>; BigDaddyRico <Engelsguy@aol.com>; Don Green

<NYCDBG@aol.com>; cj <sjohn111@aol.com>; BEAT-L@CUNYVM.CUNY.EDU; Kent

Smedley <Kent.Smedley@clorox.com>; THEBODYIS1@aol.com

Subject: FW: please read this and vote

Date: Monday, June 30, 1997 12:51 pm

 

This is important, please take the time.

Ciao, Sherri

 

----------

From:   Jamey Sims

Sent:   Monday, June 30, 1997 9:48 AM

To:     'sherry'; 'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer';

'Ralph'; 'David Lang'; 'boyeeeeeee'; 'Suzie & Robert'; 'Gary'; 'The Lang

Gang'; 'Brandon Wescott'; 'kevey'; 'Dr Cowan'; 'Renee'; 'bogie'; 'Tammy';

'Shari & Troy'; 'Yvonne'

Subject:        FW: please read this and vote

 

do this please

--Jamey

 

----------

From:   Marrow

Sent:   Saturday, June 28, 1997 3:35 PM

To:     Jamey Sims

Subject:        please read this and vote

 

 

 

>From: Marrow <mychajlo@pop.fast.net>

>Subject: please read this and vote

> 

>>From: J_DRUCK@prodigy.com (MR JEFFREY L DRUCKENMILLER)

>>Date: Thu, 26 Jun 1997 07:39:12, -0500

>>To: rrjwalz@integrityonline.com, mychajlo@fast.net

>>Subject: please read this and vote

>> 

>>for your interest

>> 

>> 

>> 

>><< Start of Forwarded message via Prodigy Mail >>

>> 

>>From:  (Warshie) DIANNE WARSHAVER

>>Subject:       please read this and vote

>>Date:  06/20

>>Time:  07:28 PM

>> 

>>so, we are never safe from crazies.....

>> 

>> 

>><< Start of Forwarded message via Prodigy Mail >>

>> 

>>From:  David Blum

>>Subject:       please read this and vote

>>Date:  06/20

>>Time:  06:55 PM

>> 

>>Return-Path: <davmark@mindspring.com>

>>Received: from brickbat8.mindspring.com (brickbat8.mindspring.com

>>[207.69.200.11])

>>      by pimaia1w.prodigy.com (8.8.5/8.8.5) with ESMTP id SAA106760

>>      for <Warshie@prodigy.com>; Fri, 20 Jun 1997 18:56:48 -0400

>>Received: from 38.26.20.135 (ip135.an9-new-york4.ny.pub-ip.psi.net

>>[38.26.20.135])

>>      by brickbat8.mindspring.com (8.8.5/8.8.5) with SMTP id SAA03646;

>>      Fri, 20 Jun 1997 18:55:11 -0400 (EDT)

>>Message-ID: <33AAC4FA.42EF@mindspring.com>

>>Date: Fri, 20 Jun 1997 18:59:22 +0100

>>From: David Blum <davmark@mindspring.com>

>>Reply-To: davmark@mindspring.com

>>X-Mailer: Mozilla 3.0 (Macintosh; U; 68K)

>>MIME-Version: 1.0

>>To: "artworks@concentric.net" <artworks@concentric.net>,

>>        "CHFriend@aol.com" <CHFriend@aol.com>,

>>        "joshperi@netvision.net.il" <joshperi@netvision.net.il>,

>>        MS DIANNE L WARSHAVER <Warshie@prodigy.com>,

>>        Sarah Barnett <phibarn@scisun.sci.ccny.cuny.edu>,

>>        Steve Zuckerman <szucker@isd.net>,

>>        "Susan E. Ranney" <sranney@azstarnet.com>,

>>        Suzie Dennis Ben David <marketingedge@msn.com>,

>>        "zin@juno.com" <zin@juno.com>

>>Subject: please read this and vote

>>Content-Type: text/plain; charset=us-ascii

>>Content-Transfer-Encoding: 7bit

>> 

>>>Forwarded message:

>>>Subj:    No Subject

>>>Date:    97-06-06 03:17:09 EDT

>>>From:    Jonapangai

>>>To:      CampNicole

>>> 

>>>We have understood that a few Neo-Nazi groups are trying to create

>>>(again) a usenet group where they want to keep in contact

>>>with each other regarding their activities. I believe it is not

>>>necessary to dwell further on these activities.

>>> 

>>>The group is rec.music.white-power

>>> 

>>>To create such a group, they have to win a referendum that is

>>>always organised when a new usenet group is created.

>>>All persons with an email address, and only those, can vote

>>>in this referendum.

>>> 

>>>It is IMPORTANT to vote only once, otherwise the vote is

>>>cancelled.

>>> 

>>>To prevent the creation of this group, you have to:

>>> 

>>>    1. Send this message to people you know

>>> 

>>>    2. Send an email to the following address:

>>> 

>>>           music-vote@sub-rosa.com

>>> 

>>>    3. In the body of your message (not in the 'subject' line)

>>>      include EXACTLY and ONLY the following line:

>>> 

>>>           I vote NO on rec.music.white-power

>>> 

>>>Since the vote is automatic, it is IMPORTANT to send the

>>>exact line as it is given above, without adding anything, not even

>>a

>>>name.

>>>And please send it only once or it becomes invalid ! Also,

>>> 

>>>PLEASE  FORWARD

>>>THIS LETTER TO EVERYONE YOU KNOW WITH AN E-MAIL ADDRESS TO

>>>PREVENT THE GROUP FOUNDERS FROM CREATING THIS GROUP.

>>> 

>>>*********************************************

>>> Israel Rubinstein

>>> Professor of Chemistry

>>> Department of Materials and Interfaces

>>>The Weizmann Institute of Science

>>> Rehovot 76100, Israel

>>>Phone: +972 8 9342678     Fax: +972 8 9344137

>>> E-mail: cprubin@weizmann.weizmann.ac.il

>>>http://www.weizmann.ac.il/weg

>>> 

>>> 

>>> 

>>Gerardo (Jerry) Rogoff

>>Field Applications Engineer

>>Exar Corporation

>>500 Clark Rd.

>>Tewksbury, MA 01876

>> 

>>Tel.:    (508) 640-8899

>>FAX:   (508) 640-6926

>>Pager: (800) 943-4064

>> 

>>email: jerry.rogoff@exar.com

>>Visit our Website @: http://www.exar.com

>> 

>> 

>><< End of Forwarded message >>

>> 

>><Distribution List>

>>      (FJHE36A), J DRUCKENMILLER

>>      (TVSG32A), STEVE BOGUS

>> 

>> 

>><< End of Forwarded message >>

>> 

>> 

 

 

Sincerely,

Michael T. Montgomery

mychajlo@fast.net

 

 

 

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<html><head></head><BODY bgcolor=3D"#D8D0C8"><p><font size=3D2 =

color=3D"#800080" face=3D"Arial">hmmmmmmmmm, into censorship now?<br>1. =

I believe in freedom of speech<br>2. If they are plotting in the open, =

you can keep an eye on them ;-)<br>Ann J.M.S. =

Harlan<br>annh@ccrtc.com<br><br><font =

color=3D"#000000">----------<br>From: Sherri &nbsp;&lt;<font =

color=3D"#0000FF"><u>love_singing@msn.com</u><font =

color=3D"#000000">&gt;<br>To: Stef &nbsp;&lt;<font =

color=3D"#0000FF"><u>Ad_Libitum@msn.com</u><font color=3D"#000000">&gt;; =

HJW II &nbsp;&lt;<font =

color=3D"#0000FF"><u>ArchibaldLeach@msn.com</u><font =

color=3D"#000000">&gt;; Stuart Crosby &lt;<font =

color=3D"#0000FF"><u>BRAVES10@msn.com</u><font color=3D"#000000">&gt;; =

Ron Vassel &lt;<font color=3D"#0000FF"><u>BlizzardKing@msn.com</u><font =

color=3D"#000000">&gt;; Michael Riddle &lt;<font =

color=3D"#0000FF"><u>CENTERLINEDESIGN@msn.com</u><font =

color=3D"#000000">&gt;; Cari Who ELSE???? &lt;<font =

color=3D"#0000FF"><u>CittiGirl@msn.com</u><font color=3D"#000000">&gt;; =

db &nbsp;&lt;<font color=3D"#0000FF"><u>Dee-Bee@msn.com</u><font =

color=3D"#000000">&gt;; Homebrook &nbsp;&lt;<font =

color=3D"#0000FF"><u>Homebrook@msn.com</u><font color=3D"#000000">&gt;; =

Jason Tinling &lt;<font color=3D"#0000FF"><u>JTinlng@msn.com</u><font =

color=3D"#000000">&gt;; Joseph L &lt;<font =

color=3D"#0000FF"><u>JoePlacebo@msn.com</u><font color=3D"#000000">&gt;; =

Kevin Mathers &lt;<font color=3D"#0000FF"><u>KEVMATH@msn.com</u><font =

color=3D"#000000">&gt;; Kel Rayner &lt;<font =

color=3D"#0000FF"><u>Manatbar@msn.com</u><font color=3D"#000000">&gt;; =

the little people &nbsp;&lt;<font =

color=3D"#0000FF"><u>MarmaladeSkies@msn.com</u><font =

color=3D"#000000">&gt;; Kent &nbsp;&lt;<font =

color=3D"#0000FF"><u>NoixDeGolf@msn.com</u><font color=3D"#000000">&gt;; =

Jim B &lt;<font color=3D"#0000FF"><u>PBRUEGEL@msn.com</u><font =

color=3D"#000000">&gt;; Ask and I might tell you &lt;<font =

color=3D"#0000FF"><u>Peaceful-Warrior2@msn.com</u><font =

color=3D"#000000">&gt;; R &nbsp;&lt;<font =

color=3D"#0000FF"><u>ROcean@msn.com</u><font color=3D"#000000">&gt;; =

Blair &nbsp;&lt;<font color=3D"#0000FF"><u>Reepoo@msn.com</u><font =

color=3D"#000000">&gt;; James Sims &lt;<font =

color=3D"#0000FF"><u>SimbaJim@msn.com</u><font color=3D"#000000">&gt;; =

Sharon &nbsp;&lt;<font color=3D"#0000FF"><u>SopAndBass@msn.com</u><font =

color=3D"#000000">&gt;; Tom Gummo &lt;<font =

color=3D"#0000FF"><u>TGUMMO@msn.com</u><font color=3D"#000000">&gt;; =

Life is a sick joke and I'm the punchline &lt;<font =

color=3D"#0000FF"><u>The_Boogey_Man@msn.com</u><font =

color=3D"#000000">&gt;; rico &nbsp;&lt;<font =

color=3D"#0000FF"><u>UNIR1@msn.com</u><font color=3D"#000000">&gt;; Mark =

&nbsp;&lt;<font color=3D"#0000FF"><u>Vox_Amicus@msn.com</u><font =

color=3D"#000000">&gt;; e.e. cummings &lt;<font =

color=3D"#0000FF"><u>What-is_death@msn.com</u><font =

color=3D"#000000">&gt;; Tanya Ceccatto &lt;<font =

color=3D"#0000FF"><u>_AngelBaby@msn.com</u><font color=3D"#000000">&gt;; =

_Prometheus1 &nbsp;&lt;<font =

color=3D"#0000FF"><u>_Prometheus1@msn.com</u><font =

color=3D"#000000">&gt;; S Johnson &lt;<font =

color=3D"#0000FF"><u>doc11@msn.com</u><font color=3D"#000000">&gt;; Drew =

Eskenazi &lt;<font color=3D"#0000FF"><u>drewesk@msn.com</u><font =

color=3D"#000000">&gt;; Robert Lear &lt;<font =

color=3D"#0000FF"><u>king_lear1@msn.com</u><font color=3D"#000000">&gt;; =

x &nbsp;&lt;<font color=3D"#0000FF"><u>king_lear1@msn.com</u><font =

color=3D"#000000">&gt;; PAUL KOLJESKI &lt;<font =

color=3D"#0000FF"><u>koljeski@msn.com</u><font color=3D"#000000">&gt;; =

Silver Surfer &lt;<font =

color=3D"#0000FF"><u>mad-chatter@msn.com</u><font =

color=3D"#000000">&gt;; david simoni &lt;<font =

color=3D"#0000FF"><u>oak123@msn.com</u><font color=3D"#000000">&gt;; =

Kash Philips &nbsp;&lt;<font =

color=3D"#0000FF"><u>philkash@msn.com</u><font color=3D"#000000">&gt;; =

anthony osborne &lt;<font =

color=3D"#0000FF"><u>rastafarian@msn.com</u><font =

color=3D"#000000">&gt;; Rico Mariani &lt;<font =

color=3D"#0000FF"><u>ricom_ms@msn.com</u><font color=3D"#000000">&gt;; =

Robert Eback &lt;<font color=3D"#0000FF"><u>rleback@msn.com</u><font =

color=3D"#000000">&gt;; Stephen Baldwin &lt;<font =

color=3D"#0000FF"><u>sabaldwin@msn.com</u><font color=3D"#000000">&gt;; =

anniepoo &lt;<font color=3D"#0000FF"><u>annh@ccrtc.com</u><font =

color=3D"#000000">&gt;; BigDaddyRico &lt;<font =

color=3D"#0000FF"><u>Engelsguy@aol.com</u><font color=3D"#000000">&gt;; =

Don Green &lt;<font color=3D"#0000FF"><u>NYCDBG@aol.com</u><font =

color=3D"#000000">&gt;; cj &lt;<font =

color=3D"#0000FF"><u>sjohn111@aol.com</u><font color=3D"#000000">&gt;; =

<font color=3D"#0000FF"><u>BEAT-L@CUNYVM.CUNY.EDU</u><font =

color=3D"#000000">; Kent Smedley &lt;<font =

color=3D"#0000FF"><u>Kent.Smedley@clorox.com</u><font =

color=3D"#000000">&gt;; <font =

color=3D"#0000FF"><u>THEBODYIS1@aol.com</u><font =

color=3D"#000000"><br>Subject: FW: please read this and vote<br>Date: =

Monday, June 30, 1997 12:51 pm<br><br>This is important, please take the =

time.<br>Ciao, Sherri<br><br>----------<br>From: &#009;Jamey =

Sims<br>Sent: &#009;Monday, June 30, 1997 9:48 AM<br>To: &#009;'sherry'; =

'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer'; <br>'Ralph'; =

'David Lang'; 'boyeeeeeee'; 'Suzie &amp; Robert'; 'Gary'; 'The Lang =

<br>Gang'; 'Brandon Wescott'; 'kevey'; 'Dr Cowan'; 'Renee'; 'bogie'; =

'Tammy'; <br>'Shari &amp; Troy'; 'Yvonne'<br>Subject: &#009;FW: please =

read this and vote<br><br>do this =

please<br>--Jamey<br><br>----------<br>From: &#009;Marrow<br>Sent: =

&#009;Saturday, June 28, 1997 3:35 PM<br>To: &#009;Jamey =

Sims<br>Subject: &#009;please read this and =

vote<br><br><br><br>&gt;From: Marrow &lt;<font =

color=3D"#0000FF"><u>mychajlo@pop.fast.net</u><font =

color=3D"#000000">&gt;<br>&gt;Subject: please read this and =

vote<br>&gt;<br>&gt;&gt;From: <font =

color=3D"#800080"><u>J_DRUCK@prodigy.com</u><font color=3D"#000000"> (MR =

JEFFREY L DRUCKENMILLER)<br>&gt;&gt;Date: Thu, 26 Jun 1997 07:39:12, =

-0500<br>&gt;&gt;To: <font =

color=3D"#0000FF"><u>rrjwalz@integrityonline.com</u><font =

color=3D"#000000">, <font =

color=3D"#0000FF"><u>mychajlo@fast.net</u><font =

color=3D"#000000"><br>&gt;&gt;Subject: please read this and =

vote<br>&gt;&gt;<br>&gt;&gt;for your =

interest<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;&lt;&lt; Start =

of Forwarded message via Prodigy Mail =

&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;From:&#009; (Warshie) DIANNE =

WARSHAVER<br>&gt;&gt;Subject:&#009; please read this and =

vote<br>&gt;&gt;Date:&#009; 06/20<br>&gt;&gt;Time:&#009; 07:28 =

PM<br>&gt;&gt;<br>&gt;&gt;so, we are never safe from =

crazies.....<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;&lt;&lt; Start of =

Forwarded message via Prodigy Mail =

&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;From:&#009; David =

Blum<br>&gt;&gt;Subject:&#009; please read this and =

vote<br>&gt;&gt;Date:&#009; 06/20<br>&gt;&gt;Time:&#009; 06:55 =

PM<br>&gt;&gt;<br>&gt;&gt;Return-Path: &lt;<font =

color=3D"#0000FF"><u>davmark@mindspring.com</u><font =

color=3D"#000000">&gt;<br>&gt;&gt;Received: from =

brickbat8.mindspring.com (brickbat8.mindspring.com =

<br>&gt;&gt;[207.69.200.11])<br>&gt;&gt;&#009;by pimaia1w.prodigy.com =

(8.8.5/8.8.5) with ESMTP id SAA106760<br>&gt;&gt;&#009;for &lt;<font =

color=3D"#0000FF"><u>Warshie@prodigy.com</u><font =

color=3D"#000000">&gt;; Fri, 20 Jun 1997 18:56:48 =

-0400<br>&gt;&gt;Received: from 38.26.20.135 =

(ip135.an9-new-york4.ny.pub-ip.psi.net =

<br>&gt;&gt;[38.26.20.135])<br>&gt;&gt;&#009;by brickbat8.mindspring.com =

(8.8.5/8.8.5) with SMTP id SAA03646;<br>&gt;&gt;&#009;Fri, 20 Jun 1997 =

18:55:11 -0400 (EDT)<br>&gt;&gt;Message-ID: &lt;<font =

color=3D"#0000FF"><u>33AAC4FA.42EF@mindspring.com</u><font =

color=3D"#000000">&gt;<br>&gt;&gt;Date: Fri, 20 Jun 1997 18:59:22 =

+0100<br>&gt;&gt;From: David Blum &lt;<font =

color=3D"#0000FF"><u>davmark@mindspring.com</u><font =

color=3D"#000000">&gt;<br>&gt;&gt;Reply-To: <font =

color=3D"#0000FF"><u>davmark@mindspring.com</u><font =

color=3D"#000000"><br>&gt;&gt;X-Mailer: Mozilla 3.0 (Macintosh; U; =

68K)<br>&gt;&gt;MIME-Version: 1.0<br>&gt;&gt;To: &quot;<font =

color=3D"#0000FF"><u>artworks@concentric.net</u><font =

color=3D"#000000">&quot; &lt;<font =

color=3D"#0000FF"><u>artworks@concentric.net</u><font =

color=3D"#000000">&gt;,<br>&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&quot;<font =

color=3D"#0000FF"><u>CHFriend@aol.com</u><font color=3D"#000000">&quot; =

&lt;<font color=3D"#0000FF"><u>CHFriend@aol.com</u><font =

color=3D"#000000">&gt;,<br>&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&quot;<font =

color=3D"#0000FF"><u>joshperi@netvision.net.il</u><font =

color=3D"#000000">&quot; &lt;<font =

color=3D"#0000FF"><u>joshperi@netvision.net.il</u><font =

color=3D"#000000">&gt;,<br>&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MS DIANNE L WARSHAVER =

&lt;<font color=3D"#0000FF"><u>Warshie@prodigy.com</u><font =

color=3D"#000000">&gt;,<br>&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sarah Barnett &lt;<font =

color=3D"#0000FF"><u>phibarn@scisun.sci.ccny.cuny.edu</u><font =

color=3D"#000000">&gt;,<br>&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Steve Zuckerman &lt;<font =

color=3D"#0000FF"><u>szucker@isd.net</u><font =

color=3D"#000000">&gt;,<br>&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&quot;Susan E. Ranney&quot; =

&lt;<font color=3D"#0000FF"><u>sranney@azstarnet.com</u><font =

color=3D"#000000">&gt;,<br>&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Suzie Dennis Ben David =

&lt;<font color=3D"#0000FF"><u>marketingedge@msn.com</u><font =

color=3D"#000000">&gt;,<br>&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&quot;<font =

color=3D"#0000FF"><u>zin@juno.com</u><font color=3D"#000000">&quot; =

&lt;<font color=3D"#0000FF"><u>zin@juno.com</u><font =

color=3D"#000000">&gt;<br>&gt;&gt;Subject: please read this and =

vote<br>&gt;&gt;Content-Type: text/plain; =

charset=3Dus-ascii<br>&gt;&gt;Content-Transfer-Encoding: =

7bit<br>&gt;&gt;<br>&gt;&gt;&gt;Forwarded message:<br>&gt;&gt;&gt;Subj: =

&nbsp;&nbsp;&nbsp;No Subject<br>&gt;&gt;&gt;Date: =

&nbsp;&nbsp;&nbsp;97-06-06 03:17:09 EDT<br>&gt;&gt;&gt;From: =

&nbsp;&nbsp;&nbsp;Jonapangai<br>&gt;&gt;&gt;To: =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CampNicole<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;W=

e have understood that a few Neo-Nazi groups are trying to =

create<br>&gt;&gt;&gt;(again) a usenet group where they want to keep in =

contact<br>&gt;&gt;&gt;with each other regarding their activities. I =

believe it is not<br>&gt;&gt;&gt;necessary to dwell further on these =

activities.<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;The group is =

rec.music.white-power<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;To create such a =

group, they have to win a referendum that is<br>&gt;&gt;&gt;always =

organised when a new usenet group is created.<br>&gt;&gt;&gt;All persons =

with an email address, and only those, can vote<br>&gt;&gt;&gt;in this =

referendum.<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;It is IMPORTANT to vote only =

once, otherwise the vote =

is<br>&gt;&gt;&gt;cancelled.<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;To prevent =

the creation of this group, you have to:<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; =

&nbsp;&nbsp;&nbsp;1. Send this message to people you =

know<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; &nbsp;&nbsp;&nbsp;2. Send an email =

to the following address:<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<font =

color=3D"#0000FF"><u>music-vote@sub-rosa.com</u><font =

color=3D"#000000"><br>&gt;&gt;&gt;<br>&gt;&gt;&gt; &nbsp;&nbsp;&nbsp;3. =

In the body of your message (not in the 'subject' line)<br>&gt;&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;include EXACTLY and ONLY the following =

line:<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I vote NO on =

rec.music.white-power<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;Since the vote is =

automatic, it is IMPORTANT to send the<br>&gt;&gt;&gt;exact line as it =

is given above, without adding anything, not even =

<br>&gt;&gt;a<br>&gt;&gt;&gt;name.<br>&gt;&gt;&gt;And please send it =

only once or it becomes invalid ! =

Also,<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;PLEASE =

&nbsp;FORWARD<br>&gt;&gt;&gt;THIS LETTER TO EVERYONE YOU KNOW WITH AN =

E-MAIL ADDRESS TO<br>&gt;&gt;&gt;PREVENT THE GROUP FOUNDERS FROM =

CREATING THIS =

GROUP.<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;***********************************=

**********<br>&gt;&gt;&gt; Israel Rubinstein<br>&gt;&gt;&gt; Professor =

of Chemistry<br>&gt;&gt;&gt; Department of Materials and =

Interfaces<br>&gt;&gt;&gt;The Weizmann Institute of =

Science<br>&gt;&gt;&gt; Rehovot 76100, Israel<br>&gt;&gt;&gt;Phone: +972 =

8 9342678 &nbsp;&nbsp;&nbsp;&nbsp;Fax: +972 8 9344137<br>&gt;&gt;&gt; =

E-mail: <font =

color=3D"#0000FF"><u>cprubin@weizmann.weizmann.ac.il</u><font =

color=3D"#000000"><br>&gt;&gt;&gt;<font =

color=3D"#0000FF"><u>http://www.weizmann.ac.il/weg</u><font =

color=3D"#000000"><br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt=

;&gt;Gerardo (Jerry) Rogoff<br>&gt;&gt;Field Applications =

Engineer<br>&gt;&gt;Exar Corporation<br>&gt;&gt;500 Clark =

Rd.<br>&gt;&gt;Tewksbury, MA 01876<br>&gt;&gt;<br>&gt;&gt;Tel.: =

&nbsp;&nbsp;&nbsp;(508) 640-8899<br>&gt;&gt;FAX: &nbsp;&nbsp;(508) =

640-6926<br>&gt;&gt;Pager: (800) 943-4064<br>&gt;&gt;<br>&gt;&gt;email: =

<font color=3D"#0000FF"><u>jerry.rogoff@exar.com</u><font =

color=3D"#000000"><br>&gt;&gt;Visit our Website @: <font =

color=3D"#0000FF"><u>http://www.exar.com</u><font =

color=3D"#000000"><br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;&lt;&lt; End of =

Forwarded message &gt;&gt;<br>&gt;&gt;<br>&gt;&gt;&lt;Distribution =

List&gt;<br>&gt;&gt;&#009;(FJHE36A), J DRUCKENMILLER =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=

nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>&gt;&gt;&#009;(TVSG32A), =

STEVE BOGUS =

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=

nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>&gt;=

&gt;<br>&gt;&gt;<br>&gt;&gt;&lt;&lt; End of Forwarded message =

&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br><br><br>Sincerely,<br>Michael T. =

Montgomery<br><font color=3D"#0000FF"><u>mychajlo@fast.net</u><font =

color=3D"#000000"><br><br><br><br></p>

</font></font></font></font></font></font></font></font></font></font></f=

ont></font></font></font></font></font></font></font></font></font></font=

></font></font></font></font></font></font></font></font></font></font></=

font></font></font></font></font></font></font></font></font></font></fon=

t></font></font></font></font></font></font></font></font></font></font><=

/font></font></font></font></font></font></font></font></font></font></fo=

nt></font></font></font></font></font></font></font></font></font></font>=

</font></font></font></font></font></font></font></font></font></font></f=

ont></font></font></font></font></font></font></font></font></font></font=

></font></font></font></font></font></font></font></font></font></font></=

font></font></font></font></font></font></font></font></font></font></fon=

t></font></font></font></font></font></font></font></font></font></font><=

/font></font></font></font></font></font></font></font></font></font></fo=

nt></font></font></font></font></font></font></font></font></font></font>=

</font></font></font></font></font></font></body></html>

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=========================================================================

Date:         Sat, 12 Jul 1997 12:30:04 -0500

Reply-To:     "Ann J.M.S. Harlan" <annh@CCRTC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Ann J.M.S. Harlan" <annh@CCRTC.COM>

Subject:      Re: please read this and vote

Comments: To: Sherri <love_singing@msn.com>, Stef <Ad_Libitum@msn.com>,

          HJW II <ArchibaldLeach@msn.com>, Stuart Crosby <BRAVES10@msn.com>,

          Ron Vassel <BlizzardKing@msn.com>,

          Michael Riddle <CENTERLINEDESIGN@msn.com>,

          Cari Who ELSE???? <CittiGirl@msn.com>, db <Dee-Bee@msn.com>,

          Homebrook <Homebrook@msn.com>, Jason Tinling <JTinlng@msn.com>,

          Joseph L <JoePlacebo@msn.com>, Kevin Mathers <KEVMATH@msn.com>,

          Kel Rayner <Manatbar@msn.com>,

          the little people <MarmaladeSkies@msn.com>,

          Kent <NoixDeGolf@msn.com>, Jim B <PBRUEGEL@msn.com>,

          Ask and I might tell you <Peaceful-Warrior2@msn.com>,

          R <ROcean@msn.com>, Blair <Reepoo@msn.com>,

          James Sims <SimbaJim@msn.com>, Sharon <SopAndBass@msn.com>,

          Tom Gummo <TGUMMO@msn.com>,

          Life is a sick joke and I'm the punchline <The_Boogey_Man@msn.com>,

          rico <UNIR1@msn.com>, Mark <Vox_Amicus@msn.com>,

          "e.e. cummings" <What-is_death@msn.com>,

          Tanya Ceccatto <_AngelBaby@msn.com>,

          _Prometheus1 <_Prometheus1@msn.com>, S Johnson <doc11@msn.com>,

          Drew Eskenazi <drewesk@msn.com>, Robert Lear <king_lear1@msn.com>,

          PAUL KOLJESKI <koljeski@msn.com>,

          Silver Surfer <mad-chatter@msn.com>, david simoni <oak123@msn.com>,

          Kash Philips <philkash@msn.com>,

          anthony osborne <rastafarian@msn.com>,

          Rico Mariani <ricom_ms@msn.com>, Robert Eback <rleback@msn.com>,

          Stephen Baldwin <sabaldwin@msn.com>,

          BigDaddyRico <Engelsguy@aol.com>, Don Green <NYCDBG@aol.com>,

          cj <sjohn111@aol.com>, Kent Smedley <Kent.Smedley@clorox.com>,

          THEBODYIS1@aol.com

Comments: cc: mychajlo@fast.net, J_DRUCK@prodigy.com,

          rrjwalz@integrityonline.com, davmark@mindspring.com,

          Warshie@prodigy.com, artworks@concentric.net, CHFriend@aol.com,

          joshperi@netvision.net.il, phibarn@scisun.sci.ccny.cuny.edu,

          szucker@isd.net, sranney@azstarnet.com, zin@juno.com,

          marketingedge@msn.com, cprubin@weizmann.weizmann.ac.il,

          jerry.rogoff@exar.com

MIME-Version: 1.0

Content-Type: multipart/alternative;

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This is a multi-part message in MIME format.

 

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Content-Transfer-Encoding: 7bit

 

P.S. in case you're wondering, I abstain from voting one way or the other

 

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Content-Transfer-Encoding: quoted-printable

 

<html><head></head><BODY bgcolor=3D"#D8D0C8"><p><font size=3D2 =

color=3D"#800080" face=3D"Arial">P.S. in case you're wondering, I =

abstain from voting one way or the other<font size=3D2 =

color=3D"#000000"><br><font size=3D2><br></p>

</font></font></font></body></html>

------=_NextPart_000_01BC8EBF.5331C680--

=========================================================================

Date:         Sat, 12 Jul 1997 14:09:49 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: cody thoughts

 

Sherri:

 

A very thoughtful post.

 

I think all of your points are interesting possibilities.  Besides, whatever

JK may have been thinking, meaning or influenced by when he wrote VOC or his

other works is not necessarily the last word, so to speak.  If YOU or any

other respondent THINKS so, it IS so.  I think it was Stravinsky who once

said that a composer only arranges notes, each listener fills them in.

 

Your "always the promise but never the dream come true" passage near the end

of your post especially struck me.  There is an undertow of unfulfilled

yearning and forlornness throughout JK's ouvre, which he regarded as one long

work (as does WSB of his output).  In a passage from OTR, Sal Paradise (JK)

rushes exuberantly down toward a river, only to run into a fence.  Throughout

OTR, it seems that only in the pendulum movement back and forth across the

continent itself is there a fleeting capture of "IT", what they were looking

for is just behind or ahead in the flow of movement.  He and most of the

others he writes about are running away from and toward something

concurrently, in an unending treadmill like an experiential/emotional food

chain.  In OTR, VOC and all the other works, we see JK and co. circulating on

the "quivering meat wheel" of bhuddist-influenced temporal recognition, while

their spirits gaze outward and upward.

 

Regards,

 

Arthur

=========================================================================

Date:         Sat, 12 Jul 1997 18:31:21 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: cody thoughts

 

Arthur,

 

yes, I have particularly thought that JK's elusive dream is much like the

Wizard of Oz... we always look outside ourselves, chasing things that never

surfeit. i have some intuitive sense that, underneath it all, JK realized it

was all within him, but the head could not inform the heart...

 

interpretation is such mix of the subjective and objective.... how many times

have i read something, listened to music and had it take on new feelings and

meanings - increase in knowledge, state of mind, even the physical state can

heavily influence the interpreter's reception of the input.

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Arthur Nusbaum

Sent:   Saturday, July 12, 1997 11:09 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: cody thoughts

 

Sherri:

 

A very thoughtful post.

 

I think all of your points are interesting possibilities.  Besides, whatever

JK may have been thinking, meaning or influenced by when he wrote VOC or his

other works is not necessarily the last word, so to speak.  If YOU or any

other respondent THINKS so, it IS so.  I think it was Stravinsky who once

said that a composer only arranges notes, each listener fills them in.

 

Your "always the promise but never the dream come true" passage near the end

of your post especially struck me.  There is an undertow of unfulfilled

yearning and forlornness throughout JK's ouvre, which he regarded as one long

work (as does WSB of his output).  In a passage from OTR, Sal Paradise (JK)

rushes exuberantly down toward a river, only to run into a fence.  Throughout

OTR, it seems that only in the pendulum movement back and forth across the

continent itself is there a fleeting capture of "IT", what they were looking

for is just behind or ahead in the flow of movement.  He and most of the

others he writes about are running away from and toward something

concurrently, in an unending treadmill like an experiential/emotional food

chain.  In OTR, VOC and all the other works, we see JK and co. circulating on

the "quivering meat wheel" of bhuddist-influenced temporal recognition, while

their spirits gaze outward and upward.

 

Regards,

 

Arthur

=========================================================================

Date:         Sat, 12 Jul 1997 16:32:40 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: Cody: Imitation of the Tape

 

Diane:

 

I'm behind in responding to some of your earlier posts, but to strike the

hammer while the iron is hot as to this, your latest installment in the

voluminous VOC discussion now occupying us:

 

The lengthy passage you quote from this section of VOC where JK muses on his

predicament as a writer is very poignant, tragically humorous, humorously

tragic, laugh until you cry, cry until you laugh, etc., etc.  He gets

(descends?) into this theme from time to time in this and other works.

 There's a passage in another work that's at the tip of my tongue/mind, I

just can't think of it right now, I probably will remember this as soon as

"your mail has been sent", or you can tell me if you know.  Anyway, it is a

thinly fictionalized (as usual) description of one of JK's visits to his

sister Nin's home in rural North Carolina, and he wonders what the local

denizens think of him as he takes long walks into the forest in the middle of

the day- do they find him pathetic or are they envious?  He gets defensive,

showing an essential insecurity that I suspect he never quite overcame, all

but coming out and saying "I may seem like a shiftless loafer/bum/hobo, but

I'm busting my butt, working hard and with scores of complete works under my

belt, albeit unpublished after a promising start" (remember the 7 years

between the publications of THE TOWN AND THE CITY and ON THE ROAD).  Partly,

it is a self-fortifying process, he has to assure himself of the validity and

integrity of his efforts, at times like what he's describing in your quoted

passage, there's no one else, not even NC, to do the assuring.  And he wavers

wildly between self-confidence and utter despair, even literally knocking his

head against the wall of the house, according to his description.

 

I think that part of the depth of feeling the works of JK, including VOC,

elicit in the reader is a sort of frustrated wish to cut through time and

squeeze his arm, pat him on the shoulder, whatever, and say "people

appreciate you, you've been validated a thousand times over, those status-quo

critics are the ones forgotten in the trashbin of history, you've touched and

are loved by so many....", but alas it's too late, he did not live to be

caught up with as we have, he was "....never taken seriously while he lived"

as John Clellon Holmes said in the (great) WHAT HAPPENED TO KEROUAC? film

biography.

 

Ginsberg once said of WSB (as recounted near the end of EL HOMBRE INVISIBLE

by Barry Miles) that his life was a demonstration of "lonely courage".  In

WSB's case, he has lived long enough for many admirers to understand and

appreciate this quality and what it produced.  The spectre of the bitter,

bloated chronic alcoholic that Kerouac became before his premature death

hangs over these passages.  But his works, if not his sad haunted self during

his brief earthly incarnation, got the last laugh and are immortal.

 

Regards,

 

Arthur

=========================================================================

Date:         Sat, 12 Jul 1997 20:01:00 -0400

Reply-To:     Richard Wallner <rwallner@CAPACCESS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Visions of Cody

Comments: To: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199707121829320495@msn.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Interesting to note that "Visions of Cody" was the one major Kerouac work

not published during his lifetime.  It was published in the early 70's

at the insistence of Allen Ginsberg, who had promised Kerouac he'd get it

published and who knocked on doors for years with the manuscript before

getting it sold.  Allen's forward, "visions of the great remember" is in

the early editions of 'Cody' and it is terrific.  This book being in

print is one friend's lasting tribute to another.

=========================================================================

Date:         Sat, 12 Jul 1997 21:01:24 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: NEA (was Re academics)

Comments: To: BOHEMIAN@maelstrom.stjohns.edu

 

In a message dated 97-07-12 00:28:51 EDT, you write:

 

<< I was getting tired of paying (taxes) to subsidize my own competition <g>

>> 

The thing that the Nea overlooked was taht the "quality" was going down. As

Hart Crane sd in a poem abt Akron after a song'poet fiddler==we paid the guy

because we liked it.  The NEA pitch was that it was only a few cents out of

taxpayer's pockets. I'd like my few cents back from all those poets who got

20 grand to proliferate their workshop poems. If they all paid me back, I'd

have a few bucks. If everyone who paid in those few cents wanted their money

back, that would amount to a few million. I really got tired of the wkshop

academics who handed money to each other. Let them find their own way. if

they have somthing to say.

If anyone is interested in my Catfish  McDaris Chiron interview that caused a

fuss, it is now on line at <http://www.thing.net/~grist/homebove.htm> Robert

Bove has a fine liitle mag going. Check it out.

BTW Dave Breithaupt, I got the old memeo GRIST today you wanted to trade for

Apocalypse Rose, Do you have Haselwood's edition? I'll try to make a special

edition for you anyway.

C. Plymell

=========================================================================

Date:         Sat, 12 Jul 1997 09:48:57 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cody: Imitation of the Tape

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

>Arthur Nusbaum wrote:

> 

> The lengthy passage you quote from this section of VOC where JK muses

> on his

> predicament as a writer is very poignant, tragically humorous,

> humorously

> tragic, laugh until you cry, cry until you laugh, etc., etc.  He gets

> (descends?) into this theme from time to time in this and other

> works...He gets defensive,

> showing an essential insecurity that I suspect he never quite overcame,

> all

> but coming out and saying "I may seem like a shiftless loafer/bum/hobo,

> but

> I'm busting my butt, working hard and with scores of complete works

> under my

> belt, albeit unpublished after a promising start" (remember the 7 years

> between the publications of THE TOWN AND THE CITY and ON THE ROAD).

> Partly,

> it is a self-fortifying process, he has to assure himself of the

> validity and

> integrity of his efforts, at times like what he's describing in your

> quoted

> passage, there's no one else, not even NC, to do the assuring.  And he

> wavers

> wildly between self-confidence and utter despair, even literally

> knocking his

> head against the wall of the house, according to his description.

Arthur,

 

The role of the writer carrying that burden of having to write about life

as well as live it also seems to play a part in what Jack found

appealing about the way Neal lived life.  Neal was unfettered in a way

because it was never really his destiny to write about what they were

doing.  Kerouac sensed his own gift, he not only was sensitive, felt too

much, but he also had to articulate all of it into words.  That makes the

fact that publishers discarded his works doubly tragic. Here was a great

writer, as you say, wavering "wildly between self-confidence and utter

despair."

DC

=========================================================================

Date:         Sat, 12 Jul 1997 21:54:22 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: eye heart crane

 

In a message dated 97-07-12 05:07:15 EDT, you write:

 

<< 

 Were you ever much of a "dandy" Charley?  Ever take any interests in

fashion? >>

 

Shit. Haven't you seen the photos of me "going to Kansas City in my zoot

suit? Look at: www.buchenroth.com/cplymell.html and find the photos of me in

the 50s.

CP

=========================================================================

Date:         Sat, 12 Jul 1997 20:49:54 -0500

Reply-To:     LISA VEDROS <2ndbeat@TELAPEX.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LISA VEDROS <2ndbeat@TELAPEX.COM>

Subject:      Secind Beat

Comments: To: BEAT-L@CUNYVM.CUNY.EDU.

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

hey, Thadeus here....upon suggestion from Sherri, I've decided to post a

list of the contributors to the Allen Ginsberg Memorial Issue of Second

Beat.

 

Me, Thadeus D'Angelo

my partner, Domenic Salvatore

and a whole slew of talented beat kats: Ralph Alfonso, Gary Parker, Michael

Stutz, David Laslie,  Christopher Lott, Simon Seamount.....and "Allen

Ginsberg Dying" by Lawrence Ferlinghetti

 

there are also a few articles and such.

 

I think it's a pretty good read, as magazines go. We tried to do our best

to honor his memory. It's our best issue yet....but it's the first issue

since we upgraded our system, so that says alot.

 

anyway, once again:

The Allen Ginsberg Memorial Issue of Second Beat is available for $1.00,

and is full of poetry and articles about the "Best Mind of Our Generation."

 

Send a buck to:

Camelia City Books

2034 Johnston Station Road

Summit, Ms 39666

 

Thanks,

Thadeus D'Angelo, Camelia City Books

 

also...for maybe a dollar or so to cover the postage, we'll send you our

two free sample issue....the "experimental" issues.

 

we started out as a non-profit magazine. then we got real broke real fast.

now we're a low-profit magazine. any donations in the way of a buck or so

extra would be HIGHY appreciated, but we WILL continue to send issues for

only ONE dollar an issue and TEN dollars for a year subscription.

 

I hope we live up to our predecessors, the original beats, and I hope we

can supply to all of you a good magazine.

 

once again, feel free to submit ANY prose or poetry. it'll most likely see

print, as one of our main functions is to let new writers see their words

in print.

 

that's me Second Beat in a nutshell, people. any qeustions, e-mail us at:

2ndbeat@telapex.com

 

thanks again,

Thadeus D'Angelo, Camellia City Books

=========================================================================

Date:         Sat, 12 Jul 1997 22:19:22 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: eye heart crane

 

Double -Duty Dandy- a charachter in Last of the Moccasins. Also when Barbitol

Bob and I got outta the joint in 50's we had a stable of girls and "girls". I

travelled the Northwest with my sister, who was a prostitute in the 50's. The

men were rounders or dandys or pimps, Followed basically the same roads as

Jack Black, The sheriff checked hands for callouses to know who didn't work.

My sister's man was the son of the sheriif of Deadwood, S.D. and a black

madam. somewhat like East of Eden -James Dean. I migrated to Hollywood and

KC. I label myself and genre as "Hobohemian Hipster",Also publishe in a

couple recent issuse of NIGHT mag from the Gershwin Hotel in NYC. High

fashion as you can get.

Charles Plymell

=========================================================================

Date:         Sat, 12 Jul 1997 22:41:26 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Cody Notes and Queries

 

In a message dated 97-07-12 08:56:12 EDT, you write:

 

<< Find myself wondering whether the real Neal was really a good pool

 player.  Doesn't seem the right type.  I have watched some great 9 ball

 players.  Most are really idiot savants.  Great concentration and hand

 and eye.  Good sense of just how good they need to play at a given time

 to keep the fish on. Can't remember any that were talkers. travel with a

 horse who gets the game up, carries money, and can sense how deep the

 pockets are.  Neal strikes me as maybe a decent bar eightball player on

 a table where shots don't have to be called.  Lot's of serendipitous

 slop shots and a good patter.    Don't trust Jack as a reliable witness

 on this as he was clearly way too infatuated.    Ginsberg even less

 credible.

 

 Charley, Leon, and all you historians, help me out on this cunnumdrum.

 

 J. Stauffer

  >>

You got that exactly, James. Right down to interpretation, too. Neal was a

sweetheart, but I don't think he even liked pool halls. I remember some guy

wanting to start something in a bar/poolhall and Neal came over to me to

"interrupt" the play. He was a "peacable man" as any grade B movie hero wd

tell ya. Fighting wasn't his thing. He only defended the title, "The fastest

Word in the West". I admired him for that. His eye and coordination was for

driving, not shooting pool.

Charles Plymell

=========================================================================

Date:         Sat, 12 Jul 1997 22:55:28 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: "buy me a bicycle and cut my skin"

 

In a message dated 97-07-12 09:42:34 EDT, you write:

 

<< <<hm>> breathe -- I'm asking you

 "buy me a skin and cut my bicycle"

 "bicycle skin and buy me a cut"

 "me skin cut buy bicycle and my"

 

 

 --==+ so thanx Charley Plymell

 http://www.electriciti.com/babu/images/Hidden_equinox.html

 

 Douglas

  >>

 

Wow! That's incredible. Is that a collage? Do you have a print of it?

Actually, I must confess I stole that line from som old book  from France I

believe that were case studies of insane kids. That line stuck in my mind for

years and I had no way of knowing its documentation, so I did a Dutch

Schultz/Burroughs borrowing. The credit goes to some poor kid in a maison de

sante many years ago. Let us bless him or her.

Charles Plymell

=========================================================================

Date:         Fri, 11 Jul 1997 23:14:24 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: skimming Part 1 Cody

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

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> Date:          Mon, 7 Jul 1997 11:53:53 -0400

> Reply-to:      SSASN@AOL.COM

> From:          Arthur Nusbaum <SSASN@AOL.COM>

> Subject:       Re: skimming Part 1 Cody

> To:            BEAT-L@CUNYVM.CUNY.EDU

 

> Dear David:

> 

> At the end of your "skimming part 1 Cody" message, you write:

> 

> "bye bye- off to count the number of times Henry Fonda appears in Part One (i

> didn't catch Jimmy Stewart in there at all- damn shame!)....

> 

> Since we're on the subject of such references, did you notice the description

> of JK running into a movie scene being filmed in front of a San Francisco

> apartment building?  By coincidence, I saw the movie SUDDEN FEAR with Joan

> Crawford and Jack Palance just before encountering the passage, and put 2&2

> together- he is describing a scene from that movie being shot on location.  I

> don't have the book with me now but I will try to locate it, I think but am

> not sure that it's in part 1, and he uses a thinly-disguised name for Joan

> Crawford who's at the center of the anecdote, it's a great description of the

> weirdness and tension he experiences when he bumps into this scene.

> 

> Regards,

> 

> Arthur S. Nusbaum

> 

> 

the passage your thinking of is the last part of VOC, JOan raWSHanKs

in the FOg.... i know this because about a week before all of this

summer reading buzz happened, i just finished visions of cody.... am

randomly rereading passages though, because the rest of you are and i

thought why not? cya~ randy

=========================================================================

Date:         Sat, 12 Jul 1997 23:19:09 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: eye heart crane

 

In a message dated 97-07-12 17:41:03 EDT, you write:

 

<< Sherri,

 

 Particularly in poetry, there a place where over-analysis starts to

 overide the impact of one's initial response emotionally to a poem.

 That's the feeling I get with where you guys are going with this one.

  I don't suggest that you not continue to look for books of Charles'

 poems, but in the meantime, check out his web site,

 http://www.buchenroth.com/cplymell.html

 There you will find much of his writing including a 148K file of the

 poems in Robbin the Pillars for Generation X in the Age of Apostasy,

 including the one you are discussing.

 DC >>

 

poor girl freaks hides her face in hands

great poetry, Cleopatra

 

Why can't you buy my books from Jeff Weinberg? Am I censored? He may have a

few left.

Charles Plymell

=========================================================================

Date:         Sat, 12 Jul 1997 23:28:03 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Visions of Cody

 

Seems I remember something about City Lights turning it down. I think CL has

become a little hotbed of nepotism

Charles Plymell

=========================================================================

Date:         Sun, 13 Jul 1997 01:34:19 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Cody Notes and Queries

Comments: To: stauffer@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=x-user-defined

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

> 

> Sloshing my way still through Part 2.

> 

> Find myself wondering whether the real Neal was really a good pool

> player.  Doesn't seem the right type.

 

> Charley, Leon, and all you historians, help me out on this cunnumdrum.

> 

> J. Stauffer

> .-

James and whoever is interested,

 

In the nine years that I have been  pretty close friends with Neal, he

has not shown a great interst in playing pool, or talked about himself

as a great pool player. He could become very animated when watching car

races or talking about race car drivers drivers, but not so much about

pool playing.

 

leon

=========================================================================

Date:         Sun, 13 Jul 1997 08:24:13 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      small pome

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

INTOXICATION

 

(for michael and craig)

 

clouds burst

and rain down

on poets

wandering in street

searching for poetical drink.

 

suddenly drenched!

clouds burst!

we laugh and turn faces up,

mouths open

to drink in the sky--

 

leap-frogging puddles,

laughing

        tumbling

                shouting

                        splashing!

 

until, many blocks later

        we pour ourselves into the car,

ending

        the best

                poetical

                        drunk

                                by far.

=========================================================================

Date:         Sun, 13 Jul 1997 14:36:04 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Dean Moriarty & cars.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

friends,

i quote from ''On The Road'' ..."Friday night beyond all doubt the

three of us - the old threesome of Carlo, Dean, and Sal -

must go to the midget auto races, and for that I can get

us a ride from a guy downtown I know...",

 

in italian "midget car" was translated as "microvettura",

("Sulla strada", 1959), but im' a bit confused cos micro

is a prefix for infinitesimally little, i dont' know

what kind of car was involved in races in America during 1947,

& at the moment in Italy a "microvettura" is like those little

toys (just so tiny car) operated by remote control,

any idea 'bout "midget car"?

 

cari saluti,

---

yrs

Rinaldo.

 

btw     Enrico Caruso (Naples 1873 - Naples 1921),

        was the first opera singer who recorded on disk his

        own performances.

=========================================================================

Date:         Sun, 13 Jul 1997 12:58:47 -0500

Reply-To:     "john v. omlor" <omlor@PACKET.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "john v. omlor" <omlor@PACKET.NET>

Subject:      An Introductory Offering.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hello.

 

I've recently joined this list and thought by way of introduction I'd post

a piece I wrote a few years back (since I notice that people seem ok about

posting and reading each others' creative stuff here as well as their

critical insights).  Me?  My name is John and I teach literature at the

University of South Florida.  I've taught a seminar on the "beats" a couple

of times and try and teach some of the stuff (especially Kerouac, Ginsberg,

Corso, and Ferlinghetti) whenever possible in Americal Lit. courses or

modern lit. courses or poetry surveys or even Blake seminars, etc..

Although my "area," as they say in academe, is actually "postmodern" lit

and theory (my diss. was on Garcia Marquez and Derrida), I do get to teach

almost all 19th and 20th century British, American and world lit at one

time or another and I have a particular soft spot for a lot of the works

discussed on this list.  Well, enough about work.  Poetry is something

else.  I write not as a job but because I have to and I love to and I read

and do slams because I love to hear others' stuff as well.  So, in that

spirit, here's a work I hope is at least in some small way appropriate for

this list.  It's a gamble I suppose.  Thanks for reading.

 

--John

 

 

***************************************************

 

 

 

 

 

 

 

 

*The Old Man from Kansas*

 

(for W.S.B)

 

 

As the Greyhound wheezed through Lawrence,

I remembered the old man

rocking on the front porch

cats splayed out at his feet

his cane nestled in the arm of his chair

and his long bony fingers polishing the smooth black barrel

of an automatic pistol.

 

He lifted his head slowly

and his eyes slid out from underneath

the snap brim of an ancient felt hat.

His voice, when it came,

was a whisper of gravel

filtered through all the junk in the world.

 

"Let me tell you about fucking boys, son.

Let me tell you about the peircing tightness

that enters you through your veins

and rushes through your blood like electric current.

It hits you like a snakebite and you know the future

and you push against the sweet hardness

of a bony back wet with sweat and the dirt of

innumerable corners and alleys.

 

And below you,

from somewhere underneath your stomach

but still connected to you

you hear the gasp that slowly

turns to a cry.

 

And you can feel the back heave in tears.

And you move in a time reserved only for the animal

or the paranoia of pure speed.

And the young cry beneath you seeks to fall

but you're holding it up as you pierce it,

the ass not soft at all, but bony, tight, hot, alive."

 

And the old man almost managed a smile

his teeth still hidden between the two white lines of chalk

that marked where his lips should have been.

 

"Yes, son, there is nothing in this world

like the feel of a fifteen year old Tangerian boy

melting underneath you as you drown him.

Dark, small, willing to bear anything at all

for your moment, your visit with death.

 

Pederasty ain't a hobby son, it's a habit.

Harder to kick than junk.

It's all of them, boy.

The pure loss of the opium pipe

the rush of uncut smack

the warm giddiness of tea

the brutal determination of bennies

and even the unspeakable waves of the indian's yage.

 

There are three moments in this life, son.

The moment of entrance:

       the first push, breaking into the warmth

       like a needle finding a long lost vein.

The moment of explosion:

       the coexistence of pure light and pure darkness

       the forever banned pleasure that can save the world

And then there is that final moment:

       tired, sad, blindingly real.

       When the sun rises and the angel is still there

       next to you, in a tortured peace, curled like a baby

       and shrivelled like an old man who has long since died.

 

To know those three moments,

To live them over and over

To fire those shots of absolute solitude

in a world of madness

is to be alive.

 

Let me tell ya, bout fucking boys son.

Let me tell you about fucking boys."

 

And his eyes went down to the barrel of the gun.

And he lost himself deep in an asshole of the past.

=========================================================================

Date:         Sun, 13 Jul 1997 13:03:43 -0400

Reply-To:     JAPHYUK@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Japhyuk @aol.com" <JAPHYUK@AOL.COM>

Subject:      Miss Green (a poem while smiling!)

 

Alone in winter.

 

The torn pocket of my flimsy coat

seems to be the entrance for wintery chills

my stomach hurts

my head hurts

my nose is blocked

my fingers and toes are frozen.

What i need is a hot drink

open fire

and the comfort of a beautiful woman

to warm me up

and scare those winer chills away.

=========================================================================

Date:         Sun, 13 Jul 1997 02:02:27 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody: Joan Rawshanks in the Fog

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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The actual watching

=========================================================================

Date:         Sun, 13 Jul 1997 02:36:26 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody: Joan Rawshanks in the Fog

MIME-Version: 1.0

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I apologize for my first post with this title which sort of mailed itself

on its own before I was ready.

 

This is definitely the best part of the book, where to some extent we are

told of what Jack is doing and why.  The "watching Joan Rawshanks in the

Fog" part of the section, gets a little long, not unlike watching a movie

being filmed, where the same scene is shot, over and over again. The best

stuff starts on page 292,

 

"A night I spent in Denver...I had just suddenly realized...that nothing

in the world matters; not even success in America but just void and

emptiness awaits the career of the soul of a man."

 

This part is somewhat reminiscent of the burdened writer that no one

understands, he doesn't make any money and none of publishers want

anything to do with him.  It leads into what Denver and Cody mean to

him, the mythology of it all and how this is presented in several

different visions in this book.

 

Pg. 293

"...in 1947 in fact, right after I met Cody, and had those anticipatory

dreams of me and him drinking and gabbling at bars in the construction

worker night; I came to feel that the alleys, the fences, the streets

were the 'holy Denver streets' I called to them, and just because of this

particular softness, I walked along...

 

down in Denver, all I did was die, I remember, that was my refrain.

 

I said to myself, 'What's the use of being sad because your boyhood is

over and you can never play softball like this; you can still take

another mighty voyage and go and see what Cody is finally doing.' Oh the

sadness of the lights that night!... the great knife piercing me in the

darkness...the night cloud of my dreams rising, and the general brownness

of my salvation..."

 

Once again a lot of brownness and different shades of brown in this

chapter, then pg. 295, perhaps the best illumination of the vision of ths

book, we've had yet.

 

"I've had several visions of Cody, most of the great ones in the middle

of a tea-high and the greatest on jazz tea-high...It was as if he was a

superhuman spirit walking, or that is racing in the flesh sent down to

earth to confound me not only in my actions but in my thoughts: wild,

wild day I suddenly looked from myself to this strange angel from the

other side( this all like bop, we're getting to it indirectly and too

late but completely from every angle except the angle we all don't know)

of Time--which he kept talking about all the time."

 

And I guess we, now, as readers are reading this from the time angle,

farther removed, looking back with different perspectives of which he had

never conceived.  And particularly from the angle that Arthur pointed out

earlier, that now, he has a public that understands, to which his words

are immortal.

 

DC

=========================================================================

Date:         Sun, 13 Jul 1997 12:33:26 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Visions of Cody

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I believe a publisher called New Directions published part of it in 1960.

What parts I don't know but these are the parts that have been identified as

being in the public domain.

 

 

At 11:28 PM 7/12/97 -0400, you wrote:

>Seems I remember something about City Lights turning it down. I think CL has

>become a little hotbed of nepotism

>Charles Plymell

> 

> 

=========================================================================

Date:         Sun, 13 Jul 1997 03:44:15 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody: mythology of an American hero

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While Cody has been portrayed as a romantic hero type, especially in

part II, we are now getting more to the heart of the mythology of Cody:

 

pg. 298(vision of Cody in Mexico)

"...looking down to see the steering wheel of that old '37 Ford jalopy we

bucketed down in from Denver over many a dusty bushy mile running roughly

down the spine of the Americas, to see if the wheel held, but actually in

complete possession of all his wits and joys and in fact so completely

and godlike-ly aware of every single little thing trembling like a drop

of dew in the world, or sitting like the antique clinker of a paper

bookmatch on an insignificant green desk somewhere in the world, aware of

the glow of his stomach related to the strength of his father, aware of

myself and Sherman in the backseat high and dumb, and of the kid, the

town, the day, the year, the consequence and time passing us all by, and

yet everything always really all right, that he suddenly glowed up like a

sun and became all rosy as a rosy balloon and beautiful as Franklin

Delano Roosevelt, and said, from way far back maybe ten minutes, an hour

or a year or years ago, 'Yes!'  At that moment I decided never to forget

it (even as it happened); Cody was so great, so good, that I couldn't

believe--he was by far the greatest man I had ever known.  Do you know

that now I realize and look back and see that in the beginning he made

everybody smoke tea so they'd look at him in their original version never

to be repeated kicks?...the bastard sensed it.  Yet he's an angel.  I'm

his brother, that's all.

        But enough of my greatest enemy--because while I saw him as an

angel, a god, etcetera, I also saw him as a devil, an old witch, even an

old bitch from the start and always did think and still do that he can

read my thoughts and interrupt them on purpose so I'll look on the world

like he does.  Jealous, all over.  If's anything he can't stand, Val

Hayes first off said in 1946, is people fucking when he's not involved,

that is, not only in the same room but the same floor or house or world.

 And I discovered he can't stand people talking or putting forth a

thought or even thinking in the same world.  He feels that he's

indispensible to his wife, children, his former wives, me, and the--

that would be Heaven, or Time, or Whatever.  He's afraid of death, very

cautious, cagey, careful, suspicious, wary, half near a thing--out of the

corner of his eye he talks about danger and death all the time..."

 

The Cody we are getting to know is now becoming more complex.  He also

seems to be changing, metamorphosing/transforming into something greater

than the friend, hero, maybe a kind of anti-hero.  The one thing that

doesn't change, however, is the sense that in his presence, "everything

is all right," we are repeated thrown this line over and over again.

The mythology then opens up to Cody and himself as "the noble sons of

great Homeric warriors" (pg. 303) and then to Cody and the three stooges

vision, where he writes, (pg. 306)

 

"I knew that long ago when the mist was raw Cody saw the Three Stooges,

maybe he just stood outside a pawnshop, or a hardware store, or in that

perennial poolhall door but maybe more likely on the pavings of the city

under tragic rainy telephone poles, and thought of the Three Stooges,

suddenly realizing--that life is strange and the Three Stooges

exist--that in 10,000 years--that...all the goofs he felt in him were

justified in the outside world..."

DC

=========================================================================

Date:         Sun, 13 Jul 1997 23:14:05 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      untangled

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Yuri

        got up on the morning

 

        Yuri has asked me if i existed

        & on the moon had snowed

 

        i have answered all exist

 

        Yuri passed hours

        listened to music on the radio

 

        Yuri The Parrot

        now

        looks at with eyes of lizard

        (without tail)

        in

        the ruined house

        (tacit order of demolition

        next morning)

 

 

---

yrs

Rinaldo.

=========================================================================

Date:         Sun, 13 Jul 1997 18:08:06 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: CODY: what murder?

 

Reply to message from kh14586@ACS.APPSTATE.EDU of Thu, 10 Jul

> 

>On Thu, 10 Jul 1997, Marie Countryman wrote:

> 

>> >There have been a couple of references so far to something about Bull and

>> >June and a murder.  Can't find the other references at the moment

>> >but here again on page 186, we have: "...on into August, and in between

>> >June and August everything happened, the murder took place."  Is this

>> >ever explicated?

>> _____________

>> murder of demented stalker of lucien carr by same. forget his name. andy

>> wharhol was right/

>David Krammerer <sp?> or something like that.  The reason Kerouac and

>Ginsberg, I think, went to jail (asylum for Ginsy) and Kerouac got out by

>marrying.  Chronicled, I'm told, in the unpublished (soon to be published

>I thinks I heard somewhere) _And_The_Hippos_Were_Boilded_in_Their_Tanks_.

 

It weas the reason kerouac went to jail; Ginsberg's stay in teh asulym had

to do with Huncke & a few others & stolen property stashed in Allen's

apartment.  If I remeber correctly, Edie Parker's family paid Kerouac's

bail after he married Edie.

 

Diane.

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Sun, 13 Jul 1997 20:09:42 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Early pub. of VofC

 

"Excerpts from V of C" was published in a limited edition of 750 copies

by New Nirections.  For more detailed information consult Charter's

bibliography entry A 9 (Revised ed.).  When I looked for a copy in 1971

or 1972 it was missing from Harvard, Columbia, and the University of

Pennsylvania.

=========================================================================

Date:         Sun, 13 Jul 1997 18:07:13 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Early pub. of VofC

Comments: To: Bill Gargan <WXGBC%CUNYVM.BITNET@cunyvm.cuny.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:09 PM 7/13/97 EDT, you wrote:

>"Excerpts from V of C" was published in a limited edition of 750 copies

>by New Nirections.  For more detailed information consult Charter's

>bibliography entry A 9 (Revised ed.).  When I looked for a copy in 1971

>or 1972 it was missing from Harvard, Columbia, and the University of

>Pennsylvania.

> 

> 

 

Unfortunately this seems to be par for the course.

=========================================================================

Date:         Mon, 14 Jul 1997 00:53:11 -0700

Reply-To:     mike@infinet.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: eye heart crane

Comments: To: CVEditions@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Hart Crane (1899-1932)=20

 

              From THE BRIDGE -- Proem: To Brooklyn Bridge=20

 

 =20

                How many dawns, chill from his rippling rest

                The seagull's wings shall dip and pivot him,

                Shedding white rings of tumult, building high

                Over the chained bay waters Liberty--

 

                Then, with inviolate curve, forsake our eyes

                As apparitional as sails that cross

                Some page of figures to be filed away;

                --Till elevators drop us from our day ...

 

                I think of cinemas, panoramic sleights

                With multitudes bent toward some flashing scene

                Never disclosed, but hastened to again,

                Foretold to other eyes on the same screen;

 

                And Thee, across the harbor, silver-paced

                As though the sun took step of thee, yet left

                Some motion ever unspent in thy stride, --

                Implicitly thy freedom staying thee!

 

                Out of some subway scuttle, cell or loft

                A bedlamite speeds to thy parapets,

                Tilting there momently, shrill shirt ballooning,

                A jest falls from the speechless caravan.

 

                Down Wall, from girder into street noon leaks,

                A rip-tooth of the sky's acetylene;

                All afternoon the cloud-flown derricks turn ...

                Thy cables, breathe the North Atlantic still.

 

                And obscure as that heaven of the Jews,

                Thy guerdon ... Accolade thou dost bestow

                Of anonymity time cannot raise:

                Vibrant reprieve and pardon thou dost show.

 

                O harp and altar, of the fury fused,

                (How could mere toil align thy choiring strings!)

                Terrific threshold of the prophet's pledge,

                Prayer of pariah, and the lover's cry,--

 

                Again the traffic lights that skim thy swift

                Unfractioned idiom, immaculate sigh of stars,

                Beading thy path--condense eternity:

                And we have seen night lifted in thine arms.

 

                Under thy shadow by the piers I waited;

                Only in darkness is thy shadow clear.

                The City's fiery parcels all undone,

                Already snow submerges an iron year...

 

                O Sleepless as the river under thee,

                Vaulting the sea, the prairies' dreaming sod,

                Unto us lowliest sometime sweep, descend

                And of the curveship lend a myth to God.

=20

 ----------------

 (NOTE: 1. Wall: Wall Street in Manhattan.)

=20

***

http://www.staff.uiuc.edu/~d-gao/crane1.html

***

A Hart Crane web page:

http://unr.edu/homepage/brad/hart/crane.html

***

***

And the story goes on, with the calling to arms of the boy, whose voice

aroused the recruits' enthusiasm and with his successes in the operas of

the whole world beginning in Metropolitan opera of N.Y. thanks to

patronage of the banker coming from Nola (Italy) Mr. Pasquale Simonelli.=20

 

   But beyond the splendid artistic aspects of his career, the tenor

lived his intimate drama. In fact, he had first to overcome the american

mafia's threats, and then was abandoned by the  woman that he loved, who

eloped with his chauffeur. Moreover, while the audience acclaimed

him and the impresarios signed blank contracts with him, he noticed the

first signs of an illness that he would try to hide at any cost, often

covering his mouth with a handkerchief, pretending to wipe the

perspiration, and taking it off blood-soaked.=20

 

The tenor spent the last period of his life in Sorrento, and Naples.=20

***

http://circle.intecs.it/net/enrico.caruso/it_home.htm

***

Renaldo:

It seems to me the Italian version of this Caruso site contains more

information than the | Fran=E7ais | Deutsch | Espa=F1ol | Japanese | PHOT=

OS

| English | versions. Could you determine if that is true?

Thanks.

=========================================================================

Date:         Mon, 14 Jul 1997 02:00:14 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      fwd>>chronicles of disorder #3

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

[props to C. Carter for the original post]

 

Beat-l,

 

culled this from the patti smith list.

 

 

> announcing release of CHRONICLES of DISORDER #3: and the beat generation

> 

> $2.95

> ISBN #0-934953-50-3

> please direct all communications w/SASE to:

> Thomas Christian, CHRONICLES OF DISORDER

> PO Box 721, Schenectady, NY 12301

> 

> Contents:

> 

> CALLING THE TOADS by Ron Whitehead

> HERBERT HUNCKE INTERVIEW by G.J.Bassett, John Carruthers, D.K.Burke

> CUT-UP FOR BURROUGHS by Giovanni Malito

> STEPPING OUTTA JACK KEROUAC ALLEY by Jonathan Hayes

> DAIMONSWEY by Thomas Christian

> DEAR PATTI by Thurston Moore

> ELEGY by Charlie Rossiter

> POSTCARD by Bryan Kieser

> LETTER FOUND IN DHARMA BUMS by t. Kilgore Splake

> CHICKEN LITTLE by Mick Cusimano

> LEAVING LOUISIANA by Michael Eck

> WILLIAM S. BURROUGHS INTERVIEW by Ron Whitehead

> READING BURROUGHS by Al Zostautas

> ALLEN GINSBERG PHOTO by Dan Wilcox

> ST. NEAL OF LARIMER by Kym Fleming

> LETTER TO TRISH by Raoul V. Stober

> JACK KEROUAC AND THE FORTY-NINER DRIVE-IN by Joseph Verrilli

> COLLAGE by Anne Coletta

> HUNKY by Arthur Winfield Knight

> POEM OF A DIFFERENT BEAT by Debora Bump

> BEAT by Stephen Clair Ferguson

> IN REVUE & 2 GREAT BOOKS

> FLYING SAUCERS ROCK & ROLL by Patti Smith

> PATTI SMITH PHOTO by Richard Rymanowski

> CONTRIBUTORS

> CHRONICLES OF DISORDER: submission guidelines, subscription info

> LEFT BANK HOLIDAY and PHOTO by T. Kilgore Splake

> additional photos/art acknowledgements:

> ANNE WALDMAN PHOTOS by Thomas Christian

> HUNCKE PHOTOS by Louis Cartwright courtesy of G.J. Bassett

> HUNCKE WOODCUT by John Carruthers

> PATTI FLYERS courtesy of P.H.T.P. (Mike McHugh)

> FRONT COVER by Tim Nerney @ HI-FI DESIGN

> 

> check it out

> 

> P.S.

> CHRONICLES OF DISORDER

> is a 48-page quarterly-issued journal/zine that focuses on a different

> topic in each issue. All material within are c and all rights revert back

> to authors. Previous individual issues are available at select retail

> locations throughout North America or by writing to: WATER ROW BOOKS (PO

> Box 438, Sudbury, MA. 01772), or SEE HEAR (59 e. 7th St., NY NY 10003).

> CHRONICLES OF DISORDER

> #1: PATTI SMITH

> #2: JACK KEROUAC

> #3: BEAT GENERATION

> #4: ROLLING STONES

=========================================================================

Date:         Mon, 14 Jul 1997 08:46:56 -0400

Reply-To:     "Hemenway . Mark" <MHemenway@DRC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      Lowell Hotel

MIME-Version: 1.0

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The Sheraton Hotel in Lowell has agreed to offer special rates to

those attending the 10th Annual Lowell Celebrates Kerouac! Festival

and Beat Literature Conference. To take advantage of this offer call

the hotel at 508-452-1200 and tell reservations you are attending the

Festival. This is a local promotion DO NOT CALL the Sheraton Worldwide

800 number, they cannot help you.

 

I'm told this is all set, if you have any trouble, let me know.

 

Mark Hemenway

Lowell Celebrates Kerouac!

=========================================================================

Date:         Mon, 14 Jul 1997 08:58:10 -0400

Reply-To:     "Hemenway . Mark" <MHemenway@DRC.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      Re: Cody: What Murder?

Comments: To: "LISTSERV@CUNYVM.CUNY.EDU" <LISTSERV@CUNYVM.CUNY.EDU>

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

June was killed accidentally by WSB as he tried to shoot an apple?

water glass? (the details escape me) from her head, a la William Tell.

Seems like I remember this passage in VOC as referring to that

incident, but I could be wrong. Incidentally, a version of this

incident is kind of a motif in the movie version of <<Naked Lunch>>.

 

Mark Hemenway

=========================================================================

Date:         Mon, 14 Jul 1997 09:21:53 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      An Illiterate Impression of Visions of Cody

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Good morning,

 

I have checked out Visions of Cody and it is due back at the library

soon.  I have carried it with me and felt it many many times.  It has

been in my shoulder bag every day as i walk to the filling station and

read the morning paper to get a sensation of locale.  I have read a few

words here and there, typed a few words, and read many of the posts by

folks who are better readers than i.  today i am getting a book in the

mail from Diane Carter that i will definitely carry with me for at least

a month or two. This book is named Ulysses.  It is buy a man named

James.  Before i trade in Jack for James i felt i would spill my guts on

the impressions this tired Kansan has of the book from carrying it with

me for a bit.

 

Once upon a time there was a man named Jack.  Jack had a peculiar

genetic makeup.  He was born a feeler.  Jack could feel more listening

to a Bobby Thompson home run on the radio than most people feel in an

entire lifetime.

 

Jack noticed early on that other folks didn't feel the way he did.  This

caused him to feel alien sometimes.  Jack was never able to step into

the picture of life because he felt it so more intensely than the others

in the picture.  So Jack watched and imagined words for what was

happening.  This separated Jack even more from the other people and from

the picture of life.  He tried harder to find words for what he saw

because what he saw was the truth and his belief.  This pulled him

farther from the picture because most of the people in the picture

didn't feel, observe or try to describe the picture.  And so as time

went along a cycle develops that Jack keeps feeling more and more deeply

and wants to connect from the separation from the non-feelers by

describing his feelings in words but this just adds to the separation

and he feels this separation more deeply than any it seems.

 

One day he meets a cat named Cody.  Jack is not a cat.  Jack is a feeler

who watches Cat.  Cody shows him how to be in the picture and talk about

it at the same time.  Jack finds the key to life.

 

As time goes on Jack and Cody are not always able to be in the same

picture.  Sometimes Jack slips back to the old ways of feeling outside

the picture instead of feeling with the picture as Cody has taught him

by showing him through Cody's way of living so completely alive.  When

this happens Jack thinks of Cody.  Remembers him totally.  And the

memory of Cody saves Jack's life again.

 

Jack is grateful to Cody.  Many people are grateful but being a feeler

Jack is grateful to depths no one appreciates.  Sometimes his actions

betray his gratitude and this makes Jack feel even more indebted to Cody

because the memories pull him back into the picture after such

misdeeds.

Jack sits down and types to the world the story of a person who -- to

Jack -- is more than a person, who is larger than life, who is Jack's

lifeline into the portrait of the living world.  He types and types and

types.  Then he has a book.  It is called Visions of Cody.  Jack dies.

Visions of Cody is published and so it is a real book.  Everyone now can

see how Cody showed Jack to enter the picture of life and feel and live

at the same time.

 

By carrying this tattered library book around for a few weeks, it seems

that Cody is truly a mythic figure.  He is more than a legend.  He is a

healer and a saviour for those who are caught away from the world and

feel it so intensely that they can't live it.  That is Cody's gift to

Jack.  The book is Jack's gift to Cody.  They both are a gift to us all.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 14 Jul 1997 10:31:56 -0400

Reply-To:     Phil Chaput <philzi@TIAC.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Lowell Hotel for Festival

Comments: To: bfoye@aol.com, jsaint@tiac.net, tongues@tiac.net,

          holladay@woods.uml.edu, fisher@program.com,

          milton1@cliffy.polaraoid.com, wakonda@aol.tiac.net,

          schorr@world.std.com, whalec@boat.bt.co.uk,

          danbarth@happy.yokayo.uusd.k12.ca.us, cusimano@fas.harvard.edu,

          valcomb@aol.com, goslow@phx.com, wxgbc@cunyvm.cuny.edu,

          brooklyn@netcom.com, jhanson@penguin.com, hpark2@aol.com,

          karmacoupe@aol.com, mhemenway@s1.drc.com, kalron@ix.netcom.com,

          BeatRyder@aol.com, dave@scryber.com, radiofreeal@delphi.com,

          news@globe.com, 100120.361@compuserve.com, iht@eurokom.ie,

          nandq@guardian.co.uk, ciweekly@mailnfs0.tiac.net, arts@globe.com,

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          sfexaminer@aol.com, nlnews@ozarks.sgcl.lib.mo.us, greenwre@apn.com,

          brandx@winnipeg.cbc.ca, bnw@babylon.montreal.qc.ca,

          the_future@tvo.org, iac@bbc-ibar.demon.co.uk, lateshow@pipeline.com,

          foxnet@delphi.com, etv@unlinfo.unl.edu, nightly@nbc.ge.com,

          wesun@clark.net, radio@ohiou.edu, wcvb@aol.com,

          74201.2255@compuserve.com, wmbr-press@media.mit.edu, klmcomm@aol.com,

          general@the-tec.mit.edu, wmbr-press@media.mit.edu, wmfo@tufts.edu,

          allie.cat@genie.com, DawnDr@aol.com, kh14586@acs.appstate.edu,

          skolowra@rykodisc.mhub.com, clv100u@m.BITNET,

          ozart.fpa.odu.edu@mailnfs0.tiac.net, madhatter20@juno.com

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From:  Hemenway . Mark

Sent:  Monday, July 14, 1997 8:47 AM

Subject:  Lowell Hotel

Importance:  High

 

The Sheraton Hotel in Lowell has agreed to offer special rates to

those attending the 10th Annual Lowell Celebrates Kerouac! Festival

and Beat Literature Conference. To take advantage of this offer call

the hotel at 508-452-1200 and tell reservations you are attending the

Festival. This is a local promotion DO NOT CALL the Sheraton Worldwide

800 number, they cannot help you.

 

I'm told this is all set, if you have any trouble, let me know.

 

Mark Hemenway    MHemenway@drc.com

Lowell Celebrates Kerouac!

=========================================================================

Date:         Mon, 14 Jul 1997 10:36:42 -0400

Reply-To:     Phil Chaput <philzi@TIAC.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Comments: To: bfoye@aol.com, jsaint@tiac.net, tongues@tiac.net,

          holladay@woods.uml.edu, fisher@program.com,

          milton1@cliffy.polaraoid.com, wakonda@aol.tiac.net,

          schorr@world.std.com, whalec@boat.bt.co.uk,

          danbarth@happy.yokayo.uusd.k12.ca.us, cusimano@fas.harvard.edu,

          valcomb@aol.com, goslow@phx.com, wxgbc@cunyvm.cuny.edu,

          brooklyn@netcom.com, jhanson@penguin.com, hpark2@aol.com,

          karmacoupe@aol.com, mhemenway@s1.drc.com, kalron@ix.netcom.com,

          BeatRyder@aol.com, dave@scryber.com, radiofreeal@delphi.com,

          news@globe.com, 100120.361@compuserve.com, iht@eurokom.ie,

          nandq@guardian.co.uk, ciweekly@mailnfs0.tiac.net, arts@globe.com,

          mnews@world.std.com, norbull@aol.com, 73174.3344@compuserve.com,

          sfexaminer@aol.com, nlnews@ozarks.sgcl.lib.mo.us, greenwre@apn.com,

          brandx@winnipeg.cbc.ca, bnw@babylon.montreal.qc.ca,

          the_future@tvo.org, iac@bbc-ibar.demon.co.uk, lateshow@pipeline.com,

          foxnet@delphi.com, etv@unlinfo.unl.edu, nightly@nbc.ge.com,

          wesun@clark.net, radio@ohiou.edu, wcvb@aol.com,

          74201.2255@compuserve.com, wmbr-press@media.mit.edu, klmcomm@aol.com,

          general@the-tec.mit.edu, wmbr-press@media.mit.edu, wmfo@tufts.edu,

          allie.cat@genie.com, DawnDr@aol.com, kh14586@acs.appstate.edu,

          skolowra@rykodisc.mhub.com, clv100u@m.BITNET,

          ozart.fpa.odu.edu@mailnfs0.tiac.net, madhatter20@juno.com

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IMAGES of KEROUAC '97 - An Open Photography Exhibtion Call For

Photo Entries

 

GUIDELINES

 

The Whistler House Museum of  Art and Lowell Celebrates Kerouac!,

Inc. invite photographers of all ages, experience and media to

participate in an open exhibition of photographic images inspired

by Jack Kerouac or the Beats. Guidelines follow:

1. The exhibition is open to all artists in photographic media

(traditional and non-traditional). Submissions should be of or

inspired by Jack Kerouac, Beat Personalities or Literature, or

Lowell. We will try to display all submissions, however, The

Whistler house Museum of Art and Lowell Celebrates Kerouac!, Inc.

reserve the right to refuse any submission.

 

2. Deadline: All work must be delivered to the Whistler House

Museum of art no later than September 12, 1997.

 

3. An entry fee of $7.00 per work must accompany all submissions.

Checks should be made out to the Whistler House Museum of Art.

 

4. The Exhibition will open at a reception on 2 October 1997 in

conjunction with the opening of the 10th Annual Lowell Celebrates

Kerouac! Festival. The exhibition will run until 31 October 1997.

 

 

5. Photographs must be suitable for installation and must not

exceed 48" in any dimension, including frame. All framing must

include screw eyes and or snap hangars. Glass and clip framing

will not be accepted. Each artists may submit up to three (3)

works.

 

6. Photographs must be hand delivered or shipped prepaid. All work

must be prepackaged in reusable material for return at the end of

the exhibition. Work arriving without sufficient return postage

will be returned collect at the end of the exhibition.

 

7. Unless indicated  NFS by the artist, all work will be

considered for sale at a 35% commission to the Whistler House

Museum.

 

8. Mail submissions to:    Whistler House Museum of Art, 243

Worthen Street, Lowell, MA 01852

 

9. Phone 508-452-7641 for additional information on the photo

exhibition.

 

10. Provide the following information for all submissions:

        a. Artist name address and phone number.

        b. Title of the submission

        c. Size of the submission

        d. Sale price

 

11. For information of the 10th Annual Lowell Celebrates Kerouac!

Festival write to Lowell Celebrates Kerouac!, Inc., PO Box 1111,

Lowell, MA 01853

=========================================================================

Date:         Mon, 14 Jul 1997 10:35:46 -0400

Reply-To:     Phil Chaput <philzi@TIAC.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Anne Waldman

Comments: To: bfoye@aol.com, jsaint@tiac.net, tongues@tiac.net,

          holladay@woods.uml.edu, fisher@program.com,

          milton1@cliffy.polaraoid.com, wakonda@aol.tiac.net,

          schorr@world.std.com, whalec@boat.bt.co.uk,

          danbarth@happy.yokayo.uusd.k12.ca.us, cusimano@fas.harvard.edu,

          valcomb@aol.com, goslow@phx.com, wxgbc@cunyvm.cuny.edu,

          brooklyn@netcom.com, jhanson@penguin.com, hpark2@aol.com,

          karmacoupe@aol.com, mhemenway@s1.drc.com, kalron@ix.netcom.com,

          BeatRyder@aol.com, dave@scryber.com, radiofreeal@delphi.com,

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          allie.cat@genie.com, DawnDr@aol.com, kh14586@acs.appstate.edu,

          skolowra@rykodisc.mhub.com, clv100u@m.BITNET,

          ozart.fpa.odu.edu@mailnfs0.tiac.net, madhatter20@juno.com

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Lowell Celebrates Kerouac!, Inc P.O. Box 1111, Lowell, MA 01853

 

 

ANNE WALDMAN TO LEAD ALLEN GINSBERG TRIBUTE AT  LOWELL CELEBRATES

KEROUAC! FESTIVAL

 

FOR IMMEDIATE RELEASE                   PRESS CONTACT:

JULY 1, 1997                                            Mark

Hemenway:

                                                        Day:

                                                        508-475-9090

                                                        ext 1239

                                                        Evening:

                                                        508-458-1721

 

                                                        PUBLIC

                                                        INQUIRIES:

                                                        1-800-443-3332

                                                        508-458-1721

 

(Lowell, MA)    Ann Waldman, internationally acclaimed poet,

editor and educator will be lead a tribute to Allen Ginsberg at

the 10th Annual Lowell Celebrates Kerouac! Festival,  2- 5 October

in Lowell, MA. Ms Waldman has authored over 30 books of poetry and

has performed in readings around the world. She directed the

Poetry Project at St Mark's Church in the Bowery for over a decade

and  is currently the Director of the Jack Kerouac School of

Disembodied Poetics which she co-founded with Allen Ginsberg.

 

The theme of the 10th Annual Lowell Celebrates Kerouac! Festival

is Jack Kerouac Celebrates Lowell. We will celebrate and  explore

the real and mythic Lowell, Massachusetts that Kerouac brought to

life in his writing.  Kerouac friend, and poet Allen Ginsberg died

this past year and we mourn his loss. This year's festival will

honor the memory and pay tribute to the art of this great American

writer.

 

Before he died at age 46, Jack Kerouac published 24 books

chronicling the lives and adventures of the post war generation in

America. The raw energy and beauty of his prose established a new

standard in American literature. The ideas and way of life that he

wrote about would set the stage for the "rucksack revolution" of

the sixties. Jack Kerouac along with Allen Ginsberg, William S.

Burroughs, Neal Cassady and others, founded the Beat movement in

American literature and culture, a movement that challenged the

rigid social structure of postwar America and eventually led to

sweeping social change.

 

Jack Kerouac was born, raised and remained a native of Lowell

throughout his life. His novels are autobiographical.  5 of his

novels take place in Lowell, and the city is mentioned in

virtually every one of his books. His descriptions of Lowell are

remarkable for their beauty, power and timelessness. Through them,

millions of readers have come to know Lowell as a universal

hometown.

 

Each year, in Kerouac's favorite month of October, enthusiasts

gather from around the world to celebrate his art and to

commemorate his life.

 

Lowell Celebrates Kerouac!, Inc. is a non-profit corporation

dedicated to the celebration, enjoyment and study of Jack Kerouac

and his writings. Whenever possible, events are free, however,

donations are gratefully accepted for continued support of the

annual Lowell Celebrates Kerouac! Festival.. To make a donation,

or to find out more about Lowell Celebrates Kerouac!, Inc., write:

P.O. Box 1111, Lowell, MA 01853.

 

A summary of Lowell Celebrates Kerouac! Events follows:

 

Feature Performance. Legendary performers and poets like  Patti

Smith, Allen Ginsberg, Ed Sanders, Michael McClure, Ray Manzarek,

David Amram. Gregory Corso and Herbert Huncke have appeared during

the festival. This year's tribute to Allen Ginsberg and Herbert

Huncke will feature Ann Waldman.

 

Memorial Mass for Jack Kerouac- A memorial mass for Jack and

Stella Kerouac will be held at the St. Louis Roman Catholic

Church, the parish in which he spent his earliest years.

 

Beat Literature Conference- The University of Massachusetts-Lowell

will present an academic conference on Jack Kerouac and the Beat

writers on Friday, October 3rd at the University's South Campus.

Leading scholars of beat culture and literature will present

papers and ideas in symposia and panels throughout the day.  Ann

Douglas will deliver the Keynote Presentation. For information

contact Professor Hilary Holladay, English Department,

UMASS-Lowell, Lowell, MA 01854.

 

The Jack Kerouac Literary Prize. Emerging and established writers

are invited to submit works of fiction, non-fiction or poetry for

the Jack Kerouac Literary Prize. The winner will receive a $500

honorarium and an invitation to present the winning manuscript at

the October Festival. The Prize is sponsored by Lowell Celebrates

Kerouac!, Inc, The Estate of Jack and Stella Kerouac, and

Middlesex Community College. For guidelines, send a SASE to The

Jack Kerouac Literary Prize, P.O. Box 8788, Lowell, MA 01853.

 

Photo Exhibitions. The festival will feature an exhibition of

photographic works and a gallery talk  by photographer Gordon

Ball, editor of Allen Ginsberg's journals.

 

Open Photography Exhibition . Photographers of all ages,

experience and media are invited to participate in an open

exhibition of photographic images inspired by Jack Kerouac or the

Beats. The exhibition is sponsored by the Whistler House Museum of

Art.  For guidelines, send a SASE to  Beat Exhibition, 243 Worthen

St,  Lowell,  MA 01852.  New Books.  We will celebrate the

publication of Some of the Dharma, and the 40th Anniversary

Edition of On the Road,  by Viking Penguin, the Collected Works of

Herbert Huncke,  and a new history of Kerouac's roots in Nashua

New Hampshire during the festival.

 

Small Press Book Fair- The small press book fair is an opportunity

to sample regional small press publications, and pick-up Kerouac

books- new and rare.

 

Poetry at The Rainbow Cafe- Authors read their works in the

Kerouacian ambience of a neighborhood tavern in "Little Canada."

Everyone is welcome to read their poetry or prose, but time is

limited, please reserve a spot ahead of time.

 

The Kerouac Commemorative- The Jack Kerouac Commemorative is

located in downtown Lowell at the intersection of Bridge and

French Streets, near the former site of his father's print shop.

Selected Kerouac passages, etched in eight red granite pillars,

stand as a living monument to his art.  The symmetrical cross and

diamond pattern of  The Commemorative is a meditation on the

complex Buddhist and Roman Catholic foundations of much of Jack's

writing.

 

Walking Tours- Walking tours of Kerouac sites in Lowell and

Nashua, NH are conducted throughout the weekend. The tours change

each year, but almost always include: Our Lady of Lourdes Grotto,

the Watermelon Man Bridge, the Merrimack River, and many of the

neighborhood sites Jack wrote about.

 

Bus Tours- Bus tours of Lowell and Nashua, NH provide a more

leisurely tour of sites in these two Kerouac cities. Jack

Kerouac's mother and father met and the family, including Gerard

are buried in Nashua.

 

Open Microphone at the Coffee Mill- Sunday afternoons are reserved

for an open microphone reading and performance at the Coffee Mill

in downtown Lowell. Everyone is welcome to read their work. Sip

expresso while waiting your turn at the microphone. .

 

Many other activities are available during the weekend:

 

o       Exhibits of first edition beat publications and

memorabilia.

o       Jack Kerouac's rucksack and other personal items are on

display at the Working People Exhibit, Lowell National Historical

Park.

o       Edson Cemetery. Jack Kerouac is buried in the Edson

Cemetery just south of Downtown Lowell. The cemetery is open from

sun-up to sun-down every day.

o       Music and conversation- There will be many opportunities

throughout the weekend to share your festival experience and

enthusiasm for Jack Kerouac while enjoying a beer at local taverns

and nightspots.

 

For additional information call the Merrimack Valley Convention

and Visitor's Bureau at 1-800-443-3332, or Lowell Celebrates

Kerouac!, Inc 508-458-1721.

 

***END***

=========================================================================

Date:         Mon, 14 Jul 1997 11:25:48 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

In-Reply-To:  <33CA3601.3019@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dave: wonderfully written, thoughtful, and by no means illiterate.

a fellow 'feeler'

mc

=========================================================================

Date:         Mon, 14 Jul 1997 11:40:06 -0400

Reply-To:     Ddrooy@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

 

Very, very cool letter...

 

Some people understand jack only on a soul-to-soul, heart-to-heart level.

Others can't really reconcile what they "feel" for him unless they can put

scholarly structure to these mystical connections.

 

What has really hit home for me in 1997 is the incredibly colorful, complex

tapestry of jack. The drunk, the saint, the madman, the scholar, the leader,

the follower. One moment he's espousing spontaneity as if speaking to

disciples about the path to enlightenment. The next moment he's advancing an

almost turgid scholarly theory differentiating between talent and

originality, and listing off authors who possess these qualities.

 

He has that "nervous intelligence" that goes from earthly to ethereal. Kids

who are 13 or 14, post-graduate types, drinkers and thinkers, so-called

"intellectuals," all read jack, love jack, relate to jack, believe they

understand jack. I don't question them. I just sit in the corner and read and

make notes. My head's too full of images and my soul's too hungry for freedom

to study a dialectic or seek a methodology. Give me illiteracy or give me

dreck... who said that?

 

Hey, I ain't stupid. I just read jack with my heart and soul, not with my

book-learnin. Who the hell is this Joyce dude anyway, and why does he have a

chick's name?

 

hee hee hee hee heeeee

 

ddr

=========================================================================

Date:         Mon, 14 Jul 1997 11:54:04 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: CODY: what murder?

Comments: To: Arthur Nusbaum <SSASN@AOL.COM>

In-Reply-To:  <970712003115_137557659@emout17.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Arthur--

 

> This is how it really was, how history is really made before it

> is "history" in the discord and immediacy of the moment.  How do I put it-

> there is both a demystification of a well-established and documented legend,

> and a message that our own  relatively anonymous cosmic huddles have the same

> legendary qualities that we project by popular consensus onto this now-famous

> group.  There's more to this I can't quite get at, it's late and enough for

> now.

 

As usual you're right on with this -- I think a large part of why and how

the Beats became what they are is due to this phenomenon of "secret

histories." I hope you're able to get at -- and post to the list -- more

of this at a later time.

=========================================================================

Date:         Mon, 14 Jul 1997 11:06:55 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> dave: wonderfully written, thoughtful, and by no means illiterate.

> a fellow 'feeler'

> mc

 

I must say that my comments are illiterate.  it is not an ugly word - it

is an honest word.  i have no background in what is called "literature"

in any form.  my background is in theories of argumentation and

symbolism.  my brain is sort of working backwards in this process moving

from the scholarly and non-scholarly posts which i understand fairly

well and glancing at parts of the book that correlate with the posts

throwing that into the soup of my brain and letting it simmer and then

finally just letting something pop out.

 

these illiterate impressions would not have been possible without the

scholarly posts or without the public library i should add.  to me one

of the most important things in digesting a book is to carry it with me

and touch it a lot and just let it soak inside.  This in combination

with y'alls words and a few of Jack's words forms the basis for a

naive but perhaps insightful impressionistic synthesis of what the

experience meant to me.

 

The synthesis that i found this morning would not have been possible

without the careful and detail dissection of each tidbit by those

patient enough to actually sit down and read a story from start to

finish thoughtfully.

 

Enjoying the way you all unscrew my brain - by the way.

 

your friendly Scarecrow returning from Oz,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 14 Jul 1997 09:11:28 -0700

Reply-To:     Gerald Nicosia <gnicosia@EARTHLINK.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Kerouac Week in Lowell

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:35 AM 7/14/97 -0400, you wrote:

> 

>A summary of Lowell Celebrates Kerouac! Events follows:

> 

> 

>Memorial Mass for Jack Kerouac- A memorial mass for Jack and

>Stella Kerouac will be held at the St. Louis Roman Catholic

>Church, the parish in which he spent his earliest years.

 

                                July 14, 1997, Bastille Day

 

Dear Mark, Phil, Attila, and other Organizers:

 

        Don't you think it would be proper to have Jan's soul remembered in

this Mass as well, since her remains were just buried in Nashua?

        Best always, Gerry Nicosia

=========================================================================

Date:         Mon, 14 Jul 1997 16:30:16 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

 

nothing illiterate here at all...  you have cloven the arrow already at the

center of the bull's-eye.  can anything more be said?

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of RACE ---

Sent:   Monday, July 14, 1997 7:21 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        An Illiterate Impression of Visions of Cody

 

Good morning,

 

I have checked out Visions of Cody and it is due back at the library

soon.  I have carried it with me and felt it many many times.  It has

been in my shoulder bag every day as i walk to the filling station and

read the morning paper to get a sensation of locale.  I have read a few

words here and there, typed a few words, and read many of the posts by

folks who are better readers than i.  today i am getting a book in the

mail from Diane Carter that i will definitely carry with me for at least

a month or two. This book is named Ulysses.  It is buy a man named

James.  Before i trade in Jack for James i felt i would spill my guts on

the impressions this tired Kansan has of the book from carrying it with

me for a bit.

 

Once upon a time there was a man named Jack.  Jack had a peculiar

genetic makeup.  He was born a feeler.  Jack could feel more listening

to a Bobby Thompson home run on the radio than most people feel in an

entire lifetime.

 

Jack noticed early on that other folks didn't feel the way he did.  This

caused him to feel alien sometimes.  Jack was never able to step into

the picture of life because he felt it so more intensely than the others

in the picture.  So Jack watched and imagined words for what was

happening.  This separated Jack even more from the other people and from

the picture of life.  He tried harder to find words for what he saw

because what he saw was the truth and his belief.  This pulled him

farther from the picture because most of the people in the picture

didn't feel, observe or try to describe the picture.  And so as time

went along a cycle develops that Jack keeps feeling more and more deeply

and wants to connect from the separation from the non-feelers by

describing his feelings in words but this just adds to the separation

and he feels this separation more deeply than any it seems.

 

One day he meets a cat named Cody.  Jack is not a cat.  Jack is a feeler

who watches Cat.  Cody shows him how to be in the picture and talk about

it at the same time.  Jack finds the key to life.

 

As time goes on Jack and Cody are not always able to be in the same

picture.  Sometimes Jack slips back to the old ways of feeling outside

the picture instead of feeling with the picture as Cody has taught him

by showing him through Cody's way of living so completely alive.  When

this happens Jack thinks of Cody.  Remembers him totally.  And the

memory of Cody saves Jack's life again.

 

Jack is grateful to Cody.  Many people are grateful but being a feeler

Jack is grateful to depths no one appreciates.  Sometimes his actions

betray his gratitude and this makes Jack feel even more indebted to Cody

because the memories pull him back into the picture after such

misdeeds.

Jack sits down and types to the world the story of a person who -- to

Jack -- is more than a person, who is larger than life, who is Jack's

lifeline into the portrait of the living world.  He types and types and

types.  Then he has a book.  It is called Visions of Cody.  Jack dies.

Visions of Cody is published and so it is a real book.  Everyone now can

see how Cody showed Jack to enter the picture of life and feel and live

at the same time.

 

By carrying this tattered library book around for a few weeks, it seems

that Cody is truly a mythic figure.  He is more than a legend.  He is a

healer and a saviour for those who are caught away from the world and

feel it so intensely that they can't live it.  That is Cody's gift to

Jack.  The book is Jack's gift to Cody.  They both are a gift to us all.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 14 Jul 1997 09:31:54 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      "to have seen a specter isn't everything..."

Comments: cc: Victoria Paul <vpaul@gwdi.com>

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went book shopping in LA this weekend.

 

Aldine Books

4663 Hollywood Boulevard

(1/2 block east of Vermont Ave.)

Los Angeles, CA 90027

(213) 666-2690

 

 

Picked up "first third" by Neal Cassidy for $8 (was marked at $10).

Walked in and asked for Kerouac and the Beats.  Don't know if they have

much of a selection, but the folx behind the counter very helpful.

Asked me to call or drop by if I needed to track down something else.

 

was shopping next door at Wacko!  this great tidbit freak store.  lots

of art, sex, tattoo, insence, nick-nac stuff.  So if you're up in Los

Angeles, make sure and stop buy.  good neighborhood for sex clubs, used

book, record & clothing stores.  and automotive supply stores.

 

and I don't have time to read these days.  don't know why I'm buying all

these books.  Here's a snippet of what I'm missing:

 

To have seen a specter isn't everything

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

by Neal Cassidy

 

        To have seen a specter isn't everything, and there are deathmasks

piled, one atop the other, clear to heaven. Commoner still are the wan

visages of those returning from the shadow of the valley.  This means

little to those who have not lifted the veil.

 

=-=-=-=

I think he's talking about Los Angels.  <<Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Mon, 14 Jul 1997 09:44:49 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: "buy me a bicycle and cut my skin"

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Charles writes:

 

>> Wow! That's incredible. Is that a collage? Do you have a print of it?

 

yep, a collage.  plexi and bunch of things lit upon by scanner.  No

prints currently available.  Seen from this side of photoshop (a graphic

manipulation program).  Personally, I like the circles, the quality of

light, and the different perspectives/interpretations possible.  Glad

you like it  <<that was the point--

 

><<Actually, I must confess I stole that line from som old book  from France I

>believe that were case studies of insane kids. That line stuck in my mind for

>years and I had no way of knowing its documentation, so I did a Dutch

>Schultz/Burroughs borrowing. The credit goes to some poor kid in a maison de

sante many years ago. Let us bless him or her.>>

 

<<blessings>>

> 

>> Charles Plymell

 

Douglas

=========================================================================

Date:         Mon, 14 Jul 1997 13:01:08 -0700

Reply-To:     dumo13@EROLS.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <dumo13@EROLS.COM>

Subject:      Miget Auto Races

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Rinaldo,

 

Miget cars are much like Go-Carts.  They are slightly larger and have

sturdy steel-tube frame and a fiberglass body.  The engines are somewhat

powerfull for these little cars (I'd the cars are about the size of a

twin bed?).  They are raced on fairly small, circular dirt tracks.  They

are still raced today.  I'll try to find a bit more information on the

American NASCAR site for you if you'd like.

 

Chris

=========================================================================

Date:         Mon, 14 Jul 1997 12:06:29 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: "to have seen a specter isn't everything..."

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> To have seen a specter isn't everything

> -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

> by Neal Cassidy

> 

>         To have seen a specter isn't everything, and there are deathmasks

> piled, one atop the other, clear to heaven. Commoner still are the wan

> visages of those returning from the shadow of the valley.  This means

> little to those who have not lifted the veil.

> 

> =-=-=-=

> I think he's talking about Los Angels.  <<Douglas

> 

 

i think he's talking about walking on water across the river styx after

laughing at the hounds from hell.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 14 Jul 1997 12:55:13 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Cody: not murder, dark accident

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Patricia Elliott wrote:

> 

> Hemenway . Mark wrote:

> >

> > June was killed accidentally by WSB as he tried to shoot an apple?

> > water glass? (the details escape me) from her head, a la William Tell.

> > Seems like I remember this passage in VOC as referring to that

> > incident, but I could be wrong. Incidentally, a version of this

> > incident is kind of a motif in the movie version of <<Naked Lunch>>.

> >

> > Mark Hemenway

> 

>  it was a drink.  wsb.s preface to Queer is an extraordinary account of

> this. It is some of the strongest and best  prose that i have ever read

> . worth reading, the preface is less than 40 pages long.

> patricia

=========================================================================

Date:         Mon, 14 Jul 1997 13:13:24 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      race is kool

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you perceptions and communications are elegant

thank you for being on the list

patricia

=========================================================================

Date:         Mon, 14 Jul 1997 15:20:45 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      2 roads

Content-Type: text

 

David's "Two roads diverged" version of Frost's poem reminds me

of the legend of the Burinam ass: the ass was staked on a chain

leash midway between two stacks of hay which were exactly the same

size and quality; the ass starved to death because there was nothing

to lead it to choose one of the equidistant stacks of hay rather

than the other.

The legend was popular during the 18th century (which, I swear, was

before my time) as a critique of the limits of rationality.

A beat but not beaten ass.

Cordially,

Mike Skau

7/14/97

=========================================================================

Date:         Mon, 14 Jul 1997 16:36:23 -0400

Reply-To:     Richard Wallner <rwallner@CAPACCESS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      City Lights

Comments: To: Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>

In-Reply-To:  <BEAT-L%1997071320135771@CUNYVM.CUNY.EDU>

MIME-Version: 1.0

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Actually, City Lights repeatedly turned down Kerouac's work and other  beat

works.

 

 Ferlinghetti

refused to publish Kerouac's "Mexico City Blues", even when Ginsberg

offered to pay for the printing costs himself out of his royalties from

"Howl"  I think CL also turned down Gregory Corso's "Bomb" and a lot of

other great beat works.  CL has gotten a lot of mileage out of being

Allen Ginsberg's publisher but when it comes down to it, they were a

business like any other and only wanted to print what would sell.

=========================================================================

Date:         Mon, 14 Jul 1997 21:25:05 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: City Lights

 

I find this very interesting, as now City Lights publishes all or almost of

Kerouac's works now, as well as Corso's and other Beats'; and has a Beat

section all its own on the second floor along with what appears to be

primarily Beat poetry.

 

i had always thought that Ferlinghetti had run City Lights just because of the

lack of publishers who would touch Beat works...  ah well, legends so often

eclipse harsh reality, particularly when it comes to fame & fortune.

 

thanks for the insight.

 

ciao,

sherri

----------

From:   BEAT-L: Beat Generation List on behalf of Richard Wallner

Sent:   Monday, July 14, 1997 1:36 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        City Lights

 

Actually, City Lights repeatedly turned down Kerouac's work and other  beat

works.

 

 Ferlinghetti

refused to publish Kerouac's "Mexico City Blues", even when Ginsberg

offered to pay for the printing costs himself out of his royalties from

"Howl"  I think CL also turned down Gregory Corso's "Bomb" and a lot of

other great beat works.  CL has gotten a lot of mileage out of being

Allen Ginsberg's publisher but when it comes down to it, they were a

business like any other and only wanted to print what would sell.

=========================================================================

Date:         Mon, 14 Jul 1997 23:38:08 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Alice (lyric/song) by Francesco De Gregori.

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------------------------------------------------------------

                Alice   (song) by Francesco De Gregori

 

Alice guarda i gatti            Alice looks at the cats

e i gatti guardano il sole      and the cats look at the sun

mentre il mondo sta             while the world

 [girando senza fretta          [be turning without hurry

 

Irene e' li' al quarto piano    Irene lives on the fourth floor

lei e' li' tranquilla e         she is there calm

 [si guarda allo specchio       [and looks at oneself in the mirror

e si accende                    and again she catches fire

 [un'altra sigaretta            [a cigarette

 

e Lili' Marlene                 and more beautiful

 [bella piu' che mai            [Lili Marlene that never

lei sorride                             she smiles you

 [non ti dice la sua eta'       [she doesn't tell his age

ma tutto questo                 but all this

 [Alice non lo sa                       [Alice doesn't know it

 

E io non ci sto'                        And I am against it

 [piu' grido' lo sposo          [the bridegroom shouted

e poi tutti pensarono           and then all thought

 [dietro i cappelli             [behind the hats

lo sposo e' impazzito           the bridegroom goes crazy

 [oppure ha bevuto              [or he is drunk

 

ma la sposa aspetta             but the bride is pregnant

[un figlio

e lui lo sa                             and he knows it

non e' cosi' che se ne andra'   it is not as that if he will go away

 

 

Alice guarda i gatti            Alice looks at the cats

e i gatti muoiono nel sole      and the cats die in the sun

mentre il sole                  while the sun gradually draws near

 [a poco a poco si avvicina

 

E Cesare perduto                        And Cesare lost in the rain

 [nella pioggia

sta aspettando da sei ore       he is waiting for 6 hours

 [il suo amore ballerina        [his love ballerina

e lui rimane li'                        and he stays there

 [a bagnarsi ancora un po'      [to get wet a few still

e il tram di mezzanotte         and the midnight bus goes away

 [se ne va

ma tutto questo                 but all this

 [Alice non lo sa                       [Alice doesn't know it

 

 

E io non credo piu'             And I believe

 [i pazzi siete voi             [the crazy persons are you

e poi tutti pensarono           and then all thought

 [dietro i cappelli             [behind the hats

lo sposo e' impazzito           the bridegroom goes crazy

 [oppure ha bevuto              [or he is drunk

 

ma la sposa aspetta             but the bride is pregnant

[un figlio

e lui lo sa                             and he knows it

non e' cosi' che se ne andra'   it is not as that if he will go away

 

 

Alice guarda i gatti            Alice looks at the cats

e i gatti girano nel sole       and the cats walk under the sun

mentre il sole fa                       while the sun makes love to the moon

 [l'amore con la luna

 

e il mendicante arabo           and the Arabic beggar

non ti chiede mai pane          doesn't ask you but

 [mai pane o carita'            [bread or charity

e ancora un posto                       and still a place

 [per dormire non ce l'ha       [for sleep he doesn't have

ma tutto questo                 but all this

 [Alice non lo sa                       [Alice doesn't know it

 

 

 

E io non voglio                 and I don't want

 [piu' grido' lo sposo          [the bridegroom shouted

e poi tutti pensarono           and then all thought

 [dietro i cappelli             [behind the hats

lo sposo e' impazzito           the bridegroom has maddened

 [oppure ha bevuto              [or he has drunk

 

ma la sposa aspetta             but the bride is pregnant

[un figlio

e lui lo sa                             and he knows it

non e' cosi' che se ne andra'   it is not as that if he will go away

 

 

---

yrs

Rinaldo.        *countercultural italian song from the late 70s*

------------------------------------------------------------

=========================================================================

Date:         Mon, 14 Jul 1997 18:37:02 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: City Lights

Comments: To: Sherri <love_singing@MSN.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

 

Sherri wrote:

 

> I find this very interesting, as now City Lights publishes all or

> almost of

> Kerouac's works now, as well as Corso's and other Beats'; and has a

> Beat

> section all its own on the second floor along with what appears to be

> primarily Beat poetry.

> 

> i had always thought that Ferlinghetti had run City Lights just

> because of the

> lack of publishers who would touch Beat works...  ah well, legends so

> often

> eclipse harsh reality, particularly when it comes to fame & fortune.

> 

> thanks for the insight.

> 

> ciao,

> sherri

> ----------

> From:   BEAT-L: Beat Generation List on behalf of Richard Wallner

> Sent:   Monday, July 14, 1997 1:36 PM

> To:     BEAT-L@CUNYVM.CUNY.EDU

> Subject:        City Lights

> 

> Actually, City Lights repeatedly turned down Kerouac's work and other

> beat

> works.

> 

>  Ferlinghetti

> refused to publish Kerouac's "Mexico City Blues", even when Ginsberg

> offered to pay for the printing costs himself out of his royalties

> from

> "Howl"  I think CL also turned down Gregory Corso's "Bomb" and a lot

> of

> other great beat works.  CL has gotten a lot of mileage out of being

> Allen Ginsberg's publisher but when it comes down to it, they were a

> business like any other and only wanted to print what would sell.

 

This is an interesting thread.  While at Bancroft library, I was able to

view original letters from Kerouac to Ferlinghetti.  There were two

themes.  One was related to the trip to Big Sur and described some of

the incidents protrayed in Big Sur.  The other was a discussion of Book

of Dreams and the cover, liner notes Jack was writing for ( I think) a

Corso book and the fact that Ferlinghetti would NOT publish Mexico City

Blues because he DID NOT consider Jack a poet.  Interesting.  There is

much to be learned from studying the letters and notebooks of a writer

like JK.

 

Peace,

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 14 Jul 1997 07:42:06 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

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> 

> Marie Countryman wrote:

> >

> > dave: wonderfully written, thoughtful, and by no means illiterate.

> > a fellow 'feeler'

> > mc

> 

 

> RACE --- wrote:

> I must say that my comments are illiterate.  it is not an ugly word -

> it

> is an honest word.  i have no background in what is called "literature"

> in any form.  my background is in theories of argumentation and

> symbolism.  my brain is sort of working backwards in this process

> moving

> from the scholarly and non-scholarly posts which i understand fairly

> well and glancing at parts of the book that correlate with the posts

> throwing that into the soup of my brain and letting it simmer and then

> finally just letting something pop out.

 

David,

 

Your post was wonderful!  Heartfelt, instinctual, and aimed directly at

the truth of the matter.  Nothing illiterate about it.  A background in

literature may make one more more literary but not more literate.  There

is always a need for a more direct, poignant presentation to balance

people like me who can be overly analytical.

DC

=========================================================================

Date:         Mon, 14 Jul 1997 19:03:55 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

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David,

 

Absolutely loved your synopsis of VOC.  Am trying to find the words to

describe why I still find this a frustrating-- and in many ways

unsatisfactory-- book.

 

J. Stauffer

 

RACE --- wrote:

> 

> Good morning,

> 

> I have checked out Visions of Cody and it is due back at the library

> soon.  I have carried it with me and felt it many many times.  It has

> been in my shoulder bag every day as i walk to the filling station and

> read the morning paper to get a sensation of locale.  I have read a few

> words here and there, typed a few words, and read many of the posts by

> folks who are better readers than i.  today i am getting a book in the

> mail from Diane Carter that i will definitely carry with me for at least

> a month or two. This book is named Ulysses.  It is buy a man named

> James.  Before i trade in Jack for James i felt i would spill my guts on

> the impressions this tired Kansan has of the book from carrying it with

> me for a bit.

> 

> Once upon a time there was a man named Jack.  Jack had a peculiar

> genetic makeup.  He was born a feeler.  Jack could feel more listening

> to a Bobby Thompson home run on the radio than most people feel in an

> entire lifetime.

> 

 . . .

=========================================================================

Date:         Mon, 14 Jul 1997 22:17:49 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: eye heart crane

Comments: To: BOHEMIAN@maelstrom.stjohns.edu, mike@infinet.com

 

In a message dated 97-07-14 02:45:54 EDT, you write:

 

<<    Foretold to other eyes on the same screen;

  >>

There's a good best western now in the fish mkt district. We stayed there

last easter when we met up with s.clay. it's right at the entrance to the

bridge. I recited that poem there where Crane used to take his sailors.

Actually the heart with a heart through it and Crane's name was painted on

the bridge. Not "carved" (how stupid of me) . And it must have been his

mother's ashes; since he walked off the back of a ship. My old Prof. Walpole

in 50's in Kansas joked saying it was because he learned he was hetro. But

Katheran Ann Porter told me that when she lived with Crane in Mexico, he was

always trying to jump off buildings. They were low haciendias, so she wd say

"oh come on down, Hart, you will only hurt yourself.

Charles Plymell

=========================================================================

Date:         Mon, 14 Jul 1997 19:27:43 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Literary Dandies

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As for me--never trust someone who isn't something of a "dandy".

Fashion is art too.  Presentation and style just as important in real

time as in poetry.  Jack in his signature plaid shirts, Neal in his well

chosen outfits (be they his first suit or jeans and t-shirt), Ginsberg

in his self-conciously anti-fashion seedy professor look which follows

his demented guru look . . .Plymell, the zoot suited hipster . . .

 

James Stauffer

> 

> <<

>  Were you ever much of a "dandy" Charley?  Ever take any interests in

> fashion? >>

> 

> Shit. Haven't you seen the photos of me "going to Kansas City in my zoot

> suit? Look at: www.buchenroth.com/cplymell.html and find the photos of me in

> the 50s.

> CP

=========================================================================

Date:         Mon, 14 Jul 1997 11:10:37 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Cody: paranoia

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This part is really great!  Beginning on pg. 306 with J quoting T.S.

Eliot "Obviously, an image which is immediately and unintentionally

ridiculous is merely a fancy,"  then writing of the image of Cody taking

a piece of cowdung from the stockyard tracks and laying it out to dry,

surrounded by buzzing flies, leading to this description of paranoia (pg.

307) [of course, by the time you get to this part of the book, you may

actually be lost in paranoia.]

 

"...paranoia preceding reality, reality flurting with paranoia, paranoia

blooming in fresh aridities, flowering in the vale, paranoia's not a cow

palace, paranoia's a possibility remotely to be wished or avoided, let it

go, till it proves it was right all the time when you die, allowing his

mind to make its own fertilizer estimations, or rather estimations by

mental ratio, the sheer-nerve secret in the hole of the brain, the place,

for him to decide what it is happening in the warm world that can also be

cold outside his eyeballs, that will send back to him, by impulses of

electric mystery, the vision, or the insanity, or the actual impulse that

everything is happening exactly as you see it, and that this is a heinus

happenstance there, it bodes no good, the mind doing this, then letting

the soul rebound softly and say 'No, no, everything is really alright,

that was paranoia, that was just a vision.'  Cody allowed himself the

conviction that in the darkness old men lay in wait, which was proved

later when he himself lay in the darkness of the syraw, the paranoia, the

vision, having been just an expression of the truth of things, not the

silly-ass moment of things! of things!  'Eliot's put the ball up in the

air and it's good."  Eliot plays forward for Santa Clara, it's radio

basketball."

 

Then it's all brought to this conclusion:

still pg. 307

"he rolled his hoop past his thought.  But there was nothing ridiculous,

there were no images immediately and sensationally ridiculous; it was

just a matter of believing in his own soul; it's just a matter of loving

your own life, loving the story of your own life, loving the dreams as

you sleep as parts of your life, as little children do and Cody did,

loving the soul of man (which I have seen in the smoke), lilting in your

own breaks to make them good or bad according to the geography of the

day..."

DC

=========================================================================

Date:         Mon, 14 Jul 1997 21:19:39 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

In-Reply-To:  <970714113837_-2044436868@emout17.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 8:40 AM -0700 7/14/97, Diane De Rooy wrote:

 

> Hey, I ain't stupid. I just read jack with my heart and soul, not with my

> book-learnin. Who the hell is this Joyce dude anyway, and why does he have a

> chick's name?

> 

> hee hee hee hee heeeee

 

Ulysses by James Joyce

start of chapter 3, pg37

-=-=-=-=-=-=-=-=-=-=-=-=-

 

Ineluctable modality of the visible: at least that if no more, thought

through my eyes.  Signatures of all things I am here to read, seaspawn and

seawrack, the nearing tide, that rusty boot.  Snotgreen, bluesilver, rust:

coloured signs.  Limits of the diaphane.  But he adds: in bodies.  Then he

was aware of them bodies before of them coloured.  How?  By knocking his

sconce against them, sure.  Go easy.  Bald he was and a millionaire,

<<maestro di color che sanno>>.  Limit of the diaphane in.  Why in?

Diaphane, adiaphane.  If you can put your five fingers through it, it is a

gate, if not a door.  Shut your eyes and see.

 

=-=-=-=-=-=

ugu ug ug I think he's refering to Aldus Huxley?

what's the italian?

can any of u type on t??

god, have a hard time reading

personally,

 

douglas :=x  <<running

 

 

> 

> ddr

 

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Tue, 15 Jul 1997 00:22:15 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: stauffer@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

> 

> David,

> 

> Absolutely loved your synopsis of VOC.  Am trying to find the words to

> describe why I still find this a frustrating-- and in many ways

> unsatisfactory-- book.

> 

> J. Stauffer

> 

> RACE --- wrote:

> >

> > Good morning,

> >

> > I have checked out Visions of Cody and it is due back at the library

> > soon.  I have carried it with me and felt it many many times.  It has

> > been in my shoulder bag every day as i walk to the filling station and

> > read the morning paper to get a sensation of locale.  I have read a few

> > words here and there, typed a few words, and read many of the posts by

> > folks who are better readers than i.  today i am getting a book in the

> > mail from Diane Carter that i will definitely carry with me for at least

> > a month or two. This book is named Ulysses.  It is buy a man named

> > James.  Before i trade in Jack for James i felt i would spill my guts on

> > the impressions this tired Kansan has of the book from carrying it with

> > me for a bit.

> >

> > Once upon a time there was a man named Jack.  Jack had a peculiar

> > genetic makeup.  He was born a feeler.  Jack could feel more listening

> > to a Bobby Thompson home run on the radio than most people feel in an

> > entire lifetime.

> >

>  . . .

 

James:

 

Don't get scared here, but I agree.  When I read VoC years ago, I wore

it out.  Many creases etc in the spine.  I studied it.  I read slow like

that and try to get the picture.  Here, I do not quite get it.  I

appreciate that Cody rose above a dismal life in Denver selling fly

swatters.  He read philosophy in the library.   I suppose Jack was

impressed with Neal's mind and self education.  But is that a true

picture?

 

I get the feeling Jack is an impressionist painter here, just not up to

par with some other things he has done.  What is he going for here?

Where and why is he choosing this course.

 

 

I am hopelessly bogged down in Part II.

 

Next, how about some Proust?

 

I think it is like You Can't Go Home Again and The Web and the Rock,

unfinished works that leave one wanting the greatness that is partially

revealed full flung.

 

So, I am not sure I will finish Cody this second time.  But I tried.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 15 Jul 1997 00:38:12 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: cc: BOHEMIAN@maelstrom.stjohns.edu

 

In a message dated 97-07-14 10:47:41 EDT, you write:

 

<<  That is Cody's gift to

 Jack.  The book is Jack's gift to Cody.  They both are a gift to us all. >>

 

When I was a boy in Ulysses, Kansas, I used to go out on the prairie and take

a shit. The flys buzzed around when I used to shit out on the prairie.So I

went to the city and met Barbitol Bob in jail. The jailer was nice ,so we

sent him for nose drops  that we drank. After we got out, Bob handed me Ez's

collected poems. Hmm this is weird, I thought, but we two lounge lizards read

it to our boy friends. Bob was a bellhop, and said we should go to the U. to

educate our minds. Hmm, I thought. Why not. I Never finished high school and

he only went to the reform school, Then our crazy English prof made us read

Ulysses.  I always got it confused with portrait of an artist as a young dog.

Bob was illiterate, so he took only art courses and made good grades. The

fraternity called him and he said they have all kinds of funny rules and

shit, so he didn't join. An art prof who read Life/Time and the New Yorker,

gave me a copy of Howl. Hmm, I said this guy fucks more than Danny, but Danny

has a 50 Buick Roadmaster convertible and wants to go to Hollywood. A hundred

years laters, Bob calls me and says, If you go to the Doors movie, you'll see

me and my son hawking our paintings on Venice Beach. Wow, I said, but missed

the first part. Makes me wonder where I would be without an educashun.

Charles Plymell

=========================================================================

Date:         Tue, 15 Jul 1997 00:07:16 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-07-14 10:47:41 EDT, you write:

> 

> <<  That is Cody's gift to

>  Jack.  The book is Jack's gift to Cody.  They both are a gift to us all. >>

> 

> When I was a boy in Ulysses, Kansas, I used to go out on the prairie and take

> a shit. The flys buzzed around when I used to shit out on the prairie.So I

> went to the city and met Barbitol Bob in jail. The jailer was nice ,so we

> sent him for nose drops  that we drank. After we got out, Bob handed me Ez's

> collected poems. Hmm this is weird, I thought, but we two lounge lizards read

> it to our boy friends. Bob was a bellhop, and said we should go to the U. to

> educate our minds. Hmm, I thought. Why not. I Never finished high school and

> he only went to the reform school, Then our crazy English prof made us read

> Ulysses.  I always got it confused with portrait of an artist as a young dog.

> Bob was illiterate, so he took only art courses and made good grades. The

> fraternity called him and he said they have all kinds of funny rules and

> shit, so he didn't join. An art prof who read Life/Time and the New Yorker,

> gave me a copy of Howl. Hmm, I said this guy fucks more than Danny, but Danny

> has a 50 Buick Roadmaster convertible and wants to go to Hollywood. A hundred

> years laters, Bob calls me and says, If you go to the Doors movie, you'll see

> me and my son hawking our paintings on Venice Beach. Wow, I said, but missed

> the first part. Makes me wonder where I would be without an educashun.

> Charles Plymell

 

now that for those of you who don't know the dialect is what a TRUE

Kansan sounds like.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 15 Jul 1997 01:14:23 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: City Lights

Comments: To: love_singing@msn.com

 

In a message dated 97-07-14 18:14:57 EDT, you write:

 

<< Actually, City Lights repeatedly turned down Kerouac's work and other

 beat

 works. >>

I knew about that though Allen's grumbling, though Allen was always patient.

He took me to F's house to see him. I wonder if that helped F decision to

publish my prose book and I think it was Apoc. Rose in CLJournal. I thought L

turned down Naked Lunch. I don't think he inderstood Burroughs. Publisher's

tastes.

C. Plymell

=========================================================================

Date:         Mon, 14 Jul 1997 01:31:18 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> Date:          Tue, 15 Jul 1997 00:22:15 -0400

> Reply-to:      "R. Bentz Kirby" <bocelts@SCSN.NET>

> From:          "R. Bentz Kirby" <bocelts@SCSN.NET>

> Organization:  Law Office of R. Bentz Kirby

> Subject:       Re: An Illiterate Impression of Visions of Cody

> To:            BEAT-L@CUNYVM.CUNY.EDU

 

> James Stauffer wrote:

> >

> > David,

> >

> > Absolutely loved your synopsis of VOC.  Am trying to find the words to

> > describe why I still find this a frustrating-- and in many ways

> > unsatisfactory-- book.

> >

> > J. Stauffer

> >

> > RACE --- wrote:

> > >

> > > Good morning,

> > >

> > > I have checked out Visions of Cody and it is due back at the library

> > > soon.  I have carried it with me and felt it many many times.  It has

> > > been in my shoulder bag every day as i walk to the filling station and

> > > read the morning paper to get a sensation of locale.  I have read a few

> > > words here and there, typed a few words, and read many of the posts by

> > > folks who are better readers than i.  today i am getting a book in the

> > > mail from Diane Carter that i will definitely carry with me for at least

> > > a month or two. This book is named Ulysses.  It is buy a man named

> > > James.  Before i trade in Jack for James i felt i would spill my guts on

> > > the impressions this tired Kansan has of the book from carrying it with

> > > me for a bit.

> > >

> > > Once upon a time there was a man named Jack.  Jack had a peculiar

> > > genetic makeup.  He was born a feeler.  Jack could feel more listening

> > > to a Bobby Thompson home run on the radio than most people feel in an

> > > entire lifetime.

> > >

> >  . . .

> 

> James:

> 

> Don't get scared here, but I agree.  When I read VoC years ago, I wore

> it out.  Many creases etc in the spine.  I studied it.  I read slow like

> that and try to get the picture.  Here, I do not quite get it.  I

> appreciate that Cody rose above a dismal life in Denver selling fly

> swatters.  He read philosophy in the library.   I suppose Jack was

> impressed with Neal's mind and self education.  But is that a true

> picture?

> 

> I get the feeling Jack is an impressionist painter here, just not up to

> par with some other things he has done.  What is he going for here?

> Where and why is he choosing this course.

> 

> 

> I am hopelessly bogged down in Part II.

> 

> Next, how about some Proust?

> 

> I think it is like You Can't Go Home Again and The Web and the Rock,

> unfinished works that leave one wanting the greatness that is partially

> revealed full flung.

> 

> So, I am not sure I will finish Cody this second time.  But I tried.

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

> 

> 

with a book as non-linear as VofC i personally think you should just

randomly read it a little each day (like how cody read his proust) or

as much as possible in one sitting, but don't stop in the middle of

one of those paragraphs or you will lose the "feeL" that way you will

eventually read it all. cya~randy

=========================================================================

Date:         Tue, 15 Jul 1997 01:37:44 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

 

In a message dated 97-07-15 01:00:18 EDT, you write:

 

<< <<  That is Cody's gift to

  Jack.  The book is Jack's gift to Cody.  They both are a gift to us all. >>

 

 When I was a boy in Ulysses, Kansas, I used to go out on the prairie and

take

 a shit. The flys buzzed around when I used to shit out on the prairie.So I

 went to the city and met Barbitol Bob in jail. The jailer was nice ,so we

 sent him for nose drops  that we drank. After we got out, Bob handed me Ez's

 collected poems. Hmm this is weird, I thought, but we two lounge lizards

read

 it to our boy friends. Bob was a bellhop, and said we should go to the U. to

 educate our minds. Hmm, I thought. Why not. I Never finished high school and

 he only went to the reform school, Then our crazy English prof made us read

 Ulysses.  I always got it confused with portrait of an artist as a young

dog.

 Bob was illiterate, so he took only art courses and made good grades. The

 fraternity called him and he said they have all kinds of funny rules and

 shit, so he didn't join. An art prof who read Life/Time and the New Yorker,

 gave me a copy of Howl. Hmm, I said this guy fucks more than Danny, but

Danny

 has a 50 Buick Roadmaster convertible and wants to go to Hollywood. A

hundred

 years laters, Bob calls me and says, If you go to the Doors movie, you'll

see

 me and my son hawking our paintings on Venice Beach. Wow, I said, but missed

 the first part. Makes me wonder where I would be without an educashun.

 Charles Plymell

 

 

 ----------------------- Headers --------------------------------

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=========================================================================

Date:         Tue, 15 Jul 1997 01:52:44 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Literary Dandies

 

In a message dated 97-07-15 01:08:41 EDT, you write:

 

<< , Neal in his well

 chosen outfits (be they his first suit or jeans and t-shirt), Ginsberg

 in his self-conciously anti-fashion seedy professor look which follows

 his demented guru look . . .Plymell, the zoot suited hipster . . .

 

 James Stauffer >>

 

O yeah. Neal's signature was out of the 40's with penny loafers, levis and

white-t-shirt with sports jacket if needed. Brando-esq. The prof Ginsberg

dress was later. He did the white Indian signature when he discovered the

Haight . Up here at the committe farm it was strictly  farmer's overalls. He

wore them to England during that period where Pelieu tells of them all going

for dinner. Burroughs said to Pelieu ... walk on this side of the street

(with Pam's mother) so no one will think we're with THEM ..G and Peter in

farmer's overalls. Sometimes the occasion doesn't work. I forget what Allen &

Peter were weraing when I took themto Candy Darling's place in the Tenderloin

when Allen first arrived from India.. Probly modified hippie and guru wear.

Anyway, Candy didn't want ANYTHING to do with those weirdos! She of course

was in S.F. high drag.

C. Plymell

=========================================================================

Date:         Tue, 15 Jul 1997 02:01:28 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Pain's Monkey

 

In a message dated 97-07-15 01:24:53 EDT, you write:

 

I dreamt of dogs impinged on street sign

 too many animals on highway

 terrified eyes of cattle through the racks

 of tractor trailors on way to Chicago

cp

=========================================================================

Date:         Mon, 14 Jul 1997 23:37:46 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Literary Dandies

In-Reply-To:  <970715015243_1546477589@emout12.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:52 PM -0700 7/14/97, Pamela Beach Plymell wrote:

 

> Sometimes the occasion doesn't work.

 

 

> I forget what Allen &

> Peter were weraing when I took themto Candy Darling's place in the Tenderloin

> when Allen first arrived from India.. Probly modified hippie and guru wear.

> Anyway, Candy didn't want ANYTHING to do with those weirdos! She of course

> was in S.F. high drag.

 

Candy Darling, Andy Warhol's old flame?  andy, the beat?=

 

 

Jim Carroll tells a story, in basketball diaries, I believe: about how

Warhol used to call him up on the telephone.  It'd be like 7:30 in the

morning.  Andy would ask lots of questions and try to prolong the

conversation as long as possible.  Eventually, Carroll realized that Andy

was tape recording the conversations and playing them back later.  looking

for good source material for his art.  trying to keep a pulse on the

street.  and Andy would be upset if drugs had not been taken, if answers

paused at no or yes.  Andy wanted action.  spontaneous autonomical prose,

caught off-guard.  beauty is repulsive and must therefore be caught

sleeping.  and surprise!  This was the path, Andy was after.  So armed with

a polaroid camera, Andy Warhol put together these words from "America"

(1985)[[his OTR--

 

        <<So the young kids just moving to New York to find their fortune

are instead finding that they have to live in these incredible

neighborhoods which look reallly dangerous because they don't have the

money to pay the rent and live in a really good part of town.  But when

they look closely they find that the places they usually move to are filled

with other kids just like them and maybe it's not so bad. [[p140-144

 

For his polaroid portraits, he'd take about 100 shots.  Just staring at

you, talking with you, snapping the occasional portrait.  Then later, he'd

work down to the _one_ essential photograph.  a signal of deeper water.  4

color serigraphy/lithograph (or something -graph like that).

 

I wonder what if Andy Warhol had been there with Neal instead?

 

> C. Plymell

 

Douglas  [[note: I have yet to crack the book

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Tue, 15 Jul 1997 14:02:59 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: An Illiterate Impression of Visions of Cody

In-Reply-To:  <l03020901aff0a83dfcbd@[198.5.212.52]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

douglas & beati interested:

<<maestro di color che sanno>>=Master of Sage

its' referred to a person who is the best in the knowledge

btw im' not sure but i think joyce parafrased a verse

by Dante Alighieri "Divina Commedia", the work joyce liked alot,

perhaps a tribute to San Tommaso D'Aquino the Great

Theological Medieval Master,

---

yrs

Rinaldo.

* Kerouac gave to Neal Cassady the first "On The Road" copy printed

but Neal Cassady didn't demonstrate any interest to the book *

again ciao.

=========================================================================

Date:         Tue, 15 Jul 1997 09:33:01 -0400

Reply-To:     Marie Countryman <country@SOVER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      joyce&jack

In-Reply-To:  <l03020901aff0a83dfcbd@[198.5.212.52]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

thank you sherri and douglas for the comparisons to joyce, and especially

this post, which has never left my mind even though i must confess to

skipping a few hundred pages between beginning and molly's soliloquies.

mc

 

Ineluctable modality of the visible: at least that if no more, thought

through my eyes.  Signatures of all things I am here to read, seaspawn and

seawrack, the nearing tide, that rusty boot.  Snotgreen, bluesilver, rust:

coloured signs.  Limits of the diaphane.  But he adds: in bodies.  Then he

was aware of them bodies before of them coloured.  How?  By knocking his

sconce against them, sure.  Go easy.  Bald he was and a millionaire,

<<maestro di color che sanno>>.  Limit of the diaphane in.  Why in?

Diaphane, adiaphane.  If you can put your five fingers through it, it is a

gate, if not a door.  Shut your eyes and see.

=========================================================================

Date:         Tue, 15 Jul 1997 09:57:26 -0400

Reply-To:     Waterrow@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: City Lights/Beat-L Tshirt

 

A few other interesting points re: Kerouac and City Lights that I discovered

in my research:

 

1. City Lights signed a contract with JK to publish his Old Angel Midnight

but as we know that never happened.

2. City Lights only published 1/2 the manuscript of Book of Dreams -

 

Regarding the infamous Beat-L T-shirt by S. Clay Wilson -

All shirts that have been ordered have been shipped; the last ones went out

this morning so please give it a week or so to reach you. (Charlie: your

shirts are on the way) -

As some of you know already, I have decided to give the shirts away free on

behalf of

the Beat List and Water Row Books. If you sent us a check, you received a

refund. If you ordered by credit card, no charge will be put on your account.

 

We still have a few more shirts left in L-XL-XXL sizes.

If you'd like a complimentary shirt to wear around town to help promote the

Beat-L,

just drop me a line with name and snail-mail address and size.

Offer good while supply lasts.

 

Thanks -

Jeffrey Weinberg

Water Row Books

=========================================================================

Date:         Tue, 15 Jul 1997 13:56:03 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

 

* Kerouac gave to Neal Cassady the first "On The Road" copy printed

but Neal Cassady didn't demonstrate any interest to the book *

again ciao.

 

do any of you know anything about this?  was this the beginning of the rift

between them?

 

ciao,

sherri

=========================================================================

Date:         Tue, 15 Jul 1997 11:45:46 -0400

Reply-To:     Richard Wallner <rwallner@CAPACCESS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: Sherri <love_singing@MSN.COM>

In-Reply-To:  <UPMAIL14.199707151401400303@msn.com>

MIME-Version: 1.0

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On Tue, 15 Jul 1997, Sherri wrote:

 

> * Kerouac gave to Neal Cassady the first "On The Road" copy printed

> but Neal Cassady didn't demonstrate any interest to the book *

> again ciao.

> 

> do any of you know anything about this?  was this the beginning of the rift

> between them?

> 

> ciao,

> sherri

> 

 

I think the rift that drove them apart was that Neal was trying to raise

two kids with wife Carolyn at near poverty level and Jack was making big

$$$ with a book *about* him and wouldnt share even a penny.  Even when

Neal went to jail on a pot bust, Jack refused to help (did buy Neal a

typewriter to use in his cell but thats all)  When Neal was out of jail,

he asked Jack's permission to publish their voluminous correspondence so

he could feed his kids, and Jack refused.   In her book, "Off the Road",

Carolyn Cassady is quite pointed about Jack's miserliness.

=========================================================================

Date:         Tue, 15 Jul 1997 11:55:52 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: Richard Wallner <rwallner@CAPACCESS.ORG>

In-Reply-To:  <Pine.SUN.3.91-FP.970715114032.29026A-100000@cap1.capaccess.org>

MIME-Version: 1.0

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On Tue, 15 Jul 1997, Richard Wallner wrote:

 

> I think the rift that drove them apart was that Neal was trying to raise

> two kids with wife Carolyn at near poverty level and Jack was making big

> $$$ with a book *about* him and wouldnt share even a penny.

 

What was his high point in terms of net income -- how much did he have?

=========================================================================

Date:         Tue, 15 Jul 1997 09:58:50 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      FW: Welcome to BEAT-L

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Mail was bouncing here at work, got unsubscribed.  Have resubscribed

(thanx Bill Cargan).  I love this list!

 

cheers, Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

 

>----------

>From:  L-Soft list server at The City University of NY

>(1.8c)[SMTP:LISTSERV@CUNYVM.CUNY.EDU]

>Sent:  Tuesday, July 15, 1997 9:54 AM

>To:    Penn, Douglas, K

>Subject:       Welcome to BEAT-L

> 

>Welcome to BEAT-L, an online discussion forum devoted to the study of

>the lives and works of the writers of the Beat Generation, especially

>Jack Kerouac, Allen Ginsberg, and William Burroughs.  BEAT-L is an

>unmoderated list open to anyone interested in the Beat Generation.

>Scholars, writers, students, laymen -- all are welcome to join the

>discussion and share their ideas.  In addition to providing an outlet

>for discussion of Beat texts, the listserv is intended to facilitate

>scholarly communication and to serve as a bulletin board or calendar

>for poetry readings, announcements of new publications, upcoming

>conferences and other Beat related events.

> 

=========================================================================

Date:         Tue, 15 Jul 1997 11:01:05 -0700

Reply-To:     James William Marshall <dv8@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Sum

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

eyes

boren captifitee

anne wayting anne wayting

four

sum one two

smutherme

 

                                                   James M.

=========================================================================

Date:         Tue, 15 Jul 1997 11:01:04 -0700

Reply-To:     James William Marshall <dv8@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Nahlej

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Ewenoeweno

Eyenoeweno

buhteyedunnowuteyeno

soh

eyenowuteweno

anned noe mor

soh

eyegueseweR

annedeimknot

noing

 

                                          James M.

=========================================================================

Date:         Tue, 15 Jul 1997 20:13:38 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: An Illiterate Impression of Visions of Cody

In-Reply-To:  <UPMAIL14.199707151401400303@msn.com>

Mime-Version: 1.0

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Sherri & amici beati,

check Ann Charters' foreword in

Jack KEROUAC "THE LEGEND OF DULUOZ"

COMPILATION COPYRIGHT (c) THE ESTATE OD STELLA KEROUAC,

JOHN SAMPAS LITERARY REPRESENTATIVE; AND JAN KEROUAC, 1995

 

Ann Charters quoted (i have the italian translation):

"Nel 1957, quando il suo vecchio amico Neal Cassady e uno

scatolone di libri inviatogli dall'editore arrivarono

contemporaneamente nel suo appartamento di Berkeley, Kerouac

diede la prima copia di "Sulla strada" appena pubblicato

a Cassady, protagonista del libro. In "Angeli di desolazione"

Kerouac scrisse che quando Cassady se ne ando' "Per la prima

volta nelle nostre vite non mi guardo' negli occhi salutandomi,

ma distolse lo sguardo- non lo capii allora e non lo capisco

adesso- sapevo che qualcosa stava per andare storto e ando'

storto davvero" [translated by Maria Giulia Castagnone]

 

if i read in absent-minded tell me why,

 

ciao a tutti,

---

yrs

Rinaldo.        *a not competent beet*

 

 

At 13.56 15/07/97 UT, Sherri wrote:

>* Kerouac gave to Neal Cassady the first "On The Road" copy printed

>but Neal Cassady didn't demonstrate any interest to the book *

>again ciao.

> 

>do any of you know anything about this?  was this the beginning of the rift

>between them?

> 

>ciao,

>sherri

> 

> 

=========================================================================

Date:         Tue, 15 Jul 1997 20:16:40 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      (FWD)Allen Ginsberg: Shadow Changes Into Bone, Vol 1, #5

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Subject: Allen Ginsberg: Shadow Changes Into Bone, Vol 1, #5

> 

>*--------------------------------------------------------*

>*                 SHADOW CHANGES INTO BONE               *

>*        THE CLEARINGHOUSE FOR ALL THINGS GINSBERG       *

>*                   http://www.ginzy.com                 *

>*                                                        *

>*             **VERY** OCCASIONAL NEWSLETTER             *

>*            VOLUME 1, NUMBER 5  -  7/15/1997            *

>*                current subscribers: 230                *

>*---------------------------------------------------------

>*  This occasional newsletter is sent to those who have  *

>*  visited our Ginsberg site.  If you do not wish to     *

>*  receive these very rare messages, simply hit reply    *

>*  and type REMOVE in the subject line.  We'll have you  *

>*  taken off the list immediately!  To be added to the   *

>*  mailing list, just drop us a line:                    *

>*--------------------------------------------------------*

>*              mongo.bearwolf@dartmouth.edu              *

>*--------------------------------------------------------*

>*                                                        *

>*               PLEASE FORWARD WIDELY!!!!!               *

>*                                                        *

>*--------------------------------------------------------*

> 

> 

>IN THIS ISSUE:

> 

>    Mongo Sez...

>    Events Listings

>      - Boston Radio Reading of HOWL!

>    "Gilly" Howls over WERE Program Cancellation

>    Portland Event Remembered

>      - Transcript of trial sought

>    Vegas Memorial Remembered

> 

> 

> 

> 

>------------------------------

>*******  MONGO SEZ...  *******

>------------------------------

> 

>Hi Folks!

> 

>Yeah, long time no newsletter!  Blame it on a personal life that has

>been way to full lately, and not a summer just too beautiful to spend in

>front of the computer...

> 

>Still, stuff has been happening, and I wanted to get a quick newsletter

>out.

> 

>The big news, which you'll find below, concerns the upcoming radio

>reading of 'Howl' on Friday!  Allen dreamed and planned for years to

>have a station challenge the FCC "safe harbor" hours by broadcasting

>Howl during prime time.  Now it seems that a station in Bostin is taking

>up the challenge.  The reading sounds excellent, and I'm (luckily) going

>to be in Boston that day.  I'll be trying to tune in, and let you know

>of any aftermath.

> 

>In a related story, see the piece that follows about Gilly's reading of

>'Howl'.  Some brave folks lead the way.  Others punish those who dare to

>lead...

> 

>I have also received a couple of nice remembrances written about

>memorial services held in Portland and Las Vegas, contributed by

>correspondents.  Now that the memorials have pretty much dwindled away,

>there aren't a lot of events to announce.  So if you hear of any, please

>let me know.  I'll get them on the web page and out via this mailing

>list.

> 

>Several people responded to my call for those interested in

>participating in an on-line Allen Ginsberg discussion group.

>Unfortunately, it wasn't quite enough to make it worth doing yet.  If we

>can find just a few more folks, I'll get the list set up and

>operational.  I feel we need to have at least 15-20 folks on line to

>make it interesting and self sustaining (and to justify the $20 a month

>it will cost me)!

> 

>Best wishes to you all, and do keep in touch!

> 

>--Mongo

> 

> 

> 

>---------------------------------

>*******  EVENTS LISTINGS  *******

>---------------------------------

> 

>I'll post these notices as soon as they come in. If you have an event,

>write to me: mongo.bearwolf@dartmouth.edu

> 

> 

>----------------------------------

>BOSTON, MA (and surrounding area):

>----------------------------------

> 

>A Radio Reading of HOWL

>Friday, July 18

> 

>On July 18, there is going to be a complete reading of HOWL on WFNX.

>Included readers are Robert Pinsky, Frank Bidart, Gail Mazur, Elsa

>Dorfman, Harvey Silverglate, Lloyd Schwartz. This reading during prime

>time is a memorial tribute to Allen, who was obsessed with the fact that

>the FCC wouldn't allow HOWL over the airwaves in prime time.

> 

>We would like OTHER radio stations in the country to also air HOWL

>during prime time.

> 

>-- Elsa Dorfman

>Portrait Photographer

>607 Franklin Street

>Cambridge MA 02139-2923

>http://elsa.photo.net

>elsad @world.std.com

> 

> 

>** [The Following is culled from a Boston Globe article. --M]

> 

>WFNX TO AIR 'HOWL" DESPITE FCC

>by Susan Bickelhaput, Globe Staff

> 

>WFNX-FM (101.7) owner Stephan Mindich insists that it's not his

>intention to thumb his nose at the Federal Communications Commission

>next week when the station airs a reading of the Poems "Howl," by the

>late Allen Ginsberg

> 

>But Mindich does acknowledge that he is pushing the envelope.

> 

>The poem, written by Ginsberg in 1955, has never been aired on

>commercial radio to Mindich's knowledge, and along with George Carlin's

>"seven dirty words" was flagged by the FCC in the late 1960s as verboten

>broadcast material.

> 

>But the staff of WFNX organized a half-hour-long reading of the poem in

>May at Mama Kin, and will broadcast it next Friday from 6 to 7 pm.  News

>director Henry Santoro will host the show, which will also feature

>commentary by Robert Pinsky, Peter Wolf, Gail Mazur, Harvey Silvergate,

>Lloyd Schwartz, Elsa Dorfman, and Mindich, among others.

> 

>"We don't want to do this strictly to challenge the FCC, that wasn't the

>grand plan," said program director Bill Glasser, "But we want to air the

>work as a tribute to Allen Ginsberg."  So the poem will not be relegated

>to the FCC's "safe harbor," which rules that so-called indecent

>programming can only air between 10 pm and 6 am.

> 

>Mindich said "Howl," which is a "very direct and complex poem about

>Allen's world view and experiences," contains language that "most

>newspapers would dot out and most broadcasters would bleep out."  It is

>the contex, he said, that makes it acceptable.

> 

>He said the idea stemmed from a conversation with Boston Phoenix editor

>Peter Kadzis and photographer Dorfman.

> 

>"We knew there could be a problem with the language, but I just don't

>think this is outside of the [FCC] standards," Mindich said.  "My

>purpose isn't to challenge the FCC, but I do believe that prime time is

>a value time when adult listeners will tune in.  And there is a clear

>delineation between that which is art and that which isn't.

> 

>Mindich, who also is published of the alternative weekly Boston Phoenix,

>said he also sees a relationship "between the DNA" of the paper and the

>station.  "Over the years we have pushed the envelope with things we

>thought had artistic merit," he said.

> 

>He added that since the station is not publicly owned, he is prepared to

>deal with the consequences.

> 

>"We are a medium to communicate, and I can make that decision," he

>said.  "I don't have to worry about Wall Street or what a board of

>directors will say.  If there is a FCC problem, I will deal with it."

> 

> 

>------------------------------------------------------

>**** "GILLY" HOWLS OVER WERE PROGRAM CANCELLATION ****

>------------------------------------------------------

> 

>*[Contributed by a correspondent --M]

> 

>Even in death, Allen Ginsberg is causing problems. The feisty beat

>generation poet, who died earlier this year, was the topic of the April

>20 "Gilly Show," a highly rated overnight program on WERE AM 1300. A

>reading from Ginsberg's poem "Howl" led to the cancellation of the

>program, allegedly in response to a single telephone complaint received

>by the station Wednesday, April 23.

> 

>During the final half hour of the late-night program, Gilly (Rick

>Gilmour), the show's host, read section I from the acclaimed poem in

>tribute to Ginsberg. In advance of the reading, which contained a

>reference to sodomy, the station provided a warning to listeners that

>the program's content may contain objectionable language.

> 

>Gilmour, who has had his own show on the station since June, 1996,

>contests that WERE management gave assurance months ago that the only

>grounds for cancellation of "The Gilly Show" would be for violation of

>the FCC's Safe Harbor Policy, which allows for use of certain taboo

>words during off-peak airtime hours, if used in a socially redeeming

>context.

> 

>The portion of the poem which drew objection refers to people, "... who

>let themselves be fucked in the ass by saintly motorcyclists and

>screamed with joy ..." Gilmour maintains no violations ever occurred on

>any broadcast of the program, which was pulled from WERE's lineup the

>day after Gilmour was notified "The Gilly Show" was the station's top

>program.

> 

>"We didn't break FCC policy, and station management never clearly laid

>out a policy for board operators," Gilmour told SCENE, absolving

>coworkers for not censoring the broadcast. "Nobody knows what the line

>is. I wanted to draw a line, and that's why I did it."

> 

>"I don't know what all the fuss is about," said WERE Station Manager

>John Hill, citing company policy and not FCC rules as the reason for the

>show's demise. "We have six or seven easy-to-follow rules, and what

>Gilly did was one of the things you can't do."

> 

>According to Gilmour, management called the station "too conservative"

>for "that kind of language," and said Gilmour should have known better.

>"My audience is pretty progressive," he responded. "I even had old women

>that would call."

> 

>The move doesn't effect Gilmour's Saturday program, "Beer Talk," which

>will continue in its 10 p.m. time slot on WERE. "I'm certainly not going

>to penalize him for the 'Beer Talk' show -- in fact, I'm not penalizing

>him, at all," Hill said, amazed by the attention the subject has gained

>in the past week. "You'd think we just canceled the 'Seinfeld' show."

> 

>And while Hill insisted "The Gilly Show" will not return to WERE,

>Gilmour sees things differently.

> 

>"Do I expect to get my show back?" Gilmour said. "Yes, because I've

>given WERE more publicity for them screwing me out of my job than they

>could buy."

> 

>  http://www.clevescene.com/970501/make0501.htm

> 

> 

>----------------------------------------------

>*******  PORTLAND MEMORIAL REMEMBERED  *******

>----------------------------------------------

> 

>From: Andi5757@aol.com

>Date: Thu, 5 Jun 1997 23:14:08 -0400 (EDT)

>Subject: hello from Portland, Oregon

> 

>well yesterday here in Portland there was a memorial reading done for

>Allen on the occasion of his birthday.  It was held at Powell's

>bookstore, the major independent new and used bookstore in Portland,

>which carries on in its own way the spirit of City Lights bookstore.

> 

>The readings of Allen's work were done by a half dozen or more local

>Portland poets who also shared reminiscences of their brief encounters

>with Allen over the years.  The reading was attended by oh i'd say about

>70 to 100 people.

>The readers had fun reading and for an hour an a half i would say that

>the spirit of playfulness, sensuality, and authentic outrage and wonder

>that Allen represents to people was alive.

> 

>One reading in particular was very moving to me.  It came from the

>transcript of the Chicago 7 trial in 1969 as an aftermath of the 1968

>democratic convention in Chicago.  Allen was called to testify in the

>trial.  The prosecution's cross examination included an exchange

>something like: " and what did you do when you thought there was going

>to be violence?  Allen well I Omed?  You omed?  yes like this and then

>Allen proceeds to do a half dozen om's.  Upon which there is an

>objection which causes the judge to say we'll strike from the record the

>Om's after the second Om.

> 

>then Allen is able to recite a poem about Whitman which was from reality

>sandwiches which was increadibly sensuous.  Allen was asked byt he

>prosecution what he meant by that poem, hoping to discredit him by as a

>queer.  But Allen gives this incredibly moving reply something to the

>effect that until America can come to terms with its attitudes about

>sexuality that it could not be healed from the horrors of war etc.

> 

>if you know of a way to find that exact passage in the trial's

>transcript, I

>would really like to get a copy of his testimony in that trial...

> 

>love

>andi

> 

> 

>-------------------------------------------

>*******  VEGAS MEMORIAL REMEMBERED  *******

>-------------------------------------------

> 

 

>From:   Bruce K. Isaacson, 102747,2722

>DATE:   6/14/97 4:39 PM

>RE:     Ginsberg Night at Enigma Garden, Las Vegas, Nevada

> 

>For your information.....

> 

>June 3, 1997 was Allen Ginsberg's 71st birthday.  On that evening, a

>group of 60 or so Las Vegas poets, writers, artists, bohos, and other

>illuminati turned out to remember Allen and honor his work and

>contribution.  There were notable poems commemorating Allen's work from

>German Santanilla and Gregory Crosby.  Dayvid Figler got the crowd

>bubbling with his own work and brought an excellent version of Allen

>reading "America", which held the audience intensely with its Vegas-like

>mix of humor and ennui.  Emmanuel read Allen's poem written to an

>Eldorado High School student, which contains a visionary mix of Howard

>Hughes-like paranoia and old-fashioned  Mob lore to describe Vegas of

>the 70s and America still.  Other parts of Allen's work read included

>Ignu and Kaddish.  Tribute poems to Allen by excellent poets who Allen

>favored such as Bob Kaufman and Helen Adam were also read aloud.  There

>was a score of Allen's books passed around by various people who brought

>them, including some limited editions as well as City Lights and Harper

>& Row publications.  Las Vegas poets who read also included Art Slate,

>Eavonka Ettinger, Joel Parilini, Mike Gullickson, Mike Flower, Jackie

>Nourigat, Mark Griffith and Gloria King.   A good time was had by all

>who attended and many came away with increased interest in one of

>America's unique and excellent voices.

> 

>Thanks to Las Vegas journalist and Enigma Cafe owner Lenadams Doris for

>making it possible.  I'd welcome hearing from anyone with other

>remembrances or comment.

> 

>Bruce Isaacson

>BruceI@compuserve.com

>Within a few weeks I expect the e-mail address to change to

>BruceI@skylink.net

> 

> 

>*--------------------------------------------------------*

>*  This occasional newsletter is sent to those who have  *

>*  visited our Ginsberg site.  If you do not wish to     *

>*  receive these very rare messages, simply hit reply    *

>*  and type REMOVE in the subject line.  We'll get you   *

>*  taken off the list immediately!  To be added to the   *

>*  mailing list, just drop us a line:                    *

>*--------------------------------------------------------*

>*              mongo.bearwolf@dartmouth.edu              *

>*--------------------------------------------------------*

> 

> 

=========================================================================

Date:         Tue, 15 Jul 1997 11:32:33 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: [eye] Sum [soup]

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

little kid

chinese restaurant

pickup sticks

make em click

yum yum

mu shu new shu

size 11

hmm

 

[[ spent a good hour last night listening to the sights in my

neighborhood

[[ per Aristotle, we're supposed to be able to modify our hearing

[[ but fixed in our vision, seeing, perceptions and believing

[[ the words before you are true  ??? listening?

 

sounds like a vision >>Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

 

>----------

>From:  James William Marshall[SMTP:dv8@MAIL.NETSHOP.NET]

>Sent:  Tuesday, July 15, 1997 11:01 AM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Sum

> 

>eyes

>boren captifitee

>anne wayting anne wayting

>four

>sum one two

>smutherme

> 

>                                                   James M.

 

<<nice>>

reminds me of Patti Smith and Tom Verlaine's "the night"

>all this "eye" talk

=========================================================================

Date:         Tue, 15 Jul 1997 16:50:13 -0400

Reply-To:     Tracy J Neumann <tjneuman@UMICH.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tracy J Neumann <tjneuman@UMICH.EDU>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: Richard Wallner <rwallner@CAPACCESS.ORG>

In-Reply-To:  <Pine.SUN.3.91-FP.970715114032.29026A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

The impression i got from CC's book was that Neil didn't particularly care

for JK's portrayl of him, and that after a while he got over it.  As for

the rift between them, wouldn't it be more accurate to attribute this to

diverging lifestyles (and perhaps Kerouac's sexual involvement with

carolyn cassady) than a petty disagreement over money?

 

Tracy

 

On Tue, 15 Jul 1997, Richard Wallner wrote:

 

> On Tue, 15 Jul 1997, Sherri wrote:

> 

> > * Kerouac gave to Neal Cassady the first "On The Road" copy printed

> > but Neal Cassady didn't demonstrate any interest to the book *

> > again ciao.

> >

> > do any of you know anything about this?  was this the beginning of the rift

> > between them?

> >

> > ciao,

> > sherri

> >

> 

> I think the rift that drove them apart was that Neal was trying to raise

> two kids with wife Carolyn at near poverty level and Jack was making big

> $$$ with a book *about* him and wouldnt share even a penny.  Even when

> Neal went to jail on a pot bust, Jack refused to help (did buy Neal a

> typewriter to use in his cell but thats all)  When Neal was out of jail,

> he asked Jack's permission to publish their voluminous correspondence so

> he could feed his kids, and Jack refused.   In her book, "Off the Road",

> Carolyn Cassady is quite pointed about Jack's miserliness.

> 

=========================================================================

Date:         Tue, 15 Jul 1997 14:55:00 -0700

Reply-To:     "Lusha M. Kaufmann" <kaufmanl@PACIFICU.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Lusha M. Kaufmann" <kaufmanl@PACIFICU.EDU>

Subject:      Info on Billie Holiday

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Hello, I had a question concerning Billie Holiday mentioned in Beat

texts.  I am taking summer course on the Beat greats and we are doing a

presentation on Women beats.  I choose Billie Holiday, unfortunately the

time restraint has made it difficult to read all of the poems and novels

to find mention of her. So I was hoping to get some information from this

list.  I plead ignorance of most beat lit, and therefore seek your help

even more.

 

Thank you

 

Lush

=========================================================================

Date:         Tue, 15 Jul 1997 18:10:01 -0400

Reply-To:     Linda Highland <lrgh@WEBTV.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Linda Highland <lrgh@WEBTV.NET>

Subject:      Re: Info on Billie Holiday

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This isn't exactly beat ( I believe he's usually saddled with the label

"NY School of Poets"-- which a friend once pointed out sounds like he

took a correspondence class advertised on  a matchbook cover...), but

Frank O'Hara's The Day Lady Died is a really lovely tribute, and among

my favorite poems.

=========================================================================

Date:         Tue, 15 Jul 1997 11:01:08 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

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> R. Bentz Kirby wrote:

> 

> I get the feeling Jack is an impressionist painter here, just not up to

> par with some other things he has done.  What is he going for here?

> Where and why is he choosing this course.

> 

> I am hopelessly bogged down in Part II.

> 

> Next, how about some Proust?

> 

> I think it is like You Can't Go Home Again and The Web and the Rock,

> unfinished works that leave one wanting the greatness that is partially

> revealed full flung.

> 

> So, I am not sure I will finish Cody this second time.  But I tried.

 

Bentz,

 

The more of Cody I read, the more I like it.  I think that the hard thing

to grasp is the mixture of writing styles but that's inherent in an

approach that takes events out of time and treats them as visions,

perhaps dream-like, expressions of moments.  I do think that he thought a

lot about the structure of this book and that there is a method in his

madness, so to speak.  I've still got another hundred pages to go and I

don't know how it ends, but I think he was struggling with a way to

present timelessness and unconscious/mythical configurations as an

overlay over actual events, and that is a hard thing to do and a hard

thing to read.  I'm still not sure if he's pulled it off.

DC

=========================================================================

Date:         Tue, 15 Jul 1997 23:06:02 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Literary Dandies

Comments: To: babu@electriciti.com

 

In a message dated 97-07-15 05:16:38 EDT, you write:

 

<< 

 I wonder what if Andy Warhol had been there with Neal instead? >>

 

That's a good one. Stills in action = film. Fast fwd. with Neal. The Lip sink

would have been off just like the portraits.

C Plymell

=========================================================================

Date:         Tue, 15 Jul 1997 23:19:51 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: love_singing@msn.com

 

Of course. Where would any of us be with the petty quarrling?

=========================================================================

Date:         Tue, 15 Jul 1997 23:51:41 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

 

In a message dated 97-07-15 15:11:57 EDT, you write:

 

<<  Jack refused to help (did buy Neal a

 typewriter to use in his cell but thats all)   >>

 

Thanks a lot. Yeah. I'll never forget those eyes when Neal pleaded with me to

lend him a fin ($5.00) to buy gas to the Hell's Angels party. It's a look you

never want to see. I've seen it on the Bowery and every skid row too much. He

had to make a big deal about paying me back. Of course he never had to go

through any of this. And It wasn't part of a con; It was atavistic.  So

anyway, fuck miserly Jack, who had a lot of things going for him except

class. Neal had more of that.

C. Plymell

=========================================================================

Date:         Wed, 16 Jul 1997 00:20:08 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: tjneuman@umich.edu

 

In a message dated 97-07-15 16:54:46 EDT, you write:

 

<< and perhaps Kerouac's sexual involvement with

 carolyn cassady) than a petty disagreement over money?

 

 Tracy >>

I'd guess that money was more important to N than J' sex with his wife,

Unless, of course he was humping her whlie N was in prison.

C Plymell

=========================================================================

Date:         Tue, 15 Jul 1997 21:34:07 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

In-Reply-To:  <33CBBAE4.2E42@together.net>

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At 11:01 AM -0700 7/15/97, Diane Carter wrote:

 

> I'm still not sure if he's pulled it off.

 

see Man Ray, "L'enigme d'Isidore Ducasse" (1920)

 

 

and what's underneath?  pray tell, Diane?

 

> DC = deux chat

 

dancing pirate

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Wed, 16 Jul 1997 00:30:09 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Info on Billie Holiday

 

In a message dated 97-07-15 20:36:00 EDT, you write:

 

<< Hello, I had a question concerning Billie Holiday mentioned in Beat

 texts.  I am taking summer course on the Beat greats and we are doing a

 presentation on Women beats.  I choose Billie Holiday, unfortunately the

 time restraint has made it difficult to read all of the poems and novels

 to find mention of her.  >>

 

Oh fer Chrissake!

C. Plymell

=========================================================================

Date:         Wed, 16 Jul 1997 00:32:22 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Info on Billie Holiday

Comments: To: kaufmanl@pacificu.edu, baculum@mci2000.com

 

In a message dated 97-07-15 20:36:00 EDT, kaufmanl@PACIFICU.EDU (Lusha M.

Kaufmann) writes:

 

<< Hello, I had a question concerning Billie Holiday mentioned in Beat

 texts.  I am taking summer course on the Beat greats and we are doing a

 presentation on Women beats.  I choose Billie Holiday, unfortunately the

 time restraint has made it difficult to read all of the poems and novels

 to find mention of her. So I was hoping to get some information from this

 list.  I plead ignorance of most beat lit, and therefore seek your help

 even more.

  >>

=========================================================================

Date:         Tue, 15 Jul 1997 21:40:38 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

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Tracy J Neumann wrote:

> 

> The impression i got from CC's book was that Neil didn't particularly care

> for JK's portrayl of him, and that after a while he got over it.  As for

> the rift between them, wouldn't it be more accurate to attribute this to

> diverging lifestyles (and perhaps Kerouac's sexual involvement with

> carolyn cassady) than a petty disagreement over money?

> 

> Tracy

> 

> On Tue, 15 Jul 1997, Richard Wallner wrote:

> 

> > On Tue, 15 Jul 1997, Sherri wrote:

> >

> > > * Kerouac gave to Neal Cassady the first "On The Road" copy printed

> > > but Neal Cassady didn't demonstrate any interest to the book *

> > > again ciao.

> > >

> > > do any of you know anything about this?  was this the beginning of the

 rift

> > > between them?

> > >

> > > ciao,

> > > sherri

> > >

> >

> > I think the rift that drove them apart was that Neal was trying to raise

> > two kids with wife Carolyn at near poverty level and Jack was making big

> > $$$ with a book *about* him and wouldnt share even a penny.  Even when

> > Neal went to jail on a pot bust, Jack refused to help (did buy Neal a

> > typewriter to use in his cell but thats all)  When Neal was out of jail,

> > he asked Jack's permission to publish their voluminous correspondence so

> > he could feed his kids, and Jack refused.   In her book, "Off the Road",

> > Carolyn Cassady is quite pointed about Jack's miserliness.

> >

 

 

You forget to mention that Neal set Jack up with Carolyn.  Disagreements

over sexual situations like this one last awhile for men. Disagreements

about money last longer--beleive me, I've been there.  This one was

about money.  Jack was no sexual threat to Neal.

 

James Stauffer

=========================================================================

Date:         Tue, 15 Jul 1997 23:34:12 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Info on Billie Holiday

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now now charlie, don't you feel like doing this persons homework,

 why we could suggest a reading list. I won't flame the guy cause that

soft hearted salina guy will tut me with his patience.  and i have been

there,  don't feel like actually reading the stuff and then coming up

with an idea of something interesting to write. I just randomly pick an

idea and ask people . maybe hit the yahoo search button.ok i haven't

been there.

because i love to read and talk

p

=========================================================================

Date:         Tue, 15 Jul 1997 21:47:26 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Literary Dandies

In-Reply-To:  <970715230547_-1125008626@emout11.mail.aol.com>

Mime-Version: 1.0

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At 8:06 PM -0700 7/15/97, Pamela Beach Plymell wrote:

 

> In a message dated 97-07-15 05:16:38 EDT, you write:

> 

> <<

>  I wonder what if Andy Warhol had been there with Neal instead? >>

> 

> That's a good one. Stills in action = film. Fast fwd. with Neal. The Lip sink

> would have been off just like the portraits.

 

 

no no no.  those were the pissing portraits.  where Joe Dellasandro emptied

his bladder.  and don't forget fuck, heat, and what where some of his other

film titles?  Will never forget Dracula and Frankenstein.  changed me

forever as a kid.  jeez, and can't keep bowie's suffragette city off my

tape player, either.  damn.

 

I miss Andy.  and Versace who died today.  all dandies must morn.  Andy

created the term "superstar".  Got his start designing shoe advertisments.

Who would have thought?  that some other agenda should come along and shoot

him!

 

but andy would have talked real slow.  I'm told he had quite the wit, but

don't know if Neal wouldn't get quickly bored with him.  Kerouac at least

seems to keep his attention.  they cruised similar strips.  I guess andy

and neal would talk about cars and chicks or fame and death and dying.

 

yeah?  <<Andy

 

yeah.  <<Neal

 

[[lots of staring out to sea

 

> C Plymell  = count plymouth

 

dancing paris

 

 

 

<<laugh......

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Tue, 15 Jul 1997 21:49:01 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

In-Reply-To:  <970715231931_1961001112@emout15.mail.aol.com>

Mime-Version: 1.0

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At 8:19 PM -0700 7/15/97, Pamela Beach Plymell wrote:

 

 

> Of course. Where would any of us be with the petty quarrling?

 

without Charles.                WITHOUT!

=========================================================================

Date:         Tue, 15 Jul 1997 23:13:39 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Info on Billie Holiday

Comments: To: Pamela Beach Plymell <CVEditions@AOL.COM>

In-Reply-To:  <970716003008_-1460255033@emout12.mail.aol.com>

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On Wed, 16 Jul 1997, Pamela Beach Plymell wrote:

 

> In a message dated 97-07-15 20:36:00 EDT, you write:

> 

> << Hello, I had a question concerning Billie Holiday mentioned in Beat

>  texts.  I am taking summer course on the Beat greats and we are doing a

>  presentation on Women beats.  I choose Billie Holiday, unfortunately the

>  time restraint has made it difficult to read all of the poems and novels

>  to find mention of her.  >>

> 

> Oh fer Chrissake!

> C. Plymell

 

dear plymell:

> 

what the hell does "oh fer chrissake" mean? up on yer highhorse "i was

there and how dare some mere student ask such a question"? yer goofy

response brings up a "oh for chrissake" from me, too. lusha asks a fair

enough question. this list is, among other things, for such questions and

questings.

 

if you are not --any of you--interested in responding in some

constructive way to her question, just ignore it--don't resort to a

snotty repost from deep left field!!!!

 

steve

 

(who is, in all forthrightness, lusha's professor in the course she

mentions---and i feel guilty about having told her "hey, yes, send a

message to the beat-l list--they are kind and helpful for the most part;

they will talk with you and care about some of the same things you care

about"; i, for one, do not see her question as asking someone to do her

work for her; she has been interested enough to go out here on the list

for views and news and knowledge; don't flame her; don't be shits in a

snotty snit.)

 

s.s.

=========================================================================

Date:         Tue, 15 Jul 1997 23:24:33 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Blues for Gianni

MIME-Version: 1.0

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Sic transit gloria, Gianni

 

No beat certainly but terrific flair.

 

A loss to Eurotrash everywhere.  Not a dandy tho, sort of an

anti-dandy--the triumph of flash over taste, but god rest his soul. I'll

miss the catalogs, acres of lovely flesh to sell a teacup or a necktie.

Warhol would have liked him, I should think.

 

J. Stauffer

=========================================================================

Date:         Tue, 15 Jul 1997 23:36:36 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Info on Billie Holiday

MIME-Version: 1.0

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Steve,

 

As one who flamed your student let me just say this.  If someone came on

the list with a question about Billie and the Beats, or a hypothesis to

test, I think they'd get a fair response.  The post which started this

admitted a lack of time to do the reading and just asked for shortcuts.

How would you like "Dear Beat List, I have a paper assigned dealing with

On the Road.  I don't have time to read it, could someone please help me

by posting a summary.  Thanks so much.  I sure am looking forward to

being a college graduate."

=========================================================================

Date:         Wed, 16 Jul 1997 00:02:24 -0700

Reply-To:     "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Subject:      Re: Info on Billie Holiday

Comments: To: James Stauffer <stauffer@pacbell.net>

In-Reply-To:  <33CC6BF4.605E@pacbell.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 15 Jul 1997, James Stauffer wrote:

 

> Steve,

> 

> As one who flamed your student let me just say this.  If someone came on

> the list with a question about Billie and the Beats, or a hypothesis to

> test, I think they'd get a fair response.  The post which started this

> admitted a lack of time to do the reading and just asked for shortcuts.

> How would you like "Dear Beat List, I have a paper assigned dealing with

> On the Road.  I don't have time to read it, could someone please help me

> by posting a summary.  Thanks so much.  I sure am looking forward to

> being a college graduate."

> 

dear james: bit of a logical fallacy in yer response above, eh? yes, she did

mention lack of time--a bit of a fall on her part: what she was saying

most of all (negated or circumscribed due no doubt to email structure and

her own nervousness about posting to the list for the first time) was

that she was looking for extra stuff AFTER her own work.

 

the logical fallacy gig i mention is that not one part of your analogy

even remotely applies to her original post or to the spirit of it.

 

however, i do see how you might go off half-cocked like this-----i made

the same mistake (as i painfully found out) on another list

 

i monitor all lists that i suggest my students use for conversation and

info---i would consider it a serious breach of academic honesty for any

of them to get others to do their work for them; i do not in the

slightest way feel that lusha has done such a thing on the beat-l list

 

i must say that i will think twice before i suggest the list address to

my students in the future

 

please, james, do not consider this a response only to you--in tone or in

content; i am up in arms in a general way--and always with the best

interests of my student and her interests and feelings in mind

 

steve

=========================================================================

Date:         Wed, 16 Jul 1997 00:16:48 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Info on Billie Holiday

Comments: To: "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I tend to agree with Charles on this one.  Forgetting hat it sounds a lot

someone asking for someone else to do their homework (a common event on "the

net")

 

But,

 

Billie Holiday is not "a Women beat".  Might as well do a topic on Buddy

Bolden Jimmie Rodgers or Robert Johnson or maybe in keeping with the woman

theme, Bessie Smith or Lena Horne or Sarah Vaughn or anybody  How Kate (God

Bless America Smith?).  How about Patsy Cline?

 

I guess you are limiting the topics to people mentioned in Beat writing.

How about Yma Sumac???

 

Also, what do you expect to glean from the writings and poetry you don't

have time to read in terms of a presentation on Billie Holliday?  So is your

presentation about Billie Holliday or about what was written about her by

some drunken beatniks? Letting us know more would help.

 

The easyest way for you to learn something about Billie Holliday is to go to

Blockbuster video and rent Lady Sings the Blues (1972 starring Diana Ross

and Billie Dee Williams).

And to answer your question anyhoooooow (so don't say I didn't help ya)  in

Visions of Cody there is a bit where they mention Billie Holliday and her

song Gloomy Sunday as the suicide song of the thirties.

 

And also don't go sulk.  Write back if you are actually keen on this.

At 11:13 PM 7/15/97 -0700, you wrote:

>On Wed, 16 Jul 1997, Pamela Beach Plymell wrote:

> 

>> In a message dated 97-07-15 20:36:00 EDT, you write:

>> 

>> << Hello, I had a question concerning Billie Holiday mentioned in Beat

>>  texts.  I am taking summer course on the Beat greats and we are doing a

>>  presentation on Women beats.  I choose Billie Holiday, unfortunately the

>>  time restraint has made it difficult to read all of the poems and novels

>>  to find mention of her.  >>

>> 

>> Oh fer Chrissake!

>> C. Plymell

> 

>dear plymell:

>> 

>what the hell does "oh fer chrissake" mean? up on yer highhorse "i was

>there and how dare some mere student ask such a question"? yer goofy

>response brings up a "oh for chrissake" from me, too. lusha asks a fair

>enough question. this list is, among other things, for such questions and

>questings.

> 

>if you are not --any of you--interested in responding in some

>constructive way to her question, just ignore it--don't resort to a

>snotty repost from deep left field!!!!

> 

>steve

> 

>(who is, in all forthrightness, lusha's professor in the course she

>mentions---and i feel guilty about having told her "hey, yes, send a

>message to the beat-l list--they are kind and helpful for the most part;

>they will talk with you and care about some of the same things you care

>about"; i, for one, do not see her question as asking someone to do her

>work for her; she has been interested enough to go out here on the list

>for views and news and knowledge; don't flame her; don't be shits in a

>snotty snit.)

> 

>s.s.

> 

> 

=========================================================================

Date:         Wed, 16 Jul 1997 02:17:41 -0700

Reply-To:     Leon Tabory <letabor@CRUZIO.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Just because some beat me to it don't mean I can't say it too

Comments: To: race@MIDUSA.NET

MIME-Version: 1.0

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Say what? Thank you David. Not that that tired old clich=E9 means

anything, nor do i mean to insinuate in any way that you did it looking

for any kind of thanks or something like it, still i been wantin to tell

you as soon as I read your piece, that was just one of those things that

happen once in a great while when something is just all right, in the

right time, and right on time too, not to mention right on target, The

best for the last after all kinds of agonizing brilliant flashes

sparking energies all around.

 

As I found myself writing to a friend I suddenly realized I should let

you know too how it made me feel. And now that I do, I would be less

than candid if I didn't mention to you that this protesting of

illiteracy  so much does make me wonder, hey what's going on here.

Myself I thought one of the virtues of your post was that it took a

populist style so to speak as opposed to an exhibition of alive

effervescent erudition and agility like almost magician sparkling before

my eyes, still not quite matching my non-literary real life

nevertheless, impressions of the subject of these eloquent theories also

that plain folks  like me also are grateful to be within ear shot though

feeling not up to the task of entering knowledgeable literary, poetic

philosophic let alone moral judgments and considerations, in other words

having enjoyed the great inspired symphony in awed drop jaw silence, you

helped me catch my breath again, to find my voice jabbering nonsense,

forgive me everybody

 

I am delighted with the poetic justice that awarded you such a fitting

celebration after the brilliant flowers that shot up in the garden that

you planted. You drew such dedicated energy of such immense talents.

ending with such a beautiful bouquet to crown the fruits of David's

taking your call so close to his heart, which beats  pretty close to

that backpack also, and coming through, coming through, hey guys, look

at it this way. I too felt a strong draw to immediately let him know how

welcome  his touch was, but I was derailed. I had time to answer a

couple of letters. And one thing I did that I hadn't done before, was

forward a post. I was answering John Cassady's invitation for a lunch,

and I added on to him David's post. Come to think of it, I too should

say something to David (Our counterpart of Rinaldo Rasa?). Now that I

think of it I'll snip this his part of this letter and send it to him.

He deserves all the responses that he gets. End of snip

 

Now come to think of it again, I'll mail it to us on the list.

=========================================================================

Date:         Wed, 16 Jul 1997 05:59:49 -0400

Reply-To:     Mike Rice <mrice@CENTURYINTER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Info on Billie Holiday

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:32 AM 7/16/97 -0400, you wrote:

>In a message dated 97-07-15 20:36:00 EDT, kaufmanl@PACIFICU.EDU (Lusha M.

>Kaufmann) writes:

> 

><< Hello, I had a question concerning Billie Holiday mentioned in Beat

> texts.  I am taking summer course on the Beat greats and we are doing a

> presentation on Women beats.  I choose Billie Holiday, unfortunately the

> time restraint has made it difficult to read all of the poems and novels

> to find mention of her. So I was hoping to get some information from this

> list.  I plead ignorance of most beat lit, and therefore seek your help

> even more.

>  >>

> 

 

 

Billy was a wonderful singer, but who ever said she was a beat?

Anyway, look at the Diane Ross film Lady Sings the Blues if you

want a distorted overview.

 

Mike Rice

mrice@centuryinter.net

=========================================================================

Date:         Wed, 16 Jul 1997 06:04:28 -0400

Reply-To:     Mike Rice <mrice@CENTURYINTER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Info on Billie Holiday

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:34 PM 7/15/97 -0500, you wrote:

>now now charlie, don't you feel like doing this persons homework,

> why we could suggest a reading list. I won't flame the guy cause that

>soft hearted salina guy will tut me with his patience.  and i have been

>there,  don't feel like actually reading the stuff and then coming up

>with an idea of something interesting to write. I just randomly pick an

>idea and ask people . maybe hit the yahoo search button.ok i haven't

>been there.

>because i love to read and talk

>p

> 

> 

The last time I saw Lady Day she was standing in front of the

City Lights bookstore in S.F., tying up her arm for a hot

shot of horse from a syringe  dangling from her

purse.  Billy had stood up the crowd at the Hungry I that

night, but she didn't seem to give a shit.  She had a date

to meet Lenny Bruce in front of City Lights.  So who shows

up?  Thats right, Ladies and Gentleman: Albert Goldman!

 

Strange Fruit, don't you think?

 

Mike Rice

mrice@centuryinter.net

=========================================================================

Date:         Wed, 16 Jul 1997 06:03:04 -0400

Reply-To:     Mike Rice <mrice@CENTURYINTER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 09:40 PM 7/15/97 -0700, you wrote:

>Tracy J Neumann wrote:

>> 

>> The impression i got from CC's book was that Neil didn't particularly care

>> for JK's portrayl of him, and that after a while he got over it.  As for

>> the rift between them, wouldn't it be more accurate to attribute this to

>> diverging lifestyles (and perhaps Kerouac's sexual involvement with

>> carolyn cassady) than a petty disagreement over money?

>> 

>> Tracy

>> 

>> On Tue, 15 Jul 1997, Richard Wallner wrote:

>> 

>> > On Tue, 15 Jul 1997, Sherri wrote:

>> >

>> > > * Kerouac gave to Neal Cassady the first "On The Road" copy printed

>> > > but Neal Cassady didn't demonstrate any interest to the book *

>> > > again ciao.

>> > >

>> > > do any of you know anything about this?  was this the beginning of the

> rift

>> > > between them?

>> > >

>> > > ciao,

>> > > sherri

>> > >

>> >

>> > I think the rift that drove them apart was that Neal was trying to raise

>> > two kids with wife Carolyn at near poverty level and Jack was making big

>> > $$$ with a book *about* him and wouldnt share even a penny.  Even when

>> > Neal went to jail on a pot bust, Jack refused to help (did buy Neal a

>> > typewriter to use in his cell but thats all)  When Neal was out of jail,

>> > he asked Jack's permission to publish their voluminous correspondence so

>> > he could feed his kids, and Jack refused.   In her book, "Off the Road",

>> > Carolyn Cassady is quite pointed about Jack's miserliness.

>> >

> 

> 

>You forget to mention that Neal set Jack up with Carolyn.  Disagreements

>over sexual situations like this one last awhile for men. Disagreements

>about money last longer--beleive me, I've been there.  This one was

>about money.  Jack was no sexual threat to Neal.

> 

>James Stauffer

> 

> 

Listen, Gore Vidal says both Kerouac and Cassady were homosexual,

and had been lovers, at least at times.  isn't it possible

homosexuality played a role in their rift?

 

Mike Rice

mrice@centuryinter.net

=========================================================================

Date:         Wed, 16 Jul 1997 13:12:47 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Gianni Versace.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

    COME VORREI MORIRE   by Gianni Versace

 

        COME IL CONTE SALINA DI LAMPEDUSA,

           IL GATTOPARDO: GUARDANDO

             IL LAGO, CON SERENITA'.

            LA MORTE NON MI FA PAURA.

 

 

---

yrs

Rinaldo.

=========================================================================

Date:         Wed, 16 Jul 1997 07:04:50 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      From Cody to Stephen

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Good Morning,

 

Friends, and that is what i feel so many of you are, cybernetically

connected to me more closely than most people i know - i thought i would

sit down for a moment this morning while sipping my first cup of coffee

and express some gratitude for all the wonderful comments i have

received recently both on the List and Off.  I must admit that my big

toe is swelling a bit but fortunately not my head yet. =20

 

A very wise man taught me through a book that it is all about having an

angle and so i guess that i just looked at all the different geometric

shapes created by others and then stepped back about ten paces and took

in the larger portrait. =20

 

I've enjoyed the specific comments and what one refered to me as the

reinvigoration of the cyberthread or something along those lines.  I

believe that certain people have made a serious question about the

nature of the gift that Jack gave Cody and the appreciation of it and i

really just thought about the times at Christmas and Birthdays when

people who loved me with their hearts full gave me presents that were so

far from what i really desired that i sometimes wanted to scream - don't

you know i'll never wear these things!  But i never did because to me

there is something about intentionality when it comes to the giving of

gifts even of the legendary and the mythic variety - and even in these

perhaps archetypal rituals of gift-giving we can look back and say that

it is the thought that counts.

 

As i said, i am moving ahead to another book and today on July 16 i will

finally crack this book by James Joyce that just feels powerful.  I

believe that i will actually read this book about June 16 very slowly

and linearly.

 

I realize the journey will be dangerous.  A dear friend in Kansas City

reported that half way through Ulysses he had a stroke.  The doctors

didn't declare any causal relationship but it makes you wonder.

 

So armed with guides and bodyguards and a rolling tape of the Grateful

Dead playing Saint Stephen in my mind i trudge forward.  I will turn

into the chapter titled I this morning some time.

 

Here were my impressions of Judging the upcoming book by its cover...

 

 

Erasing Apollo - Erasing Bacchus: Another tale in the Legend of

Abraxas......

 

I hold the black and white book in my hands listening to a man with my

middle name as he maps the stars that one reads on a journey along the

road of the physical world or along the roads twisting and turning in

and out as one attempts to find the oblique pathway back to the sanity

of times forgotte.  The eternal myth of return is recounted in this

black and white book and I have so many guides helping me from stars

beyond parallel universes all the way home to the safety and security of

a sacred bathroom in an apartment named #23.  This journey is the

oblique pathway from insanities so personal that perhaps they should not

be told.  Some say that in the telling I can help others to find their

way but each route winds a different road up and around hollers in the

mountains and back through misty mornings in the hill country going

through the roots of one=92s psyche and physical ancestry chasing a hope

of return, return to something that maybe never was but hopefully will

be when I get there.  This map is not an accurate description of the

territory and at best is my individual map and no one can learn

themselves from it, only me.  For those who find that uninteresting, as

I might, I would not be at all offended if you set this down and

returned to your busy lives and the realities of everyday magic that you

love and cherish.  If you don=92t love and cherish the everyday elements

of your life, perhaps you should read on for a bit at least, because the

places and stories of the unreal-realities that were so deeply felt to

me makes the lives of the average James and Joyce a portrait of the

mysteries of happiness.  I hold the book in my hand.  Just holding it is

enough for now.  No need to open this book yet. =20

 

Some might think my perceptions off for saying that this is a black book

with white letters.  Even I did for quite some time.  Many say don=92t

judge a book by its cover and being the intrinsically rebellious type I

have done so for many many years.  My judgement is that this will be a

good book.  I think of Melanie=92s line - wish I could find a good book t=

o

live in.  I don=92t really feel that I will live in this book, not

permanently at least, but it appears at first glance to be a good enough

to help me find my way into my own book, a book that does not represent

my Self but actually is me.  Hopefully, these somewhat random musings

along the journey through this good book will provide direction for me

towards a book worth living in that is one in which I am both author and

protagonist and most of the characters in the mist.

 

The white letters on the black background appear on the back of this

book.  At the top right hand corner of the back cover is the word

LITERATURE.  And I smile and say to my little self well it=92s about time

you journey into this Type of Book to see where it will take you - you

dork! =20

 

I read further and am zapped by a lightning bolt of synchronicity

recognizing the white numerals signify the year in which I was born.  It

is as if the complete and unabridged text was corrected and entirely

reset just for me.  At least that will be the way it is for a period of

time as my mind wanders through this book checking in with my guides and

bodyguards along the way.

 

I am sitting on my sofa as I read these white words and it is brown and

green and belonged to my step-Grandmother Mary Vineyard who died fairly

recently.  I visited her and her son Don - my stepfather and conservator

- at the nursing home shortly before her death and we both watched and

felt her pain and I watched Don=92s pain the tough Marine facing the

passing of his Mother and it was such a touching and sorrowful event.=20

Entire books could be written about gentle Mary Vineyard and her sons

but that is not the direction that my words will go today.  Rather, I

will sit on her sofa as I examine this book corrected and reset in the

year of my birth into this world.

 

I read further and see that the original American edition, which is all

I could possibly comprehend, was published at the time that my parents

were infants and that there is a foreward by the author and a foreward

containing the court decision concerning the censorship of this good

book in my hands the opinion of a Judge John M. Woosley.

 

My heart leaps for joy.  I will be able to meet the author before

delving into this new ground of literature but I will be able to ground

the entire reading in an area of my expertise as I spent an entire year

involved in critical study and reearch of American first amendment law.=20

It will be interesting to ponder Judge Woosley=92s words in light of the

notions of critical theory and postmodern criticism which I have studied

in application to the good book I am about to travel through.  It will

provide an anchor to this journey of a time when my mind was not only

fine but sharp as a tack when I spent hours examining and analyzing and

synthesizing the words of Supreme Court justices in an attempt to create

new visions of thought relating to subject matters loosely thrown

together under the veil of freedom of expression.

 

A numerological code is explained which may be beyond me, but it appears

that this edition which allows the pages of the old to appear in the

pages of the new and this makes me think of the relativity of time but

not so much that my mind spins off in a tornado.

 

This is the first time it is in paperback.  Perfect.  I much prefer

paperbacks especially used ones because you can feel the past in them

much better.  They read more like a well worn pair of tattered Levis

than a Tuxedo and I am much more at home in the tattered blue jeans.

 

One other thing appears in white on the back cover.  a numerical code.=20

394-70380-4.  I remember and laugh at myself times in the past when I

would search for meaning in the numerical code of the book rather than

open the book and read it.  Perhaps just a different form of perception

a different methodology of reading.  Probably not though!

 

These are the white letters on the cover and they are indeed

meaningful.  The remainder of the cover provides incredibly enticing

emblems including three flowers (which I will proclaim are sunflowers)

two purple and one red with faces on the inside where the sunflower

seeds grow and I laugh at the time in Winston-Salem North Carolina where

a appalachian trail hiker named Easy Rider decided that I was Johnny

Sunflower Seed.  I wonder what he=92s doing now?

 

The book has a tattered front cover.  Just like my favorite jeans.  It

is an antique.  I will cherish this book like one is I live in it for

some time to come.  I peak inside the back cover.  It appears that a

previous owner had difficulty with getting a pen to produce ink and

swirled and swirled around until the ink came along in a jagged little

line in the middle of the swirls.  Lightning bolt among the swirling

waters.  I declare that this page is art.

 

What a wonderful cover.  What a good book.  I will definitely move into

this book soon.  But for now I will slow my pace a bit more even to the

crawl of a turtle along the side of a country road lost looking for its

way back home but perfectly content in its journeying.  No homesickness

in the turtle.  No fear because of the biological gift of a suit of

armour.  And I feel my own protections secret shields that envelope me

that I must address and so I set the book beside me on old Mary

Vineyard=92s sofa and move my mind to sweet things in the present and the

future.

 

 

The sweet things border on the edges of Henry Miller and Anais Nin but

hopefully i'll not be too distracted by the sweet wonders to prevent me

from trudging through this June 16 adventure finding my way back from

the universal to the particular and from there ... from there ...  ah

shit, i ain't gonna try and look that far ahead.

 

shalom,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 16 Jul 1997 11:03:11 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Info on Billie Holiday

 

In a message dated 97-07-16 05:37:38 EDT, you write:

 

<< .

 >Kaufmann) writes:

 >

 ><< Hello, >>

 

Lusha. How did Bob feel about being a beat? I put him up there at Corso

status, though willing to be on the front lines more. Took unecessay

beat-ings from the cops. I knew him most in  his silent days, so we spent

most of the time on the Muni just looking out the windows.

Charles Plymell

=========================================================================

Date:         Wed, 16 Jul 1997 11:07:53 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

 

In a message dated 97-07-16 06:15:56 EDT, you write:

 

<< Jack was no sexual threat to Neal.

 > >>

 

I think James is correct on this. There might be spats, yes. And I think Neal

wd have felt a little betrayed in prison where his mind had time to play on

him, but money would be the larger concern in the long run.

Anyway that's how I'd see it. Maybe ask Carolyn?

C Plymell

=========================================================================

Date:         Wed, 16 Jul 1997 09:53:36 -0700

Reply-To:     "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>

Subject:      Re: Info on Billie Holiday

Comments: To: "Steve Smith a.k.a. Whiskey Wordsmith" <psu06729@ODIN.CC.PDX.EDU>

In-Reply-To:  <Pine.PTX.3.91.970715230124.24116B-100000@odin.cc.pdx.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 15 Jul 1997, Steve Smith a.k.a. Whiskey Wordsmith wrote:

 

> On Wed, 16 Jul 1997, Pamela Beach Plymell wrote:

> 

> > In a message dated 97-07-15 20:36:00 EDT, you write:

> >

> > << Hello, I had a question concerning Billie Holiday mentioned in Beat

> >  texts.  I am taking summer course on the Beat greats and we are doing a

> >  presentation on Women beats.  I choose Billie Holiday, unfortunately the

> >  time restraint has made it difficult to read all of the poems and novels

> >  to find mention of her.  >>

> >

> > Oh fer Chrissake!

> > C. Plymell

> 

> dear plymell:

> >

> what the hell does "oh fer chrissake" mean? up on yer highhorse "i was

> there and how dare some mere student ask such a question"? yer goofy

> response brings up a "oh for chrissake" from me, too. lusha asks a fair

> enough question. this list is, among other things, for such questions and

> questings.

> 

> if you are not --any of you--interested in responding in some

> constructive way to her question, just ignore it--don't resort to a

> snotty repost from deep left field!!!!

> 

> steve

> 

> (who is, in all forthrightness, lusha's professor in the course she

> mentions---and i feel guilty about having told her "hey, yes, send a

> message to the beat-l list--they are kind and helpful for the most part;

> they will talk with you and care about some of the same things you care

> about"; i, for one, do not see her question as asking someone to do her

> work for her; she has been interested enough to go out here on the list

> for views and news and knowledge; don't flame her; don't be shits in a

> snotty snit.)

> 

> s.s.

> 

 

Lusha...

 

All I know is that if I hear Billy singing April in Paris at the right

time, in the right place, I can be moved to a tear or two. My advice re:

any concerns you have about this list and the responses to your question

is this...Persist and elaborate! Engage in the conversation...no need to

be sheepish...Get in here and pitch. It's cool that Steve wants his

students to feel safe but safety is highly over rated and at some point,

your questions will have to be powerful enough to override your fears.

I've lurked this list for a long time. There is personality and insight

galore. I think people get a little label weary... at least I do.

Creating a beat or a buick for that matter, out of thin air can cause my

stomach to do a turn. The point Lusha is that you have the question...you

will have to facilitate getting your answers. Steve will only be with you

so long and I guaren-damn-tee that the best research skill you will ever

cultivate is the persistance of your own mind.

 

-Shannon (in Tucson where it really is too damn hot!)

=========================================================================

Date:         Wed, 16 Jul 1997 13:10:18 -0400

Reply-To:     sfeustl@UOFT02.UTOLEDO.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Info on Billie Holiday

Comments: To: "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>

In-Reply-To:  <Pine.SOL.3.91.970716093756.12636V-100000@baskerville.CS.Arizona.EDU>

MIME-version: 1.0

Content-type: TEXT/PLAIN; charset=US-ASCII

 

I think what Pamela is referring to is the fact that BILLIE HOLIDAY,

ALTHOUGH A GREAT SINGER, IS NOT A POET/AUTHOR, OR A "BEAT" FOR THAT

MATTER!  Calm down, people! *grin*

 

                         Sara Feustle

                    sfeustl@uoft02.utoledo.edu

 

 

On Wed, 16 Jul 1997, Shannon L. Stephens wrote:

 

> On Tue, 15 Jul 1997, Steve Smith a.k.a. Whiskey Wordsmith wrote:

> 

> > On Wed, 16 Jul 1997, Pamela Beach Plymell wrote:

> >

> > > In a message dated 97-07-15 20:36:00 EDT, you write:

> > >

> > > << Hello, I had a question concerning Billie Holiday mentioned in Beat

> > >  texts.  I am taking summer course on the Beat greats and we are doing a

> > >  presentation on Women beats.  I choose Billie Holiday, unfortunately the

> > >  time restraint has made it difficult to read all of the poems and novels

> > >  to find mention of her.  >>

> > >

> > > Oh fer Chrissake!

> > > C. Plymell

> >

> > dear plymell:

> > >

> > what the hell does "oh fer chrissake" mean? up on yer highhorse "i was

> > there and how dare some mere student ask such a question"? yer goofy

> > response brings up a "oh for chrissake" from me, too. lusha asks a fair

> > enough question. this list is, among other things, for such questions and

> > questings.

> >

> > if you are not --any of you--interested in responding in some

> > constructive way to her question, just ignore it--don't resort to a

> > snotty repost from deep left field!!!!

> >

> > steve

> >

> > (who is, in all forthrightness, lusha's professor in the course she

> > mentions---and i feel guilty about having told her "hey, yes, send a

> > message to the beat-l list--they are kind and helpful for the most part;

> > they will talk with you and care about some of the same things you care

> > about"; i, for one, do not see her question as asking someone to do her

> > work for her; she has been interested enough to go out here on the list

> > for views and news and knowledge; don't flame her; don't be shits in a

> > snotty snit.)

> >

> > s.s.

> >

> 

> Lusha...

> 

> All I know is that if I hear Billy singing April in Paris at the right

> time, in the right place, I can be moved to a tear or two. My advice re:

> any concerns you have about this list and the responses to your question

> is this...Persist and elaborate! Engage in the conversation...no need to

> be sheepish...Get in here and pitch. It's cool that Steve wants his

> students to feel safe but safety is highly over rated and at some point,

> your questions will have to be powerful enough to override your fears.

> I've lurked this list for a long time. There is personality and insight

> galore. I think people get a little label weary... at least I do.

> Creating a beat or a buick for that matter, out of thin air can cause my

> stomach to do a turn. The point Lusha is that you have the question...you

> will have to facilitate getting your answers. Steve will only be with you

> so long and I guaren-damn-tee that the best research skill you will ever

> cultivate is the persistance of your own mind.

> 

> -Shannon (in Tucson where it really is too damn hot!)

> 

=========================================================================

Date:         Wed, 16 Jul 1997 10:17:50 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      sifting of tea leaves ((minimal beat

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

<<general musings this morning>>

 

you write:

 

> Ok so I can't write words anymore. I'll go to China.

 

and will you knock your sconce against the wall there?  that great wall.

 the wall all runners dream about?

 

and let me add:  in rainbows.  Chopped so much wood last night, the past

few nights, that I should be kept warm this summer.  In deed.  If I

didn't burn and boil all the water out of my house.  late at night.

"Don't smoke in bed" they say.  and it's true.  this body is cinder for

thought and I fear the flame.

 

email would have been a send for the beats, I imagine.  Would they have

felt the need to always travel the roads?  Was watching this Marilyn

Monroe, Clark Gable movie last night on teaV.  no sound, just the black

and white images on my 21 inch screen.  The camera is looking.  always

looking.  at Marilyn.  at Gable looking at Marilyn.  bodies in motion.

 

"[...] from an historical conjuncture, from the mouth of another,

wherein the spirt without knowledge is dumb; but if the spirit opens to

him the signature, then he understands the speech of another; and

further, he understands how the spirit has manifested and revealed

itself (out of the essence through the principal) in the sound of the

voice."  == (Boehme, _The signature of all things_)

 

-=-=-

there's a book by Thomas Calvino I've only heard about.  deals with the

historical city of Venice, Italy.  The seven or so chapters give

different views of the same city.  Written from different perspectives.

The multifaceted nature of things, I guess is the point.

 

but what would the signature of God be?   what lies behind the veil?

what is Kerouac after with his recordings of Neal.  From Diane's

excellent elucidations, I wonder. [[need to look at Ginsberg's photos

more.

 

tied up in nots, due process

 

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Wed, 16 Jul 1997 13:23:48 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Info on Billie Holiday

 

In a message dated 97-07-16 06:24:30 EDT, you write:

 

<< The last time I saw Lady Day she was standing in front of the

 City Lights bookstore in S.F., tying up her arm for a hot

 shot of horse from a syringe  dangling from her

 purse.  Billy had stood up the crowd at the Hungry I that

 night, but she didn't seem to give a shit.  She had a date

 to meet Lenny Bruce in front of City Lights.  So who shows

 up?  Thats right, Ladies and Gentleman: Albert Goldman!

 

 Strange Fruit, don't you think?

  >>

 

That's a great story. He always knew when. Her song about Monday was pulled

from radio broadcasts because it was to have been causing too many suicides.

i can't remember the title. i don't think it was Strang Fruit.

C. Plymell

=========================================================================

Date:         Wed, 16 Jul 1997 15:51:05 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      carolyn...

 

i read off the road not too long ago...what a book!  very moving!  and in

the liner notes i saw "also by Carolyn Cassady....Heart Beat."  So I went

on a mad search through my local libraries trying to locate it....doesn't

seem to be.  but there apparently was a movie made based on the book...

 

anyway, so i got the friendly librarian to inter-library loan the book for

me, found out the full title is "Heart Beat: My life with Jack and Neal"

(interesting, Jack & Neal, not Neal & Jack.....)  It'll probably take a

couple of months for me to get this book in my hands, though.  From what I

understand, this is another memoir of Carolyn & her two thugs....but

written before Off the Road.  So if she'd already written one, why'd she

write another account of the story?  anyone know?  anyone here read this

book?  I know, "read the book yourself & you'll figure it out yourself..."

but it's gonna be a few months before I get the book (and if it's from 1976

& can't be found in the library anymore I highly doubt the neighborhood

bookstore will have it).  I just want other people's opinions on the work,

if anyone has any....kind of wanting to go into the movie theatre with a

vague notion about the movie on the screen...

 

Diane.

 

--

Life is weird.  Remember to brush your teeth.

--Heidi A. Emhoff

                                                  ek242@cleveland.freenet.edu

                                                  Diane M. Homza

=========================================================================

Date:         Wed, 16 Jul 1997 14:13:16 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: carolyn...

Comments: To: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

In-Reply-To:  <199707161951.PAA07783@kanga.INS.CWRU.Edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

diane

from what i understand _heartbeat_ is simply an earlier draft of _off the

road_. it was turned into a movie (starring nick nolte as neal, believe it

or not...) and she then built & improved upon the book, beefing it up and

renaming it _off the road_. i dont know if you really HAVE to seek it out

if you've read _off the road_. can anyone else shine light on this?

yrs

derek

=========================================================================

Date:         Wed, 16 Jul 1997 16:51:13 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Heart Beat

 

Heart Beat was a greatly abridged or excerpted version of Carolyn's

later biography.  If memory serves me well she wasn't very pleased with

it.  It may have had something to do with the production of the movie but

I couldn't be sure of that without doing a little research.  If you've

read Off the Road, I think it would be a waste of time to read "Heart

Beat" except as historical curiosity or to study the text in relation to

the final version which I agree is a model work of its kind.

=========================================================================

Date:         Wed, 16 Jul 1997 17:10:49 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: sifting of tea leaves ((minimal beat

 

In a message dated 97-07-16 13:19:58 EDT, you write:

 

<<  at Gable looking at Marilyn >>

Chopping wood warms you twice they say. You should wait for the wood to

freeze. Much easir. You probably know that. Yeah, that movie had a weird

portent. All the actors and director died shortwith. There was some rumor

that they had hauled in radioctive dust from other parts of Nevada to make

the roping scenes.

CP

=========================================================================

Date:         Wed, 16 Jul 1997 21:31:22 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Moccasins

 

just picked up "Last of the Moccasins" at Borders Books...looking forward to

this with great relish!!

 

on the way to the bookstore, i passed Warho's red painting of James Dean in a

gallery window.  anyone know the painting, and if so what the Chinese

characters mean?

 

ciao,

sherri

=========================================================================

Date:         Wed, 16 Jul 1997 16:34:20 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      t-shirts

Content-Type: text

 

Jeffrey,

I received my t-shirts yesterday, a day after Michael Nally's e-mail post

to the beat-l, and I agree with him.

I have had business dealings with you since the time of your very first

catalog, so I am more familiar than most people with the quality and

integrity of your enterprise. The printing on the shirt is certainly less

than ideal, but I cannot in all conscience allow you to absorb the costs

for my order.

I appreciate the honesty and rare business morality in offering the shirts

for free and in assuming the burden yourself.

One of the striking qualities of the beat-l group is its sense of community

(with a few glaring exceptions) and mutual support, reminiscent for me of

the late '60s. Your original role in this project was non-profit; from my

perspective, I cannot contribute to the venture's turning into a loss for

you.

Therefore, I am returning your refund check to you. Thanks though for the

gesture.

Cordially,

Mike Skau

7/16/97

=========================================================================

Date:         Wed, 16 Jul 1997 17:52:42 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Info on Billie Holiday

 

In a message dated 97-07-16 13:38:05 EDT, you write:

 

<< I think what Pamela is referring to is the fact that BILLIE HOLIDAY,

 ALTHOUGH A GREAT SINGER, IS NOT A POET/AUTHOR, OR A "BEAT" FOR THAT

 MATTER!  Calm down, people! *grin*

 

                          Sara Feustle

                     sfeustl@uoft02.utoledo.edu

 

 

 On Wed, 16 Jul 1997, Shannon L. Stephens wrote:

 

 > On Tue, 15 Jul 1997, Steve Smith a.k.a. Whiskey Wordsmith wrote:

 >

 > > On Wed, 16 Jul 1997, Pamela Beach Plymell wrote:

 > >

 > > > In a message dated 97-07-15 20:36:00 EDT, you write:

 > > >

 > > > << Hello, I had a question concerning Billie Holiday mentioned in Beat

 > > >  texts.  I am taking summer course on the Beat greats and we are doing

a

 > > >  presentation on Women beats.  I choose Billie Holiday, unfortunately

the

 > > >  time restraint has made it difficult to read all of the poems and

novels

 > > >  to find mention of her.  >>

 > > >

 > > > Oh fer Chrissake!

 > > > C. Plymell

 > >

 > > dear plymell:

 > > >

 > > what the hell does "oh fer chrissake" mean? up on yer highhorse "i was

 > > there and how dare some mere student ask such a question"? yer goofy

 > > response brings up a "oh for chrissake" from me, too. lusha asks a fair

 > > enough question. this list is, among other things, for such questions

and

 > > questings.

 > >

 > > if you are not --any of you--interested in responding in some

 > > constructive way to her question, just ignore it--don't resort to a

 > > snotty repost from deep left field!!!!

 > >

 > > steve

 > >

 > > (who is, in all forthrightness, lusha's professor in the course she

 > > mentions---and i feel guilty about having told her "hey, yes, send a

 > > message to the beat-l list--they are kind and helpful for the most part;

 > > they will talk with you and care about some of the same things you care

 > > about"; i, for one, do not see her question as asking someone to do her

 > > work for her; she has been interested enough to go out here on the list

 > > for views and news and knowledge; don't flame her; don't be shits in a

 > > snotty snit.)

 > >

 > > s.s.

 > >

 >

 > Lusha... >>

Thanks Sahra, Actually, I was trying to challange Lusha some. I think Bob

Kaufman wd have known that. If not forgive me. It was I who wrote the

dastardly dated language, not Pam. She has too much class. And your items

were on the list of what first went through my head.

But I hope I'm a Johnson, not a shit, Anyway, I have posted Lusha, and

hopfully provided some constructive criticism, which is hard for me to do! I

would  work the beat association into the thesis from the beat's point of

view,  rather than to lump everything together for future readers. Seems to

be enough of that. Though I really don't know of many physical  time-space

connections(no pun) If there was one, I assume it was through Lenny Bruce, I

take from anthor list member's story.  There were  very few heavy users among

the beats, and any other connection would be hypothetical/abstract or

anectodal at best. i don't think they travelled in the same circles. i may be

wrong, though. This was turning into a brush fire, and now it's dwindling. oh

well.

Charley Falling Off Horse (my tribal name)

=========================================================================

Date:         Wed, 16 Jul 1997 18:06:45 -0400

Reply-To:     Richard Wallner <rwallner@CAPACCESS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: Mike Rice <mrice@CENTURYINTER.NET>

In-Reply-To:  <1.5.4.16.19970716050158.1aeff820@mail.wi.centuryinter.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> >

> Listen, Gore Vidal says both Kerouac and Cassady were homosexual,

> and had been lovers, at least at times.  isn't it possible

> homosexuality played a role in their rift?

> 

> Mike Rice

> mrice@centuryinter.net

 

Cassady and *Ginsberg* were lovers...Kerouac doubtless was attracted to

Cassady (hell he wrote two books about him!)  But he was hetero in the

extreme from what I've read.

=========================================================================

Date:         Wed, 16 Jul 1997 18:31:14 -0400

Reply-To:     Richard Wallner <rwallner@CAPACCESS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: Pamela Beach Plymell <CVEditions@AOL.COM>

In-Reply-To:  <970716110753_-1158306363@emout17.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

It is also worth pointing out that Memere Kerouac deliberately

interefered with Jack's relationships with his beat friends.  She

routinely opened and read Jack's letters before he got to see them and

apparently took to throwing out anything that came from Ginsberg, who she

thought was trying to turn Jack into a homosexual non-catholic, and Neal

for similar reasons (she'd found out about Allen and Neal affair from

reading the letters)

 

It is sad but Jack evidently let his mother control his life more or less

completely and filter much of what he knew of his old friends.  She

probably would have made up lies about Allen and Neal just to get Jack to

not communicate with them.

 

RJW

=========================================================================

Date:         Wed, 16 Jul 1997 15:28:25 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Moccasins

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

the last words of Charles Plymell's autobiography (from the net):

 

        "Tomorrow I have to go to the unemployment office."

 

very nice CP.  very nice.  Filled in a lot of the blanks and gave a nice

perspective.  Am battling my own sycophant tendancies, by writing this.

Just wanted to publically say, "thanx" for writing all that down.  all

that down.

 

the words of Jello Biafra, whom I curse and praise, come to mind:

 

        "if you love your fun, die for it!" (from the song _Lard_)

 

oh, I never wanna be a poet, Douglas

 

 

"the map is not the territory"                  babu@electriciti.com

  (Alfred Korzybski)                    www.electriciti.com/babu/

=========================================================================

Date:         Wed, 16 Jul 1997 18:32:45 -0400

Reply-To:     Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Paterson Falls and Bohemian Rises

MIME-version: 1.0

Content-type: text/plain; charset="us-ascii"

 

>       Well, I'd have to say I agree and disagree. A haiku is sort of like a

spontaneous orgasm, in that it is quick, unprompted, out of nowhere. You

know, when you're having a really good dream... *ahem* *grin*

>       Something such as Howl is like excellent sex, the whole show, naked,

mirrors on the ceiling, the passion building and building to the poit of

release.

>       Then there's works such as Mexico City Blues.... an all-night lovemaking

session involving multiple orgasms.........

>               Yours in depravity,

>                       Sara

> 

> 

> 

>At 02:29 PM 7/16/97 -0700, you wrote:

>>Pete wrote:

>>> The second thing spun off from the first and doesn't pertain to posts.

>>> It's about poetry in general and about what I never liked about the

>>> Beats in general. If people can come here and dis my gods, well dammit

>>> I'm gonna give it back. I know there aren't any absolutes, but do others

>>> know that?

>> 

>>I may be one of those who dissed your gods (Ezra?) and I don't

>>mind you giving it back.  This is a pretty good paragraph:

>> 

>>> > >I realize this goes against the values of some Beat poets and their

>>> > >sycophants. Personally, I never went for the masturbatory approach to

>>> > >writing. Seems to mistake the product with the process, IMO. Sex isn't

>>> > >about cumming, it's about fucking; and writing isn't an explosion of

>>> > >words in a dionysian frenzy, it's all the thoughts around arranging

>>> > >those words, and living those ideas, making the song, singing it. Not

>>> > >the record, but the song. And even if masturbation is a good metaphor,

>>> > >then I say the poem is not the cum but the rubbing.

>> 

>>And I don't feel compelled to either agree or disagree.  You made

>>your point and I hear you.  I'd say the flip side is this: spontaneous

>>writing is an attempt to capture the joy of writing inside the piece

>>itself.  And joy is what is too often missing in the snootier,

>>stricter, more academic writing of our times.  Beat writing may

>>be cheap sex, but at least they got the joint jumpin' ... more

>>than I can say for Ezra ...

>> 

>>And I hope we can all feel free to dis each other's gods as much

>>as we want -- let's just not start dissing each other.  It's a

>>big difference.

>> 

>>------------------------------------------------------

>>           Levi Asher = brooklyn@netcom.com

>> 

>>   Literary Kicks: http://www.charm.net/~brooklyn/

>>            (the beat literature web site)

>> 

>> Queensboro Ballads: http://www.levity.com/brooklyn/

>>             (my fantasy folk-rock album)

>> 

>>          ###################################

>> 

>>          "Tie yourself to a tree with roots"

>>                    -- Bob Dylan

>>-----------------------------------------------------

>> 

=========================================================================

Date:         Wed, 16 Jul 1997 17:28:21 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Johnson or SHIT ??  Charley is ...............

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

you R a Johnson ! ! !

 

The Committee

 

 

 

 

david rhaesa

salina, Kansas

 

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-07-16 13:38:05 EDT, you write:

> 

> << I think what Pamela is referring to is the fact that BILLIE HOLIDAY,

>  ALTHOUGH A GREAT SINGER, IS NOT A POET/AUTHOR, OR A "BEAT" FOR THAT

>  MATTER!  Calm down, people! *grin*

> 

>                           Sara Feustle

>                      sfeustl@uoft02.utoledo.edu

> 

>  On Wed, 16 Jul 1997, Shannon L. Stephens wrote:

> 

>  > On Tue, 15 Jul 1997, Steve Smith a.k.a. Whiskey Wordsmith wrote:

>  >

>  > > On Wed, 16 Jul 1997, Pamela Beach Plymell wrote:

>  > >

>  > > > In a message dated 97-07-15 20:36:00 EDT, you write:

>  > > >

>  > > > << Hello, I had a question concerning Billie Holiday mentioned in Beat

>  > > >  texts.  I am taking summer course on the Beat greats and we are doing

> a

>  > > >  presentation on Women beats.  I choose Billie Holiday, unfortunately

> the

>  > > >  time restraint has made it difficult to read all of the poems and

> novels

>  > > >  to find mention of her.  >>

>  > > >

>  > > > Oh fer Chrissake!

>  > > > C. Plymell

>  > >

>  > > dear plymell:

>  > > >

>  > > what the hell does "oh fer chrissake" mean? up on yer highhorse "i was

>  > > there and how dare some mere student ask such a question"? yer goofy

>  > > response brings up a "oh for chrissake" from me, too. lusha asks a fair

>  > > enough question. this list is, among other things, for such questions

> and

>  > > questings.

>  > >

>  > > if you are not --any of you--interested in responding in some

>  > > constructive way to her question, just ignore it--don't resort to a

>  > > snotty repost from deep left field!!!!

>  > >

>  > > steve

>  > >

>  > > (who is, in all forthrightness, lusha's professor in the course she

>  > > mentions---and i feel guilty about having told her "hey, yes, send a

>  > > message to the beat-l list--they are kind and helpful for the most part;

>  > > they will talk with you and care about some of the same things you care

>  > > about"; i, for one, do not see her question as asking someone to do her

>  > > work for her; she has been interested enough to go out here on the list

>  > > for views and news and knowledge; don't flame her; don't be shits in a

>  > > snotty snit.)

>  > >

>  > > s.s.

>  > >

>  >

>  > Lusha... >>

> Thanks Sahra, Actually, I was trying to challange Lusha some. I think Bob

> Kaufman wd have known that. If not forgive me. It was I who wrote the

> dastardly dated language, not Pam. She has too much class. And your items

> were on the list of what first went through my head.

> But I hope I'm a Johnson, not a shit, Anyway, I have posted Lusha, and

> hopfully provided some constructive criticism, which is hard for me to do! I

> would  work the beat association into the thesis from the beat's point of

> view,  rather than to lump everything together for future readers. Seems to

> be enough of that. Though I really don't know of many physical  time-space

> connections(no pun) If there was one, I assume it was through Lenny Bruce, I

> take from anthor list member's story.  There were  very few heavy users among

> the beats, and any other connection would be hypothetical/abstract or

> anectodal at best. i don't think they travelled in the same circles. i may be

> wrong, though. This was turning into a brush fire, and now it's dwindling. oh

> well.

> Charley Falling Off Horse (my tribal name)

=========================================================================

Date:         Wed, 16 Jul 1997 21:43:13 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      jk's character portrayl

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

the recent thread of neal not liking the way that jack described him

in on the road, made me think that how did the other m.c. in jack's

books like the way they were described? in particular i would like to

know what gary synder thought of japhy ryder and the dharma bums.

thanx~randy

=========================================================================

Date:         Wed, 16 Jul 1997 21:56:57 -0400

Reply-To:     Richard Wallner <rwallner@CAPACCESS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: "R. Bentz Kirby" <bocelts@scsn.net>

In-Reply-To:  <33CD6BA1.995ECD76@scsn.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Who is this source?  someone who knew Jack?  I think if Jack had had any

major gay affairs, he'd have writtena bout them because he wrote about

almost every major experience he had in his life.

 

Ginsberg has been quoted has saying that Jack was not gay or bi, but that

when they were young and had just met, they *experimented* a little with

oral sex.  I dont think this makes Jack gay or bi, guess it depends on

interpretation.

 

Although if Jack *was* privately gay or bi, it might explain his outright

homophobia concerning Allen...whom he constantly ragged upon about his

homosexuality.

=========================================================================

Date:         Wed, 16 Jul 1997 21:51:49 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

 

In a message dated 97-07-16 19:07:06 EDT, you write:

 

<< Neal ever dressed formally

 enough to actually don spats.

 

 

  >>

I haven't seen the post yet. The dandiest I saw Neal was when he and Peter

Angel came to my collage show at the Batman gallery on Filmore, SF. They had

been to the Goldwater ' 64 convention at the cow palace and were wearing

straw hat jackets and canes. Looked and acted like yankee doodle dandies.

Neal had no wardrobe,  belongings in a cardbord box. Tapes of his past lives

from his meduim in Palo Alto, belts, a change of levis, white T-shirt, jocky

shorts, socks, penny loafers and an old sports coat. I tink this simplicity

was because he didn't want to waste time deciding what to wear. I was just

the opposite, leading him to say I had a problem with time since i would have

to fuss over what to wear. Oh yeah, his railroad pocket watch and a grocery

back of weed, a shoe box for cleaning the weed and a pocket full of pills.

CP

=========================================================================

Date:         Wed, 16 Jul 1997 22:15:22 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Moccasins

 

Are you going to read Joyce too? Sounds like the frustration I had with

having to read him. I don't think I ever finished. it's difficult to read

literary genius. That's why I read other kinds of stuff like science I can't

understand. Well anyway , I'm glad my wife's  relative published him-- even

without the NEA or public funds. Imagine that! 'Course Pound and  a few other

scraped up a collection . Tell that to the Bohemians! (My ass). I sd onetime

at an Eng, Dept staff meeting  that Joyce ruined American literature. The

meeting had become too serious anyway. Ulysses was the "official" text for a

decade or two. I like portrait, but for someone who has no formal religion,

politics, etc, sometimes the text didn't mean too much. He had myopic genius,

though for those who want to follow it. I read or heard one time that at a

dinner when Joyce and Beckett met, they never said a word to each other.

CP

=========================================================================

Date:         Wed, 16 Jul 1997 23:04:23 -0400

Reply-To:     Tracy J Neumann <tjneuman@UMICH.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tracy J Neumann <tjneuman@UMICH.EDU>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: CVEditions@aol.com

In-Reply-To:  <970716002007_410349889@emout02.mail.aol.com>

MIME-Version: 1.0

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Point taken...thanks.

 

Tracy

 

 

On Wed, 16 Jul 1997 CVEditions@aol.com wrote:

 

> In a message dated 97-07-15 16:54:46 EDT, you write:

> 

> << and perhaps Kerouac's sexual involvement with

>  carolyn cassady) than a petty disagreement over money?

> 

>  Tracy >>

> I'd guess that money was more important to N than J' sex with his wife,

> Unless, of course he was humping her whlie N was in prison.

> C Plymell

> 

=========================================================================

Date:         Wed, 16 Jul 1997 23:04:56 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: President's Sychophant Committe on NEA Funding

 

As they say down in Arkansaw..

"makes my ass wanna dip snuff"

=========================================================================

Date:         Wed, 16 Jul 1997 23:15:21 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Moccasins and Joyce

Comments: To: CVEditions@AOL.COM

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Pamela Beach Plymell wrote:

> 

> Are you going to read Joyce too? Sounds like the frustration I had

> with

> having to read him. I don't think I ever finished. it's difficult to

> read

> literary genius. That's why I read other kinds of stuff like science I

> can't

> understand. Well anyway , I'm glad my wife's  relative published him--

> even

> without the NEA or public funds. Imagine that! 'Course Pound and  a

> few other

> scraped up a collection . Tell that to the Bohemians! (My ass). I sd

> onetime

> at an Eng, Dept staff meeting  that Joyce ruined American literature.

> The

> meeting had become too serious anyway. Ulysses was the "official" text

> for a

> decade or two. I like portrait, but for someone who has no formal

> religion,

> politics, etc, sometimes the text didn't mean too much. He had myopic

> genius,

> though for those who want to follow it. I read or heard one time that

> at a

> dinner when Joyce and Beckett met, they never said a word to each

> other.

> CP

 

Charles:

 

I just went down to the local library and checked out Ulysess.  I own,

but never really read Portrait of an Artist.  Good question?

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 16 Jul 1997 23:17:55 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Robert Hass

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While in the library, I was looking through the Poetry section and saw

some books by Robert Hass.  A good friend of mine who built my house is

named Robert Hass.  So, I checked out Praise and Sun Under Wood.  I

might even read them.  Does anyone care to make a comment about Hass'

work either on line or back channel?

 

Thanks,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 16 Jul 1997 22:30:19 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Moccasins & Ulysses

MIME-Version: 1.0

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Pamela Beach Plymell wrote:

> 

> Are you going to read Joyce too? Sounds like the frustration I had with

> having to read him. I don't think I ever finished. it's difficult to read

> literary genius. That's why I read other kinds of stuff like science I can't

> understand. Well anyway , I'm glad my wife's  relative published him-- even

> without the NEA or public funds. Imagine that! 'Course Pound and  a few other

> scraped up a collection . Tell that to the Bohemians! (My ass). I sd onetime

> at an Eng, Dept staff meeting  that Joyce ruined American literature. The

> meeting had become too serious anyway. Ulysses was the "official" text for a

> decade or two. I like portrait, but for someone who has no formal religion,

> politics, etc, sometimes the text didn't mean too much. He had myopic genius,

> though for those who want to follow it. I read or heard one time that at a

> dinner when Joyce and Beckett met, they never said a word to each other.

> CP

 

Imagine it was a pretty loud conversation between those two silent men.

 

I am begining Joyce's Ulysses.  July 16 seemed like a good day to begin

a book about June 16.

 

I sat on the crapper and read along until something about a jesuit

injection turned my head sideways, twisted me upside down, and burroughs

shook the shit out of me.

 

After i recovered i shaved and showered and headed to the filling

station where i started again and made it all the way to the old Woman's

entrance where i had a vision of Gaia that swallowed me whole.

 

Tomorrow is another day

and so i will once again brave the first chapter skimming up to the

entrance of the old Woman and moving forward like a blind mule on a

hillbilly holler.

 

Luckily i have a wonderful tour guide for the journey in Diane Carter

and many bodyguards including Doug and Sherri and it sounds as if Bentz

is leaning towards this book as well.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 16 Jul 1997 23:45:14 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Thomas Wolfe and Kerouac and VOC

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A week or so ago, I pointed out in the food scene where Kerouac

acknowledeged that his work was derivative of Thomas Wolfe by throwing

Of Time and the River into the middle of the food sequences.  I know

that one of Wolfe's most famous pieces is the description of

Thanksgiving dinner in his Mother's boarding house.  I think it is in

Look Homeward Angel thought.

 

I kinda thought that this tacit acknowledgement of Wolfe would have

drawn some comments.  But it did not.  So, I went down to the library

(as you all know from the last two posts) and checked out Of Time and

the River.  I did find one passage that struck me as being a point of

reference:

 

>From Page 357 of Charles Scribner's Sons, 1935 (BTW, this version is 912

pages long)

 

        "What would you like to eat?" she now says meditatively. "How about a

nice thick steak," she said juicily, as she winked at him.  "I've got

the whole half of a fried chicken left over from last night, that you

can have if you come over!--Now it's up to you!" she cried out again in

that almost hard challenging tone, as if he had shown signs of

unwillingness or refusal.  "I'm not going to urge you, but you're

welcome to it if you want to come.--How about a big dish of string

beans--some mashed potatoes--some steamed corn, and asparagus!  How'd

you like some big wonderful sliced tomatoes with mayonnaise?--I've got a

big peach and apple cobbler in the oven--do you think that'd go good

smoking hot with a piece of butter and a hunk of American cheese?" she

said, winking at him and smacking her lips comically. "Would that hit

the spot? Hey?" she said, prodding him in the ribs with her big stiff

fingers and then saying in a hoarse, burlesque, and nasal tone, in

extravagant imitation of a girl they knew who had gone to New York, and

had come back talking with the knowing, cock-sure nasal toneof the New

Yorker.

 

        "Ah fine boys!" Helen said in this burlesque tone.  "Fine! Just like

they give you in New York!" she said.  Then turning away indifferently,

she went down the steps , and across the walk towards her husband's car,

calling back in an almost hard and agressive tone:

 

        "Well you can do exactly as you like!  No one is going to urge you to

come if you don't want to!"

 

It seems to me that the passage in VoC on page 10 echos this and the

theme of Jack and Thomas of being manipulated.

 

Anyway, I know there is more of Of Time and the River in VoC, and I

think it is in large part the inspiration of VoC.  But, I may be alone

here, as I may have been one of the few willing to read all 912 pages of

Of Time and the River.

 

Does anyone else have a comment on this connection?

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 16 Jul 1997 20:59:36 -0700

Reply-To:     runner711 <babu@ELECTRICITI.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner711 <babu@ELECTRICITI.COM>

Subject:      Re: Moccasins

In-Reply-To:  <970716221304_1048044493@emout16.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 7:15 PM -0700 7/16/97, Pamela Beach Plymell wrote:

 

> I read or heard one time that at a

> dinner when Joyce and Beckett met, they never said a word to each other.

 

don't know Beckett that well.  but maybe they met later, after the dinner,

for a little late night swimmin?  They took off all their clothes, jumped

in the river and let the sound of distant heart beats  .    .   .   reach

their eyeballs.

 

read Neal Cassidy's "letter to Jack Kerouac, September 10, 1950" tonight.

very good.  lots of eyeballs.  other writers that mess with da balls:

patti smith and tom verlaine (in _the night_).  Artaud?  Bruneul.  Dali.

oh, lots of writers.  Man Ray and his tick tock of metric destruction (the

cutout eye of his lover).

 

still thinking about the relationship of seeing to hearing.  Maybe people

like Joyce and Beckett realize that small talk is so useless.  Maybe a few

chosen glances, or silent approvals was enough for them to <<speak with one

another??

 

> CP = central pacific

 

dextrous pervert

 

 

http://www.electriciti.com/babu/                let the man come thru

stand up, and let the man come thru             let the man come thru

=========================================================================

Date:         Wed, 16 Jul 1997 21:22:48 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: carolyn...

MIME-Version: 1.0

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Carolyn C isn't crazy about Heart Beat and even less about the movie

(which is awful).  Heart Beat was basically the more sensational parts

culled out of what she was doing in "Off the Road."  I was at a

screening of the movie in Eugene that Kesey and Babbs walked out of

after about five minutes.  Sissy Spacek's heart was in the right place,

and Nolte might have made a decent Neal, but it didn't happen.

 

James Stauffer

 

Diane M. Homza wrote:

> 

> i read off the road not too long ago...what a book!  very moving!  and in

> the liner notes i saw "also by Carolyn Cassady....Heart Beat."  So I went

> on a mad search through my local libraries trying to locate it....doesn't

> seem to be.  but there apparently was a movie made based on the book...

> 

> anyway, so i got the friendly librarian to inter-library loan the book for

> me, found out the full title is "Heart Beat: My life with Jack and Neal"

> (interesting, Jack & Neal, not Neal & Jack.....)  It'll probably take a

> couple of months for me to get this book in my hands, though.  From what I

> understand, this is another memoir of Carolyn & her two thugs....but

> written before Off the Road.  So if she'd already written one, why'd she

> write another account of the story?  anyone know?

=========================================================================

Date:         Wed, 16 Jul 1997 21:27:33 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: sifting of tea leaves ((minimal beat

MIME-Version: 1.0

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Charles,

 

Thanks for the memories.  "Misfits" is such a great movie.  Parts of it

were filmed on my ex-wife's uncles ranch.  Last movie for Gable,

Marilyn, and Monty Clift.  Great Arthur Miller screenplay and you can do

worse than John Huston as a director.  Some wonderful magnatism there.

Can't imagine modern Hollywood doing a movie with such wonderfully

broken down stars, Clift falling apart in front of your eyes, Marilyn

heavy and drugged, but radiant.  If the young un's want to get a feel

for Neal and Jack's world that is not a bad place to start.

 

James Stauffer

 

Pamela Beach Plymell wrote:

> 

> In a message dated 97-07-16 13:19:58 EDT, you write:

> 

> <<  at Gable looking at Marilyn >>

> Chopping wood warms you twice they say. You should wait for the wood to

> freeze. Much easir. You probably know that. Yeah, that movie had a weird

> portent. All the actors and director died shortwith. There was some rumor

> that they had hauled in radioctive dust from other parts of Nevada to make

> the roping scenes.

> CP

=========================================================================

Date:         Wed, 16 Jul 1997 13:04:23 -0700

Reply-To:     Diane Carter <dcarter@TOGETHER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Moccasins

MIME-Version: 1.0

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> Pamela Beach Plymell wrote:

> >

> > Are you going to read Joyce too? Sounds like the frustration I had

> >with

> > having to read him. I don't think I ever finished. it's difficult to

> > read

> > literary genius. That's why I read other kinds of stuff like science

> >I

> > can't

> > understand. Well anyway , I'm glad my wife's  relative published

> >him--

> > even

> > without the NEA or public funds. Imagine that! 'Course Pound and  a

> >few

> >other

> > scraped up a collection . Tell that to the Bohemians! (My ass). I sd

> > onetime

> > at an Eng, Dept staff meeting  that Joyce ruined American literature.

> > The

> > meeting had become too serious anyway. Ulysses was the "official"

> >text

> > for a

> > decade or two. I like portrait, but for someone who has no formal

> > religion,

> > politics, etc, sometimes the text didn't mean too much. He had myopic

> > genius,

> > though for those who want to follow it. I read or heard one time that

> > at a

> > dinner when Joyce and Beckett met, they never said a word to each

> > other.

> > CP

>  In Richard Ellman's biography of Joyce, he writes, "Joyce sometimes went

 out with Samuel Beckett, of whom he wrote to his son, 'I think he has

 talent,' a compliment in which he rarely indulged...He made clear to

 Beckett his dislike of literary talk.  Once when they had listened

 silently to a group of intellectuals at a party, he commented, 'If only

 they'd talk about turnips!'"

 

 All of my life I have been compelled to study James Joyce, I can't

 leave Ulysses or Finnegans Wake alone, might be some sort of

 personality flaw on my part, definitely some kind of intellectual

 addiction; anyway I don't want to turn this into a beat list discussing

 Joyce, so for anyone who wants to read Ulysses, with the help of me as a

 guide and the comradeship of some fellow beat-list members, backchannel

 me.  We are on Chapter one this week and moving forward at a snail's

 pace.  Everyone still has to finish VOC as well.

 DC

=========================================================================

Date:         Thu, 17 Jul 1997 01:13:08 -0400

Reply-To:     Tread37@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jenn Fedor <Tread37@AOL.COM>

Subject:      Re: An Illiterate Impression of Visions of Cody

 

******************************************************************************

********************

could some one please help me out here?  i am very curious to figure out the

whole sexual relations between jack, neal, and allen...

 

it is obviously quite clear that neal and allen had a homosexual

relationship.

 

     but what about jack?  did either neal or allen or both have homosexual

relations with jack?

                   if not, how much did jack know about neal and allen?

anyone who knows anythingabout this, please HELP ME OUT!

 

satisfy my curiousity, darlin's,

 

jenn

=========================================================================

Date:         Thu, 17 Jul 1997 00:15:58 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: An Illiterate Impression of Visions of Cody

MIME-Version: 1.0

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Jenn Fedor wrote:

> 

> ******************************************************************************

> ********************

> could some one please help me out here?  i am very curious to figure out the

> whole sexual relations between jack, neal, and allen...

> 

> it is obviously quite clear that neal and allen had a homosexual

> relationship.

> 

>      but what about jack?  did either neal or allen or both have homosexual

> relations with jack?

>                    if not, how much did jack know about neal and allen?

> anyone who knows anythingabout this, please HELP ME OUT!

> 

> satisfy my curiousity, darlin's,

> 

> jenn

 

To all on this thread,

 

i'm not certain what it is precisely, but something about this thread

makes my spine tingle a bit.

 

i've never been much of one for soap operatic visions and this current

string of who fucked who(m?) in whose bathroom with who watching seems

............... at least none of my fucking business.

 

perhaps it is the puritanical notions still implanted in those from the

land where Ike still rules our country and we pledge to the flag in the

morning on our way to the filling station - but at least out here on the

prairie such matters of intimacy seem something that be left sleeping

like the dogs.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 17 Jul 1997 09:21:36 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      book spree

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Went on a net shopping spree a few weeks ago and the books are finally

starting to arrive -- got a bunch of choice stuff (more than i can afford,

for sure) and i'm totally thrilled:

 

_The Joyous Cosmology_, Alan Watts. Been looking for this book for _years_,

and I find 2 book dealers with good copies under $10! I bought both. Worth

it for the psychedelic b/w photos inside, but I suspect that hearing Watts

talk about his trips is going to be interesting too.

 

_Painting & Guns_ by William S. Burroughs; _Auto Biography_ by Robert

Creely. 2 nice Hanuman books, not bad for $1.99 each even if the covers are

worn. Read WSB's (actually I bought these in May, but still) and it's full

of lotsa sharp writing.

 

_Natural Enemies: Youth and the Clash of Generations_. A nice hardbound

book of short pieces on that counter-culture thing by all our favorites,

including Allen & Louis Ginsberg, Lionel Trilling, Norman Podhoretz, Henry

Miller, McLuhan, Fuller, Eisenhower & Kennedy, etc.

 

_Ideas and Integrities_, _Earth Inc._, Buckminster Fuller. The

to-be-expected high-output comprehensive essays.

 

_First Blues: Rags Ballads & Harmonium Songs 1971-74_, Ginsberg.

Autographed. Wow, I've been looking for a copy of this sucker since '93 and

didn't expect to get a signed one, but I did...

=========================================================================

Date:         Thu, 17 Jul 1997 09:32:41 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: PS...

 

John:

 

My Burroughs visit was not too private to share, I just haven't gotten around

to completely recounting it, and all the circumstances that led up to it.

 The friend with whom I traveled to Lawrence and visited WSB has been

collaborating with me on a story of this milestone adventure, but it's

progressing very slowly in fits and starts, as we talk to and fax each other

to and from Ann Arbor, MI where I live and Philadelphia.  I have related some

of the events in a sporadic, fragmentary way through some posts on the list,

you may have run into some of them.  The lengthiest have been to Maya Gorton,

who has recently unsubscribed, and were sent only to her rather than to the

list as a whole.  Anyway, your message is another toggle to me to get going

and fully recount this experience for posterity.  My participation in this

List is turning out to be a great writing exercise for me, after a lifetime

of only occasional and painfully produced works, there has been a steady flow

since I signed on a few months ago, easily and without the self-consciousness

of "writing" where I feel the Giants looking over my shoulder as I stare at

the blank page/screen.  After working out this way, I'm hoping that my skills

and stamina will reach a point where I can tackle such projects as the WSB

story.  My goal is to write installments and send them regularly to the whole

list until the story is told.  Parallel with that and as material from which

to extract will be the continued collaborative effort, which may spill over

from a factual, straightforward approach and qualify as a Beat/Gonzo piece in

its own right.  Just writing at length about what I''m GOING to do and not

quite getting around to it, expending the energy I should be using to

accomplish it on describing its difficulty, is I think a time-honored method

and part of the process itself.

 

As for THE BLACK RIDER, I attended its premiere in the spring of 1990 in

Hamburg, Germany.  The friend who accompanied me to the WSB visit and his

wife were living there at the time, and this episode was part of a fairly

long trip through various parts of Europe (yet another potential story).

 There were rumors of an appearance by WSB, but we never spotted him.  From

what I recall, the production was partly in English and partly in German.

 Despite my hosts' attempts to translate for me, I could not completely

understand what was going on, and so my impression of it is compromised by

the distance in time and the partial language barrier.  I remember thinking

that it was a heavy-handed Teutonic fable, complete with hunters in the

forest, maidens, etc., put through a post-modern avant-garde wringer by

Burroughs, Waits and Wilson.  The sets and costumes were remeniscent of the

German Expressionist style.  Burroughs' voice came as a recording from

offstage, especially in the first act.  The statement that still resonates

the most with me is when he says "the first shot is always free" in his

not-quite-imitatable world-weary drawl.  I enjoyed and got a laugh out of

WSB's application of one of his maxims, distilled from junkys' street life,

to actual bullets and guns, an ominous foreshadowing of the Mephistopholian

bargain that the protagonist makes leading to his and others' doom.  WSB's

fetish for and historic misadventures with guns as much as syringes further

deepened the resonance of this statement.  Although his direct participation

in the production was very brief and occasional, his spirit seemed to be an

ingredient within and behind the scenes of the whole production.  So, with

the limitations I've cited above, my opinion is that it was interesting (how

could it not be with the involvement of these artists, especially WSB?), but

not particularly profound or riveting.  Even just a touch of Burroughsian

schtick greatly spiced it up.  I acquired the CD when it was released, and

enjoyed the "bones" piece sung/narrated by WSB.  I've never been much of a

Tom Waits fan despite his being considered something of a neo-Beat figure, my

exposure to him is limited and I'm not motivated to increase it now.  Do you

think it would be worth it?

 

At the beginning of our visit, when I was in a state of almost speechless

adrenal trauma, my friend mentioned that we had seen the premiere, as an

ice-breaker.  WSB's response was:  "I think Hamburg is the nicest city in

Germany, don't you agree?", without commenting on the production itself or

its importance, if any, to him.  We both unanimously and enthusiastically

agreed with his assessment of Hamburg.  There I go again, another fragment.

 

It must be very fun and interesting to teach a Beat course.  Do you have any

other poems or other writings such as the one you posted that led to our

first corresponding?  What are your favorite works, and what would you

suggest as the subject of an ongoing discussion, like the one going on

concerning Kerouac's VISIONS OF CODY?  Again, I hope you're finding this List

worthwhile to be involved in, as I am.

 

Regards,

 

Arthur

=========================================================================

Date:         Thu, 17 Jul 1997 09:45:08 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Homosexuality

 

I wouldn't say that Kerouac and Cassady were homosexual.   Seems to me

that they were both heterosexual guys who experimented occasionally with

homosexuality.  For Cassady, this might have been a result of his

spending  his adolescence in reform schools.  Unlike Ginsberg, though,

Cassady and Kerouac were primarily drawn to women.  I don't think I'd

refer to Cassady and Ginsberg as "lovers," either, though Ginsberg

certainly can be said to have loved Cassady in the sense that term

implies.  I doubt, however, that Cassady ever felt that kind of love.

Basically, Cassady, I think, wanted to be Allen's friend.  He saw Allen

as a mentor, looked up to him, and wanted to please him.  If that meant

sex once in a while, that was okay, at least early on in their

friendship.  All of this talk about whether someone is heterosexual or

homosexual doesn't mean very much in the end but it is interesting if

merely as gossip.   Martin Duberman's play "Visions of Kerouac" makes a

plausible case for Kerouac being a repressed homosexual.  The idea is

that Kerouac's repression of his homosexuality caused a lot of his pain.

It's not an idea I buy but I have to admit Duberman makes an

interesting case.

=========================================================================

Date:         Thu, 17 Jul 1997 10:04:37 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      cuputs

MIME-Version: 1.0

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Can we talk about cut-ups? I want to make sure that I understand the

technique.

 

You take a work, any work, that is written on paper. slice it down the

middle. reassemble the work so that the words and phrases are scrambled, and

retype. new meanings and hidden thoughts may emerge.

 

Is this the gist of the cut-up? I recall reading the story of Bill cutting a

book down the middle with an axe or similar instrument, reassembling and

there it was... but when you are re-typing the new work, can you insert

words and refine phrases, or must you simply transcribe what you see on the

paper? (I do know that what you see will be different every time, just like

tape transcriptions, but maybe this is another story.)

 

I want to know if there is a difference between scrambling all of the

_words_ in a text and scrambling all of its _characters_. I mean, I know

there is a _difference_ and each method will produce different words and a

different text (the first will usually contain the same words as the

original text with the exception of those words split by the cut), but are

both products of the "cut-up" technique, or does the cut-up require that

the same words generally be used (thus bringing all words used in the old

text along and into the new one, all the words and their

meanings/connotactions, as opposed to all the _characters_)? Or is one

simply going deeper than another? Discuss.

 

 

WHAT I AM GETTING AT: I have a computer program called "an" that has

potential literary value in pursuing further studies along this cut-up line.

 

"an" takes as its standard input any text -- pick a word, any word. The text

could be a book-length ASCII text file, or it could be a short word or

phrase. Then an takes this input and processes it, comparing every possible

permutation of characters with the system dictionary; every time a set of

valid words (ie words that appear in the system dictionary) is generated, it

outputs this to the standard output (screen or file), a line at a time. As

such, an is not just a simple anagram generator -- as its author originally

intended -- but a fast, accurate cybernetic cut-up machine. (I am also aware

of the excellent cutup program at <http://www.bigtable.com/cutup/>. This one

retains words, and even duplicates them to fill a page (or screen) -- yet

another method.)

 

The amount of memory required to generate anagrams is in exponential

relation to the length of the text, so using an to cut up texts of any

significant length must be done on a machine with more memory than mine has

(81MB RAM), but I suppose this is a temporal problem, as the relation to

computing power and its cost is also behaving exponentially according to

Moore's Law.

 

Should there be an interest, I will post results of my findings to the list.

 

 

m

 

<http://dsl.org/m/>  Copyright (c) 1997 Michael Stutz; this information is

email stutz@dsl.org  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

                     WARRANTY; for details see <http://dsl.org/copyleft/>.

=========================================================================

Date:         Thu, 17 Jul 1997 10:31:59 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: Jenn Fedor's curiosity

 

Dear Jenn:

 

Here's what I know from my studies of works by and about the Beats re:

"....sexual relations between Jack, Neal and Allen..." as you asked about in

your post:

 

Ginsberg was very infatuated with Neal, his "Adonis of Denver" as he

described him in HOWL.  It was apparently a one-way street, Neal was

straight.  But Neal's great regard for Ginsberg as a literary mentor/soul

mate, and also, perhaps, his hustler-exploitive instinct, led him to have sex

with Ginsberg.  Their relations were sporadic and led to AG's frustration, he

implored NC to join him in an ongoing relationship, while NC was only

accomodating his friend without really being into it.  Neal's marriage to

Carolyn only made matters more tense and frustrating, and in an infamous

episode recounted in her (highly recommended) memoir OFF THE ROAD, among

other sources, she discovered AG and her husband having sex together in their

bedroom, and promptly evicted AG.  Immediately in the wake of this, AG

skulked back to San Francisco and met Peter Orlovsky, who became his steady

partner through AG's death.  This helped to cool down AG's essentially

unrequited obsession for NC.  A poignant and very sad description of one of

the last encounters between AG and NC is given by AG in one of his poems (I

can't recall the name of it and don't have access to my collection right now,

I'll look it up later and get back to you if I find it).  A burned-out, soon

to be dead NC and AG are in bed together, and AG feels the cold, shaking NC.

 I think that AG's obsession for NC, like a grain of sand that becomes a

pearl, was an inspiration to AG's creativity even as it caused him pain and

frustration.  And as regards creative inspiration, AG helped NC as much as

anyone, including Kerouac, was able to, but NC's historic role in the Beat

saga will always be more as a subject and inspirer of others, especially AG &

JK, than as a creator in his own right.

 

As for JK, he was heterosexual like his alter ego NC, and the two of them

never had a sexual relationship as far as can be determined.  But their

relationship went far beyond a typical friendship, what some might argue

beyond sex into a realm of eroticising and mytholigizing that exceeds what

many outright sexual relationships have stirred.  AG managed to have sex

occasionally in their early days with JK (he seems to have had his way with

everyone), and again I think that JK's respect for AG's creative genius and

their affinity for each other on a soul-to-soul level carried the day.  I

once read ( I can't remember where) an anecdote from near the end of JK's

life that also shows the whimper coda of a collaboration that had begun with

such a bang, as with AG and NC above.  A drunken, passed-out JK awoke to find

AG and Peter Orlovsky blowing him.  "What are you doing, I'm not queer?!" he

asked, startled.  "We just want you to be happy, Jack", they said as they

looked up from what they were doing.  Nothing could cheer up poor JK by then.

 As to your question of how much JK knew about AG & NC, I recall from some of

the letters between JK & AG that JK was aware of it and tried to help AG sort

things out.  AG as usual wore his heartache on his sleeve, and shared it

intensely with JK and others.

 

The tangled, complex undertow of interrelations between the great Beat

figures is fascinating and, I think, essential to an understanding of their

lives and works.  Another important relationship was that between AG &

William S. Burroughs, especially WSB's failed attempt to "schlup" (completely

absorb and be absorbed by) AG in NYC in 1953.  But that's another story, and

not related to what you directly asked.  I hope that you find this

information helpful, and keep digging further into the Beats and their

collaborations, creative and otherwise.

 

Regards,

 

Arthur S. Nusbaum

=========================================================================

Date:         Thu, 17 Jul 1997 09:27:39 -0500

Reply-To:     "Ryan L. Stonecipher" <evets@SOFTDISK.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Ryan L. Stonecipher" <evets@SOFTDISK.COM>

Subject:      Poem...Poetic Forum

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haven't written in a while...can't keep up w/ flood of email...sorry...

 

thought i'd share a piece i've been working on, looking for poetic

community beautiful San Francisco rememberances...can't seem to find the

poets where i live:  deep south louisiana backwoods isolation...now that i

know there are great souls to talk to here (Charles, Pamela, Bill, etc.)

maybe i can find some sense of words words words loving...tell me what you

think:

 

Nineteen Ninety Six

 

And here's how it went:

 

Picking up cigarette rag,

        blonde stranger and best friend at concerts

        back to her room for night of drunk love - kissing laughing losing my

cherry ha ha ha -

                we made love while i dreamt of changing the world and

                        you dreamt of your boyfriend

You and him at Yancey and Sergio's tripping crazy (me drunk),

        talking about big brother government CIA and fixing the world through

machines...

Listening to you yell and scream and wail about sexism and

        how we're men and can't understand you woman.

First I listen to you and your first girlfriend lover,

        not turned on like I thought I'd be,

                angry because I thought you didn't love me,

                angry because you lied to me,

                angry because I didn't understand you.

Then roles reversed, you listen about my first boyfriend lover,

        crying because I didn't wanna tell you,

                not hearing me say that I didn't like it,

                not hearing me say that I was sorry I didn't tell you,

                not hearing me say that this was the end of the ride.

 

Think maybe I'll be fine in Denton.

 

Stumbling drunk up dormitory stairs,

        half bottle of tequila in me, sensitive poet type,

        winking at red headed angel,

                at IHOP 3AM wondering

                "what's wrong with Josh," almost passing out over

                        half-smoked cigarettes coffee cholesterol.

 

Making love wine-induced to strangers later to be friends

        in room inhabited by Buddha scripture scrolls and

        prophecies by Allen

                listening to eastern hymns of roommate I still don't know.

 

Handwriting read to me by modern-day Mexican saint

        in hallways of paint & sweat & marijuana & alcohol

                ticketed in park trespassing

                        1 down, lost to law

                        2 more down, lost to paranoia,

                                damn glad they didn't find no shit.

        Sitting in police station 6AM coming down from cloud,

                coming up with $300 to bail him out -

                        brother to my red-headed angel.

 

Dancing mad rhythms at first gay bar with brothers and

        crazy girlfriend moving LSD vibrations

        of cosmic soul thumping sexy house beats

                wondering where sleep honest love tonite?

 

No class, Spanish not worth it - decide to write instead,

        meditate instead, drink instead

                mad nights outside dorm yackety yacking about sex drugs

                        religion politics ya ya ya,

                parties at maniac houses flirting still attached -

                        nope, wait, broke up with her:  so, you wanna go out?

 

Single rose on car seat, dinner at fine Italian restaraunt

        with an end in a smill...no kiss no hold hands -

        just an angel to be close to, someone to hold.

 

 

 

closest i've ever gotten to bear all soul writing...still working...tell me

what you think.

 

Ryan Stonecipher

=========================================================================

Date:         Thu, 17 Jul 1997 09:35:03 -0500

Reply-To:     RACE --- <race@MIDUSA.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Jenn Fedor's curiosity

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Arthur Nusbaum wrote:

 

 

> The tangled, complex undertow of interrelations between the great Beat

> figures is fascinating and, I think, essential to an understanding of their

> lives and works.

 

> Regards,

> 

> Arthur S. Nusbaum

 

Just as the weather changes overnight here in Kansas my mind twists

full-circle.  In the event that the interest in the intimate details is

along the lines suggested by Arthur here i would think it makes

sigificant sense to look into the matter.

 

Where the voyeurism overshadows the interest in the other aspects of the

lives of these folks i will remain prudishly Midwestern.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 17 Jul 1997 10:52:37 -0400

Reply-To:     SSASN@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      To Derek Beaulieu RE:  Dada-cutup connection

 

Derek:

 

A belated response to your post to me re:  Dadaist ancestry of cutups.  It

serves me right for opining on this before having read EVERYTHING by and

about WSB & his collaborations with Gysin-  among the very few items I

haven't yet read is THE THIRD MIND, but I own it and will duly get to it and

see if a reference to dadaist forebears is there.  As soon as I read your

post, I remembered something else relevant to this issue-  In his very early

years (circa age 20, mid-1930's), BG was living in paris and directly

participating in the Surrealist movement, which really was a movement at that

time and place, dictated to by its self-appointed leader, Andre Breton,

through his SURREALIST MANIFESTO and ongoing domination over the movement and

its members.  BG was to have contributed to some major Surrealist exhibit,

but his works were removed at the insistence of Breton just before it opened,

and I think that ended BG's official involvement with the Surrealists.

 Apparently Breton was very temperamental and easy to displease, his wrath

also came down on Dali and others.  I've always wondered why the figures of

such a free-spirited, innovative movement allowed themselves initially to be

dominated and politicized by such a prima donna.

I should probably study him further, he must have had some sinister charisma

that held sway with people who were themselves such independent mavericks.

 

Anyway, since the Dadaists directly preceded and were in many cases the same

people who went on to become the Surrealists, BG was directly exposed to and

connected with Dada/Surrealism, and there MUST have therefore been an

influence, direct or indirect, conscious or not, on the cutups by these

movements, even if BG referred to the cutups as a discovery brought about by

a "happy accident".

 

Regards,

 

Arthur

=========================================================================

Date:         Thu, 17 Jul 1997 09:05:31 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: To Derek Beaulieu RE:  Dada-cutup connection

Comments: To: Arthur Nusbaum <SSASN@AOL.COM>

In-Reply-To:  <970717105237_127888456@emout05.mail.aol.com>

Mime-Version: 1.0

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arthur

sure it was a happy accident - but so much of frottage (rubbings of

texture), collage (cut&paste) and cut-up is happy accident and

celebration of the nonscencical and unexpected juxtapositioning of images.

thanks for reminding me about gysin and the surrealist movemnt. i do

believe that you are right that he was associated by breton (and co) in

the 20's & 30's (i think) in paris. this i guess would be post dada, early

surrealist (if my timelist memeory serves). for a great biography on

breton check out _revolution of the mind_

        i think that the arguement that dada influenced wsb 7 bg is strong

, but where can it be taken? (ah theres the rub, right?) can its influence

be seen thru-out wsb's work?collage as a theme as well as a technique for

construction - so i was thinking: the obsession with the body and

graft,disease, etc - could it be seen as a sort of "biological cut-up"

reassembling, recutting - arriving at new conclusions and new reults by

reassembling the human form?

        hmmm

        derek

=========================================================================

Date:         Thu, 17 Jul 1997 11:25:12 -0400

Reply-To:     Richard Wallner <rwallner@CAPACCESS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: An Illiterate Impression of Visions of Cody

Comments: To: Jenn Fedor <Tread37@aol.com>

In-Reply-To:  <970717011307_-823358633@emout02.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I guess there is or has been a tendency to want to clean up Jack

Kerouac's image for public consumption.  Jack was a fringe figure in

society during his life but predicatably, his writing has outlived him

and his myth/legend will grow larger as the years go by.

 

A while back in this group, it was pointed out that a new book about

Kerouac spoke bluntly about Jack's drug use.  Some in this group from

Lowell got really upset because Jack's been recast as this all-american

hometown hero and they dont want to think of Jack as a drug abuser.

 

Jack probably did have plenty of sex with both sexes, he was promiscious

and adventurous.  He also did heroin and speed for a number of years.

>From all I've read about Jack, there was a time in his life where he

wanted to try everything and do *everything* and go *everywhere*  Part of

the beat spirit.

 

I dont think he could have been the writer he was had he not been open to

these experiences.  It cana lso be argued though that maybe he lived too

much too soon, and wouldnt have died an alchoholic recluse if he felt any

other experiences were still out there.  At any rate, the question of

Jack's sexuality is not important anymore.  I dont see any need to dwell

on it.

 

RJW

=========================================================================

Date:         Thu, 17 Jul 1997 08:29:21 -0700

Reply-To:     James William Marshall <dv8@MAIL.NETSHOP.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Post Office

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  Allmost dun Bukowski's _Post Office_.  Eyes wonderin phenybody elz z red

itt, lyke two commint aunit, ewe no.

  _The Western Lands_ is neckst.

  Four thO's intarrested, a Joyz lisserfer xists.

 

                                            James M.

Meye noz runz.  Eye doent.  ""

=========================================================================

Date:         Thu, 17 Jul 1997 11:32:10 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: An Illiterate Impression of Visions of Cody

In-Reply-To:  <Pine.SUN.3.91-FP.970717111559.8780A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 17 Jul 1997, Richard Wallner wrote:

 

> Some in this group from Lowell got really upset because Jack's been recast

> as this all-american hometown hero and they dont want to think of Jack as

> a drug abuser.

 

And of course they're ignoring the fact that gross drug abuse has always

been an all-american hometown activity.

=========================================================================

Date:         Thu, 17 Jul 1997 11:14:11 -0500

Reply-To:     LISA VEDROS <2ndbeat@TELAPEX.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LISA VEDROS <2ndbeat@TELAPEX.COM>

Subject:      John A. Gregorio

Comments: To: BEAT-L@CUNYVM.CUNY.EDU.

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Hi. Me again. Thadeus from Second Beat. The response from the magazine has

been great, thanks guys. But there is some confusion about one of the

orders. I need to get in contact with a Mr. John A. Gregorio to discuss his

order. If John or anyone who can get in touch with him is reading this,

e-mail me at <2ndbeat@telapex.com>

 

Thanks,

Thadeus D'Angelo, Camellia City Books

=========================================================================

Date:         Thu, 17 Jul 1997 12:56:02 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      welcome to the ninties, again

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in richards post awhile back about jack's self destruction period, he

said that there was a time in jack's life where he wanted to do

everything, be everywhere etc. this reminded me of a song by nine

inch nails where at the end trent reznor sings, "i want tobe

everywhere i want to do everything, i want to fuck everyone, i want

to do something.. that matters!" i will get to less obvious

connection later.

i was talking with a friend who told me when she was in college, she

took a course about how the generations generally repeat themselves

every forty years inwhat they do and in general beliefs and feelings

toward society. this can be proven true. for example, in the forties

most everyone had a family and settled down. but not people neal

cassady and some other members of the post- war generation.

and in the eighties, again most people did the wife and kids thing,

but some people did not (your avid skater/ punk rocker). in the

fifties, some people started a family and some people became beatniks

and embraced (excuse me for using alduos huxley's title) a brave new

world. and now you may be thinking that because of the ninties, i may

be wrong. if you think that in the ninties jack doesn't ever happen

and never will- look undergroun for the now named "elctronictcia".

this style of music reminds me of the all-nite jazz shows that jack

and neal went to even more so because some people goto all-nite

techno music raves. so all i'm really saying is that we are

experiencing a renascaince now- one of music. (forgive me if i was to

stereotypical, i was not a conscious organism until the late

eighties) does any one else agree? disagree? cya~randy

=========================================================================

Date:         Thu, 17 Jul 1997 13:06:08 -0400

Reply-To:     Zach Hoon <junky@BURROUGHS.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zach Hoon <junky@BURROUGHS.NET>

Subject:      ecstatic bunny tracks leading to bleepy alien music

Mime-Version: 1.0

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hello beetles....

another day, another twiddle of the thumbs, or perusal of my dated copies

of NME, or etc, as i wait for the msgs to download from this great list in

the sky, or at least across it...i scan through half or so, having to do

with one or a combo of 4 things: Joyce, VOC, the mysterious rift between

kerouac and cassady, or that person asking about Lady Day...(Hey Sara F,

i'll tell ya, your post concerning the sex/lit correllations really kicked

me in the tail though...)

Realised i haven't posted to this little list for, hm, close to 2 months

now. not very much like me, i must say. i suppose my motivation, in this

case lack-there-of, in not posting to the list, has to do mainly with all

the kerouac-related discussion. Never got into him. Bought a few of his

books and put them all down, even the infamous 'On The Road'...I suppose i

am strictly a Burroughs man, save for 'Howl' and 'Kaddish' which i loved,

and were my first forays into this beat world, along with B.Miles's AG

biography, which i found in a used bkshop for $2...why do i tell you all

this? i feel like writing. this breaks maybe a block that's been in place

longer than i care to admit. I recall B.Gargan's post concerning the

purposes of this list, but let's just say i left that msg next to an open

window and it rained. really hard. but just this once...i know, i know,

delete if you will.

I remember reading a OneTwo combo of Ulysses and Naked Lunch after a car

accident put me out of commission the year i was 17. i loved them both,

after not understanding a single word. for some reason the language in them

showed me there was more to words than just putting them together to create

scenarios of death and suicide, some may laugh at the irony of this, but,

loving life as i didn't, this showed me to love words as i could, their

viral infliction/infection, the expresssion blessed....

17 was a melodramatic year for me, it was. i took a pile of canvases

outside one early morning, around 4 or so, and burned them next to the very

suburban apartment building in which i shared a unit with my father.

plastic burning was in my nose for what seemed like days, but was probably

just hours....I threw away all my paint, didn't talk to people, drew pen

and ink sketches maybe, but mostly mutilated pics of ppl and things into

collages, around, about, and for words. i listened to angry music,'songs

about garbage disposals written by jackhammers' to loosely paraphrase DC...

I wrote one short story, about love through a sickness physical on one

side, mental on another, about what the world showed me love to be, which

is probably much different than what it has shown you all, as it is much

different for all of us, individually, because that's what i see it, love,

to be, though not nearly a tender thing for me, individual for all of us in

the end. i could be wrong. we could all be wrong... but i finished this

piece, and i read it out loud, at a reading, mostly among friends, and in a

small place, and i sat down, still holding the printed papers, and as my

ass hit the seat the thought hit my mind, softly, like a hammer wrapped in

cloth, that i would never write like that again. not because i couldn't,

but rather because i wouldn't, because, as someone we all know so well once

said, it was just too dangerous.

..and i haven't, that 17yr old day being near 6 years ago...I sit here

jacked into this computer, listening to the bleepy alien music that i love,

that i create, that i pretty much eat and breathe;  gives images of droves

of bunnies hopping across technicolor fields of grass, towards the music,

attracted by those unseen patterns that only some of us pick up on, the

disembodied voices, the snatches of songs from other places or times,

etc...staring at white text field remembering the last time i saw someone

that i had once dearly loved, she asked me if i could get her ecstasy,

because she had heard i knew all the dealers.

maybe at this point i blink back tears. maybe at this point i hit 'send' or

discard'. maybe at this point i remember i got her the x, putting it in her

palm that secret way, hoping to myself that it was an acceptable substitute

for the kind that her and i had shared for five years, and quickly giving

myself a mental kick for being so fucking stupid/sentimental...

...there are no words within a specific sphere. that sphere can be a good

or a bad place to be. me? i haven't figured it out yet...i'll let you know

when i do.

 

-z

 

Markup/Graphic Design Team

Internet Concepts LLC

zach@netconcepts.com

(608) 285 6600

=========================================================================

Date:         Thu, 17 Jul 1997 13:05:07 -0400

Reply-To:     Michael Stutz <stutz@DSL.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: welcome to the ninties, again

Comments: To: randy royal <randyr@southeast.net>

In-Reply-To:  <199707171707.NAA24963@mailhub.southeast.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 17 Jul 1997, randy royal wrote:

 

> in richards post awhile back about jack's self destruction period, he

> said that there was a time in jack's life where he wanted to do

> everything, be everywhere etc. this reminded me of a song by nine

> inch nails where at the end trent reznor sings, "i want tobe

> everywhere i want to do everything, i want to fuck everyone, i want

> to do something.. that matters!" i will get to less obvious

> connection later.

 

yup. a common theme in 90s lit and music. lord byron echoed in jane's

addiction "wish i was ocean sized, no one can hold you man no one tries."

 

 

> so all i'm really saying is that we are

> experiencing a renascaince now- one of music. (forgive me if i was to

> stereotypical, i was not a conscious organism until the late

> eighties) does any one else agree? disagree? cya~randy

 

yeah agree totally. check the beat-l logs or the music parts of my web site

if "indie rock as renaissance" appeals to you.

 

m

 

<http://dsl.org/m/>  Copyright (c) 1997 Michael Stutz; this information is

email stutz@dsl.org  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

                     WARRANTY; for details see <http://dsl.org/copyleft/>.

=========================================================================

Date:         Thu, 17 Jul 1997 13:32:08 -0400

Reply-To:     Zach Hoon <junky@BURROUGHS.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zach Hoon <junky@BURROUGHS.NET>

Subject:      Re: welcome to the ninties, again - electronica

In-Reply-To:  <199707171707.NAA24963@mailhub.southeast.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

those involved in underground (so-called, in my opinion) movements are

often reluctant to show/expose their roots.

at this point, electronica is the media's machine. to info-ate the masses,

'electronica' was a descriptive term used to define a style of electronic

music coming primarily out of the uk and the west coast, characterised by

slow, lazy breakbeats, bass tones and odd or experimental or hooky

synth lines and various computer noises etc...minimal sample use, heavily

utilised in the 'chill-out' rooms at raves in the early/mid 90s.

'electronica' is now the media's catch-all term for anything not

guitar-bass-singer-drum driven, anything usuing primarily electronic

equipment, a turntable, what have you...record companies want to make

'electronica' the next 'grunge'. look at The Prodigy, currently #1 album in

the country...wow cs are pushin' hard, huh? me, i think it's funny. record

companies, they don't realise the best 'electronica' is coming out of

bedrooms, put out on record labels like the one a friend of mine runs out

of his basement...but this is another discussion, sorry to all i've bored.

what i want to address is the comparing of the jazz parties to the raves.

although there is a serious intellect behind electronic music (that is

often overlooked in my opinion), the level of intellect at the old jazz

parties as oppsed to the raves is drastically different....jazz: you talk,

you listen to the music, you talk about the music, you talk about

whatever...operative word: talk. rave: you dance. you listen to the music.

you can't really talk because the music is too loud. you dance some more.

you 'rave' <- the use of this word has become somewhat of a joke amongst

those who actually do.

I love both of these gatherings. i throw jazz parties and i throw rave

parties, for different reasons.

cocktail/jazz parties when i want to get together, talk, discuss, etc with

good friends, strangers, what-have-you; raves when i want to dance my ass

off to the music i love while smacked out on e (sometimes), usually with

the same friends (heh)...there really is no intellectual level to raves,

unless you're up there djing, or organising, or involved with the show.

otherwise it is entertainment on an extremely base level...but who knows.

maybe that's all those jazz parties were to Jack and Neal, so the whole

discussion i've just had with myself is moot. but hey, it was still fun.

for me, if not for all 209 of you...heh.

the rennaissance? yeah sure, it's going on...it started with Kraftwerk (not

solely, but they've been cited many times as huge influence on electronic

music), and has been evolving ever since. those of us who make this kind of

music, all kinds actually, we'll take it further i'm sure...

but i'd like to see a bit more of a rennaissance in lit too...maybe it's

not 50 years behind anymore, but it sure is back there...

-z

(yeah i lost a bit a weight since my last post...)

 

Markup/Graphic Design Team

Internet Concepts LLC

zach@netconcepts.com

(608) 285 6600